Applause -- Choir Boy, April 22-May 29, 2022 by The Publishing House

APPLAUSE VOLUME XXXII NUMBER 4 MAR – MAY 2022

Illustration by Kyle Malone

CHOIR BOY

Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%)

HUGE SELECTION OF BRANDS LIKE CENTURY, BERNHARDT, NATUZZI AND SO MUCH MORE! Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%)

White + Black (C-40%, M-50%, Y-50%, K-100%) COMPLIMENTARY

DESIGN SERVICE

Make an appointment with one of our talented and qualified designers. 303.296.9514 info@theshowroom.com

MOUNTAIN CONCIERGE Mountain Project? We can Help! Interior design services from inception to realization. 303.566.8635 mountain.concierge@theshowroom.com

DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%)

APPLAUSE

SIGHTLINE

BY JANICE SINDEN

Janice Sinden, President & CEO

Choir Boy ....................................... pg 6 Tootsie .......................................... pg 10 Jersey Boys ..................................pg 19 4

EDITOR: Suzanne Yoe DESIGN DIRECTOR: Kyle Malone DESIGNER THIS ISSUE: Brenda Elliott CONTRIBUTING DESIGNERS: Paul Koob, Lucas Kreitler CONTRIBUTING WRITERS: Linnea Covington, Sylvie Drake, David Freeland, Brittany Gutierrez, Emma Hunt, Joanne Ostrow

Welcome to the theatre! Last month we joined Arts in Action by celebrating the importance of Arts Education, which contributes to better grades, fewer dropouts and higher graduation rates. We are proud to engage nearly 150,000 students each year when our programming is in full swing. The DCPA partners with school districts statewide to support the full arc of a student’s academic experience. We start with Book Stars, a literacy program for pre-K through kindergarten. Equipped with props and loads of creativity, Teaching Artists invite kids to actively participate in the story. The program is so popular that we have 15 teachers in up to four schools a day. The mainstay of our Education programs is Dramatic Learning. This program works with educators to develop a customized workshop that bolsters curriculum. It is dynamic, versatile and suitable for nearly any subject and grade. We also offer Theatre for Young Audiences, which focuses on performances tailored for pre-K through 3rd grade audiences, welcoming children to their first theatre experience and sparking their wonder. As students move into middle and high school, we offer Student Matinees to both Broadway shows and Theatre Company productions, and when we host the Colorado New Play Summit, we offer workshops and a must-see playwrighting competition. When the weather is warm enough, we welcome students and our broader community to join us for abridged versions of iconic plays through Shakespeare in the Parking Lot. So many choices! The pinnacle event of the year is the Bobby G High School Musical Theatre Awards, which includes master classes, professional evaluation of school productions, and a full-ﬂedged awards ceremony, much like the Tony Awards in New York. In partnership with Denver Public Schools and its Foundation, we present the DPS Shakespeare Festival, in which students rehearse scenes, sonnets and swordplay (with pool noodles). The festival is a highlight every spring when 5,000 children fill the Arts Complex. Educational opportunities continue for lovers of lifelong learning. Whether it’s an acting class, article, post-show discussion, study guide or video, the DCPA — led by its dedicated, artistic and passionate Education team — seeks to foster learning, spark creativity and enrich your theatre experience. To learn more, visit denvercenter.org/education. Join us!

IN THIS ISSUE

VO LU M E X X X I I • N U M B E R 4 • M A R - M AY 2 0 2 2

FOR A COMPLETE LIST OF UPCOMING SHOWS:

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Applause is published five times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Call 303.893.4000 regarding editorial content.

Applause magazine is funded in part by

Angie Flachman, Publisher For advertising 303.428.9529 or sales@pub-house.com coloradoartspubs.com PRIMARY LOGO + VARIATIONS

Primary Logo

Denver Center for the Performing Arts is a non-profit organization that engages and inspires through the transformative power of live theatre. One Color Reversed Logo

One Color Logo

BOARD OF TRUSTEES Martin Semple, Chairman Hassan Salem, Chair-elect Robert Slosky, Vice Chairman William Dean Singleton, Secretary/Treasurer Dr. Patricia Baca Brisa Carleton Fred Churbuck Isabelle Clark Navin Dimond David Farahi Kevin Kilstrom Ruth Krebs Robert C. Newman Susan Fox Pinkowitz Manny Rodriguez Alan Salazar Richard M. Sapkin June Travis Ken Tuchman Tina Walls Dr. Reginald L. Washington Judi Wolf Sylvia Young

Ruth Krebs David Miller Robert C. Newman Hassan Salem Robert Slosky June Travis Judi Wolf

Gradient Reversed Logo - Web Use Only

Logo w/ Division

Minimum Size Requirements

Minumum Width 2”

HONORARY TRUSTEES Margot Gilbert Frank Jeannie Fuller Daniel L. Ritchie Cleo Parker Robinson HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES William Dean Singleton, President Martin Semple, Vice President Dr. Reginald Washington, Secretary/Treasurer

EXECUTIVE MANAGEMENT Janice Sinden, President & CEO Jamie Clements, Vice President, Development Chris Coleman, Artistic Director, Theatre Company John Ekeberg, Executive Director, Broadway & Cabaret Lydia Garcia, Executive Director, Equity & Organization Culture Gretchen Hollrah, Chief Operating Officer Lisa Mallory, Vice President, Marketing & Sales Vera Morales, Vice President, Human Resources Lisa Roebuck, Vice President, Information Technology Charles Varin, Managing Director, Theatre Company Allison Watrous, Executive Director, Education & Community Engagement Jane Williams, Chief Financial Officer Minumum Width .75” Maximum Width 2”

Trusted Planning for Life

TCIWEALTH.COM

RETURNING TO THE

SPOTLIGHT We congratulate the Denver Center for the Performing Arts for their resilience and salute the actors, directors, creative teams, leadership, and staff as they return to the spotlight. Chris Balch, Chair 303.295.8000 cbalch@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202 hollandhart.com

Proud Supporter of the Arts

TO STIR

HEARTS & MINDS

Illustration by Kyle Malone

B Y S Y LV I E D R A K E

You may find that it takes a few minutes to adjust to the language, form and plot of Choir Boy, the Tarell Alvin McCraney play you’re about to watch. You scoop story developments by the earful, rather than following them as a straight line, so listen up, because the transitions are subtle and stitched together by, of all things, some impressive choral singing. That singing takes care of any plot synapses and, by paying attention, you will have it all pieced together by play’s end. In short, you have to do a little work to fully absorb the range and delicacy of this enterprising play. But if its form is novel as well as alluring, the basic tale is not impenetrable. It tracks events at Drew, a prestigious prep school for African American boys famous for its choir. Pharus Jonathan Young is the supersmart and sassy current leader of that choir and happens also to be Drew’s only overtly effeminate student. He doesn’t mind ﬂaunting it as an edgy form of self-defense, as he maneuvers the twists and turns of school protocol, with its firmly supervised old-school, all-male environment. McCraney is one of those bright, young and challenging playwrights who surprises audiences with almost every new piece he delivers. He kick-started his playwriting career while still a student at Yale, with a trilogy (or triptych, as he prefers to call it) titled The Brother/Sister Plays. It explores the African Yoruba culture and religion while set in Louisiana housing projects, presumably similar to the ones in which McCraney grew up. This shot out of the gate brought him attention that has never let up. In spite of being, by his own admission, quite shy and extremely private, he’s an unavoidable beacon for up-and-coming young playwrights. In a single year, he received two highly prestigious and remunerative prizes: a MacArthur “Genius” grant and the Windham-Campbell Prize, part of an enviable growing list of achievements and awards. He’s also worked with some major national and international companies, and the theatrical heavy-hitters who run them and recognize his work and its value. Popular recognition caught up with McCraney in 2016 when he co-wrote the film script for the Oscar-winning Moonlight with the film’s director Barry Jenkins. Based on one of McCraney’s plays (In Moonlight Black Boys Look Blue), it won them a joint Academy Award for Best Adapted Screenplay, and for McCraney, the kind of broader acknowledgement that a well-regarded film can bring. Choir Boy was originally commissioned by New York’s Manhattan Theatre Club and had its initial staging in 2012 as a co-production with English Stage Company at London’s Royal Court Theatre. Because it is such an idiosyncratically ensemble piece, in which every actor/ singer has his moment, as well as joint ones in the choral pieces, the search for the right performers narrows down to a coterie of singer/actors with the ability to do both things well. We get to know the boys at Drew through the usual in-house sparring and rough-housing and we learn to distinguish the traits that bind or separate them. Racial and identity issues are subliminally always present, emerging now and then in Mr. Pendleton’s class. Pendleton is a white teacher enticed out of retirement and enlisted to share his knowledge and experience with the boys in an unusual “life” class. Specifically: how to

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

navigate the complexities of the adult world these boys are soon to enter. He approaches the task with directness and tentative care, mindful of the fact that he’s both a lot older than they are — and in the minority here. He needs to earn these boys’ respect by delivering the right healthy stimuli to their evolving minds. What he may not have expected is what he gets to learn from them in return. The morality tale embedded in this plot, has scenes of considerable muscular frankness, touching on African American history, identity politics, sexuality and spirituality. Because leading this choir is a coveted hallmark of Drew’s reputation as an elite school, friction simmers then erupts between choir leader Pharus and the bully-prone Bobby, the headmaster’s nephew who feels that his family connection should buy him privilege when it comes to who gets to lead the choir. This rivalry in this play is its most memorable wrinkle: the seamless beauty of the connective singing, choral and solo, that links one scene to the next. It also is the feature that provides continuity, sharpens differences, expounds emotion, brings the boys together — and moves the story along.

Given that the world we’re in is post-George Floyd and post-Ahmaud Arbery, a world that has seen black masculinity so openly attacked, what I love is that the play creates a space that doesn’t feel voyeuristic. — JAMIL JUDE, DIRECTOR

Jamil Jude, the Artistic Director at the Kenny Leon Theatre in Atlanta, GA, and the director of this Choir Boy in Denver, had staged the play at the Guthrie Theatre in Minneapolis in 2014. He therefore had an earlier experience locating performers able to handle these roles. “It’s challenging,” he said, when we had a chance to talk, “because the show requires a lot of acting chops, so it needs strong actors who also can sing.” Casting for this Denver production had not been completed at the time we had this conversation. Was he looking for actor-singers who might have been in some previous productions of the play? “Kind of,” he said. “We’re casting out of Denver and since the play has been around for a while, and the roles are so rich, young black artists are aware of it and, to some degree, search out the opportunity to be cast. “Given that the world we’re in is post-George Floyd and post-Ahmaud Arbery, a world that has seen black masculinity so openly attacked, what I love is that the play creates a space that doesn’t feel voyeuristic.” Then as an afterthought, “I’ve been in that crucible, so I’m very much invested. My generation was not kind. “This play shows us another way to be.” SYLVIE DRAKE is a former theatre critic and columnist for the Los Angeles Times. She is a member of the American Theatre Critics Association, a contributor to culturaldaily.com and occasional contributor to American Theatre magazine and the Los Angeles Times. She also served as the DCPA’s Director of Media Relations & Publications.

CHOIR BOY

APR 22 – MAY 29, 2022 • KILSTROM THEATRE ASL Interpreted and Audio Described performance: May 15 at 1:30pm

• All people are equal • Moments are shared • Differences are valued • Discussion is encouraged We respect that everyone experiences our stories differently.

COMING SOON!

QUIXOTE NUEVO MAY 13 – JUN 12 | WOLF THEATRE In the ﬁctional modern-day Texas border town of La Plancha, Quixote and Sancho embark on a fantastical quest in search of long-lost love. Infused with imagination, comedy, and Tejano music, Quixote Nuevo reveals the joys and perils of facing down Death and becoming the hero of your own story. Quixote Nuevo

GET TICKETS

SEASON SPONSOR

ADDITIONAL SUPPORT

Illustration by Kyle Malone

Playwright: Octavio Solis (Lydia, 2007/08) Director: Lisa Portes (Native Gardens, 2017/18)

creating incredible outdoor spaces at home or at your business Creating unique outdoor spaces is our mission. Helping you realize your dreams …. Is our passion! Contact us today for your free consultation

303.750.6060 PhaseOneLandscapes.com email@phaseonelandscapes.com

The Broadway presentation of Tootsie marks the first time that the musical has stopped in Denver, but it certainly may not be the first time that movie fans have seen it. Tony Award®-winning Book Writer Robert Horn gives us his insight into the differences, similarities and the unexpected elements in this production that separate it from the beloved 1982 movie. APPLAUSE (APP): What are the biggest differences between the film and the Broadway musical, and would you like to explain why you made some of these choices? ROBERT HORN (RH): A shift that needed to happen was the point of view of the female characters in the story. It was important they reﬂect the impact and progress women have made in society and art since the days of the original film. There is both a strength and vulnerability to the women portrayed in the musical that I think, sadly, might not have resonated back in the early 80’s…but again, as we progress culturally, so must our art. When a future society looks back at a certain time in history, it will be able to define that moment in time by the art that was created. In our show, Julie does not grow by virtue of being around Michael; Michael changes and grows because of his experience of being with Julie – a woman who navigates her own obstacles with determination and confidence.

