Applause -- Wicked, July 24-August 25, 2024 by The Publishing House

APPLAUSE

SIGHTLINE

BY JANICE SINDEN

WWelcome to the DCPA! Whether this is your ﬁrst or ﬁftieth time at the Arts Complex, we’re delighted you’re here.

This “popular” musical about a girl with skin as green as the Emerald City and her bubbly bright friend returns for its seventh Denver engagement. While adults may appreciate themes such as bias and self-love, younger audiences will be thrilled with the elaborate stage eﬀects and incredible costumes. Much like The Wizard of Oz when it ﬁrst appeared on stage in 1902, Wicked has become a classic for a new generation.

An altogether diﬀerent “classic” is playing across the way through August 11. The Second City returns to the Garner Galleria Theatre with an all-new revue — Comedian Rhapsody. Known for such comedians as Tina Fey, Stephen Colbert, Steve Carell and Amy Poehler, The Second City: Comedian Rhapsody features some of the troupe’s best-loved sketch comedy classics plus new improv skits.

For more adventurous audiences, we’re also delighted to present the U.S. tour launch of DARKFIELD running through September 1 in RiNo’s The Bird Lot. This new show from DCPA Oﬀ-Center is a multi-sensory auditory experience that takes place in a shipping container. Participants can choose one, two or all three experiences: SÉANCE, FLIGHT and COMA.

These productions will fill the summer while we gear up for our 2024/25 season. In addition to the best Broadway tours, the DCPA also handcrafts its own productions: Denver Center Theatre Company offers eight mainstage plays including the 30th anniversary of A Christmas Carol; DCPA Off-Center puts audience at the center of its immersive programming, and Theatre for Young Audiences delights children with Elephant & Piggie’s “We are in a Play!” this fall.

We hope you return for an all-new lineup of shows. The full season can be found online at denvercenter.org. We’ll see you soon!

Vladimir Script

Warm regards,

Janice Sinden

Janice Sinden, President & CEO

HONORING OUR ELDERS

The Denver Center for the Performing Arts honors and acknowledges that it resides on the traditional and unceded territories of the Ute, Cheyenne, and Arapaho Peoples. We also recognize the 48 contemporary Indigenous Tribes and Nations who have historically called Colorado home.

APPLAUSE

VOLUME XXXV • NUMBER 1 • JUL - AUG 2024

EDITOR: Suzanne Yoe

DESIGN DIRECTOR: Kyle Malone

DESIGNER: Brenda Elliott

CONTRIBUTING DESIGNERS: Paul Koob, Lucas Kreitler

CONTRIBUTING WRITERS: Linnea Covington, Teri Downard, Emma Holst

Applause is published eight times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

Applause magazine is funded in part by

Angie Flachman, Publisher For advertising 303.428.9529 or sales@pub-house.com coloradoartspubs.com

Denver Center for the Performing Arts is a non-profit organization that engages and inspires through the transformative power of live theatre.

BOARD OF TRUSTEES

Hassan Salem, Chair

Ruth Krebs, Vice Chair

David Jacques Farahi, Secretary/Treasurer

Nicole Ament

Dr. Patricia Baca

Brisa Carleton

Jerome Davis

Deb Kelly

Kevin Kilstrom

Lynn McDonald

Susan Fox Pinkowitz

Manny Rodriguez

Alan Salazar

Richard M. Sapkin

Martin Semple

William Dean Singleton

Robert Slosky

Tina Walls

Dr. Reginald L. Washington

Sylvia Young

HONORARY TRUSTEES

LEARN MORE

16 FOR A COMPLETE LIST OF UPCOMING SHOWS:

Navin Dimond

Margot Gilbert Frank

Jeannie Fuller

Robert C. Newman

Daniel L. Ritchie

Cleo Parker Robinson

HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES

Martin Semple, President

William Dean Singleton, Vice President

Dr. Reginald L. Washington, Secretar y/Treasurer

Nicole Ament

Marco D. Chayet

Kevin Kilstrom

Ruth Krebs

Susan Fox Pinkowitz

Hassan Salem

Robert Slosky

EXECUTIVE MANAGEMENT

Janice Sinden, President & CEO

Jamie Clements, Vice President, Development

Chris Coleman, Artistic Director, Theatre Company

John Ekeberg, Executive Director, Broadway & Cabaret

Lydia Garcia, Executive Director, Equity & Organization Culture

Angela Lakin, Vice President, Marketing & Sales

Glen Lucero, Vice President, Venue Operations

Laura Maresca, Chief People & Culture Officer

Charlie Miller, Executive Director & Curator, Off-Center

Lisa Roebuck, Vice President, Information Technology

Charles Varin, Managing Director, Theatre Company & Off-Center

Allison Watrous, Executive Director, Education & Community Engagement

Jane Williams, Chief Financial & Administrative Officer

Get ready for a fun-ﬁlled musical experience, leaping from the pages of Mo Willems' awardwinning, best-selling children's books, that will leave you doing the "Flippy Floppy Floory" dance all night long!

Gerald and Piggie take to the stage in a rollicking adventure brought to you by DCPA’s Theatre for Young Audiences program, which is tailored to Pre-K through 3rd grade audiences but welcomes all ages.

Elephant & Piggie’s “We Are in a Play!”

Book and Lyrics by Mo Willems

Music by Deborah Wicks La Puma

Based on the Elephant & Piggie books by Mo Willems

Directed by Allison Watrous

OUR GUIDING VISION

This play was commissioned by and ﬁrst produced at the John F. Kennedy Center for the Performing Arts.

Feel the freedom of whole -person care.

Nap hard. Eat clean. Love big. And start living your best life. Because we’re here to help heal what hurts, ease your mind and lift your spirits with the latest medical innovations and wholeperson care. It’s time to take control of your health. It’s time to feel whole.

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John

SATURDAY NIGHT

ALIVE

RAISES VOICES WITH A PERFORMANCE AND MASTERCLASS BY LACHANZE

The Denver Center for the Performing Arts’ annual gala, Saturday Night Alive, was held on June 8, 2024. The signature gala serves as a fundraiser to support locally produced plays, onsite acting classes, and educational programs at the DCPA. The 2024 event was attended by more than 500 guests and grossed over $900,000. Since its inception, Saturday Night Alive has raised more than $23 million.

Gala Co-Chairs John Farnam and Paul Heitzenrater, Trustee Co-Chairs David and Jessica Farahi, DCPA Board Chair Hassan Salem, Sheila Salem, President & CEO Janice Sinden, and Executive Director of Education & Community Engagement Allison Watrous (pictured below) rallied support from dozens of Denver’s most engaged donors, companies, and foundations to raise critical funds, which help the DCPA engage more than 865,000 patrons each year.

For this year’s event, guests were invited to attend a one-nightonly performance by Tony- and Emmy award-winning actress, producer, and singer LaChanze. Known for her Tony Award-winning role as Celie in the 2006 revival of The Color Purple, LaChanze took to the Wolf Theatre stage to perform a variety of Broadway hits, including ending the show with the power ballad “I’m Here” from The Color Purple and Donna Summer’s “Last Dance” which had every guest dancing as she ended her 60-minute performance.

Before welcoming LaChanze to the stage, eight nominees from the 2024 Bobby G High School Musical Theatre Awards performed a medley. The Bobby G Awards is one of several DCPA Education programs that receive support from Saturday Night Alive’s proceeds.

Four of those young performers also received a special opportunity to participate in a masterclass taught by LaChanze earlier in the afternoon, hosted by DCPA Education. The performers received feedback from LaChanze to use in future auditions. In addition to her performing credits, LaChanze’s experience as a director and producer proved to be invaluable for these aspiring thespians.

Read more about the masterclass on the DCPA NewsCenter.

Farnam and Paul Heitzenrater

gala guests from the Wolf Theatre stage.

LaChanze performs at Saturday Night Alive.

2024 Bobby G nominees perform.

Photos by Amanda Tipton

CELEBRATES 19 YEARS

The DCPA’s 2024 Women with Hattitude luncheon on May 2 was the most successful in the event’s history — by a landslide. Tickets were sold out and the event received unprecedented support through sponsorships. Nearly 650 guests were in attendance who raised almost $110,000 by the event’s end.

Women with Hattitude is a fundraiser for the Women’s Voices Fund, which supports the work of female playwrights and directors. Since the fund’s inception, the Denver Center Theatre Company has produced 39 plays by women (including 18 world premieres), supported the work of 46 female playwrights, and employed 33 female directors.

Hattitude includes a welcome reception, luncheon, and the boisterous Parade of Hats — a fashion show where guests compete for prizes like Best in Show. Guests were also invited to bid in a silent auction, participate in a Wine Pull, and shop Kendra Scott jewelry surprise boxes. The lobby was ﬁlled with color and enthusiasm, with guests wearing their best fedoras, fascinators, berets, and sun hats.

The next Women with Hattitude will take place on May 1, 2025. If this year’s event serves as a prediction, you won’t want to wait to purchase tickets and tables for next year.

Apart from attending the Hattitude celebration, individuals are also encouraged to become a member of the Women’s Voices Fund. More details can be found at denvercenter.org/wvf.

Robert & Judi Newman receive the Daniel L. Ritchie Spotlight Award.

Guests at the Silent Disco afterparty.

Bobby G winners

Gabriella Karl (left) and Caleb Kezeor (below) take part in a Masterclass with LaChanze.

THE POWER OF “ Yes, and... ”

BBY LINNEA COVINGTON

“Bee, beeeee!” screamed Sam Charney as they ran across the stage during one of the many games the improv class was doing.

They ducked behind the other character on stage as Teaching Artist Heather Curran gasped, “Is there really a bee here?”

“No,” said Sam, pausing the action. “I’m acting.” And with that, they got the best compliment any actor, especially a 15-year-old one, could get.

The game was one of many the teens were practicing. Though, practicing is an odd word since the whole idea behind improv is not knowing what will happen next and playing oﬀ another person.

“It’s all about spontaneity, collaborations and the power to say ‘yes,’” said Allison Watrous, DCPA’s Executive Director of Education & Community Engagement.

“We teach them to play what they know, and it’s great to see them being themselves and showcasing their own, unique background on the stage,” said Teaching Artist Nanna Thompson.

“What I love about a good improv group is they all want you to win,” added Thompson. “There are no mistakes as long as there is someone to catch you and lift you up.”

For many, improv isn’t just a fun way to pass the time or boost acting skills, it can help in day-to-day life as well. Both for adults and kids.

Yes, yes, yes. That’s the motto when doing improv, and while it may sound simple, saying yes isn’t always easy. A lot of the work to be a good improv artist is to trust your fellow actors. It’s also about listening, reacting, quick thinking and letting go of control.

“Improv is a low stakes way to practice higher stakes skills, and it has all these levels of social and emotional learning,” said Curran. “The students are learning how to step back in order to let someone else step forward.”

“Flexibility is something I struggle with, and perfection,” Sam said. “Improv has helped me in my everyday life to just let go a little. At the beginning of the school year I struggled with talking to classmates, and it’s really helped me go and talk to people more.”

