TONIC SOL-FA • DUO CLASSICA-GERMAN INSPIRATIONS • JUDY COLLINS COWBOY CHRISTMAS WITH SONS & BROTHERS AND BUCKAROO POET WADDIE MITCHELL • GUYS AND DOLLS IN CONCERT • CJRO-BIG BAND CHRISTMAS • BEETHOVEN’S BIRTHDAY CELEBRATION • COLORADO SYMPHONY-HOLIDAY BRASS • EATING WORDS • COLORADO SYMPHONYBRANDENBURG CONCERTOS • HOME FOR THE HOLIDAYS • CONJURE CJRO-A NIGHT IN NEW ORLEANS FEATURING BYRON STRIPLING • SWING XING! THREE GENERATIONS OF SWING GUITAR • VIVE LA FRANCE 80S NIGHT • JIM HENSON’S DINOSAUR TRAIN LIVE: BUDDY’S BIG ADVENTURE • CJRO-MUSIC OF THE WOODY HERMAN ORCHESTRA FEATURING PETE OLSTAD • SEASONS OF BROADWAY • YESTERDAY & TODAY, THE ALL-REQUEST BEATLES TRIBUTE • ARIAS AND ENSEMBLES & ROMEO AND JULIET OPERA COLORADO YOUNG ARTISTS PROGRAM SONGS OF LOVE WITH MARK MASRI • SERENADE • BUNTPORT THEATREYESTERADO • AN EVENING WITH NATHAN GUNN & PIANIST JULIE JORDAN GUNN • STEVE TRASH-THE SCIENCE OF ECOLOGY • COLCANNON • THE MOTONES • CJRO-THE GREAT LADIES OF JAZZ FEATURING VOCALIST KIM NAZARIAN • IGOR BUTMAN & THE MOSCOW JAZZ ORCHESTRA • THE 39 STEPS • YELLOWJACKETS • WONDERBOUND-BOOMTOWN • JAZZ IN THE AFTERNOON • FANCY NANCY • COLORADO SYMPHONY-BEETHOVEN’S SYMPHONY NO. 5 • NUTCRACKER BY CLASSICAL BALLET OF COLORADO
THE
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Contact Us... 10075 Commons Street, Lone Tree CO 80124 Box Office: 720.509.1000 www.LoneTreeArtsCenter.org
Season Sponsors
The Lone Tree Arts Center is owned and operated by the City of Lone Tree.
Prof. Michael R. Harris & Charlotte Min-Harris
Lone Tree City Council Mayor Jim Gunning Mayor Pro Tem Jacqueline Millet Councilmember Harold Anderson
Family & Education Programs Sponsors
Councilmember Kim Monson Councilmember Susan Squyer
Lone Tree City Management City Manager Seth Hoffman Deputy City Manager Steve Hebert
Please Note
The Tappan Foundation Season Media Sponsor
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Late seating is at the discretion of the House Manager and may not be available at all performances. Children are welcome in our theater, but bringing infants to a performance is highly discouraged, as they can become a distraction to performers and other audience members. Each individual must be ticketed to enter the theater.
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LONE TREE STAFF LISTINGS Lisa Rigsby Peterson, Executive Director, helped open the Lone Tree Arts Center in 2011 as its first Executive Director. During her twenty-eight year career in performing arts management, she has worked for many of Colorado’s leading cultural organizations, including The Denver Center for the Performing Arts, Opera Colorado, Curious Theatre Company, the Colorado Children’s Chorale, and PHAMALY. Lisa has served on the Board of Directors for Curious Theatre Company, the national Executive Committee of the League of Resident Theatres, and the national peer review panel for Theatre Communications Group’s Fiscal Survey Committee. She served as the International Tour Coordinator for the DCPA/Royal Shakespeare Company production of Tantalus, and worked with the London International Festival of Theatre and the Theatre Royal, Plymouth (UK). A Colorado resident since 1975, Lisa is a graduate of the University of Colorado and the Yale School of Drama.
Paul Ackerman, Technical Director, is a native organizations as Nederlander Alliances, Center of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology where he participated in the 1996 Cultural Olympiad. Paul joined the team at the Lone Tree Arts Center prior to its opening in 2011 after serving as the Senior General Manager of Production for Blue Man Group.
