CU Presents -- Urinetown, The Musical -- Nov 11-14 by The Publishing House

November-December 2021

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Urinetown, the Musical Nov. 11-14 Georgia on My Mind Nov. 14 Parker Quartet Nov. 21-22 Holiday Festival Dec. 3-5 The King's Singers Dec. 8

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November-December 2021

In this issue 06

Roe Green invests $5 million in CU Boulder Theatre & Dance

Upcoming events

The future of artistry

Takács Quartet wins 4th Gramophone award

Kronos brings the years that changed America to Boulder

Non-traditional careers + community

Thank you to our donors

Artist Series sponsors

Personnel and policies

CU Presents is the home of performing arts on the beautiful University of Colorado Boulder campus. With hundreds of concerts, plays, recitals and more on our stages each year, there’s something for everyone to enjoy.

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The Artist Series, which for more than 80 years has welcomed world-renowned musicians and dance troupes to historic Macky Auditorium.

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The Colorado Shakespeare Festival, a professional theatre company devoted to the Bard’s works.

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The Takács Quartet, a world-renowned chamber ensemble in residence at CU Boulder.

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The CU Performing Arts, offering a broad range of both free and ticketed performances from CU faculty, students and guest artists: exciting new and classic works from the College of Music, spellbinding performances at the Department of Theatre & Dance, and CU Boulder's beloved annual Holiday Festival.

2021-22 Season

Editor: Becca Vaclavik Designer: Sabrina Green Contributors: John Davis, Ally Dever, MarieFaith Lane, Becca Vaclavik Photo/image credits: Nir Arieli, Glenn Asakawa, Jay Blakesberg, CU Boulder Photography, Dave Brinkman, Patrick Campbell, Casey Cass (Holiday Festival cover image), Ligature Creative (Eklund Opera cover image), Tom Donoghue, Holst Photography, Justin Ma, Luke Ratray (Parker Quartet cover image), Rebecca Reid (Artist Series cover image), Larry Rosenberg, Frank Stewart, Amanda Tipton, U.S. Mission Geneva/Eric Bridiers, Architectural Workshop We honor and acknowledge that the University of Colorado’s four campuses are on the traditional territories and ancestral homelands of the Cheyenne, Arapaho, Ute, Apache, Comanche, Kiowa, Lakota, Pueblo and Shoshone Nations. Further, we acknowledge the 48 contemporary tribal nations historically tied to the lands that comprise what is now called Colorado. Artist Series Advisory Board: Daryl James, President; Gil Berman, Shirley Carnahan, Mike Gallucci, Maryan K. Jaross, Ruth Kahn, Gregory Silvus, Ellen Taxman, Ann Yost Music Advisory Board: Laurie Hathorn, Chair; Sue Baer, Jim Bailey, Gil Berman, Christopher Brauchli, Bob Bunting, Jan Burton, Bob Charles, Paul Eklund, Bill Elliott, Martha Coffin Evans, Jonathan Fox, David Fulker, Grace Gamm, Lloyd Gelman, Doree Hickman, Daryl James, Maria Johnson, Caryl Kassoy, Robert Korenblat, Erma Mantey, Ben Nelson, Joe Negler, Ann Oglesby, Susan Olenwine, Mikhy Ritter, Becky Roser, Firuzeh Saidi, Lynn Streeter, Stein Sture, Jeannie Thompson, Jack Walker, Celia Waterhouse

This CU Presents program is published by: The Publishing House, Westminster, CO. Publisher: Angie Flachman Johnson Production Manager: Stacey Krull President Emeritus: Wilbur E. Flachman For advertising, call 303-428-9529 or email sales@pub-house.com. ColoradoArtsPubs.com

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Roe Green invests $5 million in CU Boulder Theatre & Dance via CU Boulder Today

