Applause Magazine, Dec. 17-28, 2014 by The Publishing House

APPLAUSE

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VOLUME XXVI | NUMBER 3 | NOV – DEC 2014

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DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL

p16

A CHRISTMAS CAROL

p10

JERSEY BOYS

p24

The ideas they traded

were as important as the silk.

Long before the Internet, the Silk Road connected humanity. Experience the 5,700 miles from China to Constantinople complete with the scent of spices, exquisite silks, and the exchange of radical ideas that were exhibition opens NOVEMBER 21 the foundation of the modern world.

Traveling the Silk Road: Ancient Pathway to the Modern World is organized by the American Museum of Natural History, New York (www.amnh.org) in collaboration with the ArtScience Museum, Singapore; Azienda Speciale Palaexpo, Roma, Italy and Codice. Idee per la cultura srl, Torino, Italy; the National Museum of Australia, Canberra, Australia and Art Exhibitions Australia; and the National Museum of Natural Science, Taichung, Taiwan and United Daily News, Taipei, Taiwan.

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APPLAUSE M

VO LU M E X XV I | N U M B E R 3 | N OV – D E C 2 0 1 4

EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore DESIGNERS: Kim Conner, Brenda Elliott, Kyle Malone

LETTER FROM THE CHAIRMAN

denvercenter.org

Applause magazine is funded in part by

As we near the end of the year, we want to thank you for your continued support. Last year, you helped us reach more than 741,000 people through plays, musicals, events, classes, off-site activities and online. Of those, 71,000 individuals experienced our educational programs, of which 58,000 were youth. Your contributions led to a 20 percent jump in our education attendance, allowing access to thousands of children who would not otherwise have had the chance to experience live theatre. Now at the midway point in our current season, we are working to grow our Off-Center programming, double our New Play Summit, and expand our youth Playwriting and Musical Theatre competitions. We are offering new events to welcome new audiences — Family Days, Theatre Thursdays, Book Clubs and more. Your ongoing support will help us achieve our vision to be the most engaging theatre in the nation. Thank you for a terrific 2014. We look forward to many more shared experiences in the coming year.

DAN L. RITCHIE Chairman & CEO Denver Center for the Performing Arts

Angie Flachman, Publisher For advertising 303.428.9529 or sales@pub-house.com coloradoartspubs.com

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BOARD OF TRUSTEES Daniel L. Ritchie, Chairman and CEO Donald R. Seawell, Chairman Emeritus William Dean Singleton, Secretary/Treasurer Robert Slosky, First Vice Chair Margot Gilbert Frank, Second Vice Chair Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond Thomas W. Honig W. Leo Kiely III Mary Pat Link Trish Nagel Robert C. Newman Richard M. Sapkin Martin Semple Jim Steinberg Peter Swinburn Ken Tuchman Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young _______________________

HONORARY MEMBERS Jeannie Fuller Glenn R. Jones M. Ann Padilla Cleo Parker Robinson

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Theatres throughout the Arts Complex are teeming with excitement. Families with eager children are bustling through the Galleria to celebrate old holiday traditions including our 22nd staging of A Christmas Carol. Others are discovering new traditions with that scruffy green character whose heart doubles in size in Dr. Seuss’ How the Grinch Stole Christmas! The Musical. Crowds of shoppers are taking a break from the hubbub—and eliminating ticket fees—at our satellite holiday box office. Located at 2771 E. 1st Ave. in Cherry Creek North, kids’ activities, photo opportunities and Grinch sightings offer an unexpected treat to your holiday plans. Our Theatre Company is busily preparing for our 10th Colorado New Play Summit (Feb 14-21)— an exhilarating chance to marry the words of a script with your own mental picture. Now with the Summit doubled in length to meet growing demand, audiences anxiously await that moment on a bare stage with only the actors, a music stand and a script. Guided by simple stage directions, the audience conjures up the set, scores the music, sets the lights and strikes the mood. It’s invigorating. It’s challenging. It fully engages our imagination. The big payoff comes next season when we return to see if our vision is realized in a full staging. It’s an exciting glimpse into the development of a new play that you don’t want to miss.

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

Carolyn Foster, Executive Assistant to Daniel L. Ritchie Kim Schouten, Executive Assistant to Daniel L. Ritchie

HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES Lester L. Ward, President Martin Semple, Vice President Judi Wolf, Sec’y/Treasurer Donald R. Seawell, President Emeritus W. Leo Kiely III Daniel L. Ritchie William Dean Singleton Robert Slosky Jim Steinberg Dr. Reginald L. Washington Minumum Width .75” Maximum Width 2”

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SENIOR MANAGEMENT STAFF Clay Courter, Vice President, Facilities & Event Services John Ekeberg, Executive Director, Broadway Vicky Miles, Chief Financial Officer Jennifer Nealson, Chief Marketing Officer Kent Thompson, Producing Artistic Director, Theatre Company Charles Varin, Managing Director, Theatre Company David Zupancic, Interim Director of Development

Artistry Forged in Gold and Silver

J W M A RR IOT T PAR K M E ADOWS

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BLESS OUR DONORS, EVERY ONE Our 7,000 donors embody the generosity of spirit that Charles Dickens hoped to achieve in A Christmas Carol. We thank them for their contributions that come in many different packages.

1) Danny Showers – I am an entertainer and song stylist with deep roots in the performing arts industry. My direct financial support to the Denver Center for the Performing Arts over the last eight years has been very gratifying. When I provide my support, I feel I’m supporting the DCPA’s dynamic performance and education programs, in addition to playing a big part in the day-to-day operations. It’s great to experience the results of my contributions. 2) Susan Stiff – I have been involved with the Denver Center for Performing Arts for more than 20 years and have made many good friends through the Denver Center Alliance, the support arm for the organization. This year, I serve as Chair of Saturday Night Alive, the mega fundraiser that will net nearly three quarters of a million dollars for arts-related youth education and outreach, my passion. Committing to the Encore Society guarantees that my estate will continue to help the mission of the DCPA long after I am gone.

3) JJ Jaggers – When I moved from the East Coast to Denver, I was a bit of a theater snob. I believed great theater couldn’t be found west of the Hudson River. I was pleasantly surprised to find Denver’s incredibly robust arts community. I have supported the Denver Center for the Performing Arts for more than 15 years not only because I love the theater, but moreover because of the outreach programs that introduce the arts to children of all ages. 4) Michael Vocatura – The live theater productions at the Denver Center lift the spirit, raise consciousness, educate, and entertain. I am continually amazed at the level of craftsmanship and artistry displayed by the staff and visiting artists at the DCPA. It is for these reasons that I have served as a volunteer usher for the past 10 years and donated resources annually. Seeing the faces of satisfied patrons, both young and old, inspires me to continue my volunteer service. 5) Lois Paul – I fell in love with theater as a child. My parents took me to the Valley Forge Summer Music Fair outside Philadelphia, an outdoor theater in the round under a tent. It was hot and humid. The canvas seats were uncomfortable, but when the show started, I was hooked. When I became a Denverite, the Marquee Club gave me an opportunity to make new friends, see great shows and support an organization that brings so much enjoyment to my life.

6) Terry and Mary Beth Miller – We like the chance to get to downtown Denver and to the DCPA. We love the activity and nightlife there. The VIP Evenings are special to us because we enjoy the cocktail hour and the chance to interact with the DCPA personnel and other patrons who share our same interest. The meals and conversations are always topnotch. Walking to the show after the meal and knowing you’ve got a great seat to the program is the perfect ending to the night.

JOIN OUR DONOR FAMILY TODAY 3 easy was to donate: Mail: Denver Center for the Performing Arts Attn: Development Office 1101 13th Street, Denver, CO 80204 Online: denvercenter.org/donate Phone: 303.446.4802

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THE TRANSFORMATIVE POWER OF

A CHRISTMAS CAROL

On December 19, 1843, Charles Dickens published A Christmas Carol. Now, 171 years and 22 Theatre Company productions later, audiences continue to fill the theatre making it our most popular and most produced show. But what drove Dickens to write this “ghostly little book” and why has it become essential to the holiday season? He wanted to utterly transform the lives of those who read it. You see, England was in a state of economic depression. There was little regard for the plight of one’s fellow man. Social injustice was epidemic. Children labored under appalling conditions, and, for the most part, mass society lived in abject poverty. Instead of merely writing a pamphlet that was to be entitled “An Appeal to the People of England on Behalf of the Poor Man’s Child,” Dickens launched upon a work about which he stated: “You will certainly feel that a sledgehammer has come down with 20 times the force—20 times the force—I could exert by following my first idea.” Dickens believed that societal ills could be cured by a profound revolution within the human spirit. So, Ebenezer Scrooge came to be. Aptly named (an old vulgarization of “squeeze”), Scrooge was a shrewd businessman whose heart shriveled up so tightly that all impulses of joy, empathy and mercy dried to a gray paste.

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He embodied the indifference of upper classes who were defined by wealth and believed that their responsibilities toward others stopped with their taxes. “The dark side of life is very important,” said Laird Williamson, adaptor and director of the Theatre Company’s first productions of A Christmas Carol (1990-2004). “We must, like Scrooge, acknowledge it in order to get to touch all aspects of human nature.” The redemption of the seemingly irredeemable Scrooge signaled the possibility of redemption of the human spirit. We cannot gauge to what degree the book assuaged the ills of early Victorian society. We do know, however, that 6,000 copies were sold by Christmas Eve and eight competing stage versions were produced within a few months of its publication. It remains the best-selling Christmas book of all time, next to the Bible, and easily the most popular Christmas play. “There’s something really special about this current adaptation,” said director Bruce Sevy. “It manages not to be just sentimental—there are dark elements in the play: poverty, loneliness, death, greed, disappointment—yet the story holds out the promise that it’s never too late to make a new start.” But the lasting power of A Christmas Carol may well be the characterization of the holiday itself. At a time when traditional festivities were on the

decline, Dickens resurrected and reshaped the holiday with sparkling merriment, warm openheartedness, piping hospitality, dazzling generosity and even a white Christmas. The first Christmas card appeared just after the book’s publication. The cozy holiday glow was painted by his words. And even the existence of Christmas fiction, previously so saccharine sweet that it was declining in popularity, was rejuvenated by marrying it to its opposite—the tale of terror. By rekindling an almost extinguished flame, Dickens’ name forevermore was made synonymous with Christmas. Based on the original 1990 Applause article by Laird Williamson with contributions by Dr. Elliot Engel, Chad Henry, Marilynne Scott Mason, Jay Novick, Dan Sullivan and Suzanne Yoe.