Theatre Group, Alley Theatre, and Arts Club Theatre Company. Katie currently sits on the Public Awareness committee for the Scientific & Cultural Facilities District and is actively involved in the arts and cultural community here in Denver. Originally from the Midwest, Katie has lived in Colorado since earning her BA in Arts Administration & Theatre from Drury University in Springfield, MO.
Jeannene Bragg, Operations Director, has Stacie Cisco, Rentals and Events Coordinator over 20 years of experience in arts and local Lesley Colwell, Special Events Coordinator government administration in Colorado. Prior to joining the team at LTAC, she served as Director of Artistic Partnerships and Strategic Initiatives at the Colorado Symphony. She also worked for the Town of Parker for 18 years in a variety of roles including Town Administrator; she oversaw the planning, funding, design and development of the Parker Arts, Cultural and Events (PACE) Center. Jeannene holds an MA in Arts Administration and a BA in Theatre. She is a practicing theatre artist and writer whose work can be seen at The LIDA Project, a meta-media arts collective, in Denver.
Katie Maltais, Marketing Director, joined the Lone Tree Arts Center staff in early 2012. Before coming to LTAC, Katie worked for the international consulting firm TRG Arts where she was the Manager of Accounts and Services. She has a broad range of marketing experience with fine arts venues, working with such notable 6
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Ashley Loudermilk, Box Office Manager David Laird, Assistant Box Office Manager Jen Kiser, Assistant Technical Director Chris Husted, Rental Events Technician Kathy Denzer, Administrative Assistant Carrie Fieger, Special Events Assistant Technical Staff: James Bryant, Mallory Hart, Don Post, Randy St. Pierre, Rick Thompson House Management & Box Office Staff: Ken Fisher, Bonnie Kobzoff, Jim Murphy, Robin Scurto, Thaddeus Valdez Bar Staff: Camille Collett, Richard Davis, Linda Foreman, Michelle Hendershott, Mike Marocchi, Maria Ortiz, Melani Shulla
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Proud supporter of the Lone Tree Arts Center’s 2014–15 season of dance, theater, music and performance
The arts enrich us all.
Brian Folkerts, CFP® Branch Manager Lone Tree Branch 9899 Schwab Way Lone Tree, CO 80124 (720) 895-3416
Schwab is pleased to support the Lone Tree Arts Center. Investing isn’t the only thing we’re passionate about—which is why we support the arts as fervently as we do. For passionate help managing your financial life, stop by our branch, visit Schwab.com, or call (720) 895-3416.
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Lone Tree Arts Center is not affiliated with Schwab or any of its subsidiaries or affiliates. ©2014 Charles Schwab & Co., Inc. All rights reserved. Member SIPC. CS19752-24 (0414-2421) ADP81930-00 (07/14) https://client.schwab.com/Public/BranchLocator/BranchDetails.aspx ?BranchID=1290 (Lone Tree, CO)
Spotlight on...
KIDS!
Children are one of the fastest growing audiences at LTAC. With most of our shows selling out and a seemingly insatiable appetite for quality children’s theater, we are excited to offer a variety of programs that cross into various age groups and curriculum to extend learning and fun from the classroom to the stage.
Seedlings On the first Tuesday of every month at 9:30am and 11am, we entertain little ones with everything from puppets to pigs and storytime to science! Open to Pre-K children and their caregivers, our programs aim to entertain and educate the youngest minds.
Passport to Culture You don’t need a plane ticket to help your school-aged children explore their world. We invite families to join us every month on Sunday afternoons to expand their horizons through art, science and culture. Gain some new perspective and take a trip with us!
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Children’s Theater Student Matinees
To make thousands of kids more excited about their schoolwork every year, we partner with local teachers to help select shows that fit into their curriculum. Working with national touring groups and performers like Buntport Theatre, we’re able to build performances that enhance the learning experience in subjects from language arts to history.
Public showings The Lone Tree Arts Center is the perfect place for families to enjoy more time together. Whether you’re joining us for fun or to learn something new, our performances bring new worlds to life and help ideas and books, like Fancy Nancy, jump off the page.
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Yesterday & Today, the All-Request Beatles Tribute
WHAT WE’RE MOST
Looking Forward To Each year, we ask the LTAC staff for the show they are most looking forward to in the coming season. We are always excited about the variety of shows picked and why everyone chooses what they do. Take a peek!
