BOULDER BALLETand BOULDER PHILHARMONIC ORCHESTRA with the Boulder Children’s Chorale
The Bowen Family Performing Arts Fund
Fri, Nov 23 at 2pm | Sat, Nov 24 at 2pm and 7pm | Sun, Nov 25 at 2pm
Tickets: 303.449.1343 BoulderPhil.org/nutcracker
From London with Love Maestro Nicholas Carthy leads the BBF baroque orchestra from the harpsichord, in a program that will delight the senses with charm, passion, elegance, wit, and adoration. Soloists include cellist Guy Fishman, soprano Szilvia Schranz and mezzo-soprano Claire McCahan. Arias, concertos, and a suite of dances by Purcell and Handel, plus the first known performance of Robert Valentine’s Concerto Grosso in A Major.
Discounted ticket code for 10% off entire purchase: LONDON10 is applicable for online ticket purchases: boulderbachfestival.org/tickets/ No additional fees or taxes when purchasing through our secure website. Phone: (720) 507-5052
February 14, 2019 at 7:30pm
February 16 at 7:30pm
Broomfield Auditorium
Longmont Museum Stewart Auditorium
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Editor Becca Vaclavik Designer Sabrina Green CU Presents is the home of performing arts on the beautiful University of Colorado Boulder campus. With hundreds of concerts, plays, recitals and more on our stages each year, there’s something for everyone to enjoy. @cupresents cupresents.org · 303-492-8008
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You have to be here. CU Presents hosts more than 500 performing arts events on the University of Colorado Boulder campus each year. For more than 80 years, the Artist Series has brought leading classical performers, renowned jazz and world music groups and acclaimed dance ensembles to CU Boulder’s historic Macky Auditorium. CU Presents also hosts the Eklund Opera Program, chamber concerts with the Grammy-winning Takács Quartet and the beloved annual Holiday Festival. The College of Music offers almost 400 recitals and concerts by faculty, students and guest artists. Each summer, the Colorado Shakespeare Festival stages professional plays in the Mary Rippon Outdoor Theatre and in the indoor University Theatre. Throughout the year, the Department of Theatre & Dance presents almost 100 faculty, student and guest artist performances. Find your next performance at cupresents.org
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A new home for music at CU Boulder The College of Music is one of the country’s top public music programs, but current facilities are dated, crowded and disconnected. We are immensely proud of the work we do, and our students and faculty deserve a space that reflects their talent and artistry. By Jessie Bauters Associate Director of Communications, College of Music In January 2019, the college is thrilled to be breaking ground on an expansion project that will add more space to the existing Imig Music Building. This expansion will not only keep our music programs thriving, but it will encourage collaboration and innovation in growing areas like music entrepreneurship, wellness and media and technology.
The concept: A landmark for music in Boulder
Inside, new or renovated performance, rehearsal, studio, learning, staff, wellness and entrepreneurship spaces will help our students and faculty flourish—intellectually, physically,
06
SPOTLIGHT
emotionally and musically. Outside, the proposed plans will dramatically change the exterior of Imig Music, providing a beautiful new gathering place for students, faculty and music lovers with sweeping views of the iconic Flatirons. Brand new rehearsal and recital facilities will provide our students and faculty with the space they need to pursue excellence in performance in ensemble and solo settings, while new classrooms and a state-of-the-art recording studio—along with dedicated suites for the Entrepreneurship Center for Music and Musicians' Wellness Program—will help expand the
definition of artistry for our students, faculty and alumni. Construction is expected to be completed in 2020. While much of the project’s cost is being generously supported by the CU Boulder campus, the College of Music still has work to do! To help us get there, the campus will match every dollar we raise toward the Imig expansion—up to $1.6 million—until Dec. 31, 2018. For more information about the Imig Music Building expansion—and to view the latest renderings of the project—visit colorado.edu/music/expansion.
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SPOTLIGHT
Decorating a freshly cut pine the day after Thanksgiving, tuning in for carols on the radio, watching Santa go by in the Macy’s parade— everyone has a moment where they think, “Finally! The holidays are here.”
this December. On Dec. 17, Canadian Brass, one of the most famous brass quintets in the world, will perform “Christmas Time is Here,” as part of the CU Presents Artist Series. It’s a program full of new takes on wellknown holiday classics.
