magic
experience the
2013–2014 Season Global performance. World-class entertainment. Global performance. World-class entertainment. have to be here. You haveYou to be here.
B OU L D E R B A L L E T
A special treat on Mother’s Day! An enchanting tale of love and mischief set to a beautiful score by Leo Delibes. With life size dancing dolls, an eccentric inventor, colorful folk dances and romantic mishaps, this show is a delight for the entire family.
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Dr. Matthew Gawart Dr. Matthew Gawart Dr. Matthew Gawart has Dr. Matthew Gawartinis ageneral Boardextensive training Certified General Surgeon and surgery, including the latest has extensive training in the in minimally invasive latest minimally techniques. He isinvasive a member techniques. He is a member of the American Hernia of the American Hernia Society. Society.
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From the Executive Director Dear Friends, Spring is my favorite season here in Boulder. Where else can you ski in the morning, garden in the afternoon and enjoy a live performance in the evening? The weather may be unpredictable, but the richness of the arts in our community is consistently outstanding. As a patron of CU Presents, you are already familiar with the incredible variety of arts experiences on the CU-Boulder campus. This spring we continue our stellar season, including an enchanting production of the opera Hansel and Gretel, a professional theatrical production of Ray Bradbury’s classic Fahrenheit 451, spectacular chamber music from the Takács Quartet, as well as dozens of free performances featuring the up-and-coming students and talented faculty of the College of Music and the Department of Theater & Dance. This spring, we’re also a proud supporter of the inaugural Boulder Arts Week celebration from March 28 to April 6. This citywide event represents the first large-scale, inclusive celebration of our community’s vibrant arts and cultural offerings. Among the exciting offerings will be theater, dance and music performances, art walks, exhibitions, artist demonstrations and much more. And of course, with its host of rich artistic and cultural offerings, CU-Boulder will be a big part of Boulder Arts Week. The campus will feature exhibits at the CU Art Museum, a jazz showcase from the College of Music, a comic update of Plautus’ classical Roman play, The Rope, and to top it all off, a sizzling concert by the Eddie Palmieri Salsa Orchestra in Macky on Saturday, April 5. In other words, we think this is going to be a fantastic beginning for a new Boulder tradition. You can learn more at cupresents.org and boulderartsweek.org. We hope you’ll join us for this ongoing celebration of the arts at CU and in beautiful Boulder this spring. Warm regards,
Table of Contents
CU Presents Staff
6
CU Presents Ticket Policy
6
Theatre/Dance Season
8
Shakespeare Season Program
20 Center
Faculty Tuesdays
22
Artist Series Donors
24
Takács Quartet Donors
26
CU Opera Donors
28
Upcoming AS Presentations
30
CU Opera Ad
32
CU Presents Season Ad
34
College of Music Advisory Board James Austin, Interim Dean Christopher Brauchli Robert F. Bunting Jan Burton Colleen Conant Martha Coffin Evans Tyler M. Forman Jonathan R. Fox David W. Fulker Grace Gamm Lissy Garrison Lloyd Gelman Doree D. Hickman David G. Hummer Daryl K. James Gary S. Joiner Caryl F. Kassoy Robert Korenblat Thurston E. Manning Erma M. Mantey Joseph T. Negler Susan J. Olenwine Michele Ritter Rebecca J. Roser Steven K. Taniguchi Jeannie Thompson Jack Walker
6
light d cultural rt walks, mances, ist ymposia.
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Joan McLean Braun Global performance. World-class entertainment. You have to be here.
ADVERTISING INFORMATION This program is produced for CU Presents by The Publishing House, a division of Colorado Word Works, Inc. Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Stacey Krull, Graphic Design & Layout Wilbur E. Flachman, President For advertising information, call 303-428-9529 7380 Lowell Blvd., Westminster, CO 80030 www.coloradoartspubs.com
Everyone has a voice. Shouldn’t yours be heard? Don’t take your voice for granted. A weak, breathy, hoarse, scratchy, strained, or graveled voice often indicates a problem. Hoarseness lasting longer than a few weeks probably isn’t “laryngitis.” Dr. J. Michael King treats the full spectrum of ear, nose, and throat disorders. He is an otolaryngologist and a fellowship-trained laryngologist (voice specialist) providing care to singers, performers, and professional speakers. As one of only a few specialists in the Western region who performs minimally invasive office procedures, balloon sinuplasty, and laser surgery, Dr. King is always willing to take the time to explain options to help you decide what treatment is right for you.
J. Michael King, MD Services and treatments include• Microsurgery for vocal cord polyps or cysts • Laser surgery of the vocal cords • Voice restoration for vocal cord paralysis • Botox injections for spasmodic dysphonia • Chronic infections: ears, sinuses & tonsils • Allergy management and hearing testing • Treatments for pre-cancerous lesions or early throat cancers • Esophagoscopy screening & evaluation for reflux Offices in Broomfield & Golden 403 Summit Blvd., Suite 204 1030 Johnson Road, Suite 350 Broomfield, CO 80021 Golden, CO 80401
Conveniently located in Broomfield & Golden • 720-401-2139 • PeakENTandVoiceCenter.com
| www.cupresents.org
17 th St.
N
18
University Ave.
th St .
MACKY
Lot 380
Pleasant St. University Theatre Hellems Arts and Science
Education
MACKY AUDITORIUM STAFF Rudy Betancourt, Director Angela Janacek, Associate Director Sara Krumwiede, Assistant Director J. P. Osnes, Technical Director Rojana Savoye, House Manager Andreas Wion, Assistant House Manager
Event Lot
bike path
Joan McLean Braun, Executive Director Clay Evans, Public Relations Director Laima Haley, Marketing Director Myra Jackson, Programs and Scheduling Manager Nick Vocatura, Operations Director Margaret Romero, Production Assistant Daniel C. Leonard, Marketing and Public Relations Coordinator Karen Schuster, Graphic Designer Rachel Dodson, Public Relations Assistant Emily Scraggs, Public Relations Assistant Stephanie Doctor, Programs and Scheduling Assistant Andrew Metzroth, Box Office Manager Michael Casey, Box Office Services Coordinator Ciara Glasheen-Artem, Starla Doyal, Lucas Munce, Harper Nelson, Melanie Shaffer, Bradley Steinmeyer, Box Office Assistants Kevin Harbison, Recording Engineer Nancy Quintanilla, Accounting Technician Ted Mulcahey, Piano Technician
University Theatre Loft Theatre Acting Studio Irey York Theatre
Colorado Avenue
ATLAS
UMC
Mary Rippon Theatre
Euclid Avenue Autopark
Imig Music Building
Lot
Euclid
2 0 4
UNIVERSITY CLUB (Box Office)
Br
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dw
18th St.
6 |
ay
Grusin Music Hall Chamber Hall Music Theatre
Lot 310
Program Book Editor/Designer: Myra Jackson • Cover Design: Karen Schuster PATRON INFORMATION
• The venues of CU Presents are fully accessible to patrons in wheelchairs and to those with other special needs and for their companions. Patrons needing accommodations for a disability should call the box office as early as possible at 303-492-8008.
Macky Auditorium (2000 seats)
• Parking is available in the Euclid Avenue Autopark, Lot 310, and Lot 204 at a cost of $4 per evening or weekend day. Lot 380 (near Macky) is reserved for VIP members of the Artist Series. Drop-off and handicap parking is available near all venues.
