Colorado Ballet Spring 2019, Ballet Masterworks

Denver Ballet Guild Presents

BALLET MASTERWORKS

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CONTENTS Colorado Ballet Publication 2018/2019 Rachel Perez Colorado Ballet Editor

Colorado Ballet Publication is produced for Colorado Ballet by The Publishing House, Westminster, CO.

Angie Flachman Johnson Publisher Tod Cavey Director of Sales Stacey Krull Production Manager Wilbur E. Flachman President

Letter From the Director

8 12 Following page 20

Letter From the Board of Trustees Program COVER PHOTOS: The Wizard of Oz Photo by Allen Birnbach

Morgan Buchanan

Tour de Force Photo by Allen Birnbach

Asuka Sasaki, Ben Youngstone and Martez McKinzy

Ballet MasterWorks Photo by Allen Birnbach

Yosvani Ramos

CONTENTS PHOTOS: Photo by Mike Watson

Photo by Allen Birnbach Photo by Kate Rolston

6 Colorado Ballet

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Asuka Sasaki and Artists of Colorado Ballet Fernanda Oliveira

Dana Benton, Nicolas Pelletier, Morgan Buchanan, Christophor Moulton and Francisco Estevez

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FROM THE ARTISTIC DIRECTOR Welcome to Colorado Ballet’s spectacular winter and spring productions! If you joined us for our season opener Sleeping Beauty or our 58th annual production of the holiday classic The Nutcracker, we thank you. Coming off the heels of the past four consecutive seasons boasting record breaking ticket sales, I am delighted to share that this season is shaping up to be, yet again, the most successful in the history of the company. We could not have done this without you, our patrons, donors, trustees, and our dedicated dancers and staff. I want to thank everyone who has supported the ballet by purchasing tickets, making contributions and attending our events—you are a major part of our ongoing success.

We are extremely excited to present this premiere of The Wizard of Oz, the result of a two-year collaboration with Kansas City Ballet and Canada’s Royal Winnipeg Ballet to create a new ballet with choreography by the acclaimed choreographer Septime Webre and music by Matthew Pierce. This production also features some of the same renowned designers who brought you the acclaimed production of Alice (in wonderland) in 2016. All of Oz’s favorite characters will come out to dance down the yellow brick road—from Toto to the flying monkeys, this ballet has it all. We are extremely proud to have created a new ballet like this for Colorado audiences and play a key role in making this monumental production possible.

Our March program, Tour de Force, features dancers from Denver’s three prominent companies all sharing one stage—Colorado Ballet, Cleo Parker Robinson Dance (CPRD) and Wonderbound. Colorado Ballet Artists will perform with CPRD and Wonderbound Artists in new works choreographed by Cleo Parker Robinson and Wonderbound’s Artistic Director Garrett Ammon exclusively for this production. Also on the program, Colorado Ballet dancers will perform the revival of Amy Siewert’s Traveling Alone. A program that I envisioned and began planning several years ago, Tour de Force showcases the innovation and spirit of unity in Denver’s vibrant dance community.

The season will close with Ballet MasterWorks, presenting George Balanchine’s Serenade and a performance of Carmina Burana for the first time in nearly 20 years, with choreography by the acclaimed Fernand Nault, former Artistic Director of Colorado Ballet, along with Carl Orff’s evocative and powerful music performed live by the Colorado Ballet Orchestra and chorus. I couldn’t think of a better, more inspiring program with which to close our season.

We have been thrilled to prepare and share these new, innovative and classic productions with you. We believe in the importance of presenting a collection of full length classical ballets and works by some of the greatest choreographers this art form has to offer. Then if that wasn’t enough, we bring you some of the most exciting new contemporary dance you can find, period.

For the 2019/2020 season, we will continue to present diverse offerings to delight you, our audience. I invite you to join us for the journey.

Thank you for attending this Colorado Ballet performance. I know you will enjoy it and look forward to seeing you at the Ellie Caulkins Opera House again soon!

Gil Boggs Artistic Director 8 Colorado Ballet

2019/2020 SEASON FIVE PRODUCTIONS AT THE ELLIE CAULKINS OPERA HOUSE

DON QUIXOTE THE NUTCRACKER CONTEMPORARY COLLABORATION PETER PAN BALLET MASTERWORKS

SEASON SUBSCRIPTIONS ON SALE NOW Season Subscribers receive 25% off all performances, free ticket exchanges, priority seating and much more. › Call 303-837-8888 ext. 2 to order your season subscription today! Visit the Colorado Ballet table in the lobby for more information. › Single tickets for the 2019/2020 season will go on sale July 15, 2019.

Fernanda Oliveira by Allen Birnbach

SAVE THE DATES Fan Club on Sale: FEB �� | Public on Sale: MAR � For more Fan Club & Festival information visit VAILDANCE.ORG Herman Cornejo in Suite of Dances. Photo by Erin Baiano.

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FROM THE BOARD OF TRUSTEES On behalf of the Colorado Ballet Board of Trustees, we are happy to welcome you to our winter and spring productions, showcasing our company’s diverse talent. We are excited to bring to stage the brand-new, full-length production of The Wizard of Oz, which we created this past year in partnership with Kansas City Ballet, Royal Winnipeg Ballet and a world-renowned artistic line-up. We will also see a first-ever collaboration with remarkably talented local companies Cleo Parker Robinson Dance and Wonderbound, and the always beautiful and diverse repertoire of a Ballet MasterWorks. As Board Co-Chairs, we are so proud of the quality and variety of Colorado Ballet’s artistic product and are honored to announce that we are on track to surpass last year’s record breaking season!

In addition to presenting outstanding performances, Colorado Ballet also educates the next generation of dancers. The Raydean Acevedo Colorado Ballet Academy instructs students from toddlers to seniors and beginners to pre-professionals, offering a wide range of dance classes. Many of our Academy students have the chance to audition for roles and perform on stage with the professional Company each year. Colorado Ballet further instills the love of dance through its education and community engagement programs. These programs, which impact more than 40,000 contacts each year in more than 300 schools and organizations, provide opportunities for in-need students, teachers, families and individuals with disabilities to take classes and attend performances.

We hope you enjoy today’s performance and will consider supporting Colorado Ballet through a tax-deductible donation. Ticket sales cover only 55 percent of our annual budget, so as a 501(c)(3), non-profit organization, we depend on your generous support to continue presenting world-class ballet and innovative dance in Colorado. Donors of $1,000 or more belong to the Premier Society and enjoy unique benefits such as exclusive events and a VIP experience at the Ellie Caulkins Opera House. Please contact our Advancement Team to find out more.

Thank you for supporting Colorado Ballet!

Sincerely, Elizabeth Katkin and Duke Hartman Board Co-Chairs

COLORADO BALLET BOARD OF TRUSTEES EXECUTIVE BOARD BOARD CO-CHAIRS Duke Hartman Elizabeth Katkin

SECRETARY

JoAnne Zboyan

TREASURER AND FINANCE CO-CHAIR William J. Tryon

FINANCE CO-CHAIR Brent L. Backes

EMERITUS BOARD LIAISON Merry Logan

ADVANCEMENT CHAIR Colleen Curran

ACADEMY CO-CHAIRS Raydean Acevedo Holly Baroway

12 Colorado Ballet

BOARD GOVERNANCE CO-CHAIRS

Adrienne L. Toon, Esq. Michael E. Korenblat, Esq.

LONG-RANGE PLANNING CHAIR Greg Laugero

MARKETING AND PUBLIC RELATIONS CHAIR Susan Bailey

EDUCATION & COMMUNITY ENGAGEMENT CHAIR Joanne Posner-Mayer

COLORADO BALLET AUXILIARY PRESIDENT Alyson Graves

TRUSTEES

Lisa Levin Appel Michelle Moorman Applegate Jean Armstrong Steven J. Blazek Christina Crow Kaye Ferry Ann Frick Anne M. Hillary Gail K. Kassan Lisa Konen Mary Lou Blackledge Kortz Joe Maslowski Jane Netzorg Cleo Rauchway Barbara R. Reed, MD Cheri Rubin Denise Sanderson Suzan Schlatter Brad Sonnenberg Nancy Stevens Bernee Strom Susan Struna Frank Wiederman

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LIFETIME TRUSTEES

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Denver Ballet Guild Presents

BALLET MASTERWORKS CARMINA BURANA AND SERENADE Ellie Caulkins Opera House with live music featuring the Colorado Ballet Orchestra

April 5 - 14, 2019

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Yosvani Ramos by Allen Birnbach

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Tour de Force: A Documentary A documentary film celebrating the collaboration between Colorado Ballet, Cleo Parker Robinson Dance, and Wonderbound.

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Founders Lillian Covillo and Freidann Parker Artistic Director Gil Boggs Ballet Mistresses Sandra Brown, Lorita Travaglia, Maria Mosina Musical Director and Principal Conductor Adam Flatt Associate Conductor Catherine Sailer THE COMPANY Principals Dana Benton, Chandra Kuykendall, Domenico Luciano, Yosvani Ramos, Asuka Sasaki Soloists Morgan Buchanan, Francisco Estevez, Tracy Jones, Christophor Moulton, Kevin GaĂŤl Thomas Corps de Ballet Joshua Allenback, Ariel Breitman, Arianna Ciccarelli, Mackenzie Dessens, Alyssa Fazekas, Kevin Hale, Regan Kucera, Bryce Lee, Fernanda Oliveira, Sean Omandam, Nicolas Pelletier, Tyler Rhoads, Emily Speed, Jeremy Studinski, Sarah Tryon, Ben Winegar, Melissa Zoebisch Apprentices Simon Zinabu Costello, Tate Lee, Ariel McCarty, Leah McFadden, Francesca Martoccio, Sara VanderVoort Studio Company Catherine Aoki, Erin Arndorfer, Amber Ball, Isabelle Browne, Renee Castonguay, Julia Davies, Robbie Downey, Isabella Furrillo, Liam Hogan, Tyler Humphrey, Madeleine Kuebler, Parker Long, Olivia Michura, Catherine McGregor, Vara Shiva Reom, Gabriela Rodriguez, Benjamin Rose, Rosemary Shahani, McKenzie Thomas, Shelby Vennekotter, Kristine Marie Wiggins, Alexandra Wilson Colorado Ballet | 1075 Santa Fe Drive, Denver, CO 80204 | 303-837-8888 | COLORADOBALLET.ORG Out of courtesy to the dancers, the taking of photographs of any nature is strictly prohibited during performances.

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The Artists of Colorado Ballet are represented by The American Guild of Musical Artists, AFL-CIO; the union that represents Artists in the fields of opera, ballet, modern dance and choral presentations.

Denver Ballet Guild Presents

Ballet MasterWorks April 5 - 14, 2019 Ellie Caulkins Opera House

Serenade

Choreography by George Balanchine © The George Balanchine Trust Music by Peter Ilyich Tchaikovsky Serenade for Strings in C, Op. 48 Staged by Viki Psihoyos Original Lighting Design by Ronald Bates, recreated by Todd Elmer

Carmina Burana (1964)

Choreography by Fernand Nault Staged by André Laprise (Trustee of Fonds chorégraphique Fernand Nault) Music by Carl Orff Sets by Robert Prévost Costume design by François Barbeau Lighting Design by Todd Elmer With the permission of Fonds chorégraphique Fernand Nault With the Participation of The Evans Choir, Catherine Sailer, Director Nadya Hill, Soprano Kevin Gwinn, Tenor Steven Taylor, Baritone Matthew Peterson, Baritone (4/6, 4/13) CARMINA BURANA, or the Songs of Beuron, is based on the 13th Century manuscripts found in the Bavarian Monastery of Benediktbeuron in 1847. Its author must have been troubadours, monks and errant students. From this collection, numbering around two hundred songs, Carl Orff has chosen twenty-five. The beginning and end of the work invoke Fortune’s wheel, which controls man’s destiny; the central parts, Springtime, The Tavern and Court of Love, have love as their main theme. Described as a scenic cantata by its composer, this work was first presented at the Frankfurt Opera in 1937. Fernand Nault first created this ballet for Louisville Civic Ballet Company in 1964 then for Les Grands Ballets Canadiens in 1966. It received great acclaim during the Expo ’67 World Festival and has since been seen in Asia, Canada, Europe, South America and throughout the United States, always with great success.

Colorado Ballet Artistic Staff Gil Boggs, Artistic Director Gil Boggs began his dance career with the Atlanta Ballet. He joined American Ballet Theatre in New York in 1982 and was promoted to soloist dancer in 1984 and principal dancer in 1991. Boggs was a member of the company for 17 years. Boggs also performed with the Twyla Tharp Dance Company, Baryshnikov and Company, Nureyev and Friends, and made several guest appearances around the world. During his career with ABT, he was recognized as both an accomplished virtuoso and one of the company’s most popular performers. Boggs has worked with numerous noted choreographers, including Agnes de Mille, Sir Kenneth MacMillan, Paul Taylor, Mark Morris, Jerome Robbins and Merce Cunningham and has an extensive performance repertoire of both classical and contemporary works. Boggs accepted the position of Artistic Director with Colorado Ballet in the Spring of 2006.

