Cinderella May 17–19, 2019
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Spotlight: College of Music Groundbreaking Page 06
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Spotlight: Curating the Artist Series Page 22
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Editor Becca Vaclavik Designer Sabrina Green CU Presents is the home of performing arts on the beautiful University of Colorado Boulder campus. With hundreds of concerts, plays, recitals and more on our stages each year, there’s something for everyone to enjoy. @cupresents cupresents.org · 303-492-8008
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You have to be here. CU Presents hosts more than 500 performing arts events on the University of Colorado Boulder campus each year. For more than 80 years, the Artist Series has brought leading classical performers, renowned jazz and world music groups and acclaimed dance ensembles to CU Boulder’s historic Macky Auditorium. CU Presents also hosts the Eklund Opera Program, chamber concerts with the Grammy-winning Takács Quartet and the beloved annual Holiday Festival. The College of Music offers almost 400 recitals and concerts by faculty, students and guest artists. Each summer, the Colorado Shakespeare Festival stages professional plays in the Mary Rippon Outdoor Theatre and in the indoor University Theatre. Throughout the year, the Department of Theatre & Dance presents almost 100 faculty, student and guest artist performances. Find your next performance at cupresents.org
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College of Music breaks ground on new home By Jessie Bauters
On a sunny Monday morning, Feb. 4, 2019, College of Music Dean Robert Shay, CU Boulder Chancellor Philip DiStefano and others broke ground on a 64,000-square-foot expansion of the Imig Music Building, the longtime home for music at the University of Colorado Boulder. The expansion, set to open in time for the College of Music Centennial and the Fall 2020 semester, includes a state-ofthe-art recording suite, innovative convertible rehearsal/performance spaces and dedicated suites for the Entrepreneurship Center for Music and the Musicians’ Wellness Program. “This will make it possible for us to continue to inspire the highest levels of artistry and discovery,” Shay said at the ceremony. 06
SPOTLIGHT
The groundbreaking ceremony featured speeches by College of Music Student Government President Anoushka Divekar, Professor of Piano and Helen and Peter Weil Faculty Fellow David Korevaar, Chancellor DiStefano, Music Advisory Board Chair Mikhy Ritter and music+ campaign chair Becky Roser. “With this project, we recognize the importance of the College of Music as a gateway to the Boulder campus,” said Roser. The CU Board of Regents approved $57 million in spending authority for construction of the addition last summer. Work began in January to demolish the southern portion of the Imig building to make way for the new three-story addition along Wardenburg Drive.
The College of Music, through its music+ campaign, continues to work with prospective benefactors and industry partners who are interested in supporting the worldclass people and programs who will benefit from the new addition. Such support is critical to sustaining a top music program that drives innovation and produces the next generation of musicians who will impact humanity through their art. For more information about the Imig Music Building expansion, visit colorado.edu/music/expansion.
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Batsheva Dance Company
Dorrance Dance
“Venezuela” by Ohad Naharin Wednesday, March 20, 7:30 p.m. Starting at $34
Saturday, April 6, 7:30 p.m. Starting at $20
Israel’s foremost contemporary dance company, revered worldwide for its cutting-edge work, visits Boulder for the first time. Artistic Director Ohad Naharin’s transfixing piece “Venezuela” brings together rap, Gregorian chant, Argentine tango and the choreographer’s signature Gaga language research.
Hailed as “entirely glorious” by The New York Times, Dorrance presents tap dance like you’ve never seen. In Artistic Director Michelle Dorrance’s capable hands, the company pushes the boundaries of this uniquely American art form.
Stay tuned!
The 2019-20 Artist Series features jazz icons, acrobatics and aerialists, a fiddling family and much, much more. Events will be announced on April 1, 2019. 08
· cupresents.org · 303-492-8008
Eklund Opera Program
CU Boulder’s Grammy Awardwinning quartet-in-residence is irresistible. April 28 and 29 Starting at $36
Eugene Onegin
An opera by Pyotr Ilyich Tchaikovsky March 15-17, Macky Auditorium Starting at $15
The Turn of the Screw
An opera by Benjamin Britten April 25-28, Music Theatre Starting at $20
More events
CU Music
Faculty Tuesdays
Renowned faculty musicians perform in a weekly concert series featuring guest artists, students and professional colleagues. Tuesdays at 7:30 p.m., August-March
Student ensembles
The University Symphony Orchestra, Thompson Jazz Studies Program, choirs and other student ensembles thrill audiences with timeless classics and groundbreaking new works. September-April
Student Recitals, guest performances and more The hard work of our student artists, the intriguing findings of music scholars and countless more events await! September-April Most concerts are free and open to the public.
CU Theatre & Dance Falstaff in Love
A new play by Scott Kaiser March 14-17, starting at $16
Fourth Annual New Play Festival
April 10-14, free and open to the public
The Current
Dance works by faculty and guest artists April 12-20, starting at $18
FRESH: Spring 2019
A CU dance concert April 26-27, free and open to the public 09
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See Batsheva Dance Company in Macky Auditorium on March 20. Tickets start at $34. See Dorrance Dance in Macky Auditorium on April 6. Tickets start at $20. The Current runs April 12-20 in the University Theatre. Tickets start at $18.
