Applause Magazine, September 4-9, 2018 by The Publishing House

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VOLUME XXX • NUMBER 2 • AUG - OCT 2018

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Carnegie Hall. Sarah Bockel (“Carole King”) • Photo by Matthew Murphy.

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BEAUTIFUL — THE CAROLE KING MUSICAL

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VIETGONE OKLAHOMA! THE CONSTANT WIFE

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SIGHTLINE BY JANICE SINDEN

Greetings and welcome to the 40th anniversary season of our very own DCPA Theatre Company! What a treat we have in store. First up are three sequential openings — Vietgone, a pop culture-infused dramedy about two Vietnamese refugees; The Constant Wife, a cheeky satire that is as relevant today as it was in the 1920s, and Oklahoma!, the DCPA directorial debut of our new Artistic Director, Chris Coleman, who boldly sets this beloved classic in an all-African-American town in the early days of the Oklahoma Territory. Just as our Theatre Company opens its season, DCPA Broadway welcomes the return of Beautiful — The Carole King Musical based on the inspiring true story of rock ’n’ roll’s very own “natural woman.” At the same time, our Education and Theatre Company departments are busy building, rehearsing and preparing for our second Theatre for Young Audiences production. Straight from the pages of the beloved children’s book, Corduroy will entertain more than 19,000 PreK through 3rd grade students this fall (Oct 5 – Dec 9). As you join us for these productions, you will see new names on some of our theatres. In June, the Denver Center for the Performing Arts launched its first ever Capital Campaign. Called “A Grander Opening,” this campaign will renovate the Stage and Ricketson theatres, backstage and support areas, and Bonfils lobby. Thanks to 100% participation by our Board of Trustees, you will begin to see signage that recognizes these substantial gifts. Marvin and Judi Wolf provided a lead gift to rename The Stage Theatre (The Marvin & Judi Wolf Theatre). Dean Singleton’s generous support will rename The Ricketson Theatre (The Singleton Theatre, see page 9). Robert and Judi Newman have made a significant gift to honor our late President, which will rename The Conservatory Theatre (The Randy Weeks Conservatory Theatre, see page 12). We are so grateful to these individuals for their commitment for providing world-class venues that match our world-class productions. For more information on our 40th anniversary season, donation opportunities and the many programs we offer at the DCPA, please visit our newly revamped website at denvercenter.org, which is chock full of stories, photos, videos and much more. We’ll see you at the theatre!

Janice Sinden, President & CEO Denver Center for the Performing Arts

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EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore SENIOR ART DIRECTOR: Adam Obendorf ART DIRECTOR: Kyle Malone SENIOR DESIGNERS: Casey Eickhoff, Brenda Elliott CONTRIBUTING WRITERS: Sylvie Drake, Hope Grandon, Brittany Gutierrez, Savannah Nichols Applause is published eight times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content. Applause magazine is funded in part by

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BOARD OF TRUSTEES Martin Semple, Chairman William Dean Singleton, Secretary/Treasurer Robert Slosky, Vice Chairman Dr. Patricia Baca Joy S. Burns Fred Churbuck Isabelle Clark Navin Dimond L. Roger Hutson Robert C. Newman Roberta Robinette Manny Rodriguez Alan Salazar Hassan Salem Richard M. Sapkin June Travis Ken Tuchman Tina Walls Dr. Reginald L. Washington Judi Wolf Sylvia Young

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EXECUTIVE MANAGEMENT Janice Sinden, President & CEO Chris Coleman, Artistic Director, Theatre Company Clay Courter, Vice President, Facilities & Event Services John Ekeberg, Executive Director, Broadway & Cabaret Lisa Mallory, Vice President, Marketing & Sales Vicky Miles, Chief Financial Officer Yovani Pina, Vice President, Information Technology Shelley Thompson, Vice President, Development Shaunda VanWert, Vice President, Human Resources Charles Varin, Managing Director, Theatre Company Allison Watrous, Executive Director, Education

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The DCPA bridges a gap in school arts programs statewide through in-school workshops, on-site classes and live performances. Help us champion all children and put them on the path to success.

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Fuel a child’s creativity and enrich their lives with a gift to DCPA Education: • $25 sends a child to a matinee for their first play • $50 fills our theatre truck’s gas tank to bring Shakespeare to area high schools • $100 provides in-school playwriting workshops that give voice to high school students

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VIETGONE

An unlikely love story by a comicbook geek BY JOHN MOORE

Vietgone playwright Qui Nguyen has been called a weirdo, a nerd, a comic-book geek, a mamma’s boy and a vastly immature writer. And you should hear what he says about other people! “As a kid, I just wanted to write superhero stories,” said Nguyen. “But I always assumed that as I grew up, my writing would, too.” Instead, as Nguyen started an irreverent theatre company called Vampire Cowboys, and later landed a job as a screenwriter for Marvel Studios, it became pretty obvious that was just not going to happen. “I am never going to be that person,” he said with a laugh. “I am the artist that I am.” And who is that artist? “I am an introvert who likes to randomly throw kung-fu fights and ninjas and hip-hop into my plays — just because I think it’s fun,” he said. Nguyen also is a Vietnamese-American who was born, in of all places, a military outpost in Fort Chafee, Arkansas. Everything about his story — and his stories — challenge our present-day notion of the American identity. Even more so today than when Vietgone was premiered two years ago. Nguyen’s parents met in 1975 at that Arkansas military base, which was being used as a temporary refugee processing center during the fall of Saigon. Their love story becomes the loose basis of Vietgone, now being staged by the DCPA Theatre Company. “The catalyst for me wanting to be a writer in the first place was to tell my parents’ story,” Nguyen said. “I wanted people to know who they are and what they went through.”

But he wanted to wait until that evasive serious writer emerged before he told it. This story deserved it. After all, his parents struggled mightily to come to America. An uncle’s family was killed trying to leave Vietnam, leaving a baby stranded in the Philippines. But Nguyen changed his mind. (He does that a lot. Blame the short attention span.) “I figured I could wait until my parents were dead and gone, or I could just write it now and celebrate them while they are alive,” he said. “So I said, ‘[bleep] it — I am going to do it now. I’ll just have to write the play the only way I know how to: In my style and in my voice.'” Which means, yes, ninja fights, rap, non-sequential storytelling, a motorcycle, hyper-surrealism and many unconventional narrative forms before settling into a surprisingly substantive finale. Despite his unconventional approach to the play, which the Los Angeles Times described as “a riotous theatrical cartoon,” and its inevitable political subtext, Nguyen says Vietgone is, at its heart, a completely new kind of American love story. “And we all love love stories, right?” he said. “Mine is just told in a way that is probably different from anything else the Denver Center has ever done before.” Writing that love story was not as easy as you might presume, given Nguyen’s proximity to its protagonists. “People who come from tumultuous situations generally don’t want to talk about it,” said Nguyen, who employed a highly unorthodox journalistic construct to get his parents talking: He got them drunk and made fun of them.

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

COSTUME For nearly 20COLUMN years, media mogul and former owner of The Denver Post, William Dean Singleton, has volunteered as a Trustee of the Denver Center for the Performing Arts. In that time, he has served as Vice Chairman and Secretary/Treasurer, a position he continues to hold today. His long-standing commitment was just deepened with a generous gift to “A Grander Opening,” the DCPA’s Capital Campaign to renovate its Stage and Ricketson theatres. When Singleton joined the Board in 2001, his affiliation continued a decades-long relationship between the region’s largest newspaper and largest non-profit theatre organization. In 1895, Harry Tammen and Frederick Bonfils bought The Evening Post, one of a dozen tabloid-style newspapers in this rough and tumble town. Using sensational headlines and their own brand of yellow journalism, the duo rebranded the paper as The Denver Post, which, eventually, was owned by Bonfils’ daughter, Helen. Upon her death, the paper was sold and proceeds financed the creation of the Denver Center for the Performing Arts. In addition to owing its existence to past owners of The Post, the DCPA also has benefited from ongoing sponsorship support from the paper for nearly 30 years. In recognition of his years of service and support of “A Grander Opening,” the DCPA will renovate The Ricketson Theatre beginning in March 2020. Upon its reopening in the Fall of 2021, it will be renamed in his honor — The Singleton Theatre.

— QUI NGUYEN, playwright

“And oh boy, did that work!” he said with a belly laugh. “The one thing I know is that Asian parents really hate having dumb kids, so I just pretended to be real [bleeping] stupid just to watch my parents correct me. “I would say, ‘Vietnam? That was the war with China, right?’ And my dad would yell, ‘Oh, why are you so stupid?!?’ But once he got going, he couldn’t stop talking. And I must say — the alcohol helped.” But two can play that game. Nguyen’s savvy mother turned the tables when she realized that talking to her son about her sex life completely grossed him out. “And she was so tickled by that,” he said, “that it strangely motivated her to then gross me out continuously.” The things a writer will do to get the story. But by writing his stories in the way that feels right to him, Nguyen has essentially created his own genre of American playwriting. “I wish I could say that was a goal,” he said with a chuckle. “But the truth is, I just don’t know any other way to tell my stories. I have a little bit of artistic attention-deficit disorder, which means I get bored very quickly, and I will switch gears right when I am in the middle of something.” Nguyen also is an uncommonly prolific writer. He wrote the core of Vietgone on one cross-country plane ride. He wrote his other big hit, She Kills Monsters (about a woman who gets sucked into a game of Dungeons and Dragons to learn more about her dead sister) — in a single day. Deadlines, apparently, are Nguyen’s best friend. Vietgone was first introduced as a reading at the start of the most recent presidential campaign. It is a play Nguyen expected precisely no one would ever want to produce. Instead, it is becoming one of the most produced plays in America. And Nguyen admits the play unquestionably feels different since the election, and the subsequent refugee crisis that feels even more hostile to Nguyen’s family than the one in 1975. “My play is about being displaced from home and family,” he said. “It’s about the struggle to start a new life in a new place. And when I wrote it, yes, we were absolutely living in a very different America. So while I may think of Vietgone as nothing more than a fun play about my parents, it’s obviously more than that now. “I hope that Vietgone tells people that all of us are part of the American fabric. And that fabric isn’t one shade, one color or one story. What a lot of us are forgetting with all of this ‘MAGA’ [talk] is that we are a country that created itself. And everyone brings a little bit of their story into this giant quilt. I think Vietgone should remind us all that America can be better than what it is right now.”

VIETGONE AUG 24 – SEP 30 • RICKETSON THEATRE ASL and Audio-described performance: Sep 16 at 1:30pm

Photo by Amanda Tipton photography

Illustration by Kyle Malone

A GIFT FROM DEAN SINGLETON

"I hope that Vietgone tells people that all of us are part of the American fabric. And that fabric isn’t one shade, one color or one story."

IN THE SPOTLIGHT

UPCOMING

SHOWS

Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

Vietgone Now – Sep 30 Beautiful — The Carole King Musical Sep 4 – 9 Oklahoma! Sep 7 – Oct 14

The Improvised Shakespeare Company Sep 13 – 30 The Constant Wife Sep 21 – Oct 21 Dear Evan Hansen Sep 25 – Oct 13 Corduroy Oct 5 – Dec 9 Love Never Dies Oct 23 – 28 Bite-Size: An Evening of Micro Theatre Oct 23 – Nov 18

Breakin’ Convention Nov 3 – 4 Xanadu Nov 3, 2018 – Apr 28, 2019 Come From Away Nov 13 – 25

1. DCPA thanks the 2017/18 Denver Center Alliance Board members for all of their time, hard work and efforts throughout the season! These volunteer fundraisers donate countless hours of time, effort and energy to ensure our success each year. Bravo! 2. Terri Fisher accepts the Denver Center Alliance’s 2018 Volunteer of the Year Award at its spring membership luncheon. 3. Outgoing Alliance President Pam Sletten (l), pictured with President Elect Jennifer Dechtman, worked tirelessly this year to coordinate over a dozen phenomenal events during the past season. 4. Bayswater President & CEO Steve Struna, his wife Susan and their family and their family (center) recently chaired the DCPA’s record-breaking Saturday Night Alive. Bayswater and 5. SRC Energy were sponsors of the event, which raised $1.15 million to support DCPA arts and education programs.

Photos by Megan Fevurly, Melissa Olson and Amanda Tipton photography

A Christmas Carol Nov 21 – Dec 24 The SantaLand Diaries Nov 23 – Dec 24 Irving Berlin’s White Christmas Dec 5 – 15 Cirque Eloize - Hotel Dec 19 – 23 A Bronx Tale Jan 8 – 20, 2019 Last Night and the Night Before Jan 18 – Feb 24, 2019 Rock of Ages Jan 25 – 27, 2019 Anna Karenina Jan 25 – Feb 24, 2019 Bat Out of Hell Feb 6 – 17, 2019 The Whistleblower Feb 8 – Mar 10, 2019 Powered by Off-Center Mar – Apr 2019 The Play That Goes Wrong Mar 5 – 17, 2019 Hello, Dolly! Mar 27 – Apr 7, 2019 Cats Apr 24 – 28, 2019

FOR A COMPLETE LIST, VISIT DENVERCENTER.ORG 10

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A TENDER STORY OF TRUE FRIENDSHIP FOR THE YOUNGEST THEATRE LOVERS

A GIFT FROM ROBERT & JUDI NEWMAN

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SINGLE TICKETS: 303.893.4100 STUDENT GROUP TICKETS AND SCHOLARSHIPS AVAILABLE 303.446.4829 CORDUROY Based on the Corduroy and A Pocket for Corduroy books by Don Freeman Licensed by CBS Consumer Products Adapted for Stage by Barry Kornhauser Directed by Allison Watrous

Scholarships provided by: Ralph L. and Florence R. Burgess Trust, Fine Arts Foundation, Peggy Finley, Margot and Allan Frank, Fuller Family Fund, The Blanche and Irving Laurie Foundation, Alan and Carol Meny, Walter S. Rosenberry, III - Charitable Trust, June Travis

Show Sponsor:

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

COSTUME COLUMN In June, long-time Denver Center supporters Robert & Judi Newman announced a significant gift to the DCPA’s Capital Campaign, “A Grander Opening” As staunch supporters of arts education, the Newman’s donation will rename DCPA Education’s 185-seat theatre, The Randy Weeks Conservatory Theatre to honor the organization’s late President. Each year, the DCPA engages nearly 106,000 students through its education and audience engagement programs including 19,000 PreK-3rd grade children who attended last year as part of the new Theatre for Young Audiences program. (See ad to the left for this fall’s production of Corduroy). As President of the DCPA and Executive Director of Broadway, Randy (1955-2014) presented more than 400 Broadway and cabaret shows to nearly 12 million guests. Plus he served on the Board of Denver School of the Arts and founded the Bobby G Awards to honor the best in Colorado high school musical theatre. “Judi and I hope that our gift paired with Randy’s commitment to theatre and education, will make a lasting impact for generations to come,” said DCPA Trustee Robert Newman. See for yourself when Corduroy plays the newly renamed Randy Weeks Conservatory Theatre October 5 through December 9. For information about DCPA Education and The Denver Center’s “A Grander Opening,” please visit denvercenter.org.

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Carnegie Hall. Sarah Bockel (“Carole King”) • Photo by Matthew Murphy.

AS BEAUTIFUL AS SHE IS B Y S Y LV I E D R A K E

APPLAUSE • AUG – OCT 2018 • DENVERCENTER.ORG

Beautiful is subtitled The Carole King Musical and contains many unforgettable Carole King songs (“Will You still Love Me Tomorrow,” “Up on the Roof,” “A Natural Woman”). But this show is a jukebox musical that King had little to do with beyond agreeing – kicking and screaming – to let the producers base it on her life and songs. Crazy? The other players in this jaunty evening of musical comedy – a breezy mix of nostalgia, great songs, spirited dance and romance from the 1960s and 70s – are Cynthia Weil (words) and Barry Mann (music), good friends of King and King’s then-husband and collaborator, the late Gerry Goffin. The Manns’ own romance and marriage is prominently featured in it, often as comic relief. So are some of their compositions (“On Broadway,” “You’ve Lost That Lovin’ Feelin’”), along with snippets by others and including that 1929 anthem, “Happy Days Are Here Again,” used by Franklin Roosevelt as his 1932 presidential campaign song, but offered here with reinvented Weil-d new lyrics. So, what gives…? Enter sunny producer Paul Blake, strongly suspected to be the mastermind behind this Beautiful gambit. “Yes…! No,” he said, quickly reversing himself. “The phone rang one day and it was the president of EMI music who said, ‘Paul, we own these songs and I think there’s a show in there.’ Why call me? ‘Well, you got the [Irving] Berlin sisters to give you the rights to ‘White Christmas.’ You’re the most persistent producer I know.” It was a comment Blake had to live up to. But when he approached Carole King, she demurred. A musical? About her? Too personal! Too private! Too invasive! He pleaded, she hemmed; he begged, she hawed; persisting, he made a commitment: “You say no,” he told King. “I say yes. And if you don’t like it, I’ll kill it.” It was reassurance enough to get King to relent, but when invited to a first reading, she walked out. What?! When Blake caught up with her, she said she had to leave; the musical, which prominently features her break-up with Goffin, was too emotional for her to watch. But, she added, she could see “people loved it, it was very well written and performed” and, while she didn’t want to get any closer to the production, she would allow it to go on… Time to exhale. It took another couple of years to pull it together. The book writer Blake wanted, Doug McGrath, also kept saying “no,” but Blake told him what he’d told King: “That’s the first no; we’ll eventually get to yes,” for which he smartly enlisted the help of McGrath’s wife. Bingo. “Once we really got going,” said the persistorin-chief, “it worked!” By then, Weil and Mann were on board and the messy collaboration was underway. McGrath wrote the book, made decisions and song choices, with the others – except King – chiming in, disagreeing or not. Interviewed at their Los Angeles home in June, Mann and Weil said the idea for this musical had started with Carole’s manager at the time.

ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.

He pleaded, she hemmed; he begged, she hawed; persisting, he made a commitment: “You say no,” he told King, “I say yes. And if you don’t like it, I’ll kill it.” — PRODUCER PAUL BLAKE

“She thought it should be a story about all four of us,” offered Mann, “Cynthia, me, Carole and Gerry.” “Because we were best friends and also fierce competitors, we were to have equal weight,” Weil clarified. “Then Paul came in and we interviewed writers with him. When we settled on Doug [McGrath], the first version was about the four of us. But after that first reading, which ended with us getting married and Carole going off to California, everybody felt cheated that they hadn’t heard a single song from Tapestry, which was Carole’s big album.” We saw this was a problem,” Mann added. “Of the four of us, she was the famous one. It was her album. People wanted to hear that story.” King, meanwhile, continued to insist the show should be about the four of them, but by then everybody knew better. “We kept telling Doug that Carole and Gerry were Lucy and Desi and we were Fred and Ethel,” Mann deadpanned, “and it kind of worked out that way.” How difficult was this to sort out? “You can imagine,” said Weil, “four people, all with different ideas of what the show should be…” Less difficult, Mann insisted, because McGrath is “a great guy and real talent who was very sensitive to us.” Weil and Mann have seven songs in Beautiful to King’s 14, and while they would have loved to have more, “we had to go home with it. Carole is a terrific talent and she’s family,” said Mann. “If she was a lousy person, it might have been hard, but Carole is so wonderful, we took the realistic view.” “Carole is not someone who seeks to be the center of attention,” Weil affirmed. “The show is what it was meant to be. That Carole walked out of that first reading saying ‘I don’t want to relive that,’ tells you everything.” “The musical zips along,” Mann concurred, “and we did get to approve the actors who played us!” Beautiful had a pre-Broadway try-out in 2013 at San Francisco’s Curran Theatre selling out its run. It opened on Broadway in January 2014. Fearful of her emotions, King did not attend. When Beautiful was declared a hit, recouping its investment in a dizzying eight months, and when her friends told her how much they loved it, King again relented. “She sat in the audience in full disguise,” said producer Blake, chuckling at the memory. “No one knew she was there! She couldn’t stop crying. ‘I wasn’t ready for Cynthia and Barry getting married,’ she told me.” They got her out of her disguise, up on stage and eventually joining in song with the show’s star and King impersonator, Tony Award-winning Jessie Mueller. It was the joyous capper to an exhilarating evening. Some king of wonderful. Sylvie Drake was Director of Media Relations & Publications for the Denver Center for the Performing Arts 1994 – 2014. She is a former theatre critic and columnist for the Los Angeles Times and current contributor to culturalweekly.com.

Queens College. Sarah Bockel (“Carole King”) and Andrew Brewer (“Gerry Goffin”)

–Peter Marks,

SEP 25 – OCT 13, 2018 THE BUELL THEATRE

LEARN MORE AT DENVERCENTER.ORG/DEH

BEAUTIFUL — THE CAROLE KING MUSICAL SEP 4 – 9 • THE ELLIE

ASL interpreted, Audio-described and Open Captioned performance: Sep 8, 2pm

DENVER CENTER FOR THE PERFORMING ARTS 2018/19 SEASON SPONSORS

PRESENTING OUR BROADWAY

2018/ 19 SEASON DEAR EVAN HANSEN SEP 25 – OCT 13, 2018 BUELL THEATRE

XANADU NOV 3, 2018 - APR 28, 2019 GARNER GALLERIA THEATRE

COME FROM AWAY NOV 13 – 25, 2018 BUELL THEATRE

A BRONX TALE JAN 8 – 20, 2019 BUELL THEATRE

THE PLAY THAT GOES WRONG MAR 5 – 17, 2019 BUELL THEATRE

HELLO, DOLLY! MAR 27 – APR 7, 2019 BUELL THEATRE

ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY JUL 9 – 28, 2019 BUELL THEATRE

ANASTASIA AUG 7 - 18, 2019 BUELL THEATRE

2018/19 SUBSCRIBERS GET PRIORITY ACCESS TO THESE ADDITIONAL SHOWS

LOVE NEVER DIES OCT 23 – 28, 2018 BUELL THEATRE

IRVING BERLIN’S WHITE CHRISTMAS DEC 5 – 15, 2018 BUELL THEATRE

ROCK OF AGES JAN 25 – 27, 2019 BUELL THEATRE

CATS APR 24 – 28, 2019 BUELL THEATRE

WICKED MAY 8 – JUN 9, 2019 BUELL THEATRE

FIDDLER ON THE ROOF JUN 11 – 16, 2019 BUELL THEATRE

SUBSCRIBE TODAY FOR AS LOW AS 8 PAYMENTS OF $55.13 Due to the nature of live theatrical bookings, all productions, prices and dates are subject to change. 4- and 8-payment plans include a $10 per package payment plan fee.

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2018/19 SEASON SPONSORS

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INNOVATIVE LEGAL SERVICES IN STEP WITH YOUR NEEDS

We applaud the DCPA for 40 years of excellence in the performing arts Liz Sharrer, Chair, 303.295.8000, lsharrer@hollandhart.com 555 17th Street, Suite 3200, Denver, Colorado 80202 | www.hollandhart.com

Proud Supporter of the Arts

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When Canadian writing team David Hein and Irene Sankoff got the idea to write the musical Come From Away (Nov 13 – 25), they had no idea just how successful it would be. The married couple aspired only to write a musical good enough that high schoolers would perform it, but it succeeded beyond their expectations and became just the fifth ever Canadian musical to go to Broadway. Come From Away is based on the true story of Operation Yellow Ribbon. When United States airspace was closed in response to the events of 9/11, the town of Gander in Newfoundland welcomed 38 flights rerouted to its airport. Accommodating nearly 7,000 people was difficult when it practically doubled the town’s population, but true to Canada’s kind reputation, townies opened their doors to those they fondly nicknamed “the plane people.” School buses were used to transport the stranded passengers to various houses that would host them and to schools that were converted into temporary shelters. Restaurants and bakeries donated food, pharmacies donated prescriptions and an empty airline hanger was turned into an animal shelter for the pets that also were stranded. Come From Away serves as a friendly reminder to audiences about the importance of cross cultural connections and helping others in times of need.

The cast of Come From Away. Photo by Matthew Murphy, 2016.

NO DREAM TOO DARING. NO WEDDING TOO WILD.

Photos by Studio JK Photography

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Jake Shimabukuro In Concert SEPT 7 FRI 7:30 HANSON String Theory, Live with your Colorado Symphony SEPT 8 SAT 7:30 Bernstein 100 with the Colorado Symphony Brass and An Evening with Leslie Odom, Jr. Percussion OCT 13 SAT 7:30 SEPT 9 SUN 6:00 Schubert Unfinished Symphony Opening Weekend: Rachmaninoff OCT 19-21 FRI-SAT 7:30 SUN 1:00 Symphony No. 2 Conducted by Brett Mitchell SEPT 14-16 FRI-SAT 7:30 SUN 1:00 Disney in Concert: Tim Burton’s The Nightmare Before Christmas Latin Beats: Sonidos de las Américas HalfNotes OCT 24-25 WED-THU 7:00 SEPT 20 THU 7:00 MPAA RATING: PG Presentation licensed by Disney Music Publishing and Buena Vista Concerts, a division of ABC Inc. © All rights reserved. Ella Fitzgerald and Frank Sinatra: Masters of American Song SEPT 22 SAT 7:30 Time Warp - The Music of The Rocky Horror Show OCT 26-27 FRI-SAT 7:30 Gershwin Concerto in F Conducted by Brett Mitchell SEPT 28-30 FRI-SAT 7:30 SUN 1:00 Halloween Spooktacular! HalfNotes A Light in the Void OCT 28 SUN 2:30 Presented by Macy’s, Inc. OCT 5 FRI 7:30 Rodgers and Hammerstein Celebration HalfNotes Please join us for family-friendly activities 1 hour before the concert. OCT 6 SAT 7:30 ■

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ANNIVERSARY OF OKLAHOMA! TOLD

NEW LENS BY JOHN MOORE

When Artistic Director Chris Coleman opens Oklahoma! for the DCPA Theatre Company, it is believed it will be just the second time a director has employed a primarily African-American cast in the 75-year history of the beloved American stage musical. The first was Chris Coleman, for Portland Center Stage in 2011. Coleman was initially seized by a little-known historical fact that never let him go: In 1906, the year before Oklahoma became a state and the same year the famous story is set, there were 50 all-black towns in the Oklahoma Territory and 137,000 African-Americans living there. Here appeared to be one speck of dust on the national map where blacks could be full participants in Manifest Destiny — that uniquely American belief that westward expansion was both justified and inevitable. “There was actually a movement to make Oklahoma an all-black state, and there was great fear among white residents of that happening,” Coleman said. “I had never heard any of that in my history classes. And I got curious about what it would mean if African-American artists got the chance to tell this story.” That story is the same hopelessly optimistic and yet psychologically dark yarn audiences have adored since Oklahoma! opened on Broadway back in World War II 1943: Ranch hands and rival suitors Curly and creepy Jed woo a farm girl named Laurey, with deadly consequences. But in the end, the farmers and the ranchers band together to celebrate the new state of Oklahoma.

Only in Coleman’s production, there are no white people. Back in 2011, he had no idea the impact that would have on actors and audiences alike. “I vividly remember during one rehearsal looking over at the actors playing Curly and Ado Annie,” Coleman said. “They were sitting on the floor watching a scene and tears were just streaming down their faces — and it wasn’t a sad scene. So I asked them, ‘Why are you crying?’ And one of them said, ‘I just realized I have never sat through a play about black people that wasn’t about being oppressed by an outsider. This was about our community just living their lives, and falling in love, and trying to make something of their lives.’” Audiences responded, Coleman said, according to their own experience. “Some people came in and they just saw Oklahoma! — and they thought it was awesome. Some people said, ‘After 10 minutes, it just seemed like that is the story,’ and they went with it.” And some people said it was a revelatory staging. Coleman said Ted Chapin, President of the Rodgers & Hammerstein music publishing company, told him it was the most thrilling production he’d ever seen of Oklahoma!, because he had seen it through totally new eyes. But perhaps Coleman’s favorite comment was from a 15-year-old white kid seeing Oklahoma! for the first time. At intermission, he said to Coleman, “You know what? I can’t imagine this story with white people.” That’s just the way the story made sense to him. “So I think it completely depends on who you are,” Coleman said.

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Illustration by Kyle Malone

THROUGH A

Seven years later, Coleman wasn’t interested in launching his tenure as the DCPA Theatre Company’s new Artistic Director with a traditional take on Oklahoma! After all, he said, “White folks have had a chance to perform Oklahoma! for 75 years.” The main reason any theatre company revisits a classic, Coleman said, “is because there’s something in the bones of the piece that has resonated for humans over time. But we’re also always looking for the current resonance. What does it tell us about who we are today?” In 2018, Coleman is revisiting his casting concept in a much more racially charged America. And he looks forward to the conversations that spurs. “What I love most about doing this show now is the idea of hearing a group of African-American performers sing the lyrics, ‘We know we belong to the land, and the land we belong to is grand,’ because that is in such sharp contrast to the dialogue we’re hearing in the country about race right now,” Coleman said. He does offer one warning: If you are looking for the corn-fed 1955 film adaptation, skip this Oklahoma! Try Iowa instead.

COSTUME COLUMN “In our Oklahoma!, we have chosen to use color sparingly,” said Costume Designer Jeff Cone. “The tendency is to want to do bold technicolor for a musical. The fact is that these folks lived pretty hard lives and function was more important than pretty. We’d like the show to look more like a slice of life. A sepia-toned photograph, if you will.” Function also is an important factor when your hardworking cowboys need to dance their hearts out. Oklahoma! is the largest dance show that the Theatre Company has produced to date. Cone will work closely with choreographer Dominique Kelly (La La Land, Bring in ’da Noise, Bring in ’da Funk) to make sure all of the shoes worn by the dancers are ideal for movement and safety. The costume team also will do some creative cutting patterns on the women’s skirts so that the skirts swing outward, both creating a gorgeous visual effect that enhances the dance, but logistically also allows the ensemble to move freely. “You’ll mostly see the modest, high necklines of this time period,” said Cone. “With the notable exception of our darling Ado Annie, who is fully aware of her feminine charms and sees no reason to hide them.” See Cone's costumes on stage through October 14.

“There was actually a movement to make Oklahoma an all-black state, and there was great fear among white residents of that happening.… And I got curious about what it would mean if African-American artists got the chance to tell this story.”

“When people go back and watch that... movie, they think it’s corny because it is,” Coleman said. “But Rodgers and Hammerstein’s stories are so complex. They’re about racism and social tensions. Now don’t get me wrong — there are enormous doses of sunlight available in Oklahoma! But if you honor the story, there is also danger and sexual creepiness and a very twisted sense of Western justice.” There was a huge migration of African-Americans from the Deep South after Reconstruction, particularly to Oklahoma, because land opened up. “And I’m really interested in seeing if we can’t pull off the humility and the texture and the dignity of the real people from that period,” Coleman said. “These are people who’ve picked up their lives and families and come to an unknown place to build a life and a community. “What’s exciting to me now is getting to watch African-Americans figure out ‘What is our community? What are the tensions? What are the hopes and dreams we are moving toward? How do we build something together? How do we join the community of America at a certain moment in history? I think all of that is really interesting. “But even if you’re not interested in that — you still get Oklahoma!”

OKLAHOMA! SEP 7 – OCT 14 • STAGE THEATRE ASL and Audio-described performance: Sep 30, 1:30pm

Costume designs by Jeff Cone

— CHRIS COLEMAN, Director

IT’S NOT TOO LATE! CONSTANT

CHRISTMAS

SEP 21 – OCT 21, 2018

NOV 21 – DEC 24, 2018

KARENINA

THE WHISTLEBLOWER

JAN 25 – FEB 24, 2019

FEB 8 – MAR 10, 2019

SWEAT

VIETGONE

OKLAHOMA!

AUG 24 – SEP 30, 2018

SEP 7 – OCT 14, 2018

LAST NIGHT

AND THE

NIGHT BEFORE JAN 18 – FEB 24, 2019

ANNA

WIFE

CAROL

APR 26 – MAY 26, 2019

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BEAUTIFUL — THE CAROLE KING MUSICAL

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BEAUTIFUL — THE CAROLE KING MUSICAL

CAST

SARAH BOCKEL

DYLAN S. WALLACH

ALISON WHITEHURST

JAMES CLOW

JACOB HEIMER

SUZANNE GRODNER

McKYNLEIGH ALDEN ABRAHAM

BEN BIGGERS

JOHN MICHAEL DIAS

LEANDRA ELLISGASTON

KAYLEE HARWOOD

WILLIE HILL

ALIA HODGE

JAMES MICHAEL LAMBERT

MARLA LOUISSAINT

DIMITRI JOSEPH MOÏSE

AASHLEY MORGAN

DEON RELEFORDLEE

NATHAN ANDREW RILEY

PAUL SCANLAN

DeANNE STEWART

MICHAEL STIGGERS, JR.

ALEXIS TIDWELL

ELISE VANNERSON

(in order of appearance)

Carole King.............................................................................................................................................................................................SARAH BOCKEL Genie Klein................................................................................................................................................................................... SUZANNE GRODNER Betty...................................................................................................................................................................................................ELISE VANNERSON Neil Sedaka..........................................................................JOHN MICHAEL DIAS (9/4-9/7, 9/9), JAMES MICHAEL LAMBERT (9/8) Lucille...............................................................................................................................................................................................MARLA LOUISSAINT Don Kirshner............................................................................................................................................................................................... JAMES CLOW Gerry Goffin................................................................................................................................................................................. DYLAN S. WALLACH The Drifters........................................................................................................................DIMITRI JOSEPH MOÏSE, DEON RELEFORD-LEE, NATHAN ANDREW RILEY, MICHAEL STIGGERS, JR. Cynthia Weil.............................................................................................................................................................................. ALISON WHITEHURST Barry Mann...................................JACOB HEIMER (9/4-9/7), JOHN MICHAEL DIAS (9/8), JAMES MICHAEL LAMBERT (9/9) The Shirelles........................................................................................................McKYNLEIGH ALDEN ABRAHAM, MARLA LOUISSAINT, DeANNE STEWART, ALEXIS TIDWELL Janelle Woods.................................................................................................................................................. McKYNLEIGH ALDEN ABRAHAM Little Eva................................................................................................................................................................................................ALEXIS TIDWELL The Righteous Brothers........... JOHN MICHAEL DIAS (9/4-9/7, 9/9), JAMES MICHAEL LAMBERT (9/8), PAUL SCANLAN “One Fine Day” Backup Singers...................................................... MARLA LOUISSAINT, DeANNE STEWART, ALEXIS TIDWELL Nick............................................................................................................................................................................................................PAUL SCANLAN Marilyn Wald....................................................................................................................................................................................AASHLEY MORGAN “Uptown” Singer...........................................................................................................................................................................DeANNE STEWART Lou Adler......................................................................................................................................................................................JOHN MICHAEL DIAS

UNDERSTUDIES: Carole King: KAYLEE HARWOOD, ELISE VANNERSON Gerry Goffin: BEN BIGGERS, PAUL SCANLAN Cynthia Weil: KAYLEE HARWOOD, AASHLEY MORGAN Barry Mann: JOHN MICHAEL DIAS, JAMES MICHAEL LAMBERT Don Kirshner: BEN BIGGERS, PAUL SCANLAN Genie Klein: KAYLEE HARWOOD, ELISE VANNERSON

SWINGS: BEN BIGGERS, LEANDRA ELLIS-GASTON, KAYLEE HARWOOD, WILLIE HILL, ALIA HODGE, JAMES MICHAEL LAMBERT

DANCE CAPTAIN: LEANDRA ELLIS-GASTON

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cell phones and pagers prior to the beginning of the performance.

