Applause Magazine, December 23, 2019 - January 5, 2020

APPLAUSE

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VOLUME XXXI • NUMBER 4 • NOV 2019 – JAN 2020

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Sarah Hinrichsen as Rachel and Chris Clark as Tully in Jimmy Buffett’s Escape To Margaritaville. © Matthew Murphy

JIMMY BUFFETT’S

ESCAPE TO MARGARITAVILLE

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TWELFTH NIGHT DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL LATIN HISTORY FOR MORONS JESUS CHRIST SUPERSTAR THE HIP HOP NUTCRACKER

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Illustration by Kyle Malone

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Claude Monet: The Truth of Nature

THROUGH FEB 2 , 2020

IMAGE: Claude Monet, Waterlilies and Japanese Bridge (detail), 1899. Oil on canvas; 35 5â „8 x 35 5â „16 in. Princeton University Art Museum: From the Collection of William Church Osborn, Class of 1883, trustee of Princeton University (1914-1951), president of the Metropolitan Museum of Art (1941-1947); given by his family, y1972-15. Photo Credit: Princeton University Art Museum/Art Resource, NY Claude Monet: The Truth of Nature is co-organized by the Denver Art Museum and the Museum Barberini, Potsdam.

It is presented with generous support from PNC Bank. Additional funding is provided by Barbara Bridges, Keith and Kathie Finger, Lauren and Geoff Smart, Fine Arts Foundation, the donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight, and The Denver Post.

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SIGHTLINE

BY JANICE SINDEN

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VO LU M E X X X I • N U M B E R 4 • N OV 2 0 1 9 – JA N 2 0 2 0

EDITOR: Suzanne Yoe ASSOCIATE EDITOR: John Moore DESIGN DIRECTOR: Kyle Malone DESIGN THIS ISSUE: Brenda Elliott CONTRIBUTING DESIGNERS: Casey Eickhoff, Lucas Kreitler CONTRIBUTING WRITERS: Sylvie Drake, Robert Loerzel, Cheyenne Michaels

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Welcome to the Denver Center for the Performing Arts.

We are so glad you’re here!

This holiday season is a bit unusual for us. Our annual production of A Christmas Carol is on hiatus while the 40-year-old Stage Theatre is renovated. Plus two productions are not located under the glass canopy of the Arts Complex.

Camp Christmas is Off-Center’s newest offsite, immersive experience. Located in The Hangar at Stanley Marketplace, this over-the-top holiday extravaganza showcases yuletide traditions of the past and present. Designed by local artist Lonnie Hanzon, Camp Christmas features built-in photo opportunities for the whole family and is sure to be Denver’s new favorite holiday experience.

Across the street from the Arts Complex, our Education and Theatre Company production team is delighted to entertain tiny tots ages Pre-K through third grade with a musical adaptation of the beloved children’s book, Goodnight Moon.

While Broadway delights audiences with the return of Jesus Christ Superstar and Dr. Seuss’ How the Grinch Stole Christmas!

The Musical, not everything is holiday fare. We’re presenting a one-night engagement of John Leguizamo in Latin History for Morons, Jimmy Buffett’s Escape to Margaritaville and the always unexpected antics of The Improvised Shakespeare Company®.

Just because Dickens’ famous ghost story is taking a break does not mean our Theatre Company is resting on its laurels.

Instead, we’re presenting Shakespeare’s Twelfth Night under the direction of our own Artistic Director, Chris Coleman. Plus we’re gearing up for two all-new productions just after the first of the year with twenty50 and You Lost Me. With so many activities, it’s hard to choose just one…so we hope you come for them all. Your support, both in person and through your generosity, makes the work on our stages, in our classrooms and throughout the community possible.

As we reach the end of our calendar year, please consider a donation. Your gift can help us send a child to their very first performance at Goodnight Moon, place a chair in a renovated theatre in time for the return of A Christmas Carol next season, or make sure we can continue to attract top shows and talent from across the country.

Thank you for being with us today. To you and yours, have a very happy holiday season.

Warm regards,

Janice Sinden President & CEO

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APPLAUSE • NOV 2019 – JAN 2020 • 303.893.4100 • DENVERCENTER.ORG

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BOARD OF TRUSTEES Martin Semple, Chairman Robert Slosky, Vice Chairman William Dean Singleton, Secretary/Treasurer Dr. Patricia Baca Joy S. Burns Fred Churbuck Isabelle Clark Navin Dimond L. Roger Hutson Ruth Krebs Robert C. Newman Roberta Robinette Manny Rodriguez Alan Salazar Hassan Salem Richard M. Sapkin June Travis Brisa Trinchero Ken Tuchman Tina Walls Dr. Reginald L. Washington Judi Wolf Sylvia Young

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HONORARY TRUSTEES Margot Gilbert Frank Jeannie Fuller M. Ann Padilla Daniel L. Ritchie Cleo Parker Robinson Lester L. Ward HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES William Dean Singleton, President Martin Semple, Vice President Judi Wolf, Secretary/Treasurer

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EXECUTIVE MANAGEMENT Janice Sinden, President & CEO Chris Coleman, Artistic Director, Theatre Company John Ekeberg, Executive Director, Broadway & Cabaret Lydia Garcia, Executive Director, Equity & Organization Culture Gretchen Hollrah, Chief Operating Officer Lisa Mallory, Vice President, Marketing & Sales Vera Morales, Vice President, Human Resources Yovani Pina, Vice President, Information Technology Shelley Thompson, Vice President, Development Charles Varin, Managing Director, Theatre Company Allison Watrous, Executive Director, Education & Community Engagement Jane Williams, Vice President, Finance

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TWELFTH NIGHT

B Y S Y LV I E D R A K E

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Among his many achievements, William Shakespeare is also known for something slightly less laudable: the habit of stealing and adapting plots rather than inventing them.

It was a shortcut, practiced also by fellow playwrights. Why bother to invent when so many were there for the taking? It saved time and you could improve on them. Or not.

When it came to characters and imagery though, Shakespeare excelled. And, as with the other playwrights of his day, his refashioned plots indulged in elaborate deceit and vindication in all its forms while his subplots usually involved comic rubes and fools who dispensed malapropisms and sly wisdom by the mouthful.

His best comedies are the fuel of great fun, propelled by lust, swept away by giddy humor, always dabbling in music while devolving into repeated antics that lead to happy endings. Consider A Midsummer Night’s Dream, Much Ado About Nothing, As You Like It and Twelfth Night. Check out the variations on favorite themes: lovers in distress, disguises, mistaken identities, soldiers and sages, sisters and brothers, lofty peers and silly peons — and, in The Comedy of Errors, more than one set of twins.

Twelfth Night has all of these elements and, if not identical twins, then a brother and sister separated by shipwreck and reunited when, thanks to the sister’s decision to disguise as a man, the two are mistaken for one another and revealed to be who they really are. Joy ensues because in Shakespeare’s comedies, joy always ensues.

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These are some of the reasons why Chris Coleman, the DCPA Theatre Company’s Artistic Director, not only chose to do Twelfth Night but also to direct it.

“I knew I wanted Shakespeare to be part of this season,” he wrote in an informal exchange of emails. “Having the opportunity to continue exploring his work was one of the draws of this job. I also knew that our last outing was with Macbeth, so it made sense for it to be a comedy. Twelfth Night is among his very best writing in terms of fun of plot, richness of characters and delicious confusion of desire.

“Everyone is falling for the ‘wrong’ person in this play.

Some kind of desire gets awakened [that] is not aligned with the individuals’ sense of identity or history. The tension around that is very interesting, and very current. I also think there’s a great sense of music and mayhem in the piece that [is] fun to try and capture.”

Music opens and ends the play, with plenty of room to add as much or as little of it as you wish, and mayhem influences all of the action in between.

“There is both delightful humor and depth of feeling,” Coleman added. “It begins with heartache: Viola thinks her brother is drowned; Olivia grieves the loss of her father and brother; Orsino aches for Olivia’s love, which is scaldingly unreturned. The emotional layers feed the comedy, but also give it resonance.”

Good point. The everpresent clowns in these comedies also have a serious function. They counteract the cloying

APPLAUSE • NOV 2019 – JAN 2020 • 303.893.4100 • DENVERCENTER.ORG

Illustration by Kyle Malone

THE BREEZY ROMANCE OF

potential of all that unrequited loopy love. And the ragged bunch of hangers-on in Twelfth Night are at once more closely related to the primary characters and considerably more cruel than his usual clowns.

The moocher, Sir Toby Belch, Olivia’s uncle or cousin (he’s mentioned as both), is a layabout in the household who has no trouble inviting her clown Feste and her attendant Fabian or his own nebbishy friend Sir Andrew Aguecheek to join him in abusing Olivia’s largesse. They’re a roguish crew, aided and abetted in their games by Maria, Olivia’s “gentlewoman,” an elevated title for a housekeeper with a sense of humor who’s the mastermind behind the mischief, especially the nasty prank they play on her stuck-up steward, Malvolio.

The entire action takes place in a period Coleman loosely calls “Renaissanceish Mediterranean,” circa 1500, a decent match for Shakespeare’s Illyria, vaguely assumed to be Croatia’s enchanting Dalmatian coast. So the mood for romance is all there.

In tune with our times, the cast is a stew of ethnicities, including four actors who also play musical instruments and several artists with lengthy ties to the Denver Center: Larry Hecht, Kim Staunton, Larry Paulsen, Rodney Lizcano and Sam Gregory. Stalwarts Charles MacLeod designed the lighting and Kevin Copenhaver the clothes.

Twelfth Night is among his very best writing in terms of fun of plot, richness of characters and delicious confusion of desire.

— CHRIS COLEMAN, DIRECTOR

“My intentions with Shakespeare,” Coleman said, “are always to try and uncover the fundamentals of the language first: get to the heart of the sense of the language and why these humans need to speak these words. Then it’s about helping the actors fully inhabit the truth of the story’s circumstances and fully honor what the characters are up against.”

A final footnote: Perhaps to make up for the thread of maliciousness in Sir Toby and friends or the mean trick played by them on the hapless Malvolio or perhaps simply because the words came to him at that moment, one of Shakespeare’s most astonishing rhymed couplets is in this play, only to go largely unheard. Why? Because the words are spoken by Antonio, a peripheral character, in the midst of a heated argument.

In Nature there’s no blemish but the mind.

None can be called deform’d but the unkind.

Words to live by, yet their throwaway spot in the scheme of things underscores how guilelessly Shakespeare squandered his eloquence. There are almost no lines of his you can dissect that don’t possess pith or elegance.

Which explains why, after more than 400 years, his works are still with us and likely to remain with us for another 400.

SYLVIE DRAKE is a translator, writer, and former theatre critic and columnist for the Los Angeles Times. She is a member of the American Theatre Critics Association, a contributor to culturalweekly.com and occasional contributor to American Theatre magazine and the Los Angeles Times.

TWELFTH NIGHT NOV 15 – DEC 22 • SPACE THEATRE ASL interpreted and Audio described performance: Dec 8 at 1:30pm

COSTUME COLUMN When DCPA Theatre Company Artistic Director Chris Coleman arrived in Denver, a member of his new staff asked him to describe his artistic tastes. One of the things he responded with: “Wouldn’t it be radical to set a Shakespeare play in Shakespearean times?” Following up on that promise, Twelfth Night (Coleman’s first presentation of Shakespeare at the DCPA) is set in roughly the same location and time period that the Bard intended.

Ancient Illyria was located in modern-day Slovenia, Croatia, Bosnia and Herzegovina where trade routes from the Far East ended, making it a multicultural marketplace. It is fitting, then, that costume designer Kevin Copenhaver’s costumes are a melting pot themselves: “I’m borrowing a little Spanish influence, French influence, of course Italian,” with additional traces of Romani and German.

Theatre Company regulars may recognize Copenhaver’s distinguishable work for its bold patterns, lush colors and exaggerated silhouettes. Now in his 30th season with the Theatre Company, he has designed such recognizable shows as A Christmas Carol, Crowns, Animal Crackers, Sweeney Todd, and The Who’s Tommy. After Coleman began conversations with Copenhaver about Twelfth Night, he used two words to describe Kevin’s aesthetic: “Renaissance Copenhaver.”