The cast of the National Tour of Tootsie. Photo by Evan Zimmerman for MurphyMade.

WITH TOOTSIE BOOK WRITER ROBERT HORN

APP: What is the intended impact of Michael Dorsey disguising himself to act in a Broadway show (rather than a soap opera), and how did it feel writing that from the perspective of a member of the theater industry? RH: Again, I like a story where the protagonist isn’t always a great character at first, but you relate to their journey, their desperation, their desires and wants, so you follow them to watch them grow and change. We are living in ever shifting times and there is a social responsibility on all of us to adapt to changes and learn to grow from what we might not have understood just a short time ago. Also, I relate to Michael’s reasons for being desperate, and the mistakes he makes on his journey to enlightenment…though I try not to emotionally injure people along the way as he does. Thankfully, his life is probably a much better drama than mine. And most of all, I loved the idea of writing a musical that celebrates musical theater, its quirks and ﬂaws and stunning comradery. The sacrifices we make just for the opportunity to do what we love most. The family we create along the way. Theater is a unique culture that brings people together in a way very few others do.

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

COMING UP FROM BROADWAY

APP: What would you say are the greatest highlights of the show?

MOULIN ROUGE! THE MUSICAL

RH: The real commerce of this show is its comedy. Its tone. And of course, the clown car of actors that brings it to life every night. The comedy comes at you with such love, then there are these hysterical songs by David Yazbek that at once have you laughing and moments later thinking. Add to that the way Denis Jones uses dance to forward the action with such humor and style, and David Solomon recreating Scott Ellis’ staging but adding his own comedic sensibility and timing that keeps the show moving like a bullet train, and it adds up to a glorious night of musical comedy.

Inspired by Baz Luhrmann’s revolutionary film Moulin Rouge, get ready to enter a world of splendor and love with Moulin Rouge! The Musical, coming to The Buell Theatre for the first national tour this summer. Get to know Moulin Rouge! The Musical before you see the show with three fun facts!

APP: Why do you think the story of Tootsie remains so beloved worldwide, decades after the film came out? RH: I think comedies have a longer shelf life than certain other genres of film. And I think the film was masterful and so even though it becomes problematic as we shift culturally, there’s no denying its craft. I also think somewhere in us all there is desperation, and also hope – hope that we can be better, that we can change, that we can walk in someone else’s shoes and be part of a community. This is a story of community – of a group of people who love each other and just want to do what they love most, even if the world might have other plans for them!

1. Choreographer Sonya Tayeh did not stick to one dance style when creating the choreography for the show. From the historical can-can to contemporary dance, the production will have various elements that are high energy and will grab audiences’ attention. 2. Baz Luhrmann approached Director Alex Timbers to direct the musical adaptation with the guidance to not duplicate the film, but reinvent with the spirit of the film at the base.

“When I watch audiences watch the show and hear that tsunami of communal laughter... writing the show was that exact same experience. Constant laughter, community, self-reflection, joy, friendships, and a love of this artform.”

3. Although some of the original music from the film is in the musical, the creative team looked at modern inspiration as well. Director Alex Timbers and Book Writer John Logan collaborated to create a character and lyric-driven approach to song selection. With an iconic love story at the core, the music had to fit the characters and their stories. Do not miss this spectacular production coming to Denver June 9 – 26.

RH: When I watch audiences watch the show and hear that tsunami of communal laughter that just builds and builds throughout the night and lifts the ceiling, I wish I could let audiences know that writing the show was that exact same experience. Constant laughter, community, self-reﬂection, joy, friendships, and a love of this artform. Also, supporting the arts SAFELY right now is a vital step in creating a new normal and getting back to our lives. And what better way to come out of the cave of isolation we’ve all been in, than with laughter!

TOOTSIE

MAR 29 – APR 10, 2022 BUELL THEATRE ASL Interpreted, Audio Described and Open Captioned performance: Apr 10 at 2pm

READ THE FULL ARTICLE

Moulin Rouge! The Musical Broadway. Photo by Matthew Murphy.

APP: Is there anything else you would like to add about creating the show, what makes it so wonderful, or why people should go see it?

BROADWAY’S BRIGHTEST

DIRECT FROM NYC THE BROADWAY SEASON IS HEATING UP! Buy tickets for your must-see shows today to lock in the best possible seats and performance dates.

APR 15 - 17, 2022

AUG 30 - SEP 11, 2022

OCT 25 - NOV 6, 2022

DEC 20, 2022 - JAN 1, 2023

SEASON SPONSORS ADDITIONAL SUPPORT

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

JAN 24 - FEB 5, 2023

GET TICKETS AT denvercenter.org

Denver’s Window Coverings Experts

Shutters, Shades, Blinds, & Drapery Competitive Prices Cleaning & Repairs Large Fabric Selection

Heritance® Hardwood Shutters

The Blind Spot

303-973-1235 TheBlindSpot.biz

10027 West Remington Avenue, Unit 200A, Littleton, CO 80127

Serving the Denver Front Range since 1994

Next to Big 5 Sporting Goods, near Kipling and C470

Serving all of your family needs, from Divorce and Child Custody to Estate Planning.

303.622.5502 Denver, Boulder, Englewood, Evergreen, Colorado Springs

www.harrisfamilylaw.com

SATURDAY, JUNE 25, 2022

BUELL THEATRE & SEAWELL BALLROOM

FEATURING

MOULIN ROUGE! THE MUSICAL WINNER OF 10 TONY AWARDS® INCLUDING BEST MUSICAL

Join us for an evening of spectacular entertainment at this year’s Saturday Night Alive gala, supporting the Denver Center’s theatre and education programs. A world of passion, glamour and extravagance awaits at what promises to be the biggest social event of the year! Cocktail Hour Three-Course Dinner Luxury Online/In-Person Auction Moulin Rouge! The Musical at the Buell Theatre New! COCKTAIL TICKETS On Sale April 19 • Limited Availability Our Cocktail Tickets ($350) are brand new for 2022 and include a 6:30pm arrival for heavy hors d’oeuvres, cocktails, and an orchestra seat at Moulin Rouge! The Musical, plus a charitable contribution.

Purchase tickets at DENVERCENTER.ORG/SNA Can’t make it this year? Participate in the luxury online auction, which will be open for public bidding. 14

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

A Symphony of Care Extraordinary, whole-person care orchestrated for each patient and family. Because time is precious, and every day counts.

720.482.1988 agape-healthcare.com

THE GIFT OF COLLABORATION

American Fast In American Fast, Khady Salama is a 21-year-old college basketball sensation, ready to compete in March Madness, which falls during Ramadan. Her religious mother expects her to fast — even on game days. As the tournament unfolds, Khady becomes a role model for young Muslim women everywhere, except she’s secretly breaking her fast. Pressures mount, her lie comes to light, and the story quickly unfolds, examining how the practice of faith and the practice of sport are intertwined. Playwright Fahmy said the story is somewhat autobiographical “in the sense that I was inspired by my experience. I’ve been intrigued by how that generational shift occurs between first-generation immigrants, like myself, and my parents’ generation, who grew up in Egypt, a Muslim-majority country.”

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Jamie Ann Romero – Cebollas. Photo by Michael Martin Photography.

Someday there will be costumes, props, scenery and lighting. But first, the messy process of shaping and fine tuning a play, hearing what works and what doesn’t, requires a series of bare-bones public readings like those at the recently completed Colorado New Play Summit. It’s an exciting and, for some, excruciating process. Denver has a reputation for nurturing new play development, and some of the plays incubated here have gone on to national acclaim. Because the highly competitive process draws both established and emerging playwrights, a number of respected directors, actors and dramaturges traveled from across the country to attend. Industry onlookers, serious theater geeks and the merely curious enjoyed readings of four scripts in development plus two fully produced Summit graduates — the world premieres of Rattlesnake Kate (music and lyrics by Neyla Pekarek, book by Karen Hartman) and Beaufield Berry’s In the Upper Room. This year’s Summit featured a diverse crop of playwrights and varied types of storytelling — from absurdist dark humor to heroic biography, from a rumination on religious identity to a meditative abstraction. The four 2022 Summit plays were:

Geoff rey Kent and Dana Green – Rubicon. Photo by Michael Martin Photography.

The cast of American Fast. Photo by Michael Martin Photography.

BY J OA N N E OST R OW

Cebollas Cebollas by Leonard Madrid (which he subtitled “The Onion Play” for the benefit of non-Spanish speakers) is an absurdist comedy that includes a dead body in every scene. When odd circumstances force three sisters to take an unexpected road trip from Albuquerque to Denver, they bicker, sing and share secrets while illuminating Latina culture. “Humor is a major part of my life,” New Mexican playwright Leonard Madrid said. “It’s intentionally about sisterhood,” he said, “about the lengths we will go to to protect the ones we love.” Rubicon In Rubicon, based on a true story, a woman overlooked by history finally gets her due. Elizabeth “Betty” Pack, a society wife and mother, makes the transition to seductive spy as a continent-hopping agent for British and American intelligence operations in the years before World War II. Though left out of the historical record, she played a role in helping to crack the Enigma code, smuggling secret plans in her underwear. Betty is clever and beautiful, but she’s also a complicated woman who was both celebrated and denigrated for abandoning family and weaponizing her sexuality. Playwright Kirsten Potter said she was angry when she first read an article about Betty and wondered why we hadn’t heard about her exploits. “I got all self-righteous about it.” She started researching in 2017. “I worked hard at times to suspend my own judgment about her,” Potter said.

Matt McGrath as Miss Tracy Mills in The Legend of Georgia McBride. Photo by Jennifer M Koskinen.

Theatre Company Artistic Director Chris Coleman said the Summit, the DCPA Theatre Company’s signature festival, not only allows the company to nurture new playwrights, but also keeps it alert to the future through some of the country’s most exciting writers. “When selecting a play for the Summit,” Coleman said, “we don’t stick to a theme but find selections that are different and engaging. saturday feels contemplative and meditative, Cebollas feels wacky and at warp speed, Rubicon is sexy and suspenseful, and American Fast feels amped and spiky.” For Lee, “my goal for these two weeks is that the actors, director, dramaturg, the team enjoy working, enjoy doing this thing we haven’t been able to do for so long. I love that we get to be here, that’s the gift.”

BE A CHAMPION OF

NEW PLAYS As the late Director of New Play Development, Doug Langworthy was “our hand on the pulse of the American playwriting scene.” For 15 years, he curated the Colorado New Play Summit, commissioned playwrights and developed plays for full production. Continue his legacy and commission a playwright with a gift to The Doug Langworthy Fund.

The company of The Book of Will. Photo by Adams VisCom.

saturday (DCPA Theatre Company commission) saturday by Kimber Lee imagines two women in a boat on a mountain lake, adrift in time and place, laughing and arguing through currents of memory. It’s at once theatrical and self-aware: “Like a bad play about a mother and daughter in a boat on a lake, pretending to fish. What are we even doing?” the daughter asks. “I have an interest in poking at the artifice,” Lee said. Hers is the most dream-like of the four plays, addressing the artifice of the theater while prodding the audience to think about the underlying emotional structures. “The surface is deceptively simple,” Lee said. But themes of physics and quantum theory, plus issues of transracial adoption, are “the tracks that those things kind of run on,” Lee said.

DENVERCENTER.ORG/ DOUGLANGWORTHYFUND

MAKE YOUR GARDEN

the Star of the Show Veggies & Greens | Annual Flowers | Trees & Shrubs Pollinator Plants | Indoor Plants | Soils & Tools Everything for your garden including personalized Garden Coaching appointments!

