Global performance. World-class entertainment. You have to be here.
80th Anniversary
2016-2017 Season
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Contents
With US
Flute Month .........................................6 Calendar ..............................................8 Bud Coleman .....................................20 CU NOW .................................. ..........22 Artist Series donors ...........................26 TakĂĄcs Society donors .....................30 Eklund Opera donors .......................32 Personnel lists ..................................34
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CU's Flute Month 80th Anniversary
Football games. Fourth of July parades. Princess Leia’s theme in “Star Wars.”
All of these cultural hallmarks have something surprising in common: They prominently feature the flute. “The flute is everywhere,” says Christina Jennings, associate professor of flute at CU Boulder. “We’re surrounded by the sound of it without consciously being aware of it. It’s part of our human identity.” Jennings loves the instrument so much that she’s created a two-day festival called Once A Flutist for youth, alumni, lapsed adult flutists and curious community members. It’s just one of many flute-centric events happening this March; also on the agenda are concerts featuring world-famous musician James Galway and Irish ensemble Danú, a free Faculty Tuesday event with Jennings and some of her flute studio alumni, and a colorful Eklund Opera production of Mozart’s “The Magic Flute.” While CU Presents Executive Director and flutist Joan McLean Braun says the collision of flute events in March was pure coincidence, she’s not surprised: it’s one of the most popular instruments out there. “It’s a fun instrument, lovely and melodic, so it lends itself well to all kinds of music,” she says. “As soon as I could finally make a sound on the dang thing, I was hooked.” She’s looking forward to hearing James Galway, who reached fame through collaborations with the Chieftains
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and recordings for “The Lord of the Rings” soundtracks, in recital. “He has a magnetic personality, and he’s really been an ambassador for the flute and all of the different genres it can inhabit,” Braun says. “He approaches it with joy and fun, and I think people respond to that.” “Joy” and “fun” are also apt descriptors of “The Magic Flute,” the world’s most famous and frequently performed opera. Though today it’s often staged for children, Eklund Opera Music Director Nicholas Carthy says Mozart wrote it for people of all ages to enjoy. “It seems to appeal to everybody on several different levels,” he says. “On a very basic level, the story is a lot like ‘Shrek’—a romantic comedy with a funny sidekick who talks too much. But there are so many levels to the plot—not to mention the incredible music.” Jennings, who fell in love with “The Magic Flute” as a child and performed it with Houston Grand Opera, is delighted she’s involved in a month-long, campus-wide celebration of the oldest instrument on Earth, one that’s touched every continent and almost every culture. “If you ask most flute players why they were attracted to it,” she says, “it always has something to do with the sound. It’s so close to singing and the sound holds so much possibility.” Danú: Saturday, March 4 | tickets start at $20 Once A Flutist: March 21 & 22 | more information at colorado.edu/music/once-a-flutist The Magic Flute: March 17-19 | tickets start at $20 James Galway: Wednesday, March 22 | tickets start at $20
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Hear Kwabena’s story in his own words CE.COLORADO.EDU/CATCHUP
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CE gives you the tools to accomplish your goals on your terms—online, in the evening, or during the summer. Own Your Journey. ce.colorado.edu
2016-17 Season Danú The World’s Greatest St. Patrick's Day Celebration Danú brings together virtuosi players on flute, tin whistle, fiddle, accordion, vocals and more for a high-energy performance of ancient Irish music and new repertoire. This fan favorite returns to Boulder for an unforgettable St. Patrick’s Day concert. Saturday, March 4 2017 7:30 p.m.
80th Anniversary
Sir James Galway, Lady Jeanne Galway and friends
“The Man with the Golden Flute” pays a visit to Boulder for a mesmerizing, genre-defying performance. Between his classical credits, his star-studded collaborations and his iconic recordings for The Lord of the Rings films, Sir James Galway is the premier flutist of our time. Wednesday, March 22, 2017 7:30 p.m.
Global performance. World-class entertainment. You have to be here.
Faculty Tuesdays 7:30 p.m., Grusin Music Hall • Free and open to the public
February 28
March 7
March 14
Violinist Geraldine Walther and friends Geraldine Walther, Harumi Rhodes, David Requiro and David Korevaar perform a variety of works and styles, from Beethoven's String Trio in G Major to Schoenberg's seldom-performed String Trio to the romantic and popular Piano Quartet in E-flat Major by Robert Schumann.