In Boggs’ tenure with Colorado Ballet he has restaged full-length productions of Swan Lake, The Sleeping Beauty,

2 Ballet MasterWorks • Colorado Ballet

Giselle, Don Quixote and Coppelia along with adding new full-length productions of Romeo & Juliet, Cinderella, Le Corsaire, Beauty and the Beast and Peter Pan. Boggs has also presented 15 world premieres and 12 Colorado Ballet premieres by such renowned choreographers as Twyla Tharp, Lar Lubovitch, Antony Tudor, Val Caniparoli, Dwight Rhoden and Lynne Taylor-Corbett.

Sandra Brown, Ballet Mistress Sandra Brown joined the corps de ballet of American Ballet Theatre in 1987 under the directorship of Mikhail Baryshnikov and was promoted to soloist in 1992 where she remained until 2003. During that time, she danced not only numerous classical full length principal roles, but gained recognition for her leading contemporary roles as well. Most notably, she created and danced the world premiere role of Desdemona in Lar Lubovitch’s full-length Othello in 1997 and appears in ABT’s film productions of Romeo and Juliet, Le Corsaire, and the

Colorado Ballet Artistic Staff documentary Ballet. In 2000, Brown was featured in the movie Center Stage and appears in the film The Company. Brown also holds the honor of appearing on Broadway as the original Louise Bigelow in the Tony Award-winning 1994 revival of Carousel, directed by Nicholas Hytner and choreographed

by Sir Kenneth MacMillan at the Lincoln Center Theater. In 2003, Brown left ABT to pursue work as a freelance artist with Complexions Contemporary Ballet, Stiefel and Stars, Vladimir Malakhov, Peter Boal and Company, Chamber Dance Project, Dancers Patrelle, Ballet Hawaii and Madison Ballet. During this time, she also was asked to perform as a guest artist at the Vail International Festival, became certified to teach Pilates, taught for the ABT Summer Intensive, and choreographed the ballet Synchronicity. In 2006, she joined her husband, Gil Boggs, to work with Colorado Ballet. Since then, she has assisted staging the full-length productions of Giselle, Don Quixote, and Christopher Wheeldon’s A Midsummer Night’s Dream. Brown has also assisted with choreographing and staging of The Nutcracker, Coppélia, The Sleeping Beauty, and Swan Lake. In addition, she assisted staging Lar Lubovitch’s Smile With my Heart, Dwight Rhoden’s Ave Maria, Twyla Tharp’s In The Upper Room, Clark Tippet’s Bruch Violin Concerto No. 1, and Edwaard Liang’s Feast of the Gods.

Brown restaged her ballet, Synchronicity, for Colorado Ballet’s Studio Company. In 2007, she was asked to stage Smile with my Heart for the Joffrey Ballet. In 2013, she staged Lynne Taylor-Corbett’s Great Galloping Gottschalk at the University of South Carolina and in 2014 at NBA of Japan. In 1989 and 1990, she was chosen by Mikhail Baryshnikov to choreograph for the American Ballet Theatre Choreographic Workshop. During her tenure, she has choreographed for the Bal de Ballet, an event hosted by the Denver Ballet Guild. Her creations are From Within, Crimson Surges, Unforgettable, Grand Pas Fantastique, Heart Strings, One by One, Set Fire to the Rain, The Secret Garden, Young and Beautiful, The Charleston, Scheherazade, and Pirates of the Caribbean. In 2014, she gained critical acclaim for the ballet The Last Beat, which she created on the dancers of Colorado Ballet to the music of DeVotchKa.

Generously supported

by Pam and Duke Hartman

Lorita Travaglia, Ballet Mistress Lorita Travaglia is originally from New Zealand. She received her ballet training at the National School of Ballet and later the Royal Ballet School in London. Lorita made her debut as a professional dancer with the Berlin Ballet. After six years with the Company, she moved to the United States where she worked with Princeton Ballet, Boston Ballet, Atlanta Ballet and International Ballet Rotaru, dancing solo and principal roles in a wide range of repertoire. Her favorite roles include Odette/Odile in Swan Lake, Swanhilda in Coppelia, Cinderella, Sugarplum Fairy in The Nutcracker and Paquita.

In 1992, Lorita returned to New Zealand, but continued to perform as a guest artist with companies in the United States as well as Company Z, a contemporary dance company in New Zealand. Lorita began teaching in 1988 while still performing and studied the Vaganova methodology. She was the principal teacher for a professional training program in Auckland, New Zealand and later, as artistic director of Canyon Concert Ballet in Fort Collins, Colorado, she set up

a similar aspirant program. In 1999, Lorita joined Colorado Ballet as director of the Apprentice Program and company repetiteur, and has been ballet mistress since 2006. Her choreography includes Equanimity, Aspects, Pictures at an Exhibition, Piazzolla and, most recently, The Angel of Buenos Aires for Colorado Ballet and a full-length The Nutcracker for Canyon Concert Ballet. Lorita graduated from the Colorado School of Traditional Chinese Medicine in 2000 and has a private practice in Denver. She is an avid tango dancer and is the Creative Director of Parasol Arts.

Generously supported

by Raydean Acevedo

Maria Mosina, Ballet Mistress Maria Mosina was born in Moscow and graduated from the Bolshoi Ballet Academy in Russia. Upon graduation, Maria joined the Bolshoi Ballet Grigorovich Company and immediately was chosen for principal roles. She toured the world appearing on all major European, American, African and Asian stages. In 1995, Maria was invited by Colorado Ballet to join as a leading principal dancer. She performed all major parts in classical productions and also had the chance to show her talent in neoclassical, modern and contemporary choreographed master pieces. Maria was a featured dancer on the cover of Dance Magazine and has been featured in other magazine articles. She holds a bachelor’s degree in methodology and pedagogy from the Moscow State Academy of Choreography. She is also an active ballet instructor throughout the United States. She participated as a master teacher and judge for the Youth American Grand Prix.

Maria performed leading roles in all major productions as a member of the Company, as well as a guest artist with many other festivals, galas and companies. After 21 seasons as a principal dancer with Colorado Ballet, she retired at the end of the 2016/2017 season. She has now joined the artistic staff of the company.

Generously supported by Colleen Curran and Stephen Boane Adam Flatt, Music Director & Principal Conductor

As Music Director of Colorado Ballet Adam Flatt has conducted hundreds of performances in the Ellie Caulkins Opera House and led the Colorado Ballet Orchestra to an acclaimed period of excellence. Well known to Colorado audiences, Adam previously served for many years as Associate Conductor of the Colorado Symphony Orchestra and Music Director of the Denver Young Artists Orchestra. In addition to his work here at Colorado Ballet, Adam is Music Director of the Newport Symphony Orchestra on the Oregon coast and the Tuscaloosa Symphony Orchestra. As a guest conductor he has led performances with orchestras, opera and ballet companies all over the United States. Mr. Flatt has his bachelor’s degree in music with honors from the University of California at Berkeley, and his master’s degree in conducting from the Indiana University School of Music. Mr. Flatt and his family make

Colorado Ballet • Ballet MasterWorks 3

Colorado Ballet Artistic Staff their home in Denver. www.adamflatt.com

Generously supported by Sandy Elliott Catherine Sailer, Associate Conductor Catherine Sailer, Director of Choral Studies at the University of Denver, conducts the Lamont Chorale, the Lamont Women’s Chorus and The Evans Choir. Conducting credits include the Shanghai International Choral League and Orchestra, Atlanta Symphony Orchestra and Chorus, Northeastern Pennsylvania

Symphony, National Symphony, Santa Fe Symphony Orchestra, Musica Sacra Chamber Orchestra, National Opera of China, Cabrillo Festival of Contemporary Music, Orchestra of St. Luke’s, Central City Opera, Dale Warland Singers, Kansas City Chorale, Chicago Symphony Chorus, Madrigal Vocale, Aspen Music Festival, Bravo! Vail Valley Festival, Milwaukee Symphony Chorus and Oregon Bach Festival.

She regularly conducts festival performances at Carnegie Hall, and other festivals in Rome, Vienna and Shanghai, and is an active guest conductor and clinician. Sailer was the winner of Chorus America’s Robert Shaw Conducting Fellowship and won First Place in the American Prize for Choral Performance.

Dancers PRINCIPALS

Dana Benton Dana Benton was born in Hamilton, Ontario, Canada, where she began her training with Lou and Pauline Zamprogna at The Dance Centre. At the age of nine, she was accepted to the National Ballet School in Toronto where she trained for eight years. She went on exchange to Hamburg Ballet School in Hamburg, Germany. Dana graduated from the National Ballet School with Honors in Academics and received the Peter Dwyer Award for Excellence in Dance. Upon graduating in 2000, Dana received a contract with the Alberta Ballet Company in Canada. She spent one year with the company as an Apprentice. In 2001, she joined Colorado Ballet as a Corps de Ballet member. In 2007, she was promoted to Soloist and in 2014, was promoted to Principal.

With Colorado Ballet, Dana has worked with many well-known choreographers and repetiteurs including Val Caniparoli, Bronwen Curry, Matthew Dibble, Karina Elver, Judith Fugate, John Gardner, Thierry Michel, Darrell Grand Moultrie, Jessica Lang, Edwaard Liang, Donald Mahler, Amanda McKerrow, Luiz Ortiz, Janie Parker, Michael Pink, Viki Psihoyos, Brian Reeder, Domy Reiter-Soffer, Dwight Rhoden, Roman Rykine, Amy Seiwert, James Sofranko, Ben Stevenson, Paul Sutherland, Lynn Taylor-Corbett, Doug Varone, Dominic Walsh, Shelly Washington, Septime Webre, Christopher Wheeldon, Lila York, and Stefan Zeromski. Since joining Colorado Ballet, she has performed many soloist and principal roles. Her notable roles include The Sylph in La Sylphide, Alice in ALICE (in Wonderland), Belle in Beauty and the Beast, Swanilda in Coppélia, 4th pas de deux in Jiří Kylián’s Petite Mort, Waltz Girl in Balanchine’s Serenade, Cow Girl in Rodeo, Ave Maria Pas de Deux, Sugar Plum and Clara in The Nutcracker, Gulnara in Le Corsaire, Tinker Bell in Peter Pan, Pink and Aqua in Bruch Violin Concerto No. 1, Red Girl in Celts, Lucy in Dracula, Princess Florine and Diamond Fairy in The Sleeping Beauty, Odette/Odile and Pas de Trois in Swan Lake, Peasant Pas in Giselle, Flower Girl and Cupid in Don Quixote, Hermia and Peaseblossom in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Bomb Squad in In The Upper Room, Lead Souvenir Lady in the Great Galloping Gottschalk, Amy Seiwert’s Duet It’s Not a Cry, The Muse in Dominic Walsh’s Wolfgang (for Webb), The Younger Sister in Antony Tudor’s Pillar of Fire, The Angel in Lorita Travaglia’s The Angel of Buenos Aires, The

4 Ballet MasterWorks • Colorado Ballet

Blue Couple in Twyla Tharp’s Brief Fling and the featured role in Amy Seiwert’s Traveling Alone. In 2015, Pointe Magazine named Dana as one of the top 12 “Standout Performances” of the year for her performance of Traveling Alone with Amy Seiwert’s Imagery.

Generously supported by Montine Hansl & Jane and Skip Netzorg Chandra Kuykendall

Chandra Kuykendall is from Parker, Colorado and trained at the Academy of Colorado Ballet from 1988 until graduating in 1997. In 1996, she won the Denver Ballet Guild Competition and received the prestigious Florence Rustin Award. She also attended summer programs at the Bolshoi Ballet Academy in Vail under full scholarship, Kirov Academy of Ballet, San Francisco Ballet Academy and School of American Ballet. After graduating from the Academy in 1997, Chandra joined Colorado Ballet. She spent the 1998-1999 season with Leipzig Ballet in Leipzig, Germany under the direction of the brilliant choreographer Uwe Scholz. She returned to Colorado Ballet in the fall of 1999. With Colorado Ballet, Chandra has danced numerous principal roles including Princess Aurora and Lilac Fairy in The Sleeping Beauty, Odette/Odile in Swan Lake, Giselle and Myrta in Giselle, Medora in Le Corsaire, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella in Cinderella, Dryad Queen in Don Quixote, Lucy in Dracula, Titania and Helena in A Midsummer Night’s Dream, Firebird in Firebird, the principal role in Bruch Violin Concerto No. 1, the Crossover Girl in Twyla Tharp’s In The Upper Room, the Mother in Glen Tetley’s The Rite of Spring, 3rd Duet in Jiří Kylián’s Petite Mort, the Brown Girl in Celts, the Kick Girl in George Balanchine’s Rubies, principal role in Theme and Variations, 2nd Violin in Concerto Barocco, Waltz Girl in Serenade, and Gerald Arpino’s well-known pas de deux from Light Rain. Her favorite of these roles was the tragic Odette/Odile in Swan Lake. She has also been featured in Antony Tudor’s Leaves Are Fading, Stanton Welch’s Of Blessed Memory, Twyla Tharp’s Nine Sinatra Songs, Septime Webre’s Where the Wild Things Are, Edwaard Liang’s Feast of the Gods, Jodie Gates’ Embellish, Emery LeCrone’s Archetypes, Val Caniparoli’s In Pieces, Jessica Lang’s From Foreign Lands and People and De Profundis, Mathew Neenan’s The Faraway, Amy Seiwert’s Traveling Alone

Dancers and Things Left Unsaid, Carmina Burana, Great Galloping Gottschalk, Yes, Virginia, Another Piano Ballet and Martin Fredmann’s A Little Love as well as his Dreamspace shown on PBS. The August 2013 issue of 5280 Magazine featured Chandra in an article highlighting seven of Colorado’s athletes. This is her 21st season with Colorado Ballet.