Stacie Cisco, Rentals & Sales Coordinator: I’m most looking forward to Yesterday & Today, the All-Request Beatles Tribute. While I’m not a huge Beatles fan, it was so much fun seeing our audience get completely into the performance and hooting and hollering and singing along. This is one show you don’t want to miss a second time around. Kathy Denzer, Administrative Assistant: Judy Collins is my pick this season. What a history this woman has! I have always been a Folkie and her tunes bring about some old yet fond memories for me.
Jeannene Bragg, Operations Director: I can’t wait to see Wonderbound perform at LTAC, especially in collaboration with local band Chimney Choir! Wonderbound is magical on stage and the combination of these two innovative organizations is sure to be fantastic!
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Judy Collins
Jen Kiser, Assistant Technical Director: I’m most looking forward to The 39 Steps. Not only do I love Alfred Hitchcock, and think the script for the show is hilarious, but I can’t wait to produce the show ourselves! There are endless gimmicks and gags in the show, and I can’t wait to see everyone put their heads together and figure out how to get them all onstage and into a really fun show!
Songs of Love with Mark Masri
Ashley Loudermilk, Box Office Manager: This Texas girl is looking forward to Cowboy Christmas (as if I need another excuse to wear my cowboy boots to work that day)! Who doesn’t love to listen to your favorite Christmas songs with some country twang mixed in? Sons and Brothers with Poet Waddie Mitchell are just going to put on a great show… I think everyone will leave with warm hearts and ready to spend the holidays with their friends and family.
Lesley Colwell, Special Events Coordinator: This may be a little corny, but as a newlywed, I’m looking forward to Mark Masri’s Songs of Love on Valentine’s Day. Should be the perfect date for all couples and I’m a big fan of chocolate and champagne so count me in!
Thaddeus Valdez, House Manager and Box Office Representative: I’m most excited about
Wonderbound
An Evening with Nathan Gunn. I have followed Mr. Gunn’s career ever since he won the Met Competition when he was in his early 20’s. As a singer myself, I am continually impressed and inspired by his superior vocal technique, artistry, commanding presence and substantial acting chops. w w w.LoneTreeA rtsCenter.org
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8681 E. Lincoln Ave., Lone Tree, CO 80124
Monday-Friday 7am - 8pm / Saturday 8am - 5pm / Sunday 10am - 5pm Colorado Community Media is proud to present the Winners of the 2013 Best of the Best as voted by readers in 18 of our community publications. Use the color-coded key to the right to help you find your
LI
Littleton Independent
LS
Lakewood Sentinel
LT
Lone Tree Voice
NS
Northglenn-Thornton Sentinel
PC
Parker Chronicle
SP
South Platte Independent
WS
North Jeffco Westsider
WT
Wheat Ridge Transcript
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10 Fun Facts About
The musical is based on two short stories - ”The Idyll of Miss Sarah Brown” and “Blood Pressure” - by fabled New York writer Damon Runyon. Guys and Dolls was selected as the winner of the 1951 Pulitzer Prize for Drama. However, because of writer Abe Burrows’ troubles with the House Un-American Activities Committee (HUAC), the Trustees of Columbia University vetoed the selection and no Pulitzer for Drama was awarded that year. When the first version of the show’s book, written by Jo Swerling, was deemed unusable, the producers asked radio comedy writer Abe Burrows to write a new version of the book. The character of Miss Adelaide was created specifically to fit Vivian Blaine into the musical after composer Frank Loesser said she wasn’t suited to play the conservative Sarah but the producers wanted the star to be in the show. The original Broadway production won every Tony Award it was nominated for, including Best Musical. An all-black cast staged the first Broadway revival of the show, which opened in 1976 at The Broadway Theatre. This production featured Motown-style musical arrangements by Danny Holgate and Horace Ott. The 1992 Broadway revival won seven Tony Awards and catapulted actors Nathan Lane (Nathan Detroit) and Faith Prince (Adelaide) to the Broadway stratosphere. Laurence Olivier wanted to play Nathan Detroit, and began rehearsals for a planned 1971 London revival of Guys and Dolls at his National Theatre Company’s Old Vic theatre. However, due to his poor health, the revival never happened. On November 3, 1955 the film version of the musical was released, starring Marlon Brando as Sky, Frank Sinatra as Nathan Detroit, and Jean Simmons as Sarah, with Vivian Blaine reprising her role as Adelaide. The concert version of Guys and Dolls was first produced in August 2009 at The Hollywood Bowl, Hollywood, California, starring Scott Bakula (Nathan Detroit), Brian Stokes Mitchell (Sky Masterson), Ellen Greene (Miss Adelaide), and Jessica Biel (Sarah Brown).