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WHY WON’T BE JUST ANOTHER JUKE-BOX MUSICAL

Chris Clark as Tully, Sarah Hinrichsen as Rachel in Jimmy Buffett’s Escape To Margaritaville. © Matthew Murphy

B Y R O B E R T LO E R Z E L , P L AY B I L L

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The first time Jimmy Buffett saw a rehearsal of Escape to Margaritaville, the new musical based on his songs, it was pretty obvious that he was having a good time. “He was smiling and laughing,” recalls Greg Garcia, co-writer of the musical’s book, who was sitting just in front of Buffett. “I kept looking back at him, and he was just loving it.

Afterward, I go, ‘That’s the first Jimmy Buffett concert that you’ve ever been to, isn’t it?’ And he looked at me and smiled and said, ‘Yeah, man!

I see what the fuss is all about!’”

Of course, Escape to Margaritaville isn’t exactly a Jimmy Buffett concert. But its creators say that it does have a tropical party vibe similar to the festive mood at Buffett’s rollicking live shows. Like other so-called jukebox musicals, it takes a set of popular songs and constructs a story around them. Just as Mamma Mia! concocted a plot to connect the hits of Abba, this new show celebrates Buffett’s greatest hits while telling a romantic-comedic story — about a character who’s a bit like Buffett in his younger days as a busker singing songs on the beach.

What’s the secret to making a jukebox musical feel more like a real musical, and not just a string of hit tunes? “Every song has to feel inevitable and necessary to the story,” says original Broadway director, Christopher Ashley. “Or it has to be such a pleasurable left turn that you say, ‘Wow, I didn’t see that coming, but I’m so happy about how they used that song.’ Nothing can ever feel shoehorned.”

Ashley (who won the 2017 Tony Award for Best Direction of a Musical for his work on Come From Away) is the artistic director at La Jolla Playhouse near San Diego, which staged the first production of Escape to Margaritaville in May 2017 before heading on to Broadway in February 2018.

San Diego Union-Tribune critic James Hebert wrote that the show “delivers just about every bit of what the phrase ‘Jimmy Buffett musical’ promises, from the splashy colors to the steel-drum beats to the palm-fronded beach bar slinging fruity cocktails.” But he also noted that the musical smartly taps into “the undercurrent of wistfulness and regret that runs through even some of Buffett’s more upbeat story-songs.”

The depth of those songs attracted Garcia and cowriter Mike O’Malley. The Emmy Award-winning Garcia, creator of television shows such as the TBS series The Guest Book, says he grew up listening to Buffett’s records. “I was always drawn to songs that told stories,” he says. “Jimmy’s songs, a lot of them tell stories. They have characters within them. Certainly, some of them also have a humorous vibe.” Garcia became something of a Parrothead, as Buffett fans are known, and Buffett later became a fan of Garcia’s NBC series My Name Is Earl.

O’Malley — who starred in Garcia’s sitcom Yes, Dear from 2000 to 2006 — says listeners are attracted by the “spirit of fun” in Buffett’s songs.

“But there’s also this real depth in other parts of his songs,” O’Malley observes. Buffett has an “ability to write songs about what people yearn for, what they regret in their own behavior, and what they strive for in friendships and relationships,” he says.

When Garcia and O’Malley started working on a script four years ago, they knew they’d have to include certain Buffett hits. “You don’t have to be a genius to figure out which ones have to be in it,” Garcia says. “Jimmy says there are ten songs he plays or gets killed.” Those include “Come Monday,” “Cheeseburger in Paradise” and, of course, Buffett’s breakthrough hit from 1977, “Margaritaville.”

As Garcia explains, “It was pretty easy to compile the list. But then what do you do? You’ve got this big list of songs. How do you get them in? The trick for us was, we listened to the songs and we started creating characters based on the songs.”

The central character they came up with is Tully, a bartender and singer at an island resort (played by Chris Clark). “A guy who lives on the beach,” Garcia says. “A carefree, fun-loving guy. He has relationships that last a week. But then somebody comes into his life that’s a little bit more of a challenge.”

That somebody is Rachel, played by Sarah Hinrichsen. She’s “an ecological scientist who has a real career drive, and is not interested in hanging out and getting drunk,” Ashley says. “We created her as the un-Jimmy Buffett character.” And when these two characters fall in love, it pushes them to rethink their attitudes about life.

Buffett has an “ability to write songs about what people yearn for, what they regret in their own behavior, and what they strive for in friendships and relationships.”

— MIKE O’MALLEY, CO-WRITER

“When I look at the TV shows that I do, there’s a theme of personal growth,” Garcia relates. “My Name Is Earl was about a guy who wanted to be a better person. And this is a show where you watch these two people help each other become better.”

Buffett’s songs take on new meanings when we see these characters singing them. Now, they’re stories about these people. “‘Margaritaville’ is a great song if you’re not the person singing it,” O’Malley muses. “There’s great regret and sadness in that song. How did this woman get away? What did I do in terms of the choices that I made that caused me to be sitting here, wasting away in Margaritaville? When you put yourself in the point of view of a character singing that song, there can be a different emotion than when you’re just shouting it to the rooftops.”

In addition to Buffett’s vibrant music, the show draws energy from the choreography of Kelly Devine, who worked with Ashley on the Tony-winning Broadway show Come From Away, and earned a Tony nomination herself.

“The dance vocabulary is surprising and athletic and sexy and rock ’n’ roll and imaginative,” Ashley says. “We have real triple threats—people who really can act, really can sing, and really can dance.”

The show’s creators often talked with Buffett, seeking his advice and feedback. Garcia says it’s been a “real thrill” to watch Buffett whenever he lights up with joy during a performance. “When you sit down to write the Jimmy Buffett musical — I’ll be honest with you — there’s really only one audience member I care about at the end of the day,” he says. “And it’s Jimmy Buffett.”

COMING UP FROM BROADWAY

SUMMER:

THE DONNA SUMMER MUSICAL SUMMER: The Donna Summer Musical (Jan 28 – Feb 9) flows from one scene to the next with a disco soundtrack of hits. Here’s a brief timeline of her successful career.

Dec 31, 1948: Donna Adrian Gains is born 1959: She sings in public for the first time at her church.

1967: Donna moves to Germany to perform in Hair and records her first record.

1974: She signs a recording contract with producer/songwriters Giorgio Moroder and Pete Bellotte. Their first American hit is “Love to Love You Baby.”

1978: Donna collaborates with songwriter Paul Jabara on “Last Dance,” which wins an Academy Award for Best Original Song.

1977: She releases “I Feel Love,” which sparks the electronic dance music genre.

1979: “Bad Girls” was released and became her longest-running number-one hit.

1980: Donna became the first woman to win a Grammy in the newlyrecognized Rock category as Best Female Rock Vocal Performance for “Hot Stuff.”

1980: Donna wins three American Music Awards.

1983: Restaurant attendant Onetta Johnson inspires “She Works Hard for the Money.”

1992: Donna is honored with a star on the Hollywood Walk of Fame 2012: She passes away.

2013: Donna Summer is inducted into the Rock and Roll Hall of Fame.

140 MILLION RECORDS SOLD

Modified and reprinted with permission of Playbill.

5 GRAMMY AWARDS

JIMMY BUFFET’S ESCAPE TO MARGARITAVILLE DEC 23 – JAN 5 • BUELL THEATRE ASL Interpreted, Audio-described and Open Captioned performance: Jan 5 at 2pm

1 OSCAR AWARD

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DR. SEUSS f Dr. Seuss was not a doctor. He briefly studied English literature at Oxford, but instead became a cartoonist. He was awarded an honorary doctorate by Dartmouth College. f Forty-four books by Dr. Seuss have been translated into 15+ languages. f He is the ninth-best-selling fiction author of all time — 650 million+ copies sold.

HOW THE GRINCH STOLE CHRISTMAS f The book debuted in December 1957. f The Grinch turned green when he was animated in 1966.

Originally, he was black and white with pink eyes. Rumor has it that the animator was inspired after he rented a car that was painted an ugly and unique shade of green. f Dr. Seuss wrote all of the lyrics to the songs in the TV special. f The Grinch was named the fifth-greatest cartoon character of all time by TV Guide in 2002.

Philip Huffman as The Grinch and the 2016 Touring Company of Dr. Seuss’ How The Grinch Stole Christmas! The Musical.

DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL f The musical came to life in 1994 at the Children’s Theatre Company in Minneapolis. f It appeared on Broadway in 2006, where it broke records during holiday season. f Max the Dog, who only had two lines in the TV special — “Yipee!” and “Raaahhh!” — now narrates this classic holiday tale for the whole family.

DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL DEC 3 – 8 • BUELL THEATRE ASL interpreted, Audio-described, Open Captioned performance: Dec 7 at 3pm

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The cast of Oklahoma! Photo by Adams VisCom.

Avery is intrigued when a DCPA teaching artist uses theatre to teach math at her school.

Her class then takes a fieldtrip to see Oklahoma! and she sees history in a new way.

Photos by John Moore

Inspired, Avery enrolls in an acting class where she gains confidence and creativity.

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Help more students like Avery discover their voice.

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A Doll’s House & A Doll’s House, Part 2 in repertory Now – Nov 24 Goodnight Moon Now – Feb 16 The Improvised Shakespeare Company® Now – Mar 22 The Phantom of the Opera Now – Nov 17 Twelfth Night Now – Dec 22 Camp Christmas Nov 21 – Jan 5 Hip Hop Nutcracker Nov 23 – 24 Jesus Christ Superstar Nov 26 – Dec 1 Dr. Seuss’ How the Grinch Stole Christmas! The Musical Dec 3 – 8 Latin History for Morons Dec 10 Mannheim Steamroller Christmas by Chip Davis Dec 14 – 15 Jimmy Buffett’s Escape to Margaritaville Dec 23 – Jan 5 You Lost Me Jan 17 – Feb 23 SUMMER: The Donna Summer Musical Jan 28 – Feb 9 twenty50 Jan 31 – Mar 1 Mystery Science Theater 3000: LIVE Feb 15 RENT 20th Anniversary Tour Feb 28 – Mar 1 The SpongeBob Musical Mar 10 – 22 Until the Flood Mar 20 – May 3 Mean Girls Mar 25 – Apr 12 Dixie’s Never Wear a Tube Top...

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TROIKA ENTERTAINMENT, LLC presents

Book by

Music by

GREG GARCIA & MIKE O’MALLEY

JIMMY BUFFETT

Starring

CHRIS CLARK SARAH HINRICHSEN SHELLY LYNN WALSH PETER MICHAEL JORDAN RACHEL LYN FOBBS PATRICK COGAN MATTHEW JAMES SHERROD SOPHIE BRAUD NOAH BRIDGESTOCK DeVON BUCHANAN ANTHONY CATALDO CHANTELLE COGNEVICH KATIE DAVIS NICO DiPRIMIO FABIAN-JOUBERT GALLMEISTER DIEGO ALEJANDRO GONZÁLEZ BOBBY HOGAN AIMEE LANE VICTORIA PRICE TRENT SOYSTER EMMA STRICKER JADE TURNER MORGAN UNGER TYLER WHITAKER Scenic Design by

Costume Design by

Lighting Design by

Sound Design by

WALT SPANGLER

PAUL TAZEWELL

HOWELL BINKLEY & AMANDA ZIEVE

BRIAN RONAN & CRAIG CASSIDY

Wigs, Hair & Makeup Design by

Casting by

LEAH J. LOUKAS

BINDER CASTING

CHAD ERIC MURNANE. C.S.A.

