Cinderella May 17–19, 2019
Fri May 17, 2019 at 7:30pm
Sat May 18, 2019 at 2:00 and 7:30pm
www.thedairy.org or 303.444.7328
Photo by Amanda Tipton
Sun May 19, 2019 at 2pm
Spotlight: College of Music Groundbreaking Page 06
Season Calendar Page 08
Spotlight: Dance on the Boulder Stage Page 12
Spotlight: Curating the Artist Series Page 22
Donor Listings Page 30
Personnel and Policies Page 34
Editor Becca Vaclavik Designer Sabrina Green CU Presents is the home of performing arts on the beautiful University of Colorado Boulder campus. With hundreds of concerts, plays, recitals and more on our stages each year, there’s something for everyone to enjoy. @cupresents cupresents.org · 303-492-8008
This program is published by The Publishing House Westminster, CO.
Publisher Angie Flachman Johnson Director of Sales Tod Cavey Production Manager Stacey Krull President Wilbur E. Flachman For advertising, call 303-428-9529 or email sales@pub-house.com ColoradoArtsPubs.com
Global performance. World-class entertainment.
You have to be here. CU Presents hosts more than 500 performing arts events on the University of Colorado Boulder campus each year. For more than 80 years, the Artist Series has brought leading classical performers, renowned jazz and world music groups and acclaimed dance ensembles to CU Boulder’s historic Macky Auditorium. CU Presents also hosts the Eklund Opera Program, chamber concerts with the Grammy-winning Takács Quartet and the beloved annual Holiday Festival. The College of Music offers almost 400 recitals and concerts by faculty, students and guest artists. Each summer, the Colorado Shakespeare Festival stages professional plays in the Mary Rippon Outdoor Theatre and in the indoor University Theatre. Throughout the year, the Department of Theatre & Dance presents almost 100 faculty, student and guest artist performances. Find your next performance at cupresents.org
McDONALD
McDONALD
McDONALD
Floors for Life.
McDONALD
CARPET • HARDWOOD • LAMINATE • CERAMIC TILES WINDOW TREATMENTS • AREA RUGS • SHUTTERS LUXURY VINYL TILE & PLANK
6367 Arapahoe Rd., Boulder, CO 80301 | 303.449.0011 | McDonaldCarpetOneBoulde Photos for illustrative purposes only. ©2017 Carpet One Floor & Home. All Rights Reserved
6367 Arapahoe Rd., Boulder, CO 80301 | 303.449.0011 | McDona
Photos for illustrative purposes only. ©2017 Carpet One Floor & Home. All Right
Arapahoe Rd., Boulder, CO 80301 | 303.449.0011| McDonaldCarpetOneBoulder.com | McDonaldCarpetOneBoulder.com 6367 6367 Arapahoe Rd., Boulder, CO 80301 | 303.449.0011 for illustrative purposes only. ©2017 Carpet One Floor & Home. All Rights Reserved Photos Photos for illustrative purposes only. ©2017 Carpet One Floor & Home. All Rights Reserved
College of Music breaks ground on new home By Jessie Bauters
On a sunny Monday morning, Feb. 4, 2019, College of Music Dean Robert Shay, CU Boulder Chancellor Philip DiStefano and others broke ground on a 64,000-square-foot expansion of the Imig Music Building, the longtime home for music at the University of Colorado Boulder. The expansion, set to open in time for the College of Music Centennial and the Fall 2020 semester, includes a state-ofthe-art recording suite, innovative convertible rehearsal/performance spaces and dedicated suites for the Entrepreneurship Center for Music and the Musicians’ Wellness Program. “This will make it possible for us to continue to inspire the highest levels of artistry and discovery,” Shay said at the ceremony. 06
SPOTLIGHT
The groundbreaking ceremony featured speeches by College of Music Student Government President Anoushka Divekar, Professor of Piano and Helen and Peter Weil Faculty Fellow David Korevaar, Chancellor DiStefano, Music Advisory Board Chair Mikhy Ritter and music+ campaign chair Becky Roser. “With this project, we recognize the importance of the College of Music as a gateway to the Boulder campus,” said Roser. The CU Board of Regents approved $57 million in spending authority for construction of the addition last summer. Work began in January to demolish the southern portion of the Imig building to make way for the new three-story addition along Wardenburg Drive.
The College of Music, through its music+ campaign, continues to work with prospective benefactors and industry partners who are interested in supporting the worldclass people and programs who will benefit from the new addition. Such support is critical to sustaining a top music program that drives innovation and produces the next generation of musicians who will impact humanity through their art. For more information about the Imig Music Building expansion, visit colorado.edu/music/expansion.
1402 Pearl Street Boulder’s Pearl Street Mall (303) 443-1084 Shop Online: hurdlesjewelry.com
available exclusively at Hurdle’s Jewelry
Batsheva Dance Company
Dorrance Dance
“Venezuela” by Ohad Naharin Wednesday, March 20, 7:30 p.m. Starting at $34
Saturday, April 6, 7:30 p.m. Starting at $20
Israel’s foremost contemporary dance company, revered worldwide for its cutting-edge work, visits Boulder for the first time. Artistic Director Ohad Naharin’s transfixing piece “Venezuela” brings together rap, Gregorian chant, Argentine tango and the choreographer’s signature Gaga language research.
Hailed as “entirely glorious” by The New York Times, Dorrance presents tap dance like you’ve never seen. In Artistic Director Michelle Dorrance’s capable hands, the company pushes the boundaries of this uniquely American art form.
Stay tuned!
The 2019-20 Artist Series features jazz icons, acrobatics and aerialists, a fiddling family and much, much more. Events will be announced on April 1, 2019. 08
· cupresents.org · 303-492-8008
Eklund Opera Program
CU Boulder’s Grammy Awardwinning quartet-in-residence is irresistible. April 28 and 29 Starting at $36
Eugene Onegin
An opera by Pyotr Ilyich Tchaikovsky March 15-17, Macky Auditorium Starting at $15
The Turn of the Screw
An opera by Benjamin Britten April 25-28, Music Theatre Starting at $20
More events
CU Music
Faculty Tuesdays
Renowned faculty musicians perform in a weekly concert series featuring guest artists, students and professional colleagues. Tuesdays at 7:30 p.m., August-March
Student ensembles
The University Symphony Orchestra, Thompson Jazz Studies Program, choirs and other student ensembles thrill audiences with timeless classics and groundbreaking new works. September-April
Student Recitals, guest performances and more The hard work of our student artists, the intriguing findings of music scholars and countless more events await! September-April Most concerts are free and open to the public.