Big name dance companies transform their art on the Boulder stage By Corinne Baud
This spring, the Artist Series hosts two world-class dance ensembles, Batsheva Dance Company and Dorrance Dance, in Macky Auditorium. Both are known for pushing the boundaries of 21stcentury dance—and their global reputations make them a huge “get” for the Boulder community, says CU Theatre & Dance Department Chair and Artist Series Board Member Erika Randall.
developed by Batsheva house choreographer and former artistic director Ohad Naharin. Coincidentally, CU dance students learn Gaga in class today.
“People kept saying, ‘Oh, you got the apprentices from the Young Ensemble?’ No. Batsheva. The full company is coming to Boulder,” she recalls.
“It’s a wonderful opportunity for our students. We received a Roser Visiting Artist Grant to fund two weeks of master classes prior to the concert,” adds Randall. “Being able to have deep investigatory time in this immersive and demanding technique—while also witnessing the company onstage— is a rare gift.”
Known to be at the forefront of modern dance in the 21st century, Batsheva Dance Company uses Gaga, a movement language
Dorrance Dance, too, has redefined modern dance. Aiming to honor tap in a new and dynamic
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SPOTLIGHT
“Once Batsheva found out how deeply Gaga was incorporated into our dance department, they were blown away,” says CU Presents Executive Director Joan McLean Braun.
way, Dorrance revamps the rhythmic and technical traditions of the art form that have enticed audiences for generations. “They’ve evolved tap into a contemporary context, looking at it as a musical expression and percussive nature of feet,” says McLean Braun. “The buzz around the company is remarkable. They were just in Vail a few summers ago and audiences were completely impressed.” Both dance companies complement the other genres and art forms of the Artist Series this season. “The Artist Series really looks to bring experiences to Boulder that will be both entertaining and transformative,” says Randall. “And these two companies definitely deliver that because of how they move people into feeling.”
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Batsheva Dance Company Venezuela by Ohad Naharin
Wednesday, March 20, 2019
Batsheva Dance Company: March 20, 2019
BATSHEVA DANCE COMPANY VENEZUELA by
Ohad Naharin Lighting Design
Soundtrack Design and Edit
Avi Yona Bueno (Bambi)
Maxim Waratt
Musical Advisor
Costume Design
Nadav Barnea
Eri Nakamura
Assistant to Ohad Naharin and Eri Nakamura
Ariel Cohen
Dancers Instructor
Natalia Petrova
Assistant
Omri Mishael
With Batsheva Dance Company dancers season 2018/19
Etay Axelrod, Billy Barry, Yael Ben Ezer, Matan Cohen, Ben Green, Chiaki Horita, Chunwoong Kim, Rani Lebzelter, Hugo Marmelada, Eri Nakamura, Nitzan Ressler, Kyle Scheurich, Maayan Sheinfeld, Yoni (Yonatan) Simon, Hani Sirkis, Amalia Smith, Imre van Opstal, Erez Zohar Produced by Batsheva Dance Company Co-producers: Chaillot National Theater, Paris; Hellerau – European Center for the Arts, Dresden Special support provided by: Batsheva’s New Works Fund and the American Friends of Batsheva’s New Works Fund Thanks to: The Israeli Ballroom Dancing Fund North American Production Management Pomegranate Arts Linda Brumbach, Founder and Director
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· cupresents.org · 303-492-8008
Batsheva Dance Company: March 20, 2019
Music Coma by Converter Ae Ajnabi (From Dil Se) by Mahalakshmi & Udit Narayan Bullet in the head by Rage Against the Machine Mirage by Biz The Wait by Olafur Arnalds One Large Rose by Niblock Phill Dead Wrong by The Notorious B.I.G. Kyrie fons bonitatis, Litany from Gregorian Chant, Songs of the Spirit Beata Viscera from Gregorian Chant, Songs of the Spirit Offertorium: Lubulate Deo Universa Terra from Gregorian Chants O Euchari by Hildegard Von Bingen A Ariel de Profundis from Gregorian Chants Alma Redemptoris from Gregorian Chants Alma Redemptoris Meter from Gregorian Chant From Westminster Cathedral Choir Easter Vigil: Litany from Gregorian Chant From Westminster Cathedral Choir
Personnel
Ohad Naharin, House Choreographer Gili Navot, Artistic Director Dina Aldor, Executive Director Kelvin Vu, Assistant to the Artistic Director Yaniv Nagar, Company and Stage Manager Luc Jacobs, Senior Rehearsal Director Noa Ron, Deputy Director, Content and Communications Amit Hevrony, Head of International Touring Dana Guti, International Touring Producer Roni Cohen, Chief Technical Director
