Global performance. World-class entertainment. You have to be here.
2017-2018 Season
Contemporary Dance Premieres
February 16–18 at the Dairy ARTS Center
www.thedairy.org Photography by Katie Ging
BOULDER BALLET
2 0 1 8 Stepping Out
SCHWARZ-BOURNAKI DUO
Thursday, February 8, 7:30pm , Boulder Adventist Church & Saturday, February 10, 2018, 7:30pm, Longmont Museum
New York-based duo featuring cellist Julian Schwarz and pianist Marika Bournaki. In addition to a formidable touring schedule, this duo won the top prize at the 2016 Boulder International Chamber Music Competition, Art of Duo. 156 phenomenal professional musicians from 25 countries competed in this event that received coverage in Steinway’s Listen Magazine and London’s The Strad. Schwarz-Bournaki will perform works by Bach, Beethoven, Brahms, and Bloch.
ETERNAL SPIRIT
Thursday, May 15, 2018, 7:30pm Boulder Adventist Church
Vocal soloists Josefien Stoppelenburg, Abigail Nims, Derek Chester, and Ashraf Sewailam join the BBF Chorus, Chamber Choir, and Orchestra in four great cantatas by J.S. Bach: Christ lag in Todes Banden, Nun komm der Heiden Heiland, Christen ätzet diesen Tag, and Nun ist das Heil und die Kraft.
Tickets and information:
boulderbachfestival.org
Contents
With US
Spotlight: Joshua Bell.................................6 Calendar......................................................8 Spotlight: Lila Downs................................20 Faculty Tuesdays Schedule......................22 Artist Series Donors..................................24 TakĂĄcs Society Donors.............................26 Eklund Opera Donors...............................28 CU Presents Personnel............................30
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From Metro to Macky
He’s topped the classical charts seven times. He’s recorded soundtracks for Hollywood blockbusters. And he’s netted three Grammys and the Avery Fisher Prize. How curious, then, that violinist Joshua Bell is perhaps best known for a stunt he pulled inside a metro stop in Washington, D.C. a decade ago. Back in 2007, the famous violinist went incognito in jeans and a baseball cap to busk inside the capital’s L’Enfant Plaza metro station. He played for 45 minutes and made just $32 from passersby. Only one woman recognized him. The story is now legend. It’s been retold in hundreds of church sermons. It’s been analyzed endlessly in news columns and essays. A video of the incident spread like wildfire on the Internet alongside encouragements to slow down and enjoy life’s beautiful moments. “If we can’t take the time out of our lives to stay a moment and listen to one of the best musicians on Earth play some of the best music ever written,” muses a Washington Post reporter, “[and] if the surge of modern life so overpowers us that we are deaf and blind to something like that—then what else are we missing?”
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If there’s ever a time to take a break from the daily grind, it’s whenever Joshua Bell is playing. And luckily for Boulderites, Bell is scheduled to give a one-night-only recital with pianist Sam Haywood on Feb. 9. On the program is Richard Strauss’ lyrical and technically challenging violin sonata and Mozart’s Sonata No. 32 for violin and piano, which the composer himself performed from memory at the premiere. Like Bell’s famous metro performance, the concert also includes a little Schubert: the “Wanderer Fantasy,” which the composer admitted was so difficult that only “the devil may play it.” Leave it to the man who made his Carnegie Hall premiere at the tender age of 17 to make easy work of difficult literature. There’s a reason Bell, whose career spans more than three decades, has become the world’s most famous living violinist. It’s not because he performed in the metro and the video went viral. It’s because he’s an insanely good musician. “Mr. Bell,” says The New York Times, “doesn’t stand in anyone’s shadow.” Friday, Feb. 9, 7:30 p.m. in Macky Auditorium Tickets are limited
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When you have that newlywed glow, everything seems rosy. So when Jean Richter started feeling short of breath, she wasn’t initially concerned. But then her symptoms worsened and her beloved husband, Dave, had to rush her to the Foothills Hospital Emergency Department.
AND KEPT THEIR ROMANCE
Jean was diagnosed with heart failure, a chronic condition that has a 50% survival rate within five years of diagnosis if not treated correctly. Luckily for Jean, Boulder Community Health now offers the only specialized Heart Failure Clinic in Boulder County. Dr. Scott Blois’s expertise with the latest treatment options set Jean on a remarkable journey back to a full active life. “I have a wonderful husband, five incredible daughters and 13 grandkids I adore,” says Jean. “I’m so happy we can hike, travel and have fun together again.” Read Jean’s story at bch.org/healinghearts or call 303-442-2395 for information about Boulder County’s first Heart Failure Clinic.
