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BOULDER BALLET SCHOOL
Boulder Ballet is a strong platform for dancers who want to attain a professional career or simply to enjoy the art of dance. — Amy Earnest, Assistant School Director
• Largest ballet program in the region • Ages 3-adult, beginnerprofessional
• Many student performance opportunities including The Nutcracker at Macky Auditorium
www.boulderballet.org The Dairy ARTS Center | 2590 Walnut St. Boulder, CO 80302 | 303.443.0028
Welcome! One of life’s greatest pleasures is the process of discovery. Being truly open to new experiences fosters a sense of adventure about the everyday. The open space that we so cherish in Boulder is about more than physical surroundings. It extends to open minds and open hearts—qualities broadly shared within our community. The Boulder Phil’s 2018-19 season embraces a sense of expansiveness that will take you on a journey of artistic discovery and spiritual renewal. Our expanded season includes well-loved masterpieces, brilliant music of our time, innovative concert enhancements, family favorites and a new Special Events Series that offers something for everyone. Earlier this season, we welcomed superstar violinist Midori in partnership with our friends at the Greater Boulder Youth Orchestras for an immersive residency focused on arts education advocacy. We also marked the 100th anniversary of Holst’s groundbreaking The Planets and celebrated our community’s aerospace ties with NASA images, music about astronomers from James Stephenson, and a partnership with Fiske Planetarium. In the new year, we’ll explore Mahler’s Fourth, Prokofiev’s Fifth, and music of Beethoven, Rachmaninoff, and Elgar. We are thrilled to welcome international stars Garrick Ohlsson, Mary Wilson, and Astrid Schween to the Macky stage, along with Boulder native Kristin Kuster, whose Dune Acres was made possible in part by the Phil’s commissioning partnership. And we will close our season with Dvořák’s beloved New World Symphony paired with a stunning blend of music and theater in Peter Boyer’s Ellis Island: The Dream of America, featuring actors and projected images. After sharing the music of incomparable film composer John Williams in the fall, our Special Events Series continues to make connections to ever wider segments of our community through evenings devoted to the animation magic of Pixar Studios and the life and legacy of the great David Bowie. And this spring, we will welcome thousands more students to Macky for our annual Discovery Concerts.
JIAH KYUN
Whether it’s the openness of the central Asian steppes, the vast emptiness of outer space, or the open-ended opportunities sought by immigrants in a new land, our season offers thought-provoking takes on what it means to be “open.” The concept is even woven into our institutional DNA―the core of our mission is to open the experience of live orchestral music to more and more people in ever more diverse and impactful ways. We invite you to join us on a journey of discovery this season!
MIC H A EL B UTTER M A N M US I C D I R EC TO R
K AT H E RIN E L E H M AN E X E C U T IV E D IR E C T OR
About the Boulder Phil “The power of music cannot be underestimated.” – audience member As one of Colorado’s premier ensembles, the Boulder Phil is a critically acclaimed professional orchestra serving Boulder and the greater metroDenver region. Known for innovative concert programming presented at the highest artistic level and a growing commitment to authentic community engagement, the Boulder Phil continues to push the boundaries of what it means to be Boulder’s orchestra. We are defined by the artistry of our talented musicians, the support of our extraordinary patrons, and ongoing creative collaborations with partner organizations encompassing the arts, sciences, nature, youth, and social services. We strive to present once-in-a-lifetime performances, inspire the next generation with school-age education programs, and pioneer community-focused projects that bring music to all.
“It was a treat from start to finish, loved everything. The energy in Macky was so wonderful and uplifting.” “One of the most touching and memorable concerts I’ve attended – engaged the mind, soul, and senses in a magical way!”
BoulderPhil.org
Community Engagement Music has the power to inspire and connect us, to heal our bodies and replenish our souls, to bridge our differences and change the way we see the world. Serving the community has been at the heart of the Boulder Phil’s mission for more than 60 years. The Boulder Phil is a leader in community engagement, helping to write the next chapter in the story of the American orchestra by touching lives and creating opportunity. Through our growing education and outreach programs, we bring the power of music to all corners of our community. • Discovery Concerts reach 5,000+ students annually • In-School Visits bring music alive in the classroom • Meet the Maestro inspires the next generation • Side-by-Side Events pair students with professionals • Music Mentoring helps students attain potential • $5 Student Tickets affordable concert attendance • Free Community Concerts celebrate music for all • Musical Hikes bring nature and music together • Pre-Concert Talks expand our musical horizons For more information about Boulder Phil education and youth programs, equity and inclusiveness priorities, and regional outreach, please contact the Director of Community Engagement at community@boulderphil.org or 303-443-9203.
