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VOLUME XXXI • NUMBER 6 • MAR – MAY 2020
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SIGHTLINE BY JANICE SINDEN
APPLAUSE M
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VO LU M E X X X I • N U M B E R 6 • M A R – M AY 2 0 2 0
EDITOR: Suzanne Yoe ASSOCIATE EDITOR: John Moore DESIGN DIRECTOR: Kyle Malone DESIGN THIS ISSUE: Brenda Elliott CONTRIBUTING DESIGNER: Lucas Kreitler CONTRIBUTING WRITERS: Sylvie Drake, Cayl Jameson
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Hello and welcome to the DCPA! Since our last issue of Applause went to press in early December, we’ve had some exciting results to share. First, our Off-Center production of Camp Christmas at the Stanley Marketplace was enjoyed by nearly 70,000 individuals. Designed by local artist Lonnie Hanzon, this immersive exploration of Christmas throughout the centuries took families from Rome to Disco…complete with 1,000 Santas! It was a treat. Also, we recently released our FY19 Community Report. I’m delighted to share that our plays, musicals, events and classes were enjoyed by nearly 942,000 individuals — 70,000 of whom attended with free or discounted admission. In total, our economic impact from the last season was nearly $175 million. Thanks to our team members, Trustees, community partners and all of you for making last year a success. As we’re in the throes of FY20, we’re also looking forward to our next season. In this issue you will see ads announcing the upcoming seasons of both our Broadway and Theatre Company divisions. We’re looking forward to inviting both of our subscriber bases to the national tour of To Kill a Mockingbird, Aaron Sorkin’s new play, directed by Bartlett Sher and starring Richard Thomas, and based on Harper Lee’s classic novel. Plus our Theatre Company will present its first commissioned musical with the world premiere of Rattlesnake Kate based on one of Colorado’s little-known heroines, Kate Slaughterback. Kate protected her son, her horse and her homestead from a rattlesnake migration by killing 140 snakes with her trusty shotgun and, ironically, a “No Hunting” sign. Among a large lineup of returning favorites, several new Broadway tours are on tap including Moulin Rouge! The Musical. Baz Luhrmann’s 2001 film comes to life on stage and has been met with wide acclaim. Applause goes to press before the 2020 Tony Award nominations are announced, so be sure to tune in June 7 to see if Moulin Rouge! The Musical and the other shows featured are recognized. Until then, we have a treasure trove of outstanding plays to engage and inspire you, including the cartoon-come-to-life version of The SpongeBob Musical, the “frenemies” comedy written by Tina Fey, Mean Girls, and Dael Olandersmith’s one-woman show, Until the Flood, that explores Ferguson’s reaction to a town in crisis. Thank you for joining us and making last season memorable, this season spectacular and tomorrow something to anticipate!
Janice Sinden President & CEO 4
APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
Applause is published eight times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.
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BOARD OF TRUSTEES Martin Semple, Chairman Robert Slosky, Vice Chairman William Dean Singleton, Secretary/Treasurer Dr. Patricia Baca Joy S. Burns Fred Churbuck Isabelle Clark Navin Dimond L. Roger Hutson Ruth Krebs Robert C. Newman Roberta Robinette Manny Rodriguez Alan Salazar Hassan Salem Richard M. Sapkin June Travis Brisa Trinchero Ken Tuchman Tina Walls Dr. Reginald L. Washington Judi Wolf Sylvia Young
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HONORARY TRUSTEES Margot Gilbert Frank Jeannie Fuller M. Ann Padilla Daniel L. Ritchie Cleo Parker Robinson Lester L. Ward HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES William Dean Singleton, President Martin Semple, Vice President Judi Wolf, Secretary/Treasurer
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EXECUTIVE MANAGEMENT Janice Sinden, President & CEO Chris Coleman, Artistic Director, Theatre Company John Ekeberg, Executive Director, Broadway & Cabaret Lydia Garcia, Executive Director, Equity & Organization Culture Gretchen Hollrah, Chief Operating Officer Lisa Mallory, Vice President, Marketing & Sales Vera Morales, Vice President, Human Resources Yovani Pina, Vice President, Information Technology Charles Varin, Managing Director, Theatre Company Allison Watrous, Executive Director, Education & Community Engagement Jane Williams, Vice President, Finance
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Sonia Cabrales Orozco...................Receptionist Brian McClain.....................Custodial Supervisor Grabiel Bustillos, Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Maria Reyes Soto, Michael Thomas.....................................Custodians Events Tara Miller......................................... Senior Manager Danielle Bell, Savanna Campbell, Matt Leaver..................................................Managers Brook Nichols......Director, Event Technology BROADWAY & CABARET Tom Duffin...........Manager, Event Technology ADMINISTRATION Colin Dieck, Stori Heleen, Will Stowe, John Ekeberg.........................Executive Director Ian Wells............Specialists, Event Technology Alicia Bruce.................................General Manager Ashley Brown...........................Business Manager MARKETING, SALES & PATRON SERVICES GARNER GALLERIA THEATRE Lisa Mallory........................................Vice President Abel Becerra............................. Technical Director Patrick Berger.............Audience Development Anna Hookana+, Manager Alex Reshetniak+......................Core Stagehands Heidi Bosk.................................Associate Director, PR & Integrated Marketing DEVELOPMENT Brenda Elliott.............Senior Graphic Designer Rebecca Clark.......................................Coordinator Brianna Firestone...............Director, Marketing, Megan Fevurly.......................Associate Director, Insights & Strategy Annual Funds TJ Forlenza................................................Copywriter Tamara Fox....................................Manager, Grants Rachel Garn..................................Email Developer Marc Ravenhill........Manager, Donor Relations Jacquelyn Glover.......Junior Web Developer/ Megan Stewart..............Events & Development Administration Officer Brittany Gutierrez.................... Communications Julie Voorhees....Manager, Capital Campaign Associate Erin Walker..............Senior Director, Major Gifts Jeff Hovorka......... Director, Sales & Marketing Emily Kent................................Director, Marketing EDUCATION & COMMUNITY Lucas Kreitler.............Junior Graphic Designer ENGAGEMENT David Lenk.......................................Video Producer Allison Watrous..................... Executive Director Emily Lozow......Marketing & Digital Manager Patrick Elkins-Zeglarski............................ Director, Adam Lundeen...........Marketing Technologist Education & Curriculum Management Kyle Malone.....................................Design Director Stuart Barr................................. Technical Director Helen Masvikeni..........................Project Manager Claudia Carson.....Teaching Artist & Program Cheyenne Michaels...........Marketing Manager Manager – Playwriting & Bobby G John Moore....................... Senior Arts Journalist Leslie Channell.............................................. Director, Business Operations Jessica Noe...................Corporate Partnerships Manager Emily Doherty.......Teaching Artist & Program Manager – Theatre for Young Audiences Anna Nunez........................Jr. Marketing Analyst Hanna Dotson....................... Assistant Registrar Joseph Schurwonn.................Financial Analyst Linda Eller........................................................Librarian Madison Stout........................... Communications Coordinator Timothy McCracken...................Head of Acting Austin Walker.................Marketing Coordinator Laura Morales................................................ Director, Community Engagement Alexander Woody.......Marketing Coordinator David Saphier.......Teaching Artist & Program Suzanne Yoe...........Director, Communications & Cultural Affairs Manager – In School Programming Elizabeth Schmit..........................Office Manager TICKETING & AUDIENCE SERVICES Melissa Sumner............................................Registrar Rachel Taylor...............................Teaching Artist & Jennifer Lopez....................Director, Ticketing & Audience Services Program Manager – Literacy Engagement and Resiliency Programming Ticketing Services Justin Walvoord.....Teaching Artist & Program Kirk Petersen...........................Associate Director, Patron Relations Manager – Shakespeare in the Parking Lot Samuel Wood.............................Teaching Artist & Micah White.............................Associate Director, Subscription Services District Liasion Billy Dutton....Associate Director, Operations FACILITIES & EVENT SERVICES Malcolm Brown ............Subscription Manager Amanda Gomez...........VIP Ticketing Manager Facilities Timothy Courson.....................Director, Facilities Christina Gesford, Beth Gordon, Management Tristan Jungferman, Casey Meschievitz...................Assistant Project Mariah Thompson..........Box Office Managers Administrator Roger Haak............. VIP Ticketing Coordinator Peter Stifter....Manager, Facilities Operations Jared Bakst*, Adam Busch*, D.J. Dennis*, Edmund Gurule*, Dwight Barela, Mark Dill, Paul Justice*, Becca Saunders*, James Ewald, Clint Flinchpaugh, Michael Kimbrough................................ Engineers Hayley Solano*.....................................Show Leads Jane Deegan..................................Office Manager Kirsten Anderson*, Scott Lix*, Brad Steinmeyer*, Dan Havens................................Manager, Security Gregory Swan*...................Subscription Agents Quentin Crump, Bobby Bennett*, Rena Bugg*, Cody Gocio.....................Lead Security Officers James Bullock*, Jennifer Gray*, Steven Allen, Benjamin Koenig, Kristina Guarriello*, Noah Jungferman*, Kyle Mitchell, Martha ‘Mardee’ Mobley, Cecillia Kim*, Jonah LaPorte, Elias Lopez*, Glen Newton.........................Security Specialists Clayton Nickell*, Hayley Obremski*, Janice Sinden..............................President & CEO Gretchen Hollrah..................................................COO Lydia Garcia.............................Executive Director, Equity & Organization Culture Donna Hendricks......................President & CEO Executive Assistant Julie Schumaker.....Manager, Board Relations & COO Executive Assistant
Jen Reid*, Gunnar Reinig, Lezly Rubio, Liz Sieroslawski*, Andrew Sullivan*, Emmalaine Wright*..........................Ticket Agents Theatre Services Carol Krueger...............................................Manager Samantha Egle, LeiLani Lynch, Aaron McMullen, Stacey Renee Norwood, Dylan Phibbs, Valerie Schaefer.......................Assistant Theatre Services Managers Paitra Babb, William Berry, Nora Caley, Kori Hazel, Annelise Nelson, Margaret Ohlander, Elizabeth Schreffler, Shannon Teppert...................Theatre Company House Managers Volunteer Ushers................................................305+ Group Sales Jessica Bergin................Groups Sales Manager Rebecca Hibbert..........................Student Matinee Group Sales Associate Emily Hart......................Group Sales Coordinator ACCOUNTING & FINANCE Jane Williams.................................. Vice President Jennifer Jeffrey........................Director, Financial Planning & Analysis Jennifer Siemers...............Director, Accounting Sara Brandenburg.......... Accounting Manager Michaele Davidson, Linda Erickson.................... Senior Accountants Valerie Lingbloom...................Staff Accountant Vicky Miles...............Special Projects Associate HUMAN RESOURCES Vera Morales......................................Vice President Brian Carter......................................................Director Jamie Hawkins......................................Coordinator Paul Johnson...............................Payroll Specialist Kelly Risk........................................................Generalist Monica Robles...................Mailroom Supervisor INFORMATION TECHNOLOGY Yovani Pina.........................................Vice President Rick Bennett, David Tschan...................Director Eric Boone.............................Software Developer Vincent Bridgers....Ticketing System Analyst Simone Gordon......................Program Manager Christopher Hoge..................................IT Manager Phillip Johnson, Sarah Martinez ................IT Analyst; Help Desk Jacob Parker........................................BI Developer Joseph Reecher............................Junior Systems Administrator THEATRE COMPANY ADMINISTRATION Charles Varin...........................Managing Director Ann Marshall...............................General Manager Allison Taylor Brinkhoff......Company Manager Katie Grayson.... Assistant Company Manager ARTISTIC Chris Coleman.............................. Artistic Director Rose Riordan......... Associate Artistic Director Charlie Miller.........Associate Artistic Director/ Off-Center Curator Douglas Langworthy............Literary Director/ Director of New Play Development Melissa Cashion.........................Artistic Producer Grady Soapes.......................Artistic Producer of Casting & New Works Lynde Rosario.............................Literary Manager PRODUCTION Jeff Gifford...................... Director, Production & Construction Project Management Matthew Campbell..........Production Manager Julie Brou..............................Production & Artistic Office Manager
Scenic Design Lisa M. Orzolek...............................................Director Kevin Nelson, Nicholas Renaud...... Assistants Lighting Design Charles R. MacLeod....................................Director Lily Bradford..................................................Assistant Reid Tennis+......................Production Electrician Multimedia Gregory W. Towle............................. Projections & New Technology Supervisor Sound Design Craig Breitenbach........................................Director Alex Billman+, Frank Haas+, Pedro Lumbrano+.................Sound Technicians Stage Management Kurt Van Raden.....Production Stage Manager Rachel Ducat, Heidi Echtenkamp, Corin Davidson, Rick Mireles, Michael Morales, D. Lynn Reiland...........................Stage Managers Scene Shop Eric J. Moore............................. Technical Director Josh Prues, Robert L. Orzolek...............Associate Technical Directors Albert “Stub” Allison.........Assistant Technical Director Louis Fernandez III.................Master Carpenter Ian Macleod, Brian “Marco” Markiewicz............... Lead Technicians Tyler Clark, Amy “Wynn” Pastor, Kyle Scoggins, Mara Zimmerman................Scenic Technicians Prop Shop Robin Lu Payne....................Properties Director Eileen S. Garcia...................Assistant Properties Director Jamie Stewart Curl, Tobias Harding, Georgina Kayes, Tony Nguyen....................................Props Artisans Paint Shop Jana L. Mitchell...................Charge Scenic Artist Melanie Rentschler...............Lead Scenic Artist Kristin Hamer MacFarlane............Scenic Artist Costume Shop Janet S. MacLeod.......................................Director/ Costume Design Associate Meghan Anderson Doyle......................Costume Design Associate Carolyn Plemitscher, Jackie Scott, Corinne Serfass..............................................Drapers Cathie Gagnon..........................................First Hand Costume Crafts Kevin Copenhaver.........................................Director Chris Campbell............................................Assistant Wigs Diana Ben-Kiki........................................Wig Master House Crew Doug Taylor+.................Supervising Stagehand Jim Berman+, Joshua A. Kosmicki+, Stephen D. Mazzeno+, Kyle Moore+, Miles Stasica+, Matt Wagner+.........................................Stagehands Joseph Price+.....................Assistant Stagehand Wardrobe Brenda Lawson..............................................Director Mary Capers^, Jessica A. Rayburn^....................Wig Assistants Robin Appleton^, Amber Donner^, Anthony Mattivi^, Tim Nelson^, Lisa Parsons Wagner^, Alan Richards^..............................................Dressers *Member, I.A.T.S.E. Local B-7 + Member, I.A.T.S.E. Local 7 ^Member, I.A.T.S.E. Local 719 As of 2/19/2020
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UPCOMING
SHOWS
SEAWELL BALLROOM
The Improvised Shakespeare Company® Now – Mar 22 The SpongeBob Musical Now – Mar 22 Until the Flood Mar 20 – May 3 Mean Girls Mar 25 – Apr 12 Dixie’s Never Wear a Tube Top... Apr 8 – May 3 Choir Boy Apr 10 – May 10 Disney’s The Lion King May 13 – Jun 14 That Golden Girls Show! A Puppet Parody May 20 – Jun 14 The Book of Mormon Jun 9 – 28 My Fair Lady Jul 15 – 26 The Band’s Visit Jul 29 – Aug 9 The Crown: Live! Aug 5 – Sep 6 Hamilton Aug 12 – Oct 4
The cast of Oklahoma! Photo by Adams VisCom.
