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Contents
With US
The Artist Series: 80 years ..............6 Calendar ........................................8 Takács Quartet .............................12 Eklund Opera ..............................14 Faculty Tuesdays ........................24 Artist Series donors .....................26 Takács Quartet donors ...............30 Eklund Opera donors ..................32 Personnel lists .............................34
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The Artist Series Celebrates 80 Years 80 Anniversary th
Most performing arts series might celebrate their launch with, well, an arts performance. But CU Boulder, in true Front Range fashion, pioneered a different approach.
When CU’s Artist Series began in February 1937, thousands of Boulderites donned their finery, strolled across the concrete floors of Macky Auditorium and waited expectantly in hard wooden seats not for a classical musician or a dance troupe but for the Rear Admiral Richard E. Byrd, a renowned polar explorer. Through eight decades of events with world-renowned icons, from Isaac Stern to Andres Segovia to the Trapp Family Singers, Byrd remains the only lecturer to ever visit CU Boulder for an Artist Series event. CU Presents Executive Director Joan McLean Braun acknowledges it was a quirky start to the series but fit in well with its founding mission.
Baker, Artur Rubinstein and more. And as Boulder’s population evolved, so did the Artist Series, welcoming ballet ensembles, jazz and most recently world music. “Boulder is a contemporary city that highly values diversity,” Braun says. “People here love an opportunity to learn more about another culture, and immersing yourself in art is such an easy door to cultural understanding.” Braun, a Boulder native, says the most memorable Artist Series concerts she’s seen were those that shed light on a superstar’s fallibility. She still remembers an evening in the late 1990s when mezzo soprano Frederica von Stade forgot the words to an aria and the whole crowd held its breath, waiting to see how she’d recover. She can also recall the tears streaming down some patrons’ faces on the night pianist Leon Fleisher played for the first time since he’d regained the use of his right hand after a battle with focal dystonia.
“The idea behind the Artist Series was to bring culture and the rest of the world to little old Boulder,” Braun says. “This was before anyone had TV and before Highway 36 was anything more than a dirt road. Boulder was very much an isolated college town.”
Today, Boulder isn’t the disconnected hamlet it was in 1937, and in an age where cultural attractions fight for attention with on-demand television, social media streams and countless outdoor pursuits, Braun says she’s grateful locals still find live performances worthwhile 80 years later.
Boulder’s 12,000 civilians and then-fledgling college campus welcomed legends from the music world with open arms, delighting in solo recitals by Dame Janet
"There’s real value in going to a live performance and being in the moment, fully present, with a community of real humans around you.”
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2016-17 Season
80th Anniversary
MOMIX Opus Cactus Back by popular demand! Through daring movement, optical illusions and astounding inventiveness, the dancers of MOMIX create a dreamlike fantasy world. “Opus Cactus” brings the landscape of the Sonoran desert to life with slithering lizards, fire dancers and more. Sunday, Oct. 2, 2016, 7:30 pm Richard Goode Bach and Chopin Place two legendary keyboard composers in the hands of one of the world’s leading pianists and magic is bound to happen. Richard Goode brings tremendous emotional power, depth and expressiveness to the music of Johann Sebastian Bach and Frédéric Chopin. Friday, Oct. 28, 2016, 7:30 pm
The Nile Project
Take in vibrant, joyful and original music combining the traditions of 11 countries up and down Africa’s diverse Nile River basin. This “committed, euphoric international coalition” (The New York Times) of performers transcends language and cultural barriers to unite in harmony. Thursday, Feb. 2, 2017, 7:30 pm
Deborah Voigt Voigt Lessons
Experience the moving story of a world-renowned soprano’s successes and struggles in a performance that’s part recital and part one-woman show. Saturday, Feb. 18, 2017, 7:30 pm
Manhattan Transfer and Take 6 The Summit Spend an unforgettable evening grooving to innovative arrangements of jazz, pop, swing, gospel and R&B songs sung in impeccable harmony. With 20 Grammy Awards between them, the Manhattan Transfer and Take 6 are two of the most legendary groups in a cappella history. Friday, Nov. 11, 2016, 7:30 pm
Yo-Yo Ma
Ukulele Orchestra of Great Britain Christmas Concert Celebrate the holiday season with an octet of singing, strumming players from across the pond! The Ukulele Orchestra of Great Britain delivers a funny, virtuosic, twanging, foot-stomping evening of classic carols and new favorites. Thursday, Dec. 8, 2016, 7:30 pm
Danú The World’s Greatest St. Patrick's Day Celebration Danú brings together virtuosi players on flute, tin whistle, fiddle, accordion, vocals and more for a high-energy performance of ancient Irish music and new repertoire. This fan favorite returns to Boulder for an unforgettable St. Patrick’s Day concert. Saturday, March 4 2017, 7:30 pm
Flamenco Vivo Carlota Santana Poema de Andalucía
James Galway
Transport yourself to romantic southern Spain with an “infectiously joyful” (The New York Times) demonstration of authentic Spanish dance. This energetic performance combines sensual movement, colorful costumes and irresistible Andalusian folk music. Saturday, Jan. 21, 2017, 7:30 pm
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The world’s greatest living cellist gives a once-in-a-lifetime solo recital on the Artist Series. From his partnership with the Silk Road Ensemble to his cross-disciplinary collaborations, Yo-Yo Ma is the only musician who can travel seamlessly between genres and cultures. Wednesday, Feb. 22, 2017, 7:30 pm
“The Man with the Golden Flute” pays a visit to Boulder for a mesmerizing, genre-defying performance. Between his classical credits, his star-studded collaborations and his iconic recordings for “The Lord of the Rings” films, Sir James Galway is the premier flutist of our time. Wednesday, March 22, 2017, 7:30 pm
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The Calidore String Quartet has established an international reputation for its informed, polished and passionate performances. The quartet was appointed to the prestigious roster of the Chamber Music Society of Lincoln Center Two for the 2016-19 seasons, has won grand prizes in virtually every major U.S. chamber music competition, and captured top prizes at the 2012 ARD Munich International String Quartet Competition and Hamburg International Chamber Music Competition.
