BOULDER PHILHARMONIC ORCHESTRA
MICHAEL BUTTERMAN, MUSIC DIRECTOR
Legends: The Spirit of Boulder
2014-2015 SEASON
Gordon and Grace Gamm
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BOULDERBALLET
20142015SEASON • The Nutcracker with full orchestra
• Stepping Out 2015 world premiere ballets
• Storybook Ballet a student performance
• The Firebird
www.boulderballet.org
a special event for Mother’s Day
• Ballet in the Park free outdoor concerts
Photos by Sue Daniels
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Welcome Dear Friends, We humans are sto rytellers by nature Through tales an . d parables we ha ve passed along important life lessons and ele ments of cultural identit y from one gene ration to the next. And we have done so not only with spoken and written words, bu t with our iconography, ar t, dance, drama an d music, as well.
GLEN ROSS
Our 2014-15 Boul der Phil season pr ovides myriad examples of composers wh o used the expansive tona l palette of the sy mphony orchestra to brin g classic legends to sonic life. We’l presented in highly l enjoy four creat varied styles, and ion stories explore avian char and Russian lore. acters from Nord Our Valentine’s pr ic ogram brings us legendary couples musical portraits , and we’ll celebra of two te our new concer weave the tale of tmaster as he help 1001 Nights in Sc s us heherazade. We continue our interest in natura l inspiration as we world premiere of hear (and see) th Gates of the Arct e ic and the misty En also celebrating th chanted Lake. We’r e 150th anniversa e ry of Richard Stra Four Last Songs— uss with his exqu always on my list isite of most deeply m oving pieces. We’re proud of th e musicians in ou r great orchestra spotlight on their , and will shine th vir tuosity in Bartó e k’s brilliant Concer the way, we’ll be to for Orchestra. joined by marvelo Along us guest ar tists wi unique qualities pe th an impressive rfectly matched to array of the works they’re presenting. Our sincere than ks to you for join ing us, and to ou subscribers and pa r ever-increasing trons. Your passion family of , curiosity, and en inspire us as we co thusiasm sustain ntinue to reflect and and enhance The Spirit of Boulder. Enjoy!
Boulder Philharmonic Orchestra 2014-2015
11
BOULDER PHILHARMONIC ORCHESTRA
MICHAEL BUTTERMAN, MUSIC DIRECTOR
2590 Walnut Street • Boulder, CO 80302 303-449-1343 www.BoulderPhil.org MUSIC DIRECTOR
Michael Butterman
OFFICERS Kyle Heckman, President Rudolfo Perez, Vice President
Patricia Butler, Secretary
BOARD Christopher Brauchli Joan Brett Claire Figel David Fulker Lin Hawkins Deborah Holland Erma Mantey
Yoriko Morita Eleanor Poehlmann Karyn Sawyer Jennifer Stachniak Lynn Streeter Marion Thurnauer
ADVISORY COUNCIL Barbara Brenton Roberta Brenza Pamela Dennis Kent Hansen Ruth Kahn Susan Olenwine
Joan Ringoen Mary Street Dick Van Pelt Betty Van Zandt Brenda Zellner
ADMINISTRATION Kevin Shuck, Executive Director Teresa Myrwang Holum, Development Director Shelley Sampson, Patron Services Manager & Artistic Administrator Michael Allen, Orchestra Librarian Janet Braccio, Publicity Consultant Holly Hickman, Marketing Consultant
Kim Peoria, Orchestra Manager Glenn Ross, Production Manager Betty Woon, Bookkeeper Ryan Foley, Development Intern Michelle Sheridan, Education Coordinator Carolyn Richardson, Volunteer
DIRECTOR EMERITUS Kim Coupounas China Leonard ORDER OF THE BATON Sydney Anderson Amy Batchelor Barbara Brenton Kurt Burghardt Amy Clark Frank Day Kitty deKieffer Ursula Dickinson Brad Feld Ray Frommer Diane Greenlee Aaron Harber Yvonne Haun Ray Hauser Sharon Hunter Ruth Kahn Bonnie Karlsrud Sandra Karpuk
Dan Sher
To Our Supporters
Have you heard the wonderful news? Michael Butterman recently signed a 5-year extension as Music Director of the Boulder Philharmonic! We couldn’t be more thrilled – during Michael’s tenure, subscriptions have increased a stunning 80% and the Discovery Concert program he founded has grown to reach 28 elementary schools. The Boulder Phil has never sounded better, and our thrilling performances, guest artists and collaborations continue to build momentum and attract capacity audiences to Macky Auditorium. “My partnership with the Phil over the past several years has been extremely satisfying and artistically stimulating,” Michael said. “With the help and support of our dedicated patrons, we have been able to hone an identity deeply rooted in the fabric of Boulder’s essence, while elevating our artistry to greater heights. I’m delighted by the opportunity to continue our work together in the coming seasons as we affirm and strengthen our core values of artistry, innovation and engagement.” After reading of Michael’s enthusiasm and confidence in the future of our orchestra, may we ask what the Boulder Phil means to YOU? Please take a moment to think about how the Phil and our music have enriched your life, and consider making a gift to support our continuing work. Thank you! Kevin Shuck
Oswald Lehnert Cindy Lefkoff TARGETED MARKETING WITH EVERY PERFORMANCE Kyle Lefkoff Kevin Shuck Executive Director Jo Ann Mays View, the magazine of the Lone Tree Arts Center, Martha McGavin features performing arts highlights and information about the Frank McGuirk state-of-the-art facility that serves the south metro community. Angie Flachman Johnson, J. Nold Midyette Publisher Edith Morris 2013/2014 highlights Barbara Nissen South Pacific in Concert • Big River Annette Allen, Art Bill Obermeier Yesterday & Today, the All-Request Beatles Tribute Director and Production This program is produced for Coordinator Joan Ringoen the Boulder Philharmonic Rebecca Roser Target your marketing with advertising View Sandy Birkey, Graphic Orchestrainby TheMagazine. Publishing Barbara Rumsey Design and Layout House, Westminster, CO. Arthur Smoot Wilbur E. Flachman, For advertising information, Carol Smoot President and Founder please call (303)Publisher 428-9529 or Robert Wilson Angie Flachman, 303.428.9529 Ext. 237 e-mail sales@pub-house.com Ed Wolff
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Sponsors
SEASON PRESENTING SPONSORS Gordon and Grace Gamm
CONCERT AND PROGRAM SPONSORS
BOULDER’S BOUTIQUE RETIREMENT COMMUNITY
Horejsi Charitable Foundation League of American Orchestras Virginia Hill Charitable Foundation
SPONSORS
IN-KIND SPONSORS BOULDER PIANO GALLERY
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Boulder Philharmonic Orchestra 2014-2015
13
About the Boulder Phil
GLENN ROSS
As one of Colorado’s premier ensembles, the Boulder Philharmonic Orchestra is creating a new model for American orchestras through dynamic performances that reflect our community’s own values, creativity, and sense of place. Voted “Best of Boulder” yet again in 2014, today’s Boulder Phil is bucking national trends with growing, enthusiastic audiences under the vision and leadership of Music Director Michael Butterman.
