Oct. 17 – Nov. 3
By Louisa May Alcott
and Directed by Jessica Robblee
Enemy of the People
By Henrik Ibsen
Nov. 8 – 17
By Michael Hollinger
By Sean Daniels
Adapted by Mark Ragan
Adapted
Dedicated to the Health of Our Community
Whole person care close to home
At AdventHealth Avista, we strive to provide exceptional care with leading-edge treatments that heal your body, ease your mind and comfort your spirit. From our first-rate heart and vascular team, to our Center of Excellence Spine Care Center, to our New Life Birth Center with the area’s largest neonatal intensive care unit, our compassionate experts provide whole-person care for the whole family. Services offered:
• Breast care
• Emergency services
• Gastroenterology
• Heart and vascular care
• Mother and baby care
• Outpatient infusion services
• Orthopedic care
• Pain Management
• Primary care
• Spine care
AdventHealth Avista is designated as an Advanced Orthopedic and Spine Center of Excellence by DNV
AdventHealth Avista is proud to be recognized as one of America’s highest-rated hospitals for patient safety by The Leapfrog Group.
Music Director Michael Butterman
Music Director Michael Butterman is acclaimed for his creative artistry and innovative programming. Foundational to his dynamic career is a deep commitment to audience development and community engagement. As Music Director of the Boulder Philharmonic Orchestra, the organization was invited to open the Kennedy Center’s inaugural SHIFT Festival of American Orchestras in 2017. He also leads Shreveport Symphony, Williamsburg Symphony, and Lancaster Symphony, and brings unprecedented artistic growth under his leadership.
As a guest conductor, Mr. Butterman has led many of the country’s preeminent ensembles, including the Cleveland Orchestra, Philadelphia Orchestra, National Symphony, Detroit Symphony and Houston Symphony. Other recent appearances include performances with the Fort Worth Symphony, Colorado Symphony, Oregon Symphony, Phoenix Symphony, Kansas City Symphony, Charleston Symphony, Hartford Symphony, San Antonio Symphony, Syracuse Symphony, New Mexico Symphony, and Santa Fe Symphony. Summer appearances include Tanglewood, the Bravo! Vail Valley Music Festival, Colorado Music Festival, and the Wintergreen Music Festival in Virginia. He is also a regular guest conductor of Cuba’s renowned Havana Chamber Orchestra, in collaboration with pianist/ composer Aldo López-Gavilán.
A passionate advocate for music education, Mr. Butterman was the founding Music Director of the Pennsylvania Philharmonic, and recently completed a 19-year association with the Rochester Philharmonic Orchestra as its Principal Conductor for Education and Community Engagement.
Mr. Butterman gained international attention as a diploma laureate in the Prokofiev International Conducting Competition and as a finalist in the prestigious Besançon International Conducting Competition. As the recipient of the Seiji Ozawa Fellowship, he studied at Tanglewood with Robert Spano, Jorma Panula, and Maestro Ozawa, with whom he shared the podium to lead the season’s opening concert. Michael Butterman’s work has been featured in more than a dozen nationwide broadcasts on public radio’s Performance Today. He can be heard on two CDs recorded for the Newport Classics label and on an album in which he conducts the Rochester Philharmonic and collaborates with actor John Lithgow.
PHOTO BY MOLLY SCHLACHTER.