For Director of Bands Donald McKinney, his seasonal reminder is CU’s beloved Holiday Festival in Macky Auditorium.
Canadian Brass—who “put brass music on the map with [its] unbeatable blend of virtuosity, spontaneity and humor” (The Washington Post)—is known for its fun, imaginative and lively musicality. The ensemble’s joie de vivre is perhaps best personified in their
“The holidays are always about the spirit of the season. It’s not so much about a day, but it’s about the spirit of coming together and creating community around a season … What I’ve loved so much since I joined the faculty here at the CU Boulder College of Music is, I come back from Thanksgiving, and then there’s the Holiday Festival.
Donald McKinney conducts musicians and vocalists in the Holiday Festival.
“For me it kicks off the whole month and the whole season,” he says. McKinney will serve as the festival’s artistic director for the first time this year—Director of Choral Studies Gregory Gentry, the festival’s longstanding artistic director, is on a sabbatical this semester—an honor McKinney says is both daunting and exciting. Audiences will have a chance to experience the iconic festival favorites like carol singalongs and the “Hallelujah” Chorus. But, of course, with a new director come several exciting new selections for the concert, too, including gospel music, jazz and a piece that is near and dear to McKinney’s heart. “‘This Christmastide (Jessye’s Carol)’ is a piece of music most people might not know. But I sang it when I was in choir in college, and I just fell in love with it—I just absolutely adored it. It is so uplifting and so remarkable ... So, when I got the opportunity to do Holiday Festival, I was adamant that I had to have it in the show.” But the Holiday Festival isn’t the only way to celebrate the season at Macky
“It’s a guaranteed fulfilling experience for the audience,” says Canadian Brass hornist Jeff Nelsen. “The arrangers have done some really interesting, deep, thoughtful rearranging of Christmas standards.”
Delight in the twinkling lights, seasonal greenery and beautiful music at the Holiday Festival Dec. 7-9; tickets start at $20.
uniforms: black tuxedos paired with white sneakers. “Christmas Time is Here,” is sure to be a reflection of that joyful and cheery vibe, a perfect fit for audiences looking to shake off Grinchy inclinations and celebrate the holidays with a bit of lighthearted, family-friendly fun. Whatever brings you to Macky in December—be it the Holiday Festival, Canadian Brass or both—the hope is for audiences to leave the auditorium feeling just a bit more merry and bright, says McKinney. “The two words I keep coming back to are festive and uplifting. You walk away thinking ‘I have the holiday spirit now.’ And I want people to feel that the moment they walk away, regardless of what they just listened to.” See Canadian Brass Monday, Dec. 17; tickets start at $21.
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Sarah Chang, violin Julio Elizalde, piano Friday, Nov. 16, 7:30 p.m. Starting at $20
Canadian Brass Christmas Time is Here
Monday, Dec. 17, 7:30 p.m. Starting at $21
Kodo
Tafelmusik
Saturday, Feb. 16, 7:30 p.m. Starting at $23
Monday, March 4, 7:30 p.m. Starting at $15
The Leipzig-Damascus Coffee House
One Earth Tour 2019 Evolution
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Silkroad Ensemble Thursday, Jan. 31, 7:30 p.m. Starting at $21
Batsheva Dance Company “Venezuala” by Ohad Naharin
Wednesday, March 20, 7:30 p.m. Starting at $34
Dorrance Dance
Saturday, April 6, 7:30 p.m. Starting at $20
TakĂĄcs Quartet
Holiday Festival
CU Boulder’s Grammy Award-winning quartet-inresidence is irresistible.
Delight in twinkling lights, seasonal greenery and enchanting, beautiful holiday music.
Nov. 25 and 26* Jan. 13 and 14 Feb. 10 and 11 April 28 and 29
Starting at $36
*featuring special guest Carpe Diem String Quartet. Starting at $20
Friday, Dec. 7, 7:30 p.m. Saturday, Dec. 8, 1 p.m. Saturday, Dec. 8, 4 p.m. Sunday, Dec. 9, 4 p.m.