Photos by Studio JK Photography
Theater of the Mind Aug 12 – Nov 29 Angry, Raucous, and Shamelessly Gorgeous Sep 18 – Oct 25 Light Up the Sky Oct 2 – Nov 1 1776 Oct 13 – 25 Ain’t Too Proud - The Life and Times of the Temptations Oct 27 – Nov 15 The Other Josh Cohen Nov 14, 2020 – May 9, 2021 A Christmas Carol Nov 25 – Dec 27 Rudolph The Red Nosed Reindeer: The Musical Dec 11 – 13 Jersey Boys Dec 15 – 20 The Children Jan 8 – Feb 14, 2021
There are big reasons why the Seawell Ballroom is the life of the party. With the most versatile room in downtown Denver, unparalled lighting and AV capabilities, and a theatrically-trained events team with dramatic flair, the possibilities are endless. Unlock your imagination and host the part of a lifetime in the Seawell Ballroom.
Dear Evan Hansen Jan 26 – 31, 2021 Rattlesnake Kate Feb 5 – Mar 14, 2021 Riverdance 25th Anniversary Show Feb 16 – 21, 2021 Tootsie Mar 2 – 14, 2021 Edward Albee’s Who’s Afraid of Virginia Woolf? Apr 2 – May 16, 2021
FOR A COMPLETE LIST, VISIT DENVERCENTER.ORG
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Photos by John Moore
In the Upper Room Jan 22 – Feb 28, 2021
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Tickets for some shows are currently unavailable.
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The Company of The SpongeBob Musical. Photo by Jeremy Daniel
BY JOHN MOORE
16
APPLAUSE • MAR – MAY 2020
“S
“SpongeBob SquarePants,” one of the most successful animated series in TV history, was more than your average kids’ cartoon — it held generational appeal. One of the many reasons The SpongeBob Musical continues to broaden its appeal on Broadway is its unprecedented rock score, which is made up of original songs by some of the most popular artists in music history. The roster includes Cyndi Lauper, Aerosmith, The Flaming Lips, Sara Bareilles, Lady Antebellum, John Legend, Panic! at the Disco, Alexander Ebert of Edward Sharpe & The Magnetic Zeros and the late legend David Bowie — acts that have combined to sell more than 400 million records. If that were the lineup for some hipster concert festival, let’s just say it would certainly be a Bikini Bottom Day for South By Southwest or Coachella. But theatre? … Theatre? Broadway musicals just aren’t put together this way. And yet Chris Jones of the Chicago Tribune opined that The SpongeBob Musical’s big gamble “works quite beautifully.” All of the musicians got a brief on where their song would fit in the story, so they weren’t writing random SpongeBob songs. They were then unified by orchestrator Tom Kitt, whose Broadway credits range from Next to Normal to Green Day’s American Idiot. His driving principal was that “first and foremost, you have to retain the identity of the artists,” he said. “It has to be recognizable as their work.” When word got out that counterculture icon Wayne Coyne of The Flaming Lips was on board, Kitt said, “It seems like every artist we reached out to wanted to be a part of this.” All of the songs are original except for the opening “Bikini Bottom Day,” which comes from the TV show, and a modified version of “No Control,” released by Bowie in 1996. The storyline for The SpongeBob Musical stands alone, so audiences need no previous knowledge of the animated series or its characters to follow along. A volcanic apocalypse has come to Bikini Bottom, the title character’s home under the sea, and SpongeBob and his pals (a starfish and a squirrel) must save the day. One of the central characters is Mr. Krabs, played by Denver native Zach Kononov, a graduate of Cherry Creek High School and former singer with the Colorado Children’s Chorale. Krabs is SpongeBob’s employer, a crabby Krab who sees the impending disaster as a money-making opportunity. “In a normal musical, you have one book writer and one composer and one lyricist, so all the music is very similar,” Kononov said. “What’s amazing here is that you’re getting all of these different styles, and Tom Kitt has unified them so that they all fit perfectly within the world of the show. There’s something in it for everyone.” Kononov says everyone should see The SpongeBob Musical “because it’s a show about community and acceptance and love and welcoming in the outsider, which is a message everyone should hear. There is so much cynicism and doom and gloom in the world, and this musical is a balm for all of that. It scatters joy and celebration and endless optimism. Our director, Tina Landau, describes it as a rock concert, a party and a carnival.”
COMING UP FROM BROADWAY
We asked Kononov to introduce the score to readers by highlighting six songs:
“No Control”
DISNEY’S THE LION KING
By David Bowie and Brian Eno “This is a super-cool song that sets up what’s happening in the show. It exemplifies and personifies the chaos that’s going on in Bikini Bottom. This is right after we find out that Mount Humongous is erupting, we have no control — and everything is kind of falling apart.”
The Lion King has been roaring on Broadway since 1997, making it the third longest-running musical ever. From May 13 – June 14 the awardwinning show will return to The Buell Theatre, where it originally launched its first national tour in 2002. Here are some fun facts that you may have never heard about this award-winning production.
“Just a Simple Sponge”
Written by Panic! at the Disco “Brandon Urie of Panic! at the Disco has created what I call SpongeBob’s ‘I Want’ song. Mr. Krabs belittles SpongeBob by saying, ‘You’re just a fry cook!’ but SpongeBob wants to be so much more. This song is super-high, it sounds just like a Panic! at the Disco song, and it’s one of my favorites in the whole show.”
“Tomorrow Is”
Written by Wayne Coyne of The Flaming Lips “This is a driving rock song about taking in the moment and knowing that we only have tomorrow. It’s about living in the moment.”
FUN FACTS:
“Poor Pirates”
Written by Sara Bareilles, Tony Award nominee for writing Waitress “This song is so very different from Waitress. We have a character named Patchy who is SpongeBob’s No. 1 fan, and he’s trying to meet SpongeBob all through the show. At the start of Act 2, he and his band of pirates come on stage and sing this very silly song about being pirates.”
• There are more than 200 puppets in the show, including rod puppets, shadow puppets and full-sized puppets. • At 13’ long and 12’ high, the elephant is the longest and largest animal in The Lion King. It takes four performers to walk the elephant puppet down the aisle.
“I Guess I Miss You”
Written by John Legend “This is a really beautiful song about the friendship between SpongeBob and Patrick, a pink starfish who wears flowered swim trunks and often unknowingly encourages activities that get the two into trouble. There’s a portion of the show where they get into a fight and they’re separated from each other, and in this song they express their love for each other in a very John Legend-y kind of a way. Which is to say it’s very sincere.” To read our expanded interview with Zach Kononov about returning to Denver with The SpongeBob Musical, visit denvercenter.org/news-center
“What’s amazing here is that you’re getting all of these different styles, and [orchestrator] Tom Kitt has unified them so that they all fit perfectly within the world of the show. There’s something in it for everyone.” — ZACH KONONOV, ACTOR
THE SPONGEBOB MUSICAL MAR 10 – 22 • BUELL THEATRE ASL Interpreted, Audio Described, Open Captioned performance: Mar 22, 2pm
• Actors portraying lions wear lightweight masks, as light as four ounces, made from a silicone mold with a carbon fiber overlay. • The show travels with 17 trucks to transport the production’s puppets, set pieces, and other materials from city to city. Fourteen of the trucks are 53’ semi-trailers. • The show has been performed around the world in nine different languages. • There are four African dialects spoken in the show: Swahili, Zulu, Ghosa, and Soweto. • The Lion King won six Tony Awards® in 1998, including Best Musical.
Buyi Zama (Rafiki) ©Disney. Photo by Deen van Meer.
Written by Steven Tyler and Joe Perry of Aerosmith “This is a perfect song for Aerosmith to contribute to the score because in the story, it’s sung by a rock group called The Electric Skates, who ride into town on their skateboards and just blow the roof off Bikini Bottom. The song is about rocking out as hard as you can, which lends itself perfectly to Aerosmith.”
Zach Kononov as Eugene Krabs in The SpongeBob Musical. Photo by Jeremy Daniel
“Bikini Bottom Boogie”
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NETworks Presentations PRESENTS
Based on the Series by Stephen Hillenburg BOOK BY
KYLE JARROW ORIGINAL SONGS BY
Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C AND SONGS BY: David Bowie & Brian Eno Tom Kenny & Andy Paley ADDITIONAL LYRICS BY: Jonathan Coulton AND MUSIC BY: Tom Kitt STARRING
Beau Bradshaw Cody Cooley
Lorenzo Pugliese Zach Kononov Tristan McIntyre Daria Pilar Redus
Joshua Bess Morgan Blanchard John Cardenas Natalie L. Chapman Richie Dupkin Teddy Gales Stephen C. Kallas Méami Maszewski Stefan Miller Mary Nickson Nya Noemi Caitlin Ort Elle-May Patterson Helen Regula Sydney Simone Miles Davis Tillman Rico Velazquez Rachel Wong SCENIC & COSTUME DESIGN
DAVID ZINN
HAIR & WIG DESIGN
LIGHTING DESIGN
MAKE-UP DESIGN
CHARLES G. LAPOINTE MUSIC DIRECTOR
PETER NIGRINI
FOLEY DESIGN
JOE DULUDE II
PATRICK HOAGLAND
PROJECTION DESIGN
KEVIN ADAMS
ASSOCIATE DIRECTOR
MIKE DOBSON ORCHESTRATIONS AND ARRANGEMENTS BY
TOM KITT
PRODUCTION STAGE MANAGER
JOHN CARPENTIER
BROADWAY BOOKING OFFICE NYC
GENERAL MANAGEMENT
EXECUTIVE PRODUCER
EXECUTIVE PRODUCER
GENTRY & ASSOCIATES ELISABETH BAYER
TOUR PRESS AND MARKETING
SUSAN VARGO
ASSOCIATE CHOREOGRAPHER
KENNETH FERRONE
CASTING
STEWART/WHITLEY
SOUND DESIGN
WALTER TRARBACH
TRINITY WHEELER
LOU CASTRO
MUSIC COORDINATOR
JOHN MEZZIO
TOUR BOOKING
THE ROAD COMPANY PRODUCTION MANAGEMENT
NETWORKS PRESENTATIONS HECTOR GUIVAS
MUSIC SUPERVISION
JULIE McBRIDE & TIMOTHY HANSON CHOREOGRAPHY BY
CHRISTOPHER GATTELLI MUSICAL PRODUCTION CONCEIVED AND DIRECTED BY
TINA LANDAU
Originally produced on Broadway by Nickelodeon, the Araca Group, Sony Music Masterworks, and Kelp on the Road ©2019 Viacom International Inc. All Rights Reserved. Nickelodeon, SpongeBob SquarePants, and all related titles, logos and characters are trademarks of Viacom International Inc.
