Applause March-May, 2022 -- Tootsie

APPLAUSE VOLUME XXXII NUMBER 4 MAR – MAY 2022

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APPLAUSE

SIGHTLINE

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BY JANICE SINDEN

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Janice Sinden, President & CEO

Choir Boy ....................................... pg 6 Tootsie .......................................... pg 10 Jersey Boys ..................................pg 19 4

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EDITOR: Suzanne Yoe DESIGN DIRECTOR: Kyle Malone DESIGNER THIS ISSUE: Brenda Elliott CONTRIBUTING DESIGNERS: Paul Koob, Lucas Kreitler CONTRIBUTING WRITERS: Linnea Covington, Sylvie Drake, David Freeland, Brittany Gutierrez, Emma Hunt, Joanne Ostrow

Welcome to the theatre! Last month we joined Arts in Action by celebrating the importance of Arts Education, which contributes to better grades, fewer dropouts and higher graduation rates. We are proud to engage nearly 150,000 students each year when our programming is in full swing.

The DCPA partners with school districts statewide to support the full arc of a student’s academic experience.

We start with Book Stars, a literacy program for pre-K through kindergarten. Equipped with props and loads of creativity, Teaching Artists invite kids to actively participate in the story.

The program is so popular that we have 15 teachers in up to four schools a day.

The mainstay of our Education programs is Dramatic Learning.

This program works with educators to develop a customized workshop that bolsters curriculum. It is dynamic, versatile and suitable for nearly any subject and grade.

We also offer Theatre for Young Audiences, which focuses on performances tailored for pre-K through 3rd grade audiences, welcoming children to their first theatre experience and sparking their wonder. As students move into middle and high school, we offer Student Matinees to both Broadway shows and Theatre Company productions, and when we host the Colorado New Play Summit, we offer workshops and a must-see playwrighting competition. When the weather is warm enough, we welcome students and our broader community to join us for abridged versions of iconic plays through Shakespeare in the Parking Lot. So many choices!

The pinnacle event of the year is the Bobby G High School Musical Theatre Awards, which includes master classes, professional evaluation of school productions, and a full-fledged awards ceremony, much like the Tony Awards in New York.

In partnership with Denver Public Schools and its Foundation, we present the DPS Shakespeare Festival, in which students rehearse scenes, sonnets and swordplay (with pool noodles). The festival is a highlight every spring when 5,000 children fill the Arts Complex.

Educational opportunities continue for lovers of lifelong learning.

Whether it’s an acting class, article, post-show discussion, study guide or video, the DCPA — led by its dedicated, artistic and passionate Education team — seeks to foster learning, spark creativity and enrich your theatre experience.

To learn more, visit denvercenter.org/education. Join us!

IN THIS ISSUE

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You may find that it takes a few minutes to adjust to the language, form and plot of Choir Boy, the Tarell Alvin McCraney play you’re about to watch. You scoop story developments by the earful, rather than following them as a straight line, so listen up, because the transitions are subtle and stitched together by, of all things, some impressive choral singing. That singing takes care of any plot synapses and, by paying attention, you will have it all pieced together by play’s end.

In short, you have to do a little work to fully absorb the range and delicacy of this enterprising play. But if its form is novel as well as alluring, the basic tale is not impenetrable. It tracks events at Drew, a prestigious prep school for African American boys famous for its choir. Pharus Jonathan Young is the supersmart and sassy current leader of that choir and happens also to be Drew’s only overtly effeminate student. He doesn’t mind flaunting it as an edgy form of self-defense, as he maneuvers the twists and turns of school protocol, with its firmly supervised old-school, all-male environment.

McCraney is one of those bright, young and challenging playwrights who surprises audiences with almost every new piece he delivers. He kick-started his playwriting career while still a student at Yale, with a trilogy (or triptych, as he prefers to call it) titled The Brother/Sister Plays. It explores the African Yoruba culture and religion while set in Louisiana housing projects, presumably similar to the ones in which McCraney grew up.

This shot out of the gate brought him attention that has never let up. In spite of being, by his own admission, quite shy and extremely private, he’s an unavoidable beacon for up-and-coming young playwrights. In a single year, he received two highly prestigious and remunerative prizes: a MacArthur “Genius” grant and the Windham-Campbell Prize, part of an enviable growing list of achievements and awards.

He’s also worked with some major national and international companies, and the theatrical heavy-hitters who run them and recognize his work and its value.

Popular recognition caught up with McCraney in 2016 when he co-wrote the film script for the Oscar-winning Moonlight with the film’s director Barry Jenkins. Based on one of McCraney’s plays (In Moonlight Black Boys Look Blue), it won them a joint Academy Award for Best Adapted Screenplay, and for McCraney, the kind of broader acknowledgement that a well-regarded film can bring.

Choir Boy was originally commissioned by New York’s Manhattan Theatre Club and had its initial staging in 2012 as a co-production with English Stage Company at London’s Royal Court Theatre. Because it is such an idiosyncratically ensemble piece, in which every actor/ singer has his moment, as well as joint ones in the choral pieces, the search for the right performers narrows down to a coterie of singer/actors with the ability to do both things well.

We get to know the boys at Drew through the usual in-house sparring and rough-housing and we learn to distinguish the traits that bind or separate them. Racial and identity issues are subliminally always present, emerging now and then in Mr. Pendleton’s class. Pendleton is a white teacher enticed out of retirement and enlisted to share his knowledge and experience with the boys in an unusual “life” class. Specifically: how to

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

navigate the complexities of the adult world these boys are soon to enter.

He approaches the task with directness and tentative care, mindful of the fact that he’s both a lot older than they are — and in the minority here. He needs to earn these boys’ respect by delivering the right healthy stimuli to their evolving minds. What he may not have expected is what he gets to learn from them in return.

The morality tale embedded in this plot, has scenes of considerable muscular frankness, touching on African American history, identity politics, sexuality and spirituality. Because leading this choir is a coveted hallmark of Drew’s reputation as an elite school, friction simmers then erupts between choir leader Pharus and the bully-prone Bobby, the headmaster’s nephew who feels that his family connection should buy him privilege when it comes to who gets to lead the choir.

This rivalry in this play is its most memorable wrinkle: the seamless beauty of the connective singing, choral and solo, that links one scene to the next. It also is the feature that provides continuity, sharpens differences, expounds emotion, brings the boys together — and moves the story along.

Given that the world we’re in is post-George Floyd and post-Ahmaud Arbery, a world that has seen black masculinity so openly attacked, what I love is that the play creates a space that doesn’t feel voyeuristic.

— JAMIL JUDE, DIRECTOR

Jamil Jude, the Artistic Director at the Kenny Leon Theatre in Atlanta, GA, and the director of this Choir Boy in Denver, had staged the play at the Guthrie Theatre in Minneapolis in 2014. He therefore had an earlier experience locating performers able to handle these roles. “It’s challenging,” he said, when we had a chance to talk, “because the show requires a lot of acting chops, so it needs strong actors who also can sing.”

Casting for this Denver production had not been completed at the time we had this conversation. Was he looking for actor-singers who might have been in some previous productions of the play?

“Kind of,” he said. “We’re casting out of Denver and since the play has been around for a while, and the roles are so rich, young black artists are aware of it and, to some degree, search out the opportunity to be cast.

“Given that the world we’re in is post-George Floyd and post-Ahmaud Arbery, a world that has seen black masculinity so openly attacked, what I love is that the play creates a space that doesn’t feel voyeuristic.”

Then as an afterthought, “I’ve been in that crucible, so I’m very much invested. My generation was not kind.

“This play shows us another way to be.”

SYLVIE DRAKE is a former theatre critic and columnist for the Los Angeles Times.

She is a member of the American Theatre Critics Association, a contributor to culturaldaily.com and occasional contributor to American Theatre magazine and the Los Angeles Times. She also served as the DCPA’s Director of Media Relations & Publications.

CHOIR BOY

APR 22 – MAY 29, 2022 • KILSTROM THEATRE ASL Interpreted and Audio Described performance: May 15 at 1:30pm

• All people are equal • Moments are shared • Differences are valued • Discussion is encouraged We respect that everyone experiences our stories differently.

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QUIXOTE NUEVO MAY 13 – JUN 12 | WOLF THEATRE In the fictional modern-day Texas border town of La Plancha, Quixote and Sancho embark on a fantastical quest in search of long-lost love. Infused with imagination, comedy, and Tejano music, Quixote Nuevo reveals the joys and perils of facing down Death and becoming the hero of your own story.

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The Broadway presentation of Tootsie marks the first time that the musical has stopped in Denver, but it certainly may not be the first time that movie fans have seen it. Tony Award®-winning Book Writer Robert Horn gives us his insight into the differences, similarities and the unexpected elements in this production that separate it from the beloved 1982 movie.

APPLAUSE (APP): What are the biggest differences between the film and the Broadway musical, and would you like to explain why you made some of these choices?

ROBERT HORN (RH): A shift that needed to happen was the point of view of the female characters in the story.

It was important they reflect the impact and progress women have made in society and art since the days of the original film. There is both a strength and vulnerability to the women portrayed in the musical that I think, sadly, might not have resonated back in the early 80’s…but again, as we progress culturally, so must our art. When a future society looks back at a certain time in history, it will be able to define that moment in time by the art that was created. In our show, Julie does not grow by virtue of being around Michael; Michael changes and grows because of his experience of being with Julie – a woman who navigates her own obstacles with determination and confidence.

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The cast of the National Tour of Tootsie. Photo by Evan Zimmerman for MurphyMade.

WITH TOOTSIE BOOK WRITER ROBERT HORN

APP: What is the intended impact of Michael Dorsey disguising himself to act in a Broadway show (rather than a soap opera), and how did it feel writing that from the perspective of a member of the theater industry?

RH: Again, I like a story where the protagonist isn’t always a great character at first, but you relate to their journey, their desperation, their desires and wants, so you follow them to watch them grow and change. We are living in ever shifting times and there is a social responsibility on all of us to adapt to changes and learn to grow from what we might not have understood just a short time ago.

Also, I relate to Michael’s reasons for being desperate, and the mistakes he makes on his journey to enlightenment…though I try not to emotionally injure people along the way as he does. Thankfully, his life is probably a much better drama than mine. And most of all, I loved the idea of writing a musical that celebrates musical theater, its quirks and flaws and stunning comradery. The sacrifices we make just for the opportunity to do what we love most. The family we create along the way. Theater is a unique culture that brings people together in a way very few others do.

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COMING UP FROM BROADWAY

APP: What would you say are the greatest highlights of the show?

MOULIN ROUGE! THE MUSICAL

RH: The real commerce of this show is its comedy. Its tone. And of course, the clown car of actors that brings it to life every night.

The comedy comes at you with such love, then there are these hysterical songs by David Yazbek that at once have you laughing and moments later thinking. Add to that the way Denis Jones uses dance to forward the action with such humor and style, and David Solomon recreating Scott Ellis’ staging but adding his own comedic sensibility and timing that keeps the show moving like a bullet train, and it adds up to a glorious night of musical comedy.

Inspired by Baz Luhrmann’s revolutionary film Moulin Rouge, get ready to enter a world of splendor and love with Moulin Rouge! The Musical, coming to The Buell Theatre for the first national tour this summer. Get to know Moulin Rouge! The Musical before you see the show with three fun facts!

APP: Why do you think the story of Tootsie remains so beloved worldwide, decades after the film came out?

RH: I think comedies have a longer shelf life than certain other genres of film. And I think the film was masterful and so even though it becomes problematic as we shift culturally, there’s no denying its craft. I also think somewhere in us all there is desperation, and also hope – hope that we can be better, that we can change, that we can walk in someone else’s shoes and be part of a community. This is a story of community – of a group of people who love each other and just want to do what they love most, even if the world might have other plans for them!