Generously supported

by Joanne Posner Mayer Domenico Luciano

Domenico Luciano was born in Naples, Italy and graduated from Royal Teatro di San Carlo Ballet School in Naples in 1999. In the same year, Domenico was invited to join the Deutsche Oper am Rhein in Dusseldorf, Germany. After dancing with several companies in Europe including Europadance in France, Maggio Danza in Florence, Teatro Dell’Opera in Rome and Teatro di San Carlo in Naples, in 2004 Domenico joined Tulsa Ballet as a Demi-Soloist. In 2005, he joined Dominic Walsh Dance Theater in Houston as Principal Dancer. His repertoire includes many of the classical principal leads such as Romeo, Paris and Benvolio in both Sir Kenneth MacMillan and John Cranko’s Romeo & Juliet; Romeo and Paris in Amedeo Amodio’s Romeo & Juliet with Eleonora Abbagnato, Etoile with Paris Opera Ballet; Solor in La Bayadere, The Prince in The Nutcracker, and Albrecht in Giselle, all by Derek Dean; In the Night by Jerome Robbins; Onegin in John Cranko’s Onegin; Roland Petit’s Ma Pavlova with international ballerina Lucia Lacarra; and Don Jose with the National Ballet of China in Carmen. Domenico also excels in his contemporary repertoire, which includes George Balanchine’s La Valse; Nacho Duato’s Jardi Tancat and Without Words; and Orfeo in Carole Armitage’s Orfeo and Eurydice. With Dominic Walsh Dance Theater he performed Matz Ek’s Pas de Dans, Jirí Kylián’s Double You and 27’52’’, and the role of the White Swan in the White Swan pas de deux from Matthew Bourne’s Swan Lake, Le Spectre de la Rose, Desire in Sleeping Beauty, Tybalt in Romeo & Juliet, The Firebird with Paris Opera Ballet Étoile Marie-Agnès Gillot. As an international Principal Guest Artist, Domenico has danced in production with Tulsa Ballet, Ballet Quad Cities, Sarasota Ballet, Atlanta Ballet, Grand Rapids Ballet, National Ballet of China and The New National Theater in Tokyo. He has also been invited to various national and International Galas and Dance Festivals. In 2003, he received the Leonide Massine award in Positano, Italy as Best Male Dancer of the Year. In October 2008, the Houston Press named him “Best Dancer.” Pointe Magazine also named him as “Standouts: Our 12 favorite performances of 2009” and in 2010, he received the “Young Talent Award” in Florence, Italy at DANZAINFIERA. He joined Colorado Ballet as a Soloist in 2013 and was promoted to Principal in 2014. His roles with Colorado Ballet last season included Dracula in Dracula and Romeo in Romeo and Juliet.

Generously supported by Paul Goodspeed and Mary Poole

Yosvani Ramos Yosvani Ramos was born in Camagüey, Cuba and trained there at the National Ballet School. In 1997 he went on to dance with Jeune Ballet de France and Ballet de l’Opéra National de Paris in 1999 after winning the Gold Medal at the Paris International Ballet Competition. He has also won the silver medal at the international ballet competitions in Varna in Bulgaria, Jackson Mississippi in the USA and Nagoya in Japan. He joined English National Ballet as a Soloist in 1999 and was promoted to Senior Soloist in 2000, then Principal Dancer in 2003 after his performance as Franz in Coppélia. Yosvani danced with ENB until 2008 when he joined The Australian Ballet as a Principal Artist, where he remained until April 2013. He has danced the lead roles in all the major classical ballets including Giselle, Swan Lake, Coppélia, Romeo & Juliet, Don Quixote, Cinderella, Sleeping Beauty, The Nutcracker, The Merry Widow, Manon, La Silphíde, The Snow Queen and Peter Pan as well as the lead in Les Sylphídes, Etudes, Mazurka in Suite en Blanc, principal man in Balanchine’s Stars & Stripes, Square Dance, Who Cares?, Ballet Imperial and ballets by Alexei Ratmanski, Nacho Duato, Kenneth MacMillan and many others. He has also guested all around the world. In September 2013, Yosvani danced at the XVIII International Ballet Festival in Miami, then spent several months guesting with companies in Europe and the USA. He joined the Cincinnati Ballet as Principal dancer in July 2014. Yosvani joined Colorado Ballet at the beginning of the 2015-2016 season as Principal dancer.

Since joining Colorado Ballet Yosvani has danced the roles of James in La Sylphíde, the Nutcracker Prince and the Sugar Plum Cavalier in The Nutcracker, the Dodo Bird, the Joker, the Mad Hatter and Lewis Carroll in Septime Webre’s ALICE (in wonderland), Prince Siegfried and Benno in Swan Lake, Jonathan Harker in Michael Pink’s Dracula, Romeo in Derek Deane’s Romeo & Juliet and principal Blue Couple in Twyla Tharp’s Brief Fling.

Generously supported

by Katherine and Michael Whitcomb Asuka Sasaki

Asuka Sasaki was born in Nagano, Japan. She trained at the Beijing Dance Academy in China and Emiko Kojima Ballet School, Yo Ballet Academy in Japan. After Beijing Dance Academy she joined Canada’s Royal Winnipeg Ballet as an Aspirant 2002. She started dancing with Colorado Ballet in 2005 as a member of the corps de Ballet, in 2010 she was promoted to Soloist.

In 2017 Asuka was promoted to Principal Dancer. She has performed Yuri Possokhov’s Firebird, Jiří Kylián’s Petite Mort, Little Mermaid in Lynn Taylor-Corbett’s The Little Mermaid, Juliet in Derek Deane’s Romeo and Juliet, Mina in Michael Pink’s Dracula, Blue Principal in Twyla Tharp’s Brief Fling, Hagar in Antony Tudor’s Pillar of Fire, George Balanchine’s Concerto Barocco, Theme and Variations soloist, Serenade Russian girl, Clara, Sugar Plum and Dew Drop in The Nutcracker, Mercedes and Flower Girl in Don Quixote, Gulnara in Le Corsaire, Pas de Trois in Swan Lake, Myrta and Peasant Pas de Deux in Giselle, Blue Bird, Diamond in The Sleeping Beauty, Autumn Fairy and Fairy Godmother in

Colorado Ballet • Ballet MasterWorks 5

Dancers Cinderella, Red and Pink Couple in Bruch Violin Concerto No. 1, Helena in A Midsummer Night’s Dream, Alice in Wonderland’s Eaglet. With Colorado Ballet, she has worked with accomplished choreographers such as Val Caniparoli, Derek Deane, Eldar Aliev, Michael Pink, Ben Stevenson, Lynn Taylor-Corbett, Martin Fredmann, Lila York, Jessica Lang, Dwight Rhoden, Edwaard Liang and Amy Seiwert.

Generously supported by Debby Herz SOLOISTS

Morgan Buchanan Morgan Buchanan is from Houston, Texas. She trained at the Ballet Center of Houston under the direction of Victoria Vittum and Gilbert Rome.

Morgan also trained at Houston Ballet’s Ben Stevenson Academy for two years, under Sally Rojas and Sabrina Lenzi, where she earned the highest final evaluation variation score in her class. Before joining the Colorado Ballet Studio Company in 2009, she attended summer programs with American Ballet Theatre, Orlando Ballet and Houston Ballet. She joined the Company in 2011 and was promoted to Soloist in 2016. Her notable roles with Colorado Ballet include Wendy in Michael Pink’s Peter Pan, Vitality Fairy and Lilac Fairy in The Sleeping Beauty, Moyna in Giselle, Autumn Fairy and Fairy Godmother in Ben Stevenson’s Cinderella, Sugar Plum Fairy and Dew Drop in The Nutcracker, First Passerby in Jerome Robbins’ Fancy Free, Effie in La Sylphide, Sonja in The Little Mermaid, Red in Clark Tippet’s Bruch Violin Concerto No. 1, The Princess in Yuri Possokhov’s Firebird, the fifth pas de deux in Jiří Kylián’s Petit Mort, Pas de Trois and Big Swans in Swan Lake, Lucy in Michael Pink’s Dracula, and Hagar in Anthony Tudor’s Pillar of Fire.

Generously supported

by Lynnette Morrison Francisco Estevez

Born in Quito, Ecuador, Francisco moved to the USA in 1995. He began his ballet training in Louisville, Kentucky and at the age of 16, was invited to finish his professional training at the School of American Ballet in New York where he also had the opportunity to perform featured roles with the New York City Ballet. Upon graduating in 2008, Francisco joined Boston Ballet where he danced for two years before joining the Barcelona Ballet under the direction of Angel Corella in 2010. As a member of this company, he performed various soloist and principal roles and took part in the “Feria del Libro” in Guadalajara, Mexico, the Spoleto Festival in both Italy and Charleston, North Carolina and the Peralada festival, Catalonia. In 2011, Francisco won 1st Place at the Premio Internacional de Danza Roseta Mauri. His notable roles to date include Balanchine’s Tarantella and the 1st and 2nd themes from The Four Temperaments, Jorma Elo’s Carmen Illusions, Principal in Jerome Robbin’s 2 & 3 Part Inventions and the 1st and 3rd Sailor in Robbins’ Fancy Free, Peter Martin’s Les Gentil Hommes, Christopher

6 Ballet MasterWorks • Colorado Ballet

Wheeldon’s For Four, DGV, Polyphonia and VIII, Pink, Red and Aqua Couples in Clark Tippet’s Bruch Violin Concerto No. 1, Twyla Tharp’s In the Upper Room, Stanton Welch’s Clear, Franz in Coppelia, Benno and Neopolitan in Swan Lake, the Peasant pas de deux from Giselle, the pas de six from Napoli, the Nutcracker Prince and Sugarplum Cavalier in The Nutcracker, Jester in Ben Stevenson’s Cinderella, Lysander in Wheeldon’s A Midsummer Night’s Dream, Renfield and Harker in Michael Pink’s Dracula, James in La Sylphide, White Rabbit, Dodo Bird and Joker in Septime Webre’s ALICE (in wonderland), Amy Seiwert’s It’s Not a Cry Pas de Deux, Prince Christian in Lynne Taylor-Corbett’s The Little Mermaid, Waltz Boy in George Balanchine’s Serenade, and Jiří Kylián’s Petite Mort, Tybalt and Mercutio in Derek Deane’s Romeo and Juliet and the blue couple in Twyla Tharp’s A Brief Fling among others. Francisco joined Colorado Ballet during the 2012-2013 season and was promoted to Soloist in 2015.

Generously supported

by Janis Brewster Tracy Jones-Estevez

Born in Cork, Ireland, Tracy started dancing at the age of five with Ballet Theatre Ireland. At 11, she went on to train at The Royal Ballet School in London. In 2006, Tracy placed 3rd at the Ursula Moreton Choreographic Competition and was a finalist of the Young British Dancer of the Year. During her graduate year, she performed with the Royal Ballet Company in various ballets and joined them on their 2007 International tour to Mexico and the USA. Upon graduating, Tracy joined the English National Ballet as a Corps de Ballet member where she performed throughout the UK and toured to Beijing, China. Tracy was a member of the Barcelona Ballet under the direction of Angel Corella from 2008 to 2012, where she toured worldwide, and performed various soloist and principal roles. In 2013,Tracy joined Colorado Ballet and in June of that year, Pointe Magazine named her as one of 10 “Stars in the Corps.” She was promoted to Soloist in 2017. Her notable roles with Colorado Ballet include Zulma, and Giselle’s friend in Giselle, Arabian in The Nutcracker, Summer Fairy in Ben Stevenson’s Cinderella, Principal couple in Sandra Brown’s The Last Beat, Hermia and Scherzo Fairy in Christopher Wheeldon’s A Midsummer Night’s Dream, George Balanchine’s Concerto Barocco, The Pas de Deux and 3rd Girl in Jerome Robbins’ Fancy Free, Effie and Lead Sylph in La Sylphide, Caterpillar in Septime Webre’s ALICE (in wonderland), The Muse in Dominic Walsh’s Wolfgang (for Webb), Gerald Arpino’s Light Rain Pas de Deux, Pas de Trois and Big Swans in Swan Lake, The Sea Witch in Lynne Taylor-Corbett’s The Little Mermaid, The Dark Angel in George Balanchine’s Serenade, and the 5th Pas de Deux in Jiří Kylián’s Petite Mort. This is Tracy’s 7th season with the company.

