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80th Anniversary
2016-2017 Season
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Contents
With US
The Artist Series: 80 years ..............6 Calendar ........................................8 Takács Quartet .............................12 Eklund Opera ..............................14 Faculty Tuesdays ........................24 Artist Series donors .....................26 Takács Quartet donors ...............30 Eklund Opera donors ..................32 Personnel lists .............................34
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The Artist Series Celebrates 80 Years 80 Anniversary th
Most performing arts series might celebrate their launch with, well, an arts performance. But CU Boulder, in true Front Range fashion, pioneered a different approach.
When CU’s Artist Series began in February 1937, thousands of Boulderites donned their finery, strolled across the concrete floors of Macky Auditorium and waited expectantly in hard wooden seats not for a classical musician or a dance troupe but for the Rear Admiral Richard E. Byrd, a renowned polar explorer. Through eight decades of events with world-renowned icons, from Isaac Stern to Andres Segovia to the Trapp Family Singers, Byrd remains the only lecturer to ever visit CU Boulder for an Artist Series event. CU Presents Executive Director Joan McLean Braun acknowledges it was a quirky start to the series but fit in well with its founding mission.
Baker, Artur Rubinstein and more. And as Boulder’s population evolved, so did the Artist Series, welcoming ballet ensembles, jazz and most recently world music. “Boulder is a contemporary city that highly values diversity,” Braun says. “People here love an opportunity to learn more about another culture, and immersing yourself in art is such an easy door to cultural understanding.” Braun, a Boulder native, says the most memorable Artist Series concerts she’s seen were those that shed light on a superstar’s fallibility. She still remembers an evening in the late 1990s when mezzo soprano Frederica von Stade forgot the words to an aria and the whole crowd held its breath, waiting to see how she’d recover. She can also recall the tears streaming down some patrons’ faces on the night pianist Leon Fleisher played for the first time since he’d regained the use of his right hand after a battle with focal dystonia.
“The idea behind the Artist Series was to bring culture and the rest of the world to little old Boulder,” Braun says. “This was before anyone had TV and before Highway 36 was anything more than a dirt road. Boulder was very much an isolated college town.”
Today, Boulder isn’t the disconnected hamlet it was in 1937, and in an age where cultural attractions fight for attention with on-demand television, social media streams and countless outdoor pursuits, Braun says she’s grateful locals still find live performances worthwhile 80 years later.
Boulder’s 12,000 civilians and then-fledgling college campus welcomed legends from the music world with open arms, delighting in solo recitals by Dame Janet
"There’s real value in going to a live performance and being in the moment, fully present, with a community of real humans around you.”
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2016-17 Season
80th Anniversary
MOMIX Opus Cactus Back by popular demand! Through daring movement, optical illusions and astounding inventiveness, the dancers of MOMIX create a dreamlike fantasy world. “Opus Cactus” brings the landscape of the Sonoran desert to life with slithering lizards, fire dancers and more. Sunday, Oct. 2, 2016, 7:30 pm Richard Goode Bach and Chopin Place two legendary keyboard composers in the hands of one of the world’s leading pianists and magic is bound to happen. Richard Goode brings tremendous emotional power, depth and expressiveness to the music of Johann Sebastian Bach and Frédéric Chopin. Friday, Oct. 28, 2016, 7:30 pm
The Nile Project
Take in vibrant, joyful and original music combining the traditions of 11 countries up and down Africa’s diverse Nile River basin. This “committed, euphoric international coalition” (The New York Times) of performers transcends language and cultural barriers to unite in harmony. Thursday, Feb. 2, 2017, 7:30 pm
Deborah Voigt Voigt Lessons
Experience the moving story of a world-renowned soprano’s successes and struggles in a performance that’s part recital and part one-woman show. Saturday, Feb. 18, 2017, 7:30 pm
Manhattan Transfer and Take 6 The Summit Spend an unforgettable evening grooving to innovative arrangements of jazz, pop, swing, gospel and R&B songs sung in impeccable harmony. With 20 Grammy Awards between them, the Manhattan Transfer and Take 6 are two of the most legendary groups in a cappella history. Friday, Nov. 11, 2016, 7:30 pm
Yo-Yo Ma
Ukulele Orchestra of Great Britain Christmas Concert Celebrate the holiday season with an octet of singing, strumming players from across the pond! The Ukulele Orchestra of Great Britain delivers a funny, virtuosic, twanging, foot-stomping evening of classic carols and new favorites. Thursday, Dec. 8, 2016, 7:30 pm
Danú The World’s Greatest St. Patrick's Day Celebration Danú brings together virtuosi players on flute, tin whistle, fiddle, accordion, vocals and more for a high-energy performance of ancient Irish music and new repertoire. This fan favorite returns to Boulder for an unforgettable St. Patrick’s Day concert. Saturday, March 4 2017, 7:30 pm
Flamenco Vivo Carlota Santana Poema de Andalucía
James Galway
Transport yourself to romantic southern Spain with an “infectiously joyful” (The New York Times) demonstration of authentic Spanish dance. This energetic performance combines sensual movement, colorful costumes and irresistible Andalusian folk music. Saturday, Jan. 21, 2017, 7:30 pm
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The world’s greatest living cellist gives a once-in-a-lifetime solo recital on the Artist Series. From his partnership with the Silk Road Ensemble to his cross-disciplinary collaborations, Yo-Yo Ma is the only musician who can travel seamlessly between genres and cultures. Wednesday, Feb. 22, 2017, 7:30 pm
“The Man with the Golden Flute” pays a visit to Boulder for a mesmerizing, genre-defying performance. Between his classical credits, his star-studded collaborations and his iconic recordings for “The Lord of the Rings” films, Sir James Galway is the premier flutist of our time. Wednesday, March 22, 2017, 7:30 pm
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The Calidore String Quartet has established an international reputation for its informed, polished and passionate performances. The quartet was appointed to the prestigious roster of the Chamber Music Society of Lincoln Center Two for the 2016-19 seasons, has won grand prizes in virtually every major U.S. chamber music competition, and captured top prizes at the 2012 ARD Munich International String Quartet Competition and Hamburg International Chamber Music Competition.
Sunday, Aug. 28, 2016, 4:00 pm Monday, Aug. 29, 2016, 7:30 pm Sunday, Oct. 30, 2016, 4:00 pm Monday, Oct. 31, 2016, 7:30 pm Sunday, Feb. 19, 2017, 4:00 pm Monday, Feb. 20, 2017, 7:30 pm Sunday, March 19, 2017, 4:00 pm Monday, March 20, 2017, 7:30 pm The Grammy Award-winning chamber quartet has been selling out concerts for three decades at CU Boulder with an irresistible blend of virtuosic technique and engaging personality.
Die Fledermaus
Johann Strauss, Jr.'s glittering masked ball operetta comes to Macky Auditorium just in time for Halloween. This farcical, lighthearted work follows a group of Viennese friends from boudoir to ballroom to jail as they party the night away dressed in disguise, learning lessons about themselves and each other along the way.