Boulder Heart Anderson Medical Center 4743 Arapahoe Ave., Suite 200 in Boulder Medicare accepted @cupresents · cupresents.org · 303-492-8008
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Upcoming Events Béla Fleck
Béla Fleck and Brooklyn Rider
Lila Downs
Joshua Bell
RUBBERBANDance
Don’t miss a rollicking collaborative concert with world-famous, 16-time Grammy-winning banjoist Béla Fleck and Brooklyn Rider, “one of the wonders of contemporary music” (NPR). Slipping seamlessly between bluegrass, jazz and classical, this quintet’s distinctive sound can’t be defined. Saturday, Jan. 20, 2018, 7:30 p.m. With Sam Haywood, piano With dozens of awards and accolades, seven chart-topping albums and nearly three decades of nonstop musical success, no other classical artist can compare to Joshua Bell. The American violinist, a household name worldwide, gives an arresting, one-night-only recital in Boulder. Friday, Feb. 9, 2018, 7:30 p.m.
Ailey II
Named in memory of larger-than-life choreographer Alvin Ailey, the troupe Ailey II is universally renowned for merging the spirit and energy of the country’s best young dance talent with the passion and creative vision of today’s most outstanding emerging choreographers. Saturday, Feb. 17, 2018, 7:30 p.m.
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Boasting a “cantina-classical” (The Washington Post) voice and delightfully eclectic compositions inspired by ancient cultures and her own MexicanAmerican heritage, Lila Downs is a singular performer. Expect elements of jazz, blues and world music to collide in Downs’ seductive, joyful concert. Saturday, March 3, 2018, 7:30 p.m. Embracing Artistic Director Victor Quijada’s unusual journey from the streets of Los Angeles to the barre, Montreal-based RUBBERBANDance uses the spontaneity of Hip-Hop, the refinement of ballet and the expressiveness of contemporary dance to create fresh, dynamic works. Saturday, March 24, 2018, 7:30 p.m.
Quicksilver Baroque Ensemble
This game-changing chamber ensemble, “revered like rock stars within the early music scene” (The New York Times), breathes new life into centuries-old sounds with brilliant, historically-informed talent. Quicksilver Baroque’s concert shines a spotlight on hidden gems by Castello, Merula and other long-forgotten 17th-century Italian and German composers. Friday, April 20, 2018, 7:30 p.m.
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UPCOMING CONCERTS Sunday, Feb. 4, 4 p.m. Monday, Feb. 5, 7:30 p.m.
Sunday, March 11, 4 p.m. Monday, March 12, 7:30 p.m. Sunday, April 29, 4 p.m. Monday, April 30, 7:30 p.m. ALTIUS QUARTET Sunday, Jan. 21, 4 p.m. Monday, Jan. 22, 7:30 p.m.
The Grammy Award-winning string quartet has been moving audiences and selling out concerts for three decades at CU Boulder. Their irresistible blend of virtuosic technique and engaging personality has led The Guardian (London) to proclaim, "The Takács Quartet are matchless, their supreme artistry manifest at every level."
SWEENEY TODD
ARIODANTE
March 16–18, 2018
April 26–29, 2018
The Demon Barber of Fleet Street pays a visit to CU Boulder for the first time ever! Stephen Sondheim’s wildly popular musical transports audiences to Victorian London, where a long-exiled haircutter and a struggling baker conspire for revenge...and delicious meat pies.
CATAPULT
Four emerging BFA choreographers use original dance to share their knowledge of archetypes, science, philosophy and the natural world.
Feb. 2–4, 2018
WE ARE THE WAKE
2016-17 New Play Festival Winner On a journey to New York’s Hart Island to visit loved ones buried in unmarked mass graves, four women discover secrets, lost souls … and themselves.
Feb. 7–11, 2018
CU Boulder’s graduate string quartet-inresidence, hailed as “rich” and “captivating” by new music website I Care If You Listen, is committed to bringing chamber music to diverse audiences. Taking its name from the Latin word for “higher,” the Altius Quartet injects young energy and passion into music both old and new.
The king’s daughter is happily betrothed to a prince—until another man forges a plan to tear them apart for his own benefit. Handel’s searing, emotional tale of obsession and betrayal comes to life on the intimate Music Theatre stage.
ANIMAL FARM
OPEN SPACE
After disgruntled animals on Mr. Be moved by dance works that Jones’s farm overthrow their human lilt, groove and tumble across leader, all is well … until it isn’t. a spectrum of styles in this student-produced and CU Dance George Orwell’s heartbreaking Connection-curated series. allegorical masterpiece about Feb. 23–25, 2018 revolution and counter-revolution comes to life in the intimate Acting Studio.
Feb. 14–18, 2018
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2 PM and 7:30 PM at Macky Cirque de la Symphonie with music from Harry Potter, Star Wars, Mission Impossible, Titanic and more, plus aerialists, acrobats, and contortionists!