Orchestrations

Dance Music Arrangements

Music Consultant

MICHAEL UTLEY

GARY ADLER

MAC McANALLY

Music Director

Music Coordinator

ANDREW DAVID SOTOMAYOR

TALITHA FEHR

Production Stage Manager

Company Manager

SUZAYN MACKENZIE-ROY ANDREW TERLIZZI

Exclusive Tour Direction

Marketing and Publicity Direction

Social Media

THE BOOKING GROUP

BOND THEATRICAL GROUP

MARATHON DIGITAL

Associate Choreographer

Production Manager

General Manager

Executive Producer

ANDREW TURTELTAUB

HEATHER CHOCKLEY

BRIAN SCHRADER

ANGELA ROWLES

Music Supervision & Arrangements and Additional Orchestrations by

CHRISTOPHER JAHNKE Directed by

AMY ANDERS CORCORAN Choreographed by

KELLY DEVINE Based on the Original Direction by

CHRISTOPHER ASHLEY ESCAPE TO MARGARITAVILLE IS PRESENTED THROUGH SPECIAL ARRANGEMENT WITH BROADWAY LICENSING, 7 PENN PLAZA SUITE 904 NEW YORK, NY 10001 WWW.BROADWAYLICENSING.COM

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

SEASON SPONSORS

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

CAST

Chris Clark

Sarah Hinrichsen

Shelly Lynn Walsh

Peter Michael Jordan

Rachel Lyn Fobbs

Patrick Cogan

Matthew James Sherrod

Sophie Braud

Noah Bridgestock

DeVon Buchanan

Anthony Cataldo

Chantelle Cognevich

Katie Davis

Nico DiPrimio

FabianJoubert Gallmeister

Diego Alejandro González

Bobby Hogan

Aimee Lane

Victoria Price

Trent Soyster

Emma Stricker

Jade Turner

Morgan Unger

Tyler Whitaker

Tully................................................................................................................................................CHRIS CLARK Rachel............................................................................................................................SARAH HINRICHSEN Tammy........................................................................................................................ SHELLY LYNN WALSH Brick.................................................................................................................... PETER MICHAEL JORDAN Marley............................................................................................................................RACHEL LYN FOBBS J.D............................................................................................................................................PATRICK COGAN Jamal............................................................................................................MATTHEW JAMES SHERROD Chadd..........................................................................................................................NOAH BRIDGESTOCK Jesús..................................................................................................... DIEGO ALEJANDRO GONZÁLEZ Ted....................................................................................................................................DeVON BUCHANAN Ensemble.............................................................................. SOPHIE BRAUD, NOAH BRIDGESTOCK, DeVON BUCHANAN, ANTHONY CATALDO, CHANTELLE COGNEVICH, KATIE DAVIS, NICO DiPRIMIO, FABIAN-JOUBERT GALLMEISTER, DIEGO ALEJANDRO GONZÁLEZ, BOBBY HOGAN, AIMEE LANE, TRENT SOYSTER, EMMA STRICKER, JADE TURNER, MORGAN UNGER SWINGS VICTORIA PRICE, TYLER WHITAKER DANCE CAPTAIN AIMEE LANE UNDERSTUDIES Understudies never substitute for the listed players unless a specific posting or announcement is made at the time of the performance.

For Tully: NOAH BRIDGESTOCK, BOBBY HOGAN; for Rachel: KATIE DAVIS, AIMEE LANE; for Tammy: CHANTELLE COGNEVICH, JADE TURNER; for Brick: ANTHONY CATALDO, DIEGO ALEJANDRO GONZÁLEZ; for Marley: VICTORIA PRICE, JADE TURNER; for J.D.: ANTHONY CATALDO, MATTHEW JAMES SHERROD; for Jamal: DeVON BUCHANAN, DIEGO ALEJANDRO GONZÁLEZ. Setting: Present Day, The Caribbean & Ohio THERE WILL BE ONE 15-MINUTE INTERMISSION

The taking of photographs, videotaping or other recording of this production is a violation of the copyright law and an actionable federal offense.

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

CAST

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

MUSICAL NUMBERS (in alphabetical order) A Pirate Looks at Forty Breathe In, Breathe Out, Move On Changes in Latitudes, Changes in Attitudes Cheeseburger in Paradise Coast of Marseilles Coconut Telegraph Come Monday Fins Grapefruit - Juicy Fruit Havana Daydreamin’ He Went to Paris It’s Five O’Clock Somewhere It’s My Job Last Mango in Paris License to Chill Love and Luck Margaritaville My Head Hurts, My Feet Stink and I Don’t Love Jesus One Particular Harbour Son of a Son of a Sailor Three Chords Tin Cup Chalice Volcano We Are the People Our Parents Warned Us About Why Don’t We Get Drunk ORCHESTRA Music Director/Keyboard: ANDREW DAVID SOTOMAYOR Guitars- CLAUDIO RAINO, JAKOB SMITH; Bass- JOELA OLIVER; Steel Drums- RUSS HENRY; Drums- TAURUS LOVELY; Trumpet- JAKE BOLDMAN; Reeds- EMMA REINHART Keyboard Programmer: RANDY COHEN Music Coordinator: TALITHA FEHR

CHRIS CLARK (Tully) National tour debut! Proud graduate of Texas State University. Regional: Sister Act (Joey), Pippin at Music Theatre Wichita; Beauty and the Beast (Gaston) at Shenandoah Summer MT; Garland Summer Musicals. Love and gratitude to CGF, Mom, Dad, Brett, & Em. @chrisclark55 SARAH HINRICHSEN (Rachel) OffBroadway: The Imbible: Day Drinking (Original Cast). Favorite Regional: Little Women (Jo March), Newsies (Katherine), Cinderella (Gabrielle).

OCSA/OCU alum. Endless love and thanks to the entire perfect creative team, Chad at Binder Casting, my angel friends, SD and of course Mom and Dad whom she would be nothing without! Ahh! @sare_hin SHELLY LYNN WALSH (Tammy) National Tour debut! Off-Broadway: Sistas: The Musical (Heather). Regional fav: Always Patsy Cline (Patsy Cline).

Thank you to Baker Management, Chad from Binder Casting, Mom, Dad, Cyndi, Ash and Dan. Cheers to strong, loud women everywhere! Rider MT Grad, Go Broncs! @shellylynnwalsh PETER MICHAEL JORDAN (Brick) This is Peter’s first national tour. He is fresh out of college where he attended The Boston Conservatory at Berklee. He is so excited to be joining the cast and be able to kick off his professional career with the music he grew up with thanks to his Parrot Head family.

IG:@LatifahPeter RACHEL LYN FOBBS (Marley) is thrilled to be making her national tour debut! Regional: Matilda (Virginia Stage Company), Godspell (St. Michael’s Playhouse), and NOAH (Sight & Sound Theatre). BA in Theatre, Minor in Music. Sending gratitude to God, her supportive family, and Chad.

PATRICK COGAN (J.D.) National Tours: The Full Monty (Harold Nichols), Annie (Oliver Warbucks), Damn Yankees (Coach Van Buren), A Christmas Carol (Christmas Present). Regional Theater: Romeo & Juliet (Friar Laurence), She Loves Me (Mr. Maraczek), Man of La Mancha (Governor/Innkeeper).

MATTHEW JAMES SHERROD (Jamal/ U/S J.D.) is so excited to bring this hilarious & heartwarming show across the country. Get ready to laugh and get ready to sing along! “Life is a journey that’s measured not in miles or years but in experiences” - Jimmy Buffett SOPHIE BRAUD (Ensemble) is thrilled to be touring with Escape to Margaritaville! Regional: West Side Story; Hello, Dolly!; and MAMMA MIA! (Lyric Theatre of Oklahoma); Texas! The Musical (The Pioneer Amphitheater).

OCU Grad. Endless love to family, friends, mentors, and most importantly, God. Instagram: @sophie_braud www.sophiebraud.com #loveforlorna NOAH BRIDGESTOCK (Chadd/ Ensemble/U/S Tully) Regional theatre: Fingerlakes Musical Theatre Festival (Grease!), John W. Engeman Theatre (The Full Monty), New Stage Theatre (Vanya & Sonia...Spike). National tour: A Chorus Line directed by original Broadway cast member Baayork Lee. Much love and thanks to mom and the whole fam, Michael Rodriquez at The Roster! This one and all the rest for EST. @snowybridgestock DeVON BUCHANAN (Ted/Ensemble/ U/S Jamal) of Nashville, is thrilled to make his National Broadway Tour Debut! Credits include Joseph...

Dreamcoat (Studio Tenn), Chicago (Nashville REP), In the Heights (Westchester Broadway Theater) and The Wiz (Arkansas REP). Thanks to About Artist Agency, Family, and friends for their support! Instagram: divadevo86 ANTHONY CATALDO (Ensemble/ U/S Brick, J.D.) Previous credits: Curly McClain, Oklahoma!; Mr. Wormwood, Matilda (Wagon Wheel); Bob McCaffery, South Pacific (Triad Stage); Louis/Billy Webster, Sunday in the Park with George; Bird Seller/ Quintet, Sweeney Todd (North Carolina Summer Rep). Education: University of North Carolina at Greensboro. anthonycataldo.com @anthonyscataldo CHANTELLE COGNEVICH (Ensemble/ U/S Tammy) Favorite Credits: It Shoulda Been You (Jenny Steinberg),

Hairspray (Tracy Turnblad), See What I Wanna See, Gollum Owned a Tropical Smoothie, Romeo & Juliet (Nurse). Special thanks to the creative team, TROIKA Entertainment, and her friends and family. www.chantellecognevich.com KATIE DAVIS (Ensemble/U/S Rachel) is thrilled to be back out on the road!

Credits include Annie National Tour (Star To Be), MAMMA MIA! (Sophie), Newsies (Katherine). Proud graduate of Belmont University Class of ‘16. Katie thanks Mom & Dad, and Shelly. All glory to Him. Instagram: katieddavis NICO DiPRIMIO (Ensemble) is thrilled to be in the Margaritaville family! A graduate of The American Musical and Dramatic Academy in NYC. Recently seen in the National Tour of A Charlie Brown Christmas. Regional: MAMMA MIA!, Guys and Dolls, The Light in the Piazza, Hair. He would like to thank his family for their endless amount of love and support! @nicoo_d FABIAN-JOUBERT GALLMEISTER (Ensemble) National Tour Debut!

Regional: Grand Hotel (Merry Go Round Playhouse), MAMMA MIA! (TBTS), CATS (Rum Tum Tugger), HAIR (Berger). NYU Steinhardt Graduate M.M. Special thanks to my family, Margaritaville creatives, Binder Casting, Lucille, and John - I love you. Instagram: @fabianjoubert DIEGO ALEJANDRO GONZÁLEZ (Jesús/Ensemble/U/S Brick, Jamal) Credits: Cinderella, All Shook Up, 9 to 5 (Arrow Rock Lyceum), Man of La Mancha (JW Engeman). BFA Abilene Christian University: Mr. Mistoffelees (CATS), Caliban (The Tempest).

Endless love and thanks to the creative team, TPG Talent, Chad at Binder Casting, Familia in TX/MX/NYC, and William. Psalm 100. diegogzz.com BOBBY HOGAN (Ensemble/U/S Tully) National tour debut! Regional: Joseph and...Dreamcoat (Studio Tenn), Ren in Footloose (Grandstreet), Davey in Newsies (Chaffin’s Barn). Proud alum of Belmont ‘19. Thanks to all of his educators, mentors, friends and family! @bobbyhogan_

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

WHO’S WHO

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

AIMEE LANE (Dance Captain/ Ensemble/U/S Rachel) is so thrilled to be on her first National Tour with the most fun team on the road. Credits include Transcendence Theatre Company, Merry Go Round Playhouse, North Shore Music Theatre. She also works as an associate to Richard Hinds and Marc Kimelman. Follow her adventures on the gram at @missaimeelane.

Shoutout to the #Freeway for being the best around!

VICTORIA PRICE (Swing/U/S Marley) is so excited to be a part of Escape to Margaritaville! On her previous tours she was either a pup (Paw Patrol Live) or a Who (How the Grinch Stole Christmas) so getting to walk normally on stage is a welcomed change. She has also performed at Tent Theatre & Weathervane NH. Truly all glory to God & so many thanks to her incredible mother & sisters for their support & also the Avalon team. She dedicates every performance to her dad.

Romans 12:10 @__victoriaprice TRENT SOYSTER (Ensemble) National Tour debut! Originally from Pittsburgh, PA, favorite regional credits include: Newsies (PCLO), Grease! (Finger Lakes MTF), CATS (Mr. Mistoffelees - ILST)!

Proud Pace MT #PUMT! None of this is possible without the support of the best family and friends ever. Follow the adventures: @tscott8 on Instagram!

EMMA STRICKER (Ensemble) is thrilled to be making her professional debut in the Escape to Margaritaville tour. Emma gives a special thanks to all of her family, friends, and amazing teachers for all their love and support.

IAMT ’19! @emmastricker JADE TURNER (Ensemble/ U/S Marley, Tammy) is so excited to be merging her two passions in life, musical theatre and margaritas! Regional credits: Asolo Rep’s Ragtime, Roe and The Music Man directed by Jeff Calhoun.

Film credits: Ben Platt’s “Temporary Love” music video. Graduate of The University of Tampa. Thanks to friends and family for their support.

MORGAN UNGER (Ensemble) Graduate of the Dance Theatre Conservatory Program of AMDA NY. Recent: Elf the Musical National Tour, Original Production of Beauty and the Beast Disney Cruise Line. NY Theatre’s

include: Hammerstein Ballroom, The Public Theater, Dixon Place and Inwood Art Works. Love and light @morganunger_

those recordings that have influenced and inspired both music creators and fans for generations are considered for this most special honor.