Oct. 21-23, 2016
Sunday, April 30, 2017, 4:00 pm Monday, May 1, 2017, 7:30 pm Calidore String Quartet Sunday, Sept. 25, 2016, 4:00 pm Monday, Sept. 26, 2016, 7:30 pm
The Magic Flute For centuries, Mozart’s Red Hot and Cole timeless fairy tale has inspired children and adults alike all over the world. Like a fantasy adventure film come to life, The Magic Flute blends together whimsical humor and irresistible melodies to tell the gripping story of a prince who must outwit an evil queen to be united with his true love.
March 17-19, 2017
The Servant of Two Masters by Carlo Goldoni Opens Oct. 19 This classic commedia dell'arte tale, written in the 1700s, concerns the terrible complications wrought by the servant Truffaldino when he attends to two different masters at the same time. With the physical energy and extreme farce that only commedia can supply, he pushes physical and emotional limits to appease his masters and his growling stomach. "The Servant of Two Masters" is a tale of love lost, found and mistaken! Comming this Spring The Rocky Horror Show By Richard O'Brien Opens March 3
Peter and the Starcatcher By Rick Elice Opens Apr. 14
A “swellegant” theatrical party celebrating the life and irrepressible wit of Cole Porter, Red Hot & Cole celebrates the great American songwriter who brought style, elegance and sophistication to Broadway and Hollywood, delighting the world with clever rhymes, fresh melodies and a sassy, sexy sensibility.
April 27-30, 2017
Boneless (Dance Series) Opens Oct. 21 Boneless, a pair of dance works by two CU Boulder MFA students, uses richly physical movement to peer beneath the surface of human existence.
Twelfth Night Opens Nov. 4
By William Shakespeare A story of mistaken identities and love at first sight, “Twelfth Night” is the original romantic comedy. CU Boulder’s production, featuring an all-female cast, shines a new light on Shakespeare’s timeless words.
Plus much more! colorado.edu/theatredance/events
Open Space (Dance Series) Opens Nov. 11
In this student-produced and CU Dance Connection-curated series, dance works span a spectrum of styles, inviting and challenging viewers with exciting experimentations.
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For Takács Quartet, Beethoven Beckons
The University of Colorado Boulder’s famously loyal Takács Quartet fans can expect to hear a whole lot of Ludwig van Beethoven this season. CU Boulder’s longtime quartet-in-residence is gearing up for a season of Beethoven’s entire string quartet canon to coincide with the recent release of violinist Edward Dusinberre’s book, Beethoven for a Later Age: Living with the String Quartets. They’ll perform some of the pieces in Boulder and others in a handful of major international cities. “It was just time to perform the cycle again,” says Takács Quartet founder and cellist András Fejér. “It’s always nice to re-immerse yourself in these gorgeous pieces. Thinking about Ed’s book while playing will be the cherry on top.” The Grammy-winning group, often considered one of the finest chamber ensembles in the world, is no stranger to the composer whose unique sound famously bridged the classical and romantic periods. A decade ago, the Takács released a recording of Beethoven’s complete string quartets to unanimous critical acclaim. The New Yorker’s Alex Ross called it “the most richly expressive modern account of this titanic cycle.”
For Fejér, there’s no composer whose music is more moving and endlessly fascinating than Beethoven’s, so it’s no wonder that the quartet returns to his work again and again. “The breadth and the scope of the pieces, starting from his early quartets and finishing with the quartets written after his Ninth Symphony … the emotions, the passion, the way he turns the classical structure on its head … the way he builds themes … it’s all incredible,” Fejér says. “The combination of all these factors makes the Beethoven string quartets some of the most difficult pieces to perform, digest, analyze and synthesize.” When the quartet isn’t tackling Ludwig in the 201617 concert season, they’ll be partnering up with CU Boulder’s many talented, award-winning faculty musicians for pieces both familiar and new to them, including Dohnányi’s Piano Quintet, Schubert’s “Trout” Quintet and selected songs by Brahms. “Every piece we play with our colleagues is exciting because we don’t have the opportunity to play it too many times,” Fejér says. “It’s wonderful to have an outside influence and outside energy taking us places where we wouldn’t normally go as a quartet.” Aug, 28, 2016 to May 1, 2017 | Tickets start at $36
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Eklund Opera’s Festive ‘Fledermaus’ This fall, just in time for Halloween, CU Boulder’s Eklund Opera program is set to bring Johann Strauss, Jr.’s glittering masked ball operetta to Macky Auditorium.
“Operettas were as popular during that time period as they are today,” Holman says. “People loved Die Fledermaus because there was dancing, lots of good jokes, physical humor and colorful sets”—a welcome break from the era’s increasingly serious and dramatic grand operas.
Die Fledermaus, consistently popular with audiences for a century and a half, follows a group of Viennese friends from boudoir to ballroom to jail as they party the night away dressed in disguise, learning lessons about themselves and each other along the way.
Holman says she’s never directed Die Fledermaus before, but she fondly remembers playing Prince Orlofsky in a production of the operetta at the University of Tennessee at Martin. The part of Orlofsky—a nobleman so comically cosmopolitan that no scandal shocks him anymore— is what’s called a trouser role, meant to be sung by a woman playing a man.
“It’s a light, fun piece that anyone can enjoy,” says Eklund Opera Director Leigh Holman, who also directs the production. “It’s perfect for this time of year, right when everyone is getting ready for the holidays, because it feels very festive.” Die Fledermaus premiered in Vienna in 1874, at the height of a prosperous era for the Austrian city. The Hapsburg reign was in full swing, Vienna was nicknamed “the city of dreams,” and its cultural goings-on were the envy of every other city in the Western world. Perhaps that’s why Die Fledermaus was the Hamilton of its time, selling out shows in every city to which it traveled: Its frothy, funny, champagne-soaked plot captured the period zeitgeist so well that the Viennese saw themselves in the characters on stage.