Boulder Phil Orchestra Roster
VIOLIN 1
Vacant, Concertmaster
Becky Roser & Ron Stewart
Annamaria Karacson, Assistant Concertmaster
Virginia Newton
Rinat Erlichmann
Christopher Leonard
Gyöngyvér Petheö
Heidi & Jerry Lynch
Veronica Sawarynski
Marion Thurnauer & Alex Trifunac
Takanori Sugishita
Harold & Joan Leinbach
Luana Rubin
Malva Tarasewicz
Pamela Walker
Yenlik Weiss
VIOLIN 2
Vacant, Principal
Leah Mohling, Assistant Principal
Marilyn & Robert Mohling
Stephanie Bork
Hilary Castle-Green
Ryan Jacobsen
Laurie Hathorn
Regan Kane
Kina Ono
Susie Peek
Autumn Pepper
Robyn Sosa
VIOLA
Margaret Dyer Harris, Principal
Patricia Butler
Michael Brook, Assistant Principal
Aniel Cabán
Matthew Diekman
Nancy Clairmont & Bob Braudes
Claire Figel
Nancy McNeill
Stephanie Mientka
Allyson Stibbards
CELLO
Charles Lee, Principal
Christine & Wayne Itano
Andrew Kolb, Assistant Principal
Charles Barnard
Sara Fierer
Joey Howe
Amanda Laborete
Yoriko Morita
Margot & Chris Brauchli
Erin Patterson
Eleanor Wells
BASS
David Crowe, Principal
Lin & Matthew Hawkins
Brian Knott, Assistant Principal
Lin & Matthew Hawkins
Ernie Glock
Isaiah Holt
Logan Nelson
FLUTE
Vacant, Principal
Pamela Dennis & Jim Semborski
Elizabeth Sadilek
Olga Shilaeva, Piccolo
Paul Weber
OBOE
Sarah Bierhaus, Principal
Eleanor & Harry Poehlmann
Brittany Bonner, Oboe II & English horn
Vacant, Oboe III
CLARINET
Kellan Toohey, Principal
Margaret & Rodolfo Perez
Michelle Orman
Vacant, Bass Clarinet
BASSOON
Francisco Delgado, Principal in Memory of Joan Ringoen
Joshua Sechan
Wendy La Touche, Contrabassoon
HORN
Michael Yopp, Principal
Ruth & Rich Irvin
Devon Park, Associate Principal
DeAunn Davis, Assistant & Utility
Andrew Miller
Jeffrey Rubin
Alan Davis
Daniel Skib
TRUMPET
Leslie Scarpino, Principal
Nicky Wolman & David Fulker
Noah Lambert
Rebecca Ortiz
TROMBONE
Bron Wright, Principal
Nancy Clairmont and Bob Braudes
Owen Homayoun
Jeremy Van Hoy, Bass Trombone
Martha Oetzel
TUBA
James Andrus, Principal
TIMPANI
Douglas William Walter, Principal
PERCUSSION
Mike Tetreault, Principal
Vacant, Assistant Principal
Nena Lorenz Wright
HARP
Kathleen Wychulis, Principal
Dana Strong
PIANO
Vacant In memoriam Ruth C. Kahn
PERSONNEL MANAGER
Bron Wright
ORCHESTRA LIBRARIAN
Aspen McArthur
Members of string sections are listed alphabetically following titled players.
* On leave this season
Musician Spotlight
Boulder Phil Staff and Board
MUSIC DIRECTOR
Michael Butterman
PRINCIPAL GUEST CONDUCTOR
Gary Lewis
ASSISTANT CONDUCTOR
Renee Gilliland
ADMINISTRATIVE STAFF
Mimi Kruger, Executive Director
Jesse Gilday, Director of Development
Aspen McArthur, Director of Artistic Administration & Librarian
Fernanda Nieto, Director of Education & Community Engagement
Rosie Harris, Marketing & Communications Manager
Nicholas Lussier, Sales and Communications Manager
Sophie Maeda, Artistic Coordinator
Sam Macken, Development Assistant
Chris Martin, Production Manager
Bron Wright, Orchestra Personnel Manager
OFFICERS
Judy Knapp, President
Phyllis Wise, Vice President
Michael Brook
Tom Kinder, Treasurer
Charlotte Roehm, Secretary
BOARD OF TRUSTEES
Mimi Kruger, ex officio
Michael Butterman, ex officio
Claire Figel
David Fulker
Erma Mantey
Harry Poehlman
View,the magazine of the Lone Tree Arts Center, features performing arts highlights and information about the state-of-the-art facility that serves the south metro community.
Marilyn Gallant
Lin Hawkins
Karyn Sawyer
Leslie Scarpino
2013/2014 highlights South Pacific in Concert • Big River
Yesterday & Today,the All-Request Beatles Tribute
Target your marketing with advertising in View Magazine.
Angie Flachman,Publisher 303.428.9529 Ext.237 angie@pub-house.com www.coloradoartspubs.com
This program is produced for the Boulder Philharmonic Orchestra by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com
I t i s t h e m i s s i o n o f t h e B o u l d e r P h i l h a r m o n i c
O r c h e s t ra t o e n h a n c e t h e B o u l d e r r e g i o n’s
a r t i s t i c a n d e d u c a t i o n a l c u l t u r e s t h r o u g h
o r c h e s t r a l e xc e l l e n c e, e m b r a c i n g d i v e r s i t y,
a n d c o n n e c t i n g p e o p l e t o m u s i c , m u s i c t o
i d e a s , a n d p e o p l e t o p e o p l e.