TYLER WHITAKER (Swing) National tour debut! Credits include West Side Story at The Kennedy Center, The Atlanta Opera, The Lyric Opera of Kansas City, and The Glimmerglass Festival, Sweeney Todd at FLMTF, and Gypsy at OSTC. BFA from The Boston Conservatory. For my parents, always.

GREG GARCIA (Book) created three back-to-back syndicated comedies: “Yes, Dear,” “My Name is Earl,” “Raising Hope.” He has written on a variety of other sitcoms, including “Family Matters” and “Family Guy,” and won an Emmy for Outstanding Writing for a Comedy Series for the pilot of “My Name is Earl.” Garcia entered the world of musical theatre for the sole reason of hoping his oldest son Camden, a very talented actor at Boston University, would think he was cool. When he’s not writing, directing and producing TV shows, he likes to watch hockey with his son Nathan, play board games with his son Trace and walk Mabel the dog on the beach with his amazing wife Kim.

JIMMY BUFFETT (Composer/Lyricist) Singer/songwriter/author Jimmy Buffett has become a legend of popular culture as the composer of such classic songs as “Margaritaville,” “Come Monday” and “Cheeseburger in Paradise.” He has recorded over 50 albums, most of which have gone gold, platinum or multi-platinum. His sold-out concert tours are an annual rite of summer passage for his multigenerational legions of fans, some affectionately known as Parrot Heads, many of whom are professionals by day and who dress in spectacular and outrageous tropical outfits and headwear when Jimmy comes to town. Born in the Gulf Coast town of Pascagoula, Mississippi, he was raised in Mobile, Alabama. He is a fourth-generation sailor and fisherman, a pilot, a surfer and a frequent traveler to remote and exotic places of the world, having become addicted to National Geographic magazine as a child. The lyrics to many of his songs are influenced by his travels all over the globe.

As a best-selling author, he is one of only nine authors in the history of The New York Times Bestseller List to have reached #1 on both their fiction and non-fiction lists. Jimmy has received two Grammy nominations, numerous Country Music Association awards and was the recipient of one of the nation’s highest songwriting honors when he was inducted into the Nashville Songwriters Hall of Fame.

And now Jimmy is heading back into the theatre world. The new musical Escape to Margaritaville features the music and lifestyle of Jimmy Buffett, from an original story, and includes both new songs and the most-loved Buffett classics. Speaking of Buffett classics, the most famous of them all, “Margaritaville” has been inducted into the 2016 Grammy Hall of Fame for its cultural and historic significance. Only

MIKE O’MALLEY (Book) is the creator of the award-winning television series Survivor’s Remorse, which recently completed its four season run on Starz. Next up, he will be the showrunner for the LionsGate/Starz hourlong drama Heels which will begin production in 2020. O’Malley also wrote on Showtime’s Shameless for the first four seasons. As an actor, he was nominated for an Emmy for his portrayal of Burt Hummel on Glee and recently appeared in YouTube Premium’s Wayne as well as the upcoming Snowpiercer for TNT. Television acting credits include: Yes, Dear; Justified; My Own Worst Enemy; My Name is Earl; Welcome to the Family and The Mike O’Malley Show. Film acting credits include: Sully, Concussion, 28 Days, Deep Impact, Cedar Rapids, Eat Pray Love and Meet Dave. Way back when, he hosted the Nickelodeon shows Get the Picture and Guts. He is the author of two plays that have been published

by Samuel French: Three Years from Thirty and Diverting Devotion. His play Searching for Certainty was adapted into the film Certainty, which won the Best Screenplay award at the Boston film Festival. Born in Boston, and raised in New Hampshire, Mr. O’Malley resides in Los Angeles with his wife Lisa and their three children.

CHRISTOPHER ASHLEY (Original Broadway Direction) Artistic Director, La Jolla Playhouse. Broadway: Come

KELLY DEVINE (Choreographer) Broadway: Come From Away (Tony, Drama Desk and Outer Critics Circle nominations), Doctor Zhivago, Rocky (Tony, Drama Desk and Outer Critics Award nominations), Rock of Ages.

International: Rocky (Germany), Rock of Ages (UK: West End & Tour, Toronto, Australia), Doctor Zhivago (Australia, Korea). Opera: Faust (NY Met & London ENO), Wozzeck (San Diego Opera). Off-Broadway: Rock of Ages, Fat Camp, Frankenstein, Anne Wrecksick. TV: “Mozart in the Jungle,” “Wormwood,” “Dear Dumb Diary.” Film: Detroit (Kathryn Bigelow director); Untouchable (Nicole Kidman and Bryan Cranston); Happy, Texas.

Stratford Shakespeare Festival: Cabaret, Romeo and Juliet. Regionals: Come From Away, Peter and the Starcatcher, Doctor Zhivago, Private Fittings, Toxic Avenger, A Christmas Story, Bloody Bloody Andrew Jackson.

AMY ANDERS CORCORAN (Director) holds a BA in Psychology with Honors from the University of Kansas and a MFA in Directing from Penn State University. Amy was the associate/resident director of Escape to Margaritaville for Christopher Ashley on the pre-Broadway tour and also on Broadway. She served as Mr. Ashley’s Associate Director on Disney’s Freaky Friday. Amy directs mostly new musicals, including the NYC Off-Broadway and London premieres last year of Unexpected Joy. Amy’s work has also been seen at Asolo Rep, The Guthrie, Goodspeed, and American

Conservatory Theater. Favorite directing credits include: 21 Chump Street (European Premiere), I Am My Own Wife (NYC site-specific production), Little Women, Smokey Joe’s Cafe, CULT!, and Bhangin’ It. Amy received the SDC Noël Coward Fellowship for Comedic Direction mentored by Mark Rucker. Proud member of SDC. Grateful for Scott, Lucy, Mom, Dad, family and the village.

ANDREW TURTELTAUB (Associate Choreographer) Choreography credits include, A Capitol Fourth on PBS 2019, Fame (Macua International Music Festival), Fame (Capital Playhouse), commercial’s for GLICO, Bud Light, Trojan and TENA. Break Out In Song.

Associate/Assistant credits include, Escape To Margaritaville (Bway & La Jolla Playhouse), Music City (Cape Fear Regional Theatre), Katy Keene (CW), Modern Love (Amazon), Mozart In The Jungle (Amazon), Chicago, Forever Plaid, Smokey Joe’s Cafe, Hairspray (New Theatre), A Chorus Line (Lenape PAC), DanceBreak (Ailey Theatre), Grease (Paper Mill Playhouse), Sweet Charity (Broadway workshop), Carnivale (Radio City Music Hall) and Orpheus (NYC Opera). Thank you Kelly Devine for this opportunity, and Lucille DiCampli at LDC Artists.

Thank you to my family & friends for their never-ending love and support! www.AndrewTurteltaub.com CHRISTOPHER JAHNKE (Music Supervisor/Vocal & Incidental Music Arranger/Additional Orchestrations) Orchestrator: (Broadway/London) Porgy and Bess (Tony nominationBest Orchestrations), new orchestrations for Les Misérables (performed worldwide since 2006), Legally Blonde, King Kong, Cry-Baby, Grease (2007), Dessa Rose, A Man of No Importance, Wind in the Willows (Stiles & Drewe).

Other orchestrations: Do You Hear the People Sing? (symphonic tour of Boublil/Schönberg), Tom Jones (Stiles & Leigh), Just So (Stiles & Drewe), Lady Gaga (“The Sound of Music” - 2015 Oscars, with Stephen Oremus), “The Wiz Live!,” Rufus Wainwright, Radio City Rockettes and Emily Bear. Music Supervisor: Memphis. Apprentice to orchestrator William David Brohn: Sweet Smell of Success, Ragtime, The Secret Garden, The Three Musketeers, The Witches of Eastwick, Mary Poppins and Wicked.

WALT SPANGLER (Scenic Designer) Broadway: Tuck Everlasting, A Christmas Story, Desire Under the Elms, Scandalous, Hollywood Arms.

Walt has designed for theater, opera and dance for many theaters around the nation and around the globe.

PAUL TAZEWELL (Costume Designer) designed the original Broadway production of the Pulitzer Prize and Tony Award®-winning Hamilton. Other Broadway productions include In the Heights; The Color Purple; Doctor Zhivago; Memphis; Caroline, or Change; Elaine Stritch at Liberty; Bring in ‘Da Noise, Bring in ‘Da Funk; Russel Simmons’ Def Poetry Jam; Lombardi; and Magic/Bird. Broadway revivals include Side Show; A Streetcar Named Desire; Jesus Christ Superstar; Guys and Dolls; A Raisin in the Sun; and On the Town. For Focus Features he designed Harriet and the upcoming West Side Story directed by Steven Spielberg for Disney Films. In 2016, Paul received both a Tony Award® for Hamilton and the Emmy Award® for “The Wiz Live!” on NBC. He also designed The Immortal Life of Henrietta Lacks for HBO Films starring Oprah Winfrey.

HOWELL BINKLEY (Lighting Designer) Ain’t Too Proud - The Life and Times of The Temptations (2019 Tony nom.), Come From Away (2017 Tony nom.), A Bronx Tale, Hamilton (2016 Tony winner/2018 Olivier Award winner), After Midnight (2014 Tony nom.), How to Succeed… (2011 Tony nom.), West Side Story (2009 Tony nom.), In the Heights (2008 Tony nom.), Jersey Boys (2006 Tony winner), Avenue Q, Parade, Kiss of the Spider Woman (1993 Tony nom./Olivier and Dora Award Winner).

Co-Founder and Resident Lighting Designer for Parsons Dance for which he has designed over 85 pieces. 2006 and 2016 Henry Hewes Design Awards for Jersey Boys and Hamilton.

AMANDA ZIEVE (Lighting Designer) has collaborated with Howell Binkley on many productions over the last 12 years.

She recently designed Tiny Beautiful Things, Barefoot in the Park, Native Gardens, The Wanderers, and Rich Girl (The Old Globe), Put Your House in Order (The La Jolla Playhouse), Billy Elliot and Titanic (Signature Theatre Company), Sweeney Todd and Roof of the World (Kansas City Repertory

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

From Away (Tony Award® winner), Memphis (Tony Award® nomination), Xanadu, Leap of Faith, All Shook Up, Rocky Horror Show (Tony Award® nomination). West End: Memphis, Come From Away. New York credits include: Blown Sideways Through Life, Jeffrey, The Most Fabulous Story Ever Told, Valhalla, Regrets Only, Wonder of the World, Communicating Doors, Bunny Bunny, The Night Hank Williams Died, Fires in the Mirror (Lucille Lortel Award). Kennedy Center: Sweeney Todd, Merrily We Roll Along, Lisbon Traviata. La Jolla Playhouse selected credits: A Midsummer Night’s Dream, The Darrell Hammond Project, Hollywood, His Girl Friday, Glengarry Glen Ross, Restoration. Film/TV: Lucky Stiff, Jeffrey, “American Playhouse,” PBS: “Blown Sideways Through Life.”

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

Theatre) and Approval Junkie (Alliance Theatre). amandazieve.com.

BRIAN RONAN (Sound Designer) Over 40 Broadway designs including The Prom, Tootsie, Mean Girls, Margaritaville, Springsteen on Broadway, War Paint, The Last Ship, Beautiful, If/Then, Anything Goes, American Idiot, Next to Normal, Spring Awakening, Grey Gardens. On the West End: Spring Awakening, Book of Mormon and Beautiful. Off Broadway designs include Bowie’s Lazarus, Giant, RENT, Everyday Rapture, Saved, 10 Million Miles, and Bug. He is the recipient of Obie, Lucille Lortel, Drama Desk, Olivier and Tony awards.

CRAIG CASSIDY (Sound Designer) has been providing sound reinforcement for the theater for 25 years. Designing sound for productions in the USA and around the world. Recent productions include: Spamalot, The Color Purple, A Chorus Line, Cirque Dreams Jungle Fantasy, Ring Of Fire, Gypsy, Man of La Mancha, Grease, The Will Rogers Follies, Smokey Joe’s Cafe, Fame and Phantom. When he is not behind a sound console you can find him sailing the Long Island Sound with his wife Dina & daughter Kealy.