1. Choreographer Sonya Tayeh did not stick to one dance style when creating the choreography for the show. From the historical can-can to contemporary dance, the production will have various elements that are high energy and will grab audiences’ attention.

2. Baz Luhrmann approached Director Alex Timbers to direct the musical adaptation with the guidance to not duplicate the film, but reinvent with the spirit of the film at the base.

“When I watch audiences watch the show and hear that tsunami of communal laughter... writing the show was that exact same experience.

Constant laughter, community, self-reflection, joy, friendships, and a love of this artform.”

3. Although some of the original music from the film is in the musical, the creative team looked at modern inspiration as well. Director Alex Timbers and Book Writer John Logan collaborated to create a character and lyric-driven approach to song selection. With an iconic love story at the core, the music had to fit the characters and their stories.

Do not miss this spectacular production coming to Denver June 9 – 26.

RH: When I watch audiences watch the show and hear that tsunami of communal laughter that just builds and builds throughout the night and lifts the ceiling, I wish I could let audiences know that writing the show was that exact same experience. Constant laughter, community, self-reflection, joy, friendships, and a love of this artform.

Also, supporting the arts SAFELY right now is a vital step in creating a new normal and getting back to our lives. And what better way to come out of the cave of isolation we’ve all been in, than with laughter!

TOOTSIE

MAR 29 – APR 10, 2022 BUELL THEATRE ASL Interpreted, Audio Described and Open Captioned performance: Apr 10 at 2pm

READ THE FULL ARTICLE

Moulin Rouge! The Musical Broadway. Photo by Matthew Murphy.

APP: Is there anything else you would like to add about creating the show, what makes it so wonderful, or why people should go see it?

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Join us for an evening of spectacular entertainment at this year’s Saturday Night Alive gala, supporting the Denver Center’s theatre and education programs. A world of passion, glamour and extravagance awaits at what promises to be the biggest social event of the year!

Cocktail Hour Three-Course Dinner Luxury Online/In-Person Auction Moulin Rouge! The Musical at the Buell Theatre New! COCKTAIL TICKETS On Sale April 19 • Limited Availability Our Cocktail Tickets ($350) are brand new for 2022 and include a 6:30pm arrival for heavy hors d’oeuvres, cocktails, and an orchestra seat at Moulin Rouge!

The Musical, plus a charitable contribution.

Purchase tickets at DENVERCENTER.ORG/SNA Can’t make it this year? Participate in the luxury online auction, which will be open for public bidding.

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THE GIFT OF COLLABORATION

American Fast In American Fast, Khady Salama is a 21-year-old college basketball sensation, ready to compete in March Madness, which falls during Ramadan. Her religious mother expects her to fast — even on game days. As the tournament unfolds, Khady becomes a role model for young Muslim women everywhere, except she’s secretly breaking her fast. Pressures mount, her lie comes to light, and the story quickly unfolds, examining how the practice of faith and the practice of sport are intertwined.

Playwright Fahmy said the story is somewhat autobiographical “in the sense that I was inspired by my experience. I’ve been intrigued by how that generational shift occurs between first-generation immigrants, like myself, and my parents’ generation, who grew up in Egypt, a Muslim-majority country.”

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APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Jamie Ann Romero – Cebollas.

Photo by Michael Martin Photography.

Someday there will be costumes, props, scenery and lighting. But first, the messy process of shaping and fine tuning a play, hearing what works and what doesn’t, requires a series of bare-bones public readings like those at the recently completed Colorado New Play Summit.

It’s an exciting and, for some, excruciating process.

Denver has a reputation for nurturing new play development, and some of the plays incubated here have gone on to national acclaim. Because the highly competitive process draws both established and emerging playwrights, a number of respected directors, actors and dramaturges traveled from across the country to attend.

Industry onlookers, serious theater geeks and the merely curious enjoyed readings of four scripts in development plus two fully produced Summit graduates — the world premieres of Rattlesnake Kate (music and lyrics by Neyla Pekarek, book by Karen Hartman) and Beaufield Berry’s In the Upper Room.

This year’s Summit featured a diverse crop of playwrights and varied types of storytelling — from absurdist dark humor to heroic biography, from a rumination on religious identity to a meditative abstraction. The four 2022 Summit plays were:

Geoff rey Kent and Dana Green – Rubicon.

Photo by Michael Martin Photography.

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The cast of American Fast.

Photo by Michael Martin Photography.

BY J OA N N E OST R OW

Cebollas Cebollas by Leonard Madrid (which he subtitled “The Onion Play” for the benefit of non-Spanish speakers) is an absurdist comedy that includes a dead body in every scene. When odd circumstances force three sisters to take an unexpected road trip from Albuquerque to Denver, they bicker, sing and share secrets while illuminating Latina culture.

“Humor is a major part of my life,” New Mexican playwright Leonard Madrid said. “It’s intentionally about sisterhood,” he said, “about the lengths we will go to to protect the ones we love.”

Rubicon In Rubicon, based on a true story, a woman overlooked by history finally gets her due. Elizabeth “Betty” Pack, a society wife and mother, makes the transition to seductive spy as a continent-hopping agent for British and American intelligence operations in the years before World War II. Though left out of the historical record, she played a role in helping to crack the Enigma code, smuggling secret plans in her underwear. Betty is clever and beautiful, but she’s also a complicated woman who was both celebrated and denigrated for abandoning family and weaponizing her sexuality.

Playwright Kirsten Potter said she was angry when she first read an article about Betty and wondered why we hadn’t heard about her exploits. “I got all self-righteous about it.” She started researching in 2017. “I worked hard at times to suspend my own judgment about her,” Potter said.

Matt McGrath as Miss Tracy Mills in The Legend of Georgia McBride.

Photo by Jennifer M Koskinen.

Theatre Company Artistic Director Chris Coleman said the Summit, the DCPA Theatre Company’s signature festival, not only allows the company to nurture new playwrights, but also keeps it alert to the future through some of the country’s most exciting writers.

“When selecting a play for the Summit,” Coleman said, “we don’t stick to a theme but find selections that are different and engaging. saturday feels contemplative and meditative, Cebollas feels wacky and at warp speed, Rubicon is sexy and suspenseful, and American Fast feels amped and spiky.”

For Lee, “my goal for these two weeks is that the actors, director, dramaturg, the team enjoy working, enjoy doing this thing we haven’t been able to do for so long. I love that we get to be here, that’s the gift.”

BE A CHAMPION OF

NEW PLAYS As the late Director of New Play Development, Doug Langworthy was “our hand on the pulse of the American playwriting scene.” For 15 years, he curated the Colorado New Play Summit, commissioned playwrights and developed plays for full production.

Continue his legacy and commission a playwright with a gift to The Doug Langworthy Fund.

The company of The Book of Will.

Photo by Adams VisCom.

saturday (DCPA Theatre Company commission) saturday by Kimber Lee imagines two women in a boat on a mountain lake, adrift in time and place, laughing and arguing through currents of memory. It’s at once theatrical and self-aware: “Like a bad play about a mother and daughter in a boat on a lake, pretending to fish. What are we even doing?” the daughter asks.

“I have an interest in poking at the artifice,” Lee said.

Hers is the most dream-like of the four plays, addressing the artifice of the theater while prodding the audience to think about the underlying emotional structures. “The surface is deceptively simple,” Lee said. But themes of physics and quantum theory, plus issues of transracial adoption, are “the tracks that those things kind of run on,” Lee said.

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SCOTT ELLIS

Originally Produced on Broadway by

SCOTT SANDERS CAROL FINEMAN UNIBAIL-RODAMCO-WESTFIELD COLUMBIA LIVE STAGE SALLY HORCHOW JAMES L. NEDERLANDER BENJAMIN LOWY CINDY AND JAY GUTTERMAN / MARLENE AND GARY COHEN JUDITH ANN ABRAMS PRODUCTIONS ROBERT GREENBLATT STEPHANIE P. McCLELLAND CANDY SPELLING JAM THEATRICALS ROY FURMAN MICHAEL HARRISON / DAVID IAN JAMIE DeROY / CATHERINE ADLER / WENDY FEDERMAN / HENI KOENIGSBERG JAA PRODUCTIONS / STELLA LaRUE / SILVA THEATRICAL GROUP TOHO CO LTD JONATHAN LITTMAN PETER MAY JANET AND MARVIN ROSEN SERIFF PRODUCTIONS IRIS SMITH BOB BOYETT THOMAS L. MILLER LARRY J. KROLL / DOUGLAS L. MEYER VICTORIA LANG / SCOTT MAURO BRUNISH / CAIOLA / FULD JR. / EPIC THEATRICALS TED LIEBOWITZ / LASSEN BLUME BALDWIN THE JOHN GORE ORGANIZATION RONALD FRANKEL CHAR-PARK PRODUCTIONS CHRIS AND ASHLEE CLARKE FAKSTON PRODUCTIONS THE WOODLAND HILLS BROADWAY GROUP 2JS AND AN A. INC. TOM McGRATH / 42ND.CLUB DREW HODGES AND PETER KUKIELSKI JIM FANTACI FREDERIKE AND BILL HECHT BRAD LAMM INDEPENDENT PRESENTERS NETWORK “TOOTSIE” is presented through special arrangement with MUSIC THEATRE INTERNATIONAL, New York, NY. www.mtishows.com

SPONSORED IN DENVER BY

AND

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CAST Michael Dorsey/Dorothy Michaels.....................................................................................................DREW BECKER Julie Nichols....................................................................................................................................ASHLEY ALEXANDRA Sandy Lester................................................................................................................................................ PAYTON REILLY Max Van Horn................................................................................................................................LUKAS JAMES MILLER Jeff Slater ................................................................................................................. JARED DAVID MICHAEL GRANT Rita Marshall............................................................................................................................................KATHY HALENDA Stan Fields.................................................................................................................................................STEVE BRUSTIEN Ron Carlisle ...........................................................................................................................................ADAM DU PLESSIS Carl..............................................................................................................................................................................ALEC RUIZ Stuart.......................................................................................................................................................CONNOR ALLSTON Suzie........................................................................................................................................................DOMINIQUE KEMPF Gone Female Trio............................................................. LEYLA ALI, DELANEY GOLD, DOMINIQUE KEMPF Ensemble............................................................................. LEYLA ALI, CONNOR ALLSTON, DARIUS AUSHAY, MICHAEL BINGHAM, KYRA CHRISTOPHER, DELANEY GOLD, MAVERICK HIU, DOMINIQUE KEMPF, MARQUEZ LINDER, LUCY PANUSH, ALEC RUIZ, STEFANIE RENEE SALYERS

SETTING New York. Present day.

UNDERSTUDIES Understudies never substitute for listed performers unless a specific announcement is made at the time of the appearance.

For Michael Dorsey/Dorothy Michaels— CONNOR ALLSTON, ALEC RUIZ for Julie Nichols— LEYLA ALI, DOMINIQUE KEMPF for Sandy Lester— DELANEY GOLD, LUCY PANUSH for Max Van Horn— MAVERICK HIU, MARQUEZ LINDER for Jeff Slater— MARQUEZ LINDER, ALEC RUIZ for Stan Fields/Ron Carlisle— MICHAEL BINGHAM, ALEC RUIZ for Rita Marshall— KYRA CHRISTOPHER, LUCY PANUSH

SWINGS LEXI BALDACHINO, ASHTON LAMBERT

DANCE CAPTAIN LEXI BALDACHINO

ASSISTANT DANCE CAPTAIN ASHTON LAMBERT

THERE WILL BE ONE 15-MINUTE INTERMISSION.