Music Theatre Center
Right Row L
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Gold Circle
Orch. 1
Row A
Row A
Row A
Center
Left
Stage
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Mary MARY Rippon RIPPON OUTDOOR THEATRE Outdoor Theatre STAGE (1000 seats)
16
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6
Dress Circle Orchestra Upper Circle
4
17
18
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14
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B
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(400 seats)
C
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Dress Circle Orchestra Upper Circle
University University Theatre Stage Theatre
6
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F E D
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5
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I H G
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F E D
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W W 5 13 12 W W 16 15 14 13 12 11 10 9 8 18 17 16 7 19 1 20 22 2 23 24 14 13 12 11 10 18 17 16 15 25 9 8 20 19 7 2 21 23 2 24 25 26 17 16 15 14 13 12 11 10 9 19 18 8 7 21 20 2 2 23 24 25 15 14 13 12 11 10 26 18 17 16 9 8 27 20 19 7 1 2 22 23 24 15 14 13 12 11 10 25 18 17 16 9 8 26 0 19 7 27 21 2 22 23 24 6 15 14 13 12 11 10 25 18 17 1 9 8 26 0 19 7 21 2 27 22 23 24 17 16 15 14 13 12 11 10 25 9 8 9 18 20 1 26 7 21 27 22 23 14 13 12 11 10 5 1 6 24 1 9 8 8 17 25 19 1 7 26 20 6 21 27 22 3 3 1 1 4 2 1 1 2 1 10 15 7 16 9 8 24 18 1 7 19 25 6 20 26 21 22 23 24 25
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| | | |4 W | W 1 | | | | | | | | | | | 6| 5| 4 | | | 3| 2 | | |1 | | | | | | | | | | | | | | | |6 | 5| 4 | | | | 3| 2 | | | | | | | | |1 | | | | | | | | | | 6| 5 | | | | 4| 3 | | | 2| 1 | | | | | | | | | | | | | | | | | 6| 5 | | | 4| 3 | | | 2| | | | | | | | | | | | | | | | 1 | | 6| 5 | | | 4| 3 | | | | | | | | | | | | | 2| | | | |6 1 | | | |5 4 | | | 3| | | | | | | | | | | | 2 | |6 | | | |1 | | |5 4 | | | | | | | | | | | | 3| | | | 2 | | | |1 | | |5 4 | | | 3| | | | | | | | | | 2 | | | | | |1 | | |5 | | 4 | 3| | | 2 |1 | 10
Center 12 11 10 9 16 15 14 13 18 17 0 19 21 2
U 1 2 U 22 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 3 1 2 21 T 1 2 4 5 6 T 2 1 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 Left 1 7 3 22 2 14 13 12 11 10 9 8 7 6 5 4 3 S 1 2 4 5 6 8 9 10 S 21 20 19 18 17 16 15 2 3 7 1 3 7 11 22 11 4 15 14 13 12 11 10 9 8 7 6 8 12 17 16 5 4 5 9 R 1 2 4 5 6 8 9 10 12 13 1 R 19 18 3 2 13 0 0 2 6 2 1 1 3 1 14 13 12 11 10 9 8 7 3 14 7 7 22 2 11 4 11 16 15 14 6 5 4 15 8 8 5 18 17 12 15 4 3 12 Q 5 1 Q 9 1 6 0 19 9 16 2 2 13 2 1 6 16 13 2 10 7 1 10 13 12 11 10 9 8 7 3 22 2 14 3 7 16 15 14 14 11 4 6 5 8 11 4 18 17 15 8 4 3 5 P P 12 1 15 1 9 0 19 5 12 6 2 9 2 16 2 2 1 2 13 7 6 1 10 16 4 13 12 11 10 9 8 7 10 3 13 22 3 16 15 1 6 5 14 8 7 4 11 8 17 4 4 3 14 11 O 5 19 1 1 15 9 8 1 O 5 20 2 12 2 6 1 15 2 1 2 1 1 10 3 12 1 9 2 9 8 7 4 1 6 16 3 7 10 3 22 16 15 1 6 5 13 16 4 8 4 3 11 N 1 2 4 5 6 7 8 10 11 1 13 14 N 21 20 19 18 17 5 14 13 12 11 10 9 8 5 14 1 2 9 2 6 1 9 2 1 1 15 7 6 2 16 22 7 3 15 7 5 4 3 10 8 17 13 8 19 1 4 3 16 M 1 2 4 5 6 8 9 10 11 13 14 16 20 11 2 1 M 14 5 9 14 13 12 11 10 9 8 7 21 1 2 12 16 15 6 15 10 6 5 22 15 12 3 3 10 8 17 7 4 3 19 1 4 16 L 1 2 4 5 7 8 9 11 12 13 14 16 1 13 20 8 11 2 11 10 9 8 1 L 5 7 21 15 14 13 12 1 7 6 2 6 14 9 22 6 1 1 17 16 12 5 4 3 7 15 4 3 10 K 1 3 4 5 7 8 10 11 3 14 5 K 21 20 19 18 6 15 14 13 12 11 10 9 8 7 13 2 8 5 1 1 15 6 5 2 11 9 2 6 9 17 1 1 6 14 22 3 7 10 12 J 21 20 19 18 7 16 15 14 13 12 11 10 9 8 7 4 3 2 1 J 1 3 4 5 7 8 10 11 2 13 4 8 5 3 1 11 1 9 6 2 8 2 2 1 2 9 12 6 12 3 10 10 H 2 21 20 19 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 H 1 3 4 6 7 7 4 11 1 11 8 2 8 5 5 4 17 1 2 2 2 5 18 9 3 19 3 2 11 10 9 8 7 6 G 1 3 4 6 7 9 10 2 20 4 13 1 1 G 6 5 4 1 10 15 1 7 4 2 16 5 3 17 8 3 1 10 9 8 7 6 2 F 1 2 3 56 8 18 1 F 3 12 1 6 4 1 5 4 14 1 2 15 7 5 3 16 3 E 1 2 3 4 56 7 2 6 17 8 1 E 10 9 8 7 6 5 1 4 12 11 4 4 2 13 2 7 5 3 14 5 D 3 2 D 3 5 1 1 1 8 7 6 5 6 6 1 4 1 10 9 4 2 4 2 3 C 5 C 14 13 12 1 5 3 2 3 1 1 1 4 6 6 7 2 B 12 11 10 9 8 6 5 4 3 2 1 B 1 2 3 4 5 5 3 1 4 4 2 2 A A 5 3 3 1 Right
15
Wheelchair seating
CC
13
Balcony
FF EE DD
16
| | | | | | | |
GG 1
19
| | | | | | | | | |
1
14
| | | | | | | | | |
|
| 4| 3| 2|
| 6| 5 | 4| 3 | 2| 1 8| 7 | 6| 5 | 4| 3 | 2| 1 8| 7 | 6| 5 | 4| 3 | 2| 1 9| 8 | 7| 6 | 5| 4 | 3| 2 | 9| 8 |1 | 7| 6 | 5| 4 | 3| 2 |1 7
17
8
20
| | | | | | | | | | |
13
AA
2
5
| | | | | | | | | | 9|
16 15 14 13 12 11 10 19 18 17
15
BB
| 23
| 47 | 56
18
CC
38
14
DD
| 29 |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16
EE
110
0 21 2 22 23 17 16 15 14 13 12 11 10 24 9 20 19 18 25 1 26 22 2 23 24 16 15 14 13 12 11 10 25 9 19 18 17 26 27 0 21 2 28 22 23 24 17 16 15 14 13 12 11 10 25 20 19 18 26 21 27 3 22 4 2 5 2 6 2 17 16 15 14 13 12 11 8 2 1 9 1 27 10 0 28 21 2 22 29 23 24 25 26 27 28 29
15
FF
6
• The University of Colorado Boulder is a smoke-free campus.
14
GG
7
• Can’t use your tickets? Turn your tickets back to the CU Presents Box Office as a tax deductible contribution prior to the beginning of the performance.
Music Theatre (250 seats)
Grusin Music Hall (500 seats)
• All programs, artists, and prices are subject to change.
• Patrons are encouraged to be considerate of those around you and to refrain from wearing strong fragrances.
Orch. 1
Right
• Photographic and recording devices are prohibited.
• Patrons are encouraged to call CU Presents at 303-492-8008 for information on the suitability of events for children.
Row L
Row I
• Food and beverages are permitted in the seating areas of Macky Auditorium. Food and beverages are not premitted in the seating areas of all other campus theaters.
• All sales are final, no refunds. Subscribers may exchane tickets for another night or performance with no exchange fee; single-ticket exchanges are subject to a $3 per ticket exchange fee. Exchanges are subject to availability and must be made at least one business day prior to performance; an upgrade fee may apply.