BEAUTIFUL — THE CAROLE KING MUSICAL

CAST

BEAUTIFUL — THE CAROLE KING MUSICAL

MUSICAL NUMBERS

(in alphabetical order)

ACT I “So Far Away”.............................................................................................................................................Carole King “Oh Carol” ....................................................................................................................................................Neil Sedaka “1650 Broadway Medley” .........................................................................................................................Ensemble “It Might as Well Rain Until September”........................................................................................Carole King “Be-Bop-A-Lula”............................................................................................................................................Ensemble “Some Kind of Wonderful”................................................. Carole King, Gerry Goffin and The Drifters “Happy Days Are Here Again”..........................................................................................................Cynthia Weil “Take Good Care of My Baby”...................................................................... Gerry Goffin and Carole King “Who Put the Bomp”............................................................................................................................... Barry Mann “Will You Love Me Tomorrow”............................................................................................................Carole King “He’s Sure the Boy I Love”.............................................................................. Cynthia Weil and Barry Mann “Will You Love Me Tomorrow” .........................................................................................................The Shirelles “Up on the Roof”.................................................................................................Gerry Goffin and The Drifters “On Broadway”...........................................................................................................................................The Drifters “The Locomotion”.......................................................................................................... Little Eva and Ensemble “You’ve Lost That Lovin’ Feeling”....................................... Barry Mann and The Righteous Brothers “One Fine Day”.............................................................................Janelle, Backup Singers and Carole King ACT II “Chains”..........................................................................................................................Carole King and Ensemble “Walking in the Rain” ........................................................................................ Barry Mann and Cynthia Weil “Pleasant Valley Sunday”......................................................Marilyn Wald, Gerry Goffin and Ensemble “We Gotta Get Out of This Place” ................................................................................................... Barry Mann “Will You Love Me Tomorrow” (Reprise).......................................................................................Carole King “Uptown”............................................................................................................“Uptown” Singer and Ensemble “It’s Too Late”..............................................................................................................................................Carole King “You’ve Got a Friend”...................................... Carole King, Barry Mann, Cynthia Weil, Don Kirshner “(You Make Me Feel Like) A Natural Woman”............................................Carole King and Ensemble “Beautiful”.....................................................................................................................................................Carole King MUSICIANS Conductor/Keys – Susan Draus Associate Conductor/Keys – Nick Williams Drums – Larry Steppler Guitar 1 – Oscar Bautista LOCAL MUSICIANS Trumpet/Flugel - Jake Boldman Guitar 2 – Dave Devin Percussion – Carl Dixon Bass – Brian Knott Reed 1 – Tom Myer Trombone – Rob Olds Reed 2 – Sam Williams Keyboard 3 – Martha Yordy Local Musician Contractor – James Harvey Electronic Music Design – Billy Jay Stein and Hiro Iida Music Coordinator – John Miller Assistant to John Miller – Jennifer Coolbaugh

There will be one 15-minute intermission

SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre – Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. DYLAN S. WALLACH (Gerry Goffin) is thrilled to be making his National Tour Debut! Selected Stage CreditsGrease at Elgin Winter Garden Theatre, Toronto, ON, Love, Love, Love Off-Broadway at Roundabout Theatre Company, POPE at New York Musical Theatre Festival. TV - Netflix Series- Master of None, Lewis Helfer’s Independent Pilot - My Building. Dylan would like to thank his friends and family; his dog, Josh; and his agents at TalentWorks, love to you all! Instagram - DSWallach ALISON WHITEHURST (Cynthia Weil) is overjoyed to return to the Beautiful family! She holds a BFA in Theatre Performance from Texas Christian University. 1st National Tours: Beautiful (Marilyn, Ensemble). Off-Broadway: The Fortress of Solitude (The Public Theatre). Regional: Born For This (Alliance/Arena/Broad Stage), Big River (Casa Manana), The Fantasticks (Circle Theatre). Sincere thanks to the creative team and The Mine. Love to GW. alisonwhitehurst.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre). TV/Film: Difficult People (Hulu), Chuck (IFC), Unbreakable Kimmy Schmidt (Netflix), Gold Star (w/Robert Vaughn), Maybe Sunshine (Web). For my wife Iris, J&Z, M&D, G&T, and Bruce. @oldsuci, jacobheimer.com

JAMES CLOW (Don Kirshner) Broadway: White Christmas, Assassins (Cast Album), Wonderful Town, Company, She Loves Me, Blood Brothers. Other NY: Juno (Vineyard), Peter Pan (MSG - opp. Cathy Rigby), Pipe Dream (Cast Album), A Tree Grows In Brooklyn (City Center). Television: The Good Wife, The Young and The Restless, PBS’ First You Dream - A Tribute to Kander and Ebb (DVD) and Lincoln Center’s Passion - with Patti LuPone (Emmy Award). Education: BFA: Syracuse, London Academy of Music and Dramatic Arts, Groundlings Improv. SUZANNE GRODNER (Genie) Broadway: Beautiful, Bye Bye Birdie, The Rose Tattoo. Off Broadway: Old Jews Telling Jokes, Sarah/Sarah, Cakewalk, Death Defying Acts. Nat’l Tour: Phantom... Regional: 50+ roles including Sonia in Vanya & Sonia… (Cincinnati Playhouse), Miss Bates in Emma, (Old Globe), Smee in Peter and the Starcatcher, (TheatreWorksCA), Miss Hannigan in Annie (Pioneer Theatre), Kate in Broadway Bound (Asolo Rep). TV/Film: All three L&O’s, Muck, Hidden Signs. For Alba. McKYNLEIGH ALDEN ABRAHAM (Ensemble) is so honored to be a part of this inspiring show. Favorite credits include: Sister Act (Deloris), Les Misérables (Éponine), and season one of The Glee Project. She holds a B.F.A. in Acting from Northern Kentucky School of the Arts. Many thanks to Mom and Dad for always supporting her adventures. @mckynleigh_alden BEN BIGGERS (Swing; u/s Gerry, Don) is thrilled to make his national tour debut. TV/Film: Elementary on CBS. Theatre: Aida (The MUNY) Billy Bigelow in Carousel (CCM) Johnny in American Idiot (CCM). Eternal thanks to his parents and CGF! Ben is a proud member of Actor’s Equity. JOHN MICHAEL DIAS (Ensemble; u/s Barry) From RI, BFA from the Boston Conservatory. Played Frankie Valli in Jersey Boys all over the U.S. including, the original Chicago company, 1st National, Vegas and Broadway. Solo album “Write This Way” on iTunes. YouTube - Sing Out Saturday!, Instagram - @JMDeezpics. “Frankie’s ok, but he’s no Neil Sedaka.”

LEANDRA ELLIS-GASTON (Ensemble, Dance Captain) is thrilled to be making her National Tour Debut with Beautiful - The Carole King Musical. European tour: Hair. Regional Favorites include: Memphis, Once on this Island and Hairspray. Proud AMDA-LA graduate. Many thanks to God, The Carry Company, Kyle, friends and family. KAYLEE HARWOOD (Swing; u/s Carole, Cynthia, Genie) Broadway: Jesus Christ Superstar (also Stratford/La Jolla Playhouse). Radio City Christmas Spectacular, Guinevere in Camelot (Stratford), …Piazza, Cabaret (Shaw Festival), West Side Story, Sweeney Todd, Les Misérables. Television: “Reign,” “Good Witch,” “Workin’ Moms.” Thanks to creatives, Stephen Kopel and TH. www.kayleeharwood.com WILLIE HILL (Swing) is an Oklahoma native where he got his BM in musical theatre from The Univ. of Central Oklahoma. Willie’s favorite theatre credits include - working with Music Theatre Wichita as well as a non-profit organization called “A Pocket Full Of Hope”. He would like to thank his family for their love and support. ALIA HODGE (Swing) is thrilled to be joining this Beautiful Company! National tours: RENT 20th Anniversary (Seasons of Love, Joanne u/s). Regional: Dreamgirls (North Shore), Little Shop (Berkshire Theatre Festival), Show Boat (Westchester Broadway). BFA from The Boston Conservatory. Thanks to Stephen Kopel, Bloc, friends and family. For Dad always. @blackiesnackie JAMES MICHAEL LAMBERT (Swing; u/s Barry) National tours: Happy Days: A New Musical and Mamma Mia!. Selected regional work: Manhattan Theater Club, The Cherry Lane Theatre, The Public, South Coast Repertory, The Geffen Playhouse, Sacramento Music Circus, Getty Villa Malibu, and member of the Troubadour Theater Company. Selected film/ TV: “The Goldbergs” and “Mad Men”. Graduate of UCLA’s T.F.T. FOR MOM!! Instagram: @tcbjim MARLA LOUISSANT (Ensemble) is a first-generation Haitian taking a break from her computer science degree at Fordham to be out on the road

BEAUTIFUL — THE CAROLE KING MUSICAL

WHO’S WHO IN THE CAST

BEAUTIFUL — THE CAROLE KING MUSICAL

with Beautiful! TV: “Seven Seconds” (Netflix). Theater: God Bless You Mr. Rosewater (Encores), Jamboree! with Sutton Foster and Jonathan Groff (Encores). Proud winner of the 2015 Jimmy Awards. Love to her family, friends, mentors, and Abrams! IG and Twitter: marlalou_ DIMITRI JOSEPH MOÏSE (Ensemble) Credits include: Broadway: The Book of Mormon; Off-Broadway: Joan of Arc: Into the Fire; National Tour: The Book of Mormon, Beautiful The Carole King Musical (1st Nat’l); TV: “The Last O.G.” on TBS, Honest Trailers’ The Lion King, and featured on Good Morning America. Other credits include: Superhero, starring Kelli O’Hara and Once on This Island (workshop), directed by Michael Arden. Co-founder of TORCH (nonprofit organization) and Managing Editor of CHILL Magazine. 1 Cor 13:13. Instagram: @dimitrimoiseofficial AASHLEY MORGAN (Ensemble, Marilyn, u/s Cynthia Weil) is honored to be returning to the Beautiful family! Credits include: Born For This (u/s Penny, Edith), Beautiful – First National Tour (Marilyn u/s Cynthia), The Imaginary (Emily), RENT (Ensemble). Aashley also performs with several bands in the tristate area. Commercial Music graduate of Belmont University. Many thanks to Bloc Agency and the Beautiful Team! Endless love to my family, friends & Boo. IG: @aashleymorgan / aashleymorgan.com DEON RELEFORD-LEE (Ensemble) is completely humbled to be sharing his perspective with so many people of different backgrounds. A proud graduate of HBCU: Fayetteville State University, he earned his degree in concert dance and classical theater. Some credits include: Cassius Clay (And in this Corner Cassius Clay), Romeo (Romeo and Juliet), Sebastian (The Little Mermaid), Soaphead Church (The Bluest Eye), and most recently, Vaslav Nijinsky in a new play Manifesto: The Diaghilev Project (Premiered In NYC). Above all else I am GRATEFUL. Love ALWAYS, Love ALL WAYS. @tacosntattoos NATHAN ANDREW RILEY (Ensemble) National Tour Debut! New York: The Radio City Christmas Spectacular. Regional: The Scottsboro Boys (Phoenix Theatre Company); Godspell (WBT); How The Grinch Stole Christmas (The Old Globe); In The Heights, Shrek (Pacific Conservatory

Theatre). Thanks to creatives, Stephen Kopel, and Daniel Hoff Agency. Love to family, friends and Eternal Father. PAUL SCANLAN (Ensemble) is thrilled to join this Beautiful company! Regional credits include The Unsinkable Molly Brown, My Fair Lady (The Muny), Sunday in the Park with George, La Cage Aux Folles, & more (Signature Theatre) Carousel, The Pajama Game (Arena Stage) and many more. Thanks to all who helped make this dream a reality. Love to Mom, Dad, Clare, Sean, Noah, Fran and Benji Boy. DeANNE STEWART (Ensemble) is a Rochester, NY native. Ithaca College alum. Off-Broadway: Mighty Real..! Traveled the world belting with Royal Caribbean. New works! Thanks to the creative team, Stephen, and my representation duo, Cynthia and Ellie. All my love to my anchors, especially my ma’am. It’s all for you Joannifer. 1 Peter 4:10 IG: @deannestewart, deannestewart.net MICHAEL STIGGERS, JR. (Ensemble) Broadway: Beautiful; Regional theatre credits include Born For This: The Bebe Winans Story (Alliance Theatre, Arena Stage); Grease (Serenbe Playhouse); Les Miserables (Aurora Theatre); Michael has also performed with Royal Caribbean Cruise Lines and been a national voiceover talent for Nickelodeon Network and Adidas Brand. To God be the Glory! DDO Artist Agency. www.michaelstiggers.com ALEXIS TIDWELL (Ensemble) is honored to join the company of Beautiful! Regional: Dreamgirls (Lorrell), The Wiz (Dorothy), Ain’t Misbehavin’ (Charlaine), Little Shop of Horrors (Crystal). She thanks GOD, Channing, her family, Shelli, and RKS Management for their support! This Memphis native holds a Master’s from University of Tennessee. IG: @tinytidwell, alexistidwell.com ELISE VANNERSON (Ensemble; u/s Carole, Genie) is honored to be joining the Beautiful family! Regional: Daddy Long Legs (Jerusha), Snapshots (Susie), Lovelace: A Rock Opera (Lindsay Marchiano). OCU alum. Thanks to the entire creative team, Stephen, my angel agents at CGF, Courtney and of course Mom, Dad and Spenser who I would be nothing without. We did it! Romans 8:28. DOUGLAS McGRATH (Book) is a filmmaker and playwright. His play Checkers opened the 30th anniver-

sary season at New York’s Vineyard Theatre. He collaborated with Woody Allen on the screenplay for Bullets Over Broadway, for which they were nominated for an Academy Award. His first film as writer/director was his adaptation of Jane Austen’s Emma. He has also written and directed Nicholas Nickleby, which won the Best Ensemble Cast from the National Board of Review; Company Man; Infamous; and His Way. His essays have appeared in the New Yorker, The New Republic, Vanity Fair and The New York Times. GERRY GOFFIN (Words and Music). Born in Brooklyn in 1939, Gerry Goffin met Carole King at Queens College, and their musical collaboration began almost immediately. They married in 1959, and that same year wrote their first hit song “Will You Love Me Tomorrow?” (The Shirelles). The duo penned more than 50 Top-40 hits including “The Locomotion,” “Natural Woman” and “Up on the Roof.” In 1987, Goffin and King were inducted into the Songwriters Hall of Fame, and the Rock and Roll Hall of Fame in 1990. Goffin has left an indelible mark on American music. CAROLE KING (Words and Music). Pop music would be very different without the contributions of Carole King, who at age 17 wrote her first #1 hit with Gerry Goffin, “Will You Love Me Tomorrow,” for the Shirelles. The dozens of chart hits Goffin and King wrote during this period became legendary, but it was 1971’s Tapestry that took King to the pinnacle, speaking personally to her contemporaries and providing a spiritual musical backdrop to the decade. More than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles and six Grammys. BARRY MANN (Words and Music) has written the melodies of some of the most influential pop songs in musical history. In addition to “You’ve Lost That Lovin’ Feeling,” the most-played song of the last century, and the songs heard in Beautiful, he composed later standards like “Somewhere Out There” (winner of two Grammys), “Here You Come Again,” “Sometimes When We Touch,” “Just Once” and “Don’t Know Much.” Together, he and Cynthia Weil have amassed an incredible 112 pop, country and R&B awards from Broadcast Music Inc. for significant radio air play. He has been inducted into both the Songwriters Hall of Fame