F Fo u n d e d i n 1 9 5 7 , t h e B o u l d e r P h i l h a r m o n i c
O r c h e s t r a i s c r e a t i n g a n e w m o d e l fo r
A m e r i c a n o r c h e s t r a s t h r o u g h d y n a m i c
p e r fo r m a n c e s t h a t r e e e c t o u r c o m m u n i t y ’s
o w n v a l u e s , c r e a t i v i t y, a n d s e n s e o f p l a c e.
E a c h s e a s o n i s a j o u r n e y o f d i s c o v e r y a n d
c o n n e c t i o n , fe a t u r i n g a c c
I t i s t h r o u g h t h e p a s s i o n a n d
d e d i c a t i o n o f y o u , o u r a u d i e n c e ,
t h a t y o u r B o u l d e r P h i l b r i n g s
o r c h e s t r a l m u s i c t o l i f e .
Cover art inspired by Jamie Kraus Photography
Birkey
2024/25
Season Announcement
Christmas Oratorio, BWV 248
December 20th, 2024 | 7:00 p.m.
December 21st, 2024 | 7:00 p.m.
December 22nd, 2024 | 1:00 p.m.
St. Matthew Passion, BWV 244
February 21st, 2025 | 7:00 p.m.
February 23rd, 2025 | 2:00 p.m.
Cantata Insights Series
Brich dem Hungrigen dein Brot, BWV 39
September 15th, 2024 | 6:00 p.m.
Sie werden euch in den Bann tun, BWV 44
October 20th, 2024 | 6:00 p.m.
Süßer Trost, mein Jesus kömmt, BWV 151
January 11th and 12th, 2025 | 6:00 p.m.
O Ewigkeit, du Donnerwort, BWV 20
March 30th, 2025 | 6:00 p.m.
Wer sich selbst erhöhet, BWV 47
April 27th, 2025 | 6:00 p.m.
Reserve your tickets today! coloradobach.org
TCHAIKOVSKY & MENDELSSOHN
Presented by the Grace and Gordon Gamm Fund
Michael Butterman, Music Director
Amaryn Olmeda, violin
Sponsored by Ruth and Rich Irvin
September 8, 2024, 4:00 PM
Macky Auditorium
Tonight’s program will begin with the winning selection from the audience survey!
Pyotr Illyich Tchaikovsky Violin Concerto in D Major, Op. 35
(1840-1893)
John Dowland
(1563-1626)
Felix Mendelssohn
(1809-1847)
I. Allegro moderato
II. Canzonetta: Andante
III. Finale: Allegro vivacissimo
- INTERMISSION -
Lachrimae antiquae
Symphony No. 5, Reformation
I. Andante
II. Allegro con fuoco
III. Allegro vivace
IV. Andante
Special Thanks to our Featured Sponsors:
Program
Courtesy recording provided by Galle Studios.
Tchaikovsky & Mendelssohn
ABOUT THE ARTIST
AMARYN OLMEDA
Winner of first prize and the audience choice award at the 24th Annual Sphinx Competition, violinist Amaryn Olmeda is a rising star sought after for her bold and expressive performances as a soloist and collaborator. Olmeda made her Carnegie Hall solo debut on the Sphinx Virtuosi tour at the age of 14, garnering rave reviews.
Highlights of the 2023-2024 season include return invitations as soloist with the San Francisco Chamber Orchestra and Oakland Symphony, and debut solo appearances with the Houston Symphony, Cleveland Symphony, Chicago Sinfonietta, Des Moines Symphony, Folsom Lake Symphony, Springfield Symphony, and Grand Rapids Symphony.
Olmeda was the recipient of the National Arts Club’s Herman and Mary Neuman Music Award and was named a Young Artist Soloist by the Seattle Symphony. She received first prize in the Auburn Symphony Young Artists and Music in the Mountains Young Musicians competitions, as well as in the Classical Music Masters Competition at the Harris Center for the Performing Arts, the Pacific Musical Society Competition in San Francisco, the Merced Symphony Young Artist, Diablo Valley and Holy Names College Competition, the Solano Symphony Young Artist Competition, and the United States International Music Competition at Stanford University, among others.