Pianist Alexandra Nguyen and friends This program features the creative outcomes of musings: contemplations on color and energy, the cosmos and life. Don't miss the beloved Patrick Mason in his last faculty performance before he begins his exploration of new vistas at the end of the academic year. Works by Higdon, Gougeon and Rachmaninoff.
Tubaist Mike Dunn and friends A varied concert featuring Mike Dunn, students and facutly of the College of Music.
From Old to New
Musings
More info at
Tuba or Not Tuba
March 21
Once a Flutist...
Flutist Christina Jennings and friends Christina Jennings performs as part of the Once a Flutist festival in a program celebrating the diversity and community of the oldest instrument on Earth. Joining her will be members of the Eisenhower Elementary School choir, the CU choirs wtih conductor Gregory Gentry, and many current and former CU flute studio alumni.
colorado.edu/music
Can’t make it? Watch the online livestream at our website! 8
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The Grammy Award-winning chamber quartet has been moving audiences and selling out concerts for three decades at CU Boulder. Their irresistible blend of virtuosic technique and engaging personality has led The Guardian (London) to proclaim, "The Takács Quartet are matchless, their supreme artistry manifest at every level."
Sunday, March 19, 4 p.m. Monday, March 20, 7:30 p.m. Sunday, April 30, 4 p.m. Monday, May 1, 7:30 p.m.
Red Hot and Cole celebrates Cole Porter, the great American songwriter who brought style, elegance and sophistication to Broadway and Hollywood, delighting the world with clever rhymes, fresh melodies and a sassy, sexy sensibility.
The Magic Flute Like a fantasy adventure film come to life, Mozart's The Magic Flute blends together whimsical humor and irresistible melodies to tell the gripping story of a prince who must outwit an evil queen to be united with his true love.
April 27-30
March 17-19
The Rocky Horror Show Opens March 3
by Richard O'Brien
When a newly engaged couple gets caught in a storm and meets the tan, muscular new creation of mad transvestite scientist Frank N. Furter, their world is forever changed.
Coming Soon Fefu and Her Friends by Maria Irene Fornes Opens April 5 FRESH a Dance Sampler Opens April 28
Alter/Altar Opens March 3 MFA Dance Works In a shared evening of dance, MFA candidates Gwen Ritchie and Arneshia Williams each create, revisit and revise spheres of knowing from their own unique kinesthetic voices.
Peter and the Starcatcher Opens April 14 by Rick Elice, with music by Wayne Barker based on the Novel by Dave Barry and Ridley Pearson Ever wondered what Peter Pan’s childhood was like before Wendy met him in Neverland? Based on a best-selling 2006 novel, Peter and the Starcatcher travels back to Peter’s early adventures in an orphanage, aboard a weather-beaten ship holding precious cargo and on a magical remote island.
Plus much more! colorado.edu/theatredance/events
The Current
(Dance Series) Faculty and guest artists present innovative dance works that reflect the rich diversity of CU Boulder’s Dance Division. From transnational fusion to experimental dance theatre, from Hip-Hop to aerial dance, audiences will experience the depth and dimension of the program’s offerings.
Celebrate the 60th Season of the Colorado Shakespeare Festival! 2017 Lineup:
The Taming of the Shrew Hamlet Julius Caesar Rosencrantz & Guildenstern are Dead 60th Season
coloradoshakes.org
by Tom Stoppard
Henry VI, Part 3
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The Colorado Shakespeare Festival is a professional theatre company in association with the University of Colorado Boulder. Since 1958, the festival has celebrated and explored Shakespeare and his continuing influence and vitality through productions of superior artistic quality, education and community engagement.
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Discover Bixby Boulder’s Progressive School Since 1970
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Sponsor Sponsor
Sir James Galway is generously sponsored by:
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Sponsor
Congratulations to the University of Colorado College of Music, whose efforts have brought entertainment, learning, melody, percussion and passion to our community. We’re proud to sponsor the University of Colorado College of Music.
For subscription information call 303.444.3444 or visit DailyCamera.com.