Starting at $20
More events
Eklund Opera Program
College of Music
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September-April
An opera by Pyotr Ilyich Tchaikovsky
Student Recitals
A play by John Cariani Feb. 7-10, starting at $16
Eugene Onegin March 15-17 Starting at $15
Student Music Ensembles September-April
Almost, Maine Catapult
A BFA dance concert Feb. 7-10, starting at $16
Open Space
Curated by CU Dance Connection Feb. 28-March 3, starting at $16
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Carpe Diem String Quartet EryÄąlmaz, Vali, Leshnoff, Zhurbin and Fujiwara Sunday, Nov. 25, 2018 Monday, Nov. 26, 2018
Carpe Diem String Quartet: Nov. 25 and 26, 2018
Carpe Diem String Quartet
Eryılmaz, Vali, Leshnoff, Zhurbin and Fujiwara Sunday, Nov. 25, 4 p.m. Monday, Nov. 26, 7:30 p.m. Carpe Diem Quartet
Charles Wetherbee and Amy Galluzzo, violins Korine Fujiwara, viola Carol Ou, cello
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· cupresents.org · 303-492-8008
Dances of the Yoǧurt Maker I. Kekliği Düz Ovada Avlarım II. Yayla Yolları III. Ham Çökelek IV. Türkmen Kızı V. Açıl Ey Ömrümün Varı VI. Bir Boyuna Baktım Bir De Yüzüne VII. Silifke’nin Yoğurdu VIII. Tımbıllı
Erberk Eryılmaz (b. 1989)
String Quartet No. 4 “Ormavi” I. Hisar 1 II. Osool III. Hesâr IV. Zirafkand 1 V. Hisar 2 VI. Zirafkand 2 VII. Rooh VIII. Hora
Reza Vali (b.1952)
Four Dances I. Waltz II. Pavane III. Chas Tanz IV. Furlana
Jonathan Leshnoff (b. 1973)
Intermission Culai IV. Love Potion Expired
Fiddle Suite “Montana” I. Montana II. Stillwater Gorge III. Walkin’ in the Water IV. Cherry Blossom V. Peasebottom
Lev “Ljova” Zhurbin (b. 1978)
Korine Fujiwara (b. 20th century)
· cupresents.org · 303-492-8008
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Carpe Diem String Quartet: Nov. 25 and 26, 2018
Program
Carpe Diem String Quartet: Nov. 25 and 26, 2018
Program notes By Marc Shulgold
The string quartet in the 21st century
Late in the 20th century, the brilliant Kronos Quartet stood as the most prominent champion of contemporary string quartets. Now, it appears that new works for four players have found additional, equally talented supporters in Brooklyn Rider and Carpe Diem. Each is committed to continuing the rich quartet tradition that began with Haydn and Mozart. Naturally, these adventuresome players likewise need composers with fresh thoughts on the 21st-century string quartet. Today’s program presents works by five imaginative musicmakers—none of them household names, though one, Korine Fujiwara, will appear today as an onstage player. Their music originates as far away as Turkey and Iran and as close to home as Montana. The sounds—many of them calling for superhuman focus and virtuosity—range from somber reflection and jarring dissonance to lively, multi-rhythmic dance tunes and fiddling fun. How’s that for variety? So, it looks like the future is bright for the string quartet, often described as a musical conversation among friends. These players are also loyal friends of today’s composers.