ACT I “Overture”....................................................................................................................................................................Orchestra “Opening Number”............................................................................................................................... Ensemble, Michael “Whaddya Do”............................................................................................................................................................... Michael “What’s Gonna Happen”.............................................................................................................................................. Sandy “Whaddya Do” (Reprise).......................................................................................................................................... Michael “I Won’t Let You Down”............................................................................................................................................ Dorothy “I’m Alive” ..............................................................................................................Julie, Ron, Max, Dorothy, Ensemble “There Was John”............................................................................................................................................ Julie, Dorothy “I Like What She’s Doing”.............................................................................................Rita, Julie, Stuart, Suzie, Ron, Max, Dorothy, Ensemble “Who Are You?” ................................................................................................................................................Michael, Julie “What’s Gonna Happen” (Reprise)......................................................................................................................... Sandy “Unstoppable”..................................................................................................................... Michael/Dorothy, Ensemble ACT II “Entr’acte”....................................................................................................................................................................Orchestra “Jeff Sums It Up”................................................................................................................................................. Jeff, Michael “Gone, Gone, Gone”................................................................................................................................Julie, Female Trio “Who Are You?” (Reprise) .............................................................................................................................................Julie “This Thing” ............................................................................................................................................................................Max “Whaddya Do” (Reprise)................................................................................................................................ Jeff, Michael “The Most Important Night Of My Life”............................................................................ Max, Suzie, Stuart, Rita, Ron, Ensemble “Talk To Me Dorothy”................................................................................................................................................. .Michael “Arrivederci!”.....................................................................................................................Dorothy, Julie, Max, Ensemble “What’s Gonna Happen” (Reprise)......................................................................................................................... Sandy “Thank You” (“Talk To Me Dorothy” Reprise) ................................................................................................. Michael

ORCHESTRA Conductor, Keyboard 2: Andrew David Sotomayor Associate Conductor, Keyboard 1: Josh Ceballos Drums, Percussion— Taurus Lovely; Bass— Bobby Brennan; Guitar— Gabriel Wareing; Reed 1— Curtis Holtgrefe; Reed 2— Dave Stambaugh; Trumpet 1, Flugelhorn— Steve Hawk; Trumpet 2— Yael Cohen; Trombone— Megan O’Malley; Band Tech— Josh Ceballos.

Music Supervisor: Dean Sharenow Supervising Music Director: Andrea Grody Music Coordinator: Talitha Fehr Electronic Music Design: Billy Jay Stein and Hiro Iida for Strange Cranium Productions, Inc.

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cell phones and pagers prior to the beginning of the performance.

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MUSICAL NUMBERS

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WHO’S WHO DREW BECKER (Michael Dorsey/ Dorothy Michaels) is thrilled be a part of the 1st National Tour of Tootsie alongside such a fantastic cast and creative team. He thanks his family, friends, and management for their endless love and support. BFA: Shenandoah Conservatory. Social Media: @drewbecker Enjoy the show!

ASHLEY ALEXANDRA (Julie Nichols) is so grateful for this opportunity to see the country and do what she loves.

Thanks to her parents, Troy, and Craig for their continued support. Credits: Into The Woods (Florinda); Little Shop of Horrors (Crystal); Celebrity Cruises; touring with singer/songwriter Tara Vaughn.

PAYTON REILLY (Sandy Lester). Off Broadway: Wild Women of Planet Wongo. Regional: Kinky Boots; Mamma Mia; The Great American Trailer Park Musical; Grease; Cabaret. Many thanks to the cast and crew, Dave Secor, Binder Casting, Troika, her family and fiancé Matt for their constant love and support! paytonreilly.com LUKAS JAMES MILLER (Max Van Horn). National Tour: Cinderella (Prince Topher). Regional: Girlfriend at Signature Theatre; The Little Mermaid at The Arrow Rock Lyceum; Freaky Friday and Mamma Mia! at Virginia Musical Theatre; 1776 and The Addams Family at Cortland Repertory Theatre.

James Madison University ‘17. Thanks to my Fianceé, Jillian.

JARED DAVID MICHAEL GRANT (Jeff Slater) attended Columbia College Chicago 2012 Musical Theatre Major.

He has performed all over Chicago with various theatre companies. He was last seen on the 4th Season of “The Chi” on Showtime as Man Man. KATHY HALENDA (Rita Marshall).

Eighteen National Tours including Rose in Gypsy; Maggie Jones in 42nd St.; Mae West in Ziegfeld; Ms. Lynch in Grease; Norwegian Cruise Lines [Havana]; Ringmaster of Big Apple Circus; National Anthem at Madison Square Garden and hundreds of roles in Regional Theatre.

STEVE BRUSTIEN (Stan Fields) is a Long Island guy, who loves to laugh, and make others do the same. Previous credits include: The Producers (Franz

Liebkind); The Drowsy Chaperone (Aldolpho); Young Frankenstein (Monster); Don’t Drink The Water (Walter Hollander). SteveBru.com ADAM DU PLESSIS (Ron Carlisle).

Originally from South Africa, Adam’s credits include Macbeth; Phantom of the Opera; Annie; Kinky Boots (TROIKA); Jesus Christ Superstar; The Last 5 Years; Fiddler on the Roof; Beauty and the Beast; CATS; Rock of Ages; Boys in the Photograph.

LEYLA ALI (Ensemble). Originally from Melbourne, Australia. Leyla has performed in Japan, Singapore, and on the high seas. Since relocating to New York, her first U.S. national tour was R&H’s Cinderella. Leyla is thrilled to return to the stage with Tootsie and tour more of this beautiful country! IG: @leyla_likes2move CONNOR ALLSTON (Ensemble) is thrilled to be making his return to live theatre in Tootsie! National tour: Charlie Price in Kinky Boots (dir. DB Bonds); Regional: Clifford Bradshaw in Cabaret (JET). Special thanks to Troika Ent., the Tootsie team, Marissa, Mom and Dad. DARIUS AUSHAY (Ensemble) is a Nashville native now based in New York. Nat’I Tour: Charlie and the Chocolate Factory. Regional: The African Company Presents: Richard III (Titan Theatre); Charlotte’s Web (NCT). BFA: Millikin University ’18.

Darius is proudly represented by Kreativ Artists and Vamos Talento.

IG: darius.aushay LEXI BALDACHINO (Dance Captain, Swing) is thrilled to be touring with this amazing company! Regional credits: Cassie in A Chorus Line; Alex Owens in Flashdance; Holly in The Wedding Singer. Huge thanks to her team at BWA and to everyone that has supported her on her journey!

IG: @lexichino MICHAEL BINGHAM (Ensemble).

Grateful to be back! National Tour: Bandstand (Swing, u/s Nick, Wayne, Davy). Regional: Shakespeare Theater Company; Fulton Theater; Pennsylvania Shakespeare Festival; Central Piedmont; GLOW Lyric; Dollywood; Smoky Mountain Opry. Originally from Hawaii! BFA Elon University Insta: @bingbongbingham

KYRA CHRISTOPHER (Ensemble) is giddy to return to theatre! Credits: Cabaret National Tour (Frenchie/Alto Sax); A Chorus Line (Cape Playhouse).

Kyra also runs her own Barre Fitness company. BFA: CCM. Endless thanks to CTG, Mom and Dad. kyrachristopher. com @killed.by.kiki DELANEY GOLD (Ensemble). Credits include: Newsies; Hairspray; Thoroughly Modern Millie; 7 Brides...Brothers (Music Theatre Wichita); Evita; Grease; Spamalot (Studio Tenn); West Side Story (AD Players). Delaney dedicates this performance to her father, Kent Gold who always encouraged her to pursue her dreams! Isaiah 40:31.

Website: delaneygold.com. Instagram: @laneygold7 MAVERICK HIU (Ensemble). How many auditions does it take to get to the center of a Tootsie stage? Other credits include: National Tours: An American In Paris (Ensemble/Jerry Mulligan u/s). Regional: Mamma Mia! (Eddie); Chicago (Fred Casely/Ensemble); Newsies (Finch); Saturday Night Fever (Ensemble).

DOMINIQUE KEMPF (Ensemble) is from Buffalo and a SUNY Fredonia alumni. Recent credits include: Ragtime (Sarah *Artie Award Winner); West Side Story (Maria); Little Shop of Horrors (Ronnette); First Date (Alison/ Lauren/Ens.). Dominique would like to thank her friends, family, and God for her continued success.

ASHTON LAMBERT (Asst. Dance Captain, Swing). Touring Debut!

Otterbein University BFA MT and Dance (2022). UFOMT: WSS (Baby John); Newsies (Henry). Reagle MT: A Chorus Line (Mike). TUTS: Camelot (Tom). Love to Dad, Mom, and Duncan for supporting my dreams. www.ashtonlambert.com Insta: @ashtolambo MARQUEZ LINDER (Ensemble) is overjoyed to be performing in his first national tour. His past credits include performing for Carnival Cruise Lines; Benny in In the Heights; Enjolras in Les Miserables. He thanks his family and friends for their continued support.

LUCY PANUSH (Ensemble) is so excited to be touring with Tootsie!

Originally from NYC, she graduated from Northwestern University in 2020

ALEC RUIZ (Ensemble) is excited to join Tootsie! Originally from Florida, Alec attended Florida State University, where he received his BA in Theatre. Regional: Mamma Mia! (Axelrod PAC). TV: “Modern Love” (Amazon). He dedicates this show to his Abuelito. alecruiz.com Instagram: @alecricardo95 STEFANIE RENEE SALYERS (Ensemble) National tour debut!

Credits: A Crossing (Barrington Stage); Dance Captain/Swing in On Your Feet!; Francisca in West Side Story; Cha-Cha/us Frenchy in Grease. Thank you to my family and friends who have supported me through it all! @StefanieReneeSalyers DAVID YAZBEK (Music and Lyrics).

Broadway: The Band’s Visit; The Full Monty; Dirty Rotten Scoundrels; Women on the Verge... TV/film: “Late Night with David Letterman” (writer); “Boardwalk Empire” (score); “Where in the World is Carmen Sandiego” (theme); hundreds of other scripts, scores and songs.

Music: five solo albums. Upcoming: Dead Outlaw, a New Musical. 1 Tony Award, 5 Tony Noms, an Emmy, a Grammy, 4 Grammy noms, an Obie, 5 Drama Desk Awards and none of it helps his self-esteem. What is that about? He can fold contour sheets, at least that’s something.

ROBERT HORN (Book). Winner of the 2019 Tony, Drama Desk, Outer Critics Circle and New York Drama Critic’s Circle Awards for his work on Tootsie.

Additional theatre credits include the books for 13 The Musical [soon to be an original movie for Netflix]; Moonshine: The Musical; Shucked; Lone Star Love; Dame Edna: Back With A Vengeance.

He’s written, created or produced such series as “Designing Women;” “Living Single;” “High Society;” “Partners.” He has contributed to large scale events such as Bette Midler’s Divine Intervention tour; and has had production deals at Warner Brothers, Sony and ABC Studios. Films include Teen Beach Movie’s 1 & 2; Sharpay’s Fabulous Adventure; Wildlife; Good Advice. Dedicated to my Mom, husband John, and twin sister Nancy, who I know is guiding my pen.

DAVE SOLOMON (Director). Broadway (as Associate Director): Broadway

(as Associate Director): Tootsie; Side Show; Mystery of Edwin Drood; 9 to 5; Pal Joey; Sunday in the Park with George; The Ritz; Curtains. Film/TV: Disney’s Beauty and the Beast (2017); Mr. Holmes; “Christmas Story Live!”.

He will be directing the upcoming world premiere production of the new musical Pump Up The Volume at the Citadel Theater. Other directing credits include: The Dodgers; Marrying Meg; Ordinary Days. He wrote and directed the award-winning short film Photo Op, starring Randy Harrison, and his play, Margaret and Craig, was seen at NYStage&Film directed by Sheryl Kaller and starring Mario Cantone.

Member of SDC. Graduate of Vassar College.

