Colorado Ballet 2014, Cinderella

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CONTENTS Colorado Ballet Publication 2013-2014 Sanya Andersen-Vie Colorado Ballet Editor

Colorado Ballet Publication is produced for Colorado Ballet by The Publishing House

Angie Flachman Johnson Publisher Annette Allen Art Director and Production Coordinator Stacey Krull Graphic Designer

Letter from the Director Letter from the Board of Trustees New Home for Colorado Ballet Academy Performer COVER PHOTOS: Cinderella Photo by Allen Birnbach Ballet Director’s Choice Photo by Terry Shapiro CONTENTS PHOTOS: Dracula Photo by Terry Shapiro

8 9 12 32 Sharon Wehner

Sharon Wehner and Dmitry Trubchanov

Artists of Colorado Ballet

Traveling Alone Photo by Terry Shapiro

Artists of Colorado Ballet

Feast of the Gods Photo by Terry Shapiro

Sharon Wehner and Jesse Marks

6 Colorado Ballet

Wilbur E. Flachman President and Founder

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FROM THE ARTISTIC DIRECTOR Welcome to our exciting winter/spring season, full of magic and awe!

The first stop is Cinderella, a classic fairy tale that demonstrates dreams can come true, especially with the help of a fairy godmother. Choreographed by Ben Stevenson, O.B.E., Cinderella features Prokofiev’s score played live by the Colorado Ballet Orchestra. Our extraordinary dancers will bring this romantic and humorous tale to life on the Ellie Caulkins Opera House stage.

We close the season with our spring repertory, Ballet Director’s Choice. Every year, so many people tell me that our spring repertory production is their favorite performance of our season. This production includes Traveling Alone, choreographed by Amy Seiwert; Edwaard Liang’s Feast of the Gods; and the world premiere of The Last Beat, choreographed by Sandra Brown. Ballet Director’s Choice highlights the artistry and athleticism of our dancers. This highly innovative and entertaining production is sure to excite dance fans of all ages.

Renovation is still underway at our new home, located at 11th and Santa Fe., and this will be the first time in our 53 year history that we will own our rehearsal and Academy space. We purchased the building early last year and we plan to move in mid-2014. Our building will provide more rehearsal space and amenities for our artistic staff and dancers as well as a black box theater for small performances and events. We will continue to present our performances in the Ellie Caulkins Opera House and the Newman Center for the Performing Arts. The new location will also have more studio space for the Colorado Ballet Academy and the increased space will allow us to offer more classes for children and adults. Additionally, this new space will help us to increase our community outreach, but we need your support to keep this project moving. To find out how you can help Colorado Ballet move into the future, visit, coloradoballet.org/newhome.

Our winter/spring performances demonstrate the passion that Colorado Ballet offers to the performing arts community in Colorado. We will bring the same amount of dedication next season, so please check out our 2014-2015 season!

Thank you for your continued support!

Gil Boggs Artistic Director

8 Colorado Ballet

FROM THE BOARD OF TRUSTEES It is such an exciting time for Colorado Ballet. We have just finished a record breaking run of the Nutcracker, construction on our new building is underway and our academy is in full swing with an enhanced summer intensive program. The spring productions start with the classic fairytale, Cinderella, the perfect ballet for all ages and one that will make you believe in “happily ever after.” We end the 2013-2014 season with Ballet Director’s Choice, a collection of three innovative works including two of our favorite contemporary productions and a world premiere ballet. If you attended Giselle or The Nutcracker, we thank you for being a part of this fantastic season. These final two productions show the tremendous diversity of talent that we have at Colorado Ballet. From the classics to the contemporary, we hope to show off our dancers’ versatility as well as provide a variety of programming for our audiences.

As Co-Chairs, we are honored to be a part of Colorado Ballet’s ongoing momentum. Under the leadership of Gil Boggs and his artistic team, Colorado Ballet enhances the cultural life of our community by producing the highest quality dance in the region while bringing out the “dancer” in each of us.

Through the Colorado Ballet Academy, we encourage the love of dance in students of every age. Children as young as three can enroll. And Academy students have the opportunity to audition for roles in several professional productions each year—including The Nutcracker. The Academy also offers a wide range of adult dance classes including ballet, pilates, jazz and tap. The Colorado Ballet Academy not only teaches dance, it encourages the love of dance in every student.

Still, not all Coloradans have the opportunity to experience the magic of excellence in dance. That’s why the Colorado Ballet’s outreach department provides the opportunity for in-need students, teachers, family and individuals with disabilities to take dance classes and attend season performances. With your support, we impact nearly 60,000 individuals every year.

We hope that you enjoy today’s performance and will consider a donation to Colorado Ballet to ensure the future of high quality dance and the cultural vibrancy of our state. Thank you for supporting Colorado Ballet! We look forward to seeing each of you during our 2014-2015 season! Sign up today to receive our online newsletter “points of interest” so that you can continue to learn about all that Colorado Ballet has to offer.

Sincerely, Holly Baroway and Henny Lasley Board Co-Chairs

BOARD OF TRUSTEES

BOARD CO-CHAIR Holly Baroway

BOARD CO-CHAIR Henny Lasley

SECRETARY

Jean Armstrong

TREASURER AND FINANCE CHAIR William J. Tryon

CAPITAL CAMPAIGN CHAIR Merry Logan

DEVELOPMENT CHAIR

Gleneen Brienza

ACADEMY CHAIR

Raydean Acevedo

BOARD GOVERNANCE CHAIR Don Jaska

LONG-RANGE PLANNING CHAIR Jane Netzorg

MARKETING AND PUBLIC RELATIONS CO-CHAIRS Susan Bailey Duke Hartman

EDUCATION & OUTREACH CHAIR

Joanne Posner-Mayer

COLORADO BALLET AUXILIARY PRESIDENT Katy Brown

TRUSTEES

Lisa Appel Lacee Artist Brent L. Backes Craig Brown Sarah Semple Brown Ginger White Brunetti Jennifer E. Collins Casey Cortese Sandy Elliott Kaye Ferry Stephanie Foote Jayne Ford Ann Frick Anne M. Hillary Auna Jornayvaz Gail K. Kassan Elizabeth Katkin Emma Keyser Mary Lou Blackledge Kortz Kathy Barrett Lee Cindy Meany Sally Murray Marc Musyl Monica Owens

Dave Ramsay Barbara R. Reed, MD Cheri Rubin Rebel Saffold III Suzan Schlatter Brad Sonnenberg Harry M. Sterling Nancy Stevens Susan Struna Michele Waggoner Cinamon Watson Risa L. Wolf-Smith JoAnne Zboyan

CHAIRMEN EMERITI Anna Bates Paul Messinger Ruth Silver

LIFETIME TRUSTEES Raydean Acevedo Duke Hartman Dick Saunders

Colorado Ballet 9

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10 Colorado Ballet

BE A PART OF COLORADO BALLET’S MOVE INTO THE FUTURE Support Colorado Ballet’s New Home

The renovated 30,000 square foot building will give the professional Company and the Academy room to grow. Colorado Ballet will continue to present performances in the Ellie Caulkins Opera House and the Newman Center for the Performing Arts but its new rehearsal and training facility will: n encourage world-class dance to flourish in Colorado n enhance the training of the next generation of dancers n bring dance and movement to thousands of school-kids and people with disabilities n host smaller in-house performances in new Black Box Theater How can you make an Impact on the Future of the Arts in Denver and the Front Range?

With a goal of $6.5 million, we have raised $4.4 million as of January, but we need your support!

A gift of any amount will help move Colorado Ballet into the future. Make a difference today when you: Buy a Brick: n 4x8 inch brick--$250 n 8x8 inch brick with your choice of symbol--$500 Name a Seat in the Black Box Theater: n $2,500 per seat, with engraved name Please make a gift online at www.coloradoballet.org/newhome or use the envelope in your program. Thank You!

12 Colorado Ballet

Colorado Ballet 13

See you next season!

2014-2015 Season Subscriptions Available Now Season Ticket Holders Receive: 25% off all tickets Priority seating Choice of preferred dates and times before the general public Exclusive Subscriber Pre-Sale to Dracula and The Nutcracker

Reserve your seats today at coloradoballet.org

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Colorado Ballet 15

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OFFICIAL SPONSORS OF COLORADO BALLET Colorado Ballet applauds its official sponsors of the 2013-2014 season

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Founders Lillian Covillo and Freidann Parker Artistic Director Gil Boggs Ballet Mistresses Sandra Brown and Lorita Travaglia Musical Director and Principal Conductor Adam Flatt Associate Conductor Catherine Sailer THE COMPANY Principals Viacheslav Buchkovskiy, Chandra Kuykendall, Maria Mosina, Dmitry Trubchanov, Alexei Tyukov, Sharon Wehner Soloists Dana Benton, Shelby Dyer, Domenico Luciano, Jesse Marks, Asuka Sasaki, Adam Still, Caitlin Valentine-Ellis Corps de Ballet Lesley Allred, Morgan Buchanan, Cara Cooper, Casey Dalton, Christopher Ellis, Francisco Estevez, Kevin Hale, Klara Houdet, Tracy Jones, Charlotte Lanning, Christophor Moulton, Kelsie Nobriga, Sean Omandam, Kevin GaĂŤl Thomas, Luis Valdes, Kevin Wilson, Benjamin Winegar Studio Company Joshua Allenback, Arianna Ciccarelli, Abigail Cotter, Emma Daddario, Samantha Harmon, Victoria Hasek, Kurtis Irwin, Regan Kucera, Bryce Lee, Ryan Lee, Rony Lenis, Phoebe Magna, Kristine Padgett, Chloe Shelby, Siobhan Stocks-Lyons, Emma Stratton

Colorado Ballet | 1278 Lincoln Street, Denver, CO 80203 | 303-837-8888 | www.coloradoballet.org Out of courtesy to the dancers and musicians, the taking of photographs of any nature is strictly prohibited during performances.

Please silence all cellular telephones, pagers and audible devices.

Colorado Ballet productions are made possible in part by funding from the citizens of the Scientific & Cultural Facilities District.

The Artists of Colorado Ballet are represented by The American Guild of Musical Artists, AFL-CIO.

PwC Presents

CINDERELLA February 14-23, 2014 Ellie Caulkins Opera House

Music by Sergei Sergeyevich Prokofiev Choreography by Ben Stevenson Staged by Janie Parker Scenery and Costumes courtesy of Texas Ballet Theater Lighting design by Christina Giannelli Lighting executed by Todd Elmer

Synopsis Act I Cinderella’s stepmother is busy embroidering on a scarf she will wear to the palace ball that evening.

The father is also in the room, and the stepsisters tease him unmercifully. Cinderella enters and stops them. They turn on her furiously and the stepmother orders her to clean the room. The stepsisters drag the father from the room. Cinderella picks up the broom, commences to sweep, then takes a portrait of her dear mother from its hiding place and gazes at it longingly. Her father returns and is overcome with remorse when he sees the resemblance between Cinderella and his first wife. His daughter lovingly tries to reassure him, but they are dragged apart by the stepsisters, who also snatch away the picture.

