Soundings Magazine Winter 2019, November 8-10, 2019

THE MAGAZINE OF THE COLORADO SYMPHONY Volume 17 • Number 2

THE WORLD’S LARGEST

CARNIVORE SANCTUARY IS HERE IN COLORADO

Please Help Us Save More Lives!

WILDANIMALSANCTUARY.ORG

CLASSIC SOPHISTICATION WITH A MODERN SENSIBILITY Leather Couture from Lexington Upholstery Hand crafted in North Carolina

COMPLIMENTARY DESIGN SERVICE

Make an appointment with one of our talented and qualified designers.

303.296.9514 • info@theshowroom.com

MOUNTAIN CONCIERGE MOUNTAIN PROJECT? WE CAN HELP! Interior design services from inception to realization.

303.566.8635 • mountain.concierge@theshowroom.com

DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE.

TheShowroom.com

5445 North Bannock Street (Near I-25 & 58th), Denver, CO

THE MAGAZINE OF THE COLORADO SYMPHONY Volume 17 • Number 2 CONTENTS

6 Welcome 8 First-Timers Guide FAQ 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 18 Our Greatest Opportunity is You 26 Community Support

COMING SOON

DECEMBER 13-15

4

C O L O R A D O SY M P H O N Y.O R G

Claude Monet: The Truth of Nature

THROUGH FEB 2 , 2020

IMAGE: Claude Monet, Waterlilies and Japanese Bridge (detail), 1899. Oil on canvas; 35 5â „8 x 35 5â „16 in. Princeton University Art Museum: From the Collection of William Church Osborn, Class of 1883, trustee of Princeton University (1914-1951), president of the Metropolitan Museum of Art (1941-1947); given by his family, y1972-15. Photo Credit: Princeton University Art Museum/Art Resource, NY Claude Monet: The Truth of Nature is co-organized by the Denver Art Museum and the Museum Barberini, Potsdam.

It is presented with generous support from PNC Bank. Additional funding is provided by Barbara Bridges, Keith and Kathie Finger, Lauren and Geoff Smart, Fine Arts Foundation, the donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight, and The Denver Post.

PRESENTED BY

WELCO M E

Welcome to Boettcher Concert Hall, As we revel in the melodic sounds of our holiday concert season and look forward to the start of a new year in 2020, I wanted to take a moment to thank you once again for your loyal and generous support of the Colorado Symphony. Your passion for symphonic music is vital to our continued success, and with that in mind, I’d like to share an update on our campaign to expand our operating endowment.

A few years back, our generous friends at the Avenir Foundation made an enormous commitment to the Colorado Symphony’s future by offering to match every gift to The Symphony Fund operating endowment dollar-for-dollar, up to $25 million, if given by June 30, 2020.

With less than a year to go on this challenge, we have the opportunity to raise another $13.5 million from Avenir with the help of generous donors interested in investing in our future.

In recent years, the Colorado Symphony has risen to the challenge of transforming into a sustainable 21st century orchestra by diversifying our programming, expanding our educational outreach, and adding to an ever growing list of community-enriching activities. But there’s more work still to come and we need your help.

During this season of giving, I hope you will consider participating in this extraordinary, once-in-a-lifetime opportunity. If you would like to discuss a gift, please call John Burtness at 303.308.2495.

On behalf of the entire Colorado Symphony family, thank you for sharing your holiday season with us. Here’s to a new decade of live orchestral music and to new investments in our future through this endowment challenge.

With deep gratitude, Jerome H. Kern

CEO & Chair of the Board of Trustees 6

C O L O R A D O SY M P H O N Y.O R G

The thoughtful, collaborative and lasting creation of architecture has the ability to impact the quality of life for those who use it. Tomecek Studio Architecture is dedicated to crafting unique and responsive spaces that go above and beyond the standard building experience.

Ultimately, we craft places that live in memory based on the sculpting of light, surface, material and space. We provide creative solutions to our client’s specific circumstances. We employ research-driven processes that yield efficient and unique solutions. We believe in the collaborative process of the architect-client relationship. Quality is the ultimate measure of value.

303.955.0562

w w w. t o m e c e k s t u d i o. c o m

FIRST-TIM ERS GUIDE FAQ WHAT IF I AM LATE? For the comfort and enjoyment of our musicians and patrons, late seating is at the discretion of the House Manager and takes place during pauses in the program. Ushers will let you know when you may enter the hall.

They may seat you in an area other than your ticketed seat so as to not disturb other patrons, and you may take your ticketed seat during intermission.

WHEN SHOULD I CLAP? During most classics performances, there is a short, silent pause between each movement of a piece. You can determine how many movements there are in a piece, and how many silent pauses there will be, by looking at your program — the movements in each piece will be listed there. Applause is usually reserved for the end of the final movement of the piece, after the conductor has signaled the end of the final note with his or her baton or hand. Holding applause between movements is considered respectful of the performers' concentration and mindful of musical continuity.

WHAT IS YOUR CELL PHONE/PHOTO/ VIDEO POLICY? We ask that you please silence your cell phones and refrain from talking or texting on them during performances. Flash photography is prohibited at all times. We ask that you please refrain from taking any photos or video during Classics or Movie at the Symphony concerts.

During Symphony Pops concerts you may take pictures without a flash and may record short videos. Please be courteous to your fellow concert-goers and be aware that if at any time your cell phone/camera use becomes a distraction to others, an usher may ask you to stop.

CAN I BRING FOOD OR DRINKS INTO THE CONCERT? You are welcome to bring drinks purchased at one of the bars into all concerts. Food is not allowed in the Hall, including food purchased in the Lobby. Please be courteous to your fellow concert-goers while consuming your 8

C O L O R A D O SY M P H O N Y.O R G

beverages so as not to disrupt the concert.

For a complete list of items not allowed inside Boettcher Concert Hall, please visit the artscomplex.com website.

CAN I BRING THE KIDS? Kids of all ages will enjoy our Family, education concerts, and many of our Symphony Pops, Holiday, and Summer concerts. All children require a ticket regardless of age, and child tickets are $10. Classics concerts tend to be between 2 and 21/2 hours long. Please consider this when deciding whether or not to bring your child. If your child is disturbing other patrons, an usher may ask you to take your child into the lobby for the remainder of the performance, without refund.

HOW LONG IS A TYPICAL CONCERT? Program length varies, but a typical performance lasts about two hours, including one 20 minute intermission. Visit the event page on our website, or flip to the performance details in this Soundings Magazine.

WHAT IF I’M UNABLE TO ATTEND MY PERFORMANCE? Subscribers may exchange tickets free of charge — one of many subscriber benefits!

Single-ticket holders may exchange for an additional fee. You may exchange tickets in person, by phone, or online for another performance within the same season. There is an additional cost if seating upgrades apply, and all exchange requests are subject to availability. You may also donate your tickets back to the Colorado Symphony and receive a donation receipt.

HOW CAN I FIND OUT IF A CONCERT IS CANCELED DUE TO INCLEMENT WEATHER? We rarely cancel a concert due to inclement weather, but when this occurs we will send a direct email notification to all ticket holders.

Updates, cancellations, or changes will be posted on coloradosymphony.org and on the event page for the concert.

For more FAQ’s see the Plan Your Visit section of coloradosymphony.org

SLOPE SIDE LIVING MEETS

PHOTO: LOCK + LAND

PHOTO: BEN DURRANT

PHOTO: DEAN ALEXANDER

CO LO RADO SYMPHON Y

BRETT MITCHELL MUSIC DIRECTOR Bill Gossard Chair

CHRISTOPHER DRAGON

BERTIE BAIGENT

MARIN ALSOP

DUAIN WOLFE

ASSISTANT CONDUCTOR

CONDUCTOR LAUREATE

CHORUS DIRECTOR

RESIDENT CONDUCTOR

VIOLIN

Yumi Hwang-Williams Concertmaster Mary Rossick Kern and Jerome H. Kern Concertmaster Chair

Claude Sim Associate Concertmaster + Yi Zhao Acting Associate Concertmaster Merle Chambers Chair

Dmitri Pogorelov Acting Assistant Concertmaster Paul Primus Principal Second Allegra Wermuth Assistant Principal Second + Alessandra Jennings Flanagan Fixed 3rd Chair/Second Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Myroslava Ivanchenko-Bartels Dorian Kincaid Karen Kinzie Susan Paik Miroslaw Pastusiak Erik Peterson Megan Prokes Robert Stoyanov Yue Sun* Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan

VIOLA

Basil Vendryes Principal Catherine Beeson Assistant Principal Mary Cowell Fixed 3rd Chair Sofia Basile Marsha Holmes Leah Kovach Helen McDermott Kelly Shanafelt Phillip Stevens

CELLO

Seoyoen Min Principal Fred & Margaret Hoeppner Chair

Chloe Hong Assistant Principal Judith Galecki Fixed 3rd Chair Susan Rockey Bowles Allison Drenkow* Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer

BASS

Steve Metcalf Principal Nicholas Recuber Assistant Principal John Arnesen Susan Cahill Jeremy Kincaid Owen Levine

FLUTE

Brook Ferguson Principal Catherine Peterson 2nd/Assistant Principal Tom & Noëy Congdon Chair

Julie Duncan Thornton

10

C O L O R A D O SY M P H O N Y.O R G

PICCOLO

Julie Duncan Thornton

OBOE

Peter Cooper Principal Irene & David Abosch Chair

Nicholas Tisherman 2nd/Assistant Principal Jason Lichtenwalter

ENGLISH HORN Jason Lichtenwalter

CLARINET

Jason Shafer Principal Abby Raymond 2nd/Assistant Principal Andrew Stevens

E-FLAT CLARINET Abby Raymond

TRUMPET

Justin Bartels Principal Philip Hembree 2nd/Associate Principal Patrick Tillery Assistant Principal

TROMBONE

John Sipher Principal Paul Naslund 2nd/Associate Principal Gregory Harper

BASS TROMBONE Gregory Harper

TUBA

Stephen Dombrowski Principal

HARP

BASS CLARINET

Courtney Hershey Bress Principal

BASSOON

TIMPANI

Andrew Stevens

Chad Cognata Principal Tristan Rennie 2nd/Assistant Principal Roger Soren

William Hill Principal Steve Hearn Assistant Principal

CONTRABASSOON

John Kinzie Principal

Roger Soren

HORN

Michael Thornton Principal Carolyn Kunicki Kolio Plachkov 3rd/Associate Principal Matthew Eckenhoff Patrick Hodge Assistant

PERCUSSION Friend of Colorado Symphony Chair

Steve Hearn Michael Van Wirt

ORCHESTRA LIBRARIAN Joanne Goble Principal

* = One year replacement + = On leave

Denver’s Window Coverings Experts

Heritance® Hardwood Shutters

Shutters, Shades, Blinds, & Drapery • Competitive Prices Cleaning & Repairs • Large Fabric Selection

The Blind Spot

10027 West Remington Avenue, Unit 200A, Littleton, CO 80127 Next to Big 5 Sporting Goods, near Kipling and C470

303-973-1235 TheBlindSpot.biz

Serving the Denver Front Range since 1994

BOARD OF TRU STEES HONORARY TRUSTEES OFFICERS Jerome H. Kern CEO & Chair Richard Kylberg Vice Chair & Trustee James D. Butler Treasurer & Trustee Susan Bowles Secretary & Ex-officio Trustee

TRUSTEES Anthony T. Accetta Margaret Anderson Dr. Paula P. Bernstein Kai Chin Young Cho Mary Cowell* Sandy Elliott Alessandra Flanagan* Amy Harmon Courtney Hershey Bress* Diane S. Hill, Ph.D. Margaret Hoeppner* Yumi-Hwang-Williams* Vesna Jevtovic-Todorovic, MD, Ph.D., MBA Bill Johnson Kathleen Johnson, Esq John Kinzie* Richard D. Krugman, MD

Governor Jared Polis Mayor Michael B. Hancock Christopher J. Ott, MD

Steve Metcalf* Bill Myers Diane Nagler Deana M. Perlmutter Nick Recuber* Mike Richardson, Esq. Malik Robinson Julie Rubsam L.T. Sandvik Mike VanWirt* Andra Zeppelin

COLORADO SYMPHONY ASSOCIATE BOARD Soley Bogadottir Ryan Cohn Chris Cole Stephanie Costa Allison D'Angiolillo Nicole Donnelly Erica Hanger Jordan Kleiman William Kowalski Angie Nelson Elliott Niedens Kip Wallen

EX OFFICIO TRUSTEES Donna Connolly Arthur Hodges Brett Mitchell Kip Wallen Ginger White Brunetti

EMERITUS TRUSTEES William K. Coors** John Low** Will McFarlane** Dr. Gerald Rainer** Mary Rossick Kern, Ph.D. Lee Yeingst * Colorado Symphony Musician Trustee ** In Memorium

TICKETS BUY AUTHENTIC! Are you buying your tickets via: ■ ■ ■ ■

coloradosymphony.org the Colorado Symphony Mobile app box office, in person at Boettcher Concert Hall phone at 303.623.7876

Get the best deal and support your symphony!