Photo by McLeod9Creative

Photo

THE WITCHES OF OZ DELIVER A WICKED HIT

BY TERI DOWNARD

IIn 1900, author L. Frank Baum, wrote a charming book called The Wonderful Wizard of Oz that became a children’s classic. The book was turned into a stage musical a year later and begat another great classic: the 1939 film The Wizard of Oz. Judy Garland played a girl who, after a close encounter of the tornado kind, found herself in a strange and mysterious land. Dorothy was her name and all she really wanted was to get back home to Kansas. The film’s iconic characters and images have become so deeply ingrained in our collective consciousness that psychologists use the movie as an archetype of the hero’s journey. Like Dorothy, all we want, it would seem, is to find our way back home.

The next Oz-ian incarnation came along in 1975 when a sleek version of the story called The Wiz, featuring an all-black cast, opened on Broadway. It ran for 1,672 performances and was later made into a movie with a remount touring the Buell Theatre next April.

Then, in 1995, strident political satirist and author Gregory Maguire wrote a gargantuan and immensely popular fantasy novel, Wicked: The Life and Times of the Wicked Witch of the West. In an ironic twist — everything in Oz seems to have an ironic twist — the book examines, among other things, the nature of good and the nature of evil. Maguire found them alarmingly and inextricably entwined.

Then the adventures in Oz morphed once again, this time into a stage production adapted from Maguire’s book. Its latest life form is that of the Tony Award-winning musical by composer-lyricist Stephen Schwartz (Godspell, Pippin) and librettist Winnie Holzman (“My So Called Life,” “thirtysomething”).

Wicked tells a tale that is about as far removed from Baum’s Wonderful Wizard of Oz as the Emerald City is from Wichita. The show’s dark, witty, sophisticated charm made it the hottest ticket on Broadway when it debuted, and it remains “popular” more than 20 years later.

Glinda the good witch is still there, but what, the musical inquires, is goodness after all? The main action revolves around Elphaba, the so-called Wicked Witch (named by Maguire as a derivation of L. Frank Baum’s initials). Elphaba proves the popular adage that, indeed, it’s not easy being green. Born a lovely shade of jade, she is misunderstood, shunned and persecuted. While this naturally takes its toll, the question remains: is she evil? The answer is as ambiguous as her name. Elphaba and Glinda’s unlikely friendship illustrates the fact that it’s not simple trying to ﬁgure out which witch is which.

“The idea behind Wicked is that things are not as they seem,” notes Holzman. “What you think you know, you don’t really know. It is the premise of the novel that you

Austen

Danielle Bohmer as Glinda and Lauren Samuels as Elphaba in the National Tour of WICKED

photo by Joan Marcus 2024.

The idea of taking what is one of the iconic villains of American culture, the Wicked Witch of the West — so much ‘the villain’ that we don’t even know her name — and looking at it from her point of view, that seemed to me a brilliant concept.

— STEPHEN SCHWARTZ, COMPOSER

know certain things, but you don’t know the deeper story.”

The same notion drew composer Stephen Schwartz to the project: “I’m often attracted to an idea that takes a familiar story and spins it, looking at it from another direction, like Stoppard’s Rosencrantz and Guildenstern Are Dead. I like it when I see things like that, and I like to write them. For me, if you take a familiar story — whether it be the Book of Genesis or The Wizard of Oz — and you come at it from another point of view, the tension between the audience’s preconception and the approach you’re taking to the story adds an extra level of response, plus it helps to clarify the points you’re trying to make.

COMING UP FROM BROADWAY

KIMBERLY AKIMBO

KIMBERLY AKIMBO is a new name on the Buell Theatre stage. The Tony Awardwinning Best Musical will launch its ﬁrst national tour in Denver after an incredible Broadway run. From family-favorite Disney’s The Lion King to the cult classic THE BOOK OF MORMON, the Denver Center for the Performing Arts has launched over a dozen Broadway national tours. Now, the most award-winning production of the 2022/23 season will be among those renowned titles.

Kimberly, a teen in suburban New Jersey, is living with a condition that causes her to age rapidly. It isn’t a perfect situation for a new girl in town trying to ﬁt in when she looks like a 70-year-old woman. Kim navigates family dysfunction, borderline personalities, a rare genetic condition, her ﬁrst crush… and possible felony charges in this “howlingly funny heartbreaker of a show” (The New Yorker). This wholly original musical tells the story of growing up and growing old (in no particular order).

“The idea of taking what is one of the iconic villains of American culture, the Wicked Witch of the West — so much ‘the villain’ that we don’t even know her name — and looking at it from her point of view, that seemed to me a brilliant concept. It was clear that a show about her could explore some of my favorite themes: the diﬀerence between surface appearances and what’s really going on underneath, how life is more complex and has more ambiguity than we tend to be comfortable with and, certainly, than our public discourse admits to.”

Schwartz also found the whole idea inherently musical.

“Oz is a fantastical, larger-than-life setting full of characters who almost demand to sing,” he said, “and the witch herself is so full of big emotions — rage, ambition and longing — the idea was screaming to be a musical.”

In addition, tucked into this timeless tale is enough eye-popping technical wizardry in Eugene Lee’s award-winning sets to keep everyone this side of Oz happy. Yet beyond the show’s infectious score and mind-boggling sets is a thoughtful universal theme. Actor David Garrison, who played The Wizard in Denver’s ﬁrst touring engagement, wisely suggested: “There’s a Green Girl in all of us…. Everyone has felt like the outcast at one time or another. It’s part of the show’s broad appeal. It’s not a children’s show, but kids enjoy the fantasy of it, adolescents get the love story and adults see the political allegory.

“This show is like a rock concert every night. It’s very heartening to see that. It’s what theatre does best.”

WICKED

JUL 24 – AUG 25 • BUELL THEATRE

ASL Interpreted, Audio Described and Open Captioned performance: Aug 24 at 2pm

KIMBERLY AKIMBO features Tony Award-winning book and lyrics by David Lindsay-Abaire (Shrek), a Tony-Award winning score by Jeanine Tesori (Fun Home), choreography by Danny Meﬀord (Dear Evan Hansen) and direction by Tony-nominated director Jessica Stone (Water for Elephants).

“KIMBERLY AKIMBO is the kind of Broadway musical our audiences love — smart, contemporary musical theater with lots of laughs and an original, heartfelt story,” said John Ekeberg, Executive Director of the DCPA’s Broadway and Cabaret divisions.

Starting September 22, don’t miss the chance to see this unforgettable musical on the Buell stage. “Meet your new favorite musical!” (The Hollywood Reporter).

The Original Broadway Company of KIMBERLY AKIMBO , photo by Joan Marcus.

Marc Platt

Universal Stage Productions

The Araca Group Jon B. Platt and David Stone present

Music and Lyrics Book Stephen Schwartz Winnie Holzman

Based on the novel by Gregory Maguire

Starring

Lauren Samuels Austen Danielle Bohmer

Erica Ito Kingsley Leggs Xavier McKinnon Alex Vinh

Jennifer Mariela Bermeo Remmie Bourgeois Anthony Lee Bryant

Sean Burns Matt Densky Kayla Goldsberry Rose Iannaccone Mattie Tucker Joyner

David Kaverman Kelly Lafarga Marina Lazzaretto Lauren Leach Colin LeMoine

Adelina Mitchell Allsun O’Malley Madison Claire Parks Kat Rodriguez

Derek Schiesel Wayne Schroder Tregoney Shepherd

Brett Stoelker Ben Susak Mitchell Tobin Nicky Venditti Justin Wirick and

Aymee Garcia Blake Hammond

Settings

Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola

Projections

Wigs & Hair Special Effects Technical Supervisor Elaine J. McCarthy Tom Watson Chic Silber Jake Bell

Music Arrangements

Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Evan Roider James Lynn Abbott Michael Keller

Associate Set Designer Associate Director Associate Choreographer Production Stage Manager Edward Pierce Lisa Leguillou Corinne McFadden Herrera David O’Brien

General Management Casting Press Executive Producers 321 Theatrical The Telsey Office Phillip Aleman Marcia Goldberg

Management Craig Burns, CSA & Nina Essman

Orchestrations

William David Brohn

Music Supervisor Stephen Oremus

Musical Staging by Wayne Cilento

Directed by Joe Mantello

CAST

(in order of appearance)

Glinda AUSTEN DANIELLE BOHMER

Witch’s Father .................................................................................................................................. WAYNE SCHRODER

Witch’s Mother KAYLA GOLDSBERRY

Midwife TREGONEY SHEPHERD

Elphaba LAUREN SAMUELS

Nessarose ERICA ITO

Boq ALEX VINH

Madame Morrible AYMEE GARCIA

Doctor Dillamond ................................................................................................................................KINGSLEY LEGGS

Fiyero XAVIER McKINNON

Ozian Official WAYNE SCHRODER

The Wonderful Wizard of Oz BLAKE HAMMOND

Chistery MITCHELL TOBIN

Monkeys, Students, Denizens of the Emerald City, Palace Guards and Other Citizens of Oz

JENNIFER MARIELA BERMEO, REMMIE BOURGEOIS, SEAN BURNS, MATT DENSKY, ROSE IANNACCONE, LAUREN LEACH, COLIN LeMOINE, ADELINA MITCHELL, ALLSUN O’MALLEY, MADISON CLAIRE PARKS, KAT RODRIGUEZ, DEREK SCHIESEL, TREGONEY SHEPHERD, BRETT STOELKER, JUSTIN WIRICK

STANDBY FOR ELPHABA CARLY AUGENSTEIN

UNDERSTUDIES

Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. for Elphaba—ADELINA MITCHELL for Glinda—ALLSUN O’MALLEY, MADISON CLAIRE PARKS for Fiyero—COLIN LeMOINE, BRETT STOELKER for The Wizard and Dr. Dillamond DAVID KAVERMAN, WAYNE SCHRODER for Madame Morrible KAT RODRIGUEZ, TREGONEY SHEPHERD for Boq SEAN BURNS, MATT DENSKY for Nessarose—MATTIE TUCKER JOYNER, ALLSUN O’MALLEY for Chistery ANTHONY LEE BRYANT, BEN SUSAK, NICKY VENDITTI for Witch’s Father and Ozian Official DAVID KAVERMAN, BRETT STOELKER

SWINGS

ANTHONY LEE BRYANT, MATTIE TUCKER JOYNER, DAVID KAVERMAN, MARINA LAZZARETTO

DANCE CAPTAINS/SWINGS

KELLY LAFARGA, BEN SUSAK, NICKY VENDITTI

THERE WILL BE ONE 15-MINUTE INTERMISSION.