A CHRISTMAS CAROL NOV 28 – DEC 28 STAGE THEATRE ASL & Audio-described Performance: Dec 20, 1:30pm Tickets: 303.893.4100 | denvercenter.org 800.641.1222 | TTY: 303.893.9582 Groups (10+): 303.446.4829

FUN FACTS

In its 35-year history, the Theatre Company has presented two different adaptations of A Christmas Carol—the first by Laird Williamson and Dennis Powers (1990-2004) and the second by Richard Hellesen (2005-present). In those years, we’ve had:

22 108

productions

costumes

274

Mrs. Fezziwigs

Stage Managers

(Christopher C. Ewing has stage managed 17 times beginning in 1990)

Scrooges

(Philip Pleasants has performed the role 8 times)

(including Anthony Powell, director of Lord of the Flies)

actors playing 4 ghosts

570

(Kathleen Brady played the role 11 times)

Fezziwigs

(including director Laird Williamson)

588 light cues

Tiny Tims

(Charlie Korman has performed the role 4 times)

months

to construct the scenery

Bob Cratchits

(including William Denis, who played both Marley’s Ghost and the Ghost of Christmas Present)

770,000 patrons

JUDI WOLF’S COSTUME COLUMN The Theatre Company’s holiday tradition, A Christmas Carol, returns to the stage for its 22nd time in the Company’s 35-year-history. Designed by resident costume designer Kevin Copenhaver, the large ensemble production is filled with lavish period pieces denoting an unmatched Victorian elegance. The style of the era can be seen in both the men’s and the women’s costumes. Dresses of the time were adorned with increased sleeve detail and included layers of starched petticoats creating full, heavy skirts. These would later lead to the development of the crinoline.

children

Ever dashing, the men’s fashion, particularly that of upper class gentlemen, followed the trend of earlier decades with full shoulders and chest, and tightly cinched waist. Shirts of linen or cotton were accented with wide cravats or neckties that offered several different looks. Color, fabric and style all played a part in distinguishing the upper classes from the lower ones, which is particularly evident at the festive Fezziwig party, full of ornate details, lush fabrics and rich colors. Just watching this vivid and colorful merriment on stage will put you in the right mood and fill you with holiday cheer.

lighting fixtures

2.4

TONS

is the weight of the painted floor

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2014/15 FAMILY SERIES

“ONE OF THE BEST FAMILY MUSICALS EVER PENNED” –Chicago Tribune

GLASS SLIPPERS, WICKED WITCHES AND HOLIDAY WHO’S MAKE THE PERFECT GIFT Feb FOR ALLAprAGES. 29 – May 10 Dec 17 – 28 3 – 15 Buell Theatre

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June 3 – July 5

Mar 10 – 15

Apr 22 – 26

“ONE OF THE BEST FAMILY MUSICALS EVER PENNED”

–Chicago Tribune

Dec 17 – 28 Buell Theatre

Feb 3 – 15

Buell Theatre

Apr 29 – May 10 Buell Theatre

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2014/15 FAMILY SERIES PACKAGES

SHOWS

Dr. Seuss’ How The Grinch Stole Christmas! The Musical, Rodgers + Hammerstein’s Cinderella, Annie and Wicked

June 3 – July 5

FORMar AS10LOW AS $219.65 Apr 22 – 26 – 15

Buell Theatre

SHOWS

Buell Theatre

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Dr. Seuss’ How The Grinch Stole Christmas! The Musical, Rodgers + Hammerstein’s Cinderella, Annie, Wicked and Joseph and the Amazing Technicolor Dreamcoat

SHOWS

FOR AS LOW AS $263.35

PAYMENT PLANS AVAILABLE.

DENVERCENTER.ORG | 303.893.4100 GROUPS: 303.446.4829 | TTY: 303.893.9582 Prices include handling fees and city seat tax.

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Dr. Seuss’ How The Grinch Stole Christmas! The Musical, Rodgers + Hammerstein’s Cinderella, Annie, Wicked and STOMP

FOR AS LOW AS $258.75

Dr. Seuss’ How The Grinch Stole Christmas! The Musical, Rodgers + Hammerstein’s Cinderella, Annie, Wicked, STOMP and Joseph and the Amazing Technicolor Dreamcoat

FOR AS LOW AS $302.45

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CELEBRATING THE BEST OF THE SEASON THE ICE PALACE EXPERIENCE THROUGH DECEMBER 24 | GRAND COURT Enjoy photos with Santa throughout the holiday season.

HOLIDAY CAROLING WEEKENDS STARTING NOVEMBER 28, DAILY BEGINING DECEMBER 16

SANTA CLAWS & PAWS SUNDAY, DECEMBER 14, 7:00 P.M. TO 10:00 P.M. | GRAND COURT We invite you and your four-legged friends for photos with Santa.

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HOW THE GRINCH STOLE CHRISTMAS

Stefan Karl as The Grinch with Brooke Lynn Boyd as Cindy-Lou Who. Photo by: PAPARAZZIBYAPPOINTMENT.COM

REDISCOVER THE MAGIC OF CHRISTMAS

Every Year on the telly Children gather around… To watch the Grinch STEAL Christmas From his very own town.

The furry green creature with little beady eyes, Hates Christmas, but no one really knows WHY. They say that his heart is two sizes too small, And that’s saying a lot, ’cause he’s really quite tall.

As you watch this musical, it’s likely you’ll find, That the Grinch who hates Christmas is really quite KIND. So GATHER Horton, Sam-I-Am and that Cat in the Hat, Bring The Lorax, Sally and those two Things to bat, Tell the fifer-feffer-feffs, the Guff, and the Snuvs, That ’ol Grinch is in the Buell with a heart full of LOVE.

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Theodor Seuss Geisel—“Ted” to his friends—began his career as a cartoonist in the 1920s after one of his fellow Oxford students noticed him spending more time doodling in class than taking notes. Not long thereafter, his work began appearing in magazines under the name “Dr. Theophrastus Seuss,” which he soon shortened to “Dr. Seuss.” His first children’s book, And to Think I Saw It on Mulberry Street, was published in 1937, but it wasn’t until 1957 that two of his most-loved stories were published. First up was The Cat in the Hat, which stemmed from reports of declining literacy among children. When William Spaulding of Houghton Mifflin publishers challenged him to “write me a story that first-graders can’t put down,” Geisel was very nearly stumped. Known for his nonsense words, he was tasked with using only 225 words from the grade school vocabulary list. “I read the list three times and almost went out of my head,” he was quoted as saying in The Annotated Cat by Philip Nel. “I’ll read it once more and if I can find two words that rhyme, that’ll be the title.” Thus The Cat in the Hat was born, selling more than one million copies in three years and serving as a prototype for Random House’s Beginner Books division, of which Geisel was named President. Geisel often said that the inspirations for his stories were mysteries to him, with the exception

of The Cat In The Hat and How the Grinch Stole Christmas. “I was brushing my teeth on the morning of the 26th of last December when I noted a very Grinch-ish countenance in the mirror,” commented Geisel in a 1957 Redbook interview. “It was Seuss! Something had gone wrong with Christmas, I realized, or more likely with me. So I wrote the story about my sour friend, the Grinch, to see if I could rediscover something about Christmas that obviously I’d lost.” What resulted was a rejuvenation of Christmas for generations to come. The book was an immediate hit. It was adapted into an animated special in 1966 and a feature film starring Jim Carrey in 2000. But in between, the Minneapolis Children’s Theatre Company brought the story to life on stage, complete with “You’re a Mean One Mr. Grinch” and “Welcome Christmas” from the original television special. Following its debut in 1994, the musical eventually made its way to Broadway where it ran in the Hilton Theatre (2006) and the St. James (2007). Though Geisel found popularity in many other children’s books including Horton Hears a Who, The Lorax, Fox in Socks, The Foot Book and who can forget Green Eggs and Ham, each year when Christmas comes around, generations gather together to read, watch and now attend Dr. Seuss’ How the Grinch Stole Christmas! The Musical. Upon his death in 1991, Geisel had written 44 children’s books with more than 200 million copies in print, received the Pulitzer Prize in 1984, three Academy Awards and eight honorary doctorates. Works based on his stories have received three Oscars, three Emmys, three Grammys and a Peabody Award. And he even coined his own entry into Merriam-Webster’s Collegiate Dictionary: “Grinch: noun an unpleasant person who spoils other people’s fun or enjoyment.” We couldn’t think of a term less likely to describe Theodore Geisel, our beloved Dr. Seuss. Instead, we’ll defer to Bennett Cerf, Geisel’s publisher, who said that of all the distinguished authors he had worked with, only one was a genius: Dr. Seuss.

DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL DEC 17 – 28 BUELL THEATRE ASL, Open Captioning & Audio-description Performance: Dec 27, 2pm Tickets: 303.893.4100 denvercenter.org 800.641.1222 TTY: 303.893.9582 Groups (10+): 303.446.4829

Santino Fontana and Laura Osnes from the Rodgers + Hammerstein’s CINDERELLA Original Broadway Company

— THEODOR SEUSS GEISEL

Photo by Al Revenna. Rights held under Library of Congress through Instrument of Gift.

“Something had gone wrong with Christmas, I realized, or more likely with me. So I wrote the story about my sour friend, the Grinch, to see if I could rediscover something about Christmas that obviously I’d lost.”

COMING UP FROM BROADWAY:

CINDERELLA One of Rodgers and Hammerstein’s most beloved scores was originally written for television: Cinderella (playing The Buell Feb 3–15). First aired in 1957 starring Julie Andrews, it features such songs as “Ten Minutes Ago” and “In My Own Little Corner.” Ted Chapin, President of Rodgers + Hammerstein, asked Robyn Goodman (Avenue Q, In the Heights) to produce a new version of Cinderella. She agreed but with a caveat: Only if Cinderella “can save the Prince as much as he saves her. She’s gotta be a more active character.” Goodman hired playwright Douglas Carter Beane (The Little Dog Laughed, Xanadu) to adapt. While critics have commented that Beane’s humorous script is revisionist, he was inspired by Charles Perrault’s 1697 fairy tale. It was a thinly veiled satire of French politics, says Beane: “The court was overwhelmed with ridicule and sarcasm, and Cinderella was kind and brought kindness to the court.” But Beane knew, “It had to have a little snark to it.” Since Rodgers and Hammerstein had only written songs for a 90-minute TV musical, Beane scoured their catalogue for material to fill out the score for the stage version. He found several little-known gems: “Me, Who am I?” a cut song from Me and Juliet, and “There’s Music in You” from the film Main Street to Broadway. Goodman thinks this melding of traditional songwriting and a playful new script resonates with contemporary families: “I want those mothers out there to know that it is the classic Cinderella; the glass slipper is there and he has to find her, and the Fairy Godmother and the Wicked Stepmother are there. It just has a slight modern spin on it, so girls feel that princesses can save the world; they are proactive, they’re compassionate and that the basic theme of the show is kindness.”

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5,000 YEARS OF CIVILIZATION. LIVE ON STAGE! “Mesmerizing! “Unique and inspirational… Absolutely beautiful!” Reclaiming the divinely inspired —Robert Stromberg, director of Maleficent and Oscar-winning production designer for Avatar

cultural heritage of China!” —Donna Karan, fashion designer

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MARCH 6–8

THE BUELL THEATRE

UPSTAGE EVERY OTHER GIFT. DCPA gift certificates turn into unforgettable Broadway, Theatre Company, Cabaret or Off-Center experiences for family and friends. Make someone’s holiday today.

GIFT IDEAS FOR ALL Find the perfect show or gift certificate suggestion below.

THEATRE NEWBIE

Introduce someone to theatre with these crowd-pleasing favorites and unique events • • • • •

A Christmas Carol Annie Backstage tours Dancing Pros: Live Wicked

SCREEN TO STAGE

GIRLS NIGHT OUT

• • • • •

Give a movie buff or television fan the chance to see familiar faces and stories live on stage Annie Rodgers + Hammerstein’s Cinderella Dancing Pros: Live See Jane Sing! (With Jane Lynch) Jersey Boys

DATE NIGHT

Any couple can agree on these shows to liven up an evening or weekend • • • • •

Defending the Caveman Motown The Musical One Night in Miami… STOMP The Book of Mormon

Get your friends together and plan an unforgettable night around these shows Appoggiatura The Australian Bee Gees Show Dancing Pros: Live See Jane Sing! (With Jane Lynch) Wicked

BABY BOOMERS

Relive the music and memories of your youth and explore the drama of the present • • • •

Benediction Jersey Boys Motown The Musical One Night in Miami…

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Main Box Office: the lobby of the Helen Bonfils Theatre Complex Holiday Box Office in Cherry Creek North: 2771 East 1st Avenue, next to Bose DENVERCENTER.ORG | 303.893.4100

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IN THE

SINGLE TICKETS

SPOTLIGHT

NOW ON SALE The SantaLand Diaries Now – Dec 24

Denver Center for the Performing Arts’ biggest stars step into the spotlight — actors, designers, students and you.