Philanthropist and CU alumna Roe Green is one of CU Boulder’s largest Theatre & Dance donors to date. In recent years, Green has established both the Roe Green Theatre Artist Residency Program, as well as the department’s first endowed faculty chair. Next, she’ll take her support an astonishing step further, providing a recordbreaking $5 million to support students as they seek careers in the performing arts and to give the CU Boulder University Theatre an upgrade. The donation—the largest ever to the CU Boulder Department of Theatre & Dance—will fund an acoustic overhaul of the current UT space for $2 million. Green’s gift will also establish a $1.5 million endowed scholarship fund 6

2021-22 Season

for theatre students and a $1 million endowed fund to support longer-term renovations, ongoing maintenance and enhancements to the venue. Another $500,000 from Green’s gift will endow innovative “launch” programming designed to propel senior theatre students to the next stage in their careers. “Roe Green’s philanthropy has transformed CU theatre and will continue to benefit students, staff and faculty for decades to come,” said CU Boulder Chancellor Philip DiStefano. To recognize Green’s generosity, the university will change the name of the University Theatre to the Roe Green Theatre. After a period of renovations beginning next year, the venue is expected to formally

reopen under its new name for the CU Theatre 2023-24 season and the Colorado Shakespeare Festival 2024 season. “I like to joke that it’s not a renovation but a Roe-novation,” said Erika Randall, chair of the Department of Theatre & Dance. “The Roe Green Theatre will house world-class theatre and dance and will be a transformative space for generations of students who are deeply invested in transforming the arts and refining their creativity. We are deeply grateful for Roe and believe that her passion for the arts will forever spark future student learning.”

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Photo: Artist rendering of the the new Roe Green Theatre, to open in the fall of 2023 at CU Boulder. Rendering by Architectural Workshop.

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 Artist Series  Takács Quartet  CU Performing Arts

Urinetown, the Musical

Georgia on My Mind

Celebrating the Music of Ray Charles

Parker Quartet Nov. 21-22 Grusin Music Hall

Holiday Festival 2021 Dec. 3-5 Macky Auditorium

The King's Singers Wednesday, Dec. 8 Macky Auditorium

Takács Quartet Jan. 9-10, 2022 Grusin Music Hall

Kronos Quartet

Circa

Thursday, Jan. 13, 2022 Macky Auditorium

Sunday, Jan. 30, 2022 Macky Auditorium

Ailey II Wednesday, Feb. 16, 2022 Macky Auditorium

A musical by Mark Hollmann and Greg Kotis

Nov. 11-14 Music Theatre

Music for Change

Sunday, Nov. 14 Macky Auditorium

Sacre

Please note: Circa recommends this performance for audiences ages 12+

2021-22 Season

Join us for upcoming performances: cupresents.org · 303-492-8008

Jazz at Lincoln Center Orchestra with Wynton Marsalis Monday, Feb. 21, 2022 Macky Auditorium

Airness

Guys and Dolls

Danú Wednesday, March 16, 2022 Macky Auditorium

A musical fable of Broadway

March 11-13, 2022 Macky Auditorium

A comedy about air guitar, competition and finding the airness in yourself

March 4-13, 2022 University Theatre

Takács Quartet March 6-7, 2022 Grusin Music Hall

The Current

Dance works by faculty and guest artists

April 7-10, 2022 Charlotte York Irey Theatre

Free performances: CU Boulder College of Music

Faculty Tuesdays Renowned faculty members perform in a weekly concert series featuring guest artists, students and professional colleagues. Most Tuesdays, August-March

Student ensembles The University Symphony Orchestra, Thompson Jazz Studies Program, choirs and other student ensembles thrill audiences with timeless classics and groundbreaking new works. September-April

Join us for a student recital Most weeks, free Student Degree Recitals offer myriad works performed by student soloists. Follow the College of Music @cubouldermusic @musicatcu

@cupresents · #cupresents

The future of artistry opportunities for interdisciplinary partnerships and cross-campus collaborations, expanding the definition of artistry for our students and faculty.

