Applause Magazine, Book of Mormon by The Publishing House

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Volume XXIV

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NUMber 1

August - September 2012

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President’s LETTER

Randy Weeks

Recently I made the decision to take in the Yves Saint Laurent exhibit at the Denver Art Museum. Admittedly, I am not an expert or a fan of haute couture, but the buzz around town caught my attention. I opted for the audio tour guide and dove in thinking I would spend 30 minutes or so in the exhibit. Two hours later, I turned in my headset and headed for the gift shop. I enjoyed it and I learned something I had known little about before, but that is not the point of this story. The point is this: the YSL exhibit visited three cities: Paris, France; Madrid, Spain, and Denver, Colorado. That is simply remarkable. Denver and not New York? Not Los Angeles? Chicago? What’s going on…? A lot. The Zoo has opened the Toyota Elephant Passage to world acclaim, along with a truly amazing recycling and energy program. The Botanic Gardens completed extensive renovations and expansion. Be sure to check out the Children’s Gardens—many adults are having fun there, too! The Museum of Nature and Science continues to make significant world-

wide contributions with the discovery of the Snowmass Mammoth. The new History Colorado opened this year, a truly remarkable facility. Here at The Denver Center, Artistic Director Kent Thompson has elevated the Colorado New Play Summit to a national/international level, contributing new work to stages around the world, while Denver Center Attractions continues bringing new smash hits to Denver directly from Broadway. The opening of The Book of Mormon takes center stage this August, kicking off its national tour here in Colorado. The new Denver Center Attractions season includes Broadway hits such as War Horse, Peter and the Starcatcher, Evita and once. (Check out page 26 for a complete list of DCA’s justannounced 2013/14 season.) These success stories and many more are due in good part to support from the Scientific and Cultural Facilities District or SCFD. More than 20 years ago, the voters of the seven-county SCFD saw the rationale in supporting science, arts and culture along the Front Range. The past two decades have brought financial stability and an explosion of creativity to the region, adding to the magnificence of our already wonderful Colorado. Be proud. You deserve it. n

Randy Weeks, President The Denver Center for the Performing Arts Executive Director, Denver Center Attractions

HAPPY BIRTHDAY MR. SEAWELL!

he Denver Center for the Performing Arts Founder and Chairman Emeritus, Donald R. Seawell, celebrated his 100th birthday on August 1 of this year. All of us at The Denver Center congratulate him on reaching this milestone and wish him continued good health and the opportunity to see the organization he so thoughtfully founded in 1979 grow and prosper into the next 100 years. All of our days are dedicated to seeing that it does. We can think of no better, more important or more richly deserved gift.

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THE Book of mormon

The creators of this unconventional musical are launching its national tour in Denver and talk about their adventures on the way to success. by Richard Zoglin

APPLAUSE

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Editor: Sylvie Drake Associate Editor: Suzanne Blandón Designers: Kim Conner, Brenda Elliott, Kyle Malone Applause is published eight times a year by The Denver Center for the Performing Arts in conjunction with The Publishing House. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content. Applause magazine is funded in part by

For advertising information call The Publishing House 303.428.9529. 7380 Lowell Blvd., Westminster, CO 80030 Angie Flachman, Publisher

The Denver Center for the Performing Arts 1101 13th St., Denver, CO 80204

303.893.4000 www.denvercenter.org

The Denver Center for the Performing Arts is a not-for-profit organization serving the public through the performing arts. Board of TRUSTEES Daniel L. Ritchie, Chairman and CEO Donald R. Seawell, Chairman Emeritus Randy Weeks, President and Executive Director, Denver Center Attractions William Dean Singleton, Secretary/Treasurer W. Leo Kiely III, First Vice Chair Robert Slosky, Second Vice Chair Christian Anschutz Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond Margot Gilbert Frank Thomas W. Honig Mary Pat Link Edward A. Mueller Robert C. Newman M. Ann Padilla Richard M. Sapkin Martin Semple James Steinberg Peter Swinburn Ken Tuchman Lester L. Ward Dr. Reginald L. Washington Judi Wolf _______________________ Carolyn Foster, Executive Assistant to Daniel L. Ritchie Kim Schouten, Executive Assistant to Daniel L. Ritchie EX-OFFICIO MEMBERS Dorothy V. Denny Mayor Michael Hancock Governor John Hickenlooper Elaine Mariner Kent Thompson