A Christmas Carol Now – Dec 28 Forbidden Broadway: Alive & Kicking! Now – Mar 1 Jersey Boys Dec 10 – 14 Dr. Seuss’ How the Grinch Stole Christmas! The Musical Dec 17 – 28 Appoggiatura Jan 16 – Feb 22

3 Photo by ?

Dancing Pros: Live Jan 23 – 24 Benediction Jan 30 – Mar 1 Rodgers + Hammerstein’s Cinderella Feb 3 – 15 See Jane Sing! Jane Lynch Feb 14 The Australian Bee Gees Show Mar 5

STOMP Mar 10 – 15 One Night in Miami... Mar 20 – Apr 19

For complete photo coverage, visit the DCPA’s News Center at denvercenter.org/news-center.

Mark Twain Tonight! Mar 21 The 12 Mar 27 – Apr 26 Motown the Musical Mar 31 – Apr 19

6 1. EDUCATION: More than 100 kids filled the hallways on Nov. 2 at our free Family Fun Forum. 2. OFF-CENTER’s unofficial mascot, Mr. Baseball, kicked off the new season of offbeat theatre on Sep 12. 3. SATURDAY NIGHT ALIVE was launched in grand style by Claudia Miller (auction chair), Kate Burke (Alliance President) and Susan Stiff (chair). The March 7 event features Jessie Mueller and Jarrod Spector of Beautiful: The Carole King Musical. 4. THEATRE COMPANY: The cast and director of Vanya and Sonia and Masha and Spike goofed around at the cast party on opening night. 5. KIDS NIGHT ON BROADWAY at Blue Man Group let kids play instruments, get autographs and have fun. 6. EVENT SERVICES hosted Western Union on the Directors Room open-air patio.

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Joseph and the Amazing Technicolor Dreamcoat Apr 22 – 26 Defending the Caveman Apr 22 – Jun 28 Annie Apr 29 – May 10 Wicked Jun 3 – Jul 5 The Book of Mormon Aug 11 – Sep 13

2014 National Tour Big League Productions, Inc. Presents

Dr. Seuss’

How the Grinch Stole Christmas! The Musical

Based on the book How the Grinch Stole Christmas by Dr. Seuss Book and Lyrics by

Music by

Timothy Mason

Mel Marvin

Additional music and lyrics by Albert Hague and Dr. Seuss Starring

Stefan Karl

Bob Lauder

Andreas Wyder

and

Isabella Burke Vincent DiPeri Riley Glick Raleigh Shuck David Thornton Katy Vaughn Melissa Weisbach Aviva Winick with

Nicole Acevedo Hannah Roberts Brown Tara Carbone Kyle Eberlein Hillary Ekwall Chavon Hampton Justun Hart Jayson Kerr Eric B. Mota Jonathan Nadolny Jackie Nguyen Aaron Ronelle Chelsea Vann Jennifer Wilcove Set Designer

John Lee Beatty

Lighting Design

Pat Collins

Casting by

Costume Designer

Original Sound Designer

Alison Franck, CSA

ACME Sound Partners

Incidental Music/Vocal Arrangement

Joshua Rosenblum

Original Tour Producers

Sound Designer Associate Lighting Designer

Robert Morgan Ed Chapman

Orchestrator

Michael Starobin

Charlie Morrison

Associate Director

Music Supervisor

Antoinette Dipietropolo

Steven Cuevas

Dance Music Arranger

Technical Supervisor

General Management

David Krane

Running Subway Big League Productions, Inc. This Time of Year Co. Mark Johnson Original Choreography by

John DeLuca

Don S. Gilmore

Executive Producer

Daniel Sher

Associate Producer

Audrey Geisel

Co-Choreography

Bob Richard

Directed by

Matt August Original Production Conceived and Directed by

Jack O’Brien

Based on the production produced by The Old Globe, San Diego California Louis G. Spisto, Executive Director Originally commissioned by and produced at The Children’s Theatre Company, Minneapolis, Minnesota Produced by permission of Dr. Seuss Enterprises, L.P.

Exclusive Tour Direction: AWA Partners

How the Grinch Stole Christmas!

and Season Sponsors

How the Grinch Stole Christmas!

Cast

(in order of appearance) Old Max.......................................................................................................................................................... Bob Lauder Cindy-Lou Who (Alternating)............................................................................... Raleigh Shuck/Aviva Winick Papa Who.................................................................................................................................................Vincent DiPeri Mama Who........................................................................................................................................ Melissa Weisbach Grandpa Who....................................................................................................................................... David Thornton Grandma Who............................................................................................................................................Katy Vaughn Annie Who (Alternating)............................................................................................. Isabella Burke/Riley Glick Citizens of Whoville............................................Nicole Acevedo, Hannah Roberts Brown, Tara Carbone, ....................................................Kyle Eberlein, Justun Hart, Jayson Kerr, Chelsea Vann, Jennifer Wilcove Who Kids....................................................................................Hillary Ekwall, Chavon Hampton, Eric B. Mota, ............................................................................................... Jonathan Nadolny, Jackie Nguyen, Aaron Ronelle Young Max............................................................................................................................................. Andreas Wyder The Grinch.......................................................................................................................................................Stefan Karl Swings ERIC B. MOTA, JACKIE NGUYEN Understudies Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance. For The Grinch: JUSTUN HART, DAVID THORNTON; For Old Max: JUSTUN HART, JAYSON KERR; For Cindy-Lou Who: ISABELLA BURKE, RILEY GLICK; For Mama Who: CHELSEA VANN; For Papa Who: KYLE EBERLEIN ; For Grandpa Who: KYLE EBERLEIN, JAYSON KERR; For Grandma Who: JENNIFER WILCOVE; For Young Max: ERIC B. MOTA

MUSICAL NUMBERS Who Likes Christmas?...............................................................................................................Citizens of Whoville This Time of Year...............................................................................................................Old Max and Young Max I Hate Christmas Eve.........................................................The Grinch, Young Max, Papa Who, Mama Who, ..................... Grandma Who, Grandpa Who, Cindy-Lou Who, Danny Who, Annie Who and Boo Who What Cha Ma Who.................................................................................................................The Grinch, Who Kids Welcome, Christmas..................................................................................................................Citizens of Whoville I Hate Christmas Eve (Reprise)...............................................................................................................The Grinch It’s the Thought That Counts...................................................Grandma Who, Grandpa Who, Mama Who, ......................................................................................................Papa Who, Citizens of Whoville and Who Kids One of a Kind.................................................................................................................................................The Grinch Now’s the Time........................................................Papa Who, Mama Who, Grandma Who, Grandpa Who You’re a Mean One, Mr. Grinch..................................................................... Old Max, Young Max, The Grinch Santa for a Day............................................................................................................Cindy-Lou Who, The Grinch You’re a Mean One, Mr. Grinch* (Reprise)................................................................................................Old Max Who Likes Christmas? (Reprise)...........................................................................................Citizens of Whoville One of a Kind (Reprise)................................................................... Young Max, The Grinch, Cindy-Lou Who This Time of Year (Reprise)............................................................................................................................Old Max Welcome, Christmas* (Reprise)............................................................................................Citizens of Whoville Santa for a Day (Reprise)..................................... The Grinch, Cindy-Lou Who and Citizens of Whoville Who Likes Christmas? (Reprise).................. The Grinch, Young Max, Old Max and Whos Everywhere * Music by Albert Hague and lyrics by Dr. Seuss. Published by EMI Robbins Catalog, Inc. “Dr. Seuss’ How The Grinch Stole Christmas! The Musical” will be performed without an intermission

STEVEN CUEVAS (Musical Director/Conductor)

Peter Leigh-Nilsen (Associate Conductor/Keyboard 1), Andrei Strizek (Keyboard 2), Melissa Yanchak (Keyboard 1 Alternate/Replacement), Noelle Fabian (Reed 1), Rick Kissinger (Reed 2), Chad Ostermiller (Reed 3), Dave Richards (Trumpet 1), Kurt Marcum (Trumpet 2), Mike Mulligan (Trombone), John Convertino (Bass), Tristan Marzeski (Drums/Percussion) All videotaping, audio recording and photography is strictly prohibited.

who’s who in the cast STEFAN KARL (The Grinch) is best known for his role as the villain Robbie Rotten in the TV series Lazy Town. Currently shown on PBS Sprout, CBS and in more than 130 countries, Lazy Town won the prestigious BAFTA award for the episode “Robbie’s Greatest Misses” in 2007. Stefan’s theatre work in the past includes: The National Theatre of Iceland: Spamalot (Herbert), Cyrano de Bergerac (Cyrano), Singin’ in the Rain (Cosmo Brown), Stones in His Pockets (Jake Quinn), Lazy Town (Robbie Rotten), A Midsummer Night’s Dream (Puck), Noises Off (Lloyd), The Reykjavik City Theatre: Little Shop of Horrors (The Dentist) and many others. Films include: Regina, Stella for office, Polite People and Johannes from 2010 and more. This is Stefan’s seventh year with the Grinch company and he has done more then 400 shows in about 34 cities in North America. BOB LAUDER (Old Max) Happy to be returning for his 5th year in Whoville, Bob Lauder survived the 1st National Tour of Titanic, A New Musical, Kismet (Hajj) and The Student Prince (Dr. Engel). Paint Your Wagon (Ben Rumson) and Evita (Juan Peron) both earned him Dramalogue Awards. He’s worked with Phyllis Diller, Roger Daltrey, John Lithgow, Kristen Chenoweth and many others. An accomplished operatic baritone, he’s sung in La Bohéme (Marcello), Verdi’s Falstaff (Falstaff), Carmen (Escamillo), Die Fledermaus (Dr. Falke) and many more. Before joining Grinch, he was charming audiences as Santa Claus in the Las Vegas Christmas Spectacular, Believe in the Magic and has performed for the last 13 years in the most successful corporate act in the world, The Three Waiters.