Eliav Refaely, Lighting Dudi Bell, Sound Gilad Bonneau, Stagehand Maya Lavi, Wardrobe Manager Nir Dayan, Physiotherapist
Batsheva Dance Company’s touring staff in Boulder: Yuval Glickman, Technical Director Tim Grassel, Tour Manager, Pomegranate Arts
North American Representation for Batsheva Dance Company: Pomegranate Arts pomegranatearts.com | info@pomarts.com Linda Brumbach, Founder and Director Jeremy Lydic, Production Manager Alisa E. Regas, Managing Director, Creative Brit Katke, Office Manager Adam Thorburn, Business Manager Willa Folmar, Production Assistant Rachel Katwan, General Manager
This performance is generously sponsored by:
· cupresents.org · 303-492-8008
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Batsheva Dance Company: March 20, 2019
Biographies
Batsheva Dance Company has been critically acclaimed and popularly embraced as one of the foremost contemporary dance companies in the world. Together with Batsheva - The Young Ensemble, the Company boasts a roster of 34 dancers drawn from Israel and abroad. Batsheva Dance Company is Israel's biggest company, maintaining an extensive performance schedule locally and internationally with over 250 performances and circa 100,000 spectators every year. Hailed as one of the world's preeminent contemporary choreographers, Ohad Naharin was appointed artistic director in 1990 and propelled the Company into a new era with his adventurous curatorial vision and distinctive choreographic voice. After almost 30 years of leading Batsheva, Naharin stepped down as artistic director in 2018 and continues to serve as the Company's house choreographer. In September 2018 Gili Navot assumed the role of Batsheva's artistic director. Naharin is also the originator of the innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company’s training and emerged as a growing international force in the larger field of movement practices for both dancers and non-dancers. The Batsheva dancers take part in the creative processes in the studio and even create their own works in the annual project "Batsheva Dancers Create," supported by The Michael Sela Fund for Cultivation of Young Artists at Batsheva. Batsheva Dance Company was founded as a repertory company in 1964 by the Baroness Batsheva de Rothschild, who enlisted Martha Graham as its first artistic advisor. Since 1989, Batsheva Dance Company has been in residence at the Suzanne Dellal Centre in Tel Aviv. Ohad Naharin is the house choreographer of Batsheva Dance Company and creator of the Gaga movement language. Naharin was born in 1952 in Mizra, Israel. His mother is a choreographer, dance teacher and Feldenkrais instructor, and his father was an actor and psychologist. He joined Batsheva Dance Company in 1974 despite having little formal training. During his first year, guest choreographer Martha Graham invited him to join her own company in New York. Between 1975 and 1976, Naharin studied at the School of American Ballet at The Juilliard School, and with Maggie Black and David Howard. He then joined Maurice Béjart’s Ballet du XXe Siecle in Brussels for one season. Naharin returned to New York in 1979 and made his choreographic debut at the Kazuko Hirabayshi studio the following year. From 1980 until 1990, Naharin presented works in New York and abroad, including pieces for Batsheva Dance Company, the Kibbutz Contemporary Dance Company and Nederlands Dans Theater. At the same time, he worked with his first wife, Mari Kajiwara, and a group of dancers in New York. Naharin and Kajiwara continued to work together until she died from cancer in 2001. In 1990, Naharin was appointed artistic director of Batsheva Dance Company; in the same year, he established the company’s junior division, Batsheva - The Young Ensemble. He has since created over 30 works for both companies. After almost 30 years of leading Batsheva, Naharin stepped down as artistic director in 2018 and continues to serve as the Company's house choreographer. In addition to his stage work, Naharin also developed Gaga, an innovative movement language based on research into heightening sensation and imagination, becoming aware of form, finding new movement habits, and going beyond familiar limits. Gaga is the daily training of Batsheva’s dancers and has spread globally among both dancers and non-dancers. Naharin trained in music throughout his childhood and continues to infuse his work with a unique musicality. He has collaborated with the Israeli rock group The Tractor’s Revenge (Kyr, 1990), Avi Balleli and Dan Makov (Anaphaza, 1993), Ivri Lider (Z/na, 1995) and Grischa Lichtenberger (Last Work, 2015).