Generously supported in loving memory of Jim Brewster

Dancers Christophor Moulton

CORPS DE BALLET

Christophor Moulton was born in Colorado Springs, Colorado and began his training with Rozanne David at the Dance Center of Colorado Springs and continued his training in Colorado with German Zemuel. He graduated from the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. During his years at Harid, Christophor performed numerous roles including Siegfried in Swan Lake and the lead in Balanchine’s Allegro Brillante. He also studied for a year at the Jacquelyn Kennedy Onassis School under Franco Devita. In 2007, he received the Rudolph Nureyev Education Fellowship. Christophor joined Colorado Ballet’s Studio Company in 2009, was promoted into the Company in 2010, and was promoted to Soloist in 2017. During his time at Colorado Ballet, he has worked with esteemed choreographers, Val Caniparoli, Amy Seiwert, Edwaard Liang, Ben Stevenson, Stephen Mills, and Michael Pink. He has performed the roles of Lovers in Christopher Wheeldon’s A Midsummer Night’s Dream, Step Sister in Ben Stevenson’s Cinderella, Dracula and Arthur in Michael Pink’s Dracula, Hilarion in Giselle, Cavalier in The Nutcracker, Red in Bruch Violin Concerto No. 1, the Prince in Firebird, Friend in Antony Tudor’s Pillar of Fire.

Joshua Allenback

Generously supported

by Peggy Goldman Kevin Gaël Thomas

Kevin Gaël Thomas is from Cannes, France and studied at Rosella Hightower’s International Ballet Center and at Canada’s National Ballet School, where he received a full scholarship and graduated in 2006, with honors. Kevin also graduated with honors from the Music Conservatory in France for piano. He danced for a year with Houston Ballet II, then joined Colorado Ballet in 2007. Since joining the Company he has performed many soloist and leading roles including Blue Bird and Jewels in The Sleeping Beauty, the Whip Boy in Glen Tetley’s The Rite of Spring, Jester in Ben Stevenson’s Cinderella, Peter in Michael Pink’s Peter Pan, Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, the title role in Michael Smuin’s Peter and the Wolf, the first sailor in Jerome Robbins’ Fancy Free, the Nutcracker Prince in The Nutcracker, Gurn in La Sylphide, Benno in Swan Lake, Kaschei in Firebird, Pink in Bruch Violin Concerto No. 1, 1st Pas de Deux in Jiří Kylián’s Petite Mort, Mercutio in Romeo and Juliet and Red Couple in Twyla Tharp’s Brief Fling. Kevin was chosen to represent France at the New York International Ballet Competition in 2009 and at the USA Jackson International Ballet Competition in 2010. He was promoted to Soloist in 2016.

Generously supported by Elizabeth Katkin-Waryn and Richard Waryn

Josh Allenback, a native of Colorado, has been dancing since he was four years old. He has studied on scholarship with American Ballet Theatre, The Rock School and Joffrey Ballet. He was a member of Houston Ballet II as well as Ballet San Antonio.

Josh has performed many principal roles including Firebird’s Katchi, Giselle’s Prince Albrecht, Cavalier and Snow King in The Nutcracker and Prince Florimund in The Sleeping Beauty.

He joined Colorado Ballet’s Studio Company in 2013 and was promoted into the Company in 2014. With Colorado Ballet, he has performed in Swan Lake, George Balanchine’s Serenade, Jiří Kylián’s Petite Mort, Yuri Possokhov’s Firebird and more.

Generously supported

by Rita and Brad Sonnenberg Ariel Breitman

Ariel Breitman is from Huntingdon Valley, Pennsylvania and began his dance training at the age of eight with the Boys Scholarship Program of Metropolitan Ballet Academy, directed by Lisa Collins. At 16, Ariel moved to New York City to train with Edward Ellison, director of Ellison Ballet-Professional Training Program.

While in New York, Ariel performed roles including Jerome from Flames of Paris, Basilio’s Variation from Don Quixote, the Poet’s Variation from Chopiniana, James’ Variation from La Sylphide and Cavalier from The Nutcracker. In 2012 and 2013, Ariel earned three gold medals from the Youth America Grand Prix competition and one silver medal in 2013 from the Tanzolymp International Ballet Competition in Berlin. After graduating from Ellison Ballet, Ariel joined The Washington Ballet Studio Company for one season, performing roles such as Liza in George Balanchine’s Who Cares? and John Darling in Septime Webre’s Peter Pan. His repertory also includes the Grand Pas de Deux from La Esmeralda, Flames of Paris, and The Nutcracker, as well as the Diana and Acteon Pas de Deux from La Esmeralda, the Pas de Trois from Swan Lake, the Pas de Quatre from Raymonda, and the Grand Pas de Deux from Le Corsaire.

Ariel was invited to compete in the 2014 USA International Ballet Competition in Jackson, Mississippi, where he performed with his partner in the final round and galas.

Since joining Colorado Ballet in 2014, Ariel has danced roles such as Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, The Bulldog Sailor in Jerome Robbins’ Fancy Free, Joker in Septime Webre’s ALICE (in wonderland) and Nutcracker Prince in Colorado Ballet’s The Nutcracker.

Generously supported

by Phil Livingston

Colorado Ballet • Ballet MasterWorks 7

Dancers Arianna Ciccarelli Arianna Ciccarelli is from Bristol, CT. She began dancing ballet at age 12 and studied in the pre-professional resident program at The Nutmeg Conservatory for The Arts, studying under Eleanor D’Antuano, Sharon Dante, Kirk Peterson and Victoria Mazzerelli. She also spent her summers training at The School of American Ballet, English National Ballet, Joffrey Ballet and Washington Ballet. Arianna was a member of the Colorado Ballet Studio Company in the 2013-2014 season. Before joining Colorado Ballet in 2016, she spent two years dancing with Ballet Arizona. Since joining the Company, she has performed the role of Little Mermaid in Lynne Taylor Corbett’s The Little Mermaid, Cygnets in Swan Lake, Clara, Crystals, Spanish, Doll and Marzipan in The Nutcracker, and in Bruch Violin Concerto No. 1. She has also choreographed two ballets for Company dancers to perform in Colorado Ballet’s Attitude on Santa Fe performances.

Generously supported by Ann Frick Mackenzie Dessens

Mackenzie Dessens is from New Orleans, Louisiana where she began her training at Giacobbe Academy of Dance and privately with Kimberly Beck. She attended summer programs in New York with the School of American Ballet and American Ballet Theatre.

Mackenzie continued her training at Houston Ballet’s Ben Stevenson Academy and upon completion, joined Cincinnati Ballet’s second company. With Cincinnati Ballet, Dessens’ repertoire included Peter Pan, 7th Symphony, The Nutcracker, Alice, Symphony in C and the world premiere of King Arthur’s Camelot, in which she performed as the Lady of the Lake. She joined Colorado Ballet in 2015. Since joining Colorado Ballet, her notable repertoire has grown to include Clara in The Nutcracker, the Pas de Trois from Dominic Walsh’s Wolfgang (for Webb), Little Russians in George Balanchine’s Serenade, Jiří Kylián’s Petite Mort and Cygnets and Pas de Trois in Swan Lake.

Generously supported

by Frank Wiederman Alyssa Fazekas

Alyssa Fazekas is from Orlando, Florida where she began her training at age 14 under the direction of Vladimir Bykov and Vasilie Petritiu. In 2010, she joined Orlando Ballet School and in 2012, joined Orlando Ballet II. During her time in Orlando, she performed principal roles with the school and was selected to perform in the corps de ballet with many of Orlando Ballet’s productions. Alyssa also participated in the Youth America Grand Prix competition, placing Top 12 in both contemporary and classical categories.

She performed in the YAGP Gala in Tampa, and then moved on to the New York City Finals. In 2012, she was a semi-finalist at Helsinki International Ballet Competition. In 2014, she joined Milwaukee Ballet II, and in 2016 joined Ballet Arizona’s Studio

8 Ballet MasterWorks • Colorado Ballet

Company. While at Ballet Arizona, she performed as Cinderella in Carlos Valcarcel’s production of Cinderella, was selected to perform with Ballet Arizona in George Balanchine’s Symphony in Three, Western Symphony and Ib Anderson’s La Bayadere, Romeo and Juliet and The Nutcracker. This is her second season with Colorado Ballet.

Generously supported by Patty Lorie Kevin Hale

Born in Warren, New Jersey but raised in England, Kevin began dancing at the age of five. At age 11, he was accepted into The Royal Ballet School where he graduated from in July 2013. Kevin has won the Kenneth McMillan Choreographic Competition twice and had one of his ballets performed at the school’s annual show at the Royal Opera House. During his graduate year, Kevin performed with The Royal Ballet in various ballets including Swan Lake, The Nutcracker, La Valse and The Sleeping Beauty. His repertoire also includes Jiří Bubeníček’s Canon in D Major, Bejart’s 7 Greek Dances and Ashley Page’s Larina Waltz. He has also been featured as a dancer on the BBC. Kevin joined Colorado Ballet in 2013.

Kevin’s notable repertoire with Colorado Ballet has included Stepsister in Ben Stevenson’s Cinderella, the Wolf in Clark Tippet’s Peter and the Wolf, In Pieces by Val Caniparoli, The Duchess in Septime Webre’s ALICE (in wonderland), Wolfgang in Dominic Walsh’s Wolfgang (for Webb), Waltz Man in George Balanchine’s Serenade, Jiří Kylián’s Petite Mort and Prince Christian in The Little Mermaid.

Generously supported by Michael Korenblat and Natalia Ballinger Regan Kucera

Regan Kucera grew up in Cary, North Carolina and started dancing at the age of four. She studied at International Ballet Academy in Cary.

She attended summer programs at ABT NY, Orlando Ballet with full scholarship and Saratoga Springs.

She has participated in competitions including Youth American Grand Prix and World Ballet Competition. In 2013, she joined Colorado Ballet’s Studio Company and was promoted into the Company in 2016. Her favorite roles with Colorado Ballet have been Cygnets in Swan Lake and Jiří Kylián’s Petite Mort.

Generously supported

by David Bayendor Bryce Lee

Bryce Lee was born in Missouri and started his professional training at 12 at Dmitri Kulev Classical Ballet Academy in Laguna Hills, California. In the summer of 2011, he attended School of American Ballet, then was asked to stay for the Winter Term program from 2011-2012. He has attended several summer courses on full scholarship including SAB, Miami City Ballet and Colorado Ballet. Bryce

Dancers has received several awards in classical and contemporary forms of dance as well as 1st place, semi-finalist at YAGP Europe, as well as two-time YAGP Finalist Qualifier. He has also guested for numerous ballet schools across the US, including performances in Vancouver. Bryce had the pleasure to perform principal roles in Paul Mejia’s Seasons and Donizetti Variations. He joined Colorado Ballet’s Studio Company in 2013 and was promoted into the Company in 2015. Since then, he has performed numerous professional works including Christopher Wheeldon’s A Midsummer Night’s Dream, Michael Pink’s Dracula, Clark Tippet’s Bruch Violin Concerto No. 1, Ben Stevenson’s Cinderella, Chinese and Russian in The Nutcracker, Tweedle Dee in Septime Webre’s ALICE (in wonderland), Swan Lake, Clark Tippet’s Bruch Violin Concerto No. 1, The Little Mermaid, George Balanchine’s Serenade, Jiří Kylián’s Petite Mort and Yuri Possokhov’s Firebird.

Generously supported

by The Patrick Keleher Family Fernanda Oliveira

Fernanda Oliveira, from Rio de Janeiro, Brazil, is in her fourth season with Colorado Ballet. Fernanda trained at the Escola Estadual de Danca Maria Olenewa in her hometown of Rio de Janeiro, Brazil and at The Washington School of Ballet in Washington, DC. Upon graduating she joined The Washington Ballet Studio Company under Septime Webre, where she had the honor to perform many classics and contemporary masterpieces at the Kennedy Center. Since joining Colorado Ballet she has performed in works by Balanchine, Anthony Tudor, Twyla Tharp and Val Caniparoli, among others. Fernanda has also presented her own choreography with the Colorado Ballet, the ballets Saudade (2017) and All Strings Attached (2018), for Colorado Ballet’s Attitude on Santa Fe program. After performing the lead in Septime Webre’s Sympathique, she received honorable mention in the DC Metro Theater Arts’ review as, “a commanding presence… she is in control, is perfectly poised, and…lets the entire audience know she was born to perform.”

Generously supported

by Jan and John Blumer Sean Omandam

Sean Omandam is from Fresno, California, where he began his training with Shirley Winters. He later went on to train on full-scholarship at the Harid Conservatory in Boca Raton, Florida, under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva. Upon his graduation in 2004, he joined Colorado Ballet’s Studio Company, and was promoted into the Company in 2005. With Colorado Ballet, Sean has performed a variety of soloist and principal roles including Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, White Rabbit in Septime Webre’s ALICE (in wonderland), Peter in Michael Smuin’s Peter and the Wolf, Champion Roper in Agnes de Mille’s Rodeo, Jester in Ben Stevenson’s Cinderella, Whip Boy in Glen Tetley’s The Rite

of Spring, Max in Septime Webre’s Where the Wild Things Are, John Darling in Michael Pink’s Peter Pan, Green Man in Lila York’s Celts and Russian in Martin Fredmann’s The Nutcracker. His repertory also includes featured roles in works by Lar Lubovitch, Val Caniparoli, Amy Seiwert, Edwaard Liang, Matthew Neenan, Jodie Gates, Dwight Rhoden, Darrell Grand Moultire and Jessica Lang, among others. In 2007, he was a competitor and gala performer at the New York International Ballet Competition. In the summer of 2013, he was featured as a contestant on the premiere season of the South Korean television show, Dancing 9. Pointe Magazine featured Sean in their 2014 October/November “Dancer Spotlight.”