CYNTHIA WEIL (Words and Music) is known as the lyricist of classic songs such as “You’ve Lost That Lovin’ Feeling,” the most-played song of the 20th century. In addition to the songs heard in Beautiful, she set the words to later standards including “Somewhere Out There,” “Here You Come Again,” “He’s So Shy,” “Just Once” and “Don’t Know Much,” to name just a few. Weil has been inducted into the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, honored with multiple Grammy nominations and two Grammy awards for “Somewhere Out There” as the Motion Picture Song of the Year and Song of the Year. MARC BRUNI (Director): Paint Your Wagon, Pipe Dream and Fanny (Encores!), The Explorers Club (MTC), Old Jews Telling Jokes (NY and Chicago-Jeff Nom for Direction), The Sound of Music (Chicago Lyric Opera), Ordinary Days (Roundabout), The 25th Annual Putnam County Spelling Bee (Paper Mill/PTC), High Spirits (York), Glimpses of the Moon (Algonquin), Such Good Friends (NYMF Award for Direction), 7 shows for the St. Louis MUNY, twice nominated for Kevin Kline Awards for his direction. JOSH PRINCE (Choreographer). Josh’s choreography has been seen on and off Broadway, in London’s West End, and throughout the world. He is the proud founder of the Broadway Dance Lab (BDL), a groundbreaking new model for making dance in musical theater. BDL encourages the creation of musicals with strong dance elements by giving choreographers of all backgrounds the resources they need to incubate their ideas and collaborate effectively with other theater artists. BDL relies on the support of people just like you. Visit broadwaydancelab.org to see how you can help. www.joshprince.net JASON HOWLAND (Music Supervision and Additional Music Arrangements). Broadway composer: Little Women. Music supervisor/conductor/arranger: Bonnie & Clyde, Wonderland, Jekyll & Hyde, Les Misérables, The Civil War, The Scarlet Pimpernel, Taboo, SpiderMan, Jekyll & Hyde revival, Flashdance, We Will Rock You. Tours: South Pacific (revival), Beauty and the Beast, La Cage aux Folles, Memphis, Elf, A Chorus Line, Shrek. Recording projects: Handel’s Messiah Rocks, Little Women, Taboo, Megumi Hamada’s Attitude, Ock Joo

Hyun’s Gold, Jekyll & Hyde (OBC, revival), The Scarlet Pimpernel (OBC), The Civil War, Linda Eder’s Christmas Stays the Same and It’s Time. Proud father of Noah and Nina. DEREK MCLANE (Scenic Design). Broadway designs include The Heiress, Nice Work…, The Best Man, Follies, Anything Goes, How to Succeed in Business, Bengal Tiger…, Million Dollar Quartet, Ragtime, 33 Variations (Tony Award), Little Women, The Pajama Game, I Am My Own Wife, The Women. Off-Broadway: The Last Five Years, Ruined, Lie of the Mind, Hurlyburly, Abigail’s Party. He designed the 2013 Academy Awards. Awards: winner of 1997 and 2004 Obie awards; 2004, 2005, 2007 Lucille Lortel awards; 2009 Tony Award; 2011 Drama Desk Award, 2013 Emmy nomination. ALEJO VIETTI (Costume Design). New York: Old Jews Telling Jokes (Off-Broadway), Manhattan Theatre Club, Radio City Rockettes (including upcoming Heart and Lights), Atlantic Theater Company, Primary Stages, MCC, the New Group, Rattlestick. Regional: Alley Theatre, Arena Stage, Cincinnati Playhouse, Cleveland Play House, Philadelphia Theatre (including Stars of David), Goodspeed, Guthrie, Hartford Stage, Long Wharf, Old Globe (including Allegiance), Paper Mill Playhouse, multiple productions of Nerds. Opera: New York City Opera, Opera Santa Barbara, Minnesota Opera, Wolf Trap, Chicago Lyric Opera (upcoming). Other: Ringling Bros. Boom a Ring. Recipient of the TDF Irene Sharaff Young Master Award. PETER KACZOROWSKI (Lighting Design). Broadway: fifty plays and musicals including No Man’s Land/ Waiting for Godot, The Assembled Parties, Nice Work…, Wit, Venus in Fur, Anything Goes, A View From the Bridge, Grey Gardens, The Producers, Contact, Steel Pier. Extensive OffBroadway, resident and regional credits. Opera: Met, San Francisco, Houston Grand, Santa Fe, St. Louis, Seattle. Abroad: Royal Opera, Scottish Opera, Opera/North, Maggio Florence, L’Arena di Verona, La Fenice, Bonn, Lisbon. Awards: Tony, Drama Desk, Outer Critics, Drama-Logue, Hewes. BRIAN RONAN (Sound Design) has designed the sound for more than 25 Broadway shows. Some recent designs include Annie; Bring It On; Nice Work… (Tony nomination); The Book of Mormon (Tony); Anything

Goes (Tony nomination, Drama Desk); American Idiot; Promises, Promises; Next to Normal (Tony nomination); Grease; Curtains; Spring Awakening; Grey Gardens; The Pajama Game; All Shook Up; Twelve Angry Men; The Tale of the Allergist’s Wife; …Charlie Brown; Cabaret. Off-Broadway: Rent, Bug (Obie and Lucille Lortel awards). STEPHEN KOPEL, C.S.A. (Casting) also serves as casting director for Roundabout Theatre Company and Carnahan Casting. Broadway: The Glass Menagerie, The Winslow Boy, The Mystery of Edwin Drood, Harvey, Don’t Dress for Dinner, Once (also tour), The Road to Mecca, On a Clear Day…, Anything Goes (also tour), People in the Picture, Brief Encounter, The Scottsboro Boys, Sondheim on Sondheim, Hedda Gabler. CHARLES G. LaPOINTE (Wig and Hair Design). Broadway: After Midnight, Beautiful, A Gentleman’s Guide to Love and Murder, Soul Doctor, Motown, Jekyll & Hyde, Clybourne Park, Bring It On, Newsies, The Columnist, Magic/Bird, Bonnie & Clyde, The Mountaintop, Women on the Verge of a Nervous Breakdown, The Merchant of Venice, Memphis, Henry IV, Cymbeline, Lombardi, Fences, Looped, The Miracle Worker, Superior Donuts, 33 Variations, Guys and Dolls, In the Heights, Jersey Boys, The Color Purple, Martin Short: Fame Becomes Me, Good Vibrations, A Raisin in the Sun, Radio Golf. JOE DULUDE II (Make-Up Design). Makeup designer for Wicked productions worldwide, If/Then, Jekyll & Hyde, The Jacksonian, Into the Woods (Public Theater), Follies, The Normal Heart, Catch Me If You Can, Elf, Lend Me a Tenor, Grease, The Wedding Singer, Into the Woods (key makeup Vanessa Williams). Film and television: “Smash,” E!, Style, Lifetime, PBS, “Access Hollywood.” Joe also teaches makeup for various organizations and is a fine artist. JUNIPER STREET PRODUCTIONS (Production Manager) is Hillary Blanken, Guy Kwan, Ana Rose Greene, Joseph DeLuise, Victoria Bullard and Johnny Kruger. Over the last 17 years, JSP has helped create over 60 Broadway productions, over 20 national tours, and numerous Las Vegas productions. Selected shows include: Spring Awakening, The Color Purple, Fun Home, Something Rotten, Finding Neverland, It Shoulda Been

BEAUTIFUL — THE CAROLE KING MUSICAL

and the Rock and Roll Hall of Fame.

BEAUTIFUL — THE CAROLE KING MUSICAL

You, Gigi, Dr. Zhivago, Side Show, On The Town, Disgraced, Here Lies Love, Beautiful, Macbeth, Spider-Man, Godspell, The Producers and Fosse.

award-winning musical Vices, A Love Story and Reunion, debuting in Denver 2016. For beautiful Foster, Greyson and Lynn.

STEVE SIDWELL (Orchestrations, Vocal and Music Arrangements). Recent work includes arranger/MD for “The Voice” (UK), 2012 Olympics, George Michael, Robbie Williams. Musical orchestrations: We Will Rock You, Our House, Daddy Cool. Film orchestrations: Moulin Rouge, Romeo and Juliet, Bridget Jones’s Diary, Finding Nemo. Emmy nominated for his choir performance at the 79th Academy Awards and received numerous advertising/recording industry awards working with artists including Amy Winehouse, Oasis, Muse, Shirley Bassey, Tom Jones, Sting, Elton John, Paul McCartney, Mick Jagger, Mark Knopfler, Eric Clapton, Rod Stewart, Stevie Wonder and The Who. www.stevesidwell.com

SHELLEY BUTLER (Associate Director) has over thirty Broadway, Off-Broadway and regional credits and has directed and developed over two dozen new plays and musicals at prestigious companies including South Coast Repertory, Denver Center Theatre Company, the Kennedy Center and others.

SHERRY KONDOR (Executive Producer). Her early career included background and studio singing. She found her way into music management in 2003, launching the career of singer Jesse McCartney. In 2011, she took on management of Carole’s career. She is proud to help bring her parents’, Gerry Goffin and Carole King, story to the stage. CHRISTINE RUSSELL (Executive Producer) is a partner at the leading talent agency for composers, Evolution Music Partners, and cofounder/COO of Score Revolution, an online licensing platform for film music. She began as a recording artist at Rondor Music and transitioned from artist to agent when she began managing lyricist Gerry Goffin, whom she has represented for 19 years. JOHN MILLER (Music Coordinator). More than 100 Broadway shows, including Pippin, Once, Jersey Boys, Newsies, Rock of Ages, Elf, Porgy and Bess, Jesus Christ Superstar, Godspell. Musician (bass): Eric Clapton, Frank Sinatra, Carly Simon. His album Stage Door Johnny – John Miller: Takes on Broadway is available on PS Classics Records. www.johnmillerbass.com SUSAN DRAUS (Music Director) is thrilled to play the music that changed her life. Broadway/National Tour credits: The Book of Mormon, Billy Elliot, Mamma Mia, Sister Act and Good Vibrations. Accomplished arranger/ orchestrator, Susan co-wrote the

JOYCE CHITTICK (Associate Choreographer) Recently restaged Tokyo and Australian productions of Beautiful. Co-directed/choreographed My Way (Ivoryton), choreographed Drama League Gala 2016, Lifetime’s AUDC (two seasons, on-screen choreographer), world event for FIFA and three national tours. Beautiful marks Joyce’s 13th Broadway show. JOEL ROSEN (Production Stage Manager) Tours: Avenue Q, Billy Elliot, White Christmas, In The Heights, Shrek, Flashdance, Dirty Dancing, Cheers Live. Broadway: How The Grinch Stole Christmas!, Imaginary Friends. Off Broadway: Reasons to be Happy, Fat Pig, The Exonerated; Regional: The Color Purple; Over 30 shows Old Globe Theatre, San Diego. Proud Member AEA ANNELISE CASTLEBERRY (Stage Manager) Annelise is thrilled to be back on the road, joining the company of Beautiful! Broadway: Cirque du Soleil Paramour, Waitress. Tours: Pippin (first national), Cheers! (first national), Flashdance, the Musical (first national), Radio City Christmas Spectacular. Off-Broadway: Sleep No More, Silence the Musical. Thanks family and friends for the never-ending love and support! SHANA FERGUSON (Assistant Stage Manager) Broadway/Tours: Living On Love, Motown (First National). OffBroadway: Trip Of Love, Songbird, Bedbugs!!! New York: Cabin in the Sky (New York City Center Encores!). Regional: Double Trouble, The BFG (Imagination Stage). STEPHEN GABIS (Dialect Coach). Between Broadway and Off Broadway, Stephen has coached over 100 plays. Favorites include Beautiful, Hedwig And The Angry Inch, Once, Jersey Boys, A View From The Bridge. Films/ Television: Spotlight, Boardwalk Empire, Salt.

NEURO TOUR (Physical Therapy), provides performing arts physical therapy and back-stage treatment to more than 80 musical theatre productions. Credits include: Broadway: The Lion King, Hedwig and the Angry Inch, OffBroadway: STOMP!, Sleep No More. National Tours: Movin’ Out, Billy Elliot, Kinky Boots, Concert Tours: U2, P!nk, Beyonce’, Lady Gaga, and Katy Perry. CHARLOTTE WILCOX COMPANY (General Manager) has managed more than 70 productions. Upcoming: Roman Holiday. Current Broadway: Beautiful – The Carole King Musical. Other Broadway: Bandstand, On Your Feet, Allegiance, Jekyll & Hyde (2012-2013), Godspell, On A Clear Day You Can See Forever, Catch Me If You Can, Elf, West Side Story, Come Fly Away, Grease (all three Broadway productions), Cyrano, The Drowsy Chaperone, The Times Are-AChangin’, The Wedding Singer, Dirty Rotten Scoundrels, The Full Monty, Jesus Christ Superstar. PAUL BLAKE (Producer) is currently enjoying his emeritus status after 22 seasons as the executive producer of the legendary St. Louis MUNY, where he produced and/or directed more than 150 shows. His Roman Holiday (book writer), with songs by Cole Porter, played to capacity last summer at the Guthrie Theater in Minneapolis. Mr. Blake’s Tony-nominated Irving Berlin’s White Christmas (co-writer and co-producer) had two highly successful seasons on Broadway and has become the most highly requested holiday musical in theatres across the country. SONY/ATV MUSIC PUBLISHING (Producer), established in 1995 as a joint venture between Sony and Michael Jackson, is the world’s leading music publisher. Sony/ATV owns or administers more than two million copyrights, including those from such iconic music catalogs as EMI Music Publishing, Leiber & Stoller, Mijac Music, Motown and Famous Music. Sony/ATV controls many of the bestknown songs ever written, including “New York, New York,” “All You Need Is Love,” “You’ve Got a Friend,” “Ain’t No Mountain High Enough,” “Over the Rainbow” and “Stand By Me.” In addition, Sony/ATV represents the copyrights of such legendary artists as The Beatles, Leonard Cohen, Neil Diamond, Bob Dylan, Michael Jackson, Carole King, Joni Mitchell, Queen, The

Blithe Spirit; The Homecoming; Spring Awakening (Tony); Martin Short: Fame Becomes Me; The Caine Mutiny CourtMartial; ’night, Mother; Enchanted April. OB: Falling, Silence! The Musical, Ministry of Progress.

JEFFREY A. SINE (Producer) is proud to be a part of a remarkable company that is bringing Carole King’s music and story to the stage. Mr. Sine lives in New York City and has produced more than 25 Broadway and West End productions over the past two decades. He has received six Tony nominations and three Tony awards. Love to Samira, Maya, Shailen, Roan and Jon.

ORIN WOLF (Producer). Broadway credits include Orphans (Tony nominated), Hands on a Hardbody, Once (Tony Award), That Championship Season and A View From the Bridge (Tony nominated). Orin is the first recipient and the director of the TFellowship for Creative Producing, which was founded by Hal Prince in conjunction with Columbia University. He is the president of NETworks Theatrical Productions.

RICHARD A. SMITH (Producer). With Paul Blake, Mr. Smith has co-produced Irving Berlin’s White Christmas, the Guthrie production of Roman Holiday, Come Fly With Me, songs by the legendary Sammy Cahn and a national tour of 42nd Street. Prior to working with Mr. Blake, Mr. Smith spent 25 years on Wall Street with Salomon Brothers and Morgan Stanley. Mr. Smith left Morgan Stanley in 1992 as a partner and member of the Management Committee after having built the International Equity Department into a worldwide organization. MIKE BOSNER (Producer). Mr. Bosner is thrilled to be taking Beautiful out on the road! Beautiful continues its highly successful run on Broadway as well as being mid-way through its first year in London’s West End. Before Beautiful, he served as associate producer of the St. Louis MUNY for five seasons. At the MUNY, Mr. Bosner oversaw more than 35 productions alongside executive producer Paul Blake. He is truly honored to be working with this legendary material, inspiring group of collaborators and his mentor and friend, Mr. Blake. HARRIET N. LEVE/ELAINE KRAUSS (Producer). Credits include Nice Work If You Can Get It; Ann; War Horse; One Man, Two Guvnors; The Mountaintop; La Cage aux Folles; A Little Night Music; Superior Donuts; Burn the Floor; The 39 Steps; The Crucible; The Diary of Anne Frank; Ma Rainey’s Black Bottom; The Norman Conquests; The Good Body; Beebo Brinker; Shockheaded Peter; Stomp. TERRY SCHNUCK (Producer). Credits include Clybourne Park (Tony); The Gershwins’ Porgy and Bess (Tony); Bonnie & Clyde; High; Race; Superior Donuts; Burn the Floor; Hair (Tony);

PATTY BAKER/GOOD PRODUCTIONS (Producer). Broadway: All My Sons, Blithe Spirit, The Best Man, The Miracle Worker, Bonnie & Clyde, Memphis (Tony), …Virginia Woolf (Tony), Glengarry Glen Ross, Matilda. She’d like to thank Carole King for touching all of our lives, Jeffrey Richards for his unflagging optimism and Jay for his unflagging love. Hunter College graduate. ROGER FAXON (Producer). Roger, who currently leads A&R Investments, previously was CEO of the EMI Group, where he rejuvenated the business, culminating in its successful sale in 2012. He is proud to have been instrumental in bringing Carole and Gerry, Cynthia and Barry together with Paul and Doug to create this great show. LARRY MAGID (Producer). Two Tony awards, four nominations. Outer Critics Circle Award (Off-Broadway) and Helpmann Award (Australian Tony) for Billy Crystal’s 700 Sundays. Also Clams on the Half Shell with Bette Midler, among many others. Latest shows include The Rascals: Once Upon a Dream, I’ll Eat You Last with Ms. Midler. International concert and tour producer. KIT SEIDEL (Producer). Broadway: November, Speed-the-Plow, Blithe Spirit, reasons to be pretty, Race, Enron, Hair (Tony winner), Priscilla Queen of the Desert, A Life in the Theatre, Who’s Afraid of Virginia Woolf? (Tony winner), Glengarry Glen Ross and The Anarchist. Kit is a member of the Art Student League of NYC. LAWRENCE S. TOPPALL (Producer) is the owner of Mazel Musicals, Inc., the company that has presented and produced more than 100 pro-

ductions for the audiences of south Florida. Broadway credits include The Gathering, the Tony-nominated Say Goodnight Gracie starring Frank Gorshin, Burn the Floor and Looped. FAKSTON PRODUCTIONS / MARY SOLOMON (Producer). Ken Fakler, Dan Stone and Mary Solomon are thrilled to be on the producing team of Beautiful. Ken and Dan’s recent Broadway productions include the Tony-nominated shows How to Succeed… and Catch Me…. Mary is a partner in Star Thrower Entertainment. WILLIAM COURT COHEN (Producer). As chairman of the theatrical general management/consulting firm, Theatre Now, I was privileged to be associated with more than 125 Broadway and touring productions, theatres, dance companies and concert and cultural attractions. BARLOR PRODUCTIONS (Producer). Barbara Freitag and Loraine Alterman Boyle both produced the 2010 Tony Award Best Musical Memphis and Tony nominee Catch Me If You Can. MATTHEW C. BLANK (Producer) is the Chairman of Showtime Networks Inc., where he served as CEO for over 20 years. A native New Yorker, he’s been involved in several Broadway and Off Broadway productions in the past. He’s delighted to be a part of Beautiful. TIM HOGUE (Producer). Founder and president of a private financial consulting firm. I grew up on Carole King’s music and am happy to be a part of Beautiful. JOEL HYATT (Producer). Co-founder and CEO of Current TV. Previously, Hyatt was founder and CEO of Hyatt Legal Plans and on the faculty of Stanford Business School. MARIANNE MILLS (Producer). Producing credits include Frozen, 33 Variations, Catch Me If You Can (Tony nominations), Burn the Floor, All My Sons, Lysistrata Jones. Board member MCC and Labyrinth theatres. Thanks to partner Sharon Fallon. MICHAEL J. MORITZ, JR. (Producer). Broadway producer, record producer, music director, entertainment entrepreneur from Youngstown, Ohio. Broadway: Big Fish, A Night With Janis Joplin. Nat’l tour: Evita. michaelmoritz.com STYLES FOUR PRODUCTIONS (Producer). StylesFour Productions:

BEAUTIFUL — THE CAROLE KING MUSICAL

Rolling Stones, Sting, The Supremes, Hank Williams and Stevie Wonder, among others. Its evergrowing list of chart-topping artists and songwriters includes Alicia Keys, Lady Gaga, P!nk, Shakira, Taylor Swift and Kanye West.