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· cupresents.org · 303-492-8008
Naharin’s work has also been featured in several films. In his 2007 documentary Out of Focus, Director Tomer Heymann filmed the process of restaging Decadance with Cedar Lake Contemporary Ballet. And in 2015, the Heymann Brothers released their comprehensive documentary about Naharin, Mr. Gaga, to critical and audience acclaim. A citizen of both Israel and the United States, Naharin currently lives in Israel with his wife, dancer and costume designer Eri Nakamura, and their daughter, Noga. Gili Navot is a dancer, choreographer, teacher and the artistic director of Batsheva Dance Company. Navot grew up in Haifa, Israel, where she began her dance training at Reut School of the Arts. In 1999, Navot joined Batsheva - The Young Ensemble under the direction of Ohad Naharin; she advanced to Batsheva Dance Company two years later, where she performed works by Naharin, Sharon Eyal and Mats Ek. In 2006, she won the Yair Shapira Award for Excellence in Dance. After leaving Batsheva in 2008, Navot continued to work with Naharin, teaching Gaga and restaging his works. She also assisted in the restaging of William Forsythe’s Double/Single for the Opera Project in Tel Aviv. As an independent choreographer, Navot created Raft (2009), Check In (2010), Subject to Change (2011) and May Contain Nuts (2012). In 2016, Navot graduated with honors from the Kibbutzim College of Education, Technology, and the Arts with a BA and teaching certificate in dance education. A practitioner of yoga, BMC and Tai Chi and a certified ballet teacher, Navot currently lives with her husband, Raz, and their three children in Tel Aviv. Etay Axelrod was born in 1995 and graduated from Blich High School in Ramat Gan. He attended in the American Academy of Ballet Summer Course (2012), Peridance School in Manhattan (2013) and SIBA in Salzburg under full scholarships. Axelrod was a recipient of the America-Israel Cultural Foundation Scholarship in 2013-14. He served in the IDF (Israel Defense Forces) as a privileged outstanding dancer. Axelrod joined Batsheva - The Young Ensemble in 2014, after completing a year as an apprentice. He joined Batsheva Dance Company in 2017. Billy Barry was born in 1989 in New York. He graduated from Juilliard in 2011 and performed with Gallim Dance and Keigwin + CO. He joined Batsheva Ensemble in 2011 and Batsheva Dance Company in 2012. Yael Ben Ezer was born in 1995 in Tel Aviv. She studied at the Tel Aviv School of the Arts and graduated from Alon High School's dance department. She participated in the Excellence Programs of both Batsheva Dance Company and the Kibbutz Contemporary Dance Company. During the summer of 2010 she participated in the “Dance is Culture" (Israel/Italy) project directed by Adi Salant and Mauro Astolfi. She joined Batsheva - The Young Ensemble in 2013 and Batsheva Dance Company in 2016. Matan Cohen was born in Haifa in 1993. Cohen studied at the dance department of the Wizo High School for the Arts. He graduated from the training program of Bikurey Ha'Itim under the direction of Naomi Perlov and Ofir Dagan. He served in the IDF as a privileged outstanding dancer and joined Batsheva - The Young Ensemble in 2013 and Batsheva Dance Company in 2016. Ben Green was born in the U.S. in 1996. He studied at the Kibbutz Contemporary Dance Company in 2014 and graduated from the Las Vegas Academy of the Arts. He has also participated in workshops and programs with Crystal Pite, Johannes Wieland, Tom Weinberger and Batsheva Dance Company's Gaga. Alongside his own choreographic works for the Las Vegas Academy of Arts and for KCDC Emerging Choreographer's show, he has worked with choreographers Jiri Kylian and Bryan Arias, and with the New Dialect Dance Company. He joined Batsheva - The Young Ensemble in 2016 and Batsheva Dance Company in 2017.
· cupresents.org · 303-492-8008
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Batsheva Dance Company: March 20, 2019
Under the pseudonym Maxim Waratt, he composed music for MAX (2007) and edited and mixed the soundtracks for Mamootot (2003), Hora (2009), Sadeh21 (2011), The Hole (2013), Last Work (2015) and Venezuela (2017).
Batsheva Dance Company: March 20, 2019
Chiaki Horita was born in Japan 1989. She studied at the Ikemoto Ballet School in Hiroshima, Japan, and then completed a traineeship at Jo Kanamori's company, Noism. She later joined Nederlands Dans Theatre ll from 2008 to 2011 and then the GöteborgsOperans Danskompani from 2011 to 2014. She joined Batsheva - The Young Ensemble in 2015 and Batsheva Dance Company in 2018. Chunwoong Kim was born in South Korea in 1994 and graduated from Jeunju Fine Arts High School. He studied at the Korea National University of the Arts from 2013 to 2015. During these years, he danced with Hee Eun Dance Company and K'art Dance Company. At age 18 he placed third in the ninth Seoul International Dance Competition and at age 20 placed second in the 51st Shinin Dance Competition. Kim joined Batsheva - The Young Ensemble in 2015 and Batsheva Dance Company in 2017. Rani Lebzelter was born in Israel in 1989. She studied at the Bustan School for the Performing Arts in Netanya. During 2009 and 2010, Lebzelter trained at the dancer's workshop in Kibbutz Ga'aton. Between 2009 and 2011, she took part in the dance training course under the direction of Naomi Perlov and Ofir Dagan. In 2010, she participated in the Batsheva Dance Company Excellence Program directed by Hillel Kogan. She joined Batsheva - The Young Ensemble in 2012 and Batsheva Dance Company in 2014. Hugo Marmelada was born in Portugal in 1987. He started hip-hop dancing at the age of 11, and three years later, joined the Academia de Dança Contemporânea de Setúbal, where he graduated in 2006. Marmelada has since been working with various dance companies and choreographers such as Compagnie