Applause Magazine, Oct. 29 - Nov. 9, 2014 by The Publishing House

APPLAUSE

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VOLUME XXVI | NUMBER 2 | OCT – NOV 2014

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APPLAUSE M

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EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore DESIGNERS: Kim Conner, Brenda Elliott, Kyle Malone

LETTER FROM THE EXECUTIVE DIRECTOR, BROADWAY

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As I hope you have noticed, the Denver Center for the Performing Arts has taken on a major initiative to complement our world-class theatrical programming. We are redoubling our efforts throughout the organization to further improve the customer experience for you, our patrons. You may have noticed a number of changes of late including a newly expanded online news center at denvercenter.org/news-center. Now an integral part of our website, you will find breaking news, behind-the-scenes information, actor profiles, community news and much more. There is much to enjoy at the DCPA. Let us know how we can help you plan your next unforgettable shared experience. See you at the theatre,

RANDY WEEKS Executive Director Denver Center for the Performing Arts - Broadway

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BOARD OF TRUSTEES Daniel L. Ritchie, Chairman and CEO Donald R. Seawell, Chairman Emeritus Randy Weeks, President William Dean Singleton, Secretary/Treasurer Robert Slosky, First Vice Chair Margot Gilbert Frank, Second Vice Chair Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond Thomas W. Honig W. Leo Kiely III Mary Pat Link Trish Nagel Robert C. Newman Richard M. Sapkin Martin Semple Jim Steinberg Peter Swinburn Ken Tuchman Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young _______________________

HONORARY MEMBERS Jeannie Fuller Glenn R. Jones M. Ann Padilla Cleo Parker Robinson

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The fall season is off to a terrific start here at the Denver Center for the Performing Arts. Hopefully you had the opportunity to see the Denver debuts of the Theatre Company’s new adaptation of The Unsinkable Molly Brown and Pippin, which marked our tenth national tour opening. Both shows provided our guests with bragging rights to be the first to see new works right here in Colorado. The momentum continues with Kinky Boots, the hysterical Vanya and Sonia and Masha and Spike and not to forget our friends from Blue Man Group. There is much in store for the holidays including a diverse array of shows for a variety of audiences—How the Grinch Stole Christmas! The Musical, David Sedaris’ The SantaLand Diaries, and the much loved A Christmas Carol. Additionally, I am pleased to share with you that our third year of The Bobby G Awards (the Colorado component of the National High School Musical Theater Awards) is already filled to capacity with participation from 30 high schools from around the state. The awards ceremony is scheduled in The Buell Theatre May 28, 2015.

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

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HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES Lester L. Ward, President Martin Semple, Vice President Judi Wolf, Sec’y/Treasurer Donald R. Seawell, President Emeritus W. Leo Kiely III Daniel L. Ritchie William Dean Singleton Robert Slosky Jim Steinberg Dr. Reginald L. Washington Minumum Width .75” Maximum Width 2”

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SENIOR MANAGEMENT STAFF Randy Weeks, President and Executive Director, Broadway Kent Thompson, Producing Artistic Director, Theatre Company Vicky Miles, Chief Financial Officer Jennifer Nealson, Chief Marketing Officer Clay Courter, Vice President, Facilities & Event Services Charles Varin, Managing Director, Theatre Company David Zupancic, Interim Director of Development

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Kinky Boots Tour. Photo by Matthew Murphy.

KINKY BOOTS CYNDI LAUPER’S HIGH-HEELED HIT

A N E XC LU S I V E I N T E RV I E W BY J O H N M O O R E

“If we all could just accept each other for who we are the world would be a beautiful place. And you know what? That’s also the message of Kinky Boots!” — CYNDI LAUPER

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You don’t need big, technicolor hair, fishnets and fingerless gloves to know that, even at age 61, Cyndi Lauper just wants to have fun. Now the woman who puts the “sex” in “sexagenarian” wants audiences to have fun…in the live theatre. Lauper wrote the music for the 2013 Tony Award-winning best musical Kinky Boots, which plays October 29 through November 9 at The Buell Theatre. This feel-good musical that broke all box office records at New York’s Al Hirschfeld Theatre is based on the true story of Steve Pateman, an Englishman who was struggling to save his family-run shoe factory from closure. Under pressure from changes in fashion, increasing competition and shortness of time, Pateman received an interesting, unexpected and altogether unconventional call. The outcome? A new line of women’s shoes in men’s sizes for an entirely new clientele—drag queens. Pateman’s heartwarming story served as the inspiration for a 2005 independent film. It caught the imagination of Broadway, and a first-class creative team was called in to perform a high-heeled, glitter-filled makeover.

And who could remake this fun-filled story better than ’80s pop music icon, Cyndi Lauper? In this era of safe Broadway musicals largely based on popular existing titles, Lauper has a pretty good idea why this exhilarating underdog story written by Harvey Fierstein broke through. “It’s because the show has a huge heart,” said Lauper. Like small independent films The Full Monty and Priscilla Queen of the Desert before it, Broadway has welcomed Kinky Boots with big, accepting arms lined with spikes, sparkles and gummy bracelets. Why? “It’s a story about love and acceptance and friendship and overcoming obstacles,” Lauper said, “and everyone can relate to that.” Lauper has sold more than 80 million records worldwide, charted 16 hit singles and conquered the disparate worlds of pop, blues and Broadway. As the queen of Queens herself might say…“Oh my gwwaaaaaaaad!” But live theatre historically struggles to attract young audiences. Lauper is proud that Kinky Boots has bucked that trend. “I tried really hard to write songs that

Kinky Boots Tour. Photo by Matthew Murphy.

could also live outside of the theater,” Lauper said. “Before radio, Broadway music was Top 40 popular music. People bought sheet music and played the music at home with their families. I really tried hard to honor that tradition with Kinky Boots by writing songs that people would want to listen to at home after leaving the theater, or without even seeing the show.” Lauper thinks it is essential for new musicals to capture the hearts of young adult theatregoers. “If young people don’t discover Broadway, then Broadway will die with this generation, and that would be a tragedy,” Lauper said. “So it’s important that Broadway musicals and plays are written to live in the modern world.” Crossover artists like Lauper might be the key to making that happen. Not only is she working on a new musical for the live theatre, “I am thrilled to see two of my favorites—David Byrne and Carole King—with shows on Broadway,” she said. This year, Lauper celebrated the 30th anniversary of her breakout album, She’s So Unusual. While that album charted top-five hits on the Billboard Hot 100 (“Girls Just Want to Have Fun,” “Time After Time,” “She Bop” and “All Through the Night”), it was her next record that produced perhaps her lasting legacy: True Colors. “When I recorded that song, a very good friend of mine was dying from AIDS,” Lauper said. “He had a horrific childhood. He had been abused. And the main reason he was abused was because he was gay. He became homeless really young. When he was dying he asked me to record a song so that he would not be forgotten.” She wrote “True Colors,” which has become an anthem of hope for disaffected communities. “I sang the song for Gregory and for everyone who has been rejected for being who they are or for anyone who feels unloved,” Lauper said. “I think that it still resonates today because unfortunately we still have bias

and we still have bullying. Maybe we have even more bullying because people can be cruel behind a computer instead of having the [courage] to say something ugly to someone’s face. “If we all could just accept each other for who we are the world would be a beautiful place. “And you know what? That’s also the message of Kinky Boots!” Last year, Lauper became the first woman in Broadway history to win the Tony Award for Best Score without a writing partner. One of the more endearing moments in recent Tony Awards history was seeing Lauper as she sat stunned in her seat as her name was called. Finally she stood and hugged Wheat Ridge, Colorado native Annaleigh Swanson, who was Tonynominated herself for playing sassy Lauren in the original Broadway cast. “I remember telling her, ‘Cyndi, you have to go to the stage now,’ ” Ashford said. “She was just like, ‘Oh my gwwaaaaaaaad!’ And she was crying. It was amazing.” Lauper remembers that moment as “simply incredible.” “The Broadway community is an amazing one, and to be welcomed the way they welcomed me to this very special family is something that still warms my spirit,” she said. When asked what Kinky Boots audiences are in for in Denver, she said simply: “An amazing show with a great heart that will lift you up.” Read John Moore’s entire interview with Cyndi Lauper on the DCPA’s News Center at denvercenter.org/news-center

KINKY BOOTS OCT 29 – NOV 9 BUELL THEATRE Accessible Performances: Nov 9, 2pm Tickets: 303.893.4100 | denvercenter.org 800.641.1222 | TTY: 303.893.9582 Groups (10+): 303.446.4829

NEXT UP FROM CABARET:

FORBIDDEN BROADWAY Forbidden Broadway: Alive & Kicking! (Nov 15 – Mar 1) skewers all things musical theatre, but you don’t have to be a Big Apple insider to enjoy it. “The writers have figured out a way to make it work for rabid musical theatre fans and more casual fans alike,” said actor Jordan Leigh, who is part of an all-local ensemble. This returning favorite offers a fresh and ever-changing comic parody of recent Broadway shows and tried-and-true classics. The evening features outrageous costumes, hilarious rewrites of songs you know, and dead-on impressions of actors and characters who have become part of pop culture. What shows will the writers take on specifically for Denver? That’s “forbidden” information. Every show in every city is different, but it’s a safe guess that Pippin, Kinky Boots, The Book of Mormon, Wicked and The Lion King will be fair game. Adding to the familiarity for Denver audiences will be a cast of performers who all call Denver home. Leigh was part of the longest-running show in Denver theatre history, I Love You, You’re Perfect, Now Change, which ran for four years at the Garner Galleria Theatre. He calls Forbidden Broadway a win-win for the local theatre community—and the audience. “I feel lucky to have the opportunity to be working at the highest level that Denver has to offer and to share the stage with incredible talent,” Leigh said. “Plus, I think audiences like seeing actors that they know.” From left: Joshua Archer, Chad Reagan, Sarah Rex, Jordan Leigh and Lauren Shealey. Not pictured: Katie Drinkard. Photo by John Moore.

Cyndi Lauper Photo by Jo Ann Toy

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DaVita Creative Classroom Collaborative

Like many novice actors, when the moment came for LaKenya Golden to walk onstage…she just couldn’t. Not to recite her deeply vulnerable poem, “Untitled Song.” It was too much for a 16-year-old girl who is, in many ways, herself an unfinished song. That’s when mentor and hip-hop artist Molina Speaks asked if they could read her poem into a microphone from backstage. In the comforting pitch black. Just LaKenya and teacher and her words and the darkness. She said she would try. And through her tears…she got through it. LaKenya is a student at Venture Prep Academy, a rigorous Denver charter school whose mission is to prepare at-risk students for college and career success through project-based learning—the perfect school to draw from for a new pilot program called the Creative Classroom Collaborative. The genus began when Colorado Symphony, the Denver Center for the Performing Arts (DCPA) and Youth On Record submitted separate grant proposals to DaVita, a community-minded health-care company. Known as a leader in the medical field, DaVita takes its mission to serve others well beyond the hospital, clinic and physician’s office. Working with the Public Education Business Coalition, DaVita challenged the three arts organizations to pool their creative energies and afford these at-risk students an opportunity to transform their own words into a performance. The three organizations set out to create a pilot program that could be expanded into a national model for schools across the country. The result? A raw and emotionally charged performance complete with slam poetry, dances, songs and scenes written by the students with these teaching professionals.