Learn more at coloradosymphony.org/Visit/FAQs

COLORADOSYMPHONY.ORG

12

C O L O R A D O SY M P H O N Y.O R G

128

ORIENTAL RUGS & FINE ART

RUG WASHING & REPAIR SERVICES C E L E B R AT I N G YEARS IN DENVER

• • • • •

Asian Fine Art & Antiques Rugs, Both Contemporary & Antique A r c h e o l o g i c a l Tr e a s u r e s R e n o w n e d E x p e r t i s e i n R u g R e s t o r a t i o n N a t u r a l H a n d R u g Wa s h i n g S e r v i c e s

CELEBRATING YEARS IN DENVER

Gallery - 693 East Speer Boulevard, Denver Rug Washing & Repair - 970 North Cherokee Street, Denver www.SARKISIAN.com - .303-733-2623 SARKISIAN COM

693 East Speer Blvd ~ 303.733.2623

STAF F MARKETING & COMMUNICATIONS LEADERSHIP TEAM Jerome H. Kern

John Burtness Susan Ellis Coreen Miller

Parker Owens Anthony Pierce

Chief Executive Officer & Chair of the Board of Trustees Chief Advancement Officer Chief Administrative Officer Chief Operating Officer Chief Financial Officer Chief Marketing Officer Chief Artistic Officer

ARTISTIC Anthony Pierce Chief Artistic Officer Dave Aeling Production Stage Manager Aric Christensen Audio Engineer Dante Dunlap Properties Master Joanne Goble Principal Orchestra Librarian Jonathan Groszew Orchestra Personnel Manager Philip Hiester Master Electrician Sam Jaehnig Head Carpenter Matt Koveal Manager of Artistic Operations Mike Pappas New Media Center Julian Pichette Audio Engineer Hitomi Sipher Assistant Orchestra Librarian Julie Strom Assistant Orchestra Personnel Manager Phillip Strom Artistic Coordinator Izabel Zambrzycki Artistic General Manager

CONDUCTORS & CHORUS DIRECTION Brett Mitchell Duain Wolfe

Christopher Dragon Bertie Baigent Travis Branam

Eric Israelson Mary Louise Burke

Taylor Martin

Barbara Porter

Music Director Chorus Director Colorado Symphony Chorus Resident Conductor Assistant Conductor Assistant Conductor Colorado Symphony Chorus Chorus Manager Associate Conductor Colorado Symphony Chorus Assistant Conductor Colorado Symphony Chorus Assistant Chorus Manager

ADVANCEMENT John Burtness Chief Advancement Officer Taylor Atkinson Annual Giving Manager Sean Baker Senior Manager of

Corporate Partnerships Caiti Glasgo Director of Major Gifts Adriel Long Donor & Board Relations Coordinator David Rosen Advancement Database Coordinator

EDUCATION Jesse Martinez Rosa Gasdia

Director of Community Education Education Associate

FINANCE Coreen Miller

Ben Boone Annette Brown

14

Chief Operating Officer & Chief Financial Officer Senior Finance Manager Staff Accountant

C O L O R A D O SY M P H O N Y.O R G

Parker Owens Chief Marketing Officer Stephanie Derybowski Application Support Manager Nick Dobreff Manager of Publicity and

Community Relations Kayla Hayes Digital Media Manager

SALES & PATRON SERVICES Susan Kelly Joy Banigan Gina Bliss Amanda Cantu Samantha Cantu Michael Christou Jeremy Cuebas Molly Epstein Rosa Gasdia Frederika Gilbert Kelsey Holmes Theresa Illich Alexis Kittner Rosa Torres Rob Warner

Director of Sales & Patron Services Patron Services Associate Patron Services Associate Manager of Patron Services Patron Services Associate Patron Services Associate Lead Patron Services Associate Group Sales Associate Patron Services Associate Patron Services Associate Patron Services Associate Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate & Concierge

COLORADO SYMPHONY GUILD OFFICERS Donna Connolly Guild President Helen Richards President-Elect Jerry Wolfe Recording Secretary Janet Weisheit Treasurer Patty Goward Assistant Treasurer Carolyn Cho VP of Membership Nancy Lawrence Co-Vice President of Fundraising Mary Neidig Co-Vice President of Fundraising Susan Thomas VP of Information Management Linda Rickard Ackerman VP of Music Education Donna Lynch Corresponding Secretary Kathy Swanson Manager CSG Shop Monica Owen CSG Shop Buyer

BOETTCHER CONCERT HALL Denver Performing Arts Complex 1000 14th Street, No. 15 Denver, CO 80202 Boettcher Concert Hall is managed by - ARTSCOMPLEX.COM The Colorado Symphony is the primary tenant and resident 501c3 not for profit organization performing in the venue.

303.623.7876 :: tickets@coloradosymphony.org

W E A LT H M A N A G E M E N T

Local.

Responsive.

Proven.

Ent’s customized Wealth Management solutions include:

Amsterdam Chocolate Gifting

Private Banking Asset Management* Fiduciary Services*

To learn more, call Sheri Gagliardi at (719) 550-6837 or visit Ent.com/WealthManagement.

(719) 574-1100 s 800-525-9623

Symphonie van fijne smaken

Since 1913

OldTown Lafayette & FlatIron Crossiong Mall

StamChocolate.com

www.

*Asset management and fiduciary services offered through Investment Trust Company. Non-deposit investment products are not obligations, deposits of, or guaranteed by the trust company, Ent Credit Union or credit union affiliates, are not insured or guaranteed by the NCUA, FDIC or any other governmental agency, and are subject to investment risks, including possible loss of the principal amount invested. Investment Trust Company cannot offer legal advice or prepare custom legal documents.

Federally Insured by NCUA | Š Ent Credit Union, 2017

SOUNDINGS

2 0 1 9/2 0

15

coming soon!

N O V E M B E R

Holiday Brass

DEC 22 SUN 1:00

Renée Fleming - The Brightness of LightColorado Premiere

Brian Buerkle, conductor Colorado Symphony Brass & Percussion

NOV 15 & 17 FRI 7:30 n SUN 1:00

A Night in Vienna

Brett Mitchell, conductor

Tchaikovsky Violin Concerto

CLASSICS

NOV 22-24 FRI-SAT 7:30 SUN 1:00

DEC 31 TUE 6:30

Brett Mitchell, conductor

n

Brett Mitchell, conductor

Home Alone in Concert

J A N U A R Y MOVIE AT THE SYMPHONY

HalfNotes

NOV 29 FRI 7:30

Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director

Harry Potter and the Deathly Hallows™ Part 1 in Concert

MOVIE AT THE SYMPHONY

JAN 3-5 FRI-SAT 7:30 n SUN 1:00

MPAA Rating: PG

Bertie Baigent, conductor

Aretha: A Tribute

SYMPHONY POPS

NOV 30 SAT 7:30

Christopher Dragon, conductor

Barber Piano Concerto performed by Olga Kern

D E C E M B E R

CLASSICS

JAN 10-12 FRI-SAT 7:30 n SUN 1:00

Drums of the World

FAMILY

HalfNotes

DEC 1 SUN 2:30

Colorado Symphony Percussionists

Love Actually in Concert

HARRY POTTER characters, names and related indicia are © & ™ Warner Bros.

Entertainment Inc. WIZARDING WORLD trademark and logo © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s19)

MOVIE AT THE SYMPHONY

DEC 6 FRI 7:30

Christopher Dragon, conductor MPAA Rating: PG13 Love Actually is a copyright of WT Venture LLC. Licensed by Universal Studios. All Rights Reserved

Brett Mitchell, conductor

Dr. Martin Luther King, Jr. Tribute Bertie Baigent, conductor

In partnership with the MLK, Jr. Holiday Commission, and Denver Arts & Venues.

Mandolin Orange with the Colorado Symphony JAN 17 FRI 7:30

Mandolin Orange Christopher Dragon, conductor

John Denver Holiday Celebration with the Colorado Symphony Christopher Dragon, conductor

A Tribute to Arthur Fiedler and the Boston Pops

Celtic Woman: The Best of Christmas Tour

Christopher Dragon, conductor

DEC 7 SAT 7:30

SYMPHONY POPS

JAN 18 SAT 7:30

DEC 8 SUN 5:00

Rachmaninoff Piano Concerto No. 3

A Colorado Christmas

DEC 13-15 FRI 7:30 n SAT 2:30 & 6:00 n SUN 1:00

FREE CONCERT

JAN 14 TUE 7:30

HalfNotes

Brett Mitchell, conductor

Bertie Baigent, conductor Colorado Symphony Chorus, Duain Wolfe, director Colorado Children’s Chorale, Deborah DeSantis, artistic director

Gilbert & Sullivan: The Pirates of Penzance

All Beethoven – 250th Birthday Celebration

Albert Bergeret, conductor The New York Gilbert & Sullivan Players Colorado Symphony Chorus, Duain Wolfe, director

DEC 16 MON 7:30

Bertie Baigent, conductor

CLASSICS

JAN 24-26 FRI-SAT 7:30 n SUN 1:00

SYMPHONY POPS

JAN 31-FEB 1 FRI-SAT 7:30

Handel’s Messiah — Awakening DEC 20-21 FRI-SAT 7:30

Taylor Martin, conductor Colorado Symphony Chorus, Duain Wolfe, director presenting sponsor

HalfNotes Please join us for familyfriendly activities 1 hour before the concert. also supported by

COLORADOSYMPHONY.ORG

These performances include FULL SCREENING OF THE FEATURE FILM!

Before, During and After the Holidays....

Think Coit!

Every Day Counts Whole person care for people living with illness so they can focus on what’s most important: friends, family and the gifts of life.

Call today. We serve all areas of Denver, wherever people call home.

SATIFACTION

100% GUARANTEE

Clean as new, that’s the Coit commitment to you.

• Wood Flooring

• Air Ducts

• Natural Stone

• Window

• Carpet & Rugs • Upholstery

Treatments • Concrete

• Tile & Grout

720-482-1988 agape-healthcare.com

303-922-9212 SOUNDINGS

2 0 1 9/2 0

17

STORIES OF NOTE

Our Greatest Opportunity

Is You

By Nick Dobreff

I’ve been listening to the Symphony for 57 years now. It’s a valuable cultural institution to the city of Denver. It’s priceless, really. To lose it would be a real tragedy. We have deep convictions about that.”

– William Dodge Wallace, Vice President of the Avenir Foundation (Denver Business Journal, March 15, 2019)

18

“Symphonic music is unique because you have this incredible experience as an audience member in a concert hall of seeing 8090 people onstage create something live,” said Jason Shafer, Principal Clarinet. “That’s something a lot of businesspeople are sometimes surprised by and they’ll ask, ‘how is it possible that all of these people onstage can perfectly line up that one little note or perfectly do everything together?’ And the answer is because we know that there is an incredible strength in this unity of us working together so closely. This amazing energy that’s created by such a large group of people working together so intimately and so emotionally.”

Just as a symphony orchestra needs all its musicians working in concert to achieve musical harmony, so too does the orchestra require the help of its community to thrive.

For nearly 100 years, the Colorado Symphony has been an iconic paragon within Colorado’s performing arts community. As the only resident, full-time, professional orchestra in the state, it has served as a vital linchpin of the cultural performing arts infrastructure of Colorado.

C O L O R A D O SY M P H O N Y.O R G

“

what artist wouldn’t

...

Today, just as Denver and Colorado continue to flourish, as does the Colorado Symphony, by consistently performing at the level of America’s elite — Westword orchestras, engaging worldclass musicians including Yo-Yo Ma, Itzhak Perlman, and Renée Fleming, and staying on the cutting edge of popular music by collaborating with artists such as OneRepublic, Weird Al Yankovic, The Flaming Lips, Tenacious D, Sarah McLachlan, Béla Fleck, Ben Folds, and more.

FEEL HONORED

having a city’s orchestra play behind {them}?

“

The Colorado Symphony is innovative, enriching the lives of Colorado’s residents and inspiring a whole new generation of musicians and music aficionados. 74% of full-time Colorado Symphony musicians currently serve as music educators or teach private lessons throughout the state. An additional 19% of Colorado Symphony musicians previously served as music educators or taught private lessons.

The Symphony’s impact is cultural, economic, and civic, extending far beyond Denver into the greater metropolitan area and throughout the state and region as we touch the lives of almost 500,000 people each year while generating $30 million in economic impact for the local economy.

Meanwhile, the orchestra has risen to the challenge of transforming itself into a 21st century ensemble, diversifying its programming, educational outreach, and community enrichment activities to meet the needs and challenges of today’s society while appealing to a wider and more diverse audience than ever before.

However, as a not-for-profit entity, the Colorado Symphony can only accomplish this community enrichment through the contributions and philanthropy of individual donors and corporations. The price of your ticket covers only half of the overall cost required to present a symphonic concert, making the contributions of donors essential to the survival of the organization.

“As a non-profit organization, we do not exist to make money. We exist to serve the community,” said Colorado Symphony Concertmaster Yumi Hwang-Williams.

“And we serve the community by presenting works that are a testament to human achievement. A Beethoven Symphony does not happen on its own. You have a stage full of incredibly highly trained musicians who can deliver that in a live performance at the highest level. So, what you’re supporting is all of it. Ticket sales only cover about 50% of what it costs to run this organization and have these highly-trained

SOUNDINGS

2 0 1 9/2 0

19

STORIES OF NOTE musicians in the community. So, we have always relied on the support of people, the community, corporations, and foundations. And we will continue to need that support if we want to continue to provide this level of music to the community.”

An analysis of the Colorado Symphony’s business model has made it clear that the organization’s lack of a significant endowment has been a long-standing impediment to its financial success. It has been apparent for some time that the Symphony’s financial infrastructure undermines its long-term stability as it depends primarily on earned revenues, the Scientific and Cultural Facilities District, and annual donations to balance the budget each year.