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2014-2015 SEASON Muse in Motion . . . . . Elements . . . . . . . The Story of Jephthe . . . Marie (with Wonderbound ) Friends and Rivals . . . .
. . SEPTEMBER 19 . . NOVEMBER 7-8 . . JANUARY 9-11 . FEBRUARY 14-22 . . . MAY 16-17
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Tonic Sol-fa Sunday, September 14 at 7:30pm
Greg Bannwarth, Tenor Jared Dove, Bass Shaun Johnson, Lead Vocal Mark McGowan, Baritone
Sponsored by:
Tonic Sol-fa Although they are simply four voices and a tambourine, Tonic Sol-fa has spent the past decade on the road carving their niche as the nation’s top vocal group. In that time, this quartet has been named one of the top five “must see” groups in America, has been awarded numerous original song and album awards in pop, gospel and holiday genres, appeared on NBC’s Today Show and in the pages of Newsweek magazine. Outings with Jay Leno, Shawn Colvin, and Garrison Keillor have propelled album sales to more than 2,000,000 copies (mostly sold from the back of their trailer!) and have earned the group thousands of intensely loyal fans. By 2000, the quartet was voted into the Midwest Music Hall of Fame. In 2002, Tonic Sol-fa averaged over 150 shows annually in 48 states. 2007 brought the group’s music to radio stations and retail stores nationwide. In 2009, Tonic Sol-fa’s third public television special was broadcast to over 1,800 stations across the United States, with an international launch to begin this year. And in 2010, Tonic Sol-fa won their first Emmy Award in the “Musical Composition/Arrangement” category for a song performed in a Toys for Tots PSA. The New York Times describes Tonic Sol-fa’s sound as “A vocal kaleidoscope...unique to the human voice.” Improvisational and passionate music combined with cutting-edge stage presence is the benchmark by which critics and fans agree: nobody does it like Tonic Sol-fa. www.tonicsolfa.com
Igor Butman & The Moscow Jazz Orchestra Tuesday, September 23 at 7:30pm
Igor Butman.......................................Tenor, Alto, Soprano Saxophones Azat Bayazitov...........................................Tenor, Soprano Saxophones Ilya Morozov....................................................... Alto Saxophone, Flute Victor Herauker................................................... Alto Saxophone, Flute Alexander Dovgopolyy.................................. Baritone Saxophone, Flute Pavel Zhulin.....................................................................Lead Trumpet Alexander Berenson................................................................. Trumpet Denis Popov............................................................................ Trumpet Pavel Suyazov.......................................................................... Trumpet Nikolay Shevnin............................................................Bass Trombone Oleg Borodin.........................................................................Trombone Pavel Ovchinnikov..................................................................Trombone Nick Levinovsky........................................................................... Piano Vitaly Solomonov.......................................................................... Bass Eduard Zizak..............................................................................Drums Fantine Maria Pritoula...................................................................Vocal Evgeny Potsikaylik....................................................... Sound Engineer Marat Garipov...........................................................................Director Sponsored by:
Igor Butman Igor Butman, saxophone virtuoso, bandleader, club owner and television host, is Russia’s number one jazz personality. Born in 1961 in Leningrad (now St.Petersburg), Igor Butman started playing the clarinet at the age of 11. In 1976 he entered the Rimsky-Korsakov College of Music, where during his second year he dropped the classical clarinet for the jazz saxophone. Besides being taught by the remarkable musician and brilliant teacher Gennady Goldstein, he took unofficial lessons from nightly broadcasts of jazz from 11:15 p.m. to midnight on Voice of America. In 1983, Igor Butman played in Oleg Lundstrem`s big band - the best one in the USSR. Next year he was invited by Nick Levinovsky to join the most well-known jazz group “Allegro” and played with them for three years. In the Soviet Union, a country of over 300 million people, Igor was known as the best tenor saxophonist, placing first in the Soviet Critics’ Polls and recording many albums for Melodiya. After Igor Butman immigrated to America in 1987, he went on to major in Performance and Composition at Berklee College of Music in Massachusetts. By the time Igor arrived in the United States, he already had a “fan club” made up of some of America’s most respected Jazz artists. While still in the U.S.S.R., Igor was invited to play with touring American musicians, including Dave Brubeck, Chick Corea, Pat Metheny, Gary Burton, Louis Bellson and Grover Washington Jr., who took Igor “under his wing”. Igor appeared as Grover’s special guest in concerts at Chautauqua, New York, the Berklee Center in Boston and at Great Woods Center in Mansfield, Massachusetts. Igor has performed as part of Grover’s band several times, including at New York’s Blue Note. He is featured on Grover Washington Jr.’s Columbia release Then & Now (1988) soloing on “Stolen