Left
L J
POLI-SCI DURING THE WEEK. SCI-FI ON THE WEEKEND. Explore a range of credit and non-credit courses that will challenge whatever you believe.
humor | www.cupresents.org
8 |
Gustav Holst’s
The Planets
University Symphony Orchestra, University Choir, and University Singers Tuesday, April 29, 7:30 p.m. Macky Auditorium Tickets start at $10
cu presen t s.org | 303-492-8008
Holst’s beloved Romantic suite explores the myth and magic of the Solar System and the gods of Rome. The program will be accompanied by awe-inspiring, multi-media NASA imagery of Mercury, Venus, Mars, Jupiter, Saturn, Uranus and Neptune.
Global performance. World-class entertainment. You have to be here.
Theatre & Dance University of Colorado Boulder
Coming up next... UBUNTU AFRICAN DANCE FESTIVAL
April 19 | Glenn Miller Ballroom Mary Zimmerman’s
METAMORPHOSES
April 11-19 | University Theatre
TICKETS NOW ON SALE 303-492-8008 www.colorado.edu/theatrdance
| 303-492-8008 | 9
Congratulations to the University of Colorado College of Music, whose efforts have brought entertainment, learning, melody, percussion and passion to our community. We’re proud to sponsor the University of Colorado College of Music.
For subscription information call 303.444.3444 or visit DailyCamera.com.
| www.cupresents.org
10 |
HOME + GARDEN Well-Traveled Furnishings
Frostproof Garden Pots Lamps | Statuary | Rugs Antique and Contemporary Furniture Pub House
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100 Superior Plaza Way, Suite 100 • Superior, CO 80027 • 303-499-6600 www.superiorliquor.com
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Every Journey Begins with a Single Step. Every gift makes a difference! Our concerts and productions depend on private donations from audience members like you. We encourage you to use the envelope in the center of this program to make a gift that will help us continue to bring global performance and world class entertainment to Boulder! Simply give your envelope to an usher or mail it back to us. Donations can also be made online at cupresents.org or by calling 303-735-6070. Thank-you for your support!
1402 Pearl St. Boulder’s Pearl St. Mall 303-443-1084 www.hurdlesjewlery.com
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| www.cupresents.org
Infant•Toddler•Preschool•Kindergarten
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Personalized, small group setting Highest academic standards Responsive, dynamic curriculum Flexible enrollment options Natural landscaped playgrounds Homemade nutritious meals Music, Art, and Spanish classes Secure environment
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flowers in bloom
...an upscale design studio specializing in elegant floral design for weddings, signature events, and corporate celebrations. We are open by appointment only so we can give you the personal attention you deserve for each detail.
floral artist Jacque Stauffer
flowers in bloom
3 0 3 .6 5 2 . 1 6 0 0 303.931.4664
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BOULDER PHILHARMONIC ORCHESTRA MICHAEL BUTTERMAN, MUSIC DIRECTOR
SIMONE DINNERSTEIN piano MARCH 22, 7:30 PM at Macky HEITZEG LASSER
Ghosts of the Grasslands The Circle and the Child: Piano Concerto DEBUSSY La Mer GERSHWIN Rhapsody in Blue
JEFF MIDKIFF mandolin APRIL 26, 7:30 PM at Macky SMETANA MIDKIFF
The Moldau From the Blue Ridge: Mandolin Concerto BEETHOVEN Symphony No. 6 (“Pastoral”)
EVENTS OF NOTE e
MARCH 21, 7 PM HOUSE RECITAL with SIMONE DINNERSTEIN APRIL 23, 7 PM eTOWN HALL EVENT with JEFF MIDKIFF
www.BoulderPhil.org 303.449.1343 ext. 2 Tickets start at $13; Students $5!
| 303-492-8008 | 17
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At Frasier Meadows, each of our residents has a unique story to tell — just like you. Ellen has great memories from her days as a concert cellist. Come join our community and add your story to those of the other vibrant residents here. Learn more about our campus and our continuum of care at frasiermeadows.org, or call 303-499-4888.
18 |
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ARAPAHOE ANIMAL HOSPITAL Serving Pets and our Community Since 1954 FULL-SERVICE VETERINARY CARE SMALL ANIMALS~BIRDS~EXOTICS PET BOARDING DOGGIE DAY CARE DAY & EVENING HOURS ~ 7 DAYS/WEEK with TWO Convenient Locations:
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because what we do is illegal in some states
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(behind Boulder’s Dinner Theatre)
Boulder, CO 80303
Come visit our distillery speakeasy bar and enjoy a craft cocktail made with our award-winning spirits.
Pub House
303-442-7033
Downtown Hospital 1730 15th Street
(between Arapahoe & Canyon)
Boulder, CO 80302
Get 2-for-1
visit our
cocktails
website for
with your performance ticket stub
303-442-7036
hours, tours, and specials.
www.roundhousespirits.com
www.arapahoeanimalhospital.com
5311 western ave. ste 180, boulder
Let us tell you about the birds and the bees (and your trees) Caring for the urban forest is our mission — we seek to always improve our environment. Even when managing an epidemic such as Emerald Ash Borer, we diligently look for safe, effective, and organic solutions. Get in touch with us and we’ll send out a certified arborist to inspect your trees and make recommendations that make sense for the health of you and your property.
Pest and Disease Diagnosis and Treatment Organic Treatment for Emerald Ash Borer Tree Pruning • Shrub Pruning • Tree Removal Stump Grinding
wehearttrees.com • 303.554.7035
| 303-492-8008 | 19
The Tempest The Merry Wives of Windsor I Hate Hamlet Henry IV: Part 1 Henry IV: Part 2 June 6 - August 10, 2014 tickets are now on sale
303-492-8008 Photo: Zachary Andrews
COLORADOSHAKES.ORG
The best in performing arts
now at your fingertips Purchase tickets, watch videos, read the news all from your mobile device. The CU Presents mobile app is now available for your Android or Apple device. Just search “CU Presents” in your app store.
6325 Arapahoe Avenue Boulder, CO 80303 Phone & Fax: 303-673-9899
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Aquila Theatre presents
Fahrenheit 451 by Ray Bradbury Cast Montag Black Holden/Henley Beatty Clarisse Mildred 1st Paramedic 2nd Paramedic Mrs. Hudson Faber Alice Helen
Norman Murray Wayne Willinger Calder Shilling James Lavender Harriet Barrow Kali Hughes Lizzy Dive Wayne Willinger Lizzy Dive Wayne Willinger Harriet Barrow Lizzy Dive All other roles are played by the company.
Director Lighting Design Costume Design Projection Design Sound Design Composer Company Stage Manager/Sound Design Set Design Consultant Technical Director/Lighting Supervisor Assistant Technical Director
Desiree Sanchez Peter Meineck Clare Amos Kate Freer, IMA Christopher Marc My Great Ghost Christopher Marc Ivy Flores Gillian Wolpert Bob Rogers
Additional music by NIN and Muse. Pieces, in order of appearance: Ghosts III Track 27 by NIN, Tempest by My Great Ghost, Ghosts IV Track 28 by NIN, Ghosts I Track 2 by NIN, Ghosts I Track 1 by NIN, The 2nd Law Isolated System by Muse, and Four Walls by My Great Ghost
Special thanks to Peter Lazaro, First Assistant Chief, Bedford Fire Department, New York. Produced by special arrangement with the Dramatic Publishing Company of Woodstock, IL There will be one 15-minute intermission.
The taking of photographs or the use of any kind of recording device is strictly prohibited.