So, what is an endowment fund? Simply put, it’s a permanent source of funding for the future. Endowment assets are invested, and a set percentage of earnings or market growth are distributed annually to the symphony to support operations. Any

Revenue vs Endowment Value Total Revenues FOR MID-SIZED U.S. ORCHESTRAS

Total Revenues Endowment Value

$250 Million $200 Million $150 Million $100 Million $50 Million

Oregon Symphony 20

Kansas City Symphony

C O L O R A D O SY M P H O N Y.O R G

Colorado Symphony

St. Louis Symphony

Indianapolis Symphony

Endowmen

“

... the orchestra is a

earnings or growth in excess of this distribution are reinvested in the fund and build its value and impact over time. This allows the endowment to continue to grow and provide support for the Symphony in the future.

DENVER INSTITUTION for good reason.

“

— Westword

An endowment strengthens a symphony in many ways and provides a significant amount of support for the organization’s operating budget, which includes salary support for musicians, funding for youth concerts as well as other educational and outreach activities, and financial backing to bring guest artists and conductors to perform with the orchestra. It also helps in keeping ticket prices from rising too high—thus ensuring performances remain affordable for the widest possible audience—while providing a consistent and predictable income source during changing economic times, and ensuring the permanence of one of Colorado’s most prestigious and enduring performing arts organizations.

The best-managed mid-sized and large orchestras have endowments equal to at least four times their annual operating budgets which provide a predictable and sustainable source of revenue each year to build on. The Indianapolis Symphony Orchestra, for example, has a $25 million annual budget and a $95 million endowment; the Kansas City Symphony has a $17 million annual operating budget and a $100 million endowment. In comparison, the Colorado Symphony has an annual operating budget of $14 million and a $24 million endowment.

For the Colorado Symphony, ticket revenue currently provides around 50% of the annual budget and the other half is provided by annual donations, support from the Scientific and Cultural Facilities District (SCFD), and distribution from our endowment and designated trusts managed outside the organization. For many orchestras in the United States, the percentage of revenue received from donations skews higher on average than it does for the Colorado Symphony.

With operating costs increasing each year, it’s imperative that the Colorado Symphony builds a more substantial endowment that will serve as a reliable source of income year after year.

“As a non-profit organization, endowments are vital to our long-term stability and financial success, creating an important foundation from which to grow,” said Jerome H. Kern, CEO and Chair of the Board of Trustees.

SOUNDINGS

2 0 1 9/2 0

21

STORIES OF NOTE

“

In my experience, there are

TWO KINDS OF CITIES: there are those that have a symphony orchestra and those that are crap.

“

— Ben Folds

In response to the long-term challenge to increase the size and impact of our endowment, the Colorado Symphony and community leaders formed a new organization – The Symphony Fund – as a separate non-profit entity established to invest and manage funds for the benefit of the Colorado Symphony Association.

Contributions made to The Symphony Fund endowment are invested, and a portion of the annual earnings or market growth are distributed to the Symphony on an annual basis in support of the music, educational, and community engagement activities.

In 2015, the Colorado Symphony received a challenge grant commitment of $25 million from the Avenir Foundation, which agreed to match all donations dollar-for-dollar made by June 30, 2020 up to the $25 million threshold.

“I’ve been listening to the Symphony for 57 years now,” said William Dodge Wallace, Vice President of the Avenir Foundation. “It’s a valuable cultural institution to the city of Denver. It’s priceless, really. To lose it would be a real tragedy. We have deep convictions about that.”

In 2018, a trio of significant endowment contributions were made as Tom & Noëy Congdon endowed the Chair for the Assistant Principal Flute and Merle Chambers endowed the Chair for the Assistant Concertmaster. In addition, another couple who are longtime patrons and supporters of the Colorado Symphony chose to endow the Principal Cellist Chair anonymously while naming it in honor of Fred and Margaret Hoeppner.

22

C O L O R A D O SY M P H O N Y.O R G

“I have enjoyed the Symphony for decades and when I heard about the opportunity to invest in the endowment and have my donation doubled, I was thrilled to participate,” said Merle Chambers.

I have enjoyed the Symphony for decades and when I heard about the opportunity to invest in the endowment and have my donation doubled, I was thrilled to participate!

“The Colorado Symphony has a unique — indeed an — Merle Chambers, community leader extraordinary — opportunity to grow its operating endowment to a level that matches the orchestra’s excellence,” said Jim Butler, Treasurer and Trustee, Colorado Symphony Board of Trustees. “Taking full advantage of Avenir Foundation’s unprecedented generosity would give your Colorado Symphony a $50 million endowment — enough to generate an annual distribution supplying about 15% of the orchestra’s operating budget. That 15% is only a little less than what the average symphony orchestra in the US receives in investment/endowment distributions annually.”

Several additional opportunities remain, and we need your help. We invite you to consider investing in our future by making a gift to our Endowment Campaign.

Every gift received by June 30, 2020 will be matched dollar for dollar through the Avenir challenge grant. For more information or to speak with a Colorado Symphony representative about this exciting opportunity, please contact John Burtness at 303308-2495 or jburtness@coloradosymphony.org Your investment today ensures a bright and prosperous future for live symphonic music in Colorado while preserving this iconic cultural treasure for years to come.

“

I HEARD THE SYMPHONY play this song last night, and it really killed me. So HANG ON to your handkerchiefs.

“

— John Prine

SOUNDINGS

2 0 1 9/2 0

23

Aspen 970.925.8579

Crested Butte 970.349.5023

Denver 303.399.4564

Steamboat Springs 970.879.9222

Telluride 970.728.3359

Vail 970.949.5500

interior landscapes that delight the senses

thurstonkitchenandbath.com

MEDIA PARTNER

CLASSICS

2019/20

2019/20 SEASON PRESENTING SPONSOR:

MOZART SYMPHONY NO. 40 PERFORMED BY YOUR COLORADO SYMPHONY DOUGLAS BOYD, conductor JEFFREY KAHANE, piano Friday, November 8, 2019 at 7:30pm Saturday, November 9, 2019 at 7:30pm Sunday, November 10, 2019 at 1:00pm Boettcher Concert Hall

Tragic Overture in D minor, Op. 81

BRAHMS

MOZART Piano Concerto No. 17 in G major, K. 453 Allegro Andante Allegretto — INTERMISSION —

MOZART Symphony No. 40 in G minor, K. 550 Molto allegro Andante Menuetto: Allegretto Allegro assai CONCERT RUN TIME IS APPROXIMATELY 1 HOUR AND 29 MINUTES WITH A 20 MINUTE INTERMISSION. FIRST TIME TO THE SYMPHONY? SEE PAGE 8 OF THIS PROGRAM FOR FAQ’S TO MAKE YOUR EXPERIENCE GREAT!

Saturday’s Concert is Gratefully Dedicated to FirstBank Sunday’s Concert is Gratefully Dedicated to Seth & Rivka Weisberg PROUDLY SUPPORTED BY SOUNDINGS

2 0 1 9/2 0

PROGRAM 1

CLASSICS BIOGRAPHIES

PHOTO: JEAN-BAPTISE MILLOT

DOUGLAS BOYD, conductor Considered one of the most dynamic and exhilarating contemporary conductors, Douglas Boyd is currently Artistic Director of Garsington Opera and Music Director of L’Orchestre de Chambre de Paris. In recent years he has held the positions of Chief Conductor of the Musikkollegium Winterthur, Music Director of Manchester Camerata, Principal Guest Conductor of the Colorado Symphony Orchestra, Artistic Partner of St. Paul Chamber Orchestra, and Principal Guest Conductor of City of London Sinfonia. In recent years in the United Kingdom Boyd has conducted all the BBC Orchestras, the Royal Scottish National Orchestra, Scottish Chamber Orchestra, London Mozart Players, City of Birmingham Symphony Orchestra, Bournemouth Symphony Orchestra, and Northern Sinfonia. On the continent he has worked with, amongst others, Gßrzenich Orchestra of Cologne, Orchestre National de Lyon, Tonhalle Orchester Zurich, Swedish Chamber Orchestra, Budapest Festival Orchestra,and the Mozarteum Orchestra Salzburg. Further afield he has conducted the Nagoya Symphony Orchestra in Japan and made a hugely successful visit to Australia conducting both the Sydney and Melbourne Symphony Orchestras. He returned to the MSO in 2011 to present the complete cycle of Beethoven symphonies and in the 201617 season conducted the Beethoven piano concertos with Paul Lewis. His regular North American appearances have included concerts with the St. Paul Chamber Orchestra and the Baltimore, Colorado, Dallas, Detroit, Indianapolis, Pacific, and Seattle Symphony Orchestras. In Canada he has appeared with the Toronto Symphony Orchestra and National Arts Orchestra in Ottawa. Born in Glasgow, Boyd studied oboe with Janet Craxton at the Royal Academy of Music in London and with Maurice Bourgue in Paris. He was a founding member and principal oboist of the Chamber Orchestra of Europe until 2002 when he stopped playing to concentrate completely on conducting.

PROGRAM 2

C O L O R A D O SY M P H O N Y.O R G

CLASSICS BIOGRAPHIES JEFFREY KAHANE, piano Mr. Kahane has appeared as soloist with major orchestras such as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, and the Chicago and San Francisco symphonies among many others, and is also a popular artist at all of the major US summer festivals, including Aspen, Blossom, Caramoor, Mostly Mozart, and Ravinia. In August 2016, he was appointed Music Director of the Sarasota Music Festival, which offers master classes and chamber music coaching by a distinguished international faculty and features chamber music performances and orchestral concerts performed by highly advanced students and young professionals as well as faculty members. Jeffrey Kahane made his conducting debut at the Oregon Bach Festival in 1988. Since then, he has guest conducted many of the major US orchestras including the New York and Los Angeles Philharmonics, Philadelphia and Cleveland Orchestras, Saint Paul Chamber Orchestra, and the Chicago, Detroit, St. Louis, Baltimore, Indianapolis, and New World symphonies among others. In May 2017, Mr. Kahane completed his 20th and final season as Music Director of the Los Angeles Chamber Orchestra. He also served as the Music Director of the Colorado Symphony from the 2005/06 season through the 2009/10 season and for ten seasons was Music Director of the Santa Rosa Symphony, where he is now Conductor Laureate. He has received much recognition for his innovative programming and commitment to education and community involvement with all three orchestras and received ASCAP Awards for Adventurous Programming for his work in both Los Angeles and Denver. A native of Los Angeles and a graduate of the San Francisco Conservatory of Music, Mr. Kahane’s early piano studies were with Howard Weisel and Jakob Gimpel. First Prize winner at the 1983 Rubinstein Competition and a finalist at the 1981 Van Cliburn Competition, he was also the recipient of a 1983 Avery Fisher Career Grant. An avid linguist who reads widely in a number of ancient and modern languages, Mr. Kahane received a Master’s Degree in Classics from the University of Colorado at Boulder in 2011. He is currently a Professor of Keyboard Studies at the University of Southern California Thornton School of Music.

SOUNDINGS

2 0 1 9/2 0

PROGRAM 3

young professionals of the colorado symphony

expand your symphony experience Crescendo Society members attend happy hours around town, Colorado Symphony concerts, and exclusive events to support the Symphony.

new events and social hours — all year long! Check

CrescendoSociety

COLORADOSYMPHONY.ORG/CRESCENDOSOCIETY

CLASSICS PROGRAM NOTES JOHANNES BRAHMS (1833-1897): Tragic Overture, Op. 81 Johannes Brahms was born on May 7, 1833 in Hamburg and died on April 3, 1897 in Vienna.

He composed the Tragic Overture in the summer of 1880 at his country retreat at Bad Ischl; it was revised there the following year. Hans Richter conducted the Vienna Philharmonic in the premiere on December 20, 1880. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, and strings. Marin Alsop conducted the last performance of the work on January 9, 2005.

Many of Brahms’ works were produced in pairs: the Piano Sonatas, Op. 1 and Op. 2; the Piano Quartets, Op. 25 and Op. 26; the String Quartets, Op. 51; the Clarinet Sonatas, Op. 120; even the first two Symphonies, the sets of Liebeslieder Waltzes, and the Serenades. These twin pieces seem to have been the result of a surfeit of material — as Brahms was working out his ideas for one composition in a particular genre, he produced enough material to spin off a second work of similar type. Though the two orchestral overtures, Academic Festival and Tragic, were also written in tandem, they have about them more the quality of complementary balance than of continuity. Academic Festival is bright in mood and lighthearted in its musical treatment of some favorite German student drinking songs. The Tragic Overture, on the other hand, is somber and darkly heroic. Of them, Brahms wrote to his biographer, Max Kalbeck, “One overture laughs, the other weeps.” And further, to his friend and publisher, Fritz Simrock, “Having composed this jolly Academic Festival Overture, I could not refuse my melancholy nature the satisfaction of composing an overture for a tragedy.”

Brahms never gave any additional clues to the nature of the Tragic Overture. Despite the attempts by many writers to find extra-musical references in this composition, it was almost certainly not inspired by any specific literary work or personal bereavement. (Extensive sketches that date from nearly a decade earlier were used for a large portion of the exposition and seem to preclude this latter possibility.) Brahms had long been an admirer of classic drama and literature, and he used some of his first earnings as a composer to purchase volumes of Shakespeare, Aeschylus, Plutarch, and Goethe. This Overture may have been the outcome of a long involvement with the writings of those masters, coupled with the strong influence of the ethos and music of Beethoven’s Overtures for Coriolan and Egmont. Brahms’ intention that the work be general rather than specific in nature is underlined by the provisional title he gave to it during its composition: “A Dramatic Overture.” He settled on Tragic Overture, according to his correspondence, because neither he nor his friends could devise anything more suitable.