LEAH J. LOUKAS (Wigs, Hair & Makeup Designer) Broadway: Time and the Conways; Marvin’s Room; Natasha, Pierre and the Great Comet of 1812; Sweat; Oh, Hello!; The Heidi Chronicles, On the Town, A Night with Janis Joplin; Vanya and Sonia and Masha and Spike; American Idiot; Irena’s Vow. The Public Theater: Sweat, Plenty, Barbecue, Fortress of Solitude. Shakespeare in the Park series: Julius Caeser, Taming of the Shrew, Love’s Labour’s Lost, Into the Woods. Ms. Loukas has designed various productions at many regional theaters including: La Jolla Playhouse, Paper Mill Playhouse, Dallas Theater Center and The Muny.

MICHAEL UTLEY (Orchestrator) A multi-talented musician/producer/ composer, Utley has spent the last 5 decades producing artists like Roy Orbison, Jimmy Buffett, Rita Coolidge and Todd Snider, and recording with such legends as Aretha Franklin and Jackson Browne. In 1973, Jimmy Buffett asked Utley to play on his first ABC/Dunhill release, A White Sport Coat and a Pink Crustacean. Utley

worked as Arranger and Producer on such records as One Particular Harbour, Floridays, Hot Water, Feeding Frenzy and the number one Billboard album License to Chill. Utley began touring full time as a “Coral Reefer” in 1981 and became the musical director of the band in 1993. In 2019 Utley was selected as the University of Arkansas Alumni Association Johnson Fellow.

TALITHA FEHR (Music Coordinator) has worked on over 70 national and international tours and productions.

Highlights include: Sister Act, MAMMA MIA!, School of Rock, Come Fly Away, Love Never Dies and CATS, as well as the Vancouver Olympic Ceremonies 2010. She dedicates her work on Escape to Margaritaville to the memory of her mentor, Sam Lutfiyya.

GARY ADLER (Dance Music Arranger) has been working as a theater musician in New York for over 25 years.

As a pianist and conductor, his credits include Avenue Q, Kinky Boots, Next to Normal and The Radio City Christmas Spectacular. As a writer, he wrote music and lyrics for the long-running Off-Broadway musical Altar Boyz, for which he received two Drama Desk Award nominations.

Other writing credits include Disney Channel’s “Johnny and the Sprites” and a number of contributions to the “Carols for a Cure” album series.

SUZAYN MACKE NZIE- ROY (Production Stage Manager) is happy to return to the road following the birth of her son, Sosuke. Favorite touring credits with TROIKA include Annie (national and international), Mike Tyson: Undisputed Truth, and three years of Fiddler on the Roof. Knathan – liily!

MAC McANALLY (Music Consultant) is an award-winning writer, producer, vocalist, multi-instrumentalist and all around musical sage, whose enviable registry of credits includes Roy Orbison, Toby Keith, Zac Brown Band, Hank Williams, Jr., Amy Grant, Jimmy Buffett, Linda Ronstadt, Mary Chapin Carpenter, Dolly Parton and many more. A touring member of Buffett’s “Coral Reefer Band,” he has produced several of Buffett’s albums and has written many of his songs. McAnally has been inducted into the Nashville Songwriters Hall of Fame, the Alabama Music Hall of Fame and the Mississippi Musicians Hall of Fame. The Country Music Association has named him Musician of the Year for an unprecedented 10 years.

ANDREW DAVID SOTOMAYOR (Music Director) Previous credits include Curvy Widow (Westside Theatre), West Side Story (Maltz Jupiter Theatre), Man of La Mancha (Westport Country Playhouse), The Will Rogers Follies (Merry-Go-Round), Cutman: A Boxing Musical (Goodspeed). As a composer he provided music and lyrics for 50 Shades of F****d Up and Committed, as well as scores for the films BX3M and Cuba 1961: A Love Story. He is a proud graduate of Stetson University, Florida. www.soto.fun

ANDREW TERLIZZI (Company Manager) is currently in his eighth season with TROIKA Entertainment, having previously worked on the national tours of Kinky Boots, Bodyguard the Musical, Cheers Live on Stage, The Wizard of Oz, Sister Act the Musical, Ghost: the Musical and Priscilla Queen of the Desert. Prior to joining TROIKA, he was Assistant Company Manager for the first National Tour of West Side Story. He has also company managed for Williamstown Theatre Festival and The Studio Theatre in Washington, D.C. He holds a BFA from the University of North Carolina School of the Arts.

EMMA IACOMETTA (Assistant Stage Manager, Assistant Company Manager) is excited for her first production with TROIKA! National tour: Noël. Regional: Williamstown Theatre Festival, All For One Theatre, Piedmont Opera, Triad Stage. Concerts: From Broadway With Love (Van Dean Prod.), Broadway Fights Back with March for Our Lives (Silver/Sussman). Love to Mom. BINDER CASTING/ CHAD ERIC MURNANE, CSA (Casting) Binder Casting, now part of RWS Entertainment Group, was founded

by Jay Binder, CSA in 1984. Binder Casting has cast over 80 Broadway productions, dozens of National Tours, off-Broadway shows, full seasons for over 25 regional theatres, as well as feature films, episodic television and commercials. Binder has cast for Encores! at New York City Center since its inception in 1994. The office

THE BOOKING GROUP (Tour Booking Agency) Since its inception in 1996, The Booking Group has represented 25 Tony Award-winning Best Musicals and Plays. Current touring productions include: Hamilton, Anastasia, The Book of Mormon, Come From Away, Dear Evan Hansen, Fiddler on the Roof, Hello, Dolly!, Irving Berlin’s White Christmas, Mean Girls, My Fair Lady, RENT: The 20th Anniversary Tour and Waitress. Future productions include: Hadestown, 1776, The Cher Show, Pretty Woman, To Kill a Mockingbird and Tootsie.

BOND THEATRICAL GROUP (Marketing and Publicity Direction) is a fully independent booking, marketing and publicity company for live entertainment productions. Current tour marketing and booking projects include Blue Man Group, CATS, Clueless, Girl from the North Country, First Date, Jesus Christ Superstar, Kathleen Turner’s Finding My Voice, Latin History for Morons, An Officer & A Gentleman, Once on this Island and Spamilton. Current marketing and publicity projects include Anastasia, The Band’s Visit, Dear Evan Hansen, Diana, Dr. Seuss’ How the Grinch Stole Christmas! The Musical, Escape to Margaritaville, Fiddler on the Roof, Moulin Rouge!, Oklahoma!, The Color Purple, The Phantom of the Opera on Broadway and The Prom.

TROIKA ENTERTAINMENT (Producer, Tour Management) has been an innovator in touring musical theater productions for over two decades, producing shows throughout North, Central and South America, Europe and Asia. Additionally, the company is experienced in casino and leisure markets. Current and upcoming productions include CATS, The Phantom of the Opera, Escape to Margaritaville, The Color Purple and My Fair Lady.

With strong ties to the Broadway community, TROIKA prides itself on delivering top quality productions to audiences worldwide. Please visit us at www.troika.com.

MUSIC CREDITS A PIRATE LOOKS AT FORTY; COME MONDAY; and GRAPEFRUIT-JUICY FRUIT. Written by Jimmy Buffett. Used by permission of Songs of Universal, Inc. (BMI). All Rights Reserved.

BOAT DRINKS; CHANGES IN LATITUDES, CHANGES IN ATTITUDES; CHEESEBURGER IN PARADISE; COCONUT TELEGRAPH; HAVANA DAYDREAMIN’; MARGARITAVILLE; MY HEAD HURTS, MY FEET STINK, AND I DON’T LOVE JESUS; SON OF A SON OF A SAILOR; THREE CHORDS; and WE ARE THE PEOPLE OUR PARENTS WARNED US ABOUT. Written by Jimmy Buffett. Used by permission of Coral Reefer Music (BMI). All Rights Reserved. BREATHE IN, BREATHE OUT, MOVE ON. Written by Jimmy Buffett and Matt Benton. Used by permission of Coral Reefer Music (BMI) and Matthew Thornton Betton, Jr. All Rights Reserved. COAST OF MARSEILLES. Written by Keith Sykes. Used by permission of Keith Sykes Music (BMI).

All Rights Reserved. FINS. Written by Jimmy Buffett, Barry Chance, Thomas Corcoran and Deborah McColl. Used by permission of Coral Reefer Music (BMI) and Songs of Universal, Inc. (BMI). All Rights Reserved. HE WENT TO PARIS. Written by Jimmy Buffett. Used by permission of Universal Music Corp. (ASCAP). All Rights Antisia Music Inc. (ASCAP). All Rights Reserved. HOLIDAY. Written by Jimmy Buffett, William Eaton, Ralph MacDonald, William Salter. Used by permission of BMG Ruby Songs (ASCAP) o/b/o itself and Antisia Music Inc. (ASCAP). All Rights Reserved. I WAVE BYE BYE. Written by Jesse Winchester. Used by permission of BMG Bumblebee (BMI) o/b/o itself and Musique Chanteclair, Inc. (ASCAP).

All Rights Reserved. IT’S BEEN A LOVELY CRUISE. Written by Jonathan Baham. Used by permission of Coral Reefer Music (BMI) and BMG Songs (ASCAP). All Rights Reserved.

IT’S FIVE O’CLOCK SOMEWHERE. Written by Jim Brown and Don Rollins. Used by permission of ClearBox Rights, LLC o/b/o Sea Gayle Music LLC (ASCAP), Spirit Two Nashville o/b/o Spirit Services Holdings, S.A.R.L (ASCAP), and Warner-Tamerlane Publishing Corp o/b/o R. Joseph Publishing (BMI). All Rights Reserved.

IT’S MY JOB. Written by Lyman “Mac” McAnally, Jr. Used by permission of Universal Music Corp. (BMI). All Rights Reserved.

JAMAICA MISTAICA. Written by Jimmy Buffett, Russ Kunkel, Roger Guth, Peter Mayer, Jim Mayer. Used by permission of Coral Reefer Music (BMI), Universal Music Corp. o/b/o itself and Olas Music (ASCAP), BMG Bumblebee (BMI) on behalf of itself and Little Flock Music (BMI), Alsation Music (BMI) and Cliffhanging Music (BMI). All Rights Reserved. JOLLY MON SING. Written by Jimmy Buffett, Will Jennings, and Michael Utley. Used by permission of Coral Reefer Music (BMI), Coconutley Music (ASCAP), and Irving Music, Inc. o/b/o Blue Sky Rider Songs (BMI). All Rights Reserved. KING OF SOMEWHERE HOT. Written by Jimmy Buffett, Robert Greenidge, Ralph MacDonald and William Salter. Used by permission of Coral Reefer Music (BMI), BMG Ruby Songs (ASCAP) o/b/o itself and Antisia Music Inc. (ASCAP) and Rogree Music (ASCAP).

All Rights Reserved. KNEES OF MY HEART. Written by Jimmy Buffett, Will Jennings and Michael Utley. Used by permission of Coral Reefer Music (BMI), Coconutley Music (ASCAP), and Warner-Tamerlane Publishing Corp. (BMI). All Rights Reserved. LA VIE DANSANTE. Written by Jimmy Buffett, Will

Jennings and Michael Utley. Used by permission of Coral Reefer Music (BMI) and WarnerTamerlane Publishing Corp. (BMI). All Rights Reserved. LAST MANGO IN PARIS. Written

by Jimmy Buffett, M. Marshall Chapman, Will Jennings and Mike Utley. Used by permission of Coral Reefer Music (BMI), BMG Bumblebee o/b/o Tall Girl Music (BMI), Irving Music, Inc. o/b/o Blue Sky Rider Songs (BMI), Coconutley Music (ASCAP). All Rights Reserved. LICENSE TO CHILL. Written by Alan Anderson, Jimmy Buffett and Lyman “Mac” McAnally, Jr. Used by permission of Coral Reefer Music (BMI), TKO Artist Management o/b/o All About The Music (BMI), Songs Of Windswept Pacific o/b/o itself and What’s It Get Me Music (BMI). All Rights Reserved. LOVE AND LUCK. Written by Jimmy Buffett, Jocelyne Béroard and Jean-Claude Naimro. Used by permission of Coral Reefer Music (BMI). All Rights Reserved. OFF TO SEE THE LIZARD. Written by Jimmy Buffett and Jay Oliver. Used by permission of Coral Reefer Music (BMI) and The Royalty Network o/b/o Jay Oliver Music (ASCAP). All Rights Reserved.

ONE PARTICULAR HARBOUR. Written by Jimmy Buffett and Bobby Holcomb. Used by permission of Coral Reefer Music (BMI).