7 7 1 1 S Pa rke r R d Ce n te n n i a l , CO 80016 ( 3 03 ) 6 9 0 - 4722 Ta g awa G a rd ens .co m

Summer 2022

June 5 - August 7

Tickets on sale now! 303-492-8008 coloradoshakes.org

present

CHOIR BOY BY

TARELL ALVIN McCRANEY With Josh A. Dawson, Josh Fulton, Darron Hayes, Alex Michell, Brandon G. Stalling, Peter Van Wagner, Kyle Ward Stage Managers: Corin Davidson, Kristen Mun

SCENIC DESIGN BY Tony Cisek

COSTUME DESIGN BY Trevor Bowen

SOUND DESIGN BY Cricket S. Myers

CHOREOGRAPHY BY Juel D. Lane

DRAMATURGY BY Reginald Edmund

FIGHT DIRECTION / INTIMACY CHOREOGRAPHY BY Kaja Dunn

LIGHTING DESIGN BY Jeanette Oi-Suk Yew

MUSIC DIRECTION BY Mark G. Meadows

CASTING BY Bass/Valle Casting and Grady Soapes, CSA

PRODUCTION MANAGEMENT BY Matthew Campbell

DIRECTED BY Jamil Jude The video and/or audio recording of this performance by any means whatsoever are strictly prohibited.

THE KILSTROM THEATRE • APRIL 22 – MAY 29, 2022 CHOIR BOY received a world premiere co-production by The English Stage Company and Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) at Royal Court Theatre in the Jerwood Theatre Upstairs on September 4, 2012. CHOIR BOY was originally commissioned by Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer; Daniel Sullivan, Acting Artistic Director) 2007/08 Season with support from Time Warner Inc. CHOIR BOY is presented by special arrangement with Dramatists Play Service, Inc., New York.

SPOTLIGHT SPONSOR

STUDENT MATINEE SEASON SPONSOR

SEASON SPONSORS

CHOIR BOY

Chris Coleman, Artistic Director Charles Varin, Managing Director

CHOIR BOY

CAST

In Order of Appearance

Headmaster Marrow................................................................................................................................................ Josh A. Dawson Pharus Jonathan Young..............................................................................................................................................Darron Hayes Mr. Pendleton..........................................................................................................................................................Peter Van Wagner Robert “Bobby” Marrow III...........................................................................................................................................Alex Michell Junior Davis...........................................................................................................................................................................Josh Fulton Anthony Justin “AJ” James..............................................................................................................................................Kyle Ward David Heard......................................................................................................................................................... Brandon G. Stalling Assistant Director......................................................................................................................................................Carlton V. Bell II Associate Music Director...................................................................................................................................................Jada Cato Associate Costume Designer...........................................................................................................Meghan Anderson Doyle Associate Lighting Designer.............................................................................................................................. Christina F. Tang Stage Manager............................................................................................................................................................Corin Davidson Assistant Stage Manager............................................................................................................................................... Kristen Mun Stage Management Apprentice.............................................................................................................................. Sage Hughes The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.

SETTING Charles R. Drew Prep School for Boys CHOIR BOY will be performed without an intermission.

WHO’S WHO DARRON HAYES (Pharus Jonathan JOSH A. DAWSON Young). (He/Him/His) is (Headmaster Marrow). ecstatic to take on this (He/Him/His). Broadway: role! Off-Broadway: Beautiful: The Carole Notes From Now. King Musical. OffRegional: Asolo Broadway: Cyrano, My Repertory Theatre, Music Name’s Not Indian Joe. Theatre Wichita, Two National Tour: Beautiful: River Theatre, and JAG The Carole King Musical. Productions where he premiered in the firstRegional: Signature ever all-Black Production of Next to Normal. Theatre, STAGES St. Louis, Paramount He is from Winston-Salem, North Carolina, Theatre, Dallas Theatre Center. TV/Film: “The and graduated high school from The Marvelous Mrs. Maisel” on Amazon Prime University of North Carolina School of the (Harry Belafonte). Education: CCM and the Arts. He is also a recent alum of Penn StateUniversity of Michigan. KMR and Robyn BFA Musical Theatre ’21. Gratitude to HCKR Bluestone Management. thejoshdawson.com and Casting, and he is extremely thankful for @mrjoshdawsonmusic his teachers, family, and friends for the JOSH FULTON (Junior endless sacrifices and love. IG: darronhayes_. Davis). (He/Him/His). darronhayes.com Off-Broadway: On ALEX MICHELL (Robert Sugarland (New York “Bobby” Marrow III). Theatre Workshop); (He/Him/His). At the Everybody Black, A DCPA: American Fast Christmas Carol, Pipeline (2022 Colorado New (Actors Theatre of Play Summit). Regional: Louisville). Other Nell Gwynn (East Coast Theatres: Scarfoot Lives Premiere) and 1 Henry IV (Playwrights Center), reading of Death of (The Folger Theatre). the Republic by Craig Lucas. Hillman Grad Training: British Writing Mentee 2021. American Drama Academy, University of Miami (BFA Musical Theatre). Instagram: @_alexmichell_ ACTING COMPANY

BRANDON G. STALLING (David Heard) (He/They) hails from Chicago, IL. As a proud alum of Oklahoma City University’s Acting Program, he is stoked to join his first equity production with DCPA. Notable credits include Hairspray (National Tour - Seaweed J. Stubbs); The Little Mermaid (Pollard Theatre Company). Film: All We Have Is Now in a Downing/Wittmann Feature Film. He is excited to continue his journey telling stories to the many theatregoers who have missed it so! IG: @live_eleutheromania PETER VAN WAGNER (Mr. Pendleton). At the DCPA: Elliott Ness In Cleveland. Broadway: Grand Horizons (Second Stage Theatre) and A Thousand Clowns (Roundabout Theatre). Off-Broadway: Othello (Shakespeare in the Park), The Chimes (The Public Theatre), Letters from Cuba (Signature Theatre), The Notebook (Second Stage Theatre), and So Help Me God! (Lucille Lortel Theatre). Regional: Asolo Rep., Maltz Jupiter Theatre, La Jolla Playhouse, Yale Repertory, Huntington Theatre Company, and the Alliance. Film: The Post, Annie, Arthur, and Tower Heist. TV: “Boardwalk Empire” (SAG Award for Ensemble), “The Good Wife,” “Rescue Me” and “Law & Order.”

PLAYWRIGHT TARELL ALVIN McCRANEY is best known for his acclaimed trilogy, The Brother/Sister Plays: The Brothers Size, In The Red And Brown Water, and Marcus; Or The Secret Of Sweet. They have been performed at McCarter Theater in Princeton, The Public Theater in New York, Steppenwolf Theatre in Chicago, at a trio of theaters in the Bay Area (Marin Theatre Company, A.C.T., Magic Theatre), Young Vic in London (Olivier Award nomination) and around the world. Other plays include The Breach (Southern Rep), Wig Out! (Sundance Theatre Institute, Royal Court, and Vineyard Theatre - GLAAD Award for Outstanding Play), and American Trade (Royal Shakespeare Company and Hampstead Theatre). Steppenwolf Theatre Company, where he is an ensemble member, will produce the world premiere of his commissioned play, Head Of Passes. Tarell was the Royal Shakespeare Company’s International Playwright in Residence in 2008-2010, where he co-edited and directed the Young People’s Shakespeare production of Hamlet, which toured throughout the UK and was presented at the Park Avenue Armory in New York. He is the recipient of the prestigious Whiting Award and Steinberg Playwright Award, as well as London’s Evening Standard Award for Most Promising Playwright, the inaugural New York Times Outstanding Playwright Award, and the inaugural Paula Vogel Playwriting Award. He is a graduate from the New World School of the Arts High School, the Theatre School at DePaul University in Chicago, and the Yale School of Drama. He is a resident playwright at New Dramatists and a member of Teo Castellanos/D-Projects in Miami. DIRECTOR JAMIL JUDE is a director, producer, playwright, and dramaturg. Self-identifying as an “Artist Plus,” Jamil feels most at home bringing socially relevant art to the community. Jamil is the Artistic Director at Kenny Leon’s True Colors Theatre in Atlanta, as well as the Co-Founder of The New Griots Festival. Jamil is a former participant in the Leadership U: One-on-One program (The Andrew W. Mellon Foundation/TCG). The program provided him a residency at Park Square Theatre, in St. Paul, where he worked as the Artistic Programming Associate. Prior to that, he served as the National New Play Network Producer in Residence at Mixed Blood Theatre Company for three seasons. Before joining the staff at Mixed Blood, Jamil served as a New Play Producing Fellow at Arena Stage in Washington, DC. His interest in social justice and theatre continues to

drive his work, including co-founding a culturally relevant theatre company, Colored People’s Theatre, in Washington, DC. Jamil has helmed productions for D.C. area companies such as Olney Theatre and Forum Theatre, Curious Theatre in Denver, Colorado, as well as various Twin Cities’ theatre companies, including Park Square Theatre, History Theatre, Freshwater Theatre, Theatre in the Round, Stages Theatre Company, Daleko Arts and Lakeshore Players. Jamil has also taught and directed at Augsburg College and the University of Minnesota in Minneapolis, MN. CREATIVE TEAM BASS/VALLE CASTING (Casting). New York: Broadway’s Gem of the Ocean. Off-Broadway: Radio Golf, Jitney, Public Theater’s: New Works Now, Minetta Lane, Women’s Project, La MaMa, Epic Theatre, Drama League, Jewish Repertory Theatre, Women in Film and Television. Regional: Hartford Stage, Mark Taper Forum, Arena Stage, Trinity Rep, Syracuse Stage, Huntington Theatre, Portland Center Stage, Dallas Theatre Co., Berkeley Rep, Playmaker’s Rep, Alliance Theatre, Virginia Stage, Geva, CenterStage, Long Wharf Theatre, Arizona Theatre Co. Film: Pushing Hands, Gravesend, First We Take Manhattan. Audition Coach at many of the nation’s top universities and actor training programs. TREVOR BOWEN (Costume Designer). Credits include: Ride the Cyclone, Lady Day at Emerson Bar and Grill (The Jungle Theater); Black Beauty, The Miraculous Journey of Edward Tulane (Seattle Children’s Theatre); The Fix, Fellow Travelers (MN Opera); Corduroy, Spamtown, U.S.A., Something Happened in Our Town (Children’s Theater Company); BLKS, True West (Steppenwolf); The Knock (Glimmerglass Festival); The Watsons Go to Birmingham 1963 (Kennedy Center); The Highway Men (The History Theatre); Bloodknot (Pillsbury House Theater); Sweat (Asolo Rep); Ragtime (5th Ave); Public Love (Walker Art Center). Trevor is a member of USA 829. Trevor Bowen is a 2021-22 McKnight Theater Artist Fellow at The Playwrights’ Center. www.trevorbowendesign.com MATTHEW CAMPBELL (Production Manager). (He/Him/His). Matthew is incredibly grateful to be back at work supporting our outstanding production team and guest artists creating extraordinary theatre after so many difficult months away. He started at the DCPA in 2010 as a stage manager and in 2016 joined the production management team. Previously a stage manager at several local theatres and an Assistant Professor of Theater at Brooklyn College. Training: MFA, University of Iowa. TONY CISEK (Scenic Designer) DCPA credits include Sweat and Anna Karenina. Recent and upcoming productions include Toni Stone (Milwaukee Rep and Alliance), the premiere of Show Way (Kennedy Center), The Great Leap (Round House Theatre), The Color Purple (Signature Theatre); and A Midsummer Night’s Dream (Folger Theatre at the National Building Museum). Other regional credits include: Roundabout, Arena Stage, Guthrie, Goodman, South Coast Rep, Cincinnati Playhouse, Ford’s, Actors Theatre