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Honest, Thoughtful, Experienced. With over 40 years of experience as a Realtor, Eric’s direct approach has kept him as a top producer. RE/MAX “Hall of Fame” & “Lifetime Achievement” Awards
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2016 -17 SEASON The Boulder Phil Goes to Washington, DC: “NATURE & MUSIC” CONCERTS Sat., Mar. 25, 7:30 PM Macky Auditorium Tue., Mar. 28, 8 PM Kennedy Center, DC LIAS All the Songs that Nature Sings
Commemorating the 100th anniversary of the National Park Service with choreographed visuals
PINES OF ROME Sat., Apr. 22, 7:30 PM Macky Auditorium
MIDKIFF Mandolin Concerto
VERDI Overture to Nabucco PUCCINI The
HEITZEG Ghosts of the Grasslands COPLAND Appalachian Spring
Chrysanthemums
Jeff Midkiff, mandolin
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Charles Wetherbee, violin; Nicolò Spera, guitar Respighi’s The Pines Of Rome
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Music sounds better when you know more . Listen, study, enjoy—with CPR Classical.
“Music Forward” Saturdays at 7 p.m. on CPR Classical Explore music of the past century through musician interviews and discussion of Colorado’s contemporary performances.
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Photo: The Great Green, by Joanna Rotkin, Joanna and the Agitators joannaandtheagitators.com Selected As
Silver Recognition Award
HIGH SCHOOL REINVENTED. New Vista High School opened in ‘93 with a mission “to break the mold” of conventional secondary school practices. We provide rigorous learning in a supportive culture. Our curriculum is designed to cultivate the unique talents and interests of students who are ready to be more responsible for their own learning. Recognized as an Ashoka Changemaker school for our use of empathy and equity in our curriculum, and as a School of Opportunity for All Students, New Vista works to provide students with choices in the programs they take and work they do. In exchange, we require that all students do high quality work and earn an A or B in their core classes. At New Vista we go Above & Beyond.
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Creating connections. Honoring lives. Embracing possibilities. You’ve spent a lifetime becoming the person you are today. And at Frasier, we celebrate this. This is the time to explore your passions and expand your life in any direction you choose. And through your retirement years, our expert continuum of care, all located on our beautiful 20-acre campus, is here to offer you security and peace of mind. It’s all of this and so much more that make Frasier such an extraordinary place to call home.
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80th Anniversary
and Friends
with Cathal Breslin, pianist
Program Sonata No. 3 I. Allegretto II. Très Modèrè III. Joyeux-Allegretto
Philippe Gaubert (1879-1941)
Concertino, Op. 107
Cécile Louise Stéphanie Chaminade (1857-1944)
Il Carnevale di Venezia, Op. 77
Giulio Briccialdi (1818-1881) Intermission
Rigoletto Fantasie, Op. 38 Lady Jeanne Galway, flute
Franz Doppler (1821-1883) and Karl Doppler (1825-1900)
Tambourin
François-Joseph Gossec (1734-1829)
Le Basque
Marin Marais (1656-1728)
Schön Rosmarin
Fritz Kreisler (1875-1962)
Il Pastore Svizzero
Francesco Morlacchi (1784-1841)
Sir James Galway and Lady Jeanne Galway appear by arrangement with International Classical Artists (ICA) This concert is generously sponsored by:
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Sir James and Lady Jeanne Galway
S I R J A M E S A N D L A D Y J E A N N E G A L W AY A N D F R I E N D S — M a r c h 2 2 , 2 0 1 7
Sir James Galway, flute
“As fine and fluent a flautist as the world affords …”—The Washington Post “James Galway is more than a flute-player, he is the world’s only flute personality.” —Newsday
Globally renowned as the supreme interpreter of the classical flute repertoire, Sir James Galway is a consummate performer whose appeal transcends all musical boundaries. With more than 30 million recordings sold worldwide, extensive international touring, frequent television appearances, tireless promotion of the arts and his passionate work in music education, Galway has been a household name for decades. His uniquely expressive interpretations of the flute literature span an extensive range of genres, from classical masterworks to high-profile commissions, and provide the benchmark standard for all modern flautists. He has also collaborated on film soundtracks such as The Lord of the Rings and partnered with such popular artists as Stevie Wonder, Ray Charles, Joni Mitchell and Sir Elton John. The diversity of Galway’s repertoire reflects his impressive musical range and has served to establish him as an artist of the very highest stature. Belfast-born, Galway studied in London and Paris before embarking on his orchestral career in London’s major opera and symphonic orchestras. He took up the coveted position of solo flautist with the Berlin Philharmonic Orchestra under Herbert von Karajan in 1969, before becoming one of the very first flautists to establish an international solo career in 1975. Since that time, Galway has performed worldwide with all of the leading orchestras and most prestigious conductors. He has a vast discography with 97 CDs to his