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“In Strauss’ time, the trouser roles would have been considered very risqué and alluring to men in the audience,” Holman says. “Back then, most women were wearing full-length ballgowns, and it would have been exciting to see a woman’s ankles and a very clear outline of her body.” Seeing a woman in pants may not be cause for excitement in 2016, but Die Fledermaus, with its festive atmosphere, famous Straussian waltzes and funny one-liners, is just as thrilling as it was a century and a half ago. Oct. 21-23 in Macky Auditorium | Tickets start at $20
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2016 -17 SEASON OPENING NIGHT: ANDERSON & ROE Oct. 8, 7:30 PM POULENC Concerto For Two Pianos Works by Rachmaninoff & Tchaikovsky
MOZART & BEETHOVEN
Nov. 6, 7 PM MOZART Sinfonia Concertante Edward Dusinberre, violin; Geraldine Walther, viola Works by Adès & Beethoven
NUTCRACKER BALLET Nov. 25-27
A WICKED GOOD CHRISTMAS Dec. 10, 7:30 PM
BRAHMS & HIS WORLD
Jan. 14, 7:30 PM SMYTH Concerto for Violin & Horn Jennifer Frautschi, violin; Eric Ruske, horn Works by Brahms & Schumann
JAKE SHIMABUKURO, UKULELE Feb. 4, 7:30 PM
NATURE & MUSIC
Kennedy Center Kick-Off Concert! Mar. 25, 7:30 PM Mandolin Concerto & Copland’s Appalachian Spring Frequent Flyers® Aerial Dance
SEASON FINALE: PINES OF ROME
Apr. 22, 7:30 PM GOSS Double Concerto (world premiere) Charles Wetherbee, violin; Nicolò Spera, guitar Respighi’s The Pines Of Rome
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Opus Cactus
80th Anniversary
Presented by
MOMIX — October 2, 2016
MOMIX
Moses Pendleton Artistic Director with
Anthony Bocconi, Beau Campbell, Samantha Chiesa, Gregory Dearmond, Jon Eden, Steven Ezra, Lauren Jaeger, Sarah Nachbauer, Rebecca Rasmussen and Jason Williams
Associate Director Cynthia Quinn Lighting Design Joshua Starbuck, Moses Pendleton Technical Director Jameson Willey Production Electrician Christopher Lubik Production Stage Manager & Lighting Supervisor Woodrow F. Dick III Global General Manager Amanda Braverman
MOMIX PO Box 1035 Washington, Connecticut 06793 Tel: 860•868•7454 Fax: 860•868•2317 info@momix.com www.momix.com Representation: Margaret Selby CAMI Spectrum LLC 5 Columbus Circle @ 1790 Broadway New York, NY 10019-1412 (212) 841-9554 mselby@cami.com
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Coming soon...
MOMIX — October 2, 2016
Flamenco Vivo Carlota Santana Poema de Andalucía
Saturday, Jan. 21 at 7:30 p.m. Macky Auditorium, tickets $20 and up
“This was a show of graceful, sensuous dance, expressing a host of raw human emotions--evocative of loneliness, pride, passion and joy.”—The Philadelphia Inquirer
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80th Anniversary
Opus Cactus
Conceived and Directed by: Assisted by:
Lighting Design:
Fire Dance choreographed by Brian Sanders
PART I 1. Sonoran: But Not Asleep 2. Desert Storm 3. Cactus Wren / Morning Star 4. Pole Dance 5. Desert Blooms 6. Ostrich of the Imagination 7. Prickly Pair 8. Black Mesa 9. Sidewinder 10. Gila Dance 11. Tracking the Earth 12. Caravan
PART II 13. Dream Catcher 14. Menitation 15. Sundance 16. Big Pole Dance 17. Totem 18. Fire Walker 19. First Contact
Opus Cactus is performed with one 20-minute intermission.
Opus Cactus Soundtrack
1. Sonoran: But Not Asleep: Gotan Project, “Santa Maria” from Gotan Project 2. Desert Storm: Adam Plack, Johnny (White Ant) Soames, “Willi Willi” from Winds of Warning* 3. Cactus Wren / Morning Star: Peter Buffet, “The Dream” from Spirit Dance, Distribution: Hollywood Records 4. Pole Dance: Produced & Mixed by Adam Plack, “The Hunt” From the album Winds of Warning by Adam Plack & Johnny Sames. (P) & (C) 1993 Australian Music International / Rasa Music, Yalumba Music (ASCAP). Kind permission from Rasa Music www.rasamusic.com tel: 212 253 1567 5. Desert Blooms: Brian Eno, “But If” from The Drop, Published by Opal Music 6. Ostrich of the Imagination: TUU, “Migration” from Mesh, Fathom/Hearts of Space 7. Prickly Pair: TUU, “Mesh” from Mesh, Fathom/Hearts of Space 8. Black Mesa: Gabrielle Roth and the Mirrors, “Black Mesa” from Ritual, Distribution: Raven Recording 9. Sidewinder: Transglobal Underground, “Ali Mullah” from Rejoice/Rejoice, Distribution: MCA 10. Gila Dance: Brent Lewis & Peter Wood, “Outback Attack” from Thunder Down Under: Tribal Drumming and Didgeridoo 11. Tracking the Earth: Le Duc, “Touareg” from Buddah Bar, Published by PST! 12. Caravan: Jose Nieto, Hemza Al-Din, “The Lost City” from Passion in the Desert: Music from the Motion Picture Soundtrack 13. Dream Catcher: NOMAD, “Mountain Walk East” from Nomad* 14. Menitation: Mickey Hart, “Pigs in Space” from At The Edge. Distribution by Rykodisc 15. Sundance: Joanne Shenandoah & Tom Wasinger, “Prophecy Song” from Orenda – courtesy of Silver Wave Records www.silverwave.com 1-800-SIL-WAVE 16. Big Pole Dance: Adam Plack, Johnny (White Ant) Soames, “Initiation” from Winds of Warning* 17. Totem: Gabrielle Roth and the Mirrors, “Stillness” from Tribe, Distribution: Raven Recording 18. Fire Walker: Dead Can Dance, “Mother Tongue” from The Serpent’s Egg, Distribution by Warner Bros. 19. First Contact: Douglass Spotted Eagle, “First Contact” from Pray, Market. & Manuf. by Higher Octave Music *Courtesy of Australian Music International
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MOMIX — October 2, 2016
Puppet Design: Sculpture Design: Costume Design: Associate Lighting Design:
Moses Pendleton Cynthia Quinn, Kori Darling, Brian Sanders, Craig Berman, Amphaymany Keohavong, Nicole Loizides, Jane’l Caropolo, Kara Oculato, Brian Simerson, Michael Holdsworth and The Ballet Arizona Joshua Starbuck and Moses Pendleton Michael Curry Alan Boeding Phoebe Katzin John Finen III
About the Company
MOMIX — October 2, 2016
Known internationally for presenting work of exceptional inventiveness and physical beauty, MOMIX is a company of dancer-illusionists under the direction of Moses Pendleton. In addition to stage performances world-wide, MOMIX has worked in film and television, recently appearing in a national commercial for Hanes underwear and a Target ad that premiered during the airing of the 67th Annual Golden Globe Awards. With performances on PBS’s “Dance in America” series, France’s Antenne II, and Italian RAI television, the company’s repertory has been broadcast to 55 countries. Joining the Montreal Symphony in the Rhombus Media film of Mussorgsky’s Pictures at an Exhibition, winner of an International Emmy for Best Performing Arts Special, the company’s performance was distributed on laser disc by Decca Records. MOMIX was also featured in IMAGINE, one of the first 3-D IMAX films to be released in IMAX theaters worldwide. MOMIX dancers Cynthia Quinn and Karl Baumann, under Moses Pendleton’s direction, played the role of “Bluey” in the feature film FX2; and White Widow, co-choreographed by Moses Pendleton and Cynthia Quinn, was featured in Robert Altman’s movie The Company. Participating in the Homage a Picasso in Paris, MOMIX was also selected to represent the U.S. at the European Cultural Center at Delphi. With the support of the Scottsdale Cultural Council Scottsdale Center for the Arts in Scottsdale, Arizona, Pendleton created Bat Habits to celebrate the opening of the San Francisco Giants’ new spring training park in Scottsdale. MOMIX has been commissioned by corporations such as Fiat and Mercedes Benz, performing at Fiat’s month-long 100th Anniversary Celebration in Torino, Italy and Mercedes Benz’s International Auto Show in Frankfurt, Germany. With nothing more than light, shadow, props and the human body, MOMIX has astonished audiences on five continents for more than 35 years.