Generously supported

by Cheri and Alan Rubin Nicolas Pelletier

Nicolas Pelletier was born in Quebec City, Canada. He moved to California when he was eight, where he attended the San Francisco Ballet School for 10 years. During his time at the school, he performed in ballets including John Neumeier’s Yondering and Balanchine’s Stars and Stripes.

He completed his training with Canada’s National Ballet School in 2010 and joined Alberta Ballet in 2011. During his six years with the Company, he had the opportunity to dance many principal roles including Dracula in Ben Stevenson’s Dracula and Romeo in Jean Grand-Maître’s Romeo and Juliet. Nicolas also had the pleasure of working closely with Jean Grand-Maître in the creation of many new works throughout his time at Alberta Ballet, including pas de deux and solos. Other notable ballets in his repertoire include Divertimento No. 15, Four Temperaments, Swan Lake, Giselle, Cinderella, Don Quixote, Madame Butterfly, Othello and The Nutcracker. This is his second season with Colorado Ballet.

Generously supported by Carla Dore Tyler Rhoads

Tyler Rhoads is from Midland, Texas, where he began his training with Susan Clark at Midland Festival Ballet. He later went on to train on full-scholarship at the Harid Conservatory in Boca Raton, Florida, under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva. After graduating in 2011, he attended Indiana University’s Jacobs School of Music, where he studied under acclaimed staff Violette Verdy and Michael Vernon. He had the opportunity to perform a variety of works including George Balanchine’s The Four Temperaments, August Bournonville’s Napoli and Twyla Tharp’s Sweet Fields. Upon his graduation from college, Tyler joined Colorado Ballet’s Studio Company and was promoted into the Company in 2016.

Generously supported by Naji Ghorayeb

Colorado Ballet • Ballet MasterWorks 9

Dancers Emily Speed Emily Speed grew up in Argyle, TX and graduated from Marina Almayeva School of Ballet. She has qualified and competed in Varna International Ballet Competition, Jackson IBC and YAGP Finals, as well as being a World Ballet Competition Finalist and winning First Place in the YAGP regionals. During her career, Ms. Speed has danced in companies across the country including Alabama Ballet, Boulder Ballet and Ballet Tucson performing numerous soloist and principle roles. Since joining Colorado Ballet in 2014 Ms. Speed has been given the opportunity to dance featured roles in several productions and performed in the Vail Dance Festival in 2015 and 2017. Some of her most notable performances with Colorado Ballet include Scherzo in Wheeldon’s A Midsummer’s Night Dream, Balanchine’s Concerto Barocco and Little Russians in Serenade, Cygnets and Pas de Trois in Swan Lake, Pink Couple in Mark Tippet’s Bruch Violin Concerto No. 1, Red Couple in Twayal Tharp’s Brief Fling, Little Sister in Tudor’s Pillar of Fire, Jiří Kylián’s Petite Mort, Flames of Paris Pas De Deux and Clara and Dew Drop in The Nutcracker.

Generously supported by Heather and Conor McCallin Jeremy Studinski

Jeremy Studinski was born in Colorado and began his ballet training at the age of nine at the Colorado Conservatory of Dance in Broomfield.

He then went on to join Colorado Ballet’s Studio Company in 2012 for one season where he danced Corps de Ballet roles in Sleeping Beauty, Light/The Holocaust and Humanity Project, Le Sacre du Printemps (The Rite of Spring), and Balanchine’s Theme and Variations. He then went on to join Orlando Ballet II in 2013 and was promoted to the main company in 2015 performing notable roles such as Gaston in Arcadian Broad’s Beauty and the Beast, Franz in Coppelia, and Peter in Peter and the Wolf. He rejoined Colorado Ballet as a Corps de Ballet member in 2017 and has enjoyed dancing as Quincey in Dracula, the Nutcracker Prince in the Nutcracker and Benvolio in Romeo and Juliet.

Generously supported by Barbara Clark Sarah Tryon

Sarah Tryon was born in Hanmer, Ontario, Canada and at the age of 11 was accepted to train at Canada’s National Ballet School. During her six years with NBS, Sarah was selected to partake in exchange programs with various international schools including Pacific Northwest Ballet School in Seattle, École Supérieur De Danse Rosella Hightower in Cannes France and Tanz Akademie Zurich in Switzerland. After graduating in 2010, she moved to New York City to train with world-renowned coach Edward Ellison. In 2013, Sarah joined the Sarasota Ballet as a corps de ballet member. During her

10 Ballet MasterWorks • Colorado Ballet

two seasons with the Sarasota Ballet, Sarah performed many works by major choreographers including George Balanchine, Agnes DeMille, Will Tuckett, Rudolph Nureyev, Christopher Bruce, Mikhail Fokine, Paul Taylor, Sir Antony Tudor and Sir Frederick Ashton. Highlights of Sarah’s time with the Sarasota Ballet include performing in Balanchine’s Who Cares?, Serenade, Four Temperaments, and Rubies; Ashton’s Façade, La Fille Mal Gardée, Sinfonietta, Les Patineurs, and Montones I; Christopher Bruces’ Sergeant Early’s Dream; Will Tuckett’s Lux Aterna; Agnes De Milles’ Rodeo; Antony Tudor’s Gala Performance; Mikhail Fokine’s Petrushka; Paul Taylor’s Company B; and Nureyev’s Raymonda. Since joining Colorado Ballet in 2015, Sarah has performed many corps and notable roles including Effy in Bournonville’s La Sylphide, Balanchine’s Concerto Barocco, Clara in The Nutcracker, Twin, Four Little Flamingos and Card in Septime Webre’s ALICE (in wonderland), first duet in Dominic Walsh’s Wolfgang (for Webb), Dark Angel and Russian corps in Balanchine’s Serenade, second pas de deux in Jiří Kylián’s Petite Mort, Little Princesses in Yuri Possokhov’s Firebird, Aqua in Bruch Violin Concerto No. 1, Innocence in Sir Anthony Tudor’s Pillar of Fire, Red in Twyla Tharp’s Brief Fling, second pas in Val Caniparoli’s In Pieces, Mina in Michael Pink’s Dracula and Juliet in Derek Deane’s Romeo and Juliet.

Generously supported

by Janet and John MacFarlane Benjamin Winegar

Ben Winegar is from Grand Rapids, Michigan. He began his training at the School of the Grand Rapids Ballet at the age of 11, where he was trained by Attila Mosolygo, Gaiane Akopian and Akop Akopian. During his training, he had the opportunity to perform in several ballets with the Grand Rapids Ballet Company. In 2010, Ben spent a year training at the School of American Ballet. Upon graduating, he danced one season with the Los Angeles Ballet under the direction of Thordal Christensen and Colleen Neary. Since joining Colorado Ballet’s Company in 2012, he has danced in Swan Lake, The Nutcracker, Jiří Kylián’s Petite Mort, Bruch Violin Concerto No. 1, ALICE (in wonderland), La Sylphide, Christopher Wheeldon’s A Midsummer Night’s Dream and Michael Pink’s Dracula, among others.

Generously supported

by Donna and Ted Connolly Melissa Zoebisch

Melissa grew up in Mexico and studied at the Chamber Ballet of Jalisco. She received a scholarship to attend for a year at the Kirov Academy of Ballet in Madame Sizova’s class, and returned to Mexico to graduate in 2004.

Throughout her school years, she participated in many workshops around the world including: Cuba, Canada, Austria, Spain and the United States. In 2005, Melissa joined the National Dance Company, where she performed soloist roles in her first year in Swan Lake, The Nutcracker, Sleeping Beauty and Carmen. Her other repertoire includes principal roles in Giselle, Sleeping Beauty, The Nutcracker, Pas de Deux

Dancers from Le Corsaire, original contemporary choreographies and many others. In 2010, she was a finalist at the Korea International Ballet Competition and received a Special Award KIBC. Before joining Colorado Ballet in 2014, she had been freelancing with her husband around the country.

Generously supported by Christy Honnen APPRENTICES

Simon Costello Simon Zinabu Costello was born in a small town in Ethiopia called, Mudula. Growing up, it seemed the only way Simon and his friends knew how to celebrate anything was through dancing. Of course, these celebratory dances were not ballet, but from an early age, this instilled the joy of dance in him. He left Ethiopia and in 2008, he was adopted by an American family in South Bend, Indiana. A few years later, Simon joined a local school, Southold Dance Theater and trained there for eight years. In 2015/2016 he traveled to Dresden Germany to dance with Palucca HochSchule Fur Tanz. After a year in Germany, he left to join the Colorado Ballet Academy 2016. Simon was promoted to the Company in 2018 and this is his first season as an apprentice. Simon has performed in Romeo and Juliet, Dracula and Firebird.

Generously supported by Sandi Mays Tate Lee

Tate Lee was born in Illinois and raised in Mission Viejo, California. He trained primarily with Dmitri Kulev and Jennifer Langenstein Kulev at the Dmitri Kulev Classical Ballet Academy in Laguna Hills, California.

He has received scholarships and attended numerous summer programs including American Ballet Theater, Boston Ballet School and School of American Ballet where he received the Jerome Robbins’ Award of Merit. Tate was recognized as a prize winner for classical dance by the prestigious Los Angeles Music Center Spotlight Awards and in 2016, he was selected to travel to Lausanne, Switzerland for the Prix de Lausanne. Tate began his career with Colorado Ballet during the 2017-2018 season as a member of the Studio Company. He was promoted in the spring of 2018 to Apprentice for the 2018-2019 season. This is his first season as an apprentice.

Generously supported

by Pam and Mike Copp Francesca Martoccio

Originally from Miami, Florida, Francesca Martoccio received her early ballet training at Thomas Armour Youth Ballet and at the New World School of the Arts. In May 2016, Francesca graduated from SUNY Purchase where she received her Bachelor of Fine Arts in Dance with a Ballet Concentration. She

performed several roles with Purchase Dance Company including the lead in Balanchine’s Valse Fantaisie and “Sanguinic” in Balanchine’s The Four Temperaments. In the fall of 2014, Francesca was chosen by the faculty to study abroad in Hong Kong, China at the Hong Kong Academy for Performing Arts (HKAPA). In the summer of 2016, she had the pleasure of working with John Gardner and Amanda McKerrow on a duet from Antony Tudor’s The Leaves are Fading. After graduating, Francesca joined Colorado Ballet’s Studio Company for the 2016-2017 season and was promoted into the Company in 2017.

Generously supported by Adrienne Toon Ariel McCarty Originally from Allen, TX, Ariel McCarty began dancing/ballet at the age of three. At the age of nine, she began training in Dallas at Texas Ballet Theatre under the direction of Jan Miller and Lyndette Galen. Ariel relocated to Denver to begin training with Colorado Ballet Academy’s PreProfessional program under Valerie Madonia and Erica Fischbach. While in the Academy, she had the opportunity to perform in numerous pieces and excerpts including as Swanilda in the Academy’s full production of Coppelia. As a part of her training, Ariel attended many summer intensives including TBTS, ABT, Boston Ballet, Ballet West, Colorado Ballet, School of OBT and DanceTheatre of Harlem, where her well-rounded training continued. In 2017, she was promoted to Colorado Ballet’s Studio Company. Ariel was promoted to the Company in 2018. This is her first season as an apprentice.

Generously supported by Yvette and Chris Frampton and Family Leah McFadden

Leah Rose McFadden grew up in a small town called Dowagiac, Michigan. At age 11, she began her ballet training with Southold Dance Theatre, a pre-professional school in South Bend, IN. During Leah’s six years at Southold, under the direction of Erica Fischbach, she participated in YAGP and received a number of awards. Leah also attended summer intensives at Gelsey Kirkland Academy, Grand Rapids Ballet, Miami City Ballet and Colorado Ballet. In 2015, she joined Miami City Ballet’s PreProfessional program year-round. During her time there, Leah also performed with Miami City Ballet’s company as Chinese in Balanchine’s The Nutcracker, as well as touring with the company to New York and Chicago performing in Balanchine’s Bourrée Fantasque. Leah joined Colorado Ballet’s Studio Company in 2016 and was promoted to the company for the 2018-2019 season. This is her first season as an apprentice.