Scan here for any updated cast replacement announcements for this performance

MUSICAL NUMBERS

ACT I

“No One Mourns the Wicked” Glinda and Citizens of Oz

“Dear Old Shiz” Students

“The Wizard and I” Morrible, Elphaba

“What Is This Feeling?” ......................................................................................... Galinda, Elphaba and Students

“Something Bad” Dr. Dillamond and Elphaba

“Dancing Through Life” Fiyero, Galinda, Boq, Nessarose, Elphaba and Students

“Popular” Galinda

“I’m Not That Girl” Elphaba

“One Short Day” Elphaba, Glinda and Denizens of the Emerald City

“A Sentimental Man” The Wizard “Defying Gravity” Elphaba, Glinda, Guards and Citizens of Oz

ACT II

“No One Mourns the Wicked” (reprise) Citizens of Oz

“Thank Goodness” Glinda, Morrible and Citizens of Oz

“The Wicked Witch of the East” Elphaba, Nessarose and Boq

“Wonderful” The Wizard and Elphaba

“I’m Not That Girl” (reprise) Glinda

“As Long As You’re Mine” Elphaba and Fiyero

“No Good Deed” ........................................................................................................................................................ Elphaba

“March of the Witch Hunters”

Boq and Citizens of Oz

“For Good” Glinda and Elphaba

“Finale” All

TRAVELING ORCHESTRA

Conductor—EVAN ROIDER

Associate Conductor/Keyboard 2—DEREK SHORTER

Keyboard 1—LUKE FLOOD

Keyboard 3—ELIZA RANDALL

Guitars—NICK UJHAZY

Drums—JEFF REDLAWSK/JOSH PRIEST

The Wicked touring musicians welcome nine local musicians who will be playing at all performances in Denver.

Trumpet, Flugel Horn JAKE BOLDMAN

Eb Clarinet, Bb Clarinet, Bass Clarinet, Sop Saxophone ART BOUTON Percussion MARK FOSTER

Oboe, English Horn AMY GOESER KOLB Trombone, Bass Trombone—RICHARD HARRIS

Double Bass, Fretless and 5 String Electric Bass—BRIAN KNOTT

French Horn SUSAN MCCULLOUGH

Flute, Piccolo, Alto Flute, Recorder & Penny Whistle PAUL NAGEM Keyboard 4 JORDAN ORTMAN

Keyboard Sub BOKO SUZUKI Contractor JAMES HARVEY

Orchestrations adapted by Christopher Jahnke. Wicked uses Yamaha Pianos exclusively.

The use of any recording device, audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Broadway Cares/Equity Fights AIDS is the philanthropic heart of Broadway and unites theater artists with theater lovers to help those in need. Join the WICKED touring company in their fundraising efforts by scanning the QR code or visiting BroadwayCares.org/WickedTour to cast your donation today!

LAUREN SAMUELS ( Elphaba) is an English actress and singer who rose to prominence on the BBC TV series “Over the Rainbow.” West End: Grease (Sandy), We Will Rock You (Scaramouche), Bend It Like Beckham (Jules—WhatsOnStage Best Actress nomination), Vanities (Mary). Off/regional: The Last 5 Years (Cathy), The Wizard of Oz (Dorothy), The Water Babies (Ellie), Henry V (Princess Kathrine), Groan Ups (Katie). Lauren can be seen in the upcoming short film Key of Genius and is delighted to be making her U.S. debut in the role of Elphaba. Download her album Chasing Rainbows, Finding Judy and follow socials for updates: @laurensamuels88.

AUSTEN DANIELLE BOHMER , she/ her (Glinda) is truly delighted to be traveling the country by bubble! Broadway: Diana (u/s Diana, OBC Ensemble). Off-Broadway: Days of Rage at Second Stage. TV: “FBI: Most Wanted.” Regional: Paper Mill Playhouse, Lyric Opera of Chicago, Broadway at Music Circus, PCLO, Barrington, Goodspeed, St. Louis Rep. Proud international teaching artist with Arts Ignite (artsignite.org). B.F.A. acting: Webster Conservatory. RADA, London. You can listen to her original music on all streaming platforms under the name Plain Austen. Big time thanks to Telsey, CGF, Established Artists, steadfast friends and fiercely loving fam. @plainausten // austendaniellebohmer.com.

AYMEE GARCIA (Madame Morrible). Miami, FL native! Credits include Broadway: Jack’s Mother in Into the Woods, Mama Bear in Shrek the Musical and Madame Thénardier in Les Misérables. TV/film credits include “Fraggle Rock: Back to the Rock” as Marjory the Trash Heap and Ma Gorg, “Slumberkins” as Kit the Fox, “Sesame Street” as Rosa, Abuela and Marisol, as well as Dear Evan Hansen. Dedicated to mom and Brandon.

BLAKE HAMMOND ( The Wizard ). Broadway: Edna, Hairspray ; Pumbaa, Disney’s The Lion King ; Waiter, First Date ; Mr. Braithwaite, Billy Eliott ; Chadwick, Elf ; Jacey Squires, The Music Man ; Bruce, Living on Love ; Ernie, Sister Act ; Phillip, Kiss Me, Kate; Uperman/ MC, On the Town. Tours: Eight national companies, including

WHO’S WHO

Nostradamus, Something Rotten! ; Uncle Fester, The Addams Family ; Sebastian, Cinderella; Rudolph, H ello, Dolly! Other credits and awards: When Pigs Fly, L.A. Critics Award; At Wit’s End, Florida Carbonell and Chicago After Dark awards; The Producers , Joseph Jefferson nomination; Then We Got Help, webseries, Indy Soap Award. Thanks for supporting live theater!

ERICA ITO (Nessarose) is stoked to be here in Munchkinland! She can be heard as Clara on the My Heart Says Go studio cast recording and as the co-host of Seaweed Brain: A Percy Jackson Podcast. B.F.A.: University of Michigan. Mahalo nui loa to the family at Telsey, Buchwald and home. @ericaito_. @seaweedbrainpodcast.

KINGSLEY LEGGS (Doctor Dillamond ). Broadway: Pretty Woman, Sister Act, The Color Purple, Miss Saigon. OffBroadway: Little Shop of Horrors, The Bubbly Black Girl…. Touring: The Gershwins’ Porgy and Bess, Sister Act, Miss Saigon, Ragtime, It Ain’t Nothing but the Blues, Forbidden Hollywood. Film/TV: Hello Again, “The Americans,” “The Good Wife,” “Law & Order: SVU,” “One Life to Live,” “City of Angels.”

XAVIER McKINNON (Fiyero). Tours: Disney’s Aladdin (first national tour), Rent (Benny), Kinky Boots Regional credits: Aida (Radames cover), Once on This Island (Daniel), Jersey Boys (Riverside Theatre), Rock of Ages, Hairspray. Grateful to Avalon Artist Group, Telsey (Alex, Craig, Jimmy), Erik, Antoinette, Britt, Frank and Aunt Lorrie. @xmckinnon.

ALEX VINH ( Boq) is “just a mere Munchkin” who is overjoyed to join the company of Wicked ! Broadway: Kimberly Akimbo. Off-Broadway/ selected regional: Snow in Midsummer (Classic Stage Company), Kimberly Akimbo (Atlantic Theater Company), Spring Awakening (TUTS). TV: Apple TV+’s “WeCrashed” and Hulu’s “Only Murders in the Building.” B.F.A. from Texas Christian University. Endless gratitude to family, friends, the team at Bloc and the Telsey Office. IG: @alexhvinh.

CARLY AUGENSTEIN (Standby for Elphaba) is beyond thrilled to be mak-

ing her Oz debut! Off-Broadway: Fancy Nancy the Musical . Tours: A Christmas Carol, The Civil War Syracuse University ’11. Endless thanks to Telsey and the Wicked team. Love to her ever-supportive family, friends, pets and husband Eric. IG: @carleesi.

JENNIFER MARIELA BERMEO (Ensemble). Jennifer’s resume spans film, television, music and theater. A first-generation Ecuadorian from N.J., she most recently toured with The Weeknd. Jennifer’s thrilled to join Wicked ! “Live your dreams.” jennifermarielabermeo.com. @jennifermariela.

REMMIE BOURGEOIS ( Ensemble). National tour: Hamilton (Chicago: George Eacker/Ensemble and LA: Swing). Regional: In the Heights (Ensemble and D/C), Ragtime, Damn Yankees, Tarzan, Dreamgirls. “Thanks Mom and Dad for the support and love.” @iam_boogwah.

ANTHONY LEE BRYANT (Swing, u/s Chistery). Excited to join Wicked ! Credits: The Lion King, Cathy Rigby is Peter Pan, LA Dance Project, Jacob Jonas The Company. UNCSA Alum, Juilliard B.F.A. “Thanks and love to Mom, Pam, Ed and family!”

SEAN BURNS (Ensemble, u/s Boq). National tour: Hello, Dolly! (Barnaby); Jersey Boys (Joe Pesci, u/s Frankie Valli); Peter Pan 360 (Michael). “Thanks to Telsey and the Wicked team, The Hybrid Agency and Laura. Endless gratitude for Mom, Dad and Tina.” @sean_burns_actor.

MATT DENSKY (Ensemble, u/s Boq). NYC: How the Grinch… (Young Max u/s, MSG), Kris Kringle (Sky, Town Hall). Regional: The Little Mermaid, Rock of Ages, Fully Committed, SantaLand Diaries. B.F.A.—CCM. Thanks to Cooper Company/MSA. “Love to Mom, Dad and Chris.” MattDensky.com.

KAYLA GOLDSBERRY ( Witch’s Mother, Ensemble ). “Beyond excited and blessed to make my Broadway Tour debut with Wicked ! B.F.A. from USC Kaufman School of Dance, my work spans concert, commercial and theater spaces. So much love to my family, mentors and team.” @kaylagoldsberry, kaylagoldsberry.com.

ROSE IANNACCONE (Ensemble) is wicked excited to be in this company! Favorite credits: Cats first national tour (Rumpleteazer). Regional: Broadway Sacramento, Ogunquit Playhouse, Arts Center of Coastal Carolina, Gateway Playhouse. IAMT ’18. “Thanks mom!” @riannaccone98.

MATTIE TUCKER JOYNER (Swing, u/s Nessarose). Regional credits: Lyric Theatre of Oklahoma, Broadway Rose and VMT. B.F.A.: University of Oklahoma. “Gratitude to Mom, Dad, Caroline and to my loves Sean and Sunshine! Gran-Gran and Papa, this is for you!” IG: @emteejay.

DAVID KAVERMAN ( Swing, u/s Witch’s Father, Ozian Official, The Wizard, Dr. Dillamond ). National tours: Miss Saigon , Motown: The Musical (Smokey Robinson). Training: Otterbein University BM and Manhattan School of Music MM. Thankful for his SuperMama, The Mine, the Wicked team and The Telsey Office. @deighvidk.

KELLY LAFARGA ( Dance Captain, Swing) feels honored to join Wicked Film: Step Up 2: The Streets, Step Up 3D. TV: “Glee,” “Bones,” “How I Met Your Mother,” “DWTS.” Tours: Eve , Donnie Klang. Marymount Manhattan College. Thanks Mom, Nina and Sasha for their endless love and support. “Dad, I love and miss you always.”

MARINA LAZZARETTO ( Swing ). Thrilled to be back with the Wicked Family! Broadway: An American in Paris, West Side Story. First national tours: Cats, An American in Paris, Wicked, Come Fly Away. Television: “Schmigadoon,” “Fosse/Verdon,” “The Marvelous Mrs. Maisel,” “SNL.” Representation: The Hybrid Agency. @marinalazz.