The Boulder Phil’s main concert series—broadcast state-wide on Colorado Public Radio—is presented at Macky Auditorium, a historic jewel on the University of Colorado campus. From multi-genre productions featuring dance, choral and visual elements to concerts with a unique hometown flavor, the Phil’s imaginative programming has resulted in increasing numbers of sold-out concerts and nationwide notice in Symphony Magazine. In recent seasons the Phil has collaborated with an impressive 45 local organizations, encompassing arts, science, nature, youth, social services and more. By going beyond simply performing great music, we strive to connect ever more people to the inspiring power of orchestral music. Recognized as “Boulder’s premier orchestra” (Boulder Weekly), the Boulder Phil is comprised of the top freelance musicians from Colorado’s Front Range and beyond. Founded in 1958, the Boulder Phil became a fully professional ensemble under the leadership of Theodore Kuchar, whose tenure as music director began in 1996. Today the Boulder Phil reaches audiences of over 20,000, with performances from Arvada to Highlands Ranch as well as regular invitations to perform at the prestigious Vilar Performing Arts Center in Beaver Creek.
GLENN ROSS
The Boulder Phil strives to inspire the next generation of music-lovers through Discovery Concerts that have reached thousands of 4th and 5th grade students in 28 schools across three counties. For decades the Phil has also fostered new talent with the annual Young Artist Concerto Competition, and Boulder Phil musicians provide mentorship through side-by-side concerts with the Greater Boulder Youth Orchestras and Front Range Youth Orchestras. In all these ways, the Boulder Phil strives to be at the center of our community’s cultural fabric.
14 Boulder Philharmonic Orchestra 2014-2015
Michael Butterman, Conductor
Making his mark as a model for today’s conductors, Michael Butterman is recognized for his commitment to creative artistry, innovative programming, and to audience and community engagement. He is in his ninth season as Music Director for both the Boulder Philharmonic Orchestra and the Shreveport Symphony Orchestra, and is the new Music Director of the Pennsylvania Philharmonic, celebrating its inaugural season in 2014-2015. He is also the Resident Conductor of the Jacksonville Symphony Orchestra, and is in his 15th season as Principal Conductor for Education and Community Engagement for the Rochester Philharmonic Orchestra, the first position of its kind in the United States.
As a guest conductor, Mr. Butterman made his debut with the Cleveland Orchestra in the spring of 2012, and was immediately reengaged for two concerts the following season. Other recent engagements include appearances with the Detroit Symphony, Houston Symphony, Colorado Symphony, Oregon Symphony, Phoenix Symphony, Kansas City Symphony, Colorado Music Festival Orchestra, Charleston Symphony, Hartford Symphony, San Antonio Symphony, Syracuse Symphony, New Mexico Symphony, California Symphony, Louisiana Philharmonic, Spokane Symphony, El Paso Symphony, Mobile Symphony, Peoria Symphony, Winston-Salem Symphony, Pensacola Opera and Asheville Lyric Opera. Summer appearances include Tanglewood, the Bravo! Vail Valley Music Festival in Colorado and the Wintergreen Music Festival in Virginia. In the 14-15 season, he will make his debut with the Victoria Symphony in Canada and return to the podium of the Santa Fe Symphony. Mr. Butterman gained international attention as a diploma laureate in the Prokofiev International Conducting Competition and as a finalist in the prestigious Besançon International Conducting Competition. As the 1999 recipient of the Seiji Ozawa Fellowship, he studied at Tanglewood with Robert Spano, Jorma Panula, and Maestro Ozawa, and shared the podium with Ozawa to lead the season’s opening concert. In 1997, Mr. Butterman was sponsored by UNESCO to lead the National Philharmonic Orchestra of Moldova in a concert of music by great American masters. From 2000 to 2007, Mr. Butterman held the post of Associate Conductor for the Jacksonville Symphony in Florida. For six seasons, he also served as Music Director of Opera Southwest in Albuquerque, NM. Prior to joining the Jacksonville Symphony, Mr. Butterman was Director of Orchestral Studies at the LSU School of Music for five years, and was Principal Conductor of the LSU Opera Theater. Previously, he held the post of Associate Conductor of the Columbus Pro Musica Orchestra, and served as Music Director of the Chamber Opera, Studio Opera, and Opera Workshop at the Indiana University School of Music. For two seasons, he was also the Associate Music Director of the Ohio Light Opera, conducting over 35 performances each summer. At Indiana University, Mr. Butterman conducted a highly acclaimed production of Leonard Bernstein’s little-known 1600 Pennsylvania Avenue in a series of performances at the Kennedy Center in Washington, DC, receiving unanimous praise from such publications as The New York Times, Washington Post, Variety, and USA Today. He was subsequently invited to New York at the request of the Bernstein estate to prepare a performance of a revised version of the work. Michael Butterman’s work has been featured in five nationwide broadcasts on public radio’s Performance Today, and can be heard on two CDs recorded for the Newport Classics label and on a new disc in which he conducts the Rochester Philharmonic and collaborates with actor John Lithgow. www.MichaelButterman.com Boulder Philharmonic Orchestra 2014-2015
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Season Supporters
FLATIRONS BANK
IS
PROUD TO SUPPORT THE
BOULDER PHILHARMONIC ORCHESTRA 1095 Canyon Blvd. Suite 100 Boulder, CO 80302 Phone: 303-530-4999
Educational Outreach
• Discovery Concerts introduce 4th and 5th graders throughout the Boulder Valley School District and beyond to live symphonic music. Using a tailored Curriculum Guide that complements their core music curriculum, educators prepare students for the 50-minute interactive performance at Macky Auditorium – an experience that many students describe as “the best field trip of the year!” Sign up your school today for our next Discovery Concert at Macky on Friday, April 24, 2015. • “Michael Butterman Goes to School” Visits are a key part of the Phil’s Discovery Concert program, as our Music Director visits classrooms to introduce students to musical concepts, instrument families, music appreciation skills, and more.
GLENN ROSS
The Boulder Philharmonic believes that live orchestral music is for everyone and is committed to providing a wide array of opportunities for people throughout our community to encounter the lifeenriching power of classical music.
The Boulder Phil performs for 4th and 5th grade students each year in Macky Auditorium.
Boulder Phil musicians rehearse alongside members of Greater Boulder Youth Orchestras
• Side-by-Side Youth Concerts feature talented young musicians from Greater Boulder Youth Orchestras and Front Range Youth Symphony alongside professional musicians from the Boulder Phil, who provide valuable mentorship to these students as they rehearse and perform together. • Young Artist Concerto Competition is open to all young musicians in Colorado, who compete for an opportunity to perform as a soloist with the Phil. • $5 Student Tickets to every Masterworks concert make attendance easy for young people, up to and including college students! Phone or walk-up sales only. Your financial gift or volunteer work in support of our education programs is critical to our success in enriching our community through music. For more information on becoming involved, please contact Kevin Shuck at 303-449-1343, ext. 3.
Boulder Philharmonic Orchestra 2014-2015
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22 Boulder Philharmonic Orchestra 2014-2015
Program BOULDER PHILHARMONIC ORCHESTRA Michael Butterman, conductor Zuill Bailey, cello Saturday, April 25, 2015 Macky Auditorium, CU Boulder 6:30 pm Pre-Concert Talk 7:30 pm Performance
Anatoli Liadov (1855 – 1914)
The Enchanted Lake, op. 62
Antonín Dvoˇrák Concerto for Cello and Orchestra, op. 104 (1841 – 1904) I. Allegro II. Adagio, ma non troppo III. Allegro moderato – Andante – Allegro vivo — Intermission — Béla Bartók Concerto for Orchestra (1881 – 1945) I. Andante non troppo – Allegro vivace II. Allegro scherzando III. Andante non troppo IV. Allegretto V. Presto
Tonight is Subscriber Appreciation Night! We thank our nearly 1,000 subscribers and invite you to join us following tonight’s performance for our annual celebration at the Boulder Dushanbe Teahouse. Sponsored by Kent Hansen / Rocky Mountain Wealth Management
Zuill Bailey will be signing CDs at intermission. Millennium Harvest House is the exclusive hotel for Boulder Philharmonic guest artists Program and artists subject to change. Use of electronic devices prohibited.
