Boulder Phil -- September 8-November 10, 2024

Page 1


Oct. 17 – Nov. 3

and Directed by Jessica Robblee

Enemy of the People

Nov. 8 – 17

Adapted by Mark Ragan
Adapted

Dedicated to the Health of Our Community

Whole person care close to home

At AdventHealth Avista, we strive to provide exceptional care with leading-edge treatments that heal your body, ease your mind and comfort your spirit. From our first-rate heart and vascular team, to our Center of Excellence Spine Care Center, to our New Life Birth Center with the area’s largest neonatal intensive care unit, our compassionate experts provide whole-person care for the whole family. Services offered:

• Breast care

• Emergency services

• Gastroenterology

• Heart and vascular care

• Mother and baby care

• Outpatient infusion services

• Orthopedic care

• Pain Management

• Primary care

• Spine care

AdventHealth Avista is designated as an Advanced Orthopedic and Spine Center of Excellence by DNV

AdventHealth Avista is proud to be recognized as one of America’s highest-rated hospitals for patient safety by The Leapfrog Group.

Music Director Michael Butterman

Music Director Michael Butterman is acclaimed for his creative artistry and innovative programming. Foundational to his dynamic career is a deep commitment to audience development and community engagement. As Music Director of the Boulder Philharmonic Orchestra, the organization was invited to open the Kennedy Center’s inaugural SHIFT Festival of American Orchestras in 2017. He also leads Shreveport Symphony, Williamsburg Symphony, and Lancaster Symphony, and brings unprecedented artistic growth under his leadership.

As a guest conductor, Mr. Butterman has led many of the country’s preeminent ensembles, including the Cleveland Orchestra, Philadelphia Orchestra, National Symphony, Detroit Symphony and Houston Symphony. Other recent appearances include performances with the Fort Worth Symphony, Colorado Symphony, Oregon Symphony, Phoenix Symphony, Kansas City Symphony, Charleston Symphony, Hartford Symphony, San Antonio Symphony, Syracuse Symphony, New Mexico Symphony, and Santa Fe Symphony. Summer appearances include Tanglewood, the Bravo! Vail Valley Music Festival, Colorado Music Festival, and the Wintergreen Music Festival in Virginia. He is also a regular guest conductor of Cuba’s renowned Havana Chamber Orchestra, in collaboration with pianist/ composer Aldo López-Gavilán.

A passionate advocate for music education, Mr. Butterman was the founding Music Director of the Pennsylvania Philharmonic, and recently completed a 19-year association with the Rochester Philharmonic Orchestra as its Principal Conductor for Education and Community Engagement.

Mr. Butterman gained international attention as a diploma laureate in the Prokofiev International Conducting Competition and as a finalist in the prestigious Besançon International Conducting Competition. As the recipient of the Seiji Ozawa Fellowship, he studied at Tanglewood with Robert Spano, Jorma Panula, and Maestro Ozawa, with whom he shared the podium to lead the season’s opening concert. Michael Butterman’s work has been featured in more than a dozen nationwide broadcasts on public radio’s Performance Today. He can be heard on two CDs recorded for the Newport Classics label and on an album in which he conducts the Rochester Philharmonic and collaborates with actor John Lithgow.

PHOTO BY MOLLY SCHLACHTER.