“The process was kind of difficult because I kept telling myself, ‘I’m not an actor,’ ” Senior Gabriel Ramirez said. “And yet, here I am doing a play today…. I found that I can be more than I thought I was.” On the first day, DCPA teaching artist Heather Nicolson challenged the students to write a scene from a play in 15 minutes. Each would start with just two people in a room… and a door…and a conflict. Next, Colorado Symphony Assistant Principal Violist Catherine Beeson and Keyboardist Jessica Mays introduced the students to the concept of underscoring their scenes by adding mood music. Then, Diana Rose Francis from Youth On Record led the students in a singing exercise that helped them understand how their diaphragms assist in breathing during performance. Over the next weeks, the students were taken through writing exercises meant to develop their final performance piece. They ended up with a hip-hop-infused theatrical presentation called The Path that blends many other performance elements. DCPA Associate Director of Education Allison Watrous called the Creative Classroom Collaborative “an opportunity for these students to stand in front of their community and say, ‘Hey, you might have made assumptions that aren’t quite right, and this is who I am. I am smart. I am confident. I am powerful.’ ” To read see the video and full article, visit denvercenter.org/news-center.

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VANYA AND SONIA AND MASHA AND SPIKE:

ILLUSTRATIONS BY KYLE MALONE

CHEKHOV-LITE IS CHECKHOV FUNNY

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When some people hear Christopher Durang’s newest comedy has undertones of Anton Chekhov, they might mistake the play for “spinach theatre.” You know the kind: You take it because you know it’s good for you, but you don’t particularly like it going down. But in Vanya and Sonia and Masha and Spike, characters are running around in their underwear. They rant and rave. They are dressed as dwarfs—and a highly dubious Snow White. For those in the know, Durang’s 2013 Tony® Award winner for Best Play is smart, silly entertainment with wonderful literary roots. But Chekhov isn’t the spinach. It’s the cherry on top. And curiously enough, Russia’s hilariously dour dramatist has become an unlikely hot commodity of late. Chekhov takeoffs by Durang, Donald Margulies (The Country House) and Aaron Posner (Stupid F***ing Bird) abound. Why, he’s become the most popular 154-year-old in theatre. Just don’t blame it on Durang. He didn’t set out to write the next big comic play to sweep the nation. He just did. Durang says he took Chekhov themes and characters and put them into a comic blender. But he emphatically denies that what poured out into the juice cup is a parody of Chekhov. But if not, then what is it? Perhaps it’s easier to say what it isn’t. The play is not set in pre-revolutionary Russia. It’s set in Bucks County, Pennsylvania. “They don’t have samovars, and they don’t pay for things with rubles,” Durang wrote of his own play. It also isn’t a play with a cast of characters named Nikolayevna, Konstantin, Irina or Boris— and that doesn’t begin to hint at the middle and last names. Instead, it’s “Chekhov-lite.” “I’m as old as Uncle Vanya,” Durang said in an interview with Applause from his home in Pennsylvania. “I read all the major Chekhov plays when I was in my 20s, so I’d always been a young man empathizing with the older characters but not really identifying with them as I do now. “Unlike Vanya or Konstantin, I did try the things I wanted to do with my life and had some nice luck getting my plays done. From there I went into a kind of ‘what-if’ mode. What if…I had not? What if…I had gone to college, but then gone back home and then my parents got sick and blahblah-blah…? That was my jumping-off point. And as I was writing, the play just took on a life of its own.” A life that is poignant, pointed and very funny. Vanya and Sonia and Masha and Spike reflects the themes and characters

of Chekhov—regret, reflection, selfdoubt and pain. It just so happens that pain, in the live theatre, is often quite funny. Durang had written a draft of Vanya and Sonia and Masha and Spike before being offered a commission from the McCarter Theatre at Princeton, and also had started a political play he had not yet finished. “I did an unusual thing,” he said. “I asked them if I could have a reading of Act One of Vanya and Sonia and Masha and Spike and Act One of this unfinished political play. I wanted to see which one they preferred, secretly hoping that they would go for Vanya and Sonia and Masha and Spike.” Well, now we know they did. The McCarter then invited Lincoln Center to co-produce. Did he have any idea that this quirky little comedy would become a hit? “I did not. It was a lovely surprise,” said Durang, whose writing has been described as “manic,” “wicked,” “ferociously funny” and “ecstatically angry.” “Early in my career I had two plays on Broadway: A History of the American Film (1978) and Beyond Therapy (1982). They weren’t disasters, but they weren’t very successful, either, and had short runs. “I sort of made peace with the fact that seemingly my plays didn’t work for Broadway.” Who would have thought that Vanya and Sonia and Masha and Spike would not only make it to Broadway, but also win the Tony? Not Durang.

CHRISTOPHER DURANG, PLAYWRIGHT

…in Vanya and Sonia and Masha and Spike, characters are running around in their underwear. They rant and rave. They are dressed as dwarfs—and a highly dubious Snow White.

“It was not aimed for Broadway,” he confirmed. “I did no major rewrites, just semi-important rewrites at McCarter and then a little more at Lincoln Center. But the audience response was very strong.” Durang admits he was “totally surprised” when Broadway producers came calling. It was the validation of a life’s work and of his very idiosyncratic skewed puppy-dog wit and off-beat style, much admired when he was young and now finally welcomed into the mainstream. This article was complied from an interview by Sylvie Drake, former DCPA Director of Publications, and materials available at McCarter Theatre.

VANYA AND SONIA AND MASHA AND SPIKE OCT 10 – NOV 16 RICKETSON THEATRE Accessible Performances: Nov 15, 1:30pm Tickets: 303.893.4100 | denvercenter.org 800.641.1222 | TTY: 303.893.9582 Groups (10+): 303.446.4829

JUDI WOLF’S COSTUME COLUMN At first glance, Vanya and Sonia and Masha and Spike would not appear to be a costume designer’s dream. More like a snooze. The play opens with adult siblings in modern dress wearing muted earth tones. But from the moment their sister Masha walks in, “there is just this explosion of Hollywood color,” says Costume Designer Meghan Anderson Doyle. In Christopher Durang’s Tony-winning comedy rooted in the anachronistic world of Anton Chekhov, Masha is a successful actor, and her siblings are living off her largess. “We laughed most about figuring out the Masha celebrity look,” said Doyle. “We came up with everything from Kim Kardashian’s mother to The Real Housewives of New York.”

Then, out of nowhere, Durang tosses Doyle a bright, technicolor bouquet: They’ve all been invited to a costume party. And Masha—a woman in her 50s—has decided that she will be going as Snow White and her siblings as dwarfs. For Doyle, “It’s like getting to design two plays in one.” The Disney party costumes are very much drenched in cartoon colors—“vibrant yellow, blue and red,” said Doyle. “She’s got the traditional blue bodice with the yellow skirt, and the big red bow in her hair.” But is there a bright red, poisonous apple to go with Masha’s costume? You’ve got to laugh along with this sibling rivalry to find out.

HOST A PARTY

Illustration by Kyle Malone

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NOV 28 – DEC 28 STAGE THEATRE A CHRISTMAS CAROL By Charles Dickens Adapted by Richard Hellesen Music by David de Berry

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Let us host your holiday party with a customized pre-show cocktail reception and discounted tickets to any one of our holiday shows. We’ll work with you personally to give your group of up to 1,000 guests a year-end celebration to remember. Holiday packages for groups of 10+ start as low as $100 per person. Inquire today.

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CELEBRATING THE TITANIC ROMANCE OF A DENVER ICON

More than 400 guests, including members of Best of Broadway and Directors societies, celebrated a slice of Colorado history at the opening night of The Unsinkable Molly Brown. Since it is well-known that Molly was quite a philanthropist in her day, we used the occasion to bestow the eighth Florence K. Ruston Award for Philanthropy in the Arts to Hilja K. Herfurth. Adding to the festivities were NBC Entertainment Chairman Robert Greenblatt, Tony winners Kathleen Marshall (director/choreographer) and Dick Scanlan (book writer), and Broadway producer Kevin McCollum. Everyone agreed that the Theatre Company struck it rich with this Denver debut.

1 Kevin Heupel & Alexandre Garrett 2 Molly Brown Supporting Partners L. Roger & Meredith Hutson 3 Catherine & Doug Benson 4 Molly Brown Producing Partner June Travis & Amy Fitch 5 Bill Hybl of The El Pomar Foundation, Molly Brown Producing Partner Joy S. Burns & Dr. Stephen Jordan of Metro State University, Denver 6 Molly Brown Book Writer Dick Scanlan 7 Dawn & Kevin Collins 8 Scott Landis, Freddie Gershon, Molly Brown Director / Choreographer Kathleen Marshall & George Lane 9 Adrienne Ruston Fitzgibbons & Jack Fitzgibbons 10 Molly Brown Contributing Partner Judi Wolf with Molly Brownâ&#x20AC;&#x2122;s great granddaughter Helen Benzinger.

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KINKY BOOTS

AND SEASON SPONSORS

DARYL ROTH HAL LUFTIG JAMES L. NEDERLANDER TERRY ALLEN KRAMER INDEPENDENT PRESENTERS NETWORK CJ E&M JAYNE BARON SHERMAN JUST FOR LAUGHS THEATRICALS/JUDITH ANN ABRAMS YASUHIRO KAWANA JANE BERGÈRE ALLAN S. GORDON & ADAM S. GORDON KEN DAVENPORT HUNTER ARNOLD LUCY & PHIL SUAREZ BRYAN BANTRY RON FIERSTEIN & DORSEY REGAL JIM KIERSTEAD/GREGORY RAE BB GROUP/CHRISTINA PAPAGJIKA MICHAEL DeSANTIS/PATRICK BAUGH BRIAN SMITH/TOM & CONNIE WALSH WARREN TREPP and JUJAMCYN THEATERS present

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CYNDI LAUPER

Based on the Miramax motion picture Kinky Boots Written by Geoff Deane and Tim Firth starring

KYLE TAYLOR PARKER

STEVEN BOOTH

LINDSAY NICOLE CHAMBERS JOE COOTS GRACE STOCKDALE CRAIG WALETZKO DARIUS HARPER TOMMY MARTINEZ NICK McGOUGH RICKY SCHROEDER JUAN TORRES-FALCON HERNANDO UMANA MIKE LONGO BONNIE MILLIGAN AMELIA CORMACK DAMIEN BRETT STEPHEN CARRASCO LAUREN NICOLE CHAPMAN TROI GAINES J. HARRISON GHEE BLAIR GOLDBERG ANDREW THEO JOHNSON CRYSTAL KELLOGG JEFFREY KISHINEVSKIY JEFF KUHR ROSS LEKITES PATTY LOHR DAVID McDONALD ANTHONY PICARELLO HORACE V. ROGERS ANNE TOLPEGIN SAM ZELLER

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KINKY BOOTS

CAST

(in order of appearance) Mr. Price.....................................................................................................................................................DAVID McDONALD Young Charlie..................................................................................................................... ANTHONY PICARELLO Young Lola................................................................................................................... ANDREW THEO JOHNSON Simon Sr.....................................................................................................................................HORACE V. ROGERS Nicola...........................................................................................................................................GRACE STOCKDALE Charlie Price...................................................................................................................................... STEVEN BOOTH George...........................................................................................................................................CRAIG WALETZKO Don................................................................................................................................................................ JOE COOTS Lauren......................................................................................................................LINDSAY NICOLE CHAMBERS Pat................................................................................................................................................... BONNIE MILLIGAN Harry.......................................................................................................................................................... MIKE LONGO Lola......................................................................................................................................... KYLE TAYLOR PARKER Angels.....................................................................................................DARIUS HARPER, TOMMY MARTINEZ, NICK McGOUGH, RICKY SCHROEDER, JUAN TORRES-FALCON, HERNANDO UMANA Trish................................................................................................................................................ AMELIA CORMACK Richard Bailey..................................................................................................................................... ROSS LEKITES Milan Stage Manager................................................................................................................... ANNE TOLPEGIN Ensemble......................................DAMIEN BRETT, LAUREN NICOLE CHAPMAN, AMELIA CORMACK, BLAIR GOLDBERG, DARIUS HARPER, ROSS LEKITES, MIKE LONGO, TOMMY MARTINEZ, DAVID MCDONALD, NICK MCGOUGH, BONNIE MILLIGAN, HORACE V. ROGERS, RICKY SCHROEDER, ANNE TOLPEGIN, JUAN TORRES-FALCON, HERNANDO UMANA, SAM ZELLER