ANDREAS WYDER (Young Max) is jumping for joy to be returning to this beautiful Grinch family after touring the country with them last year! Favorite selected credits include: NATIONAL TOUR: Titanic the Musical (Bellboy), OFF-BROADWAY/NYC: Vestments of the Gods (produced by TonyAward Winner Lin-Manuel Miranda), Mexican Hayride (Junior) at Theatre Row, Berenstain Bears LIVE! (Brother Bear), Regional: Next to Normal (Gabe). Enormous thanks to the gorgeous Alison Franck, God, DD, and this phenomenal cast/creative team! Spread love! www.andreaswyder.com ISABELLA BURKE (Annie Who) is thrilled to make her professional debut with The Grinch family. Thanks to Big League Productions for this opportunity. Love to Lisa Calli, Philip Pelkington, Jr., Alison, Badiene, Tristian, Libby, Janine, Nana and Papa, Grandma Betty, my coaches and teachers, and my family and friends. Shout out to Big H, I, and A for all of their support. VINCENT DIPERI (Papa Who) is excited to be returning to The Grinch family. Vincent is based in NYC. Credits: Spamalot (Sir Bedevere- Park Playhouse), Les Miserables (Joly/ Thenardier u.s- Little Theater on the Square), The Producers (Roger Debris- Park Playhouse), and LMAOff Broadway (Performer- Midtown Theater). Thanks to Big League for this opportunity. Love to my family and Carl! RILEY GLICK (Annie Who) is thrilled to return to Whoville for her third holiday season, from Scottsdale, AZ! Regional: Les Misérables (Little Cosette), Ruthless (Tina Denmark), Gypsy

(Baby June). Other favorite roles: Shrek (Young Fiona), Annie (Annie). Thank you again Matt August, Alison Franck, Bob Richard, Dan Sher, Grinch team and Big League. Special thanks to Nancy Carson, Bob Marks, Jennifer Johns, Kelli James, Michael Barnard! Much love to Mom & Dad! RALEIGH SHUCK (Cindy-Lou Who) age 8 is a Kentucky girl who now lives in New York City. STAGE: Broadway Does County (Laurie Beechman Theatre), Sticks & Stones (NY Theatre Barn) TV: The Money (HBO pilot). FILM: Mild and Lovely. Thanks to God, my family, Nancy Carson, Peggy Stamps, Alison Franck, Cliff Samuels, & Ellyn Marsh! DAVID THORNTON (Grandpa Who) Recent works include: The 39 Steps (Clown 1 and 2 at Cape Fear Regional Theatre and Sierra Repertory Theatre, respectively) a sketch comedy pilot for HBO as well as voice work for the video games Two Worlds II, Ride to Hell: Retribution, and Invizimals: The Lost Kingdom. He wishes to dedicate his performances in memory of his mother. KATY VAUGHN (Grandma Who) Returning to Whoville for a third holiday season! Off–Broadway: Dear Edwina. National Tour: A Year w/ Frog & Toad (Mouse). Disney Cruise Line: Disney’s Believe (Mary Poppins, Mrs. Potts). As a voice over actor, Katy’s recorded numerous children’s books, including “Dot.” by Randi Zuckerberg, as well as national ads for HTC One, Veet, & Nike. BFA Musical Theatre–Shenandoah Conservatory. Love to Mom, Dad, & Jacob. www.katyvaughn.com

How the Grinch Stole Christmas!

The Grinch Orchestra

How the Grinch Stole Christmas!

MELISSA WEISBACH (Mama Who) National tour debut! Over the moon to be joining the Whos, Melissa is very much more than enthused! Credits include: A Funny Thing...(Philia), The Mikado (Pitti-Sing), West Side Story (Maria), The Secret Garden (Lily), Respect The Musical (Eden). Thanks to the creative team, fellow Whos, her family and Michael, her love. Melissaweisbach.com AVIVA WINICK (Cindy-Lou Who) National Tour Debut! Regional favorite roles: Young Tracy Turnblad, Dorothy, Rapunzel, Alice, TinkerBell, Gertrude McFuzz. Aviva loves reading, cooking, and writing reviews of Broadway shows! Big thanks to Nancy, Kim, Amelia, DMO, and all my teachers/ mentors for your support! Love to Mom, Dad, family and my biggest fan, Jacob! @AvivaWinick NICOLE ACEVEDO (Ensemble) is excited to join the Grinch family! She was last seen in the Off-Bway Pinkalicious the Musical (Pinkalicious) Nat’l Tour: Junie B. Jones and the Stinky Smelly Bus (Junie B), Little People Live! (Sofie). LB H A N N A H R O B E R TS B R O W N (Ensemble) is ecstatic to rejoin her Grinch family. Credits include Drowsy Chaperone, Pinkalicious (St. Michael’s Playhouse); To Kill A Mockingbird (Lost Nation); and Cloud 9, Beaux Stratagem (University of Vermont). Thanks to Mom and Dad! TARA CARBONE (Ensemble) is thrilled to be returning to Grinch! Tara was recently seen in Damn Yankees at MGR Playhouse and in The Music Man at the John W. Engeman. Tara also acted on camera in ABC’s Upfront at Lincoln Center and in the Novartis Industrial. BFA in Musical Theatre from Syracuse University. taracarbone.com KYLE EBERLEIN (Ensemble) is thrilled to be performing in Dr. Seuss’ How The Grinch Stole Christmas! The Musical. Previous theatres include: Utah Shakespeare Festival, Prospect Theatre and Attic Theatre Company. BFA in Musical Theatre from Otterbein University. Thanks to his family, friends and Tricia for being so supporting! HILLARY EKWALL (Ensemble) is delighted to be ringing in the holidays with “The Whos.” Off Broadway: Angelina Ballerina Holiday (Angelina). National Tours: Curious George Live! Ramona Quimby. Regional: Grease (Patty Simcox) at NSMT, Spelling Bee

(Logainne), Godspell (Gilmer). Thanks to the Grinch team for this opportunity and to my friends and family for their continued love and support. www.hillaryekwall.com CHAVON HAMPTON (Ensemble) was born and raised in New Haven, Connecticut. She was featured in an Off-Broadway Show titled My World, and can also be seen in the new Lucille Roberts commercial. JUSTUN HART (Ensemble) earned his BFA in Musical Theatre from the University of Wisconsin-Stevens Point. Regional credit: Seven Brides for Seven Brothers (Adam). Thanks to God, my incredible family, and supportive girlfriend. JAYSON KERR (Ensemble) is thrilled to join this amazing cast of Dr. Seuss’ How The Grinch Stole Christmas! The Musical. National tours: Jesus Christ Superstar (with Ted Neeley), Evita. Regional: Finian’s Rainbow, The Producers, Once On This Island, Dreamgirls, Man of La Mancha and Titanic. ERIC B. MOTA (Asst. Dance Captain, Swing, Ensemble) is thrilled to return to WHOville for his 4th holiday season with Grinch! Credits include: North American tour of The Wizard of Oz, Forum (Alley Theatre), A Chorus Line, Hair, Disney’s Tarzan, and Broadway Connection. Training: Sam Houston State University (BFA), North East School of the Arts, and BTP (under the direction of Ann Reinking). JONATHAN NADOLNY (Ensemble) is thrilled to be back with Grinch. Favorite Credits: Inky in Super Sidekick, the Musical (2012 NY Fringe Encore winner), Seymour in Little Shop of Horrors, and The Emcee in Cabaret. Always Keep Dreaming! JACKIE NGUYEN (Asst. Choreographer, Dance Captain, Swing, Ensemble, ASM, ACM) returns to Whoville for her FIFTH Christmas in a row! BFA from Cal State Fullerton! Favorite Credits: ‘Kim’ in 2013 International Tour of Miss Saigon and LA productions, female swing on 2014 International Tour of My Fair Lady. Special thanks to Antoinette, Bob Richard, Matt, Who family, Crewville, Avalon Aritsts, my beautiful Mom. Merry Christmas to my super hero, Nate! www.jackie-nguyen.com AARON RONELLE (Ensemble) an AMDA graduate is ecstatic to be spending yet another Christmas with his Whoville family! Aaron is

diligently working on his recording career and can soon be seen singing the National Anthem for the NBA. #SpreadSomeCheer CHELSEA VANN (Ensemble) feels blessed to return to Whoville for a third year! Regional: My Fair Lady (Eliza), Legally Blonde (Vivienne), Les Misérables (Eponine, Fantine), Burn This (Anna). Proud alum of Wagner College, BA Theatre Performance. For my incredible parents! chelseavann.com JENNIFER WILCOVE (Ensemble) teaches at APU in L.A. and has performed at Geffen Playhouse, Starlight Bowl, Moonlight Amphitheater, Disneyland, and the Crystal Cathedral. She has toured nationally with Gershwin singers and enjoyed voiceover work. www.jenniferwilcove.weebly.com. DR. SEUSS (Writer) Dr. Seuss was born Theodor Geisel in Springfield, Massachusetts on March 2, 1904. After attending Dartmouth College and Oxford University, he began a career in advertising. Dr. Seuss’s first children’s book, And to Think That I Saw It on Mulberry Street, hit the market in 1937, changing the world of children’s literature forever. Winner of the Pulitzer Prize in 1984, two Emmy awards and three Academy awards, Seuss was the author and illustrator of 44 books, many of which have been made into audiocassettes, animated television specials and videos. His books include The Cat in the Hat, which infused 236 simple words with rhythm, rhyme and humor, and Green Eggs and Ham which used only 50 words. Even after his death in 1991, Dr. Seuss continues to be the world’s best-selling author of children’s books. JACK O’BRIEN (Original Director) Broadway: Houdini (Upcoming); Macbeth; The Nance; Dead Accounts; Catch Me If You Can; Impressionism; The Coast of Utopia (Tony Award®); Dirty Rotten Scoundrels (Tony nominations); Henry IV (Tony Award®); Hairspray (Tony Award® and Drama Desk Award); Imaginary Friends; The Invention of Love (Tony nomination; Drama Desk Award); The Full Monty (Tony nomination); More to Love; Getting Away With Murder; Pride’s Crossing; The Little Foxes; Hapgood (Lucille Lortel Award); Damn Yankees (Tony nomination); Two Shakespearean Actors (Tony nomination); Porgy and Bess (Tony Award®, Most Innovative Revival); St. Louis Woman; The Most

TIMOTHY MASON (Book & Lyrics) Broadway: Dr. Seuss’ How the Grinch Stole Christmas! The Musical (2006 & 2007). Off-Broadway: Levitation, Only You, Babylon Gardens (with Timothy Hutton and Mary- Louise Parker) and The Fiery Furnace (w/ Julie Harris), all produced by Circle Rep. Regional: ACT’s Young Conservatory San Francisco, The Young Americans Cycle (Ascension Day, The Less Than Human Club, Time on Fire, Mullen’s Alley and My Life in the Silents), the Old Globe San Diego, Actors Theatre of Louisville, South Coast Rep, Seattle Rep, Victory Gardens, the Jungle Theatre (Minneapolis), the Guthrie Theater Lab and the Royal National Theatre, London. Numerous plays and musicals with Minneapolis Children’s Theatre Co., including several collaborations with Mel Marvin, and the first Dr. Seuss musical, The 500 Hats of Bartholomew Cubbins, with composer Hiram Titus in 1980. Tim’s first novel, The Last Synapsid, a fantasy-adventure for kids, is published by Random House (www.randomhouse.com/kids). MEL MARVIN (Composer) Bway; Dr. Seuss How the Grinch Stole Christmas! The Musical, Cymbeline, A History of the American Film, Tintypes (Tony Award® nom.), Yentl, Fascinating Rhythm. Innumerable scores for productions of plays, from Shakespeare (Lincoln Center Theater, Guthrie, A.R.T., Arena Stage, Hartford Stage, McCarter, etc.) to Kushner (Angels in America at the Mark Taper Forum), Musicals for young audiences: Little Miss Hollywood, Madeline’s Rescue, Strega Nona Meets Her Match, Mr. Popper’s Penguins, A