Dances of the Yoǧurt Maker
Erberk Eryılmaz (b. 1989) Born in Samsun, Turkey, and currently a doctoral candidate at Rice University, Eryılmaz has long been a proponent of the music of his homeland and surrounding regions—he and his wife Laura Krentzman direct the Hoppa Project, focused on performing music of the Balkans and the Middle East. He describes these dances as a “free improvisation on eight folk dances” from the town of Silifke in southern Turkey—a place famous for its yoğurt. The eight sections, all linked together, call for the quartet members to imitate the sounds of Turkish folk instruments. Each of the folk dances that inspired the piece, the composer writes, is a love song that “somehow mentions yoğurt and other dairy products either to make the lyrics rhyme or to describe their emotions.” Their titles translate as I Hunt the Grouse on a Flat Plain; Roads to the Plateau; Raw Cheese Curds; Turkish Girl; Open Up, You, Meaning of My Life; I Looked at Her Body, and Then to Her Face; Silifke’s Yoğurt and The Sensitive One. There’s a playfulness here, typified by Raw Cheese Curds, in which a husband privately hopes his wife chokes to death eating raw curds, so he can pursue an affair with a neighbor girl. On the other hand, Silifke’s Yoğurt is a direct, heartfelt song of love. In addition to the string quartet setting, there are versions for saxophone quartet as well as an eight-piece chamber ensemble.
String Quartet No. 4 “Ormavi” (2017)
Reza Vali (b. 1952) Vali was born in Ghazvin, Iran, and studied at Tehran’s Conservatory of Music. After graduating from Vienna’s Academy of Music, he moved to the U.S., studying at the University of Pittsburgh before joining the faculty of Carnegie Mellon in 1988. This fourth string quartet, dedicated to Carpe Diem, is intended as a tribute to Safialdin Ormavi, a revered Persian music theorist of the 13th century.
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Four Dances (2014)
Jonathan Leshnoff (b. 1973) A professor at Towson University in Baltimore, Leshnoff has enjoyed a successful career as a composer of large and small works. He’s penned four symphonies and oratorios, 10 concertos for a variety of instruments and numerous chamber works. The latter include four string quartets and these Four Dances, premiered by Carpe Diem in 2015. They’ve also been transcribed for saxophone quartet. Heard together, these dances combine to form a sort of traditional four-movement quartet, with a lively, cat-and-mouse opening Waltz, a mournful Pavane that is supported by a gentle drone and short up-and-down scales, followed by a toe-tapping piece played over plucked oom-pah accompaniment, spotlighting Carpe Diem first violinist and CU Assistant Professor of Violin Charles Wetherbee (the Chas in Chas tanz). The piece ends with a Furlana, a traditional Italian dance employed by Bach in his first orchestral suite—which may explain the appearance of a jolly fugue midway through Leshnoff’s finale.
Culai (2012)
Lev “Ljova” Zhurbin (b. 1978) The son of noted Russian film composer Alexander Zhurbin and distinguished poet Irena Ginzburg, “Ljova” Zhurbin followed his father’s lead by studying film composition at the Sundance Institute in Park City, Utah, and later contributing music to various TV channels in the U.S. and abroad. A graduate of Juilliard, where he studied viola with Samuel Rhodes (father of Takács Quartet violinist Harumi Rhodes), Zhurbin has since compiled an impressive catalog of more than 120 works of all stripes and styles. Commissioned by Brooklyn Rider, Culai is actually a five-movement work that is steeped in Roma culture. Its title comes from the nickname of popular Roma violinist Nicolae Neacsu (1924-2002), who, according to Zhurbin, had “been on the road for decades and seen everything.” The movement heard here is Love Potion Expired, a wildly untamed tarantella that Zhurbin had originally written for his own group, Ljova and the Kontraband.
Fiddle Suite “Montana” (2007-09)
Korine Fujiwara (b. 20th century) A graduate of Juilliard and Northwestern, Fujiwara was a member of the Brooklyn Philharmonic and ProMusica Chamber Orchestra before joining Carpe Diem as founding violist. Her music has been performed across America as well as in Europe and parts of Asia. A native of Billings, Montana, here she fervently expresses her love for the “big sky country,”
· cupresents.org · 303-492-8008
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Carpe Diem String Quartet: Nov. 25 and 26, 2018
There are eight separated sections, some built on modes developed by Ormavi, and some utilizing more contemporary Persian scales. The piece opens with closely played dissonant notes that may sound strange to western ears—these almost-unison intervals make serious demands on the musicians, who are instructed to play just above or below the printed note. The following movement, Osool, is in pizzicato played either in unison or in bouncy syncopation. A second pizzicato movement, Rooh, employs mutes. The two Zirafkand segments call on lonely solo voices (violin or cello) over almost invisible accompaniment. The piece ends brightly with a Hora that constantly switches meters.