HonoRary Members Jeannie Fuller Glenn R. Jones Cleo Parker Robinson Management Committee Randy Weeks, President and Executive Director, Denver Center Attractions Dorothy V. Denny, Executive Vice President Vicky Miles, CFO Kent Thompson, Artistic Director, Denver Center Theatre Company Jennifer Nealson, CMO Suzanne Blandón, Director, Communications Clay Courter, Director, Facilities Management Emily Davidson, Director, Human Resources Sylvie Drake, Director, Publications John Ekeberg, Director, Programming and Operations, Denver Center Attractions Tam Dalrymple Frye, Director of Education, Denver Center Theatre Academy Jeff Hovorka, Director, Media and Marketing Ed Lapine, Producing Director, Denver Center Theatre Company Bruce Montgomery, Director, Information Systems Jennifer Siemers, Director, Accounting

Charles Varin, Managing Director, Denver Center Theatre Company Dawn Williams, Director, Venue Sales and Operations AMERICAN NATIONAL THEATRE & ACADEMY BOARD Kent Thompson, Chairman and CEO Judi Wolf, President and COO Donald R. Seawell, Chairman Emeritus HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES Lester L. Ward, President Martin Semple, Vice President Judi Wolf, Sec’y/Treasurer Donald R. Seawell, President Emeritus W. Leo Kiely III Daniel L. Ritchie William Dean Singleton Robert Slosky James Steinberg Dr. Reginald L. Washington _______________________ Brockman Seawell, President Emeritus & Honorary Trustee

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COMING ATTRACTIONS

I Love You, You’re Perfect, Now Change Now – Oct 14 Garner Galleria Theatre On Sale Now The Book of Mormon Now – Sep 2 Ellie Caulkins Opera House SOLD OUT La Cage aux Folles Sep 4 – 16 Buell Theatre On Sale Now Fences Sep 14 – Oct 14 Space Theatre On Sale Now Frankie Valli and The Four Seasons Sep 19 Buell Theatre On Sale Now The Three Musketeers Sep 21 – Oct 21 Stage Theatre On Sale Now STOMP Sep 25 – 30 Buell Theatre On Sale Now Lois Lowry’s The Giver Sep 28 – Nov 18 Ricketson Theatre On Sale Now

Memphis Oct 9 – 21 Buell Theatre On Sale Now When We Are Married Nov 16 – Dec 16 Stage Theatre On Sale Now Irving Berlin’s White Christmas Nov 23 – Dec 24 Buell Theatre On Sale Now War Horse Jan 8 – 20 Buell Theatre On Sale Nov 11 World Premiere Ed, Downloaded Jan 11 – Feb 17 Ricketson Theatre On Sale Now

The Doyle & Debbie Show Spring 2013 Garner Galleria Theatre On Sale Dec 2 Chicago March 19 – 24 Buell Theatre On Sale Dec 2 A Weekend with Pablo Picasso March 22 – April 28 Ricketson Theatre On Sale Now Spamalot March 28 – 30 Buell Theatre On Sale Dec 2 Other Desert Cities March 29 – April 28 Space Theatre On Sale Now

World Premiere Grace, or The Art of Climbing Jan 18 – Feb 17 Space Theatre On Sale Now

World Premiere Sense & Sensibility The Musical April 5 – May 26 Stage Theatre On Sale Now

Romeo & Juliet Jan 25 – Feb 24 Stage Theatre On Sale Now

Blue Man Group April 12 – 21 Buell Theatre On Sale Dec 2

Jekyll & Hyde Jan 29 – Feb 10 Buell Theatre On Sale Nov 25

Mary Poppins May 1 – 5 Buell Theatre On Sale Dec 2

Catch Me If You Can Feb 26 – March 10 Buell Theatre On Sale Dec 2

Les Misérables May 22 – 26 Buell Theatre On Sale Dec 2

Traces June 25 – July 14 Stage Theatre On Sale TBA

IN MEMORIAM

he stars dimmed slightly on the evening of July 19, 2012. Robert S. Garner, longtime Denver Center trustee and theatrical impresario, passed quietly at his home in Denver. Bob’s influence on Denver’s theatrical community goes back to 1961 when he presented Fiorello at the then Auditorium Theatre. The show was a hit and Bob never looked back. In the mid-1970s he joined forces with the Founding Chairman of The Denver Center, Donald R. Seawell, and created Denver Center Attractions, the Center’s Broadway touring division. His influence in Broadway touring circles was vast. If you wanted to know what was happening on Broadway or the road, you asked Bob. Many did. Bet he’s still keeping an eye on things. Cheers, Bob!