Sunday, Aug. 28, 2016, 4:00 pm Monday, Aug. 29, 2016, 7:30 pm Sunday, Oct. 30, 2016, 4:00 pm Monday, Oct. 31, 2016, 7:30 pm Sunday, Feb. 19, 2017, 4:00 pm Monday, Feb. 20, 2017, 7:30 pm Sunday, March 19, 2017, 4:00 pm Monday, March 20, 2017, 7:30 pm The Grammy Award-winning chamber quartet has been selling out concerts for three decades at CU Boulder with an irresistible blend of virtuosic technique and engaging personality.
Die Fledermaus
Johann Strauss, Jr.'s glittering masked ball operetta comes to Macky Auditorium just in time for Halloween. This farcical, lighthearted work follows a group of Viennese friends from boudoir to ballroom to jail as they party the night away dressed in disguise, learning lessons about themselves and each other along the way.
Oct. 21-23, 2016
Sunday, April 30, 2017, 4:00 pm Monday, May 1, 2017, 7:30 pm Calidore String Quartet Sunday, Sept. 25, 2016, 4:00 pm Monday, Sept. 26, 2016, 7:30 pm
The Magic Flute For centuries, Mozart’s Red Hot and Cole timeless fairy tale has inspired children and adults alike all over the world. Like a fantasy adventure film come to life, The Magic Flute blends together whimsical humor and irresistible melodies to tell the gripping story of a prince who must outwit an evil queen to be united with his true love.
March 17-19, 2017
The Servant of Two Masters by Carlo Goldoni Opens Oct. 19 This classic commedia dell'arte tale, written in the 1700s, concerns the terrible complications wrought by the servant Truffaldino when he attends to two different masters at the same time. With the physical energy and extreme farce that only commedia can supply, he pushes physical and emotional limits to appease his masters and his growling stomach. "The Servant of Two Masters" is a tale of love lost, found and mistaken! Comming this Spring The Rocky Horror Show By Richard O'Brien Opens March 3
Peter and the Starcatcher By Rick Elice Opens Apr. 14
A “swellegant” theatrical party celebrating the life and irrepressible wit of Cole Porter, Red Hot & Cole celebrates the great American songwriter who brought style, elegance and sophistication to Broadway and Hollywood, delighting the world with clever rhymes, fresh melodies and a sassy, sexy sensibility.
April 27-30, 2017
Boneless (Dance Series) Opens Oct. 21 Boneless, a pair of dance works by two CU Boulder MFA students, uses richly physical movement to peer beneath the surface of human existence.
Twelfth Night Opens Nov. 4
By William Shakespeare A story of mistaken identities and love at first sight, “Twelfth Night” is the original romantic comedy. CU Boulder’s production, featuring an all-female cast, shines a new light on Shakespeare’s timeless words.
Plus much more! colorado.edu/theatredance/events
Open Space (Dance Series) Opens Nov. 11
In this student-produced and CU Dance Connection-curated series, dance works span a spectrum of styles, inviting and challenging viewers with exciting experimentations.
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For Takács Quartet, Beethoven Beckons
The University of Colorado Boulder’s famously loyal Takács Quartet fans can expect to hear a whole lot of Ludwig van Beethoven this season. CU Boulder’s longtime quartet-in-residence is gearing up for a season of Beethoven’s entire string quartet canon to coincide with the recent release of violinist Edward Dusinberre’s book, Beethoven for a Later Age: Living with the String Quartets. They’ll perform some of the pieces in Boulder and others in a handful of major international cities. “It was just time to perform the cycle again,” says Takács Quartet founder and cellist András Fejér. “It’s always nice to re-immerse yourself in these gorgeous pieces. Thinking about Ed’s book while playing will be the cherry on top.” The Grammy-winning group, often considered one of the finest chamber ensembles in the world, is no stranger to the composer whose unique sound famously bridged the classical and romantic periods. A decade ago, the Takács released a recording of Beethoven’s complete string quartets to unanimous critical acclaim. The New Yorker’s Alex Ross called it “the most richly expressive modern account of this titanic cycle.”
For Fejér, there’s no composer whose music is more moving and endlessly fascinating than Beethoven’s, so it’s no wonder that the quartet returns to his work again and again. “The breadth and the scope of the pieces, starting from his early quartets and finishing with the quartets written after his Ninth Symphony … the emotions, the passion, the way he turns the classical structure on its head … the way he builds themes … it’s all incredible,” Fejér says. “The combination of all these factors makes the Beethoven string quartets some of the most difficult pieces to perform, digest, analyze and synthesize.” When the quartet isn’t tackling Ludwig in the 201617 concert season, they’ll be partnering up with CU Boulder’s many talented, award-winning faculty musicians for pieces both familiar and new to them, including Dohnányi’s Piano Quintet, Schubert’s “Trout” Quintet and selected songs by Brahms. “Every piece we play with our colleagues is exciting because we don’t have the opportunity to play it too many times,” Fejér says. “It’s wonderful to have an outside influence and outside energy taking us places where we wouldn’t normally go as a quartet.” Aug, 28, 2016 to May 1, 2017 | Tickets start at $36
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Eklund Opera’s Festive ‘Fledermaus’ This fall, just in time for Halloween, CU Boulder’s Eklund Opera program is set to bring Johann Strauss, Jr.’s glittering masked ball operetta to Macky Auditorium.
“Operettas were as popular during that time period as they are today,” Holman says. “People loved Die Fledermaus because there was dancing, lots of good jokes, physical humor and colorful sets”—a welcome break from the era’s increasingly serious and dramatic grand operas.
Die Fledermaus, consistently popular with audiences for a century and a half, follows a group of Viennese friends from boudoir to ballroom to jail as they party the night away dressed in disguise, learning lessons about themselves and each other along the way.
Holman says she’s never directed Die Fledermaus before, but she fondly remembers playing Prince Orlofsky in a production of the operetta at the University of Tennessee at Martin. The part of Orlofsky—a nobleman so comically cosmopolitan that no scandal shocks him anymore— is what’s called a trouser role, meant to be sung by a woman playing a man.