Cricket in Times Square, Gold. Opera: Guest From the Future, premiered at Bard Summerscape in 2004, and Buwalsky, Opera Spanga, Holland, Yale, the Skirball Center, NYC (2004). Also this season: Elmer Gantry at Signature Theatre, directed by Eric Schaeffer. Head faculty composer, Graduate Musical Theatre Writing Program, Tisch School of the Arts, NYU. ALBERT HAGUE (Original Composer of “You’re A Mean One, Mr. Grinch” and “Welcome Christmas”) His music for the original How the Grinch Stole Christmas, especially the songs “You’re A Mean One, Mr. Grinch” and “Welcome Christmas” are instantly recognized worldwide by young and old alike. His Broadway career includes the standard “Young and Foolish” from the hit show Plain and Fancy as well as Redhead, for which he won the Tony in 1959. His film and TV career started when he was in his late 50s with the role of Professor Shorofsky in the movie Fame and the “Fame” TV series, and continued with many small roles in movies such as Space Jam and The Story of Us. Born in 1920 in Berlin, he escaped the Nazis via music scholarships in Rome and Cincinnati and settled in NY. The music from The Grinch is his most enduring achievement. MATT AUGUST (Director) Broadway: Dr. Seuss’ How the Grinch Stole Christmas! The Musical (also all National Tours, Madison Square Garden and Pantages); Broadway as Associate Director: Henry IV, Invention of Love, Imaginary Friends, Full Monty. Selected Regional Directing: Geffen PlayhouseGospel According to Jefferson, Dickens and Tolstoy: Discord; Old Globe- Two Gentlemen of Verona, Time Flies (by David Ives), Pig Farm (Co-World Premier by Greg Kotis), Food Chain. Pioneer Theatre- In the Heights; Much Ado About Nothing; Ford’s TheatreLiberty Smith, A Christmas Carol (5 seasons); TheatreWorks- Baby Taj; The Acting Company (NYC): Two Gentlemen of Verona, Merry Wives of Windsor and Staff Repertory Director; NoHo Arts Center- Gospel…Discord, Fourth Messenger (upcoming); Long Wharf: Sixteen Wounded (starring Martin Landau); LA Theatre WorksThe Real Dr. Strangelove, Speech and Debate, Intelligence Slave (upcoming); Hanger Theatre: Complete History of America Abridged, All in the Timing, Tempest, Free to Be…; Next StagesJump Rope; HERE- Judith. He’s received fellowships and residencies from the Oregon Shakespeare Festival,

Old Globe Theatre, Drama League, Robert Wilson’s Watermill Center, the Julliard School, San Francisco’s Zen Center, received the Panavision New Filmmaker’s Grant and mentored upcoming directors through the SDC Observership Program and Drama League Fellowship. His productions have been recognized by the Helen Hayes, Bay Area Critics and Australia’s Helpmann Awards and appeared on Year End Top-Ten lists in the LA Times, San Francisco Chronicle, Oakland Tribune, SJ Mercury News and NPR/ KQED. His award winning short family film How to Get to Candybar has played at festivals around the world. MFA from California Institute of the Arts. JOHN DeLUCA (Original Choreography) Old Globe: Dr. Seuss’ How The Grinch Stole Christmas! The Musical. Film: Pirates of the Caribbean: On Stranger Tides, Nine, Memoirs of a Geisha, Chicago, The Terminal. TV: Tony Bennett: An American Classic, 75th Annual Academy Awards, Kennedy Center Honors. Broadway/ NY theatre: Minnelli on Minnelli, Broadway Sings Elton John, Deborah Voight on Broadway, Sweet Adeline (Encores!), Two Gentlemen of Verona (the Public). National tour: The Boy Friend, Chita & All That Jazz, Music of the Night, Brigadoon. American Stage Co.: Oedipus Private Eye, Lucky Guy, The Gig. American Musical Theatre Award, Choreography Media Honors, American Choreography Award, two Emmy Awards. Currently producing the film version of Into the Woods, in theaters this December. BOB RICHARD (Choreographer) Broadway; How the Grinch Stole Christmas! The Musical! (Off Broadway); The Road to Qatar! and the Co-Director and Choreographer of Inventing Mary Martin, the Review of a Lifetime! (National Tours); The 50th Anniversary National Tour of HELLO, DOLLY! Starring Sally Struthers; Cabaret and in 2015 Bob’s work will be seen in the National Tour of GUYS AND DOLLS! Bob spent the summer working on the premiere of an original new Musical which just opened in Shanghai China! SHANGHAI BUND (TV and Film); Choreographer of LazyTown Season 3; by Turner Network Television. The Tonight Show; The Today Show; and Macy’s Thanksgiving Day Parade. Bob has been the Resident Choreographer for Sacramento Music Circus and over the past 16 years has staged over 36

How the Grinch Stole Christmas!

Happy Fella. For the Metropolitan Opera, Il Trittico. London: Love Never Dies, March 2010; Hairspray (Olivier Award); His Girl Friday (National Theatre). Artistic Director of the Old Globe Theatre, San Diego, from 19812007. Six movies for PBS’s “American Playhouse.” Actor (film): Sex and the City. Awards: Artserve Michigan 2008 International Achievement Award; 2008 Theatre Hall of Fame Inductee; 2005 John Houseman Award; 2007 and 2001 Joan Cullman Award for Extraordinary Creativity, 2004 Thomas Degaetani Award (USITT), 2002 “Mr. Abbott” Award (SDCF); 2001 Joe A. Callaway Award (SDCF). Member, College of Fellows of the American Theatre; Honorary Doctorate, University of San Diego; Honorary Doctorate, University of Michigan. Author: Jack Be Nimble (Farrar, Straus & Giroux).

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JOHN LEE BEATTY (Scenic Designer) Recent productions include Much Ado About Nothing and King Lear for the Public Theater’s Shakespeare in the Park summer series. Broadway: The Nance, After Midnight, Other Desert Cities, Venus in Fur, Chicago, Good People, Proof, Doubt, The Color Purple, The Sisters Rosensweig, A Delicate Balance, The Heiress, Ain’t Misbehavin’, Talley’s Folly, Burn This, Fifth of July, Rabbit Hole, Penn & Teller and more. Education: Brown, Yale School of Drama. Awards: Tony, Obie, Outer Critics, Drama Desk, Theater Hall of Fame. PAT COLLINS (Lighting Designer) Broadway: Doubt (Tony nomination), Proof, A Moon for the Misbegotten, The Heidi Chronicles, I’m Not Rappaport (Tony® Award), Execution of Justice (Drama Desk Award), Sherlock’s Last Case, Ain’t Misbehavin’, Baby, Steaming, Orphans, Good People. Lincoln Center: Dying City, An American Daughter, A Delicate Balance, The Sisters Rosensweig, Threepenny Opera (Tony nomination). ROBERT MORGAN (Costume Designer) Broadway: The Full Monty, Imaginary Friends, I’m Not Rappaport and Sherlock’s Last Case. OffBroadway: Saturn Returns and Pride’s Crossing, Lincoln Center; The Loves of Anatol, Circle in the Square. 101 Dalmatians. Forty years of designing for regional theatres across the U.S; founding Associate Artist, Old Globe Theatre, San Diego. ED CHAPMAN (Sound Designer) happily returns to the Grinch design team. Bringing over 25 years of experience on Broadway, International theatre and concert production. Design credits include; The Joker’s Game (World Premiere, China), National Tour of A Christmas

Story, Walnut Street’s In The Heights Theatre of the Stars Annie, Dr. Seuss’ How the Grinch Stole Christmas! The Musical National tours, American Pops Orchestra (in Tokyo). Mr. Chapman sends much love and thanks to his Parents John and Gayle, and family, Kate, Mary Ann, Johnny and Eddie. A N T O I N E TT E D I P I E T R O P O L O (Associate Director) is excited to be back working on the National Tour of How The Grinch Stole Christmas! The Musical. Previously she has been the restaging choreographer and the character Bugsy/Dance Captain. Director/Choreographer Nunsense at Flatrock Playhouse and Engeman Theater; Director/Choreographer Chicago, Jesus Christ Superstar and Annie at Fort Salem Theatre; Choreographer Annie at the Muny in St. Louis; Director/Choreographer Ragtime at Lyric stage nominated in 14 categories for the Theatre League Awards; Ragtime at North Carolina Theatre she won best Choreographer at the Triangle Theatre Awards; Choreographer for Candide starring George Hearn & Rita Moreno; Choreographer The Music Man, Evita, South Pacific, Hairspray and I Love You You’re Perfect Now Change at the Engeman Theater; Co-Creator/ Choreographer Powerhouse Joyce SoHo; Choreographer Off Broadway show With Glee; Choreographer for the ongoing bus tour THE RIDE in New York City; Choreographer Big Apple Circus; Director/Choreographer for Annie numerous places. www.antoinettedipietropolo.com @antoinettedip STEVEN CUEVAS (Music Supervisor) International Tour: My Fair Lady. As a musician: Off-Broadway: Closer Than Ever, Songs for a New World, Iron Curtain; North American Tour: Spring Awakening; Recording: Dr. Seuss’ How the Grinch Stole Christmas! The Musical. Thanks to every Who down in Whoville, the tall and the small! Love to my family and AS. @StevenMCuevas MICHAEL STAROBIN (Orchestrator) If/Then, Annie, Dogfight, Queen of the Mist, People in the Picture, Sondheim on Sondheim, Next to Normal, Glorious Ones, Grinch, Adrift in Macao, Bernarda Alba, Spelling Bee, Assassins, Tom Sawyer, A New Brain, A Christmas Carol, Hello Again, Guys & Dolls, My Favorite Year, Falsettos, In Trousers, Sunday in the Park with George, Once on This Island, Closer Than Ever, Legs Diamond, Romance Romance, Carrie,

Birds of Paradise, Rags, Three Guys Naked, Von Richtofen. DAVID KRANE (Dance Music Arrangements) created the dance music & additional score for the Oscar-winning Chicago, the film of Nine, musical score adaptation for the new Disney Into The Woods, starring Meryl Streep, produced & arranged Michelle Williams’ vocals for My Week with Marilyn and composed Aspire with Stephen Cole, the 1st American musical produced in the Middle East. Their musical comedy about that incredible experience, The Road to Qatar! was produced in Dallas, NYC & the Edinburgh Festival. The show is licensed by josef-weinberger.com, and the CD, produced by jayrecords.com, is available on iTunes. Arrangements currently on Broadway: Cabaret, upcoming: On The 20th Century. davidkrane.com. DON S. GILMORE (Technical Supervisor) has provided production management and technical supervision for over 300 Broadway, regional theatre and commercial projects in the U.S. and abroad. Broadway: Billy Crystal’s 700 Sundays, Guys & Dolls, How the Grinch Stole Christmas, Dracula the Musical, Sinatra, The Pirate Queen. Tours: Matthew Bourne’s Sleeping Beauty, How the Grinch Stole Christmas, Tallest Tree in the Forest, Hair, Judy Garland Live!; Other Projects: Rock & Roll Hall of Fame Annex NYC, Fantasy of a Kingdom (Phuket, Thailand) and Times Square New Year’s Eve. Don lives in NYC with his wife, actress Rebecca Holt, and their three children: Luke, Max and Ruby. ALISON FRANCK (Casting Director) has been working in casting for almost 20 years. Current projects are national tours of A Christmas Story, The Musical!, Guys and Dolls, and Dr. Seuss’ How the Grinch Stole Christmas! The Musical (for the 5th year in a row). Her recent projects include: National Tours of Hello, Dolly! starring Sally Struthers, Man of La Mancha, tons of commercials and the voice overs. Past tours of Hair, Dreamgirls, My Fair Lady, Ain’t Misbehavin’ starring Ruben Studdard and Frenchie Davis, Chitty Chitty Bang Bang, Gloryana at The Public (reading and workshop), the TV series Peter Rabbit and A Moment in Time, the new John Denver songbook musical, off-Broadway plays, It’s Just Sex. & The Donkey Show (directed by Diane Paulus). Alison also worked

How the Grinch Stole Christmas!

productions. Other notable Theatres include; The 5th Ave Theatre, in Seattle; The Old Globe Theatre; Madison Square Garden in NYC, North Shore Music Theatre; Theatre Under the Stars, in Houston; Ordway Center for the Performing Arts and The Pioneer Theatre, in Salt Lake City. Bob and his wife Diane are the Co-Founding Artistic Directors of The American Musical Theatre Dance Company! Dancing, teaching master classes worldwide, and choreographing encompassing over 30 plus years in show business. My Love to Diane and Robert Henry!