Boulder Philharmonic Orchestra 2014-2015 Program 1
Boulder Philharmonic Orchestra VIOLIN 1 Charles Wetherbee, concertmaster, Lafayette Rebecca Roser Annamaria Karacson, assistant concertmaster, Boulder Virginia Newton Debra Holland, Boulder Jack & Brenda Zellner Gyongyver Petheo, Highlands Ranch Todd & Gretchen Sliker Veronica Pigeon, Golden Takanori Sugishita, Boulder Harold & Joan Leinbach Malva Tarasewicz, Boulder Pamela Walker Yenlik Bodaubay Weiss, Superior VIOLIN 2 Leah Mohling,* Louisville Robert & Marilyn Mohling Sharon Park,** Boulder Robert & Francine Myers Sarah Delevoryas, Broomfield Kristen Wolf Regan Kane, Boulder Miriam Linschoten, Boulder Robyn Sosa, Denver Paul Trapkus, Longmont Azaduhi A. Vieira, Colorado Springs Lori Wolf Walker, Louisville Tori Woodrow, Glendale VIOLA Mary Harrison,* Wheat Ridge Patricia Butler Michael Brook,** Superior Matthew Hyatt Aniel Cabán, Boulder Matthew Diekman, Denver Megan Edrington, Lafayette Claire Figel, Boulder Teresa Myrwang Holum Nancy McNeill, Lafayette Stephanie Mientka, Boulder CELLO Charles Lee,* Boulder Albert & Rebecca Bates Marcelo Sanches,** Boulder Anne Wenzel Anne Brennand, Boulder Joan Cleland Sara Fierer, Denver Penny & Robert Haws Yoriko Morita, Louisville Chris & Margot Brauchli Greta Parks, Boulder
Shirley Stephens-Mock, Golden Eleanor Wells, Boulder Martha & George Oetzel BASS David Crowe,* Boulder Nyla & William Witmore Brian Knott,** Louisville Lin & Matthew Hawkins Brock Chambers, Denver Dale Day, Boulder Larry Day & Catherine Haskins; Jon Bond Bob Orecchio, Westminster Matthew Pennington, Lafayette HARP Kathleen Wychulis,* Omaha, NE PIANO Arthur Olsen,* Boulder TIMPANI Douglas William Walter,* Louisville PERCUSSION Hiroko Okada Hellyer,* Centennial Virginia Jones Paul Mullikin,** Lakewood Marion Thurnauer & Alexander Trifunac Mike Tetreault, Denver Annyce Mayer FLUTE/PICCOLO Elizabeth Sadilek,* Edwards Pamela Dennis Caitlyn Phillips, Northglenn Olga Shylayeva, Lafayette Paul Weber OBOE/ENGLISH HORN Sarah Bierhaus,* Golden Tenly Williams, Denver Max Soto, Denver CLARINET/BASS CLARINET Stephanie Zelnick,* Lawrence, KS Rodolfo & Margaret Perez Bronwyn Fraser, Longmont Ann & Bill Kellogg Michelle Orman, Denver BASSOON/ CONTRABASSOON Charles Hansen, guest principal Joan Ringoen
Program 2 Boulder Philharmonic Orchestra 2014-2015
Kim Peoria, Louisville Wendy La Touche, Boulder HORN Michael Yopp,* Colorado Springs Jeffrey Rubin, Longmont Alan & Tessa Davis Devon Park, associate principal, Broomfield Stuart R. Mock, Golden DeAunn Davis, assistant & utility, Sparks, NV TRUMPET Brian Brown,* Fort Collins David Fulker & Nicky Wolman Kenneth Aikin, Boulder Roberta Asmus Goodall, Centennial Courtney Thomas, in memory of Jim Thomas TROMBONE Bron Wright,* Colorado Springs Owen Homayoun, Austin, TX Jeremy Van Hoy, Colorado Springs TUBA Michael Allen,* Northglenn ADDITIONAL MUSICIANS Robyn Julyan, violin Cyndi Mancinelli, violin Susie Peek, violin Ingrid Peoria, violin Adrienne Short, violin Christine Short, violin Nathan Southwick, violin Brian Cook, viola Carrol Lee, viola Alex Vittal, viola Trevor Minton, cello Beth Rosbach, cello Alaunde Copley-Woods, flute Andrew Jacobson, oboe April Johannesen, clarinet Mark Hyams, trumpet Scott Bean, trombone Jeff Craig, trombone Andy Wolfe, trombone Tonya Jilling, harp * Principal ** Assistant Principal For information on becoming a “Friends of the Phil” musician sponsor, please see page 33.
Program
LISA-MARIE MAZZUCCO
ZUILL BAILEY, CELLO Zuill Bailey, widely considered one of the premiere cellists in the world, is a distinguished soloist, recitalist, artistic director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has secured his place as one of the most sought after and active cellists today. A consummate concerto soloist, Mr. Bailey has been featured with the symphony orchestras of Los Angeles, Chicago, San Francisco, Detroit, Indianapolis, Dallas, Louisville, Honolulu, Milwaukee, Nashville, Toronto, Minnesota, Utah, Israel, Cape Town, and the Bruckner Orchestra in Linz, Austria. He has collaborated with such conductors as Itzhak Perlman, Alan Gilbert, Andrew Litton, James DePriest, Jun Markl, Carlos Kalmar, Jacques Lacombe, Grant Llewellyn and Stanislav Skrowaczewski. He also has been featured with musical luminaries Leon Fleisher, Jaime Laredo, the Juilliard String Quartet, Lynn Harrell, and Janos Starker. Mr. Bailey has appeared at Disney Hall, the Kennedy Center, the United Nations, Alice Tully Hall, the 92nd St. Y, and Carnegie Hall, where he made his concerto debut performing the U.S. premiere of Miklos Theodorakis’ Rhapsody for Cello and Orchestra. In addition, he made his New York recital debut in a sold-out performance of the complete Beethoven Cello Sonatas at the Metropolitan Museum of Art. Mr. Bailey also presented the U.S. premiere of the Nico Muhly Cello Concerto with the Indianapolis Symphony Orchestra. His international appearances
include notable performances with the Moscow Chamber Orchestra in its 50th anniversary tour of Russia, as well as concerts in Australia, the Dominican Republic, France, Israel, Spain, South Africa, Hong Kong, Jordan, Mexico, South America, and the United Kingdom. Festival appearances include Ravinia, the Interlochen Center for the Arts, Manchester Cello Festival (UK), Wimbledon (UK), Consonances (France), Australian Festival of Chamber Music, Deia Music Festival (Spain), Montreal (Canada), Santa Fe, Caramoor, Chautauqua, Bravo! Vail Valley, Maverick Concert Series, Brevard, and the Music Academy of the West. In addition, he was the featured soloist performing the Elgar Cello Concerto at the Bard Festival in the world premiere of the Doug Varrone Dance Company performance of Victorious. Zuill Bailey is an exclusive recording artist on Telarc International. His celebrated Bach Cello Suites and recentlyreleased Britten Cello Symphony/Sonata CDs immediately soared to the number one spot on the Classical Billboard Charts. Other critically acclaimed recordings on Telarc include his live performances with the Indianapolis Symphony of the Elgar and Dvořák Cello Concertos, described by Gramophone magazine as one that “sweeps the board.” Additional Telarc releases include Brahms featuring the complete works for cello and piano with pianist Awadagin Pratt, and Russian Masterpieces showcasing the works of Tchaikovsky and Shostakovich performed with the San Francisco Ballet Orchestra. Mr. Bailey is featured on Concord Music’s chart-topping, Quincy Jones-produced Diversity with pianist/ composer Emily Bear. Other releases include his innovative Spanish Masters CD for Zenph Studios, where he forms
Boulder Philharmonic Orchestra 2014-2015 Program 3
Program a unique duo blending with recordings of composer Manuel de Falla, and an allAmerican recital program with pianist Lara Downes on the Steinway and Sons label. His discography also includes a debut recital disc for Delos, Cello Quintets of Boccherini and Schubert with Janos Starker, Saint-Saen’s Cello Concertos No. 1 and 2, and the Korngold Cello Concerto with Kaspar Richter and the Bruckner Orchestra Linz for ASV. Zuill Bailey was named the 2014 Johns Hopkins University Distinguished Alumni and was awarded the Classical Recording Foundation Award for 2006 and 2007 for Beethoven’s complete works for Cello and Piano. The highly touted two-disc set with pianist Simone Dinnerstein was released on Telarc worldwide. In celebration of his recordings and appearances, Kalmus Music Masters has released Zuill Bailey Performance Editions, which encompasses the core repertoire of cello literature. Network television appearances include a recurring role on the HBO series Oz, NBC’s Homicide, A&E, NHK TV in Japan, a live broadcast and DVD release of the Beethoven Triple Concerto performed in Tel Aviv with Itzhak Perlman conducting the Israel Philharmonic, and a performance with the National Symphony Orchestra of Mexico City. Mr. Bailey is also featured in the televised production of the Cuban premiere of Victor Herbert’s Cello Concerto No. 2 with the National Orchestra of Cuba. He has been heard on NPR’s Morning Edition, Tiny Desk Concert, Performance Today, Saint Paul Sunday, BBC’s In Tune, XM Radio’s Live from Studio II, Sirius Satellite Radio’s Virtuoso Voices, the KDFC Concert Series, KUSC, Minnesota Public Radio, WFMT and RTHK Radio Hong Kong. Mr. Bailey received his Bachelor’s and Master’s Degrees from the Peabody Conservatory and the Juilliard School.