Philip Hale regarded this composition as one of Brahms’ greatest works because of “its structure and depth of feeling. There is no hysterical outburst; no shrieking in despair; no peevish or sullen woe; no obtruding suggestion of personal suffering. Commentators have cudgelled their brains to find a hero in the music: Hamlet, Faust, this one, that one. They have labored in vain; the soul of Tragedy speaks in the music.”

The Tragic Overture is comparable in form and expression to the first movement of a symphony.

Its sonata structure commences with a stern summons of two chords immediately preceding the austere arching main theme in D minor. Brahms’ characteristically dark orchestral sonority, emphasizing low strings and low woodwinds, does much to supply the solemn mood of the work.

The first theme gives way to a hushed transitional section employing the sepulchral sounds of

SOUNDINGS

2 0 1 9/2 0

PROGRAM 5

CLASSICS PROGRAM NOTES trombones and tuba over a quivering string accompaniment. A contrasting theme is presented in the relatively tranquil tonality of F major by violins, but the stormy disposition of the opening is not kept long at bay. The compact development restores the tempestuous mood. The recapitulation is a considerably altered version of the exposition’s musical events, which here receive further exploration of their expressive potentials. The sense of heroic struggle which forms the dominant emotional world of the Tragic Overture remains undiminished to the end.

 WOLFGANG AMADEUS MOZART (1756-1791): Piano Concerto No. 17 in G major, K. 453 Wolfgang Amadeus Mozart was born on January 27, 1756 in Salzburg and died on December 5, 1791 in Vienna. He composed the G major Piano Concerto in 1784 and his student Barbara Ployer was soloist in the premiered on June 13, 1784 in Vienna. The score calls for flute, pairs of oboes, bassoons, and horns, and strings. Duration is about 32 minutes. The last performance by the orchestra took place on March 18, 2006, when Jeffrey Kahane was both the soloist and conductor.

One of Mozart’s favorite and most talented pupils in 1784 was Barbara Ployer, daughter of Gottfried Ignaz von Ployer, the Viennese agent at the Habsburg court (today he would probably be called a lobbyist) for Mozart’s old employer and nemesis, the Archbishop Hieronymous Colloredo of Salzburg. Mozart gave Barbara lessons during the winter at the family’s town home in the Lugeck, near St. Stephen’s Cathedral, and in the summer at their villa in the nearby village of Döbling, north of the city, on the way to Grinzing. On February 9, 1784, he finished for her the Concerto in E-flat major (No. 14, K. 449), which “Fräulein Babette” (as Mozart called her) first played on March 23rd. That handsome piece was so well received in the Ployer household that Mozart created for it a sequel, the G major Concerto (K. 453), and presented it to his student/ patron just three weeks later, on April 12th. (During that amazingly fertile spring season, Mozart wrote two more piano concertos, K. 450 and K. 451, between the works for Babette.)

A performance was arranged at the Ployer residence in Döbling for June 13th. Mozart took advantage of the occasion to invite the famous composer Giovanni Paisiello, who was passing through Vienna on his way back to Naples after serving as opera composer to the Empress Catherine in St. Petersburg for eight years, to accompany him “in order that he might hear my composition and my pupil.” In addition to Babette’s rendition of the new work that evening, Mozart joined his student in the Two Piano Concerto (K. 365), and then took part in his recent Quintet for Piano and Winds (K. 452). One wonders if Paisiello’s stronger emotion that night was pleasure or envy. At any rate, Mozart thought highly of the new G major Concerto; it was one of only six such works that he published during his lifetime.

The Concerto begins with the best of good cheer. The movement’s main theme is one of those peerless Mozartian mixes of march, song, and symphony, bursting with the beautiful melodic kernels that incited his contemporaries to jealousy over his lyrical gifts. The violins present a PROGRAM 6

C O L O R A D O SY M P H O N Y.O R G

CLASSICS PROGRAM NOTES complementary motive, a close-interval phrase which finds an echo in the soulful theme that opens the Andante. After its entry, the piano usurps and elaborates both of these themes, and adds a new one of its own between them in an unaccompanied passage. The soloist pauses while a vigorous tutti leads to the stronger sentiments of the development section, largely based on a little arpeggiated motive previously introduced in the orchestral introduction. The recapitulation returns the earlier material, and allows for a solo cadenza, for which Mozart left not one but two notated realizations.

The Andante is one of those wondrous, formally unclassifiable slow movements that abound in the piano concertos. It opens with what English musicologist Sir Donald Tovey called “a solemn, pleading phrase” in the violins and a limpid melody shared among the woodwinds.

The piano enters, ponders some of the material already presented, and then undertakes a thoughtful dialogue with the members of the orchestra for the remainder of the movement.

Such thorough, symphonic integration of soloist and ensemble was one of Mozart’s greatest contributions to the concerto form. The finale is a crystalline set of variations that concludes with a dashing coda in quicker tempo, exactly the technique that Mozart used to round off the acts of his operatic masterpieces.

 WOLFGANG AMADEUS MOZART: Symphony No. 40 in G minor, K. 550 Mozart completed the G minor Symphony in the Viennese suburb of Währing on July 25, 1788.

The date of the first performance is uncertain, though it may have taken place at a concert Mozart directed in Leipzig in May 1789. The score calls for flute, two oboes, two bassoons, two horns, and strings; Mozart added parts for two clarinets in a revision. Duration is about 34 minutes. The Symphony was last performed on September 23 & 24, 2011 with Yan Pascal Tortelier on the podium.

At no time was the separation between Mozart’s personal life and his transcendent music more apparent than in the summer of 1788, when, at the age of 32, he had only three years to live. His wife was ill and his own health was beginning to fail; his six-month-old daughter died on July 29th; Don Giovanni received a disappointing reception at its Viennese premiere on May 7th; he had small prospect of participating in any important concerts; and he was so impoverished and indebted that he would not answer a knock on the door for fear of finding a creditor there.

Yet, amid all these difficulties, he produced, in less than two months, the three crowning jewels of his orchestral output, the Symphonies Nos. 39, 40, and 41. The G minor alone of the last three symphonies may reflect the composer’s distressed emotional state at the time. It is among those late works of Mozart that look forward to the passionately charged music of the 19th century while epitomizing the structural elegance of the waning Classical era.

The Symphony’s pervading mood of tragic restlessness is established immediately at the outset by a simple, arpeggiated figure in the violas above which the violins play the agitated

SOUNDINGS

2 0 1 9/2 0

PROGRAM 7

CLASSICS PROGRAM NOTES main theme. This melody is repeated with added woodwind chords to lead through a stormy transition to the second theme. After a moment of silence, a contrasting, lyrical melody is shared by strings and winds. The respite from the movement’s driving energy provided by the dulcet second theme is brief, however, and tension soon mounts again. The wondrous development section gives prominence to the fragmented main theme. The recapitulation returns the earlier themes in heightened settings. The Andante, in sonata form, uses rich chromatic harmonies and melodic half-steps to create a mood of brooding intensity and portentous asceticism. Because of its somber minor-key harmonies, powerful irregular phrasing and dense texture, the Minuet was judged by Arturo Toscanini to be one of the most darkly tragic pieces ever written. The character of the Minuet is emphasized by its contrast with the central trio, the only untroubled portion of the entire work. The finale opens with a rocket theme that revives the insistent rhythmic energy of the first movement. The gentler second theme, with a full share of piquant chromatic inflections, slows the hurtling motion only briefly. The development section exhibits a contrapuntal ingenuity that few late-18th-century composers could match in technique and none surpass in musicianship. The recapitulation maintains the Symphony’s tragic mood to the close.

The evaluation that the French musicologist F.J. Fétis wrote of Mozart’s Symphony No. 40 remains as valid today as when it appeared in 1828: “Although Mozart has not used formidable orchestral forces in his G minor Symphony, none of the sweeping and massive effects one meets in a symphony of Beethoven, the invention which flames in this work, the accents of passion and energy that pervade, and the melancholy color that dominates it result in one of the most beautiful manifestations of the human spirit.” ©2019 Dr. Richard E. Rodda

PROGRAM 8

C O L O R A D O SY M P H O N Y.O R G

WAIT! YOUR TICKET ONLY PAID FOR HALF THE CONCERT? DONORS MAKE UP THE REMAINING COST OF MAKING THE MUSIC HAPPEN THROUGH GENEROUS GIFTS. MUSIC MADE FOR YOU, BECAUSE OF YOU For nearly 100 years, gifts from donors like you have made it possible for the Colorado Symphony to create extraordinary musical experiences for Coloradans. Thank you for your support.

ANNUAL FUND & MONTHLY GIVING Many friends of the Colorado Symphony choose to make a one-time or monthly gift to the current season's Annual Fund and in doing so assist the orchestra’s day-to-day operations, education programs, and community outreach efforts. You may opt to send a check to our address: Colorado Symphony Association, 1000 14th St. No. 15 Denver, CO 80202, donate over the phone, or scan the code below to donate online.

MEMBERSHIP SOCIETIES Brett Mitchell Society (BMS) members are highly engaged benefactors who share the Colorado Symphony's passion for artistic excellence and innovation and who support the Symphony through their subscriptions and annual donations. The Colorado Symphony is grateful for the continued support of these individuals.

Women of Note (WON) members raise funds to help offset the salary cost of one distinguished female Colorado Symphony musician. WON members receive exclusive benefits and event invitations throughout the season.

To join or renew your membership to Brett Mitchell Society or Women of Note please call Caiti Glasgo at 303.308.2475.

MATCHING DONATIONS Thank you to companies that match current and retired employee charitable contributions,

and to our donors who apply for these matching gifts. Please check with your Human Resources Department to see if your contribution can be doubled through the generosity of your company. For more about matching gifts at the Colorado Symphony, please call Sean Baker at 303.534.0757.

GIFTS OF ASSETS: If you are 70 ½ years old or older, you can take advantage of a simple way to benefit the Colorado Symphony and receive tax benefits in return. You can give up to $100,000 from your IRA directly to a qualified charity without having to pay income taxes on the money.

Likewise, gifts of Appreciated Stock can be an ideal way to ensure the same impact as a regular Annual Fund contribution, while avoiding capital gains tax and gaining federal tax deductibility. For more information about making a gift of assets please call Caiti Glasgo at 303.308.2475.

GIVE NOW Interested in making a gift online? Scan the QR code below or visit coloradosymphony.org/ Giving. Smart devices with Snapchat or Pinterest apps, Apple devices iOS11 and higher, and many Android devices can scan this code. Open your camera app or bring up your camera through a supported app and position your phone so the code appears on screen. After 2-3 seconds, click the notification to open the content in your browser. Give it a try!

Or visit ColoradoSymphony.org/Giving to make a gift today!

SOUNDINGS

2 0 1 9/2 0

25

COMMU NI T Y SU PPORT

YOU MAKE THE MUSIC HAPPEN. The extraordinary musical experiences that your Colorado Symphony creates depend on generous gifts from donors like you. There are many ways to support your Colorado Symphony, from the Annual Fund to the Symphony Ball, Brett Mitchell Society, Women of Note, the Endowment Campaign, and many more.

We are pleased to recognize these generous gifts; thank you for making the music happen through your individual, corporate, and foundation support.

THE SYMPHONY FUND The operating endowment for the Colorado Symphony is held and managed by The Symphony Fund, a separate non-profit organization established to invest and manage funds for the benefit of the Colorado Symphony Association.

THE SYMPHONY FUND BOARD OF DIRECTORS Gregg O. Kvistad Stephen M. Brett, President Suzanne Ryan Norman L. Wilson, Treasurer William Wallace *Susan K. Ellis, Secretary *Non-Member Jerome H. Kern

ENDOWED CHAIRS AND FUNDS The following members of the Symphony family have established special funds to perpetuate the work of the Colorado Symphony for future generations. These endowed funds are gifts from individuals who have loved, believed in, and supported the orchestra. To these individuals, the Colorado Symphony extends endless gratitude.

