Colorado Ballet Sprint 2020, Peter Pan

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CONTENTS Letter From the Director.....................................8 Letter From the Board of Trustees................14 Program Following page..................................20 As One Chapter Closes, Another Opens.......24 From the Page to the Stage...............................28 COLORADO BALLET PUBLICATION 2019/2020 Rachel Perez • Colorado Ballet Editor

6 Colorado Ballet

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Colorado Ballet 7

FROM THE ARTISTIC DIRECTOR Welcome to Colorado Ballet’s spectacular winter and spring productions! If you joined us for our season opener, Don Quixote, or our 59th annual production of the holiday classic The Nutcracker, we thank you. Colorado Ballet is extremely gratefully and excited to report that this season’s production of The Nutcracker brought in record breaking revenue for Colorado Ballet. It was the highest selling production in the company’s 59-year history. I want to thank everyone who has supported the ballet by purchasing tickets, making contributions and attending our events—you are a major part of our ongoing success.

Peter Pan flies back to Denver for our first production of the decade. With choreography by Michael Pink and music by Philip Feeney, this ballet features the same artistic duo who created the acclaimed ballet Dracula, which Colorado audiences will recall from sold-out performances in fall of 2017. Peter Pan will take audiences on a high-flying adventure to Neverland where Peter Pan, Wendy, John and Michael experience pirates, Lost Boys, Captain Hook, an infamous crocodile and a bit of pixie dust as this brilliant story unfolds.

Our March program, Tour de Force, will feature three dynamic contemporary ballets—Feast of the Gods by Edwaard Liang, Celts by Lila York and a world premiere, choreographed on our dancers,

by Julia Adam. Choreographed in 2009, Feast of the Gods depicts a group of gypsies who, after traveling all day, set up camp for the night and celebrate with a feast. Our dancers are excited to perform the critically acclaimed ballet Celts. “Lila York’s Celts is an astonishing array of dance images of Ireland, a piece that is both profound and thrilling…” The Boston Globe. Continuing to bring innovative world premieres to Colorado, we couldn’t be happier to welcome prolific and esteemed choreographer Julia Adam to create a world premiere on our dancers specifically for this program.

The 2019/2020 season will close with Ballet MasterWorks, presenting works that profoundly impacted the art form and remain central masterpieces of the 20th century ballet repertoire. Our program this season will include In The Upper Room by Twyla Tharp, Petite Mort by Jiří Kylián and Theme and Variations by George Balanchine. Experience this season finale and watch our dancers master some of the most inspiring and challenging repertoire, demonstrating their supreme artistry and deep love of the art form.

It has been an honor to prepare and present these classic productions and exciting contemporary works this season. We believe in the importance of presenting a collection of full-length classical ballets, works by some of the greatest choreographers and the most unique world premieres. We invite you to join us again next season for our 60th Anniversary season in 2020/2021 as we continue to present diverse offerings that will delight and inspire you.

Thank you for attending this Colorado Ballet performance. I know you will enjoy it and look forward to seeing you at the Ellie Caulkins Opera House again soon!

Gil Boggs Artistic Director

8 Colorado Ballet

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FROM THE BOARD OF TRUSTEES On behalf of the Colorado Ballet Board of Trustees, we are happy to welcome you to our winter and spring productions, showcasing our company’s diverse talent. After eight years, we are excited to bring back to Denver Peter Pan, a timeless story and sensational production which is sure to please audiences of every age. We will also see our two repertory series, Tour De Force and Ballet Masterworks, each bringing to the stage three unique pieces exemplifying the art of ballet and contemporary dance. As Board Co-Chairs, we are proud of the quality and variety of Colorado Ballet’s artistic product and are honored to be serving a company that continues to thrive.

In addition to presenting outstanding performances, Colorado Ballet also educates the next generation of dancers at the Raydean Acevedo Colorado Ballet Academy. Many of our Academy students have the opportunity to perform on stage with the professional company each year. Colorado Ballet further instills the love of dance through its Education and Community Engagement Programs. These programs, which impact more than 25,000 people each year in more than 200 schools and organizations, provide opportunities for students in low-socioeconomic areas, teachers, families and individuals with disabilities to take classes and attend performances.

We hope you enjoy today’s performance and will consider supporting Colorado Ballet through a tax-deductible donation. Ticket sales cover only 55 percent of our annual budget, so as a 501(c)(3) non-profit organization, we depend on your generous support to continue presenting world-class ballet and innovative dance in Colorado. Donors of $1,000 or more belong to the Premier Society and enjoy unique benefits such as exclusive events and a VIP experience at the Ellie Caulkins Opera House. Please contact our Advancement Team to find our more.

Thank you for your continued commitment and support of Colorado Ballet!

Sincerely, Colleen Curran and Greg Laugero Board Co-Chairs

COLORADO BALLET BOARD OF TRUSTEES EXECUTIVE BOARD Board Co-Chairs Colleen Curran Greg Laugero

Board Governance Co-Chairs Michael E. Korenblat, Esp. Adrienne L. Toon, Esq.

Secretary JoAnne Zboyan

Long-Range Planning Chair Elizabeth Katkin

Treasurer and Finance Co-Chair William J. Tryon Finance Co-Chair Brent L. Backes

Marketing and Public Relations Chair Susan Bailey

Advancement Chair Merry Logan

Education & Community Engagement Co-Chairs Joanne Posner-Mayer JoAnne Zboyan

Academy Co-Chairs Raydean Acevedo Holly Baroway

Colorado Ballet Auxiliary President Alyson Graves Campaign Chair Denise Sanderson

14 Colorado Ballet

Trustees Michelle Moorman Applegate Jean Armstrong Steven Blazek Christina Crow Kaye Ferry Ann Frick Duke Hartman Anne M. Hillary Curt Hockemeier Gail K. Kassan Mary Lou Blackledge Kortz Richard Kylberg Greg Laugero Jane Netzorg Cleo Rauchway Douglas Richards Cheri Rubin Dick Saunders Suzan Schlatter Brad Sonnenberg Nancy Stevens Bernee Strom Susan Struna

Ex-Officio Mark Heiser Lifetime Trustees Raydean Acevedo Duke Hartman Dick Saunders Emeritus Board Lisa Levin Appel Liz and Bill Armstrong Anna Bates Christin Crampton Day Sandy Elliott Henny Lasley David Ramsay Jim Ruh Lisa Snider Harry Sterling

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Founders Lillian Covillo and Freidann Parker Artistic Director Gil Boggs Ballet Mistresses Sandra Brown, Lorita Travaglia, Maria Mosina Music Director and Principal Conductor Adam Flatt Associate Conductor Catherine Sailer THE COMPANY Principals Dana Benton, Francisco Estevez, Chandra Kuykendall, Yosvani Ramos, Asuka Sasaki Soloists Morgan Buchanan, Tracy Jones, Christophor Moulton, Nicolas Pelletier, Kevin GaĂŤl Thomas Demi-Soloists Sean Omandam, Emily Speed, Melissa Zoebisch Corps de Ballet Joshua Allenback, Arianna Ciccarelli, Mackenzie Dessens, Regan Kucera, Bryce Lee, Francesca Martoccio, Leah McFadden, Fernanda Oliveira, Tyler Rhoads, Jeremy Studinski, Sara Thomas, Sarah Tryon, Benjamin Winegar, Simon Zinabu-Costello Apprentices Liam Hogan, Tate Lee, Ariel McCarty, Alexander Roy, Alexandra Wilson Studio Company Catherine Aoki, Isabelle Browne, Renee Castonguay, Robbie Downey, Jacqueline Gionet, Alexandra Gilliom, Sheridan Guerin, Kyra Hughes, Tyler Humphrey, Madeleine Kuebler, Ever Larson, Hannah Lesold, Gabriele Lukasik, Catherine McGregor, Alejandro Perez, Gabriela Rodriguez, Benjamin Rose, Jacob Ray, Rosemary Shahani, McKenzie Thomas, Shelby Vennekotter Colorado Ballet | 1075 Santa Fe Drive, Denver, CO 80204 | 303-837-8888 | COLORADOBALLET.ORG Out of courtesy to the dancers, the taking of photographs of any nature is strictly prohibited during performances.

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PETER PAN January 31 – February 9, 2020

Ellie Caulkins Opera House Direction and Choreography by Michael Pink Music by Philip Feeney Lighting Design by David Grill Lighting Adapted by Patrick “Red” Howard Scenic Design by Rick Graham Costume Design by Judanna Lynn Production Courtesy of Milwaukee Ballet Flying Effects provided by ZFX, Inc. – Shad Ramsey, Flying Director Dear Children, I came across this diary when I was in England.

It tells the tale of Peter Pan, a story that will be passed on from generation to generation as long as there are those who believe in childhood innocence and the wonderful sense of adventure. Peter Pan is dedicated to my own darlings, Chloe, Max and Georgina.

Onward to Neverland!

Michael Pink From the Diary of Wendy Moira Angela Darling…

March 25, 1941 Dear Diary, Today I saw Peter Pan in Kensington Gardens! As you know, we always play make-believe and I am Peter in our nursery games. John is a rather dastardly Captain Hook and little Michael is a really silly Tiger Lily.

Father came home with an invitation to a very grand party. Mother seemed more concerned about Peter Pan, though. Does she really know who he is?

March 26, 1941 Last night I dreamt that a magical fairy was flying around the nursery with Peter himself chasing her about! He sat on my bed until Mother and Nana chased him away. Oh, how I wish my dreams would never end!

March 27, 1941 Sometimes I think Father is as mean as Captain Hook.

Today when it was time for our medicine, he tricked Michael into taking his and then poured his own into Nana’s bowl. Then he got very angry at Nana and banished her from our nursery – he thinks she is “just a dog” but we know better. Poor Nana!

I do not know if this was a dream or not but Peter came back into the nursery because I had to help him sew his shadow back on. I told him he may give me a kiss but instead he gave me an acorn necklace. Diary, I don’t think Peter even knows what a kiss really is!

The most amazing thing happened next. Peter showed all of us how to fly and he’s taking us to Neverland! It 2 Peter Pan • Colorado Ballet

is just as he said, “second to the right and then straight on till morning!” If this really is a dream, I hope I never wake up.

March 28, 1941 (I think…)

In all the times we’ve played Neverland we always had Pirates led by Captain Hook, Tiger Lily and the Indian Braves - and it is just so in Neverland! Let’s see if I can recount all that has happened. Time seems so different in Neverland than it does at home…

I suddenly had a most curious feeling of falling out of the sky – and indeed I had! The acorn necklace Peter gave me must have saved my life! Peter introduced us to the lost boys – these poor creatures need a mother and they seem to think I’m the one to do it. I don’t know if I’m ready for that yet.

Peter has told me many stories. Did you know that he was the one who cut off Captain Hook’s hand and threw it to a crocodile? The crocodile not only swallowed the hand, but a clock too and that’s the only way Hook knows he’s coming! Peter took me to an enchanting mermaid lagoon. Peter is so charming and I feel butterflies in my stomach when I’m around him.

Then the adventures really began… There were Pirates chasing the Indian Braves and Peter had to come to the rescue. He saved Tiger Lily, but I won’t bother with that. I’m not sure I like her. In fact there are lots of things here that need fixing in this home under the ground. For one, Peter and those boys need more discipline – they simply must take their medicine! I suppose I’ll try and be a mother to them – I read them a bedtime story and I do enjoy this sort of thing. It reminds me of home…

Tiger Lily must have been outside all night because I heard the beat of Indian drums. Speaking of home, I decided it’s time we return before John and Michael forget all about it. I hope Peter will take his medicine when we go. Tinkerbell is going to help us find our way out, although I don’t know that we can trust her.

We were just about to leave when the most horrid thing happened – Captain Hook captured John, Michael, the lost boys and me!

Perhaps March 29, 1941…

Oh Diary! That dastardly Captain Hook took us captive to the Jolly Roger, his enormous pirate ship. Of course, John couldn’t have been more excited. Neverland seems to confuse what is real and what is makebelieve. Once aboard, Captain Hook asked me to read him a bedtime story – do none of these people have a mother here in Neverland?! That Hook must be the naughtiest child I’ve ever met!

Suddenly his mood changed and he ordered John to walk the plank! Peter arrived to save the day. He dressed up like me thus fooling that cowardly Captain and made him walk the plank! What a skirmish!

It was definitely time for us to leave Neverland and we want to take the lost boys with us. How I wish Peter would come along, but he just doesn’t want to grow up. Thankfully when we got to the nursery Mother and Nana were there and you just can’t imagine where we found Father! I’ve never been so happy to be home but I hope I never ever forget Neverland and I hope Peter will come back to see me someday.

Goodnight Diary.

Love, Wendy Darling

This story is an adaption of the Peter Pan novel originally published in 1902 by J.M. Barrie and may contain cultural depictions that were common during that era.

Gil Boggs, Artistic Director

ARTISTIC STAFF

Gil Boggs began his dance career with the Atlanta Ballet. He joined American Ballet Theatre in New York in 1982 and was promoted to soloist dancer in 1984 and principal dancer in 1991.