The College of Music Advisory Board list should include chair Mikhy Ritter and members Sue Baer, Kathy Kucsan, Tom Price, and Becky Roser. The College of Music Dean’s Cabinet should also include Brice Johnson, Senior Director and HR Strategic Partner, and David Mallett, Senior Director of Budget and Finance. C-4
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Meet the Director
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MOMIX — October 2, 2016
Moses Pendleton (Artistic Director) has been one of America’s most innovative and widely performed choreographers and directors for over 40 years. A cofounder of the groundbreaking Pilobolus Dance Theater in 1971, he formed his own company, MOMIX, in 1980. Pendleton has also worked extensively in film, TV and opera and as a choreographer for ballet companies and special events. Pendleton was born and raised on a dairy farm in Northern Vermont. His earliest experiences as a showman came from exhibiting his family’s dairy cows at the Caledonian County Fair. He received a BA in English literature from Dartmouth College in 1971. Pilobolus began touring immediately and the group shot to fame in the 1970s, performing on Broadway under the sponsorship of Pierre Cardin, touring inter¬nationally, and appearing in PBS’s Dance in America and Great Performances series. By the end of the decade, Pendleton had begun to work outside of Pilobolus, performing in and serving as principal chore¬ographer for the Paris Opera’s Integrale Erik Satie in 1979 and choreographing the Closing Ceremonies of the Winter Olympics at Lake Placid in 1980. In 1981 he created MOMIX, which rapidly established an international reputation for highly inventive and often illusionistic choreography. The troupe has been touring steadily and is currently performing several programs internationally. The company has made numerous special programs for Italian and French television and received the gold medal of the Verona Festival in 1994. Pendleton has also been active as a performer and choreographer for other companies. He has staged Picabia’s Dadaist ballet Relache for the Joffrey Ballet and Tutuguri, based on the writings of Artaud, for the Deutsch Opera Berlin. He created the role of the Fool for Yuri Lyubimov’s production of Mussorgsky’s Khovanschina at La Scala and choreographed Rame¬au’s Platee for the U.S. Spoleto Festival in 1987. He contributed choreography to Lina Wertmuller’s production of Carmen at the Munich State Opera in 1993. More recently, he has choreographed new works for the Arizona Ballet and the Aspen Santa Fe Ballet. He teamed up with Danny Ezralow and David Parsons to choreograph AEROS with the Romanian National Gymnastics Team. His film and television work includes the feature film FX2 with Cynthia Quinn, Moses Pendleton Presents Moses Pendleton for ABC ARTS cable (winner of more than 10 international awards including a Cine Golden Eagle award and the U.S. Film and Video Competition—now known as Sundance— Special Jury Award), and Pictures at an Exhibition with Charles Dutoit and the Montreal Symphony, which received an International Emmy for Best Performing Arts Special in 1991. Pendleton has made music videos with Prince, Julian Lennon and Cathy Dennis, among others. Pendleton is an avid photographer with works presented in Rome, Milan, Florence and Aspen. Images of his sunflower plant¬ings at his home in northwestern Connecticut have been featured in numerous books and articles on gardening. He is the subject of the book Salto di Gravita by Lisavetta Scarbi, published in Italy in 1999. Pendleton was a recipient of the Connecticut Commission on the Arts Governor’s Award in 1998. He received the Positano Choreographic Award in 1999 and was a Guggenheim Fellow in 1977. He is a recipient of a 2002 American Choreography Award for his contributions to choreography for film and television. In May 2010, Pendleton received an Honorary Doctorate of Fine Arts (HDFA) and delivered the keynote address to the University of the Arts in Philadelphia. Most recently, Pendleton choreographed the Doves of Peace, featuring Diana Vishneva, for the Opening Ceremony of the 2014 Sochi Winter Olympics. His photographs accompany the 16 cantos of Phil Holland’s The Dance Must Follow (2015), which takes Pendleton’s own creative process as its subject.
The Company
MOMIX — October 2, 2016
Cynthia Quinn (Associate Director) grew up in Southern California. She graduated Phi Beta Kappa from the University of California at Riverside and continued there as an associate in dance for five years. In 1988 she received the university’s Alumni Association’s “Outstanding Young Graduate Award.” As a member of Pilobolus, she performed on Broadway and throughout the United States, Europe, Canada, Israel and Japan. She collaborated on the choreography of Day Two, Elegy for the Moment, Mirage, What Grows in Huygens Window and Stabat Mater. Quinn began performing with MOMIX in 1983 and has since toured throughout the United States, Canada, Europe, Australia, South America and Japan. She has appeared in numerous television programs and music videos; and has assisted Moses Pendleton in the choreography of Pulcinella for the Ballet Nancy in France, Tutuguri for the Berlin Opera Ballet, Platee for the Spoleto Festival USA, Les Maries de la Tour Eiffel in New York, AccorDION for the Zurich-Vorbuhne Theatre and Carmen for the Munich State Opera, as well as Opus Cactus for Arizona Ballet and Noir Blanc for Aspen Sante Fe Ballet. She has also appeared as a guest artist with the Ballet Theatre Francaise de Nancy, the Berlin Opera Ballet and the Munich State Opera, as well as international galas in Italy, France and Japan. Quinn made her film debut as “Bluey” (a role she shared with Karl Baumann) in FX2. She was a featured performer in the Emmy Award winning Pictures at an Exhibition with the Montreal Symphony and has also appeared in a 3D IMAX film. Quinn is a board member of the Nutmeg Conservatory in Torrington, Connecticut and is on the advisory board of the Susan B. Anthony Project, also in Torrington. Quinn was featured with Ru Paul and k.d. Lang for M.A.C. Cosmetics’ “Fashion Cares” benefits in Toronto and Vancouver. Quinn is
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co-choreographer of White Widow, which is featured prominently in the Robert Altman film, The Company. Quinn was also featured in the film, First Born with Elisabeth Shue. However, her most rewarding and challenging role is as a mother to her daughter, Quinn Elisabeth. Anthony Bocconi (Dancer) was born in Brooklyn, New York and began his dance training at the age of 13. The following year, he attended Fiorello H. La Guardia High School of Music, Art, and the Performing Arts. It was there he found his niche in modern dance, while studying Graham and Horton techniques. Upon graduation, Bocconi continued his dance training in the Ailey/Fordham BFA program under the direction of Melanie Person. He spent each summer at Jacob’s Pillow Dance Festival, Hubbar Street Dance Chicago, Nederlands Dans Theatre and Springboard Dance Montreal. Bocconi graduated in 2013 and has since performed with Lydia Johnson Dance, The Metropolitan Opera, The Santa Fe Opera and Lar Lubovitch Dance Company. Bocconi joined MOMIX in 2015. Beau Campbell (Dancer) is a professional dancer, yoga and barre instructor and photographer from Southern California. She trained in classical ballet in Malibu, California with Joanna Jarvis and at the School of American Ballet at Lincoln Center. Campbell also received extensive training from Zippora Karz, Amanda McKerrow and John Gardner. She performed with the Malibu Civic Ballet for six years, dancing several principal roles. In 2005, she was awarded the coveted Solo Seal by London’s Royal Academy of Dance and later that year, joined Ballet Pacifica under the direction of Ethan Stiefel. Campbell joined Ballet Arizona in 2006 under the direction of Ib Anderson, where she spent eight seasons. She has performed soloist and