Boulder Phil Orchestra Roster

VIOLIN 1

Vacant, Concertmaster

Becky Roser & Ron Stewart

Annamaria Karacson, Assistant Concertmaster

Virginia Newton

Rinat Erlichmann

Christopher Leonard

Gyöngyvér Petheö

Heidi & Jerry Lynch

Veronica Sawarynski

Marion Thurnauer & Alex Trifunac

Takanori Sugishita

Harold & Joan Leinbach

Luana Rubin

Malva Tarasewicz

Pamela Walker

Yenlik Weiss

VIOLIN 2

Vacant, Principal

Leah Mohling, Assistant Principal

Marilyn & Robert Mohling

Stephanie Bork

Hilary Castle-Green

Ryan Jacobsen

Laurie Hathorn

Regan Kane

Kina Ono

Susie Peek

Autumn Pepper

Robyn Sosa

VIOLA

Margaret Dyer Harris, Principal

Patricia Butler

Michael Brook, Assistant Principal

Aniel Cabán

Matthew Diekman

Nancy Clairmont & Bob Braudes

Claire Figel

Nancy McNeill

Stephanie Mientka

Allyson Stibbards

CELLO

Charles Lee, Principal

Christine & Wayne Itano

Andrew Kolb, Assistant Principal

Charles Barnard

Sara Fierer

Joey Howe

Amanda Laborete

Yoriko Morita

Margot & Chris Brauchli

Erin Patterson

Eleanor Wells

BASS

David Crowe, Principal

Lin & Matthew Hawkins

Brian Knott, Assistant Principal

Lin & Matthew Hawkins

Ernie Glock

Isaiah Holt

Logan Nelson

FLUTE

Vacant, Principal

Pamela Dennis & Jim Semborski

Elizabeth Sadilek

Olga Shilaeva, Piccolo

Paul Weber

OBOE

Sarah Bierhaus, Principal

Eleanor & Harry Poehlmann

Brittany Bonner, Oboe II & English horn

Vacant, Oboe III

CLARINET

Kellan Toohey, Principal

Margaret & Rodolfo Perez

Michelle Orman

Vacant, Bass Clarinet

BASSOON

Francisco Delgado, Principal in Memory of Joan Ringoen

Joshua Sechan

Wendy La Touche, Contrabassoon

HORN

Michael Yopp, Principal

Ruth & Rich Irvin

Devon Park, Associate Principal

DeAunn Davis, Assistant & Utility

Andrew Miller

Jeffrey Rubin

Alan Davis

Daniel Skib

TRUMPET

Leslie Scarpino, Principal

Nicky Wolman & David Fulker

Noah Lambert

Rebecca Ortiz

TROMBONE

Bron Wright, Principal

Nancy Clairmont and Bob Braudes

Owen Homayoun

Jeremy Van Hoy, Bass Trombone

Martha Oetzel

TUBA

James Andrus, Principal

TIMPANI

Douglas William Walter, Principal

PERCUSSION

Mike Tetreault, Principal

Vacant, Assistant Principal

Nena Lorenz Wright

HARP

Kathleen Wychulis, Principal

Dana Strong

PIANO

Vacant In memoriam Ruth C. Kahn

PERSONNEL MANAGER

Bron Wright

ORCHESTRA LIBRARIAN

Aspen McArthur

Members of string sections are listed alphabetically following titled players.

* On leave this season

Musician Spotlight

Boulder Phil Staff and Board

MUSIC DIRECTOR

Michael Butterman

PRINCIPAL GUEST CONDUCTOR

Gary Lewis

ASSISTANT CONDUCTOR

Renee Gilliland

ADMINISTRATIVE STAFF

Mimi Kruger, Executive Director

Jesse Gilday, Director of Development

Aspen McArthur, Director of Artistic Administration & Librarian

Fernanda Nieto, Director of Education & Community Engagement

Rosie Harris, Marketing & Communications Manager

Nicholas Lussier, Sales and Communications Manager

Sophie Maeda, Artistic Coordinator

Sam Macken, Development Assistant

Chris Martin, Production Manager

Bron Wright, Orchestra Personnel Manager

OFFICERS

Judy Knapp, President

Phyllis Wise, Vice President

Michael Brook

Tom Kinder, Treasurer

Charlotte Roehm, Secretary

BOARD OF TRUSTEES

Mimi Kruger, ex officio

Michael Butterman, ex officio

Claire Figel

David Fulker

Erma Mantey

Harry Poehlman

View,the magazine of the Lone Tree Arts Center, features performing arts highlights and information about the state-of-the-art facility that serves the south metro community.

Marilyn Gallant

Lin Hawkins

Karyn Sawyer

Leslie Scarpino

2013/2014 highlights South Pacific in Concert • Big River

Yesterday & Today,the All-Request Beatles Tribute

Target your marketing with advertising in View Magazine.