Charles Wetherbee, violin Cleo Parker Robinson Dance Ensemble Stefan Jackiw, violin Works by Vaughan Williams, Sibelius & Prokofiev
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BÉLA FLECK and
BROOKLYN RIDER Jan. 20, 2018
BÉLA FLECK AND BROOKLYN RIDER
Béla Fleck banjo and
Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Michael Nicolas, cello
Program Program to be announced from the stage. Includes one intermission.
Program to Include: Night Flight Over Water (2012) Tumbledown Creek Hunter’s Moon The Escape
Béla Fleck (b. 1958)
The Landing
Béla Fleck
Griff
Béla Fleck
Next
Béla Fleck
Brooklesca
Colin Jacobsen (b. 1978)
THIS PERFORMANCE IS SPONSORED BY:
Exclusive Management for Brooklyn Rider: Opus 3 Artists 470 Park Avenue South – 9th Floor North New York NY 10016 www.opus3artists.com
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BÉLA FLECK AND BROOKLYN RIDER
Program Notes Night Flight Over Water Béla Fleck
Perhaps this piece is about an escape after having being found out, and ejected from high society? Maybe the banjo player even stole something on the way out, so there is a hot pursuit? At any rate, I had survived the premiere of “The Imposter” and found a record label that was interested in putting it out. The concerto was 36 minutes long. What would inhabit the rest of the CD? I had some discussions with various friends, including Alexander Buhr from Universal Music, violinist Hilary Hahn and my manager, David Bendett. Of all my proposed ideas, which included composing solo banjo sonatas, percussion pieces and duets with classical players, the one that had the most resonance to me was the idea of writing for banjo and string quartet. I knew this was a great untapped combination from the years of listening to my cellist stepfather Joe Paladino playing chamber music, and also from a piece Edgar and I wrote together back in the early 1980s for the Blair String Quartet. Now I needed to figure out whom I was writing this piece for. I asked around about the string quartet Brooklyn Rider, whom I was told about by Neil Benson, my new classical agent at Opus 3. The reaction was very positive from everyone I asked— these guys are really good at new music and have a youthful sensibility that would make a lot of sense on a piece that likely would have many influences from outside of classical music. I listened to their music and really enjoyed and respected their work. They were intrigued by the idea too—so it was on! I started out writing “Night Flight Over Water” by composing a dozen or so sketches. I took these up north and Brooklyn Rider and I read through them together. The idea was that the ones that really worked out for this combination were the ones I would use to build the piece. Unfortunately, these guys were so good that they made everything I had come up with sound amazing, so it was very hard to figure out what not to use. The good part is that now I knew that I could write virtually anything, and they would be able to make it come alive. So I dug in and wrote the piece. At this point the Flecktones were on hiatus and I was touring Europe with the Malian songbird Oumou Sangare, playing jazz festivals and touring with pianist Marcus Roberts. I had a couple of periods to isolate and write. One was in Amsterdam before the Oumou tour started, and the other was in Copenhagen. I did find myself enjoying writing on my computer with headphones, in restaurants, coffee joints and parks. Something
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about watching people and maybe being a little distracted by the movement and humanity seemed to unlock my unconscious mind. We workshopped the piece in August of 2012 in Stillwater, Minnesota. Workshopping it in this case meant doing several days of work rehearsing the piece followed by an informal performance. At the end of this, I was able to study what we had done, make some final adjustments and be ready for the recording in Pittsboro, North Carolina, in November of 2012. Emil Kang at Carolina Performing Arts helped us to connect with Michael and Amy Tieman at Manifold Studios, and we did an informal performance there before we began the recording process. This really helped us to feel the arc of the music and give it a live feel in the studio. —Béla Fleck This piece was commissioned by Clowes Memorial Hall of Butler University in honor of their 50th anniversary.