Carpe Diem String Quartet: Nov. 25 and 26, 2018
capturing the state’s wide open spaces in the opening movement, which begins with solo violin and later slides into a charming “cowboy lullaby.” The energy of a Saturday night barn dance is captured in the jigging and reeling of Stillwater Gorge and the concluding hoedown, Peasebottom, in honor of her grandmother’s cattle ranch. The central movements also pay tribute to family: Walkin’ in the Water is a bluesy, finger-snapping memory of stomping on puddles during long-ago rainy walks with Mom and Dad, while Cherry Blossom salutes her father, who is half Japanese. The familiar song “Sakura” (meaning cherry blossom) inspires this quiet movement, which travels from a cello solo to a plaintive Irish-flavored viola tune to a sentimental three-part waltz.
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· cupresents.org · 303-492-8008
One of the most unique and sought-after chamber ensembles on the concert stage today, the Carpe Diem String Quartet is a boundary-breaking ensemble that has earned widespread critical and audience acclaim for its innovative programming and electrifying performances. Carpe Diem defies easy classification with programming that reflects its passions for Roma, tango, folk, pop, rock and jazz-inspired music, and has become one of America’s premier “indie” string quartets, without sacrificing its commitment to the traditional quartet repertoire. Speaking about the group, The Washington Post said: “Until Saturday evening, I had never heard a performance by one of these multilingual quartets where the classical repertoire was delivered at a level that was competitive with the finest traditional groups. But the Carpe Diem Quartet, appearing at the Dumbarton Church, was extraordinary. Among these contemporary quartets who speak in different tongues, the Carpe Diem is the best one out there.” The quartet continues to rack up accolades and awards. For three consecutive years, Carpe Diem was the only quartet in the United States to receive an ArtsAlive Award from the PNC Foundation, and they have received rave reviews such as: “This is an accomplished ensemble with a distinctive sound and personality” —San Diego Union Tribune “One would have to search long and hard to find a more charming and enjoyable chamber music concert. A number of elements contributed to this end result, not the least of which the superb musicianship of the four musicians—Carpe Diem is a seriously talented quartet in the most traditional definition.” —Herald-Tribune, Sarasota, Florida Carpe Diem seeks out, and is sought after by, artists from many different genres for collaborations. Carpe Diem’s diverse musical partnerships include American singer, songwriter, and guitarist Willy Porter, Latin Grammy winner/bandoneón player Raul Juarena, klezmer clarinetist David Krakauer, cellist Yo-Yo Ma, banjo virtuoso and Canadian Folk Music Artist of the Year Jayme Stone, Dixieland trumpeter Tom Battenberg, Chinese pipa player Yihan Chen and world master of the Persian santoor Dariush Saghafi. The quartet is the resident ensemble for Columbus Dance Theatre, and their joint project The String Machine was aired by WOSUPBS television and nominated for an Emmy Award. Carpe Diem champions the music of living composers and has commissioned, premiered and performed works from a broad and stylistically diverse range of composers including Frank Bennett, Lawrence Dillon, Danny Elfman, Ken Fuchs, Korine Fujiwara, Osvaldo Golijov, Andre Hajdu, Donald Harris, Jennifer Higdon, Jonathan Leshnoff, Nicholas Maw, William Thomas McKinley, Clancy Newman, Carter Pann, Kevin Putts, Eric Sawyer, Gunther Schuller, Richard Smoot, Bradley Sowash, Reza Vali and Bruce Wolosoff, among others.
Carpe Diem String Quartet is represented by Lisa Sapinkopf Artists & Great Lakes Performing Artist Associates. For further information, please visit carpediemstringquartet.com. · cupresents.org · 303-492-8008
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Carpe Diem String Quartet: Nov. 25 and 26, 2018
About the Carpe Diem String Quartet
Canadian Brass
Christmas Time is Here Monday, Dec. 17, 7:30 p.m. Macky Auditorium
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Back in Boulder: Sarah Chang returns to Colorado for a special solo recital
At an age when most young children enter a kindergarten classroom for the first time, Sarah Chang instead found herself attending The Juilliard School for her otherworldly talents as a violinist. Before she turned 6, she had already traded crayons for concertos. Just a few short years later, Boulder audiences were invited to be part of a historic performance, as the 8-year-old child prodigy performed with the Boulder Philharmonic in her first professional orchestra concert.