LAUREN LEACH (Ensemble). Dream come true to join the Wicked family! Film: Steven Spielberg’s West Side Story. “Thank you Telsey/Wicked team and MSA. Much love for my friends and family. Couldn’t do this without them.” @laurenleachy.

COLIN LeMOINE ( Ensemble, u/s Fiyero). National tour: Hadestown (u/s Orpheus); Hello, Dolly! (Ambrose Kemper). NY: Pirates of Penzance Concert (Roundabout). Regional: Flat Rock, Jacob’s Pillow, MT Wichita. B.F.A. MT IU Bloomington. “Thanks to my parents, Wicked, Telsey and Terrific Talent.” @colin_lemoine.

ADELINA MITCHELL (Ensemble, u/s Elphaba). National tour debut in the first Broadway show she ever saw! Regional: The Music Man (Marian in ASL production), world premiere of A.D. 16 (Ruth), Signature Theatre, The Muny! Grateful for the Wicked Team, Telsey, DGRW and her incredible support system! adelinamitchell.com. @adelinamitchell_.

ALLSUN O’MALLEY ( Ensemble, u/s Glinda, Nessarose). Broadway: Wicked (Swing, Nessarose u/s). Regional: Chasing Rainbows (Deanna Durbin u/s, Paper Mill Playhouse), A Christmas Carol (Belle), Singin’ in the Rain (Kathy Selden), Newsies (Katherine). B.F.A., Penn State. “Endless thanks to the Wicked team, Telsey, Henderson Hogan, and my incredible friends and family.” @allsunomalley.

MADISON CLAIRE PARKS (Ensemble, u/s Glinda). Wicked debut! OffBroadway: The Fantasticks (Luisa), The Baker’s Wife (Genevieve). Regional: The Light in the Piazza (Clara), 9 to 5 (Doralee). “Thank you Professional Artists and Telsey/ Wicked team. For Mom and Dad.” madisonclaireparks.com.

KAT RODRIGUEZ ( Ensemble, u/s Madame Morrible) is grateful to be making her professional debut in Wicked. Big love to her moms, The Mine, LINK and her first Elphaba for inspiring the dream. katrodriguez.com.

DEREK SCHIESEL ( Ensemble ). National tour debut. Thrilled to be in Oz! Minnesota native. Credits: Mariah Carey, Christina Aguilera, The Weeknd, Jason Mraz, VMA’s, LA Philharmonic Orchestra, “Dear White People,” “Jane the Virgin.” @DerekSchiesel.

WAYNE SCHRODER (Witch’s Father, Ozian Official, u/s The Wizard, Doctor Dillamond ). Broadway: 9 to 5 , A Christmas Carol. Tours: 9 to 5 . OffBroadway: The Prince and the Pauper, Mimi le Duck. Film: The Producers , Brando, Welcome Home. Television: “Guiding Light,” “All My Children.” Concert: Kristina at Carnegie Hall and Royal Albert Hall in London.

TREGONEY SHEPHERD (Midwife, u/s Madame Morrible) began her career at age 5 in the dual roles of “Gertrude Guzzletop” (the Tooth Fairy) and as the back end of a cow. Broadway/ national tours: Bad Cinderella , Les Misérables, Wicked, The Phantom of

the Opera, Mary Poppins

BRETT STOELKER (Ensemble, u/s Fiyero, Witch’s Father, Ozian Official ). National tour: Pretty Woman, Les Misérables, Rock of Ages (Stacee Jaxx), Joseph…Dreamcoat . Select regional: Jesus Christ Superstar (Jesus), Next to Normal (Gabe). Thankful for Jillian, Mom and Dad, DGRW and Craig/The Telsey Office. IG @brettstoelker.

BEN SUSAK (Dance Captain, Swing, u/s Chistery) is very grateful to be back with the Munchkinland family! Credits: Cirque du Soleil, “SYTYCD,” Lady Gaga, Britney Spears, Florence + the Machine, Ke$ha, Kelly Clarkson, “American Music Awards,” “Video Music Awards,” “Billboard Awards,” “DWTS,” “American Idol,” San Francisco Ballet.

MITCHELL TOBIN (Chistery) is thrilled to be joining Oz and would like to thank MSA agency and Telsey for making their dream a reality. Broadway: The Music Man original Broadway cast. West End/tour: Billy in Billy Elliot: The Musical. mitchelltobin.net, @mitchtobin2000.

NICKY VENDITTI ( Dance Captain, Swing, u/s Chistery) is thrilled to be back in Oz! Broadway: Wicked. OffBroadway: Radio City Christmas Spectacular, Trip of Love . Tours: Wicked, A Chorus Line, Contact, Swing. When not on stage, Nicky helps others thrive as a functional exercise and health coach. @nicky_venditti.

JUSTIN WIRICK ( Ensemble ). Pennsylvania native and proud member of the Wicked National Tour since January 2010 (4,000+ shows). Travel Enthusiast, Event Planner, Fundraising Coordinator, and self-proclaimed Wicked Historian. So much love and gratitude to my parents, Brian and Linda. Say hello to them working one of the Wicked merchandise stands. Follow along: @justinwirick88

STEPHEN SCHWARTZ ( Music and Lyrics) has contributed music and/ or lyrics to The Queen of Versailles, Godspell, Pippin, The Magic Show, The Baker’s Wife, Working (which he adapted and directed), Rags, Children of Eden and the opera Séance on a Wet Afternoon. For film, he collaborated with Alan Menken on the scores for Disney’s Pocahontas, The Hunchback of Notre Dame and Enchanted, and wrote the songs for

the DreamWorks animated feature The Prince of Egypt. Mr. Schwartz is artistic director of the ASCAP Musical Theatre Workshops and serves on the council of the Dramatists Guild. He is a member of the Theater Hall of Fame, the Songwriters Hall of Fame and has been given a star on the Hollywood Walk of Fame. Awards include three Academy Awards, four Grammy Awards, the Isabelle Stevenson Tony Award and a tiny handful of tennis trophies. Defying Gravity, a book about his professional career, is available from Applause Books. stephenschwartz.com.

WINNIE HOLZMAN (Book) received a Tony nomination and a Drama Desk Award for Wicked. Other theater work: the musical Birds of Paradise (with composer David Evans); One of Your Biggest Fans; Post-Its: Notes on a Marriage (both written with her husband, actor Paul Dooley); and Choice, which premiered at the Huntington Theatre in Boston. Holzman got her start writing for the groundbreaking TV drama “Thirtysomething” and went on to create the series “My So-Called Life,” which starred Claire Danes. She executive produced (again with Marshall Herskovitz and Edward Zwick) “Once and Again,” collaborated with her daughter, Savannah Dooley, on the ABC Family series “Huge” and, most recently, teamed with Cameron Crowe on the Showtime series “Roadies.” Features include ’Til There Was You. Also an actress, Ms. Holzman appeared in Jerry Maguire and as Larry’s wife’s therapist on “Curb Your Enthusiasm.” She is a graduate of Princeton University, the NYU Musical Theatre Program and a member of the Dramatists Guild.

JOE MANTELLO (Director). Broadway: Grey House, Hillary and Clinton , The Boys in the Band , Three Tall Women (Tony nom.), Blackbird, The Humans , Airline Highway, The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Other Desert Cities, Pal Joey, 9 to 5, November, The Ritz, Laugh Whore, Three Days of Rain, The Odd Couple , Glengarry Glen Ross, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, Design for Living, Proposals , Love! Valour! Compassion! Off-Broadway: Here We Are, Dogfight, The Pride, A Man of No Importance, The Vagina Monologues, Corpus Christi. Netflix: The Boys in the Band. As an actor: Hollywood, The

Glass Menagerie, The Normal Heart (Tony nom. and on HBO) and Angels in America (Tony nom.). Recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie and Joe A. Callaway awards. He is a member of The Theater Hall of Fame.

WAYNE CILENTO (Musical Staging) directed and choreographed the revival of Fosse’s Dancin’. He received Tony, Drama Desk and Fred Astaire awards and an Olivier nomination for The Who’s Tommy. Tony nominations include Wicked, How to Succeed…, Dream: The Johnny Mercer Musical, Sweet Charity, Baby (choreography) and Dancin’ (best supporting actor). Broadway choreography credits include Aida, Jerry’s Girls, Holler If Ya Hear Me and American Dance Machine Off-Broadway he directed and choreographed A Hot Minute. His concerts include Alicia Keys’ World Tour, the PBS special “Spirit,” Liza Minnelli, Barry Manilow, Chita Rivera, Billy Joel, Donna Summer, Pete Townsend and The Jonas Brothers. Wayne was an original Broadway cast member of A Chorus Line, The Act, Seesaw, Perfectly Frank, Irene, Big Deal and Rachael Lily Rosenbloom and choreographed the film Winter’s Tale

EUGENE LEE (Set Design) was the production designer of “Saturday Night Live,” “The Tonight Show Starring Jimmy Fallon” and “Late Night With Seth Meyers.” Other Broadway credits: Bright Star, Ragtime, Show Boat and Sweeney Todd. Film credits: Coppola’s Hammett, Huston’s Mr. North, Malle’s Vanya on 42nd Street and Demme’s A Master Builder. B.F.A.: Art Institute of Chicago, Carnegie Mellon. M.F.A.: Yale School of Drama. Three honorary Ph.D.s. Awards: Tony, Drama Desk, Lucille Lortel, Emmy; Elliot Norton Award for Sustained Excellence; Pell Award; DesignxRI Lifetime Achievement Award; New York Theater Hall of Fame.

SUSAN HILFERTY ( Costume Designer ) has designed costumes and scenery for over 300 productions around the world. Her Broadway credits include Present Laughter, Spring Awakening, Lestat and Into the Woods (all Tony nominated). Her many directorial collaborations include Athol Fugard, Joe Mantello, James Lapine, Michael Mayer, Robert Falls, Tony Kushner, JoAnne Akalaitis, Des

McAnuff, Christopher Ashley, Yaël Farber, Rebecca Taichman and the late Garland Wright. In addition to her work in theater, Susan has designed opera (Rigoletto and La Traviata for the Met), dance (Love Stories for Alvin Ailey) and live music events (Taylor Swift’s Speak Now world tour). Susan is chair of the design department at NYU Tisch School of the Arts. Her many accolades include Tony, Drama Desk and Outer Critics Circle awards for Wicked

KENNETH POSNER (Lighting Design) has more than 50 Broadway play and musical theater credits. He designs extensively Off-Broadway for resident theaters and touring productions throughout the United States as well as internationally. Selected Broadway credits: Beetlejuice, Mean Girls, War Paint, On Your Feet!, Disgraced, If/Then, Hairspray, Kinky Boots, Pippin, Dirty Rotten Scoundrels, Legally Blonde, The Coast of Utopia: Shipwreck, Other Desert Cities, Harvey, The Best Man, The Merchant of Venice, The Royal Family, The Odd Couple, Glengarry Glen Ross, The Goat, Uncle Vanya, Side Man, The Little Foxes and The Rose Tattoo. He is the recipient of Tony, Drama Desk, Outer Critics Circle and Obie awards.