Generously supported

by Douglas Richards

Colorado Ballet • Ballet MasterWorks 11

Dancers Sara VanderVoort Sara VanderVoort is originally from Bucks County, Pennsylvania. She began her ballet training at the age of 12 with Metropolitan Ballet Academy under the direction of Lisa Collins Vidnovic, Natalya Zeiger and Denise D’Angelo. While in school, she was selected by Roy Kaiser to perform in Pennsylvania Ballet’s The Nutcracker as Spanish. She also competed in YAGP and went to Regional Dance America where she won several full scholarships to

summer programs. Sara spent summers training with BalletX, Washington Ballet and Atlanta Ballet. She joined Colorado Ballet’s Studio Company in 2012. Sara then danced with Nashville Ballet under the direction of Paul Vasterling for a few seasons where she performed in several ballets, including Balanchine’s Serenade and Fairies in Peter Pan. In 2015, she returned to Colorado Ballet where she had the opportunity to perform some of her favorite ballets with the Company including Swan Corps in Swan Lake, Balanchine’s Serenade and Princesses in Possokhov’s Firebird. Sara joined the Company in 2017.

Generously supported

by Colleen Curran and Stephen Boane

Choreographers George Balanchine

Fernand Nault

George Balanchine transformed the world of ballet. He is widely regarded as the most influential choreographer of the 20th century, and he co-founded two of ballet’s most important institutions: New York City Ballet and the School of American Ballet. Balanchine was born in St. Petersburg, Russia in 1904, studied at the Imperial Ballet School in St. Petersburg, and danced with the Maryinsky Theatre Ballet Company, where he began choreographing short works. In the summer of 1924, Balanchine left the newly formed Soviet Union for Europe, where he was invited by the impresario Serge Diaghilev to join the Ballets Russes. For that company, Balanchine choreographed his first important ballets: Apollo (1928) and Prodigal Son (1929). After Ballets Russes was dissolved following Diaghilev’s death in 1929, Balanchine spent his next few years on a variety of projects in Europe and then formed his own company, Les Ballets 1933 in Paris. There he met American arts connoisseur Lincoln Kirstein, who persuaded him to come to the United States. In 1934, the pair founded the School of American Ballet, which remains in operation to this day, training students for companies around the world. Balanchine’s first ballet in the U.S., Serenade, set to music by Tchaikovsky, was created for SAB students and premiered on June 9, 1934, on the grounds of an estate in White Plains. Balanchine and Kirstein founded several short-lived ballet companies before forming Ballet Society in 1946, which was renamed New York City Ballet in 1948.

Balanchine served as the Company’s ballet master from that year until his death in 1983, building it into one of the most important performing arts institutions in the world, and a cornerstone of the cultural life of New York City. He choreographed 425 works over the course of 60-plus years, and his musical choices ranged from Tchaikovsky (one of his favorite composters) to Stravinsky (his compatriot and friend) to Gershwin (who embodied the choreographer’s love of America). Many of Balanchine’s works are considered masterpieces and are performed by ballet companies all over the world. Courtesy of New York City Ballet.

Born in Montreal, Fernand Nault first studied dance with Maurice Morenoff and then in New York, London and Paris with renowned masters. From 1944 to 1965, he was a dancer, then ballet master at The American Ballet Theatre.

From 1960 to 1964, he was also director of the company’s school in New York. In 1965, he joined Les Grands Ballets Canadiens as co-artistic director and resident choreographer. He helped the company take flight by creating astonishingly diverse works, ranging from classical to neo classical, by way of contemporary and theatrical dance. Thus he added to the repertoire works such as La Fille mal gardée, Danses concertantes, Symphony of Psalms, Liberté tempérée, La Scouine and The Seven Deadly Sins not to mention his famous The Nutcracker presented each year since 1964 and two works of resounding success and international renown: Carmina Burana and Tommy. Fernand Nault remained resident choreographer of Les Grands Ballets Canadiens while serving as choreographer and ballet master at l’École supérieure de danse du Québec. Between 1985 and 1988, at the request of Ludmilla Chiriaeff, he organized several series of performances intended to foster a taste for dance among elementary, secondary schools and CEGEP students in the Montreal region. Fernand Nault has conceived choreographies for The American Ballet Theatre, The Joffrey Ballet, The Atlanta Ballet, The Ballet Federation of the Philippines, The Delta Festival Ballet and The Washington Ballet. From 1978 to 1981 he was guest choreographer and, from 1981 to 1982, artistic director of The Colorado Ballet. Among other collaborations, Fernand Nault choreographed the dance sequences of Aïda and La Veuve joyeuse presented by L’Opéra de Montréal in 1986 and 1991. Fernand Nault has received three awards from the Canadian government, the Centennial Medal, in 1967, the Order of Canada, in 1977 and the Governor General’s awards for the performing arts, in 2000. He has been awarded the prize for choreography, in 1976, for his ballet Incohérence at the 7th International Ballet Competition in Varna, Bulgaria.

In 1984, he was honoured by the Government of Quebec with the prix Denise Pelletier, a lifetime achievement award.

In 1990, he was accepted as a Chevalier de l’Ordre national du Québec and was named Choreographer Emeritus of Les Grands Ballets Canadiens. In 2003, Fernand Nault founded the Fonds chorégraphique Ferrnand Nault, a trust with mission to insure the continuity of his choreographic heritage and to make accessible is repertoire to professional dance companies and schools.

12 Ballet MasterWorks • Colorado Ballet

Colorado Ballet Studio Company Front Row: Gabriela Rodriguez, Catherine McGregor, Catherine Aoki, Erin Arndorfer, McKenzie Thomas, Renee Castonguay Middle Row: Benjamin Rose, Isabelle Browne, Shelby Vennekotter, Julia Davies, Isabella Furrillo, Madeleine Kuebler, Robbie Downey, Parker Long Back Row: Tyler Humphrey, Kristine Wiggins, Alexandra Wilson, Rosemary Shahani, Vara Shiva Reom, Amber Ball, Liam Hogan Not pictured: Olivia Michura

Generously supported by David Andrews

Colorado Ballet Orchestra Adam Flatt, Music Director & Principal Conductor | Catherine Sailer, Associate Conductor First Violin Lydia Sviatlovskya Concertmaster Debra Holland Chris Jusell Britt Swenson Cynthia Mancinelli Takanori Sugishita Sharon Park Christine Menter

Cello Charles Lee, Principal Carole Whitney Trevor Minton Zack Reeves

Second Violin Margaret Soper Gutierrez Principal Leslie Sawyer Gyongyver Petheo Mari Karacsony Anne Paulu Natalie Hill

Flute Paul Nagem, Principal Elizabeth Sadilek Olga Shilaeva

Viola Michael Brook, Principal Lora Stevens Stephanie Mientka Aniel Cabán

Oboe Lauren Blackerby, Principal Ian Wisekal Kathryn Dupuy

Bass David Crowe, Principal Jeremy Nicholas Timothy Chen

Piccolo Elizabeth Sadilek Olga Shilaeva

English Horn Kathryn Dupuy

Clarinet Heidi Mendenhall, Principal April Johannesen Michelle Orman

Trumpet John King, Principal Derek McDonald Cami Kidwell-Dodge

Bass Clarinet April Johannesen

Trombone Jeff Craig, Principal Scott Bean

Eb Clarinet Michelle Orman Bassoon Kaori Uno-Jack, Principal Brian Jack

Bass Trombone Andy Wolfe Tuba Michael Dunn, Principal

Contra Bassoon James Harvey

Timpani Mark Foster, Principal

Piano/Celeste Sara Parkinson, Principal Brian Dukeshier

Percussion Scott Higgins, Principal Peter Cooper Carl Dixon Nena Wright Paul Mullikin

Horn Stuart Mock, Principal Devon Park Susan McCullough Steve Simpson

Colorado Ballet Orchestra members are represented by the Denver Musicians Association, Local 20-623 of the American Federation of Musicians.

The Evans Choir Catherine Sailer, Director Saprano Megan Buness Kirsten Carpenter Grace Carr Suzanne Collins Emily Costar Katie Grogan Maddy Harding Cindy Henning Stephanie Hood Danielle Kimbell Katy Lushman Maeve Nagel-Frazel Kate Paterson Dana Portnoy Sarah Roth Sarah Sherman Ana Spadoni Athena Wilkinson Valerie Yen

Alto Krista Beckman Sharon Billings Julia Dale Jennifer Ferguson Madeline Gardner Janine Gastineau Chelsea Kendall Brittany Luinstra Tamiya Michelson Katie Schmidt Kim Schultz Myranda Whitesides Donna Wickham

Tenor Trey Fitzgerald Evan Glaser Alexis Haro Quilumba Patrick Heck Ben Hensley Tanner Kelly Bryce Kennedy Will Kubie Hunter Martin Taylor Martin Blake Nawa’a Chad Rendon-Thofson Shane Ryan Jin Yi

Bass Mike Ballard Pedro Barerra Brad Becker Donald Billings Torin Blair Nixon Chica John Christensen Jonathan Clark Lee Congour Tony Domenick Jared Giammanco Justin Given Roy Kent Brady Loyd Vic Rudd

Colorado Ballet • Ballet MasterWorks 13

Supporters of Colorado Ballet As of March 18, 2019 (Includes 14 months of giving) LEADERSHIP CIRCLE $100,000+ Corporations, Foundations, and Government Agencies Avenir Foundation Bonfils-Stanton Foundation Scientific and Cultural Facilities District (SCFD) Individual Donors Liz and Bill Armstrong Raydean Acevedo Janis Brewster Joanne Posner Mayer Sally Murray OVATION CIRCLE $50,000+ Corporations, Foundations, and Government Agencies Anadarko Petroleum Colorado Ballet Auxiliary The Shubert Foundation, Inc. Individual Donors Anne and Jim Hillary FOUNDERS CIRCLE $20,000+ Corporations, Foundations, and Government Agencies Always Best Care Senior Services AMM Charitable Fund The Anschutz Foundation Arrow Electronics Denver Ballet Guild Genesse Mountain Foundation Independence Capital Holdings MDC/Richmond American Homes Foundation MidFirst Bank National Endowment for the Arts Nichols Charitable Foundation Park Meadows PNC Wealth Management Individual Donors Lisa Levin Appel Jean and Hugh Armstrong Brent Backes and Melanie Kopperud Sandy Elliott Pam and Duke Hartman Lynnette Morrison Douglas Richards Susan and Stephen Struna DIRECTOR CIRCLE $10,000+ Corporations, Foundations, and Government Agencies Accenture, LLP Anna and John J. Sie Foundation Armstrong Foundation Colorado Health Foundation Community First Foundation CSU Global DCP Midstream The Denver Foundation Hackstock Family Foundation The Harmes C. Fishback Foundation Trust The Kenneth King Foundation Mark and Bernee Strom Foundation Merle Chambers Fund Ralph and Florence Burgess Charitable Trust

Rea Charitable Trust Swalm Family Foundation Virginia W. Hill Foundation Individual Donors David L. Andrews Ellen Balaguer and Mark Chase Holly Baroway and Erik Cederlund Colleen Curran and Stephen Boane Paul E. Goodspeed and Mary Poole Nick and Anne Hackstock Sami Hartman Ms. Christine L. Honnen Michael Korenblat and Natalia Ballinger Henny and Bert Lasley Merry and Steven D. Logan Gina and Jim Lorenzen Sandi Mays Rachel and Yuval Moskovich Jane and Gordon Netzorg Dr. Barbara Reed Cheri and Alan Rubin Rita and Brad Sonnenberg Walker and Jenna Stapleton Nancy and Thomas Stevens Debbi and Bill Tryon Elizabeth Katkin-Waryn and Richard Waryn CHOREOGRAPHER CIRCLE $5,000+ Corporations, Foundations, and Government Agencies Aexco Bank of the West Cigna DCP Midstream Matching Gifts Program Denver Children’s Affairs The Glyphis Family Charitable Fund Hackstock Family Foundation IMAGINE 2020 Fund, Denver Arts & Venues James A. Dooley Foundation LDK Logistics, Inc The Margulf Foundation Read Foundation RLC Foundation, a donor-advised fund of Rose Community Foundation Richards Carrington, LLC Roubaix Capital Saunders Construction, Inc. The Sherwin-Williams Company Twelve Twenty- One Fund/ Peggy Goldman U.S. Bank Foundation Individual Donors James and Marisa Aoki Michelle Moorman-Applegate and Robert Applegate Luke and Nancy Boland Heidi Marie Burose Troy and Lauren Butler Christina Crow William and Karen Curtis JoMarie and George Dancik Kaye Ferry Ann and Ford Frick Chris and Alyson Graves Jim Harvey Helen and Matthew Hayes Debby Herz

14 Ballet MasterWorks • Colorado Ballet

Tamara and Thomas E. Jorden Melissa Koren Don and Mary Lou Blackledge Kortz Dana Krauser Sam and Luleta Maslak The Ponzio Family Stefania Pruscino Jonathan and Cleo Rauchway Denise and James Sanderson Gloria Sankel Suzan and Gary Schlatter Kari and Daryl Stewart Julie C. Van Camp Jim Berger and Julie Vernier Katherine and Michael Whitcomb Frank Wiederman BALLET MISTRESS CIRCLE $2,500+ Corporations, Foundations, and Government Agencies Benevity Community Impact Fund Davis, Graham & Stubbs Denver Post Community Foundation Fios Capital Great West Holland & Hart Hunt Companies KUH Lincoln LLC Larimer Square Merchants Mile High United Way Muon Nelson Mullins Riley & Scarborough, LLP New Health Services Northern Trust Polsinelli Reilly Pozner LLP Seven Two Partners The Schramm Foundation Stifel-Baroway Financial Group Wheeler Trigg O’Donnell Individual Donors Anonymous Austin Akers Mark Bailey Steve and Susan Bailey David Bayendor Michael Bena Jim and Kristin Bender Gil Boggs and Sandra Brown Barbara Clark Donna and Ted Connolly Mike and Pam Copp Larry Corff Cortney and Steve Crouch John Fitzgerald and Maureen Tarrant-Fitzgerald Zach and Katie Frisch Pam and Barry Gatz Naji Ghorayeb Cristy Godwin and Robert Walker Daniela Golden Susan Hamil David and Mary Mead Hammond Montine Hansl Jan and Gordon Holfelder Doug and Connie Imhoff Howard Janzen Patty Lorie David and Barb McGrath Frank and Gayle Mooney Frank and Janet Nessinger