Standbys and UNDERSTUDIES Standbys and understudies never substitute for listed performers unless a specific announcement is made at the time of the performance Understudy for Lola—J. HARRISON GHEE, DARIUS HARPER; for Charlie—ROSS LEKITES, MIKE LONGO; for Lauren—LAUREN NICOLE CHAPMAN, CRYSTAL KELLOGG; for Nicola—BLAIR GOLDBERG, CRYSTAL KELLOGG; for Don—DAMIEN BRETT, SAM ZELLER; for George—DAMIEN BRETT, SAM ZELLER; for Simon Sr.—J. HARRISON GHEE, DARIUS HARPER; for Mr. Price—DAMIEN BRETT, SAM ZELLER; for Trish— PATTY LOHR, ANNE TOLPEGIN; for Pat—CRYSTAL KELLOGG, PATTY LOHR, ANNE TOLPEGIN; for Harry— STEPHEN CARRASCO, JEFF KUHR, ROSS LEKITES; for Richard Bailey—STEPHEN CARRASCO, JEFF KUHR; for Milan Stage Manager—PATTY LOHR; for Angels—STEPHEN CARRASCO, J. HARRISON GHEE, JEFF KUHR Standby for Young Charlie—JEFFREY KISHINEVSKIY; Standby for Young Lola—TROI GAINES Dance Captain—STEPHEN CARRASCO SWINGS STEPHEN CARRASCO, J. HARRISON GHEE, CRYSTAL KELLOGG, JEFF KUHR, PATTY LOHR KINKY BOOTS WILL BE PERFORMED WITH ONE 20-MINUTE INTERMISSION.

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

ACT I “Price & Son Theme”............................................................................................. Full Company “The Most Beautiful Thing in the World”.................................................... Full Company “Take What You Got”..................................................................... Harry, Charlie, Ensemble “Land of Lola”.............................................................................................................. Lola, Angels “Land of Lola” (Reprise)......................................................................................... Lola, Angels “Step One”................................................................................................................................Charlie “Sex Is in the Heel”................................................. Lola, Pat, George, Angels, Ensemble “The History of Wrong Guys”..........................................................................................Lauren “Not My Father’s Son”............................................................................................. Lola, Charlie “Everybody Say Yeah”....................................................Charlie, Lola, Angels, Ensemble

ACT II “Entr’acte/Price & Son Theme” (Reprise).................................................. Full Company “What a Woman Wants”..............................................................Lola, Pat, Don, Ensemble “In This Corner”..................................................Lola, Don, Pat, Trish, Angels, Ensemble “Soul of a Man”........................................................................................................................Charlie “Hold Me in Your Heart”...........................................................................................................Lola “Raise You Up/Just Be”....................................................................................... Full Company

KINKY BOOTS TOURING ORCHESTRA

Conductor/Keyboard 1—ADAM SOUZA Associate Conductor/Keyboard 2—RYAN FIELDING GARRETT Guitars—JOSH WEINSTEIN, OSCAR BAUTISTA Bass—SHERISSE ROGERS Drums—ADAM FISCHEL

DENVER MUSICIANS

Trombone/Bass Trombone—JIM GRAY Local Musician Contractor—JAMES HARVEY Cello—CEDRA KUEHN Flute and Reeds—TOM MYER Trumpet and Flugel Horn—TERRY SAWCHUK Violin—BRITT SWENSON

Synthesizer Programmer—RANDY COHEN Associate Music Coordinator—MICHAEL AARONS Music Copying—EMILY GRISHMAN Music Preparation—EMILY GRISHMAN/KATHARINE EDMONDS Electronic Drum Programmer—SAMMY MERENDINO

KINKY BOOTS

MUSICAL NUMBERS

KINKY BOOTS

KYLE TAYLOR PARKER

STEVEN BOOTH

LINDSAY NICOLE CHAMBERS

JOE COOTS

GRACE STOCKDALE

CRAIG WALETZKO

DAMIEN BRETT

STEPHEN CARRASCO

LAUREN NICOLE CHAPMAN

AMELIA CORMACK

TROI GAINES

J. HARRISON GHEE

BLAIR GOLDBERG

DARIUS HARPER

ANDREW THEO JOHNSON

CRYSTAL KELLOGG

JEFFREY KISHINEVSKIY

JEFF KUHR

ROSS LEKITES

PATTY LOHR

MIKE LONGO

TOMMY MARTINEZ

DAVID MCDONALD

NICK MCGOUGH

BONNIE MILLIGAN

ANTHONY PICARELLO

HORACE V. ROGERS

RICKY SCHROEDER

ANNE TOLPEGIN

JUAN TORRES-FALCON

HERNANDO UMANA

SAM ZELLER

KYLE TAYLOR PARKER (Lola) is a member of the original Broadway company of Kinky Boots and no stranger to what happens when you combine high heels and huge heart! Graduate of AMDA N.Y. Broadway: Kinky Boots (OBC). Nat’l tour: In the Heights. Regional: Hair (ATC), Broadway’s Rising Stars (Town Hall) and I Left My Heart…. Thanks to God, family, PAA, Jerry and Bill for unlimited love and support. Check out kyletaylorparker.com for more. Follow Kyle on twitter @ktpway. STEVEN BOOTH (Charlie). Broadway: Glory Days (Will), Avenue Q (Princeton/Rod u/s). Off-Broadway/ regional: Dogfight (Gibbs), Happy Days (national tour, Richie Cunningham), Spidermusical (Mint Theatre, Colin), Avenue Q (Wynn Las Vegas Theatre), Pippin (Coeur d’Alene Summer Theatre, Pippin), Rudolph the Red Nosed ReinDOORS (Falcon Theatre, Rudolph), Edges: A Song Cycle (Capitol Repertory Theatre). Love and thanks to my family, my friends and Molly. LINDSAY NICOLE CHAMBERS (Lauren) is pumped (see what I did there?) to be part of this show! Broadway: Lysistrata Jones (Robin), Legally Blonde, Hairspray. Tours: Elf (Jovie), Hairspray. Off- (and Off-OffOff) Broadway: Sex Tips… (Robyn), Forbidden Broadway, Triassic Parq (Velociraptor of Science). Gail Liner in “Submissions Only” at submissionsonly. com. Thanks and gratitude to Jerry, Rusty, DB and Justin for this amazing role! LindsayNicoleChambers.com. @ heyitsLNC. JOE COOTS (Don). National tour: The Full Monty. Appeared regionally: Paper Mill Playhouse, Ogunquit Playhouse, Arden Theater, Marriott Lincolnshire, Riverside Theater, North Carolina Theater. TV: “Person of Interest,” “Inside Amy Schumer,” “Bones,” “Castle,” “Blue Bloods,” “White Collar,” “Royal Pains,” “30 Rock,” “Rescue Me.” Film: Damsels in Distress, Somebody’s Hero. Thanks to Jerry, Justin and Talent Works. From Winnebago, Ill. For Mommy and Daddy! GRACE STOCKDALE (Nicola) is thrilled to be making her touring debut as a part of the extraordinary cast of Kinky Boots. A recent graduate of Ithaca College, Grace originally hails from Steamboat Springs,

CO. She last appeared in the new offBroadway rock musical ATOMIC at the Acorn Theatre (Theatre Row). Thanks to Jerry and our brilliant creatives, cast and crew! For Emma, Mama and Pupitre. CRAIG WALETZKO (George). Broadway and touring credits include Guys and Dolls, Young Frankenstein, Spamalot, A Christmas Carol, Cats, Steel Pier and Gypsy, along with numerous regional roles. On-camera: featured roles in “House of Cards,” “Boardwalk Empire,” “Blue Bloods,” “Alpha House” and “The Knick.” Proud Carnegie-Mellon grad, prouder husband of actress/director/playwright Joey Brenneman, proudest dad of Zadie and Hallie. Shout-out: Nicolosi and Co! craigwaletzko.com. DAMIEN BRETT (Ensemble). Two national tours of Billy Elliot the Musical (Swing; Ensemble; u/s Mr. Braithwiate; u/s Big Davey). Regional favorites: Billy Elliot, Les Mis, Miss Saigon, Crazy For You, Evita. Thanks and love to his talented wife Briana Valerie. STEPHEN CARRASCO (Dance Captain/Swing). Broadway: Kinky Boots, Ghost, Billy Elliot and White Christmas. Other N.Y.: Superman and Music in the Air, both at City Center Encores!, and Guys and Dolls at Carnegie Hall. Follow Stephen on Twitter/Instagram (@StephenCarrasco) or by visiting stephencarrasco.com.

manager LaFrances, Mom, Dad, sister, grandparents, family, friends. J. HARRISON GHEE (Swing). Regional: The Color Purple. Industrial: Tokyo Disney Resort, Norwegian Cruise Line. Is excited to be telling this amazing story and thanks family, friends and strangers for their continued support and love. Dreams do come true! BLAIR GOLDBERG (Ensemble). Broadway: Annie Get Your Gun. OffBroadway: Carrie (original cast recording). National tour: Sister Act. Regional: The Nutty Professor (Peg), Grease (Marty) and Aida (Amneris). Thank you, Harden-Curtis, Telsey + Co, the wonderful creative team, my family, friends and Adam. Blair-Goldberg.com. DARIUS HARPER (Angel/Ensemble) is excited to kick up his heels and get KINKY across the states. He was last seen in The Book of Mormon in Chicago. A Disney kid, he has performed in Tokyo and on Disney Cruises. Thanks to CTG and Telsey! @dariusharius. ANDREW THEO JOHNSON (Young Lola) is thrilled to debut on the tour with Kinky Boots. Special thanks to God, his immediate and supportive family, manager Lisa Calli and his voice coach Justin Remy. Also P.S.10, TADA! and the BYE families rock!

LAUREN NICOLE CHAPMAN (Ensemble) is thrilled to be continuing with the Kinky Boots family on tour after making her Broadway debut! Regional: Forestburgh Playhouse. Emerson College B.F.A. 2013. Endless gratitude to my family and the Kinky Boots team for all their support!

CRYSTAL KELLOGG (Swing). Broadway tour debut! Regional/N.Y. credits: Duncan Sheik’s Because of Winn Dixie, Cloned!, The King and I, The Sound of Music, Grease, The Little Mermaid, The Full Monty, Allegro, Nine. TV/Commercial: “Person of Interest,” Athenos Feta Cheese (TruTV nom.). @CrystalKellogg. crystalkellogg.com.

AMELIA CORMACK (Trish/Ensemble). Thrilled to be making her U.S. debut in Kinky Boots! Theater: Priscilla Queen of the Desert (Australia/U.K.), Yuletide Affair X (ATP), Radio Times (The Watermill). Film & TV: Gone (Working Title), “All Saints” (Channel 7), “The Silence” (ABC). Training: WAAPA. ameliacormack.com.

JEFFREY KISHINEVSKIY (Young Charlie Standby). Regional: Les Misérables (Gavroche), The Music Man (Winthrop Paroo), Oliver! (Workhouse Boy), Merkin Concert Hall with Poppy Seed Players. Thanks to Telsey & Co., Kinky Boots creatives, Nancy Carson, Bersey Talent, Amelia DeMayo, Gulmira Mitzanova, friends and family.