Griff Béla Fleck
Brooklyn Rider and I have a sweet relationship. I wrote a piece for them to go with “The Imposter” and we ended up doing a lot of touring together and becoming family. So when I was deciding what to pair with “Juno Concerto,” I thought about the music I had written to play with them that was unrecorded. There was a piece called “Griff,” which was a working title because the piece was based on a G riff. The title stuck. “Griff” was a through-composed piece, also mostly written when Juno and Abby were asleep in the early days. Brooklyn Rider and I were going on tour, and we needed more material to fill out the show. I wrote in an unhurried, almost improvised fashion at times, trying to do better at expanding one idea, rather than relying on several melodies to sustain interest in a composition. It turned into a strong live performance vehicle for the group, as did another piece I co-created back in 1984 with my great friend and mentor Edgar Meyer. We were commissioned by the Metro Arts Council to create a quintet I could play with the Blair String Quartet at a large outdoor event in Nashville called Summer Lights. We called it Quintet for Banjo and Strings. This four-movement work was later performed on the “Lonesome Pine Special,” on the same episode where the Flecktones made their debut. It was Edgar’s and my first composing collaboration and my first classical-oriented endeavor. But somehow it never got recorded. —Béla Fleck
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Photo by Erin Baiano
BÉLA FLECK AND BROOKLYN RIDER
Béla Fleck
Biographies
Just in case you aren’t familiar with Béla Fleck, there are some who say he’s the world’s premier banjo player. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo and put it into unique settings. The 15-time Grammy Award winner has been nominated in more categories than any other artist in Grammy history and remains a powerfully creative force globally in bluegrass, jazz, classical, pop, rock and world beat. Most recently, Béla and Abigail Washburn took home the 2016 Grammy for best folk album. In 2009, Béla produced the award-winning documentary and recordings “Throw Down Your Heart,” in which he journeyed across Africa to research the origins of the banjo. In 2011, Fleck premiered “The Imposter” with the Nashville Symphony Orchestra, an unprecedented banjo concerto, followed by the companion documentary “How to Write a Banjo Concerto.” In 2016, Béla unveiled his second concerto “Juno” with the Canton Symphony Orchestra. Any world-class musician born with the names Béla (for Bartók), Anton (for Dvořák) and Leoš (for Janáček) would seem destined to play classical music. Fleck made the classical connection with “Perpetual Motion,” his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including best classical crossover album, in the 44th annual Grammy Awards. Collaborating with Fleck on “Perpetual Motion” was his long time friend and colleague Edgar Meyer, a bassist and acclaimed composer whose virtuosity defies labels. Béla and Edgar co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003. They also co-wrote a triple concerto for banjo, bass and tabla with world-renowned tabla virtuoso Zakir Hussain titled “The Melody of Rhythm.” These days, Fleck bounces between various intriguing touring situations: He performs his concerto worldwide with symphonies, collaborates in a duo with Chick Corea and is in a trio with Zakir Hussain and Edgar Meyer. He performs in concert with the Brooklyn Rider string quartet, in banjo duet with his wife Abigail Washburn, in banjo and mandolin duet with Chris Thile, and goes back to bluegrass with his old friends Sam Bush, Jerry Douglas, Stuart Duncan, Bryan Sutton and others. He collaborates with African artists such as Oumou Sangare and Toumani Diabate, in a jazz setting with The Marcus Roberts Trio, and in his own band Béla Fleck and the Flecktones, who continue to perform together 25 years after the group’s inception.
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“They are four classical musicians performing with the energy of young rock stars jamming on their guitars, a Beethoven-goes-indie foray into making classical music accessible but also celebrating why it was good in the first place.” —Pittsburgh Post-Gazette Hailed as “the future of chamber music” (Strings), the veteran string quartet Brooklyn Rider presents eclectic repertoire and gripping performances that continue to draw rave reviews from classical, world music and rock critics alike. NPR credits Brooklyn Rider with “recreating the 300-year-old form of string quartet as a vital and creative 21st-century ensemble.” To start the 2017–18 season, Brooklyn Rider released “Spontaneous Symbols” in October on Johnny Gandelsman’s In a Circle Records label. The album features new quartet music by Tyondai Braxton, Evan Ziporyn, Paula Matthusen, Kyle Sanna and Brooklyn Rider violinist Colin Jacobsen. To mark the release, the group toured the northeast, with stops in New York and Boston, performing music from the new album. Works from that recording by Braxton, Ziporyn and Jacobsen were also featured in live performance for “Some of a Thousand Words,” the ensemble’s recent collaboration with choreographer Brian Brooks and former New York City Ballet prima ballerina Wendy Whelan. An intimate series of duets and solos in which the quartet’s live onstage music is a dynamic and central creative component, “Some of a Thousand Words” was featured at the 2016 Jacob’s Pillow Dance Festival before a U.S. tour the following spring, including a week-long run at New York’s Joyce Theater. This season, the quartet reunites with Whelan and Brooks for a second North American tour. They also team up with incomparable banjoist Béla Fleck — with whom they appeared on two different albums, 2017’s “Juno Concerto” and 2013’s “The Imposter”— for concerts in Texas, Oklahoma, Arkansas, Colorado and Montana. Also in the spring, Brooklyn Rider partners with two instrumentalists who are at the forefront of their respective genres, jazz saxophonist Joshua Redman and Irish fiddle master Martin Hayes. The tours with Redman and Hayes are the product of multi-season collaborations that will continue beyond the spring and will include new recordings with both artists. Balancing these collaborations is a full schedule of quartet performances across the U.S., as well as in the U.K., Sweden and Germany.