SPONSORED IN DENVER BY
THE SPONGEBOB MUSICAL
SEASON SPONSORS
THE SPONGEBOB MUSICAL
CAST SpongeBob SquarePants.....................................................................................LORENZO PUGLIESE Patrick Star...................................................................................................................... BEAU BRADSHAW Squidward Q. Tentacles.....................................................................................................CODY COOLEY Sandy Cheeks........................................................................................................... DARIA PILAR REDUS Eugene Krabs.................................................................................................................... ZACH KONONOV Sheldon Plankton...................................................................................................... TRISTAN MCINTYRE Patchy the Pirate .............................................................................................. MORGAN BLANCHARD Security Guards.......................................................... MÉAMI MASZEWSKI, STEPHEN C. KALLAS Gary............................................................................................................................................. TEDDY GALES Karen the Computer............................................................................................................... CAITLIN ORT The Mayor..............................................................................................................................HELEN REGULA Mrs. Puff.................................................................................................................... NATALIE L. CHAPMAN Larry the Lobster .................................................................................................................. TEDDY GALES Old Man Jenkins ......................................................................................................STEPHEN C. KALLAS Pearl Krabs................................................................................................................... MÉAMI MASZEWSKI Perch Perkins..........................................................................................................................RICHIE DUPKIN Plankton Dancers.........................................MORGAN BLANCHARD, ELLE-MAY PATTERSON, SYDNEY SIMONE, RICO VELAZQUEZ Sardine Corps.....................MORGAN BLANCHARD, NYA NOEMI, ELLE-MAY PATTERSON, SYDNEY SIMONE, RICO VELAZQUEZ The Electric Skates.......................JOSHUA BESS, STEFAN MILLER, MILES DAVIS TILLMAN French Narrator.........................................................................................................KENNETH FERRONE Foley Fish.............................................................................................................................RYAN BLIHOVDE A vast array of undersea creatures......................... JOSHUA BESS, MORGAN BLANCHARD, JOHN CARDENAS, NATALIE L. CHAPMAN, TEDDY GALES, STEPHEN C. KALLAS, STEFAN MILLER, NYA NOEMI, MARY NICKSON, ELLE-MAY PATTERSON, HELEN REGULA, SYDNEY SIMONE, MILES DAVIS TILLMAN, RICO VELAZQUEZ UNDERSTUDIES Understudies never substitute for the listed players unless a specific announcement is made at the time of the performance. For SpongeBob-JOHN CARDENAS, RICO VELAZQUEZ; for Patrick-TEDDY GALES, HELEN REGULA; for Sandy-NYA NOEMI, SYDNEY SIMONE; for Squidward-MORGAN BLANCHARD, STEPHEN C. KALLAS; for Sheldon-RICHIE DUPKIN, STEFAN MILLER; for Eugene Krabs-JOHN CARDENAS, TEDDY GALES. Swings JOHN CARDENAS, TEDDY GALES, MARY NICKSON, RACHEL WONG Dance Captain: ELLE-MAY PATTERSON Assistant Dance Captain: RACHEL WONG Skate Board Captain: JOSHUA BESS
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches prior to the beginning of the performance.
ACT I “Bikini Bottom Day” by Jonathan Coulton...........................................................................The Town “Bikini Bottom Day Reprise” by Jonathan Coulton.....................................................SpongeBob “No Control” by David Bowie and Brian Eno........................................Perch Perkins, The Town “BFF” by Plain White T’s.........................................................................................SpongeBob, Patrick “When the Going Gets Tough” by T.I. (Clifford Harris, Jr.), Domani Harris and Darwin Quinn............Plankton, The Town “(Just A) Simple Sponge” by Panic! At the Disco............. SpongeBob, Mr. Krabs, Sponges “Daddy Knows Best” by Alex Ebert of Edward Sharpe and the Magnetic Zeros...........................Mr. Krabs, Pearl “Hero Is My Middle Name” by Cyndi Lauper and Rob Hyman.................................................. SpongeBob, Patrick, Sandy “Super Sea Star Savior” by Yolanda Adams.........................................................Patrick, Sardines “Tomorrow Is” by The Flaming Lips.........................................................................................The Town ACT II “Poor Pirates” by Sara Bareilles...................................................................................... Patchy, Pirates “Bikini Bottom Day Reprise” by Jonathan Coulton.....................................................SpongeBob “Bikini Bottom Boogie” by Steven Tyler and Joe Perry of Aerosmith.......................The Electric Skates, Pearl, Fans “Chop to the Top” by Lady Antebellum.............................................................Sandy, SpongeBob “(I Guess I) Miss You” by John Legend.............................................................Patrick, SpongeBob ‘I’m Not a Loser” by They Might Be Giants......................................Squidward, Sea Anemones “Simple Sponge Reprise” by Panic! At the Disco.........................................................SpongeBob “Best Day Ever” by Andy Paley and Tom Kenny................................... SpongeBob, The Town “Finale: Bikini Bottom Day Reprise” by Jonathan Coulton...........................................The Town and of course: “The SpongeBob Theme Song” by Derek Drymon, Mark Harrison, Stephen Hillenburg and Blaise Smith ORCHESTRA Conductor/Keyboard: Patrick Hoagland Associate Conductor/Keyboard: Cameron Tragesser Guitars: Michiko Egger, Garrett Gleason; Bass: Ryan Crum; Foley Artist/Percussion: Ryan Blihovde; Drums: Chris Karabelas; Reeds: Anthony Rodriguez; Trumpet: Keaton Viavattine; Trombone: Jonathan Dowd; Foley Artist/Percussion Cover: Chris Cerreto Music Coordinator: John Mezzio Music Preparation: Emily Grishman Music Preparation Original Keyboard Programming: Randy Cohen, Randy Cohen Keyboards THERE WILL BE ONE 15-MINUTE INTERMISSION.
THE SPONGEBOB MUSICAL
MUSICAL NUMBERS
THE SPONGEBOB MUSICAL
CAST
Lorenzo Pugliese
Beau Bradshaw
Cody Cooley
Zach Kononov
Tristan McIntyre
Daria Pilar Redus
Joshua Bess
Morgan Blanchard
Ryan Blihovde
John Cardenas
Chris Cerreto
Natalie L. Chapman
Richie Dupkin
Teddy Gales
Stephen C. Kallas
Méami Maszewski
Stefan Miller
Caitlin Ort
Elle-May Patterson
Miles Davis Tillman
Nya Noemi
Helen Regula
Rico Velazquez
Mary Nickson
Sydney Simone
Rachel Wong
LORENZO PUGLIESE (SpongeBob SquarePants) is incredibly grateful to be making his touring debut in The SpongeBob Musical just months after his graduation from the University of the Arts! Regional credits include The Two Gentleman of Verona (Ensemble), Damn Yankees (Postmaster/Ensemble), and Footloose (Ren McCormack). Lorenzo can’t believe he gets paid to pretend he is SpongeBob. He is forever indebted to his friends and family for their unwavering love and support. He also wants you to follow him on Instagram. Or not. Lorenzo wants you to do what makes you happy. He’s going to leave it here just in case. IG: lorenzo_m_pugliese BEAU BRADSHAW (Patrick Star) is thrilled to be a part of the first national tour of The SpongeBob Musical. He would like to thank Tina, Stewart/Whitley, the entire cast & crew, and his agents at SW Artists. Much love to his Mom, Dad, Robert, Ben and his fiancée Amanda. Point Park Graduate. @thebeaubradshaw www.beaubradshaw.com DA R I A P I L A R R E D U S (S a n d y Cheeks) is thrilled to be embarking on her first National Tour! Regional credits: Aida at the John W. Engeman Theatre (Nehebka/Aida US), Big River at the Utah Shakespeare Festival (Ensemble), Avenue Q at Weathervane Playhouse (Gary Coleman), and the world premiere of ReParable at the Smith Center (Narrator). She received her BFA in Acting from Otterbein University in 2018. Love and thanks to my beautiful family, friends, and Danny at Hudson Artists Agency. @dariaredus101 CODY COOLE Y (Squidward Q . Tentacles) Holds a B.A. in Acting from Rider University. Past credits: Guys and Dolls (Arizona Broadway); Showboat, Grease (Prather Productions); Crazy For You (Post Playhouse); Shrek The Musical (Forestburgh Playhouse); Wizard of Oz (Toby’s Dinner Theatre); Metamorphoses (Rider University). Hear his music on Spotify or iTunes. @playitcooley; codycooley.com ZACH KONONOV (Eugene Krabs) is ecstatic to be a resident of Bikini
Bottom! Previous credits include premiering a new production of Beauty and the Beast (Lefou) for Disney Cruise Lines, the national tour of How the Grinch Stole Christmas! (Grandpa Who), That Golden Girls Show! (Stan) and 50 Shades! The Musical (Christian C ove r) O f f- B ro a dway. En dless thanks to my family, friends, HCKR and everyone involved in bringing this magical production to life. @Zachkononov TR I S TA N M CI NT Y R E (S h e ldo n Plankton) accidentally graduated a year early from the USC School of Dramatic Arts. Regional: Cabaret (Celebration Theatre), Modern: A New Musical (Staged Reading). Film: Sunday Morning (Downbeat Ent). Thanks to his teachers, family, managers, and the incredible cast and creative team of Bikini Bottom! Follow his adventures @tristanmcintyre. JOSHUA BESS (Electric Skate, Ensemble, Skate Board Captain) As a long-time fan of SpongeBob, Joshua could not be more excited to share this story across the USA! Also being able to do his two favorite things: acting and skateboarding! Recent credits: RENT 20th Anniversary Tour (Roger), Righteous: The Skateboard Play (Kevin), and Next to Normal (Gabe). All the love to my family and friends and to all of YOU! Enjoy! @joshua_bess MORGAN BLANCHARD (Patchy The Pirate, Ensemble, u/s Squidward) is thrilled to be heading right back out on tour after spending this past year on the road with The Sound of Music. Regional: Merry-Go-Round Playhouse, New London Barn Playhouse, Kitchen Theatre, Ogunquit Playhouse, Utah Festival Opera and Musical Theatre, and the New Bedford Festival Theatre. Ithaca College BFA. Now is not the time to stay quiet, speak up and fight back! IG @morganblanchard RYAN BLIHOVDE (Foley Fish), a lifelong SpongeBob fan, is thrilled to be citizen of Bikini Bottom. Nat’l Tours: The Sound of Music and The King and I. Ryan has a Bachelor of Music from Belmont University in Nashville, TN. @ryanblihovde
JOHN CARDE NAS (Swing, u/s SpongeBob, u/s Eugene Krabs) is head over fins to be touring with The SpongeBob Musical. Tour: Fiddler on the Roof (Fiddler). NYC: Sondheim’s 80th B-Day (Carnegie Hall), Brad Knows Nothing, Cadaver Synod (NYMF). Regional: Comedy of Errors (Shakespeare Theatre Co, DC), Guys & Dolls (Nathan Detroit), Hello Dolly! (Barnaby), and Shrek (Pinocchio). Eternal gratitude to ATB, Stewart/ Whitley Casting, The SpongeBob Team, and Dad! “Mom, you have the best seat in the house.” IG: johnnie_321 CHRIS CERRETO (Foley Artist/ Percussion Cover) is a musician based out of NYC. As a percussionist, he has performed on cruise ships, theme parks, theaters, and tours. In addition to performing, Chris is an award-winning composer. NATALIE L. CHAPMAN (Mrs. Puff, Ensemble) is excited and humbled to be making her debut with The SpongeBob Musical! She’s performed in 3fifths (Ensemble), Once on this Island (Mama Euralie), The Idiot (Mrs. Yepanchin,) Madame Zeroni (Holes), and graduated with her BFA from Ohio University. She wants to thank the incredible team at Avalon Artist Group for this opportunity and her family and friends for their love and support! @nat_chat RICHIE DUPKIN (Perch Perkins, Ensemble, u/s Plankton) is stoked to be making his National Tour debut as a part of Bikini Bottom! Richie is an NYC based actor/singer and Long Island native. Regional credits: I Love….Now Change (Man 1), Pippi Longstocking (Thunder), The Skin of Our Teeth (Tremayne/Various), The Happy Elf (Eubie) and Little Shop of Horrors (u/s Seymour). Hofstra B.F.A. 2017. Endless love and thanks to Mom & Dad, my pals, Tina and the entire SpongeBob team. Follow along at @richiedupkin and richiedupkin.com. TEDDY GALES (Larry the Lobster, Gary, Swing, u/s Patrick, u/s Eugene Krabs) is thrilled to be joining Bikini Bottom for his first National Tour. Recent credits include A Funny Thing Happened on the Way to the Forum (Marcus Lycus).