CU Theatre & Dance Falstaff in Love
A new play by Scott Kaiser March 14-17, starting at $16
Fourth Annual New Play Festival
April 10-14, free and open to the public
The Current
Dance works by faculty and guest artists April 12-20, starting at $18
FRESH: Spring 2019
A CU dance concert April 26-27, free and open to the public 09
HIGH SCHOOL REINVENTED.
New Vista High School opened in 1993 with a mission “to break the mold” of conventional secondary school practices. We provide rigorous learning in a supportive culture. Our curriculum is designed to cultivate the unique talents and interests of students who are ready to be more responsible for their own learning. Recognized as an Ashoka Changemaker school for our us of empathy and equity in our curriculum, and as a School of Opportunity for All Students, New Vista works to provide students with choices in the programs they take and work they do. In exchange, we require that all students do high quality work and earn an A or B in their core classes. At New Vista we go above & beyond. NEW VISTA HIGH SCHOOL
Pearl St. Patio Bar & Lounge Happy Hour Everyday 3-6pm TAKING APPLICATIONS NOW 700 20th Street, Boulder 720.561.8700 bvsd.org/schools/nvhs
1136 Pearl St., Boulder www.boulderjapango.com
NEW VISTA HIGH SCHOOL
THE
best collection
SIMPLE
I S Y O U R S.
Elegance
Combining style and quality into a beautiful wardrobe that’s uniquely yours. featuring collections from
Veronique • Johnny Was • Velvet • Bailey 44 • Porto Alembika • CP Shades • Prairie Underground BOULDER • 303.443.2565 • 1505 PEARL STREET DENVER • 303.751.2618 • 1067 SOUTH GAYLORD
www.barbaraandcompany.net
View new arrivals on Instagram @barbaraandcompany
OPEN Monday-Saturday, 10-6 Sunday, 12-5
See Batsheva Dance Company in Macky Auditorium on March 20. Tickets start at $34. See Dorrance Dance in Macky Auditorium on April 6. Tickets start at $20. The Current runs April 12-20 in the University Theatre. Tickets start at $18.
Big name dance companies transform their art on the Boulder stage By Corinne Baud
This spring, the Artist Series hosts two world-class dance ensembles, Batsheva Dance Company and Dorrance Dance, in Macky Auditorium. Both are known for pushing the boundaries of 21stcentury dance—and their global reputations make them a huge “get” for the Boulder community, says CU Theatre & Dance Department Chair and Artist Series Board Member Erika Randall.
developed by Batsheva house choreographer and former artistic director Ohad Naharin. Coincidentally, CU dance students learn Gaga in class today.
“People kept saying, ‘Oh, you got the apprentices from the Young Ensemble?’ No. Batsheva. The full company is coming to Boulder,” she recalls.
“It’s a wonderful opportunity for our students. We received a Roser Visiting Artist Grant to fund two weeks of master classes prior to the concert,” adds Randall. “Being able to have deep investigatory time in this immersive and demanding technique—while also witnessing the company onstage— is a rare gift.”
Known to be at the forefront of modern dance in the 21st century, Batsheva Dance Company uses Gaga, a movement language
Dorrance Dance, too, has redefined modern dance. Aiming to honor tap in a new and dynamic
12
SPOTLIGHT
“Once Batsheva found out how deeply Gaga was incorporated into our dance department, they were blown away,” says CU Presents Executive Director Joan McLean Braun.
way, Dorrance revamps the rhythmic and technical traditions of the art form that have enticed audiences for generations. “They’ve evolved tap into a contemporary context, looking at it as a musical expression and percussive nature of feet,” says McLean Braun. “The buzz around the company is remarkable. They were just in Vail a few summers ago and audiences were completely impressed.” Both dance companies complement the other genres and art forms of the Artist Series this season. “The Artist Series really looks to bring experiences to Boulder that will be both entertaining and transformative,” says Randall. “And these two companies definitely deliver that because of how they move people into feeling.”
SPONSOR
Batsheva Dance Company is generously co-sponsored by:
Over 30 years specializing in divorce solutions in court, mediation, and negotiation.
DIVORCE IS HARD. LET US HELP. Family law solutions in litigation, collaboration, and mediation.
SPONSOR
Suite 5, 3755 Iris Ave., Boulder, CO 303.447.9688 • www.djameslaw.com
•
SHOP LOCAL MAKE TWICE THE IMPACT IN OUR COMMUNITY! When you shop at a local hardware store, you put twice as much money back into the local economy compared to when you shop at a big-box store or online retailer. Source: 2015 NRHA/Independent We Stand Home Sweet Home Study
Boulder’s Own: PROUDLY FAMILY OWNED & OPERATED - SINCE 1955
Click: MCGUCKIN.COM Visit: 2525 ARAPAHOE AVE. BOULDER, CO 80302 Call: (303) 443-1822
ARAPAHOE ANIMAL HOSPITAL Serving Pets and our Community Since 1954 FULL-SERVICE VETERINARY CARE SMALL ANIMALS~BIRDS~EXOTICS PET BOARDING DOGGIE DAY CARE DAY & EVENING HOURS ~ 7 DAYS/WEEK with TWO Convenient Locations:
Main Hospital
5585 Arapahoe Avenue
(behind Boulder’s Dinner Theatre)
Boulder, CO 80303
This oak tree and me, we’re made of the same stuff. Carl Sagan
303-442-7033
Downtown Hospital 1730 15th Street
(between Arapahoe & Canyon)
Boulder, CO 80302
303-442-7036
www.arapahoeanimalhospital.com
taddikentree.com 303.554.7035
SPONSOR
Congratulations to the University of Colorado College of Music, whose efforts have brought entertainment, learning, melody, percussion and passion to our community. We’re proud to sponsor the University of Colorado College of Music.
SPONSOR
For subscription information call 303.444.3444 or visit DailyCamera.com.
classical | explore
Thoughtfully curated classical music to captivate the soul.
Enrich your life here.