“We are home.” That’s how doctoral student Raul Dominguez describes the spirit and function of the newly opened, 64,000-square-foot expansion of the CU Boulder College of Music’s Imig Music Building. I couldn’t agree more. In addition to imparting a more welcoming sense of place and belonging, our $57M expansion enhances the college’s standing as a national leader in comprehensive music education, performance, composition and research. As we innovate the future by developing what I call the “universal musician,” students now have access to dedicated spaces for our Musicians’ Wellness Program and Entrepreneurship Center for Music, as well as access to the Waltz Music Library and the American Music Research Center—one of the largest and most important music research collections in the country. Our expanded facility also includes the choral department from Macky Auditorium, where rehearsal spaces had become too small and acoustically challenged, as well as space for the Theatre & Dance department. And our new classrooms and a state-of-the-art recording studio further create new 10

2021-22 Season

The upgraded Imig building has already enhanced learning and performance experiences for our students by accelerating our momentum to leverage various technologies in ways that elevate College of Music offerings well beyond our immediate campus community. With new learning and performance spaces and tools, we’re not only expanding the reach and range of what’s possible as scholars, composers and performers, we’re also adding to our students’ skill sets and paving the way toward greater diversity, equity and inclusion in everything we do. Among our 330 undergraduates, 24% are pursuing a second degree outside music (double degree)—a percentage that I expect will increase as the College of Music more actively emphasizes our students’ preparedness for the challenges and opportunities awaiting them beyond our halls. Predictably, with the COVID-19 pandemic as an accelerant, enrollment in our certificate programs in Arts Administration, Music Entrepreneurship, Music Technology, Music Theory and Singing Health is on the rise. Our building expansion further enhances the college’s ability to meet demand from non-music majors for increased class offerings and additional practice facilities, and new concert spaces create additional opportunities to connect with our community.

What a difference a year makes Despite pandemic-related budget restrictions, changes in collegegoing behaviors and family economics, changes in ticket buying behaviors and currently depressed demand for cultural events, technological requirements for remote learning and performances, generalized anxiety and other lingering challenges, COVID-19 has also quickened our momentum toward increased digital engagement with many positive impacts, including on our environment. And with the university returning to a more traditional inperson experience with COVID-19 safety protocols firmly in place, we’ve pivoted and nimbly turned the corner from remote to flexible, in-person learning and experiences. As I reexamine and redefine College of Music-relevant metrics for leadership with open eyes— to expand student and faculty diversity and representation, strengthen student-centered innovation, better support the development of our dedicated pedagogues, and rethink our programming, repertoire and other activities through the lens of inclusivity—I’m unflinchingly confident that the future of artistry lives here. And that our collective recovery—emphasizing transparency, empathy, and mental and physical well-being with every step—is a springboard to a brighter, more beautiful future. See you at Imig and Macky,

John S. Davis Dean, College of Music

Photo by Brandon Marshall, Courtesy of Colorado Symphony Association.

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Takács Quartet wins 4th Gramophone award By Ally Dever CU Boulder’s internationally renowned Takács Quartet won a 2021 Gramophone Classical Music Award in the Chamber category for their 2019 recording of two complementary piano quintets with pianist Garrick Ohlsson. The Gramophone Awards—often referred to as the “Oscars for classical music”—are based in Britain and are considered one of the most prestigious classical music awards in the world.

For Edward Dusinberre, first violinist with the quartet for over 28 years, the award is one thing, but it's the recognition of the group's longevity that hits home.

“The glue of the group is this combination of those very longterm relationships, and then the ability to adapt and incorporate new players and ideas,” he said.

“It's quite stirring for us. The last time we won a Gramophone award was back in 2004, so it's very nice to feel that 17 years later, we’re still being recognized for our recordings,” Dusinberre said.

The winning CD, recorded in May 2019 and released the following year in 2020, features the group's rendition of two piano quintets from composers Amy Beach and Edward Elgar.