SCOTT ELLIS (Original Broadway Director). Broadway credits include his Tony-nominated direction of Tootsie; Kiss Me, Kate; She Loves Me; You Can’t Take It With You; On the 20th Century; Elephant Man; Edwin Drood; Harvey; Curtains; Twelve Angry Men; 1776; Company; Steel Pier; Month in the Country; Picnic. Off-Broadway: Amy and the Orphans, Dada Woof Papa Hot, Streamers. TV: “Marvelous Mrs. Maisel,” “Divorce,” “Weeds,” “30 Rock” (Emmy nom.). Nominated for nine Tony Awards. Associate Artistic Director of Roundabout Theatre Company.

DENIS JONES (Broadway Choreography). Broadway: Tootsie (Tony, Drama Desk, Outer Critics nominations); Holiday Inn (Tony, Drama Critics, Outer Circle nominations); Honeymoon in Vegas. Other recent credits: Eurydice (Metropolitan Opera); Chicago (The MUNY); A Chorus Line (Signature); Chasing Rainbows (Paper Mill Playhouse); Call Me Madam (City Center Encores!); How To Succeed (Kennedy Center); The Tempest (NY Shakespeare Festival); Flamingo Kid (Hartford Stage). denisjonesonline.com ANDREA GRODY (Supervising Music Director, Vocal & Incidental Arrangements). Broadway: The Band’s Visit; Tootsie. Upcoming: Suffs. OffBroadway/regional: Assassins (Yale Rep); The Band’s Visit (Atlantic Theater Company); Public Works’ As You Like It; The Fortress of Solitude, The Great Immensity, Love’s Labour’s Lost and Venice (The Public Theater); Robin Hood as composer/MD and Unknown Soldier (Williamstown Theatre Festival). As writer/composer: Strange Faces. BA Princeton University, MA Royal Conservatoire of Scotland.

DAVID CHASE (Dance Arrangements) 40 Broadway productions as dance arranger and/or music director/ supervisor. Upcoming: revivals of Music Man; 1776; Beauty and the Beast. Many arrangements/orchestrations for the Boston Pops; Kennedy Center Honors; Radio City; “Marvelous Mrs. Maisel”; “Schmigadoon!”; “Crazy Ex-Girlfriend.”

Choral works at Hal Leonard. Two Emmy® nominations for music direction for NBC Live! musicals, plus a Grammy® nomination.

SIMON HALE (Orchestrations).

Theatre: Girl From The North Country (West End/Broadway); Olivier/Drama Desk nominations); Tootsie (Broadway; Tony nomination); Bedknobs & Broomsticks (UK Tour); Spring Awakening (Broadway/West End); Women on the Verge…(Broadway/ West End; Drama Desk nomination); Get Up, Stand Up (West End). Film as orchestrator: Spectre – The Writing’s on the Wall. Recording as arranger/ orchestrator: Björk, Jamiroquai, George Michael, Oasis, Simply Red and Sam Smith (Grammy nomination).

DAVID ROCKWELL (Original Scenic Design for Broadway). Broadway: Tootsie; Kiss Me Kate; Lobby Hero; She Loves Me (Tony, Drama Desk, Outer Critics Circle Awards); On the Twentieth Century (Tony nomination); You Can’t Take It With You (Tony nomination); Kinky Boots (Tony nomination); Lucky Guy (Tony nomination); Hairspray (Tony, Drama Desk, Outer Critics Circle nominations). Off-Broadway: The Seven Deadly Sins; Soundtrack of America; the Public Theater’s Shakespeare in the Park. Television: the 81st, 82nd, 93rd Oscars (2010 Emmy Award). Founder and President of Rockwell Group, an architecture and design firm.

CHRISTINE PETERS (Tour Scenic Design). Charlie & the Chocolate Factory Tour; Tootsie Tour; 2012/ 2018 Elf Tour; 1st Date; Mickey & Minnie’s Doorway to Magic; Noel Tour.

Broadway (associate designer): King Kong Alive on Broadway; Miss Saigon; 1984; Paramour; Les Meserables; Testament of Mary; Jekyll & Hyde; The Book of Mormon; Newsies The Musical; The Addams Family; Elf; Bonnie and Clyde; The House of Blue Leaves; Elling; Enron; Mary Stuart; The American Plan; Cyrano de Bergerac.

WILLIAM IVEY LONG (Costume Design). Mr. Long designs for opera, ballet, modern dance, theatre, television, and film. He has

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— virtually, no less! All the gratitude to her family, mentors, friends, and loved ones. For more Lucy, follow @lupaswebsite on Instagram.

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76 Broadway credits and has been nominated for 17 Tony Awards, winning 6 times. He was inducted into the Theatre Hall of Fame in January 2006. www.williamiveylong.com CHRISTOPHER VERGARA (Costume Coordinator).Recent credits: Survivor’s Odyssey (White Snake); Bodas de Sangre (Phoenix); Once (VinWonders); bull-jean stories; Unfuckwithable (Drama League); References to Salvador…

(Juilliard); Macbeth (Lewis Center); In the Heights (Orlando Shakes); Kidnap Road (La Mama); The Golem of Havana (Miami New Drama); Texas in Paris (York); La Traviata (Brevard); Harlequinade; Walpurgisnacht (Trockadero). Broadway associate credits include: Eclipsed, The Color Purple, and Once on this Island.

DONALD HOLDER (Lighting Design).

Broadway: Over 50 productions, 2 Tony awards (The Lion King; South Pacific) and 13 Tony noms. Recent projects include Kiss Me, Kate; My Fair Lady; Oslo; Anastasia; She Loves Me; Fiddler on the Roof; The King and I; The Bridges of Madison County; Golden Boy; Spiderman; many others.

BRIAN RONAN (Sound Design).

Over 40 Broadway designs. He is the recipient of Obie, Lucille Lortel, Drama Desk, Olivier and Tony awards.

Some recent shows: Mrs. Doubtfire; Kiss Me, Kate; The Prom; Springsteen on Broadway; Mean Girls; Escape to Margaritaville; The Last Ship; Beautiful; The Book of Mormon; American Idiot; Next to Normal; Spring Awakening; Cabaret; Anything Goes.

PAUL HUNTLEY (Hair & Wig Design).

London-born. Has worked hundreds of Broadway shows, most memorably the original productions of Cats; Evita; The Producers; Hairspray. A recipient of Drama Desk and Tony awards, he has also worked with the most legendary leading ladies of the cinema, including Bette Davis and Marlene Dietrich.

ANGELINA AVALLONE (Make-Up Design). Broadway: Diana; Company (Patti LuPone); War Paint; The Prince of Broadway; Cabaret; Disgraced; Big Fish; Cinderella; Nice Work...; Cat on a Hot Tin Roof; Chaplin; The Addams Family; Young Frankenstein; Dreamgirls; West Side Story; Memphis; Rock of Ages; Sweeney Todd; The Color Purple; A Little Night Music; Anything Goes; Company; Gypsy; The Little Mermaid.

BINDER

CASTING

(Casting)

was

founded by Jay Binder nearly 40 years ago and has been a part of RWS Entertainment Group since 2016.

The office has cast 150+ Broadway, Off-Broadway, and National Touring productions, in addition to countless national and international projects spanning both stage and screen.

Binder was featured prominently in the Broadway documentary, Every Little Step, and is a proud twelvetime recipient of the Artios Award for Excellence in Casting. The office infuses its work with both a deep respect for our roots and a commitment to growth. www.bindercasting.com DEAN SHARENOW (Music Supervisor).

Grammy-winning record producer/ engineer. Broadway: Girl From the North Country; Tootsie; The Cher Show; The Band’s Visit; Amélie; The Last Ship; Women on the Verge… Off-Broadway: Twelfth Night; The Total Bent; Fortress of Solitude (all Public Theater). Album producer/engineer: Girl From the North Country; Unknown Soldier; Tootsie; The Band’s Visit; The Great Comet…; Women on the Verge…, Bloody Bloody Andrew Jackson; Shaina Taub; David Sanborn; Stephen Lynch; David Yazbek.

TALITHA FEHR (Music Coordinator) has worked on over 70 national and international tours and productions.

Highlights include: Sister Act; Mamma Mia!; School of Rock; Come Fly Away; Love Never Dies; the Vancouver Olympic Ceremonies 2010. She dedicates her work on CATS to the memory of her mentor, Sam Lutfiyya.

ANDREW TERLIZZI (Company Manager) is currently in his ninth season with TROIKA Entertainment, having previously worked on the national tours of Escape to Margaritaville; Kinky Boots; Bodyguard the Musical; Cheers Live on Stage; The Wizard of Oz; Sister Act the Musical; Ghost: the Musical; Priscilla Queen of the Desert. Prior to joining TROIKA, he was Assistant Company Manager for the first National Tour of West Side Story. He has also company managed for Williamstown Theatre Festival and The Studio Theatre in Washington, D.C. He holds a BFA from the University of North Carolina School of the Arts.

SUZAYN MACKENZIE-ROY (Production Stage Manager). Favorite touring credits with Troika include Escape to Margaritaville (1st National); Annie (National and International); Mike Tyson: Undisputed Truth; Fiddler on the Roof. Knathan and Sosuke – liily!

BRIANNA THOMPSON (Assistant Stage Manager and Assistant Company Manager) is a recent graduate of Loyola University of New Orleans and is a fresh face to Troika. Her past credits include working as an Assistant Stage Manager for Mother Courage, and her Children at Southern Rep Theatre; The Three Musketeers at The NOLA Project.

ANDREW DAVID SOTOMAYOR (Music Director). Previous credits include the First National Tour of Escape to Margaritaville; the OffBroadway premiere of Curvy Widow; Some Enchanted Evening (Paper Mill Playhouse); West Side Story (Maltz Jupiter Theatre); among others. He is a proud graduate of Stetson University, Florida, and loving husband to Bart.

For more, visit Soto.fun.

BRIAN SCHRADER (General Manager) is beginning his tenth season with TROIKA Entertainment. GM Tour Credits: Tootsie; Cats; School of Rock; The Bodyguard; Escape to Margaritaville; Kinky Boots; The Color Purple; Annie. Select Associate GM Credits: An American In Paris; 42nd Street; Annie (US, Jakarta, Singapore); Bring It On (US, Japan); Ghost; Mike Tyson: Undisputed Truth; Priscilla; West Side Story; Catch Me If You Can. Graduate of Loyola University New Orleans with a degree in Theatre Arts and Business Administration. Member of ATPAM. HEATHER CHOCKLEY (Production Management) joined the Troika team after having toured, both nationally and internationally, for 15 years. After that lifetime on the road she finds she likes not living out of a suitcase the whole time. Now based in the DC metro area, she also does a bit of political event work, and shares the crew member recruiting responsibilities at Troika.

ALLIED GLOBAL MARKETING (Tour Marketing & Press) is an integrated marketing agency working with the world’s largest entertainment, sports, consumer, and lifestyle brands, including 75+ Broadway shows over two decades. Current tours: Ain’t Too Proud, Charlie/Chocolate Factory, Hadestown, Mean Girls, The Play That Goes Wrong, Pretty Woman, RENT. Upcoming tours: Beetlejuice, The Book of Mormon, Elf The Musical.

THE BOOKING GROUP (Tour Booking Agency) has represented 26 Tony Award® winning Best Musicals and Plays. Current touring productions

NEURO TOUR (Physical Therapy).

Carolyn Lawson PT, founder and CEO of NEURO TOUR and Neurosport, leaders in performing arts medicine.

We are honored to be part of Tootsie.