970-535-0473 | www.paragon-granite.com 14136 Valley Dr, Longmont, CO 80504
Siena Square Building 2060 Broadway, Suite 400, Boulder, Colorado 80302 Phone 303.447.1375 | www.dietzedavis.com
• Business Formation • Business Purchase & Sale • Civil Litigation & Appeals • Civil Rights • Construction Law • Contracts • Divorce/Family Law • Employment Law • Energy Law • Estate Planning & Administration • Immigration • Intellectual Property • Land Use & Zoning • Local Government Law
Serving the West from Boulder since 1972
• Personal Injury • Public Utility Law • Real Estate • Title Insurance • Trust & Estate Litigation • Water Law
Takรกcs Quartet
Haydn, Bartรณk and Beethoven Sunday, April 28, 4 p.m. Monday, April 29, 7:30 p.m.
Takács Quartet: April 28-29, 2019
Takács Quartet
Haydn, Bartók and Beethoven Takács Quartet
Edward Dusinberre and Harumi Rhodes, violins Geraldine Walther, viola András Fejér, cello
Program
String Quartet in C Major, Op. 33, No. 3 I. Allegro moderato II. Scherzo: Allegretto III. Adagio ma non troppo IV. Finale: Rondo – Presto String Quartet No. 5 I. Allegro II. Adagio molto III. Scherzo: Alla bulgarese IV. Andante V. Finale: Allegro vivace
Franz Joseph Haydn (1732-1809)
Béla Bartók (1881-1945)
Intermission String Quartet in C Major, Op. 59, No. 3 I. Andante con moto – Allegro vivace II. Andante con moto quasi Allegretto III. Menuetto (Grazioso) IV. Allegro molto
Ludwig van Beethoven (1770-1827)
Program notes By Marc Shulgold
String Quartet in C Major, Op. 33, No. 3
That was quite a Christmas celebration at Vienna’s Hofburg Imperial Palace in 1781. On Christmas Eve, Mozart and Clementi competed in a keyboard duel enjoyed by Emperor Joseph II and his guests, including Grand Duke Paul of Russia (the son of Catherine the Great, himself a future tsar), and the Duchess Maria Feodorovna. Then, on Christmas Day, Haydn arrived with some musician friends and entertained the emperor and honored guests with excerpts from Op. 33, his newest collection of string quartets. On receiving lavish gifts from the visiting couple, Haydn responded by dedicating the set of six to them. But in a quiet bit of entrepreneurship, he’d already offered the “Russian Quartets” to a dozen or so of Europe’s wealthiest music lovers, who were invited to acquire the scores, priced at 6 ducats (around $870). In his pitch, the composer observed that these works were penned “in a new and special way,” adding that C-2
· cupresents.org · 303-492-8008
he’d not written a quartet in 10 years. This raises a couple of questions: What is new in these quartets, and why did they take so long? Over the span of two decades, Haydn and Mozart had pretty much invented the string quartet, exploring and experimenting with every possibility and polishing every page. So, yes, there are new elements and fresh wrinkles in Op. 33, such as replacing the traditional minuet movements with scherzos and introducing an overall buoyant lightness and transparency. Haydn’s sales pitch, then, sought to boost interest for works that were simply continuing the rapid maturity of the string quartet. Haydn’s collection from a decade earlier, Op. 20, had laid the groundwork for all that would follow, establishing an equality among the four voices, showing the potential of emotional depth, solidifying many of the rules of Sonata form, etc. The significance of Op. 33 might in fact be overshadowed by how that collection impacted Mozart. Having settled in Vienna in 1781 and befriending Haydn
But back to today’s work in question. The third of Op. 33 is nicknamed “The Bird,” after the charming entrance of the chirping first violin in the opening movement. Instantly, we are taken to a musical world of joy and wit. The following Scherzo mutes the jovial nature of the previous movement, presenting the four voices in their dark, lower register, contrasted by a Trio section in which the violins alone call up more bird sounds while they playfully interact on their two high strings. The Adagio consists of a gracious two-part melody followed by three fragrant variations. Rather than impress with a complex fugue for the quartet’s finale, Haydn delivers a folksy Rondo that is a nonstop amusement park ride, heavy on the amusement—particularly in those false endings.
String Quartet No. 5
A half-dozen years, 1928-1934, separate the fourth and fifth of Bartók’s six string quartets, a period that saw the creation of such works as the Second Piano Concerto (1931) and the 44 Violin Duos (1931)—the latter serving to enhance the composer’s interest in the folk music of Eastern Europe. Despite the passage of time, the fourth and fifth quartets share a kinship: Each is built on five movements, laid out in an arch-like symmetry. The opening and closing movements mirror each other, as do the second and fourth, with the third standing alone as the centerpiece (a concept continued a decade later in his Concerto for Orchestra). As usual, Bartók is not out to repeat himself. Consider that the fourth quartet’s mirror-image second and fourth movements are quick Scherzos, surrounding a slow middle movement—the exact opposite of how the fifth quartet is constructed. String Quartet No. 5 was written in late summer of 1934 and premiered by the Kolisch Quartet in Washington, D.C., in April the following year. The work resulted from a commission by the American arts patron Elizabeth Sprague-Coolidge (1864-1953), who also financed numerous chamber and orchestral works by European and American composers, most famously Copland’s Appalachian Spring. Bartók begins this quartet with a furious, repeating unison statement of B-flat, the work’s principal tonality. Yet, far from being another angry and violent piece, as was the case with many of his compositions that preceded, the fifth is welcoming in its clearly delineated construction and occasional folk-like touches—plus a hilarious surprise near its conclusion. In the two slow movements, each a reflection of the other, we get a taste of the composer’s “night music.” Here, the atmosphere is calm and quiet, suggesting the sounds of insects and the
occasional bird call—though at times the mood turns a bit creepy. (Who isn’t afraid of the dark now and then?) Notice the unexpected prayer-like hymn that appears early in the second movement. In the quartet’s center comes a lively, rhythmically intricate Scherzo, based on the uneven pulse of Bulgarian folk dance. If you’re counting along, a measure of nine eighth-notes is divided as 4+2+3. Completing the mirror-image structure of the quartet, its finale recalls elements of the opening movement, here cast in energetic dance rhythms, featuring such unusual effects as bouncing on the strings with the wood of the bow (col legno) and some nearcomic slides (glissando). Suddenly, without warning, the second violin launches into a brief, silly barrel-organ ditty (marked Allegretto con indifferenza) that quickly stumbles out-of-tune when the first fiddle enters. Order is restored, however, in a short, furious finale.