principal roles in several classical, neoclassical and contemporary works by choreographers including Ib Anderson, Petipa, Bournonville, Fokine, Balanchine and Christopher Wheeldon. She has performed principal roles with Nova Ballet, including Emery Lecrone’s Pulling to Break, Adam Hougland’s Beyond and Yanis Pikieris and David Palmer’s Adiemus. Most recently, Campbell has performed as a guest artist with Post:Ballet in Triads under the director of Robert Dekkers in San Francisco and for Les Grands Ballet Canadiens in their production of the Nutcracker in Montreal. For the past two years, she has performed with Quixotic Fusion, sharing a variety of dance styles and projection interaction pieces. Campbell is a certified yoga and barre instructor (200 hour RYT). She has taught at several different studios and festivals across North America, including Wanderlust Studio Montreal, Sutra Midtown, Woodside Health and Tennis Club, Wanderlust Festival and the Arise Festival. She joined MOMIX in 2016. Samantha Chiesa (Dancer) graduated summa cum laude from Southern Methodist University with a BFA in Dance Performance and a BS in Applied Physiology and Sport Management. While at SMU’s Meadows School of the Arts, she was honored to perform in Kathy Young’s Zero Cool, Jawole Willa Jo Zollar’s Chalabati, Martha Graham’s Appalachian Spring and as a soloist in Jose Limon’s There Is A Time. She trained with Hubbard Street Dance Chicago and San Francisco Conservatory of Dance. Most recently, Chiesa has performed as a backup dancer for British pop star Viktoria Modesta and for Hannibal Buress on his Funny or Die tour. She joined MOMIX in 2016. Greg DeArmond (Dancer) grew up in Southern California and trained at the Saddleback Dance Center,
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The Company
Jonathan Eden (Dancer) began dancing in Columbia, South Carolina with the Classical Youth Ballet of Columbia. He then moved to Connecticut to study at Nutmeg Conservatory for the Arts under the direction of Sharon Dante. While at Nutmeg, Eden won a bronze medal in the Youth America Grand Prix ballet competition. He is currently pursuing his undergraduate degree at Columbia University. Eden joined MOMIX in 2004. Steven Ezra (Dancer/ Dance Captain) was born and raised in Long Island. He began training classical ballet at the ripe age of 13. His first steps toward a professional career started at the Seiskaya Ballet School in Long Island. He then went off to the Nutmeg Conservatory for the Arts in Connecticut and finished his training at the School of American Ballet in New York City. At 18-years-old, his career path took a turn away from classical ballet when he joined MOMIX. Enamored with MOMIX since a young age, Ezra proudly performed much of its grand repertoire all around the world, in over twenty countries, for more than ten years and counting.
He assisted in creating the full length evening performances of Lunar Sea, Botanica and Alchemia, and has collaborated with MOMIX for many industrial shows, as well as a commercial for Target. Most recently, he appeared as a finalist on America’s Got Talent with the shadow performance troupe Catapult, with which he collaborated since 2011. He continues working for both MOMIX and Catapult, as well as freelancing around NYC. In his spare time he enjoys practicing guitar and studying Italian. Godetevi lo spettacolo! Ezra joined MOMIX in 2003. Lauren Jaeger (Dancer) graduated magna cum laude from Marymount Manhattan College with a BFA in Dance. She has toured both nationally and internationally as a member of MOMIX, Buglisi Dance Theatre, Michael Mao Dance and Catapult. Jaeger is an Assistant Rehearsal Director for Buglisi’s Table of Silence Project, which is performed each year on September 11 at Lincoln Center. She has also performed with Peridance Contemporary Dance Company, ACB Dance, Ballet Ambassadors and as a guest artist with Eva Dean Dance. Most recently, Jaeger was a guest artist and master teacher for the Fini Dance Festival in Southern Italy. In addition to her performance work, she teaches for several schools, including The Joffrey Ballet School, Peridance Capezio Center and the Greenwich Dance Studio. She joined MOMIX in 2015. Sarah Nachbauer (Dancer) began dancing in Pittsfield, Massachusetts with the Albany Berkshire Ballet, Terpsichore Dance Theatre and appeared annually at Jacob’s Pillow. She moved to Boston, where she studied with the Emerson Dance Ensemble and Prometheus Dance Company. She attended The Boston Conservatory, under the
direction of Yasuko Tokunaga, where she graduated cum laude. Nachbauer has performed premiere works choreographed by Jacqulyn Buglisi, Seàn Curran, Daniel Pelzig, Kathreine Helen Fisher and assisted Donald Byrd. She has also performed timeless pieces by Paul Taylor, Anna Sokolow, José Limòn and Murray Louis. She has been honored with a Best of Boston award and was a recipient of the Ruth Sandholm Ambrose Award. She appeared on season 8 of America’s Got Talent with Top 12 finalists Catapult Entertainment and is a print model for acclaimed photographer Robert Whitman. Nachbauer has taught at The Nutmeg Conservatory for the Arts, at a residency with the Moscow Ballet and is the co-creator of an artist-in-residency program in Berkshire County. She is also a personal trainer for the Tracy Anderson Method and a Kripalu trained body worker. Nachbauer joined MOMIX in 2001. Rebecca Rasmussen (Dancer/ Dance Captain) was born and raised in Moorpark, California, where she professionally performed with the Media City Ballet, La Danserie and the DeDa Dance Theatre. She received her BFA in Dance from The Boston Conservatory where she had the honor of performing works by Paul Taylor, Jose Limon, Michael Folkine and Murray Louis. She would like to thank her family and friends for all their endless love and support because without them she wouldn’t be where she is now. Rasmussen joined MOMIX in 2006. Jason Williams (Dancer) began his dance career and training at Boca Ballet Theater at the age of 16 under the direction of Dan Guin and Jane Tyree. He then decided to further his studies at New World School of the Arts in Miami. This is where he became proficient in Graham, Limon, Horton, Classical and Contemporary Ballet techniques. While there he
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MOMIX — October 2, 2016
Golden State Ballet and Ballet Pacifica. He graduated cum laude from the University of California, Irvine with a Bachelor of Arts in Dance and a Bachelor of Science in Civil Engineering with an emphasis in structures. He was honored as a William J. Gillespie Scholar and as a Gregory Osborne Memorial Scholar. After graduating he joined the North Carolina Dance Theatre in 2010 and later participated in the National Choreographers Initiative, performing works by Jiri Kylian, William Forsythe, Twyla Tharp, Jiri Bubenicek, Jodie Gates, Dwight Rhoden, Peter Quanz and George Balanchine. DeArmond would like to thank everyone who has helped to make his career in dance possible. He joined MOMIX in 2014.