BEAUTIFUL — THE CAROLE KING MUSICAL

Broadway: Orphans, Once, Driving Miss Daisy, The Pee-wee Herman Show, Talk Radio, Spring Awakening. OffBroadway: Judy Gold’s 25 Questions, Hand to God. London credits: Once. BRUNISH & TRINCHERO (Producer). 6 Tony Nominations, 2 Tony Awards: Pippin, Porgy and Bess; Mothers and Sons, Peter and the Starcatcher, On The Town, Beautiful - The Carole King Musical. Brunish: Come From Away, Fiddler on the Roof (Tony Nominations). Trinchero: Untold Stories of Broadway. JEREMIAH J. HARRIS (Producer) is the founder and chairman/CEO of Production Resource Group, the world’s leading supplier of entertainment technology. Jere has been active in the theatre industry since 1970 and has provided production management services for more than 500 productions, including Beauty and the Beast, Starlight Express and Dancing at Lughnasa. As the founder of Scenic Technologies, Jere revolutionized scenic automation with its patented Stage Command® motion control system, used on hundreds of shows, including The Phantom of the Opera and Wicked. Most recently, Jere co-produced with Michael Cohl the successful turnaround of the recordbreaking production of Broadway’s Spider-Man Turn Off the Dark, regarded as the most technically complex production ever mounted on a Broadway stage. BROADWAY BOOKING OFFICE NYC (Tour Booking, Engagement Management, Press and Marketing) is a leading theatrical tour booking, marketing and press company representing award-winning musicals and plays. Currently: Jersey Boys, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera, Les Misérables, Miss Saigon, Beautiful – The Carole King Musical, A Bronx Tale, Falsettos, A Gentleman’s Guide to Love and Murder, The Sound of Music, Rodgers & Hammerstein’s The King and I, Fun Home, Andrew Lloyd Webber’s Love Never Dies, Bright Star and Matthew Bourne’s The Red Shoes. www.bbonyc.com

STAFF FOR BEAUTIFUL—The Carole King Musical ______________________________________________________ GENER AL MANAGEMENT CHARLOTTE WILCOX COMPANY Charlotte W. Wilcox Matthew W. Krawiec Ryan Smillie Dina S. Friedler Margaret Wilcox Stephen Donovan Michael Cohen Gabrielle Nieporent Taylor Vandick ______________________________________________________ COMPANY MANAGER - Ryan J. Lympus ASSOCIATE COMPANY MANAGER - Jeffrey F. Feola ______________________________________________________ TOUR BOOKING, ENGAGEMENT MANAGEMENT, PRESS & MARKETING BROADWAY BOOKING OFFICE NYC Steven Schnepp Kent McIngvale, Jenny Bates, David Freeland Zach Stevenson, Sean Mackey, Stacey Burns Danny Knaub, Rachel Peterson, Phil Della Noce ______________________________________________________ CASTING Stephen Kopel, CSA ______________________________________________________ PRODUCTION MANAGEMENT JUNIPER STREET PRODUCTIONS Hillary Blanken Guy Kwan Ana Rose Greene Joseph DeLuise Victoria Bullard Johnny Kruger ______________________________________________________ Production Stage Manager.............................................Joel Rosen Stage Manager.................................................Annelise Castleberry Assistant Stage Manager...................................... Shana Ferguson Dance Captain.................................................. Leandra Ellis-Gaston Associate Director......................................................... Shelley Butler Associate Choreographer.........................................Joyce Chittick Associate Scenic Designer................................Erica Hemminger Scenic Assistants.............Brandon McNeel and Ingrid Larson Associate Costume Designer.....................................Rory Powers Assistants to Costume Designer...............................Dana Burkhart, Benjamin Klemes Associate Lighting Designer.........................................John Viesta Assistant Lighting Designer.......................................... Gina Scherr Moving Light Programmer....................................Josh Weitzman, Trevor Dewey Associate Sound Designer........................................Cody Spencer Associate Wig & Hair Designer........................................ Liz Printz Assistant Wig & Hair Designer............ Gretchen Androsavich, Ashley Rae Callahan Production Carpenter......................................................... Fred Gallo Head Carpenter.................................................................... Elan Bustin Flyman.......................................................................................... JJ Jordan Deck Automation............................................................Nick Anthony Assistant Carpenter........................Christian “Mr. Shrek” Young Production Electricians.....Randall Zaibek, James J. Fedigan Head Electrician....................................................Jeff “Swing” Holtz Assistant Electrician / Lead Follow Spot Operator......................................Josh Kosmicki Deck Electrician / Moving Light Technician..... Jeff Chandler Production Propmaster.................................................. Mike Pilipski Head Props.......................................................................Glenn Calhoun Assistant Props......................................................................Tom Perrin Advance Sound....................................... Michael “fodder” Carrico Sound Engineer............................................................... Mike Rukstad Assistant Sound Engineer..............................................Jeff McWay Wardrobe Supervisor.......................................Donna Landis Peck Assistant Wardrobe Supervisor.................................Gene Lauze Dresser...........................................................................Meghan Calhoun Hair Supervisor................................................. Kelly Toon Flanagan Assistant Hair Supervisor........................................Andrew Ozbun Music Preparation Services..................................Russell Bartmus Production Assistants............................................Shana Ferguson, Katryn Livingston, Matthew Matulewicz Physical Therapy........................................................... NEURO TOUR Management Interns.................Claire Epstein, Karalyn Hutton Dialect Coach..................................................................Stephen Gabis Legal Counsel.......................Sendroff & Baruch/ Jason Baruch Accountant..................................................... WithumSmith+BrownRobert Fried, CPA, Karen Kowgios, CPA and Anthony Moore, CPA Comptroller................... Galbraith & Company/Amanda Hayek Interactive Marketing......................................Situation Interactive Production Photography.............................................. Joan Marcus Production Video.................................................................David Kane Payroll Services................ Checks + Balances/ Jennifer Kemp, Anthony Walker Banking........................... City National Bank/ Stephanie Dalton Insurance Broker.............................................Reiff and Associates, LLC/ Regina Newsom Merchandise.............................................................. The Araca Group Merchandise Manager.................................................Michael Berko Information Management Services.......Marion Finkler Taylor Contracts Coordinator............................................. Dina S. Friedler Travel Services......................................Tzell Travel/ “The A Team” Housing Services................................................................. Road Rebel ______________________________________________________ MUSIC CREDITS “Be Bop a Lula” by Tex Davis and Gene Vincent. Sony/ATV Songs LLC (BMI) and Three Wise Boys Music LLC (BMI). “Beautiful” by Carole King. Colgems-EMI Music Inc. (ASCAP). “Chains” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Happy Days Are Here Again” by Milton Ager and Jack Yellen. EMI Robbins Catalog Inc. (ASCAP). Special lyrics

by Douglas McGrath and Cynthia Weil. “He’s Sure the Boy I Love” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI). “I Feel the Earth Move” by Carole King. Colgems-EMI Music Inc. (ASCAP). “I Go Ape” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/BMG (BMI). “It Might As Well Rain Until September” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “It’s Too Late” by Carole King and Toni Stern. Colgems-EMI Music Inc. (ASCAP). “Little Darlin’” by Maurice Williams. Cherio Corporation (BMI). “The Locomotion” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Love Potion #9” by Jerry Leiber and Mike Stoller. Sony/ ATV Tunes LLC (ASCAP). “Oh Carol” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/ BMG (BMI). “On Broadway” by Barry Mann, Cynthia Weil, Jerry Leiber and Mike Stoller. Screen Gems-EMI Music Inc. (BMI). “One Fine Day” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Pleasant Valley Sunday” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Poison Ivy” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP). “So Far Away” by Carole King. Colgems-EMI Music Inc. (ASCAP). “Some Kind of Wonderful” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Splish Splash” by Bobby Darin and Jean Murray. EMI Unart Catalog Inc. (BMI), Trio Music Co. Inc. (BMI) and Alley Music Corp. (BMI). “Stupid Cupid” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and EMI Longitude Music (BMI). “Take Good Care of My Baby” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “There Goes My Baby” by Jerry Leiber, Mike Stoller, Ben King, George Treadwell and Lover Patterson. Sony/ATV Songs LLC (BMI). “Up on the Roof” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI). “Uptown” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI). “Walking in the Rain” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gems-EMI Music Inc. (BMI), EMI Blackwood Music Inc. obo Mother Bertha Music (BMI). “We Gotta Get Out of This Place” by Barry Mann and Cynthia Weil. Screen GemsEMI Music Inc. (BMI). “Who Put the Bomp” by Barry Mann and Gerry Goffin. Screen Gems-EMI Music Inc. (BMI). “Why Do Fools Fall in Love” by Morris Levy and Frankie Lymon. EMI Longitude Music (BMI) and EMI Full Keel Music (ASCAP). “Will You Love Me Tomorrow” by Gerry Goffin and Carole King. Screen GemsEMI Music Inc. (BMI). “Yakkety Yak” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP). “(You Make Me Feel Like a) Natural Woman” by Gerry Goffin, Carole King and Gerald Wexler. Screen Gems-EMI Music Inc. (BMI). “You’ve Got a Friend” by Carole King. Colgems-EMI Music Inc. (ASCAP). “You’ve Lost That Lovin’ Feeling” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gems-EMI Music Inc. (BMI), EMI Blackwood Music Inc. obo Mother Bertha Music (BMI). ______________________________________________________ CREDITS Scenic items fabricated by PRG-Scenic Technologies, a division of Production Resource Group, LLC, New Windsor, NY. Show control and scenic motion control featuring Stage Command Systems® by PRG-Scenic Technologies, a division of Production Resource Group, LLC, New Windsor, NY. Additional scenery built, painted and electrified by Show Motion, Inc., Milford, CT. Lighting equipment from PRG Lighting. Audio equipment from PRG Audio. Ladies wear by Tricorne, Inc., Roberta Hamelin, John Cowles, Krostyne Studios, Shana Albery, Miro Affonso and Christopher Schramm. Men’s wear by Ed Dawson, Arur and Tailors, Top Hat Imagewear, Mardana, and Miro Affonso. Props provided by Prop N Spoon LLC. Additional props provided by BB Props and Printing Plus. Makeup provided by M-A-C ______________________________________________________ Rehearsed at New 42nd Street Studios and The Ailey Studios ______________________________________________________ SPECIAL THANKS Martin Bandier, Steven Banks, Caroline Barnard, Mark Bennett, Charles H. Googe, Jr., Carole Shorenstein Hays, Greg Holland, George Lane, Jane Read Martin, Patricia Masera, Stella Morelli, Ellen Pilipski, Joshua Pilipski Pulos, Bruce Scavuzzo, George Sheanshang ______________________________________________________ The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.). The musicians employed in this production are members of the American Federation of Musicians. United Scenic Artists represents the designers and scenic painters for the American Theatre. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. The Theatre Managers, Press Agents, and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees. The professional local musicians employed in this production are represented by the Denver Musicians Association, Local 20-623 of the American Federation of Musicians.

PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas. • PHOTOS, RECORDING & CELL PHONE USE are prohibited. • CHILDREN 6+ are welcome in our theatres and must be ticketed. • DRINKS are allowed in provided containers. • ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you. • BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836. Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Carrie Breidenbach Vonnie Clough Janel Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Carolyn Dore Deborah Guess

AnnSue Gunter Judy Holabird Leslie Lambert Sharon Millikan-Hale Callie Morrow Yolanda Pollock Dave Poole Liz Spadi Amy Tepel Marybeth Tscherpel Barb Wilson

DPAC House Crew Mark Anthony Perry Elliot James R. Gralian John Kendrick

Randy Mitchell Tanya M. Rist Albert Sainz, Sr David A. Wilson

THE ELLIE CAULKINS OPERA HOUSE is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues. City & County of Denver: Michael Hancock, Mayor Arts and Venues: Kent Rice, Director For information call: 720.865.4220

SEP 13 – 30 GARNER GALLERIA DENVERCENTER.ORG OFFICIAL TICKETS: 303.893.4100

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THE “CONSTANT” QUEST FOR

EQUALITY

Illustration by Kyle Malone

B Y S Y LV I E D R A K E

If anyone were to ask when feminism first began to assert itself, the answer is simple: in the Garden of Eden. And it’s been everywhere since, most visibly in dramatic literature, from Medea and Lysistrata, to the works of Shakespeare, Molière, George Bernard Shaw, and so many others. In day-to-day life, however, feminism has been on rockier ground, less so in the past decade thanks to the number of strong women who finally have chosen to “out” prominent men for their bad behavior. But in the early 1920s, when British playwright, novelist and screenwriter W. Somerset Maugham took on the subject of differing moral and behavioral standards for men and women in his play, The Constant Wife, feminism was not on everybody’s radar. World War I was over. It was permissible to laugh again; emancipation was in the air and comedy in demand. Shaw was the proselytizer-in-chief for women. His feminist comedies were sharp, brittle and biting, with a caustic edge of ridicule reserved for the men. (Think Pygmalion, Major Barbara and Mrs. Warren’s Profession.) Others, however, still used flippancy to blunt the seriousness of the battle of the sexes. Noël Coward’s Private Lives, for one, favored frivolity to deliver what was deemed strictly momentary fun. While riding the same giddy tidal wave of theatre-light that was prologue to the flapper era, Maugham was not sharp, giddy or light. He was subtle. His Constant Wife is an undercover comedy of manners, delivered with tact, precision, elegance — and a deadly sting. When we shared an email conversation about her production of The Constant Wife that you’re about to see, director Shelley Butler declared Maugham “a master at keeping audiences on their toes.” “I’m intrigued by his continued interest in exposing the double standards of his day,” she offered, “and his

boldness in presenting the flaws and hypocrisies of upperclass society directly to that class of people, in the form of entertainment.” Maugham’s Constance Middleton, the “wife” of the title, is an unconventional heroine — a rebel inside a classy woman who married well but had not banked on being humiliated by a husband with a roving eye. When that happened, she found a highly original way to deal with it. Without a shred of militancy, this model of upper crust gentility completely upended the custom of her day. It is delicate, seductive playwriting, devilishly well done. Yet while Constance is a disarming maverick, is she believable for her time? “Her strength and resourcefulness make her compelling for any time,” insisted Butler. “Constance doesn’t feel like a tool, but like a character given agency; she assesses a volatile situation and takes her time before sorting how to respond; a savvy woman, written with keen wit, she was revelatory for her time and remains incredibly satisfying today. “The playwright is asking questions about society as much as he’s making a point, which makes the play intriguing as opposed to didactic. I love that he centered the play on a powerful woman who doesn’t respond with melodrama or make any clichéd or expected choices.” But not so fast. Yes, Constance Middleton’s uniqueness lies in her deliberate decisions, including the decision to earn her own money. But in the 1920s, wouldn’t her moves be seen as a quest for revenge rather than equality? “Her decisions underscore the intertwining of sexual independence with economic freedom,” said Butler, who suggested the audience should ponder the connection between the two “and how they apply differently to men and women, even today.” Still, many of the characters within Constance’s orbit — her old boyfriend, her girlfriend, her mother, her sister Martha, and even her husband and his paramour — are pleasant yet far less delineated individuals, seemingly created chiefly to service the plot.