of Louisville, Baltimore Center Stage, Indiana Rep, Syracuse Stage, New York Theatre Workshop, Cleveland Play House, Peoples Light, Woolly Mammoth. www.tonycisek.com KAJA DUNN (Fight Director/Intimacy Choreographer) (She/Her/Hers) is also an actor, director, and activist with over 40 performances in five countries. She is head of acting at the University of North CarolinaCharlotte and affiliate faculty for Theatrical Intimacy Education. Select intimacy work includes TV: “Harlem” on Amazon, “The Best Man: The Final Chapter” on Peacock. Theatre: Strange Loop (Broadway). She is a recipient of the Kennedy Center’s National Medallion for her work on theatre and race, has co-authored a chapter in Arden Research Companion to Shakespeare and Contemporary Performance. She is a DEI consultant for universities and cultural institutions. kajadunn.com REGINALD EDMUND (Dramaturg) is the Recipient of the 2021 Robert E Gard Foundation Award for Community Leadership. As well as being the new Literary Manager for DCPA, he is the Co-Founder and Managing Curating Producer for Black Lives, Black Words International Project, this project gives voice to some of the most contemporary political black writers from both the US, Canada and the UK. In addition, he was a Resident Playwright at Tamasha Theatre in London, England and an Alumni Resident Playwright at Chicago Dramatists. He received his BFA in Theatre-Performance from Texas Southern and his MFA in Playwriting from Ohio University. JUEL D. LANE (Choreographer) Dance Magazine’s 25 to Watch. Commissions: Ailey II, Dallas Black Dance Theater, Atlanta Ballet, Carolyn Dorfman Dance Company. Company member of Camille A. Brown & Dancers & Executive Artistic Associate with the Black Acting Methods Studio. Theatre Credits: Spunk (True Colors Theatre), I DREAM (Alliance Theatre), Once (PCLO-Associate Choreographer). Recently seen as a dancer in the Amazon series, “Harlem.” @jueldlane MARK G. MEADOWS (Music Director). (He/ Him/His). Signature Theatre, DC: Director of Cabarets. Music Direction: RENT, After Midnight, Spunk, Ain’t Misbehavin’, Jelly’s Last Jam (lead role: Jelly Roll Morton). Oregon Shakespeare Theatre: Once on this Island. DCPA: Wildfire. Concerts: Jazz at the Lincoln Center, DC Jazz Festival, Blues Alley, The Kennedy Center Concert Hall, Smalls Jazz Club. International: Haiti, Russia, The Congo, Qatar, Brazil, Mexico, Argentina, Canada, The Caribbean. Appeared With: Cynthia Erivo, Usher, Bobby McFerrin, Kendrick Lamar, Ledisi. Awards: 2020 DC Wammies Jazz Artist of the Year, Washington City Paper’s Artist/ Composer of the Year. MarkGMeadows.com @MarkGMeadows CRICKET S. MYERS (Sound Designer). (She/Her/Hers). On Broadway, Cricket earned a Tony nomination and a Drama Desk Award for her design of Bengal Tiger at the Baghdad Zoo. Regional designs include La Jolla Playhouse, The Ahmanson, The Mark Taper Forum, South Coast Rep, Shakespeare Theatre Company of DC, The Kirk Douglas Theater, Pasadena Playhouse,

CHOIR BOY

KYLE WARD (Anthony Justin “AJ” James) Regional credits include: Hairspray (Royal Caribbean Cruises and Dallas Theater Center); A Motown Christmas (The Ensemble Theatre); Macbeth and The Mountaintop (Sam Houston State University). Film: Kyle has been seen on Amazon Prime Video in Sheep In the Outhouse, which he also wrote and directed. Other film projects include Red River, The Drone, and Black Is Eternal.

CHOIR BOY

and the Geffen Theater. She has earned 24 Ovation nominations, as well as winning The Ruth Morley Award from the League of Professional Theater Women, The Kinetic Award for Outstanding Achievement in Theatrical Design, an LADCC and a Garland Award in Los Angeles. www.cricketsmyers.com

Theatre Company. When Kristen is not stage managing, she is a fight choreographer and a racial justice facilitator.

CHRIS COLEMAN (Artistic Director) is passionate about the connection between stories and community. He joined the DCPA GRADY SOAPES (Casting) (he/him/ Theatre Company as Artistic Director his) is the Director of Casting and Artistic in November of 2017 and has directed Producer with the Denver Center for the Shakespeare’s Twelfth Night, A Doll’s House, Performing Arts. Selected casting credits Anna Karenina, and Oklahoma!. Previously, include Rattlesnake Kate, Goodnight Chris served as Artistic Director for Portland Moon, Indecent, A Doll’s House and A Doll’s Center Stage in Oregon for 18 years. Under House, Part 2 in repertory, Oklahoma!, Last his leadership, PCS renovated the city’s Night and the Night Before, The Who’s historic Armory into a new home, saw annual Tommy, The Wild Party, A Christmas Carol, attendance nearly double, workshopped This Is Modern Art. Grady also works as a 52 new plays that went on to productions Casting Director for Sylvia Gregory Casting at over 100 theaters around the US and where he has cast commercials for Subaru, UK, and became a national leader in how Fruit of the Loom and has been an associate theaters engage with their community. on several tv, film and video games projects. In 1988, Chris founded Actor’s Express in Choreography credits include Goodnight Atlanta (in the basement of an old church), Moon, Anna Karenina, As You Like It, a company that continues to be a cultural Drag Machine, Lord of the Butterflies, force in the Southeast today. He has directed DragON (Denver Center); Comedy of at major theaters across the country, Errors (Colorado Shakespeare Festival); The including Oregon Shakespeare Festival, Liar (Arvada Center); The Music Man (Perrythe Alliance Theater, Dallas Theater Center, Mansfield) as well as Artist in Residence at Baltimore Center Stage, Actors Theatre of Colorado State University in 2010. Grady Louisville, ACT/Seattle, the Asolo, Pittsburgh is the producer of the Colorado New Play Public, 59E59, and New York Theater Summit and former producer of the Colorado Workshop. He and his husband, actor/writer New Play Festival. Rodney Hicks, live in Reunion with their 100 JEANETTE OI-SUK YEW (Lighting Designer) lb. English blockhead yellow lab and their 18 designs for theatre, dance, opera, musicals, lb. terrier mix. Since moving to Colorado, he music performances and large-scale has hiked Dominguez Canyon, wandered at immersive installation. The New York Times the Cliff Dwellings of Mesa Verde, explored described them as “clever” and “inventive.” a working mine in Creede, and rafted down At the DCPA: Vietgone (Best Lighting Design the Arkansas River. Henry Award nomination), Smart People and CHARLES VARIN (Managing Director) upcoming with Off-Center’s Theater of the and his team are responsible for the Mind. Off-Broadway/Regional: KPOP (Hewes administrative, financial, and business Design Award, LIT Design Award; Lortel and operations for Theatre Company and Drama Desk nominations); Emily Mann’s Off-Center productions and other artistic Gloria: A Life (Daryl Roth); Aziza Barnes’ initiatives. Since joining the Theatre BLKS (Woolly Mammoth); Lauren Yee’s The Company in 2006, he has played a major Song of Summer (Trinity Rep); Whitney role in executing the artistic vision of the White’s Macbeth in Stride and WILD: A organization and facilitating the production Musical Becoming by V (formerly Eve Ensler) of shows such as Sweet & Lucky, The (A.R.T.). jeanetteyew.com Unsinkable Molly Brown, Sense & Sensibility STAGE MANAGEMENT the Musical, The 12, Sweeney Todd with DeVotchKa and many more. Charles is CORIN DAVIDSON (Stage Manager) (She/ passionate about artistic innovation and Her/Hers). Over 15 productions at the DCPA firmly believes in DCPA’s long-standing including: Who’s Afraid of Virginia Woolf?, commitment to new plays and new voices. Wildfire, twenty50, Indecent, Corduroy, The Who’s Tommy, The Secret Garden, Sweeney Todd, Lookingglass Alice. At DCPA In addition to DCPA staff, the following crew worked Cabaret: An Act of God. Other Theatres: on this production: Lisa Ehrle, Katarina Kosmopoulos, Colorado Shakespeare Festival, Seven Devils Destin Woods Playwrights Conference, Milwaukee Chamber Theatre, Skylight Music Theatre, Renaissance The Director is a member of the STAGE Theatre Works, Milwaukee Repertory DIRECTORS AND CHOREOGRAPHERS Theatre. Training: BFA Stage Management, SOCIETY, a national theatrical labor union. University of Wisconsin at Milwaukee. KRISTEN MUN (Assistant Stage Manager) was born and raised on the island of Oahu and is a proud AEA stage manager who has been working in Portland, OR for the past 10 years. She started her stage management journey in Ashland, Oregon at Southern Oregon University where she received a BFA in Theatre Arts and at the Oregon Shakespeare Festival where she was the stage management intern on Don Quixote (2009) and Throne of Blood (2010). This is Kristen’s first production with the DCPA

TAKING PHOTOS AT THE THEATRE

THEATRE COMPANY LEADERSHIP TEAM

The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. Backstage and Ticket Services Employees are represented by the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States and Canada. (or I.A.T.S.E.)

The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.

We welcome you to take photos in the theatre before and after the performance and during intermission. If you post photos on social media, please credit and tag the DCPA and the design team: @denvercenter #ChoirBoy #TheatreCompany Playwright: Tarell Alvin McCraney Director: Jamil Jude @mrjdjude Scenic Designer: Tony Cisek Costume Designer: Trevor Bowen @trvr_bowen Lighting Designer: Jeanette Oi-Suk Yew @jeanette_yew Sound Designer: Cricket S. Myers @cricketmyers Music Director: Mark G. Meadows @MarkGMeadows Photos and the video and/or audio recording during any part of the performance by any means whatsoever are strictly prohibited.

PLEASE BE ADVISED •

LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

•

CHILDREN 4+ are welcome in our theatres and must be ticketed.

•

ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

•

BRAILLE PROGRAMS are available with 2 weeks’ notice to kpetersen@dcpa.org or 303.893.4585.

The Denver Center for the Performing Arts (DCPA) is one of the largest non-proﬁt theatre organizations in the nation, presenting Broadway tours and producing theatre, cabaret, musicals, and innovative immersive plays. In its 2019/20 season, the DCPA engaged with more than 672,000 visitors, generating a $131 million economic impact in ticket sales alone.

The Theatre Company is grateful for the funds provided by the Scientific and Cultural Facilities District. Special thanks also to grants from the Helen G. Bonfils Foundation; and contributions from corporations, foundations and individuals. The Theatre Company is a division of the Denver Center for the Performing Arts, a non-profit organization serving the public through the performing arts. The Theatre Company operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; and the Stage Directors and Choreographers Society. The Theatre Company also operates under an agreement with Denver Theatrical Stage Employees Union, Local No. 7 of the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States and Canada. The Theatre Company is constituent of Theatre Communications Group (TCG), the national organization for not-for-profit resident theatre companies. The costumes, wigs, lighting, props, furniture, scenic construction, scenic painting, sound and special effects used in connection with this production were constructed and coordinated by the Theatre Company’s Production Staff.

(l to r) Eric Chambliss, Jon Hacker, Devon Goffman, Matt Faucher and the Company of Jersey Boys. Photo: Joan Marcus.

JERSEY BOYS:

A SHOW FOR EVERYBODY

B Y D AV I D F R E E L A N D

Kara Tremel, who has performed several roles in the Jersey Boys has been seen by over 24 million people, all national tour of Jersey Boys, credits multiple Tonyof them captivated by the recreations of classic 1960s hits Award winning director Des McAnuff (Big River, The such as “Sherry,” “Big Girls Don’t Cry,” and “Can’t Take My Who’s Tommy, The Farnsworth Invention) with creating Eyes Off You.” But for many, the show’s most unforgettable a fast-paced, visually engaging production that attracts moment comes when Frankie Valli, as lead singer, decides theatergoers who were not born when The Four Seasons’ to enter into a business partnership with the group’s hits dominated the airwaves. keyboardist and songwriter, Bob Gaudio. “For young people it’s an exciting “So should we have somebody draw type of show to see,” Tremel observes. up a contract?” Gaudio asks. Frankie “The way Des directed it is so quick: responds by offering his hand. the set moves with the actors, lighting “You want a contract? Here – a Jersey shoots over to another side of the contract.” Their handshake becomes a stage, and we’re in a totally different pact, cementing a relationship that has scene in a matter of seconds. It’s good endured for close to 50 years. for a younger generation that needs “The story of the friendship between that kind of quick pace. And whatever Frankie Valli and Bob Gaudio is your age, you can’t not like this music.” something that just makes my heart “There’s so much going on that you melt every time I think about it,” says need to see it at least two or three Pat Prescott, popular radio host on Los times, just so you don’t miss anything,” Angeles’ 94.7 The Wave and a longtime — KARA TREMEL, ACTRESS Prescott believes. “I wish everybody Jersey Boys fan. could see it. This show is really, really “When I think about that handshake special.” and what it has meant,” Prescott observes, “how we as a society have so much gotten away from those values of real friendship, of loyalty, of consistency in relationships – it stands out to me READ THE tremendously.” JERSEY BOYS FULL ARTICLE In Jersey Boys, four young men persevere against APRIL 15 – 17 incredible odds to fight their way to the peak of stardom. BUELL THEATRE Later, they stand together through high times and ASL Interpreted, Audio Described devastating lows. The show’s universal themes of courage, and Open Captioned performance: April 16 at 2pm friendship and survival have inspired a diverse legion of new Broadway fans.

“…whatever your age, you can’t not like this music.”