String Quartet in C Major, Op. 59, No. 3
The three Beethoven works of Op. 59 are known collectively as the “Razumovsky” Quartets, dedicated, like Haydn’s Op. 33, to a Russian—in this case that nation’s ambassador to Vienna. For all their explosiveness and brilliance, one element of Op. 59 should not be overlooked: its length. Beethoven’s first set, Op. 18, was published in 1801 and comprised six works—the traditional number employed by Haydn and Mozart. The influence of those two also showed in Op. 18’s similar brevity: Each averages about 26 ½ minutes. A mere five years later came Op. 59, numbering only three this time, each one expanded by an additional 10 minutes. Yes, it’s clear that Beethoven now had more to say, but it’s also likely that he’d lost his desire to publish pleasant, bite-size music for at-home amateurs—in earlier days a welcome source of income for composers. Why would he leave those buyers behind? Perhaps because he now had at his disposal the services of the world’s first fully professional quartet, led by the comically portly but widely admired violin virtuoso Ignaz Schuppanzigh. Upon its publication in 1807, Op. 59 led one reviewer to complain, “Three new, very long and difficult Beethoven string quartets … are attracting the attention of all connoisseurs. The conception is profound and the construction excellent, but they are not easily comprehended.” By then, Beethoven had become accustomed to such instant befuddlement. A potential buyer of Op. 59, No. 3 might have been intimidated by its obvious length and constant changes in dynamics— crescendos, decrescendos, sudden forceful notes immediately followed by quiet ones, etc. The mercurial Beethoven loved such challenging, out-of-the-blue contrasts. One can also imagine puzzled reactions to those strange opening chords, struggling, it seems, to arrive at the elementary key of C. And then there’s the super-fast fugal finale, one of Beethoven’s most exciting, and one surely not for the faint of heart. Still, an amateur player could have been attracted to the charming, short Minuet and Trio (a nice throwback to Haydn and Mozart). The seemingly innocent lilt of the Andante, calling for the plucked cello to serve as genial, if mysterious timekeeper, soon travels to places unknown and unexpected. Best to leave this music to the pros. · cupresents.org · 303-492-8008
C-3
Takács Quartet: April 28-29, 2019
soon after his arrival, the young composer was clearly excited by his colleague’s latest quartets. (It’s possible he attended that Christmas Day reading at Hofburg.) Mozart’s enthusiasm for Op. 33 inspired his return to the genre and to creating the six masterful quartets dedicated to Haydn. As for the long lapse between quartet publications, Haydn had been very busy with his obligations to the Esterházy palace, composing dozens of symphonies and chamber works for the prince, creating marionette shows for the entertainment-hungry Esterházys and supervising some 50 opera productions (only five of which were Haydn’s own).
Takács Quartet: April 28-29, 2019
Some observers have suggested that the Andante’s melody is rooted in Russian folk song. Nothing in the score is indicated as such, though the first two of Op. 59 included tunes specified “Thème russe”—an homage, no doubt, to Mr. Razumovsky. The three quartets of Op. 59, the first of five that occupied the composer’s so-called Middle Period, usher in a new approach to the genre. Beethoven’s growing canvas of possibilities for the string
quartet pointed to the future, continuing an expanse into uncharted territory that culminated in the final masterpieces from his Late Period. There are, we should point out, some nods to the past in this last of Op. 59: The presence of a Minuet, as we noted, and a charming false ending in the finale—reminding of a similar playful moment in the Haydn quartet heard earlier.
About the Takács Quartet The Takács Quartet, now entering its 44th season, is renowned for the vitality of its interpretations. The New York Times recently lauded the ensemble for “revealing the familiar as unfamiliar, making the most traditional of works feel radical once more,” and the Financial Times described a recent concert at the Wigmore Hall: “Even in the most fiendish repertoire these players show no fear, injecting the music with a heady sense of freedom. At the same time, though, there is an uncompromising attention to detail: neither a note nor a bow-hair is out of place.” Based in Boulder at the University of Colorado, Edward Dusinberre, Harumi Rhodes (violins), Geraldine Walther (viola) and András Fejér (cello) perform 80 concerts a year worldwide. During the 2018-19 season, the ensemble will continue its four annual concerts as associate artists at London's Wigmore Hall. In August 2018, the quartet appeared at the Edinburgh, Snape Proms, Menton and Rheingau festivals. Other European venues later in the season include Berlin, Cologne, Baden-Baden, Bilbao and the Bath Mozartfest. The quartet will perform extensively in the U.S., including two concerts at New York’s Lincoln Center and at the University of Chicago, Princeton and Berkeley. A tour with Garrick Ohlsson will culminate in a recording for Hyperion of the Elgar and Amy Beach piano quintets. The latest Takács CD, to be released in summer 2019, features Dohnányi’s two piano quintets and his second string quartet, with pianist Marc-André Hamelin. In 2014, the Takács became the first string quartet to win the Wigmore Hall Medal. The medal, inaugurated in 2007, recognizes major international artists who have a strong association with the hall. Recipients so far include Sir Andras Schiff, Thomas Quasthoff, Menahem Pressler and Dame Felicity Lott. In 2012, Gramophone announced that the Takács was the only string quartet to be inducted into its first Hall of Fame, along with such legendary artists as Jascha Heifetz, Leonard Bernstein and Dame Janet Baker. The ensemble also won the 2011 Award for Chamber Music and Song presented by the Royal Philharmonic Society in London. The Takács Quartet performed Philip Roth’s “Everyman” program with Meryl Streep at Princeton in 2014 and again with her at the Royal Conservatory of Music in Toronto in 2015. The program was conceived in close collaboration with Philip Roth. The quartet is known for such innovative programming. They first performed “Everyman” at Carnegie Hall in 2007 with Philip Seymour Hoffman. The quartet has toured 14 cities with the poet Robert Pinsky, collaborates regularly with the Hungarian Folk group Muzsikas, and in 2010 collaborated with the Colorado Shakespeare Festival
and David Lawrence Morse on a drama project that explored the composition of Beethoven’s last quartets. Aspects of the quartet’s interests and history are explored in Edward Dusinberre’s book, Beethoven for a Later Age: The Journey of a String Quartet, which takes the reader inside the life of a string quartet, melding music history and memoir as it explores the circumstances surrounding the composition of Beethoven’s quartets. The Takács Quartet records for Hyperion Records, and their releases for that label include string quartets by Haydn, Schubert, Janáček, Smetana, Debussy and Britten, as well as piano quintets by Franck and Shostakovich (with Marc-André Hamelin), and viola quintets by Brahms (with Lawrence Power). For their CDs on the Decca/London label, the quartet has won three Gramophone Awards, a Grammy Award, three Japanese Record Academy Awards, Disc of the Year at the inaugural BBC Music Magazine Awards and Ensemble Album of the Year at the Classical Brits. The members of the Takács Quartet are Christoffersen Faculty Fellows at the University of Colorado Boulder. The quartet has helped develop a string program with a special emphasis on chamber music, where students work in a nurturing environment designed to help them develop their artistry. Through the university, two of the quartet’s members benefit from the generous loan of instruments from the Drake Instrument Foundation. The members of the Takács are on the faculty at the Music Academy of the West in Santa Barbara, where they run an intensive summer string quartet seminar, and visiting fellows at the Guildhall School of Music. The Takács Quartet was formed in 1975 at the Franz Liszt Academy in Budapest by Gabor Takács-Nagy, Károly Schranz, Gabor Ormai and András Fejér, while all four were students. It first received international attention in 1977, winning First Prize and the Critics’ Prize at the International String Quartet Competition in Evian, France. The quartet also won the Gold Medal at the 1978 Portsmouth and Bordeaux Competitions and First Prizes at the Budapest International String Quartet Competition in 1978 and the Bratislava Competition in 1981. The quartet made its North American debut tour in 1982. After several changes of personnel, the most recent addition is second violinist Harumi Rhodes, following Károly Schranz's retirement in April 2018. In 2001, the Takács Quartet was awarded the Order of Merit of the Knight’s Cross of the Republic of Hungary, and in March 2011 each member of the quartet was awarded the Order of Merit Commander’s Cross by the President of the Republic of Hungary.