THE SPONGEBOB MUSICAL
WHO’S WHO IN THE CAST
THE SPONGEBOB MUSICAL
Big shout out to my loving family and my best everything SB. STEPHEN C. KALLAS (Security Guard, Old Man Jenkins, Ensemble, u/s Squidward) is excited to cannonball into Bikini Bottom! Regional Credits: KCStarlight’s Wizard of OZ (Crow/ Flying Jitterbug), Fireside Theatre’s Newsies (Davey), ABT’s Catch Me If You Can (u/s Frank Abagnale Jr), Wagner College Theatre Alum. For PCRM. StephenCKallas; @StephenCKallas.com MÉAMI MASZEWSKI (Security Guard, Pearl) is honored to be playing PEARL. “SpongeBob SquarePants” was among her favorite childhood cartoons. The captivating powerhouse was last seen in UFOMT’s Newsies, starring as Medda Larkin. She is a graduate of PCPA c/o 2017. Méami is ecstatic to be playing alongside this talented cast. Some of her credits include The Hunchback of Notre Dame (Esmeralda), MAMMA MIA! (Ali), Freaky Friday, The Crucible (Tituba), and Lend Me A Tenor The Musical (Anna). @meamimaszewski STEFAN MILLER (Electric Skate, Ensemble, u/s Plankton) is thrilled to join the first national tour of The SpongeBob Musical! National tour: Rudolph the Red Nosed Reindeer (swing.) Regional: Tenor by Night (Mike), Oklahoma! (Will). Training: MFA in Vocal Performance – UC Irvine, BM from University of the Pacific. Big thanks to his agents Todd and Bob! Love to friends and family, MD, and of course mana Darga! @baritonestef MARY NICKSON (Swing). National Tour Debut! Favorite regional credits include: Drowsy Chaperone (Trix, Peninsula Players), Sister Act (Deloris, Gundlach Theatre), Romeo and Juliet (Nurse, Redhouse Arts Center). Eternal love to Mom and Zoe, and to her mentors and confidantes! Elon BFA ’18. Roster Proud. @marynickson; marynickson.net NYA NOEMI (Ensemble, u/s Sandy Cheeks) is excited to dive into the world of Bikini Bottom for her first national tour! NYC based performer with Floridian roots and an undeniable love for all things SpongeBob. Credits: Wendell & Pan (Kayla, Offoff Broadway), Hairspray (Lil’ Inez, Regional). AMDA Alumni. Love and besitos to her family, friends, and mentors for their support! Instagram: @nya_noemi
CAITLIN ORT (Karen the Computer), is thrilled to be in the 1st National Tour of The SpongeBob Musical! She received a BFA in Musical Theater from Ithaca College. Previous credits include National Tours: Elf (Deb U/S), A Charlie Brown Christmas (Frieda). Regional: The Merry Wives of Windsor (Mistress Ford), Baskerville: A Sherlock Holmes Mystery (Actress 1). Ragtime (Evelyn Nesbit U/S), Show Boat (Kim Ravenal), How to Succeed… (Hedy LaRue U/S), South Pacific (Ensemble); Jesus Christ Superstar (Ensemble). www.caitlinort.com, @caitlingort ELLE-MAY PATTERSON (Ensemble, Dance Captain) was born and raised in Sydney, Australia, completed her Honors degree for Musical Theatre in Singapore, and has been living and working in New York City for the past four years. Recent credits include: A Chorus Line, MAMMA MIA!, Grand Hotel, Anything Goes, Cabaret, Priscilla Queen of the Desert, Elton John’s ‘Life Ball’ in Vienna, Austria, “The MTV Video Music Awards,” and The World Mobile Congress in Barcelona, Spain. Elle May is excited and grateful to be travelling this amazing country with SpongeBob and all his friends! @ellemaypatterson; ellemaypatterson.com H E L E N R E G U L A (T h e M ayo r, Ensemble, u/s Patrick) is thrilled to be performing in The SpongeBob Musical National Tour! Past credits include ELF the Musical National Tour (Ensemble, u/s Emily), The Little Mermaid (Ursula), and Footloose (Rusty). Thank you to the people at The Luedtke Agency for always having my back. A special thank you to my family and friends for all their support. Never forget, Smitty Werbenjagermanjensen, he was #1! Texas State University: BFA Musical Theatre. helenregula.com, @hregula03 SYDNEY SIMONE (Ensemble, u/s Sandy). is excited to be making her National tour debut in Bikini Bottom! Regional: Ragtime (Eagle Theatre), Hello Dolly, MAMMA MIA!, The Wedding Singer (CSTC). She’d like to thank Nickelodeon, everyone at SpongeBob, Stewart/ Whitley and her friends and family for their love and support! BFA in Physical Theatre from Coastal Carolina University. @sydney.simone76, sydneyssimone.com MILES DAVIS TILLMAN (Electric Skate, Ensemble) NYC: Arrowhead:
The M usical (Logan), B ounce: The Basketball Opera (Ajax) with Ardea Ar ts. Regional: MAM MA MIA! (Ensemble) with Axelrod PAC & Bigfork Playhouse, Joseph… (Reuben) Seven Brides… (Daniel) with B igfork Playhouse. M iles earned his BFA in Musical Theatre at Indiana University-Bloomington. @cptmilesdavis RICO VELAZQUEZ (Ensemble, u/s SpongeBob) Born and raised in Chicago, IL. Southern Illinois University Edwardsville graduate (B.S. Theater and Dance) Dance Companies: Diavolo (Architecture In Motion) Regional credits: FAME (Tyrone Jackson), Hairspray (Duane) at the Norris Theater. Nat’l Tours: Rudolph the Red Nosed Reindeer The Musical (Ensemble). Television: Top Ten Finalist on America’s Got Talent (Diavolo) Thanks to my Parents, teachers, friends, and family for their continued love and support! @ricovelazquez RACHEL WONG (Swing, Assistant Dance Captain). From Hawaii to Bikini Bottom, Rachel’s thrilled to join this cast! Recently seen in South Pacific (Liat) at MGR Playhouse. International Tour: The Illusionists (Dancer), National Tour: PJ Masks, Live (Ninjalino/Dance Captain) Workshop: From Here to Eternity (Ensemble). BFA: Ithaca College. Eternal to love to my family! rachelwongsite.com, @rachel13wong TINA LANDAU (Conceiver/Director) is a writer and director whose credits include Broadway productions of SpongeBob SquarePants ( Tony nom, Drama Desk and Outer Critics winner), Superior Donuts, Bells Are Ringing (Tony nom) and numerous off-Broadway productions such as Old Hats (Signature), Head of Passes (The Public), Big Love (Signature), Wig Out! (Vineyard), Civil War Christmas (NYTW), and Floyd Collins (Playwrights Horizons, also Book/ Additional Lyrics). Tina’s an ensemble member at Steppenwolf, where her over 20 productions include Ms. Blakk for President (also writer), The Brother/ Sister Plays, The Time of Your Life and Space (also writer.) She’s the author, with Anne Bogart, of The Viewpoints Book. KYLE JARROW (Book) is a writer and musician who makes work for stage, film and TV. He’s creator of the
The Humans (Tony award); costumes for A Doll’s House, Part 2 (Tony nom.); scenery and costumes for Fun Home (Tony nom.) and The Last Ship. Off- Broadway: Make Believe, The Flick, Circle Mirror Transformation, Dogfight. Regional/opera: Steppenwolf, A.R.T., Guthrie, Yale Rep, Berkeley Rep, Center Theatre Group, Los Angeles Opera, Santa Fe Opera, Lyric Opera of Chicago, Opera Philadelphia
CHRISTOPHER G AT T E L L I (Choreographer) Broadway: Newsies (Tony, Drama Desk, OCC awards), The King and l (Tony nomination), South Pacific (Tony nomination), My Fair Lady (Tony nomination), The Cher Show, War Paint, Sunday in the Park With George, Amazing Grace, Casa Valentina, Women on the Verge of a Nervous Breakdown, Godspell, The Ritz, Martin Short: Fame Becomes Me, 13, High Fidelity. OffBroadway: Dogfight (Lortel Award); Altar Boyz (Lortel Award); BatBoy, The Musical (Lortel-Award); tick, tick... BOOM! As director: Off-Broadway: Silence! The Musical. Film: Hail, Caesar!; Newsies; lsn’t lt Romantic?
KEVIN ADAMS (Lighting Design). Broadway: 4-time Tony Award-winner, Kevin has designed The Cher Show (Tony nom.), Head Over Heels, Hedwig and the Angry Inch (Tony A ward), American Idiot (Tony Award), Next to Normal (Tony nom.), The 39 Steps (Tony Award), Spring Awakening (Tony Award), Hair (Tony nom.), Passing Strange, Everyday Rapture and Take Me Out. Off-Broadway includes Hedwig, The Scottsboro Boys, Carrie, RENT, Obie for sustained excellence. Also: Blue Man Group (Las Vegas, Hollywood Bowl, international tour), Metropolitan Opera, solo shows for Michael Moore, John Leguizamo, Eve Ensler, Anna Deavere Smith, Eric Bogosian and Sandra Bernhard.
JULIE MCBRIDE (Music Supervisor) was the music director and conductor of SpongeBob SquarePants! on Broadway. This past season, Julie was the music director for the Tony Award winning play, INK, at Manhattan Theatre Club. Other Broadway credits include Head Over Heels (music director), Pretty Woman (associate conductor), Amazing Grace (associate conduc tor), Finding Neverland (assistant conductor). Off-Broadway/ regional: Next to Normal (Second Stage), These Paper Bullets!, Deathless, Miss You Like Hell, Daddy Long Legs. Love to Ivan. TIMOTHY HANSON (Music Supervisor) is thrilled to be taking The SpongeBob Musical on the road after having worked on both the Chicago and Broadway productions. Other Broadway credits: Head Over Heels; Rocky. Television: Grease LIVE!; Hairspray LIVE!; RENT. Tim holds an MFA in Theatre from Penn State University and a BMus in Composition from the University of Michigan. LC^2! DAVID ZINN (Set & Costume Design). Broadway: set and costume design for Choir Boy, Boys in the Band, SpongeBob SquarePants (Tony award for Set Design), scenery for Torch Song,
PETER NIGRINI (Projection Design). Broadway: Ain’t Too Proud; Beetlejuice; Dear Evan Hansen; Amelié; A Doll’s House, Part 2; An Act of God; The Heidi Chronicles; The Best Man; and Fela!. Elsewhere: Grounded and Here Lies Love (The Public), Wakey Wakey (Signature), Real Enemies (BAM), Don Giovanni and Lucia di Lammermoor (Santa Fe Opera), Notes From Underground (Yale), the Grace Jones Hurricane Tour, Blind Date (Bill T. Jones), No Dice and Life and Times (Nature Theater of Oklahoma). Currently: Lempicka, and Deep Blue Sea. WALTER TRARBACH (Sound Design). Broadway: SpongeBob Squarepants (Tony Nomination), The Farnsworth Invention, and Cymbeline. As a partner in SCK Sound Design his credits include Ain’t Too Proud, Doctor Zhivago, and The Radio City Christmas Spectacular. Other Credits include Dave; Queen of the Mist; Becky Shaw; Measure for Pleasure; and Love, Loss and What I Wore. Associate Sound Designs: Billy Crystal’s 700 Sundays, Lady Day Sings the Blues (Tony Award) and Hands on a Hardbody (Drama Desk Award). He
is married to photographer Kimberly Witham. YOLANDA ADAMS (Songwriter) triumphantly carries the torch for contemporary gospel and inspirational music. With 14 releases, Yolanda has earned a multitude of accolades, including four Grammy Awards. Not only is Yolanda a phenomenal vocalist, she is also an author (Points of Power); designer of a coffee line and Simply Yolanda, bath and body products (yolandaadamslive.com); the host on her award-winning nationally syndicated radio show “The Yolanda Adams Morning Show” and proud mother. Twitter/IG: Yolanda Adams. AE ROS M ITH ’ S STE VE N T YLE R AND JOE PERRY (Songwriters) have sold more than 150 million albums worldwide and were inducted into the Rock & Roll Hall of Fame. Awards: four Grammys, eight American Music Awards, six Billboard Awards, 12 MTV Video Music Awards and an Emmy, among many honors. In 2013, awarded with the Founder’s Award at the ASCAP Pop Awards and inducted into the Songwriter’s Hall of Fame. Aerosmith continues to inspire generations to get their wings, to get a grip and to just push play. SARA BAREILLES (Songwriter) is a multiple Grammy-nominated and Tony-nominated singer-songwriter, as well as a New York Times best-selling author. She has released six studio albums, the latest Amidst the Chaos, that have produced such hits as “Love Song,” “King of Anything” and “Brave,” the last from The Blessed Unrest, which garnered an Album of the Year Grammy nomination. What’s Inside: Songs from Waitress, features songs from Sara’s score to the Broadway musical Waitress. sarabmusic.com. JONATHAN COULTON (Songwriter) is from the Internet. While a struggling music industry fell to pieces over file sharing and shifting business models, he independently amassed a small army of techies, nerds and dedicated superfans. He’s known for his songs in the “Portal” games, plus an eclectic catalog of masterful songwriting on subjects from zombies and mad scientists to sad parents and dissatisfied software engineers. He is currently the house musician for the NPR show “Ask Me Another.”