Boggs was a member of the company for 17 years. Boggs also performed with the Twyla Tharp Dance Company, Baryshnikov and Company, Nureyev and Friends, and made several guest appearances around the world. During his career with ABT, he was recognized as both an accomplished virtuoso and one of the company’s most popular performers. Boggs has worked with numerous noted choreographers, including Agnes de Mille, Sir Kenneth MacMillan, Paul Taylor, Mark Morris, Jerome Robbins and Merce Cunningham and has an extensive performance repertoire of both classical and contemporary works. Boggs accepted the position of Artistic Director with Colorado Ballet in the Spring of 2006. In Boggs’ tenure with Colorado Ballet he has restaged full-length productions of Swan Lake, The Sleeping Beauty, Giselle, Don Quixote and Coppelia along with adding new full-length productions of Romeo & Juliet, Cinderella, Le Corsaire, Beauty and the Beast and Peter Pan. Boggs has also presented 15 world premieres and 12 Colorado Ballet premieres by such renowned choreographers as Twyla Tharp, Lar Lubovitch, Antony Tudor, Val Caniparoli, Dwight Rhoden and Lynne Taylor-Corbett.

Sandra Brown, Ballet Mistress Sandra Brown joined the corps de ballet of American Ballet Theatre in 1987 under the directorship of Mikhail Baryshnikov and was promoted to soloist in 1992 where she remained until 2003. During that time, she danced not only numerous classical full length principal roles, but gained recognition for her leading contemporary roles as well. Most notably, she created and danced the world premiere role of Desdemona in Lar Lubovitch’s full-length Othello in 1997 and appears in ABT’s film productions of Romeo and Juliet, Le Corsaire, and the documentary Ballet. In 2000, Brown was featured in the movie Center Stage and appears in the film The Company. Brown also holds the honor of appearing on Broadway as the original Louise Bigelow in the Tony Award-winning 1994 revival of Carousel, directed by Nicholas

Hytner and choreographed by Sir Kenneth MacMillan at the Lincoln Center Theater. In 2003, Brown left ABT to pursue work as a freelance artist with Complexions Contemporary Ballet, Stiefel and Stars, Vladimir Malakhov, Peter Boal and Company, Chamber Dance Project, Dancers Patrelle, Ballet Hawaii and Madison Ballet. During this time, she also was asked to perform as a guest artist at the Vail International Festival, became certified to teach Pilates, taught for the ABT Summer Intensive, and choreographed the ballet Synchronicity. In 2006, she joined her husband, Gil Boggs, to work with Colorado Ballet. Since then, she has assisted staging the full-length productions of Giselle, Don Quixote, and Christopher Wheeldon’s A Midsummer Night’s Dream. Brown has also assisted with choreographing and staging of The Nutcracker, Coppélia, The Sleeping Beauty, and Swan Lake. In addition, she assisted staging Lar Lubovitch’s Smile With my Heart, Dwight Rhoden’s Ave Maria, Twyla Tharp’s In The Upper Room, Clark Tippet’s Bruch Violin Concerto No. 1, and Edwaard Liang’s Feast of the Gods. Brown restaged her ballet, Synchronicity, for Colorado Ballet’s Studio Company.

In 2007, she was asked to stage Smile with my Heart for the Joffrey Ballet. In 2013, she staged Lynne Taylor-Corbett’s Great Galloping Gottschalk at the University of South Carolina and in 2014 at NBA of Japan. In 1989 and 1990, she was chosen by Mikhail Baryshnikov to choreograph for the American Ballet Theatre Choreographic Workshop. During her tenure, she has choreographed for the Bal de Ballet, an event hosted by the Denver Ballet Guild. Her creations are From Within, Crimson Surges, Unforgettable, Grand Pas Fantastique, Heart Strings, One by One, Set Fire to the Rain, The Secret Garden, Young and Beautiful, The Charleston, Scheherazade, and Pirates of the Caribbean. In 2014, she gained critical acclaim for the ballet The Last Beat, which she created on the dancers of Colorado Ballet to the music of DeVotchKa.

Generously supported

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Lorita Travaglia, Ballet Mistress Lorita Travaglia is originally from New Zealand. She received her ballet training at the National School of Ballet and later the Royal Ballet School in London. Lorita made her debut as a professional dancer with the Berlin Ballet. After six years with the Company, she moved to the United States where she worked with Princeton Ballet, Boston Ballet, Atlanta Ballet

Colorado Ballet • Peter Pan 3

ARTISTIC STAFF and International Ballet Rotaru, dancing solo and principal roles in a wide range of repertoire. Her favorite roles include Odette/Odile in Swan Lake, Swanhilda in Coppelia, Cinderella, Sugarplum Fairy in The Nutcracker and Paquita. In 1992, Lorita returned to New Zealand, but continued to perform as a guest artist with companies in the United States as well as Company Z, a contemporary dance company in New Zealand.

Lorita began teaching in 1988 while still performing and studied the Vaganova methodology. She was the principal teacher for a professional training program in Auckland, New Zealand and later, as artistic director of Canyon Concert Ballet in Fort Collins, Colorado, she set up a similar aspirant program. In 1999, Lorita joined Colorado Ballet as director of the Apprentice Program and company repetiteur, and has been ballet mistress since 2006. Her choreography includes Equanimity, Aspects, Pictures at an Exhibition, Piazzolla and, most recently, The Angel of Buenos Aires for Colorado Ballet and a full-length The Nutcracker for Canyon Concert Ballet.

Lorita graduated from the Colorado School of Traditional Chinese Medicine in 2000 and has a private practice in Denver.

She is an avid tango dancer and is the Creative Director of Parasol Arts.

Adam Flatt, Music Director & Principal Conductor

Generously supported by Raydean Acevedo

Generously supported by Sandy Elliott

Maria Mosina, Ballet Mistress

Catherine Sailer, Associate Conductor

Maria Mosina was born in Moscow and graduated from the Bolshoi Ballet Academy in Russia. Upon graduation, Maria joined the Bolshoi Ballet Grigorovich Company and immediately was chosen for principal roles. She toured the world appearing on all major European, American, African and Asian stages. In 1995, Maria was invited by Colorado Ballet to join as a leading principal dancer.

She performed all major parts in classical productions and also had the chance to show her talent in neoclassical, modern and contemporary choreographed master pieces. Maria was a featured dancer on the cover of Dance Magazine and has been featured in other magazine articles. She holds a bachelor’s degree in methodology and pedagogy from the Moscow State Academy of Choreography. She is also an active ballet instructor throughout the United States. She participated as a master teacher and judge for the Youth American Grand Prix.

Maria performed leading roles in all major productions as a member of the Company, as well as a guest artist with many other festivals, galas and companies. After 21 seasons as a principal dancer with Colorado Ballet, she retired at the end of the 2016/2017 season. She has now joined the artistic staff of the company.

Catherine Sailer, Director of Choral Studies at the University of Denver, conducts the Lamont Chorale, the Lamont Women’s Chorus and The Evans Choir. Conducting credits include the Shanghai International Choral League and Orchestra, Atlanta Symphony Orchestra and Chorus, Northeastern Pennsylvania Symphony, National Symphony, Santa Fe Symphony Orchestra, Musica Sacra Chamber Orchestra, National Opera of China, Cabrillo Festival of Contemporary Music, Orchestra of St. Luke’s, Central City Opera, Dale Warland Singers, Kansas City Chorale, Chicago Symphony Chorus, Madrigal Vocale, Aspen Music Festival, Bravo! Vail Valley Festival, Milwaukee Symphony Chorus and Oregon Bach Festival. She regularly conducts festival performances at Carnegie Hall, and other festivals in Rome, Vienna and Shanghai, and is an active guest conductor and clinician. Sailer was the winner of Chorus America’s Robert Shaw Conducting Fellowship and won First Place in the American Prize for Choral Performance.

Generously supported by Paul Goodspeed and Mary Poole

4 Peter Pan • Colorado Ballet

As Music Director of Colorado Ballet Adam Flatt has conducted hundreds of performances in the Ellie Caulkins Opera House and led the Colorado Ballet Orchestra to an acclaimed period of excellence. Well known to Colorado audiences, Adam previously served for many years as Associate Conductor of the Colorado Symphony Orchestra and Music Director of the Denver Young Artists Orchestra. In addition to his work here at Colorado Ballet, Adam is Music Director of the Newport Symphony Orchestra on the Oregon coast and the Tuscaloosa Symphony Orchestra. As a guest conductor he has led performances with orchestras, opera and ballet companies all over the United States. Mr. Flatt has his bachelor’s degree in music with honors from the University of California at Berkeley, and his master’s degree in conducting from the Indiana University School of Music. Mr. Flatt and his family make their home in Denver. www.adamflatt.com

DANCERS PRINCIPALS Dana Benton Dana Benton was born in Hamilton, Ontario, Canada, where she began her training with Lou and Pauline Zamprogna at The Dance Centre. At the age of nine, she was accepted to the National Ballet School in Toronto where she trained for eight years. She went on exchange to Hamburg Ballet School in Hamburg, Germany. Dana graduated from the National Ballet School with Honors in Academics and received the Peter Dwyer Award for Excellence in Dance. Upon graduating in 2000, Dana received a contract with the Alberta Ballet Company in Canada. She spent one year with the company as an Apprentice. In 2001, she joined Colorado Ballet as a Corps de Ballet member. In 2007, she was promoted to Soloist and in 2014, was promoted to Principal.

With Colorado Ballet, Dana has worked with many well-known choreographers and repetiteurs including Val Caniparoli, Bronwen Curry, Matthew Dibble, Karina Elver, Judith Fugate, John Gardner, Thierry Michel, Darrell Grand Moultrie, Jessica Lang, Edwaard Liang, Donald Mahler, Amanda McKerrow, Luiz Ortiz, Janie Parker, Michael Pink, Viki Psihoyos, Brian Reeder, Domy Reiter-Soffer, Dwight Rhoden, Roman Rykine, Amy Seiwert, James Sofranko, Ben Stevenson, Paul Sutherland, Lynn Taylor-Corbett, Doug Varone, Dominic Walsh, Shelly Washington, Septime Webre, Christopher Wheeldon, Lila York and Stefan Zeromski. Since joining Colorado Ballet, she has performed many soloist and principal roles. Her notable roles include The Sylph in La Sylphide, Alice in ALICE (in Wonderland), Belle in Beauty and the Beast, Swanilda in Coppélia, 4th pas de deux in Jiří Kylián’s Petite Mort, Waltz Girl in Balanchine’s Serenade, Cow Girl in Rodeo, Ave Maria Pas de Deux, Sugar Plum and Clara in The Nutcracker, Gulnara in Le Corsaire, Tinker Bell in Peter Pan, Pink and Aqua in Bruch Violin Concerto No. 1, Red Girl in Celts, Lucy in Dracula, Princess Florine and Diamond Fairy in The Sleeping Beauty, Odette/Odile and Pas de Trois in Swan Lake, Peasant Pas in Giselle, Flower Girl and Cupid in Don Quixote, Hermia and Peaseblossom in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Bomb Squad in In The Upper Room, Lead Souvenir Lady in the Great Galloping Gottschalk, Amy Seiwert’s Duet It’s Not a Cry, The Muse in Dominic Walsh’s Wolfgang (for Webb), The Younger Sister in Antony Tudor’s Pillar of Fire, The Angel in Lorita Travaglia’s The Angel of Buenos Aires, The Blue Couple in Twyla Tharp’s Brief Fling and the featured role in Amy Seiwert’s Traveling Alone. In 2015, Pointe Magazine named Dana as one of the top 12 “Standout Performances” of the year for her performance of Traveling Alone with Amy Seiwert’s Imagery.

Generously supported by Jane and Skip Netzorg Francisco Estevez

Born in Quito, Ecuador, Francisco moved to the USA in 1995. He began his ballet training in Louisville, Kentucky and at the age of 16 moved to finish his training at the School of American Ballet in New York where he also had the opportunity to perform featured roles alongside the New York City Ballet. Upon graduating in 2008, Francisco joined Boston Ballet where he danced for two years

before joining the Barcelona Ballet under the direction of Angel Corella in 2010. As a member of this company, he performed various soloist and principal roles and took part in the “Feria del Libro” in Guadalajara, Mexico, the Spoleto Festival in both Italy and Charleston, North Carolina and the Peralada festival, Catalonia. In 2011, Francisco won First Place at the Premio Internacional de Danza Roseta Mauri. His notable roles to date include Balanchine’s Tarantella and the 1st and 2nd themes from The Four Temperaments, Jorma Elo’s Carmen Illusions, Principal in Jerome Robbin’s 2 & 3 Part Inventions and the 1st and 3rd Sailor in Robbins’ Fancy Free, Peter Martin’s Les Gentil Hommes, Christopher Wheeldon’s For Four, DGV, Polyphonia and VIII, Pink, Red and Aqua Couples in Clark Tippet’s Bruch Violin Concerto No. 1, Twyla Tharp’s In the Upper Room, Stanton Welch’s Clear, Franz in Coppelia, Benno and Neopolitan in Swan Lake, the Peasant pas de deux from Giselle, the pas de six from Napoli, the Nutcracker Prince and Sugarplum Cavalier in The Nutcracker, Jester in Ben Stevenson’s Cinderella, Lysander in Wheeldon’s A Midsummer Night’s Dream, Renfield and Harker in Michael Pink’s Dracula, James in La Sylphide, White Rabbit, Dodo Bird and Joker in Septime Webre’s ALICE (in wonderland), Amy Seiwert’s It’s Not a Cry Pas de Deux, Prince Christian in Lynne TaylorCorbett’s The Little Mermaid, Waltz Boy in George Balanchine’s Serenade, Jiří Kylián’s Petite Mort, Tybalt and Mercutio in Derek Deane’s Romeo and Juliet and the blue couple in Twyla Tharp’s A Brief Fling, Prince Desiree and Blue Bird in The Sleeping Beauty and Tin Man in Septime Webre’s The Wizard of Oz among others. Francisco joined Colorado Ballet during the 2012-2013 season, was promoted to Soloist in 2015 and then to Principal in 2019.