His primary teachers include Loran Stephenson, Stephen Kates, and Joel Krosnick. Mr. Bailey performs on a 1693 Matteo Gofriller Cello, formerly owned by Mischa Schneider of the Budapest String Quartet. In addition to his extensive touring engagements, he is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival and Series (Alaska), the Northwest Bach Festival (Spokane, Washington), guest Artistic Director of the Mesa Arts Center (Arizona), and Professor of Cello at the University of Texas at El Paso. For more information please visit www. zuillbailey.com PROGRAM NOTES ANATOLI LIADOV (1855-1914) The Enchanted Lake Anatoli Liadov was a composer with great talent and a big problem. In 1909 he was approached by the Russian ballet impresario Serge Diaghilev about writing music for the next season of the Ballets Russes de Monte Carlo. Although Liadov had already worked as an orchestrator for Diaghilev’s production of the ballet Les Sylphides, based on the music of Chopin, he did not feel ready to accept such a large task. Instead of refusing the project, he told Diaghilev that it would take at least a year to write the work. This precluded him from the 1910 project. The job went to the young Russian upstart, Igor Stravinsky, and the work that resulted was The Firebird, which was the piece that put Stravinsky’s name on the musical radar worldwide. One should not get the idea that Liadov was lazy. Instead, it might be better to describe him as unmotivated, aloof, or perhaps a little afraid. He was far more interested in his own ideas than those of
Program 4 Boulder Philharmonic Orchestra 2014-2015
Program others. In 1909, instead of composing for Diaghilev, he was working on another work, The Enchanted Lake, which is a musical portrait of moonlight on the water. It is a contemplative miniature masterpiece that is programmed far too infrequently. Liadov wrote to a friend: “How picturesque it is, how clear, the multitude of stars hovering over the mysteries of the deep. But above all no entreaties and no complaints; only nature — cold, malevolent, and fantastic as a fairy tale. One has to feel the change of the colors, the chiaroscuro, the incessantly changeable stillness and seeming immobility.” Listeners will notice the stillness of the music. Long low notes are ornamented with major and minor thirds, as well as extended chords that reflect the newest Impressionistic developments happening at that time a thousand miles away in France. The use of colorful instruments, such as the celesta and harp, add to the atmospheric qualities in this work. ANTONÍN DVOŘÁK (1841–1904) Concerto for Cello and Orchestra, Op. 104 Antonín Dvořák had a strong affinity for the music of common people. He collected and studied folk music, but, paradoxically, seldom incorporated authentic indigenous music into his works. Drawn to the simple beauty of African-American spirituals and Native American songs, Dvořák boldly suggested that American composers needed to cultivate a national identity in their music. Dvořák’s suggestion came on the heels of his 1892 appointment as director of the American Conservatory of Music in New York. He would spend the next two summers in the small Czech community of Spillville, Iowa, where he would complete
his “American” string quartet and quintet. After only a few months in this country and before his summer trip, he began an experiment — a symphony blending stylized folk elements of his native Czech land with those of his temporary American home. He would entitle this work, his ninth in the genre, “From the New World” — a very specialized musical postcard from a Bohemian in America. In the December 15, 1893, edition of the New York Herald — the day before the premiere of the symphony — Dvořák published an essay on national identity in music. He stated that American composers should be aware of all indigenous music. The composer had heard many spirituals from his student Harry T. Burleigh and found them to be beautifully expressive. Native American melodies were familiar to him from transcriptions and a visit to Buffalo Bill’s Wild West Show in New York. In the essay, Dvořák wrote of the similarity of the melodies of both cultures and suggested that there must be some way to incorporate such truly American music in new compositions. [In the following decade, a small musical ripple arose from the “Indianist” composers, led by Arthur Farwell, who adopted Dvořák’s technique of creating stylized exotic melodies as well as transcribing many authentic Native American songs.] Dvořák’s last American work was his thoroughly Czech-flavored Cello Concerto. However, its inspiration was thoroughly American. The motivation came from Victor Herbert, later known as the composer of delightful operettas (Naughty Marietta and Babes in Toyland are the most popular of his more than fifty stage works), who performed his own Second Cello Concerto in 1894 to an audience that included Dvořák. The Czech composer, having been pressed for years by his countryman Hanuš Wihan to compose a
Boulder Philharmonic Orchestra 2014-2015 Program 5
Program cello concerto, was duly impressed and decided to begin composing a new work. The result is more Czech than American, probably due to the homesickness he felt while vacationing in Spillville. Dvořák’s first movement begins quietly with a woodwind passage. From this gentle whisper, the texture builds to a towering climax. Before the cellist enters, both of the main themes are introduced by the orchestra alone, as is the custom in traditional concertos. The soloist is finally heard with an ornamented version of the first theme, proceeding to a more straightforward reading of the second melody. One of the most interesting aspects of the first movement is the reversal of the two main themes when they return after the development section. Marked Adagio non troppo, the second movement shows the Bohemian side of Dvořák’s work. First played by the clarinet, the first theme bears the hallmarks of Czech folk music. The second theme is derived from the composer’s own art song, “Let me wander alone in my dreams,” which was a favorite of his sisterin-law (and first love), Josefine Kauric. He decided to quote this work when he received word that she was ill. His treatment of the theme is almost that of a conversation between woodwind soloists and the cellist. The first theme returns, this time with a flute obbligato. The finale is a fiery rondo built upon martial rhythms. Near the center of the movement, the tempo relaxes and a series of musical reminiscences begins. One account, probably accurate, claims that the return of Josefine’s theme, near the end of the sequence, was added after Dvořák’s eventual return to Prague, where he found that she had died. Regardless of the inspiration, the effect is one of exquisite beauty, occurring just before the final restatement of the march theme.