• • • •

Irene and David Abosch Oboe Chair Merle Chambers Assistant Concertmaster Chair Tom and Noёy Congdon Flute Chair Dave and Pam Duke Families Guest Artist and Guest Conductor Fund • Friend of the Colorado Symphony Principal Percussion Chair

• Bill Gossard Music Director Chair • Fred and Margaret Hoeppner Cello Chair • Mary Rossick Kern and Jerome H. Kern Concertmaster Chair • Charles S. Sterne Conductor’s Podium

DONORS TO THE SYMPHONY FUND SINCE 2015 This list includes gifts made to The Symphony Fund Endowment Campaign. $10,000,000+ Avenir Foundation, Inc. $5,000,000 to $9,999,999 Colorado Symphony Foundation $1,000,000 to $4,999,999 Anonymous Merle Chambers Fund $500,000 to $999,999 Tom and Noëy Congdon

26

C O L O R A D O SY M P H O N Y.O R G

$250,000 to $499,999 The Butler Family Fund Esther R. Liss Living Trust $50,000 to $249,999 Colorado Symphony Guild Keith and Kathie Finger Diane S. Hill and Kevin E. Somerville $10,000 to $49,999 Bessie C. Burghardt Charitable Unitrust Thomas J. and Shirley C. Gibson Leonard and Alice Perlmutter Charitable Foundation

$9,999 and below AMG National Trust Bank Foundation Anonymous Anonymous Foundation Ms. Margaret Anderson Mr. and Mrs. Gordon Appell Nancy Ball Col. Philip Beaver and Mrs. Kim Beaver Ms. Catherine E. Beeson Drs. Paula P. and William E. Bernstein Roger and Susan Bowles Evan and Kim Ela Mr. Jack Dais Mr. Evan Ela Mr. and Mrs. Eugene Ferretti Ms. Dianne Green Ms. Carol A. Greenwald David Hackl and Margaret Shugrue Ms. Amy C. Harmon Mr. Nicholas Hodges Margaret Hoeppner Mr. Kevin Horn Yumi Hwang-Williams Mr. Zephyr Isely and Mrs. F. Parvanta Jerry's Contribution Fund Mrs. Kathleen Johnson and Mr. Stephen Vierling William Johnson Dr. Jan Kennaugh & Mr. Chevis Horne Mary Rossick Kern and Jerome H. Kern Mr. and Mrs. Jeremy Kincaid Drs. Richard and Mary Krugman Rich Kylberg and Jilliann Parker

Ms. Bernice Lane Judy and Dan Lichtin Paul and Carol Lingenfelter Mr. Brian Lucas Mr. Greg and Mrs. Julie Lucas McKinsey & Company Coreen and Mike Miller Anne and Bill Mills Mr. and Mrs. Scott Mosser Diane Nagler Neal Arts Fund Judi and Robert Newman Frank Y. Parce Gordon R. and Pam Parker QEP Resources Dr. Susan B. Rifkin Nancy & Robert Schulein Fund Julie and John Strain Mr. and Mrs. Peter G. Strom Mr. Tom Strauss Mr. Lloyd Sweet Elyse Tipton and Paul Ruttum Andra and Kyle Zeppelin

INNOVATION PIONEERING

INNOVATIVE LEGAL SERVICES IN TUNE WITH YOUR NEEDS

We applaud the Colorado Symphony Orchestra for 40 years of creating extraordinary musical experiences Liz Sharrer, Chair 303.295.8000 lsharrer@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202 www.hollandhart.com

Proud Supporter of the Arts

SOUNDINGS

2 0 1 9/2 0

27

COMMU NI T Y SU PPORT ANNUAL FUND DONOR LIST – INDIVIDUAL AND FAMILY FOUNDATION SUPPORT This list includes gifts made to the Colorado Symphony from July 1, 2018 through September 30, 2019. If you have any questions or concerns regarding a donor listing, please contact the Advancement Department directly at 303.308.2464.

Thank you for your support!

Legend: We know there are many ways to support your Colorado Symphony. Use this legend to see how donors like you support and delve into our music and offerings. ∆ - Brett Mitchell Society Member δ - Education Donor ∑ - Women of Note Member ¥ - Donated in 20+ Seasons ß - Ball Donor Ω - Donated in 10+ Seasons

Diamond Chairman's Society ($100,000+)

Avenir Foundation, Inc. ß Ω Mary Rossick Kern and Jerome H. Kern ∆ ∑ ß ¥ Ω

Platinum Chairman’s Society

($50,000+)

Anonymous ∆ ∑ ß δ The Butler Family Fund Malone Family Foundation

Silver Conductor’s Circle ($5,000+)

¥

Gold Chairman’s Society ($25,000+)

The Anschutz Foundation ß Ω Libby Anschutz Foundation ß Jane Costain and Gary Moore ∆ δ The Estate of John Coubrough Jr. Keith and Kathie Finger ∆ ∑ ß Ω Genesee Mountain Foundation ß ¥ Ms. Amy C. Harmon ß Lorraine Higbie δ Dr. Richard and Mrs. Mary Krugman Estate of Ann C. Levy ∑ δ Dr. Jack Wilson ∆ δ

Ƨ

Chairman’s Society ($10,000+)

Nancy & Anthony Accetta ∆ ∑ ß Ω Anonymous ∆ δ Col. Philip Beaver and Mrs. Kim Beaver ∆ Ω Ed and Laurie Bock ∆ Ω Linda Shoemaker and Steve Brett ß Ω Sharon and Jim Butler ß Ω Jim and Janice Campbell ∆ δ Merle C. Chambers Ω Young and Carolyn Cho ∆ ∑ ß Ω Mr. John F. Estes III and Mrs. Norma Horner ∆ George L. Shields Foundation, Inc. Keegan Gerhard and Lisa Bailey Mr. Paul E. Goodspeed and Ms. Mary Poole ∆ Peter and Rhondda Grant ∆ δ Ed and Jenni Haselden ∆ ß The Estate of Gloette Hess Ω Diane S. Hill and Kevin E. Somerville ∆ ß Ω Dr. Vesna Jevtovic-Todorovic and Dr. Slobodan Todorovic ß Carolyn Longmire ∆ ∑ Ω Mr. Cliff Louis ß Coreen and Mike Miller ∆ ß Miller Family Foundation Mrs. Rhea Miller ∆ δ Kenneth and Myra Monfort Charitable Fund Mr. Larry Mueller ß Drs. Sarah and Harold Nelson ∆ δ Dr. Christopher Ott and Mr. Jeremy Simons ß Mr. Craig Ponzio Ω Lt. Col. and Mrs. Robert W. Riegel ∆ Ω

28

Sig Rosenfeld ∆ δ Raymond and Suzanne Satter ∆ ∑ δ Estate of Henry R. Schmoll Δ Ω Harvey and Maureen Solomon ∆ ∑ δ Normie and Paul Voillequé ∆ δ Mr. and Mrs. Seth Weisberg ∆ ∑ Ω Alan and Judy Wigod ∆ The Nancy S. & Earl L. Wright Foundation ¥

C O L O R A D O SY M P H O N Y.O R G

Michael Altenberg and Libby Bortz ∆ ∑ δ Anonymous Ω Eugene C. & Florence Armstrong Family Foundation Ken and Zoe Barley ∆ Ω Bob and Cynthia Benson ∆ Ω Linda Shoemaker and Steve Brett ß Laura Briger ß Mr. Willis Carpenter ∆ δ Mr. Randy Carter ß The Chill Foundation Sylvia Sosin Cohen ∆ δ Ms. Sherri Colgan ∆ Ω Donna and Ted Connolly ∆ ∑ Ω Karen and William Curtis ∆ Ω Mr. and Mrs. Richard Deane Ω Mr. Adam and Mrs. Stephanie Donner ß The Friedlander Family - Great Lakes Marine Denver ∆ Ms. Melanie Geary ß Thomas J. and Shirley C. Gibson ∆ δ Tom Haller and Kim Patmore Ω Byron and Lisa Haselden ß Jennifer Heglin ∆ ∑ δ Heritage Eagle Bend and Ms. Gloria Sankel Lorraine and Harley Higbie Fund William Johnson ∆ ß Kevin Kelley and Husch Blackwell ß Kregg Charitable Fund Margulf Foundation ¥ Donald and Margery Langmuir ∆ δ Steve and Pat Larson ∆ δ Mr. Todd Laurie ß Mrs. Bette MacDonald ∆ δ Marjorie MacLachlan ∆ Ω Ms. Carolyn Moore Fred and Connie Platt ∆ δ Mr. and Mrs. Walter C. Rakowich ß Dr. Joanne Rudoff ∆ δ Elyse Tipton and Paul Ruttum ∆ Ω Ms. Gloria Sankel Rob and Jane Scofield ∆ ß δ David and Susan Seitz ∆ Ω Anna and John J. Sie Foundation ß Mr. and Mrs. John Sie ∆ ß Mr. Adam Sohn ß Walter Family Foundation ¥ Mr. and Ms. Michael A. Zoellner ∆ Ω

Implant and Oral Surgery Center Daniel E. Esposito, MD, DMD, FACS

6179 S. Balsam Way Suite 100 Littleton, CO 80123 303-933-8282 implantandoralsurgery.com

Implant and Oral Surgery Center Is the person

in seat D3 Daniel E. Esposito, MD, DMD, FACS

your next client?

Just look around.

Your ticket to successful advertising is one call away.

303.428.9529 sales@pub-house.com ColoradoArtsPubs.com SOUNDINGS

2 0 1 9/2 0

29

COMMU NI T Y SU PPORT Conductor’s Circle ($2,000+)

Charles and Joan Albi Ω American Endowment Foundation Anonymous Robert P. Austin Ω Mr. Hartman Axley δ Margaret and Larry Ballonoff ∆ Addie and Bob Barkley ∆ ∑ δ Ms. Barbara Berryman Ω J. Fern Black ∆ Ω Ms. Barbara Bohlman Roger and Susan Bowles ∆ ∑ δ Margaret C. Bozarth Ω Ms. Barbara Bridges ∆ ß George and Beth Brinkworth Mr. Scott Brockett Mr. Willard and Mrs. Margaret Brown John and Carol Burtness ∆ ß Mr. and Mrs. Martin Cahill Ω Dr. Bonnie W. Camp ∆ δ Dr. Helena L. Chum ∆ Sheila M. Cleworth δ John L. Coil Ω Christopher Cole Bill and Nancy Cook ∆ Ω Michele and Laurence Corash LOU Fund Mr. Edward B. Cordes ß Mr. and Mrs. Thomas Cox Anne M. Culver ∑ Ω Lou Tate Dafoe ∆ δ Mr. Robert and Mrs. Lenore Damrauer Daniels-Houlton Family Foundation Ω Ms. Dana Davis ß Mark and Katherine Dickson δ Dr. Stephen Dilts ∆ Ω Alicia Economos ß

30

C O L O R A D O SY M P H O N Y.O R G

Drs. Ellen and Anthony Elias ∆ Ω Ms. Susan Ellis ß Mr. Paul Finkel ß Fran and Mike Fisher ∆ Ω Mr. and Mrs. David Fleishhacker Mr. Roger Freeman and Mrs. Mi-Sun Cho-Freeman ß Deborah and Theodore Gaensbauer ∆ ∑ Dr. and Mrs. John H. Gale Ω Mrs. Sally S. Gart/The Jerry Gart Family Foundation ∆ Ω ß Mr. Keith Geeslin Ms. Donna S. Gerich ∆ Mr. and Mrs. George C. Gibson δ Veronica Goodrich δ The Grynberg Family δ Mr. Jerome Guillen Ms. Shirley Hamilton and Ms. G. Brooks Clouser Ω Dr. and Mrs. Karl Hammermeister ∆ Ω Dr. and Mrs. Robert D. Harry ∆ Ω Hayes Family Foundation Colleen Healey Charitable Fund Mr. Glen Holguin and Mrs. Penny Holguin Elizabeth and Steve Holtze ∆ ∑ Ω Dr. Nancy A. Huff ∆ Renate and Joseph Hull δ Humphreys Foundation Dr. and Mrs. David E. Hutchison Ω Richard and Mary Anne Johnston ∆ Ω Dr. and Mrs. Everette G. Jones Ω Henny Kaufmann ∆ δ Joe and Francine Kelso ∆ δ Mr. Tripp Kerr and Mrs. Ann Kerr ß Mr. Michael R. Klein Rob and Kathy Klugman ∆ Ω Mr. George Kruger ∆ Ω Mr. and Mrs. Frank Kugeler ∆ ∑ Ω Mr. and Mrs. Gary P. Landis ∆ Ω Warren and Nancy Lawrence δ Don Leach Ω Judge and Mrs. John P. Leopold ∆ δ Robert and Patricia Lisensky ∆ δ M. Catherine and James R. Look Ω John and Merry Low ∆ ∑ δ Evi and Evan Makovsky ∆ Ω Ms. Joan Manly Houlton Ω Ms. Marcela de la Mar ß Stephen McConahey Family Foundation Ω John and Helen McGuire Mr. and Mrs. Neil McLagan Ω Ms. Janet Melson δ Sharon L. Menard ∆ δ Ms. Joan Virginia Messick Ω Henry B. Mohr ¥ Mr. Robert R. Montgomery δ Kirsten and David Morgan Rosemarie Murane δ Robert and Carol Murphy ∆ ∑ Ω Judie and Ron Neel ∆ Ω Ms. Mary Neidig ∆ ∑ Elizabeth and Heather Neva ∆ ∑ δ Mr. Stephen Norris Mr. and Mrs. John O'Dorisio ß Dr. Bonnie M. Orkow, Ph.D. Ω Kerry Pearlman Ω Sue and Edwin Peiker ∆ δ Bonnie C. Perkins δ Andrea S. Pollack and William Hankinson Dr. Peter S. Quintero ∆ Ω Richard Replin and Elissa Stein ∆ δ Myra and Robert Rich ∆ δ Dr. Susan B. Rifkin ∆ Mr. Richard Roman and Mrs. Clara Restrepo ∆ Elyse Tipton and Paul Ruttum ∆ Ω Dr. and Mrs. Richard J. Sanders ∆ δ Dick & Jeanne Saunders ∆ Ω Robert E. Schueller and Patricia Schueller ∆ Ω

Kathleen Sgamma ∆ Ω Carole and George Shaw ∆ Ω Singer Family Foundation Sam and Marty Sloven ∆ δ Ms. Susan Smith Δ William F. Smith and Shirley A. Scott ∆ δ Eric Sondermann and Tracy Dunning ∆ Gordon Stenger Ω Mrs. Marcia D. Strickland ∆ δ Lou and Katherine Svoboda δ Mrs. Beatrice Taplin δ Mr. and Ms. Bennett Thompson ß Dr. and Mrs. Ed Van Bramer ∆ Ω Richard E. Wagner ∆ δ Mr. Kip Wallen ß Mr. Larned Waterman, Jr. and Mr. Paul S. Mesard ∆ δ Malcolm and Donna Wheeler ∆ Ω Mr. Robert Wiegand II and Ms. Kimberly Raemdonck Ω James Williams and Jennifer Landrum ∆ Drs. Richard and Jean Williams δ