J A N U A R Y 2 6 – M AY 2 6
Ansel Adams and Camera photograph by J. Malcolm Greany
Free for Museum members l $8 Adults I $5 Students/Seniors Presented by: Collection of Michael Mattis and Judith Hochberg Exhibition organized by art2art Circulating Exhibitions
LongmontMuseum.org 303.651.8374 400 Quail Rd Longmont, CO
GLUTEN FREEDOM
You’ll never forget your first
Stam Chocolate Amsterdam now in Colorado
YOU NAME IT, WE GOT IT! GLUTEN-FREE PIZZA, PASTA & SANDWICHES
AND FOR ALL YOU “PIZZATARIANS” WE HAVE AWESOME VEGAN CHEESE TO PUT ATOP YOUR VEGGIE PIE
Fine European Chocolate
DINE IN TAKE-OUT DELIVERY CATERING 303.604.9200 MARTINOS-PIZZERIA.COM 1389 Forest Park Circle, Lafayette, CO
Historic Old Town Lafayette 103 N. Public Road
THAT MOMENT YOU
TAKE IT TO THE NEXT LEVEL.
Explore your passion and find opportunities to advance professionally. Own your journey. ce.colorado.edu • 303.492.5148
W E C R E AT E B E A U T I F U L A L L I A N C E S BETWEEN DESIGN AND FUNCTION
VISIT OUR DESIGN CENTER IN BOULDER 5400 Spine Road, Suite A, Boulder
Make An Appointment With Our Award-Winning Design Team (303) 652-1727 | DSInteriorSolutions.com dsinteriorsolutions
How to plan a knockout Artist Series in Macky Auditorium By Becca Vaclavik
Joan McLean Braun has served as executive director for CU Presents since 2001—taking over the helm of the Artist Series when CU Presents was still CU Concerts. Under her artistic vision, audiences in Macky Auditorium have experienced groundbreaking performances from Bobby McFerrin, Martha Graham Dance Company, Yo-Yo Ma and dozens of other award-winning icons across genres.
performance Boulder residents might see onstage.
But the process of curating a complete Artist Series lineup begins long before patrons step into the theatre. Season planning is full of as many highs, lows and emotional moments as any live
She starts with a few anchors, or “must-have” artists, whom she’s willing to shape the rest of the season around. Sometimes, the anchors have been on the short list for years.
22
SPOTLIGHT
It all begins with a list of names. Early on, McLean Braun starts will a short list of artists she’s hoping to bring to Macky. “Short” is relative, of course, because the list typically has about three times as many names on it as the Artist Series has dates to fill. This is her favorite part.
“Yo-Yo Ma had been on our offer list for at least a decade. We just kept saying, ‘We’re here!’ and waiting,” she shares with a laugh and a big wave of her hands. Then, after attending conferences with other area presenters and speaking with agents across the globe, she begins to fill in the holes between her anchors. McLean Braun collaborates with CU faculty and presenters from Fort Collins and Denver to put together a lineup that is both efficient for curators and inspiring for audiences. And if a nice, long list of potential acts is McLean Braun’s favorite part, the winnowing process is her
nemesis. Sometimes a booked artist will cancel their tour entirely. Or sometimes Macky’s historic features aren’t a match with the technical needs of otherwise incredible performers. Sometimes an agent suggests a tour that bounces from Dallas up to Boulder and back down to Houston. She often has to simply say no—or at least, “Not this year.” It’s a long process to piece the puzzle together, she says, and one she wishes she had more control over. “I keep wishing that I were designing the Artist Series events like a box of chocolates. ‘Oh, this
one goes here. Yep. This needs to go there.’ But it's not like that. There’s an extremely challenging practical element to planning.” Even so, it’s not all hiccups and headaches. The incredibly varied genres of the CU Presents Artist Series work in her (and audiences’) favor. “I can be nimble. I know I want at least three classical events. Then dance, jazz, world music … Sure, it's got a little bit of a repeating pattern to the things that I'm looking to balance. But it's flexible enough that I can take advantage of what's going to be going around, too.”
Eventually, some time around January in any given year, the stars align and another season packed with knockout performers comes together. Regardless of what genres are represented at Macky each year, McLean Braun knows she can always rely on one constant: Every artist or production in the Artist Series is of the highest level of talent. “It's great being a multidisciplinary presenter because, really… All things are possible for us.”
23
SPONSOR
Discover
the
scenic
beauty
&
vibrant
energy
at the historic Hotel Boulderado, just one block from Pearl Street Mall. Enjoy modern amenities, elegant
event
venues,
charming
Victorian
am-
biance and three in-house restaurants and bars.