The Company
MOMIX — October 2, 2016
deepened his studies by being exposed to anatomy, kinesiology, labon movement analysis and Pedagogy. Williams is a 2011 summa cum laude BFA graduate of New World School of the Arts. During his time there he worked with noted choreographers such as Robert Battle, Michael Uthoff, Daniel Lewis, Peter London, Darshan Bhueller and Gerard Ebitz, to name a few. During his summers he has performed in the New Prague Dance Festival in Prague and Semana de Internacional de Baile in San Juan, Puerto Rico. Since completing his degree he has danced with DanceNow!, MOMIX, Joseé Garant Dance Company and Miami Contemporary Dance Company. Williams joined MOMIX in 2011. Phoebe Katzin (Costume Designer) has been designing and constructing dresses and costumes for more than 20 years. After graduating from Endicott College’s fashion design program, she worked for Kitty Daly, building dance costumes and dressmaking. For several years she lived in New York making costumes for Kitty Leach, Greg Barnes and Allison Conner, among others. For the past few years, she has been working for MOMIX and Pilobolus. Katzin lives in Connecticut with her three children and her husband, James. Amanda Braverman (Global General Manager) holds an MBA from Boston University, in addition to dual communications and foreign language degrees from the same institution, graduating with highest honors. Braverman comes from both entrepreneurial and corporate backgrounds, most recently in the Outdoor Industry, and has distinct experience in business management, global branding and marketing with special focus on environmental and philanthropic endeavors. She
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joined MOMIX in 2014. Woodrow F. Dick III (Production Stage Manager & Lighting Supervisor) No, this name is not someone’s idea of something funny to slip into the program. Woodrow, or “Woody” as he is affectionately called, gave up being taken seriously long ago. You won’t believe anything that is written here so why should he even bother to tell you about himself? He has worked on various productions, some big, most of them small. This would have probably been the bio that gave you that smug satisfaction of recognizing an obscure production that no one else you came with has seen. But really, what’s the point in listing all of that stuff and wasting space in this program when you still don’t believe there’s a guy out there named Woody Dick? Jameson Willey (Technical Director) grew up in a theatre family in Connecticut and began working backstage at the ripe old age of seven. Willey’s early passion led to a career in technical theatre, affording him the opportunity to work on productions across the state of Connecticut, including many at Torrington’s historic Warner Theatre. He joined MOMIX in 2012. Christopher Lubik (Production Electrician) is a graduate of the University of Connecticut Construction Campus with a BFA in Technical Theatre. His past lighting design credits include Cloud 9 (CRT), Albert Herring (UConn Music Dept.) and Be a Good Little Widow (UConn Department Series). He also worked as a master electrician for His Girl Friday (CRT), Hound of the Baskervilles, The Fantasticks, and Last of the Red Hot Lovers (New Harmony Theatre). In his spare time he is known for dwelling in trees and aspires to be the next Nikola Tesla. Lubik joined MOMIX in 2015.
Alan Boeding (Sculpture Design) a native of Chamberlain, South Dakota, received his BFA in sculpture from the University of South Dakota in 1980 and his MFA from Indiana University in 1983. He began dancing with the Windfall Modern Dance Company in 1981. Since then he has performed with Ruby Shang and Dancers at the American Dance Festival; Dancers Unlimited in Dallas; and with Daniel Ezralow’s Conspiracies and Collaborations at Dance Theater Workshop in New York. A highlight in his career was a solo performance in the Rome Colosseum, in The Night of Music, Italy Rada Film by Andrea Andermann in 1987. In July 1990, Boeding performed in a three city International Etoiles Gala in Japan. He has recently formed his own sculpture/dance company and is creating new sculpture and choreography. He received a “work space” grant from the 92nd Street Y in New York City to continue his work. He has been working with MOMIX since 1984. Joshua Starbuck (Lighting Designer), collaborated with Moses Pendleton on his world premiere of Opus Cactus for Ballet Arizona. He has designed numerous productions and tours for Ballet Arizona. He has toured five continents with many of his designs for dance, ice skating, opera, industrials, concerts and theater. He has designed for Arena Stage, Playwrights Horizons, The Manhattan Theater Club, The Public Theater, Coconut Grove Playhouse, Walnut Street Theater, Williamstown Theater Festival and others. He has also worked with the Kirov Ballet, The Royal Ballet, The Spanish National Ballet and the English National Ballet.
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A SSISTED L IVING
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M E M O RY C A R E
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Program Insert
Yours is an Unfinished Symphony
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Discover Bixby Boulder’s Progressive School Since 1970
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Richard Goode is generously sponsored by:
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ARAPAHOE ANIMAL HOSPITAL
Ars Nova Singers
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Our 31st Season 2016-2017
DAY & EVENING HOURS ~ 7 DAYS/WEEK with TWO Convenient Locations:
In Concert at The Dairy, with Frequent Flyers
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Inspire/Respire: Music in the Air – Nov 18, 19, 20
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Christmas with Ars Nova – December 9, 10, 11
(behind Boulder’s Dinner Theatre)
A Colorado Holiday Tradition
303-442-7033
Music of the Renaissance
Voices & Viols – February 25, 26
Downtown Hospital
Rachmaninoff’s “Other” Masterpiece
1730 15th Street
Liturgy of St. John Chrysostom – April 28 & 29
(between Arapahoe & Canyon)
Boulder, CO 80302
tickets/info:
303-442-7036
www.arsnovasingers.org
www.arapahoeanimalhospital.com
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Global performance. World-class entertainment. You have to be here.
AUGUST
Sweet Harmony CU Voice Faculty
The CU voice faculty celebrate Shakespeare at CU’s exhibition of Shakespeare’s First Folio at the CU Art Museum by presenting a recital of musical highlights featuring the Bard’s texts, including art songs and opera excerpts in multiple languages by great composers such as Berlioz, Gounod, Strauss, Korngold and Quilter.
SEPTEMBER
Give Me Some Music CU Keyboard Faculty Special Thursday performance
In a concert celebrating the “First Folio! The Book that Gave Us Shakespeare” exhibit, the CU keyboard faculty and guests present music inspired by Shakespeare. The program includes works by Liszt, Mendelssohn and Prokofiev as well as a chamber work by late Professor Emeritus Luis Jorge Gonzalez.
Guitar Rarities
Ritter Family Classical Guitar Faculty An evening of rarely performed chamber music with guitarists Nicolò Spera, Lorenzo Micheli, Matteo Mela and special guests.
Romance & Fireworks!
Woodwinds in Evening
Chas and David present the pairing of Brahms’ Sonata No. 3 with Paul Juon’s Sonata No. 3, a wonderful juxtaposition that shows the influence of the former. Also on the program are three rondos composed by David Korevaar in 1986 and the always exciting “Gypsy Airs” by Pablo de Sarasate.