THE SPONGEBOB MUSICAL
television series “Valor,” streaming now on Netflix. Plays include A Very Merry Unauthorized Children’s Scientology Pageant (Obie Award), The Wildness (Lortel Award nomination), Whisper House and Hostage Song. His feature Armless premiered at the Sundance Film Festival. Kyle also leads the rock band Sky-Pony alongside his wife Lauren Worsham. This one’s for Oona. www.kylejarrow.com.
THE SPONGEBOB MUSICAL
ALEXANDER EBERT (Songwriter) is the frontman of the band Edward Sharpe and The Magnetic Zeros. He won the Golden Globe for Best Original Score to J.C. Chandor’s film All Is Lost (starring Robert Redford), and scored both the film A Most Violent Year (Participant) and the Oscar-winning animated short Feast (Disney). In 2011, he released his first solo album and has released four full-length studio albums with Edward Sharpe and The Magnetic Zeroes. THE FLAMING LIPS (Songwriters) are an American rock band, formed in Norman, Okla. in 1983. They are acclaimed for their elaborate live shows, which feature costumes, balloons, puppets, video projections, complex stage light configurations, giant hands, large amounts of confetti and frontman Wayne Coyne’s signature man-sized plastic bubble in which he traverses the audience. The group has garnered three Grammy Awards, including two for Best Rock Instrumental Performance. LADY ANTEBELLUM (Songwriters). The band’s sixth studio album, Heart Break, has been the most critically acclaimed of their career. With seven Grammy Awards and 18 million worldwide albums sold to date, the group wrapped up their You Look Good world tour. Additionally, the trio has won 10 awards from the Academy of Country Music and six from the Country Music Association, among others from American Music Awards, Billboard Music Awards and People’s Choice Awards. CYNDI LAUPER (Songwriter) is a Grammy, Emmy and Tony Awardwinning artist, a New York Times bestselling author and Songwriters Hall of Fame inductee. JOHN LEGEND (Songwriter). Awards: 10 Grammys, an Academy Award, a Golden Globe and the special Starlight Award from the Songwriters Hall of Fame, among others. He won his first Oscar, Golden Globe and Critic’s Choice awards for his song “Glory,” which he wrote and performed with Common for the film Selma. He is working on a new album while supporting his #FREEAMERICA campaign, touring prisons, jails and immigration detention centers. He produces a variety of projects via his
Get Lifted Film Co., including the WGN hit series “Underground.” BRENDON URIE (Songwriter, Panic! At The Disco). The acclaimed rock band’s latest album, Death of a Bachelor, debuted at no. 1 on the Billboard Album Chart, was certified platinum and was nominated for a Grammy in the Best Rock Album category. Previous albums: 2005’s double-platinum A Fever You Can’t Sweat Out, 2008’s Pretty. Odd. (debuted at no. 2 on the Billboard Album chart) and Vices & Virtues. Urie made his Broadway acting debut in 2017 as Charlie Price in Kinky Boots. PLAIN WHITE T’S (Songwriters). The punk- pop outfit began taking shape in 1997, 10 years before the acoustic ballad “Hey There Delilah” made them Grammy-nominated stars. “Hey There Delilah” topped the charts in 10 different countries and helped jumpstart sales of their album, Every Second Counts. After being nominated for two Grammy Awards for that song, they returned with the multi-platinum hits “l, 2, 3, 4” and “Rhythm of Love.” Their latest full-length, American Nights, was released in April 2015. The band recently re-signed with Fearless Records and are working on new music. THEY MIGHT BE GIANTS (Songwriters). From Brooklyn, N.Y., They Might Be Giants have been performing and recording for 35 years, and drink more coffee than most. They have sold a lot of albums and won some big-time awards, and their music can be heard on beloved television shows and in fancy commercials. TIP “T.I.” HARRIS (Songwriter). Multiplatinum recording artist Tip “T.I.” Harris released his 10th studio album in 2018 on his Grand Hustle Records and has entered into an exclusive distribution agreement with Roe Nation for the milestone project. T.I. is also an artist-owner of Tidal. Along with three Grammy Awards, his multiplatinum tally includes four Billboard Hot 100 No. 1’s plus sales of more than 30 million singles and 14 million albums. His nine-album catalog includes three consecutive no. 1 debuts on the Billboard 200. DAVID BOWIE (Songwriter) was a singular artist who redefined the boundaries of music, creating and
discarding a variety of personae while releasing albums, including The Man Who Sold the World, Aladdin Sane, Heroes and, most recently, his final studio effort and #1 album, Blackstar. Bowie starred in the 1980 Broadway production of The Elephant Man. His work in film and TV includes The Man Who Fell to Earth. He was inducted into the Rock & Roll Hall of Fame in 1996. TOM KENNY (Songwriter) has voiced SpongeBob since the beginning, and is the show’s voice director. Starting in standup, Tom was featured in the influential series “Mr. Show.” Hundreds of voice-over credits include “Rocko’s Modern Life,” “Adventure Time,” “Futurama” and “Rick and Morty.” Heard in commercials, video games and movies ranging from Winnie the Pooh to Transformers, Tom can currently be seen in Battle of the Sexes and fronting the rock ’n’ soul band, Tom Kenny & the Hi-Seas. ANDY PALEY (Songwriter) has written songs/scores for film and TV, including Dick Tracy, Election, “Funny or Die Presents,” “The Ren & Stimpy Show,” “Handy Manny,” “Camp Lazlo” and “SpongeBob.” He’s written and produced records by Brian Wilson, The Beach Boys, Madonna, Ramones, Jonathan Richman, Jerry Lee Lewis, “SpongeBob” (“Best Day Ever”) and It’s a SpongeBob Christmas! Album featuring “Don’t Be a Jerk (It’s Christmas).” Current projects include “Luna Around the World” (PBS) and “Mighty Magiswords.” CHARLES G. LAPOINTE (Hair and Wig Design). More than 80 Broadway shows including The Cher Show (Drama Desk Award), The Band’s Visit, Hamilton, Beautiful, Anastasia, SpongeBob SquarePants (Drama Desk Award), Amelie, Motown, Allegiance, On Your Feet!, A Gentleman’s Guide..., The Color Purple, Of Mice and Men, Elephant Man, Newsies, Memphis, In the Heights, Jersey Boys. TV: Jesus Christ Superstar Live (Emmy nom., MUAH award), The Wiz Live! (Emmy nom.), Blue Bloods, American Crime, Madoff, Hairspray. JOE DULUDE II (Makeup Design). Broadway/ West End: Wicked, Beautiful. Broadway: Beetlejuice, Torch Song, SpongeBob the Musical, Summer: The Musical, Sunday in the Park with George, Anastasia, Allegiance, If/Then, Follies, etc. Off Broadway: Sweet
MIKE DOBSON (Foley Design). Broadway: SpongeBob Squarepants ( Tony nom .). Other: Old Hats (Signature/A.C.T.). Writer: Room 17B (59E59, Drama Desk nom.). Assistant Director: Big Love (Signature) Music Director: Vegas Nocturne (Cosmopolitan Hotel of Las Vegas). Performer: Fun House (Brisbane Festival), Sister’s Follies (Abrons), Time Step (New Victory Theater), Cut to the Chase (59E59), Old Comedy (Classic Stage). @dobson321 KENNETH FERRONE (Associate Director). Recent directing credits include Cruel Intentions (1st National Tour); The Wanderer (PaperMill); When Blood Ran Red (NY TF); Sistas (St. Lukes); Hi, Hitler (Cherry Lane). Broadway: Assoc. Director of SpongeBob Squarepants, Love Letters, Wonderland, as well as Head of Passes (Taper), Dave (Arena), D e athle s s (G o o d s p e e d), C o lin Quinn: NY Story (Cherry Lane). For television, Kenneth produced Emmy Award-winning Grease Live!, RENT on Fox, and NBC series’ Rise, Smash, Ironside, and Deception. @KennethFerrone LOU CASTRO (Associate Choreographer). Broadway: SpongeBob SquarePants The Musical, Disney’s Newsies, Women on the Verge, 13 The Musical, Sunday in the Park w/ George (2008 Revival). Film/ TV: Disney’s Newsies: The Broadway Musical, Hail Caesar!, Nurse Jackie, DWTS, The View, GMA, The Today Show, The Tony Awards, Macy’s Thanksgiving Day Parade, Walt Disney World X-Mas Day Parade, Nickelodeon’s Kids’ Choice Awards. NY/Tours/International/Regional: Alice By Heart (MCC), Altar Boyz (US Tours, Regional, Korea), Disney’s Newsies (US Tour), Sunday in the Park (5th Ave Theater), The Jungle Book (Goodman/ Huntington), Departure Lounge (Public Theatre). Thanks X! PATRICK HOAGLAND (Music Director) is a composer and musical director based in the Hudson valley. Credits as musical director include: National tours:
Finding Neverland, Elf The Musical, Man of La Mancha, Tim and Scrooge, Fun Home, Spamalot, Hello Dolly, Pirates of Penzance, Nunsense, Les Misérables, The Sound of Music, The Secret Garden, RENT, Footloose, and Hairspray. He is a graduate of Berklee College of Music, with a dual degree in composition and film scoring. TO M K I T T (O r c h e s t r ati o n s & Arrangements; Additional Music) received the 2010 Pulitzer Prize for Drama as well as two Tony Awards for Best Score and Best Orchestrations for Next to Normal. Other credits include If/Then (Tony nom.), High Fidelity, Bring It On: The Musical and Disney’s Freaky Friday. Tom received an Emmy Award with Lin-Manuel Miranda for the 2013 Tony Award opening number, “Bigger.” As A Music Supervisor, Arranger, and Orchestrator, credits include American Idiot, Head Over Heels, Jagged Little Pill, Grease Live!, NBC’s Rise and the Pitch Perfect films. JOHN MEZZIO (Music Coordinator) has conducted national tours including State Fair starring John Davidson, Victor Victoria starring Toni Tennille, and Cinderella starring Eartha Kitt and Deborah Gibson. Additionally, Mr. Mezzio was Associate Conductor for Andrew Lloyd Webber’s Starlight Express at the Las Vegas Hilton. John was Music Coordinator for national and international tours including Sweet Charity starring Molly Ringwald, Hairspray, Spring Awakening, Memphis, Beauty and the Beast, and Elf The Musical. S TE WA R T/ W H ITLE Y (C asting). Duncan Stewart CSA & Benton Whitley CSA . Broadway/NY: Hadestown, Lighting Thief, Rock of Ages, Chicago The Musical, Great Comet of 1812, Elf, On The Town, Pippin, La Cage Aux Folles, Radio City Christmas Spectacular; TV/ Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel; West End/ UK: Hadestown, Thriller Live, Menier Chocolate Factory, West Side Story; Tours: Waitress, SpongeBob, A Bronx Tale, Charlie and the Chocolate Factory, Lightning Thief, Finding Neverland, The Sound of Music, Into the Woods, The Bodyguard, We Will Rock You; Regional: American Repertory Theater, LaJolla Playhouse, Berkeley Rep, Alley Theatre, Bay Street, Goodspeed, For The Record, TUTS, Hollywood Bowl,
RCCL. Follow: @stewartwhitley & stewartwhitley.com B R A D S I E B E K I N G (C o m p a n y Manager), originally from upstate New York, has spent the past 16 years in New York City teaching music and theater. At the Professional Performing Arts School he was the lead middle school singing teacher and Director of Production. He is also an accomplished music director and pianist. JOHN CARPENTIER (Production Stage Manager) is incredibly excited to be diving into Bikini Bottom with this unbelievable company! National Tour: Legally Blonde (PSM), A Christmas Story (ASM). Regional Theatre: Theatre by The Sea, Connecticut Repertory Theatre, Barrington Stage Company. John is a Rhode Island native and proud graduate of the University of Connecticut. @john.carpentier CLAIRE FARROKH (Assistant Stage Manager) is thrilled to be heading out on her first tour with SpongeBob! Regional Credits: Revival… (Geva Theatre); Love’s Labour’s Lost, Cyrano de Bergerac, Edward III (Colorado Shakespeare); Dracula (Pittsburgh Ballet); Pippin, Carmen (Bay View Music Festival). BFA from Carnegie Mellon University. G E NTRY & ASSOCIATES , INC . (General Management) has been managing domestic and international touring productions for more than 20 years. Gentry & Associates has managed more than 70 touring productions internationally. Current and upcoming productions include Cameron Mackintosh’s The Phantom of the Opera, Les Misérables, Miss Saigon, The Band’s Visit, A Bronx Tale, Blue Man Group Speechless Tour, Matthew Bourne’s Swan Lake, Fiddler on the Roof, Once On This Island, Nickelodeon’s The SpongeBob Musical, and Waitress. THE ROAD COMPANY (Tour Booking). Founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to The Band’s Visit, current representation includes Wicked, Moulin Rouge, Jagged Little Pill, Ain’t Too Proud, Oklahoma!,The Prom, Beetlejuice, Fiddler on the Roof in Yiddish, Charlie and the Chocolate Factory, The SpongeBob Musical, Bandstand, The Illusionists, and more.