Photos by Lauren Click
BOULDER PHILHARMONIC ORCHESTRA
MICHAEL BUTTERMAN, MUSIC DIRECTOR Mailing address: 1600 Range Street, Suite 200 • Boulder, CO 80301 303-449-1343 www.BoulderPhil.org
MUSIC DIRECTOR Michael Butterman PRINCIPAL GUEST CONDUCTOR Gary Lewis OFFICERS Karyn Sawyer, President Rodolfo Perez, Vice President
Lynn Streeter, Secretary Tom Abraham, Treasurer
BOARD Christopher Brauchli Michael Butterman, ex officio Heather Dupré Bruce Fest Claire Figel David Fulker Lin Hawkins Steve Knapp
Katherine Lehman, ex officio Erma Mantey Marla Meehl Sharon Park Eleanor Poehlmann Leslie Scarpino Ronny Wells
ADMINISTRATION Katherine Lehman, Executive Director Eve Orenstein, Director of Development Shelley Sampson, Patron Services Manager & Artistic Administrator Cynthia Sliker, Director of Community Engagement Caleb Bradley, Production Manager, Orchestra Librarian
ADVISORY COUNCIL Barbara Brenton Pamela Dennis Ruth Kahn
Nancy Headlee, Personnel Manager Holly Hickman, Marketing Consultant / Up Tempo Marketing Michelle Edwards, Bookkeeper / Trailhead Accounting Solutions Breanna McCaughey, Education Associate
Susan Olenwine Dick Van Pelt Brenda Zellner
TING WITH EVERY PERFORMANCE
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To Our Supporters Dear Boulder residents and visitors— What a treat we are in for! Not only is our city blessed to have an unparalleled professional orchestra in the Boulder Philharmonic, but their 2018-19 season promises to be one of their most memorable. When your spirit needs uplifting, what two things leap to mind? Soaring music and enjoying the great outdoors, two elements that the Boulder Philharmonic deftly combines in an entire season dedicated to the concept of Open Space. While Bouldercentric nature and music programming are included in every season, this year is a culmination of an incredible partnership with Boulder’s Open Space and Mountain Parks department – a highlight of which has been five years of guided musical hikes led by naturalist Dave Sutherland. Another major theme is the Philharmonic’s commitment to community engagement: the orchestra strives to make live music relevant and accessible for all. This intention is reflected in their Discovery Concerts, a partnership with Boulder Valley Schools, which inspire over 5,000 young students each year. Also, in the five-day immersive residency of internationallyknown violinist and educator Midori in November—a cultural milestone for Boulder—who engaged with a wide spectrum of the community and perform with the Greater Boulder Youth Orchestras. At 60 years old, the Boulder Philharmonic is just getting started —with dynamic performances every season that give life to our community’s values, creativity, and sense of place. Enjoy! Suzanne Jones, Mayor Aaron Brockett, Mayor Pro Tem for the entire City Council
2019 SPECIAL EVENTS
SATURDAY, MAR 23 7:30 PM at Macky Music & clips from Toy Story, Finding Nemo, A Bug’s Life, The Incredibles, Brave, Inside Out, Cars, WALL-E & more Tickets start at $15 Pixar in Concert Presentation licensed by Disney Concerts. © All rights reserved.
TONY VINCENT from “The Voice”
SATURDAY, MAY 4, 7:30 PM at Macky Join the Boulder Phil with conductor Brent Havens, vocalist Tony Vincent and a full rock band on this symphonic odyssey by Windborne Music featuring David Bowie’s top hits: Space Oddity, Changes, Under Pressure, Heroes, Fame, China Girl & more!
BoulderPhil.org · 303.449.1343
Thank You to Our Sponsors ◆ SEASON PRESENTING SPONSORS
Patricia Butler Erma and John Mantey Margaret and Rodolfo Perez Lynn Streeter Nicky Wolman and Dave Fulker
◆ SEASON SPONSORS
SeiSolo Foundation
Sydney and Robert Anderson
◆ PERFORMANCE SPONSORS Leadership Circle Audrey and Andrew Franklin Doree Hickman Holly and Grant Hickman Suzanne and David Hoover Marti and George Oetzel Beatriz and Juan Roederer Luana Rubin Stephanie and R. Alan Rudy Marjorie and Bob Schaffner Betty Van Zandt Rena and Ronny Wells
Silver Circle Anonymous Gail Aweida in memoriam Nancy Clairmont and Bob Braudes Pam Dennis and Jim Semborski Bronze Circle Anonymous Beverly and Bruce Fest Sara and David Harper Emily and John Koechel Christine Yoshinaga-Itano and Wayne Itano
◆ BUSINESS AND COMMUNITY SPONSORS BOULDER’S BOUTIQUE RETIREMENT COMMUNITY
01B
45862
◆ IN-KIND SPONSORS BOULDER PIANO GALLERY
45862 01B
Your IMPACT—Measure by Measure! 42% of our annual budget comes from you, our generous community. Your donation to your Boulder Phil will make all of this possible:
45,000 Boulderites reached 15 mainstage concerts 1,800 attendees at our
free Community Concert at Macky
5,000 students at our
Discovery Concerts at Macky
2,000 free tickets donated to Photo by Lauren Click
local social service agencies
70 professional Phil musicians performing in each concert
40 in-school ensemble visits reaching 6,000+ children
300 participants at free
Boulder Public Library concerts We appreciate your support! For more information or to make a donation, visit BoulderPhil.org/support.
The Boulder Philharmonic Orchestra is a 501(c)3 nonprofit organization. All contributions are tax-deductible as allowed by law.
Season Supporters TWENTY years
2018 19 8 9
STRONG.