Angie Flachman,Publisher 303.428.9529 Ext.237 angie@pub-house.com www.coloradoartspubs.com

This program is produced for the Boulder Philharmonic Orchestra by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com

I t i s t h e m i s s i o n o f t h e B o u l d e r P h i l h a r m o n i c

O r c h e s t ra t o e n h a n c e t h e B o u l d e r r e g i o n’s

a r t i s t i c a n d e d u c a t i o n a l c u l t u r e s t h r o u g h

o r c h e s t r a l e xc e l l e n c e, e m b r a c i n g d i v e r s i t y,

a n d c o n n e c t i n g p e o p l e t o m u s i c , m u s i c t o

i d e a s , a n d p e o p l e t o p e o p l e.

F Fo u n d e d i n 1 9 5 7 , t h e B o u l d e r P h i l h a r m o n i c

O r c h e s t r a i s c r e a t i n g a n e w m o d e l fo r

A m e r i c a n o r c h e s t r a s t h r o u g h d y n a m i c

p e r fo r m a n c e s t h a t r e e e c t o u r c o m m u n i t y ’s

o w n v a l u e s , c r e a t i v i t y, a n d s e n s e o f p l a c e.

E a c h s e a s o n i s a j o u r n e y o f d i s c o v e r y a n d

c o n n e c t i o n , fe a t u r i n g a c c

I t i s t h r o u g h t h e p a s s i o n a n d

d e d i c a t i o n o f y o u , o u r a u d i e n c e ,

t h a t y o u r B o u l d e r P h i l b r i n g s

o r c h e s t r a l m u s i c t o l i f e .

Cover art inspired by Jamie Kraus Photography

Birkey

2024/25

Season Announcement

Christmas Oratorio, BWV 248

December 20th, 2024 | 7:00 p.m.

December 21st, 2024 | 7:00 p.m.

December 22nd, 2024 | 1:00 p.m.

St. Matthew Passion, BWV 244

February 21st, 2025 | 7:00 p.m.

February 23rd, 2025 | 2:00 p.m.

Cantata Insights Series

Brich dem Hungrigen dein Brot, BWV 39

September 15th, 2024 | 6:00 p.m.

Sie werden euch in den Bann tun, BWV 44

October 20th, 2024 | 6:00 p.m.

Süßer Trost, mein Jesus kömmt, BWV 151

January 11th and 12th, 2025 | 6:00 p.m.

O Ewigkeit, du Donnerwort, BWV 20

March 30th, 2025 | 6:00 p.m.

Wer sich selbst erhöhet, BWV 47

April 27th, 2025 | 6:00 p.m.

Reserve your tickets today! coloradobach.org

TCHAIKOVSKY & MENDELSSOHN

Presented by the Grace and Gordon Gamm Fund

Michael Butterman, Music Director

Amaryn Olmeda, violin

Sponsored by Ruth and Rich Irvin

September 8, 2024, 4:00 PM

Macky Auditorium

Tonight’s program will begin with the winning selection from the audience survey!

Pyotr Illyich Tchaikovsky Violin Concerto in D Major, Op. 35

(1840-1893)

John Dowland

(1563-1626)

Felix Mendelssohn

(1809-1847)

I. Allegro moderato

II. Canzonetta: Andante

III. Finale: Allegro vivacissimo

- INTERMISSION -

Lachrimae antiquae

Symphony No. 5, Reformation

I. Andante

II. Allegro con fuoco

III. Allegro vivace

IV. Andante

Special Thanks to our Featured Sponsors:

Program

Courtesy recording provided by Galle Studios.

Tchaikovsky & Mendelssohn

ABOUT THE ARTIST

AMARYN OLMEDA

Winner of first prize and the audience choice award at the 24th Annual Sphinx Competition, violinist Amaryn Olmeda is a rising star sought after for her bold and expressive performances as a soloist and collaborator. Olmeda made her Carnegie Hall solo debut on the Sphinx Virtuosi tour at the age of 14, garnering rave reviews.