Broadway: Harry Potter and the Cursed Child; The Cher Show. Tours: On Your Feet!; Hamilton; CATS. TROIKA ENTERTAINMENT (Producer & Tour Management) has been an innovator in touring musical theater for over three decades. TROIKA Entertainment brings the Broadway experience to communities around the world; uniting, inspiring and celebrating our audiences, our employees, and our partners through the magic and energy of live theater. Current productions include CATS; The Phantom of the Opera; Escape to Margaritaville; TOOTSIE; My Fair Lady; Annie; Dr. Seuss’ How the Grinch Stole Christmas.

Please visit us at www.troika.com MUSIC THEATRE INTERNATIONAL (MTI) (Licensing) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser, and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior® shows are 30- and 60-minute musicals for performance by elementary and middle schoolaged performers, while MTI’s School Editions are musicals annotated for performance by high school students.

MTI maintains its global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).

TOOTSIE TOUR STAFF ALDEN BADWAY JOHNSTON ______________________________________________ (Co-Producer) Michael A. Alden, Dale EXECUTIVE PRODUCER Kori Prior Badway, Karen Johnston: multiple ______________________________________________ Tony, Emmy, Olivier Award winners.

GENERAL MANAGEMENT & PRODUCTION MANAGEMENT TROIKA Entertainment Broadway: Pippin, Porgy & Bess, GENERAL MANAGER An American In Paris (NY/ Paris/ Brian Schrader London), On The Town, Bonnie & Associate General Manager……………Madeline McCluskey Clyde, Groundhog Day, Tootsie (EPIC PRODUCTION MANAGER Heather Chockley Theatricals).

TECHNICAL DIRECTOR

Dave Burch TERRY COOK (Co-Producer) Founder/ ______________________________________________ COMPANY MANAGER CEO Parcion Private Wealth, which Andrew Terlizzi partners with business owners, ______________________________________________ TOUR MARKETING AND PRESS entrepreneurs, and their families Allied Global Marketing to provide planning, advocacy, and Andrew Damer investment management. A supporter Jennifer Gallagher Scott Praefke Hayden Anderson Jessica Cary Amenkha Sembenu of the arts himself, Parcion also alliedglobalmarketing.com supports the passions and causes of ______________________________________________ TOUR BOOKING AGENCY the families they serve.

LARRY J. KROLL (Co-Producer) A Tony nominated producer who began working in theater with Andrew Lloyd Weber. Broadway: If /Then, The Encounter, Tootsie, Come From Away (plus international tours). In negotiations with the BBC for the rights to two films.

VASI LAURENCE (Co-Producer) Theater/Film: Passing Strange (Tony Award, Drama Desk Award/Best Musical) and made into a film directed

by Spike Lee. Other credits: How The Grinch Stole Christmas, several Off Broadway shows and film projects.

LAWRENCE TOPPALL (Co-Producer) Yiddish theater in So. Florida. Broadway credits: The Gathering, Say Goodnight, Gracie, Burn The Floor, Looped, On Your Feet, Beautiful, The Carole King Musical, Come From Away.

2 JS & A, INC. (Co-Producer) is helmed by film Industry veteran Phillip B. Goldfine & media entrepreneurs Kevin Weisberg & Lou Paik. They produce film & television in 50+ countries and on over 100+ channels.

THE BOOKING GROUP Meredith Blair Kara Gebhart Laura Kolarik Stephanie Ditman thebookinggroup.com ______________________________________________ CASTING BINDER CASTING Jay Binder, CSA, Mark Brandon, CSA Justin Bohon, CSA, Chad Eric Murnane, CSA Kyle Coker, Anthonoy Pichette, Jarrett Reiche Part of RWS Entertainment Group Ryan Stana CEO, Bruston Manuel, COO ______________________________________________ PRODUCTION STAGE MANAGER............... SUZAYN MACKENZIE-ROY Assistant Stage/Company Manager...................Brianna Thompson Assistant Director............................................Augustine Ubannwa Associate Choreographer..............................................Chip Abbott Associate Lighting Designer............................Coby Chasman-Beck Assistant Lighting Designer....................................Colleen Doherty Assistant Costume Coordinator ...................... Meredith Prouty-Due Assistant Wig & Hair Designer ................................Loryn Pretorius Moving Light Programmer........................................Jesse Cogswell Production Electrician..................................................Ron Schwier Associate Sound Designer.......................................... Cody Spencer Production Sound...........................................................Tylor Foster MainBrain Programming ................................................Chris Petti Dance Captain...................................................... Lexi Baldachino Assistant Dance Captain...................................... Ashton Lambert Rehearsal Piano.......................................Andrew Michael Peterson Copyist ........................................................................... Erin Reifle Dialect Coach......................................................... Elizabeth Hayes Production Assistant............................................John N. Fortunato ______________________________________________ HEAD CARPENTER................................................AUSTIN PHILLIPS Assistant Carpenter............................................ Johnathan Rogers Flyman/Rigger............................................................... Phillip Tyler Head of Props............................................................. Cailin Kucera Head Electrician.......................................................Isis Harrington Assistant Electrician ......................................................Jack Lewis Head of Audio.................................................................Lewis Rose Assistant Audio.........................................................Olivia Girdano Head of Wardrobe.................................................. Cecilia Gutierrez Assistant Wardrobe................................................ Erika Erlenbach Star Dresser.................................................................. Emily Stein Head of Hair & Makeup............................................Tyree Robinson Assistant Hair & Makeup....................................... Tatiana Urusow Crew Swing.......................................................... Adriana Aguilera Physical Therapy.....................NEURO TOUR, Physical Therapy, Inc. Physical Therapist........................................ Alexis Alcaraz, PT, DPT Payroll Services............................. Marisa Geropoulos, PEOPLE Inc. Insurance.....................................The Arts Insurance Program, LLC Creative Services........................Tricia Kelly, Anderson Kelly Studio Website & Social Media...... Brian Dratch, Yoanna Nikolova, SpotCo Production Photographer.........Matthew Murphy, Evan Zimmerman, MurphyMade Merchandise................................Creative Goods Merchandise LLC Merchandise Manager.................................................. Brett Comer ______________________________________________ For TROIKA Entertainment Chief Executive Officer............................................. Angela Rowles Chief Operating Officer.....................................................Kori Prior General Manager......................................................Brian Schrader Associate General Managers...... Madeline McCluskey, Tegan Meyer Production Managers..................Heather Chockley, Gregg Damanti

TOOTSIE

include: Hamilton; Dear Evan Hansen; Come From Away; The Book of Mormon; To Kill a Mockingbird; Hadestown; Mean Girls; My Fair Lady; Tootsie; Anastasia; Chicago; Fiddler on the Roof; Hairspray; Rent; Waitress.

Future productions include: 1776; MJ; Six; Tina; West Side Story.

TOOTSIE

Technical Director......................................................... Dave Burch Production Coordinator............................................... Drew Neitzey Director of Engagements .......................................Barrett Newman Director of Marketing...................................... Michael Yuen-Killick Director of Finance .......................................................Brian Jacob Production Accounting Manager................................. Sheila Lewis Accounting Clerk ......................................................Electra Walker Director of Operations ............................................. Melanie Cahill Warehouse Manager ..................................................Coree Howard Offi ce Manager/Executive Assistant ................... Shaquille Stewart ______________________________________________ CREDITS Scenery .............................................Empire Technical Fabrication Lighting, Motors & Automation Equipment................ Christie Lites Drum Equipment ............ Treehouse Drums, Aquarian Drumheads, Vic Firth Sticks, Sabian Cymbals Sound Equipment ................................................Sound Associates Costumes ..................Tricorne Inc., John Kristiansen New York Inc., Bethany Joy Costumes, Giliberto Designs, Jeff Fender Studio, Steppenwolf Costume Shop Custom shoes by T. O. Dey. Shoes by LaDuca and Worldtone Shoes.

Undergarments provided by BraTenders.

Trucking ....................................................................... JANCO, LTD. Production Travel & Housing by ROAD REBEL ENTERTAINMENT GLOBAL, San Diego, CA ______________________________________________ SPECIAL THANKS Jay Johnson, Zoe Szczotka, Maeve Talbot ______________________________________________ Rehearsed at the Red House Center in Syracuse, NY ______________________________________________ Technical Rehearsals and Previews held at SHEA’S PERFORMING ARTS CENTER in Buffalo, NY Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2022/23 BROADWAY SEASON

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Robin Appleton Julie Bassignani Carrie Breidenbach Vonnie Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Amber Donner Carolyn Dore Deborah Guess AnnSue Gunter Judy Holabird Amoreena Knabb

Leslie Lambert Taylor Malott Anthony Mattivi Sharon Millikan-Hale Callie Morrow Tim Nelson Lisa Parson Laura Payne Yolanda Pollock Dave Poole Alen Richardson Liz Spadi Amy Tepel Marybeth Tscherpel Eliza Vlasova Barb Wilson

PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 6+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to amcmullen@dcpa.org or 303.446.4836.

DPAC House Crew Mark Anthony Perry Elliot James R. Gralian Allen Olmstead

EJ Posselius Albert Sainz, Sr Derek Tovar David A. Wilson

THE BUELL THEATRE is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor ARTS AND VENUES Ginger White-Brunetti, Executive Director For information call: 720.865.4220

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

NOW – MAY 1, 2022 GARNER GALLERIA THEATRE

SEASON SPONSORS

DENVERCENTER.ORG

(l to r) Eric Chambliss, Jon Hacker, Devon Goffman, Matt Faucher and the Company of Jersey Boys. Photo: Joan Marcus.

JERSEY BOYS:

A SHOW FOR EVERYBODY

J

B Y D AV I D F R E E L A N D

Kara Tremel, who has performed several roles in the Jersey Boys has been seen by over 24 million people, all national tour of Jersey Boys, credits multiple Tonyof them captivated by the recreations of classic 1960s hits Award winning director Des McAnuff (Big River, The such as “Sherry,” “Big Girls Don’t Cry,” and “Can’t Take My Who’s Tommy, The Farnsworth Invention) with creating Eyes Off You.” But for many, the show’s most unforgettable a fast-paced, visually engaging production that attracts moment comes when Frankie Valli, as lead singer, decides theatergoers who were not born when The Four Seasons’ to enter into a business partnership with the group’s hits dominated the airwaves. keyboardist and songwriter, Bob Gaudio.

“For young people it’s an exciting “So should we have somebody draw type of show to see,” Tremel observes. up a contract?” Gaudio asks. Frankie “The way Des directed it is so quick: responds by offering his hand. the set moves with the actors, lighting “You want a contract? Here – a Jersey shoots over to another side of the contract.” Their handshake becomes a stage, and we’re in a totally different pact, cementing a relationship that has scene in a matter of seconds. It’s good endured for close to 50 years. for a younger generation that needs “The story of the friendship between that kind of quick pace. And whatever Frankie Valli and Bob Gaudio is your age, you can’t not like this music.” something that just makes my heart “There’s so much going on that you melt every time I think about it,” says need to see it at least two or three Pat Prescott, popular radio host on Los times, just so you don’t miss anything,” Angeles’ 94.7 The Wave and a longtime — KARA TREMEL, ACTRESS Prescott believes. “I wish everybody Jersey Boys fan. could see it. This show is really, really “When I think about that handshake special.” and what it has meant,” Prescott observes, “how we as a society have so much gotten away from those values of real friendship, of loyalty, of consistency in relationships – it stands out to me READ THE tremendously.”

JERSEY BOYS FULL ARTICLE In Jersey Boys, four young men persevere against APRIL 15 – 17 incredible odds to fight their way to the peak of stardom.

BUELL THEATRE Later, they stand together through high times and ASL Interpreted, Audio Described devastating lows. The show’s universal themes of courage, and Open Captioned performance: April 16 at 2pm friendship and survival have inspired a diverse legion of new Broadway fans.

“…whatever your age, you can’t not like this music.”