Moments”, “Stella By Starlight” and Igor’s own composition “French Connections”. Igor’s big sound and boyish exuberance have earned him standing ovations and many new fans, and his US solo career has moved straight ahead. He led his own group with Rachel Z. at Boston’s leading Jazz club, The Regattabar, and has been featured soloist with the Billy Taylor Quartet, the Walter Davis Jr. Quartet and the Monty Alexander Quintet. He appeared on “The Today Show”, “Good Morning America” and numerous other international programs. Moving to New York in 1989, Butman worked with The Lionel Hampton Orchestra. In 1992, Igor recorded with actor/musician Michael Moriarty’s Quintet the album Live at the Fat Tuesday`s on DRG Records. In Variety’s review of this recording, it was noted that Igor, “Impressed with a round tone and deft ability at double time efforts and harmonized tightly”. Igor Butman became “a jazz bridge between Moscow and New York”, bringing to Russia and playing with Eddie Gomez, Lenny White, John Abercrombie, Joe Lock and many other musicians. Butman`s marvelous coalescence of soul, sound and technique drew praise from American President Bill Clinton, one time tenor man, at a state dinner hosted by Vladimir Putin at the Moscow Kremlin. Clinton stated, that Igor Butman is “may be the greatest living jazz saxophone player, who happens to be a Russian.”
COLORADO JAZZ REPERTORY ORCHESTRA Art Bouton, Founder Steve Wiest, Artistic Director
“A Night in New Orleans” Featuring Byron Stripling Trumpet 1............................................................ Mike Williams (Special Guest: Lead Trumpet with the Count Basie Orch.) Trumpet 2.............................................................Chris Walters Trumpet 3..................................................................... Al Hood Trumpet 4................................................................. John Adler Alto Sax.................................................................... Art Bouton Alto Sax................................................................. Wil Swindler Tenor 1................................................................... Eric Erhardt Tenor Sax................................................................ Lynn Baker Baritone Sax......................................................... Glenn Kostur Trombone 1............................................................. Scott Bean Trombone 2.............................................................Paul Mckee Trombone 3.......................................................... Nat Wickham Trombone 4..................................................... Lindsey Gardner Keyboard.............................................................Eric Gunnison Bass..................................................................... Robin Ruscio Drums....................................................................Mike Marlier
Sponsored by
Program to be selected from the following: Bring it on In (CJRO Theme)
comp. Steve Wiest
Who Me?
comp. Frank Foster
Rocky and Bullwinkle
comp. Paul Mckee
Impendent Blues
comp. Wil Swindler
Songs featuring Byron Stripling: Bourbon Street Parade Saint James Infirmary Ain’t Misbehavin
arr, Kyle Newmaster arr. Dennis Mackrel arr. Jeff Tyzik
I Can’t Give You Anything But Love
arr. Vaughn Weister
Sweet Georgia Brown
arr. Dennis Mackrel
Hello Dolly
arr. Vaughn Weister
Sunny Side of the Street
arr. John Clayton
What a Wonderful World
arr. Vaughn Weister
When the Saints Go Marching In
arr. Vaughn Weister
THE COLORADO SYMPHONY
Beethoven’s Symphony No. 5 Scott O’Neil, Resident Conductor
Sunday, October 19 at 7:30pm
Beethoven
Symphony No. 5
I. Allegro con brio
II. Andante con moto
III. Scherzo. Allegro
IV. Allegro
Sponsored by: Scott Leonhart & Maggie Eichenlaub
Scott O’Neil, Resident Conductor This is Scott O’Neil’s ninth season with the Colorado Symphony, and his fourth full season as resident conductor. O’Neil maintains a strong commitment to making music of the highest quality accessible to young audiences. He served as associate conductor for the Utah Symphony, which he joined in August 2000. O’Neil has guest conducted the Houston Symphony, Houston Youth Symphony, Phoenix Symphony, Annapolis Symphony, Florida Philharmonic, Tulsa Philharmonic, Portland Symphony (Maine), the Lubbock Symphony, the Boise Philharmonic, the Salt Lake Symphony and the Columbus Symphony in Ohio. O’Neil studied piano performance at the Oberlin College Conservatory, served as the assistant conductor of the Eastman School Symphony and Philharmonia Orchestras at the Eastman School of Music, and earned a master’s degree in orchestral conducting at Rice University, where he was the director of the Campanile Orchestra, a community/university orchestra. In 1999 he served as director of orchestras at the High School for the Performing and Visual Arts in Houston, Texas. In the spring of 2003, O’Neil was selected by the League of American Orchestras (LAO) to conduct an orchestra comprised of members of the Los Angeles Philharmonic and advanced students from the University of Southern California in Synergy, a program created to promote young, contemporary composers. Also in the spring of 2003, O’Neil was selected by LAO to appear on the Conductor Preview with the Jacksonville Symphony. O’Neil is prominently featured with the Colorado Symphony as conductor and creator of the Inside the Score series, in addition to appearances in the Masterworks, Family, Pops and Holiday Series.