Aquila Theatre is the Professional Company-in-Residence at the Center for Ancient Studies, New York University Aquila Theatre P.O. Box 735, Katonah, NY 10536 aquila@aquilatheatre.com
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www.aquilatheatre.com Ray Bradbury (August 22, 1920 – June 12, 2012) Ray Bradbury was an American science-fiction and fantasy writer best known for his novel, “Fahrenheit 451,” and for his short-story collection, “The Martian Chronicles.” Many of his works have been made into comic books, movies and television shows. Bradbury originally wrote “Fahrenheit 451” in the wake of World War II as a novella titled “The Fireman.” The Nazis’ use of book burnings to repress a culture ignited Bradbury, connected with the central themes of the story and inspired the dramatic book burning scenes within. McCarthyism and it’s negative impact on American life again galvanized Bradbury, leading him to expand his original text into a full-length novel and play and Montag and “Fahrenheit 451” were born. “Fahrenheit 451” reflects Bradbury’s concerns about censorship and conformity during a period in history when the free expression of ideas could lead to social and economic ostracization. Like much of the best science fiction, Bradbury’s work sought to warn of one possible future. His characters wore “thimbles,” much like today’s earbuds, and plastered their walls with oversized television screens. Most prophetically, Bradbury’s disturbing mechanical Hound is a four-legged cousin to our current airborne drones. SYNOPSIS ACT 1: Scene 1: The Firehouse. Montag and his fellow firemen Black, Holden, and Beatty receive an alarm to go out and start a fire. Scene 2: Outside the house. Montag meets Clarisse, who questions if Montag reads any of the books that his job is to burn. Scene 3: Montag’s House. Montag comes home to find his wife Mildred sleeping but realizes that she has overdosed on drugs. He calls the paramedics to come and pump her stomach. Scene 4: A Field. Montag finds Clarisse, and they discuss why Montag is a fireman. Scene 5: The Firehouse. Montag and Beatty are putting the finishing touches on the Hound, a mechanical dog designed to track down suspected readers. When Black enters, they have fun with him by setting the Hound to track him. Scene 6: Mrs. Hudson’s House. The firemen come to burn Mrs. Hudson’s house and the books she has inside, but she refuses to leave as the house goes up in flames. Scene 7: Outside. Clarisse finds Montag outside and he tells her about setting the house on fire with Mrs. Hudson in it. Scene 8: Montag’s House. Distraught about Mrs. Hudson, Montag begs Mildred to call into work to say he is sick. Beatty shows up to lecture Montag about his being sick and offers him a get-well gift. Scene 9: Beatty’s House. Beatty takes Montag to his house and reveals his enormous collection of books. Scene 10: Montag’s House. Montag starts to read a book for the first time. ACT II: Scene 1: Montag’s House. Mildred enters and is upset when she finds Montag reading. The Hound comes, sensing that Montag is reading. Scene 2: Fabers House. Montag meets Faber, who promises to teach Montag how to understand what he reads. Scene 3: The Firehouse. Holden, Black, and Beatty watch the Hound in action on TV for the first time as Montag lingers unnoticed in the background.
Scene 4: Montag’s House. Mildred and her friends are gathered together to watch “The Mildred Show,” and Montag gets upset by the insipid entertainment and ends up reading a passage from a book. Scene 5: The Firehouse. Black, Beatty, and Montag are about to start a card game when Beatty begins to question if Montag has been reading. Faber tries to advise Montag through a two-way radio, but Montag and Beatty erupt in an argument as Faber listens on the other end. Scene 6: A Forest. Montag runs from the Hound and ends up in the forest where he meets Clarisse again.
AQUILA THEATRE Aquila Theatre’s mission is to make classical works accessible to the greatest number. A play becomes ‘classical’ because we recognize that after a time it transcends the original culture it was created for. It retains the power to provoke the central question of what it means to be human. As a company dedicated to the classics, we feel a responsibility to acknowledge and explore newfound classical works. Founded in London in 1991 by Peter Meineck, Aquila is now based in New York City. Aquila’s programs include: PRODUCTIONS IN NEW YORK CITY: Aquila is a major part of New York's theatrical landscape, producing a regular season of plays. Aquila recently produced Euripides’ Herakles at Brooklyn Academy of Music, Shakespeare’s Macbeth at the GYM at Judson, Shakespeare’s A Midsummer Night’s Dream, Pirandello’s Six Characters in Search of an Author, Shakespeare’s As You Like It and Ibsen’s An Enemy of the People at the Skirball Center for the Performing Arts at New York University, and Joseph Heller’s Catch-22 and Homer’s The Iliad: Book One Off-Broadway at the Lucille Lortel Theatre. A MAJOR ANNUAL NATIONAL TOUR: Aquila is the foremost producer of touring classical theater in the United States, visiting 60-70 American cities per year. Aquila’s 2012/2013 season was Shakespeare’s Taming of the Shrew and Rostand’s Cyrano de Bergerac. The 2011/2012 season was Shakespeare’s Macbeth and Oscar Wilde’s The Importance of Being Earnest. The 2010/2011 season was Shakespeare’s A Midsummer Night’s Dream and Pirandello’s Six Characters in Search of an Author. Aquila’s 2009/2010 season of Shakespeare’s As You Like It and Ibsen’s An Enemy of the People began with The Festival of the Aegean on Syros, Greece and the Shakespeare Festival/LA. The 2013/2014 Season will be Shakespeare’s Twelfth Night and Ray Bradbury’s Fahrenheit 451. INTERNATIONAL PERFORMANCES: Aquila has appeared in numerous festivals and at venues around the world, including performances in London, Holland, Germany, Greece, Scotland, Canada, and Bermuda. Aquila recently performed Euripides’ Herakles at the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens. EDUCATION PROGRAMS: Aquila is dedicated to theater-arts education and produces three major initiatives: Workshop America, a nationwide program that provides an opportunity for people to share in the art of Aquila; Theatre Breakthrough, which brings America’s schools to the stage; and Shakespeare Leaders, an after-school program that enables inner-city students to perform the classics at Frederick Douglas Academy in Harlem, NYC. YOUSTORIES: Aquila’s new YouStories program, presented in partnership with the National Endowment for the Humanities, continues the work of Aquila’s Ancient Greek/Modern Lives program. YouStories features events held nationally at public libraries and arts’ centers across the United States. It puts a special emphasis on veterans and their families, while connecting the classics to our modern lives. YouStories will feature a brand-new interactive App (Mobile Application) which will, among other things, allow users to submit their own stories. Follow Aquila Theatre on Facebook! More information at www.aquilatheatre.com.
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AQUILA STAFF: Founder…………………...……………………………………..………………. Peter Meineck Artistic Director ………………………………………………………………..Desiree Sanchez Arts Administrator……………………………………………………....…………..Erika Pierce Office Administrator………………………………………………………Genevieve de Botton Accountants .……………………….……………………….…. Lutz & Carr, Martin Berkowitz Lawyers ……………………………….…… Jacob Medinger & Finnegan, LLP, Don Farber Allen B. Breslow, Esq.