S EN I OR L I V I N G
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Music Director Michael Butterman
Artistry. Innovation. Engagement. Making his mark as a model for today’s conductors, Michael Butterman is recognized for his commitment to creative artistry, innovative programming, and to audience and community engagement. He serves as Music Director for the Boulder Philharmonic Orchestra, whom he has led to national prominence, resulting in an invitation to open the Kennedy Center’s inaugural SHIFT Festival of American Orchestras in 2017. He is also the Music Director of the Shreveport Symphony Orchestra and the Pennsylvania Philharmonic, an orchestra uniquely focused on music education. He just completed his 18th season as Principal Conductor for Education and Community Engagement for the Rochester Philharmonic Orchestra and also recently completed a 15-year tenure with the Jacksonville Symphony, first as Associate, and then as Resident Conductor. As a guest conductor, Mr. Butterman has led many of the country’s preeminent ensembles, including the Cleveland Orchestra, Philadelphia Orchestra, National Symphony, Detroit Symphony and Houston Symphony. “Butterman has – above all – integrated the Phil into the community, stressing that it is no way an elite enterprise only for initiates, but a group out to attract a new audience with interests that reach beyond music. He has worked successfully with local dance, theater, and film projects, and also with visual artists...the excitement that Butterman has brought to the Phil is attracting audience and critics from the entire region. He’s an energetic and charismatic man as well as a gifted musician. One can count on him to exert himself to the limit to make an endeavor work.” —Boulder Daily Camera
2018-2019 Season Highlights Boulder Philharmonic Orchestra Music Director and Conductor Oct 13-14 | Nov 4 | Jan 19-20 | Feb 9 | Mar 2 | Apr 27 National Symphony Orchestra Education Concerts Oct 15-18 | Jan 11-12 |Mar 19-22 Rochester Philharmonic Orchestra Conductor Nov 21-25 | Jan 27 | Feb 12-13 | May 4 | May 19 Shreveport Symphony Orchestra Music Director and Conductor Sep 22 | Oct 27 | Nov 17 | Dec 16 | Feb 2 | Mar 16 | Apr 14
www.michaelbutterman.com
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Pixar in Concert BOULDER PHILHARMONIC ORCHESTRA Gary Lewis, conductor Saturday, March 23, 2019 Macky Auditorium, CU Boulder 7:30 pm Performance
Randy Newman Thomas Newman Michael Giacchino Randy Newman Thomas Newman Randy Newman Michael Giacchino
Toy Story Finding Nemo Ratatouille Monsters Inc. WALL-E Cars UP ~ Intermission ~
Michael Giacchino Michael Giacchino Michael Giacchino Randy Newman Thomas Newman Michael Giacchino Michael Giacchino Randy Newman Randy Newman
The Incredibles Inside Out Cars 2 Monsters University Finding Dory Coco Incredibles 2 Toy Story 3 You’ve got a Friend in Me
Program and artists subject to change. The use of cameras and electronic devices is strictly prohibited. Thanks to HB Woodsongs for hosting the instrument petting zoo in the lobby. Pixar in Concert Presentation licensed by Disney Concerts. All rights reserved.
Bronze Circle Concert Sponsor
Boulder Philharmonic Orchestra 2018-2019 Program 1
The Dream of America BOULDER PHILHARMONIC ORCHESTRA Michael Butterman, conductor Saturday, April 27, 2019 Macky Auditorium, CU Boulder 6:30 Pre-Concert Talk with Marilyn Cooley 7:30 pm Performance Bud Coleman, stage director K. Woodzick – Helen Cohen Brendan Lynch – James Apanomith Erika Haase – Lillian Galleta Bryce Bartu – Lazarus Salamon
Matara Hitchcock – Helen Rosenthal Bennet Forsyth – Manny Steen Ruby Riaz- Katherine Beychook
Sasha Georges, costume coordinator
Antonín Dvořák Symphony No. 9 in E minor, op. 95 “From the New World” (1841.1904) I. Adagio – Allegro molto II. Largo III. Scherzo: Molto vivace – Poco sostenuto IV. Allegro con fuoco ~ Intermission ~ Peter Boyer Ellis Island: The Dream of America (b. 1970) Prologue Helen Cohen James Apanomith Lillian Galleta Lazarus Salamon Helen Rosenthal Manny Steen Katherine Beychook Epilogue: The New Colossus Program and artists subject to change. The use of cameras and electronic devices is strictly prohibited.
Peter Boyer Sponsor Holly and Grant Hickman, Susan Litt
Antonín Dvořák Sponsor Ann and Russel Hayes
Program 2 Boulder Philharmonic Orchestra 2018-2019
The Dream of America
Biographies
PETER BOYER, composer Ellis Island: The Dream of America
Rhode Island-born composer Peter Boyer has become established as an important composer at a very young age. After receiving his DMA degree in 1995 at the age of 25, from Hartt School of Music at the University of Hartford, he went to New York City to study with John Corigliano. Even before, the name of Peter Boyer was known in New England musical circles, having been awarded a special proclamation of recognition from the Governor of Rhode Island for his Requiem. More recently, his tone poem, Titanic, composed before James Cameron’s film, won the BMI Award and the First Music Carnegie Hall commission. Film composition has always been of interest to Boyer, who continued his education after his New York studies by completing the Film & Television Scoring Program at the USC School of Music in Los Angeles. In 1999 he formally entered the faculty of the Claremont Graduate University where he had served as Visiting Professor of Music since 1996. In 2002 the Hartford Symphony premiered Boyer’s Ellis Island; the Dream of America for projected images, actors, actress, and orchestra. BUD COLEMAN holds the Roe Green Endowed Chair in Theatre, and is the former department chair of the Department of Theatre & Dance. Currently the director of the CU in D.C. Internship Program, Coleman is a professional stage director, having directed and choreographed dozens of musicals, including “Fiddler on the Roof” in Thailand (Mahidol University), and Sondheim’s “Company” in Vladivostok, Russia, under the auspices of the U.S. State Department. Additionally, he was a 2009-10 Fulbright Lecturer in Tokyo. Formerly a professional dancer with Les Ballets Trockadero de Monte Carlo, Fort Worth Ballet, Kinesis, and Ballet Austin, Bud now enjoys writing about performance. With co-editor Judith Sebesta, they published “Women in American Musical Theatre,” and Coleman and Pamyla Stiehl co-authored the textbook, “Back Stage Pass: A Survey of American Musical Theatre.”