Alias, Amanda Miller, André Mesquita, Ariadna Montfort, Bounce Streetdance Company, Oslo Dance Ensemble and the Norwegian National Ballet. With It Dansa Company, he performed works by Ohad Naharin, Jiří Kylián and Rafael Bonachela, among others; with Company Carte Blanche he performed works by Hooman Sharifi, Sharon Eyal, Crystal Pite and more. He joined Batsheva Dance Company in 2017. Eri Nakamura was born in Japan in 1984. In 2002, she graduated from The Australian Ballet School in Melbourne. From 2003 to 2007, she danced with the Victor Ullate Ballet Company in Madrid and later, between 2007 and 2008, with Les Grands Ballet Canadiens de Montreal in Canada under the artistic direction of Gradimir Pankov. She danced with Batsheva Dance Company from 2011 to 2015 and rejoined in 2016. She designed the costumes for Last Work and Venezuela by Ohad Naharin and And Still by Danielle Agami. Nitzan Ressler was born in Jerusalem in 1992. During her younger years she danced with Hora Jerusalem and studied at the Jerusalem Academy for Music and Dance High School. Ressler is the recipient of the 2008-2010 Israel-America Cultural Foundation education scholarship. She joined Batsheva Ensemble in 2010 and Batsheva Dance Company in 2012. Kyle Scheurich was born in 1992 in New York. In 2010, he graduated from Fiorello H. LaGuardia High School for Music & Art and the Performing Arts. During his time at LaGuardia High School, he also studied at Manhattan Youth Ballet under the direction of Francois Perron. He graduated from The Juilliard School and joined Batsheva - The Young Ensemble in 2014. He joined Batsheva Dance Company in 2016. Maayan Sheinfeld was born in 1992. She graduated from the Thelma Yellin High School for the Arts. Maayan is the recipient of the 2007-2010 Sharet Fund scholarship. She participated in summer dance courses in Prague, Salzburg and New York's Juilliard and joined Batsheva - The Young Ensemble in 2010 and Batsheva Dance Company in 2012. Yoni (Yonatan) Simon was born in 1995 and is a graduate of the dance department at the Ironi Alef High School in Tel Aviv. During his studies, he participated in a student exchange program with the De Kunsthumaniora School in Belgium. He participated in the Batsheva Excellence Program from 2011 through 2014 as well as in the KCDC Excellence Program in 2011 and 2012. He was the recipient of a full scholarship to the American Academy of Ballet Summer Course in 2013. Simon serves in the IDF as a privileged outstanding dancer. Simon joined Batsheva - The Young Ensemble as an apprentice in 2014 and as a dancer in 2015. He joined Batsheva Dance Company in 2016.
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· cupresents.org · 303-492-8008
Amalia Smith was born on the west coast of Canada in 1994 and grew up on Salt Spring Island, British Columbia. In 2010, she moved to Vancouver to join the Arts Umbrella Dance Company and its school. In 2012, Smith was introduced to Gaga at the San Francisco Conservatory of Dance. She joined the ensemble in 2014 and joined Batsheva Dance Company in 2017. Imre van Opstal was born in the Netherlands and started dancing at the Vooropleiding Dans in Venlo. After graduating from Rotterdam Dance Academy Codarts, she joined the Norwegian National Company of Contemporary Dance (Carte Blanche) in 2011-12. In 2012 she joined Nederlands Dans Theater 2 and in 2015, Nederlands Dans Theater 1. She forms a choreographic duo with her brother, Marne van Opstal, and together they have choreographed works in 2014, 2015 and 2017 for Nederlands Dans Theater 2. In 2014, she won an incentive award from Dansersfonds '79 and was nominated for the Piket Art Awards. She was recently nominated for a Swan Award. She joined Batsheva Dance Company in 2017. Erez Zohar began his dancing career as a member in companies such as the Georgian Dance Company, Hora Jerusalem Dance Company and the Jerusalem Tap Dance Company. He won scholarships from the American-Israeli Cultural Foundation and an Outstanding Dancer grant from the Ministry of Culture and Education. In 2002, after graduating from the Jerusalem Academy of Music and Dance High School, he joined Batsheva - The Young Ensemble, and in 2005 Batsheva Dance Company, where he danced until 2012. Between 2012 and 2014, Zohar was co-director of the Bye Bye Ballet School of Contemporary Dance in St. Petersburg. Starting in 2012, Zohar was assistant to Ohad Naharin, restaging his works abroad, and worked with various companies and institutes such as Introdans, Leipzig Ballet, National Ballet of Portugal, Polish Dance Theatre, National Theatre of Prague, Berlin State Ballet, IT Dansa Barcelona, Royal Ballet of Flanders and the English Royal Ballet. Zohar has been teaching Gaga since 2003. He is also a certified therapist of the Ilan Lev method. Zohar rejoined Batsheva Dance Company in 2017. Pomegranate Arts has worked in close collaboration with a small group of contemporary artists and arts institutions to bring bold and ambitious artistic ideas to fruition for the past 20 years. Founder and Director Linda Brumbach, along with Managing Director Alisa E. Regas, produced the Olivier Award-winning revival of Einstein on the Beach, the multi-award winning production of Taylor Mac’s A 24-Decade History of Popular Music and the Drama Desk Award-winning production of Charlie Victor Romeo. Since its inception, Pomegranate Arts has produced over 30 major new performing arts productions and tours for Philip Glass, Laurie Anderson, Lucinda Childs, Dan Zanes, London’s Improbable, Sankai Juku, Batsheva and Bassem Youssef, and collaborated on new productions with the Kronos Quartet, Leonard Cohen, Robert Wilson and Frank Gehry. Pomegranate Arts hope to continue to build a community of institutions and individuals that are inspired by artists that help bring beauty and truth into the world, ask important questions and take bold risks.