BÉLA BARTÓK (1881-1945) Concerto for Orchestra Hungarian composer Béla Bartók had a dedication to music that rivals that of any composer. He had a burning interest in the folk music of Hungary, Romania, and the other countries of Eastern Europe. The area was so rich with folk music that Bartók felt the need to collect and codify it, so he set out in the early years of the twentieth century with a wax cylinder recorder to visit some of the world’s most remote villages. His recordings are still valuable to researchers today, as many of the traditions recorded therein have been lost to modern ideas of progress. In his concert music, Bartók’s dedication reaches a new level. He believed that one of the prime indicators of musical worth is its structure, so he filled his works with structural elements that continue to amaze researchers. Many of his works reflect mathematical principles. For instance, the Golden Ratio (a ratio that can be distilled into the number 1.618) figures into some of his pieces in that major events — changes of keys, dynamics, or formal sections — often occur 61.8% of the way through a work. This often goes much further with the same ratio occurring within the resulting sections. Much has been written of these relationships for those who wish to pursue the fascinating subject even further. Bartók’s output is vast and varied. For the piano, his own instrument, he composed three concerti and numerous solo works, including the multi-volume educational series entitled Mikrokosmos. There are numerous chamber works (his six string quartets are the most significant since Beethoven) and pieces for orchestra, culminating in the famous Concerto for Orchestra composed on his deathbed during the final stages of leukemia. When World War II began its ravages of Europe, many artists fled the encroachment
Program 6 Boulder Philharmonic Orchestra 2014-2015
Program of the Nazi army. A significant number came to America, including Bartók, who arrived in 1940. With the recent conservative wave that had overtaken the music world, he found that his music had suddenly gone out of style. When his financial situation became dire, Bartók was forced to give lectures. All the while, he was experiencing symptoms that led to a diagnosis of leukemia. In early 1943 the composer was hospitalized. Two of Bartók’s friends, conductor Fritz Reiner and violinist Joseph Szigeti, decided to help the ailing composer. Knowing that Bartók would never accept a charitable gift outright, they raised the funds to commission a new orchestral work. The well-known conductor of the Boston Symphony, Serge Koussevitzky, visited the composer in his hospital room and presented the commission, making no mention of Reiner and Szigeti. Bartók accepted and plunged headlong into composition of the Concerto for Orchestra, working throughout the year and finding a restorative quality in his labors. He attended the premiere in December of 1944, but died barely nine months later. Bartók’s Concerto for Orchestra is an unusual work, but not only for its progressive and haunting musical language. Bartók’s approach is concerned as much with the creation of interesting musical textures as with the presentation of beautiful melodies. The term ‘concerto’ usually refers to a large-scale work that features a virtuoso soloist. However, in this case, the piece requires such a level of proficiency from all players that Bartók envisioned it as a concerto for the entire orchestra. Most solo concerti have three movements, but the composer provides five in this work. The reason for this is he wanted to build the piece around a weighty central movement, creating an arch with related second and fourth, and first and fifth movements.
The work begins with a somber introduction in the lowest reaches of the string section answered by mysterious music in the strings and flutes. After a powerful climax, the main body of the movement begins at a quicker tempo with an imposing theme in the violins. After significant development, the movement ends in a potent burst of orchestration combining all the themes. Giuoco della copie, or “Game of Pairs,” is the heading of the delightful second movement. Beginning with a snare drum solo, the music unfolds gradually by presenting portions of the main theme in instrumental pairings, each written at a different musical interval. Beginning with bassoons (sixths), the listener then hears a progression of oboes in thirds, clarinets in sevenths, flutes in fifths, and trumpets in seconds. A chorale, made even more interesting by its delayed cadences, interrupts the proceedings before an ornamented version of the opening section returns. A lone snare drum closes the movement. The core of the Concerto for Orchestra is the third movement, an elegy that is a haunting recollection of Bartók’s native Hungary. Filled with the abrupt snapping rhythms (short-long) that are abundant in Magyar folk music, this movement unfolds slowly and with great effect. Passionate string and brass outbursts contrast with the eerie nocturnal sounds of the woodwinds and percussion — a mysterious approach that Bartók called “night music” and is found in several of his works. Bartók’s fourth movement is entitled Intermezzo interrotto, or “Interrupted Intermezzo.” Beginning with a folk-like melody in the oboe, the unusual oddnumber meter gives the music a decidedly Eastern European feel. A sumptuous string theme is heard, only to be interrupted by a quotation from Shostakovich’s Leningrad
Boulder Philharmonic Orchestra 2014-2015 Program 7
Program Symphony — a new work at the time that was heard on numerous radio broadcasts during Bartók’s convalescence. It is here that Bartók expressed his dissatisfaction with his colleague’s work, providing musical ‘raspberries’ in this parody. The lovely string theme resumes and ends the movement. The finale is an orchestral tour-de-force opening with an audacious horn call. A swirling string pattern begins, reminiscent of a peasant dance, and grows wilder as it unfolds. Several themes emerge from the fray, ranging from graceful woodwind melodies to martial trumpet calls. A quieter central section brings back the “night music” of the third movement. The peasant dance returns with bright trumpet calls leading to a fugal section that develops the martial interjection into strange new shapes. After several surprises, Bartók ends the work by bringing the peasant elements together with some of the fugal ideas in a brilliant coda that is at once dazzling and lifeaffirming.
©2015 Orpheus Music Prose & Craig Doolin
We thank the following new and returning donors not already listed on pages 28-30, for gifts made between December 10, 2014 and April 6, 2015. Debra & Charles Brindis Stacey Steers & David Brunel Carls Fund Corinne Effinger-Owen First Sunday Nighters Dr. Gilberto Gonzalez Garry & Barbara Gordon Burton & Maxine Hobson Frank Kreith David & Elisa Locke Roger & Lily Moment Raymond & Mary Roble Charles Samson Todd & Gretchen Sliker Robert & Joyce Spencer Elaine Taylor Debra Vicharelli
GABRIELA MONTERO RECITAL ◆ Thursday, September 10, 2015 Join us for an intimate recital and reception with our Opening Night guest artist, pianist Gabriela Montero, in a beautiful private home in east Boulder. ($75) BOULDER PHIL FANFARE ◆ Thursday, November 12, 2015 Our signature Friends and Fundraising Gala benefits the artistic and education programs of the Boulder Philharmonic. The event will take place downtown at the elegant Rembrandt Yard, a perfect setting for an evening of fabulous food and wines, world-class music with Concertmaster Chas Wetherbee in a solo performance, and mingling with fellow music lovers! ($150) Tickets & Sponsorship Opportunities: 303.449.1343 x2 or www.BoulderPhil.org/fanfare
Program 8 Boulder Philharmonic Orchestra 2014-2015
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Be Inspiring. Pursue your passion. Advance your degree.
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JOIN US FOR BOULDER PHIL FANFARE!