BRYCE J. BARTU is originally from Grand Island, Nebraska. Comfortable in both opera and musical theater roles, Bartu has previously been seen as Cinderella’s Prince in Into the Woods (CU Boulder Theater), Aldolfo Pirelli in Sweeney Todd, First Armored Man in Die Zauberflöte, Danilo in The Merry Widow (Eklund Opera), George in The Drowsy Chaperone (The STAGE Theater), Pat in 42nd Street (Pinewood Bowl Festival), Enoch in Carousel (Asheville Lyric Opera), Jim Casey in the Chicago premiere of The Grapes of Wrath, Alfredo in Die Fledermaus (Northwestern Opera Theater), and Anthony in Sweeney Todd (Aspen Opera Festival). RUBY DIAZ is a BA theatre performance major and dance minor at the University of Colorado Boulder. A few of her acting credits include Pirates of Penzance, The Bad Seed, The Producers, Water by The Spoonful, Dog Sees Dog, and Anatomy of Gray. Ruby ultimately would like to pursue Theatre Education and provide comprehensive theatre and dance education to low-income and minority youth in inner city areas where these art forms are scarcely offered. BENNET FORSYTH is a sophomore BFA Acting student at the University of Colorado Boulder. Bennet stumbled upon theater two years ago and it has been his passion ever since. Some of his favorite credits for roles that he has played are Margaret Mead in Hair, Doctor Rock in Next to Normal, and Piragua in In the Heights. ERIKA HAASE is an undergraduate student at the University of Colorado Boulder studying sociology with minors in leadership and theatre. She recently portrayed Bradley in the regional premier of Men on Boats with The Catamounts, Gary Coleman in Avenue Q with CenterStage and Dee Graham in the world premiere of We Are The Wake with CU Theatre and Dance. MATARA HITCHCOCK is an MA/MBA student in theatre and performance studies at the University of Colorado-Boulder. She recently debuted the role of Lady Katherine in Scott Kaiser’s Falstaff in Love, played Estelle in No Exit at the Boulder Fringe Festival, and Miss Havisham in Great Expectations at CU Boulder. As a McDermott Scholar,
Boulder Philharmonic Orchestra 2018-2019 Program 3
The Dream of America
she received her BA in Emerging Media and Communication from the University of Texas at Dallas, with a focus in videography and a Performing Arts minor.
BRENDAN LYNCH is currently studying Musical Theatre and Electrical and Computer Engineering at the University of Colorado Boulder. He has appeared as the Baker in Into the Woods, Gabe in Next to Normal and Tobias in Sweeney Todd. Brendan has most recently been studying voice with Andrew Garland. K. WOODZICK is an actor, director, producer and Ph.D. Student in theatre and performance studies at the University of Colorado, Boulder. They hold an MFA in Contemporary Performance from Naropa University. This past fall, they performed in the Denver Center for the Performing Arts Off-Center production of Bite-Size: An Evening of MicroTheatre as the Veterinary Assistant and the bear.
Program Notes ANTONIN DVOŘÁK: Symphony No. 9 in E Minor, Op. 95, “From the New World”
Antonin Dvořák had a strong affinity for the music of common people. He collected and studied folk music, but, paradoxically, seldom incorporated authentic indigenous music into his works. Drawn to the simple beauty of African-American spirituals and NativeAmerican songs, Dvořák boldly suggested that American composers needed to cultivate a national identity in their music. Dvořák’s suggestion came on the heels of his 1892 appointment as director of the American Conservatory of Music in New York. He would spend the next summer in the small Czech community of Spillville, Iowa, where he would complete his “American” string quartet and quintet. After only a few months in this country and before his summer trip, he began an experiment – a symphony blending stylized folk elements of his native Czech land with those of his temporary American home. In the December 15, 1893, edition of the New York Herald – the day before the premiere of the symphony – Dvořák published an essay on national identity in music. He stated that
American composers should be aware of all indigenous music. The composer had heard many spirituals from his student Harry T. Burleigh and found them to be beautifully expressive. Native-American melodies were familiar to him from transcriptions and a visit to Buffalo Bill’s Wild West Show in New York. In the essay, Dvořák wrote of the similarity of the melodies of both cultures and suggested that there must be some way to incorporate such truly American music in new compositions. [In the following decade, a small musical ripple arose from the “Indianist” composers, led by Arthur Farwell, who adopted Dvořák’s technique of creating stylized exotic melodies as well as transcribing many authentic Native American songs.] Dvořák’s own Symphony No. 9, “From the New World,” incorporates some of these elements but retains a Czech identity throughout. It seems somewhat like a postcard to his fellow Czech citizens from an extended vacation in America – there is an American flavor at times but the result is purely Czech. As for quotations of American music in the symphony, there are none. The first movement opens with a tender descending melody supported by meditative chords, almost like a benediction before a long journey. Agitated and strong, the main section of this movement begins with an assertive horn figure that becomes the germ of the movement. Many have pointed to the second theme of the first movement as resembling “Swing Low, Sweet Chariot,” but it stops there as merely a resemblance. For the second movement, Dvořák once again begins with a slow, almost prayerful, introduction. The main theme of the Largo movement, often called “Going Home,” is reminiscent of a spiritual but is not an original African-American melody. In short, Dvořák’s melodic materials offer mere indications of American-ness, but are the inspired work of a master composer in taking new melodic contours and assimilating them to his needs. The middle section of this movement is a quietly turbulent song with a decidedly Czech flavor. The scherzo, Molto vivace, is a dazzling orchestral tour-de-force. The undulating and bustling texture infuses this music with a sense of propulsion that is very direct in its approach. A central section includes a lighter Czech dance.