AQUILA BIOS Harriet Barrow (Clarisse/Alice) Theatre credits include; Helena in A Midsummer Night’s Dream (Royal Court, Liverpool), Witch in Macbeth (Royal Court, Liverpool), Anthea in The Phoenix & the Carpet (The Nuffield Theatre Co.), Anu in Forgotten Fortress (Theatre in the Quarter), Clara Eynsford-Hill in Pygmalion (Manchester Royal Exchange) and Britannia in The Entertainer (Manchester Royal Exchange). Short Film credits Lizzy in Liquidity (BBC) and Lily in One (OneFilm Productions). Harriet is delighted to be joining Aquila Theatre for the tour. Lizzy Dive (1st Paramedic/Mrs. Hudson/Helen) trained at Cygnet Training Theatre in Exeter and recently moved back to Devon (after five years in London) as she absolutely loves the South West. Some of Lizzy’s credits to date are: Mrs Cratchit in A Christmas Carol (The Palace Theatre); Mrs Twit in The Twits (Illyria); Louisa Gradgrind in Hard Times (Creative Cow); Puck in A Midsummer Night’s Dream (Illyria); Helena in Look Back in Anger (Yvonne Arnaud); Lady Wishfort in The Way of The World (Bridewell); Mrs Elvstead in Hedda Gabler (Orange Tree); Penelope in An Act of Twisting (Rondo Theatre). Lizzy is delighted to have recorded her first audio book this year, ‘Have A Little Faith’ with Audio Go (BBC Audio Books). Lizzy is also thrilled to be working for Aquila Theatre Company and relishes the opportunity to be in two brilliant productions. Kali Hughes (Mildred) just finished touring The Count of Monte Cristo for Company Boudin in the UK. Previous theatre work includes A Christmas Carol (The Tobacco Factory Theatre, Bristol), Aladdin, Cinderella and The Wizard of Oz for Theatre Royal Winchester, Wink The Other Eye (Wilton’s Music Hall), Macbeth (Europe and Central America tours for TNT), Very Hard Times (rural tour for Publick Transport), Lysistrata (UK
tour for Actors of Dionysus), Anything But Love (UK tour for Narrow House), The Extremists (a play reading for Chris Goode and The Royal Court Theatre), Holding The Man (West End, understudy), Oedipus and Antigone (Wimbledon Studio Theatre), Play Time (new writing for Theatre West), as well as four plays for The Cambridge Shakespeare Festival. James Lavender (Beatty) For Aquila: The Importance of Being Earnest and Macbeth (National Tour & New York), As You Like It and An Enemy Of The People (National Tour & New York). Other theatre credits include: The Comedy Of Errors & The Importance of Being Earnest (Oxford Shakespeare Company), Headlines (BAC), Jack & The Beanstalk (Sheringham Little Theatre), Adventures In Wonderland (Teatro Vivo), Twelfth Night (Oxford Shakespeare Company), Aladdin (Hazlitt Theatre Maidstone), The Comedy of Errors (Greenwich Playhouse), Sleeping Beauty and Goldilocks & The Three Bears (Georgian Theatre Royal, Richmond), Supermarket Shakespeare (Teatro Vivo), The Jungle Book (Birmingham Stage Company), Jack & The Beanstalk (Millfield Theatre), Hamlet and The Taming Of The Shrew (Groundlings Theatre Company), Plebians Rehearse The Uprising (Arcola Theatre), Macbeth and The Taming Of The Shrew (British Shakespeare Company), Scar Tissue (Man In The Moon Theatre), On The Razzle (Westminster Theatre), Jumping The Gun (Blackheath Halls). TV & Film: The Golden Hour, Lights, The Ice Cream Man. James trained at Rose Bruford. Norman Murray (Montag) trained at the Liverpool Institute for Performing Arts. This year he has worked on the Irish feature film, Dream On. His television credits include Emmerdale for ITV, The
Calder Shilling (Holden/Henley) is a recent graduate of Sarah Lawrence College where he studied theatre and developed a passion for ensemble-based work. Originally hailing from the Pacific Northwest, Calder has been seen on stages in Seattle, London, San Diego, Waterville Valley, Haverhill, Bronxville, and New York City. Some of his credits include Thurio/Eglamour in Two Gentlemen of Verona, Titus in Titus Andronicus, Prospero in The Tempest, Timothy/ Jones in SPARK, and Gary in Port Out Starboard Home, the recent ensemble theatre production by San Francisco-based company fools FURY. Calder is delighted to have the opportunity to work with Aquila Theatre Company this fall. Wayne Willinger (Black/2nd Paramedic/Faber) is a New York City based actor who is excited for this Aquila Theatre debut. Wayne is a founding member of the Chesapeake Shakespeare Company. Some favorite CSC roles include: Tybalt, Orlando, Edgar, Lucio and Puck. Also look for him in Martin Scorcese's upcoming film The Wolf of Wall Street and in his ongoing oneman show: Bukowski: The Farewell Tour. Special thanks to Desiree and the rest of the Aquila Theatre Company! Desiree Sanchez (Artistic Director, Director) directed last season’s productions of The Taming of the Shrew, Cyrano de Bergerac, and Herakles at BAM in March 2012, at the Festival of the Aegean in Syros, Greece and at the Michael Cacoyannis Foundation in Athens in July, 2012, Macbeth and The Importance of Being Earnest for the 2011/12 season, and Six Characters in Search of an Author for the 2010/11 season; created movement for Aquila’s A Very Naughty Greek Play (Aristophanes’ Wasps), Catch-22, Julius Caesar, The Iliad: Book One and The Comedy of Errors; performed in The Iliad: Book One at The Festival of the Aegean in Syros, Greece; and was the lead
teaching artist for Aquila’s Shakespeare Leaders program in Harlem. Desiree had a twenty-year dancing career including working as a principal dancer for the Metropolitan Opera Ballet where she worked under the direction of numerous directors and choreographers that included Francesca Zambello, Mark Lamos, Doug Varone, John Dexter, Franco Zeffirelli, Julie Taymor, and Andrei Konchalovsky. Other companies and choreographers she has worked with include the Boston Ballet, Neo Labos Dancetheatre, Donald Bryd/The Group, Sean Curran, Gelsey Kirkland, Bill T. Jones, Heidy Latsky, Eun Me Ahn in Korea, and Robert La Fosse. She has also collaborated with the Winnipeg Contemporary Dance Company of Canada and the Delfos Danza Compania of Mexico. She performed for the Papermill Playhouse as a featured dancer in the musicals, Carousel and The King and I. She has also taught at Long Island University as a visiting associate professor of dance, and at Elliot Feld’s Ballet Tech. She has a Certificate of Movement Therapy from The New School. Peter Meineck (Aquila Founder, Lighting Designer) studied at University College London (BA hons. Ancient World Studies) and the University of Nottingham (Ph.D. Classics) and founded Aquila in 1991. He now lives in New York with his family. He has worked extensively in London and New York theatre and directed and/ or produced over 60 professional productions of Classical drama in New York, London, Holland, Germany, Greece, Scotland, Canada, Bermuda, and the United States in venues as diverse as Carnegie Hall, the ancient Stadium at Delphi, Lincoln Center, and the White House. Peter has published several volumes of translations of Greek plays including Aeschylus’ Oresteia, which won the Lewis Galantiere Award for Literary Translation from the American Translators Association; Sophocles’ Theban Plays (with Paul Woodruff), Philoctetes and Ajax; and Aristophanes’ Clouds, Wasps & Birds. He has also written several literary adaptations for the stage including The Man Who Would Be King, Canterbury Tales, The Invisible Man, and Catch-22. Peter is a regular performing arts contributor to the humanities Journal Arion and has published many scholarly articles of Greek
ARTIST SERIES—Aquila Theatre—Fahrenheit 451—March 19, 2014
Princess and the Gangster for Channel 4 and Holy Cross for the BBC. On stage he has played Macbeth at the Liverpool Everyman Theatre and Bottom in a British tour of A Midsummer Night’s Dream. He has worked with award-winning Australian theatre company, Side Pony.