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He believes the group's longevity is only possible because of the collective work of all of the This year’s win adds to the string members of the group past and quartet’s already impressive record present. This award was especially of awards, including three previous meaningful because it celebrates Gramophone Awards, one Grammy Award and four Grammy nominations, the last disc they made with violist Geraldine Walther before she retired Disc of the Year at the inaugural from the group. BBC Music Magazine Awards and London’s Wigmore Hall Medal.

Continue reading this article at CU Boulder Today: colorado.edu/today

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Get your single in-person and digital tickets to the Takács' spring concerts and other CU Presents performances at cupresents.org.

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URINETOWN, THE MUSICAL: NOV. 11-14, 2021

Urinetown, The Musical A musical by Mark Hollmann and Greg Kotis Music and lyrics by Mark Hollmann Book and lyrics by Greg Kotis Nov. 11-13, 7:30 p.m. Nov. 14, 2 p.m. Music Theatre

Director Justin Johnson Musical Director

Keith Teepen

Chair of BM/MT Program

Matthew Chellis

Choreographer Tracy Doty Scenic Design Lighting Design Costume Design Costume Shop Manager Sound Design

Jeff Rusnak Ron Mueller Nia Quan Ann Piano Kevin Harbison

Stage Manager

Daniel Mayeux

BM/MT Program Assistants

Tyler Padgett and Anna Montgomery

Assistant Stage Manager

Tyler Padgett

URINETOWN was produced on Broadway in September 2001 by the Araca Group and Dodger Theatricals in association with TheaterDreams, Inc., and Lauren Mitchell Urinetown is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

ACKNOWLEDGEMENTS

PLEASE NOTE

• Dean John Davis

• Masks are required in public indoor spaces on the CU Boulder campus, regardless of vaccination status.

• Undergraduate Dean Matt Roeder • The Bixler Foundation for their generous support of the BM/MT program • CU Presents • Rojana Savoye, House Manager • College of Music Voice Faculty • College of Music Advisory Board • Dean Emeritus Daniel Sher

• Latecomers will be seated at the discretion of the house manager. • Photography and video recordings of any type are strictly prohibited during the performance. • Smoking is not permitted anywhere. CU Boulder is a smoke-free campus. • Please note: This production is rated PG-13 by Music Theatre International (MTI). · cupresents.org · 303-492-8008

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URINETOWN, THE MUSICAL: NOV. 11-14, 2021

Cast

Role Name Bobby Strong

Ian Saverin

Hope Cladwell Melissa Burke-Manwaring Penelope Pennywise

Annie Carpenter

Caldwell B. Cladwell

Chip Persons*

Little Sally Marisa Dinsmoor Officer Lockstock

Michael Gaven

Officer Barrell

Eli Harvey

Senator Fipp

Reilly O’Neill

Mr. McQueen Nawledge Brewington Mrs. Millenium Ellie Karp Dr. Billeaux Colin Ring Joseph ‘Old Man’ Strong

Jack Tyler

Josephine “Ma” Strong/Cop

Caroline Dewell

Hot Blades Harry/Cop

Kees Nachbahr

Little Becky Two Shoes/Cop

Libby Shull

Soupy Sue/Cop

Maija Pieper

Tiny Tom/Cop Alex Mehigan Billy Boy Bill/Cop

Jordan Rhynard

Robby the Stockfish/Cop

Adriana Ripley

UGC Executive #1

Lily Valdez

UGC Executive #2

Zane Larson

UGC Rep/Poor Alecia Marquardt UGC Rep/Poor Mya Busch * Appears by permission of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States

Orchestra

Musical Director Piano/Keyboards Keith Teepen

Bass Alex King

Trombone Jack Holoman

Reeds Jamyson Lindhorn

Rehearsal Pianist Collin Sinclair

Production Director Ron Mueller

Light Board Operator Ben Smith

Properties Artist Jenn Melcher Galvin

Master Carpenter Ben Smith

Asstistant Technical Director Jeff Rusnak

Stage Hand Eric Botto

Scenic Artist Lelah Radostis

Carpenter/Electrician Jahan Shafii

Percussion Rowan Woodbury

Production team

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· cupresents.org · 303-492-8008