Program 4 Boulder Philharmonic Orchestra 2018-2019
The Dream of America
Dvořák’s finale opens with a forceful and virile horn theme. A second theme, driven by triplets, gives way to a languid clarinet solo. The development section introduces new material and builds dramatic tension. In the final measures, Dvořák returns to a brassy restatement of the finale’s opening music, which brings the symphony to a triumphant conclusion. ©2019 Orpheus Music Prose & Craig Doolin www.orpheusnotes.com
Ellis Island: The Dream of America Ellis Island: The Dream of America was born out of my fascination with the relationship between history and music. I’m drawn to good stories—especially stories which come from the past but are relevant to the present—and as an orchestral composer, I’m intrigued by the potential of the orchestra as a storytelling medium. Of course, orchestral music cannot tell stories in a literal way, but its ability to suggest scenes and emotions, and evoke responses in listeners, has challenged and stimulated composers for centuries. My fascination with the story of the Titanic led me to choose that as the subject of an early orchestral work, and considering the plight of that vessel’s third-class passengers—humble European immigrants bound for America— led me to think more broadly about early twentieth-century American immigration. America is a nation of immigrants, and our immigrant history is a profound part of our American mythology. In the history of American immigration, Ellis Island and the Statue of Liberty are icons of immense significance. In the years of its operation, from 1892 to 1954, more than twelve million immigrants, over 70% of all immigrants to the United States, passed through Ellis Island, the processing station which was “the gateway to America.” Today, more than 40% of the U.S. population, over 100 million Americans, can trace their roots to an ancestor who came through Ellis Island. The stories of Ellis Island immigrants are in many ways our family stories: whether they are the tales of our grandparents, great-grandparents, aunts and uncles, cousins, or friends, so many Americans can relate to these experiences as part of our collective history. This is what makes Ellis
Island stories so fascinating, and it’s what drew me to this material as the basis of a major composition. Ultimately I settled on a structure which includes seven stories, four female and three male, of immigrants who came through Ellis Island from seven countries, between 1910 and 1940. For the final text in the work, I knew from the beginning that I could not create a work about Ellis Island without making reference to the poem by Emma Lazarus, The New Colossus, which is inscribed at the base of the Statue of Liberty. This poem is synonymous with the Statue, Ellis Island, and American immigration in the minds of many Americans. A number of immigrants interviewed for the project made reference to the poem, and the words of Katherine Beychok provided a natural bridge to a recitation of the poem, which serves as the work’s epilogue. In live performances of Ellis Island: The Dream of America, there is a visual component which accompanies the music during the Prologue and Epilogue. This consists of images from the archive of historic photographs housed at the Ellis Island Immigration Museum Library. Many of these come from the collection of Augustus Sherman, a longtime Ellis Island employee who took a number of poignant and historically important photographs of immigrants. These immigrants’ faces seem to tell their own stories, and it is little wonder that copies of many of these photographs are displayed prominently in the Ellis Island Immigration Museum. The stories of Ellis Island are stories of journeys. My personal journey with this project, from its conception in 1999, to its premiere in 2002, its recording in 2003, its release by Naxos in 2005, followed by its Grammy nomination, and its more than 100 performances to date, has been both a long and rewarding one. I hope that listeners may find these stories as fascinating, illuminating and inspiring as I do. – Peter Boyer
Boulder Philharmonic Orchestra 2018-2019 Program 5
The Music of David Bowie BOULDER PHILHARMONIC ORCHESTRA Performs Windborne’s
Music of David Bowie Featuring
Brent Havens, conductor and
Tony Vincent, vocals with Dan Clemens, bass/background vocals Powell Randolph, drums/background vocals George Cintron, guitar/background vocals Justin Avery, keyboards/background vocals
Saturday, May 4, 2019 Macky Auditorium, CU Boulder 7:30 pm Performance Song Selections from David Bowie’s greatest hits will be announced from the stage. Program and artists subject to change. The use of cameras and electronic devices is strictly prohibited.
Media Sponsor
Bronze Circle Concert Sponsor Steve Edel
Program 6 Boulder Philharmonic Orchestra 2018-2019
The Music of David Bowie
BRENT HAVENS, conductor
Berklee-trained arranger/conductor Brent Havens has written music for orchestras, feature films and virtually every kind of television. His TV work includes movies for networks such as ABC, CBS and ABC Family Channel Network, commercials, sports music for networks such as ESPN and even cartoons. Havens has also worked with the Doobie Brothers and the Milwaukee Symphony, arranging and conducting the combined group for Harley Davidson’s 100th Anniversary Birthday Party Finale attended by over 150,000 fans. He has worked with some of the world’s greatest orchestras including the Royal Philharmonic and the BBC Concert Orchestra in London, the CBSO in Birmingham, England, the Malaysian Philharmonic, the Cincinnati Symphony Orchestra, the Minnesota Orchestra, the Pittsburgh Symphony, the Indianapolis Symphony Orchestra, the Houston Symphony, the Atlanta Symphony, the Baltimore Symphony, the Dallas Symphony, the Fort Worth Symphony, the Nashville Symphony, the Buffalo Philharmonic and countless others. Havens is Arranger/Guest Conductor for all of the symphonic rock programs for Windborne Music.