TONY MEOLA (Sound Designer ). Disney’s The Lion King and Edwin Drood (Drama Desk Awards); Lysistrata Jones (also co-producer); The Ritz; Laugh Whore; Man of La Mancha; Sweet Smell of Success; Copenhagen; Kiss Me, Kate; Footloose; The Sound of Music; Juan Darien; A Christmas Carol (MSG); Steel Pier; A Funny Thing…Forum; The King and I; Moon Over Buffalo; Smokey Joe’s Café; Guys and Dolls; Five Guys Named Moe; She Loves Me; The Red Shoes; Anything Goes. Many shows in London and internationally. As co-producer: Come From Away and First Date

ELAINE J. McCARTHY (Projection Designer). Recent Broadway designs include The People in the Picture , Impressionism, Thurgood, Spamalot, Assassins , Man of La Mancha , Into the Woods and Judgement at Nuremberg. Opera designs include Moby Dick (Dallas Opera), Dead Man Walking (Houston Opera), Mazeppa (Metropolitan Opera), War and Peace (Kirov and Met Opera), Tan Dun’s The Gate a nd Peter Sellars’ The Peony Pavilion . Off-Broadway designs

include Frequency Hopping (set and projection), Embedded, The Stendhal Syndrome , Suitcase , Speaking in Tongues and The Thing About Men Regional designs include Distracted (set and projection), Limonade tous les Jours, Fran’s Bed, Once in a Lifetime, Cobb and Hair. She received an Eddy Award in 2003.

TOM WATSON (Hair and Wig Design) headed the wig and makeup department at The Metropolitan Opera for 17 years. He has designed more than 80 Broadway productions, including Wicked, King Kong, Rock of Ages, How to Succeed…, The Addams Family, Annie, Act One, You Can’t Take It with You, The King and I (LCT and tour), The Sound of Music (national tour), Dames at Sea, Thérèse Raquin, Fiddler on the Roof, Bright Star (Broadway and tour), Oslo (LCT), Long Day’s Journey into Night, Falsettos, The Little Foxes, Junk (LCT), The Parisian Woman, My Fair Lady (LCT) and Soft Power (L.A.).

JOE DULUDE II (Makeup Designer). Broadway/West End: Wicked, Beautiful. Broadway: Beetlejuice, The Rose Tattoo, Torch Song, SpongeBob SquarePants, Summer, Sunday in the Park with George, Anastasia, Allegiance, If/Then, Follies, etc. OffBroadway: Sweet Charity, Into the Woods, The Wild Party, Show Boat Television: “Jesus Christ Superstar Live in Concert” (Emmy nomination), “The SpongeBob Musical: Live on Stage,” “Castle Rock.” Film: The Discovery, Central Intelligence, Ghostbusters joedulude2.com.

JAKE BELL (Technical Supervisor) has been a stage manager and technical production manager on Broadway for more than 25 years. Broadway, national and international credits include The Phantom of the Opera, Billy Elliot, Les Misérables, Chitty Chitty Bang Bang, Miss Saigon, Swan Lake, Dreamgirls, Cats, Chess

STEPHEN OREMUS ( Music Supervision/Music Arrangements). Broadway and international credits: How I Learned to Drive, Frozen, Kinky Boots (Tony for Best Orchestrations, Grammy, Olivier), The Book of Mormon (Tony and Drama Desk for Best Orchestrations, Grammy), 9 to 5, Avenue Q, Wicked. Film: vocal arranger/conductor for Frozen and Frozen 2 ; string arrangements/conductor for Lady Gaga’s “I’ll Never Love Again” ( A Star Is Born) and “Til

It Happens to You” ( The Hunting Ground ). Music Director for Rufus Wainwright’s Rufus Does Judy. TV: “The 87th Academy Awards,” “The Wiz Live,” “A Very Wicked Halloween,” “Rent: Live.”

WILLIAM DAVID BROHN (Orchestrations) received the 1998 Tony Award for Best Orchestrations for Ragtime. Other credits include Half a Sixpence (Chichester Festival Theatre); Mary Poppins, Curtains, Miss Saigon, The Secret Garden, Show Boat, Crazy for You, Carousel, Sweet Smell of Success, Oklahoma! (B’way); Mary Poppins, Oliver!, The Witches of Eastwick, My Fair Lady and South Pacific (London). He has provided arrangements for Marilyn Horne, James Galway, Placido Domingo and West Side Story Suite for Violin and Orchestra.

ALEX LACAMOIRE ( Music Arrangements) is a Tony, Grammy and Emmy-winning music director, arranger and composer. He is best known for his work on Broadway’s critically acclaimed shows Hamilton, Dear Evan Hansen and In the Heights Lacamoire’s credits for theater include Sweeney Todd, Freestyle Love Supreme, The Wrong Man, Bring It On, High Fidelity, Annie, 9 to 5, Legally Blonde and Bat Boy. Other credits for television and film include The Greatest Showman, “Fosse/Verdon,” “Vivo” and “tick, tick…Boom!”

EVAN ROIDER ( Musical Director ). New York: Wicked, Candide (Carnegie Hall), Encores!. National tours: Les Mis, Cats, Wicked. Symphonic: Pacific ( The Manhattan Transfer ), Tucson (Pink Martini ), Greensboro (Michael Feinstein), Dallas, Orch. of St. Luke’s. Regional: Eugene O’Neill Theater Center, Barrington Stage, ACT of CT. MM in Orchestral Conducting (CCM).

JAMES LYNN ABBOTT ( Dance Arrange ments). Broadway: Aida , Tarzan , Bombay Dreams , Rent , Footloose , Joseph… , Cats , Sunset Boulevard and Miss Saigon. National tours include Starlight Express, Kiss of the Spider Woman, The Who’s Tommy and Jesus Christ Superstar. He has performed with Aretha Franklin, Dennis DeYoung of Styx, Shirley Bassey, Bob Hope, Vanessa Williams and Elton John. Clients include Dr Pepper, FritoLay, American Airlines and General Electric.

MICHAEL KELLER ( Music Coordinator). Current Broadway: Hamilton,

The Book of Mormon, Wicked, The Lion King . Current tours: Frozen , Hamilton, Wicked, The Lion King. Life is complete with wife, Pamela Sousa, children Alexis and Zachary, daughterin-law Christin and grandson Gavin.

THE TELSEY OFFICE (Casting). With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television and commercials. The Telsey Office is dedicated to creating safe, equitable and anti-racist spaces through collaboration, artistry, heart, accountability and advocacy. thetelseyoffice.com.

LISA LEGUILLOU (Associate Director) worked with Joe Mantello on Frankie and Johnny…, Take Me Out and The Vagina Monologues . She appeared in eight Broadway shows; on TV in “Sex and the City,” “NYPD Blue” and “NY Undercover;” and in the films Changing Lanes, Center Stage, Everyone Says I Love You and HBO’s “Angels in America.”

CORINNE McFADDEN HERRERA ( Asso ciate Choreographer ) has worked with Wayne Cilento on the creation of Sweet Charity (Broadway, 2005) and Wicked (Broadway). She was co-choreographer of the film Winter’s Tale and associate director of Dancin’. As a performer, Corinne was featured in Broadway’s Sweet Charity and the original companies of Aida and Wicked.

EDWARD PIERCE ( Associate Scenic Designer). Select Broadway/tours: Angels in America (Tony nomination), Wicked (all worldwide productions), Love Never Dies (international tour), The Phantom of the Opera (new world tour), Bright Star, Amazing Grace, Holler If Ya Hear Me, The Other Place, A Streetcar Named Desire, Shatner’s World, Billy Elliot, Pippin, 9 to 5, The Pirate Queen, Aida, Ragtime, Cabaret, …Noise…Funk. Television: NBC’s “Maya & Marty” and NBC Universal Kids’ “Sprout House.” edwardpierce.com.

CHIC SILBER ( Special Effects). Broadway: Sherlock Holmes ; Edward Gorey’s Dracula; The Elephant Man; Amadeus ; Nicholas Nickleby ; Tarzan; Pippin ; Tintypes ; Working ; The Dresser ; Alice in Wonderland ; Grand Hotel ; Piaf ; Orpheus Descending ; Moon Over Buffalo; Footloose ; The Civil War ; Dance of the Vampires ; Godspell ; Habeas Corpus ; Frog & Toad ; The Weir ; Tom Sawyer ; Kiss Me, Kate; Aida; Annie Get Your Gun;

Dance of Death; Brooklyn; La Cage aux Folles; Circus: Monte Carlo Circus Spectacular ; Ringling Bros and Barnum & Bailey TGSOE; Clyde BeattyCole Bros ; Galactical Fantasy Circus ; Gran Circo Panamericano

DAVID O’BRIEN (Production Stage Manager) spent most of his career on Broadway stage managing 17 separate productions. In 2012, he joined this company of Wicked and has spent the majority of the last decade in the Emerald City. After retiring to the Denver area in 2022, he is now a real estate licensee with EXIT Realty Denver Tech Center and excited to also return to Munchkinland for the Denver run of Wicked. The best of both worlds!

MICHELLE DUNN (Stage Manager). Broadway: The Lion King. Tours: Mean Girls, Miss Saigon, The Phantom of the Opera, The Lion King. Other: Houston Ballet. “Thank you to my family for your never ending love and support. For Dad.”

JOSEPH HEATON ( Assistant Stage Manager). Broadway: A Bronx Tale: The Musical, Miss Saigon, Fully Committed, Machinal. Tours: Les Misérables. “All my thanks to EE, BJ and OB!” IG: @touringstagemanager. TikTok: @touringstagemgr.

GREGORY MAGUIRE ( Author of Original Novel ) published a dozen novels for children before writing his first adult novel, Wicked. A devotee of children’s fantasy, Maguire’s subsequent novels for adults are variationson-a-theme: Confessions of an Ugly Stepsister considers Cinderella as a 17th-century maid from Harlem; Lost evokes the ghost of Charles Dickens’s Scrooge; and Mirror Mirror features a High Renaissance Snow White daunted by the wickedest stepmother, Lucrezia Borgia. Maguire’s novel Son of a Witch, a sequel to Wicked, is followed by A Lion Among Men and the final volume of the Wicked Years, Out of Oz He lives in Massachusetts and Vermont with his husband, the painter Andy Newman, and their three children.

321 THEATRICAL MANAGEMENT (General Management ). Wicked ; The Outsiders (Tony Award for Best Musical); Kimberly Akimbo (Tony Award for Best Musical); Gutenberg! The Musical!; Suzan-Lori Parks’ Topdog/Underdog (Tony Award for Best Revival of a Play); A Strange Loop (Tony Award for Best Musical); Is This a

Room; Dana H.; What the Constitution Means to Me; The SpongeBob Musical; War Paint; Oh, Hello on Broadway; Fully Committed; Fun Home (Tony Award for Best Musical); If/Then; Peter and the Starcatcher; Bring It On: The Musical; Sister Act; Traces; Next to Normal; The 25th Annual Putnam County Spelling Bee; The Vagina Monologues; Man of La Mancha; The Graduate; I Love You, You’re Perfect…; and Bat Boy: The Musical. 321 includes Nina Essman, Nancy Gibbs, Marcia Goldberg, Ken Silverman and Amy Merlino Coey. 321mgt.com.