BOULDERADO.COM | 303.442.4344 | 2115 13
M AY 15 - 19, 201 9 | BOUL D ER, CO
MAHLERFEST XXXII Kenneth Woods, Artistic Director BREAKTHROUGHS
SYMPHONY NO. 1 IN D MAJOR Featuring: • Zoë Beyers performing Korngold’s Violin Concerto • The Inaugural MahlerFest Chamber Orchestra Concert • Chamber music at the Dairy Arts Center featuring David Korevaar’s MahlerFest debut • World-class Festival Artists, leading Mahler scholars, & Colorado premieres
MAHLERFEST.ORG Major Funding Provided by the Daniel W. Dietrich II Foundation Sosnow Foundation
TH
STREET BOULDER, CO. 80302
& SO MUCH MORE...
PACKAGES
TOURS
INSURANCE
FLIGHTS
HOTELS
CAR
As part of Expedia Group ™ , we can arrange your flight, hotel, car rental and more, all at Expedia® prices!
Call Click or Come in Today
(970) 480 1114 700 Ken Pratt Blvd #109 Longmont - Located behind Lucky’s Market www.cruiseshipcenters.com/900217 CPBC License Number: 80501
1421 PEARL STREET
boulderartsandcrafts.com
Reveal New You
303-443-3683
T H E
With the Help of One of Colorado’s Top Plastic Surgeons
– SPECIAL –
10% Off Surgical Procedures
Fair Trade Organic In-house Micro-roasted Coffees
With mention of this ad. Through June 2019.
New! In-Office State-of-the-Art Surgical Center Serving All of Colorado and the Front Range. mommy makeover • breast enhancement tummy tuck • body contouring • liposuction facial cosmetic surgery • eyelid surgery
Seeking Your Pre-Baby Body? Call 303-664-9400 to Schedule Your FREE Cosmetic Surgery Consultation
Glenn E. Herrmann MD, FACS
Board Certified Plastic & Cosmetic Surgeon Lafayette, Colorado • 303-664-9400 www.CoalCreekPlasticSurgery.com When considering plastic surgery, there is no substitute for an ASPS Member Surgeon.
Founded by musicians, Supporting musicians Come play with us!
Hours: 6-6 weekdays 7-6 weekends 956 West Cherry Street Louisville, CO 80027 720.259.1723 www.paulscoffeeandtea.com
SPONSOR
With an assortment of menu options collected from cultures around the world, Savory Cuisines can serve a delicious meal to a group of any size that is uniquely suited to your tastes. Check out our website for more info on Wedding & Corporate catering.
SPONSOR
savorycuisines.com 303.440.1016
Open Space 2018-19 SEASON HIGHLIGHTS MAR 23, 7:30 PM at Macky A live orchestra, multimedia concert with your favorite moments from Toy Story, Coco & more!
APR 27, 7:30 PM at Macky Peter Boyer’s Ellis Island: The Dream of America with actors & projected images
(303) 494.5678 boulderblooms.com info@boulderblooms.com create your arrangement today!
MAY 4, 7:30 PM at Macky The Music of David Bowie with Tony Vincent from “The Voice” & the Boulder Phil
Tickets start at $15; Students $5!
www.BoulderPhil.org
•
303.449.1343
Your
JUNIPER PAINTS JUNIPER PAINTS
Let our paint experts help with paint experts with all paint your needs paint LetLet ourour paint experts help help with all all your your paint needsneeds
world.
COME SEE US! Louisville, Louisville, CO CO
Alive with sound.
Louisville, CO
1
ju ju
JUNIPER PAINTS
Call today to schedule your hearing evaluation, Let our paint experts help with all your paint needs
and find out what premier hearing care can mean for your quality of life.
Family HEARING Since 1963
1335 1335 Ea Ea
303.857.5836 familyhearingco.com Louisville, CO
Boulder Broomfield Lafayette 3059 Walnut St 300 Nickel St, Ste 15 2770 Arapahoe Rd, Ste 126
1335 East South Boulder rd. Ste A. LOUISVILLE, CO (303) 604-6004
juniperpaints.com
april showers
BRING
may flowers!
BOULDER
970 Aurora Avenue |303.938.1920|theacademyboulder.com
bvwaldorf.org Preschool – 8th Grade With curiosity and wonder, children imagine, create, move and learn prepared for a lifetime of academic success and engagement.
D r. G i l e s H o r r o c k s a n d D r. C h r i s t i n e C o l e
Clinical excellence, dedicated to your health & well-being • Periodontics, Esthetic Dental Implant Surgery, Oral Medicine, and Oral Plastic Surgery • Minimally invasive laser periodontal therapy • Specializing in regenerating bone and soft tissue lost by trauma or disease • Incorporating necessary biologic growth factors to aid in minimally invasive procedures • Comfortable IV sedation • Relaxing views of the mountains
Dr. Giles Horrocks, DDS MS Dr. Christine Cole, DDS MHS
(303) 449-1301 | BoulderPeriodontics.com
Proudly Supports the College of Music
Join us as we celebrate Easter! Maundy Thursday April 18, 12 noon and 6 p.m. Good Friday April 19, 12 noon and 6 p.m. Great Vigil of Easter Saturday, April 20, 8 p.m. Easter Day Sunday, April 21, 8 a.m. and 10 a.m.
Regular Sunday Services 8 a.m. ~ 10 a.m.~ 6 p.m. Bread + Belonging Campus Ministry 6 p.m. every Tuesday
2425 Colorado Ave. Boulder (across from CU Engineering)
www.saintaidans.org
Artist Series Donors
Joan and Harold Leinbach Heather Van Dusen
Gil and Nancy Berman Mary Lamy Paul Bechtner Foundation Greg Silvus
Member ($100-$249)
Benefactor ($5,000+)
Sponsor ($2,500-$4,999)
Anonymous Diane and Dick Dunn Daryl and Kay James Louise Pearson and Grant Couch Ellen and Joshua Taxman
Patron ($1,000-$2,499)
Janet Ackermann and Scott Wiesner Sue Blessing Joan McLean Braun Mark and Margaret Carson Chris and Barbara Christoffersen Janet and T. Scott Martin Maggie and John McKune Doyen and James Mitchell Toni and Douglas Shaller Evelyn Taylor Tebo Properties Ann and Gary Yost
Supporter ($500-$999)
Michael and Carol Gallucci Heidi and Charles Lynch Bob and Sandy McCalmon Judy and Alan Megibow Sara Moore Jane and Cedric Reverand Mikhy and Mike Ritter Alicia and Juan Rodriguez Theodore and Ruth Smith Douglas and Avlona Taylor John and Carson Taylor Larry and Ann Thomas
Contributor ($250-$499)
Anonymous Douglas and Rita Dart Martha Coffin Evans and Robert Trembly Norma Ekstrand and Tom Campbell Hazlitt Family Tara and Steve Kelly 30
Maria and Jesse Aweida Barbara Allen Shirley Carnahan Cathy Cloutier Shirley Fischler Laima and Damon Haley Jo Hill Maryan Jaross Pam Leland Judah and Alice Levine Gail and Thomas Madden Greta Maloney and Bob Palaich Deborah McBride Paul and Kay McCormick Gail and Julie Mock Jacqueline Muller David and Nancy Parker Becky Roser and Ron Stewart Karmen Rossi and Eric Lewis Zoe and Paul Stivers Lloyd Timblin Geoffrey Tyndall Candace and George Williams, Jr.