Born in Melbourne, Australia in 2008, Olmeda currently studies at the New England Conservatory of Music with Miriam Fried. She previously studied with Ian Swensen at the San Francisco Conservatory of Music. Amaryn Olmeda performs on a violin made by J.B. Vuillaume in 1864.
PROGRAM NOTES
TCHAIKOVSKY: Violin Concerto in D Major, Op.35
Last performed by the Boulder Phil August 5, 2010
Tchaikovsky wrote his Violin Concerto in D Major, Op. 35, in 1878. He had fled to Clarens, Switzerland on the heels of his brief, ill-fated marriage. He worked on the concerto with the young Russian violionist Josif Kotek, but it was intended for the Hungarian violinist Leopold Auer (1845-1930), who spent 50 years of his career
in St. Petersburg and is the dedicatee of Sérenade mélancholique Unfortunately, Auer rejected the concerto, claiming it was unplayable. The concerto languished until Adolf Brodsky made his Viennese debut with it in December 1881, conducted by Hans Richter, upon which Tchaikovsky dedicated it instead to Brodsky. Eduard Hanslick— the dean of the Viennese music critics and one of the era’s most influential tastemakers—lambasted it as “music whose stink one could hear,” one of the most infamous phrases in music history. While held in disregard by the critics of the time, the public loved it and it was repeated many times, eventually (in 1893, a few months before the composer’s death) by Auer himself.
The Tchaikovsky Violin Concerto is a landmark in the genre’s evolution. Between the concerto’s genesis and its acceptance as a classic, it was altered to produce the several versions performed today. The edits made by Leopold Auer are the best known, but no version is universally accepted as definitive. It is an ebullient and heartfelt concerto with soaring lyricism and direct emotional appeal.
DOWLAND: Lachrimae antiquae
This is the first performance by the Boulder Phil
Written in 1604, Renaissance composer John Dowland (15631626) wrote a series of seven variations on his lute pavan, “Lachrimae” (1596). The first pavan of “Lachrimae” (called “Lachrimae Antiquae”, or the “Old Tears”) was a widely distributed instrumental piece of the period.
Scholars have speculated that the music symbolizes either Elizabethan melancholy or the Fall of Man. Dowland was in the service of Christian IV of Denmark when he took a leave of absence to go to London. It is possible he wrote the piece as an effort to secure a post in the English royal musical establishment. It is the first publication of English music scored specifically for strings and for lute and it was also the first to have used the table layout for consort music, a typeset folio volume, with the parts of each piece laid out around a single opening. The complete work contains twenty-one pieces, ten pavans followed by nine galliards and two almands, each with staff-notation parts for five viols or violin-family instruments and a part in tablature for the lute.
DISCOVERY: MUSIC IN OUR STORIES
Renee Gilliland, conductor
Daniela Guzmán Égüez, soprano and narrator
October 10, 2024, 10:00 AM & 11:30 AM
Macky Auditorium
Michael-Thomas Foumai Nā Hōkū ‘Ōpio (The Young Stars) : Fanfare Invocation
(b.1987)
Carlos Simon Four Black American Dances
(b.1986) IV. Holy Dance
G.D. Weiss and Bob Thiele/arr.Hayes ”What a Wonderful World”
(1921-2010 / 1922-1996)
Mary Watkins Five Movements in Color
(b.1939) II. Soul of Remembrance
Richard Rodgers/arr.Hayes “Climb Ev’ry Mountain
(1902-1979)
Aaron Copland ”Hoe-down” from Rodeo
(1900-1990)
Samuel Barber Four Songs, op. 13
(1910-1981) III. Sure on this Shining Night
John Williams ”Flying Theme” from E.T. the Extra-Terrestrial
(b.1932)
Program and artists are subject to change. There may be professional photographers and recording crew present during our performances. All other photography or recording of any kind is strictly prohibited.
PRESENTS A HALLOWEEN EXTRAVAGANZA
BEWITCHING: A HALLOWEEN EXTRAVAGANZA
Gary Lewis, conductor
Program and artists are subject to change. There may be professional photographers and recording crew present during our performances. All other photography or recording of any kind is strictly prohibited.