By Justin Johnson

A play about pee. Seem outrageous? Well, it is. Outrageously funny. But also, incredibly topical considering the state of our world. Climate change, water scarcity and the inherent inequities that arise from these issues are more troubling than ever. Certainly, more alarming than 20 years ago when Urinetown first graced a Broadway stage. It went on to be nominated for 10 Tony awards, winning three: Best Book, Best Direction and Best Original Score. Urinetown’s premise revolves around the idea that private urination has been outlawed due to a 20-year drought. Instead, everyone must go to their local “public amenity” to do their private business. And of course, they must pay to do so. The show is an over-the-top satire of capitalism, social irresponsibility, and even musical theatre itself. If you watch closely, you will see loving parodies of many musicals, including Les Misérables, Fiddler on the Roof and West Side Story. The plot is reminiscent of The Cradle Will Rock and last spring’s production of The Threepenny Opera and includes numerous character tropes like the Plucky Everyman’s Hero and the Naive Ingénue. Although the show is irreverent and melodramatic, the core message is serious: We have got to start taking better care of our planet. In 2020, Greta Thunberg—the most vocal proponent of climate change—stated, “We can’t save the world by playing by the rules because the rules have to be changed. Everything needs to change—and it has to start today.” And on Aug. 19 of this year, the Intergovernmental Panel on Climate Change for the first time stated unequivocally that “human influence has warmed the atmosphere, ocean and land.” So, let’s get crackin’, shall we? Speak up. Make changes, and start living sustainably. I don’t think any of us want to get sent to Urinetown. I know I don’t.

Personnel

JUSTIN JOHNSON (stage director) has been involved in over 60 productions either as an actor, production manager or director. For the CU Boulder College of Music, he has directed Edges, The 25th Annual Putnam County Spelling Bee, #Life, The Threepenny Opera and now Urinetown. Other directing credits include The Full Monty, Steel Magnolias, Barefoot in the Park, Deathtrap and Avenue Q. He has performed with the Playback Theatre Troupe at a National Diversity and Inclusion Conference in Virginia and facilitated Applied Theatre workshops at Bahá’í Seasonal Schools in Michigan, Illinois, Georgia, Colorado and the Newkind Festival in Tanzania, Australia. Johnson recently participated in the 2019 Colorado Shakespeare Festival as a company member in King Charles III and won a Meritorious Acting Achievement Award from the Kennedy Center American College Theatre Festival for his performance as Ageon in The Comedy of Errors. In addition to directing shows, he currently teaches musical theater studio courses for the BM/MT program here at CU. KEITH TEEPEN (musical director) has performed in Europe, Asia, South America, and throughout North America. He is a multi-faceted musician having collaborated with a diverse spectrum of celebrated artists including American operatic tenor Bryan Hymel, trumpeter Tine Thing Helseth, and Broadway stars Laura Osnes and Donna Vivino. Teepen has enjoyed music directing for over a decade and from 2015-18, Teepen was the “official pianist” for the Metropolitan Opera National Council Auditions—North Dakota-Manitoba

District. Teepen has held collaborative piano positions at DePauw University and Indiana University. Most recently Teepen was on the faculty at the University of North Dakota. Teepen is currently working as a teaching assistant at the University of Colorado Boulder and will be graduating in May 2022 with his Doctor of Musical Arts in collaborative piano. GREG KOTIS is a two-time Tony-winning author of many plays and musicals including Urinetown (Book/ Lyrics), I Am Nobody, The Truth About Santa, The Sting (Lyrics), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (Book/Lyrics), Pig Farm, Eat the Taste, and Jobey and Katherine. His work has been produced and developed in theatres across the country and around the world, including Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, The Apollo (West End), The Brick, the Eugene O’Neill National Theater Conference, The Geva Center, Goodspeed Musicals, Henry Miller’s Theatre (Broadway), Manhattan Theatre Club, New York Stage and Film, New Line Theatre, The Old Globe, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Rep, The Saint James (Off West End), The Tank and Village Theatre, among others. Future projects include ZM, an original musical about teenage fast food workers trying to survive a zombie plague. Kotis co-founded Theater of The Apes with his wife Ayun Halliday (theaterof-the-apes.com) and is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP and the · cupresents.org · 303-492-8008