Join us for “The Wind in Our Sails: An Evening with the CU Woodwind Faculty.” A delightful program features works by Camille Saint-Saëns and Jean Françaix and the sublime “Symphony” by Charles Gounod. Enjoy flute, oboe, clarinet, bassoon and classic works for saxophone. There will be something for everyone … and the person sitting next them too!
OCTOBER
NOVEMBER
Charles Wetherbee, violin, and David Korevaar, piano
Messiaen & Kellogg
Clarinetist Daniel Silver and friends Please join us for “The Quartet for the End of Time,” one of the most monumental event pieces in all of chamber music. It was composed while Messiaen was held in a prisoner-of-war camp in German-occupied Silesia. The evening begins with faculty composer Daniel Kellogg’s moving “Plainsong.”
Ginastera’s 100th
Pianist Alejandro Cremaschi and friends
Bassoon Exquisite Bassoonist Yoshi Ishikawa and friends
Works by Bill Douglas, Robert Spillman, Willard Elliott and Jean Françaix feature the lyrical and agile voice of the bassoon in chamber settings.
Alberto Ginastera, born 100 years ago, captured the essence of the Argentine gaucho in a highly original and exhilarating musical style. Our celebration includes his chamber music, song cycles and solo piano works.
Harp Recital
Be (bop) Boulder!
Janet Harriman, harp
The Thompson Jazz Faculty The Thompson Jazz Studies Program faculty members perform a selection of original contemporary jazz from their recent recording.
“Acrostic Paraphrase” for solo harp from “Final Alice” by David Del Tredici and “Legs” by Neal Hefti, arranged by B. Rooker and performed by the CU harp studio.
More info at colorado.edu/music
Can’t make it? Watch the online livestream at our website!
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CU Woodwind Faculty
Piano Romance Hsing-ay Hsu, piano
How can piano music express the transcendent state of being loved? Pianist Hsing-ay Hsu explores a few different compositional approaches with the astonishing genius of Schumann, Rachmaninoff and Liszt as part of her ongoing “Four Loves Project” concerts.
A Brass Menagerie
Colorado Symphony Brass Quintet Celebrate an evening of brass chamber music with the Colorado Symphony Brass Quintet. From solo works to various ensemble repertoire, this performance will provide an exciting journey through the many glorious sonorities that make the brass section so popular with composers and audiences alike!
Vienna to Budapest Harumi Rhodes, violin, and David Korevaar, piano
Join Rhodes and Korevaar on a trip from Vienna to Budapest! First stop: Beethoven’s Sonata No. 2. Last stop: Bartok’s Sonata No. 2. And along the way, there’s an exploration of Webern’s visionary Four Pieces for Violin and Piano, Op. 7. It’s an excursion not to be missed, full of fantasy, wonderment and lyricism.
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Creating connections. Honoring lives. Embracing possibilities. You’ve spent a lifetime of becoming the person you are today. And at Frasier, we celebrate this. This is the time to explore your passions and expand your life in any direction you choose. And through your retirement years, our expert continuum of care is here to offer you security and peace of mind. It’s all of this and so much more that make Frasier such an extraordinary place to call home. Frasier offers a full continuum of care, all located on our beautiful 20-acre campus.
Tours are available
Independent Living: 720-562-4440 Assisted Living and Memory Care: 720-562-4462 Health Care (Skilled Nursing): 720-562-4473
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Artist Series
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
80th Anniversary
Gil Berman Rudy Betancourt Joan McLean Braun
John Davis Diane Dunn Mike Gallucci
Benefactor
Mark and Margaret Carson Diane and Richard Dunn Paul Bechtner Foundation Greg Silvus and Melanie Miller
Sponsor
Gil and Nancy Berman Mary Lamy Ellen and Joshua Taxman
Patron
Anonymous Joan McLean Braun Chris and Barbara Christoffersen Daryl and Kay James Ruth Carmel Kahn Janet and Scott Martin John F. Mckune Louise Pearson and Grant Couch Daniel and Boyce Sher
Artist Series Advisory Board Lissy Garrison Laima Haley Daryl James, President
Maryan K. Jaross Ruth Kahn Jerry Orten
Supporter
Elmer Altschuler and Melisse Perre-Altschuler Center Copy Boulder, Inc. Lawrence Cohn Martha Coffin Evans and Robert Trembly II Carol and Michael Gallucci Heidi and Jerry Lynch Robert and Sandra McCalmon Judy and Alan Megibow Tiffany Myers and J. M. Steffan Knapp Jerry and Jamie Orten Mikhy and Michael Ritter Theodore and Ruth Smith Lawrence and Ann Brennan Thomas
Contributor
Gregory and Gladeane Lefferdink Susan and Jon Lounsbury John Mantey and Erma Mantey Elizabeth Rauch Alicia and Juan Rodriguez Paul and Luana Rubin Alan and Stephanie Rudy Douglas and Avlona Taylor
Louise Pearson Erika Randall Robert Shay
Gregory Silvus Ellen Taxman Nicholas Vocatura
Member
Anonymous Shirley Carnahan Noel A. and Pauline A. Clark Douglas and Rita Dart Robbie Dunlap Leslie and Merrill Glustrom John Graham and Lorin Lear Damon and Laima Haley Jo and David Hill Matthew and Michele Hoovler Maryan Jaross Caroline and Gary Kounkel Pam Leland Judah and Alice Levine Gail and Thomas Madden Paul and Kay McCormick Gail and Julie Mock Margaret Reagor Randall Kenneth Rutsch Courtland and Carolyn Spicer Zoe Stivers Lloyd Timblin Jr. Geoffrey Tyndall Heather Van Dusen Jack and Sophie Walker
Corporate Sponsors
Boulder CPA Group, Food & Water Watch, Frasier Meadows Retirement, H.B Woodsong's, Hurdle's Jewelry, James & Associates, Shaw Construction, WESTAF
In-kind Sponsors
Boulder Blooms, Camera, Hotel Boulderado, KUVO, Liquor Mart, Savory Cuisines Catering
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Fine Art Associates 1949 Pearl St Boulder CO
Featuring New Work By
Chris Campbell, Scarlett Kanistanaux, and Claire McArdle (303) 413-1000 www.faaboulder.com
Photo: The Great Green, by Joanna Rotkin, Joanna and the Agitators joannaandtheagitators.com
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Takács Society
The Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
Benefactor
Albert and Nancy Boggess Lyle Bourne and Rita Yaroush Norma Johnson in memory of Fay Shwayder Gary and Judith Judd in memory of Fay Shwayder Takacs String Quartet
Sponsor
P.J. Decker and B.A. Saperstein Carol Lena Kovner David and Janet Robertson Marion Thurnauer and Alexander Trifunac
Patron
Thomas and Carol Cech Chris and Barbara Christoffersen Lauren Frear John and Carson Taylor
Supporter
Virginia Boucher William and Alice Bradley Patricia Butler Richard Jessor and Jane Menken Robert R. Kehoe Walter and Eileen Kintsch Paul and Nancy Levitt Patricia and Robert Lisensky Maxine Mark Lise Menn Virginia Newton Neil and Martha Palmer Mikhy and Michael Ritter David and Susan Seitz Lawrence and Ann Brennan Thomas
Contributor
Lois Abbott Carolyn and Don Etter Doree and Jerry Hickman Bob and Lori Schuyler Helen Stone Patricia Thompson Laurie and Arthur Travers
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Member
Anonymous Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Kevin and Diana Bunnell Shirley Carnahan Penny Chenery Noel A. and Pauline A. Clark Charlotte Corbridge Richard and JoAnn Crandall Barbara and Carl Diehl Jean and Bob Fischer Lloyd and Mary Gelman Ken and Dianne Hackett Catharine and Richard E. Harris John and Ruthanne Hibbs Elizabeth and Jonathan Hinebauch William Hoffman Ruth and Richard Irvin Bruce and Kyongguen Johnson Patricia L. Johnson Jennifer and Bob Kamper Mireille Key Alice and Judah Levine
Albert and Virginia Lundell Heidi and Jerry Lynch Gail and Thomas Madden Caroline E. Malde John and Nancy Malville Ralph and Nancy Mann J. Richard and Marjorie McIntosh Peter and Doris McManamon Josef and Sara Michl Christopher B. Mueller and Martha A. Whittaker Joan and Ronald Nordgren Faith and Roy Peterson Julie and Wayne Phillips Antonia and Timothy Piwonka-Corle Joanna and Mark Rosenblum JoAn Segal Todd and Gretchen Sliker Grietje Sloan Carol and Art Smoot Berkley A. Tague Betty Van Zandt Anthony White James and Nurit Wolf Bill Wood Michael Yanowitch
Make all gifts payable to the University of Colorado Foundation and mail to: Takács Society CU College of Music, 301 UCB Boulder, CO 80309-0301 For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.