Suddenly, the door opens and an old woman enters, begging. The stepmother gives her the picture of Cinderella’s mother to get rid of it, but the beggar woman sees the resemblance to Cinderella and hands it to her. Cinderella offers the old woman some bread, which she accepts and then departs.

A dress maker and wigmaker arrive to adorn the stepsisters for the ball, followed by a dancing master who attempts the impossible task of teaching the stepsisters the rudiments of dancing. The family departs for the ball, with the exception of Cinderella who must remain behind. She tries to console her loneliness by pretending that the kitchen broom is her partner at the ball, but the pretense is too much for her, and she bursts into tears. At this moment, the beggar woman returns and changes into a fairy godmother, who transforms the kitchen into a forest, complete with dragonflies swooping amongst the trees.

The fairy godmother gives Cinderella a pair of glass slippers, and the fairies of spring, summer, autumn and winter perform for her, changing the seasons as they dance. Cinderella’s rags become a beautiful gown, but the fairy godmother shows her a clock, and warns her that at midnight, the magic gown will change back into rags. She then transforms a pumpkin and four lizards into a coach and horses, and Cinderella is driven to the ball like a princess.

Intermission Act II At the palace, a jester welcomes the arriving guests, who are all somewhat taken aback by the stepsisters.

The prince enters and greets the assembly, then gallantly invites each of the stepsisters in turn to dance with him, much to the amusement of the guests. At this moment, the ball is interrupted by the arrival of Cinderella in her coach, and the prince immediately falls in love with her. The guests are offered oranges, the rarest fruit in the land, and when one of the stepsisters is left without one, Cinderella gives up her own without the stepsister realizing her identity. While the prince and Cinderella are dancing together, the clock strikes midnight. Cinderella’s clothes turn to rags, and she rushes from the ballroom. The prince cannot restrain her, but finds one of the glass slippers, which she has lost in her haste.

Intermission 2 Cinderella • Colorado Ballet

Act III Back in the kitchen, Cinderella remembers the ball as if it were a beautiful dream, but finds the remaining glass slipper in one of her pockets. She quickly hides it as the stepsisters return, proudly displaying the oranges the prince gave them. The stepmother announces the arrival of the prince with his jester and courtiers in search of the owner of the glass slipper they bear with them. Each of the stepsisters in turn vainly tries to squeeze an oversized foot into the tiny slipper. When the prince notices Cinderella sitting shyly by the fire, he asks her father if she may try it on. As she moves to do so, the second slipper falls from her pocket. The prince is overjoyed in spite of Cinderella’s ragged appearance, and asks her to marry him. Cinderella forgives her stepmother and stepsisters for their previous cruelty to her.

As the prince returns the glass slipper to the fairy godmother, the kitchen is transformed into a magic glade, where Cinderella and her prince dance a romantic pas de deux. The guests return to acclaim the new princess at her betrothal.

Artistic Staff Gil Boggs, Artistic Director Gil Boggs began his dance career with the Atlanta Ballet. He joined American Ballet Theatre in New York in 1982 and was promoted to soloist dancer in 1984 and principal dancer in 1991. Boggs was a member of the company for 17 years. Boggs also performed with the Twyla Tharp Dance Company, Baryshnikov and Company, Nureyev and Friends, and made several guest appearances around the world. During his career with ABT, he was recognized as both an accomplished virtuoso and one of the company’s most popular performers. Boggs has worked with numerous noted choreographers, including Agnes de Mille, Sir Kenneth MacMillan, Paul Taylor, Mark Morris, Jerome Robbins and Merce Cunningham and has an extensive performance repertoire of both classical and contemporary works. Boggs accepted the position of Artistic Director with Colorado Ballet in the Spring of 2006. In Boggs’ tenure with Colorado Ballet he has restaged full-length productions of Swan Lake, The Sleeping Beauty, Giselle, Don Quixote and Coppelia along with adding new full-length productions of Romeo & Juliet, Le Corsaire, Beauty and the Beast and Peter Pan. Boggs has also presented 14 world premieres and 12 Colorado Ballet premieres by such renowned choreographers as Twyla Tharp, Lar Lubovitch, Antony Tudor, Val Caniparoli, Dwight Rhoden and Lynne TaylorCorbett.

Sandra Brown, Ballet Mistress Sandra Brown joined the corps de ballet of American Ballet Theatre in 1987 under the directorship of Mikhail Baryshnikov. Brown was promoted to soloist in 1992 and she remained a soloist until 2003. Brown’s leading roles in ABT’s repertoire include Juliet in Romeo and Juliet, Gamzatti in La Bayadere, Swanhilda in Coppélia, Mercedes in Don Quixote, Myrtha and the Peasant Pas de Deux in Giselle,

Polyhymnia and Calliope in Apollo, the Accused in Fall River Legend, the first girl in Fancy Free, An Episode in His Past in Jardin aux Lilas, Valencienne in The Merry Widow, and the Cowgirl in Rodeo, as well as leading roles in numerous contemporary ballets. She also created and danced the world premiere role of Desdemona in Lar Lubovitch’s full-length Othello in 1997 and appears in ABT’s film productions of Romeo and Juliet and Le Corsaire as well as the ABT documentary, Ballet. In 2000 Brown was featured in the movie Center Stage and she also appears in The Company. Brown also holds the honor of appearing on Broadway as the original Louise Bigelow in the Tony Award-winning 1994 revival of Carousel, directed by Nicholas Hytner and choreographed

by Sir Kenneth MacMillan at the Lincoln Center Theater.

In 2003 Brown left ABT to pursue work as a freelance artist with Complexions Contemporary Ballet, Stiefel and Stars, Vladimir Malakhov, Peter Boal and Company, Chamber Dance Project, Dancers Patrelle, Ballet Hawaii and Madison Ballet. During this time she was asked to perform as a guest artist at the Vail International Festival.

In 2005 Brown taught for the ABT Summer Intensive and choreographed the ballet, Synchronicity. In 2006 she joined her husband, Gil Boggs, to work with Colorado Ballet. Since then, she has assisted staging the fulllength productions of Giselle, Christopher Wheeldon’s Midsummer Night’s Dream and Don Quixote. Since joining Colorado Ballet, Brown has assisted with the choreographing and staging of The Nutcracker, Coppélia and Swan Lake. She also assisted Lar Lubovitch in the staging of Smile With my Heart, and assisted staging Twyla Tharp’s In The Upper Room. Brown restaged her ballet, Synchronicity, for Colorado Ballet’s Studio Company. For the last four years she has choreographed for the Bal de Ballet, an event hosted by the Denver Ballet Guild and most recently choreographed From Within, Crimson Surges, Unforgettable and Grand Pas Fantastique. In 2007 she was asked to stage …smile with my heart for the Joffrey Ballet.

Colorado Ballet • Cinderella 3

Artistic Staff Lorita Travaglia, Ballet Mistress Lorita Travaglia is originally from New Zealand. She received her ballet training at the National School of Ballet and later the Royal Ballet School in London.

Lorita made her debut as a professional dancer with the Berlin Ballet. After six years with the Company, she moved to the United States where she worked with Princeton Ballet, Boston Ballet, Atlanta Ballet and International Ballet Rotaru, dancing solo and principal roles in a wide range of repertoire. Her favorite roles include Odette/ Odile in Swan Lake, Swanhilda in Coppelia, Cinderella, Sugarplum Fairy in The Nutcracker and Paquita. In 1992 Lorita returned to New Zealand, but continued to perform as a guest artist with companies in the United States as well as Company Z, a contemporary dance company in New Zealand. Lorita began teaching in 1988 while still performing and studied the Vaganova methodology.

She was the principal teacher for a professional training program in Auckland, New Zealand and later, as artistic director of Canyon Concert Ballet in Fort Collins, Colorado, she set up a similar aspirant program. In 1999 Lorita joined Colorado Ballet as director of the Apprentice Program and company repetiteur, and has been ballet mistress since 2006. Her choreography includes Equanimity, Aspects and Pictures at an Exhibition for Colorado Ballet II and a full-length The Nutcracker for Canyon Concert Ballet. Lorita graduated from the Colorado School of Traditional Chinese Medicine in 2000 and has a private practice in Denver.

Adam Flatt, Music Director & Principal Conductor After making his company debut in 2006, Adam Flatt was invited to become Music Director of Colorado Ballet beginning in the fall of 2007. He has been part of the musical scene in Denver since 2001 when he joined the Colorado Symphony as Associate Conductor. At the CSO he led over 250 concerts in an acclaimed five-year tenure.

Adam also served a seven-year tenure at the helm of the Denver Young Artists Orchestra, leading the orchestra at home in Denver, on international tours, and at special events including the opening festivities of both the Ellie Caulkins Opera House and the Newman Center at the University of Denver. In addition to his work here at Colorado Ballet, Adam is also music director of regional orchestras in Oregon and Alabama. Also a busy guest conductor, he has led performances with orchestras all over the United States and productions for the major ballet companies of Portland and Salt Lake City. Adam Flatt has his bachelor’s degree with honors in music from the University of California at Berkeley and his

4 Cinderella • Colorado Ballet

master’s degree in instrumental and opera conducting from the Indiana University School of Music.

Catherine Sailer, Associate Conductor Catherine Sailer, Director of Choral Studies at the University of Denver, conducts the Lamont Chorale, Lamont Women’s Chorus and the Evans Choir. She is also the Associate Conductor of the Colorado Ballet Orchestra.

Conducting credits include the Atlanta Symphony Orchestra and Chorus, Northeastern Pennsylvania Philharmonic, Santa Fe Symphony Orchestra, Beijing Symphony, National Symphony, Musica Sacra Chamber Orchestra, National Opera of China, Cabrillo Festival of Contemporary Music, National Symphony Orchestra, Orchestra of St. Luke’s, Central City Opera Chorus, Dale Warland Singers, Kansas City Chorale, Chicago Symphony Chorus, Oregon Bach Festival. She was the winner of Chorus America’s Robert Shaw Conducting Fellowship.

Ben Stevenson, Choreographer Ben Stevenson began his dance training in London, England at the Arts Educational School. After graduation he was invited to join Sadler’s Wells Royal Ballet, now known as the Royal Ballet. He then joined the London Festival Ballet where he eventually became a Principal Dancer. Mr. Stevenson has directed several companies including Harkness Ballet, the National Ballet in Washington D.C., and Houston Ballet. It was under his direction that Houston Ballet grew to be one of the most respected ballet companies in the country and around the world.

Mr. Stevenson is now the current Artistic Director of Texas Ballet Theater. Besides being a successful director, Mr. Stevenson is an accomplished choreographer having received numerous awards including three gold medals at the International Ballet Competition and his work has been set on multiple companies around the world. For his contributions to the world of international dance, he was named an Officer of the Order of the British Empire

by Queen Elizabeth II. He was also presented with the Dance Magazine Award which is one of the most prestigious honors in the American dance scene.