· cupresents.org · 303-492-8008
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Batsheva Dance Company: March 20, 2019
Hani Sirkis was born in 1998 in Israel. She graduated with honors from the Thelma Yellin High-School of the Arts dance program. In 2013-2014 she received the America-Israel Foundation Scholarship, and in 2015 she received a reward in the Jeannette Ordman competition. In 2015 she participated in the Salzburg Ballet Summer Course with a full scholarship. In 2014 and 2016 she participated in the Batsheva Excellence course. She joined Batsheva – The Young Ensemble in 2016 and Batsheva Dance Company in 2018.
Dorrance Dance
Saturday, April 6, 7:30 p.m. Macky Auditorium
Starting at $20 at cupresents.org Discounts for groups, youth, seniors, students and CU employees at cupresents.org/discounts
J A N U A R Y 2 6 – M AY 2 6
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How to plan a knockout Artist Series in Macky Auditorium By Becca Vaclavik
Joan McLean Braun has served as executive director for CU Presents since 2001—taking over the helm of the Artist Series when CU Presents was still CU Concerts. Under her artistic vision, audiences in Macky Auditorium have experienced groundbreaking performances from Bobby McFerrin, Martha Graham Dance Company, Yo-Yo Ma and dozens of other award-winning icons across genres.
performance Boulder residents might see onstage.
But the process of curating a complete Artist Series lineup begins long before patrons step into the theatre. Season planning is full of as many highs, lows and emotional moments as any live
She starts with a few anchors, or “must-have” artists, whom she’s willing to shape the rest of the season around. Sometimes, the anchors have been on the short list for years.
22
SPOTLIGHT
It all begins with a list of names. Early on, McLean Braun starts will a short list of artists she’s hoping to bring to Macky. “Short” is relative, of course, because the list typically has about three times as many names on it as the Artist Series has dates to fill. This is her favorite part.
“Yo-Yo Ma had been on our offer list for at least a decade. We just kept saying, ‘We’re here!’ and waiting,” she shares with a laugh and a big wave of her hands. Then, after attending conferences with other area presenters and speaking with agents across the globe, she begins to fill in the holes between her anchors. McLean Braun collaborates with CU faculty and presenters from Fort Collins and Denver to put together a lineup that is both efficient for curators and inspiring for audiences. And if a nice, long list of potential acts is McLean Braun’s favorite part, the winnowing process is her
nemesis. Sometimes a booked artist will cancel their tour entirely. Or sometimes Macky’s historic features aren’t a match with the technical needs of otherwise incredible performers. Sometimes an agent suggests a tour that bounces from Dallas up to Boulder and back down to Houston. She often has to simply say no—or at least, “Not this year.” It’s a long process to piece the puzzle together, she says, and one she wishes she had more control over. “I keep wishing that I were designing the Artist Series events like a box of chocolates. ‘Oh, this
one goes here. Yep. This needs to go there.’ But it's not like that. There’s an extremely challenging practical element to planning.” Even so, it’s not all hiccups and headaches. The incredibly varied genres of the CU Presents Artist Series work in her (and audiences’) favor. “I can be nimble. I know I want at least three classical events. Then dance, jazz, world music … Sure, it's got a little bit of a repeating pattern to the things that I'm looking to balance. But it's flexible enough that I can take advantage of what's going to be going around, too.”
Eventually, some time around January in any given year, the stars align and another season packed with knockout performers comes together. Regardless of what genres are represented at Macky each year, McLean Braun knows she can always rely on one constant: Every artist or production in the Artist Series is of the highest level of talent. “It's great being a multidisciplinary presenter because, really… All things are possible for us.”
23
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Open Space 2018-19 SEASON HIGHLIGHTS MAR 23, 7:30 PM at Macky A live orchestra, multimedia concert with your favorite moments from Toy Story, Coco & more!
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Join us as we celebrate Easter! Maundy Thursday April 18, 12 noon and 6 p.m. Good Friday April 19, 12 noon and 6 p.m. Great Vigil of Easter Saturday, April 20, 8 p.m. Easter Day Sunday, April 21, 8 a.m. and 10 a.m.