At such a young age, the commotion of a professional performance and its various players was a fascinating experience. But it was also quite daunting, and not just for Chang. Her parents, music artists themselves, were nervous, too. In fact, it’s one of the first things she remembers about her first time in Boulder. “They were both pacing around in my dressing room before the concert and fretting so much that I had to kick them out of the room and ask them to go pace somewhere else.” But they made it through the event in one piece. And shortly after, Chang went on to debut in a more official capacity with the New York Philharmonic. The rest, as they say, is history. Now, Colorado residents will have the pleasure to hear her perform a rare solo recital in Macky Auditorium on Friday, Nov. 16. In the nearly three decades since her first Boulder performance, Chang has played with virtually all the top orchestras and artists across the globe. But even as an enduring global icon, she finds herself playing in our city time and time again. It’s an area, she says, that holds a special piece of her heart. “[Boulder] gave me one of my very first opportunities when I was literally a child and was just starting out in the music business. I am always grateful to the city and its community.”
Sarah Chang, age 8, performs with the Boulder Philharmonic for the first time.
We asked which local haunts she’ll visit when she’s in town, but unfortunately, there is hardly any time—Boulder is a brief stop on a fast-paced global tour. Following her time here, she’ll spend a single day in California. The day after that? On to Switzerland.
One peek at her Twitter account shows it can a grueling schedule: “[Sometimes] we get offstage around 11 p.m. After signing sessions and photos, that means we sit down for dinner close to midnight … We are literally still eating at 2 a.m.! Then 4 a.m. pickups to the airport for the next city … Honestly, these back to back to back to back flights with concerts every day in a different city aren't as glamorous as one might think.” It helps to have the occasional adventure on the road—paragliding, time spent with friends living in the cities she tours—or to bring along comforts from home. Chang is a dedicated dog-mom and travels with her pup Chewie whenever she can. (He’s a great traveler, she says, though he isn’t joining her for her brief stint in Colorado.) Given her schedule, and the challenges of performing sometimes hundreds of concerts in a year, it is a particular treat local classical music lovers will have the opportunity to hear one of the greatest violinists of all time once again. “I love every single piece on this program! The Bartók is a firecracker of a piece—hugely fun to play; the Brahms is so heartbreakingly beautiful that it has been and will always be one of my favorite works; and the Franck is an absolute masterpiece. “It's a program of stark contrast and colors, and I'm thrilled to be playing my first recital program in Boulder.” See Sarah Chang, violin, and Julio Elizalde, piano, on Friday, Nov. 16 at 7:30 p.m. in Macky Auditorium. Tickets start at $20.
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Artist Series Donors
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide worldclass performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
Benefactor ($5,000+) Nancy Berman Mary Lamy Paul Bechtner Foundation Greg Silvus Sponsor ($2,500–$4,999) Anonymous Gil and Nancy Berman Diane and Dick Dunn Daryl and Kay James Louise Pearson and Grant Couch Ellen and Joshua Taxman Patron ($1,000–$2,499) Janet Ackermann and Scott Wiesner Sue Blessing Joan McLean Braun Mark and Margaret Carson Chris and Barbara Christoffersen Maggie and John McKune Doyen and James Mitchell Toni and Douglas Shaller Evelyn Taylor Ann and Gary Yost Supporter ($500–$999) Michael and Carol Gallucci Heidi and Charles Lynch Janet and Scott Martin Bob and Sandy McCalmon Judy and Alan Megibow Jane and Cedric Reverand Mikhy and Mike Ritter Alicia and Juan Rodriguez Theodore and Ruth Smith Douglas and Avlona Taylor Larry and Ann Thomas
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Contributor ($250–$499) Anonymous Martha Coffin Evans and Robert Trembly Norma Ekstrand and Tom Campbell Tara and Steve Kelly Joan and Harold Leinbach Heather Van Dusen Member ($100–$249) Maria and Jesse Aweida Barbara Allen Shirley Carnahan Cathy Cloutier Laima and Damon Haley Jo Hill Maryan Jaross Pam Leland Judah and Alice Levine Gail and Thomas Madden Greta Maloney and Bob Palaich Deborah McBride Paul and Kay McCormick Gail and Julie Mock Jacqueline Muller David and Nancy Parker Becky Roser and Ron Stewart Karmen Rossi and Eric Lewis Zoe and Paul Stivers Geoffrey Tyndall Candace and George Williams, Jr.