TROI GAINES (Young Lola Standby) is thrilled to be a part of a brilliant team in his theatrical debut. TV: “Sesame Street,” “Camp Gramps” (Sam). Film: Annie. 2011 McDonald’s Gospel Fest winner. Thanks to agent Barry Kolker,

JEFF KUHR (Swing) is “head over heels” with excitement to join the Kinky Boots family! Point Park dance graduate. A HUGE thank you to the Kinky team, Justin/Telsey + Co, Eddie/ Take3Talent, Mom, Dad, family and

KINKY BOOTS

WHO’S WHO IN THE CAST

KINKY BOOTS

friends for supporting me. We did it! Proud AEA. jeffkuhr.com.

more information about Bonnie, please visit bonniemilligan.com.

Stephen, D.B., Rusty, Mom, Pop, Donnie and Dipsy! samzeller.com.

ROSS LEKITES (Richard Bailey/ Ensemble). N.Y.C./tours: West Side Story first national (Tony), Joseph… Dreamcoat (Joseph), Radio City Christmas Spectacular. Regional: Goodspeed, Ogunquit Playhouse, Riverside Theatre, TOTS, WVPT. Yank! the Musical original cast recording. So much love to The Roster, Telsey, my family, Mom and Mandy. RossLekites.com.

ANTHONY PICARELLO (Young Charlie). Age 9. Broadway national tour debut. Film: A Winter’s Tale, After the Fall. Television: “The Americans,” “Us and Them,” “Bluff.” Thanks and love to my family, friends, Carson Kolker, Divine Management, Brad Ross, Telsey. XOXO.

HARVEY FIERSTEIN (Playwright) is the author of the recent Broadway hits Newsies (Tony nom.) and Casa Valentina (Tony nom.), as well as Torch Song Trilogy (Tony, Drama Desk and Obie awards), La Cage aux Folles (Tony and Drama Desk awards), A Catered Affair (12 Drama Desk nominations), Safe Sex (Ace Award), Legs Diamond, Spookhouse, Flatbush Tosca, Common Ground and more. His political editorials have been published in the New York Times, TV Guide and the Huffington Post and broadcast on PBS’s “In the Life.” His children’s book, The Sissy Duckling (Humanitas Award), is now in its fifth printing. As an actor, Mr. Fierstein is known worldwide for his performances in films including Mrs. Doubtfire, Independence Day and Bullets Over Broadway; on stage in Hairspray (Tony Award), Fiddler on the Roof, La Cage aux Folles and Torch Song Trilogy (Tony Award); and on TV shows such as “Smash,” “How I Met Your Mother,” “The Good Wife,” “Cheers” (Emmy nomination), “The Simpsons,” “Family Guy” and “Nurse Jackie.”

PATTY LOHR (Swing) is stoked to be getting Kinky with you! Nat’l tour: Sweeney Todd (Beggar Woman). Favorites: BKLYN: The Musical (Brooklyn), Avenue Q (Kate Monster) and Side Show (Daisy). Epic thanks and love to family, friends and JD. LIVE OUT LOUD! Pattylohr.com. MIKE LONGO (Harry/Ensemble). Tour: Hair (dir. Diane Paulus). OffBroadway: Tamar of the River (dir. Daniel Goldstein) at Prospect Theater. Regional: Grease (Paper Mill Playhouse), Les Misérables (Marius, White Plaines PAC). Thanks to the creatives and Telsey + Co, love to the family. mikelongo.info. TOMMY MARTINEZ (Angel/Ensemble) is thrilled to be getting Kinky across the country. Most recently seen on Broadway in Newsies. Thanks to Mom, Lulu, the entire family, Mumu, Cricket, June, Jason, Lanene and Nimmy. DAVID McDONALD (Mr. Price/ Ensemble). Yay! Kinky Boots! Broadway: Les Misérables, Side Show, Mamma Mia!, Bye Bye Birdie and Memphis. Numerous regional credits, Off-Broadway and “All My Children” on ABC. Love to my family, my Progressive God, Meghan, Alyssa and, of course, Pilar. NICK McGOUGH (Angel/Ensemble). Off- B’Way: Silence! (Dream Hannibal). Tours: Flashdance (Swing), Movin’ Out (Eddie, u/s James), Cats (Tumblebrutus). Regional: Gentlemen Prefer Blondes—Encores! (ensemble), Tarzan (aerialist), HMS Pinafore (d/c, swing). Thanks to friends, family and Randy! nick-mcgough.com. BONNIE MILLIGAN (Pat/Ensemble) is thrilled to be making her Broadway tour debut with this brilliant show! Off-Broadway: Jasper in Deadland (Prospect Theater) and Cuff Me! (Entertainment Events). Many thanks to my supportive family and friends! For

HORACE V. ROGERS (Simon Sr./ Ensemble). Broadway: Brooklyn the Musical, Tarzan. Toronto: The Lion King (Mufasa). Tours: Memphis the Musical (Delray), Rent (Collins), The Color Purple (Grady/Mister). TV: “Gotham,” “Orange Is the New Black,” “Boardwalk Empire,” Showtime’s “Soul Food.” N.C. A&T State University (B.F.A), UCONN (M.F.A). RICKY SCHROEDER (Angel/ Ensemble) couldn’t be more thrilled about stomping the country with the Boots. Film: The Last 5 Years. Off-Broadway: Naked Boys Singing. Regional: Footloose. Huge thanks to my family and JM for their endless love and support. @RickyASchroeder. ANNE TOLPEGIN (Milan Stage Manager/Ensemble). From San Francisco; Northwestern graduate. Broadway/national tour: Billy Elliot (Mum), Mamma Mia! (Donna u/s), A Tale of Two Cities (Madame DeFarge u/s), Les Misérables (Head Whore), Ragtime (Mother u/s). Off-Broadway: Carrie (Standby—Marin Mazzie); International: Tokyo Philharmonic. Proud AEA! JUAN TORRES-FALCON (Angel/ Ensemble) is just thrilled to be HERE in this moment! A Cuban-American from Miami, Fla., Juan holds a B.F.A. from NYU. Credits include West Side Story (Chino), Chorus Line (Paul), Rent (Angel). This and everything is for Abuelo Andres. Twitter/Insta: @JuanTF. HERNANDO UMANA (Angel/ Ensemble). Absolutely thrilled to strut in my Kinky Boots! Touring debut! Special thanks to the greatest agents in the world at CTG, all of my teachers and Justin Huff. Sending love to family, friends and my favorite person ever—James. SAM ZELLER (Ensemble). Broadway: Cathy Rigby Is Peter Pan (also film). Nat. tours/regional/other: Les Misérables (Valjean), Fiddler/Roof (Tevye), Hairspray (Edna), Disney’s Tarzan (Kerchak), Evita (Che), “Star Trek: DS9” (Lt. Ch’Targh). Thanks to Eugene, Jerry,

CYNDI LAUPER (Composer and Lyricist) is a Grammy, Emmy and Tony Awardwinning (for her Kinky Boots score) artist, who after 30 sterling years and global record sales in excess of 50 million albums, has proven that she has the heart and soul to keep her legion of fans compelled by her every creative move. With her first album, She’s So Unusual, Lauper won a Grammy Award for Best New Artist and became the first female in history to have four top-five singles from a debut album. Since then, Lauper has released ten additional studio albums, with her most recent, the Grammy-nominated Memphis Blues, ruling the Billboard Blues Chart for 14 consecutive weeks to become the bestselling blues album of 2010. Overall, during her storied music career, Lauper has been nominated for 15 Grammy Awards, two American Music Awards, seven American Video Awards and 18 MTV Awards. She recently captured her journey through music and life in her New York Times best-selling autobiography, Cyndi Lauper: A Memoir. As an actress, Lauper made her Broadway debut in The Threepenny Opera alongside Alan Cumming in 2006. She has appeared in numerous television shows, including “Mad About You” (Emmy Award) and “Bones” and films including The Opportunist with Christopher Walken,

JERRY MITCHELL (Director/ Choreographer) received the Tony Award in recognition of his choreography for the 2013 Tony Award-winning Best Musical, Kinky Boots, for which his direction was also recognized with a Tony nomination. In the 33 preceding years, Jerry has been involved with more than 50 Broadway, Off-Broadway, West End and touring productions. His Broadway debut as a choreographer was for You’re a Good Man, Charlie Brown, followed by The Full Monty (Tony nomination), The Rocky Horror Show, Hairspray (Tony nomination), Gypsy, Never Gonna Dance (Tony nomination), Dirty Rotten Scoundrels (Tony nomination), La Cage aux Folles (Tony Award), Imaginary Friends, Legally Blonde (Tony nomination) which he also directed, Catch Me If You Can, and on the West End, Love Never Dies and the current hit Dirty Rotten Scoundrels which he also directed. Most recently, Jerry received the Drama League’s Founders’ Award for Excellence in Directing and the George Abbott Lifetime Achievement Award from his peers. Twenty-three years ago, Jerry conceived and created Broadway Bares, a comedy burlesque show performed annually for the charity, Broadway Cares/Equity Fights AIDS. He continues to serve as executive producer of Broadway Bares, with a book, website and satellite productions in Fire Island Pines, Las Vegas (Peepshow, which had a five year consecutive run) and London (West End Bares). STEPHEN OREMUS (Music Supervisor/ Arranger/Orchestrator). Broadway: Kinky Boots (2013 Tony Award for Best Orchestrations and 2013 Grammy Award); The Book of Mormon (2011 Tony and Drama Desk awards for co-orchestrating and 2012 Grammy Award). Worldwide music supervisor/arranger of Wicked; music supervisor/vocal arranger/orchestrator of Broadway productions/tours of The Book of Mormon, Avenue Q, All Shook Up and 9 to 5; co-producer (with Dolly Parton) of 9 to 5 Broadway cast recording (Grammy nomination); conductor and contributing arranger for the Oscar-winning Disney film Frozen. DAVID ROCKWELL (Scenic Design) designed sets for Lucky Guy; Catch Me If You Can; Hairspray (Tony, Drama Desk nominations); Legally

Blonde (Drama Desk nomination); The Normal Heart; A Free Man of Color; The Rocky Horror Show (Drama Desk nomination); All Shook Up (Drama Desk nomination); and the Academy Awards (2010 Emmy Award). He is the founder of Rockwell Group, a New York-based architecture and design firm. Honors include the Pratt Institute Legends Award, CooperHewitt National Design Award and Presidential Design Award.

Book of Mormon, Elf, Dogfight, The Best Man, Look Back In Anger, The Drowsy Chaperone, Pig Farm, The… Trailer Park Musical, Altar Boyz, Mamma Mia! West Coast: Robin and the 7 Hoods, Peep Show, Minsky’s, Vanities. Other N.Y.: Show Boat at Carnegie Hall, Encores!; No, No, Nanette and Follies, numerous Juilliard productions. National tours: Book of Mormon, The Drowsy Chaperone, Barbie Live! Television: “30 Rock.”

GREGG BARNES (Costume Design). Broadway: Aladdin, Kinky Boots (2013 Tony nomination), Follies (2012 Tony Award, Drama Desk), Elf, Legally Blonde (2007 Tony nomination), The Drowsy Chaperone (2006 Tony Award, Drama Desk Award), Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), Side Show, Bye Bye Birdie. New York: The Wizard of Oz, The Radio City Christmas Spectacular, The Merry Widow (NYC Opera), Pageant (N.Y. and London, Olivier nomination). Regional: Robin and the 7 Hoods, Mame, Allegro (Helen Hayes Award). TDF Young Master Award.

RANDY HOUSTON MERCER (Make-up Design). Broadway: The Book of Mormon, Cry-Baby, Hairspray, Fiddler on the Roof, La Bohème, Flower Drum Song, Cabaret, The Producers, Follies, Sunset Blvd., Smokey Joe’s Café, Chicago, Guys and Dolls, Crazy for You, A Christmas Carol, Titanic. Films: The Crazies, Little Children, SpiderMan 2, Company Man, Runaway Bride, Meet Joe Black, Hearts in Atlantis, The Mirror Has Two Faces. Client list includes Barbra Streisand, Glenn Close, Tina Fey, Sigourney We ave r, M a rc i a G ay H a rd e n , Juliette Binoche, Lauren Bacall. RandyHoustonMercer.com.