ARTIST SERIES—Aquila Theatre—Fahrenheit 451—March 19, 2014
drama and Shakespeare. In 2010, he was the recipient of the American Philological Association Award for Outreach and has received significant grants from the National Endowment for the Humanities for devising and directing the groundbreaking public programs, “Page and Stage: The Power of The Iliad Today” in 2008 and “Ancient Greeks: Modern Lives” in 2010 (Chairman’s Special Award). Peter is also Clinical Associate Professor of Classics at New York University and Honorary Professor of Classics at the University of Nottingham. He has held teaching posts at Princeton and USC and was a fellow at the Harvard Center for Hellenic Studies. He also acts as an advisor of Greek literature and mythology, recently to National Geographic, Disney, Fuse TV and Will Smith (I am Legend). He is currently working on a new book on neuroscience, cognitive theory and ancient drama. He is a New York State Emergency Medical Technician and volunteers with the Katonah Bedford Hills Ambulance Corps and the Bedford Fire Department in New York. Clare Amos (Costume Designer) is a Costume Designer and Maker based in London. She is working with Aquila for the second time this year, after also designing The Taming of the Shrew in 2012. Since studying Costume Design at London College of Fashion, Clare has worked on a wide variety of productions, including dance, opera, site-specific, promenade and open-air theatre in the UK. Recent design projects include: Early Days, Finborough Theatre; Microwave and The Eighth Continent, Tristan Bates Theatre; Top Girls and Victory, Waterloo East Theatre; Celebrity Night at Cafe Red, Trafalgar Studios (revival); The Day Shall Declare it, Wilderness for The Bush Bazaar, at Bush Theatre; The Hit, at Hotel Indigo (set and costume co-designed with Anett Black). Clare also worked as Costume Designer for Theatre Ad Infinitum on all of their shows from 2009-2011. As Costume Supervisor, she helped create costumes for the new musical Between Empires for the Edinburgh Festival, as well as the Grosvenor Park Open Air Theatre Seasons in Chester from 2010-2012; The Hightide Festival in 2010 and 2011; One Hour Eighteen Minutes, for Sputnik Theatre at The New Diorama; A Christmas Carol, with Mokitagrit, at The Kings
Head Theatre. Many of the above projects have required Clare’s costume making skills, but additional costume construction projects have included: creating a costume for the character of Eden from the comic Taroq (Bad Imprint); for Ludd & Isis, a community project with The Royal Opera, London; and for Annie Get Your Gun, for the Young Vic Theatre. Kate Freer, IMA (Projection Design) is a multimedia designer and video artists for theater, film, and installations. Off-Broadway and Downtown: Around the World in 80 Days (The New Theater at 45th Street); PS Jones and the Frozen City (The New Ohio); Cry for Peace: Voices from the Congo (La Mama, Undesirable Element Festival); Bullet for Adolph (New World Stages); Chimera (HERE, Under the Radar 2012); Václav Havel’s Hunt For the Pig (3LD, Ice Factory Festival 2011). Regional: Stuck Elevator (American Conservatory Theater); The Mountaintop (CenterStage); The Clean House (Syracuse Stage); Holiday Review (Oregon Ballet Theater). Her installation work has been exhibited at the National Building Museum, The Hammond Museum, 3LD, Front Room Gallery, and the World Wide Words Festival (Denmark). She has taught workshops at Harvard University, Syracuse University, Wesleyan, and New York University. Kate is a founding partner of Imaginary Media Artists (www.imartists.com). My Great Ghost (Composer) is the midnight studio project of singer Drew Smith and producer Trevor Gureckis. The duo spent the winter of 2011 writing and recording their first EP which they self released in July 2012. Their remix of Philip Glass’ “Music in 12 Parts” was featured on the Philip Glass remix record Rework. Other artists on the album include Beck, Pantha du Prince, Tyondai Braxton, and Cornelius. An iPad/iPhone app based on Rework was produced by Scott Snibbe Studio. They live and work in New York City. Christopher Marc (Company Stage Manager/ Sound Design) comes from Minneapolis, MN where he has been working as a Stage Manager, Sound Designer, Set Designer and Technician for 5 years. Christopher graduated with a B.F.A Theatre and Communications with an emphasis in Stage Management and Sound Design. Stage
Gillian Wolpert (Technical Director/Lighting Supervisor) Originally from Toronto, Gillian has served as lighting designer for such companies as the Luminato Festival and Touchstone Theatre in Canada, as well as Zoetic Dance, New York Theatre Workshop, Brooklyn Arts Exchange, Blessed Unrest and many others. As an assistant lighting designer and lighting supervisor, Gillian worked at the Stratford Festival in Canada for three seasons (King Lear, Merchant of Venice, Cabaret, and more), toured with Sean Curran Company, and assisted on numerous other dance and theatre projects. Her work has garnered a Guthrie award for her contributions in Stratford and a Jessie Richardson
nomination for her design of The Unexpected Man in Vancouver. Recent designs have included The Play About the Coach and Barking Girl both at New York Theatre Workshop, Gurl at the Southwest Arts Center in Atlanta, and 400 Parts Per Million with Blessed Unrest. Gillian has a B.F.A. in Theatre Design and Production from the University of British Columbia. www. gillianwolpert.com.
Bob Rogers (Assistant Technical Director) is very excited to be a part of the Aquila Theatre tour of Twelfth Night and Fahrenheit 451. Although this is his first theatrical tour, he has been technically involved with theatre for over 8 years whether it was building sets, lighting, and props for Oklahoma!, One flew over the Cuckoo’s Nest, Into the Woods to name a few. Bob just got back from Qinhuangdao, China where he was the Technical Director for an international cooperation project for the theme park show: Snow White’s Birthday Adventure!
ARTIST SERIES—Aquila Theatre—Fahrenheit 451—March 19, 2014
Management Credits include The Fantasticks with Skylark Opera; ART with Bloomington Civic Theatre; Death of a Salesman, Cabaret, Leading Ladies, Arsenic and Old Lace, Almost Maine, Mr. A’s Amazing Maze Plays, All Shook Up, As You Like It, Mousetrap, Little Shop of Horrors, Meet Me In St. Louis, with Lyric Arts. Sound credits include Becky’s New Car, Over the Tavern, Sherlock Holmes, The Boxcar Children, with Lyric Arts, as well as 4 months with the Idaho Shakespeare Festival as a soundboard op and technician. Set Design credits include Little Shop of Horrors, Pirates of Penzance, and Beauty and the Beast with Anoka High School. He has also worked as a sound and lighting technician around the Minneapolis area with Mixed Blood Theatre, Yellow Tree Theatre, Theatre in the Round, Lyric Arts, I.A.T.S.E Local #13 Over hire, and EMI Audio.
ARTIST SERIES—Aquila Theatre—Fahrenheit 451—March 19, 2014
Gustav Holst’s
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University Symphony Orchestra, University Choir and University Singers Tuesday, April 29, 7:30 p.m. Macky Auditorium Tickets start at $10
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Holst’s beloved Romantic suite explores the myth and magic of the Solar System and the gods of Rome. The program will be accompanied by awe-inspiring, multi-media NASA imagery of Mercury, Venus, Mars, Jupiter, Saturn, Uranus and Neptune.
Global performance. World-class entertainment. You have to be here.
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We give students choices in the programs they take and class work. In exchange, we require that all students do high quality work and earn a grade of A or B in core classes.
New Vista High School opened in ‘93 with a mission “to break the mold” of conventional secondary school practices. We provide rigorous learning in a supportive culture. Our curriculum is designed to cultivate the unique talents and interests of students who are ready to be more responsible for their own learning. We give students choices in the programs they take and class work. In exchange, we require that all students do high quality work and earn a grade of A or B in core classes.
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Global performance. World-class entertainment. You have to be here.
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2013-2014 Faculty Tuesdays recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building. All performances are free and open to the public.
March 18: LIGHT AND SHADOWS: Exploring the emotional heights and depths of German Romantic Lieder from Schubert to Berg: Jennifer Bird-Arvidsson, soprano, David Korevaar, piano joined by Abigail Nims, mezzo-soprano. Faculty Tuesdays Series takes a break during the month of April—our busiest student recital month of the year. Join us next fall for the exciting 2014-2015 Faculty Tuesdays Series.
Perfect Taste THE
DINING TO COMPLEMENT THE PERFORMANCE Celebrating 20 years in Boulder
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ARTIST SERIES Mission Statement
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
DONORS CONCERT SPONSORS Colorado Public Radio Daily Camera Mark H. Carson and Associates, P.C. Emerson Process/MicroMotion Hotel Boulderado Hurdle’s Jewelry Friends of the Artist Series James and Associates, LLC KUNC KUVO Roser Visiting Artist Fund Western States Arts Federation
PARTNER IN THE ARTS Boulder Weekly Woodsongs Flowers in Bloom Liquor Mart Sage and Savory
BENEFACTOR
Gregory Silvus and Melanie Miller
SPONSOR
Anonymous Dick and Diane Dunn Daryl and Kay James Mary Lamy Louise Pearson and Grant Couch Ellen and Joshua Taxman
PATRON
Janet Ackermann and Scott Wiesner Joan McLean Braun Mark and Margaret Carson Chris and Barbara Christoffersen Olivia Edwards Kahleen and Tony Flippo Suzanne and David Hoover Robert and Sandra McCalmon
SUPPORTER
Mark H. Carson
Roser Visiting Artist Fund
Anonymous Michael and Carol Gallucci Doree and Jerry Hickman Susan and Jon Lounsbury Heidi and Jerry Lynch Jerry and Jamie Orten Mikhy and Michael Ritter Alicia and Juan Rodriguez Daniel and Boyce Sher Theodore and Ruth Smith Lawrence and Ann Brennan Thomas
CONTRIBUTOR
Thank you to the City and County of Broomfield and the 1st Bank Center for providing advertising space on their LED sign on US 36.