FANFARE SPONSORS
Chris & Margot Brauchli Joan Brett Patricia Butler
Pamela Dennis & Jim Semborski David Fulker & Nicky Wolman
Steve & Jayne Miller Rudy & Margaret Perez
RESTAURANT SPONSORS
IN-KIND DONORS Arvada Center Aspen Music Festival Barbador Black Angus Boulder Ballet Boulder Museum of Contemporary Art Boulder Wine Merchant Charleston Symphony Colorado Music Festival & Center for Musical Arts Colorado Symphony CU Presents Cured Dave Fulker Denver Center for the Performing Arts
eQuilter Geological Society of America Grand Teton Music Festival Hotel Boulderado Japango Jim Neely Joan Brett John Platt/Riff’s Urban Fare Legacy Connections Films Maggiano’s Moab Music Festival Opera Colorado Peter Barbieri Pizza Locale Rembrandt Yard Roberta and David Levin
Santa Fe Chamber Music Festival Shamane’s Bake Shop St Julien Hotel and Spa Strategic Solutions Marketing and Events Sturtz and Copeland Sushi Zanmai Teresa Myrwang Holum The Dairy Center for the Arts The Second Kitchen Vodka 14 Wallaroo Hat Company Whole Foods
Teresa Myrwang Holum Rudy Perez Eleanor Poehlman Luana Rubin
Kevin Shuck Cynthia Sliker Nanette Schunk, Event Coordinator
FANFARE COMMITTEE Christopher Brauchli Joan Brett Patricia Butler David Fulker
save the date
Don’t miss this year’s Fanfare event: Fall 2015 Rembrandt Yard, Downtown Boulder
Join us for this annual fundraising event benefiting the Phil’s artistic and education programs. The elegant Rembrandt Yard is a perfect setting for an evening of fabulous food and wines, arts-inspired auction bidding, and mingling with fellow Boulder music lovers. Come see why this event sells out every year! For more information, call 303-449-1343 x4 or visit www.BoulderPhil.org. Boulder Philharmonic Orchestra 2014-2015 27
Donors
The Boulder Philharmonic Orchestra is able to provide high-quality artistic and education program thanks to its growing number of season subscribers, and the annual support of individuals, corporations, foundations, and government agencies. We take this opportunity to express our appreciation of those who made contributions or pledges from October 1, 2013 to Colorado Gives Day on December 9, 2014.
FOUNDERS CIRCLE ($30,000+)
Anonymous Gordon & Grace Gamm The Citizens of the Scientific & Cultural Facilities District
GOLD CIRCLE ($10,000+)
The Individual Donors to the Boulder Philharmonic Endowment Fund Sydney & Robert Anderson Patricia Butler Flatirons Bank David Fulker & Nicky Wolman Harry & Eleanor Poehlmann SeiSolo Foundation (in memory of Hans & Dolores Thurnauer) Lynn Streeter
SILVER CIRCLE ($7,500+)
Boulder County Arts Alliance Colorado Creative Industries Carl & Ruth Forsberg Lin & Matthew Hawkins Rodolfo & Margaret Perez
SILVER CIRCLE ($5,000+)
Anonymous Albert & Rebecca Bates Boulder Arts Commission Eleanor Crow Exxon Mobil David & Sara Harper Kyle & Stephanie Heckman Virginia Hill Charitable Foundation Samuel & Carolyn Johnson Micro Motion Steve & Jayne Miller
BRONZE CIRCLE ($2,500+)
The Academy Anonymous (2) Berenbaum, Weinshienk, LC
Albert & Nancy Boggess Christopher & Margot Brauchli Joan Brett Caplan & Earnest, LLC Thomas & Virginia Carr Joan Cleland Terry & Jenny Cloudman Peter & Caroline Coggan Pamela Dennis Geological Society of America Foundation Jerry & Janet Gilland Kent Hansen / Rocky Mountain Wealth Management James & Gayle Heckman John & Gerda Hedderich IBM Ruth Carmel Kahn Quentin & Bonnie Karlsrud Joan Knapp Stephen & Judy Knapp Kiplund Kolkmeier League of American Orchestras Erma & John Mantey The Newton Family Fund Frank Palermo & Susan Olenwine Norm & Kathy Ooms Carl & Kathy Polhemus Jennifer & Nick Stachniak Sterling-Rice Group, Inc. Marion Thurnauer & Alexander Trifunac Nyla & Gerry Witmore
LEADERSHIP CIRCLE ($1,000+)
Anonymous (5) Bennie & Jannette Balke Alexander & Sally Bracken Barbara Brenton Lindley Brenza Joe Brienza / AllianceBernstein Amy & Terry Britton Jan Burton Michael Butterman & Jennifer Carsillo Michael & Stephanie Carter
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Toni & Nelson Chen The Louise & Grant Charitable Fund Alan & Tessa Davis James Tailer & Donna Davis Tom & Ursula Dickinson Andrew & Audrey Franklin John & Jacqulynn Geister John & Amy Goldsmith Colorado State Bank & Trust Robert Krenz & Carolyn Grant Elyse Grasso Russell & Ann Hayes The Community Foundation Serving Boulder County Grant & Holly Hickman Teresa Myrwang Holum David & Suzanne Hoover Matthew Hyatt Virginia Jones David & Randi Kalish Robert & Margaret Kaufman Hutchinson Black & Cook, LLC Ray & Margot LaPanse Harold & Joan Leinbach Richard & Linda Livingston Lotus Fund Frances MacAnally Annyce Mayer Patricia McCarthy Janet & David Robertson Luana Rubin R. Alan & Stephanie Rudy Karyn Sawyer TK Smith & Constance Holden Arthur & Carol Smoot Ellen E. Stewart Alan & Martha Stormo Mary Street Taddiken Tree Company Dick & Caroline Van Pelt Betty Van Zandt The Winston Family Foundation Kristen Wolf Jack & Brenda Zellner Art Zirger & Mary Rowe
ARTIST CIRCLE ($500+)
Randall & Jill Anderson Peter & Patricia Angell Jean-Pierre & Glenna Briant Collins Foundation Richard Collins & Judy Reid Scott & Paula Deemer John Fahey Hans & Jeri Friedli Ralph & Joanna Grasso Robert & Diane Greenlee Robert & Penny Haws Gerald & Doree Hickman Caroline Himes Wayne Itano David & Carol Kampert Paul & Nancy Levitt Robert & Francine Myers Mary Nakashian Barbara & Irwin Neulight Martha & George Oetzel James Pendleton Dayna & Robert Roane Susan & Paul Roberts Juan & Alicia Rodriguez William Roettker Ross & Jane Sheldon Kevin Shuck & Greg Ginocchio Ronald Sinton Jack & Sophie Walker Paul Weber Anne Wenzel & Anthony Raymond Vivian Wilson
PARTNERS ($250+)
Joyce Albersheim Anonymous (2) Richard Bailey Frank Barrett Tom & Currie Barron Janet Bartsch Vincent Bates Anne & Harry Beer Les & Barbara Berry Joan Bleacher Jon & Helene Bond Helen Bosley Janet Braccio Ben & Gale Chidlaw Barry Clark Sara-Jane & Bill Cohen Charlotte Corbridge Lynne Dannenhold Larry Day & Catherine Haskins Warren & Vici DeHaan
Donors