Regular Sunday Services 8 a.m. ~ 10 a.m.~ 6 p.m. Bread + Belonging Campus Ministry 6 p.m. every Tuesday
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Artist Series Donors
Joan and Harold Leinbach Heather Van Dusen
Gil and Nancy Berman Mary Lamy Paul Bechtner Foundation Greg Silvus
Member ($100-$249)
Benefactor ($5,000+)
Sponsor ($2,500-$4,999)
Anonymous Diane and Dick Dunn Daryl and Kay James Louise Pearson and Grant Couch Ellen and Joshua Taxman
Patron ($1,000-$2,499)
Janet Ackermann and Scott Wiesner Sue Blessing Joan McLean Braun Mark and Margaret Carson Chris and Barbara Christoffersen Janet and T. Scott Martin Maggie and John McKune Doyen and James Mitchell Toni and Douglas Shaller Evelyn Taylor Tebo Properties Ann and Gary Yost
Supporter ($500-$999)
Michael and Carol Gallucci Heidi and Charles Lynch Bob and Sandy McCalmon Judy and Alan Megibow Sara Moore Jane and Cedric Reverand Mikhy and Mike Ritter Alicia and Juan Rodriguez Theodore and Ruth Smith Douglas and Avlona Taylor John and Carson Taylor Larry and Ann Thomas
Contributor ($250-$499)
Anonymous Douglas and Rita Dart Martha Coffin Evans and Robert Trembly Norma Ekstrand and Tom Campbell Hazlitt Family Tara and Steve Kelly 30
Maria and Jesse Aweida Barbara Allen Shirley Carnahan Cathy Cloutier Shirley Fischler Laima and Damon Haley Jo Hill Maryan Jaross Pam Leland Judah and Alice Levine Gail and Thomas Madden Greta Maloney and Bob Palaich Deborah McBride Paul and Kay McCormick Gail and Julie Mock Jacqueline Muller David and Nancy Parker Becky Roser and Ron Stewart Karmen Rossi and Eric Lewis Zoe and Paul Stivers Lloyd Timblin Geoffrey Tyndall Candace and George Williams, Jr.
Friends of Eklund Opera Benefactor ($5,000+)
Jan Burton Robert S. Graham Albert and Betsy Hand Jake Heggie Ann Oglesby Al and Marty Stormo The Academy Charitable Foundation, Inc. The Louis and Harold Price Foundation
Patron ($1,000-$2,499)
Chris and Barbara Christoffersen Stephen Dilts J. Michael Dorsey and Carolyn Buck Mary and Lloyd Gelman John Hedderich Krista Marks and Brent Milne Douglas and Toni Shaller
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Supporter ($500-$999)
Judith Auer and George Lawrence Carson-Pfafflin Family Foundation Jeanie Davis Ellen and John Gille Mark and Julie Laitos Dennis G. Peterson Keyan and Becky Riley Marti and Patrick Ritto Theodore and Ruth Smith Ann and Larry Thomas Chester and Margaret Winter
Contributor ($250-$499)
Judy and Jim Bowers Barbara Brenton Martha Coffin Evans and Robert Trembly Eleanor DePuy Janet Hanley Joan and Harold Leinbach Jerry and Heidi Lynch Margaret Oakes Ann and Dave Phillips Kim and Rich Plumridge Gail Promboin and Robert Burnham Cynthia and Dave Rosengren Carol and Randall Shinn John and Carson Taylor Pete Wall Ken and Ruth Wright
Member ($100-$249)
Betsy and Richard Armstrong Byrne Boys, LLC. Claudia Boettcher Merthan Sara-Jane and William Cohen Charlotte Corbridge John and Lise Cordsen Irfan and Martha Hussain Ruth and Richard Irvin Dennis and Chris Jackson William and Ann Kellogg Marion Kreith Norman Lane Barbara and Bruce Leaf Mollie and Nicholas Lee Patricia and Robert Lisensky Marian Matheson Annyce Mayer List continues on page 32.
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Byron and Catharine McCalmon Corinne McKay Marilyn and Robert Peltzer Kim and Rich Plumridge Juan and Alicia Rodriguez Peg and Chuck Rowe Ruth Schoening Carol and Arthur Smoot Linda and Jim Stinson Barbara Tamplin Walter Taylor Three Roses Salon Jim Topping Gretchen Vanderwerf and Gigi Jones Ann and Gary Yost
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Lyle Bourne and Rita Yaroush Norma R. Johnson Fund Gary and Judith Judd in memory of Fay Shwayder David and Janet Robertson Peg and Chuck Rowe Takács String Quartet
Sponsor ($2,500-$4,999)
PJ Decker and B.A. Saperstein Marion Thurnauer and Alexander Trifunac
Patron ($1,000-$2,499)
Pamela Barsam Brown and Stanley Brown Marda Buchholz Arnold Dunn, PhD Tom and Carol Cech Chris and Barbara Christoffersen Lauren Frear Ruth Carmel Kahn Mary and Lloyd Gelman Anne Heinz and Ran Yaron Eileen and Walter Kintsch Carol Lena Kovner Joel Pokorny Mikhy and Mike Ritter Kathleen Sullivan John and Carson Taylor
Supporter ($500-$999)
Bill and Louise Bradley Christopher and Margot Brauchli Patricia Butler Alison Craig and Stephen Trainor Carolyn and Don Etter Robert Kehoe Carol and Tony Keig Ray and Margot LaPanse Nancy and Paul Levitt Jane Menken and Richard Jessor Virginia Newton Neil and Martha Palmer Mikhy and Mike Ritter David and Susan Seitz Lawrence and Ann Thomas Patricia Thompson
Contributor ($250-$499)