BÉLA FLECK AND BROOKLYN RIDER
Brooklyn Rider
During the 2016–17 season, Brooklyn Rider released an album titled “so many things” on Naïve Records with Swedish mezzo soprano Anne Sofie von Otter, comprising music by Colin Jacobsen, Caroline Shaw, John Adams, Nico Muhly, Björk, Sting, Kate Bush and Elvis Costello, among others. The group toured material from the album and more with von Otter in the U.S. and Europe, including stops at Carnegie Hall and the Opernhaus Zürich. Additionally, Brooklyn Rider performed Philip Glass’ String Quartet No. 7, furthering a relationship with the iconic American composer which began with 2011’s much-praised “Brooklyn Rider Plays Philip Glass” and will continue with the upcoming album release of Glass’ recent quartets on the composer’s Orange Mountain Music label. In 2015, the group celebrated its 10th anniversary with the groundbreaking multi-disciplinary project “Brooklyn Rider Almanac,” for which it recorded and toured 15 specially commissioned works, each inspired by a different artistic muse. Other recording projects include the quartet’s eclectic debut recording in 2008, “Passport,” followed by “Dominant Curve” in 2010, “Seven Steps” in 2012 and “A Walking Fire” in 2013. In 2016, they released “The Fiction Issue” with singer-songwriter Gabriel Kahane, with the title track a Kahane composition that was premiered in 2012 at Carnegie Hall by Kahane, Brooklyn Rider and Shara Worden. A long-standing relationship between Brooklyn Rider and Iranian kamancheh player Kayhan Kalhor resulted in the much-praised 2008 recording “Silent City.”
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Lila Downs March 3 · Macky Auditorium
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Spotlight Photo by Marcela Taboada
Bullets and Chocolate
Several decades ago, a young Mixtec Indian woman left her village behind to sing in the cantinas of Mexico City. It was in one of those famed cantinas that a University of Minnesota professor heard the woman sing and fell head over heels. Today, that improbable couple’s daughter, singer/songwriter Lila Downs, weaves together her parents’ backgrounds in song to produce a sound that’s unlike any other. The Los Angeles Times says she “has a stunning voice [and] a confident multicultural vision.” The New York Times praises her “multiple voices, from an airborne near-falsetto down to a forthright alto and a sultry, emotive contralto.” Even if you haven’t heard the name Lila Downs, you might have heard her sing at the 75th Academy Awards or in the films “Tortilla Soup” and “Real Women Have Curves.” Or maybe you saw her take the stage at the 2017 Latin Grammys between performances by “Despacito” singer Luis Fonsi and “Hamilton” creator Lin-Manuel Miranda. The folk-pop singer is suddenly everywhere, and that’s no surprise. Not only is her classically-trained yet radio-friendly voice one of a kind, but the words she writes, influenced by a 20
childhood of constant travel between Minnesota and Oaxaca, also resonate with today’s Mexican-born DREAMers and workers trying to make ends meet in the U.S. On her 2015 album, “Balas y Chocolate” (“Bullets and Chocolate”), the title track expresses anguish at the violence many rural Mexicans see every day (“There are bullets that go flying throughout the world”) and amazement at those who bravely endure it (“There are no bullets that pierce the strength of this love”). “This album,” says the Financial Times, “looks death and joy—the bullets and chocolates of the title—squarely in the face and accepts both.” Across all her recordings and performances, Downs personifies both bullets and chocolate, taking a hard, piercing look at current social issues yet singing about them in dulcet and festive tones —as if to acknowledge that even in dark times, there’s always something to celebrate. Saturday, March 3, 7:30 p.m. in Macky Auditorium Tickets start at $20
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Click: MCGUCKIN.COM Visit: 2525 ARAPAHOE AVE. BOULDER, CO 80302 Call: (303) 443-1822
Global performance. World-class entertainment. You have to be here.
Faculty Tuesdays 7:30 p.m., Grusin Music Hall � Free and open to the public
JANUARY 16 American Celebration
McDonald/Dunn/Jennings/Requiro/Reger
Margaret McDonald will be joined by her faculty colleagues in a program celebrating American music.
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Beethoven! Korevaar
Pianist David Korevaar plays Beethoven sonatas.
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Romance in Italy
Erhard/Dusinberre/Requiro/Hsu/Korevaar
Paul Erhard presents a program of Italian, Finnish and Russian double bass works that are lively, passionate and fun. The recital is built around two duos: Rossini’s Duet for Cello and Double Bass delivers a wonderful spirit and lots of dialogue between the cello and double bass; Bottesini’s Gran Duo, perhaps the most loved duo of all time for violin and double bass (with piano accompaniment), promises virtuoso excitement. The program also includes other beautifully lyrical works.