MARC PLATT (Producer). Theater: Wicked; Topdog/Underdog (Tony Award); Fat Ham (Tony nomination); A Strange Loop (Tony Award); The Band’s Visit (Tony Award); War Paint; Oh, Hello on Broadway; If/Then; Pal Joey; Three Days of Rain; Matthew Bourne’s Edward Scissorhands (Drama Desk Award); Family Week. Films: Wicked (2024), The Little Mermaid, Babylon, Cruella, Dear Evan Hansen, The Trial of the Chicago 7 (Oscar nomination), Thunder Force, Mary Poppins Returns, Hotel Artemis, La La Land (Oscar nomination), The Girl on the Train, Bridge of Spies (Oscar nomination), Billy Lynn’s Long Halftime Walk, Ricki and the Flash, Into the Woods, Drive, Scott Pilgrim vs. The World, Nine, Rachel Getting Married, Wanted, Legally Blonde, Legally Blonde 2, Song One, Lost River, Winter’s Tale, 2 Guns, Charlie St. Cloud, Cop Out, The Other Woman, The Seeker, The Perfect Man, Honey and Josie and the Pussycats Television: “Better Nate Than Ever” (Disney+—Emmy nomination), “Oslo” (HBO—Emmy nomination), “Rent” (FOX), “Jesus Christ Superstar Live In Concert” (NBC—Emmy Award), “A Christmas Story Live!” (FOX), “Grease: Live!” (FOX—Emmy Award), “Empire Falls” (HBO), “Taking the Stage” (MTV), “Once Upon a Mattress” (ABC), “The Path to 9/11” (ABC).

UNIVERSAL STAGE PRODUCTIONS (Producer), a division of Universal Theatrical Group (UTG), is the live theater division of the world-famous motion picture studio. Universal’s record-breaking phenomenon Wicked is cur re ntly celebrating its 20th hit year on Broadway. Additional credits include Billy Elliot: The Musical, Bring It On: The Musical and Irving Berlin’s Holiday Inn with Roundabout Theatre Company. UTG’s DreamWorks

Theatricals banner is represented globally by Shrek The Musical and the hit West End production of The Prince of Egypt

THE ARACA GROUP ( Producer ). Founded in 1997 by partners Matthew Rego, Michael Rego and Hank Unger, The Araca Group produces and merchandises live entertainment and theatrical events on Broadway and around the world. For more information, please visit araca.com.

JON B. PLATT (Producer). Productions include Wicked, The Book of Mormon, Angels in America/Perestroika, Copenhagen, God of Carnage, Death of a Salesman, A Raisin in the Sun, A View from the Bridge, Clybourne Park, Mother/Hat, Jerusalem, Venus in Fur, Betrayal, You’re Welcome America, Driving Miss Daisy, I’ll Eat You Last, The Diary of Anne Frank, No Man’s Land/Waiting for Godot, Exit the King, A Delicate Balance, The Curious Incident of the Dog in the Night-Time. Recipient, the 2012 Robert Whitehead Award for Distinguished Producing.

DAVID STONE (Producer) is currently represented by Wicked. He has also produced Kimberly Akimbo, Topdog/ Underdog, The Boys in the Band, War Paint, If/Then, Next to Normal, The 25th Annual Putnam County Spelling Bee, Three Days of Rain, Man of La Mancha, The Vagina Monologues, Fully Committed, Lifegame, The Diary of Anne Frank, Full Gallop, The Santaland Diaries and Family Secrets . David serves on the boards of The Broadway League and Broadway Cares/Equity Fights AIDS. He also serves on the advi s ory board of Second Stage Theater. David has lectured on theater at Yale, Princeton, Columbia and his alma mater, the University of Pennsylvania.

STAFF CREDITS for WICKED

GENERAL MANAGEMENT

321 THEATRICAL MANAGEMENT

Nina Essman, Nancy Gibbs, Marcia Goldberg, Amy Merlino Coey, Jovan Kala Hannah

ENGAGEMENT MANAGER

Ken Silverman

TOUR PRESS REPRESENTATIVE

Phillip Aleman

CASTING THE TELSEY OFFICE

Bernard Telsey, CSA Craig Burns, CSA Alex Cortinas thetelseyoffice.com

TECHNICAL SUPERVISION

JAKE BELL PRODUCTION SERVICES LTD.

COMPANY MANAGER

Steve Quinn

Associate Company Manager Emily Powell

PRODUCTION STAGE MANAGER

David O’Brien

Stage Manager Michelle Dunn

Assistant Stage Manager Joseph Heaton

Assistant to Mr. Schwartz Michael Cole

Assistant Scenic Designer Nick Francone

Oz Map Design Francis Keeping

Associate Costume Designer Amanda Whidden

Associate Hair Designer J. Jared Janas

Assistant Costume Designers Tricia Barsamian, Amy C. Bradshaw, Cathy Small, Mary Wilson

Associate Lighting Designer Karen Spahn

Assoc. Lighting Designer/ Automated Lights Warren Flynn

Assistant Lighting Designer Joel Shier

Assoc. Sound Designer/

Prod. Sound Engineer Kai Harada

Assistant Sound Designer Catherine Mardis

Projections Programmer Demfis Fyssicopolous

Associate Projection Designer Shawn Boyle

Assistant Projection Designer Keri Thibodeau

Projection Animators Gareth Smith, Ari Sachter-Zeltzer

Special Effects Associate Charles Zerbini

Flying Effects ZFX Flying Illusions

Production Carpenter ....................... Rick Howard

Head Carpenter ..........................Matthew Biltgen

Automation Carpenter ..................... Rick Schadle

Assistant Carpenters ..................Forrest Hinman, Jay Schenk, Terry Thomas Flyman ..........................................Kurt Weichers

Production Electrician ................ Patrick Johnston

Scenic Electrics .................................. Mike Ward

Head Electrician .................................Eric Rimes

Assistant Electricians Jeff Chandler, Katie Ludwig, Jacob Martin

Production Properties SupervisorGeorge Wagner

Head Properties Bob Uzabel

Assistant Properties Kyle Ahlquist

Head Sound Engineer David Romich

Assistant Sound Engineer Gavin Little

Additional Production Staff Henry Baker

Production Wardrobe Supervisor Alyce Gilbert

Wardrobe Supervisor Michelle Roussell

Assistant Wardrobe Supervisors Chanda Barnes, Pamela Mattei

Hair Supervisor Steven Young

Assistant Hair Supervisor Desiree Ricottilli

Makeup Design Joseph Dulude II

Makeup Supervisor Tishonna “Tish” Ferguson

Masks and Prosthetics W.M. Creations, Inc.

Matthew W. Mungle

Advance Carpenters David Johnson, Edwin Lohrer III, Michael Lohrer, Dave Rader

Advance Electrician Steven J. Deidel

Advance Electrics/Sound E.J. Posselius

Advance Sound Brian Moore

Advance Wardrobe Laurel Parrish

Touring Stagehand Apprentice Darniece Brandon

Music Preparation Anixter/Rice Music Service

Synthesizer Programming Andrew Barrett

Guitar Effects Programming Lou Garrett

Production Assistants Susan Bero, Sarah Koehler, Joshua Pilote, Stuart Shefter, Wendy Stephens

Director of Social

Responsibility Christina Alexander

Advertising Serino Coyne/Greg Corradetti

Caroline Thompson, Kevin Hirst, Connor MacDowell, Bethelly Jean-Louis

Online Marketing ................... Situation Interactive

Merchandise............................. The Araca Group

Banking ..................................... Bank of America

Payroll............................... Checks and Balances

Accounting ......................... WithumSmith+Brown Robert Fried, CPA, Karen Kowgios, CPA

Anthony Moore, CPA

Insurance ........... AON/Albert G. Ruben Insurance

Physical Therapy NEURO TOUR

Brooke Harmon, DPT

Jeffrey W. Webb, MD

Housing and Travel Road Rebel

MARC PLATT PRODUCTIONS

Adam Siegel, Greg Lessans, Melissa Strauss, Jared LeBoff, Dan Attanasio, Katie McNicol, Dee Best, Chloe Ventura

STONE PRODUCTIONS

David Stone

Aaron Glick Timothy Bloom

UNIVERSAL STAGE PRODUCTIONS

Chairman, NBC Universal Studio Group Donna Langley Chairman, Business Affairs & Operations Jimmy Horowitz EVP, CFO Global Productions Arturo Barquet SVP, Universal Theatrical Group Chris Herzberger VP, Legal Affairs Keith Blau

321 THEATRICAL MANAGEMENT

Michael Altbaum, Katie Andrew, Abri Berg, Kendall Booher, Maddy Cohen, Sasha Cohen, Theresa Cooper, Katherine Engel, Madison Goldberg, Marissa Gonzales, Jason Haft, Jen Harris, Rachel Kaufman, Stuart Levy, KeriAnne Murphy, Rebecca Peterson, Roseanna Sharrow, Viraj Shriwardhankar, Spencer Smith, John Tupy, Michelle Yard, Jasmine Zang

EXCLUSIVE TOUR DIRECTION

Stephen Lindsay Brett Sirota The Road Company theroadcompany.com

CREDITS

Scenery built by F&D Scene Changes. Scenic motion control featuring Stage Command Systems© by Scenic Technologies, a division of PRG. Lighting equipment from PRG Lighting; Sound equipment from PRG Audio, both divisions of Production Resource Group LLC. Special effects by Sunshine Scenic Studios and Aztec Stage Lighting. Video projection system by Scharff Weisberg Inc. Projections by Vermilion Border Productions. Costumes by Barbara Matera Ltd., Parsons-Meares Ltd., Tricorne, Eric Winterling, Scafati and Cego. Millinery by Rodney Gordon and Lynne Mackey Shoes by T.O. Dey, Frederick Longtin, LaDuca and J.C. Theatrical. Flatheads and monkey wings by Michael Curry Design Inc. Chistery growing wings by Robert Allsop. Life-casts by Todd Kleitsch and Sunday

Englis. Fur by Fur & Furgery. Undergarments and hosiery by Bra*Tenders, Inc. Antique jewelry by Ilene Chazanof. Specialty jewelry and tiaras by Larry Vrba. Custom Oz accessories by LouLou Button. Custom screening by Olympus Flag and Banner and Gene Mignola. Certain props by John Creech Designs & Den Design Studio. Graphic props by Proper Decorum, Inc. Confetti by Artistry in Motion. Puppets by Bob Flanagan. Spellbooks by Sascha Kaminski. Bedding by Sew & So. Wigs by Watson Associates. Electronic instruments and equipment from Manny’s Music. Guitar amplifiers by Mesa Boogie. Cymbals by Sabian. Drumheads by Remo. Drumheads from Headhunters. Rehearsed at New 42nd Street Studios.