Phil and Leslie Aaholm Ellen and Dean Boal Virginia Boucher Pauline and Noel Clark JoAnn and Richard Crandall Robbie Dunlap Ken and Dianne Hackett Bruce and Kyongguen Johnson Joan and Harold Leinbach Patricia and Robert Lisensky Albert Lundell Kim Matthews Lise Menn Becky Roser and Ron Stewart Andrew Skumanich Helen Stone Anthony and Randi Stroh James and Nurit Wolf
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Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Gil and Nancy Berman Kevin and Diana Bunnell Shirley Carnahan Charlotte Corbridge Barbara and Carl Diehl
Artist Series Corporate Sponsors
Artist Series In-kind Sponsors
32
· cupresents.org · 303-492-8008
Margret Hamilton and Charles Proudfit Nancy and Keith Hammond Catharine and Richard E. Harris John D. and Ruthanne J. Hibbs Everett Hilty Elizabeth and Jonathan Hinebauch William Hoffman Jennifer and Bob Kamper Caryl and David Kassoy Mireille Key Keith Kohnen Judah and Alice Levine Heidi and Jerry Lynch Gail and Thomas Madden Caroline Malde Professor John McKim Malville and Nancy Malville Maxine Mark Annyce Mayer Richard and Marjorie McIntosh Christopher B. Mueller Margaret Oakes Faith and Roy Peterson Wayne and Julie Phillips Richard Replin and Elissa Stein Mark Rosenblum JoAn Segal Todd and Gretchen Sliker Grietje Sloan Carol and Arthur Smoot Berkley Tague Barbara Tamplin Arthur and Laurie Travers Gordon and Lois Ward Barbara Warner Katherine Van Winkle Leanne and Christopher Walther William Wood Michael Yanowitch Jeffrey Zax
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Macky Auditorium
Executive Director Joan McLean Braun
Director Rudy Betancourt
Marketing and PR Director Laima Haley Operations Director Andrew Metzroth
Asst. Director for Administration Sara Krumwiede
Associate Director of Communications Jessie Bauters
Asst. Director for Production JP Osnes
Marketing Manager Daniel Leonard Public Relations Manager Becca Vaclavik Publications Specialist Sabrina Green Graphic Design Assistant Sue Kim Marketing Assistant Maeve Reilly Public Relations Assistant Corinne Baud Social Content Creator Erika Haase Video Producers Jack Dorfman Madi Smith
Asst. Director for Patron Services Matthew Arrington
Production Managers Richard Barrett Trevor Isetts House Managers Rojana Savoye Kelly Gratz Asst. House Manager Devin Hegger
College of Music Dean Robert Shay
Associate Dean for Enrollment Management and Undergraduate Studies James Austin
Box Office Manager Christin Woolley
Asst. Dean for Concerts and Communications Joan McLean Braun
Box Office Services Manager Michael Casey
Associate Dean for Graduate Studies Steven Bruns
Box Office Assistants Elisabeth Collins Samantha Cox Indigo Fischer Adrienne Havelka Alexander Herbert Autumn Pepper
Associate Dean for Faculty Affairs and Operations John Davis
Financial Manager Michael Johnston Membership Benefits Coordinator Jeni Webster
Director of Strategic Initiatives and Special Asst. to the Dean Alexander George Asst. Dean for Advancement Courtney Rowe
Recording Engineer Kevin Harbison
Music Advisory Board Sue Baer Jim Bailey Gil Berman Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman Laurie Hathorn Doree Hickman Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Erma Mantey Ben Nelson Joe Negler Ann Oglesby Susan Olenwine Mikhy Ritter, Chair Becky Roser Firuzeh Saidi Stein Sture Jeannie Thompson Jack Walker Celia Waterhouse
Artist Series Advisory Board
Gil Berman Rudy Betancourt Joan McLean Braun Shirley Carnahan John Davis Diane Dunn Mike Gallucci Laima Haley Daryl James, President Maryan K. Jaross Ruth Kahn Andrew Metzroth Jerry Orten Erika Randall Courtney Rowe Robert Shay Gregory Silvus Ellen Taxman Ann Yost
Photography credits: Glenn Asakawa, Ascaf, Ian McMorran, Matthew Murphy and Amanda Tipton
34
¡ cupresents.org ¡ 303-492-8008
Accessibility
The University of Colorado is committed to providing equal access to individuals with disabilities. For more information, visit cupresents.org/accessibility
Parking
Paid parking is available in Lot 380 next to Macky, in the Euclid Avenue Autopark, and in Lots 310 and 204. Contact the box office or check the CU Presents website for more information.
Photography
Photography and video recordings of any type are strictly prohibited during the performance.
Food
Food is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted.
Smoking
Smoking is not permitted anywhere. CU Boulder is a smoke-free campus!
Ticket sales
Ticket sales are final; no refunds. Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single-ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the box office prior to the performance if you are unable to use them.
Box office info cupresents.org 303-492-8008
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