Mr. Brad Busse and Ms. Christine Benero ß Ms. Patricia Butler Ω Alice Silver and Tom Byrnes ∑ Ω Calerich Family Foundation Keith and Lindsay Campbell δ Ms. Jane Carlstrom Ms. Martha Chamberlin Dr. and Mrs. James G. Chandler Ω Henry and Janet Claman Foundation Ω David and Joan Clark Ω Mr. David Clark Ms. Deborah Clendenning ¥ Catherine Cole δ Polly Cordes ß Drs. Yuko and Chris D'Ambrosia ß Ms. Julia Day Σ Zach and Joy Detra ß Mr. Scott Dewar ß Mrs. Mary Donlon Ω Mr. Eric Donnelly ß Dulin Charitable Trust Mr. Garrettson Dulin, Jr. Ω Renee Duncan ß Mr. Carl and Mrs. Nancy Eklund ß Mr. and Mrs. James W. Espy Ω Ms. Jennifer Evans ß Jim and Jo Ferguson Mr. Keith Fisher ß Mr. Scott Fisher and Ms. Janice Fisher ß Mrs. Mary Lou Flater ∑ δ Mr. and Mrs. John E. Fuller δ Mr. and Mrs. Greg Fulton Mr. John A. Gallagher and Mrs. Diane Gallagher Ω Marian and Lou Gelfand ¥ Ms. Jenay H. Gifford ß Mr. William H. Gleason and Mrs. Helen Gleason Dr. Burton and Mrs. Lee Golub Ω

Symphony Concertmaster ($1,000+)

Anonymous Mr. Robert M. Balas δ Bartholic Family Foundation Richard & Linda Bateman Ω Dr. Charles W. Baucum Dr. and Mrs. Henry J. Beckwitt δ Ms. Mariette Bell Claire Benson Ω John and Sandy Blue δ Ms. Ingrid H. Boyd Elizabeth Bradley Ω Matthew Briger ß Sandy and Rogene Buchholz Ω Evalina Burger ß

A New Generation of Retirement Living .

c

®

.

t

n At Balfour, we are proud to support the Denver arts community . and its many generations of dedicated followers.

e

.

Independent Living • Assisted Living Memory Care • Skilled Nursing

n

c

n

x

Visit our website to learn more or call:

.

DENVER

•

STAPLETON

•

LITTLETON

x •

844.354.8877

c

BalfourCare.com

LOUISVILLE

•

.

LONGMONT (2020)

SOUNDINGS

2 0 1 9/2 0

31

COMMU NI T Y SU PPORT Ms. Jean M. Gordon Ω Mr. and Mrs. Ed Greene ß Ω Renee and Martin Gross Ω Hugh and Nancy Grove Mrs. Becky Hammond δ Mr. James Hanegan ß Mr. Nick Hazen Ω Mr. Brian R. Hedlund Ann Herron Mr. and Mrs. J.B. Hewetson ß Mr. Philip Hiester and Ms. Deborah Reshotko δ Mrs. Eileen Honnen-McDonald ∑ δ Mr. Mark Hopkins and Ms. Jennifer Hopkins ß Robert and Betty Huzjak Ms. Maria D. Irivarren ¥ Mrs. Eleanor L. Isbill δ Mr. and Mrs. Charles H. Jenkins δ Marvin and Carole Johnson Ω Robert W. Karow Mr. Matthew R. Keeney ß Mr. Allen Kemp δ Dr. Peter Kennealey and Dr. Colleen Murphy Jonathan and Beth Kern Family Fund Professor Edward R. Kinney and Dr. Charles A. Dinarello Don and Jody Kirkpatrick Mr. Buz A. Koelbel and Mrs. Sherri S. Hoelbel ß Mr. Gregg Kvistad and Mrs. Amy Kvistad ß Mr. Abbott Lawrence and Martin Marietta ß Minnie B. Lindsey Charles and Gretchen Lobitz ß Ω Paul & Jackie LoNigro Mrs. Jeri Loser ∆ ∑ δ Ms. Lucinda Low and Mr. Daniel B. McGraw Marchbank Family Foundation Mrs. Barbara Marchbank and Mr. Robert Marchbank Ms. Kathleen Markey Mr. Bruce W. Martin and Mrs. Catherine Ann Martin Mr. Chet Hampson and Ms. Susan Martin δ Dr. Jerrald McCollum Ω Katherine McMurray Ω Ms. Anne Mead Mr. Robert Meade Anne and Bill Mills ∆ Ms. Sacha Millstone Mr. Scott Moore Janet Mordecai ∑ Ω Mrs. Carol A. Murphy Mr. and Mrs. Bill Myers ß Jenks Necker Charitable Fund Anne and David Necker James Neely Ω Nelson Family Foundation Ω Hans E. and Margaret C. Neville Ω Ray O'Loughlin and Jamie Henderson Ω Ed and Jean Onderko Ω Mr. Gary and Mrs. Joyce Pashel Ms. Sue Pawlik Ω Mrs. Alice Perlmutter ¥ Ω Al and Ursula Powell ∑ Ω Mr. & Mrs. James Proffitt Nijole and Walter Rasmussen David and Jennifer Reinecke Ω The Renee and Martin Gross Family Foundation Mr. Eli Reshotko and Mrs. Adina Reshotko Ω Al Richards ß Mr. James J. Riggs and Mrs. Diane E. Riggs ß Steven and Joan Ringel ∑ δ Ayliffe and Fred Ris Ms. Margaret Roath ∆ ∑ Dr. Gregory Robbins Ω Anthony C. and Patricia J. Romeo Ω Ms. Julie B. Rubsam Sallie and John Ruhnka

32

C O L O R A D O SY M P H O N Y.O R G

Ms. Carol L. Rust Jim and Doreen Ryan δ Mr. Nemat Sanandaji ß Dean Sanpei ß Mr. Loren Schillinger Ruth Schoening δ Ms. Elizabeth Scully and Mr. Patrick Scully ß Jo Shannon δ Mr. and Mrs. Peter D. Shultz δ Mr. Jerry E. Sims and Mrs. Carol J. Buchanan Ω Mr. Eric D. Sipf and Mrs. Susan H. Sipf ß Billie Smith William Smitham ß Ms. Kathy Spuhler ∆ ∑ Hanspeter Spuhler δ Dr. and Mrs. Richard W. Talley Ms. Kathryn Taylor Ω Mrs. Barbara L. Tedstrom Tipton Family Foundation Ω Ms. Sheila Trader Ms. Erin Trapp ß Mr. and Mrs. Howard Turetzky ∆ δ Dr. David H. Wagner Jr ß Mrs. and Mr. Anne & Stephen Waite John and Kristine Wallack δ Mr. Tim and Mrs. Lisa Walsh Mr. Jason & Mrs. Kelly Waltrip Mr. and Mrs. Douglas Ward Ω Mr. and Mrs. Jim White ∆ Mr. Jordan Wight Dr. Martin Yussman ß Jon and Kathy Zeschin

Symphony Musician ($500+)

DeAnn Anderson Ms. Maggie Anderson ß Anonymous Ω Bruce Avery Marti Awad ß David H. and Lornel A. Baker Nancy Ball δ Mr. James Balog and Ms. Suzanne Balog Anne and Henry Beer Ω Dr. Douglas Bell and Dr. Michelle Bell Mr. Joe Bertsch ß Mr. Dean Beyer Michael Biere and Patricia Romero Ω Mr. and Mrs. Howard Blaney Ω Ms. Soley M. Bogadottir Mark and Therese Brady Mr. and Mrs. Mark Brennan ß Mr. Briggs and Ms. Kostyashkina Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. John Bruno Mr. and Mrs. Robert Bushman Mr. and Mrs. Ronald Butz δ Lois M. Calvert δ Rusty and Ellen Campos δ Casey Christensen ß Dr. David and Mrs. Delores Claassen Ω Ms. Toni H. Cohig Catherine Coleman ß Ann Connor ß Paul and Eileen Cooper δ Kerry and Walter Cote Ω Mrs. Barbara Cravitz Mr. and Mrs. Herschel Cravitz Ω Hille L. Dais Ms. Ruth Dalrymple Rebecca David ß Anne C. Dillen and Mark Dillen ß Margaret Dong Denis and Kathy Donnelly δ

The Dowling Foundation Ω Mr. Ian Dreifaldt ß Louise and Robert Dudley δ Roger & Carol Dutton Ω Ms. Cate Eckenrode Dave Edwards ß Carol Ehrlich Evan and Kim Ela ¥ Ω Mr. Evan Ela ¥ Lucy and Dan Ellerhorst Ω Mr. Don Elliott Mr. Sean Everhart Mr. Bayard Ewing Ω Mr. and Mrs. Mark Ewing Ω Mr. Stephen Fenton ß Dr. and Mrs. Richard A. Fieman δ Ms. Alexandra Fischer Mr. and Mrs. Gregg Flannery Ω Ms. Allison Foster ß Joann Freedman Dick and Sigrid Freese δ Ms. JoAnne Friedman Virginia E. & Robert K. Fuller δ Ms. Lauren Gamba ß Lester and Joan Garrison δ Mike Gaughan and Jeff Julin ß Ω Mr. Michael Gifford and Ms. Jenay Heath Gifford ß The Gilman Family Foundation Ω Mr. Herman Goellnitz ¥ Tamara Golden and Tim Worrall Scott and Roberta Goodall Mr. and Mrs. James B. Grange Ω Ms. Andrea J. Grant Ω Carolyn Green ß Mr. Felton Green and Mrs. Nancy Green Dennis and Eileen Griffin Ω Peter and Yvonne Griffiths Ω

Ms. Julia Gwaltney Donald Hagengruber Halvorson-Freese 21st Century Fund Charles and Linda Hamlin Ω Ms. Linda E. Hamlin Homer and Treva Hancock Ω Ms. Darlene K. Harmon δ Mr. Frank Harney ß Mr. Billy Harris and Ms. Linda Purcell ¥ Ω Dr. Raymond Henkel Owen and Deborah Herman Melvin and Carolyn Hess δ HHSB Family Fund ¥ Mr. James Hidahl and Mrs. Patricia Hidahl Ω Mrs. Patricia C. Higgins Ms. Carol Hildebrand Dr. Stephen Hindes Ω Mr. and Mrs. Joseph I. Hirsch Mr. and Ms. Arthur Hodges ß Mr. Arthur Hodges ß Mrs. Elizabeth Holtze Ms. Sally H. Hooper Ruth and George Hopfenbeck δ M. J. Hopkins δ Ms. Sally Hopper Ω Andrew Hornbrook Ω Michael E. Huotari and Jill R. Stewart Ω Yumi Hwang-Williams ∑ ß Ω Nancy C. Ives Mr. and Mrs. Bradley James δ Mr. Bradley James Mr. Tim Jenkins Mr. and Mrs. Cody Jennings ß Mrs. Jill Johnke Mr. Eric E. Johnson Mrs. Kathleen Johnson and Mr. Stephen Vierling Mr. Douglas C. Jones

Sound Legal Advice

1099 18th Street, Suite 2600 Denver, Colorado 80202 Denver: 303-297-2600 Telluride: 970-728-3029 info@rwolaw.com • rwolaw.com

Th e Le t te r s O f Th e L aw I n Co l o ra d o SOUNDINGS

2 0 1 9/2 0

33

COMMU NI T Y SU PPORT Emily B. Joy Ω Mr. and Mrs. Arthur Judd δ Mr. Jeff Julin ß Betsy Herrick and Milt Kahn ¥ Ω Garrick Keatts ß Dr. Richard and Mrs. Carla Kem Ms. Judy H. Kessenich Mark Kessler Ms. Soraya Khalje ß John and Alicia Kinnamon Mel and Roberta Klein δ Mr. and Mrs. Stanley W. Kleinsteiber δ Stuart and Janet Kritzer Family Foundation John W. Kure and Cheryl L. Solich δ Mr. John W. Kure Phyllis and James Kurtz-Phelan δ Ms. Nancy Lambertson Sandy and Evan Lasky ∑ ß δ Henny Lasley ß David C. Leger δ Mr. Kenneth B. Leonard Mr. and Mrs. Don Lewis Judy and Dan Lichtin Chui Mei G. Lively and Robert D. Lively Patty Lorie Ω Mr. Greg and Mrs. Julie Lucas ∑ Ms. Marian Lyons Mrs. Jean Macferran δ Ernie Blake and Sharon Magness Blake Christopher Marchbanks Jean L. Marshall Ω Ms. Susan Martin William J. Martinez & Judith C. Shlay Ms. Tanya R. Mathews ß Steve and Kathy McConahey ∆ Ω Michael E. McGoldrick Ω Ms. Karen M. McGrath Carla E. McKennett Ω Ms. Carla McWilliams Mr. Harold 'Bud' Meadows and Mrs. BJ Meadows Ω Ms. Christine D. Metzger Jay and Lois Miller δ Paul & Barb Moe δ Janell Moerer ß Kelvin and Sara Moore Ω Col. & Mrs. Jeffrey Neely Mrs. Jane Netzorg and Mr. Gordon Netzorg Mr. and Mrs. Andrew Newberry Ω Mr. Timothy W. Nicholas Mr. Randy Oakes and Mrs. Susan Oaks ß Dr. Richard and Mrs. Florence O'Day Ω Larry O'Donnell and Kermit Cain ¥ Dr. Priscilla Zynda-Otsuki and Mr. Steve Otsuki Ω Mary and Art Otten δ Mary Chloe Ourisman ß Mr. Rick Palacio ß Frank Y. Parce ∆ δ Carl Patterson David and Doris Pearlman Ω Maggie Petray ß Mr. Anthony Pierce ß Mr. & Mrs. Cason and Rachel Pierce Mr. David K. Porter Ed Post Ω Mr. and Mrs. H.W. Praetorius δ