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

“Constance doesn’t feel like a tool, but like a character given agency… a savvy woman, written with keen wit, she was revelatory for her time and remains incredibly satisfying today.” — SHELLEY BUTLER, Director

COMING UP FROM THEATRE COMPANY:

A CHRISTMAS COSTUME COLUMN CAROL Nothing gets you in the holiday spirit quite like seeing the classic play, A Christmas Carol. Experience the story of Ebenezer Scrooge as he returns (Nov 21 – Dec 24) to The Stage Theatre. Here are five fast facts about the history of A Christmas Carol before you go. 1. A year after Charles Dickens published the novel in 1843, the first stage adaptations of A Christmas Carol were staged in London. 2. In the Theatre Company’s 40year history, A Christmas Carol has been presented 26 times.

Sylvie Drake is a former theatre critic and columnist for the Los Angeles Times, a translator, a contributor to culturalweekly.com and American Theatre magazine, and a former Director of Media Relations and Publications for The Denver Center for the Performing Arts.

THE CONSTANT WIFE SEP 21 – OCT 21 • SPACE THEATRE ASL interpreted, Audio-described performance: Oct 14, 1:30pm

3. Only two adaptations have been presented at the Theatre Company–Laird Williamson and Dennis Powers (1990-2004), Richard Hellesen and David de Berry (2005-present). 4. Out of 26 presentations at the Theatre Company, only three directors have directed the production–Laird Williamson (1990-2004), Bruce Sevy (20052015) and Melissa Rain Anderson (2016-present). 5. Since 1990, A Christmas Carol has been a longstanding seasonal tradition for many families and has brought in nearly 850,000 audience members.

The 2016 company of A Christmas Carol. Photo by AdamsVisCom.

Again, Butler countered. “While these characters aren’t central, there’s meat on their bones. Martha, for example, is feisty and well spoken and has a clear objective. I think there’s a great deal an actor can interpret as to why Martha feels the way she does about betrayal and marriage. And the dynamics of her difficult relationship with her mother are endlessly interesting. While the arc of these characters is not the central arc, they are truthfully drawn and a compelling cast will imbue them with enough humor and depth that they’ll all earn their place in the play.” Which explains why The Constant Wife has enjoyed many revivals, one in 1951 with Katharine Cornell, a London revival in 1973 with Ingrid Bergman of all people (it had its problems), and a particularly vibrant one in 2006 at the San Diego Old Globe. They tell us why this play continues to resonate. Its acclaimed opening was in New York in 1926, with Ethel Barrymore in the lead. But at the London opening the following year, a box office muddle sent VIPs to the stalls and lesser mortals to the best seats, creating total havoc. It took another ten years for it to find favor with London’s critics, the Times declaring that Maugham had a story to tell “both entertaining and, so far as it goes, true.” That “so far as it goes” makes an interesting point. Constance closes a door behind her, much as Nora does in Ibsen’s A Doll’s House, leaving us to wonder what her future holds. “The play remains incredibly fresh,” a confident Butler added, “and its humor, wit and playfulness retain the ability to capture a modern audience. I am always delighted by a play [that can] surprise and keep an audience guessing.”

PROUD CORPORATE MEMBER OF THE DENVER CENTER FOR THE PERFORMING ARTS

DU and DCPA bring the people of Denver together to inspire and enlighten, to challenge the expected and to advance excellence in this community.

Ideas and innovation come together at the University of Denver to transform the world. Research and teaching drive the knowledge creation that leads to discovery. Experts from different fields forge collaborations to solve the most pressing challenges of the day: sustainability, homelessness, mental health, veterans’ services and more. Each day, the University of Denver commits anew to its century-and-a-half tradition of education and innovation. Like the Denver Center for the Performing Arts, DU provides our community with a hub of creative excellence, a place where innovators and trailblazers contribute their best ideas for the good of society. DU and DCPA bring the people of Denver together to inspire and enlighten, to challenge the expected and to advance excellence in this community. Visit du.edu to learn more about the ways that innovation fuels excellence at the University of Denver.

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

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CELEBRATING THEATRE COMPANY'S

ANNIVERSARY Forty years ago on New Year’s Eve, the Denver Center for the Performing Arts’ Theatre Company opened. The star-studded, three-day extravaganza featured the back-to-back openings of The Caucasian Chalk Circle, Moby Dick Rehearsed and The Learned Ladies. One Tony Award, four Artistic Directors, 135 world premieres, more than 450 productions and 5.6 million patrons later, we are delighted to welcome you to the 40th anniversary season of our very own DCPA Theatre Company. A tremendous and heartfelt “thank you” to the hundreds of actors, artisans, administrators and crew who have given us four decades of incredible memories. And to our amazing audiences who laugh, cry, cheer and support us. Bravo!

2 16

19 1

The Caucasian Chalk Circle (1979/80) James Lawless and Tyne Daly.

2. Henry IV Part I (1980/81) Tandy Cronyn and Tom Spackman. 3. Quilters (1982/83) The cast of Quilters 4. The Importance of Being Earnest (1983/84) Zoaunne LeRoy and Jamie Horton. 5. Pygmalion (1985/86) Byron Jennings and Annette Bening.

6. Lost Highway: The Music and Legend of Hank Williams (1986/87) Mark Harelik and Ron Taylor. 7. Veterans’ Day (1987/88) James Lawless and James Kiberd.

8. Cat on a Hot Tin Roof (1988/89) Leslie Hendrix and Kay Doubleday. 9. Fences (1989/90) Edythe Davis, John Hancock and Omar Carter. 10. Miss Julie (1990/91) Harvey Blanks and Jaqueline Antaramian.

11. A Christmas Carol (1992/93) Richard Risso. 12. Black Elk Speaks (1993/94) Ned Romero and Ensemble. 13. It Ain’t Nothin’ But the Blues (1994/95) Ron Taylor. 14. The Dresser (1995/96) Tony Church. 15. Three Tall Women (1996/97) Jennifer Schelter, Annette Helde and Jane Welch.

16. Life is a Dream (1997/98) Robert Westenberg and Gloria Biegler. 17. Master Class (1998/99) Gordana Rashovich. 18. The Laramie Project (1999/2000) Andy Paris. 19. Tantalus (2000/01) Robert Petkoff. 20. The Lonesome West (2002/03) Bill Christ and Mark Rubald.

21. A Streetcar Named Desire (2003/04) Laurence Curry and Kim Staunton. 22. The Misanthrope (2004/05) Ruth Eglsaer and Jamie Horton. 23. Crowns (2005/06) C.E. Smith & Barbara D. Mills. 24. A Funny Thing Happened on the Way to the Forum (2006/07) David Ivers and Kathy Brady. 25. Lydia (2007/08) Onahoua Rodriguez and Christian Barillas.

26. The Miracle Worker (2008/09) Kate Hurster and Daria LeGrand. 27. Eventide (2009/10) Mike Hartman, Tonantzín Carmelo and Philip Pleasants. 28. The 39 Steps (2010/11) Victoria Mack, Sam Gregory, Rob Nagle and Larry Paulsen. 29. To Kill a Mockingbird (2011/12) John Hutton and Caroline Rosenblum.

30. Sense & Sensibility The Musical (2012/13) Mary Michael Patterson and Stephanie Rothenberg. 31. The Legend of Georgia McBride (2013/14) Ben Huber and Jamie Ann Romero. 32. The Unsinkable Molly Brown (2014/15) Michael Halling, Beth Malone and Gregg Goodbrod. 33. Sweeney Todd (2015/16) Linda Mugleston and Robert Petkoff. 34. The Book of Will (2016/17) The company of The Book of Will. 35. American Mariachi (2017/18) Amanda Robles, Jennifer Paredes, Natalie Camunas, Crissy Guerrero and Heather Velazquez. Photos by Adams VisCom, T. Charles Erickson, Jennifer M Koskinen, Larry Laszlo, Dan McNeil, Pierce, Nicholas de Sciose, Terry Shapiro, p. Switzer, Ted Trainor

PROUD SPONSOR OF DCPA BROADWAY

C Our team custom tailors a menu and program that perfectly fits the unique needs of each specific event. — DANIEL MCGAUGHEY, GENERAL MANAGER OF CENTERPLATE AT THE ARTS COMPLEX

Centerplate is pleased to serve as the preferred hospitality and catering partner at the Denver Performing Arts Complex, including providing DCPA Broadway guests exceptional service in The Buell Theatre. Centerplate’s highly trained and award-winning culinary team is committed to making the live theatre experience as memorable as possible, a passion that comes across in the form of superior cuisine that is artfully blended with innovative presentation and style. Centerplate also custom crafts themed Cocktails and Small Plate offerings made especially for each performance. “From a lavish reception for 10,000 guests to an all-day executive workshop, our team custom tailors a menu and program that perfectly fits the unique needs of that specific event,” said Daniel McGaughey, General Manager of Centerplate at the Arts Complex. “We think tirelessly about how to enhance the experience, so our guests have positive lasting memories from their time with us.” Centerplate makes a conscious effort to practice sustainability in all of its processes, adhering to recycling and compost programs that save hundreds of thousands of pounds of waste on an annual basis. They source products from various local Colorado vendors and farms, while also maintaining a proprietary onsite farm – The Blue Bear Farm – that harvests the fresh produce and herbs that get used on a daily basis at the Limelight Supper Club and the Colorado Convention Center. In addition, Centerplate partners with “We Don’t Waste,” which allows the company to minimize the waste of nutritious and wholesome foods by donating leftover items to local nonprofit organizations. Contact the team at Centerplate today to book your next catered event: Daniel.McGaughey@centerplate.com or 303.520.0660.

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

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Story lines and visual elements from the classic motion picture provided by Warner Bros. Theatre Ventures.

PROUD SPONSOR OF THE DENVER CENTER FOR THE PERFORMING ARTS

A community is only as strong as its ability to nourish the mind and spirit through excellent, diverse and accessible programming…

Many know Microsoft as the brand behind their favorite software, services and devices. But you might not know that the company has a heart as big as its brand, committed to giving back in every region it serves. In fact, an official corporate giving program has been in place since the company went public in 1986. Microsoft believes that a community is only as strong as its ability to nourish the mind and spirit through excellent, diverse and accessible programming in the visual and performing arts. It is in this vision that the company works with the Denver Center for the Performing Arts (DCPA). Since 1996, Microsoft has given the DCPA more than $3 million in software to present exceptional theatre, embrace classics, create new work, and be a center for learning and civic engagement.

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

Microsoft technology enables more than 300 DCPA employees to innovate and stay competitive in the industry, as they produce 16 plays, present 26 musicals and educate 106,000 students. Through its software donation, the DCPA now has the latest desktop and server operating systems to provide operational improvement and the flexibility to meet patron and user needs. A significant portion of the Microsoft funding is directed through ArtsFund, a federated giving program for local corporations, foundations and individuals. In addition to the arts, Microsoft is committed to serving Denver and other local communities in four key areas: empowering youth, empowering nonprofits, empowering employees, and humanitarian and disaster response. With these pillars in mind, Microsoft donated more than $15.5 million to Colorado charities in recent years. More than 400 state employees also have utilized 3,875 volunteer hours to increase their community impact in a way above and beyond dollars and cents. Learn more about Microsoft corporate giving at www.microsoft. com/about/corporatecitizenship. Microsoft stores host regular events ranging from free educational workshops to community events with local nonprofit partners. To find your local store visit: content. microsoftstore.com.

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APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

American Mariachi

Photo of Amanda Robles by Adams VisCom.

Together 4 Colorado, we cover the arts.

"Sam Gregory as Scrooge" from A Christmas Carol.

CBS4 is a long-time proud partner of the Denver Center for the Performing Arts. We know Colorado is a special place and all of us who live here take an active interest in enjoying and protecting our home state. Together 4 Colorado, we make a difference.

DCPA TEAM

DCPA

Will Stowe........... Event Technology Specialist Dawn Williams................................Director, Event Janice Sinden..............................President & CEO Sales & Marketing Maggie Lamb........................Executive Assistant Juan Loya, Carmen Molina, Blanca to the CEO Primero, Judith Primero, Angeles Reyes Soto.................................................Custodians BROADWAY & CABARET MARKETING, SALES & PATRON John Ekeberg......................... Executive Director SERVICES Alicia Bruce................................. General Manager Ashley Brown...........................Business Manager Lisa Mallory........................................Vice President Abel Becerra.........Technical Director, Cabaret Heidi Bosk....................Associate Director, PR & Integrated Marketing Nathan Brunetti.....Email Marketing Manager DEVELOPMENT Casey Eickhoff, Shelley Thompson.........................Vice President Brenda Elliott...........Senior Graphic Designers Shawn Bayer..........................Director, Corporate Brianna Firestone.................Director, Customer Experience & Loyalty Partnerships Rebecca Clark.......................................Coordinator Hope Grandon................PR & Events Manager Megan Fevurly.......................Associate Director, Brittany Gutierrez.................... Communications Coordinator Individual Philanthropy Alicia Higginbotham...............Manager Special Donna Hendricks................Executive Assistant Events Jeff Hovorka......... Director, Sales & Marketing Breianna Miller..............Coordinator, Corporate Emily Kent................................Director, Marketing Partnerships David Lenk.......................................Video Producer Melissa Olson..............................................Associate Emily Lozow......Marketing & Digital Manager Marc Ravenhill....................Director, Individual & Adam Lundeen...........Marketing Technologist Institutional Philanthropy Kyle Malone.............................................Art Director Carolyn Michaels....................................Copywriter EDUCATION Cheyenne Michaels....Marketing Coordinator John Moore....................... Senior Arts Journalist Allison Watrous..................... Executive Director Adam Obendorf..................Senior Art Director Patrick Elkins-Zeglarski.....Associate Director, Joseph Schurwonn.................Financial Analyst Education and Curriculum Management Andrew Sanders........................Project Manager Stuart Barr..................................Technical Director Rob Silk......................Director, Creative Services Claudia Carson.....Teaching Artist & Program Austin Walker....................... Marketing Assistant Manager – Playwriting & Bobby G Suzanne Yoe...........Director, Communications & Cultural Affairs Leslie Channell..............................Senior Business Operations Manager Melissa Sumner............................................Registrar TICKETING & AUDIENCE SERVICES Linda Eller........................................................Librarian Jennifer Lopez...............................................Director Tim McCracken..............................Head of Acting Ticketing Services Andre Rodriguez.Teaching Artist & Program Kirk Petersen...........................Associate Director, Patron Relations Manager – Shakespeare David Saphier.......Teaching Artist & Program Micah White.............................Associate Director, Subscription Services Manager – In School Programming Elizabeth Schmit..........................Office Manager Billy Dutton.....Associate Director, Operations Rachel Taylor...............................Teaching Artist & Katie Clow.........................Subscription Manager Program Manager – Literacy Engagement Jessica Bergin, and Resiliency Programming Tristan Jungferman.......Box Office Managers Meagan Traver..........................Evening Registrar Amanda Gomez...........VIP Ticketing Manager Justin Walvoord........................Teaching Artist & Román Anaya, D.J. Dennis, Edmund Gurule, Program Manager – Teacher Hayley Solano.......................................Show Leads Professional Development Kirsten Anderson, Roger Haak, Rebecca Hibbert, Scott Lix, Chloe McLeod, Joelle Montoya, Maggy Stacy, Robyn Yamada.............Teaching Artists Gregory Swan.....................Subscription Agents Ally Beacom, Maliya Blanchard, Malcolm Brown, Rena Bugg, Adam Busch, Keenan FACILITIES & EVENT SERVICES Coke, Kelcee Covert, Jennifer Gray, Shari Clay Courter.......................................Vice President Hansen, Noah Jungferman, Alia Kempton, Dwight Barela, Zachary Brent, Daniel Lindsey, Gustavo Márquez, Frank John Buxton, Clint Flinchpaugh, Millington III, Clayton Nickell, Gunnar Reinig, Michael Kimbrough................................ Engineers Liz Sieroslawski, Brad Steinmeyer, Andrew Timothy Courson.....................Director, Facilities Sullivan, Tomas Waples, Emmalaine Wright, Management Cindy Yeast.........................................Ticket Agents Quentin Crump.......................Security Specialist Theatre Services Jane Deegan................................ Office Manager Carol Krueger............................................... Manager Tom Duffin...........Manager, Event Technology Ethan Aumann, Nora Caley, Samantha Egle, Jahnice Jones, Colin Dieck, Stori Heleen, Jaymes Kimbrough..............Event Technology LeiLani Lynch, Aaron McMullen, Specialist Margaret Ohlander, Dylan Phibbs, Dan Havens................................Security Manager Valerie Schaefer, Lauren Veselak, Clint King.................................Security Supervisor Mica Ward..................................Theatre Company House Managers Danielle Bell, Savanna Campbell, Matt Leaver.................................Events Managers Volunteer Ushers................................................305+ Brian McClain.....................Custodial Supervisor Group Sales Tara Miller...................................................Sr Manager Jonalyn Bradshaw.............................Coordinator, Education Sales Brook Nichols......Director, Event Technology Jeffrey Pluth............................... General Manager Julie Rada..............................Associate, Audience Venue Operations Development Maggi Quinn..............Director, Capital Projects