KENNETH POSNER (Lighting Design). More than 50 Broadway play and musical theater credits. Designs extensively Off-Broadway, for resident theaters and touring productions throughout the United States as well as internationally. Selected Broadway credits: Hairspray, Legally Blonde, Catch Me If You Can, Dirty Rotten Scoundrels, If/Then, Pippin, Cinderella, Other Desert Cities, The Merchant of Venice, The Coast of Utopia/Shipwrecked, Side Man, The Odd Couple, Glengarry Glen Ross, … Charlie Brown, The Little Foxes and Wicked. Recipient of Tony, Drama Desk, Outer Critics Circle and Obie awards. JOHN SHIVERS (Sound Design). Broadway: Kinky Boots (2013 Tony Award recipient), Bonnie & Clyde, Hugh Jackman: Back on Broadway, Sister Act, 9 to 5, Cat on a Hot Tin Roof, The Little Mermaid, Tarzan and Billy Crystal’s 700 Sundays. Regional: The Nutty Professor, Tales of the City, Emma, Robin and the 7 Hoods. Other credits include The Lion King, Mary Poppins, The Producers, Hairspray, Aida, Titanic, How to Succeed in Business… (’95), The Who’s Tommy and Guys and Dolls. Love to my beautiful gem. JOSH MARQUETTE (Hair Design). Broadway/ Off-Broadway/West End: Aladdin, First Date, Kinky Boots, The

KATHY FABIAN (Props Supervisor) has created props for more than 50 Broadway productions. Recent credits include The Realistic Joneses, If/Then, Rocky, Bridges of Madison County, I’ll Eat You Last, Lucky Guy, Chaplin, Nice Work If You Can Get It, A Streetcar Named Desire, Stick Fly, The Normal Heart and House of Blue Leaves. ADAM SOUZA (Music Director/ Conductor). Broadway: Kinky Boots, Wicked. National tours: Wicked, Spamalot, Les Misérables, The Midtown Men (Conductor, Arrangements), Wicked in Mexico City (Associate Music Supervisor). Regional: North Shore Music Theatre; Goodspeed Musicals, including The Great American Mousical with Julie Andrews, Stephen Schwartz’s Snapshots, George M!, Brigadoon, Summer of ’42 (cast recording), Very Good Eddie. For GG, MOF, STE and family. B.F.A., Boston Conservatory. MICHAEL KELLER (Music Coordinator). Broadway: If/Then, Kinky Boots, Motown, The Book of Mormon, Wicked, Mamma Mia!, The Lion King. Tours: Motown, The Book of Mormon, The Lion King, Wicked. Pamela, Alexis, Zachary and Christin make it all worthwhile. RUSTY MOWERY (Associate Choreographer). Thrilled/blessed to be working with Jerry Mitchell again! Rusty

KINKY BOOTS

Mrs. Parker and the Vicious Circle, Life With Mikey, Off and Running and Vibes. Lauper also continues her philanthropic work through her foundation, the True Colors Fund.

KINKY BOOTS

is associate choreographer for Kinky Boots Broadway, Legally Blonde London and U.K. tour. Production dance supervisor of Hairspray on Broadway and first national tour. Rusty appeared on Broadway in Hairspray, Legally Blonde, Seussical, Ragtime, Cats. Love to Barry and family. D.B. BONDS (Associate Director) is thrilled to be continuing his association with Jerry Mitchell after working with him as an actor in the national tours of Legally Blonde and Dirty Rotten Scoundrels. D.B is the associate director of Kinky Boots on Broadway. AMY JO JACKSON (Dialect Coach). The Flea: The Mysteries, These Seven Sicknesses, Behind the Painting, The Pearl, NYTW, Prospect Theatre, UCB, Singapore Rep. amyjojackson.com. TELSEY + COMPANY (Casting). Broadway/tours: An American in Paris, Honeymoon in Vegas, The Last Ship, Love Letters, This Is Our Youth, If/ Then, Motown, Rock of Ages, Wicked, Newsies, Evita, Million Dollar Quartet. Off-Broadway: Piece of My Heart, Atlantic, MCC, 2nd Stage, Signature. Regional: A.R.T., Dallas Theater Center, Goodman, La Jolla, New York Stage and Film, Paper Mill, Signature. Film: The Intern, Focus, Into the Woods, Song One, The Last Five Years. TV: “Flesh and Bone,” “Peter Pan Live!,” “Penny Dreadful,” “Masters of Sex,” commercials. telseyandco.com. ALLIED LIVE (Marketing and Press) is a full-service marketing and advertising agency representing Broadway shows, national tours, performing arts institutions and experiential entertainment entities. Current clients include Blue Man Group, The Book of Mormon, Rodgers + Hammerstein’s Cinderella, Elf, Kinky Boots, Mamma Mia!, Motown the Musical, Once, Peter and the Starcatcher and Irving Berlin’s White Christmas. SMITTY/THEATERSMITH ASSOCIATES LLC (Technical Supervisor). Credits include Chaplin, Evita, Catch Me If You Can, Elf, Wonderland, Behanding in Spokane, Tale of Two Cities, Xanadu (Japan), August: Osage County, Legally Blonde, All Shook Up, On Golden Pond, Scoundrels, Brooklyn, Millie, Aida, Imaginary Friends, Disney’s Hunchback, Capeman, Show Boat, Spider Woman. With Nancy Ringham, daughters Caitlyn and Madeline.

PETER VAN DYKE (Production Stage Manager) was born in Chicago and raised on a dairy farm in Wisconsin. He has worked at several regional theaters, including the Old Globe in San Diego, where he lives. He has also been the PSM of The Phantom of the Opera, Les Misérables, Wicked and Million Dollar Quartet on tour. JACK McLEOD (Stage Manager) holds an M.F.A. in Theater, seven Broadway productions and eighteen years of international touring credits including Jersey Boys, Avenue Q, White Christmas, Chitty Chitty Bang Bang, Boeing-Boeing, Smokey Joe’s Café and Hedwig. Love to Frederick and Oliver. jack-mcleod.com. KATE McDONIEL (Assistant Stage Manager). Previous tours include the recent North American tour of The Wizard of Oz and the Tony Awardwinning revival of La Cage aux Folles. Thanks to my family and friends in St. Louis and across the nation for their support! FORESIGHT THEATRICAL (General Manager) is comprised of partners Alan Wasser, Allan Williams, Aaron Lustbader and Mark Shacket who oversee and supervise The Phantom of the Opera, Kinky Boots, Les Misérables, On the Town, Disgraced and Side Show on Broadway, and Million Dollar Quartet on tour and in Chicago and Las Vegas. DARYL ROTH (Producer) holds the singular distinction of producing seven Pulitzer Prize-winning plays: Anna in the Tropics, August: Osage County (2008 Tony), Clybourne Park (2012 Tony), How I Learned to Drive, Proof (2001 Tony), Edward Albee’s Three Tall Women and Wit. She has produced more than 85 award-winning productions including Buyer & Cellar; Caroline, or Change; Curtains; The Goat, or Who Is Sylvia?; Love, Loss, and What I Wore; The Normal Heart (2011 Tony); A Raisin in the Sun (2014 Tony); The Tale of the Allergist’s Wife; War Horse (2011 Tony). Love to Steven, my wonderful family, Lucy and Leo ever in my heart. DarylRothProductions.com. HAL LUFTIG (Producer). Winner of four Tony Awards and London’s Olivier Award, Hal Luftig has worked on and off Broadway for the past 25 years. Broadway: Evita, Catch Me If You Can, Come Fly Away, West Side Story, All My Sons, Legally Blonde, The Times They Are A-Changin’, Whoopi, Movin’

Out, Thoroughly Modern Millie, Annie Get Your Gun, High Society, The Diary of Anne Frank, The King and I, Moon Over Buffalo, Angels in America, Jelly’s Last Jam, The Secret Garden. He is currently developing the new musical The Last Goodbye, an adaptation of Romeo and Juliet featuring the music of Jeff Buckley. Hal has an M.F.A. from Columbia University and an ulcer from tension. JAMES L. NEDERLANDER (Producer). President of Nederlander Organization, son of James M. Nederlander (Chairman). Producing credits: If/Then, I’ll Eat You Last (Bette Midler), Rocky, SpiderMan: Turn Off The Dark, Mike Tyson: Undisputed Truth, West Side Story, Next to Normal. Upcoming: The Elephant Man starring Bradley Cooper; On Your Feet— the Gloria and Emilio Estefan story. TERRY ALLEN KRAMER (Producer). Credits: Sugar Babies; Me and My Girl; The Goat… (Tony Award); Movin’ Out (Tony Award); Who’s Afraid of Virginia Woolf?; Cyrano; Dirty Dancing; West Side Story; Fiddler…; The Addams Family; The Merchant of Venice; Race; Promises, Promises; SpiderMan…; Priscilla Queen of the Desert; Evita; I’ll Eat You Last; Rocky; Kinky Boots (Broadway). Trustee, New York Presbyterian Hospital. INDEPENDENT PRESENTERS NETWORK (Producer) is a consortium of 50 of the nation’s leading Broadway presenters who skillfully manage a subscription base of 350,000 throughout America. Recent Broadway/London/U.S. tours: Matilda, Cinderella, Pippin, Jekyll & Hyde, Leap of Faith, La Cage aux Folles, Wonderland, 9 to 5, Ragtime, Frost/Nixon, Legally Blonde, The Color Purple, Spamalot, Matthew Bourne’s Edward Scissorhands and Sleeping Beauty. CJ E&M (Producer) is Korea’s leading entertainment company in live entertainment, film, broadcasting and music. Broadway and West End credits include Kinky Boots, Big Fish, The Bodyguard, Let It Be, The Sound of Music, Joseph and the Amazing Technicolor Dreamcoat, Barefoot in the Park and The Woman in White. JAYNE BARON SHERMAN (Producer). Broadway: Side Show, Hedwig and the Angry Inch (Tony), Of Mice And Men, Kinky Boots (Tony), The Normal Heart (Tony), Elling, 33 Variations and A Raisin in the Sun. Also, This Is Our Youth (Sydney Opera House),

JUST FOR LAUGHS THEATRICALS (Producer). CEO Adam Blanshay, Chairman Gilbert Rozon. Subsidiary of Just for Laughs. Broadway: The River, The Curious Incident of the Dog in the Night-Time, The Cripple of Inishmaan, Bullets Over Broadway, Rocky, Twelfth Night/Richard III, Kinky Boots. U.S. tour: Pippin, Evita. London: Made in Dagenham. Thanks to Hal. hahaha.com. JUDITH ANN ABRAMS (Producer), Tony and Olivier award-winning producer. Kinky Boots, Spring Awakening, Annie Get Your Gun, Chita Rivera: A Dancer’s Life, Dirty Rotten Scoundrels (London), Matilda, Mark Rylance: 12th Night, The River (Investor). Broadway Pixie Judy Troupe family musicals with Rodgers & Hammerstein Music Library. Full bio: Americantheaterwing.org. Advisory Committee. YASUHIRO KAWANA (Producer). Broadway: First Date, Let It Be, Kinky Boots (Tony Award), Evita (Tony nomination), Catch Me If You Can (Tony nomination), Come Fly Away, Legally Blonde. Off-Broadway: Here Lies Love. He has presented Let It Be, Rain: A Tribute To The Beatles, The Full Monty, Fosse in Japan. JANE BERGÈRE (Producer). Currently on Broadway: Kinky Boots (Tony). Upcoming: You Can’t Take It With You. Past highlights: Rocky; Annie; Twelfth Night/Richard III; Driving Miss Daisy; War Horse (Tony); Clybourne Park (Tony); A Little Night Music; All My Sons; Curtains; Glengarry Glen Ross (Tony); Caroline, or Change; Metamorphoses. janebergereproductions.com. ALLAN S. GORDON & ADAM S. GORDON (Producer). Allan has received Tony Awards for Rent, Death of a Salesman, Hairspray, Spamalot, Kinky Boots and Pippin. Allan’s career spans the fields of theater, law, investment banking, real estate and venture capital. Together, their credits include After Midnight, Evita, Peter and the Starcatcher, Pippin, The Peewee Herman Show, Cry-Baby and Flashdance. KEN DAVENPORT (Producer). Broadway: It’s Only a Play, Kinky Boots, Mothers and Sons, The Bridges of Madison County, Macbeth, Godspell and more. Created “Be a Broadway Star” board game and iPhone app