The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The musicians employed in this production are members of the American Federation of Musicians.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

ATPAM, the Association of Theatrical Press Agents & Managers (I.A.T.S.E. Local 18032) represents the Press Agents, Company Managers and Theatre Managers employed on this production. This production is produced by members of The Broadway League in collaboration with our professional union-represented employees.

@Wicked_Musical

DENVER CENTER FOR THE PERFORMING ARTS

GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2024 BROADWAY SEASON

PLEASE BE ADVISED

• LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 6+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to amcmullen@dcpa.org or 303.446.4836

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, IATSE Local 719

Robin Appleton

Julie Bassignani

Vonnie Clough

Craig Cory

Cyndie Cory

Steve Davies

Anne Davis

Amber Krimbel

Carolyn Dore

AnnSue Gunter

Judy Holabird

Will Holabird

Lauren LaCasse Kelsey Lambert

Mark Anthony

Perry Elliott

Kiko Marra

Leslie Lambert

Sarah Lambert

Sharon Millikan-Hale

Callie Morrow

Tim Nelson

Lisa Parsons Wagner

Laura Payne

Dave Poole

Alan Richards

Elisa Spadi

Amy Tepel

Eliza Vlasova

Barbara Wilson

DPAC House Crew

Albert Sainz Sr.

Josh Thurman

Derek Tovar

David A. Wilson

Allen Olmstead

The Denver Performing Arts Complex is owned and operated by Denver Arts & Venues for the City and County of Denver.

City and County of Denver

Mike Johnston, Mayor

Denver Arts & Venues

Gretchen Hollrah, Executive Director

Tariana Navas-Nievas, Deputy Director

Denver Arts & Venues, Arts Complex Operations

Mark Heiser, Venue Director

Jody Grossman, Assistant Venue Director, Booking

Todd Medley, Facilities Superintendent

Kelly Graham, Safety, Security and Garage Operations Manager

Carol Krueger, Patron Services Manager artscomplex.com | (720) 865-4220

For immediate assistance & security (720) 865-4200

LEGACY GIVING

LEAVE A LEGACY THAT ENSURES OUR FUTURE

It is because of one Legacy Gift that we exist today. We invite you to join our Encore Society when you name the DCPA in your estate plan.

Encore Society members receive special event invitations, ticket offers, and member-only perks. Join by:

• Making a tax-free gift in your will or revocable trust

• Designating the DCPA as a beneficiary of a retirement plan, IRA, insurance policy, or other account

• Taking advantage of tax-wise giving through appreciated stock or your IRA RMD

For more information, contact: Connor Carlin ccarlin@dcpa.org | 303.446.4842

For

MORE WAYS TO GIVE

Leslie Alexander and Sophia Dotson in A Little Night Music

Photo by Amanda Tipton Photography

how costume designers, set builders, propmakers, and technical specialists create our shows from scratch.

Behind-the-Scenes Tours take place Mondays and Saturdays at 10am During

APPLAUSEWORTHY EVENTS

DCPA Event Services

Bring some theatricality to your next all-team meeting, annual gala, or corporate retreat and leave your guests starstruck! DCPA Event Services makes it easy, with everything from coat check to catering facilitated by our in-house professionals. Contact us today!

By Studio JK

BROADWAY COMMUNITY SEATS PROGRAM BREAKS BARRIERS

LLast season, the Denver Center for the Performing Arts launched a new program to broaden ticket access to the community. Called the Broadway Community Seats Program, this is a partnership between the DCPA’s Community Engagement and Marketing teams in collaboration with Broadway touring producers.

The Broadway Community Seats Program is a mission-driven initiative that aims to empower marginalized communities by providing them with the transformative experience of live theatre. Fostering inclusivity and breaking down barriers to access the magic of Broadway.

Nearly 1,000 tickets were distributed to 146 individuals and organizations last season to such shows as MJ, Disney’s Frozen, TINA — The Tina Turner Musical, MAMMA MIA!, Message In A Bottle, Hairspray and many more.

“We are so thrilled to welcome folks to our biggest shows direct from Broadway,” said Allison Watrous, Executive Director of Education and Community Engagement. “Each season the DCPA is excited to ﬁnd new ways to provide access and engagement to our collaborators and new community partners. It is inspiring to all come together to share in the power of storytelling and we’re so appreciative of our Broadway partners for making it possible. The joy of a communal audience is palpable!”

After the Broadway Marketing team secures approval from a show, it’s up to the DCPA Community Engagement team to coordinate the release of tickets. While groups can request tickets to a speciﬁc show, the team makes a distribution plan to intentionally rotate the distribution and quantity of tickets provided.

This season’s beneficiaries have included Brother Jeff ’s Cultural Center, Mexicanisima Restaurant, A+ Angels Mentors, Ronald McDonald House Charities, Firefly Autism, Opening Act, Youth Scene and many more.

The DCPA distributed more than 150,000 free and low-cost tickets in 2022/23 — nearly 21% of all tickets distributed.

The Broadway Seats program, along with the DCPA’s other free and low-cost ticket opportunities, enabled the organization to welcome more than 150,000 individuals last season — nearly 21% of all tickets distributed.

“I just wanted to say thank you so much for the amazing complimentary tickets you provided to us for the Cher show. We loved the show; it was amazing!” said Tania Montes with Aurora Public Schools’ Migrant Education Program. “I just want to let you know that we are very appreciative…thank you so much! We are forever grateful.”

Individuals who work with or represent non-profit organizations, institutions, businesses or individuals for whom cost is a barrier are invited to contact the DCPA Community Engagement team at community@dcpa.org to be placed on the distribution list for future Broadway Seats opportunities. For those who are interested in other free or low-cost ticket opportunities at the DCPA including DCPAccess with tickets starting as low as $10 and offers for military, seniors and students, visit denvercenter.org/offers.

MAKE SHOWTIME A NIGHT ON THE TOWN!

Consider joining one of the DCPA’s premium membership societies for an exclusive experience before and after the curtain rises. DRINK, DINE AND DELIGHT IN THE CULTURAL HUB OF DENVER.

BEST OF BROADWAY SOCIETY

For unforgettable evenings all Broadway season long, treat yourself to ﬁrst-class dining and seats. Enjoy the best seats in the house, pre-show cocktails, dinner in Kevin Taylor’s at the Opera House and private intermission in the fabulous Wolf Room.

Contact: Marc Ravenhill • mravenhill@dcpa.org • 303.572.4594

DIRECTORS SOCIETY

Want the premium subscription experience at all of Denver Center Theatre Company’s subscription shows for you or your clients? Enjoy our most exclusive seating, ﬁne dining pre-show in the Seawell Ballroom, post-show parties with artists and creatives, behind-the-scenes discussions, and more.

Contact: Marc Ravenhill • mravenhill@dcpa.org • 303.572.4594

CORPORATE MEMBERSHIP

DCPA Corporate Member nights help you enhance client relationships, make new connections, motivate employees, and improve your bottom line. In addition to insider ticketing and pre-show cocktails and dining for eight of our most popular shows each season, your company will receive brand recognition and exclusive perks for your employees.

Contact: Caroline Eppers • ceppers@dcpa.org • 303.446.4873

•

Savor the best of downtown Denver and support the performing arts in style by dining with our Preferred Restaurant Partners.

SHOW YOUR THEATRE TICKETS TO GET:

Complimentary half-dozen oysters, half bottle of Prosecco, and valet parking until 10:30pm

Complimentary seasonal dessert

Complimentary valet parking and dessert with entrée purchase

Special pre-theatre menu, $45 per guest

Special pre-theatre menu, $89 per guest

Complimentary parking and 20% oﬀ bill

Interested in becoming a Restaurant Partner?

Contact Caroline Eppers at ceppers@dcpa.org or 303.446.4873

Complimentary martini with purchase of a dinner entrée

Free general admission entry with same-day DCPA ticket

Complimentary starter with the purchase of a main entrée

ELEVATE YOUR EXPERIENCE

PROUD PARTNER OF THE DENVER CENTER FOR THE PERFORMING ARTS

CCBS Colorado’s Dillon Thomas is known as Your Reporter in Northern Colorado, but around here, he’s better known as Colorado’s connection to the Denver Center for the Performing Arts. CBS Colorado’s team of Your Reporters covers Colorado’s vibrant arts scene like no one else and Dillon’s coverage of the DCPA is unique and far-reaching. His commitment has put him on the road with America’s top traveling productions, including MJ the musical, TINA — The Tina Turner Musical and SIX. “Telling the stories of these extraordinary performers and showing our viewers the long hours behind the scenes and the intense eﬀort these shows require is one of my great honors,” Thomas says. “I’m very proud to represent CBS Colorado and showcase all the incredible talent that the DCPA brings to our theatres throughout the year.”

In addition to providing best-in-class entertainment, Ameristar takes pride in fulﬁlling an obligation to the community to make a positive impact.

— SEAN DEMEULE, GENERAL MANAGER OF AMERISTAR BLACK HAWK

PROUD CORPORATE MEMBERS OF THE DCPA

AAmeristar Casino Resort Spa in Black Hawk is proud to partner with the Denver Center for the Performing Arts again this year. The DCPA has been entertaining the Denver community for decades with its exceptional productions. Ameristar Black Hawk, also being in the entertainment business, ﬁnds the partnership very beneﬁcial. Ameristar strives to create memorable, thrilling experiences for its guests and the partnership with the DCPA plays a large role in that.

“In addition to providing best-in-class entertainment,” said Sean Demeule, General Manager of Ameristar Black Hawk, “Ameristar takes pride in fulﬁlling an obligation to the community to make a positive impact. Our community outreach program, Ameristar Cares, enables team members to donate their time and make ﬁnancial contributions. Our team members enjoy volunteering locally in Gilpin County as well as in the Denver metro area. Ameristar also has a Charitable Giving committee that provides donations to a multitude of charities throughout Colorado.”

For that reason Ameristar Black Hawk has continued to partner with the DCPA year after year. It’s about having a passion not only to entertain, but to also change lives. To foster a vibrant community of giving and to contribute to causes which seek to create a better tomorrow. When the curtain falls, Ameristar will be standing with the DCPA.

PROUD SPONSOR OF THEATRE FOR YOUNG AUDIENCES AND SATURDAY NIGHT ALIVE

DAVITA: COMMUNITY FIRST

AAs a leading provider of kidney care services in the United States, DaVita is committed to making a lasting impact, starting with the care it provides and extending to the broader communities it serves.

Since ﬁrst calling the Mile High City home in 2010, the company has remained dedicated to supporting causes that uplift the Denver community while fostering a culture that encourages teammates to get involved. As a company, DaVita invests in opportunities that advance leadership, sustain cultural institutions, and respond to the community’s most pressing needs.

DaVita is proud to support the Denver Center for the Performing Arts, a vibrant organization committed to increasing access to performing arts for all individuals. DCPA’s mission to serve, engage and inspire its community aligns with DaVita’s eﬀorts to support healthy communities around the world, as well as in its own backyard of Colorado. DaVita is proud to play a role in DCPA’s Theatre for Young Audiences program, engaging more than 15,000 pre-K through 3rd grade students and educators from 128 schools across metro Denver.