TONY VINCENT, vocals
Tony Vincent grew up in Albuquerque, NM, where from a young age he was exposed to the music of The Beatles and The Rolling Stones. In his early teens Vincent began writing songs heavily influenced by Depeche Mode, New Order and Tears for Fears. While attending university (Nashville, TN), Vincent started a makeshift record company out of his dorm room and recorded a five-song EP, which led to a recording contract with EMI records. The two solo albums (Tony Vincent, One Deed) followed producing six #1 Billboard radio singles. Shortly after moving to NYC in 1997 to continue his recording career, Vincent took an unexpected detour into the world of rock-based theater, joining the cast of RENT, initially as part of the first national tour, then making his Broadway debut in the New York production in 1999. He was featured as Simon Zealotes in Andrew Lloyd Webber’s remake of the film Jesus Christ Superstar (2000), and when the production was revived on Broadway that same year Vincent earned critical acclaim starring as Judas Iscariot. Vincent is best known for his appearance on the second season of NBC’s reality singing competition, The Voice. While on the show, Vincent was selected to be on “Team Cee Lo,” and made a lasting impression on fans worldwide with his final performance of The Eurythmics’ “Sweet Dreams.” Tony Vincent continues to write and produce for future projects, both as a solo artist, as a producer for other artists and under the band moniker Mercer.
Boulder Philharmonic Orchestra 2018-2019 Program 7
Boulder Philharmonic Orchestra We thank our “Friends of the Phil” musician sponsors. For more information on sponsoring one of the Boulder Phil’s professional musicians, please visit www.boulderphil.org/ways-to-support-us
VIOLIN 1 Charles Wetherbee, concertmaster Rebecca Roser Annamaria Karacson, assistant concertmaster Virginia Newton Debra Holland Brenda & Jack Zellner Susie Peek Randy Long Gyongyver Petheo Veronica Sawarynski Gretchen & Todd Sliker Leslie Sawyer Takanori Sugishita Joan & Harold Leinbach, Luana Rubin Malva Tarasewicz Pamela Walker Yenlik Bodaubay Weiss Charlotte Corbridge VIOLIN 2 Leah Mohling,* principal Robert & Marilyn Mohling Sharon Park, assistant principal Francine & Robert Myers Sarah Delevoryas Kristen Wolf Regan Kane Miriam Linschoten Cyndi Mancinelli Robyn Sosa Paul Trapkus Azaduhi A. Vieira Lori Wolf Walker VIOLA Mary Harrison, principal Patricia Butler Michael Brook, assistant principal Matthew Hyatt Aniel Cabán Matthew Diekman Nancy Clairmont & Bob Braudes Megan Edrington Claire Figel Nancy McNeill Stephanie Mientka
CELLO Charles Lee, principal Rebecca & Albert Bates, Sophia Garrett Zachary Reaves,+ assistant principal Anne Wenzel Charles Barnard+ Sara Fierer Penny & Robert Haws Yoriko Morita Margot & Chris Brauchli Greta Parks Carolyn Bradley Shirley Stephens-Mock Eleanor Wells Joan Cleland BASS David Crowe, principal Nyla & William Witmore Brian Knott, assistant principal Lin & Matthew Hawkins Benjamin de Kock Jesse Fischer* Jeremy Nicholas Matthew Pennington HARP Kathleen Wychulis, principal PIANO Arthur Olsen, principal Ellie & Harry Poehlmann TIMPANI Douglas William Walter, principal PERCUSSION Mike Tetreault, principal Virginia Jones, Annyce Mayer Paul Mullikin, assistant principal Marion Thurnauer & Alexander Trifunac Nena Lorenz Wright+ FLUTE/PICCOLO Elizabeth Sadilek-Labenski, principal Pamela Dennis Caitlyn Phillips Olga Shilaeva Paul Weber
Program 8 Boulder Philharmonic Orchestra 2018-2019
OBOE/ENGLISH HORN Sarah Bierhaus, principal Max Soto Kristin Weber+ CLARINET/BASS CLARINET Stephanie Zelnick, principal Margaret & Rodolfo Perez Michelle Orman Ann & William Kellogg BASSOON/CONTRABASSOON Charles Hansen, principal in memory of Joan Ringoen Wendy La Touche HORN Michael Yopp, principal Ruth & Rich Irvin Devon Park, associate principal Susan & Tom Churchill DeAunn Davis, assistant & utility Stuart R. Mock Jeffrey Rubin Tessa & Alan Davis TRUMPET Leslie Scarpino, principal Nicky Wolman & David Fulker Kenneth Aikin Andrew Miller Roberta Asmus Goodall TROMBONE Bron Wright, principal Owen Homayoun Jeremy Van Hoy Marti & George Oetzel TUBA James Andrus,+ principal * On Leave during 2018-2019 + New Members, Fall 2018
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Open Space 2018-19 SEASON HIGHLIGHTS • FEB 9— Barber Knoxville, Summer of 1915 & Mahler Symphony No. 4 with Mary Wilson, soprano
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• MAR 23—Pixar in