FRIENDS OF THE ARTIST SERIES
A Friend Gil and Nancy Berman Ellen and Dean Boal Norma Ekstrand and Tom Campbell Center Copy Boulder, Inc. Martha Coffin Evans Charles and Martha Everill Judy Gould Myra Jackson Kathryn Keller and William Wedum Gregory and Gladeane Lefferdink
Harold and Joan Leinbach Jeff and Janet Martin Judy and Alan Megibow Sally Powell-Ashby amd John Ashby Elizabeth Rauch Luana and Paul Rubin Douglas Taylor
MEMBER David Beausang Geraldine Boone Chris and Margot Brauchli Otto and Ruth Buhler Shirley Carnahan Pauline and Noel Clark Cathy Cloutier Paul Cohen Sandra and Lawrence Cohn Terry and Colleen Conant Sylvia and Burt Darmour Douglas and Rita Dart Kenneth and Sally Dell Germaine Eagleton Fran Evans Leslie and Merrill Glustrom Jo and David Hill Larry and Barbara Jones Isabel Lee Julia Lee Judah and Alice Levine Kay and Paul McCormick Janet and J. Hunter McDaniel Robert and Marilyn Peltzer Kim and Richard Plumridge Randall Kenneth Rutsch Ruth Shanberge Mary and Andrew Skumanich Courtland and Carolyn Spicer Zoe Stivers Randi and Anthony Stroh Ellen and Adam Tschida Geoffrey Tyndall Derek Van Westrum Vince and Caroline Wayland
ARTIST SERIES ADVISORY BOARD Gil Berman Rodolfo J. Betancourt Ellen T. Boal Joan McLean Braun John S. Davis Diane Dunn Michael A. Gallucci Lissy Garrson Laima K. Haley Daryl K. James, President Maryan K. Jaross Ruth C. Kahn Kathryn S. Keller Jerry C. M. Orten Louise Pearson Erika Randall Gregory L. Silvus Ellen Taxman Nicholas J. Vocatura
FOUNDATIONS AND MATCHING GIFTS Janet E. Ackermann and Scott R. Wiesner Charitable Fund Paul Bechtner Foundation Carson-Pfafflin Family Foundation A. G. Edwards & Sons, Inc. National Endowment for the Arts Newton Family Fund Western States Arts Federation Tour West Polk Family Charitable Fund George F. Reynolds Endowment Scripps Company Make all gifts payable to the University of Colorado Foundation and mail to ARTIST SERIES, CU College of Music, 301 UCB, Boulder, CO 80309-0301. For credit card payments, questions or additional information, please call the College of Music Development office at 303-735-6070.
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COLOR ADO MUSIC 2014 CONCERT SEASON single tiCkets onsale online april
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Pub House Boulderr County Gold Awardss 13 Years w! in a Row!
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Photography © Youtz Design
In a community like ours, it’s easy to feel inspired. Just look around. Thank you to our business associates, clients and the non-profit organizations that make our community a better place in which to live and work.
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TAKÁCS SOCIETY The Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
ENDOWMENT GIFTS
MEMBER
Takács Scholarship in Memory of Fay Shwayder Elizabeth Brent Duncan Campbell Harry Campbell Margaret and Edward Campbell Norma Johnson Gary and Judy Judd Jonathan Zeschin, Essential Advisors
Randi and Anthony Stroh Rita and Lawrence Weiss Lois Abbott Berkley Tague James and Lena Wockenfuss Neil and Marcia Geissinger Ashby Betty Lou Thacker Jim and Nurit Wolf Maria and Jesse Aweida Patricia Thompson Bill Woo Harold and Ingrid Becher Arthur and Laurie Travers Elizabeth Brent Mary and Peter Van Etten In Memory of Fay Shwayder Betty Van Zandt Marda Buchholz Thomas VanZandt Kevin and Diana Bunnell Christopher and Leanne Walther Patricia Butler Gordon and Lois Ward Shirley Carnahan Penny Chenery Noel and Pauline Clark Richard Collins and Judith Reid Helen Corbett Charlotte Corbridge Clara Deser GRUSIN MUSIC HALL CHAIR PURCHASES Barbara and Carl Diehl Carolyn and Don Etter Jean and Bob Fischer Rebecca Roser Jane Byers William and Ann Ford In Memory of Pearl and Charles (Chuck) Byers Lloyd and Mary Gelaman Mel Pedgrift Frances Dahlberg Steve Goldhaver and Mariana Vertenstein In Honor of Professor Madeline Day Ken and Dianne Hackett David Korevaar Madeline Mahr Day Richard and Catharine Harris Edith Stevens Patsy Lynch Wood Russell and Ann Hayes In Memory of L. E. Gatterer Jon and Liz Hinebauch Richard C. McLean Larry Gatterer Bruce and Kyongguen Johnson Theory Department Charlene Gatterer Jennifer and Bob Kamper In Honor of Lloyd and Mary Gelman Caryl and David Kassoy Dean Daniel Sher Doree Hickman Mireille Key Travis Vardell Doree Hickman Alice and Judah Levine Kenneth A. Vardell Jerry Hickman Albert and Virginia Lundell George Lichter Heidi and Jerry Lynch Chair named In Memory of George Lichter Family Caroline Malde Joyce Gellhorn Alice and Judah Levine John and Nancy Malville Anonymous In Memory of J. Richard and Marjorie McIntosh Linda Boley Joyce Gellhorn Josef and Sara Michl Alice and William Bradley Maxine Mark Sandra Moriarty Ted Engelmann In Memory of Joanie Oram Arthur and Madeline Estin Thomas R. Mark Sue and James Palmer Janice Harvey Maxine Mark Faith and Roy Peterson Jennifer Kamper Kris McCusker Julie and Wayne Phillips Jane and Roger Larson In Memory of Antonia and Timothy Piwonka-Corle Alice Levine Phyllis Sweetland Arthur and Ina Rifkin Ruby Marr McCusker Joanna and Mark Rosenblum Judi Oser Lise Menn Ruth Shanberge Julie Phillips Valorie Mooney In Memory of Karen McMurry Barbara Roach Valorie Mooney Ruth Shanberge Margie Warsavage William Mooney In Memory of Carol Seideman Mutsumi Moteki Mary and Andrew Skumanich In Memory of Hugh and If you would like to name a seat Todd and Gretchen Sliker Juanita Kirtley in Grusin Music Hall, please call Gretje Sloan the College of Music Carol and Art Smoot Jan and Charles Squier Development Office at Shirley and Mark Steele 303-735-6070. Helen Stone Make all gifts payable to the University of Colorado Foundation and mail to
BENEFACTOR
Albert and Nancy Boggess Chris and Barbara Christoffersen Norma Johnson In Memory of Fay Shwayder The Takács Quartet
SPONSOR
Janet and David Robertson Marion Thurnauer and Alexander Trifunac
PATRON
Thomas and Carol Cech Catharine Hawkins Foundation Carol Lena Kovner Wilmington Trust Thurston Manning
SUPPORTER Anne Heinz and Ran Yaron Patricia and William Johnson Robert Kehoe Walter and Eileen Kintsch Ray and Margot LaPanse Newton Family Fund, Inc. Virginia Newton Neil and Martha Palmer Mikhy and Michael Ritter John and Carson Taylor Lawrence and Ann Brennan Thomas
CONTRIBUTOR
Stanley and Virginia Boucher William and Alice Bradley Christopher and Margot Brauchli Pamela and Barry Gatz Harold and Joan Leinbach Paul and Nancy Levitt Patricia and Robert Lisensky Annyce Mayer Lise Menn Susan and David Seitz Patricia Thompson Alice Dodge Wallace
TAKÁCS SOCIETY, CU College of Music, 301 UCB, Boulder, CO 80309-0301 For credit card payments, questions or additional information,please call the College of Music Development Office at 303-735-6070.
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Watershed School is an uncommon school that fosters academic excellence and upstanding character through an innovative, rigorous, and effective experiential college prep curriculum.
Pub House email info@watershedschool.org or call (303) 440-7520 www.watershedschool.org
SIZED FOR QUARTER PAGE Watershed CU Presents Ad Feb 2014.indd 1
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FRIENDS OF CU OPERA The CU Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our development office at 303-735-6070.