FEBRUARY 06 Hsiao-Ling Lin and Friends Dusinberre/Kim/Rhodes/Fejér
A Few of My Favorites
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The Joy of Strings!
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Faculty Tuedays Series
Dusinberre/Korevaar
Following their 2010 Decca recording of Beethoven’s last two piano and violin sonatas, David Korevaar and Edward Dusinberre continue their exploration of Beethoven in this concert featuring works from earlier in his life, including virtuosic sonatas for violin and piano and the beloved “Spring” sonata.
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Claude Debussy 100 Years Later
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España en el Corazón
Cooperstock/Bird/Requiro/Terwilliger
Pianist Andrew Cooperstock and colleagues celebrate the 100th anniversary of French composer Claude Debussy’s death with solo and chamber works that are colorful, rhythmic and both traditional and forward-looking.
Bird/Chellis/Garland/Cremaschi
Join singers Jennifer Bird, Matthew Chellis and Andrew Garland, as well as pianist Alejandro Cremaschi, on a musical journey to Spain. The program includes zarzuela arias and Spanish songs.
APRIL 06 Double Standards Walter/Case/Robert
Pianist Hsiao-Ling Lin performs with College of Music friends and colleagues. This program explores the chamber works of nationalism by Grieg, Lutosławski and Dvořák.
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MARCH 06 Beethoven for Piano and Violin
Douglas Walter, Brian Casey and Robert Johnson perform jazz standards with a twist. We will take classics from the American Songbook—”Body and Soul,” “In a Sentimental Mood,” “All the Things You Are”—and will mix it up with classics of the future such as “Feliz” by Denverite Carmen Sandim or “Three Views of A Secret” by Jaco. A swinging, tune-filled night!
Farr
Harpsichordist Elizabeth Farr presents a recital of some of her favorite repertoire for the instrument, of both majestic and intimate affects. Perhaps audience members will relive some of their favorites, too—and be introduced to new favorites.
CU String Faculty/Griner/Barnhart/Mondzac/Allen/Ajax Quartet
The College of Music String Faculty collaborate with CU students to celebrate the joy of strings with a program of duos, a septet premiere and more.
Bird/Korevaar
Soprano Jennifer Bird and pianist David Korevaar come together to perform exciting chamber music
More info at cupresents.org Can’t make it? Watch the online livestream at our website!
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FEBRUARY 23, 24
Hummel: Piano Concerto No. 3 in B minor, Beethoven: O verture and Incidental Music to Egmont
MARCH 30, 31
Mozart Requiem with the Boulder Chorale
MAY 19, 20
Haydn: Sinfonia Concertante in B-flat major Haydn: Symphony No. 95 in C minor Mozart: Symphony No. 36 in C major
SPECIAL EVENT MAY 4 – THE MUSIC OF STAR WARS Celebrate international “Star Wars Day” with John Williams’ greatest music from the Star Wars films with live orchestra. MACKY AUDITORIUM – 7:30pm
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Artist Series
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
ARTIST SERIES ADVISORY BOARD Gil Berman Rudy Betancourt Joan McLean Braun Shirley Carnahan
John Davis Diane Dunn Mike Gallucci Laima Haley
BENEFACTOR Paul Bechtner Foundation Mark and Margaret Carson Mary Lamy Greg Silvus
SPONSOR
Anonymous Gil and Nancy Berman Sue Blessing Diane and Dick Dunn Louise Pearson and Grant Couch Lisa and Tom Price Ellen and Joshua Taxman
PATRON
Anonymous Janet Ackermann and Scott Wiesner Joan McLean Braun Ruth Carmel Kahn Center Copy Boulder, Inc. Chris and Barbara Christoffersen Maggie and John McKune Doyen and James Mitchell Toni and Douglas Shaller
Daryl James, President Maryan K. Jaross Ruth Kahn
Andrew Metzroth James Mitchell Jerry Orten
SUPPORTER Mike and Carol Gallucci Heidi and Charles Lynch Janet and Scott Martin Bob and Sandy McCalmon Judy and Alan Megibow Cedric Reverand Mikhy and Mike Ritter Alicia and Juan Rodriguez Karmen Rossi and Eric Lewis Douglas and Avlona Taylor Evelyn Taylor Ann and Larry Thomas Ann and Gary Yost