Generously supported

by Janis Brewster Chandra Kuykendall

Chandra Kuykendall is from Parker, Colorado and trained at the Academy of Colorado Ballet from 1988 until graduating in 1997. In 1996, she won the Denver Ballet Guild Competition and received the prestigious Florence Rustin Award. She also attended summer programs at the Bolshoi Ballet Academy in Vail under full scholarship, Kirov Academy of Ballet, San Francisco Ballet Academy and School of American Ballet. After graduating from the Academy in 1997, Chandra joined Colorado Ballet. She spent the 19981999 season with Leipzig Ballet in Leipzig, Germany under the direction of the brilliant choreographer Uwe Scholz. She returned to Colorado Ballet in the fall of 1999. With Colorado Ballet, Chandra has danced numerous principal roles including Princess Aurora and Lilac Fairy in The Sleeping Beauty, Odette/ Odile in Swan Lake, Giselle and Myrta in Giselle, Medora in Le Corsaire, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella in Cinderella, Dryad Queen in Don Quixote, Lucy in Dracula, Titania and Helena in A Midsummer Night’s Dream, Firebird in Firebird, the principal role in Bruch Violin Concerto No. 1, the Crossover Girl in Twyla Tharp’s In The Upper Room, the Mother in Glen Tetley’s The Rite of Spring, 3rd Duet in Jiří Kylián’s Petite Mort, the Brown Girl in Celts, the Kick Girl in George Balanchine’s Rubies, principal role in Theme and Variations, 2nd Violin in Concerto Barocco, Waltz Girl in Serenade, and Gerald Arpino’s well-known pas de deux from Light Rain. Her favorite of these roles was the tragic Odette/ Odile in Swan Lake. She has also been featured in Antony Tudor’s Leaves Are Fading, Stanton Welch’s Of Blessed Memory, Twyla Tharp’s Nine Sinatra Songs, Septime Webre’s Where the Wild Things Are, Edwaard Liang’s Feast of the Gods, Jodie

Colorado Ballet • Peter Pan 5

DANCERS Gates’ Embellish, Emery LeCrone’s Archetypes, Val Caniparoli’s In Pieces, Jessica Lang’s From Foreign Lands and People and De Profundis, Mathew Neenan’s The Faraway, Amy Seiwert’s Traveling Alone and Things Left Unsaid, Carmina Burana, Great Galloping Gottschalk, Yes, Virginia, Another Piano Ballet and Martin Fredmann’s A Little Love as well as his Dreamspace shown on PBS. The August 2013 issue of 5280 Magazine featured Chandra in an article highlighting seven of Colorado’s athletes. This is Chandra’s 22nd season with Colorado Ballet, and she will be retiring at the conclusion of the season.

Generously supported

by Joanne Posner Mayer Yosvani Ramos

Yosvani Ramos was born in Camagüey, Cuba and trained there at the National Ballet School. In 1997 he went on to dance with Jeune Ballet de France and Ballet de l’Opéra National de Paris in 1999 after winning the Gold Medal at the Paris International Ballet Competition. He has also won the silver medal at the international ballet competitions in Varna in Bulgaria, Jackson Mississippi in the USA and Nagoya in Japan. He joined English National Ballet as a Soloist in 1999 and was promoted to Senior Soloist in 2000, then Principal Dancer in 2003 after his performance as Franz in Coppélia. Yosvani danced with ENB until 2008 when he joined The Australian Ballet as a Principal Artist, where he remained until April 2013. He has danced the lead roles in all the major classical ballets including Giselle, Swan Lake, Coppélia, Romeo & Juliet, Don Quixote, Cinderella, Sleeping Beauty, The Nutcracker, The Merry Widow, Manon, La Silphíde, The Snow Queen and Peter Pan as well as the lead in Les Sylphídes, Etudes, Mazurka in Suite en Blanc, principal man in Balanchine’s Stars & Stripes, Square Dance, Who Cares?, Ballet Imperial, Serenade as Dark Angel man and ballets by Alexei Ratmanski, Stanton Welch, Nacho Duato, Kenneth MacMillan, Mark Morris and many others. Recently, he has danced as Blue Couple in Twyla Tharp’s Brief Fling, Guard with Green Whiskers, Professor Marvel and the Wizard in Septime Webre’s The Wizard of Oz and Estuans Interius in Fernand Nault’s Carmina Burana. He has also guested all around the world. In September 2013, Yosvani danced at the XVIII International Ballet Festival in Miami, then spent several months guesting with companies in Europe and the USA. He joined the Cincinnati Ballet as Principal dancer in July 2014. Yosvani joined Colorado Ballet at the beginning of the 2015-2016 season as Principal dancer. Since joining Colorado Ballet Yosvani has danced the roles of James in La Sylphíde, the Nutcracker Prince and the Sugar Plum Cavalier in The Nutcracker, the Dodo Bird, the Joker, the Mad Hatter and Lewis Carroll in Septime Webre’s ALICE (in wonderland), Prince Siegfried and Benno in Swan Lake, Jonathan Harker in Michael Pink’s Dracula, Romeo in Derek Deane’s Romeo & Juliet and principal Blue Couple in Twyla Tharp’s Brief Fling.

Generously supported

by Katherine and Michael Whitcomb Asuka Sasaki

Asuka Sasaki was born in Nagano, Japan. She trained at the Emiko Kojima Ballet School, Yo Ballet Academy in Japan and Beijing Dance Academy in China. After Beijing Dance Academy she joined Canada’s Royal Winnipeg Ballet as an Aspirant. She started dancing with Colorado Ballet in 2005

as a member of the Corps de Ballet, was promoted to Soloist in 2010 and then to Principal in 2017. She has performed Aurora and Blue Bird in The Sleeping Beauty, Dorothy in Septime Webre’s The Wizard of Oz, George Balanchine’s Concerto Barocco, Theme and Variations soloist, Serenade Russian girl, Clara, Sugar Plum and Dew Drop in The Nutcracker, Yuri Possokhov’s Firebird, Jiří Kylián’s Petite Mort, Fernand Nault’s Carmina Burana, Lynn Taylor-Corbett’s The Little Mermaid, Juliet in Derek Deane’s Romeo and Juliet, Mina in Michael Pink’s Dracula, Blue Principal in Twyla Tharp’s Brief Fling and In the Upper Room, Hagar in Antony Tudor’s Pillar of Fire, Mercedes and Flower Girl in Don Quixote, Gulnara in Le Corsaire, Pas de Trois in Swan Lake, Myrta and Peasant Pas de Deux in Giselle, Autumn Fairy and Fairy Godmother in Cinderella, Red and Pink Couple in Bruch Violin Concerto No. 1, Helena in A Midsummer Night’s Dream and Alice in Wonderland’s Eaglet. With Colorado Ballet, she has worked with accomplished choreographers such as Val Caniparoli, Derek Deane, Septime Webre, Eldar Aliev, Michael Pink, Ben Stevenson, Lynn Taylor-Corbett, Martin Fredmann, Lila York, Jessica Lang, Dwight Rhoden, Edwaard Liang and Amy Seiwert.

Generously supported by Debby Herz

SOLOISTS Morgan Buchanan Morgan Buchanan is from Houston, Texas. She trained at the Ballet Center of Houston under the direction of Victoria Vittum and Gilbert Rome.

Morgan also trained at Houston Ballet’s Ben Stevenson Academy for two years under Sally Rojas and Sabrina Lenzi, where she earned the highest final evaluation variation score in her class. Before joining the Colorado Ballet Studio Company in 2009, she attended summer programs with American Ballet Theatre, Orlando Ballet and Houston Ballet. She joined the Company in 2011 and was promoted to Soloist in 2016. Her notable roles with Colorado Ballet include Wendy in Michael Pink’s Peter Pan, Vitality Fairy and Lilac Fairy in The Sleeping Beauty, Moyna in Giselle, Autumn Fairy and Fairy Godmother in Ben Stevenson’s Cinderella, Sugar Plum Fairy and Dew Drop in The Nutcracker, First Passerby in Jerome Robbins’ Fancy Free, Effie in La Sylphide, Red in Clark Tippet’s Bruch Violin Concerto No. 1, The Princess in Yuri Possokhov’s Firebird, the fifth pas de deux in Jiří Kylian’s Petite Mort, Pas de Trois and Big Swans in Swan Lake, Lucy in Michael Pink’s Dracula, Waltz Girl in George Balanchine’s Serenade, the Wicked Witch in Septime Webre’s The Wizard of Oz, and Hagar in Antony Tudor’s Pillar of Fire.

Generously supported

by Lynnette Morrison Tracy Jones-Estevez

Born in Cork, Ireland, Tracy started dancing at the age of five with Ballet Theatre Ireland. At 11, she went on to train at The Royal Ballet School in London. During her graduate year, she performed with the Royal Ballet Company in many of their productions and joined them on their 2007 International tour to Mexico and the USA. Upon graduating, Tracy joined the English National Ballet as a Corps de Ballet member where she performed throughout the UK and toured to Beijing, China. Tracy was a founding member of the Barcelona Ballet under the direction

DANCERS of Angel Corella from 2008 to 2012, where she toured worldwide, performing various soloist and principal roles. In 2013, Tracy joined Colorado Ballet and in June of that year, Pointe Magazine named her as one of 10 “Stars in the Corps.”

In 2016, she choreographed “Circadian” for Colorado Ballet’s Attitude on Santa Fe. She was promoted to Soloist in 2017.

Tracy’s notable roles with Colorado Ballet include the Principal couple in Sandra Brown’s The Last Beat, Hermia in Christopher Wheeldon’s A Midsummer Night’s Dream, Balanchine’s Concerto Barocco and Theme and Variations, Pas de Deux girl in Jerome Robbins’ Fancy Free, Effie in La Sylphide, Caterpillar in Septime Webre’s Alice (in wonderland), Muse in Dominic Walsh’s Wolfgang (for Webb), Gerald Arpino’s Light Rain Pas de Deux, Pas de Trois and Big Swans in Swan Lake, The Angel in Lorita Travaglia’s Angel of Buenos Aires, The Sea Witch in Lynne Taylor-Corbett’s The Little Mermaid, Jiří Kylián’s Petite Mort, Trio in Amy Seiwert’s Traveling Alone, Glinda in Septime Webre’s The Wizard of Oz and Dark Angel in George Balanchine’s Serenade which she recently performed at the Vail Dance Festival, 2019. Tracy is very grateful to be in her 8th season with the Colorado Ballet.

Generously supported in loving memory of Jim Brewster Christophor Moulton

Christophor Moulton was born in Colorado Springs, Colorado and began his training with Rozanne David at the Dance Center of Colorado Springs and continued his training in Colorado with German Zemuel. He graduated from the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. During his years at Harid, Christophor performed numerous roles including Siegfried in Swan Lake and the lead in Balanchine’s Allegro Brillante. He also studied for a year at the Jacquelyn Kennedy Onassis School under Franco Devita.

Christophor joined Colorado Ballet’s Studio Company in 2009, was promoted to the Company in 2010 and then to Soloist in 2017. During his time at Colorado Ballet, he has worked with esteemed choreographers, Val Caniparoli, Amy Seiwert, Edwaard Liang, Ben Stevenson, Stephen Mills, Septime Webre and Michael Pink. He has performed the roles of Lovers in Christopher Wheeldon’s A Midsummer Night’s Dream, Step Sister in Ben Stevenson’s Cinderella, Dracula and Arthur in Michael Pink’s Dracula, Hilarion in Giselle, Cavalier in The Nutcracker, Red in Bruch Violin Concerto No. 1, the Prince in Yuri Possokhov’s Firebird, Waltz Man and Dark Angel Man in Balanchine’s Serenade, Lion in Septime Webre’s The Wizard of Oz, Friend in Antony Tudor’s Pillar of Fire, Jiří Kylián’s Petite Mort and Fernand Nault’s Carmina Burana.

Generously supported

by Peggy Goldman Nicolas Pelletier

Nicolas Pelletier was born in Quebec City, Canada. He moved to California when he was eight, where he attended the San Francisco Ballet School for 10 years. During his time at the school, he performed in ballets including John Neumeier’s Yondering and Balanchine’s Stars and Stripes. He completed his training with Canada’s National Ballet School in 2010 and joined Alberta Ballet in 2011. During his

six years with the Company, he had the opportunity to dance many principal roles including Dracula in Ben Stevenson’s Dracula and Romeo in Jean Grand-Maître’s Romeo and Juliet.

After joining Colorado Ballet in 2017, he performed roles such as Romeo from Micheal Pink’s Romeo and Juliet, Basilio from Don Quixote, and performed in Twyla Tharp’s Brief Fling, and Anthony Tudor’s Pillar of Fire. Other notable ballets in his repertoire include Divertimento No. 15, Four Temperaments, Swan Lake, Giselle, Cinderella, Madame Butterfly, Othello and The Nutcracker. This is his third season with Colorado Ballet.

Generously supported by Carla Dore Kevin Gaël Thomas

Kevin Gaël Thomas is from Cannes, France and studied at Rosella Hightower’s International Ballet Center and at Canada’s National Ballet School, where he received a full scholarship and graduated in 2006 with honors.