CORPORATE, FOUNDATIONS, AND ENDOWMENT SUPPORT Corporate and Foundation Support Academy Retirement Community Aetna Foundation, Inc. Blackhawk Trust Boulder Valley Rotary Club Colorado Academy of Lifelong Learning Denver Lyric Opera Guild Frasca Food & Wine JAS Ventures Polk Family Charitable Fund Louis and Harold Price Foundation The Schramm Foundation The following have permanent endowments established in recognition of CU Opera, its donors and its students. Nancy and Ted Anderson Music Awards Daryl and Lauren Boyle Music Theater Scholarship Daryl and Lauren Boyle Voice Scholarship DeWitt and Billie Marie Brennan Memorial Music Scholarship Berton Coffin Graduate Scholarship in Voice Berton Coffin Fellowship Fund Viola Vestal Coulter Foundation Voice Scholarship in Honor of Harold A. Norblom Wilma and Perry Louis Cunningham Scholarship in Voice Barbara M. Doscher Scholarship Wallace F. Fiske Performance Awards Ann and Gordon Getty Foundation Dennis Jackson Opera Scholarship Dale R. Johnson Opera Scholarship Lacy CU Opera Endowment Ed and Kay McDowell Opera Endowment Claudia Boettcher Merthan Vocal Scholarship Trudi Mielziner Graduate Opera Scholarship Charlotte Orr Reid Memorial Vocal Scholarship Gregory Philip Ranno Excellence in Music Scholarship Anthony and Dorothy Riddle Lyric Theater Performance Prize William Earl Rose, Sr. Scholarship Fund Galen & Ada Belle Files Spencer Foundation Beth and Bill Suitts CU Opera Endowment Howard B. Waltz Music Scholarship Paula Marie and H. Rolan Zick Endowment
BENEFACTOR
CONTRIBUTOR
Paul Eklund Bob Graham Louis and Harold Price Foundation Ann Oglesby and Denny Brown Galen & Ada Belle Spencer Foundation Academy Retirement Community The Schramm Foundation
A Friend Jason and Elizabeth Baldwin Colorado Academy of Lifelong Learning Martha Coffin Evans Jeanine Forman-Ham Lloyd and Mary Gelman Curtis and Mary Hill Myra Jackson Harold and Joan Leinbach Burr Lloyd Robert and Patricia Meyers David and Ann Phillips Daniel and Boyce Sher Peter Wall
SPONSOR Denver Lyric Opera Guild
PATRON Eleanor Caulkins Chris and Barbara Christoffersen Betsy and Albert Hand Robert and Mikee Kapelke Dorothy Riddle Christopher and Kimberly Riddle Riddle Family Foundation Rotary Club of Denver Foundation Alan and Martha Stormo
SUPPORTER Mark and Margaret Carson Walter and Mary-Ruth Duncan Jo and David Hill James and Sally Kneser Theodore and Ruth Smith Lawrence and Ann Brennan Thomas Elizabeth and George Ulbrick
MEMBER Judith Auer and George Lawrence James and Judith Bowers Allene Cash Wallace and Beryl Clark Stephen Dilts J. Michael Dorsey Ellen and John Gille Steve Goldhaber and Mariana Vertenstein Judy Gould Janet Hanley Barbara and John Hill Pam Jones and Mark Bianchi Ben and Gale Chidlaw Richard and Margaret Dillon Susan and Albin Kolwicz Marion and Frank Kreith C. Nicholas and Mollie Lee In Memory of Wayne B. Daniels Patricia and Robert Lisensky Heidi and Jerry Lynch Bruce and Jeanette Mackenzie Janet and Scott Martin In Memory of Karen McMurry Marian Matheson Byron and Catharine McCalmon Denise McCleary and Paul Von Behren Richard and Donna Meckley Marilyn Newsom In Memory of Mildred and Berton Coffin
Margaret Oakes Robert and Marilyn Peltzer Dennis Peterson Gail Promboin and Robert Burnham Alicia and Juan Rodriguez Elaine Schnabel Andrew and Mary Skumanich Joyce Thurmer In Memory of Karen McMurry Richard and Caroline Van Pelt
VOCAL ADVISORY BOARD Lawrence H. Anderson Stephen Bruns Nicholas R. Carthy Martha Coffin Evans, chair Lissy Garrison Albert Hand Leigh K. Holman Glenny LeGendre Kathleen M. Ness Shirley J. Riggs Stephanie Rudy Ashraf Sewailam Reed F. Williams
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FOLLOW THE REGION’S PERFORMING ARTS BEFORE, DURING AND AFTER THE PERFORMANCE
COLORADO CLEAR MIND Connect with The Center Stage Club to see calendar listings of the greatest Front Range performing arts offerings.
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Be a part of the inaugural
Boulder Arts Week March 28–April 6
This citywide event will highlight Boulder’s distinguished arts and cultural programming and will include art walks, First Friday, exhibitions, performances, dance, music, theater, artist demonstrations, lectures, and symposia. Find all the details at: boulderartsweek.org
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CU OPERA
G
reat repertoire, lavish scenery, amazing voices, and outstanding value— these are the hallmarks of CU Opera. Director Leigh Holman and Music Director Nicholas Carthy bring you the best of classical and contemporary opera in three fascinating productions each season and in CU New Opera Workshop in the summer.
Side by Side by Sondheim (sung in English) by Stephen Sondheim More than a revue of the incomparable Broadway composer’s work, Side by Side by Sondheim features his bestknown tunes alongside narration exploring the context of each piece. April 24, 7:30 p.m. April 25, 7:30 p.m. April 26, 7:30 p.m. April 27, 2 p.m. Music Theatre
CU New Opera Workshop CU NOW will present the world premiere of The Master, an opera by composer Alberto Caruso with a libretto by noted Irish author Colm Toibin from his acclaimed novel of the same name. Performances will be held on the CU Boulder campus in the ATLAS Black Box Theater on June 13 and 14 at 7:30 p.m. On June 14, audiences are invited to attend a live recording session of the entire work. The production will be directed by Ron Daniels (Royal Shakespeare Theater, American Repertory Theater) and will feature students from the CU College of Music. CU New Opera Workshop is a three-week event, held every summer, giving advanced student singers the opportunity to work with professional composers,playwrights and directors in creating new works for the musical stage. CU NOW Composer Fellows Institute is an exciting, new initiative linking select CU student-composers with composer Alberto Caruso, the CU Composition faculty and the CU NOW musical and direction staff to create new vocal works for the stage. The Fellows’ scenes will be featured on the June 8 concert. June 8, 2 p.m. Concert: sneak-peek scene from The Master in addition to vocal works by CU NOW composers from the past five years—Daniel Kellogg, Robert Aldridge, Herschel Garfein, Kirk Mechem, Lori Laitman and Libby Larsen. June 13, 7:30 p.m. June 14, 7:30 p.m. June 15, 2 p.m. ATLAS Black Box Theatre All events are free and open to the public on a first come, first served basis and will be held in the Black Box Theater in the ATLAS building on the CU Boulder Campus.
303.492.8008
www.cupresents.org
| 303-492-8008 | 37
3111 Walnut Street Boulder, CO 80301 303.449.3177
BOULDER PIANO GALLERY
www.boulderpianogallery.com
Boulder Piano Gallery is a hub of musical activity in Boulder County and the premier place to purchase a �ine quality new or used piano.
We offer full line of Kawai accoustic and digital pianos, German hand-made Schimmel pianos, Yamaha Clavinova and Arius digital pianos and their new hybrid Avant Grands aas well as a current selection of over 50 rebuilt/reconditioned pianos in all shapes and sizes.
Now carrying the gorgeous hand-built Shigeru Kawai grand pianos!
FRESH FROM OUR
FARMERS TO YOU
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With Skill & Tenacity! Eric’s 40 years of experience will make the process of buying or selling a home an enjoyable process. He is a reliable and ethical negotiator who offers the highest caliber of professional service, and his extensive network of contacts provides access to homes before they come on the market. RE/MAX “Hall of Fame” & “Lifetime Achievement” Awards
He feels that “success is not measured solely by sales, but by relationships built.” It would be Eric’s pleasure to meet with you.
ERIC JACOBSON Broker Associate Certified EcoBroker® 303-441-5619 www.EricJacobson.net email: EricJacobson@BoulderCo.com Text me at 303-437-0221 2425 Canyon Blvd. • Boulder, CO 80302
thrill
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3/19 Fahrenheit 451 by Aquila Theatre 4/5 Eddie Palmieri Salsa Orchestra Plus CU Opera, TakĂĄcs Quartet, and CU Symphony Orchestra
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303-492-8008
2013–2014 Season
Global performance. World-class entertainment. You have to be here.
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