SHARED SERVICES Vicky Miles........................Chief Financial Officer Jennifer Jeffrey........................Director, Financial Planning & Analysis Julie Schumaker..................Executive Assistant to the CFO & Board Liaison ACCOUNTING Jennifer Siemers...........................................Director Michaele Davidson, Linda Erickson..................... Senior Accountants Kim Stewart................................Staff Accountant HUMAN RESOURCES Shaunda VanWert..........................Vice President Brian Carter.............................................Director, HR Jamie Hawkins..............................HR Coordinator Karen Jewell............................................Director, HR Paul Johnson...............................Payroll Specialist Monica Robles...................Mailroom Supervisor INFORMATION TECHNOLOGY Yovani Pina.........................................Vice President Rick Bennett, David Tschan.................Directors Eric Boone.............................Software Developer Vincent Bridgers.....Ticketing System Analyst Simone Gordon......................Program Manager Christopher Hoge...............................................VoIP/ System Administrator Paul Howell..................................................Help Desk Jacob Parker........................Software Developer John H. Voorheis..........Manager, Infrastructure THEATRE COMPANY ADMINISTRATION Charles Varin...........................Managing Director Ryan Meisheid.....Associate Managing Director Allison Taylor Brinkhoff.....Company Manager Katie Grayson....Assistant Company Manager ARTISTIC Chris Coleman.............................. Artistic Director Charlie Miller.........Associate Artistic Director/ Off-Center Curator Douglas Langworthy............Literary Director/ Director of New Play Development Melissa Cashion.........................Artistic Producer Grady Soapes.....................Associate Producer/ Director of Casting Lynde Rosario.............................Literary Manager PRODUCTION Jeff Gifford......................Director of Production Kate Coltun..........................Production Manager Matthew Campbell....... Associate Production Manager Julie Brou..............................Production & Artistic Office Manager Scenic Design Lisa M. Orzolek....... Director of Scenic Design Kevin Nelson, Nicholas Renaud.....Scenic Design Assistants Lighting Design Charles R. MacLeod..........Director of Lighting Lily Bradford............Lighting Design Assistant Reid Tennis+.....................Production Electrician Multimedia Gregory W. Towle..........Projection Supervisor Sound Design Craig Breitenbach..................Director of Sound Alex Billman+, Frank Haas+, Tyler Nelson+...........................Sound Technicians Stage Management Kurt Van Raden....Production Stage Manager Christoper C. Ewing....Senior Stage Manager

Rachel Ducat, Heidi Echtenkamp, Corin Ferris, Rick Mireles, Michael Morales, Kristen O’Connor, D. Lynn Reiland...........................Stage Managers Scene Shop Eric J. Moore..............................Technical Director Josh Prues, Robert L. Orzolek..........Associate Technical Directors Albert “Stub” Allison.........Assistant Technical Director Louis Fernandez III.................Master Carpenter Brian “Marco” Markiewicz.....Lead Technician Tyler Clark, Amy “Wynn” Pastor, Kyle Scoggins, Kyle Simpson, Mara Zimmerman................Scenic Technicians Prop Shop Robin Lu Payne....................Properties Director Eileen S. Garcia...................Assistant Properties Director Jamie Stewart Curl, Tobias Harding, Georgina Kayes, Tony Nguyen, Katie Webster..................................Props Artisans Paint Shop Jana L. Mitchell...................Charge Scenic Artist Melanie Rentschler...............Lead Scenic Artist Kristin Hamer MacFarlane............Scenic Artist Costume Shop Janet S. MacLeod.................Costume Director/ Costume Design Associate Meghan Anderson Doyle......................Costume Design Associate Carolyn Plemitscher, Jackie Scott..... Drapers Cathie Gagnon..........................................First Hand Sheila P. Morris..................................................... Tailor Costume Crafts Kevin Copenhaver.....Costume Crafts Director Chris Campbell.......Costume Crafts Assistant Wigs Diana Ben-Kiki........................................Wig Master House Crew Doug Taylor+.................Supervising Stagehand Jim Berman+, Jennifer Guethlein+, Stephen D. Mazzeno+, Miles Stasica+, Tyler Stauffer+, Matt Wagner+.....Stagehands  Kyle Moore+.........................Assistant Stagehand Wardrobe Brenda Lawson............... Director of Wardrobe Taylor Malott^, Jessica A. Rayburn^....................Wig Assistants Robin Appleton^, Amber Donner^, Anthony Mattivi^, Tim Nelson^, Lisa Parsons Wagner^, Alan Richards^..............................................Dressers + Member, I.A.T.S.E. Local 7 ^Member, I.A.T.S.E. Local 719

As of 8/3/18

THANK YOU

The Denver Center for the Performing Arts gratefully acknowledges the generous support of the following donors of $250 or more for activities July 1, 2017 - June 30, 2018.

EXTRAORDINARY GIVING Citizens of the Scientific & Cultural Facilities District

CHAIRMAN’S CIRCLE PLATINUM ($100,000+) Bonneville Denver+ CBS4+ Epicurean Group+ Fidelity Investments Helen G. Bonfils Foundation+ Microsoft+ Robert & Judi Newman Family Foundation* The Shubert Foundation U.S. Bank+ UCHealth United Airlines+ The Wallace Foundation Marvin & Judi Wolf*

CHAIRMAN’S CIRCLE GOLD ($50,000 – $99,999) Ameristar Casino Resort Spa+ The Joan & Phil Berger Charitable Fund The Temple Hoyne Buell Foundation Colorado State Bank & Trust Colorado Public Radio+ Comcast+ Entercom Broadcasting+

Genesee Mountain Foundation L. Roger & Meredith Hutson/HRM Resources, LLC+ Keith & Kathie Finger Margot & Allan Frank+* Noble Energy Daniel L. Ritchie SRC Energy The Salah Foundation Martin & Jo Ann Semple* Ken & Debra Tuchman/ Tuchman Family Foundation Westin Denver Downtown+

CHAIRMAN’S CIRCLE SILVER ($25,000 – $49,999) Alpine Bank Always Best Care Senior Services Anadarko Petroleum Corporation Jim & Kristin Bender Dr. & Mrs. Barry Berlin* BMW of Denver Downtown Ms. Marilyn Brown CIBC Private Wealth Management Constellation Wines+ Mr. & Mrs. Tom Corley/ The Corley Legacy Foundation CRG Denver Post Community+ Edgerton Foundation EKS&H

Event Rents+ FirstBank Mr. & Mrs. Alan F. Fox* HealthONE Integer Group KUSA/Channel 9 News+ Larimer Square+ Leede Operating Company National Endowment for the Arts PCL Construction Services Inc. PDC Energy Polsinelli Reicon Charitable Foundation Ms. Ellen Scott Mark Sexton Mr. William Dean Singleton/ Singleton Family Foundation* Mr. Steve Talley The Lewis E. Myers Jr. Scholarship Fund Ms. June Travis* Trice Jewelers+ University of Denver WilmerHale Xcel Energy Foundation

CHAIRMAN’S CIRCLE BRONZE ($15,000 – $24,999) Bayswater Exploration & Production LLP+ Blue Lion Enterprises Bow River Capital Pat & Paula Broe CCIG

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

Centerplate+ Steven & Robin Chotin/ The Chotin Foundation Isabelle Clark* Robert & Kathleen Clark CoBiz Financial ColoradoBiz Magazine+ Commerce Bank Alex & Cathy Cranberg/ Aspect Energy LLC Mr. Jack Fitzgibbons & Mrs. Adrienne Ruston Fitzgibbons* Mrs. Jennifer HavercroftMiller & Mr. Greg Miller Holmes Murphy Michael & Patty Imhoff+ Mr. & Mrs. Nicholas Kemp Leo & Susan Kiely* Mike & Diana Kinsey* Ms. Jean Kutner Peter Mannetti & Ruth Krebs Mr. Pat Spieles & Ms. Carol McMurry Merrill Lynch Mr. & Mrs. Ralph Nagel Palm Restaurant+ Mr. & Mrs. Federico Pena The Piton Foundation The Ponzio Family range Restaurant Riverfront Park Community Foundation Rick & Shelly Sapkin/ Edgemark LLC Mr. & Mrs. Rick Schopp Jr. Kerri & Steven Siegel Bob & Carole Slosky* Paul & Wendy Spencer Sprint Press Denver+

HELP BRING THE MAGIC OF THEATRE TO LIFE.

VISIT WWW.DENVERCENTER.ORG/DONATE

Mr. & Mrs. Roger Stansbury+ Stonebridge Companies+ John Strohm & Mary Pat Link Subaru of America, Inc Thomas & Beatrice Taplin Fund* TeleTech Theatre Forward Transamerica Turner Construction Company Turner Morris, Inc. Vectra Bank Whole Foods Market

SPOTLIGHT VISIONARY ($10,000 – $14,999) Anonymous (1) Mr. & Mrs. Lee Archer/ New Wave Enviro Products Inc+* The Belay Fund Ms. Arleen Brown Bill & Betty Buchanan Ralph L. & Florence R. Burgess Charitable Trust Martin & Patricia Buys Larry & Margaret Byrne Chestnutt Wines+ Citi Private Bank | Citibank N.A. Denver Life Magazine+ Mr. & Mrs. John Dunn Brownstein Hyatt Farber Schreck Ms. Peggy Finley Larry & Joanne Fisher Ms. Julia Franklin

Mr. & Mrs. John Fuller* Mr. Daniel Riehl & Ms. Barbee Futrell-Riehl iHeart Media (KBCO, KHOW)+ Mr. John Ikard Ms. Barbara Kelley Kevin Taylor Restaurant Group+ Lori & Bill Kurtz Land Title Guarantee Company Mr. Scott Lynes Ms. Donna Lynne Macy’s Mrs. Jennifer Montoya Gayle & Steve Mooney Morgan Stanley Private Wealth Management Ann & Keith Pollack PwC Hansen & Bonnie Rada Reisch Law Firm Republic National Distributing Company+ Miriam C. Robins Satterly Portraiture+ Semple Brown Design, P.C. Sewald Hanfling Public Affairs Shames Construction Sherman & Howard, LLC James & Alison Shetter* Megghan & Jared St. Aubyn STK Denver+ Stephen & Susan Struna+ Mr. & Mrs. Jerry Tepper Vap Construction Mr. and Mrs. Jonathan Vinnik Virginia W. Hill Foundation

Mr. & Mrs. Joe Vrablik Walter S. Rosenberry, III Charitable Trust* Ms. Janet Ward Barth & Maureen Whitham

THEATER BUILDER ($5,000 – $9,999) 5280 Contract Flooring Jill & Ryan Ahrens Darrell Anderson+ Anonymous (2) John Atencio/Designer Fine Jewlery+ Lynn & Lori Belcher Doug & Catherine Benson Brian & Linley Biffle Black Creek Capital BlackRock Breakthru Beverage Group+ Joy S. Burns* Camp out for Kids John Carlen & Jean Gleason Denver Center Alliance Denver7/KMGH+ Mr. Stanley Di Cicco+ Ms. Grace Eberl El Pomar Foundation Fine Arts Foundation Fineline Graphics+ First Trust Advisors Mr. Richard Frommer Mr. Brock Herzberg Ms. Amy Gaines & Mr. Ron Litvak Gränd Salon+ Mr. & Mrs. Rich Gunlikson

Hard Rock Cafe Jerry & Patty Hauptman Mr. Kevin Heringer Jeanne Land Foundation Ms. Judy Johnston Mr. & Mrs. Dan Kelly Mr. & Mrs. Kevin Kilstrom KONE Denver Mr. William La Bahn Michael & Gianna LaRouche Le Méridien Denver Downtown+ Liberty Global, Inc. Ms. Maude Lofton Luxury Outerwear+ Diane MacRossie Marie Maltz Monarch Casino Resort & Spa Mr. James Newcomb John & Sherri Nitta Northwestern Mutual Ms. Ronna N. Phelps Mr. & Mrs. Gary Ray+ Rialto Café The Ross Foundation+ Eric & Trina Scholz Jeremy & Susan Shamos Pac/West Communications Dr. Sean Shaw Ms. Janice Sinden Stout Street Social Topher Straus+ The Sturm Family Foundation Superoofs Terry & Michelle Taggart Alan & Gayle Talesnick Jack & Penny TerHar Mr. Ted Tow & Ms. Cathy Traugott

THANK YOU TO OUR DONORS Mr. James Turpen Mrs. Sandra Walling+ Tina Walls* Dr. Kenneth Weiner and Mrs. Anita Hailey William Crow Jewelry+ Williams Jewelers WisdomTree Lynne & Michael Wozniak Mr. Randy Yeager Sylvia & David Young

ARTISTIC DREAMER ($2,500 – $4,999) A Design Resource+ Ms. Rose Andom Anonymous (2) Willis Ashby & Karen Burch Judith Babcock+ Bank of America Merrill Lynch Baroness Wine Distributors+ Ray & Denise Bellucci Ron & Martha Berge Murri & Andy Bishop The Blanche & Irving Laurie Foundation Ms. Jane Buckley Kay Drees Burke Family Trust Dr. Jennifer Caskey Mr. Robert Clark Fran Clay Mr. Montgomery Cleworth Jerry Conover & Jacquelyn Wonder Coors Distributing Company+ Mr. Leslie Crispelle & Mr. Glenn Tiedt Mr. & Mrs. Jordan Dechtman Michael Dowling+ Mr. Ken Elliott+ Ms. Kathleen Ferry Al & Terri Fisher+ Sally & Alan Gass* H. Robert & Lois Gill Mr. Jim Goh

Hallie Todd Withrow in memory of Ann Guilbert Laurel Haberstroh+ Drs. Olinga and John Hargreaves Keith Henson Ms. Kathy Huwaldt Jay’s Valet Mr. & Mrs. C. Howard Johnson Frank & Marti Judson Jules Art & Design+ Rick & Molly Klau Mr. & Mrs. Stuart Kritzer M2 Lending Solutions Mr. Gerald Makela Mr. Kyle Malone+ Mariel* Ms. Sandi Mays/ The Zayo Group Ms. Amy McClenathan Steve McCormack Alan & Carol Meny Ms. Arlene MohlerJohnson+ Suzanne Neuman Mrs. Gayle Novak Mr. & Mrs. Paul Oberman* Ted & Susan Pinkowitz Pam & Don Piro Mark & Maxine Rossman Dr. Michael & Mrs. Lyn Schaffer Mr. Danny Showers+ Mr. Randy Fitch & Mr. Terry Siek Dodie Simmons Marlis Smith Stanley Marketplace+ Ms. Susan Stiff+ Target Mark & DonnaDale Turner University of Colorado Mr. Scott Vasina+ Molly Visser Mr. & Mrs. Paul Vorndran Mr. & Mrs. Thomas Wood

SCENE MAKER ($1,200 – $2,499) Mr. Richard Akeroyd Anheuser-Busch, Inc+ Anonymous (1) Dr. Patricia Baca/The Colorado Trust Directed Contributions Program Mr. Don Bain+ Barry J. Goldstein Philanthropic Fund of the Jewish Community Foundation Mr. & Mrs. Mike Bearup Ms. Katie Behnke Tom & Doris Blyth Bolder Laser & Imaging+ Mrs. Kelly Bolen Bonacquisti Wine Company+ Ms. Sandra Booth Linda & Aaron Bradford Ms. Karen Brown Mr. Justin Burns Mrs. Paula Cardona+ Mr. Mark Carleton Mr. Yousef Chihab Mr. & Mrs. Mark Cohen Colorado Ballet+ Community First Foundation Ms. Ellen Connor Cook Street Consulting The Sam & Beth Coyle Family Fund Ms. Colleen Curran The Honorable & Mrs. Wiley Daniel Mr. & Mrs. Jay Davidson Paul & J’ne Day-Lucore Evan & Jennifer Dechtman Denver Athletic Club+ Denver Film Society+ Mrs. Miriam B. deOlloquiTurner* Mr. Kevin Durban Mr. Stephen Edmonds & Mr. Daniel Kopnisky John Ekeberg & Jen Schwem Mr. & Mrs. Christopher Elliott

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

Ms. Linda Embree Mr. & Mrs. Howard L. Farkas Lois Felt* Mr. David Flake Mrs. Diane Foster Mr. & Mrs. Phillip Foster Ms. Ginny Gelbach Mr. & Mrs. Ted Gelt Great Divide Brewing Co+ Cindi Hart Ms. Heather Hartley Tom & Suzanne Hefty Stori Heleen+ Henry E. Wurst Family Foundation Mr. Jon Seay & Ms. Robin Heppler+ Ms. Cathey Herren Mr. Randall Hertel Kristin Hinds HPE Mr. & Mrs. Paul Jeffery Paul R. Jeselnick & Andy W. Strickland Mrs. June Johnson Darryl & April Jones* Dr. & Mrs. Brian Joondeph+ Ms. Deborah Kelly Joe Kelso Dr. Jan Kennaugh & Mr. Chip Horne Key Bank Colorado+ Mr. & Mrs. David Kiefer Mr. & Mrs. Chad Kilpatrick Bob & Nancy Koontz Ms. Debbie LaBrantHartung+ Todd Larabee Ms. Stephanie Levert Mr. Ferdinand Liotta Dr. Lianne Marks Ms. Julia Matrose Mr. Jeremy May Ms. Leslie McKay Mr. & Mrs. Rami Merheb Mr. Christopher Merrell Ms. Victoria Miles* Mondo Vino+ Mrs. Mariette Moore & Mr. Nicholas Sciubba Ms. Rayanne Mori