Friends of Eklund Opera Benefactor ($5,000+)
Jan Burton Robert S. Graham Albert and Betsy Hand Jake Heggie Ann Oglesby Al and Marty Stormo The Academy Charitable Foundation, Inc. The Louis and Harold Price Foundation
Patron ($1,000-$2,499)
Chris and Barbara Christoffersen Stephen Dilts J. Michael Dorsey and Carolyn Buck Mary and Lloyd Gelman John Hedderich Krista Marks and Brent Milne Douglas and Toni Shaller
¡ cupresents.org ¡ 303-492-8008
Supporter ($500-$999)
Judith Auer and George Lawrence Carson-Pfafflin Family Foundation Jeanie Davis Ellen and John Gille Mark and Julie Laitos Dennis G. Peterson Keyan and Becky Riley Marti and Patrick Ritto Theodore and Ruth Smith Ann and Larry Thomas Chester and Margaret Winter
Contributor ($250-$499)
Judy and Jim Bowers Barbara Brenton Martha Coffin Evans and Robert Trembly Eleanor DePuy Janet Hanley Joan and Harold Leinbach Jerry and Heidi Lynch Margaret Oakes Ann and Dave Phillips Kim and Rich Plumridge Gail Promboin and Robert Burnham Cynthia and Dave Rosengren Carol and Randall Shinn John and Carson Taylor Pete Wall Ken and Ruth Wright
Member ($100-$249)
Betsy and Richard Armstrong Byrne Boys, LLC. Claudia Boettcher Merthan Sara-Jane and William Cohen Charlotte Corbridge John and Lise Cordsen Irfan and Martha Hussain Ruth and Richard Irvin Dennis and Chris Jackson William and Ann Kellogg Marion Kreith Norman Lane Barbara and Bruce Leaf Mollie and Nicholas Lee Patricia and Robert Lisensky Marian Matheson Annyce Mayer List continues on page 32.
Everything & Cakes
14th and Pearl 720-406-7548 www.tandcakesboulder.com
Is the person in seat D3
your next client? Just look around. Your ticket to successful advertising is one call away.
happy hour happy hour happy hour happy hour BOULD happy hour happy hour
C E L E B R AT E T H E E V E RY DAY
D A I L Y 4:00 PM - 7:00 PM
BOULDERCHOPHOUSE.COM 921 WALNUT ST
303.443.1188
BOULDERCHOPHOUSE.COM 921 WALNUT ST
303.443.1188
BOULDERCHOPHOUSE.COM 921 WALNUT ST
921 WAL
303.443.1188
BOULDERCHOPHOUSE.COM
303.428.9529 sales@pub-house.com ColoradoArtsPubs.com
921 WALNUT ST
303.443.1188
BOULDERCHOPHOUSE.COM BOULDERCHOPHOUSE.COM 921 WALNUT ST 303.443.1188 921 WALNUT ST 303.443.1188
BOULDERCHOPHOUSE.COM BOULDERCHOPHOUSE.COM 921 WALNUT ST 921 WALNUT ST
303.443.1188 303.443.1188
Byron and Catharine McCalmon Corinne McKay Marilyn and Robert Peltzer Kim and Rich Plumridge Juan and Alicia Rodriguez Peg and Chuck Rowe Ruth Schoening Carol and Arthur Smoot Linda and Jim Stinson Barbara Tamplin Walter Taylor Three Roses Salon Jim Topping Gretchen Vanderwerf and Gigi Jones Ann and Gary Yost
Takács Society Benefactor ($5,000+)
Lyle Bourne and Rita Yaroush Norma R. Johnson Fund Gary and Judith Judd in memory of Fay Shwayder David and Janet Robertson Peg and Chuck Rowe Takács String Quartet
Sponsor ($2,500-$4,999)
PJ Decker and B.A. Saperstein Marion Thurnauer and Alexander Trifunac
Patron ($1,000-$2,499)
Pamela Barsam Brown and Stanley Brown Marda Buchholz Arnold Dunn, PhD Tom and Carol Cech Chris and Barbara Christoffersen Lauren Frear Ruth Carmel Kahn Mary and Lloyd Gelman Anne Heinz and Ran Yaron Eileen and Walter Kintsch Carol Lena Kovner Joel Pokorny Mikhy and Mike Ritter Kathleen Sullivan John and Carson Taylor
Supporter ($500-$999)
Bill and Louise Bradley Christopher and Margot Brauchli Patricia Butler Alison Craig and Stephen Trainor Carolyn and Don Etter Robert Kehoe Carol and Tony Keig Ray and Margot LaPanse Nancy and Paul Levitt Jane Menken and Richard Jessor Virginia Newton Neil and Martha Palmer Mikhy and Mike Ritter David and Susan Seitz Lawrence and Ann Thomas Patricia Thompson
Contributor ($250-$499)
Phil and Leslie Aaholm Ellen and Dean Boal Virginia Boucher Pauline and Noel Clark JoAnn and Richard Crandall Robbie Dunlap Ken and Dianne Hackett Bruce and Kyongguen Johnson Joan and Harold Leinbach Patricia and Robert Lisensky Albert Lundell Kim Matthews Lise Menn Becky Roser and Ron Stewart Andrew Skumanich Helen Stone Anthony and Randi Stroh James and Nurit Wolf
Member ($100-$249)
Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Gil and Nancy Berman Kevin and Diana Bunnell Shirley Carnahan Charlotte Corbridge Barbara and Carl Diehl
Artist Series Corporate Sponsors
Artist Series In-kind Sponsors
32
· cupresents.org · 303-492-8008
Margret Hamilton and Charles Proudfit Nancy and Keith Hammond Catharine and Richard E. Harris John D. and Ruthanne J. Hibbs Everett Hilty Elizabeth and Jonathan Hinebauch William Hoffman Jennifer and Bob Kamper Caryl and David Kassoy Mireille Key Keith Kohnen Judah and Alice Levine Heidi and Jerry Lynch Gail and Thomas Madden Caroline Malde Professor John McKim Malville and Nancy Malville Maxine Mark Annyce Mayer Richard and Marjorie McIntosh Christopher B. Mueller Margaret Oakes Faith and Roy Peterson Wayne and Julie Phillips Richard Replin and Elissa Stein Mark Rosenblum JoAn Segal Todd and Gretchen Sliker Grietje Sloan Carol and Arthur Smoot Berkley Tague Barbara Tamplin Arthur and Laurie Travers Gordon and Lois Ward Barbara Warner Katherine Van Winkle Leanne and Christopher Walther William Wood Michael Yanowitch Jeffrey Zax