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

DCPA DCPATEAM TEAM

DCPA Janice Sinden..........................President & CEO Gretchen Hollrah..............................................COO Lydia Garcia .........................Executive Director, Equity & Organization Culture Donna Hendricks..................President & CEO Executive Assistant Julie Schumaker...................... Manager, Board Relations & COO Executive Assistant BROADWAY & CABARET John Ekeberg...................... Executive Director

Merry Davis ..........................Financial Manager Jane Deegan ..................................Administrator Michael Kimbrough....Manager, Engineering Brian McClain .....................Manager, Custodial Casey Meschievitz ...................................Manager, Environmental Health & Safety Steven Bilbao, Lindsey Cervantes, Ken Long, Carmen Molina, Judith Primero Molina, Juan Loya Molina, Jermaine Parker .................................Custodians EVENT SERVICES

Savanna Campbell, Administration Samantha Egle........................Event Managers Ashley Brown.......................Business Manager Colin Dieck, Anne Fitzgerald, Alicia Bruce ............................. General Manager Hunter Premschak, Seth Miller..............................................Technicians Garner Galleria Theatre Thomas Duﬃn .........................................Manager, Abel Becerra......................... Technical Director Event Technology Anna Hookana+ ...................Core Stagehands Cody Gocio .......................... Event Coordinator Stori Heleen-O’Foley ....Lighting, Team Lead DEVELOPMENT John Hess.............Manager, Sales & Business Jamie Clements...........................Vice President Shane Hotle.................................Audio Engineer Megan Fevurly..........................................Manager, Tara Miller........... Manager, Event Operations Grants & Reports Brook Nichols ...................... Technical Director Amanda Gomez.......Manager, Annual Fund Will Stowe ....................Audio/Video Engineer Kaylie Groff..........................................Coordinator Ian Wells ........................................Video Engineer Marc Ravenhill ....................Associate Director, Brooke Wyatt........Manager, Event Logistics Donor Relations Whitney Staloch................Associate Director, MARKETING, SALES & Major Gifts PATRON SERVICES Megan Stewart........................Manager, Events Lisa Mallory.....................................Vice President Erin Walker ...................................Senior Director Marketing EDUCATION & Heidi Bosk ...........Associate Director, Press & COMMUNITY ENGAGEMENT Promotions, Broadway & Cabaret Allison Watrous ................. Executive Director Sofia Contreras .................... Graphic Designer Stuart Barr ............................. Technical Director Emmy Cook.......................................Coordinator, Broadway & Cabaret Claudia Carson.......................Teaching Artist & Brenda Elliott, Manager, Playwriting & Bobby G Paul Koob..............Senior Graphic Designers Leslie Channell .......................................... Director, TJ Forlenza ............................................Copywriter Business Operations Claire Graves............................................... Director, Emily Doherty.... Teaching Artist & Manager, Produced Programs Theatre for Young Audiences Programming Brittany Gutierrez...................................Manager, Communications Rya Dyes ................................Assistant Registrar Jeff Hovorka .... Director, Sales & Marketing, Patrick Elkins-Zeglarski........................ Director, Broadway & Cabaret Education & Curriculum Management Emma Hunt........................................Coordinator, Linda Eller.....................................................Librarian Communications & PR Jesús Quintana Martínez ....................... Director, Emily Kent........Director, Insights & Strategy Community Engagement Lucas Kreitler .........Junior Graphic Designer Timothy McCracken................Head of Acting Linda Lang.................................Project Manager David Saphier .... Teaching Artist & Manager, In-School Programming Michael Ryan Leuthner ........................ Director, Digital Marketing Elizabeth Schmit.........Executive Assistant & Community Engagement Manager Emily Lozow ..............................................Manager, Broadway & Cabaret Melissa Sumner...................................Registrar & On Site Class Manager Kyle Malone................................Director, Design Charlotte Talbert ......................................Librarian Katie Mount..........Manager, Email Marketing Rachel Taylor.... Teaching Artist & Manager, Whitney Testa..................Executive Assistant, Marketing & Broadway Literary Engagement & Resiliency Justin Walvoord ....................Teaching Artist & Janelle Vargas...........Manager, Web Content Manager, Shakespeare in the Parking Lot Austin Walker............................................Manager, Growth & Acquisition Samuel Wood.........................Teaching Artist & District Liaison Juliana Whelan.................................Coordinator, Produced Programs Suzanne Yoe.......................Director, Content & FACILITIES Communications Glen Lucero..................................................Director Ticketing & Audience Services Dwight Barela, Mark Dill, Jennifer Lopez ...........................................Director Colton Ebersole, John Howard.......................................... Engineers Christina Adamoli*, Jon Collins*, D.J. Dennis*, Edmund Gurule*, Abeywickrema, Jodi Benavides, Elias Lopez*, David Bright, Calum, Benjamin Koenig, Hayley Solano* .............Counter/Show Leads Gabe McNally-Nakamura, Anthony Saavedra, Kirsten Anderson*, Scott Lix*, Madalaine Welch ............Security Specialists Brad Steinmeyer*, Judy Briggs...........................................Front Desk Greg Swan* ..................... Subscription Agents Quentin Crump........................................Manager, Luis Bordoy*, Eli Davis*, Shay Goddard*, Security & Guest Relations Jen Gray*, Chántel Healy,

Natalie Jaramillo*, Noah Jungferman*, Michael Mathey*, Lane Randall*, Liz Sieroslawski*, Sam Stump*, Andrew Sullivan*, Emmalaine Wright*....................Ticket Agents Billy Dutton...........................Associate Director, Operations Roger Haak .................VIP Ticketing Manager Danielle Freeman, Kassandra Lopez, Ella Mann..........................Box Oﬃce Managers Kirk Petersen .......................Associate Director, Patron Relations Katie Spanos .......................Associate Director, Subscriber Services

Production Jeff Gifford ...................................................Director Julie Brou................Administrative Assistant/ Oﬃce Manager Matthew Campbell......Production Manager Peggy Carey................. Associate Production Manager Scenic Design Lisa Orzolek .................................................Director Kevin Nelson, Nicholas Renaud..................................Assistants

Lighting Design Charles MacLeod......................................Director Group Sales Lily Bradford..............................................Assistant Jessica Bergin..................... Associate Director Reid Tennis+.................Production Electrician Maddie Young ...................................Coordinator Sound Design Theatre Services Alexander Billman..............................Supervisor Aaron McMullen ........................Interim Theatre Wesley Halloran+, Meagan Holdeman+, Services Manager Timothy Schoeberl..........................Technicians Bryan Faciane.........................Interim Assistant Theatre Services Manager Stage Management Michael Morales ..................................Production Nora Caley, Jacob Foster, Stage Manager Teresa Gould, Kaylyn Kriaski, Corin Davidson, Heidi Echtenkamp, Robin Lander, Myrisa Martin, Anne Jude, Maggie Kayes, Rick Mireles, Margaret Ohlander ..............House Managers Kristen Mun, Malia Stoner, Aaron McMullen, Kristen Sutter ...........................Stage Managers Leilani Lynch, Stacy Norwood, Katy Gentry, Harper Hadley, Valerie Schaefer, Elliott Shields, Mathew Strika...................Assistant Managers Sage Hughes....................Stage Management Apprentices ACCOUNTING & FINANCE Jane Williams......................................................CFO Sara Brandenburg................................... Director, Accounting Services Michaele Davidson .....Treasury Accountant Jennifer Jeffrey....................Director, Financial Planning & Analysis Valerie Lingbloom...................General Ledger Accountant Jennifer Siemers ...........Director, Accounting

Scene Shop Eric Moore.............................. Technical Director Albert “Stub” Allison, Robert L. Orzolek, Josh Prues ....Associate Technical Directors Tyler Clark, Amy Wynn Pastor, Kyle Scoggins .....................Scenic Technicians Louis Fernandez III ... Lead Scenic Technician Brian “Marco” Markiewicz ....Lead Carpenter

Prop Shop Robin Lu Payne .........................................Director Jamie Curl, Tory Fink, HUMAN RESOURCES Georgina Kayes, Ashley Lawler.......Artisans Elvira Morales................................Vice President Meghan Markiewicz ..Associate Supervisor Brian Carter, Lizette Collazos..........Directors Kaitlyn Faust...................................Administrator Paint Shop Paul Johnson...........................Payroll Specialist Jana Mitchell....................Charge Scenic Artist Monica Robles...............Supervisor, Mailroom Kristin Hamer MacFarlane, Melanie Rentschler .....................Scenic Artists INFORMATION TECHNOLOGY Lisa Roebuck.................................Vice President Vincent Bridgers .....................Senior Ticketing System Analyst Adam Bush................Junior Systems Analyst Jacquelyne Glover ........Software Developer Simone Gordon ..................Program Manager Brandon LeMarr ....................... Senior Systems Administrator Sarah Martinez, Allyssa Welker ..................Help Desk Analysts Jacob Parker ............................Manager, Data & Applications Joseph Reecher ........................Junior Systems Administrator THEATRE COMPANY

Costume Shop Janet Macleod... Director/Design Associate Meghan Anderson Doyle ....Design Associate Catherine Gagnon ..............................First Hand Carolyn Plemitscher ..................................Draper Costume Crafts Kevin Copenhaver....................................Director Chris Campbell.........................................Assistant Wigs Diana Ben-Kiki......................................Supervisor House Crew Douglas Taylor+...................................Supervisor James Berman+, William Loving+, Stephen Mazzeno+, Kyle Moore+, Viktoria Padilla+, Matt Wagner+ ...................................Stagehands Joseph Price+ ...........................................Assistant

Administration Charles Varin .......................Managing Director Ann Marshall........................... General Manager Wardrobe Sabina Rivera .................... Company Manager Anthony Mattivi^.................................Supervisor Robin Appleton^, Andy Bruening, Artistic Amber Donner^, David La Beaux^, Christopher Coleman........... Artistic Director Lauren LaCasse, Melissa Cashion .....................Artistic Producer Lisa Parsons Wagner^ ..........................Dressers Charlie Miller .......Associate Artistic Director Jerome Horng, Grady Soapes ....................Artistic Producer & Marisa Sorce ................................Wig Assistants Director of Casting * Member, I.A.T.S.E. Local B-7 + Member, I.A.T.S.E. Local 7 ^ Member, I.A.T.S.E. Local 719

Staff list current through Mar 7, 2022

A NEW IMMERSIVE EXPERIENCE

THEATER OF THE MIND Created by Talking Heads frontman DAVID BYRNE and writer MALA GAONKAR AUG 31 - DEC 18 | YORK STREET YARDS TICKETS ON SALE MAY 20 | DCPA SUBSCRIBER PRE-SALE MAY 6 It’s all in your head. But is any of it real? Witness the wonders of your mind for yourself as you follow The Guide through a spectacular 15,000-square-foot installation with 16 fellow audience members. As you explore intriguing environments, participate in a narrative, and try a series of sensory experiments, your Guide will question how beliefs, memories, and even our identities are less fixed than we think. Caution: the brain may wander. Side effects may include a distrust of your own senses, a disorientation of self, and a mild to severely good time. You may not be who you think you are. But we’re all in it together.

Theater of the Mind is supported in part by Science Sandbox, an initiative of the Simons Foundation

LEARN MORE

EROM NRAEL

LEARN MORE

YOUR GUESTS The DCPA is proud to be the home of downtown Denver’s most exciting event spaces. Our two venues, the Seawell Ballroom and the Directors Room, combine the best in theatrical production capabilities with dramatic views and unforgettable cuisine. Since 1998, our team of theatrically trained production experts have been wowing guests with unforgettable experiences — and we can’t wait to collaborate with you!

SIX CATERING PARTNERS. UNLIMITED POSSIBILITIES. Make food and drinks a highlight of your next event and amaze your guests with five-star presentation — all without lifting a finger or breaking your budget. Select one (or more) of our exclusive catering partners to team up with our in-house production staff so we can help make your wedding, corporate event or fundraiser a smash hit! Biscuits + Berries | Catering by Design | Epicurean Group | Occasions Catering Serendipity Catering | Sodexo Live! - Kevin Taylor Restaurant Group - Olive & Finch BOOK YOUR NEXT EVENT TODAY: denvercenter.org/venue-rentals or 303.572.4471

RELAX! I ALREADY CALLED COIT!

Clean as new, that’s the Coit commitment to you.

SATIFACTION

• Wood Flooring • Natural Stone • Carpet & Rugs • Upholstery

100%

• Tile & Grout • Air Ducts • Window Treatments • Concrete

GUARANTEE

303-922-9212

THE

best collection

I S Y O U R S.

elegant S I M P LY

Combining style and quality into a beautiful wardrobe that’s uniquely yours.