“It’s a light, fun piece that anyone can enjoy,” says Eklund Opera Director Leigh Holman, who also directs the production. “It’s perfect for this time of year, right when everyone is getting ready for the holidays, because it feels very festive.” Die Fledermaus premiered in Vienna in 1874, at the height of a prosperous era for the Austrian city. The Hapsburg reign was in full swing, Vienna was nicknamed “the city of dreams,” and its cultural goings-on were the envy of every other city in the Western world. Perhaps that’s why Die Fledermaus was the Hamilton of its time, selling out shows in every city to which it traveled: Its frothy, funny, champagne-soaked plot captured the period zeitgeist so well that the Viennese saw themselves in the characters on stage.
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“In Strauss’ time, the trouser roles would have been considered very risqué and alluring to men in the audience,” Holman says. “Back then, most women were wearing full-length ballgowns, and it would have been exciting to see a woman’s ankles and a very clear outline of her body.” Seeing a woman in pants may not be cause for excitement in 2016, but Die Fledermaus, with its festive atmosphere, famous Straussian waltzes and funny one-liners, is just as thrilling as it was a century and a half ago. Oct. 21-23 in Macky Auditorium | Tickets start at $20
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All concerts at Macky, CU Boulder Campus
2016 -17 SEASON OPENING NIGHT: ANDERSON & ROE Oct. 8, 7:30 PM POULENC Concerto For Two Pianos Works by Rachmaninoff & Tchaikovsky
MOZART & BEETHOVEN
Nov. 6, 7 PM MOZART Sinfonia Concertante Edward Dusinberre, violin; Geraldine Walther, viola Works by Adès & Beethoven
NUTCRACKER BALLET Nov. 25-27
A WICKED GOOD CHRISTMAS Dec. 10, 7:30 PM
BRAHMS & HIS WORLD
Jan. 14, 7:30 PM SMYTH Concerto for Violin & Horn Jennifer Frautschi, violin; Eric Ruske, horn Works by Brahms & Schumann
JAKE SHIMABUKURO, UKULELE Feb. 4, 7:30 PM
NATURE & MUSIC
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SEASON FINALE: PINES OF ROME
Apr. 22, 7:30 PM GOSS Double Concerto (world premiere) Charles Wetherbee, violin; Nicolò Spera, guitar Respighi’s The Pines Of Rome
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CALIDORE QUARTET— September 25-26, 2016
presents the
Calidore String Quartet Jeffrey Myers, violin Ryan Meehan, violin Jeremy Berry, viola Estelle Choi, cello
Program String Quartet No. 3 in D Major, Op. 44 No. 1 Molto allegro vivace Menuetto: Un poco Allegretto Andante espressivo ma con moto Presto con brio
Felix Mendelssohn (1809-1847)
String Quartet No. 2 in A minor, Op. 17 Moderato Allegro molto capriccioso Lento
Béla Bartók (1881-1945)
Intermission String Quartet No. 12 in F Major, Op. 96 “American” Allegro ma non troppo Lento Molto vivace Finale: Vivace ma non troppo
Antonín Dvořák (1841-1904)
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Program Notes By Marc Shulgold
CALIDORE QUARTET— September 25-26, 2016
String Quartet in D, Op. 44, No. 1
Life was looking pretty good for Mendelssohn in 1837. He was in demand all over Europe as pianist, conductor and composer. On March 28, he married the beautiful Cécile Jeanrenaud. That year also witnessed his return to the string quartet, a genre he’d first explored 14 years earlier with a work in E-flat that remained unpublished in his lifetime. Next came quartets in 1827 (Op. 13) and ‘29 (Op. 12). While on honeymoon in the Black Forest, Mendelssohn must have gotten a chamber-music bug, because he began a one-year compositional journey that netted three string quartets, published together in 1839. The last to be completed turned out to be the first listed. Why? It’s a safe bet that the composer and/or his publisher sensed that the D Major’s bubbly beginning would immediately appeal to potential buyers of the sheet music—and so this work, though finished after the previous two in the summer of 1838, was designated Op. 44, No. 1. Writing to his friend Ferdinand David (concertmaster of Mendelssohn’s Leipzig Orchestra and recipient of the Violin Concerto), the composer could scarcely contain his enthusiasm. “I have finished my third Quartet in D Major and I like it very much. I do hope it will be to your liking, too. But I almost believe it will, for it is more impassioned than
String Quartet No. 2 in A minor
As World War I spread across the continent, Bartók’s perennial poor health prevented him from being thrust into combat. Instead, he and his good friend and colleague Zoltán Kodály were assigned to visit military camps, where their job was to collect traditional Hungarian folk songs from the troops. A nice, safe alternative—and one that fit neatly into his pre-war activities. A dedicated ethnomusicologist (along with Kodály), Bartók had traveled throughout the region, lugging his recording equipment into villages in Transylvania, Bulgaria and as far away as North Africa to collect and notate the traditional music of Eastern Europe. The experience was lifealtering, revealing fresh musical languages that broke many of the rules that had been drilled into him at the Budapest Academy. Suddenly, there were new scales, harmonies and rhythms that would soon find their way into his music. The outbreak of war, naturally, had put an end to his travels, sending him to the town of Rákoskeresztúr, not far from Budapest, where he felt safe enough to continue composing. It was there that he wrote the ballet The Wooden Prince (1914-16) and the String Quartet No. 2 (1915-17). The length of time needed to complete both suggests that the creative process was arduous, perhaps because Bartók was methodically searching for his musical voice. Those
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Felix Mendelssohn the others and more rewarding for the musicians.” (David’s quartet premiered the work in February of 1839.) There is certainly enough to keep the players busy here, as Mendelssohn noted, and, too, there are numerous passages of passion—notably in the exuberant outer movements and the gentle, songlike Andante. Mendelssohn has never been accused of being a wild revolutionary, and his conservative streak is certainly evident here. There’s even a Minuet movement, though its folk-like atmosphere, notably in the central section, displays little connection to the popular 18th-century dance. As with his glorious Violin Concerto of 1844, there is no time wasted in getting things underway: The opening Molto Allegro kicks off with the violin’s confident, upward swing, supported, in true Mendelssohn fashion, by churning tremolos in the strings. A similar burst of joyous energy colors the concluding Presto. He would return only briefly to the string quartet a few years later, writing three standalone movements and only one complete work: the devastating F minor, composed in 1847 soon after he received the tragic news of his sister Fanny’s death—an event that was followed only months later by his own.