CONTRIBUTOR Anonymous Ellen and Dean Boal Noel and Pauline Clark Norma Ekstrand and Tom Campbell Tara Kelly Ranelle Lang and Robert Hammond Joan and Harold Leinbach Elizabeth and Gary Rauch Theodore and Ruth Smith Heather Van Dusen
Erika Randall Courtney Rowe Robert Shay
MEMBER
Maria and Jesse Aweida Shirley Carnahan Cathy Cloutier Lissy Garrison Merrill and Leslie Glustrom John Graham and Lorin Lear David and Jo Hill Pam Leland Gail and Thomas Madden Paul and Kay McCormick Janet and Hunter McDaniel Gail and Julie Mock Jacqueline Muller Barbara and Irwin Neulight Nancy and David Parker Becky Roser and Ron Stewart Karmen Rossi Randall Rutsch Zoe Stivers Lloyd Timblin Allan and Marta Wolfe
CORPORATE SPONSORS
IN-KIND SPONSORS
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Takács Society
The Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
BENEFACTOR
Albert and Nancy Boggess Lyle Bourne and Rita Yaroush Norma Johnson in memory of Fay Shwayder Gary and Judith Judd in memory of Fay Shwayder Peg and Chuck Rowe
SPONSOR
Marda Buchholz PJ Decker and B.A. Saperstein Carol Lena Kovner Lisa and Thomas Price David and Janet Robertson Takács String Quartet Marion Thurnauer and Alexander Trifunac
PATRON
Thomas and Carol Cech Chris and Barbara Christoffersen L. Frear Eileen and Walter Kintsch Ray LaPanse Kathleen Sullivan John and Carson Taylor
SUPPORTER
Bill and Louise Bradley Christopher and Margot Brauchli Pamela Barsam Brown and Stanley Brown Patricia Butler Anne Heinz and Ran Yaron Gerald and Doree Hickman Kaye Howe Robert Kehoe Paul and Nancy Levitt Jane Menken and Richard Jessor Virginia M. Newton Neil and Martha Palmer Anita and Arthur Polner Mikhy and Mike Ritter Susan and David Seitz Anthony and Randi Stroh Lawrence and Ann Thomas
CONTRIBUTOR
Virginia and Stanley Boucher Noel A. and Pauline A. Clark Alison Craig and Stephen Trainor Richard and JoAnn Crandall Carolyn and Don Etter Steve Goldhaber and Mariana Vertenstein Liz and Jon Hinebauch Bruce and Kyongguen Johnson Joan and Harold Leinbach Patricia and Robert Lisensky Albert and Virginia Lundell Lise Menn Antonia and Timothy Piwonka-Corle M. L. Sandos Lori and Bob Schuyler Helen Stone Berkley Tague Patricia Thompson
MEMBER
Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Kevin and Diana Bunnell Shirley Carnahan Penny Chenery Charlotte Corbridge Barbara and Carl Diehl Robbie Dunlap Bob and Jean Fischer Mary and Lloyd Gelman Kenneth and Dianne Hackett David Hammer Keith and Nancy Hammond Catharine and Richard E. Harris Katherine and Stuart Haskins Ruthanne and John D. Hibbs Marian and William Hoffman Margaret and Bob Kamper Caryl and David Kassoy Mireille Key Elizabeth Knoelker Keith Kohnen Heidi and Jerry Lynch Judy and Harrie Lewis
Gail and Thomas Madden Caroline Malde Professor John McKim Malville and Nancy Malville Ralph and Nancy Mann Kim Matthews Peter and Doris McManamon Christopher B. Mueller Joan and Ronald Nordgren Margaret Oakes Wayne and Julie Phillips Charles Proudfit and Margret Hamilton Richard Replin and Elissa Stein Joanna and Mark Rosenblum Becky Roser and Ron Stewart JoAn Segal Ruth M. Shanberge Todd and Gretchen Sliker Grietje Sloan Carol and Arthur Smoot Janice and Charles Squier Arthur and Laurie Travers Leanne and Christopher Walther Lucy Warner James and Nurit Wolf Mary and Peter Van Etten Betty Van Zandt In loving memory of Norma Johnson, a longtime beloved supporter of the Takács Quartet
Make all gifts payable to the University of Colorado Foundation and mail to: Takács Society CU College of Music, 301 UCB Boulder, CO 80309-0301 For credit card payments, questions or additional information, call the College of Music Development Office at 303-735-6070. 26
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Global performance. World-class entertainment. You have to be here.
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Friends of Eklund Opera The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Development Office at 303-735-6070.