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Supporters The Boulder Philharmonic Orchestra is able to provide high-quality artistic and education programming thanks to its growing number of season subscribers, and the annual support of individuals, corporations, foundations, and government agencies. We take this opportunity to express our appreciation of those who made contributions or pledges from September 1, 2017 through December 14, 2018. FOUNDERS CIRCLE ($30,000+) Patricia Butler+# David Fulker & Nicky Wolman+# Erma & John Mantey Margaret & Rodolfo Perez+ SCFD Lynn Streeter# GOLD CIRCLE ($10,000+) Anonymous (1) AEC Trust Sydney & Robert Anderson Margot & Christopher Brauchli+ Boulder Arts Commission Colorado Creative Industries Judy & Stephen Knapp Marla & Jerry Meehl Susan Olenwine & Frank Palermo Eleanor & Harry Poehlmann+ SeiSolo Foundation SILVER CIRCLE ($5,000+) Anonymous (1) Lari & Thomas Abraham Academy Senior Living* Gail Aweida (in memoriam)* Rebecca & Albert Bates+ Boulder Convention & Visitors Bureau Nancy Clairmont & Bob Braudes*+# Willem De Froy Pamela Dennis and Jim Semborski*+# Alexandra & Paul Dujardin Heather Dupre Beverly & Bruce Fest* Grace & Gordon Gamm Jacqulynn Geister Virginia W. Hill Charitable Foundation Annyce Mayer Jayne & Stephen Miller Anita & Arthur Polner Patricia Read Karyn Sawyer Taddiken Tree Company* Tebo Properties Vermilion Design + Digital* BRONZE CIRCLE ($2,500+) Anonymous (1) Boulder Marriott* Virginia & Thomas Carr
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2018-19 SEASON—OUR STORY
A VERY BOULDER MARDI GRAS Boulder Concert Chorale with the Guerrilla Fanfare Brass Band March 9 & 10 at 4 PM First United Methodist
OUR STORY: BOULDER CHILDREN’S CHORALE 10TH ANNIVERSARY
April 27 at 2 PM Longmont Museum April 28 at 4 PM Boulder Church
SPIRIT WITH DVOŘÁK’S STABAT MATER
Boulder Concert Chorale with the Boulder Symphony May 11 at 7 PM May 12 at 2:30 PM First Presbyterian Church
2018-19 SEASON
Musical Journeys
FAMILY CONCERT TCHAIKOVSKY Jan. 19, 4 PM VIOLIN CONCERTO Apr. 6, 7:30 PM SOUNDS OF Sharon Roffman AMERICA Feb. 23, 7:30 PM POPS CONCERT: Christie Conover, THE LSO IN SPACE! soprano May 11, 7:30 PM
Concerts are held at Vance Brand Civic Auditorium, Longmont
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• • • •
Korngold’s Violin Concerto performed by MahlerFest Concertmaster Zoë Beyers Chamber music and masterclasses featuring our Festival Artists Day-long symposium …and more!
“Baroque in Mirror” (premiere)
Bach Harpsichord Concerto in D minor Haydn Symphony No. 22, the Philosopher
Handel & Purcell - The London Connection OCTOBER 6 & 7
Jory Vinikour, harpsichordist
Feb r u ar y 2 2 , 23, a n d 24, 2019 De n v e r, B ou lder, Lo ngm o nt Tickets $5 - $35 For more information, call or visit: 720-443-0565 www.ProMusicaColorado.org
Bach for the Holidays with Selections from Handel’s Messiah NOVEMBER 29, DECEMBER 1 & 2
A Taste for Baroque FEBRUARY 21, 23, 24
Monteverdi’s Orfeo MAY 11 & 12 Ralph L. and Florence R. Burgess Trust
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Listen Locally 2019 LIBRARY CONCERT SERIES PERFORMANCES
GERALDINE WALTHER
ON THE ROCKS
PLAYGROUND ENSEMBLE ‘8 SONGS FOR A MAD KING’ BY PETER MAXWELL DAVIES Sunday, February 17, 2 p.m.
GERALDINE WALTHER, DAVID KOREVAAR & HARUMI RHODES ‘MOSTLY MOZART’ Sunday, April 14, 2 p.m.
3RD TUESDAY LUNCHTIME CONCERT SERIES CU’S ‘ON THE ROCKS’ ACAPELLA CHOIR Tuesday, February 19, 12 noon-1 p.m.
ALTIUS QUARTET WITH HSING-AY HSU
BOULDER PHIL PRESENTS “MEET THE MAESTRO”
Saturday, March 2, 3 p.m.
COLCANNON IRISH ENSEMBLE
Tuesday, March 19, 12 noon-1 p.m.
ALTIUS QUARTET FEATURING HSING-AY HSU, PIANO
Tuesday, April 16, 12 noon-1 p.m.
MIDDAY MUSIC MEDITATION—IN THE CANYON THEATER
2nd Wednesdays of each month February 13, March 13, April 10, 12 noon-1 p.m.
Admission to all Library Concert Series performances is FREE—thanks to the generous support of the Boulder Library Foundation. Arrive early for good seating! All Concert Series Performances take place in the Canyon Theater of the Boulder Public Library at 1000 Canyon Blvd.
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Events of Note Support your Phil and experience music in intimate settings through this unique series of fundraising events. Each Event of Note features a food and wine reception for a chance to mingle with artists.
Mary Wilson, American Soprano
Thursday, February 7, 7-9 PM The Chapel at The Academy Mary Wilson’s crystalline, coloratura soprano has been described as “ethereal and otherworldly.” This recital with piano will feature Mozart and Handel arias as well as songs by Bernstein, Schubert, Schumann, and more. $60/person
An Intimate Evening With Astrid Schween
Thursday, February 28, 7-9 PM Private home A world-class performer, cellist Astrid Schween debuted as a soloist with the New York Philharmonic at age 16. She will perform solo works by Debussy, Bach, Cassado and more and talk about her experience as the newest member of the Juilliard String Quartet. $60/person
Progressive Pairings
Thursday, April 18, 7-9 PM Lee Hill Drive Wineries Two players + two wineries = one exceptional evening! Bookcliff Vineyards and Settembre Cellars will each host a pairing of music, delicious bites from Three Leaf Concepts, and handcrafted wine―and you will experience all of them at this multisensory pairing event featuring Boulder Phil musicians. $60/person
IMAGINE POP, ROCK, AND METAL PLAYED BY A VIRTUOSIC STRING QUARTET. NOW MEET....