Béla Bartók
two works still carried faint traces of Debussy’s postromantic influence, though the quartet’s vivacious Allegro breaks free of that in a delicious mixture of various Hungarian dance styles and rhythms. In the context of the compositions that would follow, this quartet (premiered in March of 1918) points the way to Bartók’s mature writing style. As with most of his instrumental music, there is no clear-cut program here—although Kodály viewed the work’s three movements as “life episodes,” labeling the Moderato a description of “peaceful life.” And peaceful it is, particularly in its ending. The music is relatively easy to follow as it unfolds from the violin’s distinctive opening phrase, commented on by the other instruments before transitioning into a more tranquil theme. In keeping with the traditions of sonata form, there is a pause midway through, and the movement’s opening is then recapitulated. The uninhibited Allegro carries traces of the folk tunes Bartók had collected in various Hungarian villages and in North Africa—all introduced in a kind of medley. Quiet introspection returns in the final movement, identified by Kodály as “suffering.” Indeed, there is an inescapable sadness in this free-flowing music, which ends with whispered pizzicatos from the viola and cello.
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String Quartet in F, Op. 96 “American”
Antonin Dvořák
Knowing where this music was composed, one can’t argue with the quartet’s “American” nickname—but let’s not get carried away. Each movement of Op. 96 is built around a pentatonic (five-note) idea, which has led some experts to suggest that Dvořák was paraphrasing Native American music. The same sort of linkage was suggested in the other chamber work written in Iowa: the String Quintet, begun immediately after the F Major Quartet. (Incidentally, most of the famous “New World” Symphony was written back in New York.) It’s true that the composer enjoyed sampling indigenous American music: He’d listened to spirituals sung by an African-American student at the Conservatory, and he’d soaked up the rhythms offered by Oglala Sioux at Buffalo Bill’s Wild West Show in New York, later performed by a touring group of Kickapoo Indians visiting Spillville. But the concept of pentatonic melodies can be found in folk music around the world—even in his Bohemian homeland. So, it’s silly to quibble over the quartet’s sources. Right from the start, this is Dvořák at his most effortless and inspired. The opening Allegro’s first theme is played by the viola (an instrument he had played in his youth), setting the stage, perhaps, for a little musical autobiography. Are those pangs of homesickness in the Lento? Maybe the jolly Finale was recalling one of the restaurant dance bands he played in as a lad. And in the midst of the Finale, is that an organ tune Dvořák might have played in Spillville’s old church? One thing is certain: The high-pitched violin snippets in the Scherzo are quotations he had notated from the chirping of a local scarlet tanager. The composer was an avid birder, though he wrote that this particular creature annoyed him—referring to the tanager as “that damn bird.”
The College of Music Advisory Board list should include chair Mikhy Ritter and members Sue Baer, Kathy Kucsan, Tom Price, and Becky Roser. The College of Music Dean’s Cabinet should also include Brice Johnson, Senior Director and HR Strategic Partner, and David Mallett, Senior Director of Budget and Finance. | 303-492-8008 | cupresents.org | Get Soci@cupresents |
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CALIDORE QUARTET— September 25-26, 2016
Thank goodness for Dvořák’s personal secretary. After the grueling academic year of 1892-93 as director of the newly opened National Conservatory of Music in New York, Dvořák longed to leave the big city when his three-month summer holiday arrived. Inclined to sail home to Bohemia, he was instead encouraged to sample the serenity of the Midwest by young Josef Kovařik, a violinist born to Czech parents in the northeast Iowa farming town of Spillville, who’d completed his studies in Prague and had accompanied the Dvořáks to America. Because of him, musical history was made. Convinced by Kovařik to head west, Dvořák packed up the family and, with his devoted secretary in tow, boarded a train for Spillville in June of 1893. It appears that the composer fell instantly in love with the place and its Moravian community, because he went straight to work three days after his arrival. Just 15 days later, he had completed the F Major String Quartet, later dubbed “American” (replacing, in the ‘20s, its unfortunate original nickname—the N-word!). Dvořák was known to work quickly, but the speed at which he composed Op. 96 is remarkable, each movement taking only two or three days to complete. But then, inspiration was all around him. Every morning he’d stroll among the surrounding green rolling hills or join newfound friends for fishing on the Turkey River. He’d play the organ in Spillville’s St. Wenceslaus Catholic Church (built in 1860) and spend evenings with his family or at the local tavern, drinking beer with fellow Bohemian transplants—who were initially reluctant to accept a non-farmer into their midst. The same month it was completed, the quartet received its premiere in the village, the composer playing first violin in an ensemble that included Kovařik, father and son.