At the Booth. For more, read his blog TheProducersPerspective.com. Upcoming: Gettin’ the Band Back Together, Somewhere in Time and The Great White Hope. HUNTER ARNOLD (Producer) is a producer, entrepreneur and the founder of the New Musical Creative Collective, an organization committed to aiding the development of works from emerging artists. Broadway: It’s Only a Play, Kinky Boots, Mothers and Sons, The Bridges of Madison County and more. Upcoming projects: Somewhere in Time, Gettin’ the Band Back Together. LUCY AND PHIL SUAREZ (Producer). Phil executive produced many iconic commercials; Michael Jackson’s “Beat It” video; trailers for Dreamgirls, A Chorus Line, Evita. He and JeanGeorges own numerous restaurants. Lucy’s time has been devoted to philanthropic works. She provided the impetus for venturing into Kinky Boots. Happy to be part of the KB family. BRYAN BANTRY (Producer). Last century: Greater Tuna, You Can’t Take It With You, Aren’t We All, Street Corner Symphony. Recent: Kinky Boots B’way (Tony Award), Here Lies Love. RON FIERSTEIN & DORSEY REGAL (Producers) are proud to help bring the great entertainment and important message of Kinky Boots to the stage. Ron is an author, a long-time music business executive and Harvey’s brother, lawyer and business manager. Dorsey, his wife, is a partner in the N.Y. law firm of Hoguet Newman Regal & Kenney. JIM KIERSTEAD (Producer). Broadway: Kinky Boots (Tony), Pippin (Tony), Side Show, You Can’t Take It With You, Rocky. Off-Broadway: Yank!, Thrill Me. Special thanks to our team! GREGORY RAE (Producer) is a gay activist and producer. Past projects: The Normal Heart (2011 Tony), Clybourne Park (2012 Tony), Bare, Hedwig (2014 Tony). Upcoming: Allegiance, Found. BB GROUP (Producer), based in Germany, is among the market leaders in developing, producing, managing and promoting premium live entertainment in Europe and beyond. bbpromotion.com. CHRISTINA PAPAGJIKA (Producer). Current productions include Annie (Broadway) and the feature film

The Butler, starring Forest Whitaker, Oprah Winfrey, Robin Williams, Jane Fonda, Cuba Gooding Jr. and Lenny Kravitz. MICHAEL DESANTIS (Producer) is a longtime theater producer/investor, involved in Broadway, regional, touring and West End productions. Go see a show! PATRICK BAUGH (Producer) is proud to help bring Kinky and its message of inclusion to audiences around the U.S. “Just be who you want to be!” BRIAN SMITH (Producer). Currently with Warner Bros. Television. Broadway: Kinky Boots (Tony), Evita, Catch Me If You Can. N.Y. Innovative Theatre Award winner, Outstanding Director. Love to N.Y.C. TOM AND CONNIE WALSH (Producer): Broadway: Kinky Boots (Tony), First Date. Tour: Evita. Supporters of nonprofit performing arts in Seattle. Board members: 5th Avenue Theatre, Pacific NW Ballet. Thanks Hal. WARREN TREPP (Producer) has produced Evita, Legally Blonde, Movin’ Out and Thoroughly Modern Millie on Broadway. His proudest production is his son, Warren Edward, a credit he shares with his wife Jâlé. JUJAMCYN THEATERS (Producer) looks forward to welcoming you to one of our five Broadway theaters where current productions include the Tony Award-winning Best Musicals Kinky Boots, The Book of Mormon, A Gentleman’s Guide to Love and Murder and Jersey Boys. Join us at Jujamcyn. com and Givenik.com. AMUSE INC. (Associate Producer) is a leading talent agency and production company in Japan. AMUSE has joined in several Broadway musicals including Kinky Boots.

THE BUELL THEATRE

is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor

ARTS AND VENUES Kent Rice, Director

For information call: 720.865.4220

KINKY BOOTS

Carousel (West End) and It Shoulda Been You. Film/TV: Love Is Strange, In the Life, “DTLA.”

KINKY BOOTS

STAFF FOR Kinky Boots GENERAL MANAGEMENT FORESIGHT THEATRICAL Aaron Lustbader Allan Williams Mark Shacket Alan Wasser Mark Barna COMPANY MANAGER Matthew Sherr TOUR PRESS AND MARKETING ALLIED LIVE Laura Matalon Marya Peters Jennifer Gallagher Sarah Dahlberg NATIONAL PRESS REPRESENTATIVE O&M CO. Rick Miramontez Molly Barnett Chelsea Nachman EXCLUSIVE TOUR DIRECTION THE ROAD COMPANY Stephen Lindsay Brett Sirota www.theroadcompany.com CASTING TELSEY & COMPANY Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, David Morris, Cesar A. Rocha CSA, Andrew Femenella CSA, Karyn Casl CSA, Kristina Bramhall, Conrad Woolfe, Rachel Nadler, Rachel Minow, Sean Gannon, Scott Galina Production Stage Manager............................ Peter Van Dyke Stage Manager.........................................................Jack McLeod Assistant Stage Manager.................................. Kate McDoniel Associate Company Manager...............................Maia Sutton Music Director...........................................................Adam Souza Dance Captain.................................................Stephen Carrasco Dialect Coach.................................................... Amy Jo Jackson Properties Coordinator......................Kathy Fabian/Propstar Associate Scenic Designer......................................... Dick Jaris Assistant Scenic Designer..................................T.J. Greenway Associate Costume Designer..................................James Hall Assistant Costume Designer.................Lindsay McWilliams Associate Lighting Designer.......................Anthony Pearson Assistant Lighting Designer.................Jeremy Cunningham Associate Sound Designer.............................. David Patridge Associate Makeup Designer......................................Guy Smith Associate Technical Supervisor.......................... Patrick Shea Associate General Manager..................................Marc Borsak Production Consultant......................... Thomas Recktenwald Additional Arrangements....................................... Brian Usifer Rehearsal Pianist......................................................Ryan Garrett Rehearsal Drummer.............................................. Adam Fischel Associate Synthesizer Programmer.......................Tim Crook Music Track Editor......................................................... Derik Lee Moving Lighting Programmer...........................Jason Badger Head Carpenter......................................................... Matt McKim Flyman......................................................................Nathan Fulmer Automation Carpenter................................................Paul Ebert Assistant Carpenter........................................... Jason McGrath Production Electricians.......................................Randy Zaibek, James J. Fedigan Head Electrician....................................................... Rob Virzera Assistant Electrician.............................................Laura Prather Moving Light Technician............................ Adam Cavanaugh Head Properties Supervisor.............................Greg Tassinaro Assistant Properties Supervisor....................Chris Reininger Head Sound Engineer............................................ Ben Madden Deck Audio/Assistant Sound Engineer........ Brian Kallaher Advance Production Audio............................. Kevin Kennedy Wardrobe Supervisor...........................................Susan Malone Assistant Wardrobe Supervisor........... Stephanie Sweigard Star Dresser........................................................... Mikey Piscatelli Hair Supervisor................................................. Denise Reynolds Assistant Hair Supervisor................................ Michael A. King Makeup Artist/Hairdresser....................................Sarah Wolfe Advertising, Website & Interactive Marketing......... SpotCo Tour Press & Marketing Staff........................... Doug Blemker, Mary Alyce Blum, Andrew Damer, John Gilmour, Megan McDonald, Anne Dailey Meyer, Jacqueline Smith, Anne Waisanen Legal Counsel..........................................Lazarus & Harris LLP/ Scott Lazarus, Esq., Robert C. Harris, Esq. Accounting.................................................... Marks Paneth LLP/ Chris Cacace, Ruthie Skochil, Floyd Sklaver General Management Associate........................... Lane Marsh Management Assistant..................................... Ashley Berman General Management Office....................................Rob Abud, Kaitlin Boland, Stefano Fuchs, Nina Lutwick, Jennifer O’Connor

Assistants to Daryl Roth........... Megan Smith, Will Brumley Assistant to Hal Luftig...........................................Scott Sinclair Production Photographer.............................Matthew Murphy Production Assistants....................................Hollace Jeffords, Suzanne Apicella Associate Props Coordinators...................... Cassie Dorland, John Estep Props Artisans and Shoppers..............................Mary Wilson, Daniel Moss, Jasmine Roberts, Alexander Pitt, Brian Howard, Catherine Small, Christina Fabian, Gabrielle D’Entremont Assistant to Technical Director......................Rhiannon Clark Tutor/Child Guardian.....................................Margaret Quigley Tutoring........................... On Location Education/Jodi Green Physical Therapy.............Neuro Tour Physical Therapy, Inc; Medical Director—Thomas Meyers, MD Insurance.................................. Ventura Insurance Brokerage/ Jessica Brown Banking................................City National Bank/Eric Piecuch, Anne McSweeney, Michael Tynan Payroll...................................Checks and Balances Payroll Inc. Sarah Galbraith, Anthony Walker Merchandising...................... Broadway Merchandising LLC/ Adam S. Gordon, David Eck Travel.............................. Road Rebel Travel and Touring Inc. CREDITS AND ACKNOWLEDGMENTS Scenery and Scenic Effects built, painted, electrified and automated by Showmotion, Inc., Milford, CT; Scenery Automation and Show Control by Showmotion, Inc. using the AC2 Computerized Motion Control System; Lighting Equipment from PRG Lighting; Sound Equipment by Masque Sound; Specialty Props by Propstar, Daedalus Design and Production, Tom Carroll Scenery, Infinite Scenic LLC, and TD Production; Costumes by Eric Winterling, Inc., Lynne Baccus, Donna Langman Costumes LLC, Tricorne Inc., Giliberto Inc., Pete’s Print Shop, Polly Isham Kinney, By Barak LLC; Millinery by Rodney Gordon, Inc.; Custom Fabric Painting & Printing by Jeff Fender Studios and Gene Mignola, Inc.; Custom Shoes & Boots by T.O. Dey; Onstage guitars courtesy of Taylor Guitars; Soft Goods by I.Weiss Theatrical Solutions; Scenic Painting by Scenic Art Studios; Trucking by Clark Transfer. SPECIAL THANKS Lisa Barbaris, Yamaha Keyboards, Pearl Drums, Paiste Cymbals and Roland USA, Toontracks, VicFirth, BraTenders, Maria Ficalora, Katrina Patterns, On Stage Dancewear, Bernadette Banner, Danilo Zambrano, AC Gottleib, Megan Rutherford, Melinda Hare, Marina Pulliam. Promotional consideration furnished by Apple, George Poulios and Jayne Smits. Custom red pump courtesy of Kenneth Cole. Cyndi Lauper wishes to thank her collaborators: Sammy James Jr., Steve Gaboury, Rich Morel and Tom Hammer, Stephen Oremus. Makeup provided by Rehearsed at the New 42nd Street Studios www.KinkyBootsTheMusical.com

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees. The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. The Director-Choreographer is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.). The musicians employed in this production are members of the American Federation of Musicians.