How the Grinch Stole Christmas!

in television casting of “Soul Man”, starring Dan Aykroyd, “LateLine”, starring Al Franken, “Talk to Me” starring Kyra Sedgewick, and pilots of “Freaks and Geeks”, and “Madigan Men.” Also was the Casting director for several films including Broke Even starring Kevin Corrigan. Alison was the Resident Casting Director for Paper Mill Playhouse for 10 years, where she cast over 50 productions, including the Broadway transfer of I’m Not Rappaport, starring Judd Hirsch and Ben Vereen, directed by Daniel Sullivan. Regional: Pirates! (Goodspeed/Paper Mill), Hairspray, and Les Misérables (North Shore) and 2007’s mini-tour of Seven Brides for Seven Brothers (TUTS/Paper Mill Playhouse/North Shore/TOTS). Upcoming website: www.franckcasting.com RUNNING SUBWAY (Producer) is a NYC based entertainment company founded by James Sanna with Joshua Rosenblum. The board includes Ken Munoz, Bill Davis, Allen Paik and Steve Tuttleman. Grinch: Broadway & all Tours. Other prods include Sinatra at the London Palladium, Peter Pan at Madison Square Garden (Cathy Rigby), Judy Garland In Concert. Projects include the Rock and Roll Hall of Fame Annex NYC, Bodies - the Exhibition, as well as the venue Discovery Times Square (www.discoverytsx.com) currently featuring the blockbuster exhibits, Body Worlds: Pulse, and Marvel’s Avengers S.T.A.T.I.O.N. Past exhibits incl. Titanic, DaVinci, King Tut, Terra Cotta Warriors, Harry Potter the Exhibition, Spy and three exhibitions that are currently touring… The Dead Sea Scrolls, Art of the Brick and Pompeii. Upcoming includes a new circus/musical, Dr. Seuss’ Circus McGurkus. THIS TIME OF YEAR COMPANY LP (Original Tour Producer) a partnership formed in 2007 to produce the national tour of Grinch. Comprised of Running Subway, Shorenstein Hays Nederlander Theaters (SHN), EMI Music Publishing, Michael Speyer & Bernie Abrams, Dancap Productions, Janet Pailet, Spark Productions, and Eva Price/ Maximum Entertainment. AUDREY STONE GEISEL (Associate Producer) Audrey Stone Geisel (Mrs. Seuss) is the President and CEO of Dr. Seuss Enterprises, L.P., which was formed in 1993 to maintain the quality and integrity of Dr. Seuss copyrights and trademarks. Dr. Seuss Enterprises has overseen the production of all

licensed posthumous adaptations of Dr. Seuss’ work. Mrs. Geisel is also President of the Dr. Seuss Fund and Dr. Seuss Foundation, which donate funds to a variety of causes and institutions that promote literacy. In addition, the Dr. Seuss Fund and Dr. Seuss Foundation are major contributors to many educational, cultural and medical institutions in Southern California. Mrs. Geisel serves on the advisory board of many of these institutions. THE OLD GLOBE (Original Producer) The Tony Award®-winning Old Globe is one of the country’s leading professional regional theatres and has stood as San Diego’s flagship arts institution for over 75 years. Under the direction of Artistic Director Barry Edelstein and Managing Director Michael G. Murphy, The Old Globe produces a year-round season of fourteen or more musicals, contemporary, new and classic plays and an internationally acclaimed annual Shakespeare Festival. In its three stateof-the-art theatres and education center, more than 250,000 people annually attend Globe productions and participate in the theatre’s education and community programs. Numerous plays and musicals that have been developed at The Globe have gone on to enjoy highly successful runs in New York and across the country. AWA PARTNERS (Exclusive Tour Direction) represents the joint forces of AWA Touring Services, Off Broadway Booking/OBB and AVID Touring Group. The new roster includes, I Love Lucy Live on Stage, A Christmas Story—the Musical, Mandy Patinkin in Concert, An Evening with Patti LuPone and Mandy Patinkin, Celebrity Autobiography, among many others. Past projects include Green Day’s American Idiot, The Phantom of the Opera, Disney’s Beauty and the Beast, DreamWorks’ Madagascar Live and Monty Python’s Spamalot. www.AWA-Partners.com CHILDREN’S THEATRE COMPANY (Original Producer) Founded in 1965, the Children’s Theatre Company (Minneapolis) is one of the country’s largest regional theatres and regarded as America’s flagship theatre for young people and families, setting standards of excellence in the quality of its productions, commitment to new work, rigorous theatre arts training programs and innovative education and community partnerships. CTC premiered the first stage version of Dr. Seuss’ How the Grinch Stole

Christmas! The Musical in 1994. CTC is led by Artistic Director Peter C. Brosius and Managing Director Tim Jennings. In 2003, CTC was honored with the Tony® Award for Outstanding Regional Theatre. BIG LEAGUE PRODUCTIONS/DANIEL SHER (Executive Producer) Led by Daniel Sher as owner and Executive Producer, Big League is celebrating its 27th season of producing, general managing and booking Broadway musicals and special attractions for touring throughout North America and worldwide. Some of Big League’s significant achievements were its collaborations with Disney Theatricals on Elton John and Tim Rice’s Aida (North America, Taiwan and China) and with Cameron Mackintosh on a new production of Miss Saigon which toured for 4 years. Other noteworthy productions were the Japanese and North American touring production of the Tony Award® winning Broadway revival of 42nd Street as well as Meredith Willson’s The Music Man as newly conceived by Susan Stroman. Others have included Footloose (Las Vegas, Atlantic City, North American tour), tours of Titanic, 1776, Peter Pan, A Funny Thing Happened on the Way to the Forum starring Rip Taylor and Blast!. Big League’s production of The Who’s Tommy was seen throughout North America, South America, Europe, and Japan. Big League produced the Tony Award®- winning musical Ain’t Misbehavin’ starring “American Idol” winner Ruben Studdard and the first national tour of the technically dynamic Chitty Chitty Bang Bang. Recent seasons included Hello, Dolly! starring Sally Struthers, Guys and Dolls, My Fair Lady, an original hip-hop dance show Groovaloo (Off-Broadway), Dr. Seuss’ How the Grinch Stole Christmas! The Musical (annual National Tour and 2014 at Madison Square Garden), Dreamgirls (US and Japan), Hair (US and Japan), and Bring it On (US and Japan). In this current season, Big League will premiere its new production of A Christmas Story, The Musical. The booking department at Big League, helmed by Vice President John Starr, is among the most respected in the industry.

See Jane Sing! (with Jane lynch) Emmy and Golden Globe Award winner Jane Lynch comes to the Ellie Caulkins Opera House for her Denver solo concert debut. Fresh from her iconic portrayal of Sue Sylvester on â&#x20AC;&#x153;Gleeâ&#x20AC;? and her Broadway debut as Miss Hannigan in Annie, Jane will bring her comic skills and musical prowess to the theatre stage. Audiences should prepare for a side-splitting evening of musical comedy, with more than a dash of wit as Jane explores her love of the beauty and absurdity of the American standard and show tune.

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(l to r) Drew Seeley, Nicolas Dromard, Hayden Milanes and Keith Hines Photo: Joan Marcus

THE FOUR SEASONS

TEN SEASONS LATER BY DIANE SNYDER

“We all know what it’s like to want acceptance, to want respect and to try to find a sense of home with people that are not just the family we’re born into, but the family that we choose.” — RICK ELICE

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Forget about show-stopping finales. In Jersey Boys, the smash-hit musical about the rise and fall of the Four Seasons, the pinnacle of excitement comes about 45 minutes into the first act. That’s when back-to-back presentations of three of the group’s biggest hits—“Sherry,” “Big Girls Don’t Cry” and “Walk Like a Man”—are greeted with enough thunderous applause to start a downpour. “At that moment the audience has forgotten they’re watching four actors, and they root for these four guys as though they really are the Four Seasons in their youth,” says Rick Elice, one of the show’s Tony-nominated book writers. “The response is so sincere and enthusiastic and over the top that it’s impossible to believe anything else.” It’s also somewhat surprising. After all, the Four Seasons may have been one of the most successful groups of the 1960s, but history hasn’t institutionalized them the way it has the Beatles. Elice thinks that’s one reason why even now, fans are still hungry for their music and the incredible story of four ItalianAmerican kids from the wrong side of the New Jersey tracks who could just as

easily have ended up in prison as on the pop charts. “In many ways the band was a reflection of the people who were buying their records,” notes Elice. “They didn’t have long hair or accents. There was no glamour quotient to them at all. These weren’t the people who went down to Washington and marched against the war; these were the guys who shipped out and went to Vietnam. And the respect that the band is getting all these years later somehow feels like respect for them too.” Elice and his Oscar-winning co-author, screenwriter Marshall Brickman, probably were more familiar with Vivaldi’s Four Seasons than pop music when they began work on Jersey Boys—a first musical for them both. Des McAnuff, on the other hand (director of Jesus Christ Superstar and The Who’s Tommy), was a huge fan and helped to shape the show from its early stages. Jersey Boys was born when Elice, for many years the creative director of Broadway advertising agency Serino Coyne, was contacted by a former client who had the option on the Four Seasons catalogue. He’d written a couple

Hayden Milanes as Frankie Valli Photo by Joan Marcus

group of Tommy, Nick and Frankie together when they were a cover band. Then Bob, this new, young talent came on the scene, and Frankie turned away from Tommy and turned toward Bob because Frankie and Bob were simpatico.” Valli and Gaudio saw in each other what the group needed to succeed. Gaudio, already a songwriting protégé when he joined the group, wrote or co-wrote many of the group’s signature songs. DeVito, meanwhile, piled up a huge debt. But by then the Seasons were more than just a group. They’d become a family, and that put their loyalty to the test. “Tommy gave Frankie and Bob an opportunity to do what families always do,” Elice says. “No matter what kind of betrayals occur, you always stand up for another person in the family because the ties that bind are so strong.” And for Elice, that’s the essence of the show—family. “That was a very powerful hook,” he says. “We all know what it’s like to want acceptance, to want respect and to try to find a sense of home with people that are not just the family we’re born into, but the family that we choose.” Diane Snyder is a freelance journalist whose work has appeared in Time Out New York, The Wall Street Journal and American Theatre.