All Rights Reserved. RAGTOP DAY. Written

by Jimmy Buffett, Wilbur H. Jennings and Michael Edward Utley. Used by permission of Coral Reefer Music (BMI), Coconutley Music (ASCAP), and Warner-Tamerlane Publishing Corp. (BMI). All Rights Reserved. SOMETHIN’ ’BOUT A BOAT. Written by Dave Berg, Patrick Davis, Jeff Hughes, James Otto, Eric Paslay and Django Walker. Used by permission of Djangold Music (ASCAP), Spirit Two Nashville (ASCAP), Downtown Music Publishing o/b/o Bergs Eye View (BMI), Warner-Tamerlane Publishing Corp. (BMI) o/b/o itself, Eldorotto Music Publishing (BMI) and Pichi Richi Publishing (BMI), and Sony/ATV Music Publishing LLC o/b/o EMI Blackwood Music Inc. (BMI) and Patrick Davis Music (BMI). All Rights Reserved. THE STORIES WE COULD TELL. Written by John Sebastian. Used by permission of Warner/Chappell Music Publishing o/b/o Warner-Tamerlane Publishing Corp. and Downtown Music Publishing o/b/o Chicken Flats Music Inc. All Rights Reserved. TIN CUP CHALICE; and WHY DON’T WE GET DRUNK. Written by Jimmy Buffett. Used by permission of Words And Music Worldwide o/b/o Big Deal Music, LLC and Let There Be Music (ASCAP).

All Rights Reserved. VOLCANO. Written by Jimmy Buffett, Harry Marshall Dailey and Elroy Keith Sykes. Used by permission of Coral Reefer Music (BMI) and Keith Sykes Music (BMI). All Rights Reserved.

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

was also featured in the documentary, Every Little Step. Binder Casting is a twelve–time recipient of the Artios Award. www.bindercasting.com

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE

ESCAPE TO MARGARITAVILLE TOUR STAFF GENERAL MANAGEMENT & PRODUCTION MANAGEMENT TROIKA ENTERTAINMENT GENERAL MANAGER BRIAN SCHRADER Assistant General Manager...A.J. Orth PRODUCTION MANAGER HEATHER CHOCKLEY TECHNICAL DIRECTOR DAVE BURCH COMPANY MANAGER ANDREW TERLIZZI CASTING BINDER CASTING Jay Binder, CSA, Mark Brandon, CSA Justin Bohon, CSA, Chad Eric Murnane, CSA Kyle Coker, Anthony Pichette, Jarrett Reiche Part of RWS Entertainment Group Ryan Stana CEO, Bruston Manuel COO MARKETING & PUBLICITY DIRECTION BOND THEATRICAL GROUP DJ Martin Temah Higgins Marc Viscardi Phillip Aleman Nicholas Jaech Matthew Lerner Nicole Musto Tori Viggiano Benjamin Nissen www.bondtheatricalgroup.com EXCLUSIVE TOUR BOOKING THE BOOKING GROUP Meredith Blair Brian Brooks Rich Rundle www.thebookinggroup.com PRODUCTION STAGE MANAGER ...............................

SUZAYN MACKENZIE-ROY Assistant Stage Manager/ Assistant Company Manager ....Emma Iacometta Dance Captain.............................................. Aimee Lane Assistant Director. ......................... Maggie Monahan* Assistant Set Designer...........................Yu Shibagaki Assistant Lighting Designer......... Matthew Kresch Assistant Sound Designer.......... Patrick LaChance Associate Hair/Makeup Design .........Kaitie Adams Assistant Hair/Makeup Design ........Becky Walton Costume Coordinator............................... Sarah Smith Production Electrician.........................Robert Virzera Production Audio ..........................................Harry Platt Moving Light Programmer .......................Colin Scott HEAD CARPENTER ....................SHELBY DAMRON Flyman/Rigger............................................Ivy Llewellyn Deck Carpenter ............................................ John White Head Electrician .....................Andrew D. Zaccagnini Assistant Electrician/ Followspot .......................................Christopher Simko Head Audio................................................ Natalie Moran Assistant Audio .................................Matthew P. Davis Head Props ..................................................... Bret Haines Assistant Props ................................. Mitchell Ponikiski Wardrobe Supervisor .......................... Hayley S. King Assistant Wardrobe Supervisor ...Daniella Pineda Hair and Makeup Supervisor .............................Zachary Greer Emerson Rehearsal Pianist.................................Dave Klodowski Rehearsal Drums........................................Josh Endlich Music Preparation........Anixter Rice Music Service Keyboard Programmer.........................Randy Cohen Randy Cohen Keyboards Guitar Coach .................................................. Dave Feder Ukulele Coach ............................................ Cherie B. Tay Dialect Coaches....................................Charley Layton, Quentin Moore Production Assistant ......................... Sarah Battaglia Social Media .........................................Marathon Digital Mike Karns, Micayla Brewster, Ann-Marie Bagge Insurance...........................Artists Insurance Program

Production Photographer ............Matthew Murphy Production B-Roll .........................................HMS Media Payroll Services................ Kim Merhar, PEOPLE Inc. Physical Therapy ....NeuroTour Physical Therapy, Inc. Medical Director ............................ Cary Jaworski, MD Merchandising .......Creative Goods Merchandise LLC Trucking ........................................................................ Janco For TROIKA ENTERTAINMENT Chief Executive Officer ................... Randall A. Buck Chief Operating Officer ....................Angela Rowles Executive Vice President, Production....Kori Prior Executive Vice President, Marketing .....Amy Katz General Managers ......................................Karen Berry, Brian Schrader, Tyler Soltis Assistant General Managers .......... Madeline M. McCluskey, A.J. Orth, Mitzi Delgado Technical Director.......................................Dave Burch Production Managers ..................Heather Chockley, Gregg Damanti, Jessica Sentak Production Coordinator.......................Drew Neitzey Director of Engagements............. Barrett Newman Director of Finance.....................................Brian Jacob Financial Controller .......................George Lamberty Project Accountants ....................... Lourdes Castillo, Erika Goldthwaite Accounting Clerk...................................Electra Walker Office Manager ......................................Mary Lauritzen Costume Shop Administrator .......Alison M. Smith Warehouse Manager ..............................Scott Garrish www.troika.com CREDITS Scenic items and scenic refurbishment of original scenic items by GLOBAL SCENIC SERVICES and TTS STUDIOS. Lighting equipment provided by PRG LIGHTING. Audio equipment provided by PRG AUDIO. Softgoods provided by I. WEISS THEATRICAL SOLUTIONS. Additional Softgood and Printing provided by BIG IMAGE SYSTEMS. Props from BRENBRI PROPS. Original Scenic items fabricated by PRG-SCENIC TECHNOLOGIES, a division of PRODUCTION RESOURCE GROUP, LLC, New Windsor, NY. Additional original scenery by PROOF PRODUCTIONS, DAEDALUS DESIGN and PRODUCTION, and LA JOLLA PLAYHOUSE. Production Travel & Housing by ROAD REBEL ENTERTAINMENT GLOBAL, San Diego, CA SPECIAL THANKS Kevin Aman, Tamara Baldanza-Dekker, Melissa L. Bartle, Becky Biegelsen, Debby Buchholz, Mary Cook, Leah Dagen, Hailey Ferber, Deb Hatch, Darin Hinson, Don Holder, Lon Hoyt, Heikki Larsen, Mike Ramos, Paul Robb, Michael Rudd, Rick Van Noy, Scott Wasserman, Margaritaville Enterprises and the Margaritaville Brand Marketing team.

Beach Balls provided by Margaritaville. www.margaritaville.com To learn more about the production, please visit www.EscapeToMargaritavilleMusical.com Follow us on Twitter, Facebook and Instagram: @buffettmusical This production was rehearsed at Pearl Studios.

Technical rehearsals and previews held at PROVIDENCE PERFORMING ARTS CENTER.

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E) The Director-Choreographer is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union. *SDC Associate Member United Scenic Artists represents the designers and scenic painters for the American Theatre.

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2019/20 BROADWAY SEASON

PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 6+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836.

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Carrie Breidenbach Vonnie Clough Janel Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Carolyn Dore Deborah Guess AnnSue Gunter

Judy Holabird Leslie Lambert Sharon Millikan-Hale Callie Morrow Laura Payne Yolanda Pollock Dave Poole Liz Spadi Amy Tepel Marybeth Tscherpel Barb Wilson

DPAC House Crew Mark Anthony Perry Elliot James R. Gralian EJ Posselius

Albert Sainz, Sr Jay Schenk David A. Wilson

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JOHN LEGUIZAMO ON LATIN HISTORY FOR ALL AMERICANS

John Leguizamo • Photo by Matthew Murphy 2017

BY JOHN MOORE

30 30

A

Actor John Leguizamo grew up in New York City a Colombian immigrant with very few pop-culture role models who looked like him: Ricky Ricardo in “I Love Lucy.” Speedy Gonzales. Freddie Prinze. “They were far and few between,” he said.

“Then we had West Side Story, but I feel conflicted about that,” he added of the iconic gang musical that follows rumbling white and Puerto Rican gangs spinning and snapping and stabbing their way through the Upper West Side of Manhattan.

“West Side Story was the only Latin representation we had in popular movies back then, but it was all based on very negative information,” he said. “And on the news, you saw yourself constantly portrayed very negatively. Our positive stories were never celebrated.”

It was not until Leguizamo became a grown man that his research led him to great Latin writers such as Gabriel García Márquez, Roberto Bolaño, Isabel Allende, Pablo Neruda and others dating back to the 1800s. And that got him wondering what else he wasn’t taught in school about the contributions of Latin leaders, artists and soldiers throughout history.

Leguizamo, an amorphous human encyclopedia who absorbs facts as easily as breathing, has since made himself an expert on the subject, and that has led to his latest one-man theatrical production. Latin History for Morons is not only playing in Denver, it was largely developed right here back in 2017.

“Comedy Works was great for me because they gave me the opportunity to really workshop this show,” he said. “I went there for four nights doing two shows a night.”

But it wasn’t standup comedy.

“No, I just read to these poor people from my notes,” he said. “People in comedy clubs are not used to being read to. And it was a 2½ hour show. I think they were drunk out of their minds, because they just kept pouring the alcohol, and it was the longest show they’ve ever had.”

But that was part of the genesis of a show that went on to Broadway and won a special 2018 Tony Award.

“Denver people are the ones who helped me make this show,” he said, “and now I’m grateful that I can bring it back to them all polished and retooled.”

Leguizamo was motivated to develop Latin History for Morons for his son, who was being bullied and racially profiled in his middle school not far from where Leguizamo was raised.

Leguizamo also had grown up feeling othered and second-class, and he was done with that.

“I was like, wait a minute. How is this possible with all these contributions from Latin people?” he said.

“I wanted to give my son facts and information about Latin heroes to empower him.”

But Leguizamo was the one who was changed.

Or, as he put it: “Un-moronized.”

“I was empowered. I was transformed,” he said.

“It was like a domino effect. The information I found started to double and triple and quadruple. I couldn’t believe the incredible amount of Latin contributions to America and the world I found.

APPLAUSE • NOV NOV 2019 2019 ––JAN JAN2020 2020• 303.893.4100 • DENVERCENTER.ORG

Denver people are the ones who helped me make this show, and now I’m grateful that I can bring it back to them all polished and retooled.

— JOHN LEGUIZAMO, PLAYWRIGHT AND PERFORMER

UPSTAGE EVERY OTHER GIFT. TURN YOUR SPECIAL MOMENTS INTO MEMORIES THAT LAST A LIFETIME. GIVE THE GIFT OF THEATRE!

Redeem for Musicals • Plays • Classes Subscriptions • Venue Rentals “I started to feel like being Latin was a superpower.”

Now Leguizamo is bringing his comic, kinetic, dizzying stage energy into a Denver classroom known as The Buell Theatre. And if he hadn’t already settled on such a provocative title, Leguizamo might have called his production Latin History for all Americans.

“If we had a syllabus for this course, it would say that this is not the victor’s version of American history,” he said.

“History should include all of the people who helped create America. It should include all of the Black, Latin and Native American contributions to the French and Indian War, the Revolutionary War, the Civil War, the War of 1812. We were there.

“That would be a great book, and then these Latinx kids in school would see themselves reflected back and they would feel different about themselves. They would feel like they could project themselves into the future in a successful way.

When you don’t see yourself included in all this information, you feel that you have no future. When you constantly don’t see yourself in positive or heroic roles, how do you ever reimagine yourself?”

Leguizamo was intrigued to learn that the DCPA Theatre Company will soon be presenting the world premiere of a play called twenty50 that imagines that by the year 2050, the white power structure in this country will absorb Latinx people into its population, in effect preserving a white majority.