Christina Giannelli, Lighting Designer Christina Giannelli has had the pleasure of working with Ben Stevenson for many years first at Houston Ballet and most recently at Texas Ballet Theater. In the course of her career she has created lighting for ballets

by Julia Adam, Christopher Bruce, Jorma Elo, Donald McHale, Kenneth McMillan, Trey McIntyre, Dennis NahatGlen Tetley, Natalie Weir, Stanton Welch, Lila York and many others. She has served as Resident Lighting

Designer for Houston Grand Opera, Cleveland-San Jose Ballet, Texas Ballet Theater, Houston Ballet and most recently for the Metropolitan Opera, and has designed extensively for other ballet and opera companies through out the United States and abroad. Her opera credits include over a dozen productions with Houston Grand Opera as well as premieres and revivals for Dallas Opera, Portland Opera, Michigan Opera Theatre, Virginia

Opera and others. She delights in lighting new works and productions that blend multiple art forms. She is the founding director of Dance Source Houston, a service organization that supports and promotes Contemporary Dance in Houston, TX. And is currently creating a residence for visiting artists in downtown Houston.

Dancers PRINCIPALS

Viacheslav Buchkovskiy Viacheslav Buchkovskiy was born in Ukraine. He began his training at Kharkov State Choreography School in 1990.

In 1995, Buchkovskiy entered into the Choreography school in Kiev. Upon graduating in 1999, Buchkovskiy was invited to join the Kiev Musical Theater as a Principal dancer, where he danced under the direction of People’s Artist of the U.S.S.R. Valeriy Kovtun.

In 2000, he was invited to the 17th Fresh Ballerina Festival in Japan, along with world ballet stars. In 2001, Buchkovskiy was invited to Stanislavskiy and Nemirovish-Danchenko Academic Music Theater in Moscow where he danced numerous leading roles.

During his working career in Kiev and Moscow Music Theaters Buchkovskiy toured the world including the United States, England, Spain, France, Germany, Japan, China, and Thailand. Buchkovskiy began as a Soloist at Colorado Ballet in 2007 and was promoted to Principal in the 2011-2012 season. During his career with Colorado Ballet, Buchkovskiy has danced leading roles such as the Prince in The Nutcracker, Franz in Coppélia, Harker in Dracula and Lankendem in Le Corsaire, as well as others.

Generously sponsored by Phoebe Smedley Chandra Kuykendall Chandra Kuykendall is from Parker, Colorado and trained at the Academy of Colorado Ballet from 1988 until graduating in 1997. In 1996, she won the Denver Ballet Guild Competition and received the prestigious Florence Rustin Award.

She also attended summer programs at the Bolshoi Ballet Academy in Vail, Kirov Academy of Ballet, San Francisco Ballet Academy and School of American Ballet. In 1997, after graduating from the Academy, Ms. Kuykendall joined Colorado Ballet. She spent the 1998-1999 season with Leipzig Ballet in Leipzig, Germany under the direction of the brilliant choreographer Uwe Scholz. She returned to Colorado Ballet in the fall of 1999. With Colorado

Ballet Ms. Kuykendall has danced numerous principal roles including Princess Aurora and Lilac Fairy in The Sleeping Beauty, Odette/Odile in Swan Lake, Giselle and Myrta in Giselle, Medora in Le Corsair, Sugar Plum Fairy and Clara in The Nutcracker, Lucy in Dracula, Titania and Helena in A Midsummer Night’s Dream, the principal role in Bruch Violin Concerto, the Crossover Girl in In The Upper Room, the Mother in The Rite of Spring and she was featured in Antony Tudor’s Leaves Are Fading.

Her favorite of these roles was the tragic Odette/Odile in Swan Lake. She also had the opportunity to have pas de deuxs created on her by accomplished choreographers Edwaard Liang, Amy Seiwert and Val Caniparoli. This is Ms. Kuykendall’s 16th season with Colorado Ballet.

Generously sponsored by Joanne Posner-Mayer Maria Mosina Maria Mosina was born in Moscow and graduated from the Bolshoi Ballet Academy in Russia. Upon graduation, Ms. Mosina joined the Bolshoi Ballet Grigorovich Company and (immediately) was chosen for principal roles. Mosina had toured the world appearing on all major European, American, African and Asian stages. In 1995, Ms. Mosina was invited by Colorado Ballet to join as a leading principal dancer. Ms. Mosina performed all major parts in classical productions such as Clara and Sugarplum Fairy in The Nutcracker, Sylphide in La Sylphide, Odette-Odille in Swan Lake, Aurora and Princess Florine in The Sleeping Beauty, Giselle in Giselle, Swanhilda in Coppelia, Kitri in Don Quixote, Juliet in Romeo and Juliet, Talioni in Pas de Quatre, The Dying Swan, Le Spectre de La Rose and pas de deux from Le Corsaire, Talisman, Paquita, Les Sylphides.

Ms. Mosina also had the chance to show her talent in neoclassical, modern and contemporary choreographed master pieces such as Balanchine’s Apollo, Rubies, Theme and Variations, Western Symphony, Serenade, Concerto Barocco, Stars and Stripes and Who Cares?, as well as Christopher Weeldon’s A Midsummer Night’s Dream, Peter Pucci’s Size Nine Spirit (as seen on PBS). She has also performed Alvin Ailey’s River, Martha Graham’s monumental Appalachian Spring, Agnes de Mille’s Rodeo, Paul Taylor’s Company B, F.Ashton’s Facade, Antony Tudor’s Leaves are Fading and Echoing of Trumpets, Twyla Tharp’s Nine Sinatra

Colorado Ballet • Cinderella 5

Dancers Songs and In The Upper Room, Glen Tetley’s The Rite of Spring, Michael Pink’s Dracula and Hunchback of Notre Dame, S.Welch’s Of Blessed Memory, Val Caniparoli’s In Pieces, Martin Fredmann and Alun Jones’ Romeo and Juliet, Cinderella, A Little Love, Mon Dieu, Sechertorte, Silent Woods and Dreamspace (as seen on PBS), Vebre’s Where the Wild Things Are, Clark Tippet’s Bruch Violin Concerto No.1, Matthew Neenan’s The Faraway, Lynn Taylor-Corbett’s Great Galloping Gottschalk, Lar Lubovitch’s ...smile with my heart, Emery LeCrone’s Archetypes, Jodie Gates’ Embellish, and many more. Ms. Mosina was a featured dancer on the cover of Dance Magazine. She holds a master’s degree in methodology and pedagogy from the Moscow State Academy of Choreography. Ms. Mosina is also an active ballet instructor throughout the United States.

She participated as a master teacher and judge for the Youth American Grand Prix. Ms. Mosina performed leading roles in all major productions as a member of the Company, as well as a guest artist with many other festivals, galas, and companies. She is now in her 19th year with the Colorado Ballet.

Generously sponsored by Pam and Duke Hartman Dmitry Trubchanov Dmitry Trubchanov is from St. Petersburg, Russia. He began his dance training at the age of 8 at the Academy of Russian Ballet (the school of the Kirov Ballet). Upon his graduation Mr. Trubchanov danced with the Kirov Ballet Company for five years. With the Kirov Ballet Company he traveled to places around the world including France, Holland, Korea, Turkey and Taiwan.

Mr. Trubchanov has performed at the Kirov Ballet Gala performances in Innsbruck, Austria and Syracuse, Sicily.

He has danced at the International Ballet Festival of Miami, Florida and the International Dance Festival in Vail, Colorado. Mr. Trubchanov was a guest artist with Universal Ballet Company in Seoul, Korea during their tour to Taiwan. He was also a guest artist at two gala performances held in Fukuoka, Japan. Throughout his career Mr. Trubchanov has danced numerous classical and contemporary ballets and has won acclaim from critics worldwide. Most recently, Mr. Trubchanov was with the Cincinnati Ballet. Mr. Trubchanov joined Colorado Ballet in 2009 as a Soloist and was promoted to Principal in 2010.

Generously sponsored by Gleneen and Joe Brienza

6 Cinderella • Colorado Ballet

Alexei Tyukov At age 10, he enrolled in Perm State Ballet Academy and in 1995, he graduated with a red diploma. He started dancing with The Perm Tchaikovsky Opera and Ballet Theatre. In 1998, he won a gold medal in the Senior Men’s division at the Arabesque competition of Perm and received the Mikhail Arnapolskiy prize for the most talented participant of the competition. During the next four years, Mr. Tyukov performed leading roles and traveled throughout the world. In 1999, he became a Principal dancer with Ballet Internationale and performed leading roles in full-length ballets including Carmen, Phaedra, Creation of The World, Thousand and One Nights, La Fille Mal Garde’, Cinderella, Fire Bird and Napoli.

With Ballet Internationale, he danced throughout the United States and in Taiwan, China, Canada, Germany and France. In 2006, he joined Cincinnati Ballet as a Principal and performed classical and contemporary works. Mr. Tyukov has also participated in numerous galas including La Gala Des Etoiles in Montreal, Stars of Mariinskiy in Germany, International Gala in South Korea, and Russian Stars in memory of Galina Ulanova.

He has been a guest artist in Amsterdam, Croatia, Japan and several American ballet companies. Mr. Tyukov has received many great reviews from The New York Times, Le Figaro, Los Angeles Times and Financial Times UK. He is a candidate of Master of Sports for Figure Skating. This is his 18th season performing with ballet companies and 6th season with Colorado Ballet.

Generously sponsored by Sandy Elliott Sharon Wehner Sharon Wehner is originally from San Jose, California. She trained with Jody White and David Roxander, San Jose Dance Theatre, San Francisco Ballet and San Jose/Cleveland Ballet.

Ms. Wehner joined Colorado Ballet in 1995 and was promoted to Principal in 1999, and in the last 18 years, has performed many lead roles with the Company. These include Kitri in Don Quixote, Giselle in Giselle, Odette/Odile in Swan Lake, Medora in Le Corsaire, Aurora in The Sleeping Beauty, Swanilda in Coppelia, Mina in Dracula, Juliet in Romeo & Juliet, the Principal couple in Balanchine’s Stars and Stripes, Rubies, and Theme and Variations, Antony Tudor’s Leaves are Fading, and Twyla Tharpe’s In The Upper Room. She has been honored to have solos and pas de deauxs created on her by choreographers Val Caniparoli, Edwaard Liang, Mathew Neenan, Christopher Wheeldon, Darrel Grand Moultrie, Dwight Rhoden, Jessica Lang, Brian Reeder and Toru Shimazaki. In addition

to Colorado Ballet, Ms. Wehner has also performed with The Washington Ballet, Oakland Ballet and Amy Seiwert’s Imagery. She has also been a guest artist at the Vail International Dance Festival, and in Japan in the Aoyama Ballet Festival, and the National Ballet of Japan’s Golden Ballet Co-star.

Generously sponsored by Raydean Acevedo SOLOISTS

Dana Benton Dana Benton was born in Hamilton, Ontario in Canada, where she began her training with Lou and Pauline Zamprogna at The Dance Centre. At the age of 9, Benton was accepted to the National Ballet School in Toronto where she trained for eight years.