Peter and the Starcatcher Aug 16 – Sep 1, 2013 Ellie Caulkins Opera House On Sale Dec 2 Priscilla Queen of the Desert Sep 3 – 15, 2013 Buell Theatre On Sale Dec 2 Sister Act Sep 24 – Oct 6, 2013 Buell Theatre On Sale Dec 2 Evita Jan 2014 Buell Theatre On Sale Dec 2

4-color:

— Randy Weeks Executive Director, Denver Center Attractions

Million Dollar Quartet Feb 25 – March 9, 2014 Buell Theatre On Sale Dec 2 once April/May 2014 Buell Theatre On Sale Dec 2

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dramatic EVENT

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POSSIBILITIES DENVERCENTEREVENTS.ORG 303.572.4466

303.893.4100

TTY: 303.893.9582 • denvercenter.org

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Audio-description, ASL interpretation and Open Captioning available at select performances; check dates/times when ordering.

Performances at The Denver Center are made possible in part through the generous support of: Denver Center Theatre Company 2012/13 Season Sponsors

Denver Center Theatre Company & Denver Center Attractions Media Sponsors

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The Book of mormon

BIGGER, LIVE

& UNCUT

Trey Parker and Matt Stone, the perpetrators of the hit cartoon series South Park, have taken potshots at everything from Scientology to Barbra Streisand, packed more fart jokes and four-letter words into small spaces than any other filmmakers over the age of ten and risked death threats for an episode in which they poked fun at the Prophet Mohammad. But only when they got to Broadway did they find something they hadn’t experienced since their days as renegade student filmmakers at the University of Colorado: no adult supervision. “On Comedy Central we have standards and practices,” said Stone, sitting with Parker at the back table of a restaurant next door to the Eugene O’Neill Theatre, where The Book of Mormon, was in previews. “They have to answer to advertisers, and we have to answer to them. And then for the film stuff, we have the MPAA [ratings] to deal with. But here, it’s basically me and Trey and our friends in the theatre next door putting on a show. Other than New York indecency laws or something, that’s it.” The indecency police, if there were any left in New York City, might blanch at some of the cruder moments in The Book of Mormon: the flippant talk by Ugandan villagers about AIDS and baby rape or the fellow who keeps complaining about “maggots in my scrotum” or the upbeat “Hakuna Matata”-style ditty that translates as “F--- You, God.” But it’s all packaged in such a buoyant, old-fashioned Broadway song-and-dance show that, once past the four-letter words,

APPLAUSE

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By Richard Zoglin

you just might mistake this for a revival of Oklahoma! It seems like an epic mismatch: Parker and Stone, the bad boys behind TV’s most notoriously potty-mouthed cartoon show, bringing their irreverent act to the family-friendly environs of Wicked and Jersey Boys. But it shouldn’t be all that surprising. For one thing, Broadway has been fervently trying to attract younger, hipper audiences, with shows like Avenue Q, the profane puppet musical that swept the Tony Awards in 2004—and whose co-creator Robert Lopez is Parker and Stone’s collaborator on The Book of Mormon. Broadway now opens its doors to rap musicals and raunchy stand-up concerts and drug-fueled punk-rock extravaganzas like 2010’s American Idiot. But the other reason not to be surprised is that Parker and Stone, for all their renegade street cred, are closet lovers of the classic Broadway musical. Parker, 41, grew up in a small Colorado town watching Rodgers and Hammerstein revivals by the local community theatre, the Evergreen Players. He went on to star in high school musicals, majored in music at the University of Colorado and transferred his musical-theatre passion to his college friend Stone (a math major, two years younger), initiating him by taking him to see Miss Saigon in London. hile still in college, they made a film together called Cannibal: The Musical, based on the true story of a prospector in the 1870s who survived his snowbound expedition by