name and has enjoyed recording contracts with Sony Classics and Deutsche Grammophon. Sir James Galway maintains his busy international touring schedule, continuing to appear at major venues and festivals with many of the world’s top orchestras and conductors. After opening the 2015-16 concert season with a sold-out concert at the Royal Albert Hall in London, highlights of last season included major recital and concerto tours of Asia, Europe and the United States. Upcoming highlights include a UK tour (May 2017) and concerto appearances at the Lucerne Festival and The Ravinia Festival. Awarded the OBE in 1979, and subsequently a knighthood for Services to Music in 2001, Sir James Galway has been the recipient of many honors and awards for his musical accomplishments. These include Lifetime Achievement Awards from Gramophone (2014), the Classic Brits (2005), and the National Concert Hall Dublin (2013), the Grammy President’s Merit Award (2004), and addition to The Hollywood Bowl Hall of Fame (2008)—as well as numerous gold and platinum recordings. In celebration of Sir James’ legacy to music, Sony Classics has honored the ‘Man with the Golden Flute’ with the release of a special box set containing all 71 of his Sony/RCA CDs. In 2016, he was awarded the Gold Medal from the Kennedy Center International Committee on the Arts. As well as furthering the flute’s profile through repertoire commissions, Sir James has also published a number of articles, flute studies and books. He has collaborated with top flute makers Nagahara Flutes of Boston, who have created a special James Galway Nagahara Flute Series, and to mark its 125th Anniversary. William S. Haynes also produced a James Galway Q Series flute. Alongside his busy performing schedule, Galway devotes much of his free time to educational outreach programs. These include the Galway Flute Festivals held around the world and his own online flute community, First Flute (www.firstflute.com). Sir James holds teaching residences at The Royal College of Music, Birmingham Conservatoire and The Royal Irish Academy of Music. Galway also gives a great deal of time to charitable organizations, including SOS, FARA, Future Talent, Youth Music (UK), The Caron Keating Foundation, Lorin Maazel’s Châteauxville Foundation and the Shimon Peres Peace Center educational project—as well as UNICEF, for whom he is a Special Representative. He is also Ambassador to the European Brain Council.
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“One of the leading female flute soloists … a frequent duet partner in concert with her husband—a distinctive musical rapport that has delighted audiences worldwide.”—AZ Weekly, 2013 A graduate of New York City’s Mannes College of Music, Lady Galway has risen to become one of the world’s leading female flautists. She is an accomplished and much celebrated artist who regularly tours internationally in diverse and virtuosic programs and is also deeply committed to music education initiatives. Lady Galway’s concerto appearances have been with many of the leading orchestras in the United States, including Chicago, Philadelphia and Pittsburgh. In Europe, she regularly performs in London, Milan, Rome, Vienna, Salzburg and Zürich, and she frequently visits Tokyo, Beijing and Singapore. Recent performance highlights have seen Lady Galway joining her husband Sir James in concert tours across the globe, including South America and South Africa, and in a recital at Carnegie Hall. Highlights from her 2015-16 concert season included major tours of Asia, Europe and the United States. Upcoming highlights will include a UK tour (May 2017).
In addition to her highly successful career as a soloist, Lady Galway is also an accomplished chamber musician, touring regularly with various chamber ensembles, including her trio Zephyr (with pianist Jonathan Feldman and cellist Darrett Adkins). The group’s first recording, Zephyr: Winds of Romance, includes works by Haydn, Martinů and Weber. Lady Galway also works as the premier flute duo partner of her husband Sir James Galway, delighting audiences worldwide and in 2008 receiving the ‘Spirit of Ireland’ award in recognition for their roles as ambassadors for music. Lady Galway has recorded to critical acclaim for RCA, BMG Classics and Deutsche Grammophon. Varied concert engagements include performances in the presence of the empress of Japan, HRH The Earl and Countess of Wessex, TRH The Duke and Duchess of Kent, the queen of Norway, the queen of Spain, UK Prime Minister David Cameron, President Shimon Peres, President Mary McAleese, President Michael D. Higgins and Irish Prime Minister Enda Kenny. Lady Galway serves as a patron to the charity Future Talent, headed by the Duchess of Kent, and as an ambassador for the European Brain Council. Actively pursuing her love of teaching, Lady Galway dedicates much of her time to working with the younger generation through her educational articles, mentoring of flute students, blogs and recordings. She created the groundbreaking ‘First Flute’ online education community with her husband and gives regular master classes of her own to aspiring flautists throughout the world. She devotes every summer to running the celebrated Galway Flute Academy in Switzerland. Lady Galway lives in Switzerland with her husband.