Boulder Philharmonic musicians play music you definitely know in a way you have never heard before. Saturday, March 9, 5:30pm Upslope Brewing Company 1898 S. Flatiron Court, Boulder, CO Upslope brewers will design a flight of their handcrafted beers to create a multi-sensory pairing with this #nophilter performance. $10/person Thursday, April 25, 5:30pm Boulder Marriott 2660 Canyon Boulevard, Boulder, CO Author Jason Heller will read from his book Strange Stars David Bowie, Pop Music, and the Decade Sci-Fi Exploded with excerpts brought to life by #nophilter. Tickets include one free drink. Music-themed happy hour menu items available for purchase. $10/person
Tickets for Events of Note and #nophilter can be purchased online at BoulderPhil.org or by calling 303.449.1343.
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Your two+ year pledge as a Friends of the Phil will let you forge a special connection with the performers on stage.
Phil is in your will or ask about planned giving
Tell us if the
There are many ways to manage your assets while providing lasting financial support to the Phil. Are we already in your estate plans? Let us know!
Ozzi Lehnert Artistic Innovation Fund
Support our
This fund supports the Phil’s artistic vision through new technology, new music and new audiences.
Thank you!
To make a donation, visit BoulderPhil.org/support. The Boulder Philharmonic Orchestra is a 501(c)3 nonprofit organization. All contributions are tax-deductible as allowed by law. Photo by Lauren Click
Sponsor a Boulder Phil Musician! Hiring the most qualified musicians requires a significant investment — in fact, musician salaries represent the largest commitment in the Phil’s annual budget. Your participation in Friends of the Phil helps support these talented artists in our community and ensures the artistic quality of the concerts you hear. Friends of the Phil sponsors are given the opportunity to forge a special connection with the performers on stage. Special events and activities are planned each season to bring sponsors and musicians together, building connections that transform each concert experience into a meeting with friends! Support a Boulder Philharmonic musician with a pledge of $250 or more!
Friends of the Phil pledge levels* Principal Chair Sponsor $1,000 Assistant Principal Chair Sponsor $500 Section Chair Sponsor $250
Show your support of a Boulder Phil musician by joining the Friends of the Phil pledge program today! For more information please contact our Director of Development at 303-443-0542 or development@boulderphil.org. *In order to provide support we can count on, we hope that you will commit to a multi-year pledge of two years or more.
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LONGMONT MUSEUM STEWART AUDITORIUM UPCOMING EVENTS OCTOBER 21
Longmont Symphony Orchestra: Haydn & Mozart
DECEMBER 15 & 16 Holiday Showcase
FEBRUARY 10
Cantabile Chorale Ensemble
FEBRUARY 16 The Longmont Museum’s 250-seat Stewart Auditorium is a multi-disciplinary performing arts venue dedicated to providing the people of Boulder County and beyond with dynamic programs and special events including theater, music, dance, film, talks, and more.
Boulder Bach Festival: From London with Love
FEBRUARY 24
Boulder Bach Festival: Young Artist Competition
FEBRUARY 28 - MARCH 3 15th Annual Boulder International Film Festival
MARCH 8 & 9
Buntport Theater: The Rembrandt Room
MARCH 24
Seicento Baroque Ensemble: In Your Court, A Royal Tour
APRIL 14
Longmont Symphony Orchestra: Beethoven Cycle
APRIL 27
Boulder Children’s Chorale
FRIDAY AFTERNOON CONCERTS
October 19, November 16, December 14, January 18, February 15, March 15, April 19
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TICKETS START UNDER $20. for most concerts!
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Dare to explore – across time across cultures Dance of Life: Mass in B Minor
Obstinate Pearl – Venice On Fire with 3rd Law Dance/Theater
Vocal soloists Jennifer Bird-Arvidsson, Abigail Nims, Peter Scott Drackley, and Ashraf Sewailam sing with the BBF Orchestra and Chorus in a memorable Veterans Day performance
Choreographer Katie Elliott explores the internal and external worlds in a performance that features exquisite musical works by Barbara Strozzi, Robert de Visée, Heinrich Biber, and Nicola Matteis
Sunday, November 11, 2018 2:00pm at Macky Auditorium
Friday, April, 5, 2019 at 7:30pm Saturday, April 6, 2019 at 3:00pm and 7:30pm Sunday, April 7, 2019 at 3:00pm All shows at Dairy Arts Center
From London With Love Songs by Purcell and concertos by Vivaldi and Valentino! Guest-directed from the harpsichord by Maestro Nicholas Carthy Thursday, February 14, 2019 7:30pm at Broomfield Auditorium Saturday, February 16, 2019 7:30pm at Longmont Museum
The Sound of Romanticism A Brahms motet is followed by Haydn’s stormy Symphony La Passione performed dramatically on original instruments. Piano soloist Mina Gajić performs Chopin’s Concerto #2 in F Minor on an Érard concert grand built in Paris, 1845. Thursday, May 23, 2019 7:30pm at Boulder Adventist Church 345 Mapleton Avenue
Subscriptions and individual tickets available at: boulderbachfestival.org/tickets For those requiring assistance, call our Bach’s Office (720) 507-5052