New arrivals on Instagram

@barbaraandcompany

DENVER • 303.751.2618 • 1067 SOUTH GAYLORD BOULDER • 303.443.2565 • 1505 PEARL STREET

barbaraandcompany.net

Mon~Sat 10-6 Sunday 11-5 By appointment

PROUD SEASON SPONSOR OF DCPA BROADWAY

The core concepts of well-being really come down to consistently nailing the basics — eat well, sleep well, move your body, get fresh air, foster meaningful connections and laugh, a lot.

Laughing isn’t just a sign of feeling good; laughing is actually good for you too. “We’ve all heard some version of the expression, ‘Laughter is the best medicine,’ and intuitively we know this makes sense,” says Dr. Justin Ross, a clinical psychologist at UCHealth. “Laughing really is one of the best mindbody-social connectors we have. It is a physical expression of connection and shared experience.” The Science Behind Laughter Laughter, says Dr. Ross, has been demonstrated to help manage anxiety, pain, stress, and sadness. There are a number of studies helping us understand what’s happening physiologically and neurologically when we laugh. This includes hormonal, neurochemical and psychological components. “Laughing helps stimulate endorphin release, promotes oxygenation throughout the body’s organs, relieves muscular tension, strengthens the immune system and lowers blood pressure,” he says. “The core concepts of well-being really come down to consistently nailing the basics—eat well, sleep well, move your body, get fresh air, foster meaningful connections and laugh, a lot.” Learn to Laugh While laughing is a natural action, sometimes we need to find ways to learn to laugh better. The Denver Center for the Performing Arts offers improv classes each season for a wide range of ages starting a kindergarten through adult. The impact of improv is never ending. “Improvisation is basically recreating life under theatrical circumstances,” said actress and DCPA Teaching Artist Jessica Austgen. “Everything we look at in class illuminates a vital life-skill: listening, agreement, communication, specificity.”

Photo by McLeod9 Creative.

— DR. JUSTIN ROSS, UCHEALTH

Where to Laugh Lucky for us, ways to laugh occur all over. Start by taking in a comedy. Upcoming shows at the DCPA include The Other Josh Cohen and the classic Tootsie. Plus, Denver hosts a handful of local comedy clubs including Comedy Works in downtown Denver, Rise Comedy in LoDo featuring improvised Broadway musicals, or The Denver Comedy Lounge, which does Saturday night stand up. Overall, Dr. Ross prescribes laughing as many times a day as you can. “Too often we are plagued by the stresses, anxieties and diﬃculties in our lives to the point that our concerns take up the majority of our thoughts,” he says. “When we adopt a mindset to ‘hunt the good stuff,’ we actively work to see the positive unfold in front of us. This includes actively seeking humor, joy, moments to laugh and moments to savor.” With that, laugh long and hard and as often as possible. It’s good for your own self and the people around you.

The company of The Other Josh Cohen.

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

“What wisdom can you find that is greater than kindness?” — Rouseau

A •

•

• • • •

LOCALLY OWNED & OPERATED MORTUARY

Immediate Need or Pre-plan Services Available 24/7 Statewide On-Site Crematory Serving All Faiths Veteran’s Benefits Save by Pre-planning

303.837.8712

monarchsociety.com 1534 Pearl Street Denver CO 80203

2022 SEASON JUNE 23–AUGUST 4 THE SAINT PAUL CHAMBER ORCHESTRA

DALLAS SYMPHONY ORCHESTRA

June 23–26

June 29–July 4

THE PHILADELPHIA ORCHESTRA

NEW YORK PHILHARMONIC July 20–27

July 8–16

GET TICKETS NOW

BravoVail.org

SCAN THE CODE WITH YOUR CAMERA

877.812.5700

THANK YOU The Denver Center for the Performing Arts gratefully acknowledges the generous support of the following donors of $250 or more for activities July 1, 2020 – June 30, 2021. Contributions to A Grander Opening Capital Campaign are acknowledged separately. + Includes in-kind support

EXTRAORDINARY GIVING

Citizens of Scientific and Cultural Facilities District

CHAIRMAN’S CIRCLE PLATINUM ($100,000+)

Bolin Family Genesee Mountain Foundation Helen G. Bonfils Foundation+ Robert and Judi Newman Family Foundation The Shubert Foundation UCHealth+ The Wallace Foundation

CHAIRMAN’S CIRCLE GOLD

($50,000-$99,999) The Anschutz Foundation Peggy Finley The Lewis E. Myers Jr. Scholarship Fund Daniel L. Ritchie U.S. Bank United Airlines+

CHAIRMAN’S CIRCLE SILVER

($25,000-$49,999) Anonymous (2) AT&T CIBC Private Wealth Management Brisa & Mark Carleton Evergreen Natural Resources LLC Kathie & Keith Finger Katie & Alan F. Fox Rex Fuller Kevin & Dorota Kilstrom Ruth Krebs & Peter Mannetti 26

National Endowment for the Arts/Arts Midwest Diane & Derek Steffen The Temple Hoyne Buell Foundation June Travis Ken & Debra Tuchman Xcel Energy Foundation

CHAIRMAN’S CIRCLE BRONZE ($15,000-$24,999)

Isabelle Clark Action Mile High Foundation+ Christine Benero & Brad Busse BMW of Denver Downtown Brownstein Hyatt Farber Schreck, LLP Peter & Cathy Buirski+ Luxury Escapes+ Philip & Marcie Munishor Sharon Regier The Salah Foundation Transamerica Turner Construction

Kiley-Knox Family Fund of The Greater Cincinnati Foundation Andreas & Laura Lee MDC Holdings, Inc./ Richmond American Homes Morgan Stanley Private Wealth Management Oscar G. & Elsa S. Mayer Family Foundation Ted Pinkowitz & Susan Fox Pinkowitz Polsinelli The Ponzio Family Susan & Neil Ray Rollie R. Kelley Family Foundation Fund David & Eva Schoonmaker Jo & Martin Semple Janice Sinden Stonebridge Companies+ Jerry & Debi Tepper Theatre Forward Virginia W. Hill Foundation Judi Wolf Zellis Family Foundation

SPOTLIGHT VISIONARY

THEATRE BUILDER

Liz Armstrong Willis Ashby & Karen Burch CBS 4 Colorado Rockies Denver Economic Development & Opportunity The Denver Foundation John Ekeberg & Jen Schwem FirstBank Holding Company of Colorado Chelsea & Bill Flagg Dr. Taru Hays HealthONE

Abar Foundation Anonymous Alpine Bank Americans for the Arts Aspect Energy LLC/Alex & Cathy Cranberg The Barton Family Foundation Jim & Kristin Bender The Blanche and Irving Laurie Foundation Cliff Foundation Colorado Humanities and the National Endowment for the Humanities

($10,000-$14,999)

($5,000-$9,999)

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Facebook Eisele Family Foundation Ernest S. Madison Family Foundation Sidney & Caleb Gates Giving Generations Foundation Graf Engineering, LLC Jennifer Havercroft-Miller & Greg Miller Brock Herzberg Norma Horner & John Estes Dr. Barbara Hort L. Roger & Meredith Hutson/ HRM Resources, LLC IMA Financial Jeanne Land Foundation Kevin Taylor Restaurant Group+ Liberty Global Mabel Y. Hughes Charitable Trust Dr. and Mrs. Bruce Madison Kyle Malone+ Kathie & Stephen McConahey Mogo Marketing + Media, LLC+ Morgan Stanley The Morgridge Family Foundation Al & Carol Meny Nancy & Paul Oberman Julie & Mark Pawlak Riverfront Park Community Foundation Messner Reeves Peter & Nicole Rueth Ken & Elana Schwartzreich Rod Tafoya Pegi & Michael Touff Janet Burda & Robert Zupkus

HELP BRING THE MAGIC OF THEATRE TO LIFE.

VISIT WWW.DENVERCENTER.ORG/DONATE

ARTISTIC DREAMER ($2,500-$4,999)

Anonymous (3) Kira & Mike Antram Julia & Earl Banks Scott Binder Birdcall Scott Bustos Steve Carlander John Carlen & Jean Gleason The Chotin Foundation Phyllis Coors Heidi Elliott Rick Fantini Michelle Fisher David & Theresa Flake Four Seasons Hotel Denver+ Hyman J. and Florence Hammerman Family Foundation Rhondda Evans Hartman & the Jackson H. Fenner Foundation Michael & Patty Imhoff The Jerry Gart Family Foundation Raymond & Nichole Han Paul Johnson Nick & Jennifer Kemp Betsy Kiley & Steve Knox Stephanie Leigh Mollie Hale Carter Tuesday Fund John & Cheryl Muhr Dr. Mark Palmer Federico & Cindy Pena Dottie Peterson Plante Moran PMG Colorado LLC Joey Porcelli Rasco Janitorial Supply+ Republic National Distributing Company+ Linda Rieger

Rose Community Foundation Sage Hospitality Resources L.L.C.+ Rodney & Sue Sgrignoli Bob & Carole Slosky Tatar Family Foundation D. & Mark Turner Libby Weaver Ken & Dana Zinn

SCENE MAKER ($1,200-$2,499)

Charles & Nancy Anderson Anonymous Auberge Resorts+ Katie Behnke Buck Blessing Angelita Brown Ingrid Brown Julie Buchanan Jennifer Caskey F. Robb Caster+ Gregory Chavez+ Dru Chiesa Bob & Liana Clark Dr. Tom Reiley & Linda Cobb-Reiley Dr. Kenneth Coleman Chris Comer Scott Coors & Dr. David Hurt Courtney Cronk Laurie Cullum Greg D’Argonne Jerome & Jackie Davis Josh Disbrow Maureen Dudley Kevin Durban & Kristy Rowe Denver Broncos Football Club+ Rick & Shelly Sapkin/ Edgemark LLC Emerson Collective Doug & Tana English Epicurean Catering+

James Galloway Tiffany Gengelbach Judy Gorham Carolyn C. Grocock Antoinette Macaluso & Donald Hagengruber Kim Haller David & Florence Harlor Jerry & Patty Hauptman Helen Hayes Cathey Herren Catherine Hoerter Ramsay Huntley & Kelly Bowes Mary Anne Johnston Barbara Kelley Julie Koehler William LaBahn Suzanne Lansang Les & Linda Liman Amy Gaines & Ron Litvak Harold & Ann Logan Diane MacRossie Eliza Madsen Sharla Marshall Brian & Debra McCallin Patrick Meyers William E. Miller Rayanne Mori NCBS Foundation Jane & Gordon Netzorg Karen & Patrick O’Keefe J & L Parsons Maria Rosa Perez Read Foundation Inc. Steve & Christine Rondinelli Peggy Rottner The Sam and Beth Coyle Family Charitable Fund Sanctuary+ Lisbeth & Earl Sethre Shell Oil Kevin Shelledy Anne Slucky

Edie & Bill Sonn Ruthann Spidell Dr. Harlan Spritzer & Joyce Spritzer Yancey Spruill Melanie & Sean Tafaro Dick & Sonnie Talley Robert Terkhorn Thomas & Suzanne Hefty Fund Adam Wahl Rachel Wegener Jane Williams Jennifer Zinn

BACKSTAGE ENTHUSIAST ($500-$1,199)

Anonymous (17) AEG Presents+ Emilie Ailts Staible Kathryn Ake Amanda Akstins Cavell Alexander Jane Allaman Peter Amato-von Hemert Kathryn Ambrose Diana Anderson Kevin H. Anderson M J Anderson7 Foundation William H. Anderson Foundation Inc. Doug & Lindsay Andrews John Andrusyszyn Cheryl & Darryl Annett Rebecca Appel Gary & Gail Armstrong Beth & Tom Arnold Arrow Insurance Management Inc. Monte Aspden Carol & Russell Atha James Austgen Hartman Axley

THANK YOU TO OUR DONORS Paul Aylmer The Colorado Trust Directed Contributions Program/ Dr. Patricia Baca Alison Bailey Bill & Samera Baird Ball Foundation Dr. Oksana Bantley Tamara Barron Barry J. Goldstein Philanthropic Fund of the Jewish Community Foundation Ben Bauermeister Laura Beard Joanne Beckham Jennifer Benda Kim N. Benson Mary & Barry Berlin Patricia D Billinger Black Knight Trucking Cody Blackburn John Blair Michael Bloom Kerri Blum Tom & Doris Blyth Casey Bodine Steven Bogacz Rick & Marie Bogehold Brad Bolon Libby M. & Janet M. Bortz Ladd Bosworth Sapna Brahmanandam & Vivek Rao Dr. H L Brammell & Carole Brammell Peggy & Cole Brannick Colleen Brewer Margaret Brinker Tracy Brophy Don & Karen Brown Brown & Crona LLC Brown-McNitt Family Fund Linda Brune Ondine Bruner Mary & David Buller Kathryn & Michael Burg Karen Burgi Michael Burris Patricia Buys Eileen Byrne C. Joshua and Ellen D. Taxman Charitable Gift Fund Nancy Cain Donna Calvert Vineta Campau Steve Carmer 28