Benton graduated from the National Ballet School with Honors in Academics and was awarded the Peter Dwyer Award for Excellence in Dance.

Upon graduating in 2000, Benton received a contract with the Alberta Ballet Company in Alberta, Canada. She spent one year with the company as an apprentice. In 2001, Benton joined Colorado Ballet as a Corps de Ballet member and in 2007, Benton was promoted to Soloist.

With Colorado Ballet, Benton has worked with many well-known choreographers and repetiteurs including Val Caniparoli, Bronwen Curry, Judith Fugate, John Gardner, Thierry Michel, Darrell Grand Moultrie, Jessica Lang, Edwaard Liang, Donald Mahler, Amanda McKerrow, Michael Pink, Brian Reeder, Domy Reiter-Soffer, Dwight Rhoden, Amy Seiwert, Paul Sutherland, Lynn TaylorCorbett, Doug Varone, Shelly Washington, Septime Webre, Christopher Wheeldon and Lila York. Since joining Colorado Ballet, Benton has performed many Soloist and Principal roles. Her notable roles include Belle in Beauty and the Beast, Swanilda in Coppélia, Cow Girl in Rodeo, Ave Maria Pas de Deux, Clara in The Nutcracker, Gulnara in Le Corsaire, Tinker Bell in Peter Pan, Pink and Aqua in Bruch Violin Concerto No. 1, Red Girl in Celts, Lucy in Dracula, Princess Florine and Diamond Fairy in The Sleeping Beauty, Pas de Trois in Swan Lake, Peasant Pas in Giselle, Flower Girl and Cupid in Don Quixote, Hermia and Peaseblossom in A Midsummer Night’s Dream, Flames of Paris Pas de Deux, Bomb Squad in In The Upper Room, and Lead Souvenir Lady in the Great Galloping Gottschalk, and the featured role in Amy Seiwert’s Traveling Alone. This is Dana’s 13th season with Colorado Ballet.

Generously sponsored by Montine Hansl

Shelby Dyer Shelby Dyer is a soloist with Colorado Ballet. She joined the company in 2006 after working professionally with Ballet Internationale Indianapolis, Tulsa Ballet and Cincinnati Ballet. She has had the pleasure of performing in the Florida International Ballet Gala, the Stars of the Russian National Ballet Gala in Chicago and the Vail International Dance Festival. Some of Dyer’s most notable roles include Lisa in La Fille Mal Gardee, Wendy in Peter Pan, Lilac Fairy in The Sleeping Beauty, Dryad Queen and Flower Girl in Don Quixote, Gulnara and Third Odalisque in Le Corsaire, the Peasant Pas de Deux in Giselle, Fairy Doll Pas de Trois, The Dying Poet Pas de Deux in Great Galloping Gottschalk and Sugar Plum Fairy in The Nutcracker.

Generously sponsored by Katherine and Michael Whitcomb Domenico Luciano Domenico Luciano was born in Naples, Italy and graduated from Royal Teatro di San Carlo Ballet School in Naples in 1999. In the same year, Mr. Luciano was invited to join the Deutsche Open am Rhein in Dusseldorf, Germany.

After dancing with several companies in Europe including Europadance in France, Maggio Danza in Florence, Teatro Dell’Opera in Rome and Teatro di San Carlo in Naples, in 2004 Mr. Luciano joined Tulsa Ballet as a Demi-Soloist. In 2005, he joined Dominic Walsh Dance Theater in Houston as Principal Dancer. His repertoire includes many of the classical principal leads such as Romeo, Paris, and Benvolio in both Sir Kenneth MacMillan and John Cranko’s Romeo & Juliet; Romeo and Paris in Amedeo Amodio’s Romeo & Juliet with Eleonora Abbagnato, Etoile with Paris Opera Ballet; Solor in La Bayadere, The Prince in The Nutcracker, and Albrecht in Giselle, all by Derek Dean; In the Night by Jerome Robbins; Onegin in John Cranko’s Onegin; Roland Petit’s Ma Pavlova with international ballerina Lucia Lacarra; and Don Jose with the National Ballet of China in Carmen. Mr. Luciano also excels in his contemporary repertoire, which includes George Balanchine’s La Valse; Nacho Duato’s Jardi Tancat and Without Words; and Orfeo in Carole Armitage’s Orfeo and Eurydice. With Dominic Walsh Dance Theater he performed Matz Ek’s Pas de Dans, Jirí Kylián’s Double You and 27’52’’, and the role of the White Swan in the White Swan pas de deux from Matthew Bourne’s Swan Lake, Le Spectre de la Rose, Desire in Sleeping Beauty, Tybalt in Romeo & Juliet, The Firebird with Paris Opera Ballet Étoile Marie-Agnès Gillot. As an international Principal Guest Artist, Mr. Luciano danced in production with Tulsa Ballet, Ballet Quad Cities, The Sarasota Ballet of Florida, Atlanta Ballet, Grand Rapids Ballet, National Ballet of China and The New National Theater in Tokyo. Mr. Luciano is also

Colorado Ballet • Cinderella 7

Dancers invited to various national and International Galas and Dance Festivals. In 2003, he received the Leonide Massine award in Positano, Italy as Best Male Dancer of the Year.

In October 2008, the Houston Press named Luciano as “Best Dancer.” He was also named in Pointe Magazine “Standouts: Our 12 favorite performances of 2009” and in 2010 he received the “Young Talent Award” in Florence, Italy at DANZAINFIERA. This is his first season with Colorado Ballet.

Generously sponsored by Lawrence French and Gregory Sargowicki Jesse Marks Jesse Marks is from Bloomington, Indiana. An aspiring cellist from the age of 6, he studied at the IU School of Music and was the awarded the first chair of the Paris Youth Symphony in 1996. Mr. Marks also began his dancing at Indiana University under the tutelage of Violette Verdy. In 2000 he was awarded a full scholarship at San Francisco Ballet School where he studied primarily with Jorge Esquivel. Mr. Marks joined Colorado Ballet in 2002, and was promoted to Soloist in 2008. During his time with the Company he has performed works by George Balanchine, Antony Tudor, Paul Taylor, Twyla Tharp, Christopher Wheeldon and Lar Lubovich, among others. He has also had the privilege of working with and performing world premieres by many choreographers including Dwight Rhoden, Edwaard Liang, Rennie Harris, Amy Seiwert and Jessica Lang. His notable roles include ‘The Chosen One’ in The Right of Spring, Mercutio in Romeo and Juliet, the Jester in Cinderella, the Nutcracker Prince in The Nutcracker, Lankendem in Le Corsaire, Bluebird in The Sleeping Beauty, and Blue Boy in Yes, Virginia, Another Piano Ballet. In 2009, Mr. Marks took leave from Colorado Ballet and moved to New York City.

While there, he was given the opportunity to join the Metropolitan Opera and dance the principal role of Rinaldo in its production of Armida. During his year away, he also danced with Ballet X and made guest appearances with Delta Festival Ballet, Neglia Ballet and Lydia Johnson Dance. For the past three seasons Marks has also had the opportunity to join Dances Patrelle during its spring season in New York.

Generously sponsored by Janis and Jim Brewster

8 Cinderella • Colorado Ballet

Asuka Sasaki Asuka Sasaki was born in Nagano, Japan where she started training with Emiko Kojima at the Emiko Kojima Ballet School.

She also received training from Yoshimi Yo, before training at the Beijing Dance Academy in China. After two years of training in China, Sasaki joined Canada’s prestigious Royal Winnipeg Ballet as an Apprentice.

In 2004, she became an Apprentice with Colorado Ballet, and formally joined the Company in 2005. With Colorado Ballet, she has worked with accomplished choreographers such as Eldar Aliev, Michael Pink, Martin Fredmann, Lila York, Shelly Washington, Jessica Lang, Dwight Rhoden, Edwaard Liang and Amy Seiwert.

Sasaki has danced many soloist roles with the Company.

Her notable roles include, Clara and Dew Drop in The Nutcracker, Mercedes and Flower Girl in Don Quixote, Gulnara in Le Corsaire, Pas de Trois in Swan Lake, Peasant Pas de Deux and Molina in Giselle, Fleur de Farine, Miettis Fairy and Jewells in The Sleeping Beauty and Autumn Fairy in Cinderella. In 2006, Sasaki guest danced the Pas de Deux of Le Corsaire in Tokyo, Japan.

Generously sponsored by Debby Herz Adam Still Adam Still is originally from Kansas City, Missouri. He graduated from the Harid Conservatory where he trained under Svetlana Osiyeva and Olivier Pardina. While at Harid, he received the Rudolph Nureyev Education Fellowship. He received additional training at the Pacific Northwest Ballet, American Ballet Theatre and Jacob’s Pillow summer programs. Still joined the company in 2009 and was promoted to Soloist in 2012.

While at Colorado Ballet, some of his notable roles include Prince in The Nutcracker, Mercutio in Romeo and Juliet, Lead Gypsy in Don Quixote, and Peter in Peter Pan. He has also worked with choreographers such as Lila York, Lynn Taylor-Corbett, Matthew Neenan, Amy Seiwert, Brian Reeder, Edward Liang, and Jodie Gates.

Generously sponsored by Jane and Skip Netzorg

Caitlin Valentine-Ellis Caitlin Valentine-Ellis was born in New Jersey, where she began her training before moving to Orlando, Florida. Valentine-Ellis was offered a contract at the age of 16 by Fernando Bujones to join Orlando Ballet as a full company member. In Orlando Ballet, Valentine-Ellis performed numerous soloist and principal roles including Odette/ Odile in Swan Lake, Cinderella in Cinderella, Lise in La Fille mal Gardee, the Snow Queen and Sugar Plum Fairy in The Nutcracker, Guinevere in Camelot, and Cupid in Don Quixote, among others. She has also performed the grande pas de deuxes from Le Corsaire, Don Quixote, and La Bayadere and principal roles in George Balanchine works including Serenade, Who Cares?, Allegro Brillante and Stars and Stripes. In 2003, Valentine-Ellis was awarded the Bronze Medal at the New York International Ballet Competition. She was a semi-finalist at the Helsinki International Ballet Competition in 2005. Later that year, Valentine-Ellis was honored as one of Dance Magazine’s “Top 25 to Watch.”

In 2006, she was a finalist and the Jury Award recipient at the USA International Ballet Competition. She has performed as a guest artist with the Moscow Ballet in their touring production of Swan Lake, at the Gala for the 2005 New York International Ballet Competition and internationally in the Baltic Ballet Festival in Riga, Latvia. In 2012, she performed in the Stars of World Ballet: Wings of Dance Gala in Limassol, Cyprus.