Mark and Martha Reese David Scanavino and Ivelisse Torres Michael and Connie Schingle Sean Shaw, MD and Ausra Mollerud Dr. Carol A. Stamm Harry and Vicki Sterling Adrienne Toon John Uppendahl and Travis Railey Britt and Jason Urband PRINCIPAL CIRCLE $1,000+ Corporations, Foundations, and Government Agencies April Fund Brandon J. Scott Photography The Caulkins Family Foundation City and County of Denver Arts & Venues ConocoPhillips Fuller Family Fund GCUC Goldstar Events Humphreys Foundation IBM Employee Services Kaiser Permanente Microsoft Giving Campaign Records-Johnston Family Foundation, Inc Schwab Charitable Fund Vanguard Charitable Wittow Foundation Inc Carla Dore/ Workplace Resource Individual Donors Anonymous Cindy and Scott Baroway Mr. and Mrs. Brian Becker Sharon and Steven Birnbaum Mr. and Mrs. Louis Bissette Jan and John Blumer Ann and Jim Boon Nancy Brandwein Mr. David Bratten and Ms. Kimberly Bruetsch Joseph J. Bronesky and Jacquelin A. Medina Benjamin and Kathy Brown Richard King Brown Stephen and Kristin Brownson Ghislaine G. Torres Bruner and Marc Edward Bruner Suzanne and James Buchanan John and Jenna Burstein Bruce and Kathy Butterfield Martha and Rich Caschette John and Marty Chamberlin Scott and Alyssa Clarke Dr. and Mrs. Alan Como Wesley and Tammy Cooper Mr. and Mrs. Peter Byers Corrigan Mr. Michael Cox and Mrs. Judy Jensen Mark and Lisa Cramer Carolyn E. Daniels Joseph M. Demmler Dr. Pete and Lindsey Deol Cara and Scott Dessens Wendy and Marcus Divita Erin and Matthew Dollarhide Lynn Bolinske Dolven The Estate of Doryann Duncan Sean and Monica Doyle The Duke Family

Supporters of Colorado Ballet Mike Eberhard Patricia and Christopher Elliott Mr. James Englert and Ms. Ericka Englert Cindy and Steve Farber Mr. Joe Lynott and Ms. Stacey Farnum Ian and Deanna Farrell Mr. and Mrs. Adam Farver Andrew and Christine Fedorowicz Curtis and Agatha Fentress Dr. Norman Friedman and Ms. Stephanie Feuer Dr. Ladan Foose Yvette and Chris Frampton Andi and John Freyer Jr. Michelle Marsh Garcia Melissa and Mark Garland Amanda and Steve Gash Marla and Richard Gentry Richard and Julia Parrino George Mr. and Mrs. Mark Giordano Ryan Godsil and Michelle Kent Laura Goodman Charles Grant Brian and Brooke Griese Dr. Frederick and Mrs. Carol Grover Rick and Rachel Grynberg Julie Gunlikson Sally Haas Mr. Colin Haggerty and Mrs. Melanie Haggerty Bryan and Pamela Hall Dr. Megan Harbaugh and Mr. Jerad Harbaugh Noel and Terry Hefty Linda and Steve Heiss Christopher and Lauren Hillary Mr. and Mrs. Curt Hockemeier Meralee and Michael Hoffelt Joy and James Hoffman Michael Hommel Mary Anna and Sonny Hutchison Dr. Christopher Lace and Dr. Norah Janosy Michael Cox and Mrs. Judy Jensen James and Shannon Johnson Molly and John Jourde Sangwook and Amber Ju Dr. Stuart and Mrs. Gail Kassan The Patrick Keleher Family Debra Pain Mr. and Mrs. Michael Kennedy Diana and Michael Kinsey Richard Koseff Kozlowski Family Fund Greg Laugero Phil Livingston Mr. Long and Ms. Acton Geoffrey and Martha Lord John and Janet MacFarlane Elspeth MacHattie Joe Maslowski and Lona Christiansen Heather and Conor McCallin Janalee and Morris McDonald Dr. James and Ms. Pat McElhinney Ryan and Emily McGee Michael and Nancy McKeever Margaret R. Jurado and V.W. McKnab Kris and Jay McMullan Carol McMurry and Patrick Spieles Josh and Ali Metzl Mr. Craig Mielke and Dr. Angie Mielke

Mr. Greg Miller and Mrs. Jennifer Havercroft- Miller Dee and Gene Milstein Scott and Kristen Miner Mr. and Mrs. Zachary Mugge Marc and Regina Musyl Aaron and Hillary Nack Drs. Harold and Sarah Nelson Larry and Ruth Nisbet Mark and Keira Norman Bill and Debra Pain Eric Liu and Eunice Park Susan and Dan Paulien Sue Pawlik Bonnie Perkins Daniel and Pamela Piro Bill Plummer J. Adair and Kellie Prall Dr. Akiva Rabinowitz Sue and Walt Rakowich Dave and Carole Ramsay Gregory and Rowena Reyes Ann Corrigan and Kent Rice William and Debora Ridenour Jeff and Emily Rissmiller Suzanne and Jack Robinson Dennis Rodgers and Robert Gomez Carol Rollin Daniel and Kelly Rosenberg Barbara and James Ruh Paul Ruotolo Daryl A. Russell Kathryn and Tim Ryan Ron and Julie Sachs Atousa and Ava Safavi Ruth Schoening Anjali and Tim Schulte Brian and Kim Schwartz Arthur L. Seiden Adam Sexton and Silvia Comuzzi Eileen Sharkey and James Darling Megan Shoflick Steve and Myra Skinner Ben and April Slater Frank Slejko Geoff and Lauren Smart Craig and Amy Smith Kris and Haven Smith Lisa and Bill Snider Mr. and Mrs. Robert C. Stettner Sophie and Gary Steuer Bill and Mary Stow Angela Strange Sean and Melanie Tafaro Janet and James Tobin Steve and Wendy Topalian Jeff and Tiffany Tuell Steven Veluscek Arthur and George Ann Victor Mr. and Mrs. Michael Wakeman Chris and Kelly Wheeler Mr. and Mrs. Graham B. Williams Linda and Eugene Young Tricia and Patrick Youssi Craig Zeller Dr. and Mrs. Rick Zimmerman SOLOIST CIRCLE $500+ Corporations, Foundations, and Government Agencies CoBANK Frederick Fish Foundation Gilman Family Foundation UBM Americas Whiting Oil & Gas

Individual Donors Anonymous Mary Amend Guy and Liz Arnold Justin Bank Renate and Horst Bergmann Tom and Penny Bradbury Elizabeth Bradley Blake Brown and Diego Chimendes Karen Bruggenthies Kiel Butterfield and Jason Malin Toni Cohig Johnathan and Aimee Coleman Timothy and Jane Davis Christin Crampton Day Margaret Dzwilewski Brian and Erin Egan Margaret and Steve Fabos Grant Fritz Fran and Craig Gander Rebecca Givens Phil and Andrea Gordon Peter Griffiths Elizabeth Grinevics Antoinette Macaluso and Donald Hagengruber Dr. Wendell and Mrs. Charlotte Hatfield Orville and Debra Hinerman Arlene and Barry Hirschfeld Brent Holliday Tim and Jean Hudner George and Janie Hutchinson Jeffrey and Sandi Johnson Davie and Lori Kraatz Walt Kellogg Gary Landis Sandra Levine Michael and Kimberly Manning Steve and Kathy McConahey Laura McCormick and Cong Lu MaryKate and Timothy McCutcheon Tom and Anne McGonagle Kevin McLane and Michael Ragsdale Heather Olsen Jimmy and Kingsley Parsley Cason Pierce Cathy Richards Michael and Laura Richards Tony Ryerson and Madeline Ford Richard Sanders, M.D. Cari and Mark Spiecker Susan Stiff John and Julie Strain Lori Szymanski Doug Tisdale Klasina Vanderwerf Eric Weisenstein Paul and Lorraine Weissman Dr. Elaine Weng and Mr. Thomas Malley Christopher Whiteley Adam Woloshuk Adam and Adrine Writer Linda and Jimmy Yip Dr. Raymond and Mrs. Bernice Yost ARTIST CIRCLE $250+ Corporations, Foundations, and Government Agencies Children’s Museum of Denver Colorado Combined Campaign

Halvorson-Freese 21st Century Fund Heidi and Randy Keogh Fund Individual Donors Anonymous Mimi Affeld Dr. Frank and Mrs. Celia Anderson Janice Baucum Andrea Beesley Kisha Blanton Elise Bowne Chad and Megan Braun Michael Breed and Cheryl Ristig Liz Buckley Carol and Alan Caniglia The Castonguay Family Elizabeth Coolman James and Karen Crossman Kaitlin Davis Mary and Carlos De la Rosa Christie and Joe Del Ciotto Luella and Terry DeAngelo Gabriel Dibildox Adam Diskin Marisa Echaniz and Brian Day James Eckhart Julia Eisenberg Joan and John Feek Jason and Rachel Finehout Erica Fischbach and Mark Hutchins Stephanie and John Flanigan Hadley Ford Ahad Ghadimi Eric Goltz Jenna Grange Eileen and Dennis Griffin Roger and Anna Haak Carol Hague Pamela Louise Hall Marcia Hannum Janet Hehn Nancy Hemming Diane D. Henry Corey and Allison Hicks Don and Maren Hindman Sarah Hogan Andrew Hornbrook Amanda Horvath Tracy Jones and Francisco Estevez Mark and Terri Jones Margaret Torrans Kaluk Phillip and Deborah Kelly Dr. and Mrs. Richard Kem MD Chris Klein Dana Kopper Joshua Koubek Adrienne Kovac Meg Lafave Marilyn and Jeffrey Litman Brandon Lloyd Erin Madar Michael Mallett Margaretha Maloney and Robert Palaich Julie Plowshay Stuart and Jan McClaren Christopher Merrell Pam Metzger William Meyerchak Dr. Jeffrey and Mrs. Peggy Morse James Murphy Dr. Gregory Wilson Myers and Mr. Jeff Kenney Mark Najarian Ron and Judie Neel

Colorado Ballet • Ballet MasterWorks 15

Supporters of Colorado Ballet Kirstin Neff Michael Newman Judi and Robert Newman Frank O’Cana Matt Owens Janet Pasterkamp Diana Poole Cyndy and Don Redifer Charlotte Revol Nancy and Gene Richards Sarah Rickenbacker Carolyn and John Riedlin Alex and Amy Ritchie Arianna Roberts Kathleen Roberts Lawrence Robins Thomas and Mary Rogers Paula and David Roney Jane Rugg Kelsey and Stephen Sahli Andrea and Timothy Sayles Gwendolyn and Richard Scalpello Vicki Clark-Schneider Steven and Tracy Shapiro Sarah Sicotte Vanessa Silva Christina Smith Cheryl Solich and John Kure Al and Karen Spies Ann Stailey Elena and Steven Stophel Lisa Strachan Arthur and Stephanie Strasburger Erin and Edmund Tatar Michelle and Fred Terry Paul Tourangeau Aubrey Tramontina David and Pam Trigg Gail VanderVoort Steve Van Hooser Kim and Max Watchel Tiffany Walker Michael and Diane Watson Ginger White Brunetti Lois Williams Joyce and James Wilson John Wilson Sandra and Michael Wilson Kristina Yamada Betty Yamashita JoAnne Zboyan Kathy and Jon Zeschin Kevin and Whitney Zimmerman

Colleen Curran and Stephen Boane Sandy Elliott Mary Anna and Sonny Hutchison

Colorado Ballet Endowment at the Rose Community Foundation AMM Charitable Fund Holly Baroway and Erik Cederlund Barbara Clark Colleen Curran and Stephen Boane Pam and Duke Hartman The Hearst Foundation Elizabeth Katkin Waryn and Richard Waryn Joanne Posner Meyer Rose Community Foundation Suzan and Gary Schlatter Lisa and Bill Snider Rita and Brad Sonnenberg Nancy and Thomas Stevens

Adam Sexton Thomas and Mary Rogers

Artistic Director’s Fund Founded by Colleen Curran and Stephen Boane Bonfils-Stanton Foundation William and Karen Curtis