Kevin also graduated with honors from the Music Conservatory in France for piano. He danced for a year with Houston Ballet II, joined Colorado Ballet in 2007 and was promoted to Soloist in 2016. Since joining the Company, he has performed many soloist and leading roles including Blue Bird and Jewels in The Sleeping Beauty, the Whip Boy in Glen Tetley’s The Rite of Spring, Jester in Ben Stevenson’s Cinderella, Peter in Michael Pink’s Peter Pan, Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, the title role in Michael Smuin’s Peter and the Wolf, the first sailor in Jerome Robbins’ Fancy Free, the Nutcracker Prince in The Nutcracker, Gurn in La Sylphide, Benno in Swan Lake, Kaschei in Firebird, Pink in Bruch Violin Concerto No. 1, 1st Pas de Deux in Jiří Kylian’s Petite Mort, Mercutio in Romeo and Juliet, Red Couple in Twyla Tharp’s Brief Fling and Lion in Septime Webre’s The Wizard of Oz. Kevin was chosen to represent France at the New York International Ballet Competition in 2009 and at the USA Jackson International Ballet Competition in 2010.

Generously supported by Elizabeth Katkin-Waryn and Richard Waryn

DEMI-SOLOISTS Sean Omandam Sean Omandam is from Fresno, California, where he began his training with Shirley Winters. He later went on to train on full-scholarship at the Harid Conservatory in Boca Raton, Florida, under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva. Upon his graduation in 2004, he joined Colorado Ballet’s Studio Company and was promoted to the Company in 2005.

With Colorado Ballet, Sean has performed a variety of soloist and principal roles including Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, White Rabbit in Septime Webre’s ALICE (in wonderland), Peter in Michael Smuin’s Peter and the Wolf, Champion Roper in Agnes de Mille’s Rodeo, Jester in Ben Stevenson’s Cinderella, Whip Boy in Glen Tetley’s The Rite of Spring, Max in Septime Webre’s Where the Wild Things Are, John Darling in Michael Pink’s Peter Pan, Green Man in Lila York’s Celts and Russian in Martin Fredmann’s The Nutcracker. His repertory also includes featured roles in works

by Lar Lubovitch, Val Caniparoli, Amy Seiwert, Edwaard Liang,

Colorado Ballet • Peter Pan 7

DANCERS Matthew Neenan, Jodie Gates, Dwight Rhoden, Darrell Grand Moultire and Jessica Lang, among others. In 2007, he was a competitor and gala performer at the New York International Ballet Competition. In the summer of 2013, he was featured as a contestant on the premiere season of the South Korean television show, Dancing 9. Pointe Magazine featured Sean in their 2014 October/November “Dancer Spotlight.”

Generously supported

by Cheri and Alan Rubin Emily Speed

Emily Speed grew up in Argyle, TX and graduated from Marina Almayeva School of Ballet. She has qualified and competed in Varna International Ballet Competition, Jackson IBC and YAGP Finals, as well as being a World Ballet Competition Finalist and winning First Place in the YAGP regionals. During her career, Ms. Speed has danced in companies across the country including Alabama Ballet, Boulder Ballet and Ballet Tucson, performing soloist and principle roles. Since joining Colorado Ballet in 2014, Emily has danced numerous featured roles in several productions and performed in the Vail Dance Festival in 2015, 2017 and 2019. Some of her most notable performances with Colorado Ballet include Balanchine’s Concerto Barocco and Russian Girl in Serenade, Princess Florine and Vitality Fairy in The Sleeping Beauty, Cygnets and Pas de Trois in Swan Lake, Pink Couple in Mark Tippet’s Bruch Violin Concerto No. 1, Red Couple in Twyla Tharp’s Brief Fling, Little Sister in Tudor’s Pillar of Fire, Jiří Kylián’s Petite Mort, Scherzo in Wheeldon’s A Midsummer’s Night Dream, Flames of Paris Pas De Deux, Clara and Dew Drop in The Nutcracker, Michael Pink’s Dracula, Derek Deane’s Romeo and Juliet, Septime Webre’s Alice (in wonderland) and The Wizard of Oz and Fernand Nault’s Carmina Burana.

Generously supported by Heather and Conor McCallin Melissa Zoebisch

Melissa grew up in Mexico and studied at the Chamber Ballet of Jalisco. She received a scholarship to attend for a year at the Kirov Academy of Ballet in Madame Sizova’s class, and returned to Mexico to graduate. Throughout her school years, she participated in many workshops around the world including: Cuba, Canada, Austria, Spain and the United States. In 2005, Melissa joined the National Dance Company, where she performed soloist roles in her first year in ballet like Swan Lake, The Nutcracker and Sleeping Beauty.

In 2010, she was a finalist at the Korea International Ballet Competition and received a Special Award. Before joining Colorado Ballet in 2014, she had been freelancing with her husband around the country. At Colorado Ballet she has been featured in roles like Lilac Fairy in Sleeping Beauty, Sugarplum Fairy in The Nutcracker, Wicked Witch in The Wizard of Oz, to name a few. Her other repertoire includes principal roles in Giselle, The Sleeping Beauty, The Nutcracker, Paquita, Don Quixote, original contemporary choreographies and many others.

Generously supported by Christy Honnen

8 Peter Pan • Colorado Ballet

CORPS DE BALLET Joshua Allenback Josh Allenback, a native of Colorado, has been dancing since he was four years old. He has studied on scholarship with American Ballet Theatre, The Rock School and Joffrey Ballet. He was a member of Houston Ballet II as well as Ballet San Antonio.

Josh has performed many principal roles including Firebird’s Katchi, Giselle’s Prince Albrecht, Cavalier and Snow King in The Nutcracker and Prince Florimund in The Sleeping Beauty. He joined Colorado Ballet’s Studio Company in 2013 and was promoted to the Company in 2014. With Colorado Ballet, he has performed in Swan Lake, George Balanchine’s Serenade, Jiří Kylián’s Petite Mort, Yuri Possokhov’s Firebird and more.

Generously supported

by Rita and Brad Sonnenberg Arianna Ciccarelli

Arianna Ciccarelli is from Bristol, CT. She began dancing ballet at age 12 and studied in the pre-professional resident program at The Nutmeg Conservatory for The Arts, studying under Eleanor D’Antuano, Sharon Dante, Kirk Peterson and Victoria Mazzerelli. She also spent her summers training at The School of American Ballet, English National Ballet, Joffrey Ballet and Washington Ballet. Arianna was a member of the Colorado Ballet Studio Company in the 2013-2014 season. Before joining Colorado Ballet in 2016, she spent two years with Ballet Arizona dancing works by George Balanchine and Ib Andersen.

Since joining the Company, she has performed Little Russians in George Balanchine’s Serenade, Twyla Tharp’s A Brief Fling, the Generosity Fairy in The Sleeping Beauty, Little Mermaid in Lynne Taylor Corbett’s The Little Mermaid, Cygnets in Swan Lake, Clara, Crystals, Spanish, Doll and Marzipan in The Nutcracker, in Antony Tudor’s Pillar of Fire and in Bruch Violin Concerto No. 1. She has also choreographed two ballets for Company dancers to perform in Colorado Ballet’s Attitude on Santa Fe performances.

Generously supported

by Ann and Ford Frick Simon Costello

Simon Zinabu Costello was born in a small town in Ethiopia called, Mudula.

Growing up, it seemed the only way Simon and his friends knew how to celebrate anything was through dancing. Of course, these celebratory dances were not ballet, but from an early age, this instilled the joy of dance in him. He left Ethiopia and in 2008 and was adopted by an American family in South Bend, Indiana. A few years later, Simon joined a local school, Southold Dance Theater, and trained there for eight years. In 2015/2016 he traveled to Dresden, Germany to dance with Palucca HochSchule Fur Tanz. After a year in Germany, Simon left to join the Colorado Ballet Academy in 2016. He was promoted to the Studio Company in 2017, Apprentice in the Company in

DANCERS 2018 and the Corps de Ballet in 2019. Simon has performed in Romeo and Juliet, Dracula and Firebird.

Generously supported by Sandi Mays Mackenzie Dessens

Mackenzie Dessens is from New Orleans, Louisiana where she began her training at Giacobbe Academy of Dance and privately with Kimberly Beck. She attended summer programs in New York with the School of American Ballet and American Ballet Theatre. Mackenzie continued her training at Houston Ballet’s Ben Stevenson Academy and upon completion, joined Cincinnati Ballet’s second company. With Cincinnati Ballet, Dessens’ repertoire included Peter Pan, 7th Symphony, The Nutcracker, Alice (in wonderland), Symphony in C and the world premiere of King Arthur’s Camelot, in which she performed as the Lady of the Lake. She joined Colorado Ballet in 2015. Since joining Colorado Ballet, her notable repertoire has grown to include Clara in The Nutcracker, the Pas de Trois from Dominic Walsh’s Wolfgang (for Webb), Little Russians in George Balanchine’s Serenade, Jiří Kylián’s Petite Mort and Cygnets and Pas de Trois in Swan Lake, Red Couple in Twyla Tharp’s Brief Fling, Canary Fairy and Princess Florine in The Sleeping Beauty, as well as Chramer in Fernand Nault’s Carmina Burana. Dessens is also recognized as a principle guest artist with Jefferson Ballet Theatre. JBT is associated with the Jefferson Performing Arts Society in New Orleans, LA which holds the reputation of being “Louisiana’s Cultural Leader.”

Generously supported

by Frank Wiederman Regan Kucera

Regan Kucera grew up in Cary, North Carolina and started dancing at the age of four. She studied at International Ballet Academy in Cary. She attended summer programs at American Ballet Theatre, Orlando Ballet with full scholarship and Saratoga Springs.

She has participated in competitions including Youth American Grand Prix and World Ballet Competition. In 2013, she joined Colorado Ballet’s Studio Company and was promoted to the Company in 2016. Her favorite roles with Colorado Ballet have been Cygnets in Swan Lake and Jiří Kylián’s Petite Mort.

Generously supported by Patty Lorie Bryce Lee

Bryce Lee was born in Missouri and began his professional training at age 12 at Dmitri Kulev Classical Ballet Academy in Laguna Hills, California.

In the summer of 2011, he attended the School of American Ballet and was asked to stay for the Winter Term program from 2011-2012. He has attended several summer courses on full scholarship including SAB, Miami City Ballet and Colorado Ballet. Bryce has received several awards in classical and contemporary forms of dance as well as 1st place, semi-finalist at YAGP Europe and two-time YAGP Finalist Qualifier. He has also guested for numerous ballet schools across the US, including performances in Vancouver. Bryce had the pleasure

to perform principal roles in Paul Mejia’s Seasons and Donizetti Variations. He joined Colorado Ballet’s Studio Company in 2013 and was promoted to the Company in 2015. Since then, he has performed numerous professional works including Christopher Wheeldon’s A Midsummer Night’s Dream, Michael Pink’s Dracula, Clark Tippet’s Bruch Violin Concerto No. 1, Ben Stevenson’s Cinderella, Chinese and Russian in The Nutcracker, Tweedle Dee in Septime Webre’s ALICE (in wonderland), Swan Lake, Clark Tippet’s Bruch Violin Concerto No. 1, The Little Mermaid, George Balanchine’s Serenade, Jiří Kylián’s Petite Mort and Yuri Possokhov’s Firebird.

Generously supported

by The Patrick Keleher Family Francesca Martoccio

Originally from Miami, Florida, Francesca Martoccio received her early ballet training at Thomas Armour Youth Ballet and at the New World School of the Arts. In May 2016, Francesca graduated from SUNY Purchase where she received her Bachelor of Fine Arts in Dance with a Ballet Concentration.

She performed several roles with Purchase Dance Company including the lead in Balanchine’s Valse Fantaisie and “Sanguinic” in Balanchine’s The Four Temperaments. In the fall of 2014, Francesca was chosen by the faculty to study abroad in Hong Kong, China at the Hong Kong Academy for Performing Arts (HKAPA). In the summer of 2016, she had the pleasure of working with John Gardner and Amanda McKerrow on a duet from Antony Tudor’s The Leaves are Fading. After graduating, Francesca joined Colorado Ballet’s Studio Company in 2016, was promoted to Apprentice in the Company in 2017 and then to the Corps de Ballet in 2019.

Generously supported by Adrienne Toon Leah McFadden

Leah Rose McFadden grew up in a small town called Dowagiac, Michigan.

At age 11, she began her ballet training with Southold Dance Theatre, a pre-professional school in South Bend, IN. During Leah’s six years at Southold, under the direction of Erica Fischbach, she participated in YAGP and received a number of awards. Leah also attended summer intensives at Gelsey Kirkland Academy, Grand Rapids Ballet, Miami City Ballet and Colorado Ballet. In 2015, she joined Miami City Ballet’s Pre-Professional program year-round. During her time there, Leah also performed with Miami City Ballet’s company as Chinese in Balanchine’s The Nutcracker, as well as touring with the company to New York and Chicago, performing in Balanchine’s Bourrée Fantasque.

Leah joined Colorado Ballet’s Studio Company in 2016, was promoted to Apprentice in the Company in 2018 and then to the Corps de Ballet in 2019.

Generously supported

by Douglas Richards

Colorado Ballet • Peter Pan 9

DANCERS Fernanda Oliveira

Sara Thomas

Fernanda Oliveira is in her fifth season with Colorado Ballet. Fernanda trained at the Escola Estadual de Danca Maria Olenewa in her hometown of Rio de Janeiro, Brazil and at The Washington School of Ballet in Washington, DC. Upon graduating, she joined The Washington Ballet Studio Company under Septime Webre, where she had the honor to perform many classics and contemporary masterpieces at the Kennedy Center. Since joining Colorado Ballet, she has performed in works by Balanchine, Antony Tudor, Twyla Tharp and Val Caniparoli, among others. Fernanda has also presented her own choreography with the Colorado Ballet, the ballets Saudade (2017) and All Strings Attached (2018), for Colorado Ballet’s Attitude on Santa Fe program.