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

19

DCPA DCPATEAM TEAM

DCPA Janice Sinden..........................President & CEO Gretchen Hollrah..............................................COO Lydia Garcia .........................Executive Director, Equity & Organization Culture Donna Hendricks..................President & CEO Executive Assistant Julie Schumaker...................... Manager, Board Relations & COO Executive Assistant BROADWAY & CABARET John Ekeberg...................... Executive Director

Merry Davis ..........................Financial Manager Jane Deegan ..................................Administrator Michael Kimbrough....Manager, Engineering Brian McClain .....................Manager, Custodial Casey Meschievitz ...................................Manager, Environmental Health & Safety Steven Bilbao, Lindsey Cervantes, Ken Long, Carmen Molina, Judith Primero Molina, Juan Loya Molina, Jermaine Parker .................................Custodians EVENT SERVICES

Savanna Campbell, Administration Samantha Egle........................Event Managers Ashley Brown.......................Business Manager Colin Dieck, Anne Fitzgerald, Alicia Bruce ............................. General Manager Hunter Premschak, Seth Miller..............................................Technicians Garner Galleria Theatre Thomas Duffin .........................................Manager, Abel Becerra......................... Technical Director Event Technology Anna Hookana+ ...................Core Stagehands Cody Gocio .......................... Event Coordinator Stori Heleen-O’Foley ....Lighting, Team Lead DEVELOPMENT John Hess.............Manager, Sales & Business Jamie Clements...........................Vice President Shane Hotle.................................Audio Engineer Megan Fevurly..........................................Manager, Tara Miller........... Manager, Event Operations Grants & Reports Brook Nichols ...................... Technical Director Amanda Gomez.......Manager, Annual Fund Will Stowe ....................Audio/Video Engineer Kaylie Groff..........................................Coordinator Ian Wells ........................................Video Engineer Marc Ravenhill ....................Associate Director, Brooke Wyatt........Manager, Event Logistics Donor Relations Whitney Staloch................Associate Director, MARKETING, SALES & Major Gifts PATRON SERVICES Megan Stewart........................Manager, Events Lisa Mallory.....................................Vice President Erin Walker ...................................Senior Director Marketing EDUCATION & Heidi Bosk ...........Associate Director, Press & COMMUNITY ENGAGEMENT Promotions, Broadway & Cabaret Allison Watrous ................. Executive Director Sofia Contreras .................... Graphic Designer Stuart Barr ............................. Technical Director Emmy Cook.......................................Coordinator, Broadway & Cabaret Claudia Carson.......................Teaching Artist & Brenda Elliott, Manager, Playwriting & Bobby G Paul Koob..............Senior Graphic Designers Leslie Channell .......................................... Director, TJ Forlenza ............................................Copywriter Business Operations Claire Graves............................................... Director, Emily Doherty.... Teaching Artist & Manager, Produced Programs Theatre for Young Audiences Programming Brittany Gutierrez...................................Manager, Communications Rya Dyes ................................Assistant Registrar Jeff Hovorka .... Director, Sales & Marketing, Patrick Elkins-Zeglarski........................ Director, Broadway & Cabaret Education & Curriculum Management Emma Hunt........................................Coordinator, Linda Eller.....................................................Librarian Communications & PR Jesús Quintana Martínez ....................... Director, Emily Kent........Director, Insights & Strategy Community Engagement Lucas Kreitler .........Junior Graphic Designer Timothy McCracken................Head of Acting Linda Lang.................................Project Manager David Saphier .... Teaching Artist & Manager, In-School Programming Michael Ryan Leuthner ........................ Director, Digital Marketing Elizabeth Schmit.........Executive Assistant & Community Engagement Manager Emily Lozow ..............................................Manager, Broadway & Cabaret Melissa Sumner...................................Registrar & On Site Class Manager Kyle Malone................................Director, Design Charlotte Talbert ......................................Librarian Katie Mount..........Manager, Email Marketing Rachel Taylor.... Teaching Artist & Manager, Whitney Testa..................Executive Assistant, Marketing & Broadway Literary Engagement & Resiliency Justin Walvoord ....................Teaching Artist & Janelle Vargas...........Manager, Web Content Manager, Shakespeare in the Parking Lot Austin Walker............................................Manager, Growth & Acquisition Samuel Wood.........................Teaching Artist & District Liaison Juliana Whelan.................................Coordinator, Produced Programs Suzanne Yoe.......................Director, Content & FACILITIES Communications Glen Lucero..................................................Director Ticketing & Audience Services Dwight Barela, Mark Dill, Jennifer Lopez ...........................................Director Colton Ebersole, John Howard.......................................... Engineers Christina Adamoli*, Jon Collins*, D.J. Dennis*, Edmund Gurule*, Abeywickrema, Jodi Benavides, Elias Lopez*, David Bright, Calum, Benjamin Koenig, Hayley Solano* .............Counter/Show Leads Gabe McNally-Nakamura, Anthony Saavedra, Kirsten Anderson*, Scott Lix*, Madalaine Welch ............Security Specialists Brad Steinmeyer*, Judy Briggs...........................................Front Desk Greg Swan* ..................... Subscription Agents Quentin Crump........................................Manager, Luis Bordoy*, Eli Davis*, Shay Goddard*, Security & Guest Relations Jen Gray*, Chántel Healy,

Natalie Jaramillo*, Noah Jungferman*, Michael Mathey*, Lane Randall*, Liz Sieroslawski*, Sam Stump*, Andrew Sullivan*, Emmalaine Wright*....................Ticket Agents Billy Dutton...........................Associate Director, Operations Roger Haak .................VIP Ticketing Manager Danielle Freeman, Kassandra Lopez, Ella Mann..........................Box Office Managers Kirk Petersen .......................Associate Director, Patron Relations Katie Spanos .......................Associate Director, Subscriber Services

Production Jeff Gifford ...................................................Director Julie Brou................Administrative Assistant/ Office Manager Matthew Campbell......Production Manager Peggy Carey................. Associate Production Manager Scenic Design Lisa Orzolek .................................................Director Kevin Nelson, Nicholas Renaud..................................Assistants

Lighting Design Charles MacLeod......................................Director Group Sales Lily Bradford..............................................Assistant Jessica Bergin..................... Associate Director Reid Tennis+.................Production Electrician Maddie Young ...................................Coordinator Sound Design Theatre Services Alexander Billman..............................Supervisor Aaron McMullen ........................Interim Theatre Wesley Halloran+, Meagan Holdeman+, Services Manager Timothy Schoeberl..........................Technicians Bryan Faciane.........................Interim Assistant Theatre Services Manager Stage Management Michael Morales ..................................Production Nora Caley, Jacob Foster, Stage Manager Teresa Gould, Kaylyn Kriaski, Corin Davidson, Heidi Echtenkamp, Robin Lander, Myrisa Martin, Anne Jude, Maggie Kayes, Rick Mireles, Margaret Ohlander ..............House Managers Kristen Mun, Malia Stoner, Aaron McMullen, Kristen Sutter ...........................Stage Managers Leilani Lynch, Stacy Norwood, Katy Gentry, Harper Hadley, Valerie Schaefer, Elliott Shields, Mathew Strika...................Assistant Managers Sage Hughes....................Stage Management Apprentices ACCOUNTING & FINANCE Jane Williams......................................................CFO Sara Brandenburg................................... Director, Accounting Services Michaele Davidson .....Treasury Accountant Jennifer Jeffrey....................Director, Financial Planning & Analysis Valerie Lingbloom...................General Ledger Accountant Jennifer Siemers ...........Director, Accounting

Scene Shop Eric Moore.............................. Technical Director Albert “Stub” Allison, Robert L. Orzolek, Josh Prues ....Associate Technical Directors Tyler Clark, Amy Wynn Pastor, Kyle Scoggins .....................Scenic Technicians Louis Fernandez III ... Lead Scenic Technician Brian “Marco” Markiewicz ....Lead Carpenter

Prop Shop Robin Lu Payne .........................................Director Jamie Curl, Tory Fink, HUMAN RESOURCES Georgina Kayes, Ashley Lawler.......Artisans Elvira Morales................................Vice President Meghan Markiewicz ..Associate Supervisor Brian Carter, Lizette Collazos..........Directors Kaitlyn Faust...................................Administrator Paint Shop Paul Johnson...........................Payroll Specialist Jana Mitchell....................Charge Scenic Artist Monica Robles...............Supervisor, Mailroom Kristin Hamer MacFarlane, Melanie Rentschler .....................Scenic Artists INFORMATION TECHNOLOGY Lisa Roebuck.................................Vice President Vincent Bridgers .....................Senior Ticketing System Analyst Adam Bush................Junior Systems Analyst Jacquelyne Glover ........Software Developer Simone Gordon ..................Program Manager Brandon LeMarr ....................... Senior Systems Administrator Sarah Martinez, Allyssa Welker ..................Help Desk Analysts Jacob Parker ............................Manager, Data & Applications Joseph Reecher ........................Junior Systems Administrator THEATRE COMPANY

Costume Shop Janet Macleod... Director/Design Associate Meghan Anderson Doyle ....Design Associate Catherine Gagnon ..............................First Hand Carolyn Plemitscher ..................................Draper Costume Crafts Kevin Copenhaver....................................Director Chris Campbell.........................................Assistant Wigs Diana Ben-Kiki......................................Supervisor House Crew Douglas Taylor+...................................Supervisor James Berman+, William Loving+, Stephen Mazzeno+, Kyle Moore+, Viktoria Padilla+, Matt Wagner+ ...................................Stagehands Joseph Price+ ...........................................Assistant

Administration Charles Varin .......................Managing Director Ann Marshall........................... General Manager Wardrobe Sabina Rivera .................... Company Manager Anthony Mattivi^.................................Supervisor Robin Appleton^, Andy Bruening, Artistic Amber Donner^, David La Beaux^, Christopher Coleman........... Artistic Director Lauren LaCasse, Melissa Cashion .....................Artistic Producer Lisa Parsons Wagner^ ..........................Dressers Charlie Miller .......Associate Artistic Director Jerome Horng, Grady Soapes ....................Artistic Producer & Marisa Sorce ................................Wig Assistants Director of Casting * Member, I.A.T.S.E. Local B-7 + Member, I.A.T.S.E. Local 7 ^ Member, I.A.T.S.E. Local 719

Staff list current through Mar 7, 2022

A NEW IMMERSIVE EXPERIENCE

THEATER OF THE MIND Created by Talking Heads frontman DAVID BYRNE and writer MALA GAONKAR AUG 31 - DEC 18 | YORK STREET YARDS TICKETS ON SALE MAY 20 | DCPA SUBSCRIBER PRE-SALE MAY 6 It’s all in your head. But is any of it real?

Witness the wonders of your mind for yourself as you follow The Guide through a spectacular 15,000-square-foot installation with 16 fellow audience members.

As you explore intriguing environments, participate in a narrative, and try a series of sensory experiments, your Guide will question how beliefs, memories, and even our identities are less fixed than we think.

Caution: the brain may wander. Side effects may include a distrust of your own senses, a disorientation of self, and a mild to severely good time. You may not be who you think you are. But we’re all in it together.

Theater of the Mind is supported in part by Science Sandbox, an initiative of the Simons Foundation

LEARN MORE

EROM NRAEL

LEARN MORE

LEARN MORE

YOUR GUESTS The DCPA is proud to be the home of downtown Denver’s most exciting event spaces. Our two venues, the Seawell Ballroom and the Directors Room, combine the best in theatrical production capabilities with dramatic views and unforgettable cuisine. Since 1998, our team of theatrically trained production experts have been wowing guests with unforgettable experiences — and we can’t wait to collaborate with you!

SIX CATERING PARTNERS. UNLIMITED POSSIBILITIES. Make food and drinks a highlight of your next event and amaze your guests with five-star presentation — all without lifting a finger or breaking your budget. Select one (or more) of our exclusive catering partners to team up with our in-house production staff so we can help make your wedding, corporate event or fundraiser a smash hit!