“That show sounds fascinating,” he said, “because when you look back at World War I, they didn’t separate Latin people from white people. They counted light-skinned Latin people and medium-skin-toned Latin people as white people. So now we’re going back to including Latin people as white people but the thing is: Why can’t we all just be Americans?”

For an expanded version of this interview, including John Leguizamo’s Required Reading list, visit denvercenter.org/news-center.

LATIN HISTORY FOR MORONS DEC 10 • BUELL THEATRE

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BY JOHN MOORE

F

From blasphemy to Broadway to banned to broadcast television, few pop-culture titles have generated the kind of buzz Jesus Christ Superstar has generated along the road to its current 50th anniversary national touring production.

A decade after its last major tour, this iconic musical phenomenon is back, buoyed by a jaw-dropping 2018 reimagination that aired as a live concert on NBC and left many critics saying the high-energy staging had set a new standard for live theatrical broadcasts.

“What could have felt like a dated rock opera was more like an uproarious arena concert filled with screaming fans,” wrote Deadline critic Dino-Ray Ramos.

That Emmy Award-winning effort essentially cast the live audience as the so-called 50,000 screaming Jesus fans that Simon sings are ready to “ride into Jerusalem” and effect the greatest revolution in world history. That ambience is more in line with the kind of energy composer Andrew Lloyd Webber first had in mind when he and Tim Rice dared to imagine the final weeks in the life of Jesus Christ through a decidedly late 1960s rock ’n’ roll lens.

“Superstar was written like a radio play, because that was the closest thing we had available to us,” Webber told Rolling Stone magazine. “I think it works best when it’s closer to a rock concert.”

The new national tour, helmed by acclaimed director Timothy Sheader and cutting-edge choreographer Drew McOnie, captured a similar live energy as well, and subsequently won the 2017 Olivier Award for Best Musical Revival.

From the start, Superstar was slammed as blasphemous.

Imagine the audacity of a new rock musical that dared to

36

tell the story of Christ’s downfall from the sympathetic perspective of his chief betrayer?

The writers couldn’t find a producer at first. “We were told it was the worst idea in history,” Lloyd Webber later recalled. So he and Rice transformed their stage musical into a two-record concept album that was released in 1970, just after The Who’s own two-record celebrity opus, “Tommy.”

But Rice was more inspired by the Bob Dylan anthem “With God On Our Side,” which features Judas in its penultimate verse. Rice was fascinated by the idea of Judas not as a craven back-stabber but rather a close friend struggling with the implications of Jesus’ growing popularity.

“From a very young age, I had wondered what I might have done in the situations in which Pontius Pilate and Judas Iscariot found themselves,” Rice wrote in his autobiography. “How were they to know Jesus would be accorded divine status by millions and that they would as a result be condemned down the ages?”

When the legendary concept album hit No. 1 on the Billboard charts behind songs such as “I Don’t Know How to Love Him,” “Gethsemane,” “Heaven on their Minds” and the title tune, a Broadway staging went from impossible to inevitable. American fans had begun staging unauthorized live performances in churches and theaters around the country.

But what bowed on Broadway in 1971 was polarizing.

Webber himself called that first (of four) Broadway productions “brash and vulgar” — and he was not alone.

The show was banned in South Africa and protested by everyone from the American Jewish Committee to the

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Alvin Crawford, Tyce Green and the company of the North American Tour of Jesus Christ Superstar. Photo by Matthew Murphy.

JESUS CHRIST SUPERSTAR IS REBORN AT 50

“…not only do I appreciate your beautiful rock-opera film, I believe it will bring more people around the world to Christianity than anything ever has before.”

— POPE PAUL VI TO NORMAN JEWISON, DIRECTOR THE FILM ADAPTATION OF JESUS CHRIST SUPERSTAR

Anti-Defamation League of B’nai B’rith to evangelist Billy Graham. (Though Graham did acknowledge that “if the production causes young people to search their Bibles, to that extent it may be beneficial.”)

One of the major criticisms of Webber and Rice was having Judas come back from the dead to sing the title song, without taking a stand on the possible resurrection of Jesus.

But if you look closely at the final shot of the 1973 film, said Ted Neeley, who played Jesus in the film (and on stage for the next 40 years), you can see a mysterious someone walking in the desert. “And let me just say: Those who have eyes to see will see that mysterious someone,” Neeley told The Denver Post during a 2008 tour stop in Denver.

“The reason for that shot is that Norman Jewison and myself took issue with the fact that Tim and Andrew felt the piece needed to end with a crucifixion, showing no suggestion of possible resurrection and ascension,” Neeley said. “So when Norman made the film, that mysterious appearance is to suggest that life does go on, that there was resurrection of the spirit.”

Ironically, Jesus Christ Superstar has found favor with Catholic popes across the decades. Jewison, who directed the 1973 film, arranged a special screening for Pope Paul VI. Neeley quotes Paul VI as saying: “Mr. Jewison, not only do I appreciate your beautiful rock-opera film, I believe it will bring more people around the world to Christianity than anything ever has before.” And the current Pope Francis said he enjoyed a recent stage production of Superstar in Rome.

From its birth, Superstar reflected the rock roots that defined a generation. It has been credited (and blamed) for ushering in Broadway’s decades-long “British invasion” that brought such mega-hits as Cats and Les Misérables. And as time has passed, it has proven to be one of those musicals that demands to be re-interpreted again and again, as it has been for its 50th anniversary tour.

ll people A are equal Moments are shared Differences are valued Discussion is encouraged

FAMOUS MARY MAGDALENES Yvonne Elliman: Broadway and 1973 film Sara Bareilles: NBC Live in Concert Jenna Rubaii: 50th anniversary national tour FAMOUS JESUSES Murray Head: 1970 concept album Ted Neeley: 1973 film Billy Lewis, Jr.: 2017 Arvada Center staging John Legend: NBC Live in Concert Aaron LaVigne: 50th anniversary national tour FAMOUS JUDASES Ben Vereen: Broadway originator Carl Anderson: 1973 film Tony Vincent: 2000 Broadway (DCPA Theatre Company’s The Twelve) James Delisco Beeks: 50th anniversary national tour

JESUS CHRIST SUPERSTAR NOV 26 – DEC 1 • BUELL THEATRE ASL Interpreted, Audio-described and Open Captioned performance: Nov 30, 2pm

Photos by Evan Zimmerman, MurphyMade

Portions of this report were compiled from news sources.

We respect that everyone experiences our stories differently.

Natalie MacMaster and Donnell Leahy, Dec 17

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T We have been part of the fabric of Colorado and intertwined with its arts community since both the state and university were founded in 1876.

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The University of Colorado and the Denver Center for the Performing Arts share an unwavering commitment to the arts.

That’s why CU is proud to support these amazing performers and their performances. The arts enrich our communities and make our world a better place. All four CU campuses feature robust arts programs and activities, whether it’s paintings that explore the intricacies of medicine at the CU Anschutz Medical Campus, the renowned Colorado Shakespeare Festival at CU Boulder, first-rate musical production programs at CU Denver or the remarkable Ent Center for the Arts performance venue at CU Colorado Springs.

Our commitment to the arts extends to our students, who get opportunities to work with accomplished faculty, dedicated arts professionals, and talented actors and musicians in places like the DCPA. At CU, we’re proud of a commitment to the arts that stretches back well over a century. We have been part of the fabric of Colorado and intertwined with its arts community since both the state and university were founded in 1876. And we look forward to working with the DCPA to continue to ensure that the arts in Colorado remain vibrant and essential parts of our world.

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Mozart Symphony No. 40

CLASSICS

NOV 8-10 FRI-SAT 7:30 ■ SUN 1:00

Renée Fleming - The Brightness of Light Colorado Premiere

SPOTLIGHT

Home Alone © 1990 Twentieth Century Fox Film Corporation.

All Rights Reserved. MPAA Rating: PG

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MOVIE AT THE SYMPHONY

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HalfNotes

HOLIDAY

DEC 8 SUN 3:30

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NOV 29 FRI 7:30

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DEC 6 FRI 7:30

NOV 22-24 FRI-SAT 7:30 ■ SUN 1:00

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NOV 15 & 17 FRI 7:30 ■ SUN 1:00

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DEC 13-15 FRI 7:30 ■ SAT 2:30 & 6:00 ■ SUN 1:00

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PROUD SEASON SPONSOR OF DCPA BROADWAY

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Suspension of disbelief—when we’re willing to believe something surreal. It’s what helps us forget about the pressures of life and fully immerse ourselves in a good book, song or play.

While many of us are tuning out the typical noise of day-to-day life (work, a full inbox, traffic), others are getting over more serious pressures and celebrating life through the arts.

Todd Danielson, Keith Alexander, Faith Vigil-Schrader, and Nancy Spradling and her son Sean each had their share of serious pressures. From brain surgery, to colon cancer, to carbon monoxide poisoning, to leukemia and a stem-cell transplant, each person underwent treatment at UCHealth hospitals and has recovered so they can continue to live their extraordinary lives.

Through our Moments to Shine program, UCHealth and the Denver Center for the Performing Arts teamed up to honor these people and those who rallied around them with a special evening to see a performance of the musical Wicked. Their experience also included a behind-the-scenes look at the “greening of Elphaba” and a signed poster of the cast.

When they look back, we hope they will see this as a close to a chapter in their lives that ended on a high note.

Inspirational people.

Unique stories of perseverance.

Sarah Fernandez is one of the actors who plays Elphaba in the national touring production of Wicked. Make-up artist Deborah Paulk demonstrated how she helps Fernandez become Elphaba for the show. Photos by John Moore.

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CONNECTING PEOPLE. UNITING THE WORLD.

“With over 80 years of service to the Mile High City, we are proud of our longstanding commitment to the Denver community that thousands of employees and customers call home.”

— SHARON GRANT, VICE PRESIDENT AND CHIEF COMMUNITY ENGAGEMENT OFFICER

46

U

United does more than connect passengers through safe and convenient air travel; it forges strong relationships with the communities it serves across the globe.

United is pleased to serve as the official airline of the Denver Center for the Performing Arts (DCPA) and proudly supports its remarkable contributions to the performing arts community in Denver and beyond. United provides valuable travel support that allows the DCPA to bring in artists for its productions and sponsors Student Matinee performances for thousands of local students to expand their view of themselves and the world through a targeted theatrical experience and educational talkback.

United employees have donated thousands of hours of service to various local non-profit organizations and have tirelessly conducted drives, mentored interns, hosted Aviation Days both at Denver International Airport and United’s flight training center, among many other efforts. As part of United’s relationship with Warren Village transitional housing center, employee volunteers enjoy actively participating with resident families at community events. United’s Volunteer Impact Grants program allows employees to earn grants for nonprofits where they volunteer frequently and has provided thousands of dollars to local organizations. United employees especially love bringing smiles to hundreds of deserving children through the annual holiday Fantasy Flight trip to the “North Pole” and teddy bear deliveries to local hospitals.

“At United, we take our role as a community partner and corporate citizen seriously, and we are proud to support the DCPA,” said Sharon Grant, Vice President and Chief Community Engagement Officer. “With over 80 years of service to the Mile High City, we also are proud of our longstanding commitment to the Denver community that thousands of employees and customers call home.”

In addition to DCPA, United is honored to support other Colorado organizations including the Colorado Symphony, Denver Botanic Gardens, Denver Public Schools Foundation, Girls Inc., Latin American Education Foundation, Mile High Youth Corps, Warren Village and Wings Over the Rockies Air & Space Museum and Exploration of Flight locations.

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PROUD SPONSOR OF THE BAND’S VISIT AND DCPA EDUCATION

T “U.S. Bank is proud to champion arts and cultural institutions in our own communities, especially in the Denver area. Our on-going commitment allows us to invest in organizations our local employees are passionate about today and into the future.”

— HASSAN SALEM PRESIDENT OF U.S. BANK IN COLORADO TRUSTEE, DENVER CENTER FOR THE PERFORMING ARTS

48

The arts are a significant part of making Denver an amazing place to live and work. U.S. Bank believes in the power of play, which includes the arts. Play brings joy, helps problem-solving skills, creativity and relationships, and builds social and emotional learning. That’s why U.S. Bank is a long-time supporter of the magnificent programs and spectacular performances at the Denver Center for the Performing Arts (DCPA).

The arts educate, promote understanding, broaden our perspectives and enable communities to share rich cultural experiences. Denver is fortunate to have a thriving arts community, which is home to some of the nation’s finest theatres, museums and artists.