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URINETOWN, THE MUSICAL: NOV. 11-14, 2021

Stage director’s notes

Dramatists Guild. He grew up in Wellfleet, Massachusetts, lives in New York City, and is the proud father of India and Milo. MARK HOLLMAN is best known as the composer and lyricist of darkly comic Urinetown—the Tony-winning hit musical that flouted conventions for commercial success. Hollmann found himself drawn to opera and musical theatre, especially Weill and Brecht, already in high school. He studied music composition at the University of Chicago, graduating in 1985, and right away set out to write his first musical, Kabooooom!, with playwright Mary DeSalle Kevern, which was produced in 1987 at the University of Chicago. His next musical, written with Jack Helbig, was a Sondheim-influenced comedy called Complaining Well (1988), based on The Dyskolos of the ancient Greek playwright Menander. It has since been revised as Wild Goat (2004) and again as The Girl, the Grouch, and the Goat: A Modern Fable (2008). Like Hollmann’s later

musical Urinetown, the plot hinges on a drought and the abuses and needs that arise from it. MUSIC THEATRE INTERNATIONAL (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences.

W AT E R Over 30 million people rely on the Colorado River for food, water, recreation, energy and work. And unfortunately, we’re using water so rapidly that the Colorado doesn’t even reach the sea anymore. The good news: Sustainability starts with you! By reducing our water usage, we can start to set the Colorado back on track, one drop at a time.

WHAT YOU CAN DO: •

Water is used to create nearly everything we use in everyday life—including paper and plastic. Recycling these items can lower our water waste as well.

•

Turning off the tap when brushing your teeth can save 4 gallons of water a minute!

•

Did you know that one six ounce steak uses 674 gallons of water to get to your table? Meat, specifically pork and beef, requires the highest amount of water to produce of any food. Consider limiting your meat consumption or eating vegetarian or vegan one day a week.

•

Believe it or not, reducing our shopping habits can also save water! The fashion industry alone uses 10% of all water used industrially. Buying less and buying second hand can reduce your water waste.

For more tips on conservation from the CU Environmental Center, visit the complete guide at colorado.edu/ecenter/sustainableBuffs Or, scan the QR code

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Kronos brings the years that changed America to Boulder By Becca Vaclavik

During the height of the civil rights movement, scholar Clarence B. Jones served as personal attorney, adviser, and speech writer to Martin Luther King, Jr. In fact, Jones helped draft the original notes that would become King’s iconic “I Have a Dream” speech. What many don’t know, however, is that the most memorable parts of that speech were completely impromptu. Mahalia Jackson, King’s favorite gospel singer, stood with him on stage. Near the middle of his speech she called out, “Tell them about the dream, Martin! Tell them about your dream.” King set Jones’ notes aside, grabbed the lectern and didn’t look down at the prepared speech again. Recalling that pivotal moment years later in interviews, Jones said he turned to the person next to him and said, “These people don’t know it, but they’re about to go to church.”