Joe & Alice Doyle Jeffrey & RoseMarie Foster Ron & Ellen Gager Ann Garstang Gerald & Anita Gershten Kathryn Goff Susan & Gustavo Grampp Mary Greenwald Ken & Dianne Hackett Charles & Patricia Hadley Mark & Cherine Herrmann Randy & Debbie Holliday Dixie Hutchinson Richard & Ruth Irvin Arnie Jacobson & Victoria Johns-Jacobson Colman & Marcia Kahn Matthew & Diana Karowe William & Ann Kellogg Derek Kiernan-Johnson Don & Eleanor King Peter & Judith Kleinman Angelyn Konugres Couponas Annlee Landman Bruce Kahn & Susan Litt Jerry & Heidi Lynch Mary Marlino & Greg Young Richard & Donna Meckley Alan & Judy Megibow Richard Nishikawa & Kathleen Miller Robert Morehouse James Neely Bob Orecchio Molly Parrish Priscilla Pritchard Dorothy Read Brook Reams & Rochelle Chartier Marjorie & Bob Schaffner Jane & Leo Schumacher Nanette Schunk Robert & Elizabeth Shay Zdenka & Dean Smith Andrew & Margrit Staehelin Peter & Laura Terpenning Ed & Lynn Trumble Nicholas & Shelby Vanderborgh Pamela Walker Raymond & Rena Wells Betty Woon Charles Zabel
FRIENDS ($100+)
Leslie Lubovich & Bruce Wilson Richard & Alma Alber Suzanne & Robert Anderson
Anonymous Peggy Archibald Judith Auer & George Lawrence Mary Inga Backlund Richard & Jane Barker Gwyn Barley Pierrette Barut Cynthia Betts Catherine & William Bickell Alan Bloom & Sue Bohline Richard Bowman Kurt & Alison Burghardt Stephen Eisenberg & Anne Burkholder Martha Bushnell Cynthia Carey Madison & Mary Casey Bob & Judy Charles Helen Chenery Dion & Alekie Cheronis Andrew & Lois Cherrington Dorothy Ciarlo Roger & Norma Cichorz Frank Ciskovsky Wallace & Beryl Clark Claude Weil & Carolie Coates Carol Cogswell Max & Barbara Coppom Virginia Corsi Bonnie Crissey & Richar Oye James & Beth Davis Jo Davis Peter & Joan Dawson Pauline Deir Yaghiayan Dan & Nancy D’Ippolito David & Susan Donaldson Caroline & Preston Douglas David Dowell Leslie & Donald Dreyer Megan Edrington Paul Eklund Lee Ellwood Susan Ely & James Hartmann Frances Evans Martha Coffin Evans Deidre Farrell Barbara Fernie Beverly Fest Claire & Art Figel Neil Fishman Robert & Juliette Ford Johannah & O. Lehn Franke Michael Fried & Cynthia Grossman Ellen Friedlander Neil Ashby & Marcie Geissinger
Boulder Philharmonic Orchestra 2014-2015
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Peter Gilman & Peggy Lemone Julie Ginocchio Charles & Gail Gray Dorothea & Ronald Grey Elissa Guralnick Chris & Linda Hansen Margaret Hansson Janice Harvey Spencer & Valerie Havlick David & Joan Hill Jeannette Hillery Stewart & Karen Hoover John Hynes Jackie W. Jimmerson Dan Johnson & Star Waring Wesley & Joanne Johnson William & Martha Jones Jo Ann Joselyn Josh & Lori Kahn Robert Kehoe Ann Kiley Bonnie Kirschenbaum Barry Knapp Jon & Helena Kottke Richard Kraft Wesley & Heather Le Masurier Dave & Mary Leonard Douglas Lerner Steven & Marcia Lerner Sue & Rick Levine Joy Linfield Al Gasiewski & Rachel Lum Lisa Lund Brown Kamilla Macar Jean & Megan MacMillan Susan Magruder Ted Manning William & Susan Marine Charles & Marian Matheson Steven & Susan Maxwell J. Ramon McCarus J. Hunter & Janet McDaniel Zoe McFarland Martha McGavin Marla & Jerry Meehl Elizabeth Meyer Barry & Gloria Miller Millie & Ivan Miller Millstone/Evans Group of Raymond James & Associates Robert & Marilyn Mohling Joan Mulcahy Scott & Jean Nelson Ronald & Joan Nordgren Alison & Graham Oddie
Donors
Eileen O’Neill Christopher & Linda Paris David Paulson Robert & Marilyn Peltzer Paul & Margaret Preo Mary Price Maiah Quish Diane Rosenthal Robert & Judy Rothe The Sakson Mark Family Shelley Sampson Carol Saunders & Reed Bailey Judith Schilling Peter & Barbara Schumacher Daniel & Boyce Sher Lynn Sherretz Max & Nelda Shuck Edward Siegel Howard & Valerie Singer Betty Skipp Cynthia Sliker & Robert Schaller Pamela & Michael Sousa Courtland & Carolyn Spicer Randy Stevens Ron Stewart Thomas & Nancy Storm Gregory & Diane Strevey Robert & Julie Stuenkel Diane Sullivan Joyce Thurmer Elizabeth & John Tilton James Topping Virgil & Margaret Tucker Michael & Nancy Udow Rex Vedder Ronald & Marlies West Rick & Rebecca White Mary Winston Richard & Wendy Wolf
SUPPORTERS ($50+)
Andrea Adams Anonymous (5) Elizabeth Becker David Blackburn Virginia Boucher Janet Brewer David Burns Josephine & James Bush Jane Byers Julianne Cassady Thomas & Vivian Cecil Joseph & Elizabeth Cirelli Laurie Clark George Clements Jeffrey Davis
30 Boulder Philharmonic Orchestra 2014-2015
Robert & Kitty DeKieffer Jenny Devaud Charles & Jean Dinwiddie Ruth Feiertag William & Ann Ford David Gates Allan & Joan Graham Carla Graves Kathryn Strand & Eldon Haakinson Linda Haertling Chuck Hardesty Natalie Hedberg & Thomas Van Zandt James & Judith Heinze Peter Hellyer & Hiroko Okada Debra Holland Michael & Florence Jones Eileen & Walter Kintsch Henry Wheeler & Andrea Kinzey-Wheeler Annette & Thomas Kissenger Diane Knudsen Alice Kreinbring Brad Lam C. Nicholas & Mollie Lee Marjorie Leidig Kerry Lightenburger Bruce MacKenzie Don & Jane Martin Jill McIntyre Doris & Peter McManamon Marilyn Milhous Jeffrey Nytch Margaret Oakes Lisa & Kyle O’Brien Polk Family Charitable Fund Marilyn Powell Pricilla Pritchard Lester Ronick Barbara Sable Ann Schroeder & Mark Ballenger Christine Shields Rebecca Snethen Gail Tate Rev. Virginia Taylor Courtney Thomas Jacqueline Trump Karen Utley Amy L. Vandersall Deborah Vink Nancy & Manly Weidman Phillip Wong
The Gift that Keeps on Giving
You can support the Boulder Philharmonic’s long-term health through a special gift during your lifetime as well as by designating a gift in your will. You may elect to contribute either to the Phil’s traditional endowment fund housed at the Community First Foundation, or to the Gamm Fund which was established through a major gift by Gordon and Grace Gamm and which affords the Phil even greater long-term financial security. For more information, please contact Kevin Shuck at 303-449-1343 x3. Anonymous Robert & Sydney Anderson Jaime Arizaleta Bud & Anne Arnold Charles & Helen Aumiller Emma Barnsley Francesco Beuf Stanley & Marge Black Barbara Brenton Sandra Brodie Kurt & Alison Burghardt Wanee & Joe Butler Jancey Campbell Melvin Clark Polly Collier William Curtis
Rob & Kitty deKieffer Ursula & Tom Dickinson Charles & Jean Dinwiddie George & Sallie Duvall John & Elizabeth Dynes George & Peggy Earnest Maurine Eaton Olivia Edwards Sylvia Ellis Peter & Mary Jean Ewing Mac & Sandi Fraser Hans & Jeri Friedli Ray & Mary Lynd Frommer
Caplan and Earnest’s Transactions Group can assist you with: Wills, Trusts and Probate • Real Estate Business Planning/Formation/Succession Celebrating Over
40 Years
of Legal Service
Proud supporter of the Boulder Philharmonic Orchestra. Phone: 303-443-8010 • www.celaw.com One Boulder Plaza • 1800 Broadway, Suite 200 Boulder, CO 80302-5289 Artwork by Betsy Caplan