CALIDORE QUARTET— September 25-26, 2016
The Calidore String Quartet has been described as “the epitome of confidence and finesse” (Gramophone Magazine) and “a miracle of unified thought” (La Presse, Montreal). The quartet has received acclaim internationally for its informed, polished and passionate performances and has established themselves as one of the leading chamber ensembles of their generation. The quartet is the Grand-Prize winner of the inaugural M-Prize Chamber Music Competition, the largest prize for chamber music in the world. The quartet was awarded the 2016 Borletti-Buitoni Trust Fellowship, becoming the first North American ensemble to win the prestigious career grant. Additionally, they begin a three-year residency with the prestigious Chamber Music Society of Lincoln Center Two for the 2016-2019 seasons. From 2014-16 they served as artist-inresidence at Stony Brook University (SUNY). The Calidore String Quartet regularly performs throughout North America, Europe and Asia and has debuted in such prestigious venues as Carnegie Hall, Wigmore Hall, Lincoln Center, Seoul’s Kumho Arts Hall, Schneider Concerts (NYC) and at many significant festivals, including Verbier, Ravinia, Mostly Mozart, Rheingau, East Neuk and Festspiele Mecklenburg-Vorpommern. Highlights of the quartet’s 2015-16 season include their debut at Carnegie Hall, Ladies’ Morning Music Club (Montreal), New York City Town Hall, performances of the complete Mendelssohn quartet cycle at the East Neuk Festival (UK) and performances of the Mendelssohn Octet with the Emerson Quartet at Princeton and Stony Brook Universities. During the 2015-16 season, the Calidore collaborates with many esteemed musicians, including the Emerson Quartet, Inon Barnatan, Paul Watkins, Daniel Phillips, Matthew Lipman and Lawrence Dutton. Summer 2015 was filled with important debuts, including Festspiele Mecklenburg-Vorpommern (DEU), East Neuk Festival (UK), Ottawa Chamber Music Festival (Ontario), Music Mountain (Connecticut) and the Mostly Mozart Festival (New York). The Calidore String Quartet returned as quartet-in-residence at the Bellingham Festival of Music (Washington) and the Innsbrook Institute Summer Music Academy and Festival (Missouri), as well as a return to the Great Lakes Chamber Music Festival (Michigan). In February 2015, the Calidore String Quartet released its critically-acclaimed debut recording of quartets by Mendelssohn and Haydn. Additionally, the Calidore will release an album on Editions Hortus later in 2015, with music by Hindemith, Milhaud, Stravinsky, de la Presle and Toch commemorating the World War I Centennial. The Calidore members were featured as Young Artists-in-Residence on American Public Media’s Performance Today and their performances have been broadcast on National Public Radio, BBC, Canadian Broadcasting Corporation, Korean Broadcasting Corporation, Bayerischer Rundfunk (Munich) and Norddeutscher Rundfunk (Hamburg), and they were featured on German national television as part of a documentary produced by ARD public broadcasting. As advocates of contemporary music, the Calidore String Quartet performed Pulitzer-prize-winning composer Caroline Shaw’s “Entr’acte” in concerts throughout the 2014-15 season in New York, Washington D.C. and Los Angeles. In summer 2015, the Calidore premiered Patrick Harlin’s “Birdsongs for the City Dweller,” commissioned by the Caramoor Center, as well as “Prometheus” by Mark Grey, commissioned by the Great Lakes Chamber Music Festival. The Calidore String Quartet has collaborated with many esteemed artists and ensembles, including JeanYves Thibaudet, Joshua Bell, Paul Coletti, Ronald Leonard, Raphael Merlin and Quatuor Ébène, among others. Formed in 2010 at the Colburn School of Music, the Calidore has studied closely with such luminaries as the Emerson Quartet, David Finckel, Andre Roy, Arnold Steinhardt, Günther Pichler, Gerhard Schulz, Heime Müller, Guillaume Sutre, Gabor Takacs-Nagy, Paul Coletti, Ronald Leonard, Clive Greensmith, Martin Beaver and the Quatuor Ebène. As a passionate supporter of music education, the Calidore String Quartet is deeply committed to mentoring and educating young musicians, students and audiences. In February 2015, the Calidore String Quartet conducted a residency at the University of Michigan School of Music, as well as at Chamber Music Connection in Columbus, Ohio. In January 2014, the Calidore joined the faculty of the Ed and Mari Edelman Chamber Music Institute at the Colburn School. Most recently, the Calidore was selected by the Saint Lawrence String Quartet to conduct a two-week outreach residency of more than twenty performances in the San Francisco area. Using an amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents a reverence for the diversity of culture and the strong support it received from its home of origin, Los Angeles, California, the “golden state.” The Calidore String Quartet aims to present performances that share the passion and joy of the string quartet chamber music repertoire.
The
Calidore String Quartet
C-4
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A SSISTED L IVING
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M E M O RY C A R E
Play on!
Program Insert
Yours is an Unfinished Symphony
Enriching Life for the Heroes of Our Society: Seniors with your deposit
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Worshipping • Exploring spirituality weekly in worship, with our Theologian-in-Residence program, Together and on our beautiful indoor labyrinth. Supporting • Supporting the arts with our ensembles-inthe Arts residence, art exhibits in the Sanctuary Gallery, and Arts for Kids’ Souls summer camp. Welcoming EVERYONE • Working for social justice and equality for all.
to a CU Theatrical Production
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Discover Bixby Boulder’s Progressive School Since 1970
Small class size Talented teachers Rich academics 3-acre campus with pool, sports fields & beautiful gardens ♦ Engaging hands-on learning ♦ ♦ ♦ ♦
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Richard Goode is generously sponsored by:
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ARAPAHOE ANIMAL HOSPITAL
Ars Nova Singers
Serving Pets and our Community Since 1954 FULL-SERVICE VETERINARY CARE SMALL ANIMALS~BIRDS~EXOTICS PET BOARDING DOGGIE DAY CARE
Our 31st Season 2016-2017
DAY & EVENING HOURS ~ 7 DAYS/WEEK with TWO Convenient Locations:
In Concert at The Dairy, with Frequent Flyers
Main Hospital
5585 Arapahoe Avenue
Inspire/Respire: Music in the Air – Nov 18, 19, 20
Boulder, CO 80303
Christmas with Ars Nova – December 9, 10, 11
(behind Boulder’s Dinner Theatre)
A Colorado Holiday Tradition
303-442-7033
Music of the Renaissance
Voices & Viols – February 25, 26
Downtown Hospital
Rachmaninoff’s “Other” Masterpiece
1730 15th Street
Liturgy of St. John Chrysostom – April 28 & 29
(between Arapahoe & Canyon)
Boulder, CO 80302
tickets/info:
303-442-7036
www.arsnovasingers.org
www.arapahoeanimalhospital.com
We’re not getting older … We’re getting better. Best Real Estate Company/Office The Daily Camera’s Best of Boulder County 2015
CELEBRATING 40 YEARS OF EXCEPTIONAL PERSONAL SERVICE … IN STYLE Wright Kingdom is WK Real Estate. What hasn’t changed is our proud tradition of helping our clients reach their residential and commercial real estate goals.
BOULDER OFFICE: 303.443.2240 LONGMONT OFFICE: 303.776.3344
Best Real Estate Company & Best Customer Service The Times-Call Reader’s Choice Awards 2015 2015 Crown of Excellence Award Leading Real Estate Companies of the World
Special thanks to our friends, neighbors and business partners for your unwavering support. We couldn’t have reached 40 without you. And here’s to another 40 years of creating relationships that last a lifetime.
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Global performance. World-class entertainment. You have to be here.