Valentine-Ellis joined the Colorado Ballet in 2007 and has enjoyed dancing a wide variety of roles such as Juliet in Romeo and Juliet, the Survivor in Light/The Holocaust and Humanity Project, Hermia and Lead Fairy in A Midsummer Night’s Dream, Cupid and Flower Girl in Don Quixote, Clara and Dew Drop in The Nutcracker, Tiger Lily in Peter Pan, the Bluebird pas de deux in The Sleeping Beauty, Dawn in Coppelia, an Odalisque in Le Corsaire, a soloist in Theme and Variations, and the pas de trois in Swan Lake. She had the opportunity to work with and be featured in pieces by such choreographers as Val Caniparoli, Dwight Rhoden, Edwaard Liang, Amy Siewert, Brian Reeder, Jessica Lang and Twyla Tharp, among others.

Generously sponsored by Sharon Rouse CORPS DE BALLET

Lesley Allred Hailing from Alberta, Canada, Lesley trained for six years at the Royal Winnipeg Ballet School.

Upon graduating in 2007, Lesley started dancing professionally with the Royal Winnipeg Ballet.

In 2008, she joined Ballet Idaho where she danced various soloist roles in ballets choreographed

by Peter Anastos and Alex Ossadnik. In 2009, Lesley

represented Canada at the New York International Ballet Competition, dancing with her fiancé Adam Still. After performing in various productions with ColoradoBallet during their 2010-2012 seasons, Lesley officially joined the company as a corps de ballet member in 2012.

Last season, she especially loved performing Little Red Riding Hood in The Sleeping Beauty, Spanish in The Nutcracker, Balanchine’s Theme and Variations and Stephen Mills’ Light/The Holocaust & Humanity Project.

Morgan Buchanan Morgan Buchanan is from Houston, Texas. She trained at the Ballet Center of Houston under the direction of Victoria Vittum and Gilbert Rome.

Ms. Buchanan also trained at Houston Ballet’s Ben Stevenson Academy for two years, under the direction of Sally Rojas and Sabrina Lenzi, where she earned the highest final evaluation variation score in her class. Before joining the Colorado Ballet Studio Company in 2009, Ms. Buchanan attended summer programs with American Ballet Theatre, Orlando Ballet and Houston Ballet. In 2011, she performed in Emery LeCrone’s Archetypes at the Vail International Dance Festival. Her favorite roles with Colorado Ballet include the Spanish dance in Swan Lake, Columbine Doll in The Nutcracker and Wendy in Michael Pink’s Peter Pan.

Cara Cooper Cara Cooper is in her eighth season with the company and is a recipient of the Florence Rustin Award for Excellence.

Ms. Cooper trained on full scholarship at the Academy of Colorado Ballet before joining the company at 17. In 2007, Cooper joined the English National Ballet in London, England and performed throughout Europe and in Beijing, China. Ms. Cooper has performed several leading roles including Rum and Cola in Paul Taylor’s Company B, Arabian in The Nutcracker, Lead Harlot in Romeo and Juliet, the Pas de Trois in Swan Lake, Flower Girl and Gypsie Queen in Don Quixote, Brown Woman in Celts and the Haughty Stepsister in Cinderella. In 2009, Ms. Cooper was invited to perform in the Gala Performance for the New York International Ballet Competition in the Rose Theater at Jazz at Lincoln Center in New York City. Ms. Cooper’s choreography has recently been commissioned for performances in Germany, Greece and throughout the US.

Colorado Ballet • Cinderella 9

Dancers Casey Dalton

Francisco Estevez

Casey Dalton is from Boston, Massachusetts and studied with Rudolph Kharatian at the School of Washington Ballet and with Alla Sizova at the Kirov Academy of Ballet in Washington, D.C. She joined Colorado Ballet in 2004.

Some of her favorite roles have included the Dumpy Stepsister in Cinderella, Doll in The Nutcracker, Two Ladies in Leaves are Fading, Max’s Toys in Where the Wild Things Are, lead Czardas and Mazurka in Coppélia, the White Cat and Happiness Fairy in The Sleeping Beauty, a soloist in Le Sacre du Printemps, Little Swans in Swan Lake, Amor in Don Quixote, one of the Trio Ladies in Great Galloping Gottschalk, Michael in Peter Pan, Gypsy in Romeo and Juliet, and original roles in ballets by choreographers such as Matthew Neenan, Dwight Rhoden, Jodie Gates, and many more.

Born in Quito, Ecuador, Francisco moved to the USA in 1995.

He began his ballet training in Louisville, Kentucky and at the age of 16 was invited to finish his professional training at the School of American Ballet in New York where he graduated in 2008. He has studied with Ethan Stiefel, Jock Soto, Peter Martins, Edward Villella, Peter Boal, Nikolaj Hubbe, Sean Lavery, Rolando Sarabia, Johnny Eliasen, John Garner, and Amanda McKerrow among others. In 2008, Francisco joined Boston Ballet under the direction of Mikko Nissinen where he was featured in many soloist roles. In 2010, Francisco joined the Barcelona Ballet (previously Corella Ballet) under the direction of Angel Corella. As a member of this company, he took part in the “Feria del Libro” in Guadalajara, Mexico, the Spoleto Festival in both Italy and Charleston, North Carolina and the Peralada festival, Catalonia. He has toured to various cities including Los Angeles, Santa Barbara, Seattle, Charleston, Detroit, Houston and most recently, the New York City Center where he has performed various featured roles.

Francisco won 1st Place at the Premio Internacional de Danza Roseta Mauri, Spain in 2011 and has modeled for Intermezzo dancewear’s 2013 line. He has also performed soloist and principal roles with the New York City Ballet on various occasions. His featured roles includes George Balanchine’s 1st and 2nd themes from The Four Temperaments, Balanchine’s Tarantella and Valse Fantasie, Jorma Elo’s Carmen Illusions, Jerome Robbins’ Fancy Free and 2 & 3 Part Inventions, Peter Martin’s Les Gentilhommes, Christopher Wheeldon’s For Four, DGV, Polyphonia and VIII, Clark Tippet’s Bruch Violin Concerto, Twyla Tharp’s In the Upper Room, Stanton Welch’s Clear, the wedding pas de deux and jewels from Sleeping Beauty, Franz in Coppelia, the Ali variation from Le Corsaire, Benno and Neopolitan in Swan Lake, the peasant pas de deux from Giselle, and the pas de six from Napoli among others. Francisco joined Colorado Ballet in 2013.

Christopher Ellis Christopher Ellis was born in Chicago, Illinois and began his training with Maniya Barredo at the Metropolitan Ballet Theatre in Atlanta, Georgia, receiving the Mannie Rowe Memorial Scholarship. At the age of 18, Ellis joined the Orlando Ballet as a company member, under the direction of Fernando Bujones. During his four seasons with Orlando Ballet, Ellis danced a variety of soloist and principal roles including Prince Charming and the Jester in Cinderella, the Cavalier and Prince in The Nutcracker, King Arthur and Mordred in Camelot, and the Don Quixote pas de deux. Ellis has also performed in several of Fernando Bujones’ classical and contemporary choreographic works, as well as George Balanchine’s Agon, Who Cares?, Allegro Brillante, Theme and Variations and the Stars and Stripes pas de deux. In 2005, Ellis competed in both the New York and Helsinki International Ballet Competitions. He also performed with his wife, Caitlin Valentine-Ellis, as her non-competing partner at the 2006 USA International Ballet Competition.

Later that year, he traveled to Japan to perform as a guest artist in the Okayama Ballet Festival. Since joining Colorado Ballet in 2007, Ellis has enjoyed performing Benvolio and Paris in Romeo and Juliet, Quincey in Dracula, Lysander in A Midsummer Night’s Dream, Black Murphy in Peter Pan, Benno in Swan Lake, Aqua in Bruch Violin Concerto No. 1 and the Cavalier and Prince in The Nutcracker. He has also worked with and performed in pieces by numerous choreographers including Val Caniparoli, Dwight Rhoden, Jessica Lang, Amy Siewert, Edwaard Liang and Twyla Tharp, among others.

10 Cinderella • Colorado Ballet

Kevin Hale Born in Warren, New Jersey but raised in England, Kevin began dancing at the age of 5. At the age of 11, he was accepted into The Royal Ballet School where he graduated in July 2013. Kevin has won the Kenneth McMillan Choreographic Competition twice and had one of his ballets performed at the school’s annual show at the Royal Opera House. During his graduate year, Kevin performed with The Royal Ballet in various ballets including Swan Lake, The Nutcracker, La Valse and The Sleeping Beauty.

He was also featured as a dancer on the BBC. Kevin joined Colorado Ballet in July 2013.

Klara Houdet A native of Réunion, France, Klara Houdet trained at the Paris Opéra Ballet School. When she turned 17, Jean-Christophe Maillot invited her to join Les Ballets de Monte Carlo, where she was promoted to second soloist. In 2007, Klara joined the National Ballet of Canada, where she danced the majority of the classical repertoire and also Balanchine’ s The Four Temperaments and Symphony in C, Robbins’ Glass Pieces and Forsythe’ s Second Detail.

She also worked with choreographers, namely John Neumeier, Reid Anderson, Crystal Pite, James Kudelka, Aszure Barton, Davide Bombana, Christopher Bruce and Ronald Hynd. Klara was sponsored by Mrs. Lucy White, through the “Dancer’s First” program and in 2009 she was awarded the William Marrie Award for Dramatic Achievement from the National Ballet of Canada. In 2010, she won the gold medal at the International Ballet Competition in Sibiu, Romania, and the first contemporary prize at the Shanghai International Ballet Competition in 2001. From 2010 to 2011, she was invited as a guest artist to perform various pas de deux such as Don Quixote, Grand Pas Classique,Tchaikovsky Pas de Deux, Nutcracker Grand Pas and the Bluebird Pas de Deux. More recently, the American Ballet Theatre invited her to dance in their production of La Bayadere at the Kennedy Center, Washington. Klara joined Colorado Ballet in July 2012. Since then, Klara was given the opportunity to perform the Vitality Fairy, Blue Bird Pas de Deux and Jewel Silver in The Sleeping Beauty and the Spanish and Marzipan dance in The Nutcracker.

She also danced in Theme and Variations, The Rite of Spring and Light/The Holocaust & Humanity Project.

She also took part in Val Caniparoli’ s world premiere, In Pieces.

Tracy Jones Born in Cork, Ireland, Tracy began to dance at the age of 5 with Ballet Theatre Ireland.

From the age of 11, she trained at The Royal Ballet School where she graduated in 2007. In 2006, Tracy was a winner of the Ursula Moreton choreographic competition and a finalist of the Young British Dancer of the Year. She also featured in BBC’s The Culture Show and was awarded the Stanley Pickering Scholarship to complete her training.

During her graduate year, Tracy performed with the Royal Ballet in various ballets and joined them on their 2007 International tour to Mexico and the USA. Upon graduating, Tracy joined the English National Ballet as an Artist where she performed various Corps de Ballet roles and toured to Beijing, China. From 2008 to 2012, Tracy was a member of the Barcelona Ballet (previously Corella Ballet) under the direction of Angel Corella.

With this company, Tracy had the opportunity to dance various soloist and principal roles including the 3rd principal couple in Christopher Wheeldon’s DGV, the

3rd Shade variation in Natalia Makarova’s La Bayadere, Pas de Trois and Big Swans in Swan Lake, Twyla Tharp’s In the Upper Room, Jerome Robbin’s Fancy Free, and friend variations in both Raymonda and Paquita.