eating his comrades. Not long afterward, the pair was discovered by Hollywood. Signed to a script deal by producer Scott Rudin (who’s now one of two lead producers of their Broadway show, along with Anne Garefino), Parker came up with another musical idea: Des Moines, about an insurance man in a small Iowa town who sings and dances in a Rodgers and Hammerstein idyll—until he’s transferred to the big, bad city of Des Moines and the music comes to a screeching halt. Rudin didn’t like it. n 1997, however, the two hit it big with South Park, the Comedy Central cartoon show about a quartet of profanity-spewing third-graders, which has provided a vehicle to satirize everything from self-important Hollywood stars to Facebook mania. It also spawned a 1999 feature film, South Park: Bigger, Longer and Uncut, a cheerily old-fashioned (if foulmouthed) musical that nabbed an Oscar nomination for Best Song—and a fan letter for its score (co-written by Marc Shaiman) from Stephen Sondheim. Parker and Stone have long been fascinated with Mormonism, which they first took on in their 1998 movie Orgazmo, about a Mormon missionary who becomes a porn star, and later in a 2003 South Park episode in which a Mormon family moves into the neighborhood and disarms everyone with its sheer niceness. Then, while making their 2004 puppet movie Team America: World Police, Parker and Stone went to see the musical Avenue Q and met the show’s co-creator Lopez—who not only was a big South

The Book of mormon

“…we wanted to do a traditional Broadway musical, not some new take —Oh, we’re going to do a musical for people who don’t like musicals, none of that. We wanted to do the biggest version of a Broadway musical, with this kind of crazy, unconventional material.” — Matt Stone, The Book of Mormon book, music & lyrics (L-r) Casey Nicholaw, Matt Stone, Trey Parker, Robert Lopez . Photo: joan marcus.

Park fan (he credited the show in his Playbill bio) but also had been toying with his own idea of a musical about Mormon Church founder Joseph Smith. The three got together and began developing the musical in spurts, in between the six or seven months a year that Parker and Stone were absorbed in South Park. As a creative team, Parker and Stone (dressed in complementary black and white T-shirts, respectively) seem perfectly in sync—though Stone is the more intense and voluble, Parker the more laid-back and contemplative. (He writes most of the music, and he co-directed The Book of Mormon with Broadway vet Casey Nicholaw.) “Matt is fierce. He just goes for it,” says Garefino, their longtime South Park producer. “Trey goes for it too but does it in a sweeter way.” But neither comes off as a Broadway insurrectionist. “The highest thing we were going for, and this sounds kind of corny, but we wanted to do a traditional Broadway musical,” says Stone. “Not some new take—Oh, we’re going to do a musical for people who don’t like musicals, none of that. We wanted to do the biggest version of a Broadway musical, with this kind of crazy, unconventional material. And that seemed like the hardest challenge and the craziest and the most subversive thing to do.” n truth, The Book of Mormon is less incendiary than an average episode of South Park. It focuses on a team of fresh-faced Mormon missionaries who are sent to Uganda to try to convert a band of villagers beset by poverty and

pestilence. Though the show makes mild fun of the wackier elements of the Mormon creation story—Smith’s discovery of holy golden tablets in upstate New York—it steers clear of more hot-button issues associated with the religion, like polygamy. (A joke on the topic was once in the show, says Lopez, but it was cut after “it didn’t get a laugh.”) wo weeks before the show’s opening, Parker and Stone were still tinkering—moving scenes around and adding song lyrics. They’ve had to adjust their seat-of-the-pants working method from South Park—where most episodes are conceived, written, animated and edited in the space of a week—to the demands of dealing with real live actors. “In South Park we can say, ‘Let’s try this.’ We’ll go in and look at it, and then we can change it in half an hour. It’s not a big deal,” says Parker. “But I’ve had to learn that, oh, you can’t give the actor a new line too many times. He’s going to start getting confused. So you have to make sure you’ve thought about it.” The Los Angeles-based pair has had fewer problems adapting to living in New York City. Stone and his wife bought an apartment in Chelsea, and even Parker, who is more comfortable in open spaces, was thinking of keeping the midtown apartment he and his girlfriend rented for the duration. But after The Book of Mormon’s March 24, 2011 Broadway opening, they were heading back to L.A. to face the usual scramble as they prepared to churn out the final episodes for South Park’s 15th season.

“Every season, we run out of ideas about two shows in,” says Parker. “I hope some funny things happen.” On the other hand, their new Broadway excursion just might have opened up new territory. They attended the third preview of SpiderMan: Turn Off the Dark, the high-flying, trouble-plagued musical that was having to postpone its opening for the sixth time. Said Parker, charitably: “Our third preview didn’t go so great either.” Remember, he’s the sweet one. n ©2011. Time Inc. All rights reserved. Reprinted from Time Magazine and published with permission of Time Inc. Reproduction in any manner in any language in whole or in part without written permission is prohibited.