Cathal Breslin, pianist
Cathal Breslin has been praised worldwide as one of the most exciting pianists of his generation with critical acclaim such as “superb intensity and passion,” “energizing,” “a deep connection to the music” and “noble poetry.” Born in Derry, Northern Ireland, he has performed in major concert halls throughout Europe, the U.S. and Asia, such as Carnegie Hall in New York, Wigmore Hall in London and the National Center for the Performing Arts in Beijing. Recent concerto performances have included the RTE National Symphony Orchestra, BBC Ulster Orchestra, Greensboro Symphony in North Carolina, Turin Philharmonic and the RTE Concert Orchestra. As a chamber musician, Cathal has performed with Augustin Dumay, Anne Akiko Meyers, Dmitry Sitkovetsky, Nicholas Daniel, Jan Vogler, Jeffrey Zeigler, the Brodsky Quartet and the Houston Symphony Winds. In 2008, Cathal and his wife, American flutist Sabrina Hu, created the Walled City Music Festival in Derry, Northern Ireland, which has boosted a new generation of young musicians and strengthened communities with its outreach activities. Recent Artists have included Sir James Galway and Lady Jeanne Galway, Kronos Quartet, Labeque Sisters and many others. He came to the U.S. as an Ireland-U.S. Fulbright Scholar, where he received a DMA from the University of Michigan. Cathal is currently an assistant professor of piano and the coordinator of piano studies at the University of Memphis in Tennessee.
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Lady Jeanne Galway, flute
S I R J A M E S A N D L A D Y J E A N N E G A L W AY A N D F R I E N D S — M a r c h 2 2 , 2 0 1 7
MOZART’S REQUIEM Tuesday, May 2 at 7:30 p.m. ● Macky Auditorium Featuring the CU Symphony Orchestra and CU Choirs Free and open to the public
2017-2018 SEASON TICKETS ON SALE MONDAY, APRIL 3 visit cupresents.org to learn more
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Ars Nova Singers Our 31st Season 2016-2017 In Concert at The Dairy, with Frequent Flyers
Your laid-back neighborhood liquor store with an upscale selection (303) 447-9832 3075 ARAPAHOE AVE BOULDER
WE MENDED A FAILING
HEART ALIVE
AND KEPT THEIR ROMANCE
Inspire/Respire: Music in the Air – Nov 18, 19, 20 A Colorado Holiday Tradition
Christmas with Ars Nova – December 9, 10, 11 Music of the Renaissance
Voices & Viols – February 25, 26 Rachmaninoff’s “Other” Masterpiece
Liturgy of St. John Chrysostom – April 28 & 29 tickets/info:
www.arsnovasingers.org
When you have that newlywed glow, everything seems rosy. So when Jean Richter started feeling short of breath, she wasn’t initially concerned. But then her symptoms worsened and her beloved husband, Dave, had to rush her to the Foothills Hospital Emergency Department. Jean was diagnosed with heart failure, a chronic condition that has a 50% survival rate within five years of diagnosis if not treated correctly. Luckily for Jean, Boulder Community Health recently opened the first specialized Heart Failure Clinic in Boulder County. Dr. Scott Blois’s expertise with the latest treatment options set Jean on a remarkable journey back to a full active life. “I have a wonderful husband, five incredible daughters and 13 grandkids I adore,” says Jean. “I’m so happy we can hike, travel and have fun together again.” Read Jean’s story at bch.org/healinghearts or call 303-442-2395 for information about Boulder County’s first Heart Failure Clinic.
Boulder Heart Anderson Medical Center 4743 Arapahoe Ave., Suite 200 in Boulder Medicare accepted
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A mutual admiration society Aspiring artists, remember this: A well-rounded education never hurt anyone. That’s what Bud Coleman learned when he tore his hamstring muscle after a stint with the prestigious Ballets Trockadero de Monte Carlo. If dance had been the only skill on his resume, it could have been a career-ending disaster. Luckily, the theatre arts graduate had a lot more knowledge up his sleeve. “Through a series of introductions, I was hired into the wardrobe department of New York City Opera,” he says. It was the perfect place for a theatre man; in keeping with its mandate to be the “people’s opera,” NYCO had just expanded its repertoire to include musical theatre. Coleman, who today serves as chair of Theatre & Dance at CU Boulder, can dance, sing, act, direct, perform in drag and think outside the box on command. So it’s no wonder that he and the Eklund Opera Program have reached across the aisle for countless collaborations.