She also created a soloist role in Russell Ducker’s Epimitheus for New York City Center in 2010. Tracy has modeled for Wear Moi’s 2011 dance catalog and both El Petit Ballet’s and Intermezzo’s 2013 dance catalogs.

She also designs and makes her own line of ballet skirts under the name Tulips by Tracy. Tracy joined Colorado Ballet in January 2013. She was named as one of 10 “Stars in the Corps” by Pointe Magazine in June 2013.

Charlotte Lanning Charlotte started her ballet training at the age of 10 at the Washington School of Ballet under the direction of Mary Day and Rebecca Wright. She then followed Michael Bjerknes, former Joffrey Ballet Principal, to study at the American Dance Institute on scholarship. She continued her training with Dawei Zhang of the Shanghai Ballet. During her training she attended various summer programs such as American Ballet Theatre, Exploring Ballet with Suzanne Farrell, the School of American Ballet, Colorado Ballet, and Canada’s National Ballet School. She received the Phillip Jerry Memorial Scholarship for summer study and was a finalist for three years in the Kennedy Center Ballet Master Class Series. Charlotte spent the last two years as a studio company member with Colorado Ballet where she enjoyed performing in such productions as Swan Lake, The Nutcracker, The Sleeping Beauty, and George Balanchine’s Theme and Variations. She is very excited to be starting her first season with the company.

Christophor Moulton Christophor Moulton is from Colorado Springs, Colorado.

He is a graduate of the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. During his years at Harid, Moulton performed numerous roles including Siegfried in Swan Lake and Cavalier in The Nutcracker. He also studied for a year at the Jacquelyn Kennedy Onassis School under Franco Devita. Moulton is a recipient of the 2007 Rudolph Nureyev Education Fellowship. Moulton joined Colorado Ballet’s Studio Company in 2009 and was promoted into the Company in 2010. During that time he has danced several roles including Toreador in Don Quixote, God of the Wind in Beauty and the Beast and The Old Man in Eventually.

Colorado Ballet • Cinderella 11

Dancers Kelsie Nobriga

Kevin Gaël Thomas

Kelsie Nobriga is from Rancho Santa Margarita, CA, and began dancing at the age of five at the Pacific School of Ballet. She later trained with Melissa Allen Bowman at Danse Conservatory, and Charles Maple at the Maple Conservatory of Dance. After dancing in summer programs at Pacific Northwest Ballet on full scholarship, she danced with PNB in their professional division in 2010. There she performed in PNB’s The Nutcracker, Cinderella, A Midsummer Night’s Dream and Giselle. In 2011, Kelsie joined Oregon Ballet Theatre as an Apprentice, where she had the opportunity to dance roles such as Columbine Doll, Snow, Flowers and Marzipan in The Nutcracker, Small Swans and the 3rd Act Pas de Trois in Swan Lake, as well as perform in their productions of Carmen and Giselle. This is her first season with Colorado Ballet.

Kevin Gaël Thomas is from France and studied at Rosella Hightower’s International Ballet Center and at Canada’s National Ballet School, where he received a full scholarship and graduated in 2006, with honors.

Mr. Thomas also graduated with honors from the Music Conservatory in France for piano. He then danced for a year with Houston Ballet II. Mr. Thomas joined Colorado Ballet in 2007. During his first season he performed well-known roles such as Fritz and Russian in The Nutcracker. He then performed Soloist roles in Colorado Ballet productions including Blue Bird and Jewels in The Sleeping Beauty, Neopolitan in Swan Lake, one of the two soloist boys in The Rite of Spring and Demi Soloist in Theme and Variations. In 2012, he received his first principal role as Peter in Michael Pink’s Peter Pan. Following that production, he danced at the Gotham Dance Festival with the Company in New York.

Mr. Thomas was chosen to represent France at the New York International Ballet Competition in 2009 and at the USA Jackson International Ballet Competition in 2010.

Sean Omandam Sean Omandam is from Fresno, California, where he began his training with Shirley Winters.

He later went on to train on full scholarship at the Harid Conservatory in Boca Raton, Florida under the instruction of Victoria Schneider, Olivier Pardina and Svetlana Osiyeva.

Upon his graduation in 2004, he joined Colorado Ballet’s Studio Company, and was promoted into the Company in 2005. With Colorado Ballet, Mr. Omandam has performed a variety of featured roles including Puck in Christopher Wheeldon’s A Midsummer Night’s Dream, Whip Boy in Glen Tetley’s The Rite of Spring, John Darling in Michael Pink’s Peter Pan, Green Man in Lila York’s Celts, Champion Roper in Agnes de Mille’s Rodeo, Max in Septime Webre’s Where the Wild Things Are and Russian in Martin Freedman’s The Nutcracker.

His repertory also includes works by Lar Lubovitch, Amy Seiwert, Edwaard Liang, Jodie Gates, Matthew Neenan, Dwight Rhoden, Darrell Grand Moultire, and Jessica Lang, among others. In 2007, he was a competitor and gala performer at the New York International Ballet Competition. Most recently, in the summer of 2013, Mr. Omandam was featured as a contestant on the premier season of the South Korean television show, Dancing 9.

12 Cinderella • Colorado Ballet

Luis Valdes Luis Valdes was born in Matanzas, Cuba, and joined Colorado Ballet in 2005. Previously, he performed with the National Ballet of Cuba and Cincinnati Ballet. Mr. Valdes’ favorite role with Colorado Ballet is Espada in Don Quixote. Since joining Colorado Ballet, Valdes has had the opportunity to dance as a guest in modern dance pieces in Florida, New York, and Iowa. He has had the chance to perform in new works by Val Caniparoli and Amy Seiwert. Mr. Valdes also enjoyed the opportunity to perform The Rite of Spring in Colorado Ballet’s MasterWorks production last season.

Some of his favorite choreography includes Twyla Tharp’s In The Upper Room, Paul Taylor’s Company B and Antony Tudor’s Echoing of Trumpets.

Kevin Wilson Kevin Wilson was born in Durango, Colorado. He is a graduate of the Harid Conservatory in Florida, where he trained under Svetlana Osiyeva, Olivier Pardina and Victoria Schnider. He received the Dance Achievement Award for two consecutive years. Kevin has been a member of Colorado Ballet for six years.

He had the pleasure of dancing in the Corps for Bruch Violin Concerto No. 1 and the wedding scene from A Midsummer Night’s Dream.

Ben Winegar Ben Winegar is from Grand Rapids, Michigan. He began his training at the School of the Grand Rapids Ballet at the age of 11. There he was trained by Attila Mosolygo, Gaiane Akopian, and Akop Akopian, and was given the opportunity to perform in several ballets with the Grand Rapids

Ballet Company. In 2010, Ben spent a year training at the School of American Ballet. Upon graduating, he danced one season with the Los Angeles Ballet under the direction of Thordal Christensen and Colleen Neary.

This is Ben’s second season as a member of Colorado Ballet.

Dancer photos by Francisco Estevez Photography

Colorado Ballet Studio Company Front Row: Left to Right Chloe Shelby, Ryan Lee, Arianna Ciccarelli, Emma Stratton, Victoria Hasek Second Row: Regan Kucera, Emma Daddario, Phoebe Magna, Samantha Harmon, Jennifer Grahnquist Third: Rony Lenis, Siobhan Stocks-Lyons, Kristine Padgett, Abigail Cotter, William Smith Top: Jacob Taylor, Kurtis Irwin, Bryce Lee, Joshua Allenback

Supporters of Colorado Ballet As of January 24, 2014 Leadership Circle $100,000+ Corporations, Foundations, & Government Agencies Colorado Ballet Auxiliary SCFD Individual Donors Raydean Acevedo Hugh Grant and Merle Chambers Sandy Elliott Pam and Duke Hartman Anne and Jim Hillary Joanne Posner Mayer Ovation Circle $50,000+ Corporations, Foundations, & Government Agencies Boettcher Foundation Bonfils-Stanton Foundation The Gates Family Foundation

KeyBank Wells Fargo Private Bank Founders Circle $20,000+ Corporations, Foundations, & Government Agencies The Anschutz Foundation Avenir Foundation Denver Ballet Guild Madden Family Charitable Foundation Price Waterhouse Coopers The Shubert Foundation Anna & John J. Sie Foundation Individual Donors Liz and Bill Armstrong Ellen Balaguer and Mark Chase Janis and Jim Brewster Rusty and Sarah Semple Brown Jane and Gordon Netzorg

Cheri and Alan Rubin Jeanne and Dick Saunders Suzan and Gary Schlatter Lisa and Bill Snider Nancy and Thomas Stevens Director Circle $10,000+ Corporations, Foundations, & Government Agencies Accenture, LLP Colorado Creative Industries Denver Foundation Greenberg Traurig, LLP RLC Foundation Saunders Construction, Inc. Xcel Energy Foundation Individual Donors Lisa Appel Jean and Hugh Armstrong

Brent and Melanie Kopperud Backes Paul E. Goodspeed Marc and Regina Musyl Don and Mary Lou Blackledge Kortz David and Carole Ramsay Dr. Barbara R. Reed Brad M. Sonnenberg Debbi and Bill Tryon Choreographer Circle $5,000+ Corporations, Foundations, & Government Agencies Bayswater Exploration & Production, LLC Chalat Hatten Koupal & Banker PC James A. Dooley Foundation The Kenneth King Foundation Murray Motor Imports

Colorado Ballet • Cinderella 13

Supporters of Colorado Ballet Ralph and Florence Burgess Charitable Trust Ready Foods Inc. Workplace Resources Individual Donors Diane Land and Stephen Adler Holly Baroway and Erik Cederlund Gleneen and Joseph Brienza Carla Dore Lori and Grady Durham Dr. Louis and Mrs. Victoria Howard Fine Robert S. Graham Celeste Grynberg Mary Meade and David Hammond Rachel and Tim James Tamara and Thomas E. Jorden Dr. Stuart and Mrs. Gail Kassan Diana and Michael Kinsey Henny and Bert Lasley Kathy Barrett Lee Merry and Steven D. Logan Cindy and Michael Meany Teresa and Paul Mueller Regina and Marc Musyl The Ponzio Family Natalie Rekstad-Lynn and Scott Lynn Denise and James Sanderson Dr. David J. Scanavino Ruth S. Silver Dr. Carol A. Stamm Harry M. Sterling and Vicki Aybar-Sterling Susan and Stephen Struna Julie C. Van Camp Marie Belew Wheatley Katherine and Michael Whitcomb Ballet Mistress Circle $2,500+ Corporations, Foundations, & Government Agencies Colorado Health Foundation The Denver Post Community Foundation El Pomar Foundation Henry E. Wurst Family Foundation Holland & Hart, LLP Ricoh Imaging Americas Corp.