AUGUST
Sweet Harmony CU Voice Faculty
The CU voice faculty celebrate Shakespeare at CU’s exhibition of Shakespeare’s First Folio at the CU Art Museum by presenting a recital of musical highlights featuring the Bard’s texts, including art songs and opera excerpts in multiple languages by great composers such as Berlioz, Gounod, Strauss, Korngold and Quilter.
SEPTEMBER
Give Me Some Music CU Keyboard Faculty Special Thursday performance
In a concert celebrating the “First Folio! The Book that Gave Us Shakespeare” exhibit, the CU keyboard faculty and guests present music inspired by Shakespeare. The program includes works by Liszt, Mendelssohn and Prokofiev as well as a chamber work by late Professor Emeritus Luis Jorge Gonzalez.
Guitar Rarities
Ritter Family Classical Guitar Faculty An evening of rarely performed chamber music with guitarists Nicolò Spera, Lorenzo Micheli, Matteo Mela and special guests.
Romance & Fireworks!
Woodwinds in Evening
Chas and David present the pairing of Brahms’ Sonata No. 3 with Paul Juon’s Sonata No. 3, a wonderful juxtaposition that shows the influence of the former. Also on the program are three rondos composed by David Korevaar in 1986 and the always exciting “Gypsy Airs” by Pablo de Sarasate.
Join us for “The Wind in Our Sails: An Evening with the CU Woodwind Faculty.” A delightful program features works by Camille Saint-Saëns and Jean Françaix and the sublime “Symphony” by Charles Gounod. Enjoy flute, oboe, clarinet, bassoon and classic works for saxophone. There will be something for everyone … and the person sitting next them too!
OCTOBER
NOVEMBER
Charles Wetherbee, violin, and David Korevaar, piano
Messiaen & Kellogg
Clarinetist Daniel Silver and friends Please join us for “The Quartet for the End of Time,” one of the most monumental event pieces in all of chamber music. It was composed while Messiaen was held in a prisoner-of-war camp in German-occupied Silesia. The evening begins with faculty composer Daniel Kellogg’s moving “Plainsong.”
Ginastera’s 100th
Pianist Alejandro Cremaschi and friends
Bassoon Exquisite Bassoonist Yoshi Ishikawa and friends
Works by Bill Douglas, Robert Spillman, Willard Elliott and Jean Françaix feature the lyrical and agile voice of the bassoon in chamber settings.
Alberto Ginastera, born 100 years ago, captured the essence of the Argentine gaucho in a highly original and exhilarating musical style. Our celebration includes his chamber music, song cycles and solo piano works.
Harp Recital
Be (bop) Boulder!
Janet Harriman, harp
The Thompson Jazz Faculty The Thompson Jazz Studies Program faculty members perform a selection of original contemporary jazz from their recent recording.
“Acrostic Paraphrase” for solo harp from “Final Alice” by David Del Tredici and “Legs” by Neal Hefti, arranged by B. Rooker and performed by the CU harp studio.
More info at colorado.edu/music
Can’t make it? Watch the online livestream at our website!
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CU Woodwind Faculty
Piano Romance Hsing-ay Hsu, piano
How can piano music express the transcendent state of being loved? Pianist Hsing-ay Hsu explores a few different compositional approaches with the astonishing genius of Schumann, Rachmaninoff and Liszt as part of her ongoing “Four Loves Project” concerts.
A Brass Menagerie
Colorado Symphony Brass Quintet Celebrate an evening of brass chamber music with the Colorado Symphony Brass Quintet. From solo works to various ensemble repertoire, this performance will provide an exciting journey through the many glorious sonorities that make the brass section so popular with composers and audiences alike!
Vienna to Budapest Harumi Rhodes, violin, and David Korevaar, piano
Join Rhodes and Korevaar on a trip from Vienna to Budapest! First stop: Beethoven’s Sonata No. 2. Last stop: Bartok’s Sonata No. 2. And along the way, there’s an exploration of Webern’s visionary Four Pieces for Violin and Piano, Op. 7. It’s an excursion not to be missed, full of fantasy, wonderment and lyricism.
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Creating connections. Honoring lives. Embracing possibilities. You’ve spent a lifetime of becoming the person you are today. And at Frasier, we celebrate this. This is the time to explore your passions and expand your life in any direction you choose. And through your retirement years, our expert continuum of care is here to offer you security and peace of mind. It’s all of this and so much more that make Frasier such an extraordinary place to call home. Frasier offers a full continuum of care, all located on our beautiful 20-acre campus.