JERSEY BOYS DEC 10 – 14 BUELL THEATRE ASL, Open Captioning & Audiodescription: Dec 13, 2pm Tickets: 303.893.4100 denvercenter.org 800.641.1222 | TTY: 303.893.9582 Groups (10+): 303.446.4829

COMING UP FROM BROADWAY:

DANCING PROS: LIVE So you think you know dance? Test your dancing IQ with our trivia questions before heading into The Buell Theatre January 23-24 for a live dance-off. Audience members cast the winning votes as some of the nation’s top dancers from “Dancing with the Stars” and “So You Think You Can Dance” dazzle audiences to live music by performers from “American Idol” or “The Voice.” 1) Who was the first ever professional dancer winner of “Dancing with the Stars”? a. Derek Hough b. Alec Mazo c. Karina Smirnoff 2) On “Dancing with the Stars,” in what place did Edyta Sliwinska finish with Jason Taylor? a. 1st b. 2nd c. 3rd 3) Which had more seasons on television in the U.S.? a. “American Idol” b. “Dancing with the Stars” c. “So You Think You Can Dance” 4) Which show did Chelsie Hightower perform in first? a. “So You Think You Can Dance” b. “Dancing with the Stars” c. “America’s Got Talent” 5) Which of the three dances has the fastest tempo? a. Waltz b. Rumba c. Jive 6) In partner dancing, who is responsible for the lead? a. The man b. The woman c. Both 7) When learning how to dance, the most important attribute is _____________. a. Smile b. Leg strength c. Attitude 8) What dancer from “Dancing with the Stars” went on to star in the Broadway-turned-movie Rock of Ages? a. Ashly DelGrosso b. Julianne Hough c. Kym Johnson

ANSWERS: 1) Alec Mazo, 2) 2nd, 3) “Dancing with the Stars”, 4) “So You Think You Can Dance”, 5) Jive, 6) The man, 7) Attitude, 8) Julianne Hough

of plays and always wanted to work with Brickman, who was a poker buddy. But as they interviewed the three surviving Seasons, they faced a predicament over how to tell the group’s “true” story when they couldn’t even figure out what it was. Elice and Brickman met with Bob Gaudio and Frankie Valli, the two Seasons who, way back when, formed a business partnership with a handshake that still stands. “They started to describe what it was like to be blue-collar kids, first-generation Americans, Roman Catholic, high school dropouts who were flirting with careers in crime in an environment where people had two pictures on the living room wall: the Pope and Frank Sinatra,” Elice recounts. “It was the archetypal American rags-to-riches story. You start with nothing, achieve success and then try to navigate your life through the waters of success.” But when they contacted Tommy DeVito, the initial driving force behind the group until gambling debts put him on the outs with the mob, “he said, ‘Don’t listen to them, I’ll tell you what really happened,’” Elice recalls. That’s when they decided to structure the show by letting each character tell his own account. As Tommy says at the beginning of the show, “You ask four guys, you get four different versions.” Each “Season” narrates a portion of the story, including bass player Nick Massi, who died in 2000 and left the group at the height of its popularity. Brickman and Elice drew their portrait of him from the memories of the other survivors. That gave them the chance to focus on the Tommy-Frankie-Bob dynamic that first propels the Four Seasons to the top of the charts. “This was really a love triangle— without any sexual component,” Elice observes. “There was Tommy, who discovered Frankie when he was a teenager and held the trio

Creativity & Critical Thinking

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RANDY WEEKS 1955 – 2014

A LIVING LEGACY BY THE NUMBERS MORE THAN

PATRONS SERVED

11.6 MILLION MORE THAN

SHOWS

NATIONAL TOUR LAUNCHES SCHOOLS SERVED BY THE BOBBY G AWARDS

400 10 44 35

MORE THAN

Photo by Kyle Malone

YEARS IN THE INDUSTRY

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The turnout for a memorial celebration honoring Denver Center for the Performing Arts President Randy Weeks made his legacy plain: Weeks made Denver one of the strongest Broadway touring markets in the nation. In his 25 years as the Executive Director of the DCPA’s Broadway division, Weeks presented more than 400 shows that served 11.6 million patrons. In his tenure, Denver hosted the launches of 10 national touring productions, including The Lion King, The Book of Mormon and, most recently, Pippin. His efforts led The Buell Theatre to be the highest-grossing theatre of its size in the nation. Representatives from those shows and many more were among the 1,500 who attended a classy afternoon of poignant remembrances and show-stopping musical numbers in celebration of Weeks, who died October 9 in London. He was 59. Attendees included family and friends, more than 100 fraternity brothers, DCPA employees past and present, and members of the local and national theatre communities. They represented theatre owners, producers, presenters, booking agents, press agents and members of both The Broadway League and the Independent Presenters Network. The Pippin tour has dedicated its entire tour to Weeks. Honoring him, national press rep Anita Dloniak said, was one way for the Pippin family to cope with their grief over his sudden death.

“He was so clearly willing to take risks here, and over time, he developed an audience that was willing to take risks with him,” added The Book of Mormon General Manager David Turner. “That combination is very rare.” Dean Singleton, chairman of The Denver Post and a member of the DCPA’s Board of Trustees, said, “We have lost one of the greatest minds in theatre. Not only did Randy bring Broadway to Denver, but he made Denver the first stop for some of the greatest productions leaving New York.” In 2012, Weeks inaugurated the Bobby G Awards, which honor achievements in Colorado high school theatre. Monday’s program culminated with Grandview High School’s Abby Noble, recently named the Bobby G’s Outstanding Actress, singing “One” from A Chorus Line alongside nearly 30 students from Denver School of the Arts, where Weeks served on the Friends Foundation. “Randy led with his heart, and he put his heart into everything,” said John Ekeberg, Weeks’ protegé and successor. Read John Moore’s complete report on the celebration, including photos and video, at our new DCPA News Center: www.denvercenter.org/news-center Memorial gifts can be made to the Randy Weeks Memorial Fund for The Bobby G Awards at denvercenter.org/weeks-memorial.

Photo by John Moore

BY JOHN MOORE

Photo by John Moore

2014 Tony winner for Best Actress in a musical, Jessie Mueller

2014 Tony nominee for Best Featured Actor in a Musical, Jarrod Spector

Alive

Please join us for the 35th Anniversary

SATURDAY NIGHT

to benefit Theatre Education at the Denver Center for the Performing Arts

SATURDAY, MARCH 7, 2015

Featuring the stars of Beautiful: The Carole King Musical ~ Jessie Mueller and Jarrod Spector Jessie won the 2014 Tony for Best Actress in a Musical for her role as Carole King. Jarrod received a Tony nomination for Best Featured Actor in a Musical and also is well known for playing Frankie Valli in more then 1,500 performances of Jersey Boys. Cocktails | Silent Auction | Surprise Box Sale | Dinner | Drinks | Dancing Tickets start at $400 303.446.4812 | DENVERCENTER.ORG/SNA SPONSORS The Salah Foundation | Oil & Gas Producers of Colorado | Colorado State Bank and Trust | Molson Coors Brewing Company U.S. Bank | Keith & Kathie Finger | Margot & Allan Frank | Hilja Herfurth | United | Westin Denver Downtown | Epicurean | Cherry Creek North

GET INTO THE ACT YEAR-ROUND THEATRE CLASSES • Acting • Improv • On-Camera

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CONTRIBUTORS April 2013 – July 2014

Our most exclusive package has premium amenities for six Broadway shows and helps fund our education programs — which inspire 67,000 students every year. Each evening features a delicious pre-show dinner and unlimited cocktails at Kevin Taylor’s at the Opera House, plus private amenities during intermission. And, more than half of your membership is eligible as a tax-deductible contribution. Denver is a “pick city” on the Broadway touring circuit, and your membership contribution keeps the musicals coming our way first!

TO UPGRADE YOUR EVENING, CONTACT DAVID ZUPANCIC davidz@dcpa.org or call 303.446.4811

Impact Creativity is an urgent call to action to save theatre education programs in 19 of our largest cities. Impact Creativity brings together theatres, arts education experts and individuals to help over 500,000 children and youth, most of them disadvantaged, succeed through the arts by sustaining the theatre arts education programs threatened by today’s fiscal climate. For more information on how “theatre education changes lives,” please visit: impactcreativity.org ($100,000 or more) CMT/ABC ♦ The Hearst Foundations ($50,000 or more) AOL♦ Schloss Family Foundation ($25,000 or more) Wells Fargo

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“ It’s about creating a meaningful relationship on multiple levels with our different merchants and with all the different programs and areas of the Denver Center.” JEFF HERMANSON, LARIMER ASSOCIATES CEO

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Larimer Square has come a long way in 50 years. In 1955, a once-charming block had fallen into disrepair. Demolition crews were just weeks away from scrubbing buildings that had stood since before the turn of the century. Today, due to intense preservation efforts, Larimer Square is recognized as Denver’s most beautiful and historic block, a premier shopping and dining district that is celebrating its 50th anniversary in 2015. Larimer Associates CEO, Jeff Hermanson, has taken great care to make it that way, spending the past 20 years attracting locally-owned, independent boutiques, clubs and restaurants to the block while preserving its beauty and charm. Larimer Square provides visitors a unique experience that complements the cultural offerings of its neighbor, the Denver Center for the Performing Arts (DCPA). “Larimer Square has found the perfect partner in the DCPA,” said Hermanson. “The unique combination of theater, music, nightlife, dining and shopping that our two special places provide is unrivaled.” Larimer Square and the Denver Center for the Performing Arts share a strong commitment to the arts. The Square has distinguished itself from other districts by creating a place for independently minded shops and restaurants, giving entrepreneurs the artistic freedom and support they need to make their business dreams a reality. At the same time, Larimer Square offers an experience that complements the artistic and creative sensibilities of the DCPA and hosts multiple events each year to promote the arts including the popular Denver Chalk Art Festival and Art of Winter. “It’s about creating a meaningful relationship on multiple levels with our different merchants and with all the different programs and areas of the Denver Center” said Hermanson. “We similarly support the many artists on Larimer Square. Our chefs, bartenders and merchants are some of the most creative in the city.” In addition to the DCPA, Larimer Square is a proud supporter of the Downtown Denver Partnership, the Larimer Arts Association, LoDo District, We Don’t Waste, Volunteers of America, the Denver Art Museum, and more. “Denver is in the middle of an entrepreneurial and cultural transformation,” continued Hermanson. “It’s been amazing to witness and an honor to be a part of this exciting change with the Larimer Associates and our partners at the Denver Center.”

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Supporting both education and the arts is an ongoing commitment for Fidelity. Last year almost 40,000 students and 676 teachers in 35 communities across the country were supported by the efforts of Fidelity volunteers. Minumum Width 2”

The Denver Center for the Performing Arts (DCPA) has been proudly sponsored by Fidelity Investments since 2005. During the 2014/15 season Fidelity is a presenting sponsor of the DCPA’s popular VIP Evenings. Fidelity’s goal is to make financial expertise broadly accessible and effective in helping people live the lives they want. With assets under administration of $5.0 trillion, including managed assets of $2.0 trillion as of August 30, 2014, Fidelity focuses on meeting the unique needs of a diverse set of customers: helping 23 million people invest their own life savings; 20,000 businesses manage their employee benefit programs, as well as providing 10,000 advisors and brokers with technology solutions to invest their own clients’ money. Privately held for nearly 70 years, Fidelity employs 41,000 associates who are focused on the long-term success of their customers. Over the past year Fidelity has grown to more than 400 employees in Colorado. This includes those at the customer contact center, which opened in Greenwood Village last year as well as employees who focus on sector investing as part of Fidelity’s asset management operations. In addition, the firm’s five area investor centers are open to clients to come in and work oneon-one with Fidelity to address all of their financial needs. Fidelity has a long history of supporting the communities where it operates and where its employees work and live. In partnership with well-established national and local nonprofit organizations, Fidelity creates volunteer activities for employees to share their time as well as insights and expertise with the community. The focus of the DCPA sponsorship is on strengthening arts education and appreciation. Supporting both education and the arts is an ongoing commitment for Fidelity. Last year almost 40,000 students and 676 teachers in 35 communities across the country were supported by the efforts of Fidelity volunteers. Here in Denver, Fidelity has established ongoing partnerships with two local schools in conjunction with the Denver Public Schools’ School Partners Program. Fidelity will work with Merrill Middle School and Fairview Elementary School to enhance learning spaces, support their existing curriculum and supplement their efforts to offer financial education to their students. Fidelity looks forward to continuing these efforts here in Denver and nationwide. For more information, visit your local Fidelity investor center, call 1.800.FIDELITY or visit www.Fidelity.com. Fidelity Brokerage Services, Member NYSE, SIPC, 900 Salem Street, Smithfield, RI 02917

We care about every one of your 103,680 daily heartbeats.