The Schramm Foundation Wells Fargo Advisors, LLC Individual Donors Katy and Brian Brown Daniel and Aimee Sporer Caplis V. Gene and V. Arlone Child Jennifer Collins

Donna and Ted Connolly Casey Cortese Christine Darch Lynn Bolinske Dolven Lawrence French and Greg Sargowicki Ann and Ford Frick Peggy Goldman Alyson and Chris Graves Peggy Hale Montine Hansl Margaret S. Hansson Noel and Terry Hefty Debby Herz Jan and Gordon Holfelder Edeltraud Johnson Elizabeth Katkin Douglas and Pamela Kelsall Janet and John MacFarlane Elspeth MacHattie Hilary and John Morland Brenda Reed Sharon Rouse Ellen Scott Arthur L. Seiden Susan and Jeremy Shamos John Fitzgerald and Maureen TarrantFitzgerald Wendy and Jack Trigg Cinamon Watson and Christopher Paulson Risa Wolf-Smith and Don Smith Principal Circle $1,000+ Corporations, Foundations, & Government Agencies Bank of the West Carson-Pfafflin Family Foundation The Caulkins Family Foundation Frederick G. Fish Foundation Honnen Equipment Co. Janus Foundation Kinder Morgan Foundation Steele Street Bank & Trust Zisman, Ingraham & Mong Individual Donors Peggy A. Battalora, M.D. Julie and Michael Bock Joseph J. Bronesky and Jacquelin A. Medina Dr. Toby and Mrs. Paulene Cole Dr. and Mrs. Alan Como Patty and Don Cook Cami Cooper Wendee and Michael Crowley Karen and William Curtis Carolyn E. Daniels Ms. Virginia Danna and Dr. John Gerdes Joseph M. Demmler

14 Cinderella • Colorado Ballet

Allison and Bruce Dodge Virginia and Richard Doleshek Deborah and Patrick Donovan David C. Faragher and Robert Parsons The Foote Wade Family Fund Melissa and Mark Garland Dr. Gary and Mrs. Ellen Hahn Pamela and Barry Gatz Marla and Richard Gentry Charlotte and Guy Geoly Dr. Frederick and Mrs. Carol Grover Sally C. Haas Nancy and Clifford Hickey Matthew and Jane Kadillak Deborah L. Kelly Dr. Peter Kennealey and Dr. Colleen Murphy Margaret and Edward Leede Lifestyles Catering Awilda Marquez Theodore McCombs Janalee and Morris McDonald Margaret R. Jurado and V.W. McKnab Carol McMurry and Patrick Spieles Janet Rose Mordecai Dr. Bruce C. Paton Sue Pawlik Bonnie C. Perkins Robert Peverley Cynthia and Alexander Read Nanci Reichman Daryl A. Russell Connie and Michael Schingle Eileen Sharkey and James Darling William S. Silvers, M.D. Debbie and Don Silversmith Phoebe Smedley John Trueblood John Uppendahl Kerry and Gary Vickers Leslie and William Vollbracht Blair and Salina Wu Whitaker Linda Roberts Zinn Sanford Zisman and Janis Frame Soloist Circle $500+ Corporations, Foundations, & Government Agencies Encana Oil & Gas Individual Donors Mimi Affeld

Dr. Frank and Mrs. Celia Anderson Marcia and Rick Ashton Cindy and Scott Baroway Brady Behrendt Renate and Horst Bergmann Sharon and Steven Birnbaum Drs. Laura and Jeffrey Brent Karen Bruggenthies Suzanne and James Buchanan Anthony and Cheryl Cotter Alicia and Jim Deters Joy Dinsdale Renee and Marc Ducnuigeen Margaret Dzwileski Patricia and Christopher Elliott Stephanie and John Flanigan Jennifer and Adam Flatt Sigrid H. Freese Richard and Julia Parrino George Laura Goodman Dr. Wendell and Mrs. Charlotte Hatfield Joy and James Hoffman William Hohnhorst Walt Imhoff Kathy and Derek Konopka Sherill Ladwig Elizabeth and David Lanning Lisa Maury Maria and Kenneth Mendelsberg Pamela Merrill Dee and Gene Milstein Margaret Morrissey Drs. Harold and Sarah Nelson Judi and Robert Newman Richard Newton Jamie Olson Melinda Quiat Kathryn and Tim Ryan Linda and John Roberts Lawrence Robins Carol Roger Paula and David Roney Andrea Sayles Ruth Schoening Jane and Lars Soderberg Holly and Norm Steiner Larry Stephens Dr. John and Julie Strain Mary and Stephen True Patricia and Robert Valentine Klasina Vanderwerf Sandra Vinnik Patricia and Edward Wahtera Midgely and Bill Wallace

Supporters of Colorado Ballet Donna Whittington Dr. Raymond and Bernice Yost Jeri Zucherman Artist Circle $250+ Corporations, Foundations, & Government Agencies American Endowment Foundation Individual Donors Lisa and Rob Adams Ross Barnhart David Beery Brian Bennett Lauren and David Benson Kathy and Bjorn Borgen Stanley and Virginia Boucher Elizabeth Bradley Michael Breed and Cheryl Ristig Joan and Lawrence Brennan Sarah and Russell Brown Carol and Alan Caniglia Charles W. Clarke Dana and Rick Cooksey Mary and Carlos De la Rosa Beth and Paul Deboer Barbara and Patrick Dennis Marty DeWitt Wendy and Marcus Divita Renee Duncan Janet Erickson Linda and Norbert Frueh Martha and John Gart Alan Getz Rebecca Givens Elizabeth Grinevics Amy Halvorsen Anna Lee Hartman Helen and Matthew Hayes Diane D. Henry Victoria and Michael Hewitt Julie and Lee Hill Andrew Hornbrook Judeth Jensen Carole L. Johnson Dr. Sally Scott and Mr. Kevin Kearney Sally and James Kneser Edwin and Donna Kornfeld Lynn and Dennis Krueger John W. Kure and Cheryl L. Solich Drs. Charles and Gretchen Lobitz Michael Mallett Carlos Martinez Timothy McCutcheon Melba and Steve McDanal Kris and Jay McMullan Marcia Naiman Carol S. O’Brien Cynthia Patterson Susan and Dan Paulien

Debra Piazza Mark and Martha Graves Reese Richard Replin and Elissa Stein Petra and Mark Richards Carolyn and John Riedlin Nancy Rife Stephanie Rudnick Andrea and Timothy Sayles Nancy Huston Schulein David Smith Toni and Andrew Smolen Susan Stiff Arthur Strasburger Ginger and Larry Underwood Jennie Virgilio Michael Welcome Joyce and James Wilson Sandra and Michael Wilson Kathy and Jon Zeschin Corps de Ballet Circle $100+ Individual Donors Laurence and Michelle Adams Judith Babcock Robert Balas Julia and Earl Banks Dennis Barrett Katie Becker Deborah Beckman Henry Beckwitt Robert Beeson Sherrye Berger Lafawn Biddle Shannon and David Bird Marcia Hewitt Bishop Janelle and Buck Blessing Shirley and Stewart Bliss Margery Blumberg Frances and Kent Boggs David and Rachel Bondelevitch Gwendolyn and Joseph B. Bowers, III Elise Bowne Dennis W. Brendel Heather Callahan Donald B. Cameron Michael Campbell Carolyn Malaby and Jack Thompson Sandy Carpenter and Jim Elliott Gretchen Cerveny Cynthia Chapman Donna and Ronald Charlin Marta Chenchar Dave Chew Elizabeth Chilcoat Dene L. Clark Taylor Clark Ethel K. Clow Marsha Cooper Mike and Pam Copp Michelle Cowgill

Christin Crampton Day Laura deMoye Robert Dillon, Jr. Louise J. Douglass Leticia Sara and Randall Draves Jim Esterby Dr. Steven Eurich Henry Farrell Joan and John Feek Virginia and John Freyer Jennifer and Rick Geisman Elaine Graves James Gray Karen and Thomas Gross Richard and Kimberly Gross Sara Hale Ann and Eldridge Hardie Linda Harmon Heather and Larry Harte Allegra Haynes Aurora Ruiz-Hernandez Lyman R. Ho Linda J. Hofschire Phyllis and Reg Holmes Sandra Holtegel Beth Hooper and Marc Kerman Ann Hovland Janet S. Hughes Myra and Frank Isenhart Richard Jones Jeane P. Kalas Margaret T. Kaluk Charlot Karesh Edward Karg and Richard Kress Alanna Katzenberg Ross Kazer Lynn Kelly Bonnie Kipple Sharon Kirts Sheila Kowal Sandra and Stephen Kukoy George Langworthy, Sr. Dolle Lehrkamp Joelle Liedtke Patty Lorie Janet and David MacKenzie Susan M. Magruder Stephanie and Blake Malia Margaretha Maloney and Robert Palaich Cynthia Mancinelli Libby Marcus Mary McCurdie Colleen and Gary McKinley Christopher Merrell Marilyn Sundt and Andrew Mirdik Donald Mitchell Beverly B. Moore Dorothea J. Moore Beverly Moranetz Dr. Jeffrey and Mrs. Peggy Morse Debbie and Michael Murdock

James C. Murphy Allen and Elaine Nakawaga Ron and Judie Neel Barbara Nelson Anne Oram Monica Owens John Paller Janet Pasterkamp Tatum and Eddie Perez Elizabeth Perry Kate Perry Dr. Glenn D. Pierce Daniel and Pamela Piro Jack and Barbara Priddy Kate Raabe Cynthia and Don Redifer Frederica and Manuchehr Riahi Nancy and Gene Richards Emily Robbins Irene and William Roberts Kenneth Robinson Dr. Cheryl Rodebaugh Carol Rollin Barbara and James C. Ruh Suzanne B. Ryan Rosa Salamanca Meyer Saltzman Julie Savoie Gwendolyn and Richard Scalpello Rustin and Lisa Scherer Dr. Harvey and Mary Baughman Schuchman Sean Shaw, M.D. Elizabeth Shwayder Marlene and Arnold Siegel Dr. Richard and Mrs. Barbara Simons Cari and Mark Spiecker Elizabeth Spohn Kathryn Spuhler Michael Stenzel Kari and Daryl Stewart Lyle Stewart Marti Stewart William Stout Debra and James Strong Irene and Joseph Szyliowicz Edmund Tatar Jane Thompson Nancy Tisdall Susan and William Tracy Lucile and Harry Trueblood Janet and John Turley Barbara Sinclair Uhlig Cheryl Vanhoose-Barone Stephen D. Vinnik Carol Wagner Michael Walters Samuel and Gretchen Wang Hanna M. Warren Melissa Weisenstein Mary Ann Welch Stephen M. Werner Deanna L. Westfall Dan and Beth Whittemore