Aug 14 – Sep 2 Ellie Caulkins Opera House Signed, Audio Described & Open Captioned • Sept 2, 1pm

SOLD OUT

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ART PARTNERS

Vectra Bank Building Bridges, Listening To People “The arts are fundamental to our economy. They employ people, create local spending and stimulate tourism. We are delighted to continue our support to The Denver Center for the Performing Arts.” — Bruce Alexander, Vectra Bank President and CEO

n this changing economy, business owners and families need a financial partner who has the expertise and resources to help them thrive, as well as the flexibility and personal attention to really understand their unique needs and goals. The dedicated professionals at Vectra Bank Colorado make the commitment to proactively anticipate the needs of their customers. They listen and understand the individual and create customized solutions to help their clients achieve their financial dreams—whether they are a family wanting to buy a home or a business owner looking to expand his or her reach. Vectra Bank is a valued member of communities throughout the state and is dedicated to developing and strengthening its ties to each community it serves. As such, Vectra Bank is proud to return as a presenting sponsor of the Denver Center Attractions 2012-2013 Broadway season. “The arts are essential to our communities. They move and inspire us, build bridges between cultures, and bring us together regardless of our backgrounds,” explains Vectra Bank President and CEO Bruce Alexander. “The arts are fundamental to our economy. They employ people, create local spending and stimulate tourism. We are delighted to continue our support to The Denver Center for the Performing Arts.” Since the bank was established in 1988, helping to create and sustain a great community is at the heart of Vectra Bank’s unflagging community support. Not only does it provide effective tools to bolster the growth of area businesses, but its employees also commit thousands of hours to community organizations across the state. Local branches feature lobby displays of area artists, while employees devote time to mentor with Junior Achievement to educate youth about business, economics and the global economy. Through partnerships with organizations such as the Colorado Housing and Finance Authority, and Accion, Vectra has created opportunities for home ownership and small-business development for thousands of low-income individuals and small businesses. As part of Zions Bancorporation, Vectra has the reach and resources of many larger competitors. But its approach to business is decidedly different. Whether the customer is the manager of a growing Colorado company or an individual consumer, both will find the right balance at Vectra Bank with an innovative banking organization eager to surpass their expectations. n For information on Vectra Bank Colorado, visit www.vectrabank.com.

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A proud sponsor of the Denver Center Attractions season

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Irving Berlinâ&#x20AC;&#x2122;s White Christmas Based upon the Paramount Pictures Film Written for the screen by Norman Krasna, Norman Panama and Melvin Frank Music and Lyrics by Irving Berlin Book by David Ives and Paul Blake

Specialty drinks Photos with Santa

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Mizel Museum

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the Plays

Fences

Sept 14 – Oct 14

The Three Musketeers Sept 21 – Oct 21

When We Are Married Nov 16 – Dec 16

WORLD PREMIERE

Ed, Downloaded Jan 11 – Feb 17

WORLD PREMIERE

Grace, or The Art of Climbing Jan 18 – Feb 17

Romeo & Juliet Jan 25 – Feb 24

A Weekend with Pablo Picasso March 22 – April 28

K E N T T H O M P S O N, A RT I S T I C D I R E C T O R

2012/13 Season Subscribe Today! Choose from our 9-, 4- and 3-play packages or a Power Pass for the ultimate in flexibility and convenience. Prices start at $135.

Other Desert Cities March 29 – April 28 WORLD PREMIERE

Sense & Sensibility The Musical Based on the novel by

Jane Austen

April 5 – May 26

ADDED ATTRACTIONS

Not part of the season subscription packages Lois Lowry’s

The Giver Sept 28 – Nov 18 Irving Berlin’s

White Christmas Nov 23 – Dec 24

Online: denvercenter.org/subs • Call: 303.893.6030 or 303.893.4100 • TTY: 303.893.9582 2012/13 season sponsors

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The Kafka Project, created by CSU Theatre Director Walt Jones and the COMPANY.

Innovation Inspires Performance With cutting-edge approaches to art education and the regionâ&#x20AC;&#x2122;s newest premiere arts teaching and performance facility, CSUâ&#x20AC;&#x2122;s Department of Music, Theatre and Dance is helping prepare a new generation for greatness.