United Scenic Artists represents the designers and scenic painters for the American Theatre. The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

DENVER CENTER FOR THE PERFORMING ARTS DENVER CENTER FOR THE PERFORMING ARTS BROADWAY TEAM John Ekeberg..............................................Executive Director Jeff Hovorka ........................Director of Sales & Marketing Heidi Bosk.....................Senior PR & Promotions Manager Alicia Giersch...............................................Business Manager Emily Lozow ......................................Marketing Coordinator

SALES & MARKETING TEAM Jennifer Nealson..............................Chief Marketing Officer Brianna Firestone...............................Director of Marketing, Theatre Company Rob Silk ........................................................... Creative Director Suzanne Yoe.................Director of Creative Services and Cultural Affairs Jessica Bergin ........................................Box Office Manager Nathan Brunetti...............................................Digital Manager Katie Clow ................................................Box Office Manager Kim Conner.................................................... Graphic Designer FloraJane DiRienzo..............Business Relations Manager Anita Edwards.................................. Web Services Manager Brenda Elliott................................. Senior Graphic Designer Simone Gordon.............................................. Project Manager Hope Grandon..... PR & Events Manager, Theatre Company Emily Kent.......Marketing Associate, Theatre Company Jennifer Kemps......Business Relations Assistant Manager Laura Kirby................................................Box Office Manager Carol Krueger.............................Theatre Services Manager Dave Lenk............................................................... Videographer Jennifer Lopez.................... Director of Ticketing Services Kyle Malone.................................... Senior Graphic Designer John Moore........................................... Senior Arts Journalist Mark Onderdonk........................................Business Manager Kirk Petersen......Assoc. Director of Ticketing Services/ Patron Relations Tina Risch......Audience & Community Engagement Manager Christine Schempp...... Group Sales Business Associate Joe Schurwonn...................... Marketing Financial Analyst Jill Schwager......Student Matinee & Group Tours Associate David Smith...........................Assoc. Director of Ticketing/ Subscription Services Micah White......................................... Subscription Manager

INFORMATION SERVICES Bruce Montgomery.....Director of Information Services Jim Hipp.....Associate Director of Information Services Bobby Jiminez..............Senior Audience View Specialist

DEVELOPMENT DEPARTMENT David Zupancic................................................Interim Director Tiffany Grady...............................................Associate Director Shawn Bayer...............................................Associate Director Valerie Taron................................................Associate Director Mary Mosher.......Manager, Membership Groups/Major Gifts Chelley Canales..........................Development Coordinator Megan Fevurly.............................................Business Manager

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2014/15 BROADWAY SEASON

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CONTRIBUTORS April 2013 – July 2014

PRESENTED BY

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Impact Creativity is an urgent call to action to save theatre education programs in 19 of our largest cities. Impact Creativity brings together theatres, arts education experts and individuals to help over 500,000 children and youth, most of them disadvantaged, succeed through the arts by sustaining the theatre arts education programs threatened by today’s fiscal climate. For more information on how “theatre education changes lives,” please visit: impactcreativity.org ($100,000 or more) CMT/ABC♦ The Hearst Foundations ($50,000 or more) AOL♦ Schloss Family Foundation ($25,000 or more) Wells Fargo ($10,000 or more) Steven and Joy Bunson Lisa Orberg Southwest Airlines♦

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AT BOETTCHER CONCERT HALL IN THE DENVER PERFORMING ARTS COMPLEX

BLUE MAN GROUP BRINGS

Blue Man Group National Tour. Photo: Blue Man Group

ENERGY AND ENIGMA TO DENVER

It’s 10 minutes to show time at Blue Man Group, and the noise in the theatre is so loud it feels like a rock concert. People are boisterous, anticipation is high, the buzz is electric. And when the Blue Men appear, the audience screams with delight. How often do you see theatre audiences so revved up at the end of most shows, let alone before one has even begun? The decibel level rises as the evening goes on. By the end, the atmosphere is euphoric. Why all the excitement? It’s impossible to say exactly. Blue Man Group is totally off the grid—a contemporary comedic piece, performed by three silent, bald-and-blue characters who engage in a variety of set pieces ranging from primitive to sophisticated that combine music, comedy, science, technology and mind-boggling creativity with something for everyone. “We’ve done surveys to figure out who our audience is, and we’ve found that our demographic ranges from eight to 85 years old,” says Puck Quinn, creative director of character development and appearances. “That’s when we know we’re doing something right. A kid can come to the show and just enjoy the rhythm or the mess or the colors or the spectacle. Adults can come and do the exact same thing, but they might also come away with something to think about. When we do our work well, the show succeeds on multiple levels.”

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Amid the riot of colors and music, the eating and flying food, are the LED screens displaying sometimes silly, sometimes witty, sometimes thought-provoking messages. There also is a sonorous pre-recorded voice guiding the audience through a variety of topics such as modern plumbing, technology and choreography. But the Blue Man Group show is mostly visual and aural— as opposed to oral. The Men are mute by choice. Beating paint-covered drums and creating cascades of color has visceral appeal in any culture, and the “feast”—in which a member of the audience joins the Blue Men onstage to dine on… a Twinkie—retains its humor and sweetness wherever it plays. “I think the reason the show works goes back to our ideas about the character,” says Phil Stanton, co-founder of Blue Man Group with Matt Goldman and Chris Wink. “It might sound heady to talk about it this way, but the Blue Man is a kernel of humanity or a kind of Everyman. The blue paint gets rid of race and nationality.” Adds Quinn: “The show deals with topics and issues that are common to every culture: Communication. Sensory overload. Beating music and heavy rhythm. Dancing. All of that crosses every border. We have things that we want to say, and the message is there if you want to hear it, but we don’t care if you don’t. We just want everyone to have fun.” The relationship between the Blue Men and the audience

“The relationship with the audience is everything because at the end of the day, the Blue Man is really just trying to connect.” — MATT GOLDMAN is the most intriguing part of this phenomenon. The audience could be considered an additional—and unpredictable—character. It’s not just that viewers in the first few rows are so close to the action that they’re given ponchos to wear in case stuff lands on them. It’s that the audience response catalyzes the Blue Men. “The relationship with the audience is everything,” underscores Matt Goldman, “because at the end of the day, the Blue Man is really just trying to connect. He knows, either intellectually or at gut level, that in order to get to that ecstatic, heightened moment, he must connect with these strangers. That’s why the Blue Man is so respectful [of his viewers]. He wants their trust. It’s all about connection.” Clearly, Blue Man Group is connecting. “Usually, if people see a play they liked, they’ll tell their friends to go see it,” says Quinn, “but with our show, people want the experience of seeing it with their friends. And that creates energy and intensity from the start…. It’s not a passive experience. It’s more like going to a sporting event. “I tell people that you don’t really start seeing the layers of the onion peeled back until you see the show for the second or third time. I also think people come back for very specific reasons: they want to really listen to the music or pay attention to a particular moment because they couldn’t quite figure out how it was done. And they come back because they want to see how the show is different from night to night. The other thing is, we change the show. Every couple of years we swap out a whole bunch of material. We want it to be relevant to time and period.” The finale—one of Blue Man Group’s most celebrated hallmarks—is now completely new; replacing it, its creators say, took guts. “We always wanted the show to feel like it was working toward that moment, that ending, when all the things that make us fragmented in the modern world go away and we become one group,” says Stanton. “That’s what the arc of the evening is about: two cultures encountering each other and realizing by the end that there are no barriers between them…. “There aren’t many places where you can be with strangers and have this shared experience. The finale has a similar concept, and the same goal: to make the audience look around and encounter other people. Visually, we’re taking it to another level. We hope audiences will find it powerful.”

If you have any information of his whereabouts, go to denvercenter.org/grinch.

REWARD OFFERED!

BLUE MAN GROUP OCT 10 – 12 BUELL THEATRE Tickets: 303.893.4100 denvercenter.org 800.641.1222 TTY: 303.893.9582 Groups (10+): 303.446.4829

Blue Man Group National Tour. Photo: Blue Man Group

Material for this article is courtesy of the Blue Man Group website.

KIDS GO FREE ON DEC 17 Kids enjoy fun pre-show activities plus a ticket to the show for free with a paid adult admission. Use code KNOB. Subject to availability.

IN THE

SINGLE TICKETS

SPOTLIGHT

NOW ON SALE

The Unsinkable Molly Brown Now – Oct 26 You Say Tomato, I Say Shut Up! Now – Oct 19

Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

William Golding’s Lord of the Flies Now – Nov 2 Vanya and Sonia and Masha and Spike Now – Nov 16 Blue Man Group Now – Oct 12 Kinky Boots Oct 29 – Nov 9 Forbidden Broadway: Alive & Kicking! Nov 15 – Mar 1 A Christmas Carol Nov 28 – Dec 28 The SantaLand Diaries Nov 28 – Dec 24

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Jersey Boys Dec 10 – 14 Dr. Seuss’ How the Grinch Stole Christmas! The Musical Dec 17 – 28 Appoggiatura Jan 16 – Feb 22 Dancing Pros: Live Jan 23 – 24 Benediction Jan 30 – Mar 1

5 For complete photo coverage, visit the DCPA’s News Center at denvercenter.org/news-center.

denvercenter.org

1 & 2 BROADWAY: More than 200 audience members stayed to meet the Pippin cast in what will become a regular series of Talkbacks at select performances of our Broadway tours. 3 EVENTS: Living up to its reputation, the Seawell Grand Ballroom is once again entirely transformed into a sleek lounge for the 500 guests of Allergan. 4 THEATRE COMPANY: Fourth Wall members Erin McLauthlin and Sally Bird enjoyed a post-show drink with The Unsinkable Molly Brown actor Paolo Montalban. 5 EDUCATION: More than 7,300 students streamed into The Space Theatre for one of our 17 Student Matinee performances of Lord of the Flies.

Rodgers + Hammerstein’s Cinderella Feb 3 – 15 STOMP Mar 10 – 15 One Night in Miami... Mar 20 – Apr 19 Mark Twain Tonight! Mar 21 The 12 Mar 27 – Apr 26 Motown the Musical Mar 31 – Apr 19 Joseph and the Amazing Technicolor Dreamcoat Apr 22 – 26 Defending the Caveman Apr 22 – Jun 28 Annie Apr 29 – May 10 Wicked Jun 3 – Jul 5 The Book of Mormon Aug 11 – Sep 13

MADAMA BUTTERFLY GIACOMO PUCCINI November 15|18|21|23 Ellie Caulkins Opera House

303.468.2030 OperaColorado.org

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“ Atlantic Trust is proud to make a positive difference through ongoing community outreach across Colorado.” — WANDA COLBURN, ATLANTIC TRUST MANAGING DIRECTOR

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What’s your vision for family wealth? That’s the first important question we ask of any client or prospective client. Your answer will be as varied as your family. Your answer also helps us begin to unfold your family’s financial picture and bring to life what you want—now and for the generations to come. At Atlantic Trust, we’ve been engaged in only one business since 1923*—private wealth management for affluent individuals and families. We also partner with private foundations and endowments for investment management. Additionally, Atlantic Trust professionals have served as trustees or investment committee members for numerous eleemosynary organizations in the arts, education, hospital, community, to name a few. We believe this involvement deepens our understanding of our clients’ needs and further develops a best-practices approach. The Denver Center for the Performing Arts (DCPA) is one of the organizations we are pleased to support. Atlantic Trust’s sponsorship dollars directly support the DCPA’s Arts in Education programs in the schools and at the Center. More than

500,000 children throughout the metro Denver area have experienced theatre through the DCPA’s education programs. In 2013 alone, the DCPA welcomed 16,000 middle and high school students to one of its 33 matinees. According to the Colorado Council on the Arts, students who participate in arts programs achieve higher scores on assessments, develop into more creative thinkers and more imaginative learners, and demonstrate better preparation for the workplace. “We’re extremely proud of our 11year sponsorship of the DCPA’s Best of Broadway Society,” says Wanda Colburn, managing director for Atlantic Trust. “Atlantic Trust is proud to make a positive difference through ongoing community outreach across Colorado.” Atlantic Trust is pleased to have sponsored The Best of Broadway Society for more than a decade, and we look forward to seeing what our partnership can help accomplish. *Through predecessor firms. This article is intended for educational purposes only and should not be construed as an offer to buy or sell any security.