34

C O L O R A D O SY M P H O N Y.O R G

Mr. and Mrs. G.W. Quinby Ω Rich Ramsey Ω Melinda H. Reed Ω Ms. Mary Reeve Nancy and Gene Richards δ Dr. Richard and Sandra Roark Ω Eleanor Roberts δ Ms. Susan D. Rodger Mr. Bernie Rogoff and Ms. Jean Greenberg Ω Dr. and Mrs. Paul R. Rosen ∆ Parker Rothhammer ß Ellen Ruble ß Suzanne Barber Ryan ∑ δ Mr. Clayton Saylor Cynthia L. and Paul D. Schauer Ω Mr. Donald Schott Ms. Mary Ann Schultz δ Mrs. Melanie Seatvet Mr. David Seeland δ Ms. Carla L. Seeliger Ms. Isabel Shanahan Dr. David Shander and Mrs. Karen Shander Ω Barbara L. Sharp Mr. Daniel Shurz Ms. Alice Silver Dr. and Mrs. Arnold Silverman δ Mr. and Mrs. Thomas Sisk Ms. Lynn M. Slouka Drs. Robert H. Slover, II and Robin Slover Ms. Bonnie Smith ß Dr. and Mrs. Edwin R. Smith δ Mr. Norman Spivy Mr. Thomas R. Stephens and Mr. Todd H. Enders δ Jackson T. Stevens The Sylvan Stool Family Mr. and Mrs. Michael Strear Mr. and Mrs. William E. Sweet, III Ω Judy and Rob Tate δ Mr. Frank Thomson Ω Barbara Thorngren δ Mr. and Mrs. Carl J. Tillery Ω David Tourtelot and Nikki Headlee Ω Tricia Collins Fund Ms. Heather Van Dusen Mrs. Sue Von Roedern Ω Todd VonLintel ß Ms. Tina Walls ß Ms. Hanna Warren Warren and Mary Washington ∑ Walter and Susanna Weart δ Mrs. Virginia Westgaard Ms. Bette J. Wilkinson Ms. Mary Wollard Dr. and Mrs. Roy R. Wright δ Dick and Lorie Young δ Mr. and Mrs. Ken Ziebarth δ Mr. Ken Ziebarth Joan Zisler While we are only able to list a portion of our 2018/19 Season donors, we acknowledge and thank every donor who contributed this past season, no matter the amount.

Every donor and dollar keeps the music playing on for Colorado!

COMMU NI T Y SU PPORT

CORPORATE AND FOUNDATION SUPPORT IMPRESARIO ($100,000+)

Avenir Foundation, Inc.

Sterne-Elder Memorial Fund PRESENTER ($75,000+)

Vera and Joseph Dresner Foundation VIRTUOSO ($50,000+)

The Virginia Hill Foundation

MAESTRO ($25,000+)

Ralph L. and Florence R. Burgess Trust Lloyd J King & Eleanor R King Foundation

SOUNDINGS

2 0 1 9/2 0

35

COMMU NI T Y SU PPORT

CORPORATE AND FOUNDATION SUPPORT ENCORE

($15,000+) Colorado Creative Industries FirstBank Florence R. and Ralph L. Burgess Trust Fund Frontier Fire Protection Kenneth King Foundation Live Nation Trice Jewelers U.S. Engineering Co.

CONCERTMASTER ($10,000+)

IMA Financial Group Inc. KPMG LLP Marshall-Rodeno Associated OfficeScapes Plante Moran Prologis RIDA Development Robinson Waters & O'Dorisio PC The Schramm Foundation Semple Brown Design, P.C. Tributary Real Estate U.S. Bank U.S. Bank Foundation

INSTRUMENTALIST

AEG Live Blue Moon Brewing Co. - Rino Colorado Real Estate Journal Grace Bay Resorts HealthONE Macy's Martin Marietta Helen Murray Charitable Trust Northern Trust Sherman & Howard Trautman & Shreve Inc. University of Denver VAL-U-ADS of Colorado, Inc.

($3,000+)

Fine Arts Foundation Jay's Valet Rick Steves' Europe Inc. The Peninsula New York Scientific & Cultural Collaborative Verizon Wireless

SOLOIST ($500+)

COMPOSER ($7,500+)

The Chill Foundtion

PRINCIPAL ($5,000+)

A.J. Markley Trust Colorado Rockies Baseball Club Leopold Bros. Distilling Baceline Investments Baker & Hostetler, LLP Benefactor/Randall Carter Beyond Campus Innovations, Inc. Centura Health Colorado State University System Davis Graham & Stubbs LLP DCP Midstream The Denver Foundation The Denver Post Community Foundation Ernst & Young, LLP Henry Shein Medical Group Husch Blackwell LLP

Aloft Denver AOR Inc. Barolo Grill Baker Botts, L.L.P. The Broadmoor Cherry Creek Shopping Center Cleo Parker Robinson Dance Denver International Airport Denver Museum of Nature and Science Encore Electric Fackler Legacy Gift Fairfield and Woods PC FourPoint Energy Four Seasons Hotel Denver Great West Life Guild Mortgage Cherry Creek ISEC Inc Medtronic, Inc. Mile High United Way QEP Resources, Inc. Sage Hospitality Sip | eat + drink SOL Bras and Sleepwear Wines For Humanity

IN MEMORIAM GIFTS

The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the Symphony. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them.

In memory of Bass Clarinetist Mr. Don Ambler given by: Mr. Robert Rodine In memory of Gene Amole's KVOD given by: Mr. R. Glesner and Mrs. B. Schwarm Glesner

36

C O L O R A D O SY M P H O N Y.O R G

In memory of Eugene Curtis and Florence Ann Armstrong given by: Eugene C. & Florence Armstrong Family Foundation In memory of Claire Barbara given by: Mr. and Mrs. Skip Anderson In memory of Andrew Bermingham given by: Mrs. Marcia D. Strickland

In memory of Virginia Bonvicini given by: Mr. and Mrs. Eugene Ferretti Ms. Bernice Lane Mr. and Mrs. Scott Mosser Frank Y. Parce In memory of Valerie G. Brown given by: Nancy Carnes Ives In memory of Donald J. Carlstrom given by: Ms. Jane Carlstrom In memory of MingWah Chan given by: Fungyee Chan In memory of Blair Chotzinhoff, Jerry Endsley, Ken Harper, and Harry T. Safstrom given by: Mr. Chet Hampson and Ms. Susan Martin In memory of Max Ehrlich given by: Carol Ehrlich In memory of Richard M. Eslinger given by: Mr. John T. Kelly In memory of Dr. Constantine John Falliers given by: Penny and Dick Leather John and Merry Low In memory of Jerry Friedman and Joyce Freeman given by: Ms. JoAnne Friedman In memory of Keith Hammond given by: Mr. and Mrs. Rus Dewitt Mrs. Becky Hammond Ms. Candy McCampbell Mr. Joseph Zuchter and Ms. Carol Catardi In memory of Seonghee Hedlund given by: Mr. Brian R. Hedlund In memory of Arnold Heller given by: Dr. and Ms. Arnold Heller

In memory of Glo Hess given by: Frank Y. Parce In memory of Harley Higbie, Jr. given by: Lorraine Higbie Rosemarie Murane In memory of Fred Hoeppner given by: Margaret Hoeppner In memory of Samuel Lancaster given by: Ms. Mary Louise Burke Mr. Keith F. Corrette In memory of Mary Langehough given by: Ms. Tawney S. Willett In memory of Ann Levy given by: Ms. Peggy Brody Dick and Sigrid Freese In memory of Marie Lindvall given by: Anonymous In memory of John W. Low given by: Anonymous Mr. and Mrs. David Arkell AMG National Trust Bank Foundation Douglas and Constance Cain Mr. Willis Carpenter Ms. Lee C. Everding Ms. Rebecca A. Fischer Mr. and Mrs. James E. Hautzinger Ms. Carol Hildebrand Elizabeth and Steve Holtze Mr. and Mrs. Wayne Hutchens Ms. Lucinda Low and Mr. Daniel B. McGraw Ms. M. A. McEwan and Mr. P Tiley Mr. and Mrs. Gilbert Marchand Rosemarie Murane Mrs. Jane Netzorg

EXPLORE A NEW WORLD Photo by Trevr Merchant

Always free for kids 17 & under

clyffordstillmuseum.org SOUNDINGS

2 0 1 9/2 0

37

COMMU NI T Y SU PPORT Judi and Robert Newman Gordon R. and Pam Parker Jane I. Ryan Mrs. Victoria Sahani Mr. Mark Silverman Mr. and Mrs. Rodney Smith Mrs. Marcia D. Strickland University of Denver Nancy S. and Earl L. Wright Foundation In memory of Paul Lucas given by: Ms. Kathie Lucas In memory of Dorothy Mauk given by: Ms. Sue Pawlik In memory of Thomas Luther McClintock given by: Lenny Gail and Robin Steans In memory of William and Virginia McGehee given by: Ms. Robin McGehee In memory of John and Helen McGuire given by: John and Helen McGuire In memory of Ken Miller given by: Ms. Ashley I. Geisel In memory of Maurine Moody given by: Mr. Robert Moody In memory of William "Bill" E. Murane given by: Mrs. Madelon Affeld Charles Anderson Mr. and Mrs. James K. Aronstein Ms. Patsy Benedict Mr. Donald L. Berlin Mr. and Mrs. Jock Bickert Mr. Willis Carpenter Mrs. Mimi Chenoweth Sheila M. Cleworth Ms. Mary Cook Mrs. Dana Crawford James Cruz, Jr. and Family Ms. Nancy Downing Ms. Mary Duell Mr. and Mrs. Martin Dumler Nancy and Mike Farley Vincent Favoriti and Mary Grace & Len McCue Dick and Sigrid Freese Virginia E. & Robert K. Fuller Ms. Georgia M. Garnsey Alan G. and Sally R. Gass Caleb and Sidney Gates Mr. and Mrs. Mark E. Goldstein Mr. and Mrs. Michael D. Groshek Mr. and Mrs. Sam Guyton James Hasler Sarah C. Hite Ms. Mary T. Hoagland Ruth and George Hopfenbeck CE Kahn Fund John and Merry Low Ms. Evelyn B. McClearn Rosemarie Murane Ms. Pat Pascoe Ms. Carol S. Prescott Ms. Mary Reeve Dr. and Mrs. Ronald H. Resnick Ms. Jeanne R. Robb Rob and Jane Scofield Carole and George Shaw Ms. Susan Sheridan Mr. Erik Solof

38

C O L O R A D O SY M P H O N Y.O R G

Mrs. Marcia D. Strickland Ms. Margaret Trousdale Mrs. Teresa White & Eide Bailly LLP Grace Willhoit Mr. William R. Wilson Mr. and Mrs. Richard Wohlgenant Ms. Florence C. Wolfe Mrs. Diane Woodworth-Jordan and the CCHN Board In memory of William Murane, Robert Schulein & Blair Chotzinhoff given by: Nancy & Robert Schulein Fund In memory of Frank Y. Parce given by: Mr. and Mrs. David Askin Kerry and Walter Cote Ms. Martha S. Fiser Nancy and Russ Gregory Mr. and Mrs. Paul E. Lingenfelter Ms. Sally Ochsner Mr. and Mrs. Kenneth M. Manka Ms. Desiree A. Parrott-Alcorn Ms. Addie Roberts Mr. Russ Skillings Eleanor Roberts Ms. Lori Snyder Mr. Wes Showalter Ms. Janet G. Way In memory of Gerard Porter given by: The Lakewood Estates Patio HOA In memory of Herman D. Post given by: Herman D. Post Fund In memory of Gerald Rainer given by: Mr. Erik Peterson In memory of my husband, William H. Roberts given by: Mrs. Irene Roberts In Memory of Bolko von Roedern given by: Mrs. Sue Von Roedern In memory of Erwin I. Rogoff, “Country Before Self” given by: Mr. Bernie Rogoff and Ms. Jean Greenberg In memory of Lucille S. Rosenfeld given by: Sig Rosenfeld In memory of Frances and Eugene Schaefer given by: Cynthia L. and Paul D. Schauer In memory of Sidney Schetina given by: Mr. Willis Carpenter Marian and Lou Gelfand Mr. and Mrs. Jeff H. Groezinger Drs. David and Miriam Weil Ms. Lisa Weil In memory of Betty Sonnenberg given by: Sylvia J. Kreider In memory of Kasiel Steinhardt, M.D. given by: June & Sylvan Stool Family Charitable Fund In memory of Mary Symonton given by: Anonymous In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Eileen and Jerry Walker given by: Ms. Erika Walker

FIVE EXCITING SHOWS BUY EARLY AND SAVE BIG! 2019-2020 SEASON

DEC 21 & 22 FEB 16 MAR 7 & 8 MAR 14 & 15 MAY 16 & 17

‘TWAS THE BRASS BEFORE CHRISTMAS DENVER BRASS & ALL THAT JAZZ CELTIC CASTLES & CATHEDRALS CELTIC FUSION LET FREEDOM RING VIEW SEASON AT DENVERBRASS.ORG 303-832-HORN(4676) newmantix.com/denverbrass

SOUNDINGS

2 0 1 9/2 0

39

COMMU NI T Y SU PPORT IN HONOR GIFTS The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion.