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Charity, Into the Woods, Wild Party, Show Boat. Television: Jesus Christ Superstar Live (Emmy Nomination), Castle Rock. Film: The Discovery, Central Intelligence, Ghostbusters. joedulude2.com
THE SPONGEBOB MUSICAL
BROADWAY BOOKING OFFICE NYC (Tour Press and Marketing) is a leading theatrical tour booking, marketing and press company representing awardwinning musicals and plays. Currently: Jersey Boys, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera, Les Misérables, Miss Saigon, Beautiful: The Carole King Musical, A Bronx Tale, Summer: The Donna Summer Musical, Nickelodeon’s The SpongeBob Musical, Sting starring in The Last Ship, Be More Chill, The Ferryman, Potted Potter, The Heroin Diaries Musical, The Crown Dual, The New Colossus, the Lythgoe Family Panto productions, including Aladdin and His Winter Wish and A Cinderella Christmas, and Andrew Lloyd Webber’s Love Never Dies. bbonyc.com SUSAN VARGO (Executive Producer) Ms. Vargo is the Vice President of Global Live Entertainment for Nickelodeon. While developing The SpongeBob Musical, she also managed licensing of stage adaptations for Paramount Pictures including The First Wives Club, Mad Hot Ballroom, Leap of Faith and Clueless. Prior to joining Nickelodeon, Ms. Vargo worked as a manager for shows including Russell Simmons’ Def Poetry Jam; Beauty and the Beast; Chicago; Annie Get Your Gun; The Vagina Monologues; King David; The Last Five Years; I Love You, You’re Perfect, Now Change; and The Thing About Men. She also advised Fiery Angel Productions and Limelight Productions on licensing and acquisitions. TR I N IT Y WH E E LE R (E xecutive Producer). Broadway: Les Misérables (Production Stage Manager). National Tours: Executive Producer credits include Rodgers & Hammerstein’s The Sound of Music, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast; The Phantom of the Opera (Super visor y Production Stage Manager), Les Misérables (Production Stage Manager), Mar y Poppins (Production Stage Manager); Young Frankenstein starring Roger Bart and RENT starring Adam Pascal and Anthony Rapp. Trinity currently works on the national tours of Les Misérables, Once On This Island, Waitress, The SpongeBob Musical, Chicago and the upcoming Diane Paulus-helmed 1776. He is the host of Rhapsody Radio
available on Apple Podcasts and Spotify. @trinityonbroadway NETWORKS PRESENTATIONS (Producer), is an industry leading producer of touring musical theater productions committed to delivering quality entertainment to audiences worldwide. Having produced national and international tours over 20 years, NETworks’ productions include Cameron Mackintosh’s The Phantom of the Opera, Les Misérables, Miss Saigon, The Band’s Visit, A Bronx Tale, Blue Man Group Tour, Charlie and the Chocolate Factory, Fiddler on the Roof, Once On This Island, Nickelodeon’s The SpongeBob Musical, and Waitress. Opening Night: September 22, 2019
STAFF FOR The SpongeBob Musical EXECUTIVE PRODUCERS Susan Vargo Trinity Wheeler GENERAL MANAGEMENT GENTRY & ASSOCIATES Gregory Vander Ploeg Elisabeth Bayer Steve Varon Pearce Landry-Wegener Nicole Gehring PRODUCTION MANAGEMENT NETWORKS PRESENTATIONS Jason Juenker Hector Guivas Evan Rooney Walker White COMPANY MANAGER Brad Siebeking Assistant Company Manager Megan Sover TOUR PRESS AND MARKETING Broadway Booking Office NYC Steven Schnepp Kent McIngvale, Jenny Bates, Zach Stevenson Danny Knaub, Rachel Peterson BBONYC.com EXCLUSIVE TOUR DIRECTION THE ROAD COMPANY Stephen Lindsay Brett Sirota trc.nyc CASTING STEWART/WHITLEY Duncan Stewart, CSA; Benton Whitley, CSA Joey Montenarello, CSA; Sam Yabrow; Luke Schaffer PRODUCTION STAGE MANAGER John Carpentier Assistant Choreographer..............Sebastiani Romagnolo Assistant Stage Manager................................ Claire Farrokh Production Supervisor..........................Emily White-Winter Associate Scenic Designer............................... Meredth Ries Assistant Scenic Designer...................................Tim McMath Associate Costume Designer...... Justin Hall, Sarah Laux Assistant Costume Designer...................................Zoe Allen Associate Lighting Designer....Tim Reed, Jake DeGroot Assistant Lighting Designer....................Tessa Bookwalter Moving Light Programmer..................................Sean Beach Associate Sound Designer............................John McKenna Associate Projection Designer..................Robert Figueira Projections Programmer..................................Ben Keightley
Projection Editor........................................................Dan Vatsky Projections Engineer......................................Asher Robinson Production Projections.......................................Kim Caldwell Associate Hair Designers....................Samantha Figueroa, Kevin Maybee Associate Makeup Designer...............................Valeria Kole Associate Foley Designer.............................. Bronwen Chan Production Electrician..............................................Eric Briggs Production Audio Electrician..........................Matthew Bell Electronic Music Design.Strange Cranium Productions Associate Keyboard Programmers.........Taylor Williams, Jeremy King, Tim Crook Head Carpenter........................................................Josh Nelson Flyman.............................................................................Ben Martin Assistant Carpenter................................................Grant Webb Head Electrician............................................................Ellen Reid Assistant Electrician................................................Kelly Lipsey Head Sound Engineer.................................. Shaughn Bryant Assistant Sound Engineer...............................Megan McKay Head Properties.........................................................Katie Uleau Assistant Properties.....................................Kateryna Turkalo Head Wardrobe...........................................Kelsey Musselman Assistant Wardrobe................................. Angela Carstensen Head Hair and Makeup..............................Sophia Anderson Production Assistants................................Kateryna Turkalo, Alexandria Klote Management Consultants.....321 Theatrical Management Creative and Production Services.................Allied Global Marketing/Debbie Allamong, Mark DeSalvo, Eric Stormoen Television Spot Production..........Cinevative, HMS Media Production Photography....Jeremy Daniel Photography Social Media...........Jonathan Zelenak & Jaclyn Garfinkel Physical Therapy..................Neurosport Physical Therapy Merchandising................................................ The Araca Group Merchandising Manager.................................... Brian Estrada Legal Services................................... F. Richard Pappas, Esq. Accounting.............................NETworks Presentations LLC HR and Payroll Services.................. Human Resources inc Housing......................................................................... Road Rebel Travel Agency....................................................... Janice Kessler, Carlson Wagonlit Travel Trucking..................................................................................... Janco Theatre Displays....................................................King Displays
CREDITS
All scenery and scenic motion control by Proof Productions, Inc. Sound provided by Masque Sound & Recording.Video projections system engineered and provided by Worldstage. Lighting equipment from PRG Lighting. Flying effects provided by ZFX, Inc. Makeup provided by Make Up For Ever. A special thank you to MANIC PANIC for helping bring us into the colorful world of Bikini Bottom
MUSIC CREDITS
“Prologue” and “Bikini Bottom Day” by Jonathan Coulton-1O Print JOCO, Inc. (BMI). “No Control” by David Bowie/Brian Eno-Tintoretto Music administered by RZO Music, lnc./Upala Music Inc. (BMI), administered by Bucks Music Group. “BFF” by Tom Higgenson-So Happy Publishing/Warner Chappell (ASCAP). “When the Going Gets Tough” by Clifford Harris, Jr./ Domani Harris/Darwin Quinn-Deyjah’s Daddy Muzik/Sony ATV Music/Domani Harris Publishing (ASCAP)/C Me Now (BMI) administered by Kobalt Music Services, America, Inc. “(Just a) Simple Sponge” by Brendon Urie-Listen To This Shhh (ASCAP) administered by Kobalt Music Services America, Inc. “Daddy Knows Best” by Alex Ebert-Community Music Publishing, LLC/ cmpubco (ASCAP) admiistered by Kobalt Songs Music Publishing. “Hero is My Middle Name” by Cyndi Lauper/Rob Hyman-Cynthia Lauper d/b/a Our Lady of the Rainbow Music (BMl)/Denga Music (ASCAP). “Super Sea Star Savior” by Yolanda Adams-JamYoMusic (BMI). “Tomorrow Is” by Wayne Coyne/Steven Drozd/Derek BrownLovely Sorts Of Death Music administered by BMG Platinum Songs (BMl)/Holiday Celebrate (SESAC). “Poor Pirates” by Sara Bareilles-Tiny Bear Music (ASCAP). “Bikini Bottom Boogie” by Steven Tyler/Joe PerrySkeazyx Music/Juju Rhythms/ EMI April Music, Inc. (ASCAP). “Chop to the Top” by Charles Kelley/Dave Haywood/Hillary Scott-3OA Getaway Songs/Beards And Bullets Music (ASCAP)/Hobbs Hill Publishing (SESAC). “(I Guess I) Miss You” by John Stephens-John Legend Publishing (BMI) administered by BMG
Rights Management (US) LLC. “I’m Not a Loser” by John Flansburgh/John Linnell-TMBG Music (BMI). “Best Day Ever” by Andy Paley/Tom Kenney-Music by Nickelodeon Inc. (BMI) and Nickelodeon Notes Inc. (SESAC), administered by Sony/ATV Music Publishing. “SpongeBob SquarePants Theme” by Derek Drymon/Mark Harrison/Stephen Hillenburg/Blaise Smith-Tunes by Nickelodeon Inc. (ASCAP) administered by Famous Music Corp.
FOR NETWORKS PRESENTATIONS
Chief Executive Officer..........................................Ken Gentry President............................................................................Orin Wolf Chief Financial Officer...............................Scott W. Jackson Chief Operating Officer.............Jennifer Ardizzone-West Chief Producing Officer........................................Seth Wenig Executive Producers........Charlie Stone, Trinity Wheeler Assoc. Producer, Health and Safety Coord..........................Emma Downey Director of Administration...................................Curt Owens Executive Assistant to the President.......................................Hannah Rosenthal Senior Director of Finance....................................John Kinna Controller............................................................. Jennifer Gifford Director of Tour Accounting......................... Laura S. Carey Tax Director.................................................................Pat Guerieri Associate Tax Accountant............................ Kim Ngan Tran Senior Director, Booking and Engagements............................Mary K. Witte Director, Booking and Engagements............. Colin Byrne Booking and Administrative Assistant... Jenny Wallisch Director of Marketing/PR..................................Heather Hess Senior Director, General Management..................Gregory Vander Ploeg General Managers................Elisabeth Bayer, Steve Varon Associate General Manager.....Pearce Landry-Wegener General Manager Associate.........................Nicole Gehring Senior Director, Production Management............................Jason Juenker Senior Production Manager...........................Hector Guivas Production Managers...........Evan Rooney, Walker White Music Coordinator..................................................John Mezzio IT Manager........................................................................Tim Pizza Office Manager................................................Buddy Piccolino Office Assistant........................................................ Carol Jewell Warehouse Manager..................................................Brad Korff Warehouse Costume Manager......... Bobby Maglaughlin
THE NICKELODEON GROUP EXECUTIVE Brian Robbins David Bittler Sharon Cohen Anne Mullen Karen Seminara BUSINESS & MARKETING Laura Lundgren Danny Urquia Joe Nozick Haley Zenna Thomas Kingsley Jessie Pries Mariana Gracia Sebastien Bresson Colin Scully MUSIC & CREATIVE Stephen Hillenburg Marc Ceccarelli Doug Cohn John Paul Geurts Russell Hicks Jennie Monica Claudia Spinelli Kelly Gardner Vincent Waller
SPECIAL THANKS TO
The Proctors Theater, Schenectady, NY, Philp Morris, CEO Tabitha & Napoleon Dumo, Alex Weaver & David Keefe/Euclid Machine and Design, Five Stride Skate Shop, Deni Yang/Gazillion Bubble Show, Bill Irwin, Joel Jeske, Jimmy Maize, G W Mercier, David Neumann, Jonathan Nosan, Caissie St. Onge, Palmer Musical Instruments, Erik Pearson, Noah Starr, Tim Codwin/Taylor Guitars, Doug Reed/Tour Supply, Chris Velvin.
DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2019/20 BROADWAY SEASON
TAX AND FINANCIAL CONSULTING, ACCOUNTING SERVICES CliftonLarsonAllen LLP Brian Enverso, Kathleen Thies INSURANCE BROKER SERVICES Maury Donnelly and Parr, Inc. Robert B. Middleton, Sr and Meghan Coleman
FINANCIAL SERVICES AND BANKING ARRANGEMENTS BY SunTrust Bank TheSpongeBobMusical.com Facebook, Instagram: @TheSpongeBobMusical Twitter: @SpongeBobBway #SpongeBobMusical This production is not affiliated with Actors’ Equity Association. All stage work performed by employees represented by IATSE. United Scenic Artists represents the designers and scenic painters for the American Theatre. The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.
THE BUELL THEATRE is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues. CITY & COUNTY OF DENVER Michael Hancock, Mayor ARTS AND VENUES Ginger White-Brunetti, Executive Director For information call: 720.865.4220
PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas. • PHOTOS, RECORDING & CELL PHONE USE are prohibited. • CHILDREN 6+ are welcome in our theatres and must be ticketed. • DRINKS are allowed in provided containers. • ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you. • BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836. Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Carrie Breidenbach Vonnie Clough Janel Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Carolyn Dore Deborah Guess AnnSue Gunter
Judy Holabird Leslie Lambert Sharon Millikan-Hale Callie Morrow Laura Payne Yolanda Pollock Dave Poole Liz Spadi Amy Tepel Marybeth Tscherpel Barb Wilson
DPAC House Crew Mark Anthony Perry Elliot James R. Gralian EJ Posselius
Albert Sainz, Sr Jay Schenk David A. Wilson
NOW – MAR 22
GALLERIA THEATRE SEASON SPONSORS
SpongeBob Musical rehearsed at RWS Studios.
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A
©2020 The PNC Financial Services Group, Inc. All rights reserved. PNC Bank, National Association.
Mercedes Perez, Rakeem Lawrence, Susannah McLeod and Marco Robinson in Goodnight Moon. Photo by Adams VisCom
“The DCPA continues to bring entertaining and timeless programming to the Denver community, impacting the vibrancy and continued growth of our city.”
At PNC Bank, community investment is foundational to our values and interwoven into our corporate culture. We know we are only as successful as those whom we serve, which is why we seek to strengthen the communities where we live and work by providing resources that help enhance early childhood education and support economic development. One of the areas we focus on is the arts. We have a legacy of supporting arts and culture communities across our footprint, as we understand the critical role they play in the continued success, stability and growth of our local communities. Not to mention in attracting and retaining a vibrant, talented workforce. Although we may be new to Denver, we’ve already started to implement this legacy through sponsorships with some of Denver’s most prestigious arts organizations, including the Denver Art Museum, the Colorado Ballet, the Scientific and Cultural Facilities District and of course, the Denver Center for the Performing Arts (DCPA). “The DCPA continues to bring entertaining and timeless programming to the Denver community, impacting the vibrancy and continued growth of our city,” said Ryan Beiser, PNC regional president and head of Corporate Banking for Colorado. “As champions of both the arts and early childhood education, we are especially delighted to provide live performances of Goodnight Moon to the children of Denver through sponsoring the DCPA’s Theatre for Young Audiences program.”
— RYAN BEISER, PNC REGIONAL PRESIDENT & HEAD OF CORPORATE BANKING FOR COLORADO Our youngest theatre-goers got their first theatre experiences with the Theatre from Young Audiences production of Goodnight Moon.
22
APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
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Colorado Shakespeare Festival J UNE 5 – AUG US T 9
A Midsummer Night’s Dream All’s Well That Ends Well The Odyssey
by Homer, adapted by Mary Zimmerman
Coriolanus Pericles
303-492-8008 • coloradoshakes.org
BY JOHN MOORE
F
For millions of us, high school was no laughing matter. More like downright painful. Until there was Tina. Celebrated comedy writer Tina Fey found fetch in your teenage PTSD when she wrote the catchphrase-rich screenplay for Mean Girls, which rocketed from teen cult fave to bona-fide box-office pink in 2004, grossing more than $128 million. Fey’s take on the well-worn subject of cliques who rule the school was different from its many pop-culture predecessors, her husband says, “because she’s funny — and she’s funny in a way that holds up.” Fey adapted Mean Girls into a stage musical that has played for two years on Broadway and now comes to Denver as a touring production that has found widespread audience appeal because unlike, say, Stephen King’s Carrie, the nasty kids don’t end up fried in the high-school gym. They are redeemed. That’s because Mean Girls is about more than just the mean girls. “Oh, there are many mean people in high school,” said Jeff Richmond, an Emmy-winning composer who married Fey in 2001 and wrote the music for the Mean Girls musical. “But there are also very sweet people, and very broken people, and very hurt people, too. And with this musical, we are trying to give all of them a voice and a sense of self-importance.” The irony of the musical’s title, Richmond said, “is that the show is so joyful and so much fun. The title does hang on that one word — Mean — but there’s so much more to it than that.”
24
Fey based her film on the self-help book Queen Bees and Wannabes by Rosalind Wiseman. The story follows a homeschooled girl who joins a girl group called The Plastics, only to learn first-hand the price of sacrificing your true self for a spot at the top of the popularity food chain. Fey’s script produced one classic line after another, some that theatregoers now shout out during live performances. (“Gretchen, stop trying to make fetch happen!”) Successfully adapting that proven source material to the stage largely depended on how the music of Richmond and lyricist Nell Benjamin would enhance the show’s overall message of acceptance. Their versatile score produced multiple anthems, among them “I’d Rather Be Me (Than Be With You)” and “Where Do You Belong?” Richmond cites “I See Stars” as a song that strikes to the heart of Mean Girls. “That’s a song that says everybody is a star, in their own right, no matter what group you are in,” he said. “The song contains an important line that says: ‘I see you there. I see you.’ People in high school — or really anyone at any time in their lives — might feel like they disappear amongst all the noise and glitz of the world. Just being seen is important.” When Richmond was in high school in Ohio, he was not an athlete. But he was funny, and he navigated adolescent tribulations using comedy as a defense. He found his way into choir and singing groups and marching band, all of which pointed him in the direction of a musical career
APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
Book by Tina Fey, Music by Jeff Richmond, Lyrics by Nell Benjamin, Directed & Choreographed by Casey Nicholaw Pictured (L-R): Danielle Wade (Cady Heron), Megan Masako Haley (Gretchen Wieners), Mariah Rose Faith (Regina George), Jonalyn Saxer (Karen Smith), Mary Kate Morrissey (Janis Sarkisian), and the National Touring Company of Mean Girls Credit: © 2019 Joan Marcus
MAKING IT THROUGH HIGH SCHOOL WITH
COMING UP FROM THE THEATRE COMPANY
“Bullying certainly has gotten into our day-to-day culture…. But Mean Girls asks, ‘If you’re bullying somebody, why are you doing that? Are you hurt also?’ ”
FUN FACTS:
CHOIR BOY
From the writer behind the 2016 Oscar Award winner for Best Picture (Moonlight), Tarell Alvin McCraney’s Choir Boy (Space Theatre, April 10 – May 10) is a stunning comingof-age drama that was nominated for five Tony Awards, including Best Play. The show follows an African American teen named Pharus as he comes to terms with his sexuality and attempts to find his place at an all-boys prep school. As Pharus takes on a leadership position in the school’s gospel choir, the play features moving music that will leave audiences wanting more.
• The show contains several gospel
songs sung by the cast, some of which were written specifically for the play by Jason Michael Webb (Musical Director for The Color Purple) and Fitz Patton (Sound Designer for An Act of God).
— JEFF RICHMOND, EMMY-WINNING COMPOSER AND HUSBAND TO BOOK WRITER TINA FEY
MEAN GIRLS MAR 25 – APR 12 • BUELL THEATRE ASL Interpreted, Audio Described and Open Captioned performance: Apr 5, 2pm
songs to classify as a musical, it is instead classified as a “play with music,” because the songs are diegetic (occurring to complement the story’s action).
• Manhattan Theatre Club
commissioned McCraney to write Choir Boy after he graduated from the Yale School of Drama — long before he received a MacArthur “Genius Grant” or an Academy Award for Moonlight.
Illustration by Kyle Malone
“There is just a very universal feeling about the whole thing,” he said. “Everyone knows how it feels to be bullied, and that transcends high school. Bullying certainly has gotten into our day-to-day culture, especially in the past 10 years. But Mean Girls asks, ‘If you’re bullying somebody, why are you doing that? Are you hurt also?’ ” And Fey is asked by young people all the time for her advice on making it through high school. “Tina will remind any kid that, yes, four years feels like eternity, but it’s really not,” Richmond said. “You will come out the other side ready to face life, and all those problems you had before will be behind you. “There’s a line in the opening number where Damien says, ‘And no one died.’ For a while, we had that as the last line in the show. Because the whole idea is that you’re going to get through this. I actually liked high school very much, and I have to say: Life just keeps getting better as you get past all that. And you do get past it.”
• Though the show has enough
Mean Girls Creative Team (L-R)Casey Nicholaw, Tina Fey, Jeff Richmond, Nell Benjamin. Photo by Jenny Anderson.
and the National Touring Company of Mean Girls Credit: © 2019 Joan Marcus
that has run through “Saturday Night Live,” where he spent five seasons composing original songs for stars such as Jack Black, Queen Latifah and Catherine Zeta-Jones; “30 Rock,” with his wife; and now “Unbreakable Kimmy Schmidt,” where he is presently working on an interactive special set to debut later this year on Netflix. If they had prepped together, Richmond said, he and Fey might have been high-school sweethearts. “Actually, no, that would have been terrible,” he self-corrected with a laugh. “We would have broken up by junior year for sure.” It’s probably no coincidence that the motto of Fey’s Pennsylvania high school was, “Where Every One Is Royalty.” Like Richmond, Fey found the funny people at her Upper Darby High School. “She played tennis, but she wasn’t really an athlete, Richmond said. “She did drama, but she also loved being on the stage crew, and she loved any opportunity for writing. I think she found her way through high school with her caustic wit.” Richmond and Fey met at Chicago’s famed Second City, and now have two children. When Fey left “SNL” to develop “30 Rock” in 2006, Richmond composed the theme song, appeared as the character “Alphonso Disperioso” and directed five episodes. Now a sweet 16 years since the Mean Girls film, Richmond isn’t surprised that the story is still speaking not only to a new generation of girls but to their parents and grandparents as well.
Serving Up ...
... The Colorado Experience
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Pedro Giraudo Tango Quartet
MARCH
A P R I L
Carnival of the Animals
FAMILY
MAR 15 SUN 2:30 Bertie Baigent, conductor Special Guests, Denver Zoo SAINT-SAËNS Carnival of the Animals
HalfNotes
Beethoven and Brews: Farm House at Breckenridge Brewery
FUNDRAISER
MAR 18 WED 6:00 Must be 21+ to attend. 2990 Brewery Ln, Littleton, CO
Marin Alsop Conducts
CLASSICS
MAR 20-22 FRI-SAT 7:30 ■ SUN 1:00 Marin Alsop, conductor BARBER Essay No. 2, Op. 17 COPLAND Suite from Appalachian Spring PROKOFIEV Suite from Romeo and Juliet
Holst The Planets
CLASSICS
APR 17-19 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Natasha Paremski, piano WALTON Crown Imperial PROKOFIEV Piano Concerto No. 2 in G minor, Op. 16 HOLST The Planets ALTERNATIVE
APR 23 THU 7:30 ALTERNATIVE
MAR 27 FRI 7:30 Brett Mitchell, conductor Clifford Still Museum ADAM SCHOENBERG Finding Rothko RACHMANINOFF Isle of the Dead BEETHOVEN Quartet for Strings No. 16 in F major, Op. 135 JAMES CLARKE Symphony No. 2 World Premiere MAR 28-29 SAT 7:30 ■ SUN 2:30 Brett Mitchell, conductor Presentation licensed by Disney Concert Library ©Disney
CLASSICS
APR 3-5 FRI-SAT 7:30 ■ SUN 1:00 Rune Bergmann, conductor Garrick Ohlsson, piano MOZART Overture to Don Giovanni, K. 527 BEETHOVEN Piano Concerto No. 4 in G major, Op. 58 NIELSEN Symphony No. 4, Op. 29, “The Inextinguishable”
Pedro Giraudo Tango Quartet with the Colorado Symphony
Music and Art: A Symphonic Exploration
Disney’s Fantasia In Concert
Beethoven Piano Concerto No. 4
Pedro Giraudo Tango Quartet with members of the Colorado Symphony
ALTERNATIVE
Ellie Caulkins Opera House Studio Loft APR 25 SAT 7:30
Colorado Symphony Ball 2020 MOVIE AT THE SYMPHONY HalfNotes
FUNDRAISER
APR 25 SAT 6:00 Mission Ballroom
DYAO: Young Person’s Guide to the Orchestra APR 26 SUN 2:30 Denver Young Artists Orchestra Colorado Symphony Association Artistic Affiliate
HalfNotes Please join us for family-friendly activities 1 hour before the concert. These performances include FULL SCREENING OF THE FEATURE FILM!