Tours are available
Independent Living: 720-562-4440 Assisted Living and Memory Care: 720-562-4462 Health Care (Skilled Nursing): 720-562-4473
350 Ponca Place | Boulder, Colorado 80303 303-499-4888 | FrasierMeadows.org
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Artist Series
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
80th Anniversary
Gil Berman Rudy Betancourt Joan McLean Braun
John Davis Diane Dunn Mike Gallucci
Benefactor
Mark and Margaret Carson Diane and Richard Dunn Paul Bechtner Foundation Greg Silvus and Melanie Miller
Sponsor
Gil and Nancy Berman Mary Lamy Ellen and Joshua Taxman
Patron
Anonymous Joan McLean Braun Chris and Barbara Christoffersen Daryl and Kay James Ruth Carmel Kahn Janet and Scott Martin John F. Mckune Louise Pearson and Grant Couch Daniel and Boyce Sher
Artist Series Advisory Board Lissy Garrison Laima Haley Daryl James, President
Maryan K. Jaross Ruth Kahn Jerry Orten
Supporter
Elmer Altschuler and Melisse Perre-Altschuler Center Copy Boulder, Inc. Lawrence Cohn Martha Coffin Evans and Robert Trembly II Carol and Michael Gallucci Heidi and Jerry Lynch Robert and Sandra McCalmon Judy and Alan Megibow Tiffany Myers and J. M. Steffan Knapp Jerry and Jamie Orten Mikhy and Michael Ritter Theodore and Ruth Smith Lawrence and Ann Brennan Thomas
Contributor
Gregory and Gladeane Lefferdink Susan and Jon Lounsbury John Mantey and Erma Mantey Elizabeth Rauch Alicia and Juan Rodriguez Paul and Luana Rubin Alan and Stephanie Rudy Douglas and Avlona Taylor
Louise Pearson Erika Randall Robert Shay
Gregory Silvus Ellen Taxman Nicholas Vocatura
Member
Anonymous Shirley Carnahan Noel A. and Pauline A. Clark Douglas and Rita Dart Robbie Dunlap Leslie and Merrill Glustrom John Graham and Lorin Lear Damon and Laima Haley Jo and David Hill Matthew and Michele Hoovler Maryan Jaross Caroline and Gary Kounkel Pam Leland Judah and Alice Levine Gail and Thomas Madden Paul and Kay McCormick Gail and Julie Mock Margaret Reagor Randall Kenneth Rutsch Courtland and Carolyn Spicer Zoe Stivers Lloyd Timblin Jr. Geoffrey Tyndall Heather Van Dusen Jack and Sophie Walker
Corporate Sponsors
Boulder CPA Group, Food & Water Watch, Frasier Meadows Retirement, H.B Woodsong's, Hurdle's Jewelry, James & Associates, Shaw Construction, WESTAF
In-kind Sponsors
Boulder Blooms, Camera, Hotel Boulderado, KUVO, Liquor Mart, Savory Cuisines Catering
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Fine Art Associates 1949 Pearl St Boulder CO
Featuring New Work By
Chris Campbell, Scarlett Kanistanaux, and Claire McArdle (303) 413-1000 www.faaboulder.com
Photo: The Great Green, by Joanna Rotkin, Joanna and the Agitators joannaandtheagitators.com
See what you’re missing www.BoulderCountyArtsCalendar.com | 303-492-8008 | cupresents.org | Get Soci@cupresents |
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Perfect Taste THE
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V IA T OSCANA r i s t o r a n t e
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$20 off
any purchase of $60 or more*
*Limit one discount per table and and not valid with any other coupon, offer, or discount or when happy hour items are ordered. Excludes Specialty Dinners menus. Please compute gratuity on pre-discount amount. Expires December 8, 2016.
viatoscana.com 303.604.6960 356 McCaslin Blvd. Louisville | 4pm Mon - Sat
ER WE CAT & DELIVER
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LOVE AT FIRST BITE
Perfect Taste THE
DINING TO COMPLEMENT THE PERFORMANCE WELCOME TO
FERMENTOPIA Chef-driven Menu and Belgian-Inspired Beer delivering Tradition with a Twist
THESINK.COM • 303-444-7465 We're Always Collecting Sink History Share Your Sink Stories and Photos With Us: contact@thesink.com
RESTAURANT • BAR • VENUE
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2115 13TH STREET • BOULDER 80302 TEL (303) 442-4880
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Takács Society
The Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
Benefactor
Albert and Nancy Boggess Lyle Bourne and Rita Yaroush Norma Johnson in memory of Fay Shwayder Gary and Judith Judd in memory of Fay Shwayder Takacs String Quartet
Sponsor
P.J. Decker and B.A. Saperstein Carol Lena Kovner David and Janet Robertson Marion Thurnauer and Alexander Trifunac
Patron
Thomas and Carol Cech Chris and Barbara Christoffersen Lauren Frear John and Carson Taylor
Supporter
Virginia Boucher William and Alice Bradley Patricia Butler Richard Jessor and Jane Menken Robert R. Kehoe Walter and Eileen Kintsch Paul and Nancy Levitt Patricia and Robert Lisensky Maxine Mark Lise Menn Virginia Newton Neil and Martha Palmer Mikhy and Michael Ritter David and Susan Seitz Lawrence and Ann Brennan Thomas
Contributor
Lois Abbott Carolyn and Don Etter Doree and Jerry Hickman Bob and Lori Schuyler Helen Stone Patricia Thompson Laurie and Arthur Travers
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Member
Anonymous Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Kevin and Diana Bunnell Shirley Carnahan Penny Chenery Noel A. and Pauline A. Clark Charlotte Corbridge Richard and JoAnn Crandall Barbara and Carl Diehl Jean and Bob Fischer Lloyd and Mary Gelman Ken and Dianne Hackett Catharine and Richard E. Harris John and Ruthanne Hibbs Elizabeth and Jonathan Hinebauch William Hoffman Ruth and Richard Irvin Bruce and Kyongguen Johnson Patricia L. Johnson Jennifer and Bob Kamper Mireille Key Alice and Judah Levine
Albert and Virginia Lundell Heidi and Jerry Lynch Gail and Thomas Madden Caroline E. Malde John and Nancy Malville Ralph and Nancy Mann J. Richard and Marjorie McIntosh Peter and Doris McManamon Josef and Sara Michl Christopher B. Mueller and Martha A. Whittaker Joan and Ronald Nordgren Faith and Roy Peterson Julie and Wayne Phillips Antonia and Timothy Piwonka-Corle Joanna and Mark Rosenblum JoAn Segal Todd and Gretchen Sliker Grietje Sloan Carol and Art Smoot Berkley A. Tague Betty Van Zandt Anthony White James and Nurit Wolf Bill Wood Michael Yanowitch
Make all gifts payable to the University of Colorado Foundation and mail to: Takács Society CU College of Music, 301 UCB Boulder, CO 80309-0301 For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.
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Unearthed:
t r e e
Ancient Life in the Boulder Valley
c o m p a n y
Exclusively at
CU Museum of Natural History
Love your Trees!! • Tree and Shrub Pruning • Insect and Disease Treatments • Tree Removals • Plant Health Diagnostics • Soil Testing and Treatments • Free Property Inspections
cumuseum.colorado.edu
303-554-7035 • www.taddikentree.com
CREATION
Join us for a musical journey. CREATION: Joseph Haydn Creation | October 28 & 29 LOVE & DEATH: Shostakovich Symphony No. 14 | January 20 & 21 TRIUMPH: Beethoven Symphony No. 3, Eroica | April 7 & 8 Fridays in Denver and Saturdays in Boulder
For more information and to purchase tickets, visit
YEAR ANNIVERSARY
ProMusicaColorado.org
love & death
TRIUMPH
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© 2016 Rebecca Ellen Clark
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Friends of Eklund Opera
The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Development Office at 303-735-6070.
Benefactor
Contributor
Anonymous David Allen and Carol DeBaca Paul Eklund Robert Stuart Graham Robert Martin The Academy Charitable Foundation, Inc.