Following are examples of other local community collaborations DaVita is proud to support:

Funding 10 Denver Scholarship Foundation recipients as they pursue a pathway to healthcare related careers.

Preparing teen moms at Florence Crittenton Services for future livable wage opportunities through a summer exposure program that matches them with paid internships. The program provides them with ﬂexibility of job choice over the summer while helping to ensure they are ready for medical internships and gain necessary professional skills.

DaVita is a proud premier supporter of Urban Peak’s annual fundraiser, Urban Nights. The nonproﬁt is the only organization in Denver that provides wrap-around support services for youth experiencing homelessness.

Grow your success.

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DCPA

Janice Sinden President & CEO

Donna Hendricks Executive Assistant, President & CEO

Julie Schumaker Manager, Board Relations

ACCOUNTING & FINANCE

Jane Williams CFAO

Sara Brandenburg Director, Accounting Services

Jennifer Je rey Director, Financial Planning & Analysis

Kristina Monge Associate Accountant

Annie Self Accountant III

Jennifer Siemers Director, Accounting

Audrey Smith Associate Manager, Accounting

BROADWAY & CABARET

John Ekeberg Executive Director

Administration

Ashley Brown Business Manager

Alicia Bruce General Manager

Lisa Prater Operations Manager

Garner Galleria Theatre

Abel Becerra Technical Director

Jason Begin+, Anna Hookana+ Core Stagehands

DEVELOPMENT

Jamie Clements Vice President

Connor Carlin Associate Director, Major & Planned Gifts

Caroline Eppers Manager, Corporate Partnerships

Kara Erickson-Stiemke Coordinator

Kaylie Gro Manager, Grants & Reports

Emily Kettlewell Associate Director, Annual Giving

Caitie Maxwell Senior Director, Major Gifts

Marc Ravenhill Associate Director, Donor Relations

Megan Stewart Associate Director, Special Events

EDUCATION & COMMUNITY ENGAGEMENT

Allison Watrous Executive Director

Stuart Barr Technical Director

Leslie Channell Director, Business Operations

Lyndsay Corbett Teaching Artist & Manager, Bobby G

Heather Curran Teaching Artist & Manager, Playwriting

Elliot Davis Evening Registrar & O ce Coordinator

Rachel Ducat Executive Assistant & Business Manager

Rya Dyes Registrar & On-Site Class Manager

Gavin Juckette Teaching Artist & Manager, TYA Engagement & Music

Timothy McCracken Head of Acting

Rick Mireles Manager, Community Engagement

David Saphier Teaching Artist & Manager, In-School Programming

Charlotte Talbert Librarian

Rachel Taylor Teaching Artist & Manager, Literary Engagement & Resiliency

Justin WalvoordTeaching Artist & Manager, Shakespeare in the Parking Lot

Samuel Wood Director, Curriculum Development

EVENT SERVICES

Phil Rohrbach Event Manager

Samantha Egle, Cody Gocio Senior Sales & Event Managers

Stori Heleen-O’Foley Event Technical Manager

Shane Hotle Audio Engineer

David Mandlowitz Video Engineer

DCPA TEAM

Tara Miller Event Sales & Operations Director

Brook Nichols Event Technical Director

Kate Olsen Event Sales Coordinator

Benjamin Peitzer Event Technical Lead

Michael Harris,

Alex Taylor Lighting Designers

Brooke Wyatt Event Logistics Manager

INFORMATION TECHNOLOGY

Lisa Roebuck Vice President

For security purposes, the IT team has been omitted.

Operations

Sarah Arzberger Administrator

Vincent Bridgers Manager

Adam Busch Analyst

Aaron Chavez Lead

Ruben Cruz, Jordan Latouche Engineers

Simone Gordon Associate Director

Kyle Greufe Senior Analyst

Maria Herwagen Jr. Developer

Brandon LeMarr Manager

Sam Nolte, Tara Perticone Analysts

Joseph Reecher Senior Engineer

Cordelia Taylor Coordinator

MARKETING & SALES

Angela Lakin Vice President

Whitney Testa Executive Assistant, Marketing & Broadway

Marketing

Heidi Bosk Associate Director, Press & Promotions, Broadway & Cabaret

Erin Bunyard Senior Digital Strategist

Soﬁa Contreras, Lucas Kreitler Graphic Designers

Brenda Elliott,

Paul Koob Senior Graphic Designers

Harper Anne Finch Manager, Social Marketing

TJ Forlenza Copywriter

Michael Garcia Manager, Web Content

Claire Graves Director, Produced Programs

Brittany Gutierrez Associate Director, Communications

Linda Horan Project Manager

Je Hovorka Director, Sales & Marketing, Broadway & Cabaret

Emma Holst Communications & Content Associate

Emily Kent Director, Insights & Strategy

Kelsie Korinek Coordinator, Broadway & Cabaret

Michael Ryan Leuthner Director, Digital Marketing

Emily Lozow Associate Director, Sales & Marketing, Broadway & Cabaret

Kyle Malone Director, Design

Dan McNulty Marketing Analyst

Todd Metcalf Media Producer

Hannah Selwyn Manager, Email Marketing

Julie Whelan Manager, Produced Programs

Mikayla Woods Coordinator, Produced Programs

Suzanne Yoe Director, Content & Communications

Ticketing & Audience Services

Jennifer Lopez Director

Christina Adamoli*, D.J. Dennis*,

Edmund Gurule*, Alison Orthel*,

Lane Randall*, Hayley Solano*, Sam Stump* Counter/Show Leads

Jessica Alverson, Siri Barrier*, Tamika Cox*, Mekenzie Dalton*, Zeah Edmonds*,

Lauren Estes*, Luke Fish*, Jen Gray*, Noa Halpern*, Phi Johnson-Grimes*, Noah Jungferman*, Holly Stigen*,

Andrew Sullivan*, Alfonso Vazquez*,

Robert Warner* Ticket Agents

Kirsten Anderson*, Scott Lix*,

Liz Sieroslawski*,

Greg Swan* Subscription Agents

Jon Collins Manager, Subscription

Katie Davis Manager, VIP Ticketing

Billy Dutton Associate Director, Operations

Danielle Freeman Manager, Customer Service

Claire Hayes, Ella Mann Managers, Box O ce

Chris Leech Coordinator, VIP Ticketing

Katie Spanos Associate Director, Subscriber Services

Group Sales

Jessica Bergin Associate Director

BK Kamin Manager, Audience Development

Elias Lopez Coordinator

Maddie Young Associate, Education & Group Sales

OFF-CENTER

Charlie Miller Executive Director & Curator

Courtney Ozaki Creative Producer

Mike Pingel Operations Manager

PEOPLE & CULTURE

Laura Maresca CPCO

Equity & Organization Culture

Lydia Garcia Executive Director

Seán Kroll Coordinator

Human Resources

Brian Carter Senior Business Partner

Andrew Guilder HR & Recruiting Specialist

Michaela Johnson Interim Mailroom Assistant

Paul Johnson Payroll & Compliance Manager

Jocelyn Martinez Business Partner

Kinsey Scholl Operations Manager

THEATRE COMPANY

Administration

Charles Varin Managing Director

Emily Diaz Business Admin./ Asst. Company Manager

Alex Koszewski Company Manager

Ann Marshall General Manager

Artistic

Chris Coleman Artistic Director

Jessica Eckenrod Artistic Associate

Grady Soapes Artistic Producer & Casting Director

Leean Kim Torske Director, Literary Programs

Costume Crafts

Kevin Copenhaver Director

Chris Campbell Assistant

Costume Shop

Janet Macleod Director/Design Associate

Meghan Anderson Doyle Design Associate

Stephanie Cooper, Amoreena Knabb, Ingrid Ludeke, Carolyn Plemitscher Draper

House Crew

Douglas Taylor+ Supervisor

James Berman+, Forest Fowler+, Dave Mazzeno+, Kyle Moore+, Matt Wagner+ Stagehands

Kelley Reznik+ Assistant

Lighting Design

Charles MacLeod Director

Lily Bradford Assistant

Joseph Price+ Production Electrician

Paint Shop

Kristin Hamer MacFarlane Charge Scenic Artist

Melanie Rentschler, Sasha Seaman Scenic Artists

Production

Je Gi ord Director

Julie Brou Administrative Assistant/ O ce Manager

Matthew Campbell Production Manager

Peggy Carey Associate Production Manager

Prop Shop

Meghan Markiewicz Supervisor

Sara Pugh Associate Supervisor

Bennet Goldberg, Georgina Kayes, Ashley Lawler Artisans

Andrew McGlothen Prop Carpenter

Scene Shop

Eric Moore Technical Director

Albert “Stub” Allison, Robert L. Orzolek, Josh Prues Associate Technical Directors

Jeremy Altho , Tyler D. Clark, Amy Wynn Pastor,

Kyle Scoggins Scenic Technicians

Louis Fernandez III Lead Scenic Technician

Brian “Marco” Markiewicz Lead Carpenter

Scenic Design

Lisa Orzolek Director

Kevin Nelson, Nicholas Renaud Assistants

Sound Design & Technology

Alex Billman Supervisor

Meagan Holdeman+, Timothy Schoeberl+, Dimitri Soto+ Technicians

Stage Management

Liz Campbell, Corin Davidson, Harper Hadley, Rebecca Hamlin, Sage Hughes, Anne Jude, Kristen Mun, Nick Nyquist, Malia Stoner Stage Managers

Anna Cordova, Sam Forrest, Megan Franco, Miranda Vasquez, Ayana Yokie Apprentices

Rain Young Associate

Wardrobe

Heidi Echtenkamp Supervisor

Robin Appleton^, Amber Krimbel^, Lauren LaCasse^, Lisa Parsons Wagner^, Nicole Watts^, Kami Williams^ Dressers

Wigs

Diana Ben-Kiki Supervisor

Abby Schmidt^, Marisa Sorce^ Wig Assistants

VENUE OPERATIONS

Glen Lucero Vice President

Merry Davis Financial Manager

Jane Deegan Administrator

Facilities

Craig Smith Director

Jerad Ayala, Steven Bilbao, Abraham Cervantes, Lindsey Cervantes, Carmen Molina, Judith Primero Molina, Juan Loya Molina Custodians

Dwight Barela, Mark Dill, Bryan Faciane, John Howard Engineers

Michael Kimbrough Manager, Engineering Brian McClain Manager, Custodial

Patron Experience

Evan Gendreau Associate Director

Elliot Shields Manager

Kaylyn Kriaski, Leilani Lynch, Aaron McMullen, Stacy Norwood, Valerie Schaefer Assistant Managers

Nora Caley, Amy Howard, Robin Lander, Myrisa Martin, Selin Ozcelik, Barbara Pooler, Wendy Quintana House Managers

Safety & Security

Quentin Crump Director

Timothy Allen, Jodi Benavides Lead Security O cers

Calum Abeywickrema, Mayte Armendariz, Samara Attridge, David Bright, Jaron Van Horne, Manuel Amaya-Loera, Isabella Samaniego, Shayne Thullen, Tori Witherspoon Security Specialists

Judy Briggs Front Desk