Colorado Ballet • Cinderella 15

Supporters of Colorado Ballet Deborah Wicks Bernard Williams Joseph Winegar and Karen Gipson Duane Wise David Yolton Linda and Eugene Young Yuliya and Henry Zabarsky In Honor of Barbara Reed Palmer Exploration LTD. Terry Amicone Marilyn and Roland Bernier Donald B. Cameron Charles W. Clarke Charles Crowley Rebecca Ellis Leslie Farkas Bernard Gardetto Mary and William Jenkins Julie Johnston Lawrence and Nancy Kueter Jill and Herb Lee Betsy Mangone Francis Mullins Susan L. Richardson Betty and Lloyd Steinmann Stephen and Patty Werner In honor of Merry Logan for her service as Board Chair Pam and Duke Hartman Henny and Bert Lasley In honor of Raydean Acevedo Patricia Laverty Carlos Martinez

In honor of Sally Murray Nancy Huston Schulein In honor of Jesse Marks Richard Replin In honor of Sharon Wehner Deborah Clendenning In honor of Morgan Buchanan Clayton & Clayton PC In honor of Adam Still and Lesley Allred Joseph Krantz In honor of Gail Karesh Kassan Charlot Karesh In memory of Zachary David Gonzales Donald Hills Cheryl Van Hoose-Barone In memory of Meg Fonda Barb and Stu Fonda In memory of Linda Thurman Nancy Thurman-Watson In memory of Diane Nolen Barbara and James Ruh In memory of Beth Forth Kenneth and Sally Hooks

In honor of Duke Hartman Nancy Carter Kathy Holt Sally Sexton

Moving into the Future Capital Campaign Leadership Gifts William and Elisabeth Armstrong Libby Anschutz Brown Foundation Anschutz Foundation Lisa Appel Hugh and Jean Armstrong Brent and Melanie Backes Susan Bailey Erik Cederlund and Holly Baroway Katherine Barrett Lee Boettcher Foundation Bonfils-Stanton Foundation James and Janis Brewster Craig and Sarah Brown Rusty and Sarah Brown Daniel and Aimee Caplis Carson-Pflafflin Family Foundation Chambers Family Fund Casey Cortese DCP Midstream Vernis and Mary Deming El Pomar Foundation Sandy Elliott Jayne Ford Sandy Zisman and Janis Frame Ford and Anne Frick Gates Foundation Paul E. Goodspeed Duke and Pam Hartman Jim and Anne Hillary Rachel and Timothy James Donald and Mary Lou Kortz Patricia E. Laverty Steven D. and Merry Logan Madden Family Charitable Foundation Theodore McCombs Paul Mueller Murray Motor Imports

Gordon and Jane Netzorg PB & K Family Foundation Joanne Posner Mayer Dave Ramsay Dr. Barbara Reed Alan and Cheri Rubin Dick and Jeanne Saunders Dr. David Scanavino Gary and Suzan Schlatter The Schramm Foundation Bill and Lisa Snider Brad Sonnenberg Charitable Fund Harry Sterling Tom and Nancy Stevens Bill and Debbie Tryon Julie Van Camp Wells Fargo Foundation Wells Fargo Private Bank Wells Fargo Advisors, LLC

Gifts In Kind $50,000+ Pura Vida Fitness and Spa $20,000+ Eide Bailly LLP High Noon Entertainment

$10,000+ Shapiro Chiropractic The Westin Denver Downtown $5,000+ Metropolitan Building Maintenance, Inc.

16 Cinderella • Colorado Ballet

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WHERE MUSICIANS COME TO PLAY THERE WILL BE... BEETHOVEN

FEB 28-MARCH 2 X FRI-SAT 7:30 X SUN 2:30

ANDRE DE RIDDER, CONDUCTOR | WILLIAM WOLFRAM, PIANO

Eclectic. Contemporary. Classical. This concert has range within a theme, inviting the audience to listen with a new ear. Opener There Will Be Blood, preceeds William Wolfram taking on Britten’s sole piano concerto, brilliantly juxtaposed by Beethoven’s first symphony.

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MARCH 14-16 X FRI-SAT 7:30 X SUN 2:30

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We are honored and thrilled to welcome critically acclaimed conductor and cellist Paul Watkins to Boettcher Concert Hall who will display his immense talent on Elgar’s Cello Concerto in E minor.

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ANDREW LITTON, CONDUCTOR | STEPHEN HOUGH, PIANO/COMPOSER COLORADO SYMPHONY CHORUS, DUAIN WOLFE, DIRECTOR

Colorado Ballet 23

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Colorado Ballet’s Young Patrons Thanks for the wonderful season Center Stage members!

See you next next season for more mixing and mingling with other young Colorado Ballet enthusiasts!

As a Center Stage member you receive 25% off select ballet tickets when you become a member!

Plus receive invites to exclusive events including post-performance parties & behind the scenes opportunities.

If you are interested in being part of our young patrons program for the 2014-2015 season, contact Julia Symanski at julia.symanski@coloradoballet.org

For more information visit us on the web at: Facebook.com/cbCenterStage 26 Colorado Ballet

Coloradoballet.org/Support/CenterStage

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The Kempe Foundation Annual Gala Saturday, April 26th, 2014

SEAWELL GRAND BALLROOM AT THE DENVER CENTER FOR THE PERFORMING ARTS Help Kempe prevent child abuse and neglect.

Tickets and sponsorship information available at kempe.org/gala or 303.864.5313.

February 14-16

Performing Arts Complex at Pinnacle Charter School

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Dancer photo by Kristen Hatgi, Garrett Ammon and Wonderbound

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Colorado Ballet 29

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GORDON HAWKINS

AS

GORDON HAWKINS

AS

RIGOLETTO RIGOLETTO MAR. 15 | 18 | 21 | 23 2014 LEONARDO VORDONI, CONDUCTOR

“...POWERFUL SINGING OF THE BARITONE GORDON HAWKINS...

MAR. 15STOLE | 18THE| 21 23EVENING.” 2014 WHO NEARLY SHOW| ALL

SANDRA PIQUES EDDY

AS

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AS

CARMEN CARMEN MAY 3 | 6 | 9 | 11 2014 ROBERT WOOD, CONDUCTOR

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LEONARDO VORDONI, CONDUCTOR

THE NEW YORK TIMES

ROBERT WOOD, CONDUCTOR

“...POWERFUL SINGING OF THE BARITONE GORDON HAWKINS...

ALSO STARRING WHO NEARLY STOLE THE SHOW ALL EVENING.”

“MS. PIQUES EDDY, A SWAN-NECKED MEZZO WITH FINE TECHNIQUE, A ALSO STARRING RANGE OF COLORS FROM HONEYED TO BRIGHT AND CHARM TO BURN.”

THE NEW YORK TIMES

THE NEW YORK TIMES

ALSO STARRING

ALSO STARRING

RENÉ BARBERA

RACHELE GILMORE DANA BETH MILLER

©Tim Fuller/Arizona Opera

RENÉ BARBERA ©Tim Fuller/Arizona Opera

THE NEW YORK TIMES

JANAI BRUGGER JAY HUNTER MORRIS

RYAN KUSTER

©Don Sausser/Opera Coeur d’Alene

RACHELE GILMORE DANA BETH MILLER

JANAI BRUGGER JAY HUNTER MORRIS

RYAN KUSTER

©Don Sausser/Opera Coeur d’Alene

ACADEMY STUDENT SHINES The magical story of The Nutcracker is one that everyone knows, but this year for Colorado Ballet Academy student Adele Sutton, a high school sophomore, things looked a little different. In the 2013 production of Colorado Ballet’s Nutcracker, Adele had the opportunity to dance in a corps de ballet role as a snowflake in the Snow Scene. This role is typically performed by Company and Studio Company members so it was quite an honor that Adele was cast.

“It was really amazing, being with all these incredible dancers on stage is so exciting, and it was so nice to be a part of,” Adele said of her experience.

Working with the dancers during rehearsals gave Adele a chance to really learn how to be comfortable on stage. “I was very nervous the first time I danced the part, but after watching the choreography a few times I was able to trust myself and really get a hang of the choreography. Also, the dancers and directors were very helpful and were happy to review the choreography with me.”

Adele has been dancing since she was three, but began training at Colorado Ballet’s Academy two years ago. Seeing The Nutcracker every year and watching the dancers perform was what inspired Adele to continue dancing.

All Colorado Ballet Academy students enrolled in the ballet program have the opportunity to audition for select children’s roles in The Nutcracker. These include parts such as angels, party children and polichinelles. Our upper level students like Adele are sometimes offered the chance to learn Company roles.

Our unique program trains students and rehearses in the same building as our Company.

This lends itself to an unparalleled professional training ground. Students observe Company members at work and on stage and are seen on a daily basis by Colorado Ballet’s artistic staff. At Colorado Ballet, the possibilities are endless.

32 Colorado Ballet

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STAFF DIRECTORY ARTISTIC DIRECTOR Gil Boggs

ARTISTIC

Ballet Mistress Sandra Brown Ballet Mistress Lorita Travaglia Music Director & Principal Conductor Adam Flatt Associate Conductor Catherine Sailer Company Pianist Natalia Arefieva

ADMINISTRATIVE

PRODUCTION

Technical Director and Production Manager Pete Nielson Production Stage Manager/ Facilities Manager Vitali Prokhnitski Company Manager Brandi Glass Wardrobe Supervisor Shirin Lankarani Wig Mistress Amanda Clark

Managing Director Mark Chase

Wardrobe Assistant Elijah Meader

Accounting Manager Janina Blue

Wardrobe Dressers Joe Tompkins Monica Rose

DEVELOPMENT

Development Director Claire Margolf

Master Carpenter Emeritus David “Mick” Jackson

Senior Major Gifts Officer Allie Coppeak

Master Carpenter Mark Duran

Development Coordinator Julia Symanski

Assistant Carpenter Michael R. Neumann

PUBLIC RELATIONS & MARKETING

Lighting Director Patrick “Red” Howard

Public Relations Manager Sanya Andersen-Vie Marketing Associate Mary Pettit

TICKETING AND DATABASE Ticketing and Database Manager Taylor Clark Box Office Supervisor Kailyn Lamb Group Sales Agent Molly Epstein

Properties Master David Jaramillo Acupuncturist Lorita Travaglia, L.Ac, Dipl. CHM Physical Therapist Susie Smith, PT, LMT, NCMT Chiropractor Dr. David S. Shapiro

Company Photographers Allen Birnbach Mike Watson Company Videographer David Andrews

ACADEMY

Academy Director Valerie Madonia Academy Administrator Julia Patterson Receptionist Victoria Huyge Faculty Julie Anderson* Dana Benton Kristi Capps Cara Cooper Kathi Crum Danielle Garrison Chris Harris Kelsey Jacobsen Page Jenkins* Alyse Johnson Carolina Pahde* Jayne Persch Heather Prokhnitski Mike Scripps Kristi Siciliano Adam Still Jacob Taylor Summer Templin Igor Vassine Sharon Wehner John Williams, “Mr. Tap”

EDUCATION & OUTREACH Director of Education and Community Partnerships Anne O’Connor

Director of Curriculum and Instruction Marlene Strang Outreach Faculty Kayla Beatty Samantha Hyde Tracy Jones Alison Rhoades *Faculty in Academy and Outreach

36 Colorado Ballet

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