After performing the lead in Septime Webre’s Sympathique, she received honorable mention in the DC Metro Theater Arts’ review as, “a commanding presence… she is in control, is perfectly poised, and…lets the entire audience know she was born to perform.”

Sara Thomas is originally from Bucks County, Pennsylvania. She began her ballet training at the age of 12 with Metropolitan Ballet Academy under the direction of Lisa Collins Vidnovic, Natalya Zeiger and Denise D’Angelo.

While in school, she was selected by Roy Kaiser to perform in Pennsylvania Ballet’s The Nutcracker as Spanish. She also competed in YAGP and went to Regional Dance America where she won several full scholarships to summer programs.

Sara spent summers training with BalletX, Washington Ballet and Atlanta Ballet. She joined Colorado Ballet’s Studio Company in 2012. Sara then danced with Nashville Ballet under the direction of Paul Vasterling for a few seasons where she performed in several ballets, including Balanchine’s Serenade and Fairies in Peter Pan. In 2015, she returned to Colorado Ballet and joined the Studio Company where she had the opportunity to perform some of her favorite ballets with the Company including Swan Corps in Swan Lake, Balanchine’s Serenade and Princesses in Possokhov’s Firebird. Sara joined the main Company as an Apprentice in 2017 and was promoted to the Corps de Ballet in 2019.

Generously supported by David Bayendor Tyler Rhoads

Tyler Rhoads is from Midland, Texas, where he began his training with Susan Clark at Midland Festival Ballet.

He later went on to train on fullscholarship at the Harid Conservatory in Boca Raton, Florida, under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva.

After graduating in 2011, he attended Indiana University’s Jacobs School of Music, where he studied under acclaimed staff Violette Verdy and Michael Vernon. He had the opportunity to perform a variety of works including George Balanchine’s The Four Temperaments, August Bournonville’s Napoli and Twyla Tharp’s Sweet Fields. Upon his graduation from college, Tyler joined Colorado Ballet’s Studio Company and was promoted to the Company in 2016.

Generously supported by Naji Ghorayeb Jeremy Studinski

Jeremy Studinski was born in Colorado and began his ballet training at the age of nine at the Colorado Conservatory of Dance in Broomfield. He then went on to join Colorado Ballet’s Studio Company in 2012 for one season where he danced Corps de Ballet roles in Sleeping Beauty, Light/The Holocaust and Humanity Project, Le Sacre du Printemps (The Rite of Spring) and Balanchine’s Theme and Variations. He then went on to join Orlando Ballet II in 2013 and was promoted to the main company in 2015, performing notable roles such as Gaston in Arcadian Broad’s Beauty and the Beast, Franz in Coppelia, and Peter in Peter and the Wolf. He rejoined Colorado Ballet as a Corps de Ballet member in 2017 and has enjoyed dancing as Quincey in Dracula, the Nutcracker Prince in The Nutcracker and Benvolio in Romeo and Juliet.

Generously supported by Barbara Clark

10 Peter Pan • Colorado Ballet

Generously supported

by Colleen Curran and Stephen Boane Sarah Tryon

Sarah Tryon was born in Hanmer, Ontario, Canada and at the age of 12 was accepted to train at Canada’s National Ballet School. During her six years with NBS, Sarah was selected to partake in exchange programs with various international schools including Pacific Northwest Ballet School in Seattle, École Supérieur De Danse Rosella Hightower in Cannes France and Tanz Akademie Zurich in Switzerland. After graduating in 2010, she moved to New York City to train with world-renowned coach Edward Ellison. In 2013, Sarah joined the Sarasota Ballet as a corps de ballet member. During her two seasons with the Sarasota Ballet, Sarah performed many works by major choreographers including George Balanchine, Agnes DeMille, Will Tuckett, Rudolph Nureyev, Christopher Bruce, Mikhail Fokine, Paul Taylor, Sir Antony Tudor and Sir Frederick Ashton. Highlights of Sarah’s time with the Sarasota Ballet include performing in Balanchine’s Who Cares?, Serenade, Four Temperaments and Rubies; Ashton’s Façade, La Fille Mal Gardée, Sinfonietta, Les Patineurs and Montones I; Christopher Bruces’ Sergeant Early’s Dream; Will Tuckett’s Lux Aterna; Agnes De Milles’ Rodeo; Antony Tudor’s Gala Performance; Mikhail Fokine’s Petrushka; Paul Taylor’s Company B; and Nureyev’s Raymonda.

Since joining Colorado Ballet in 2015, Sarah has performed at the Vail International Dance Festival in Balanchine’s Concerto Barocco (2015) and Serenade (2017, 2019). Sarah has danced many notable roles soloist and principal roles including: Effy in Bournonville’s La Sylphide; Clara in The Nutcracker; Twin, Four Little Flamingos and Card in Septime Webre’s ALICE (in wonderland); Curly Cue and Popcorn Girl in Septime Webre’s The Wizard of Oz; first duet in Dominic Walsh’s Wolfgang (for Webb); Dark Angel in Balanchine’s Serenade; second pas de deux in Jiří Kylián’s Petite Mort; Little Princesses in Yuri Possokhov’s Firebird; Aqua in Bruch Violin Concerto No. 1; Innocence in Sir Anthony Tudor’s Pillar of Fire; Red in Twyla Tharp’s Brief Fling; second pas in Val Caniparoli’s In Pieces; Princess Florina, Silver, Cat, and Fairy of Serenity in The Sleeping Beauty; Amy Seiwert’s Traveling

DANCERS Alone; Garett Ammon’s Creatures of Prometheus, In Trutina and Dulciciemme in Fernand Nault’s Carmina Burana; Mina in Michael Pink’s Dracula; and Juliet in Derek Deane’s Romeo and Juliet.

Generously supported

by Janet and John MacFarlane Benjamin Winegar

Ben Winegar is from Grand Rapids, Michigan. He began his training at the School of the Grand Rapids Ballet at the age of 11, where he was trained

by Attila Mosolygo, Gaiane Akopian and Akop Akopian. During his training, he had the opportunity to perform in several ballets with the Grand Rapids Ballet Company. In 2010, Ben spent a year training at the School of American Ballet. Upon graduating, he danced one season with the Los Angeles Ballet under the direction of Thordal Christensen and Colleen Neary. Since joining Colorado Ballet’s Company in 2012, he has danced in Swan Lake, The Nutcracker, Jiří Kylián’s Petite Mort, Bruch Violin Concerto No. 1, ALICE (in wonderland), La Sylphide, Christopher Wheeldon’s A Midsummer Night’s Dream and Michael Pink’s Dracula, among others.

Generously supported

by Donna and Ted Connolly

APPRENTICES Liam Hogan Liam Hogan grew up in Houston, Texas where he began his ballet training at the Houston Ballet Academy under the guidance of Claudio Muñoz and Andrew Murphy. Liam completed his training at the Harid Conservatory in Boca Raton, Florida under the guidance of Meelis Pakri and Svetlana Osiyeva. Following graduation with accolades in modern dance, Liam spent a year with the Washington Ballet Studio Company under the direction of Julie Kent. While dancing with the Washington Ballet, Liam was coached by Victor Barbee and Julie Kent. He also had the opportunity to work closely with choreographer Marco Pelle who set the Pas de Duex Libera! on him performing in multiple venues, including the Kennedy Center for Performing Arts and the Italian Embassy in Washington DC. Liam was also honored to have Marcelo Gomez choreograph on him for the world premiere of his ballet Outset. Notable works include “Molly Pas de Deux” in John Neumeier’s Yondering, Libera! by Marco Pelle, Outset by Marcelo Gomes and Minor Threat by Mark Godden. Liam joined Colorado Ballet’s Studio Company in 2018 and was promoted to Apprentice in the Company in 2019.

Generously supported

by Cari and Mark Spiecker

Tate Lee Tate Lee was born in Illinois and raised in Mission Viejo, California. He trained primarily with Dmitri Kulev and Jennifer Langenstein Kulev at the Dmitri Kulev Classical Ballet Academy in Laguna Hills, California. He has received scholarships and attended numerous summer programs including American Ballet Theater, Boston Ballet School and School of American Ballet where he received the Jerome Robbins’ Award of Merit. Tate was recognized as a prize winner for classical dance by the prestigious Los Angeles Music Center Spotlight Awards and in 2016, he was selected to travel to Lausanne, Switzerland for the Prix de Lausanne. Tate began his career with Colorado Ballet during the 2017-2018 season as a member of the Studio Company. He was promoted in the spring of 2018 to Apprentice for the 2018-2019 season.

This is his second season as an Apprentice.

Generously supported

by Pam and Mike Copp Ariel McCarty

Originally from Allen, TX, Ariel McCarty began dancing/ballet at the age of three.

At the age of nine, she began training in Dallas at Texas Ballet Theatre under the direction of Jan Miller and Lyndette Galen. Ariel relocated to Denver to begin training with Colorado Ballet Academy’s Pre-Professional program under Valerie Madonia and Erica Fischbach. While in the Academy, she had the opportunity to perform in numerous pieces and excerpts including Swanilda in the Academy’s full production of Coppelia. As a part of her training, Ariel attended many summer intensives including TBTS, ABT, Boston Ballet, Ballet West, Colorado Ballet, School of OBT and DanceTheatre of Harlem, where her well-rounded training continued. In 2017, she was promoted to Colorado Ballet’s Studio Company. Ariel was promoted to the Company in 2018. This is her second season as an Apprentice.

Generously supported by Yvette and Chris Frampton and Family Alexander Roy

Alexander Roy is from Chicago, Illinois and received his training from the Chicago High School for the Arts. As a student he performed lead roles in ballets such as Sleeping Beauty and Paquita. In 2016 Alexander joined The Joffrey Academy of Dance as a Trainee on a full scholarship. While at Joffrey he performed soloist and ensemble roles in Swan Lake, Symphonic Variations and Napoli. In 2018 Alexander joined Atlanta Ballet as a Second Company member under the leadership of Gennadi Nedvigin and Sharon Story. During his time at Atlanta Ballet he performed Corps De Ballet roles alongside the main company in La Slyphide and Yuri Possokhov’s world premiere of The Nutcracker.

Alexander is a two time Youth America Grand Prix finalist and has choreographed two of his own ballets. Alexander joined Colorado Ballet as an Apprentice in 2019.

Generously supported by Michael Bena Colorado Ballet • Peter Pan 11

DANCERS Alexandra Wilson

PHOTO BY JESSICA KAMINSKI

scholarship with the Kirov Academy of Ballet. During her final semester with the Kirov Academy, Alexandra was selected by the artistic director of the Universal Ballet Company to travel to South Korea and perform in their full-length production of Swan Lake. Upon graduation, Alexandra returned to South Dance Louisville Atlanta Washington Korea, Co., joining the CorpsBallet, de Ballet of theBallet, Universal Ballet for Ballet and Pennsylvania Ballet’s latesttoproduction of their 2016/2017 season. After returning the states, she “Nutcracker.”

Judanna formerly danced with San joined Colorado Ballet’s Studio Company and was promoted to Francisco Ballet andin was ApprenticeOpera in the Company 2019.a resident costume

Guest Biographies

Alexandra Wilson was born and raised in Highlands Ranch, Colorado. She began training with the Colorado Michael Pink, Choreographer Ballet Academy at age 9, spending her summers training on scholarships Michael Pink isAlexandra currentlycompeted across the nation.

Director of Milwaukee inArtistic Youth America Grand Prix and was Ballet Company.

Since that time awarded First Place Classical in Denver leading herestablished to the New York Finals. he has himself as At a age 16, Alexandra accepted an invitation to trainof full-time prominent member the on

Milwaukee arts community, demonstrating his commitment to the future of dance through new work, education and colMichael Pink, Choreographer laboration. His artistic vision for Milwaukee Ballet is Michael Pink is the longest serving both exciting and challenging.

His long awaited producartistic director in Milwaukee Ballet a major landmark in the tion of Peter Pan signified history.

His long-awaited production of Peter Pan a major landmark Company’s history in 2010.

Mr. signified Pink’s theatrical proin the Company’s history and was ductions of Dracula, The Nutcracker, Swan Lake, broadcast PBS. Pink is Giselle 1943, Don Quixote, The nationally Sleeping by Beauty, an international choreographer whose and Romeo Juliet Coppelia, Cinderella, Esmeralda theatrical productions of & Dracula, have all been hailed asThe ‘Classical Ballet for the 21stSwan Hunchback of Notre Dame, Lake, Giselle, The Sleeping Beauty, was filmed

by Milwaukee Century’. Romeo and Juliet Cinderella, Romeoin & 2007.

Juliet, La Bohème, Don Quixote, Public Television Michael is thrilled and Mirror Mirror, Dorian and Beauty been delighted to beGray bringing Peterand PanthetoBeast life inhave Denver, hailed as ‘Classical Ballet for the 21st Century’. His first Colorado Ballet holds a was verynominated special infor hisa heart. professional work, 1914, West End

designer of The Juilliard School. She Generously supported by is also a painter whose work Korenblat has been seenand at theNatalia Rizzoli andBallinger Miniatura Michael Galleries in New York City, the Philadelphia Museum of Fine Art, and in private collections.

GUEST BIOGRAPHIES

Theatre Award, London. His early choreographic work won him first place in the Frederick Ashton and the Royal Society of

Philip Feeney, Composer Arts Choreographic Competitions.

He has worked as répétiteur

for Rudolf Nureyev at the Paris Opera and La Scala Milan. He Philip Feeney compositrained as a classical dancer at The Royal studied Ballet School and tionBallet at the1975 University danced with English National to 1985.of Pink was the with Robin founding director of BalletCambridge Central in London; he also served as associate artistic director Holloway of Northernand Ballet.