The Freidann and Lillian Legacy Society AMM Charitable Fund Barbara Clark The Estate of Doryann Duncan Susan T. Hodge Joanne Posner-Mayer Cheri and Alan Rubin Bill and Lisa Snider Susan Stiff Susan and Stephen Struna GIFTS IN HONOR OF Raydean Acevedo and Walt Jenkins Toni Cohig Jo Marie and George Dancik Mark and Bernee Strom Foundation Gil Boggs Raydean Acevedo Lisa and Bill Snider Molly Epstein Gloria Sankel Adam Flatt Eileen Griffin James and Anne Hillary Eric Black Daniel Caplis Arlene and Barry Hirschfeld Kevin and Whitney Zimmerman Walt Kellogg Don and Mary Lou Blackledge Kortz Arthur L. Seiden Heather Prokhnitski Rowena Reyes Yosvani Ramos Raydean Acevedo Kira Roberts Kathleen Roberts

Lorita Travaglia Lisa and Bill Snider Sharon Wehner Raydean Acevedo Lisa and Bill Snider GIFTS IN MEMORY OF Meg Fonda Mrs. Barb Fonda Mark Hough Lisa and Bill Snider John Patrick Kelley, Jr and Marjorie Dinsmore Russell Kelley Larry Corff

16 Ballet MasterWorks • Colorado Ballet

Nancy Otto Jo Marie and George Dancik GIFTS IN KIND $5,000+ Liz and Bill Armstrong The Artisan Shop Antoine Attier and Khalil Nasser Boland Lord Design Cableland Colorado Ballet Auxiliary Designs by Sundown High Noon Entertainment Imhoff Fine Residential Painting John Atencio Kevin Taylor’s at the Opera House Le Meridien Hotels/White Lodging Group Rachel and Yuval Moskovich Northern Trust Bank Pura Vida Shapiro Chiropractic Susan and Stephen Struna The Westin Denver Downtown $2,500+ Bubbles Liquor World Chiara and Brent Kline Luxe Interiors+Design Scream Agency $1,000+ The Broadmoor The Brown Palace Central City Opera Closet Factory Colorado Style Home Furnishings Denver Center for the Performing Arts Galleria of Stone KeyBank Michael Korenblat and Natalia Ballinger Specialty Appliance Waterworks $500+ Aztec Rugs Denver Arts & Venues | City and County of Denver Haven and Kris Smith Jessica Rose Couture Moros Fabricator The Sherwin-Williams Company Urban Lights CUMULATIVE LIFETIME GIVING $1,000,000+ Raydean Acevedo The Armstrong Foundation Liz and Bill Armstrong Colorado Ballet Auxiliary Boettcher Foundation Bonfils-Stanton Foundation Pam and Duke Hartman Anne and Jim Hillary Scientific and Cultural Facilities District $500,000+ The Anschutz Foundation Sandy Elliott The Gates Family Foundation Joanne Posner Mayer Jeanne and Dick Saunders The Shubert Foundation, Inc

$250,000+ Avenir Foundation Janis and Jim Brewster Chambers Family Fund Ellen Balaguer and Mark Chase Holly Baroway and Erik Cederlund Merle Chambers and Hugh Grant Denver Ballet Guild Denver Foundation KeyBank OppenheimerFunds, Inc. $100,000+ Accenture, LLP Anadarko Petroleum Anna & John J. Sie Foundation Lisa Levin Appel Jean and Hugh Armstrong Brent and Melanie Kopperud Backes Colorado Creative Industries Colleen Curran and Stephen Boane Denver Newspaper Agency Gay and Lesbian Fund HealthONE The Hearst Foundation, Inc. High Noon Entertainment The Joseph & Loretta Law Foundation Don and Mary Lou Blackledge Kortz The LARRK Foundation Merry and Steven D. Logan National Endowment for the Arts Jane and Gordon Netzorg Pb & K Family Foundation Ralph and Florence Burgess Charitable Trust David and Carole Ramsay Kathryn and Tim Ryan Dr. Barbara R. Reed Natalie Rekstad-Lynn and Scott Lynn Christine Rodgers and Ron Masamori Cheri and Alan Rubin Denise and James Sanderson Saunders Construction, Inc. Dr. David J. Scanavino and Ms. Ivelisse Torres Suzan and Gary Schlatter Lisa and Bill Snider Rita and Brad Sonnenberg Nancy and Thomas Stevens Virginia W. Hill Foundation Wells Fargo Bank Wells Fargo Foundation Xcel Energy Foundation

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Real ballet training for grownups Experience the joy of learning classical ballet

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Come in for a free 30-minute private preview lesson today! www.brocheballet.com/colorado-ballet | (720) 593-2073 Located in Capitol Hill and in Englewood Colorado Ballet 21

Ars Nova Singers Music of the Renaissance:

The Earthquake Mass February 23, 24

Featuring one of the most breathtaking outbursts of the Renaissance imagination, the colossal Earthquake Mass for 12 voices by the French composer Antoine Brumel.

Colorado Artistry:

Shared Visions 2 April 26, 27

A collaboration of Colorado visual artists, poets, composers, and performers, celebrating shared horizons in artistic inspiration and expression.

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22 Colorado Ballet

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Colorado Ballet 23

MEMBERS ONLY

GO BEHIND THE SCENES WITH

BACKSTAGE BARRE YOUNG PROFESSIONALS

COLORADOBALLET.ORG/BACKSTAGE Dana Benton by Kendra Harris

THE FREIDANN AND LILLIAN LEGACY SOCIETY

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Photo: Colorado Ballet Academy Students by Francisco Estevez Photography

If we can help them, imagine what we can do for you. massage + orthotics also available

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24 Colorado Ballet

Highlands location: The Freyja Project 3456 Tejon Street Denver, CO 80211

COLORADOBALLET.ORG/SUPPORT/LEGACY

COLORADO BALLET’S EDUCATION & COMMUNITY ENGAGEMENT Colorado Ballet’s Education & Community Engagement Programs serve underresourced students, teachers, families, people with disabilities and lifelong learners. Colorado Ballet’s outreach programs make more than 35,000 contacts in 300 schools/organizations each year.

The Mission: › Every. To make dance accessible to everyone. › Body. To promote dance and movement as part of a healthy lifestyle. › Dance. To encourage creativity and expression through dance, and foster an appreciation for ballet.

Partnerships Denver Public Schools Education programming in Denver Public Schools, where 70 percent of students are from Title 1 Schools.

Denver Public Libraries Free movement classes for families all across Denver.

Warren Village No-cost dance classes for preschoolers as their families transition from public assistance to personal and economic self-sufficiency.

Global Down Syndrome Foundation Be Beautiful Be Yourself - dance classes for children with Down Syndrome including an opportunity for them to appear in the annual production of The Nutcracker.

Parkinson’s Association of the Rockies Rhythm and Grace - dance classes adapted from a nationally recognized Dance for PD® model.

Programming After-School Enrichment Classes This 12 week creative movement and ballet program includs an opportunity to attend a week-long summer camp.

From the Page to the Stage In-school interactive assembly featuring Colorado Ballet Dancers.

Denver Mayor’s Five by Five Project Children ages five and under receive free dance workshops and attend a free performance of The Nutcracker.

“Colorado Ballet has brought a true gift to our school - an affordable and amazing dance program which serves an incredibly diverse student population.”

– Montclair Elementary

Workshops/Day of Dance Any time, any place (including Colorado Ballet studios) dance classes including technique, world dance and STE(A)M arts integration.

Student Matinees/Live Stream Up to 2,000 students attend a final dress rehearsal at the Ellie Caulkins Opera House, educational audiences invited to watch the live stream across the nation.

Colorado Ballet 25

COLORADO BALLET, CLEO PARKER ROBINSON DANCE & WONDERBOUND

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Alice in Wonderland

PHOTO: DENVER PUBLIC LIBRARY

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THE RAYDEAN ACEVEDO COLORADO BALLET ACADEMY SHAPING THE ARTISTS OF TOMORROW

Photo by Francisco Estévez

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28 Colorado Ballet

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Colorado Ballet 29

YOUNG DANCER WORKSHOP JUNE 17-JULY12

For ages 9-12 not yet on pointe | Two or four week sessions

COLORADOBALLET.ORG/YDW Photo by Francisco Estévez

COLORADO BALLET ACADEMY

PRE-PROFESSIONAL DIVISION › ›

Curiculum crafted for the needs and demands of today’s dancer

›

Specialized men’s training and conditioning

›

Photo by Francisco Estévez

30 Colorado Ballet

Select students perform with Colorado Ballet Perform classical repertoire and new works monthly

›

Train 25 + hours per week

›

Pre-Professional Division students are given first priority for Colorado Ballet Studio Company Contracts

COLORADOBALLET.ORG/PRE-PROFESSIONAL

IN CONCERT

MAR 23-24 2:00 PM

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1STBANK CENTER BROOMFIELD, CO Tickets: altitudetickets.com

Colorado Ballet 31

COLORADO BALLET ACADEMY

ADULT OPEN PROGRAM

› › ›

Drop-in classes for teens and adults in ballet & jazz Beginning levels through advanced Flexible schedules with year-round offerings

REGISTER TODAY COLORADOBALLET.ORG/OPEN

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SUMMER CAMPS

Week-long Dance Camps | June-August 2019 Armstrong Center for Dance

Camp Sessions Include Ballet Elf & Fairy Camp Ages 3-4, 5-6 Make a Ballet Ages 3-4, 5-6, 7-9 Prince and Princess Dance Camp Ages 3-4, 5-6, 7-9 Dance Around the World Camps Ages 7-9

Photo by Francisco Estévez

32 Colorado Ballet

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Set to an original score performed live by Denver’s Chimney Choir, join us on a rambunctious adventure.

April 19-21:

Performing Arts Complex at Pinnacle Charter School

April 27-28:

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May 3-4:

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tickets at wonderbound.com Colorado Ballet 33

Photo by Francisco EstĂŠvez

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Colorado Ballet 35

STAFF DIRECTORY ARTISTIC DIRECTOR Gil Boggs

Grants Manager Tricia Schmuki

MANAGING DIRECTOR Mark Chase

ARTISTIC Ballet Mistress Sandra Brown

MANAGING DIRECTOR OF ADVANCEMENT Adam Sexton

Ballet Mistress Lorita Travaglia Ballet Mistress Maria Mosina

ACADEMY Academy Director Erica Fischbach

Music Director & Principal Conductor Adam Flatt

Academy Business Manager Elisabeth Link Academy Administrator Sarah Paul Lower Division Coordinator Kathi Crum

ADMINISTRATIVE Accounting Manager Janina Blue

Company Pianist Natalia Arefieva

EDUCATION & COMMUNITY ENGAGEMENT

Wardrobe & Shoe Manager & Costume Designer Shirin Lankarani

Education Programs Manager Cassie Wilson

Boutique Manager Edie Bell

MARKETING & PUBLIC RELATIONS

Senior Major Gifts Officer Allie Coppeak Advancement Officer Susan Stiff Advancement AssociateEvents and Individual Giving Maggie Blumer Advancement AssociateDatabase and Gift Fulfillment Lauren Cregan

Production Manager Hally Albers

Company Manager Natalie Kelce

Accounting Associate Stephanie Kautz

Associate Director of Advancement Denae Duesler

Technical Director & Production Manager Emeritus Peter Nielson

Associate Conductor Catherine Sailer

Education Accessibility Coordinator Bridget Heddens

ADVANCEMENT

PRODUCTION

Production Stage Manager/Facilities Manager Vitali Prokhnitski

Education Department Manager Emily Aalbers

Academy Wardrobe Manager Jennifer Aiken

Patron Services Representatives Melissa Longiaru Ally Beacom

Marketing & Public Relations Manager Rachel Perez Marketing & Graphic Design Associate Nick Simpson Marketing & Public Relations Associate Karly Makovy

PATRON SERVICES AND DATABASE Director of Patron Services and DBA Taylor Clark Group Sales Manager Molly Epstein

Wardrobe Assistant Monica Rose Courtlyn McCain Wig Mistress Sarah Opstad Demmon Makeup Artist Kari Kisch Wardrobe Dressers January Fick Tomas Holmes Sarah Hunsinger Joe Tompkins Rebecca Travers Lisa Wolf

Technical Director Mark Duran Master Carpenter Emeritus David Jackson Property Master Emeritus David Jaramillo Master Carpenter Michael Duran Assistant Carpenter/ Head Flyman Travis Schadle Lighting Director Patrick “Red” Howard Master Electrician Susan Osborne Property Master Toni Steelmon Drivers/Production Assistants Robert J Harris David MacEachen Acupuncturist Lorita Travaglia, L.Ac, Dipl. CHM Chiropractor Dr. David S. Shapiro Massage Therapist Stephen Jacoby, LMT Company Photographers Allen Birnbach Mike Watson

Wardrobe Volunteers Akiko Haniu

Company Videographer David Andrews

Company Physical Therapist Mieke Braun Scripps MPT, DPT

Orchestra Personnel Manager Steve Simpson

Assistant Physical Therapist Sarah Graham, MSPT

Orchestra Librarian Chris Jusell

Pilates & Fitness Instructor Lisa Wolf

FOLLOW COLORADO BALLET ON SOCIAL MEDIA facebook.com/colorado.ballet

36 Colorado Ballet

@coloradoballet

@colorado.ballet

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