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CREATION
Join us for a musical journey. CREATION: Joseph Haydn Creation | October 28 & 29 LOVE & DEATH: Shostakovich Symphony No. 14 | January 20 & 21 TRIUMPH: Beethoven Symphony No. 3, Eroica | April 7 & 8 Fridays in Denver and Saturdays in Boulder
For more information and to purchase tickets, visit
YEAR ANNIVERSARY
ProMusicaColorado.org
love & death
TRIUMPH
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© 2016 Rebecca Ellen Clark
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Friends of Eklund Opera
The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Development Office at 303-735-6070.
Benefactor
Contributor
Anonymous David Allen and Carol DeBaca Paul Eklund Robert Stuart Graham Robert Martin The Academy Charitable Foundation, Inc.
Susan Graber Heidi and Jerry Lynch Claudia Boettcher Merthan Dennis Peterson Dave and Ann Phillips R. Alan and Stephanie Rudy Cynthia and Paul Schauer Carol and Randall Shinn Theodore and Ruth Smith Helen Stone Peter Wall
Sponsor
Alan and Martha Stormo
Patron
Grants
Chris and Barbara Christoffersen Lloyd and Mary Gelman Albert and Betsy Hand Gordon and Mitzi Ledingham Krista Marks and Brent Milne
Supporter
Denver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation The Schramm Foundation
Anonymous Norman and Vivian Belmonte Stephen Dilts Martha Coffin Evans and Robert Trembly John Hedderich Bob and Mikee Kapelke Mikhy and Mike Ritter Bob and Lori Schuyler Lawrence and Ann Brennan Thomas Ken and Ruth Wright in memory of Mayme Lacy
Member
Anonymous Judith Auer and George Lawrence Jeanie Davis Walter Duncan Donald and Beverly Eklund Joseph and Beverly Elinoff Alexander R. George and Yi-Ting Hsu Ellen and John Gille Janet Hanley Norman Clark Lane Kenneth L. Levinson and Shauna Titus Levinson Patricia and Robert Lisensky Bruce Mackenzie Michael Magan Marian Matheson Donna Meckley Kathleen and John Ness Robert and Marilyn Peltzer Kim and Richard Plumridge Gail Promboin and Robert Burnham Juan and Alicia Rodriguez Ruth Schoening Carol and Art Smoot
About the Eklund Opera Program
Recognizing the importance of the arts and live vocal performance in an increasingly distracted world, longtime Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU-Boulder College of Music. Funding from the endowment helps support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students. From left: Paul Eklund Leigh Holman, Director of Opera Robert Shay, College of Music Dean
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33
Personnel Staff
Joan McLean Braun, Executive Director Laima Haley, Marketing and P.R. Director Jessie Bauters, Assistant Director of Communications and Web Administrator Daniel Leonard, Marketing Manager Jill Kimball, Public Relations Manager Helen Slivinski, Communications Assistant Video Production: Allea Ortega, Jackson Xia Mel Plett, Publications Manager Zachary Barger, Publications Assistant Nick Vocatura, Operations Director Andrew Metzroth, Box Office Manager Michael Casey, Box Office Services Manager Box Office Assistants: Grace Burns, Elise Campbell, Taralynn Dorr, Matthew Farquharson, Adrienne Havelka, Chris Ruiz Kevin Harbison, Recording Engineer Michael Johnston, Financial Manager Jeni Webster, Membership Benefits Coordinator
Macky Auditorium Staff
Rudy Betancourt, Director John Jungerberg, Operations Manager Sara Krumwiede, Assistant Director JP Osnes, Technical Director Rhett Snyder, Assistant Technical Director Rojana Savoye, House Manager Nicole Anderson, Assistant House Manager
College of Music Dean's Cabinet
Robert Shay, Dean James Austin, Associate Dean for U.G. Studies Joan McLean Braun, Assistant Dean for Concerts and Strategic Communications Steven Bruns, Associate Dean for Grad. Studies John Davis, Associate Dean for Faculty Affairs and Operations Lissy Garrison, Assistant Dean for Advancement Alexander George, Executive Assistant to the Dean
College of Music Advisory Board Jim Bailey Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman
Doree Hickman Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Erma Mantey Ben Nelson Joe Negler Susan Olenwine Firuzeh Saidi Jeannie Thompson Jack Walker
Honorary Members:
Dean Boal, Eileen Cline, Donna Erismann and Dave Grusin
Program Editor: Jill Kimball Program Design/Layout: Mel Plett
Patron Info Accessibility and Parking
Macky Auditorium is fully wheelchair accessible; ADA-accessible parking is available nearby. Please call the Box Office as early as possible to make arrangements. Paid parking is available in the Euclid Avenue auto-park, Lot 310 and Lot 204. Contact the Box Office, or check the CU Presents website for more information.
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CU Presents Box Office cupresents.org 303-492-8008
Photography and video recordings Ticket Sales are final; no refunds. of any type are strictly prohibited during the performance.
Food
is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted.
Smoking is not permitted anywhere. CU-Boulder is a smoke-free campus!
Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the Box Office prior to the performance if you are unable to use them.
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