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MORE
STORIES. PERSPECTIVES. PLAY.
Illustration by Kyle Malone
ANNOUNCING THE
2020/21
THEATRE COMPANY SEASON
ANGRY, RAUCOUS, AND SHAMELESSLY GORGEOUS
WORLD PREMIERE MUSICAL
Sep 18 - Oct 25, 2020
Feb 5 - Mar 14, 2021
LIGHT UP THE SKY
EDWARD ALBEE’S WHO’S AFRAID OF VIRGINIA WOOLF?
An all-female tribute to aging gracefully and…gorgeously!
A hilarious homage to the golden age of American theatre Oct 2 - Nov 1, 2020
A CHRISTMAS CAROL
The highly anticipated return of Denver’s holiday tradition Nov 25 - Dec 27, 2020
THE CHILDREN A sly and suspenseful Tony-nominated contemporary drama Jan 8 - Feb 14, 2021 WORLD PREMIERE
IN THE UPPER ROOM
RATTLESNAKE KATE
A new Colorado musical by Neyla Pekarek (of the Grammy-nominated band The Lumineers) & Karen Hartman
A monumental drama in our most intimate theatre Apr 2 - May 16, 2021
EMMA
A delightfully unconventional and fun adaptation of Jane Austen’s classic comedy Apr 23 - May 23, 2021
MOJADA: A MEDEA IN LOS ANGELES
A timely adaptation of the ancient Greek tragedy May 14 - June 13, 2021
A new play about family, secrets and the power of the stories we grow up hearing Jan 22 - Feb 28, 2021
SUBSCRIBE TODAY AND SAVE UP TO 30% DENVERCENTER.ORG SEASON SPONSORS
ADDITIONAL SUPPORT
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T “Effectv is honored to support the Denver Center for the Performing Arts,” said Bob O’Brien, Region Vice President, “as both a sponsor and a business partner that finds DCPA audiences with TV advertising.”
30
Today is a new day. The business of TV advertising has changed dramatically. And we have changed as a company to meet the evolving needs of our customers. To reflect these changes, Comcast Spotlight now has a new name — Effectv (e-FEC-tiv). Effectv is results-oriented, solution-based and future-focused. Our team is always innovating, so we can deliver truly effective advertising solutions to our clients. Our advertisers can now combine the best of digital with the power of television. And with our full suite of products, they will find TV advertising more effective than ever before. Now, we can connect our customers to their audience to deliver a reach that is both broad and targeted. Now, advertisers can target specific audiences no matter how or where they are enjoying TV content. And the right creative messages can be delivered at the household level. Our new capabilities work hard — allowing us to drive growth for our advertisers, while delivering the easiest and most effective TV advertising experience ever — even providing the option to book and manage their own campaigns. Our new name is a powerful promise. To our customers. To our partners. To the communities we serve. We’re Effectv.
Effectv supports our local communities in partnership with the Kids In Need Foundation, providing back packs and school supplies to students in need.
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ON A SHOOTING Illustration by Kyle Malone
B Y S Y LV I E D R A K E
“We knew that working on Until the Flood would take us into difficult historical, cultural and emotional places and I think we both felt we could support each other with that investigation and self-reflection.” — NEEL KELLER, DIRECTOR
32
O
Our two major political parties, once frenemies, appear locked down in irremediable differences. Disputation has poisoned our daily life, coarsening relationships and affecting too many aspects of daily existence. Anger, incivility, prevarication and racism have plunged us into social paralysis. To say nothing of shootings. Too many shootings have been of black men by white cops, often in situations where the how and why is hard to ascertain. So when on August 9, 2014, Darren Wilson, a white police officer, shot Michael Brown, an 18-year-old unarmed black man in Ferguson, Missouri under murky circumstances, people took sides. And when the St. Louis County prosecutor and the US Department of Justice cleared Wilson of wrongdoing, all hell broke loose. Whom to believe…? But when the phone call came from the Repertory Theatre of St. Louis to Dael Orlandersmith — a black poet, playwright and performer — offering to commission a theatre piece from her about this event, she said yes, adding peremptorily that director Neel Keller would be “doing it with me.” That was the start of Until the Flood. Orlandersmith and Keller have worked together on and off for 25 years, ever since he invited her to play The Nurse in a production of Romeo and Juliet at Massachusetts’ Williamstown Theatre Festival. Six years ago, they joined forces to develop Forever, a one-woman “semi-autobiographical exploration of the family we’re born into and the family we choose.” Staged by Keller and commissioned by Los Angeles’ Center Theatre Group (CTG), where Keller is an Associate Artistic Director, it cemented the relationship. He said that piece, written and performed by Orlandersmith, “was a very special experience.” When it came to tackling the Michael Brown incident, Orlandersmith’s intuitive response was to distill the reaction of people she interviewed around Ferguson and put their words in the mouths of eight composite individuals of her own creation — young, old, man, woman, black, white, liberal and not. Her characters are a fascinating lot, of varied persuasions and occupations. Retired black schoolteacher Louisa’s confusion over Brown’s death sets the stage for others’ emotions to follow. Rusty, a retired white policeman, echoes
APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
some of Louisa’s conflicted feelings when he states that, in his painful confrontations with black people as a cop, it was like… “they wanted to die.” Orlandersmith’s younger creations express a different kind of fatalism: Not wanting to die, but wanting to get out alive, free of the condemnations determined by the color of their skin. High-schooler Hassan, eager to find his own “right” way, wishes that his married-with-children and beloved history teacher were his Dad. “I’m thinking of the kids that have parents,” he tells us, “both parents. Married and carin’ about them…. I’m 17, man. Sometimes I feel seven, sometimes I feel 70…. I want out.” Paul, also 17 and black, lives in the same public housing where Michael Brown lived. “Looks just like a prison,” he tells us. “Please God, let me get out. Just let me get out…” In contrast, Connie, a white schoolteacher who grieves for both Wilson and Brown, is mortified when her good friend and colleague Margaret — a black teacher, with whom she shared a solid friendship, wine and confidences — is so infuriated that she severs the relationship. Reuben, a black barber who deals daily in “appearances” is equally wary of so-called liberals for similar reasons. He owns his shop, likes his life and has seen it all. He gets his chance to explain himself to two college students — one white, one black — who invade his shop on a crusade to “save him.” Reuben delivers a memorable lesson in social boundaries to those girls that they may never forget. Nor does Orlandersmith hesitate to take on Dougray, a selfacknowledged product of “white trash,” smart enough to leave that life behind him and make his own way, even if he hasn’t quite found the compassion to not exploit the less fortunate. He may have escaped a drunken and abusive father, but he’s not yet a better man. If Orlandersmith was not eager to say much about how she and Keller put the show together, Keller was. “Dael trusted my artistic impulses and way of collaborating,” he said. “We knew that working on Until the Flood would take us into difficult historical, cultural and emotional places and I think we both felt we could support each other with that investigation and self-reflection.” The play takes flight confirming all we see and hear, with increasingly poetic utterance. When asked where the title came from, Orlandersmith elliptically responded: “St. Louis is near the Mississippi River…. It’s a Catholic city; water as redemption, as purity, cleanliness….” And like her play, Noah’s Ark also allegedly had just eight human beings on board. Until the Flood only confirms this poet-playwright as an exemplar of locating that fragile kernel of anguish and truth inside each one of us we like to call a soul. Even less expected is the breadth of her reach. Until the Flood benefits from her philosopher’s mind and an even-handed fairness that dominates her rich diversity of points of view. Contrary to expectations from someone so precise, she’s not territorial. She’s prepared to give any serious company the right to use eight different people to play the eight characters she’s created or fly solo with it, as she does. Whether others can begin to match her skill at inhabiting each character as distinctly as she does remains an open question. When the educated Louisa expresses indignation at the disdainful smirk a less fortunate young black girl sends her way, her father cautions her, “Sometimes, you can know so much and know so little…” It’s what this Flood is all about, upending preconceptions and offering a tough, uplifting as well as humbling moment for us all. SYLVIE DRAKE is a translator, writer, and former theatre critic and columnist for the Los Angeles Times. She is a member of the American Theatre Critics Association, a contributor to culturalweekly.com, and occasional contributor to American Theatre magazine and the Los Angeles Times.
UNTIL THE FLOOD MAR 20 – MAY 3 • JONES THEATRE ASL Interpreted and Audio Described performance: Apr 19 at 1:30pm
• All people are equal • Moments are shared • Differences are valued • Discussion is encouraged We respect that everyone experiences our stories differently.
2020 MAIN STAGE SHOWS
Feb. 21 – March 22
April 3 – May 3
May 22 – June 21
2020 CONCERT SERIES Captain Quirk Tribute to the Beatles – Sunday, April 5 5280 A Capella – Sunday, April 26 Shirley Delta Blow – Sunday, June 7
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PROUD SPONSOR OF THE DENVER CENTER FOR THE PERFORMING ARTS
LARIMER SQUARE: WHERE DENVER SHINES
L Larimer Square has found the perfect partner in the DCPA. The combination of world-class theater, music, nightlife, dining and shopping, located just two blocks from one another, provides an amazing and immersive cultural experience.
Larimer Square, downtown Denver’s most beautiful block and beloved shopping district, has a strong commitment to the arts. So it’s no surprise that block owner and award-winning place-maker and entrepreneur, Jeff Hermanson, has made a long-term commitment to partner with the Denver Center for the Performing Arts (DCPA). Home to more than 20 independently owned boutiques and beauty/wellness service providers, as well as a collection of Denver’s top, chef-owned restaurants, Larimer Square is where the city of Denver truly shines. The historic block’s signature canopy of lights, historic architecture, charming storefronts and beautiful views of the Rocky Mountains combine to make Larimer Square one of the most treasured places in Colorado. Larimer Square provides a unique experience that compliments the DCPA’s unmatched cultural offerings. “The combination of Larimer Square’s world-class dining and unrivaled shopping is a perfect match for the theater, music, and immersive performances offered through the DCPA,” said Hermanson, who’s owned and overseen development of Larimer Square for the last 25 years. “Located just two blocks from one another, culture-loving residents and visitors know that the two destinations provide an amazing, only-in-Denver experience.” The block hosts some of the top festivals and events each year including the annual Denver Chalk Art Festival, a free, two-day street-painting festival where hundreds of artists from around the world spend hours turning the streets of Larimer Square into a walkable gallery exhibit of chalk art over the first weekend in June. Larimer Square also hosts signature Dining Al Fresco evening events under the lights on select summer dates and will once again host the international food festival, Slow Food Nations, in September. For more information on Larimer Square, please visit www.larimersquare.com
— JEFF HERMANSON, CEO OF LARIMER ASSOCIATES
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APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
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Located on the University of Denver campus, Ricks Center is dedicated to gifted learners from Preschool through 8th grade. ◆ ◆ Flexible, differentiated curriculum designed around the whole child ◆ ◆ Active, engaged, hands on learning ◆ ◆ D esignated time to pursue questions and interests ◆ ◆ Low student to teacher ratio ◆ ◆ Teachers who know, understand and care deeply about gifted education and each individual student Learning begins at the edge…
Email ricksctr@du.edu or Call 303.871.3715 to learn more!
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PROUD SPONSOR OF THE DENVER CENTER FOR THE PERFORMING ARTS
A “Beyond fostering great entertainment, Ameristar recognizes that all responsible organizations have an obligation to make a meaningful difference in their communities.”
Ameristar Casino Resort Spa is proud to continue its sponsorship of the Denver Center for the Performing Arts in 2020. DCPA has been entertaining audiences in the Denver community for decades with its world-class productions. Also being in the business to entertain, it’s a natural fit for Ameristar to partner with DCPA. Ameristar’s mission is to entertain and create memorable moments for its guests. “Beyond fostering great entertainment, Ameristar recognizes that all responsible organizations have an obligation to make a meaningful difference in their communities,” said Sean Demeule, General Manager of Ameristar Casino Resort Spa. “Through our community outreach program, Ameristar Cares, team members have the opportunity to help those who need it most by volunteering time and making financial contributions. Whether it is serving a food bank or financially supporting a local charity, our team members have a passion to give back to our community.” It’s for this reason that Ameristar has continued to partner year after year with DCPA. It’s about having a passion not only to entertain, but also to change lives. To foster a vibrant community of giving and to contribute to causes that seek to create a better tomorrow. When the curtain rises, Ameristar will be standing with DCPA.
— SEAN DEMEULE, GENERAL MANAGER OF AMERISTAR CASINO RESORT SPA
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APPLAUSE • MAR – MAY 2020 • 303.893.4100 • DENVERCENTER.ORG
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