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ART PARTNERS

United Airlines 75 YEARS OF SERVICE TO DENVER AND COUNTING

A We work to build relationships with partners like The Denver Center for the Performing Arts and contribute our resources to the programs and institutions that are vital to the livelihood of the community. — Sonya Y. Jackson, President, United Airlines Foundation

s the world’s leading airline we do more than connect passengers through safe, convenient air travel; we forge strong relationships with the people and communities we serve. United is pleased to serve as the official airline for The Denver Center for the Performing Arts (DCPA) and proudly supports its remarkable contributions to the performing arts community in Denver and beyond. Together, with the DCPA, United celebrates the energy that artists, performers and dancers bring to Denver and the global stage. “At United, serving a city goes beyond departures and arrivals,” says Sonya Y. Jackson, President, United Airlines Foundation. “We work to build relationships with partners like The Denver Center for the Performing Arts and contribute our resources to the programs and institutions that are vital to the livelihood of the community.” In addition to the DCPA, United is honored to support several Colorado organizations including the Children’s Museum of Denver, Clyfford Still Museum, Colorado Symphony Orchestra, Latin American Educational Foundation and Starlight Children’s Foundation of Colorado. United co-workers also have donated more than 5,000 hours of service to various local partner initiatives. In the past year, co-workers worked with Habitat for Humanity of Metro Denver, Food Bank of the Rockies and have brought smiles to hundreds of local children undergoing medical treatment through the annual holiday “Fantasy Flights” trip to the North Pole and teddy bear deliveries to Rocky Mountain Hospital for Children and Children’s Hospital Colorado. This May, United celebrated a memorable milestone—75 years of service to Denver. We take our role as a community partner and corporate citizen to heart and our long-standing commitment to Denver demonstrates that intent. United is proud to support the DCPA and the Denver community that thousands of co-workers and customers call home. n

A proud sponsor of the Denver Center Attractions season 20

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World Premiere musical

The most highly anticipated theatrical event of the season!

Based on the novel by

(L-R) Brenda Withers and Steven Cole Hughes. Photo by Terry Shapiro.

Jane Austen

Secure your seats ~

Subscribe! Sense & Sensibility The Musical Book and lyrics by Jeffrey Haddow | Music by Neal Hampton Based on the novel by Jane Austen Directed by Marcia Milgrom Dodge April 5 – May 26 | Stage Theatre The impoverished Dashwood sisters, sensible Elinor and wildly romantic Marianne, are brought to tempestuous life in this grand musical adaptation of Jane Austen’s beloved novel. “Denver audiences will be the first in the world to see this lavish, new musical under the direction of Tony nominee Marcia Milgrom Dodge,” said Dan Ritchie, Chairman/CEO of The Denver Center for the Performing Arts. “The gorgeous sets and period costumes will take audiences back to Jane Austen’s English countryside while the new music will sweep audiences up into the romance of a bygone era. I suggest you subscribe to guarantee your seats.” Producing Partners: The Anschutz Foundation, Joy S. Burns, June Travis, Daniel L. Ritchie Sponsor: U.S. Bank, The Ritz-Carlton

AP P L A U S E

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2012 | 13 Season denvercenter.org/subs 303.893.6030 or 303.893.4100 TTY: 303.893.9582 2012/13 season sponsors

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the shows

14 2013 Denver Center Attractions

Season

Jan 8 – 20, 2013

(L-R) Brenda Withers and Steven Cole Hughes. Photo by Terry Shapiro.

Buell Theatre

April 5 – May 26, 2013 Stage Theatre

Jan 29 – Feb 10, 2013 Buell Theatre

Aug 16 – Sept 1, 2013 Ellie Caulkins Opera House

p re s e nt e d b y

with

Feb 26 – Mar 10, 2013

and

Spring 2013 Garner Galleria Theatre

Buell Theatre

Sept 3 – 15, 2013 Buell Theatre

Sept 24 – Oct 6, 2013 Buell Theatre

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GROUPS: 303.446.4829 TTY: 303.893.9582 26

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*Pay online in 3 installments. Four or eight installments only available by phone – call 303.893.4100.

Added attractions Photo by Cyrus McCrimmon

For as low as eight payments of $36 you can see all 11 shows this season.*

Jan 2014 Buell Theatre

the shows

Subscribe today!