David Fulker & Nicky Wolman Gordon & Grace Gamm Lloyd D. Gelman Warren & Esther Goedert Stanley & Anni Goldberg Robert & Diane Greenlee William & Bonnie Hamilton Aaron & Doreen Harber Ronald & Elizabeth Harrington Ray & Connie Hauser Debora Haynes Catherine Jackson Mitchell & Laura Brenton Jacob Barbara Johnson Sam & Carolyn Johnson Peter & Tamara Jorde W. K. & Joanne Kilpatrick Joan Knapp Harold & Joan Leinbach Rick & Sue Levine William Lightfoot & May Chu John & Leslie Lovett Jane Mahoney Byron & Virginia May Carol May & Jim Saindon Denis & Judith Nock Richard & Dona Padrnos Marion Paton Penni Pearson Gary & Mhari Peschel Jim & Elsie Pettibone Timothy Prout & Carol Dalager
Dick & Kathryn Ralston Bill & Marilyn Reichenberg Thomas Riis Jo & Anna Marie Robb Juan & Alicia Rodriguez James & Rebecca Roser Jack & Lynne Rummel Jodie Ruthrauff Ron & Margaret Saari Merle & Rught Sachnoff Jody Sarbaugh Wayne Scott Elizabeth Shannon Art & Carol Smoot Mark & Mickey Stevenson Alan & Marty Stormo Joan Talbot Lyman Taylor George & Caroline Thompson Douglas & Patricia Vidulich Diane Vivas Alice Dodge Wallace Jeffrey & Renee White Paul & Patricia White Roe & Helene Willis Charles & Marjorie Wilson Robert & Lawrie Wilson Nyla Witmore Ed Wolff Ruth Yearns
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Listen Locally BOULDER
BACH F E S T I VA L
Boulder
ZACHARY CARRET TIN MUSIC DIREC TOR
CHAMBER ORCHE STRA
ELECTRIC COMPASS BACH UNCAGED J.S. Bach Suites for Violoncello Zachary Carrettin, electric violin A COMPASS Series Event
FRI., FEB. 6, 7 PM
2015 SPRING CONCERTS
Romance Charm
FRI., FEB. 27, 7:30 PM Montview Blvd. Presbyterian Church, Denver
March 6 & 7 May 9 & 10
MASS IN B MINOR Zachary Carrettin, conductor Boulder Bach Artists, Chorus and Orchestra
January 30 & 31
Character
The Dairy Center for the Arts Performance Space, Boulder
SAT., FEB. 28, 7:30 PM First United Methodist Church, Boulder
Bahman Saless MUSIC DIRECTOR
TICKETS & INFORMATION 303-583-1278 www.boulderchamberorchestra.org
cupresents.org 303-492-8008
Dec. 11 Jan. 22 Feb. 6 Feb. 19 April 2
Kronos Quartet “Beyond Zero: 1914–1918” Mummenschanz
Christmas with The King’s Singers
Bill T. Jones and Arnie Zane Dance Company Medeski, Martin and Wood with Alarm Will Sound
The Assad Brothers with Romero Lubambo
Natalie Merchant with the University Symphony Orchestra
Plus CU Opera, Takács Quartet and Holiday Festival All performances are on the CU-Boulder Campus
SAT., MAR. 28, 7 PM The Dairy Center for the Arts Performance Space, Boulder
In conjunction with BOULDER ARTS WEEK, March 27 - April 4, 2015
ARTIST RECITAL Zachary Carrettin, violin Mina Gajić, piano
SAT., JUNE 6, 7:30 PM Grusin Hall, CU College of Music
n ets o Tick now! sale
Sept. 19 Step Afrika! Nov. 7
FRI., MAR. 27, 7 PM
www.boulderbachfestival.org Tickets: www.thedairy.org 303.444.7328
2014–2015 Season Oct. 8
A COMPASS Series Event
Friends of the Phil
The Boulder Phil’s NEW musician chair sponsorship program By making a pledge of two or more years as a Friends of the Phil sponsor, you provide critical ongoing support to the orchestra by directly underwriting a portion of a professional musician’s salary. Hiring the most qualified musicians requires a substantial investment on our part—in fact, musician salaries represent the single largest expense in the Phil’s annual budget. Your participation in Friends of the Phil helps support these talented artists in our community. In addition, chair sponsorship expands your experience with the Boulder Phil in meaningful ways, giving you the chance to experience the orchestra from the inside out while forging a special connection between you and the performers on stage with special events and activities that bring sponsors and musicians together throughout the season. Pledge levels: SECTION CHAIR SPONSOR – A multi-year pledge of $250+ annually ASSISTANT PRINCIPAL CHAIR SPONSOR – A multi-year pledge of $500+ annually PRINCIPAL CHAIR SPONSOR – A multi-year pledge of $1,000+ annually We thank our inaugural program sponsors, who are listed alongside the names of their sponsored musicians on the orchestra roster page in this program. For more information about Friends of the Phil, please visit our website at www.BoulderPhil. org/friends-of-the-phil, or contact Director of Development Teresa Myrwang Holum at 303-449-1343 x4
Eleanor Wells, cello (above), Michael Yopp, principal horn (left)
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Patron Information
TICKET EXCHANGES To make an exchange for another performance, we need to receive your ticket(s) at the Boulder Phil offices at least 24 hours prior to the concert you are unable to attend. For subscribers, we gladly waive the $5 exchange fee. Exchanges are subject to availability and any price difference. All sales are non-refundable.
TICKET DONATIONS If you are unable to attend a concert and don’t wish to exchange your tickets, help us make sure no seat goes empty by donating back your tickets! You will receive an acknowledgment letter stating the value of your tickets as a tax-deductible donation, provided we receive your ticket(s) at the Boulder Phil office at least 24 hours prior to the concert.
LOST TICKETS If you lose your tickets, please contact us above immediately to arrange replacements. If you find your tickets missing on the day of the performance and the Boulder Phil offices are closed, please arrive at Will Call at least 45 minutes prior to the concert to have your tickets re-issued. PARKING AT MACKY Parking is available for a small fee in the Euclid AutoPark, adjacent to the University Memorial Center east of Broadway. Please see the reverse side of your tickets for a map. If you arrive more than 30 minutes prior to the concert, limited free and metered parking is available along University and in signed CU lots accessed from 13th and 15th streets (“Grandview” zone). Please note that the lots adjacent to Macky are reserved
for handicapped and donor ($1,000+) parking. LATE SEATING As a courtesy to other patrons, latecomers will be seated during an appropriate break at the discretion of the ushers. USEFUL INFORMATION Listening devices are available at the Macky box office. The use of cameras, recording equipment and all other electronic devices is prohibited during performances. Patrons with cell phones, beepers or electronic watches must silence them upon entering the auditorium. Fire regulations require that everyone, regardless of age, have a ticket to enter the auditorium. Classical concerts are not recommended for children under age 5.
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