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2021-22 Season

Just a few years ago, David Harrington, violinist and founder of the Kronos Quartet, had the honor of hearing Jones share this anecdote. The story, he says, moved him deeply. “It’s so inspiring. It's not only that these amazing people surrounded Martin Luther King, but they were both musicians: Clarence himself was a Julliard-schooled musician in his teens. And of course then there was Mahalia Jackson. Here I am hearing this story, and I just couldn't believe that I never knew this! And that two musicians made this moment happen. And I thought, we've got to find a way to celebrate this.” Harrington discovered that Jones lives in Palo Alto, California (not far from Kronos’ San Francisco base). Harrington got in touch, and Jones recounted the entire story to both him and composer Zachary Watkins. “Jones doesn't claim to have literally written the speech,” confesses Harrington. “What he says is that he heard Martin Luther King's voice inside of him—the cadence, and the rhythm, and the intonation of the words. And so he basically recorded what he heard Martin Luther King saying inside of himself. “And I've worked with enough composers over the last 46 years to know that many composers

speak about hearing their music that same way.” That conversation would inspire Peace Be Till, Watkins’ work about those moments before King’s speech and now the first part of the Kronos Quartet concert, “Music for Change: The 60s, The Years That Changed America.” Coincidentally, at the same time that Harrington and Jones connected, Kronos was working on another piece, a work by Chicagobased composer Stacy Garrop that featured interviews by broadcaster Studs Terkel with none other than Mahalia Jackson. The connections kept colliding. Not long after, Kronos was performing for a third-grade class in San Francisco’s public schools. The students had memorized the lyrics to We Shall Overcome by Pete Seeger and Kronos played along for them. Seeger’s song, of course, was something of an anthem for the Civil Rights movement. “And so we began to have something that felt like it belongs together,” says Harrington. “We are amassing a body of work that I think brings together not only interests that we have, but I think that kind of belong together in concerts and in public events, especially at this time.” Harrington and the rest of Kronos— John Sherba, violin; Hank Dutt,

viola; and Sunny Yang, cello—hope the performance leaves Boulder audiences feeling energized by the apt message. “I want audiences to be able to separate fact from fiction and understand that each of us has more power than we think. And that everybody's energy is really important and can be useful. “If we gather together and use our best thinking, our best ideas, and our most charitable and wideranging visions for making the world a better place—a safer place for our kids, and grandkids, and great grandkids—then we're doing something.” Editor’s note: This story was originally published in January 2020 in advance of the Kronos Quartet’s March 2020 concert. The concert, canceled due to COVID-19, has been rescheduled for Jan. 13, 2022.

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The Kronos Quartet will perform “Music for Change” Jan. 13 in Macky Auditorium. Tickets start at $16. Photos from left: Martin Luther King, Jr. addresses a crowd from the steps of the Lincoln Memorial where he delivered his famous, “I Have a Dream,” speech during the Aug. 28, 1963, march on Washington, D.C., photo sourced from Wikimedia Commons; Kronos Quartet, photo by Jay Blakesberg; Clarence B. Jones (keynote speaker) at the Commemoration of the 50th Anniversary of the “I Have a Dream” speech organized by the Canton of Geneva and The Graduate Institute of Geneva with the support of the U.S. Mission and the Pictet Foundation, Aug. 26, 2013, at the WMO offices in Geneva, photo by U.S. Mission Geneva/Eric Bridiers and made available under an Attribution-NoDerivs 2.0 Creative Commons license; Performance by Mahalia Jackson in Concertgebouw, the Netherlands, in 1961, photo by Dave Brinkman and sourced from Nationaal Archief NL/Anefo.

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Non-traditional careers + community By MarieFaith Lane

As part of our dean's vision to develop what he calls the "universal musician," the College of Music continually strives to revise and refine its programming and activities to ensure a flexible, wellrounded education and experiences that prepare our students for varied, non-traditional careers.

“The first is community. Everyone in the College of Music is welcoming, friendly and invested in each other's well-being and professional success. And I love the size of the school. It's so special to be able to recognize and greet most people in the halls, especially in the context of a large public university.

Take Ingrid Anderson, who's double majoring in violin performance and neuroscience: The College of Music senior and president of the College of Music Student Government (CMSG) expects to graduate in May 2022 and ultimately plans to pursue a career in medicine … along the way, she's "playing violin whenever I can!”