These days, Coleman is grateful for his crossover training: It means he can work with all kinds of artists, from theatre students to dancers to Colorado Shakespeare Festival directors to singers involved in CU’s New Opera Workshop Composer Fellows’ Initiative, which Coleman staged and directed in 2015. Mueller lauds Coleman’s work with CU NOW and emphasizes just how much effort, creativity and vision it must have taken to direct the project. “He had to do all the legwork to come up with concepts and designs and build the characters,” he says. “These pieces didn’t exist before he put them on their feet, so he couldn’t just Google what someone else did—there’s no cheating. “On top of all that,” Mueller adds, “He’s just the nicest man you could ever know.” Red Hot and Cole: April 27-30, Music Theatre | tickets start at $20
Over the last few years, Coleman has danced a mean high-heeled tango in “Die Fledermaus”; he’s directed stagings of student opera scenes for the Composer Fellows’ Initiative; and he’s even set to direct Eklund Opera’s “Red Hot and Cole,” a salute to Cole Porter, this spring. “Having him as a resource just down the street in Theatre & Dance not only to take on a role but to dive into a production headfirst is a plus for the opera program,” says Ron Mueller, interim director of Eklund Opera. “He leads by example for the students, putting his all into every production.” Coleman says he learned to be a Renaissance man out of necessity. In the late 20th century, Broadway directors began to demand that auditionees for new musicals such as “Song and Dance,” “The Phantom of the Opera” and “South Pacific” come with experience in acting, singing and dancing. “In many ways, Jerome Robbins, Leonard Bernstein, Stephen Sondheim and Arthur Laurents changed the landscape in 1957 with ‘West Side Story,’ where there were no separate dance or singing ensembles,” Coleman says. “Everyone had to do everything; you had to be a triple-threat performer.”
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Bud Coleman as Frosch in 'Die Fledermaus'
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CU NOW: Leading a new wave of opera This summer, Eklund Opera’s trailblazing new works program—CU New Opera Workshop, or CU NOW— pulls out all the proverbial stops in its latest quest to bring what’s fresh and exciting about opera to the campus of CU Boulder. Since CU NOW’s founding in 2010, the likes of Opera Colorado’s Lori Laitman, composer Libby Larsen and titans Jake Heggie and Gene Scheer have called this three-week workshop home. This year is no different. Continuing the momentum of 2016’s workshopping of Heggie and Scheer’s “It’s a Wonderful Life,” CU NOW 2017 will host composer Mark Adamo and a revision of his opera “The Gospel of Mary Magdalene,” which already had its premiere in San Francisco. “CU NOW allows the composer to not just workshop a new piece but also rework it,” says Jeremy Reger, music director. “Because Mark has such strong feelings for this piece, he’s reworking it using CU NOW as his forum.” Ron Mueller, Eklund Opera technical director and interim program director as Leigh Holman takes a sabbatical, says CU NOW’s mission has always been to expose students and audiences to the cutting edge of an artform so defined by its history. “We also want to create an avenue to give composers a place to try out works in progress. Our slogan from the
first year was, ‘Bringing opera from score to floor.’” The other arm of CU NOW, the Composer Fellows’ Initiative, ventures into new territory for 2017 as well. CFI connects composition students with singers and opera professionals to perfect scenes they’ve written. New for this year, CFI partners with the CU Film Studies department to develop film footage to accompany the scenes. “Projection use in opera production is a brand new field that is enjoying lots of innovation and experimentation,” says Daniel Kellogg, associate professor of composition. “We’re all excited to see what [these filmmakers] come up with.” Exploration and innovation don’t just define CU NOW. They’re ideas that run through the fabric of Eklund Opera. Says Reger, “Many colleges and opera companies are just jumping on this exciting bandwagon of new opera, but [Eklund Opera director] Leigh Holman’s insight into this progressive movement established Boulder as an exciting forefront for new opera.” The Gospel of Mary Magdalene: June 16 & 18, Music Theatre | free Composer Fellows’ Initiative Showcase: June 17, ATLAS Black Box Theater | free