Friends of Eklund Opera The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards and, ultimately, the successful placement of students after graduation in the professional world.
Benefactor ($5,000+) Jan Burton Robert S. Graham Albert and Betsy Hand Jake Heggie Ann Oglesby The Academy Charitable Foundation, Inc. The Louis and Harold Price Foundation
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Patron ($1,000–$2,499) Chris and Barbara Christoffersen Stephen Dilts J. Michael Dorsey and Carolyn Buck Krista Marks and Brent Milne Mary and Lloyd Gelman Douglas and Toni Shaller Supporter ($500–$999) Judith Auer and George Lawrence Carson-Pfafflin Family Foundation Ellen and John Gille Mark and Julie Laitos Dennis G. Peterson Theodore and Ruth Smith Al and Marty Stormo Ann and Larry Thomas Contributor ($250–$499) Judy and Jim Bowers Barbara Brenton Martha Coffin Evans and Robert Trembly Eleanor DePuy Joan and Harold Leinbach Jerry and Heidi Lynch Ann and Dave Phillips Kim and Rich Plumridge Gail Promboin and Robert Burnham Cynthia and Dave Rosengren Carol and Randall Shinn Pete Wall Ken and Ruth Wright Member ($100–$249) Claudia Boettcher Merthan Charlotte Corbridge John and Lise Cordsen Jeanie Davis Janet Hanley Ruth and Richard Irvin Dennis and Chris Jackson William and Ann Kellogg Norman Lane Mollie and Nicholas Lee Patricia and Robert Lisensky Marian Matheson Annyce Mayer Corinne McKay Marilyn and Robert Peltzer Kim and Rich Plumridge List continues on page 36.
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The Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
Benefactor ($5,000+) Lyle Bourne and Rita Yaroush Gary and Judith Judd in memory of Fay Shwayder Norma R. Johnson Fund Peg and Chuck Rowe Takács String Quartet Sponsor ($2,500–$4,999) PJ Decker and B.A. Saperstein Marion Thurnauer and Alexander Trifunac Patron ($1,000–$2,499) Pamela Barsam Brown and Stanley Brown Marda Buchholz Ruth Carmel Kahn Tom and Carol Cech Chris and Barbara Christoffersen Mary and Lloyd Gelman Anne Heinz and Ran Yaron Carol Lena Kovner
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Maria and Jesse Aweida Ingrid Becher Gil and Nancy Berman Kevin and Diana Bunnell Shirley Carnahan Charlotte Corbridge Barbara and Carl Diehl Margret Hamilton and Charles Proudfit Nancy and Keith Hammond Catharine and Richard E. Harris John D. and Ruthanne J. Hibbs Everett Hilty William Hoffman Jennifer and Bob Kamper Caryl and David Kassoy Judah and Alice Levine Heidi and Jerry Lynch Gail and Thomas Madden Professor John McKim Malville and Nancy Malville Maxine Mark Annyce Mayer Richard and Marjorie McIntosh Christopher B. Mueller Margaret Oakes Wayne and Julie Phillips Richard Replin and Elissa Stein Mark Rosenblum JoAn Segal Todd and Gretchen Sliker Grietje Sloan Carol and Arthur Smoot Berkley Tague Barbara Tamplin Arthur and Laurie Travers Leanne and Christopher Walther William Wood Michael Yanowitch Jeffrey Zax
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Ingrid Michaelson Trio presents Songs of the Season with the Colorado Symphohny DEC 3 MON 7:30 A Classical Christmas Conducted by Brett Mitchell DEC 7-8 FRI-SAT 7:30 Ten Tenors — Home for the Holidays with your Colorado Symphony DEC 9 SUN 6:30 A Colorado Christmas DEC 14-16 FRI 7:30 SAT 2:30 & 6:00 SUN 1:00 ■
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HalfNotes Please join us for family-friendly activities 1 hour before the concert.