Highlights of the 2023-2024 season include return invitations as soloist with the San Francisco Chamber Orchestra and Oakland Symphony, and debut solo appearances with the Houston Symphony, Cleveland Symphony, Chicago Sinfonietta, Des Moines Symphony, Folsom Lake Symphony, Springfield Symphony, and Grand Rapids Symphony.

Olmeda was the recipient of the National Arts Club’s Herman and Mary Neuman Music Award and was named a Young Artist Soloist by the Seattle Symphony. She received first prize in the Auburn Symphony Young Artists and Music in the Mountains Young Musicians competitions, as well as in the Classical Music Masters Competition at the Harris Center for the Performing Arts, the Pacific Musical Society Competition in San Francisco, the Merced Symphony Young Artist, Diablo Valley and Holy Names College Competition, the Solano Symphony Young Artist Competition, and the United States International Music Competition at Stanford University, among others.

Born in Melbourne, Australia in 2008, Olmeda currently studies at the New England Conservatory of Music with Miriam Fried. She previously studied with Ian Swensen at the San Francisco Conservatory of Music. Amaryn Olmeda performs on a violin made by J.B. Vuillaume in 1864.

PROGRAM NOTES

TCHAIKOVSKY: Violin Concerto in D Major, Op.35

Last performed by the Boulder Phil August 5, 2010

Tchaikovsky wrote his Violin Concerto in D Major, Op. 35, in 1878. He had fled to Clarens, Switzerland on the heels of his brief, ill-fated marriage. He worked on the concerto with the young Russian violionist Josif Kotek, but it was intended for the Hungarian violinist Leopold Auer (1845-1930), who spent 50 years of his career

in St. Petersburg and is the dedicatee of Sérenade mélancholique Unfortunately, Auer rejected the concerto, claiming it was unplayable. The concerto languished until Adolf Brodsky made his Viennese debut with it in December 1881, conducted by Hans Richter, upon which Tchaikovsky dedicated it instead to Brodsky. Eduard Hanslick— the dean of the Viennese music critics and one of the era’s most influential tastemakers—lambasted it as “music whose stink one could hear,” one of the most infamous phrases in music history. While held in disregard by the critics of the time, the public loved it and it was repeated many times, eventually (in 1893, a few months before the composer’s death) by Auer himself.

The Tchaikovsky Violin Concerto is a landmark in the genre’s evolution. Between the concerto’s genesis and its acceptance as a classic, it was altered to produce the several versions performed today. The edits made by Leopold Auer are the best known, but no version is universally accepted as definitive. It is an ebullient and heartfelt concerto with soaring lyricism and direct emotional appeal.

DOWLAND: Lachrimae antiquae

This is the first performance by the Boulder Phil

Written in 1604, Renaissance composer John Dowland (15631626) wrote a series of seven variations on his lute pavan, “Lachrimae” (1596). The first pavan of “Lachrimae” (called “Lachrimae Antiquae”, or the “Old Tears”) was a widely distributed instrumental piece of the period.

Scholars have speculated that the music symbolizes either Elizabethan melancholy or the Fall of Man. Dowland was in the service of Christian IV of Denmark when he took a leave of absence to go to London. It is possible he wrote the piece as an effort to secure a post in the English royal musical establishment. It is the first publication of English music scored specifically for strings and for lute and it was also the first to have used the table layout for consort music, a typeset folio volume, with the parts of each piece laid out around a single opening. The complete work contains twenty-one pieces, ten pavans followed by nine galliards and two almands, each with staff-notation parts for five viols or violin-family instruments and a part in tablature for the lute.