BENEFACTOR
The Academy Charitable Foundation, Inc. David Allen and Carol DeBaca Stephen Dilts Philip and Yvonne DiStefano Robert Stuart Graham The Louis and Harold Price Foundation
PATRON
Ann Cairns and Larry Bangs Barbara and Chris Christoffersen Mary and Lloyd Gelman John Hedderich Albert and Betsy Hand Toni and Douglas Shaller Al and Marty Stormo Wright Family Foundation
SUPPORTER
CONTRIBUTOR Judith Auer and George Lawrence Judy and Jim Bowers Marilyn and Bruce Fredrickson Ellen and John Gille Bob and Mikee Kapelke Joan and Harold Leinbach Heidi and Jerry Lynch Claudia Boettcher Merthan Ann and Dave Phillips Cynthia and Dave Rosengren M. L. Sandos Cynthia and Paul Schauer Theodore and Ruth Smith Helen Stone Ann and Larry Thomas Ken and Ruth Wright in memory of Mayme Lacy
Donald and Beverly Eklund* Jack Finlaw and Gregory Movesian Kelton Family Foundation* Dennis Peterson Mikhy and Mike Ritter William Stark
MEMBER
Heather and Brian Byrne* Xan and John Fischer Lissy Garrison* Janet Hanley William and Ann Kellogg Norman Lane Patricia and Robert Lisensky Megan Marino Marian Matheson Cathy and Byron McCalmon Corinne McKay Margaret Oakes Robert and Marilyn Peltzer Kim and Rich Plumridge Gail Promboin and Robert Burnham Alicia and Juan Rodriguez Becky Roser and Ron Stewart Ruth Schoening Carol and Arthur Smoot Linda and Jim Stinson Walter Taylor Gretchen Vanderwerf and Gordon Jones Peter Wall Ann and Gary Yost *Gifts given in honor of Paul Eklund and Kristina Cizmar’s marriage—wishing you many years of happiness!
THE EKLUND OPERA PROGRAM
Recognizing the importance of the arts and live vocal performance in an increasingly distracted world, longtime Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU Boulder College of Music. Funding from the endowment helps support three opera productions each academic year, the CU New Opera Workshop and an opera scenes program for new students.
From left: Paul Eklund; Leigh Holman, Director of Opera; Robert Shay, College of Music Dean
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Personnel Joan McLean Braun Laima Haley Andrew Metzroth Jessie Bauters Daniel Leonard Jill Kimball Sabrina Green Analise Iwanski Noelle Limbird Maureen Bailey Jack Dorfman Madi Smith Jack Barsch Elise Campbell Michael Casey Indigo Fischer Adrienne Havelka Megan Quilliam Curtis Sellers Karen Van Acker Christin Woolley Michael Johnston Jeni Webster Kevin Harbison
Executive Director Marketing and PR Director Operations Director Associate Director of Communications Marketing Manager Public Relations Manager Publications Specialist Graphic Design Assistant Marketing and PR Coordinator Social Media Content Creator Video Producer Video Producer Website Editor Box Office Manager Box Office Services Manager Box Office Assistant Box Office Assistant Box Office Assistant Box Office Assistant Box Office Assistant Box Office Assistant Financial Manager Membership Benefits Coordinator Recording Engineer
MACKY AUDITORIUM Rudy Betancourt Matthew Arrington Sara Krumwiede JP Osnes Richard Barrett Trevor Isetts Rojana Savoye Devin Hegger
Director Assistant Director for Patron Services Assistant Director for Administration Assistant Director for Production Production Manager Production Manager House Manager Assistant House Manager
EDITORIAL TEAM Jill Kimball Sabrina Green
DEAN'S CABINET Robert Shay James Austin
Joan McLean Braun Steven Bruns John Davis Courtney Rowe Alexander George David Mallett
COLLEGE OF MUSIC ADVISORY BOARD Mikhy Ritter, Chair Sue Baer Jim Bailey Gil Berman Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman Doree Hickman
Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Kathy Kucsan Erma Mantey Ben Nelson Joe Negler Susan Olenwine Tom Price Becky Roser Firuzeh Saidi Stein Sture Jeannie Thompson Jack Walker Celia Waterhouse
Program Editor Program Design/Layout
Patron Info Accessibility and Parking
Macky Auditorium is fully wheelchair accessible; ADA-accessible parking is available nearby. Please call the Box Office as early as possible to make arrangements. Paid parking is available in Lot 380 next to Macky, in the Euclid Avenue Autopark, and in Lots 310 and 204. Contact the Box Office or check the CU Presents website for more information. 30
Dean Associate Dean for Enrollment Management and Undergraduate Studies Assistant Dean for Concerts and Communications Associate Dean for Graduate Studies Associate Dean for Faculty Affairs and Operations Interim Assistant Dean for Advancement Executive Assistant to the Dean Assistant Dean for Budget and Finance
CU Presents Box Office cupresents.org � 303-492-8008
Photography and video recordings Ticket Sales are final; no refunds. of any type are strictly prohibited during the performance.
Food is permitted in the seating areas of Macky Auditorium but is prohibited in other campus venues unless otherwise noted. Smoking is not permitted anywhere. CU Boulder is a smoke-free campus!
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Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single-ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the Box Office prior to the performance if you are unable to use them.
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