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Artist Series 80th Anniversary
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
Gil Berman Rudy Betancourt Joan McLean Braun Shirley Carnahan
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Benefactor
Mark and Margaret Carson Diane and Richard Dunn Paul Bechtner Foundation Greg Silvus
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Patron
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Artist Series Advisory Board Lissy Garrison Laima Haley Daryl James, President
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Contributor
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Takács Society
The Takács Society, formed by the College of Music, provides the critical resources to support the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attract and retain exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
Benefactor
Albert and Nancy Boggess Lyle Bourne and Rita Yaroush Norma Johnson in memory of Fay Shwayder Gary and Judith Judd in memory of Fay Shwayder Takács String Quartet
Sponsor
P.J. Decker and B.A. Saperstein Carol Lena Kovner David and Janet Robertson Marion Thurnauer and Alexander Trifunac
Patron
Thomas and Carol Cech Chris and Barbara Christoffersen Lauren Frear John and Carson Taylor
Supporter
Virginia Boucher William and Alice Bradley Christopher and Margot Brauchli Patricia Butler Carolyn and Don Etter Richard Jessor and Jane Menken Robert R. Kehoe Walter and Eileen Kintsch Ray and Margot LaPanse Paul and Nancy Levitt Patricia and Robert Lisensky Maxine Mark Lise Menn Virginia Newton Neil and Martha Palmer Mikhy and Michael Ritter David and Susan Seitz Kathleen Sullivan Lawrence and Ann Brennan Thomas
Contributor
Lois Abbott Alison Craig and Stephen Trainor Doree and Jerry Hickman Patricia L. Johnson Harold and Joan Leinbach M. L. Sandos Bob and Lori Schuyler Helen Stone Anthony and Randi Stroh Patricia Thompson Laurie and Arthur Travers
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Member
Anonymous Christine Arden and David Newman Neil Ashby and Marcia Geissinger Maria and Jesse Aweida Ingrid Becher Kevin and Diana Bunnell Shirley Carnahan Penny Chenery Noel A. and Pauline A. Clark Charlotte Corbridge Richard and JoAnn Crandall Barbara and Carl Diehl Jean and Bob Fischer Lloyd and Mary Gelman Ken and Dianne Hackett Catharine and Richard E. Harris John and Ruthanne Hibbs Elizabeth and Jonathan Hinebauch William Hoffman Ruth and Richard Irvin Bruce and Kyongguen Johnson Jennifer and Bob Kamper Caryl and David Kassoy Mireille Key Alice and Judah Levine Albert and Virginia Lundell Heidi and Jerry Lynch
Gail and Thomas Madden Caroline E. Malde John and Nancy Malville Ralph and Nancy Mann J. Richard and Marjorie McIntosh Peter and Doris McManamon Josef and Sara Michl Christopher B. Mueller and Martha A. Whittaker Joan and Ronald Nordgren Margaret Oakes Faith and Roy Peterson Julie and Wayne Phillips Antonia and Timothy Piwonka-Corle Richard Replin and Elissa Stein Joanna and Mark Rosenblum Becky Roser and Ron Stewart JoAn Segal Ruth Shanberge Todd and Gretchen Sliker Grietje Sloan Carol and Art Smoot Berkley A. Tague Betty Van Zandt Chris and Leanne Walther Anthony White James and Nurit Wolf Bill Wood Michael Yanowitch
Make all gifts payable to the University of Colorado Foundation and mail to: Takács Society CU College of Music, 301 UCB Boulder, CO 80309-0301 For credit card payments, questions or additional information, please call the College of Music Advancement Office at 303-735-6070.
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Friends of Eklund Opera
The Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Advancement Office at 303-735-6070.
Benefactor
Contributor
Anonymous David Allen and Carol DeBaca Paul Eklund Robert Stuart Graham Robert Martin The Academy Charitable Foundation, Inc.