DISCOVERY: MUSIC IN OUR STORIES

Renee Gilliland, conductor

Daniela Guzmán Égüez, soprano and narrator

October 10, 2024, 10:00 AM & 11:30 AM

Macky Auditorium

Michael-Thomas Foumai Nā Hōkū ‘Ōpio (The Young Stars) : Fanfare Invocation

(b.1987)

Carlos Simon Four Black American Dances

(b.1986) IV. Holy Dance

G.D. Weiss and Bob Thiele/arr.Hayes ”What a Wonderful World”

(1921-2010 / 1922-1996)

Mary Watkins Five Movements in Color

(b.1939) II. Soul of Remembrance

Richard Rodgers/arr.Hayes “Climb Ev’ry Mountain

(1902-1979)

Aaron Copland ”Hoe-down” from Rodeo

(1900-1990)

Samuel Barber Four Songs, op. 13

(1910-1981) III. Sure on this Shining Night

John Williams ”Flying Theme” from E.T. the Extra-Terrestrial

(b.1932)

Program and artists are subject to change. There may be professional photographers and recording crew present during our performances. All other photography or recording of any kind is strictly prohibited.

PRESENTS A HALLOWEEN EXTRAVAGANZA

BEWITCHING: A HALLOWEEN EXTRAVAGANZA

Gary Lewis, conductor

Program and artists are subject to change. There may be professional photographers and recording crew present during our performances. All other photography or recording of any kind is strictly prohibited.

MOONS & PLANETS

Michael Butterman, Music Director

November 10, 2024, 4:00 PM

Macky Auditorium

John Heins Moons of the Giants 23’ (b.1956)

*World Premiere

- INTERMISSION -

Gustav Holst

The Planets: Suite for Large Orchestra 50’ (1874-1934)

I. Mars, the Bringer of War

II. Venus, the Bringer of Peace

III. Mercury, the Winged Messenger

IV. Jupiter, the Bringer of Jollity

V. Saturn, the Bringer of Old Age

VI. Uranus, the Magician

VII. Neptune, the Mystic

Special Thanks to our Featured Sponsors:

Courtesy recording provided by Galle Studios.

Program and artists are subject to change. All other photography or recording of any kind is strictly prohibited.

Moons & Planets

PROGRAM NOTES

HEINS: Moons of the Giants

This is the world premiere Notes by John Heins

Moons Of The Giants is a suite of six miniature tone-poems inspired by Holst’s The Planets. Since there are dozens of moons in the solar system, only a few moons of the so called “Gas Giant” planets, Neptune, Uranus, Saturn and Jupiter were chosen. Proteus, moon of Neptune, begins the piece. It is a strange, misshapen moon, and one of the darkest objects in the solar system. Proteus is named after the shape changing sea god of Greek mythology. He could foretell the future, but would change his shape to avoid doing so, only answering to those who could capture him.

Next is Ariel, moon of Uranus. It appears to be the youngest moon and consists of roughly equal amounts of water ice and silicate rock. Carbon dioxide has also been detected on Ariel and it is thought to have the most recent geologic activity of Uranus’ larger moons. Ariel is named after the character in Shakespeare’s “The Tempest”. Ariel is a spirit who serves Prospero, a magician who rescued Ariel from a tree in which he had been imprisoned by a witch.

As we travel closer to Earth, the next moon is Saturn’s moon, Enceladus. Enceladus is an active moon that hides a global ocean of liquid salty water beneath its icy crust. Plumes venting hydrocarbons into space and hydrothermal vents on the sea floor point to the possibility of a habitable ocean world. This moon is named after the giant. Enceladus, of Greek mythology. He was the most powerful giant that stood against the Greek gods of Olympus, presenting a serious threat for the divine order during the Gigantomachy, the great war between gods and titans for domination over the universe.

Following Enceladus is another Saturnian moon, Titan. Titan is larger than the planet Mercury and is the second largest moon in the solar system. It is the only moon with a substantial atmosphere and the only place besides Earth known to have liquids (hydrocarbons like methane and ethane) in the form of rivers, lakes and seas on its’ surface. Titan, the largest moon of Saturn, is named for the Titans of Greek mythology, which include Cronus (equated with the Roman god Saturn) and his 11 siblings.

Next is Europa, moon of Jupiter. Europa is the fourth largest of Jupiter’s 95 moons. It is primarily made of silicate rock and has a water-ice crust and probably an iron-nickel core. It has a very thin atmosphere, composed primarily of oxygen. Europa may be another promising place in our solar system to find environments suitable for some form of life. Scientists believe a saltwater ocean lies beneath its icy shell, holding twice as much water as Earth’s oceans. Europa got

its name from the princess of Phoenicia, Europa. According to Greek mythology, Zeus, king of the Olympian gods, transformed into a beautiful white bull to abduct Europa, the girl he loved.