“The second component is the support and encouragement of non-traditional careers in music. Music students receive not only high-level musical training, but have the opportunity to take excellent entrepreneurship classes and courses in business. Many students double major and use skills they've developed in music— focus, intrapersonal abilities, professionalism and more—to succeed on different paths.”

A featured speaker at the Imig Music Building dedication and open house on Sept. 17, Anderson reflects on what makes CU Boulder’s College of Music unique. “There are two components that distinguish the college from other music schools,” she says. 22

2021-22 Season

As CMSG president, Anderson is passionate about advocating for the needs of music students within the College of Music and within the context of the larger university by advancing dialogue

between students and college administration. “We're committed to improving the wellness of music students and strengthening our college community,” she explains. “Mental health is a pressing issue across the world and many college students, specifically, struggle with feelings of isolation. “CMSG focuses on these issues within the College of Music by organizing Wellness Weeks that include drop-in therapy, yoga and healthy snacks; hosting community building events such as Donut Days, and game and movie nights; and sponsoring collective art projects.” Post-graduation, Anderson looks forward to applying the knowledge and skills she's gained at the College of Music to both help others and create innovative ways to achieve her goals.



Photo: Ingrid Anderson, left, at the grand opening celebration for the Imig Music Building expansion. Photo by Glenn Asakawa.

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Evelyn Taylor Larry and Ann Thomas Marion Thurnauer and Alex Trifunac Heather Van Dusen Vanguard Charitable Gift Fund James Webster Phyllis Wise Jacqueline and Mark Wong Ann and Gary Yost

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Lori and Bob Schuyler Schwab Charitable Fund Toni and Douglas Shaller Dan and Boyce Sher Theodore and Ruth Smith Galen & Ada Belle Spencer Foundation Helen Stone Evelyn Taylor Walter Taylor The Dorothy and Anthony Riddle Family Foundation Larry and Ann Thomas Jim Topping Vanguard Charitable Gift Fund Pete Wall Walter Taylor Living Trust Thomas Weed

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Schwab Charitable Fund JoAn Segal Gail and Michael Shimmin Kristin and Wayne Sidney Elaine and Peter Simon Grietje Sloan Allen Stenger Helen Stone Lynn Streeter Kathleen Sullivan Takacs String Quartet The Denver Foundation The Merck Company Foundation Larry and Ann Thomas Anne Thomasson Marion Thurnauer and Alex Trifunac Laurie and Arthur Travers, Jr. Jessica and David Vance Lois and Gordon Ward, Jr. Juli and Larry Weiss Robert Wilson Phyllis Wise Lena and James Wockenfuss This list includes Artist Series, Eklund Opera and Takács Quartet donors of $100+ between 10/11/202010/10/2021. Every effort has been made to present this list as accurately as possible. If you have any questions, please contact 303-492-2869.

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CU Presents

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Executive Director Joan McLean Braun

Director Rudy Betancourt

Marketing and PR Director Laima Haley

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Operations Director Andrew Metzroth Director of Communications, College of Music Sabine Kortals Stein Assistant Director of Marketing Daniel Leonard Assistant Director of Public Relations Becca Vaclavik House Manager Rojana Savoye

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College of Music Cabinet Dean John Davis Associate Dean for Graduate Studies Margaret Haefner Berg Associate Dean for Undergraduate Studies and Enrollment Management Matthew Roeder

Assistant Dean for Concerts and Communications Joan McLean Braun

Executive Assistant to the Dean Lauren Petersen

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Paid parking is available in the Euclid Parking Garage, and in Lots 310 and 204. Contact the box office or check the CU Presents website for more information.

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2021-22 Season

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Smoking is not permitted anywhere. CU Boulder is a smoke-free campus.

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Ticket sales are final; no refunds. Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single-ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the box office prior to the performance if you are unable to use them.

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Compass is a licensed real estate broker and abides by Equal Housing Opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. No statement is made as to accuracy of any description. All measurements and square footages are approximate. This is not intended to solicit property already listed. Nothing herein shall be construed as legal, accounting or other professional advice outside the realm of real estate brokerage.