Kelly Carranza Matthew Carriglitto Roger & Susan Cauthon Michelle Chiodini Wesley Chowen Helen Christy Gene Ciancio+ Clara M. Whittington Fund Clifford Clausen Jane & Rodney Clemens Jennifer Clements Montgomery Cleworth Dr. Carlton Clinkscales Joshua Cobb Beth Cobert Gabriel Cohen Wanda Colburn Alan Cole Steve Collins Buffy Marie Collison Mark & Linda Colville Bob Colwell Comcast NBCUniversal Carob Gift Fund Ann Connelly Coors Distributing Company+ Patricia Corey Joy Cox Thomas & Cheryl Cox Danielle Curtiss JC Cutter Sally A. David Paul & J’ne Day-Lucore Carolyn Deer Jodi Del Ponte DelaFoto Pet Photography+ Judith Denton Rory DeVore Beth Dickhaus Tandy M. Dilworth Navin Dimond Kristi Dinner Stephanie F Donner Mary Donovan Thomas Dority & Susan Gapter-Dority Helen Drexler Dr. Martin Dubin & Barbara Dubin Donna DuHadway Pamela Dumonceau Lori Dunbar Carl & Nancy Eklund El Pomar Foundation Diana Ellis Christine & Thomas Engleby Earl & Candice Enix

Tasha Eurich John Farnam & Paul Heitzenrater Paige Farrington Tim Farris Feinberg Family Charitable Fund Valerie Finberg Adrienne Ruston Fitzgibbons Scott & Lydia Flores Lisa & Ezdan Fluckiger The Fox Hill Club+ John & Virginia Freyer Virginia Fuller Gregory & Ann Fulton Diane Gallagher Suzanne Gallie Elaine Gampel Garden of the Gods Resort and Club+ GE Foundation Andrew Gerber Giesler Family Fund Margot Gilbert Frank H. Robert & Lois Gill The Gilman Family Foundation Ingrid Glancy Goldman, Sachs & Co. José González Glenn & Kim Goodwin Gordon Family Foundation Giving Fund Gerilyn Grange Gertrude Grant Gregory A Kintzele Family Foundation Morgan Griﬃn R Griﬃth Madie Gustafson Emilee Halevy Jill Hall The Hamlin Family Fund Deborah Hammons Mayor Michael Hancock+ Donna Harrison Lo Harrison Dr. Daniel Hatch Karri Haugsness James & Claire Hayes Sid & Abbie Hayutin Terry & Noel Hefty/Messing Family Charitable Foundation Paul Heitzenrater Toni Hennessy Maureen Herzog Anne & Jim Hillary

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

David Hillyard James & Judith Hilton Sarah Hines Arlene & Barry Hirschfeld Jeremy Hoaster Jeff Hoerter Gretchen Hollrah Charles Holum Holly Hoting Kelley Howes Hueni Family Foundation Fund Hunter Family Charitable Fund Mary Anna & John Hutchison IBM Lydia Ibarra Jon & Roxanne Isenhart Charles Jacklin Lara Jakubowski David & Annette Jewell Pamela Jewett Joel Brown and Laura Medina Family Foundation John A. and Patricia F. Orr Charitable Gift Fund Allison Johnson Jay E. Johnson Kirsten Johnson Scott & Tracy Johnson Kaitlyn Jones+ Michael Jones Kim Kanas Brad Kaplan The Kappler Marrack Foundation Rich & Heidi Katz Christine Keaten Carolyn Keith Crista Keller Karl Kempster Laura Kerley Brian Kilgore Dr. Lawrence Kim Kyle Kimmal Mike & Linda King Dr. Patricia & Thomas King Dr. Edward Kinney Dr. Dale Kistler Kevin Klau Kurt Knoernschild Dan Kopper Scot Korth Judy Kriss Dr. Charles Kuehn Jean Kutner Rebecca Kuusinen Nancy Lambertson

Tish Landrum Lily Christine Landry Steve Lang Maria Langworthy David Lanham Todd & Robin Larabee Joyce Larson Ken & Kathy Larson Jamie Lasswell Donna Leavitt Megan Ledin John Lee Rob Lee William Lee Anne Lehigh Jennifer Leitsch Leslie Lewinter-Suskind Scott & Kim Lewis Robin Liane William & Ann Lieff Anna Little Dr. Charles Lobitz & Dr. Gretchen Lobitz John & Mary Lohre Lucy R Steven Memorial Fund Daniel Lyons John Mabee Jedeane MacDonald Cone Diane Mandile Paul Manoogian Marathon Petroleum Jennifer Martinusen Chris Mathewson Margaret Maupin Barbara Mautino Joel & Jean McCormack Katherine McCormack James & Carole McCotter Michal & Aaron McDowell Brittany McGarry Susan McGuinn Pete McGuire McNeil Designer Portraits+ Julie McPherson Lisa Meacham Katherine Meier Mele Leahy Foundation Courtney Messenbaugh Justine Metz Victoria Meyers Michael A Williams Charitable Fund Melanie & Thomas Michaels Philip F. & Pamela Miele Barbara Miller David Miller & Lisa Farber Miller

James Miller Jason Miller Megan Mistler David Mitchell Joe Moenich / Gary Chappel Beth Montgomery & Matthew Brown Jenny Moore Janet Mordecai Walter Moreland Robin Mower Terry Moya Gurnee Munn Anne Murdaugh Michelle Murphy Murray Charitable Giving Account Kim Musolff Brent & Margaret Mutsch Patricia Mzarek+ Nellis Family Fund Ben & Patricia Nelson Kristin Nelson Ben Nesbitt Network For Good Kathleen Nicolls Kristen Nordenholz & Andy Martin Kent Nossaman Nutrien Anna O’Kelley Stuart Oliver Dr. Theodore Olson Jean & Ed Onderko Kristi O’Neal Lauren O’Neill Crist-Fulk Patricia Onsager Stephen & Cathy Ormiston Gregory & Caitlin Osborn Lucy O’Shaughnessy Patricia L. Pacey Robin & Stuart Pack Corinne Packer Steven Paletz Marilyn Palmer Jeff Parker Erika Parkinson Joy Parrish Julie Parsons & Frank Nowell Lisa Peloso & Vik Patel Mary Peckham Donna Pendleton Tashiba Peoples Margaret A. Perkins Deana Perlmutter Essie Perlmutter Nancy & Richard Peters

Brian Petersen Robert Phelps Cari Pippin Kurt Pletcher Victoria Ponce Joya Powers Leslie K Proctor Koger & Marcie Propst Robert Puls Tim Randolph Stacey Ray Kerry Rea Barbara & Gary Reece David & Marcie Rhodes & Family Richard and Kathleen Carande Family Charitable Giving Fund Brian Ridge Sarah Riopelle Fred & Ayliffe Ris Eileen Robinson Renee Rodgers Janenne Rosen Jane Rosenberg Molly O. Ross Paula Rosson & Brian Huculak Melanie Royston Andi Rugg Carol L. Rust Amy Rutherford Hassan & Sheila Salem Theodore & Deborah Sandquist Maurine Sanford Jim Saracino Scot Schneider William & Lillian Schneider Eric & Trina Scholz Sharon Schonhaut Dr. Margaret Schrieber Stephanie Schultz Tamara & Todd Seelman Jocelyn & Karl Seller Brian Sells Tama Serfoss Ellen Servetar Amy Shaffer Michael Shedd Christine & James Shore Danny Showers+ Dorothea Simmons Jamee Simons Roger Sinden Michael Sirohi Martha Sloven Scot H. Smith & Susan Blake-Smith

William Snider Cheryl L. Solich & John W. Kure Robert Spencer Kathryn B Spuhler Philip Stahl Holly Stander Janis Starkey Stellar Solutions Foundation Jeffrey Stevens Peter Stevenson Christopher Stewart Mary Stewart Michael & Angie Stowell Linda Sundbye Jeff Suntken Susan Stein Charitable Account Alexandria Swanson Bob Szydlowski Tarquin-Day Fund Douglas & Sandra Tashiro Philip & Page Tatar Agnes Tatarka Kathy Tedrick Steve & Susan Thayer Jeffrey Thomas Barbara Thorngren Julie Tifft Pamela K Tumler Becky Turner Kristin Van der Laan Barbara Van Horne Visa Molly Visser Julie & Brad Volin Judith & Paul Vorndran April Walters Lisa Walvoord Pam Watanabe Hanna Warren Evan Waters Timothy & Francine Webb Debbi Wein Wells Fargo Andrea Wells Etta & Michael West Chris Wiant Heidi Wilbur Jody & Kemper Will Jackie Williams Mary Ann Wilner Ann & Barney Wilson Dr. Tammy Wolfe Richard Wolniewicz David & Lynn Wong Earl Wylder John Yallop

THANK YOU TO OUR DONORS Suzanne Yoe Ailsa Young Peter Zaemes Andrew Zapotoczny Josephine Zirkelbach John Chapter & Dale Zitek

ENSEMBLE

($250-$499) 73 Art Agency LLC Anonymous (18) Kim Ackerman Renee Adam Kathleen Adamson Lynna D. Adell Larry Adkins Liz & Tuck Aikin Christine Alexander Nicole Ament Dr. Catherine Anderson & Truman Anderson Holly Anderson Pat & Mike Appleby Diane Aragon Arthur Murray Dance Studio+ James Askew Dr. Caryn Aviv Lauren Axon Ryan Baker Dr. Marcus Ballenger Dolly Barker Dr. Kathleen Barnes Richard Barnett Darcey Bar-on Kathie Barnes Steve & Debbie Barnes Kelly Bartling Chris Beatty Judy Bederman Kristin Beecher Melissa Bell Jeff Gifford & Linda Betcher Angela Betker & Anthony Simon Nancy Betts Brian & Linley Biﬄe Kendra Black Ronald & Ev Blair Krissa Bloom Estie Blum Gayle & Jeff Boevingloh Ruth Bohrer Christina Botzum Catherine Bowman Bowyer D’Alessandro & Associates, PC Marge Bozarth Brady Family 30

Melissa Bragg Risa Brainin Mary Brennan Russell Brewer Trina Brown Joe & Charlotte Bruno Helen & Willis Buehrle Gena Buhler John Burbach Susan Burgamy Susan Burrows Rebecca Caldwell Dale Campau Marc Carlson Barbara Carpenter Tala Carr Bob Carrejo Cars Helping Charities Gravely Carter Victoria Carter Laurence Casada Mary Ann Casey Daria Castiglione CDK Global Center Theatre Group+ William Chapp Robert Chelle CIGNA Foundation Carl Cindric Tom Cladis Jamie Clements Judith Coblentz Dan Cohen The Cohn Family Dale Colclasure Steve Cole Community First Foundation Brenda Conant Dianna & Richard Cooper-Ribner Morgan Copeland Kim Corrigan Shannon Costello Lisa Couper Steve & Linda Crain Michael & Suzanne Curtis Nancy Cyphers Edward Dageforde Mary Dahlstrom Suzanne Dakin Paulette Dalpes Kathleen Daly Marilyn Dana Christine Daniels Barb Davis Teresa & Dean DeBenedet Robert Deibel Denver International Airport+

Barbara H de Jong Johnathan Dempsey Kathryn Dieveney Dr. Stephen Dilts Mary Dineen Marla Diner Jennifer Dougherty Elaine Douglas Martha Douglas Emily Driver Julie Dugan Rebekah Dumouchelle Patrick & Carol Dunn Erica Duvic Jenny Dyer Patricia & Chris Elliott Jann Engelstad Sherri Eret Claudia Farley Ned Fenwick Christy Ferguson Jeanine Figur Marjorie Fisch Laurie Fletcher Dr. Patrick Foley & Gretchen Foley Wayne Forman & Elizabeth Wald Norm & Lisa Franke Frank Fransioli JoAnne Friedman Heather From Andrea Fuller Dr. Richard Garbe & Margaret Garbe Amy Gavin Jocelyn & Bob Gebhardt Julia & Richard D. George Timothy Getzoff Aaron Gibbs Gill Foundation Rosemary Glista Phil Goerner Jacob Gram Dr. Katherine Green & Brad Deibel Christie Greene Ariana Greenwood Laraine Gregor Ann M. & Peter B. Gregory Bruce & Diane Greiner Lyle & Janet Grimmett Mark Grueskin Dr. Steven Gulevich Patricia Gunckel Jim & Laura Hahn Steve Hahn Shannon Hardy