Lastly is Io, moon of Jupiter. Io is the most volcanically active world in the solar system, with hundreds of volcanoes, some erupting lava fountains dozens of miles high. Io even has lakes of molten lava on its surface. Slightly larger than Earth’s moon, Io is about onequarter the diameter of Earth. Volcanic activity on this Jovian moon is so abundant, it resurfaces the face of Io with new deposits faster than comets and asteroids can pepper it with large craters. Io is named after a maiden who was loved by Zeus. In the Greek myth, Zeus turned her into a heifer in an attempt to hide her from his jealous wife, Hera.

HOLST: The Planets, Op.37

Last performed by the Boulder Philharmonic Orchestra on October 13-14, 2018

After its debut in 1918, Gustav Holst’s seven-movement orchestral suite The Planets became an international phenomenon. Many would argue that the work, written from 1914 to 1916, is the most famous British classical music composition of all time. But few realize that The Planets owes more to astrology than astronomy. Each movement is named after a planet in the solar system and reflects its astrological character, as described by Holst. Why aren’t the planets in order? Holst originally intended to do so, but switched them around, purely for the sake of creating a more compelling musical experience. And that is why we begin with Mars (the fourth planet from the Sun), rather than Mercury (closest to the Sun).

The inspiration for this work comes from astrology, rather than astronomy. At the time of the composition, Holst was reading The Art of Synthesis by Alan Leo. The Planets is a suite, where each of the seven movements has a completely different character. That character is based on a trait, associated with that planet’s astrological influence on one’s personality. Holst himself described the work as “a series of mood pictures.”

The Planets became so popular during Holst’s lifetime that it conferred what would now be considered rock-star status on the composer. According to one of his biographers, Holst, however, “hated its popularity. When people would ask for his autograph, he gave them a typed sheet of paper that stated that he didn’t give out autographs. The public seemed to demand of him more music like The Planets, and his later music seemed to disappoint them. How ironic that the piece that made his name famous throughout the world brought him the least joy in the end.”

Thank You to Our Partners

The Boulder Philharmonic Orchestra recognizes those who have made or pledged transformative and lasting gifts. These people are planting seeds for the future that will sustain the music for future generations, at the same time enhancing and enriching our current programs. Thank you!