Hugh Wood, and

at the Accademia di Santa

Philip Feeney, Composer Cecilia in Rome under Franco

Donatoni.

His works The British composer and have pianistbeen Philip Feeney studied at Cambridge performed extensively throughand Accademia Cecilia in outtheEurope, anddiheSanta is most Rome.

His compositions range from noted for his work in ballet and dance. He collaborated full-length orchestral ballet scores to with Christopher Gableelectro-acoustic and Michel Pink in 1996 to soundscapes, jazz Dracula . This was write the highly acclaimed score and hip hopfor scores.

For Northern in the he hasPink’s provided eight closely followed by theBallet music for UK Michael scores.

Michael Pink Esmeralda in 1997. Hefull-length has worked withWith Culberg Ballet, heBirmingham has collaborated on full-length Scottish Dance Theatre, Royal Ballet, narrative ballets from Dracula (originally created for Northern London Dance.

He continues to playMirror in Ballet) toContemporary those for Milwaukee Ballet: Peter Pan (2010), London, at Ballet and at the London Mirror (2014), TheCentral Picture of Dorian Gray (2016) and Beauty and the Beast (2018).

Cellist,and for the Royal Ballet in Contemporary DanceThe School, is currently preparing London, is theBallet latestCentral in a series of collaborations withwill Cathy for the 2012 National tour, which Marston, Jane Eyre and for Northern Ballet, include a following new collaboration withVictoria Rambert dancer/chotogether with The Suit for Ballet Black and Snowblind (San Circle of Five . reographer Mikaela Polley, entitled Francisco Ballet). This year also sees Of Love and Rage for the choreographer Alexei Ratmansky for American Ballet Theatre.

Judanna Lynn,Costume Costume Designer Judanna Lynn, Designer

Judanna designed cos-for Judanna hashas designed costumes tumes formajor mostdance of the major in most of the companies thedance Unitedcompanies States, among themUnited New in the York City Ballet (“Seven Sins” States, among themDeadly New York with Patti Lupone and Wendy Whelan), City Ballet (“Seven Deadly San Francisco Ballet, Boston Ballet, with Patti Lupone and Sins” Alvin Ailey, Ballet West, Milwaukee Wendy Whelan), SanNorthwest Francisco Ballet, Ballet Met, Pacific Ballet, Pittsburg Hartford Ballet, BostonBallet, Ballet, Alvin Ballet,

Ailey, Ballet West, Milwaukee 12 Peter Colorado Ballet Ballet, Pittsburg Ballet, BalletPan Met,• Pacific Northwest Ballet, Hartford Ballet, Hubbard Street, The Hose Limon

David Grill, Lighting Designer Hubbard Street, The Jose Limon Dance Co., Louisville Ballet,

Atlanta Ballet, Washington Ballet and Pennsylvania Ballet’s latest David Grill has designed production of The Nutcracker.

Judanna formerly dancedlightwith San Francisco Opera Balleting andfor wastheater, a resident costume designer dance, opera, of The Juilliard School. Shetelevision, is also a painter whose work has architectural projbeen seen at the Rizzoli and Miniatura Galleries in New York City, ects, and industrials taking him the Philadelphia Museum of Fine Art and in private collections.

from the Great Wall of China to

theDesigner great stage of Radio City David Grill, Lighting

Music Hall. Mr. Grill was nomi-

David Grill twelve-time Emmy nated forisaa Chicago Midwest Award Nominee and four-time Emmy Award for Milwaukee Primetime Emmy Award winner. He Ballet’s Romeo and Juliet, a Daytime Award for also won a 2015 Emmy and 2016 Telly Award Outstanding Lighting Design for the Opening for his Lighting.

Dance credits include AmericanGames Dance Machine, Ceremonies of the PanThe American Rio 2007works and for the Milwaukee Atlanta Ballet, received a Primetime Emmy Award forBallet, Outstanding Colorado Ballet, Ballet Met, Houston Lighting Direction for the Opening Ceremony Salt Lake Ballet, Kansas City Ballet, Ballet Austin, 2002 Olympic Winter Games. credits Ballet NY,Dance Northern Balletinclude Theatre, works for Ballet, Milwaukee Atlanta Cincinnati Royal Ballet, Winnipeg Ballet,Ballet, DaytonBalletMet, Ballet, ABT 2, DancesBallet, PatrelleBallet and Numerous Choreographers.

Mr.Ballet Grill Houston Austin, Ballet NY, Northern was also Cincinnati responsibleBallet, for lighting theWinnipeg Clinton Global Initiative Theatre, Royal Ballet, and also provides Lighting Direction for the National Memorial Dayton Ballet, ABT 2, Dances Patrelle (Resident Day and July 4th concerts and for over 17 Super Bowl HalfDesigner), choreographers and the Purchase time Shows.numerous He has been featured in numerous publications College of Dance. and is anConservatory Associate Professor and Co-Chair of the Design / Technology Program at Purchase College, State University of New York.

Rick Grahan, Scenic Designer Rick Graham, Scenic Designer Richard H. Graham is an

Mr. Graham was a Resident Associate Professor of Scenic and Lighting Designer for the Milwaukee Graphics and Design at the Repertory Theatre Company for five University of Wisconsinyears during Nagel Jackson’s artistic Milwaukee. was aLighting resident leadership and He Resident scenic for andthe lighting designer Designer Milwaukee Ballet for Company for threeRepertory years during Jean the Milwaukee Paul Comelin’s artistic for leadership.

Theatre Company five years Mr. Graham has also been a Resident and resident lighting designer Designer at the Alley Theatre in for the Milwaukee Company for the last three Houston and the MillBallet Mountain Playhouse in Roanoke, years of the Jean Paul Comelin Artistic Virginia.

He has designed for theatre, danceleadership. and opera across the country, including New York and Chicago for Graham has also been a resident designer at theand Alley virtually in every theatreand company in Milwaukee well as thein Theatre Houston the Mill MountainasPlayhouse Milwaukee Art Museum, the Milwaukee Symphony Orchestra Roanoke, VA. His international credits include producand Discovery World. He was resident designer for Theatre X tions Germany, Japan, of Australia, Canada China. for 14inyears and a member the company.

His and international He was include resident scenic and lighting designer for credits productions in Germany, Japan, Australia, Canada, XSlovenia, Franceand and was China. has designed multiple Theatre for 14 years a He company member. productions for Michael Pink’s Milwaukee including La He has designed for The Theatre for a Ballet New City in New Boheme and Peter Pan which was broadcast in prime-time York, Stage Left in Chicago and virtually every theatre on PBS nationwide. He recently received the Albert Nelson company in Milwaukee.

Marquis Lifetime Achievement Award with a half page in the 2018 Who’s Who.

STUDIO COMPANY

Front Row: Gabriele Lukasik, Catherine Aoki, McKenzie Thomas, Renee Castonguay, Gabriela Rodriguez, Sheridan Guerin Middle Row: Alejandro Perez, Madeleine Kuebler, Kyra Hughes, Jacqueline Gionet, Catherine McGregor, Robbie Downey, Benjamin Rose Back Row: Tyler Humphrey, Alexandra Gilliom, Rosemary Shahani, Isabelle Browne, Hannah Lesold, Ever Larson, Shelby Vennekotter, Jacob Ray

Generously supported by David Andrews

COLORADO BALLET ORCHESTRA Adam Flatt, Music Director & Principal Conductor | Catherine Sailer, Associate Conductor First Violin Lydia Sviatlovskaya, Concertmaster Debra Holland Britt Swensen Chris Jusell Tak Sugishita Margaret Soper Gutierrez Sharon Park Adrienne Short Second Violin Leslie Sawyer, Principal Phyllis Carlson Gyongyver Petheo Annamaria Karacsony Cynthia Mancinelli Robyn Sosa Viola Michael Brook, Principal Stephanie Mientka Lora Stevens Aniel Cabรกn Cello Jeff Watson, Principal Elle Wells Carole Whitney Trevor Minton Bass David Crowe, Principal Brett Armstrong Jeremy Nicholas

Flute Paul Nagem, Principal Elizabeth Sadilek Alto Flute Paul Nagem Piccolo Elizabeth Sadilek Oboe Lauren Blackerby, Principal Kathryn Dupuy Simpson Clarinet Marianne Shifrin, Principal April Johannesen

Horn Matthew Scheffelman, Principal Stuart Mock Susie Fritz Steve Simpson Trumpet John King, Principal Derek McDonald Trombone Rob Olds, Principal Jeff Craig Bass Trombone Jeremy Van Hoy

Eb Clarinet Marianne Shifrin

Tuba Jim Andrus, Principal

Bass Clarinet April Johannesen

Timpani Mark Foster, Principal

Bassoon Kaori Uno-Jack, Principal Brian Jack

Percussion Peter Cooper, Principal Scott Higgins

Harp Pamela Eldridge Piano Catherine Sailer, Principal Keyboard Sara Parkinson

Colorado Ballet Orchestra members are represented by the Denver Musicians Association, Local 20-623 of the American Federation of Musicians.

Colorado Ballet โ ข Peter Pan 13

SUPPORTERS As of January 16, 2020 (Includes 14 months of giving) LEADERSHIP CIRCLE $100,000+ Corporations, Foundations, and Government Agencies AMM Charitable Fund Bonfils-Stanton Foundation Occidental Petroleum Scientific and Cultural Facilities District (SCFD) Individual Donors Raydean Acevedo Sandy Elliott Pam and Duke Hartman Sally Murray OVATION CIRCLE $50,000+ Corporations, Foundations, and Government Agencies Colorado Ballet Auxiliary The Shubert Foundation, Inc. FOUNDERS CIRCLE $20,000+ Corporations, Foundations, and Government Agencies The Anschutz Foundation Arrow Electronics Avenir Foundation DCP Midstream Denver Ballet Guild Genesee Mountain Foundation Independence Capital Holdings MidFirst Bank Nichols Charitable Foundation PNC Wealth Management Individual Donors Lisa Levin Appel Jean and Hugh Armstrong Holly Baroway and Erik Cederlund Janis Brewster Colleen Curran and Stephen Boane Ann and Ford Frick Christine L. Honnen Lynnette Morrison Jane and Gordon Netzorg Douglas Richards Cheri and Alan Rubin Brad and Rita Sonnenberg Susan and Stephen Struna Debbi and Bill Tryon DIRECTOR CIRCLE $10,000+ Corporations, Foundations, and Government Agencies Accenture, LLP Anna and John J. Sie Foundation Armstrong Foundation Boon Family Charitable Fund Colorado Creative Industries CSU Global Denver Children’s Affairs Holland & Hart John G. Duncan Charitable Trust The Kenneth King Foundation Margulf Foundation Mark and Bernee Strom Foundation Merle Chambers Fund

Ralph and Florence Burgess Charitable Trust Rea Charitable Trust Swalm Family Foundation Twelve Twenty- One Fund/ Peggy Goldman Virginia W. Hill Foundation Individual Donors David L. Andrews Michelle Moorman-Applegate and Robert Applegate Liz and Bill Armstrong Brent and Melanie Kopperud Backes William and Karen Curtis Kaye Ferry Paul E. Goodspeed and Mary Poole Chris and Alyson Graves Carl Hartman Sami Hartman Curt and Nancy Hockemeier Michael Korenblat and Natalia Ballinger Merry and Steven D. Logan Sandi Mays Rachel and Yuval Moskovich The Ponzio Family Nancy and Thomas Stevens Katherine and Michael Whitcomb CHOREOGRAPHER CIRCLE $5,000+ Corporations, Foundations, and Government Agencies Bowen Family Performing Arts Fund Cigna Colorado Storage Systems Community First Foundation DCP Midstream Matching Gifts Program The Glyphis Family Charitable Fund Hackstock Family Foundation IMAGINE 2020 Fund, Denver Arts & Venues LDK Logistics, Inc PNC Foundation Read Foundation Roubaix Capital Saunders Construction, Inc. The Sherwin-Williams Company The Schramm Foundation Individual Donors Urse L. Albers James and Marisa Aoki Ellen Balaguer and Mark Chase David Bayendor Jeffrey and Tammi Belden Michael Bena Heidi Marie Burose Troy and Lauren Butler Christina Crow Larry Corff Jo Marie and George Dancik Nick and Anne Hackstock Jim Harvey Debby Herz Lyman Ho and Joan Cravens Jan and Gordon Holfelder

14 Peter Pan • Colorado Ballet

Mary Anna and Sonny Hutchison Diana and Michael Kinsey Melissa Koren Don and Mary Lou Blackledge Kortz Dana Krauser Geoff and Arika Long Joanne Posner Mayer Gina and Jim Lorenzen Joanne Posner Mayer Jonathan and Cleo Rauchway Denise and James Sanderson Gloria Sankel Dick and Jeanne Saunders David Scanavino and Ms. Ivelisse Torres Suzan and Gary Schlatter Adrienne Toon Julie C. Van Camp Elizabeth Katkin-Waryn and Richard Waryn Frank Wiederman BALLET MISTRESS CIRCLE $2,500+ Corporations, Foundations, and Government Agencies Arnold & Porter Bank of the West Bright Funds Burn Bright Fund Carla Dore/ Workplace Resource Charities Aid Foundation of America Colorado Health Foundation Davis, Graham & Stubbs Denver Post Community Foundation KUH Lincoln LLC Mile High United Way Muon New Health Services Polsinelli Reilly Pozner LLP Richards Carrington, LLC Robinson, Waters & O’Dorisio Stifel-Baroway Financial Group University of Colorado Health Wheeler Trigg O’Donnell Individual Donors Anonymous Austin Akers Donna Antonoff Mark Bailey Gil Boggs and Sandra Brown Gene Child Barbara Clark Donna and Ted Connolly Mike and Pam Copp Cortney and Steve Crouch The Estate of Doryann Duncan Kevin Ellson Zach and Katie Frisch Richard and Julia Parrino George Marla and Richard Gentry Naji Ghorayeb Rebecca Givens Daniela Golden Susan Hamil