Feb 25 – Mar 9, 2014

June 25 – July 14, 2013 Stage Theatre

Nov 23 – Dec 24, 2012 Buell Theatre

March 19 – 24, 2013 Buell Theatre

March 28 – 30, 2013 Buell Theatre

April 12 – 21, 2013 Buell Theatre

May 1 – 5, 2013 Buell Theatre

May 22 – 26, 2013 Buell Theatre

Buell Theatre

April/May 2014

Photos © Brinkhoff/Mögenburg 2011 London Cast

Buell Theatre

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K E N T T H O M P S O N, A RT I S T I C D I R E C T O R

The Three Musketeers

THE THREE MUSKETEERS Thursday, October 18 | Stage Theatre

Adapted for the stage by Linda Alper, Douglas Langworthy & Penny Metropulos By Alexandre Dumas Loaded with dazzling swordplay, intrigue and comedy, this production considers the cost of one hero’s journey.

Pre-Party Event Hosts: Lois Paul & Craig Crescas “Meet the Cast” Party immediately following at

When We Are Married

Thursday, December 6 | Stage Theatre

WHEN WE ARE Pre-Party Event Hosts:

By J.B. Priestly On their 25th anniversary, three couples discover that their marriages aren’t legit. They try — in ways both serious and silly — to deal with their newly unmarried status.

Paul Jeselnick & Andy Strickland “Meet the Cast” Party immediately following at a surprise Larimer Square location.

World Premiere

Thursday, January 24 | The Ricketson Theatre

Married

Ed, Downloaded

Pre-Party Hosts: Lisza Gulyas & Will LaBahn ED, downloaded “Meet the Cast” Party immediately following at

By Michael Mitnick In this multimedia play, Ed is dying. He can “download” 10 memories to last in perpetuity, but when his wife discovers what they are, she intervenes.

Other Desert Cities OTHER

DESERT CITIES

Photos by Seth Holt and Vicki Kerr

By Jon Robin Baitz In this electric drama, a young writer returns home with an explosive manuscript that forces her family to grapple with an issue no one wants to face.

Thursday, April 18 | Space Theatre Pre-Party Event Hosts: Dianne & Paul DeLongchamps “Meet the Cast” Party immediately following at

Marquee Club is sponsored by

Membership: $500 per person ($188 is tax deductible)

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Contacts: David Zupancic at 303.446.4811 or davidz@dcpa.org Mary Mosher at 303.572.4594 or mmosher@dcpa.org denvercenter.org/marquee

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Art Partner

Molson Coors Invested in the Denver Community

M Our arts institutions reflect the strength of our communities and Molson Coors is proud to help ensure they are available for one and all to enjoy.

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olson Coors is proud to play its part in bringing us all together for this performance. For more than 350 years, Molson Coors Brewing Company has delighted the world’s beer drinkers while investing in local communities. Molson Coors’ Rocky Mountain heritage began in 1873 just up Clear Creek in Golden, Colorado. Today, we rank as a top-five global brewer, with business units in the US, Canada, the UK, Central Europe and Asia. From our founding families and executive leaders, to our brewers and sales teams, Molson Coors people share a deep passion for our brands and for the communities where we live and work. From the beginning, brewing and building brands the right way has gone well beyond the high quality of our products. At Molson Coors, we’re committed to environmental sustainability, alcohol responsibility and treating each other with dignity and respect. Not only do we hold ourselves up to aggressive targets for growth and profitability, but also for our environmental and social performance. Our people consistently rate us above high performing company norms, and we are recognized as a great place to work. In 2011, Molson Coors achieved listing on the prestigious Dow Jones Sustainability Index (DJSI), based on an independent evaluation of our business practices and results. While our heritage companies in the US, Canada, UK and Central Europe have now grown into one enterprise with an expanding global reach, our roots and character remain local. Molson Coors is made up of dozens of local breweries and offices where employees and iconic brands are woven into the fabric of the community. That is why in our headquarters city of Denver, we support leadership development in our educational and business institutions, assist those in need through United Way and its agencies, as well as work with water users to preserve and protect our Clear Creek Watershed. And that’s why we support The Denver Center for the Performing Arts, this world class venue that connects us through the magic of music and theatre. As we come together today to share in the thrill of today’s performance, let’s celebrate the strength of this Denver community and our diverse and vibrant culture. Cheers! n

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Premium subscription

The

Best of

2013/14 Season

Broadway Society (L-R) Brenda Withers and Steven Coles Hughes. Photo by Terry Shapiro.