Susan Graber Heidi and Jerry Lynch Claudia Boettcher Merthan Dennis Peterson Dave and Ann Phillips R. Alan and Stephanie Rudy Cynthia and Paul Schauer Carol and Randall Shinn Theodore and Ruth Smith Helen Stone Peter Wall
Sponsor
Alan and Martha Stormo
Patron
Grants
Chris and Barbara Christoffersen Lloyd and Mary Gelman Albert and Betsy Hand Gordon and Mitzi Ledingham Krista Marks and Brent Milne
Supporter
Denver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation The Schramm Foundation
Anonymous Norman and Vivian Belmonte Stephen Dilts Martha Coffin Evans and Robert Trembly John Hedderich Bob and Mikee Kapelke Mikhy and Mike Ritter Bob and Lori Schuyler Lawrence and Ann Brennan Thomas Ken and Ruth Wright in memory of Mayme Lacy
Member
Anonymous Judith Auer and George Lawrence Jeanie Davis Walter Duncan Donald and Beverly Eklund Joseph and Beverly Elinoff Alexander R. George and Yi-Ting Hsu Ellen and John Gille Janet Hanley Norman Clark Lane Kenneth L. Levinson and Shauna Titus Levinson Patricia and Robert Lisensky Bruce Mackenzie Michael Magan Marian Matheson Donna Meckley Kathleen and John Ness Robert and Marilyn Peltzer Kim and Richard Plumridge Gail Promboin and Robert Burnham Juan and Alicia Rodriguez Ruth Schoening Carol and Art Smoot
About the Eklund Opera Program
Recognizing the importance of the arts and live vocal performance in an increasingly distracted world, longtime Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU-Boulder College of Music. Funding from the endowment helps support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students. From left: Paul Eklund Leigh Holman, Director of Opera Robert Shay, College of Music Dean
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SERVING UP THE COLORADO LIFESTYLE
Thirst Colorado brings to life the stories of active Coloradans who are passionate about the craft beer,
ThirstColorado.com CONNECT WITH US
Photo: Angie Wright
spirits and food scene.
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Personnel Staff
Joan McLean Braun, Executive Director Laima Haley, Marketing and P.R. Director Jessie Bauters, Assistant Director of Communications and Web Administrator Daniel Leonard, Marketing Manager Jill Kimball, Public Relations Manager Helen Slivinski, Communications Assistant Video Production: Allea Ortega, Jackson Xia Mel Plett, Publications Manager Zachary Barger, Publications Assistant Nick Vocatura, Operations Director Andrew Metzroth, Box Office Manager Michael Casey, Box Office Services Manager Box Office Assistants: Grace Burns, Elise Campbell, Taralynn Dorr, Matthew Farquharson, Adrienne Havelka, Chris Ruiz Kevin Harbison, Recording Engineer Michael Johnston, Financial Manager Jeni Webster, Membership Benefits Coordinator
Macky Auditorium Staff
Rudy Betancourt, Director John Jungerberg, Operations Manager Sara Krumwiede, Assistant Director JP Osnes, Technical Director Rhett Snyder, Assistant Technical Director Rojana Savoye, House Manager Nicole Anderson, Assistant House Manager
College of Music Dean's Cabinet
Robert Shay, Dean James Austin, Associate Dean for U.G. Studies Joan McLean Braun, Assistant Dean for Concerts and Strategic Communications Steven Bruns, Associate Dean for Grad. Studies John Davis, Associate Dean for Faculty Affairs and Operations Lissy Garrison, Assistant Dean for Advancement Alexander George, Executive Assistant to the Dean
College of Music Advisory Board Jim Bailey Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman
Doree Hickman Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Erma Mantey Ben Nelson Joe Negler Susan Olenwine Firuzeh Saidi Jeannie Thompson Jack Walker
Honorary Members:
Dean Boal, Eileen Cline, Donna Erismann and Dave Grusin
Program Editor: Jill Kimball Program Design/Layout: Mel Plett
Patron Info Accessibility and Parking
Macky Auditorium is fully wheelchair accessible; ADA-accessible parking is available nearby. Please call the Box Office as early as possible to make arrangements. Paid parking is available in the Euclid Avenue auto-park, Lot 310 and Lot 204. Contact the Box Office, or check the CU Presents website for more information.
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CU Presents Box Office cupresents.org 303-492-8008
Photography and video recordings Ticket Sales are final; no refunds. of any type are strictly prohibited during the performance.
Food
is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted.
Smoking is not permitted anywhere. CU-Boulder is a smoke-free campus!
Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the Box Office prior to the performance if you are unable to use them.
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SPECIAL
S A L E
FINANCING *
On purchases made with your Carpet One Floor & Home® credit card.
WHEN YOU SHOP AT CARPET ONE FLOOR & HOME®, YOU’RE AMONG NEIGHBORS. This is our home, too. In addition to backing local businesses, we’re active volunteers in the communities we serve, supporting efforts on behalf of youth sports, animal welfare, the environment and more. To learn about our involvement in the community, visit CarpetOne.com/shop-local.
Your Home Is Our Home.
WE ARE YOUR NEIGHBORS | WE ARE YOUR COACHES | WE ARE YOUR VOLUNTEERS | WE ARE HERE FOR YOU | WE ARE YOUR NEIGHBORS | WE ARE YOUR COACHES | WE ARE YOUR VOLUNTEERS | WE BUY LOCAL FOR A STRONG COMMUNITY ARE HERE FOR YOU | WE ARE YOUR NEIGHBORS | WE ARE YOUR COACHES | WE ARE YOUR VOLUNTEERS | WE ARE HERE FOR YOU | WE ARE YOUR NEIGHBORS | WE ARE YOUR COACHES | WE ARE YOUR ONLY CARPET ONE HAS YOU TOTALLY COVERED. Our experts specialize in flooring. We join with our other stores worldwide to buy at a volume that guarantees the lowest price. And we’re here to assist you with a more personalized shopping experience. That’s the Carpet One difference.
McDonald
6367 Arapahoe Ave. Boulder 303-449-0011 www.carpetone.com Monday-Friday 9:30am-6pm; Saturday 9:30am-5pm; Sunday 11am-4pm