“At U.S. Bank, our commitment to corporate social responsibility comes to life through Community Possible, our corporate giving and engagement platform that closes the gap between people and possibility in the areas of Work, Home and Play,” said Hassan Salem, President of U.S. Bank in Colorado and DCPA Trustee. “The DCPA is an organization that is dedicated to bringing play to everyone in our community. DCPA is an outstanding organization, providing amazing performances, programs and outstanding arts education.”

In 2018, U.S. Bank contributed more than $57 million to nonprofit organizations through Community Possible, with an emphasis on community development, diversity and inclusion, financial education and the environment. Additionally, its employees volunteered more than 209,000 hours and donated more than $14 million to charitable campaigns, demonstrating that employee engagement is a major component of its community success.

U.S. Bank also is committed to providing consumers and businesses with a comprehensive range of financial tools and services to help them work toward their goals. For clients with more complex financial needs, U.S. Bank offers wealth management strategies and services. From investment management services to trust and estate administration, U.S. Bank offers clients sophisticated plans, sound advice, and customized service.

“One of the key attributes of the growth in Denver is the rich investment in arts and culture made over many years,” said Salem.

“The DCPA is a perfect example of what a first-class theatre that draws some of Broadway’s biggest hits has added to our community. We are privileged to host a variety of client events at DCPA and we always leave feeling very proud of our arts and culture community in Denver. Let’s all continue to celebrate DCPA, which is a shining example of why Denver is a leader in providing arts and culture opportunities.”

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DCPA DCPA TEAM TEAM

DCPA

Carmen Molina, Blanca Primero, Judith Primero, Maria Reyes Soto, Michael Thomas.....................................Custodians Events Dawn Williams.............................................. Director, Event Sales & Marketing Tara Miller......................................... Senior Manager Danielle Bell, Savanna Campbell, Matt Leaver..................................................Managers BROADWAY & CABARET Brook Nichols......Director, Event Technology ADMINISTRATION Tom Duffin...........Manager, Event Technology John Ekeberg.........................Executive Director Colin Dieck, Stori Heleen, Will Stowe, Alicia Bruce.................................General Manager Ian Wells............Specialists, Event Technology Ashley Brown...........................Business Manager MARKETING, SALES & GARNER GALLERIA THEATRE PATRON SERVICES Abel Becerra............................. Technical Director Lisa Mallory........................................Vice President Anna Hookana+, Patrick Berger.............Audience Development Alex Reshetniak+......................Core Stagehands Manager Heidi Bosk.................................Associate Director, DEVELOPMENT PR & Integrated Marketing Shelley Thompson.........................Vice President Rachel Cadden......................... Communications Coordinator Rebecca Clark.......................................Coordinator Megan Fevurly....................... Associate Director Casey Eickhoff, Tamara Fox....................................Manager, Grants Brenda Elliott..........Senior Graphic Designers Marc Ravenhill................Manager, Stewardship Brianna Firestone..........Director of Marketing, Insights & Strategy Megan Stewart..............Events & Development Officer Rachel Garn..................................Email Developer Julie Voorhees....Manager, Capital Campaign Jacquelyn Glover.......Junior Web Developer/ Administration Erin Walker..............Senior Director, Major Gifts Brittany Gutierrez.................... Communications Associate EDUCATION & COMMUNITY ENGAGEMENT Donna Hendricks................Executive Assistant Allison Watrous..................... Executive Director Jeff Hovorka......... Director, Sales & Marketing Patrick Elkins-Zeglarski............................ Director, Emily Kent................................Director, Marketing Education & Curriculum Management Lucas Kreitler.............Junior Graphic Designer Stuart Barr................................. Technical Director David Lenk.......................................Video Producer Claudia Carson.....Teaching Artist & Program Emily Lozow......Marketing & Digital Manager Manager – Playwriting & Bobby G Adam Lundeen...........Marketing Technologist Leslie Channell.............................................. Director, Kyle Malone.....................................Design Director Business Operations Helen Masvikeni..........................Project Manager Emily Doherty.......Teaching Artist & Program Cheyenne Michaels.........Marketing Associate Manager – Theatre for Young Audiences John Moore....................... Senior Arts Journalist Hanna Dotson....................... Assistant Registrar Jessica Noe...................Corporate Partnerships Linda Eller........................................................Librarian Manager Timothy McCracken...................Head of Acting Anna Nunez........................Jr. Marketing Analyst Laura Morales................................................ Director, Joseph Schurwonn.................Financial Analyst Community Engagement Austin Walker.................Marketing Coordinator David Saphier.......Teaching Artist & Program Suzanne Yoe...........Director, Communications Manager – In School Programming & Cultural Affairs Elizabeth Schmit..........................Office Manager Melissa Sumner............................................Registrar TICKETING & AUDIENCE SERVICES Rachel Taylor...............................Teaching Artist & Jennifer Lopez....................Director, Ticketing & Program Manager – Literacy Engagement Audience Services and Resiliency Programming Ticketing Services Justin Walvoord.....Teaching Artist & Program Manager – Shakespeare in the Parking Lot Kirk Petersen..........Associate Director, Patron Relations Samuel Wood.............................Teaching Artist & District Liasion Micah White.............................Associate Director, Subscription Services Billy Dutton....Associate Director, Operations FACILITIES & EVENT SERVICES Malcolm Brown ............Subscription Manager Facilities Amanda Gomez...........VIP Ticketing Manager Timothy Courson.....................Director, Facilities Christina Gesford, Beth Gordon, Management Tristan Jungferman, Peter Sifter......Manager, Facilities Operations Mariah Thompson..........Box Office Managers Dwight Barela, Mark Dill, Roger Haak............. VIP Ticketing Coordinator James Ewald, Clint Flinchpaugh, Jared Bakst, Adam Busch*, D.J. Dennis*, Michael Kimbrough................................ Engineers Edmund Gurule*, Paul Justice, Jane Deegan..................................Office Manager Becca Saunders*, Dan Havens................................Manager, Security Hayley Solano*.....................................Show Leads Quentin Crump, Kirsten Anderson*, Scott Lix*, Cody Gocio.....................Lead Security Officers Brad Steinmeyer*, Gregory Swan*...................Subscription Agents Steven Allen, Benjamin Koenig, Kyle Mitchell, Patrick Beasley, Bobby Bennett*, Glen Newton.........................Security Specialists Rena Bugg*, James Bullock*, Madison Stout......................Reception/Security Jennifer Gray*, Kristina Guarriello*, Brian McClain.....................Custodial Supervisor Noah Jungferman*, Cecillia Kim*, Elias Lopez, Frank Millington III*, Grabiel Bustillos, Cameron Carranco, Clayton Nickell*, Hayley Obremski*, Juan Loya, Harry McPherson, Jen Reid, Liz Sieroslawski*, Janice Sinden..............................President & CEO Gretchen Hollrah..................................................COO Lydia Garcia.............................Executive Director, Equity & Organization Culture Julie Schumaker........................... COO Executive Assistant & Manager, Board Relations

50

Andrew Sullivan*, Emmalaine Wright*..........................Ticket Agents Theatre Services Carol Krueger...............................................Manager Samantha Egle, LeiLani Lynch, Aaron McMullen, Dylan Phibbs, Valerie Schaefer.......................Assistant Theatre Services Managers Paitra Babb, William Berry, Nora Caley, Kori Hazel, Stacey Renee Norwood, Margaret Ohlander, Elizabeth Schreffler, Shannon Teppert, Lauren Veselak........................Theatre Company House Managers Volunteer Ushers................................................305+ Group Sales Jessica Bergin................Groups Sales Manager Rebecca Hibbert..........................Student Matinee Group Sales Associate Patrick Naughton....Group Sales Coordinator ACCOUNTING & FINANCE Jane Williams.................................. Vice President Jennifer Jeffrey........................Director, Financial Planning & Analysis Jennifer Siemers...............Director, Accounting Sara Brandenburg.......... Accounting Manager Michaele Davidson, Linda Erickson.................... Senior Accountants Valerie Lingbloom...................Staff Accountant Vicky Miles...............Special Projects Associate HUMAN RESOURCES Vera Morales......................................Vice President Brian Carter, Karen Jewell.......................Director Jamie Hawkins......................................Coordinator Paul Johnson...............................Payroll Specialist Monica Robles...................Mailroom Supervisor INFORMATION TECHNOLOGY Yovani Pina.........................................Vice President Rick Bennett, David Tschan...................Director Eric Boone.............................Software Developer Vincent Bridgers....Ticketing System Analyst Simone Gordon......................Program Manager Christopher Hoge..................................IT Manager Phillip Johnson, Sarah Martinez ................IT Analyst; Help Desk Jacob Parker........................................BI Developer Joseph Reecher............................Junior Systems Administrator THEATRE COMPANY ADMINISTRATION Charles Varin...........................Managing Director Ann Marshall...............................General Manager Allison Taylor Brinkhoff......Company Manager Katie Grayson.... Assistant Company Manager ARTISTIC Chris Coleman.............................. Artistic Director Rose Riordan......... Associate Artistic Director Charlie Miller.........Associate Artistic Director/ Off-Center Curator Douglas Langworthy............Literary Director/ Director of New Play Development Melissa Cashion.........................Artistic Producer Grady Soapes.....................Associate Producer/ Director of Casting Lynde Rosario.............................Literary Manager PRODUCTION Jeff Gifford...................... Director, Production & Construction Project Management Matthew Campbell....... Associate Production Manager Julie Brou..............................Production & Artistic Office Manager

APPLAUSE • NOV 2019 – JAN 2020 • 303.893.4100 • DENVERCENTER.ORG

Scenic Design Lisa M. Orzolek...............................................Director Kevin Nelson, Nicholas Renaud...... Assistants Lighting Design Charles R. MacLeod....................................Director Lily Bradford..................................................Assistant Reid Tennis+......................Production Electrician Multimedia Gregory W. Towle............................. Projections & New Technology Supervisor Sound Design Craig Breitenbach........................................Director Alex Billman+, Frank Haas+, Pedro Lumbrano+.................Sound Technicians Stage Management Kurt Van Raden.....Production Stage Manager Rachel Ducat, Heidi Echtenkamp, Corin Davidson, Rick Mireles, Michael Morales, D. Lynn Reiland...........................Stage Managers Scene Shop Eric J. Moore............................. Technical Director Josh Prues, Robert L. Orzolek...............Associate Technical Directors Albert “Stub” Allison.........Assistant Technical Director Louis Fernandez III.................Master Carpenter Ian Macleod, Brian “Marco” Markiewicz............... Lead Technicians Tyler Clark, Amy “Wynn” Pastor, Kyle Scoggins, Mara Zimmerman................Scenic Technicians Prop Shop Robin Lu Payne....................Properties Director Eileen S. Garcia...................Assistant Properties Director Jamie Stewart Curl, Tobias Harding, Georgina Kayes, Tony Nguyen, Katie Webster..................................Props Artisans Paint Shop Jana L. Mitchell...................Charge Scenic Artist Melanie Rentschler...............Lead Scenic Artist Kristin Hamer MacFarlane............Scenic Artist Costume Shop Janet S. MacLeod.......................................Director/ Costume Design Associate Meghan Anderson Doyle......................Costume Design Associate Carolyn Plemitscher, Louise Powers, Jackie Scott, Corrine Serfass................Drapers Cathie Gagnon..........................................First Hand Sheila P. Morris..................................................... Tailor Costume Crafts Kevin Copenhaver.........................................Director Chris Campbell............................................Assistant Wigs Diana Ben-Kiki........................................Wig Master House Crew Doug Taylor+.................Supervising Stagehand Jim Berman+, Stephen D. Mazzeno+, Kyle Moore+, Miles Stasica+, Matt Wagner+.........................................Stagehands Wardrobe Brenda Lawson..............................................Director Mary Capers^, Jessica A. Rayburn^ ...................Wig Assistants Robin Appleton^, Amber Donner^, Anthony Mattivi^, Tim Nelson^, Lisa Parsons Wagner^, Alan Richards^..............................................Dressers *Member, I.A.T.S.E. Local B-7 + Member, I.A.T.S.E. Local 7 ^Member, I.A.T.S.E. Local 719 As of 10/25/2019

Rescued From Darkness and Misery...

And Given Incredible Freedom

Over 500 Lions, Tigers, Bears, Wolves and other rescued animals live on a 10,473 Acre Refuge!

Our rescued animals have no family other than those who choose to keep them close to their hearts.

Please add them to the list of those you care about this holiday season.

WildAnimalSanctuary.org