Grace & Gordon Gamm Endowment

Fund

SeiSolo Foundation

Sydney & Robert Anderson

Margot & Christopher Brauchli

Patricia Butler

Erma Mantey

Jayne & Stephen Miller

Eleanor & Harry Poehlmann

Margaret & Rodolfo Perez

Becky Roser & Ron Stewart

Lynn Streeter

Nicky Wolman & David Fulker

$50,000+

Boulder Arts Commission

Grace & Gordon Gamm

SCFD

SeiSolo Foundation

Nicky Wolman & David Fulker

$20,000+

Anonymous

Jayne & Stephen Miller

$10,000+

Suzanne & James Balog

Nancy Clairmont & Robert Braudes

Patricia Butler

Colorado Creative Industries

Mary Ann & Lee Erb

Eleanor & Harry Poehlmann

Becky Roser & Ron Stewart

Jean & Jack Thompson

Dr Phyllis Wise

$5,000+

Anonymous

AEC Trust

Margot & Christopher Brauchli

Richard Brown

Jan Burton

Robert Dixon

Audrey Fishman Franklin

Ms Marilyn Gallant

Judy & Steve Knapp

Erma Mantey

Marla & Jerry Meehl in memory of Esther Sparn and Eileen Meehl

The Millstone Evans Group

Karyn Sawyer

Lynn Streeter

Westland Development

$2,500+

Center Copy

Alan Davis

Flatirons Bank

Ms. Carolyn Grant

Sara & David Harper

Lin & Matthew Hawkins

Mr. John Hedderich

Christine Yoshinaga-Itano & Wayne Itano

Mr Jeffrey Kash

John Lichter

Lewis Harvey & Miriam Linschoten

Margaret & Rodolfo Perez

Mark Ragan

Michele & Michael Ritter

Nancy & Gary Rosenthal

Daniel & Boyce Sher

Natalie Springett

$1,000+

Anonymous

Debra Brindis

Frances Burton

Michael Butterman & Jennifer Carsillo

Toni & Nelson Chen

Jenny & Terry Cloudman

Create Boulder and Visit Boulder

Pamela Dennis

Gayle C. Ellis

Beverly & Bruce Fest

Fisher Auto

Ruth & Carl Forsberg

Randy & Bill Ganter

Peggy Lemone & Peter Gilman

Elyse Grasso

Tor Hansson

Chuck Hardesty

Laurie Hathorn

Lin & Matthew Hawkins

Janet Hendricks

Constance Holden

Suzanne & David Hoover

Karen & Stewart Hoover

Carolyn & Sam Johnson

Thomas Kinder

Bonnie Kirschenbaum

KUNC

Joyce & Jerry Laiserin

Ray & Margot LaPanse

Barbara & Peter Loris

Heidi & Jerry Lynch

Robert Lynch

Annyce Mayer

Pamela McKelvey

Cindy & Mark Meyer

Martha Oetzel

Susan Olenwine & Frank Palermo

Patricia Read & Bill Shunk

James Repjar

Professor Juan Roederer

Luana Rubin in memory of Carolye Johnson

SavATree Boulder

Jane & Ross Sheldon

Gregory Silvus

Simms Family Foundation

Ron Sinton

Carol & Arthur Smoot

Pamela Walker

Rena & Ronny Wells

Ken & Ruth Wright

$500+

Roshmi & Jaydip Bhaumik

Amy & Terry Britton

Colorado Gives Foundation

Grant Couch

Kathleen Fry

Wes Garland

Susan Graf

Susan & Gustavo Grampp

Joanna Grasso

Jo Ann Joselyn

Eyal Kaplan

Ellen Dale & Buddy Kring

Judith Auer & George Lawrence

Judy & Alan Megibow

Francine & Robert Myers

Otter Island Foundation

Molly Parrish

Thomas Riis

Richard And Joan Ringoen

Family Foundation, Inc.

Charlotte Roehm

Jane & Leo Schumacher

Shelby & Nicholas Vanderborgh

Dr Celia & John Waterhouse

Kathy & Ed Wittman

Fran Zankowski

$250+

Anonymous

Patricia Angell

Tamar Barkay

B Town Wine & Spirits

Trudy Bortz & Joe Boyer

Cherilynn Cathey

Norma & Roger Cichorz

Karen Connolly

Charlotte Corbridge

Warren DeHaan

Donabeth Downey

Claire & Art Figel

Andrew Gettelman

Larry Graham

Andrea Grant

Josephine Heath

Jeannette & David Hillery

Eileen Kintsch

Robb & Amy Krenz

anet & Hunter McDaniel

Jean & Scott Nelson

Nothing Bundt Cakes

Linda & Christopher Paris

Jim Pendleton

Monika Rutkowski

Mary Scarpino

Marjorie & Bob Schaffner

Laura & David Skaggs

Linda & Stephen Sparn

Sondra Bland & Robert Spencer

Glen & Bonnie Strand

Elizabeth Tilton

Marianne Van Pelt

Jack Walker

Paul Weber

Wendy & Richard Wolf

The Boulder Phil also expresses its deep appreciation for the donors who supported us with financial and in-kind contributions under $250.

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Takács Quartet: September-April

Hänsel und Gretel: Oct. 25 and 27

Pablo Sáinz Villegas, guitar : Nov. 9

Boston Brass + Brass All-Stars Big Band: Dec. 14

Renée Fleming, soprano : Jan. 31

Sweet Honey in the Rock: Feb. 28

The Pirates of Penzance: March 14-16 Tickets and more

Renée Fleming
Photo by Andrew Eccles/Decca

Primary Care Near You

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