HILJA HERFURTH

A LEADER IN PHILANTHROPY

Denver Center for the Performing Arts is pleased to announce the selection of Hilja K. Herfurth as the recipient of its 2013/14 Florence Ruston Award for Philanthropy in the Arts. Named in memory of one of the DCPAâ&#x20AC;&#x2122;s most generous supporters, this award is presented annually to donors who, through their contributions to support the Denver Center for the Performing Arts, have provided exemplary leadership in philanthropy. Hilja recently made a significant gift that provided funds to transform an underutilized space into The Directors Room, a warm and inviting rental venue perfect for intimate gatherings and private events. Hilja made the donation to honor her father, Hans Heuberger, who introduced and instilled in her a deep appreciation for the arts. A 15-year member of the Best of Broadway Society, Hilja also supports the DCPAâ&#x20AC;&#x2122;s Saturday Night Alive, which annually benefits 50,000 students through theatre education programs. Fittingly, this award was presented to Hilja at the opening night celebration of The Unsinkable Molly Brown, whose own heroine embodied the same spirit of philanthropy. Please join the DCPA in recognizing Hilja K. Herfurth for being a leader in philanthropy. PAST RECIPIENTS OF THE FLORENCE K. RUSTON AWARD FOR PHILANTHROPY IN THE ARTS:

Joy S. Burns, 2013 Diana and Mike Kinsey, 2012 Jim Steinberg, 2011 Alison and Jim Shetter, 2010 Leo and Susan Kiely, 2009 Margot and Allan Frank, 2008 Robert and Judi Newman, 2007

1: The Directors Room 2: Hilja with Smokey Robinson 3: Sandy Colavita & Hilja 4: Producing Artistic Director Kent Thompson, Hilja and Megan Mather 5: Friends and family congratulate Hilja for receiving the Florence K. Ruston Award for Philanthropy in the Arts

5 denvercenter.org

Photo: Studio JK Photography

YOU’VE BEEN PLANNING FOR A WHILE. SO HAVE WE. With more than 100 years of theatrical experience, our team of on-site designers, event managers and technical specialists are ready to make your wedding—and every detail that brings it to life—unforgettable. Your love is our inspiration. And we’ll do everything we can to earn a standing ovation.

DENVERCENTER.ORG | 303.572.4466 |

SEAWELL GRAND BALLROOM | DIRECTORS ROOM

VANYA AND SONIA AND KINKY AND BLUE MEN Here’s a quick quiz on our latest DCPA shows and the people who make them ACROSS

1 “Girls Just Wanna Have __________” 6 Lauper toured with her through Denver this year 8 A kind of “Nightmare” 11 British actress Maggie 13 Wheat Ridge’s Annaleigh __________ earned a Tony nom for Kinky Boots 14 First celebrity to try paint-drumming alongside the Blue Men: Ricky __________ 15 Durang’s “Beyond __________ 17 “The Marriage of __________ and Boo” 20 The Blue Men’s paint type 21 Famous writer who called Chekhov an amateur 22 Lauper appeared on Broadway in “The ThreePenny __________” 23 These queens are anything but a __________ 24 Chekhov’s profession for 10 years

DOWN

For answers please visit denvercenter.org/news-center.

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2 Album title: “She’s So __________” 3 Aurora native Andy __________ plays Charlie on Broadway 4 State Bucks County is in 5 Jamie __________ played the Theatre Company’s Uncle Vanya 7 Vanya cast member who just starred in I Hate Hamlet at Colorado Shakespeare Festival 9 Kinky Boots: Think “__________” people meet “show” folk 10 Joel __________ played Charlie in 2005 “Kinky Boots” film 12 A rabbit, or “Kinky” book writer 16 Sigourney __________ first played Masha on Broadway 18 How many “Sisters”? 19 “The __________ Orchard”

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Hyatt Regency Denver at Colorado Convention Center 650 Fifteenth Street, Denver, CO 80202 303 486 4434

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Show your tickets and receive a free appetizer with your purchase of two entrĂŠes. Offer good at both locations!

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Spend $60 on dinner & get any bottle of wine at 1/2 off

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Molson Coors

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…let’s celebrate the strength of this Denver community and our diverse and vibrant culture.

PMS 485 100Y/100M

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PMS 286 100C/50M/10K

PMS 110 12M/100Y/7K

Molson Coors is proud to play its part in bringing us all together for this performance. For more than 350 years, Molson Coors Brewing Company has delighted the world’s beer drinkers while investing in local communities. Molson Coors’ Rocky Mountain heritage began in 1873 just up Clear Creek in Golden, Colorado. Today, we rank as a top-five global brewer, with business units in the US, Canada, the UK, Central Europe and Asia. From our founding families and executive leaders, to our brewers and sales teams, Molson Coors people share a deep passion for our brands and for the communities where we live and work. From the beginning, brewing and building brands the right way has gone well beyond the high quality of our products. At Molson Coors, we’re committed to environmental sustainability, alcohol responsibility and treating each other with dignity and respect. Not only do we hold ourselves up to aggressive targets for growth and profitability, but also for our environmental and social performance. Our people consistently rate us above high performing company norms, and we are recognized as a great place to work. For the past two years, Molson Coors achieved listing on the prestigious Dow Jones Sustainability Index (DJSI), based on an independent evaluation of our business practices and results. While our heritage companies in the US, Canada, UK and Central Europe have now grown into one enterprise with an expanding global reach, our roots and character remain local. Molson Coors is made up of dozens of local breweries and offices where employees and iconic brands are woven into the fabric of the community. That is why in our headquarters city of Denver, we support leadership development in our educational and business institutions, assist those in need through United Way and its agencies, as well as work with water users to preserve and protect our Clear Creek Watershed. And that’s why we support the Denver Center for the Performing Arts, this world-class organization that connects us through the magic of music and theatre. As we come together to share in the thrill of today’s performance, let’s celebrate the strength of this Denver community and our diverse and vibrant culture. Cheers!

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Our partnership is founded on our mutual mission to improve and enrich the quality of life in our community.

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The Denver Post is proud to support the Denver Center for the Performing Arts (DCPA), both through sponsorship of its acclaimed theatre productions as well as with grant funding through Denver Post Community Foundation. Our partnership is founded on our mutual mission to improve and enrich the quality of life in our community. While the DCPA does that through the performing arts, The Denver Post does it through its Denver Post Community programs, which support nonprofit organizations and events in four areas of focus: arts and culture, children and youth, literacy and education, and the provision of basic human services. During this season of giving, the Post focuses on basic human services by continuing its legacy of raising and distributing funds to local nonprofit agencies through Season To Share, a campaign of Denver Post Charities, a McCormick Foundation Fund. Did you know that right here in Denver there are: • People who don’t have enough food to eat • Children who lack the education to succeed in the future • Families who have lost their homes and have nowhere to go • Folks who can’t afford basic healthcare?

Since 1992, more than $62 million has been distributed through Season To Share to help Colorado citizens who are in the most need of assistance. All contributions are matched at 50% by the McCormick Foundation and 100% of all donations (plus the match) go directly to Denverarea charities that help move people out of poverty. The Denver Post and the McCormick Foundation pay all administrative expenses. This year, more than 6,000 generous donors contributed $1,630,000. With the match from the McCormick Foundation, grants totaling a record $2,445,000 were distributed to 67 local nonprofits including Boys & Girls Clubs of Metro Denver, Children’s Hospital Colorado Foundation, Colorado Coalition for the Homeless, Food Bank of the Rockies, Goodwill Industries of Denver, Inner City Health Center, Volunteers of America and many more. Thanks to the generosity of thousands of donors and the hard work of the recipient agencies, millions of meals were provided, hundreds of nights of shelter were used and thousands of medical visits were completed last year.

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The Center Stage Club offers digital versions of Front Range performing arts magazines for patrons to read before performances. And, check out the calendar of upcoming metro-area performing arts events.

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Welborn Sullivan Meck & Tooley, P.C.

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…the firm has a great appreciation for the DCPA’s theatre program, which provides Colorado students with a rich exposure to the arts…

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BACK ROW: Steve Bain, Danielle Wiletsky, Joe Pierzchala, Dick Harring, Ken Jones, Jeff Flege, Sheryl Howe, Steve Sullivan, Sam Bacon, Scott Turner, Bill Rapson, Jennifer Cadena & Brian Tooley FRONT ROW: Tom McKee, Chelsey Russell, Jim Noble, Ken Barbe, Rebecca Watson & Keith Tooley NOT PICTURED: Amy Seneshen, Ed Blieszner, Carolyn Burr, Joshua Cannon, Norm Early, Kathryn Haight, Jens Jensen, Jennifer McDowell, John Meck, Hampton O’Neill, Lisa Perry, Jeff Peterson, Nora Pincus, Patrick Tolley, Jeff Welborn & Kelly Williams

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The Denver-based law firm of Welborn Sullivan Meck & Tooley, P.C. (WSMT) is again delighted to be a sponsor of the Denver Center for the Performing Arts (DCPA) and this season’s exceptional Directors Society productions. WSMT is a home to diversity with a wide-ranging practice showcasing some of the best legal talent in the Rocky Mountain region, with regional offices in Casper, Wyoming and Salt Lake City, Utah. WSMT continues its community involvement and, during the first nine months of 2014, the firm supported a variety of community health and service efforts by contributing to the: • Children’s Law Center and its efforts to help abused and neglected children • Children’s Gala for Children’s Hospital Colorado Foundation to help children and families in need of services • Annual Fandango event in support of the Center of the American West • University of Colorado Boulder’s Beardsley Student Scholarship Endowment and the CU Foundation • Cure Dinner, which funds breast cancer initiatives at University of Colorado Hospital • University of Denver’s DU Law Stars program for funding the Student Law Office and the Judicial Fellows program • DPC Charity Ball benefiting Denver Kids, Junior Achievement and Leukemia & Lymphoma Society • Bonfils Blood Center Foundation concert to support its everyday lifesaving operations • Volunteers for Outdoor Colorado, which provides fire and flood

restoration assistance throughout Colorado as well as more than 55 highly diverse volunteer opportunities in both urban and wilderness areas • 15th Annual Wirth Chair Sustainability Awards • 50th Anniversary of Utah’s RirieWoodbury Dance Company to support its educational outreach. Being a DCPA sponsor is a good fit for WSMT. Members of the firm are not only long-time subscribers of DCPA productions, but the firm has a great appreciation for the DCPA’s theatre program, which provides Colorado students with a rich exposure to the arts in a way that inspires their future interests and endeavors. WSMT has been similarly inspired by experience and education as is reflected in its leadership and in fullservice attorneys who specialize in transactions, litigation, natural resources, water, and alternative and renewable energy. Firm attorneys are considered leaders and creative problem-solvers with keen insight into the complexities of the law. They apply their legal expertise coupled with extensive practical experience as geologists, engineers, landmen, inhouse counsel, Peace Corps volunteers advising emerging nations, military officers, district attorneys, federal prosecutors, educators, state and federal trial lawyers, mayors, city council members, as well as providing executive and legal services in the US Departments of Interior and Energy. The firm is very proud to continue its partnership with the DCPA.

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