OFFERING A WIDE SELECTION OF ARTISAN BAKED GOODS INCLUDING GLUTEN FREE AND VEGAN OPTIONS! BREAKFAST PASTRIES INDIVIDUAL DESSERTS CUSTOM COOKIES BIRTHDAY CAKES WEDDING CAKES AND FAVORS
1377 Forest Park Cir, Suite 102 Lafayette, CO 80026
303-926-1676 BUTTONROCKBAKERY.COM Info@ButtonRockBakery.com
A GALA TO BENEFIT
FLATIRONS SUBARU PRESENTS
PUTTIN’ ON THE LEASH 2019 APRIL 13 | 6PM CU EVENTS CENTER
TICKETS & MORE INFO AT
boulderhumane.org
100% COLLEGE BOUND. 0 MULTIPLE CHOICE TESTS. Only a few life changing spaces still available for 2019-2020—APPLY NOW! Boulder's only 6th - 12th grade independent school
WatershedSchool.org
303-440-7520
Policies CU Presents
Macky Auditorium
Executive Director Joan McLean Braun
Director Rudy Betancourt
Marketing and PR Director Laima Haley Operations Director Andrew Metzroth
Asst. Director for Administration Sara Krumwiede
Associate Director of Communications Jessie Bauters
Asst. Director for Production JP Osnes
Marketing Manager Daniel Leonard Public Relations Manager Becca Vaclavik Publications Specialist Sabrina Green Graphic Design Assistant Sue Kim Marketing Assistant Maeve Reilly Public Relations Assistant Corinne Baud Social Content Creator Erika Haase Video Producers Jack Dorfman Madi Smith
Asst. Director for Patron Services Matthew Arrington
Production Managers Richard Barrett Trevor Isetts House Managers Rojana Savoye Kelly Gratz Asst. House Manager Devin Hegger
College of Music Dean Robert Shay
Associate Dean for Enrollment Management and Undergraduate Studies James Austin
Box Office Manager Christin Woolley
Asst. Dean for Concerts and Communications Joan McLean Braun
Box Office Services Manager Michael Casey
Associate Dean for Graduate Studies Steven Bruns
Box Office Assistants Elisabeth Collins Samantha Cox Indigo Fischer Adrienne Havelka Alexander Herbert Autumn Pepper
Associate Dean for Faculty Affairs and Operations John Davis
Financial Manager Michael Johnston Membership Benefits Coordinator Jeni Webster
Director of Strategic Initiatives and Special Asst. to the Dean Alexander George Asst. Dean for Advancement Courtney Rowe
Recording Engineer Kevin Harbison
Music Advisory Board Sue Baer Jim Bailey Gil Berman Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman Laurie Hathorn Doree Hickman Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Erma Mantey Ben Nelson Joe Negler Ann Oglesby Susan Olenwine Mikhy Ritter, Chair Becky Roser Firuzeh Saidi Stein Sture Jeannie Thompson Jack Walker Celia Waterhouse
Artist Series Advisory Board
Gil Berman Rudy Betancourt Joan McLean Braun Shirley Carnahan John Davis Diane Dunn Mike Gallucci Laima Haley Daryl James, President Maryan K. Jaross Ruth Kahn Andrew Metzroth Jerry Orten Erika Randall Courtney Rowe Robert Shay Gregory Silvus Ellen Taxman Ann Yost
Photography credits: Glenn Asakawa, Ascaf, Ian McMorran, Matthew Murphy and Amanda Tipton
34
¡ cupresents.org ¡ 303-492-8008
Accessibility
The University of Colorado is committed to providing equal access to individuals with disabilities. For more information, visit cupresents.org/accessibility
Parking
Paid parking is available in Lot 380 next to Macky, in the Euclid Avenue Autopark, and in Lots 310 and 204. Contact the box office or check the CU Presents website for more information.
Photography
Photography and video recordings of any type are strictly prohibited during the performance.
Food
Food is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted.
Smoking
Smoking is not permitted anywhere. CU Boulder is a smoke-free campus!
Ticket sales
Ticket sales are final; no refunds. Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single-ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the box office prior to the performance if you are unable to use them.
Box office info cupresents.org 303-492-8008
s ’ y t oun
T E C R r ulde SEC
Bo
PT E K
S LE ! I T 2 M LDER S 1 E B LY O U N O MB O FR
578 Briggs Street Erie, CO 80516 303.828.1392
BRUNCH
S AT & SU N 9 AM - 2 PM
L U N C H TUE-FRI 11AM- 3PM
DINNER
TUE-THR 5PM-9PM
F R I & S AT 5PM-10PM
S U N D AY 5PM-9PM
SIMPLE | LOCAL | FARM TO TABLE
Let us guide you home. Burgess Group at Compass is one of Boulder County’s top-producing real estate teams. Catherine and Andy have sold many of Boulder County’s iconic properties, from sophisticated lofts to gated lake community estates. Burgess Group has one clear goal: we provide the highest quality real estate services, with unparalleled support and guidance each step of the way.
Partner with trusted talent. Let’s get started!
catherine@burgessgrouprealty.com andy@burgessgrouprealty.com burgessgrouprealty.com | 303.506.5669
Compass is a licensed real estate broker and abides by Equal Housing Opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. No statement is made as to accuracy of any description. All measurements and square footages are approximate. This is not intended to solicit property already listed. Nothing herein shall be construed as legal, accounting or other professional advice outside the realm of real estate brokerage.