Celtic Woman: The Best of Christmas Tour DEC 17 MON 7:30 Holiday Brass DEC 19 WED 7:30 Too Hot to Handel DEC 21-22 FRI-SAT 7:30 A Night in Vienna DEC 31 MON 6:30 presenting sponsors
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Personnel CU Presents
Macky Auditorium
Marketing and PR Director Laima Haley
Asst. Director for Patron Services Matthew Arrington
Executive Director Joan McLean Braun
Operations Director Andrew Metzroth Associate Director of Communications Jessie Bauters Marketing Manager Daniel Leonard Public Relations Manager Becca Vaclavik Publications Specialist Sabrina Green Graphic Design Assistant Analise Iwanski Marketing Assistant Maeve Reilly Public Relations Assistant Corinne Baud Social Content Creator Erika Haase Video Producers Jack Dorfman Madi Smith Web Content Assistant Molly Obermeier Box Office Manager Christin Woolley Box Office Services Manager Michael Casey Box Office Assistants Clare Berndt Elizabeth Collins Indigo Fischer Adrienne Havelka Autumn Pepper Curtis Sellers Financial Manager Michael Johnston Membership Benefits Coordinator Jeni Webster Recording Engineer Kevin Harbison
Director Rudy Betancourt
Music Advisory Board
Associate Dean for Enrollment Management and Undergraduate Studies James Austin
Sue Baer Jim Bailey Gil Berman Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman Laurie Hathorn Doree Hickman Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Erma Mantey Ben Nelson Joe Negler Susan Olenwine Mikhy Ritter, Chair Becky Roser Firuzeh Saidi Stein Sture Jeannie Thompson Jack Walker Celia Waterhouse
Asst. Dean for Concerts and Communications Joan McLean Braun
Artist Series Advisory Board
Asst. Director for Administration Sara Krumwiede Asst. Director for Production JP Osnes Production Managers Richard Barrett Trevor Isetts House Managers Rojana Savoye Kelly Gratz Asst. House Manager Devin Hegger
College of Music
Dean, College of Music Robert Shay
Associate Dean for Graduate Studies Steven Bruns Associate Dean for Faculty Affairs and Operations John Davis Asst. Dean for Advancement Courtney Rowe Director of Strategic Initiatives and Special Asst. to the Dean Alexander George Asst. Dean for Budget and Finance David Mallett
Gil Berman Rudy Betancourt Joan McLean Braun Shirley Carnahan John Davis Diane Dunn Mike Gallucci Laima Haley Daryl James, President Maryan K. Jaross Ruth Kahn Andrew Metzroth Jerry Orten Erika Randall Courtney Rowe Robert Shay Gregory Silvus Ellen Taxman Ann Yost
Photography credits: Glenn Asakawa, Ascaf, Colin Bell, Christian Daellenbach, Christopher Duggan, Christopher Jones, Ian McMorran, Takashi Okamoto, Sian Richards, Amanda Tipton and Max Whittaker
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· cupresents.org · 303-492-8008
Accessibility
The University of Colorado is committed to providing equal access to individuals with disabilities. For more information, visit cupresents.org/accessibility
Parking
Paid parking is available in Lot 380 next to Macky, in the Euclid Avenue Autopark, and in Lots 310 and 204. Contact the box office or check the CU Presents website for more information.
Photography
Photography and video recordings of any type are strictly prohibited during the performance.
Food
Food is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted.
Smoking
Smoking is not permitted anywhere. CU Boulder is a smoke-free campus!
Ticket sales
Ticket sales are final; no refunds. Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single-ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the box office prior to the performance if you are unable to use them.
Box office info
cupresents.org · 303-492-8008
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