David and Mary Mead Hammond Sally Haas Helen and Matthew Hayes Doug and Connie Imhoff Howard Janzen Richard Koseff Patty Lorie John and Janet MacFarlane Sam and Luleta Maslak Heather and Conor McCallin Frank and Janet Nessinger Judith Anne Ballou Noerr Bonnie Perkins Bill Plummer Mark and Martha Reese Connie and Michael Schingle Eileen Sharkey and James Darling Steve and Myra Skinner Cari and Mark Spiecker Dr. Carol A. Stamm Kari and Daryl Stewart Maureen Tarrant John Uppendahl and Travis Railey Britt and Jason Urband PRINCIPAL CIRCLE $1,000+ Corporations, Foundations, and Government Agencies Andrews Photography April Fund The Caulkins Family Foundation City and County of Denver Arts & Venues ConocoPhillips Corrigan and Rice Fund Developmental Pathways Fuller Family Fund GCUC Gilman Family Foundation GRs Foundation Humphreys Foundation Kozlowski Family Fund McLaughlin Law Group Microsoft Giving Campaign Records-Johnston Family Foundation, Inc YPO Colorado Chapter Individual Donors Anonymous Christina and Anthony Albanese Mary Amend Cindy and Scott Baroway Susie Biehl Sharon and Steven Birnbaum Mr. and Mrs. Louis Bissette Ken and Keri Blair Jan and John Blumer Luke and Nancy Boland Paul and Lacey Books Haley Branch Nancy Brandwein Mr. David Bratten and Ms. Kimberly Bruetsch Joseph J. Bronesky and Jacquelin A. Medina Benjamin and Kathy Brown Richard King Brown Stephen and Kristin Brownson

SUPPORTERS Ghislaine G. Torres Bruner and Marc Edward Bruner Suzanne and James Buchanan John and Jenna Burstein Bruce and Kathy Butterfield John and Marty Chamberlin Scott and Alyssa Clarke Dr. and Mrs. Alan Como Donald Cook Mr. and Mrs. Peter Byers Corrigan Carolyn E. Daniels Joseph M. Demmler Cara and Scott Dessens Joy Dinsdale Wendy and Marcus Divita Erin and Matthew Dollarhide Lynn Bolinske Dolven Margaret Dzwilewski Patricia and Christopher Elliott Charles and Cantey Ergen Cindy and Steve Farber Ian and Deanna Farrell Andrew and Christine Fedorowicz Andi and John Freyer Jr. Yvette and Chris Frampton Melissa and Mark Garland Pam and Barry Gatz Michael Gerrity Ryan Godsil and Michelle Kent Cristy Godwin and Robert Walker Peter Griffiths Dr. Frederick and Carol Grover Drs. Fred and Theresa Grover Blake and Kristin Harris Jeff and Kathleen Hartmann Dr. Wendell and Mrs. Charlotte Hatfield Noel and Terry Hefty Allison Herman Meralee and Michael Hoffelt Joy and James Hoffman Michael Hommel Bud and Kaye Isaacs Dr. Christopher Lace and Dr. Norah Janosy James and Shannon Johnson Sangwook and Amber Ju The Patrick Keleher Family Kurt Klebe and Brooke Cheley-Klebe John Kure and Cheryl Solich Henny and Bert Lasley Greg Laugero John Lewis James and Patricia Long Antoinette Macaluso and Donald Hagengruber Elspeth MacHattie Joe Maslowski and Lona Christiansen Cong Lu and Laura McCormick Janalee and Morris McDonald Dr. James and Ms. Pat McElhinney Richard and Leah McGahee Ryan and Emily McGee Michael and Nancy McKeever Margaret R. Jurado and V.W. McKnab Carol McMurry and Patrick Spieles

Dave McReynolds Josh and Ali Metzl Mr. Greg Miller and Mrs. Jennifer HavercroftMiller Dee and Gene Milstein Mr. and Mrs. Zachary Mugge Marc and Regina Musyl Drs. Harold and Sarah Nelson Mark and Keira Norman Eric Liu and Eunice Park Susan and Dan Paulien Sue Pawlik Jake and Trisha Perlman Cason and Rachel Pierce Daniel and Pamela Piro Stefania Pruscino Dr. Akiva Rabinowitz Dave and Carole Ramsay Charlotte Revol and Heimata Rutgers Gregory and Rowena Reyes Amy and Peter Corrigan Ann Corrigan and Kent Rice Jeff and Emily Rissmiller Dennis Rodgers and Robert Gomez Carol Rollin Donna Rooney Barbara and James Ruh Daryl A. Russell Kathryn and Tim Ryan Atousa and Ava Safavi Becky and Brian Schaub Ruth Schoening Robert Schueller Anjali and Tim Schulte Brian and Kim Schwartz Adam Sexton and Silvia Comuzzi-Sexton Megan Shoflick Frank Slejko Geoff and Lauren Smart Kris and Haven Smith Lisa and Bill Snider Nina Casanova and Matthew Stenmark Harry and Vicki Sterling Gary and Sophie Steuer Bill and Mary Stow Sean and Melanie Tafaro Christopher Taylor Janet and James Tobin Steve and Wendy Topalian Jeff and Tiffany Tuell Arthur and George Ann Victor Carl Vogel Daniel and Marie Welch Mr. and Mrs. William White Dustin Wilkison and Japera Walker Wilkison Mr. and Mrs. Graham B. Williams Marilyn Wilmerding Tricia and Patrick Youssi Paul and Anne Zeckser SOLOIST CIRCLE $500+ Corporations, Foundations, and Government Agencies CoBANK Colorado Gulf Packaging Frederick Fish Foundation

Individual Donors Anonymous Renate and Horst Bergmann Elise Bowne Elizabeth Bradley Michael Breed and Cheryl Ristig Blake Brown and Diego Chimendes Liz Buckley Kiel Butterfield and Jason Malin Christin Crampton Day Mary and Carlos De la Rosa James Eckhart Margaret and Steve Fabos Grant Fritz Amanda and Steve Gash Phil and Andrea Gordon Judith Grant Eileen and Dennis Griffin Bob and Mariellen Guerra Montine Hansl Janet Hehn Linda and Steve Heiss Douglas and Dianne Herzberg Corey and Allison Hicks Orville and Debra Hinerman Brent Holliday Amanda Horvath Jeffrey and Sandi Johnson Dr. and Mrs. Richard Kem MD Derek and Kathy Konopka Adrienne Kovac Dave and Lori Kraatz Juergen and Dominique Kuebler Gary Landis Sandra Levine Michael and Kimberly Manning Kris and Jay McMullan Dr. Jeff and Mrs. Peggy Morse Michael Newman Judi and Robert Newman Jenny Nikaido Larry and Ruth Nisbet Heather Olsen James and Allison Parilla Cathy Richards Michael and Laura Richards Karen Ritz Dr. Larry Robins Paula and David Roney Richard Sanders, M.D. Lynn Sirpolaidis Ann Stailey Susan Stiff Lisa Strachan John and Julie Strain Arthur and Stephanie Strasburger Erin and Edmund Tatar Christa Van Ermen Klasina Vanderwerf Tiffany Walker Eric Weisenstein Lois K Williams Joyce and James Wilson John Wilson Adam Woloshuk Linda and Jimmy Yip Dr. Raymond and Mrs. Bernice Yost Kathy and Jon Zeschin

ARTIST CIRCLE $250+ Corporations, Foundations, and Government Agencies Children’s Museum of Denver Colorado Combined Campaign Halvorson-Freese 21st Century Fund PL Restaurant Holding, LLC Individual Donors Anonymous Dr. Frank and Mrs. Celia Anderson Janice Babcock Justin Bank Peter and Karen Barrett Andrea Beesley Kisha Blanton Justin Bliffen Kent and Frances Boggs Karen Bossaller Karen Bruggenthies Janet Bruchmann Tyson Burch Ian and Lindsay Campbell Carol and Alan Caniglia The Castonguay Family Ethel Clow Elizabeth Coolman James and Karen Crossman Kaitlin Davis Dr. Deborah Davis-Merritt Christie and Joe Del Ciotto Gabriel Dibildox Loralee Dischner Adam Diskin Jeffrey Dreyer Christian and Shannon Dudnick Julia Eisenberg Nancy Eubanks Joan and John Feek Jason and Rachel Finehout Elizabeth Fischer Stephanie and John Flanigan Louis Freese Norbert Frueh Maria Frid Erin Gallegos Fran and Craig Gander Kim and Bart Gilliom Hugh Grant Laura Greb Roger and Anna Haak Des and Carol Hague Marcia Hannum Amanda Heersink Nancy Hemming Sarah Hogan Andrew Hornbrook Susan Hymers Tracy Jones and Francisco Estevez Margaret Torrans Kaluk Andrew King Chris Klein Peter and Dana Kopper Donna Kornfeld Joshua Koubek Meg Lafave Joseph Lionelle Brandon Lloyd Erin Madar Michael Mallett

Colorado Ballet • Peter Pan 15

SUPPORTERS Margaretha Maloney and Robert Palaich MaryKate and Timothy McCutcheon Kevin McLane and Michael Ragsdale Christine Metzger Pam Metzger William Meyerchak Dr. Gregory Wilson Myers and Mr. Jeff Kenney Ron and Judie Neel Kirstin Neff Frank O’Cana Sean O’Donnell Matt Owens Laura Papazian Janet Pasterkamp Julie and Tyson Plowshay Diana Poole Cyndy and Don Redifer Richard Replin and Elissa Stein Christopher and Noelle Ricca Alex and Amy Ritchie Kathleen Roberts Thomas and Mary Rogers Tony Ryerson and Madeline Ford Andrea and Timothy Sayles Gwendolyn and Richard Scalpello Sarah Sicotte John Sisson Christina Smith Al and Karen Spies Stephanie Stetson Elena and Steven Stophel Lori Szymanski Paul Tourangeau Ronald R. Townsend, MD Aubrey Tramontina Gail VanderVoort Steve Van Hooser Joan and Edward Wallace Claudia Ward Kim and Max Watchel Kristina Yamada Betty Yamashita Linda and Eugene Young JoAnne Zboyan

Artistic Director’s Fund Founded by Colleen Curran and Stephen Boane Bonfils-Stanton Foundation William and Karen Curtis Colleen Curran and Stephen Boane Sandy Elliott Mary Anna and Sonny Hutchison

Colorado Ballet Endowment at the Rose Community Foundation AMM Charitable Fund Jean and Hugh Armstrong Holly Baroway and Erik Cederlund Barbara Clark Colleen Curran and Stephen Boane Ann and Ford Frick Pam and Duke Hartman The Hearst Foundation Elizabeth Katkin Waryn and Richard Waryn Joanne Posner Meyer Rose Community Foundation Suzan and Gary Schlatter Lisa and Bill Snider Rita and Brad Sonnenberg Nancy and Thomas Stevens Susan and Stephen Struna JoAnne Zboyan

Meg Fonda Mrs. Barb Fonda

The Freidann and Lillian Legacy Society Barbara Clark Susan T. Hodge Joanne Posner-Mayer Douglas Richards Cheri and Alan Rubin Bill and Lisa Snider Susan Stiff Susan and Stephen Struna GIFTS IN HONOR OF Raydean Acevedo and Walt Jenkins Jo Marie and George Dancik

Molly Epstein Gloria Sankel Adam Flatt Eileen Griffin Donald K Herman MD Allison Herman Catalina and Acton Long James and Patricia Long Joanne Posner Mayer Anna & John Sie Foundation Heather Prokhnitski Rowena Reyes Lorita Travaglia Lisa and Bill Snider GIFTS IN MEMORY OF Ivan Burleigh Karen Ritz

John Patrick Kelley, Jr and Marjorie Dinsmore Russell Kelley Larry Corff Nancy Otto Jo Marie and George Dancik GIFTS IN KIND $5,000+ Liz and Bill Armstrong The Artisan Shop Antoine Attier and Khalil Nasser Bliss Caterers Boland Lord Design The Broadmoor Cableland Colorado Athletic Club Colorado Ballet Auxiliary Cuvée

16 Peter Pan • Colorado Ballet

Designs by Sundown Jan Dunn and John Wahl High Noon Entertainment Imhoff Fine Residential Painting John Atencio Kevin Taylor’s at the Opera House Chiara and Brent Kline Le Meridien Hotels/White Lodging Group Lanny and Sharon Martin Rachel and Yuval Moskovich Northern Trust Bank Shapiro Chiropractic The Sherwin-Williams Company Susan and Stephen Struna The Westin Denver Downtown $2,500+ Bouquets Bubbles Liquor World Luxe Interiors+Design Scream Agency Tremont Ventures, LLC $1,000+ The Brown Palace Closet Factory Colorado Style Home Furnishings Denver Center for the Performing Arts Galleria of Stone Howard Janzen KeyBank Michael Korenblat and Natalia Ballinger Specialty Appliance Waterworks $500+ Aztec Rugs Central City Opera Denver Arts & Venues | City and County of Denver Garden of the Gods Resort and Club Dr. Todd Oldroyd Haven and Kris Smith Jessica Rose Couture Moros Fabricator Shangri La Resort Urban Lights Vail Dance Festival CUMULATIVE LIFETIME GIVING $1,000,000+ Raydean Acevedo The Armstrong Foundation Liz and Bill Armstrong Colorado Ballet Auxiliary Boettcher Foundation Bonfils-Stanton Foundation Pam and Duke Hartman Anne and Jim Hillary Scientific and Cultural Facilities District $500,000+ The Anschutz Foundation Sandy Elliott Debbie LaPenna Denver Ballet Guild The Gates Family Foundation