These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them.

In honor of Catherine Beeson given by: Nancy Livingston In honor of Dr. Paula Bernstein's birthday given by: Mr. Erik Bernstein In honor of Drs. Paula and William Bernstein given by: Ms. Paula Folkman In honor of Steve Brett and Linda Shoemaker for all they do for our community given by: Anna and John J. Sie Foundation In honor of John and Christine Brown given by: Ms. Barbara Brown In honor of Charlie Burrell given by: Dr. Renee Cousins King Mr. Paul B. Batchelder In honor of Duain Wolfe and Mary Louise Burke given by: Claire Benson In honor of Willis Carpenter given by: Ms. Marian Lyons In honor of Young and Carolyn Cho given by: Mr. and Mrs. Don Lewis In honor of Jo Ellen Cohen's 70th Birthday given by: Mrs. Debbi Alpert Ms. Peggy Beck Mr. Martin M. Berliner Ms. Martha W Cannon Ms. Sharon M. Engle Ms. Jody Epstein Ms. Shirley "Cookie" Gold Lynne Green Mr. Barry Hirschfeld Mrs. and Mr. Brooks Luby Mandelbaum Family Charitable Foundation Ms. Cheri L. Michelson Ms. Jane L. Montgomery Mrs. Ricki G. Rest Ms. Fatosh Saribal Mrs. Barbara Sidon Ms. Dorothea Thomson In honor of Christopher Dragon given by: Marjorie R. Thirlby In honor of Joyce Elliott given by: Mr. Don Elliott In honor of Janice Gieskieng for Christmas and her Birthday given by: Ms. Linda McGoff & The McGoff Family In honor of Jim Greenwood given by: DaVita In honor of Chet Hampson given by: Ms. Susan Martin In honor of Byron Haselden's 50th Birthday. “With love, The Chrisman Family� given by: Mr. Jim D. Chrisman In honor of Ed Haselden given by: The Jerry Gart Family Foundation In honor of Jutta Herrmann given by: Carla Cheuvront

40

C O L O R A D O SY M P H O N Y.O R G

In honor of Philip C. Hiester, Master Electrician CSO given by: Mr. Eli Reshotko and Mrs. Adina Reshotko In honor of Diane Hill for Women of Note given by: Mr. and Mrs. Seth Weisberg In honor of Anne Marie Hoffman given by: Mr. Peter Poses In honor of Co and David Hohnbaum given by: Mrs. Marcie B. Haloin In honor of Bill Johnson: DCP Midstream Charitable Fund In honor of Jerry and Mary Kern given by: Jonathan and Beth Kern Family Fund Ms. Susan Ellis In honor of Keith Kirby given by: Ms. Sara Alt In honor of Leah Kovach given by: Mrs. Marilyn Mishkin In honor of John and Merry Low given by: Mr. and Mrs. Gilbert Marchand In honor of Dr. Marv Lubeck given by: Dr. and Mrs. Ronald H. Resnick In honor of Sachiko Nakahira given by: T.R. Reid & Peggy McMahon In honor of the Non-Violent Marching Band String Members given by: Posner-Wallace Foundation In honor of Leonard Perlmutter given by: Alice Perlmutter In honor of Anthony Pierce given by: Pinon Real Estate Group In honor of Abby Raymond given by: Mr. and Mrs. Allan R. Raymond In honor of Julie Rubsam given by: Mollie Leone In honor of Kristine and John Wallack given by: Richard Falb and Gail Skaggs In honor of Darlee Whiting given by: Hayes Family Foundation In honor of all the little princesses in the world, including my niece Ava Mi-Sun Williams given by: Ms. Ruth Williams In honor of Duain Wolfe given by: Claire Benson

THE HORACE TUREMAN LEGACY SOCIETY Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Legacy Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Society recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. To learn more about including the Colorado Symphony in your estate planning, please call 303.308.2475 or visit coloradosymphony.org/Planned-Giving.

Anonymous Richard and Susan Abernethy The Estate of Nan L. Barnett Mr. Jim Caputo J. Harold Corp Trust

GIVE YOUR CHILD THE BIG STAGE

OPEN HOUSE AUDITIONS

Saturday, January 11th • 9 am - Noon 2420 W 26th Ave • Suite 350-D • Denver 2nd-5th graders, and their parents, are invited. Prior experience not necessary.

ChildrensChorale.org or 303.892.5600 for more information The Colorado Children’s Chorale presents energetic concerts and educational programs that entertain, inspire and bring joy to audiences across Colorado and around the globe. Through song, we transform the lives of children and leave an enduring impact on families, audiences and communities. We invite you to join us.

Hubbard Street Dance Chicago

newman center presents 2019–2020 events on sale now dance / jazz / nat geo / more

M Allan Frank Family Box Office 2344 East Iliff Avenue, Denver 303-871-7720 / newmancenter.du.edu

SOUNDINGS

2 0 1 9/2 0

41

COMMU NI T Y SU PPORT Jane Costain and Gary Moore The Estate of John Coubrough, Jr.* Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Charitable Trust William G. FairField Ms. Grace L. Freye Ms. Carol K. Gossard* Ms. Jennifer Guess Ms. Misty Haisfield Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim* Cathey A. Herren The Estate of Gloette L. Hess* Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel* The Estate of Gloria S. Kubel* Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Mrs. Ann C. Levy* Esther R. Liss Living Trust* John* and Merry Low Sandey Luciano Marjorie MacLachlan Evi and Evan Makovsky The Estate of William McGehee* Mrs. Sue McFarlane Willis M. McFarlane* Mr. James Mead and Ms. Carol Svendsen Mr. Morton Ms. Helen M. Murray* Mr. Thomas Murray Ms. Lori Needler* Judie and Ron Neel Judith Nichols Mr. William Oliver Gordon R. and Pam Parker Armeda Plank* Ms. Barbara Powell James R. Pratt Mrs. Lois Rainer*

This program is produced for the Colorado Symphony

by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com Angie Flachman Johnson, Publisher Tod Cavey, Director of Sales

42

Stacey Krull, Production Manager Terry Bryant, Press and Bindery Manager

Sandy Birkey, Graphic Designer Wilbur E. Flachman, President

C O L O R A D O SY M P H O N Y.O R G

The Estate of Edwin T. Richard* Mrs. Lee R. Roberts* Mr. Neil F. Roberts* Mr. Bruce M. Rockwell* Mr. Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Dr. and Mrs. Richard J. Sanders Ms. Elizabeth Schmitz The Estate of Henry R. Schmoll* Rob and Jane Scofield Ms. Floy L. Senior The Ilse Steinbach Revocable Trust Mr. and Mrs. James Stookesberry The Estate of Jim Taylor* Mr. Richard Thackrey Mr. and Mrs. James D. Vaughn The Estate Of Samuel Wagonfeld* John and Kristine Wallack Ms. Elizabeth P. Wright* The Patricia G. Wunnicke Trust* Ms. Phyllis J. Young * Deceased

CRESCENDO SOCIETY YOUNG PROFESSIONALS OF THE COLORADO SYMPHONY – FOUNDING MEMBERS The Founding Member Level is available to donors of $250 or more and includes discounted tickets to Crescendo Society Colorado Symphony concerts, complimentary tickets to exclusive Crescendo Society events, and discount codes to select Colorado Symphony performances.

Be a part of Crescendo Society history and become a Founding Member in its inaugural season!

To learn more about becoming a Crescendo Society member please call 303.308.2475 or visit coloradosymphony.org/crescendo Amanda and John Armstrong Ryan Cohn Mr. Christopher Cole Mr. Timothy Curry Ms. Lauren Habenicht Ms. Liz Hartsel Mr. Ben Johnson Ms. Angeline Nelson Ms. Rebecca Sposato Mr. Kip Wallen

BOETTCHER CONCERT HALL owned and operated by the City and County of Denver, Division of Arts & Venues City and County of Denver Michael B. Hancock, Mayor Arts & Venues Denver Ginger White Brunetti, Executive Director Denver Performing Arts Complex Mark Heiser, Venue Director Jody Grossman, Assistant Venue Director For information please call (720) 865-4220

2019-20 Season

Global performance.

World-class entertainment.

You have to be here.

Find your next performance at

cupresents.org

SOUNDINGS

2 0 1 9/2 0

43

BOETTCHER CONCERT HALL INFORMATION BOETTCHER CONCERT HALL INFORMATION FOR COLORADO SYMPHONY CONCERT TICKETS AND INFORMATION: call 303.623.7876.

THE COLORADO SYMPHONY’S WEBSITE, coloradosymphony.org, provides information on all Colorado Symphony activities at Boettcher Concert Hall and other venues around Colorado including performances at Red Rocks Park & Amphitheatre, the Arvada Center for the Performing Arts, and more.

Other venues may require the use of another ticketing source; however, coloradosymphony.org navigation will always direct you to the official ticketing agent or source.

LATE SEATING: In consideration of our musicians, guest artists, crew and staff, and your fellow patrons, late seating is at the discretion of the House Manager and takes place during pauses in the program. Ushers will let you know when you may enter the hall. They may seat you in an area other than your ticketed seat so as to not disturb other patrons, and you may take your ticketed seat during intermission.

NO SMOKING: Boettcher Concert Hall is a smoke free venue. Any and all forms of smoking are prohibited in the venue.

NO FILMING: Camera and recording equipment are not permitted in the hall during concerts unless otherwise noted.

SECURITY: In furtherance of Denver Arts & Venues ongoing initiative to create a safe and secure environment for all patrons and employees of the Denver Performing Arts Complex, the Colorado Symphony Association is pleased to partner with the Denver Performing Arts Complex on the newlyintroduced security measures for Boettcher Concert Hall and all venues within the complex.

We encourage you to arrive up to 45 minutes prior to the start of your event. This will alleviate congestion in all walk ways and entrances and will allow for proper screening. To review the full policy and prohibited items, please visit artscomplex.com.

44

C O L O R A D O SY M P H O N Y.O R G

In the event of a building emergency patrons will be notified by an announcement from the stage. Should the building need to be evacuated, please exit the nearest door, or according to instructions given from stage.

FIRST AID FACILITIES for all patrons are available. Please inquire with an usher should you need these facilities or assistance. Please report any accidents, falls, or lost items to an usher promptly.

ELEVATOR is located within the venue after passing through security and having your ticket scanned. Please follow the signs to the southeast end of the main lobby. The elevator is to the left of the entrance of Gallery 1 on the first level of the lobby.

COAT CHECK is located underneath the main lobby stairs in the hallway leading to Gallery 1.

BAR SERVICE is provided at most concerts.

Concessions are managed by Centerplate.

Please see the FAQ page regarding policy on food and beverage in Boettcher Concert Hall.

The Colorado Symphony reserves the right to change the concessions policy at any time.

The Colorado Symphony Association does not manage concessions, ordering, or realize profit from concessions.

LOST AND FOUND items should be reported promptly to the House Manager, via an usher, or directly. Lost items are kept by the usher staff until the end of the performance. After the performance items are taken to Arts & Venues Lost and Found. If attempting to claim lost property during or shortly after your performance, please see an usher. If you’ve left the hall and have a lost item, please call 720.865.4200.

THE GUILD SHOP: Located in Gallery 1 on the first floor of Boettcher Concert Hall, The Shop (as it's affectionately known) is the perfect place to pick up unique gifts, seasonal fashions, and of course recordings produced by, and of, the Colorado Symphony. The Shop is operated by a dedicated group of Symphony supporters and enthusiasts year-round.

Photo by Brandon Marshall, Courtesy of Colorado Symphony Association

The Power of

Music

88.1 FM | cpr.org Proud partner of the Colorado Symphony

JOYFUL OUTINGS TO SHARE WITH YOUR FAMILY

A DOLL’S HOUSE

A DOLL’S HOUSE, PART 2

PERFORMED IN REPERTORY

SEP 6 – NOV 24, 2019

SHAKESPEARE’S

TWELFTH NIGHT

OCT 4, 2019 – FEB 16, 2020

NOV 15 – DEC 22, 2019

NOV 26 – DEC 1, 2019

DEC 3 – 8, 2019

AN IMMERSIVE HOLIDAY EXTRAVAGANZA

NOV 21, 2019 – JAN 5, 2020

TM

JIMMY BUFFETT’S

TM

& © 1957, 2018 Dr. Seuss Enterprises, LP. & © 1957, 2018 Dr. Seuss Enterprises, LP.

©

DEC 23, 2019 – JAN 5, 2020

DEC 14 & 15, 2019

DENVERCENTER.ORG BROADWAY SEASON SPONSORS

THEATRE COMPANY SEASON SPONSORS

ADDITIONAL SUPPORT

Taking care of each other is what

community

is all about.

WE ’RE PROU D TO SERVE our community with personal, compassionate care. As your Dignity Memorial professionals, we’re dedicated to helping families create a unique and meaningful memorial that truly celebrates the life it represents. ®

Contact your local Dignity Memorial provider to get started.

FUNERAL HOME AND CEMETERY LOCATIONS THROUGHOUT THE GREATER DENVER AREA

OLINGER Mortuaries & Cemeteries > 303-622-5444

DignityColorado.com <