MOONS & PLANETS
Michael Butterman, Music Director
November 10, 2024, 4:00 PM
Macky Auditorium
John Heins Moons of the Giants 23’ (b.1956)
*World Premiere
- INTERMISSION -
Gustav Holst
The Planets: Suite for Large Orchestra 50’ (1874-1934)
I. Mars, the Bringer of War
II. Venus, the Bringer of Peace
III. Mercury, the Winged Messenger
IV. Jupiter, the Bringer of Jollity
V. Saturn, the Bringer of Old Age
VI. Uranus, the Magician
VII. Neptune, the Mystic
Special Thanks to our Featured Sponsors:
Courtesy recording provided by Galle Studios.
Program and artists are subject to change. All other photography or recording of any kind is strictly prohibited.
Moons & Planets
PROGRAM NOTES
HEINS: Moons of the Giants
This is the world premiere Notes by John Heins
Moons Of The Giants is a suite of six miniature tone-poems inspired by Holst’s The Planets. Since there are dozens of moons in the solar system, only a few moons of the so called “Gas Giant” planets, Neptune, Uranus, Saturn and Jupiter were chosen. Proteus, moon of Neptune, begins the piece. It is a strange, misshapen moon, and one of the darkest objects in the solar system. Proteus is named after the shape changing sea god of Greek mythology. He could foretell the future, but would change his shape to avoid doing so, only answering to those who could capture him.
Next is Ariel, moon of Uranus. It appears to be the youngest moon and consists of roughly equal amounts of water ice and silicate rock. Carbon dioxide has also been detected on Ariel and it is thought to have the most recent geologic activity of Uranus’ larger moons. Ariel is named after the character in Shakespeare’s “The Tempest”. Ariel is a spirit who serves Prospero, a magician who rescued Ariel from a tree in which he had been imprisoned by a witch.
As we travel closer to Earth, the next moon is Saturn’s moon, Enceladus. Enceladus is an active moon that hides a global ocean of liquid salty water beneath its icy crust. Plumes venting hydrocarbons into space and hydrothermal vents on the sea floor point to the possibility of a habitable ocean world. This moon is named after the giant. Enceladus, of Greek mythology. He was the most powerful giant that stood against the Greek gods of Olympus, presenting a serious threat for the divine order during the Gigantomachy, the great war between gods and titans for domination over the universe.
Following Enceladus is another Saturnian moon, Titan. Titan is larger than the planet Mercury and is the second largest moon in the solar system. It is the only moon with a substantial atmosphere and the only place besides Earth known to have liquids (hydrocarbons like methane and ethane) in the form of rivers, lakes and seas on its’ surface. Titan, the largest moon of Saturn, is named for the Titans of Greek mythology, which include Cronus (equated with the Roman god Saturn) and his 11 siblings.
Next is Europa, moon of Jupiter. Europa is the fourth largest of Jupiter’s 95 moons. It is primarily made of silicate rock and has a water-ice crust and probably an iron-nickel core. It has a very thin atmosphere, composed primarily of oxygen. Europa may be another promising place in our solar system to find environments suitable for some form of life. Scientists believe a saltwater ocean lies beneath its icy shell, holding twice as much water as Earth’s oceans. Europa got
its name from the princess of Phoenicia, Europa. According to Greek mythology, Zeus, king of the Olympian gods, transformed into a beautiful white bull to abduct Europa, the girl he loved.
Lastly is Io, moon of Jupiter. Io is the most volcanically active world in the solar system, with hundreds of volcanoes, some erupting lava fountains dozens of miles high. Io even has lakes of molten lava on its surface. Slightly larger than Earth’s moon, Io is about onequarter the diameter of Earth. Volcanic activity on this Jovian moon is so abundant, it resurfaces the face of Io with new deposits faster than comets and asteroids can pepper it with large craters. Io is named after a maiden who was loved by Zeus. In the Greek myth, Zeus turned her into a heifer in an attempt to hide her from his jealous wife, Hera.
HOLST: The Planets, Op.37
Last performed by the Boulder Philharmonic Orchestra on October 13-14, 2018
After its debut in 1918, Gustav Holst’s seven-movement orchestral suite The Planets became an international phenomenon. Many would argue that the work, written from 1914 to 1916, is the most famous British classical music composition of all time. But few realize that The Planets owes more to astrology than astronomy. Each movement is named after a planet in the solar system and reflects its astrological character, as described by Holst. Why aren’t the planets in order? Holst originally intended to do so, but switched them around, purely for the sake of creating a more compelling musical experience. And that is why we begin with Mars (the fourth planet from the Sun), rather than Mercury (closest to the Sun).