Joanne Posner Mayer Jeanne and Dick Saunders The Shubert Foundation, Inc $250,000+ Lisa Levin Appel Avenir Foundation Janis and Jim Brewster Merle Chambers Fund Ellen Balaguer and Mark Chase Holly Baroway and Erik Cederlund Merle Chambers and Hugh Grant The Denver Foundation KeyBank OppenheimerFunds, Inc. Nancy and Thomas Stevens $100,000+ Accenture, LLP Anadarko Petroleum Anna & John J. Sie Foundation Jean and Hugh Armstrong Brent and Melanie Kopperud Backes Colorado Creative Industries Colleen Curran and Stephen Boane Denver Newspaper Agency Ann and Ford Frick Gay and Lesbian Fund HealthONE The Hearst Foundation, Inc. High Noon Entertainment The Joseph & Loretta Law Foundation Don and Mary Lou Blackledge Kortz The LARRK Foundation Merry and Steven D. Logan Sally Murray National Endowment for the Arts Jane and Gordon Netzorg Pb & K Family Foundation Ralph and Florence Burgess Charitable Trust David and Carole Ramsay Kathryn and Tim Ryan Dr. Barbara R. Reed Natalie Rekstad-Lynn and Scott Lynn Christine Rodgers and Ron Masamori Cheri and Alan Rubin Denise and James Sanderson Saunders Construction, Inc. Dr. David J. Scanavino and Ms. Ivelisse Torres Suzan and Gary Schlatter Lisa and Bill Snider Rita and Brad Sonnenberg Susan and Stephen Struna Debbi and Bill Tryon Virginia W. Hill Foundation Wells Fargo Bank Wells Fargo Foundation Xcel Energy Foundation

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Littleton Youth Ballet 2019-2020 Season Alice in Wonderland

Se tember 7 and 8 Newman Center

The Nutcracker December 20 21 and 22 Joanna Ramsey Theatre

Hansel and Gretel March 7 and 8 Lone Tree Arts Center

www.littletonyouthballet.org

M A R C H

Strauss A Hero’s Life conducted by Brett Mitchell MAR 6-8 FRI-SAT 7:30 ■ SUN 1:00

CLASSICS

The Music of Queen with the Colorado Symphony MAR 13-14 FRI-SAT 7:30

ALTERNATIVE

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Marin Alsop Conducts

MAR 20-22 FRI-SAT 7:30 ■ SUN 1:00

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Music and Art: A Symphonic Exploration MAR 27 FRI 7:30

ALTERNATIVE

Disney’s Fantasia In Concert MAR 28-29 SAT 7:30 ■ SUN 2:30

MOVIE AT THE SYMPHONY HalfNotes

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A P R I L

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AS ONE CHAPTER CLOSES, ANOTHER OPENS

Chandra Kuykendall Retires After 22 Seasons

A

s this season comes to a close, a Colorado Ballet Principal Dancer who has called the company and Colorado Ballet Academy home for 31 years will take her final bow. Chandra Kuykendall will retire in April, 2020 and open a new chapter of her life, saying goodbye to the spotlight and a career that defined her existence for over three decades.

“Dance has not only enriched my life, dance has been my life,” states Chandra as she reflects on her career as a professional ballerina. “To be able to share that passion on stage has made me feel like I haven’t worked a day in the last 23 years.”

Chandra Kuykendall in Giselle

Chandra Kuykendall and Artists of Colorado Ballet in Don Quixote 2019 by Mike Watson

Originally from Parker, Colorado, Chandra fell in love with ballet as a child and started taking lessons from a local teacher at the age of six. She progressed quickly, and at the age of eight her teacher recommended that she train in a more professional setting. With her parents’ full support and a hunger to learn, Chandra began training at Colorado Ballet Academy. After nine years of training, she graduated from the Academy and immediately joined the professional company in 1997. Early in her career, she spent one season dancing in Germany with the Leipzig Ballet, after which she returned to Colorado Ballet where she continued to develop and refine her talents over several seasons, dancing numerous principal roles. In recognition of her dancing, dedication and experience, Colorado Ballet promoted Chandra to principal dancer in 2007. This year is her 22nd season dancing professionally with the Company.

“To me Chandra emulates everything that a dancer should be,” states Ballet Mistress and former Colorado Ballet Principal Dancer Maria Mosina, who has witnessed her entire career. “Chandra brings everything to her craft including beauty, grace, dedication, a warrior spirit, connection, power, sharing and support.” She has inspired many other dancers throughout their careers and countless other dancers look up to her. “We are sad to see Chandra retire,” states Artistic Director Gil Boggs.

“She has been a strong leader in the company for many seasons. Her artistry is very moving and it’s been a joy to be a part of her journey as a professional dancer.”

“I could not have had the career I did without the love and support of my family,” states Chandra. Not only have her parents supported her pursuits as a dancer, but her husband, Rob Kuykendall, whom she met at Colorado Ballet, and their two children, Asher (age 10) and Levi (age 1) also support her in her unique career as a professional ballerina.

Her son Asher is very proud of his mom and inspired by the passion and commitment she exemplifies. He aspires to follow a similar path of excellence in pursuit of his passion, gymnastics.

“Performing is why we are in this profession,” states Chandra. “When I perform, I transform and all the nerves go away. Then I get to go out on the stage and be in front of the audience, sharing my passion. It is just simply the best feeling and definitely what I will miss the most. Performing has been my life for so long that it’s hard to let it go, but at the same time I feel like there’s a whole other life waiting for me, and I’m so excited for what the future holds.” Following her retirement, Chandra looks forward to having more time to spend with her children and taking on a larger role at the dance studio that she and her husband own in Centennial.

Chandra Kuykendall and Domenico Luciano in Giselle

“My proudest time at Colorado Ballet is right now,” stated Chandra. “As a child and a young dancer growing up, I had so many dreams. I couldn’t be luckier because I have exceeded all of those dreams. My best advice to the younger generation is to believe in yourself, focus on your strength and work on your weaknesses. I tell my boys to always follow their dreams.

While I’m sad to see this chapter come to a close, I’m equally excited for the future and the next stage. I would like to thank everyone who has supported me and cheered me on over the past three decades. Thank you to all of my colleagues, coaches, teachers, friends and a huge thank you to my family for always being there for me and supporting me throughout this demanding career. I love you all and can’t wait to see what the next chapter has in store.”

Colorado Ballet wishes Chandra and her family all the best in their next adventure and thanks her for sharing her extraordinary artistry with Colorado audiences for 22 seasons.

Chandra Kuykendall by Francisco Estevez

THE RAYDEAN ACEVEDO COLORADO BALLET ACADEMY PRESENTS

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FROM THE PAGE TO THE STAGE

COLORADO BALLET’S ASSEMBLY PROGRAM TOUCHES LIVES THROUGHOUT COLORADO This season, for the first time, the Education and Community Engagement team at Colorado Ballet took the company’s From the Page to the Stage school assembly program on the road to Gunnison and Salida, Colorado. The programs were met with resounding acclaim. Students and teachers alike left with a renewed sense of inspiration and expressed their deep gratitude.

Seeing the impact of these performances energized Colorado Ballet’s dancers and staff.

“Being in a mountain town, many students are not able to experience shows like musicals or ballets... this was a great way to showcase the ballet. Many of our students want to dance or do dance locally, but letting them see what they can be was amazing. We had ballerinas dancing for days!”

In pursuit of the company’s mission to make dance accessible to everyone, this season marks the first time the company offers two sensory friendly performances in the Black Box Theatre at the ballet’s home, The Armstrong Center for Dance. These performances have sold out with many enthusiastic parents expressing their gratitude for an adaptive program that enables their children to experience the joy of seeing professional ballet performed live in an inclusive environment.

From the Page to the Stage has grown this year from 18 to 24 performances, now reaching more than 7,000 students and adults, with performances in 10 Colorado counties.

“thank you for the opportunity to expose our group to ballet! Some would not be able to attend a full performance without a great deal of difficulty. They love music and dance!”

Thank you to all Colorado Ballet donors and patrons whose contributions make these programs possible. Find out more about Colorado Ballet’s Education and Community Engagement programs like the From the Page to The Stage touring assembly by visiting

COLORADOBALLET.ORG/EDUCATION Follow us on Facebook:

@COLORADOBALLETEDUCATION

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COMMUNITY OUTREACH Denver Ballet Guild has more than 500 active members.

We invest more than $100 thousand dollars into the Colorado community each year through programs for underprivileged children, dance company grants, dance competitions & promising young dancer awards.

Denver Ballet Guild We have more than 250 middle school & high school students participating annually in youth programs.

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SUMMER CAMPS Week-long Dance Camps | June-August 2020 Armstrong Center for Dance

CAMP SESSIONS INCLUDE BALLET ELF & FAIRY CAMP Ages 3-4, 5-6 MAKE A BALLET CAMP Ages 3-4, 5-6, 7-9 PRINCE AND PRINCESS DANCE CAMP Ages 3-4, 5-6, 7-9 DANCE AROUND THE WORLD CAMP Ages 7-9 Register online in February 2020

COLORADOBALLET.ORG/SUMMERCAMPS Photo by Francisco Estevez

30 Colorado Ballet

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SUMMER INTENSIVE 2020 DIRECTED BY AMANDA MCKERROW AND JOHN GARDNER

JUNE 22-JULY 25 Ages 11 – 20 By audition Only (On pointe) Two, three and five week sessions Eligible Summer Intensive students are assessed for Colorado Ballet Studio Company and Pre-Professional Division.

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32 Colorado Ballet

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34 Colorado Ballet

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Colorado Ballet 35

STAFF DIRECTORY ARTISTIC DIRECTOR Gil Boggs

Grants Manager Tricia Schmuki

Group Sales Manager Molly Epstein

MANAGING DIRECTOR

ARTISTIC

Patron Services Representatives Melissa Longiaru Ally Beacom

Mark Chase

MANAGING DIRECTOR OF ADVANCEMENT Adam Sexton

Ballet Mistress Sandra Brown Ballet Mistress Lorita Travaglia Ballet Mistress Maria Mosina

ACADEMY Academy Director Erica Fischbach

Music Director & Principal Conductor Adam Flatt

Academy Principal Domenico Luciano

Associate Conductor Catherine Sailer

Academy Business Manager Elisabeth Link Academy Administrator Megan Lay Lower Division Coordinator Kathi Crum Academy Wardrobe Manager Jennifer Aiken Visit coloradoballet.org to see all teaching staff

ADMINISTRATIVE Accounting Manager Janina Blue Accounting Associate Stephanie Kautz Boutique Manager Edie Bell

Production Manager Hally Albers

Company Pianist Natalia Arefieva

EDUCATION & COMMUNITY ENGAGEMENT

Company Manager Natalie Kelce

Education Department Manager Emily Herrin Education Programs Manager Cassie Wilson Education Accessibility Coordinator Bridget Heddens Visit coloradoballet.org to see all teaching staff

MARKETING & PUBLIC RELATIONS

ADVANCEMENT Associate Director of Advancement Denae Duesler

Marketing & Graphic Design Associate Nick Simpson

Senior Philanthropy Officer Allie Coppeak

Marketing & Public Relations Associate Karly Makovy

Advancement Officer Susan Stiff

Photographer & Videographer Taylor Keating

Advancement & Database Associate Lauren Cregan

Technical Director & Production Manager Emeritus Peter Nielson

Production Stage Manager/Facilities Manager Vitali Prokhnitski

Marketing & Public Relations Manager Rachel Perez

Advancement AssociateEvents and Individual Giving Maggie Klein

PRODUCTION

PATRON SERVICES AND DATABASE Director of Patron Services and DBA Taylor Clark

Administrative Assistant to the Artistic Director Kristina Sablatura Wardrobe & Shoe Manager & Costume Designer Shirin Lankarani Wardrobe Assistant Monica Rose Courtlyn McCain Wardrobe Dressers Jessie Sotwick Joe Tompkins Rebecca Travers Crystal Suppes Wardrobe Volunteers Rosemary Ellis Akiko Haniu Sarah Hunsinger Nola ng Technical Director Randy Mitchell Master Carpenter Emeritus David Jackson

Assistant Carpenter/ Head Flyman Travis Schadle Lighting Director Patrick “Red” Howard Master Electrician Susan Osborne Property Master Toni Steelmon Drivers/Production Assistants Robert J Harris David MacEachen Company Physical Therapist Mieke Braun Scripps MPT, DPT Assistant Physical Therapist Sarah Graham, MSPT Acupuncturist Lorita Travaglia, L.Ac, Dipl. CHM Chiropractor Dr. David S. Shapiro Pilates & Fitness Instructor Lisa Wolf Massage Therapist Stephen Jacoby, LMT Company Orthopedist Joshua Metzl, MD Company Photographers Allen Birnbach Mike Watson Company Videographer David Andrews Orchestra Personnel Manager Steve Simpson Orchestra Librarian Chris Jusell

Property Master Emeritus David Jaramillo Master Carpenter Michael Duran

FOLLOW COLORADO BALLET ON SOCIAL MEDIA facebook.com/colorado.ballet

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