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Frances Harjeet Martin J. & Julie S. Harrington Harris Family Giving Fund Kay Hartrick James Harvey Kristina Hasselkus Denise Hawkins Norma & Phil Heinschel Jakalyn Helling David Helmreich Beth Henderson Lisa Hensley Bob & Lisa Hephner Timothy & Elizabeth Hepp Jacinto & Pamela Hernandez Danna Herrell Ginny Hersch The Hessel Family Foundation Christopher Hill John Hinchey Jeremy Hinegardner Pamela Hirschman Kent Hollrah Gregory Holm Linda J. Horn Stan & Claudia Humbargar Grady Hunt Isaac and Toni Lieber Family Giving Account Dakini Jaeger Evan Jansen Kellie Jenkins Jennifer Jeske JEWISHcolorado Barb Johnson Marguerite Johnson Sueanna Johnson Margaret Jones Kristine Kadash Rebecca & George Kalinowsky Roberta Kandel Jessie Kasynski Kathleen and Larry Clark Charitable Fund Kendra Scott Jewelry+ Lara A Kendrick Tony C. Key Leo & Susan Kiely Tracy Kirkeide Ellen Klement Shilpa Kinikar Susan & John Knill Peter & Roberta Knott Donna Kornfeld Richard Kornfeld Lynn & Paul Korus

Don Ku James Kurtz-Phelan Steven Ladin Cory LaFroscia Susan LaHoda Megan Lamb Laura Lane Lesley Larson Gwen Laughlin Anna Lawitzke Shelley Lawton Professor Richard S. Leaman Carrie Lenz Nancy Leonard Laura Leovic Alison Levine Katharine Lindauer Joel Lindeman The Links, Incorporated Cathy Loftus Ellen & Anthony Lomonaco Lori Long Diane Loosebrock Emily Loyd Joyce & Gary Lozow J Mark & Lyndelle Lubbers Lisa Lund Brown Lisa Mac Donald Agnessa Madruga Virginia & Jon A. Madsen Ruth Malman Sherry Maloney Marie Maltz Dottie Marchant Dr. David Marsh Susan Marshall Tara Marshall Ester Martin Sharon & John Martin Richard Martin Christopher Massey Roman & Elizabeth Matherne William & Joy Mathews Susan May Mazer Telecom Advisors The McBryde Family Lou McDowell Sue McFarlane Tim & Joann McKeever John Medberry Medtronic Peter & Sheila Meer Edward Melanson & Jon Davidovich Janice Michael Julianne Miles Coreen Miller Connie & Andy Minden

Carrie Miner Edie, Robert & Alex Mitchell Jason Mitchell Lisa Mittan Tamra Mohs Carrie Moore David Moore Judy Morton Marjorie Moss Jim Motsinger Michael Mowry Dr. Michael J. Moynihan and Dr. Mary Moynihan Norman R. Mueller Thomas Mueller Diane Murley Karen Musick Jesse Nadelman Stephen Nash Phoebe Nason Sally Neher Drs. Harold and Sarah Nelson Ted & Jill Nelson David & Ann Nestor Beth Nichols Doug & Jenny Nikaido Nike Kelly Norton Frank O’Cana & Marc Ravenhill Megan O’Connor Bill & Beth Oligmueller Marilyn Oliver Leeann O’Malley-Schott Oracle Paul Orban Gretchen Orosz Elizabeth Pace Chuck & Helina Palmer Susie & Gregory Palmquist Margaret Park Lisa Parrett Lisa Perlmutter Erik Peters Gary & Kathy Petersen Carol Petitmaire Martha Petrie Doug Piersel Jeannie Pintuck Steve Pirner & Kevin Rutherford Pam & Don Piro Carol Plock Portland Center Stage+ Adam Post Christopher Price Katie Princo Aaron Quinto

Amanda & Chris Rainieri Natalie & Toby Ralston Joanna & Russell J. Ramsey Ambria Reed Dr. Heather Reeder Barbara Reed-Polatty Marilyn Renninger Mary Carol Riaski Mary Riddell Mr Paul Riddell Steven & Joan Ringel Elena Ritchie Bob & Dianne Rizzuto Bret Roberts Colleen & Andrew Roberts Patricia Rocha Mark Rockwell Lisa Roll Moore Jane E Rosenbaum Elizabeth Rowan Barbara Rowes Sharon Rusnak Jon Rupp Lori Sabian Carmen Sanjurjo Kama Sarkissian Jeremy Savage Ellen Schedel Jane Schmitz Ruth E. Schoening Louise Schottstaedt Sean Shaw Dr. David Showalter & Vivian Showalter Nancy Siegel Richard Silver Donna Singer Mark Skrotzki & Nancy Crow Barbara Smith Dana & Yvonne Smith Janet Smith Sylvia Smith Daniel Sneed III Jason Snow The Social: Modern Matchmaker+ Cindy Sorenson Joann Sorrentino Cheryl Sparks Jack Sparks Karen Spence & Sally Kelly Wendy Spencer Jonah & Katty Staller Paul & Jan Stanko Judith Steinberg Jim & Alice Stevenson James Steverson J.J. Straight

Julie Stretz Dr. Eric Surrey Judy & Meyer Sussman Marleen & Spencer Swalm Stephanie Tazer Scott & Susan Tarbox Kate Testerman David & Patti Theil George Thomas Chalyse Robinson & Christian Thomas Eric Thompson Gerri Tinianow Cindy Tormohlen Ted Tow & Cathy Traugott Tri-State Generation and Transmission James Turner James & Elizabeth VanderPloeg Klasina VanderWerf & Tom Thomas ViaSat Pattie & William Vonvihl Kay Wagner Patricia Wagner Wendelyn Walberg Tina Walls John Ware & Kit Mura-Smith John H. Weadon Weber Family Ami Wehn Lorraine Weissman Sarah Welch Taryn Westberg Roberta Wheeler Linda & Charles White Mark White Shelly Whittington Chris Wiedenmayer Julie Williamson Sarah Wilson Patrick & Stefanie Winfield Richard & Kristen Winkel Courtney Winterbottom Tom Wolf Leila Worth Wu Family Charitable Foundation Leorah Young Younger Impressions LLC Kelly Zander

PROUD SPONSOR OF DCPA EDUCATION’S MIDDLE & HIGH SCHOOL PLAYWRITING COMPETITION

“Live theater is a powerful experience — one that can inspire, transform, and bring people together. Transamerica is proud to support DCPA and the next generation of gifted young playwrights. We believe Denver’s diverse artistic community is a big part of what makes our city so special.” — RON WOOD, HEAD OF PEOPLE SOLUTIONS AT TRANSAMERICA

Transamerica offers solutions that help people achieve financial security throughout their lives, whether it’s saving and investing for the future or protecting themselves and their loved ones. The people of Transamerica bring expertise, creativity and heart to everything they do — and to the communities where they live and work. The company’s charitable giving and volunteerism in Denver includes a wide range of causes, with particular focus on youth and families. This reﬂects a belief that supporting and educating young people helps set them on the path for the kind of future they want. Contributing to the Denver Center for the Performing Arts (DCPA) is consistent with Transamerica’s desire to underwrite programs that foster creativity in the areas of music and performing arts for youth and the underserved. Transamerica looks forward to continuing to support programs such as the DCPA’s Middle and High School Playwriting Competition. The company is pleased to play a role in advancing literacy, creativity, writing and communication for these talented young individuals.

(L-R): A snow leopard sculpture dedicated to Transamerica is featured at the Denver Zoo. | Transamerica employees volunteer with Habitat for Humanity. | Students participate in Young AmeriTowne, sponsored by Transamerica.

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

BED & BREAKFAST SUITES GOURMET BRUNCH EVERY SUNDAY Open to the public

TRADITIONAL ENGLISH AFTERNOON TEA Served daily from 3-6pm

FINE DINING Wine Dinners

MAGICAL TEA AND VICTORIAN CARD READING by appointment

EVENTS

Weddings, elopements, receptions, private parties, bridal showers, baby showers, corporate dinners, meetings and workshops, performances and events. See details at lumberbaron.com/events

2555 W 37th Ave, Denver - The Highlands.

303-477-8205

RESERVATIONS REQUIRED

A prepaid funeral plan protects your family. Planning your life celebration now will give you and your family valuable peace of mind. Our guaranteed, prepaid funeral plans protect everyone from hard financial and emotional decisions at a time of loss. Speak with us today and we’ll help you take care of every detail, including affordable payment plans. FREE planning guide:

DignityMemorial.com

9 LOCAL PROVIDERS TO SERVE YOU, INCLUDING:

OLINGER MORTUARIES & CEMETERIES

303-233-4611

Olinger Crown Hill Mortuary & Cemetery

“SOMETHING [FANTASTIC] THIS WAY COMES”

SHAKESPEARE IN THE PARKING LOT RETURNS WITH MACBETH AND MORE!

BY EMMA HUNT

DCPA Education’s Shakespeare in the Parking Lot program has returned for its seventh season. This spring, three Shakespeare productions will go on tour throughout the community and visit area schools. And these aren’t your typical performances. Shakespeare in the Parking Lot is exactly what it sounds like — stripped-down, abridged versions of Romeo and Juliet, A Midsummer Night’s Dream, and Macbeth centered around a pickup truck “set” in the middle of a parking lot. The cast members are local actors and DCPA teaching artists, including Shannon Altner, Grant Bowman, Iliana Lucero Barron, Chloe McLeod, Camryn Nailah Torres, Christian Ray Robinson, Ryan Omar Stack and Justin Walvoord. Shakespeare can be confusing for students half-heartedly reading a script in English class. “Thee” and “thou” can often sound like a foreign language. To make theatre not only accessible, but also exciting, the productions travel to area schools and facilitate interactive workshops with students. These workshops break down elements of the plays and transform them into modern day situations, relating to issues students face every day such as peer pressure and loyalty. By bringing these plays to life and engaging the students in discussion, debate, and games, Shakespeare in the Parking Lot is an invaluable resource for area educators. From April 4 through May 15, the program will go on tour throughout the community. This season, Shakespeare in the Parking Lot will be visiting six community partners. Attend a performance near you this spring! The tour will stop at several Denver Public Library locations as well as cultural centers in the metro area. These performances are free and open to the public. Visit denvercenter.org for more details. You can also download an audio version of Romeo and Juliet and watch a behind-the-scenes video of the recording studio on the DCPA website. Dive into this immersive audio recording and get hooked on Shakespeare! This program is made possible through the generous support of the Morgridge Family Foundation, Isabelle Clark, Oxy Occidental, and the Riverfront Park Community Foundation. It is also part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest.

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

SUMME R THEATRE CLASSES Weeklong theatre day-camps for children and teens Adult classes on weeknights All skill levels welcome

ENROLL TODAY

Education & Community Engagement

DENVERCENTER.ORG

Sponsored by Summer series for children & teens sponsored by

Robert and Judi Newman Family Foundation

OUR STATE,

YOUR SYMPHONY

An Evening with Ben Folds and your Colorado Symphony

Beethoven Symphony No. 9 with Colorado Symphony & Chorus

APR 23

MAY 27-29

April An Evening with Leslie Odom, Jr. and your Colorado Symphony APR 2 SAT 7:30

Rachmaninoff Piano Concerto No. 2

APR 8-10 FRI-SAT 7:30 ✣ SUN 1:00

Mahler Symphony No. 2 “Resurrection” APR 16 SAT 7:30

An Evening with Ben Folds and your Colorado Symphony APR 23 SAT 7:30

May With a Voice of Triumph - European Tour Preview Performance MAY 7 SAT 7:30

Mahler Symphony No. 5

MAY 13-15 FRI-SAT 7:30 ✣ SUN 1:00

Cleo Parker Robinson Celebration with your Colorado Symphony

MAY 20 FRI 7:30

Colorado Symphony Gala

MAY 21 SAT 6:00

Beethoven Symphony No. 9 with Colorado Symphony & Chorus MAY 27-29 FRI-SAT 7:30 ✣ SUN 1:00

See our full event listing at coloradosymphony.org

PRESENTING SPONSOR

PROUDLY SUPPORTED BY

TICKETS: COLORADOSYMPHONY.ORG