Sponsor
Alan and Martha Stormo
Patron
Chris and Barbara Christoffersen Jack Finlaw and Gregory Movesian Lloyd and Mary Gelman Albert and Betsy Hand Gordon and Mitzi Ledingham Krista Marks and Brent Milne Antoinette and Douglas Shaller Ken and Ruth Wright in memory of Mayme Lacy
Supporter
Anonymous Norman and Vivian Belmonte Stephen Dilts Martha Coffin Evans and Robert Trembly John Hedderich Bob and Mikee Kapelke Mikhy and Mike Ritter Bob and Lori Schuyler Lawrence and Ann Brennan Thomas
Jim and Judy Bowers Ellen and John Gille Susan Graber Harold and Joan Leinbach Heidi and Jerry Lynch Claudia Boettcher Merthan Dennis Peterson Dave and Ann Phillips Gail Promboin and Robert Burnham R. Alan and Stephanie Rudy M. L. Sandos Cynthia and Paul Schauer Carol and Randall Shinn Theodore and Ruth Smith Helen Stone Peter Wall
Grants
Denver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation The Schramm Foundation
Member
Anonymous Judith Auer and George Lawrence Jeanie Davis Walter Duncan Donald and Beverly Eklund Joseph and Beverly Elinoff Alexander R. George and Yi-Ting Hsu Janet Hanley Norman Clark Lane Kenneth L. Levinson and Shauna Titus Levinson Patricia and Robert Lisensky Bruce Mackenzie Michael Magan Marian Matheson Byron and Catharine McCalmon Donna Meckley Kathleen and John Ness Margaret Oakes Robert and Marilyn Peltzer Kim and Richard Plumridge Juan and Alicia Rodriguez Ruth Shanberge Becky Roser and Ron Stewart Ruth Schoening JoAnn Silverstein and Nevis Cook Carol and Art Smoot Walter Taylor Gretchen Vanderwerf and Gordon Jones
About the Eklund Opera Program
Recognizing the importance of the arts and live vocal performance in an increasingly distracted world, longtime Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU Boulder College of Music. Funding from the endowment helps support three opera productions each academic year, the CU New Opera Workshop and an opera scenes program for new students. From left: Paul Eklund Leigh Holman, Director of Opera Robert Shay, College of Music Dean
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Personnel
Staff
Joan McLean Braun, Executive Director Laima Haley, Marketing and P.R. Director Jessie Bauters, Assistant Director of Communications and Web Administrator Daniel Leonard, Marketing Manager Jill Kimball, Public Relations Manager Morgan Gallo, Social Content Creator Maureen Bailey, Communications Assistant Analise Iwanski, Graphic Design Assistant Emma Salvati and Jackson Xia, Video Producers Emily K. Harrison, Publications Specialist Heather MacDonald, Distributions Coordinator Andrew Metzroth, Box Office Manager Michael Casey, Box Office Services Manager Box Office Assistants: Elise Campbell, Taralynn Dorr, Adrienne Havelka, Megan Quilliam, Chris Ruiz, Karen Van Acker Kevin Harbison, Recording Engineer Michael Johnston, Financial Manager Jeni Webster, Membership Benefits Coordinator
Macky Auditorium Staff
Rudy Betancourt, Director John Jungerberg, Operations Manager Sara Krumwiede, Assistant Director JP Osnes, Technical Director Rhett Snyder, Assistant Technical Director Rojana Savoye, House Manager Nicole Anderson, Assistant House Manager Program Editor: Jill Kimball Program Layout: Emily K. Harrison
College of Music Dean's Cabinet
Robert Shay, Dean James Austin, Associate Dean for Enrollment Management and Undergraduate Studies Joan McLean Braun, Assistant Dean for Concerts and Strategic Communications Steven Bruns, Associate Dean for Graduate Studies John Davis, Associate Dean for Faculty Affairs and Operations Lissy Garrison, Assistant Dean for Advancement Alexander George, Executive Assistant to the Dean
David Mallett, Senior Director of Budget and Finance
College of Music Advisory Board Mikhy Ritter, Chair Sue Baer Jim Bailey Christopher Brauchli Bob Bunting Jan Burton Bob Charles Paul Eklund Bill Elliott Martha Coffin Evans Jonathan Fox David Fulker Grace Gamm Lloyd Gelman Doree Hickman
Patron Info Accessibility and Parking
Photography and video recordings Macky Auditorium is fully wheelchair of any type are strictly prohibited accessible; ADA-accessible parking during the performance. is available nearby. Please call the Box Office as early as possible to Food is permitted in the seating areas of Macky Auditorium but is make arrangements. prohibited in other campus venues Paid parking is available in the Euclid unless otherwise noted. Avenue Autopark Lot 310 and Lot 204. Contact the Box Office or check Smoking is not permitted anywhere. the CU Presents website for more CU Boulder is a smoke-free campus! information.
Daryl James Maria Johnson Caryl Kassoy Robert Korenblat Kathy Kuscan Erma Mantey Ben Nelson Joe Negler Susan Olenwine Tom Price Becky Roser Firuzeh Saidi Jeannie Thompson Jack Walker
CU Presents Box Office cupresents.org 303-492-8008
Ticket Sales are final; no refunds.
Exchanges are subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases. Please return your tickets to the Box Office prior to the performance if you are unable to use them.
Please note that the Euclid Autopark will be closed through March due to construction.
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