Biscuits + Berries | Catering by Design | Epicurean Group | Occasions Catering Serendipity Catering | Sodexo Live! - Kevin Taylor Restaurant Group - Olive & Finch BOOK YOUR NEXT EVENT TODAY: denvercenter.org/venue-rentals or 303.572.4471

RELAX! I ALREADY CALLED COIT!

Clean as new, that’s the Coit commitment to you.

SATIFACTION

• Wood Flooring • Natural Stone • Carpet & Rugs • Upholstery

100%

• Tile & Grout • Air Ducts • Window Treatments • Concrete

GUARANTEE

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DENVER • 303.751.2618 • 1067 SOUTH GAYLORD BOULDER • 303.443.2565 • 1505 PEARL STREET

barbaraandcompany.net

Mon~Sat 10-6 Sunday 11-5 By appointment

PROUD SEASON SPONSOR OF DCPA BROADWAY

The core concepts of well-being really come down to consistently nailing the basics — eat well, sleep well, move your body, get fresh air, foster meaningful connections and laugh, a lot.

L

Laughing isn’t just a sign of feeling good; laughing is actually good for you too.

“We’ve all heard some version of the expression, ‘Laughter is the best medicine,’ and intuitively we know this makes sense,” says Dr. Justin Ross, a clinical psychologist at UCHealth. “Laughing really is one of the best mindbody-social connectors we have. It is a physical expression of connection and shared experience.”

The Science Behind Laughter Laughter, says Dr. Ross, has been demonstrated to help manage anxiety, pain, stress, and sadness. There are a number of studies helping us understand what’s happening physiologically and neurologically when we laugh. This includes hormonal, neurochemical and psychological components.

“Laughing helps stimulate endorphin release, promotes oxygenation throughout the body’s organs, relieves muscular tension, strengthens the immune system and lowers blood pressure,” he says. “The core concepts of well-being really come down to consistently nailing the basics—eat well, sleep well, move your body, get fresh air, foster meaningful connections and laugh, a lot.”

Learn to Laugh While laughing is a natural action, sometimes we need to find ways to learn to laugh better.

The Denver Center for the Performing Arts offers improv classes each season for a wide range of ages starting a kindergarten through adult.

The impact of improv is never ending. “Improvisation is basically recreating life under theatrical circumstances,” said actress and DCPA Teaching Artist Jessica Austgen. “Everything we look at in class illuminates a vital life-skill: listening, agreement, communication, specificity.”

Photo by McLeod9 Creative.

— DR. JUSTIN ROSS, UCHEALTH

Where to Laugh Lucky for us, ways to laugh occur all over. Start by taking in a comedy.

Upcoming shows at the DCPA include The Other Josh Cohen and the classic Tootsie. Plus, Denver hosts a handful of local comedy clubs including Comedy Works in downtown Denver, Rise Comedy in LoDo featuring improvised Broadway musicals, or The Denver Comedy Lounge, which does Saturday night stand up.

Overall, Dr. Ross prescribes laughing as many times a day as you can.

“Too often we are plagued by the stresses, anxieties and difficulties in our lives to the point that our concerns take up the majority of our thoughts,” he says. “When we adopt a mindset to ‘hunt the good stuff,’ we actively work to see the positive unfold in front of us. This includes actively seeking humor, joy, moments to laugh and moments to savor.”

With that, laugh long and hard and as often as possible. It’s good for your own self and the people around you.

The company of The Other Josh Cohen.

24

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

“What wisdom can you find that is greater than kindness?”

— Rouseau

A •

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LOCALLY OWNED & OPERATED MORTUARY

Immediate Need or Pre-plan Services Available 24/7 Statewide On-Site Crematory Serving All Faiths Veteran’s Benefits Save by Pre-planning

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monarchsociety.com 1534 Pearl Street Denver CO 80203

2022 SEASON JUNE 23–AUGUST 4 THE SAINT PAUL CHAMBER ORCHESTRA

DALLAS SYMPHONY ORCHESTRA

June 23–26

June 29–July 4

THE PHILADELPHIA ORCHESTRA

NEW YORK PHILHARMONIC July 20–27

July 8–16

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877.812.5700

THANK YOU The Denver Center for the Performing Arts gratefully acknowledges the generous support of the following donors of $250 or more for activities July 1, 2020 – June 30, 2021. Contributions to A Grander Opening Capital Campaign are acknowledged separately. + Includes in-kind support

EXTRAORDINARY GIVING

Citizens of Scientific and Cultural Facilities District

CHAIRMAN’S CIRCLE PLATINUM ($100,000+)

Bolin Family Genesee Mountain Foundation Helen G. Bonfils Foundation+ Robert and Judi Newman Family Foundation The Shubert Foundation UCHealth+ The Wallace Foundation

CHAIRMAN’S CIRCLE GOLD

($50,000-$99,999) The Anschutz Foundation Peggy Finley The Lewis E. Myers Jr. Scholarship Fund Daniel L. Ritchie U.S. Bank United Airlines+

CHAIRMAN’S CIRCLE SILVER

($25,000-$49,999) Anonymous (2) AT&T CIBC Private Wealth Management Brisa & Mark Carleton Evergreen Natural Resources LLC Kathie & Keith Finger Katie & Alan F. Fox Rex Fuller Kevin & Dorota Kilstrom Ruth Krebs & Peter Mannetti 26

National Endowment for the Arts/Arts Midwest Diane & Derek Steffen The Temple Hoyne Buell Foundation June Travis Ken & Debra Tuchman Xcel Energy Foundation

CHAIRMAN’S CIRCLE BRONZE ($15,000-$24,999)

Isabelle Clark Action Mile High Foundation+ Christine Benero & Brad Busse BMW of Denver Downtown Brownstein Hyatt Farber Schreck, LLP Peter & Cathy Buirski+ Luxury Escapes+ Philip & Marcie Munishor Sharon Regier The Salah Foundation Transamerica Turner Construction

Kiley-Knox Family Fund of The Greater Cincinnati Foundation Andreas & Laura Lee MDC Holdings, Inc./ Richmond American Homes Morgan Stanley Private Wealth Management Oscar G. & Elsa S. Mayer Family Foundation Ted Pinkowitz & Susan Fox Pinkowitz Polsinelli The Ponzio Family Susan & Neil Ray Rollie R. Kelley Family Foundation Fund David & Eva Schoonmaker Jo & Martin Semple Janice Sinden Stonebridge Companies+ Jerry & Debi Tepper Theatre Forward Virginia W. Hill Foundation Judi Wolf Zellis Family Foundation

SPOTLIGHT VISIONARY

THEATRE BUILDER

Liz Armstrong Willis Ashby & Karen Burch CBS 4 Colorado Rockies Denver Economic Development & Opportunity The Denver Foundation John Ekeberg & Jen Schwem FirstBank Holding Company of Colorado Chelsea & Bill Flagg Dr. Taru Hays HealthONE

Abar Foundation Anonymous Alpine Bank Americans for the Arts Aspect Energy LLC/Alex & Cathy Cranberg The Barton Family Foundation Jim & Kristin Bender The Blanche and Irving Laurie Foundation Cliff Foundation Colorado Humanities and the National Endowment for the Humanities

($10,000-$14,999)

($5,000-$9,999)

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

Facebook Eisele Family Foundation Ernest S. Madison Family Foundation Sidney & Caleb Gates Giving Generations Foundation Graf Engineering, LLC Jennifer Havercroft-Miller & Greg Miller Brock Herzberg Norma Horner & John Estes Dr. Barbara Hort L. Roger & Meredith Hutson/ HRM Resources, LLC IMA Financial Jeanne Land Foundation Kevin Taylor Restaurant Group+ Liberty Global Mabel Y. Hughes Charitable Trust Dr. and Mrs. Bruce Madison Kyle Malone+ Kathie & Stephen McConahey Mogo Marketing + Media, LLC+ Morgan Stanley The Morgridge Family Foundation Al & Carol Meny Nancy & Paul Oberman Julie & Mark Pawlak Riverfront Park Community Foundation Messner Reeves Peter & Nicole Rueth Ken & Elana Schwartzreich Rod Tafoya Pegi & Michael Touff Janet Burda & Robert Zupkus

HELP BRING THE MAGIC OF THEATRE TO LIFE.

VISIT WWW.DENVERCENTER.ORG/DONATE

ARTISTIC DREAMER ($2,500-$4,999)

Anonymous (3) Kira & Mike Antram Julia & Earl Banks Scott Binder Birdcall Scott Bustos Steve Carlander John Carlen & Jean Gleason The Chotin Foundation Phyllis Coors Heidi Elliott Rick Fantini Michelle Fisher David & Theresa Flake Four Seasons Hotel Denver+ Hyman J. and Florence Hammerman Family Foundation Rhondda Evans Hartman & the Jackson H. Fenner Foundation Michael & Patty Imhoff The Jerry Gart Family Foundation Raymond & Nichole Han Paul Johnson Nick & Jennifer Kemp Betsy Kiley & Steve Knox Stephanie Leigh Mollie Hale Carter Tuesday Fund John & Cheryl Muhr Dr. Mark Palmer Federico & Cindy Pena Dottie Peterson Plante Moran PMG Colorado LLC Joey Porcelli Rasco Janitorial Supply+ Republic National Distributing Company+ Linda Rieger

Rose Community Foundation Sage Hospitality Resources L.L.C.+ Rodney & Sue Sgrignoli Bob & Carole Slosky Tatar Family Foundation D. & Mark Turner Libby Weaver Ken & Dana Zinn

SCENE MAKER ($1,200-$2,499)

Charles & Nancy Anderson Anonymous Auberge Resorts+ Katie Behnke Buck Blessing Angelita Brown Ingrid Brown Julie Buchanan Jennifer Caskey F. Robb Caster+ Gregory Chavez+ Dru Chiesa Bob & Liana Clark Dr. Tom Reiley & Linda Cobb-Reiley Dr. Kenneth Coleman Chris Comer Scott Coors & Dr. David Hurt Courtney Cronk Laurie Cullum Greg D’Argonne Jerome & Jackie Davis Josh Disbrow Maureen Dudley Kevin Durban & Kristy Rowe Denver Broncos Football Club+ Rick & Shelly Sapkin/ Edgemark LLC Emerson Collective Doug & Tana English Epicurean Catering+

James Galloway Tiffany Gengelbach Judy Gorham Carolyn C. Grocock Antoinette Macaluso & Donald Hagengruber Kim Haller David & Florence Harlor Jerry & Patty Hauptman Helen Hayes Cathey Herren Catherine Hoerter Ramsay Huntley & Kelly Bowes Mary Anne Johnston Barbara Kelley Julie Koehler William LaBahn Suzanne Lansang Les & Linda Liman Amy Gaines & Ron Litvak Harold & Ann Logan Diane MacRossie Eliza Madsen Sharla Marshall Brian & Debra McCallin Patrick Meyers William E. Miller Rayanne Mori NCBS Foundation Jane & Gordon Netzorg Karen & Patrick O’Keefe J & L Parsons Maria Rosa Perez Read Foundation Inc. Steve & Christine Rondinelli Peggy Rottner The Sam and Beth Coyle Family Charitable Fund Sanctuary+ Lisbeth & Earl Sethre Shell Oil Kevin Shelledy Anne Slucky