The inspiration for this work comes from astrology, rather than astronomy. At the time of the composition, Holst was reading The Art of Synthesis by Alan Leo. The Planets is a suite, where each of the seven movements has a completely different character. That character is based on a trait, associated with that planet’s astrological influence on one’s personality. Holst himself described the work as “a series of mood pictures.”
The Planets became so popular during Holst’s lifetime that it conferred what would now be considered rock-star status on the composer. According to one of his biographers, Holst, however, “hated its popularity. When people would ask for his autograph, he gave them a typed sheet of paper that stated that he didn’t give out autographs. The public seemed to demand of him more music like The Planets, and his later music seemed to disappoint them. How ironic that the piece that made his name famous throughout the world brought him the least joy in the end.”
Thank You to Our Partners
The Boulder Philharmonic Orchestra recognizes those who have made or pledged transformative and lasting gifts. These people are planting seeds for the future that will sustain the music for future generations, at the same time enhancing and enriching our current programs. Thank you!
Grace & Gordon Gamm Endowment
Fund
SeiSolo Foundation
Sydney & Robert Anderson
Margot & Christopher Brauchli
Patricia Butler
Erma Mantey
Jayne & Stephen Miller
Eleanor & Harry Poehlmann
Margaret & Rodolfo Perez
Becky Roser & Ron Stewart
Lynn Streeter
Nicky Wolman & David Fulker
$50,000+
Boulder Arts Commission
Grace & Gordon Gamm
SCFD
SeiSolo Foundation
Nicky Wolman & David Fulker
$20,000+
Anonymous
Jayne & Stephen Miller
$10,000+
Suzanne & James Balog
Nancy Clairmont & Robert Braudes
Patricia Butler
Colorado Creative Industries
Mary Ann & Lee Erb
Eleanor & Harry Poehlmann
Becky Roser & Ron Stewart
Jean & Jack Thompson
Dr Phyllis Wise
$5,000+
Anonymous
AEC Trust
Margot & Christopher Brauchli
Richard Brown
Jan Burton
Robert Dixon
Audrey Fishman Franklin
Ms Marilyn Gallant
Judy & Steve Knapp
Erma Mantey
Marla & Jerry Meehl in memory of Esther Sparn and Eileen Meehl
The Millstone Evans Group
Karyn Sawyer
Lynn Streeter
Westland Development
$2,500+
Center Copy
Alan Davis
Flatirons Bank
Ms. Carolyn Grant
Sara & David Harper
Lin & Matthew Hawkins
Mr. John Hedderich
Christine Yoshinaga-Itano & Wayne Itano
Mr Jeffrey Kash
John Lichter
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Margaret & Rodolfo Perez
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Natalie Springett
$1,000+
Anonymous
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Michael Butterman & Jennifer Carsillo
Toni & Nelson Chen
Jenny & Terry Cloudman
Create Boulder and Visit Boulder
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Fisher Auto
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Lin & Matthew Hawkins
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Thomas Kinder
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Joyce & Jerry Laiserin
Ray & Margot LaPanse
Barbara & Peter Loris
Heidi & Jerry Lynch
Robert Lynch
Annyce Mayer
Pamela McKelvey
Cindy & Mark Meyer
Martha Oetzel
Susan Olenwine & Frank Palermo
Patricia Read & Bill Shunk
James Repjar
Professor Juan Roederer
Luana Rubin in memory of Carolye Johnson
SavATree Boulder
Jane & Ross Sheldon
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Simms Family Foundation
Ron Sinton
Carol & Arthur Smoot
Pamela Walker
Rena & Ronny Wells
Ken & Ruth Wright
$500+
Roshmi & Jaydip Bhaumik
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Colorado Gives Foundation
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anet & Hunter McDaniel
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Nothing Bundt Cakes
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The Boulder Phil also expresses its deep appreciation for the donors who supported us with financial and in-kind contributions under $250.
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Takács Quartet: September-April
Hänsel und Gretel: Oct. 25 and 27
Pablo Sáinz Villegas, guitar : Nov. 9
Boston Brass + Brass All-Stars Big Band: Dec. 14
Renée Fleming, soprano : Jan. 31
Sweet Honey in the Rock: Feb. 28
The Pirates of Penzance: March 14-16 Tickets and more
Renée Fleming
Photo by Andrew Eccles/Decca
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