M U TE EART H

Whatever your heart condition, our team of twenty highly skilled cardiologists and surgeons, rated among the best in the area, will work with you and your other physicians to diagnose and develop a personalized treatment plan. Our commitment is to treat you with an unmatched level of compassion and care. Exhibiting through April 11, 2015

Sc o TT J o HnS on

To learn more and take a free heart disease assessment, go to SCLPhysicians.org/heart.

See. Taste. Smell. Experience. Take the FREE Celestial Seasonings tour – voted one of the Top Ten Free Tours in the country!

Free Tours! Info & group tour reservations: 303.581.1202

OPEN EVERY DAY except major holidays

4600 Sleepytime Drive, Boulder • celestialseasonings.com

MU T E E A RT H S c o T T J o Hn S o n Exhibiting through April 11, 2015

1000 Englewood Parkway, Second Floor 1000 Englewood Englewood CO / 303-806-0444

Englewood WWW.MOAonline.org

Parkway, Second Floor CO / 303-806-0444

WWW.MOAonline.org

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Wells Fargo Advisors

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A PROUD SPONSOR OF DCPA’S THEATRE COMPANY SEASON One Color Reversed Logo

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“ Our client-first philosophy and support of non-profit organizations is an important part of the culture of Wells Fargo Advisors. The Denver Center for the Performing Arts is one of our most rewarding relationships.”

MARC BESHANY

INTRODUCING MORE GREAT PEOPLE TO SERVE YOU AND THE COMMUNITY — New Team Members Add to Wells Fargo Advisors’ Culture of Service

Managing Director – Market Manager Rocky Mountain Market 303.804.3888 marc.beshany@wellsfargoadvisors.com www.RockyMountainMarket.net

Wells Fargo Advisors in the Denver area has recently welcomed several new team members, giving clients access to more than 85 years of combined experience in comprehensive wealth management and retirement planning services.

The Denver Group of Wells Fargo Advisors is based in our downtown Denver office and is led by Managing Director – Investments Chris O’Neil and Senior Vice President – Investments Joe Jaensen. Committed to philanthropic endeavors, both advisors are Senior Portfolio Investment Managers (PIM) whose customized portfolio management programs reflect an active approach to asset allocation.

L-R: Chris O’Neil, Senior Client Associate Terri Lo Sasso, and Joe Jaensen

John L. Claxton joined the Greenwood Village office as First Vice President – Investments. A CERTIFIED FINANCIAL PLANNER™ professional, Claxton brings considerable experience and a true commitment to offering comprehensive investment and wealth planning services to high net worth individuals and their families.

Investment and Insurance Products:

NOT FDIC-Insured

NO Bank Guarantee

MAY Lose Value

Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo and Company. 1114-00820

denvercenter.org

A double dose of Christmas is coming to The Fox!

“Colorado’s Family Law Team”

by Berkeley Breathed

The musical tale of a grumpy young boy and a burnt out old Santa who help each other rediscover the power of hope and reclaim the magic of Christmas.

A guaranteed true story.

November 28 - December 21, 2014 $28/$31 - Adults $24 - Students/Seniors $14 - Kids under 12

Fully Committed Plays a Different Tune by Protecting You, Your Children, and Your Future

The Harris Law Firm 1125 17th Street, Suite 1820 | Denver, CO 80202

303.299.9484 www.harrisfamilylaw.com www.coloradodivorceinfo.com

by Becky Mode

It’s not all glamour in the world of Haute Cuisine! Just ask poor Sam Peliczowski who is manning the reservation lines at a ritzy restaurant on Christmas Eve.

One actor. 40 cranky characters.

November 21 - December 28, 2014

303-739-1970

www.AuroraFox.org 9900 East Colfax Avenue

www.theloganschool.org

303.340.2444 A K-8 co-ed school for gifted children of all backgrounds. Tours now through December 12 Applications due by January 7, 2015 Too often we give children answers to remember rather than problems to solve. – Roger Lewin

Engage. Explore. Empower.

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Faegre Baker Daniels

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ENHANCING OUR COMMUNITY THROUGH SUPPORT OF THE ARTS

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“ Faegre Baker Daniels uses its sponsorship, pro bono and charitable opportunities as a reminder that our purpose is to serve other people.” JOHN MARCIL, PARTNER WITH FAEGRE BAKER DANIEL, BOULDER

In his plays, William Shakespeare mentions attorneys more than any other profession. He observed the natural ability of attorneys to connect with others on a personal level— through provoking thought and influencing change. With more than 100 attorneys in the Denver and Boulder area, Faegre Baker Daniels has been at the center of business in the Rocky Mountain region for more than 25 years. Service to the community stands as one of the firm’s core values and the desire to create intimate, meaningful relationships is a key driver in the client-centric and communityminded philosophy of FaegreBD. Underscoring the commitment to strengthen institutions that are critical to the health and vitality of the community, the firm is serving as a 2014 VIP Evening sponsor for the Denver Center for the Performing Arts (DCPA). As part of this program, FaegreBD’s funding goes directly to create and support educational initiatives, as well as empower people to experience theatre who otherwise may not have the opportunity. FaegreBD partner and leader of the Denver office, Heather Perkins said, “We want to help the DCPA educate our community about theatre in hopes of enabling them to experience it differently—with more depth and appreciation.” John Marcil, who also is a partner at the firm and leads the Boulder office, added, “Faegre Baker Daniels uses its

PATRICE COVINGTON AS MARTHA REEVES (CENTER) & CAST. MOTOWN THE MUSICAL FIRST NATIONAL TOUR. (C) JOAN MARCUS, 2014

denvercenter.org

sponsorship, pro bono and charitable opportunities as a reminder that our purpose is to serve other people.” The firm’s DCPA sponsorship represents a deep commitment to the Colorado community through promotion of the vitality and growth of the arts. Perkins commented, “Denver Center for the Performing Arts perpetuates one of our oldest and most communal art forms and Faegre Baker Daniels is happy to play a part in enhancing DCPA’s role in our community.” As a theatre patron growing up, Perkins explained, “the theatre experience inspires people in a creative and exciting way, vastly different from sports or other entertainment-related events.” In addition to community sponsorships, FaegreBD attorneys dedicate an extensive amount of time to pro bono work. Throughout the year, the firm’s professionals provide legal counsel to low-income and disadvantaged populations in Colorado. With more the 750 legal and consulting professionals worldwide, Faegre Baker Daniels is proud to support the Denver Center for the Performing Arts in offering state of the art, world-class entertainment to the Denver community.

COMPARE and SAVE!

TAKING ON THE MATTERS THAT MATTER TO YOU AND YOUR FAMILY.

Real Possibilities is a trademark of AARP.

You’re working hard to realize the American dream, and AARP is here to help you achieve your goals. AARP takes on the issues that are most important to you and your family, from affordable healthcare and financial security to caregiving and community improvements. If you don’t think Real Possibilities when you think AARP, then you don’t know “aarp.”

DIA Covered Parking $24.00/day USAirport Covered Parking w/coupon* $12.00/day DIA Outerlying Shuttle Lots DIA Economy Lots USAirport Open Parking w/coupon*

First Class Convenience for DIA

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* Rate does not include Access Fee.

$8.00/day $13.00/day $7.00/day

$200 OFF Uncovered & Covered Parking

Every Day You Stay at USAirport Parking!

Valet fees extra. Valid With Or Without Frequent Parker Card. Not Valid With Any Other Offer. One Per Visit. Not Valid With Monthly Or Yearly Prepaid Rates. Rates & Offers Subject To Change. Access fees do apply.

Expires 12/31/2014 APPLAUSE

1-866-PARKING First Time Customer? oYes oNo

Find out what we’re doing and how you can get involved at aarp.org

303-371-7575

USAirportParking.com

MARINE STAR Featuring Duramic™ Case

$299 for 18 months of

Laser Hair Removal for 4 Small Areas (areas limited, call for details)

$9.50/unit of Botox Injections (additional injection treatments available, call for details)

10% OFF

Signature Facial All Specials Apply For Applause Magazine Readers Only.

Signature DMK Skincare available exclusively at Smooth Medical Spa. No other spa in Colorado is approved to carry this amazing line. DMK’s non-paraben skin care line is one of a kind with results that speak for themselves.

William Crow Jewelers 910 16th Street William Crow Jewelers William Crow Jewelers Denver, CO. 80202 910 16th Street 910 16th Street 303.592.1695 | www.williamcrow.com Denver, CO. 80202 Denver, CO. 80202 303.592.1695 | www.williamcrow.com 303.592.1695 | www.williamcrow.com

Laser Hair Removal is now virtually pain-free with the most advanced Lumenis LightSheer DUET lasers used at Smooth. 3030 East 2nd Ave, Suite 101 Denver, Co 80206

720.708.2370 www.smoothus.com

Photo: Selah Photography

YOU’VE BEEN PLANNING FOR A WHILE. SO HAVE WE. With more than 100 years of theatrical experience, our team of on-site designers, event managers and technical specialists are ready to make your wedding—and every detail that brings it to life—unforgettable. Your love is our inspiration. And we’ll do everything we can to earn a standing ovation.

DENVERCENTER.ORG | 303.572.4466 |

SEAWELL GRAND BALLROOM | DIRECTORS ROOM

The Grinch Whole Stole The Jersey Boys THE GRINCH WHO STOLE THE JERSEY BOYS CHRISTMAS Christmas How much do you know about our three new winter shows?

How much do you know about our three new winter shows? ACROSS 1

2 3

7 8

9 10

15 16 17

ACROSS 21 How many Seasons? For answers please visit denvercenter.org/news-center. 1 Oh, what a ____ DOWN 5 Lynne Taylor-Corbett’s “Jersey Boy” son 2 Sherry baby, can you come out denvercenter.org 42 6 She’s your longtime Mrs. ____? Fezziwig: ___ O'Carroll 3 Trilogy finale coming in January

1 Oh, what a __________ 5 Lynne Taylor-Corbett’s Jersey Boy son 6 She’s your longtime Mrs. Fezziwig: __________ O’Carroll 9 “There is nothing so irresistibly contagious as __________” 11 Pre-“Seasons” 13 The mountain just north of Whoville 14 “Only thing more ridiculous than a Merry Christmas” 15 Denver’s primary Scrooge 17 Highest-grossing musical in film history 18 Dr. Seuss’ real first name 20 Grinch’s loyal but unloved dog 21 How many Seasons?

DOWN 2 “Sherry baby, can you come out__________?” 3 Trilogy finale coming in January 4 What is two sizes too small? 7 Broadway’s Grinch played __________ in The Lion King 8 Word written across boy’s forehead 10 “Decrease the __________ population” 12 Jersey Boys’ first No. 1 hit 13 Film’s Grinch: Jim __________ 14 Cindy Who? 16 This boy is Ignorance. This girl is__________ 19 Its actual definition: “False language or deceitful behavior”

Setting the Market Standard for Premium Quality Dental Implants in Colorado Single Implant Surgery & Crown

Call Today for your free consultation (Includes Free Scanora 3D Image & Consultation) Insurance not accepted with this offer— New Patients Only—Some Restrictions Apply

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$1,795 ($2,400 off)

Consultation MUST occur before Jan. 9, 2015

The Most Advanced State of the Art Dental Practice in all of Colorado DENTAL ASSOCIATES OF AURORA Privately Owned Practice Since 1996 1075 S. Peoria St. Aurora CO 80012

(303) 341-4878 www.DentalAssociatesofAurora.com