Mrs. Lynnette Morrison Mr. Kal Murib Mr. James Neely Janet Nessinger Mr. & Mrs. Gordon W. Netzorg+ Newman Center for the Performing Arts+ Ms. Stacy Ohlsson Mr. & Mrs. Gordon Parker Ms. Dena Pastorini Mr. Daniel & Mrs. Emi Peterson Mrs. Kathleen Potter Ms. Jane Prancan* RedShift Framing+ Mrs. Ginley Regencia John & Nancy Riede Salati Restaurant Group+ Ms. Stephanie Schultz Mr. & Mrs. Stan Sena Ms. Lana Cordier Shelton Mr. Andrew Sirotnak & Mr. Jamie White Edward Skiba Ms. Pamela Sletten Southern Wine & Spirits of Colorado+ Ms. Merriam Spurgeon+ Mr. & Mrs. Daryl Stewart Mr. Al Stutson Mrs. Jennifer Taylor Ms. Kirstin Teall The Little Nell+ Thiry-O’Leary Foundation Ross & Sue Thompson Mrs. Mary Tindle Uncorked Kitchen+ V.I.P. Tours of New York+ Ms. Patricia Villegas Mr. & Mrs. Lester Ward* Welborn Sullivan Meck & Tooley, P.C+ Mrs. Teri Whelan Mr. & Mrs. Donald Williams Dr. & Mrs. Ronald Yaros*

BACKSTAGE ENTHUSIAST ($500 – $1,199) Ms. Jeannette Albertson Aubrey Ardema & Lucky Vidmar Mr. & Mrs. Timothy Arnold Ascent Private Capital Management Mr. Hartman Axley Mr. Paul Aylmer Mr. Tom Balachowski Don Barbula Ms. Abbey Barker Ms. Sybil Barnes Barolo Grill+ Mr. & Mrs. Thomas J. Barrett, Jr. Mrs. Dianne Bartlett in memory of Randy Wren Karen Beauvais Donald & Martha Bender Senator Michael Bennet & Mrs. Susan Dagget Mr. Joshua Benninghof Mr. Weston Beranek Bessemer Trust Dr. Mary Bessesen Dr. Angela Betker & Dr. Anthony Simon Ms. Nara Bhusiri Mrs. Kim Bimestefer Ms. Beverly Black+ Mr. Robert Blauvelt & Mr. Michael Corrigan BLDG Management/BMC Investments Libby Bortz Betsy Brachfeld Mr. & Mrs. Cole Brannick Mr. & Mrs. Don Brown Mr. Willard Brown Mr. & Mrs. Dennis Brown The Brown Palace Hotel+ The Bungalow Craft+ Mr. Rudolph Butler Mrs. Carmela Capraro Dan & Robin Catlin Ms. Shelly Catterson Ms. Peaches Cederholm Ms. Keri Christiansen

Bob & Liana Clark Clos Du Val Winery+ Mr. & Mrs. Dennis Collins Colorado Rockies+ Mr. & Mrs. Mark Colville Mr. & Mrs. Thomas Cox Ms. Zoe Crocker CTS Distributing, Inc+ Ms. Cynthia Daniels Congresswoman Diana DeGette & Mr. Lino Lapinski Ms. Judith Denton Denver Museum of Nature & Science+ Denver Union Station+ Mr. & Mrs. Larry DiPasquale FloraJane & James DiRienzo Mr. Brett Dolan Ms. Louise Douglass+ Drybar Cherry Creek Ms. Julie Dugan Mr. & Mrs. David Duke* Ms. Jean Dwinnell Mr. & Mrs. James W. Espy Ms. Pam Fast Ms. Anita Filip Mrs. Brianna Firestone* Steven Flanagan Mr. Freeman Fowler Mrs. Bethany Friday Galvin Family Foundation Senator Cory Gardner & Mrs. Jaime Gardner GE Foundation Matching Gifts Program Mr. & Mrs. Raul Gierbolini The Gilman Family Foundation Giving Generations Foundation Glenn & Kim Goodwin Ronald & Vivian Gordon Chuck & Pat Griffith Mrs. Julie Gunlikson Carla & Barry Hafeman Mr. Donald Hagengruber The Hamlin Family Fund Marilyn & Bob Harris

Rhondda Evans Hartman & the Jackson H. Fenner Foundation Ms. Kristin Harvey* Mr. Thomas P. Hayes Bob & Lisa Hephner Ms. Laura Hergenrader Ms. Sarah Higgins Heidi &Travis Hohn Laura & Guy Holman Honnen Equipment Norma Horner & John Estes Ms. Ruby Houston Mr. & Mrs. Jon Isenhart Ms. Sylvia Jackson Mr. Paul Jerez Mr. Jay E. Johnson Mary Jones Ms. Diane Jones Ms. Cindy Kent & Mr. Tudor Coleman Mrs. Lori Kettwig Kinder Morgan Foundation Mr. & Mrs. Michael King Ms. Robin Kirtley+ Dr. Cath Kleier David Klenke Mr. & Mrs. Paul Korus Diane Kremer Lakewood Country Club+ Mr. & Mrs. Ken Larson Mr. John Lee Shannan Lentz Karolynn Lestrud* Mr. & Mrs. Harold Logan Miquela Luna Paul Manoogian Ms. Michelle Matlock Ms Christina Maxwell Mrs. Anna Mays Brian & Debra McCallin Mr. Aaron McDowell Ms. Kate McGuinness+ Mrs. Dominique McLerran Mr. & Mrs. Bryce McTavish* Ms. Lisa Farber Miller Mr. Micky Miller Mr. Charlie Miller Mr. & Mrs. James Miller Monty Nuss Photography+ Mr. Patrick Mooney

THANK YOU TO OUR DONORS Mrs. Julie Mostek Mr. John Muhr Nicole & Scott Mulvany Ms. Mieko Bailey Mr. Ben Nesbitt Ms. Janiece Nolte Ms. Brea Olson & Mr. Gavin Gilchrist Jean & Ed Onderko Opera Colorado+ Gregory & Caitlin Osborn Dan & Jeanne O’Shaughnessy Mr. & Mrs. Gregory Palmquist J & L Parsons Ms. Lois Paul Ms. Jane Pechette Emily & Joe Perrotto Debra J. Perry* Kathleen Perry/Artworks, etc., LLC Mr. Yovani Pina Mr. & Mrs. Edward Pinfield Mrs. Toby Pippin Mr. & Mrs. Jim Potter Gwen Powers Koger & Marcie Propst Ms. Lauren Putrino Don & Grace Quade Ms. Katherine Rainbolt Ms. Patricia Rawlings Mr. Jeffrey Rawlins Alexander & Cynthia Read Mr. & Mrs. Scott Reichenberg Ms. Ricki Rest Robert & Myra Rich Maureen Rimar Steven & Joan Ringel Fred & Ayliffe Ris Mr. & Mrs. Chris Romer Donald & Janenne Rosen Molly Ross* Ms. Deborah Sandquist Ms. Lisa Schmidt Ruth E. Schoening Ms. BJ Scott Ms. Julie Scott Mr. and Mrs. Jim Shpall Lisbeth & Earl Sethre

Shell Oil Matching Gifts Program Mr. Roger Sherman Cheryl L. Solich & John W. Kure Ms. Matina Soutsos* Dr. & Mrs. Harlan Spritzer Ms. Suzanne Swanson Mr. Stephen Swinney Mrs. Sonnie Talley Lynda Taniguchi Philip & Page Tatar Kate Testerman The Brass Bed+ Mrs. Janie Trevor Mr. & Mrs. John Tumler Mr. Jeff Turnbow University of Denver School of Hotel Restaurant & Tourism Management+ Mr. Charles Varin Ms. Renée Verspoor Ms. Herminia Vigil Shannon Wagner Ms. Allison Watrous Lee & Jilda Weinstein Mr. & Mrs. Michael West Mr. Greg Westwood Dr. Jeff Wheeler Mr. & Mrs. Michael Williams Worldwide Beverage+ Suzanne M. Yoe* David Yurman+

ENSEMBLE ($250 – $499) Ms. Lynna D. Adell Nancy Alterman* Ms. Kirsten Anderson Anonymous (2) Ms. Julie Bank Louis & Pam Bansbach Mrs. Karen Barker Mr. Chris Beatty James Beck & Robert McGranaghan Ms. Leslie Beltrami Mr. Jim Bergquist Christian & Mietra Beyer Mr. Bill Bickerton

LaFawn Biddle* Blackstone Country Club+ Kerri Blum Mrs. Annette Bowin Dr. & Mrs. H L Brammell Councilman Albus Brooks & Mrs. Debi Brooks Ms. Debra Brooks Luby Mr. & Mrs. Keith Burge Mr. Adam Butts Mr. & Mrs. Ron Butz Carol Campigotto in memory of Michael Warnell Carla’s A Classic Design+ Mrs. Melissa Carlson Steve & Colleen Carrico Bob & Rhonda Cartmel Mrs. Dawn Casas Colorado Expression+ Bob & Georgi Contiguglia Ms. Sheryl Cox Gillis Curious Theatre Company+ William & Karen Curtis Doug Dawson Carlos & Mary De la Rosa Ms. Barbara DeJong Denver Botanic Gardens+ Denver Philharmonic Orchestra+ Devils Thumb Ranch+ Mr. John DiCarlo Mr. & Mrs. Roy Drake Dry Dock Brewing Co+ Betty & Dick Dubreuil Ms. Jennifer Dyer Mr. Marshall Essig Elise Fitschen Ms. JoAnne Friedman in memory of Jerry & Joyce Friedman Linda Frogge Karen Garcia Ms. Jennifer Garner Mrs. Julia George Ms. Rose Mary Glista Good River Beer, LLC+ Morton Jenius Greene Memorial Foundation Mr. Alan Tanaka & Ms. Jennifer Gruber Tanaka

APPLAUSE • AUG – OCT 2018 • 303.893.4100 • DENVERCENTER.ORG

Lisza Gulyas Ms. Julia Haddad Jan Hammond Mr. Bret Hanna Ms. Melinda Harrington Headliner Vocals+ Ms. Susan Helmer Hon. Robert Fullerton & Ms. Beverlee Henry Fullerton Jacinto & Pamela Hernandez Therese & Martin Hill A. Barry & Arlene Hirschfeld in honor of Marvin & Judi Wolf Mr. David Hoch Mr. Wyandt Holmes Britta Hood Weber Kelley Howes Mr. Edward Hurry in memory of Dr. Roberta Shaklee Ms. Jill Hutcheson Ms. Sarah Indyk Jax Fish House+ Dr. Jane Butler Kahle Rebecca & George Kalinowsky Mr. Howard Kashman Holland & Hart LLP Kendra Scott Ms. Melly Kinnard Roberta & Mel Klein Ms. Amy Knapp Ms. Kia Kofron Mr. & Mrs. Kenneth Kozyra Mr. Joseph Kurgan Professor Richard S. Leaman Jennifer Leitsch Mr. & Mrs. Herrick Lidstone Dr. Charles Lobitz & Dr. Gretchen Lobitz Ms. Darlene A Locke Lone Tree Arts Center+ Ms. Adrienne Lorantos Dr. Bruce & Susan Madison Mr. Michael Mallett Mr. & Mrs. Gilbert Marchand Mr. & Mrs. Tom Marsh Ms. Deborah Massa

Bill & Lisa Maury Mr. Joseph McCormack Dr. Ross McFarland Mr. Robert Meade Jr. Mr. & Mrs. Harold Meadows Gene & Dee Milstein Mr. Richard Minot Ms. Sharon Moddelmog & Mr. Harold Jensen Mr. Joseph Moenich Mr. Kyle Moore Dr. Vicki Moore Moxie+ Denny & Judy Oâ&#x20AC;&#x2122;Brien Ms. Marilyn Oliver Robin & Stuart Pack Mr. Joe Palladino Mr. Bryant Palmer Chuck & Helina Palmer Randy Palomba Stephanie Parker Susan S. Parkhurst Ms. Leslie Pedersen Mr. & Mrs. Jeff Peer Mr. Dan Peregoy Chris Perschbacher & Travis Fasching Mr. & Mrs. Richard Peters Mr. Kirk Petersen Ms. Margaret A. Platte Frank & Linda Plaut* Larry Pomarico Ms. Jeanne Posthumus Ratio Beerworks+ Robin Repass* Louise Richardson Ms. Linda Rieger Michael Rizzuto Ms. Stacey Roberts Mrs. Nancy Roeder Ms. Marion Rose Mr. & Mrs. Stanton D. Rosenbaum Mr. Stephen Row Alan Salazar Mrs. Lorraine Salazar Mr. & Mrs. Hassan Salem Dr. & Mrs. Mark Saunders Ms. Jane Schmitz Dr. Meghan Schott Ms. Betsy Schutte

Mr. & Mrs. Karl Seller Theresa & Marston Shelton Sarah Shook Ms. Joan Slaughter Mrs. Ruth Sletten Ms. Charlene Sloan Mr. Dana Smith Edie Sonn Ms. Karen Spence & Ms. Shelly Kelly Kathryn & Hanspeter Spuhler Dr. & Mrs. Robert Sterrett Jenene & James Stookesberry* Arthur & Stephanie Strasburger Ms. Loujuana Terry The Lodge Casino+ The Ranch Country Club+ David & Patti Theil Ms. Linda Thompson Mr. Craig Truman Kally Turner Mr. Richard Turner Valley Country Club+ Ms. Hilary Van Dusen Colin A. Walker Ms. Julie Wanzer Mr. & Mrs. Timothy Webb Mr. Neil Westergaard Ms. Deborah Westman Mr. & Mrs. John Yost Mr. Curtis Zeigler + Includes In-Kind Donation * Womenâ&#x20AC;&#x2122;s Voices Fund

While we make every effort to ensure the accuracy of our donor recognition lists, we apologize for any errors or omissions. Please contact us at (303) 446-4812 if we made an error in your acknowledgement so that we can correct our records for future listings. Thank you.

ll people A are equal Moments are shared Differences are valued Discussion is encouraged We respect that everyone experiences our stories differently.

Enjoy five original short plays from Colorado-based artists, along with breaks to grab tapas and drinks in between. There’s no better way to see a variety of local playwrights and performers in one offbeat night out.

AN EVENING OF MICRO THEATRE

NOV

OCT

23– 18

TICKETS $20 DENVERCENTER.ORG

AT BOOKBAR

HOW WELL DO YOU KNOW Oklahoma!, Beautiful, The JulyWife 2018 Applause puzzle Constant and Vietgone?

How well do you know Oklahoma, Beautiful, The Constant Wife and Vietgone?

ACROSS

Singer who encouraged Carole King to sing her own songs

Everyone’s favorite Oklahoma Aunt_________

The author of The Constant Wife is W. __________Maugham

12 Carole King’s memoir: “A __________Woman” 14 The Farmer and the _________ 19 She’s just a girl who can’t say no 20 TV’s American _________ 21 Preferred mode of transportation in Vietgone 22 Oklahoma source book: Green Grow the ________

DOWN 1 The original star of The Constant Wife in 1926 was this Barrymore

7 10

F E

AN EVENING OF MICRO THEATRE

AT BOOKBAR 20

Vietgone playwright Qui Nguyen started his own theatre company called the Vampire _________

A ________ is a light, four-wheeled carriage with two seats facing forward and looks best with a fringe on top

The Narrator of Vietgone is called, quite self-referentially, The __________

Vietgone playwright Qui Nguyen also wrote the popular Dungeons and Dragons- inspired play She Kills ________, which was presented at the Aurora Fox

Planet that stirs Carole King

10 In The Constant Wife, Constance demonstrates a total lack of sentiment on the subject of _________ 11

W. Somerset Maugham was perhaps best known for writing “Of Human _________”

13 Beautiful song lyric: “It Might as Well Rain Until _______” 15 Creepy farmhand _________lives in the smokehouse on Laurey’s property 16 The Drifters sang Carole King’s “Some Kind of ________” 17 Carole King’s breakout album sold 25 million copies 18 Quote from The Constant Wife: “There is only one freedom that is really important, and that is _________ freedom”

19 State where the refugee lovers of Vietgone meet at a relocation camp in 1975

ACROSS

6 The Narrator of Vietgone is called, quite self-referentially, The ___________

42 APPLAUSE AUGKing – OCT • DENVERCENTER.ORG 8 Vietgone playwright Qui Nguyen also wrote 3 Singer who encouraged •Carole to 2018 • 303.893.4100 sing her own songs 4 Everyone’s favorite Oklahoma Aunt ___ 7 The author of The Constant Wife is W.

the popular Dungeons and Dragonsinspired play She Kills ______, which was presented at the Aurora Fox

For answers please visit denvercenter.org/news-center

Celebrate Freedom Celebrate the gift of freedom in a special way by giving land to a majestic creature in need. Help Free Lions, Tigers, Bears, Wolves and countless other animals that are suffering in terrible places right now. Set them Free by giving a donation toward The Wild Animal Sanctuary's new 9,004 Acre Wildlife Refuge!

Be part of this HISTORIC event...

Nine Thousand Acres!

WildAnimalRefuge.org WildAnimalSanctuary.org