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THANK YOU TO OUR DONORS Paul Aylmer The Colorado Trust Directed Contributions Program/ Dr. Patricia Baca Alison Bailey Bill & Samera Baird Ball Foundation Dr. Oksana Bantley Tamara Barron Barry J. Goldstein Philanthropic Fund of the Jewish Community Foundation Ben Bauermeister Laura Beard Joanne Beckham Jennifer Benda Kim N. Benson Mary & Barry Berlin Patricia D Billinger Black Knight Trucking Cody Blackburn John Blair Michael Bloom Kerri Blum Tom & Doris Blyth Casey Bodine Steven Bogacz Rick & Marie Bogehold Brad Bolon Libby M. & Janet M. Bortz Ladd Bosworth Sapna Brahmanandam & Vivek Rao Dr. H L Brammell & Carole Brammell Peggy & Cole Brannick Colleen Brewer Margaret Brinker Tracy Brophy Don & Karen Brown Brown & Crona LLC Brown-McNitt Family Fund Linda Brune Ondine Bruner Mary & David Buller Kathryn & Michael Burg Karen Burgi Michael Burris Patricia Buys Eileen Byrne C. Joshua and Ellen D. Taxman Charitable Gift Fund Nancy Cain Donna Calvert Vineta Campau Steve Carmer 28

Kelly Carranza Matthew Carriglitto Roger & Susan Cauthon Michelle Chiodini Wesley Chowen Helen Christy Gene Ciancio+ Clara M. Whittington Fund Clifford Clausen Jane & Rodney Clemens Jennifer Clements Montgomery Cleworth Dr. Carlton Clinkscales Joshua Cobb Beth Cobert Gabriel Cohen Wanda Colburn Alan Cole Steve Collins Buffy Marie Collison Mark & Linda Colville Bob Colwell Comcast NBCUniversal Carob Gift Fund Ann Connelly Coors Distributing Company+ Patricia Corey Joy Cox Thomas & Cheryl Cox Danielle Curtiss JC Cutter Sally A. David Paul & J’ne Day-Lucore Carolyn Deer Jodi Del Ponte DelaFoto Pet Photography+ Judith Denton Rory DeVore Beth Dickhaus Tandy M. Dilworth Navin Dimond Kristi Dinner Stephanie F Donner Mary Donovan Thomas Dority & Susan Gapter-Dority Helen Drexler Dr. Martin Dubin & Barbara Dubin Donna DuHadway Pamela Dumonceau Lori Dunbar Carl & Nancy Eklund El Pomar Foundation Diana Ellis Christine & Thomas Engleby Earl & Candice Enix

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APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

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THANK YOU TO OUR DONORS Suzanne Yoe Ailsa Young Peter Zaemes Andrew Zapotoczny Josephine Zirkelbach John Chapter & Dale Zitek

ENSEMBLE

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Barbara H de Jong Johnathan Dempsey Kathryn Dieveney Dr. Stephen Dilts Mary Dineen Marla Diner Jennifer Dougherty Elaine Douglas Martha Douglas Emily Driver Julie Dugan Rebekah Dumouchelle Patrick & Carol Dunn Erica Duvic Jenny Dyer Patricia & Chris Elliott Jann Engelstad Sherri Eret Claudia Farley Ned Fenwick Christy Ferguson Jeanine Figur Marjorie Fisch Laurie Fletcher Dr. Patrick Foley & Gretchen Foley Wayne Forman & Elizabeth Wald Norm & Lisa Franke Frank Fransioli JoAnne Friedman Heather From Andrea Fuller Dr. Richard Garbe & Margaret Garbe Amy Gavin Jocelyn & Bob Gebhardt Julia & Richard D. George Timothy Getzoff Aaron Gibbs Gill Foundation Rosemary Glista Phil Goerner Jacob Gram Dr. Katherine Green & Brad Deibel Christie Greene Ariana Greenwood Laraine Gregor Ann M. & Peter B. Gregory Bruce & Diane Greiner Lyle & Janet Grimmett Mark Grueskin Dr. Steven Gulevich Patricia Gunckel Jim & Laura Hahn Steve Hahn Shannon Hardy

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

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Don Ku James Kurtz-Phelan Steven Ladin Cory LaFroscia Susan LaHoda Megan Lamb Laura Lane Lesley Larson Gwen Laughlin Anna Lawitzke Shelley Lawton Professor Richard S. Leaman Carrie Lenz Nancy Leonard Laura Leovic Alison Levine Katharine Lindauer Joel Lindeman The Links, Incorporated Cathy Loftus Ellen & Anthony Lomonaco Lori Long Diane Loosebrock Emily Loyd Joyce & Gary Lozow J Mark & Lyndelle Lubbers Lisa Lund Brown Lisa Mac Donald Agnessa Madruga Virginia & Jon A. Madsen Ruth Malman Sherry Maloney Marie Maltz Dottie Marchant Dr. David Marsh Susan Marshall Tara Marshall Ester Martin Sharon & John Martin Richard Martin Christopher Massey Roman & Elizabeth Matherne William & Joy Mathews Susan May Mazer Telecom Advisors The McBryde Family Lou McDowell Sue McFarlane Tim & Joann McKeever John Medberry Medtronic Peter & Sheila Meer Edward Melanson & Jon Davidovich Janice Michael Julianne Miles Coreen Miller Connie & Andy Minden

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Julie Stretz Dr. Eric Surrey Judy & Meyer Sussman Marleen & Spencer Swalm Stephanie Tazer Scott & Susan Tarbox Kate Testerman David & Patti Theil George Thomas Chalyse Robinson & Christian Thomas Eric Thompson Gerri Tinianow Cindy Tormohlen Ted Tow & Cathy Traugott Tri-State Generation and Transmission James Turner James & Elizabeth VanderPloeg Klasina VanderWerf & Tom Thomas ViaSat Pattie & William Vonvihl Kay Wagner Patricia Wagner Wendelyn Walberg Tina Walls John Ware & Kit Mura-Smith John H. Weadon Weber Family Ami Wehn Lorraine Weissman Sarah Welch Taryn Westberg Roberta Wheeler Linda & Charles White Mark White Shelly Whittington Chris Wiedenmayer Julie Williamson Sarah Wilson Patrick & Stefanie Winfield Richard & Kristen Winkel Courtney Winterbottom Tom Wolf Leila Worth Wu Family Charitable Foundation Leorah Young Younger Impressions LLC Kelly Zander

PROUD SPONSOR OF DCPA EDUCATION’S MIDDLE & HIGH SCHOOL PLAYWRITING COMPETITION

“Live theater is a powerful experience — one that can inspire, transform, and bring people together.

Transamerica is proud to support DCPA and the next generation of gifted young playwrights. We believe Denver’s diverse artistic community is a big part of what makes our city so special.”

— RON WOOD, HEAD OF PEOPLE SOLUTIONS AT TRANSAMERICA

T

Transamerica offers solutions that help people achieve financial security throughout their lives, whether it’s saving and investing for the future or protecting themselves and their loved ones.

The people of Transamerica bring expertise, creativity and heart to everything they do — and to the communities where they live and work.

The company’s charitable giving and volunteerism in Denver includes a wide range of causes, with particular focus on youth and families. This reflects a belief that supporting and educating young people helps set them on the path for the kind of future they want.

Contributing to the Denver Center for the Performing Arts (DCPA) is consistent with Transamerica’s desire to underwrite programs that foster creativity in the areas of music and performing arts for youth and the underserved.

Transamerica looks forward to continuing to support programs such as the DCPA’s Middle and High School Playwriting Competition. The company is pleased to play a role in advancing literacy, creativity, writing and communication for these talented young individuals.

(L-R): A snow leopard sculpture dedicated to Transamerica is featured at the Denver Zoo. | Transamerica employees volunteer with Habitat for Humanity. | Students participate in Young AmeriTowne, sponsored by Transamerica.

32

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

BED & BREAKFAST SUITES GOURMET BRUNCH EVERY SUNDAY Open to the public

TRADITIONAL ENGLISH AFTERNOON TEA Served daily from 3-6pm

FINE DINING Wine Dinners

MAGICAL TEA AND VICTORIAN CARD READING by appointment

EVENTS

Weddings, elopements, receptions, private parties, bridal showers, baby showers, corporate dinners, meetings and workshops, performances and events. See details at lumberbaron.com/events

2555 W 37th Ave, Denver - The Highlands.

303-477-8205

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9 LOCAL PROVIDERS TO SERVE YOU, INCLUDING:

OLINGER MORTUARIES & CEMETERIES

303-233-4611

Olinger Crown Hill Mortuary & Cemetery

“SOMETHING [FANTASTIC] THIS WAY COMES”

SHAKESPEARE IN THE PARKING LOT RETURNS WITH MACBETH AND MORE!

D

BY EMMA HUNT

DCPA Education’s Shakespeare in the Parking Lot program has returned for its seventh season. This spring, three Shakespeare productions will go on tour throughout the community and visit area schools. And these aren’t your typical performances. Shakespeare in the Parking Lot is exactly what it sounds like — stripped-down, abridged versions of Romeo and Juliet, A Midsummer Night’s Dream, and Macbeth centered around a pickup truck “set” in the middle of a parking lot. The cast members are local actors and DCPA teaching artists, including Shannon Altner, Grant Bowman, Iliana Lucero Barron, Chloe McLeod, Camryn Nailah Torres, Christian Ray Robinson, Ryan Omar Stack and Justin Walvoord.

Shakespeare can be confusing for students half-heartedly reading a script in English class. “Thee” and “thou” can often sound like a foreign language. To make theatre not only accessible, but also exciting, the productions travel to area schools and facilitate interactive workshops with students. These workshops break down elements of the plays and transform them into modern day situations, relating to issues students face every day such as peer pressure and loyalty. By bringing these plays to life and engaging the students in discussion, debate, and games, Shakespeare in the Parking Lot is an invaluable resource for area educators.

From April 4 through May 15, the program will go on tour throughout the community. This season, Shakespeare in the Parking Lot will be visiting six community partners. Attend a performance near you this spring! The tour will stop at several Denver Public Library locations as well as cultural centers in the metro area. These performances are free and open to the public. Visit denvercenter.org for more details.

You can also download an audio version of Romeo and Juliet and watch a behind-the-scenes video of the recording studio on the DCPA website. Dive into this immersive audio recording and get hooked on Shakespeare!

This program is made possible through the generous support of the Morgridge Family Foundation, Isabelle Clark, Oxy Occidental, and the Riverfront Park Community Foundation. It is also part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest.

34

APPLAUSE • MAR – MAY 2022 • 303.893.4100 • DENVERCENTER.ORG

SUMME R THEATRE CLASSES Weeklong theatre day-camps for children and teens Adult classes on weeknights All skill levels welcome

ENROLL TODAY

Education & Community Engagement

DENVERCENTER.ORG

Sponsored by Summer series for children & teens sponsored by

Robert and Judi Newman Family Foundation

OUR STATE,

YOUR SYMPHONY

An Evening with Ben Folds and your Colorado Symphony

Beethoven Symphony No. 9 with Colorado Symphony & Chorus

APR 23

MAY 27-29

April An Evening with Leslie Odom, Jr. and your Colorado Symphony APR 2 SAT 7:30

Rachmaninoff Piano Concerto No. 2

APR 8-10 FRI-SAT 7:30 ✣ SUN 1:00

Mahler Symphony No. 2 “Resurrection” APR 16 SAT 7:30

An Evening with Ben Folds and your Colorado Symphony APR 23 SAT 7:30

May With a Voice of Triumph - European Tour Preview Performance MAY 7 SAT 7:30

Mahler Symphony No. 5

MAY 13-15 FRI-SAT 7:30 ✣ SUN 1:00

Cleo Parker Robinson Celebration with your Colorado Symphony

MAY 20 FRI 7:30

Colorado Symphony Gala

MAY 21 SAT 6:00

Beethoven Symphony No. 9 with Colorado Symphony & Chorus MAY 27-29 FRI-SAT 7:30 ✣ SUN 1:00

See our full event listing at coloradosymphony.org

PRESENTING SPONSOR

PROUDLY SUPPORTED BY

TICKETS: COLORADOSYMPHONY.ORG