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WHO IS...
Michael Duran After just a few minutes sitting with Michael Duran, you learn something very key–this man is a theater nerd in the best sense. He can’t be contained in merely one box–scenic designer, director, actor, theater historian all seem to fit nicely. A Renaissance Man of Denver’s theater scene, Michael proudly says he has never earned a living doing anything other than theater. Never had to “subsidize” by waiting tables, never needed to “pick up a few shifts” to make rent. He is one of the few that jumped into theater young and never looked back–never had an escape lever to pull. This past season, LTAC audiences enjoyed Michael’s set design work on Sylvia, Home for the Holidays and Big River. When he was 15 years old, Michael wanted to be an artist, but his brother told him there was no money in that and he should do something else. But, as with many success stories, love (or maybe just a teenage crush) got in the way of finding that something else. The girl Michael was dating was in drama and needed help painting drops for the show. Michael ended up working on the scenery, then was cast in a walk-on role, then was promoted at the last moment to a lead role in Lil’ Abner when the General quit just two days before the show. From the first time he set foot on the stage, Michael was hooked. Today, Michael works primarily as a scenic designer and college professor. His work has been seen at various theaters throughout town including Curious Theater, The Aurora Fox, and Creede Repertory Theatre. In fact, one year Michael took on 27 different projects (which he says was “just too much”). It’s easy to see why Michael craved being an artist; when asked the best part of scenic design, Michael says, “In two months’ time, this is going to be a real-life sculpture on stage. [I’m the] first to see it, first to know it.” He begins each process with hand drawn sketches that no one gets to see until they are more fleshed out. That magical time
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LTAC’s Big River, 2014 when it’s all in his head is full of possibility and his creative sensibilities are drawn out. You’ll have the opportunity to see Michael’s work at LTAC several times this season. From children’s shows to plays to holiday trimmings, Michael has played an instrumental part in the LTAC family over the last two seasons. We know you’ll enjoy what he brings this year!
David R. Cichon Trust • Knowledge • Strength • Diversified financial resources • Comfortable investment strategies • Impeccable client service
Left to right: Five Star award winner David R. Cichon and Stephanie Cichon-Bruno
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Listening to our clients’ objectives and dreams is paramount. Educating them on their options and protecting their financial house for generations to come is our ultimate goal. David R. Cichon, M.Ed., CEP®, RFC®, is Regional Vice President of Householder Group and has more than 35 years of experience in the Five financial services industry. We take pride in being a father-daughter team committed to creating a warm, reliable and client-centric environment. As a registered investment advisory firm, we have a fiduciary responsibility to keep our clients’ interests first and foremost. Call us for more information on our services!(c)
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Judy Collins
NOVEMBER 30TH AT 7:30PM “I’ve looked at life from both sides now, From win and lose and still somehow, It’s life’s illusions I recall, I really don’t know life at all” Those words, from Judy Collins hit single “Both Sides, Now” were written by Joni Mitchell and earned Collins her first Grammy Award in 1967. A signature work and a staple of folk music, “Both Sides, Now” helped solidify Collins’ place in the vanguard of the folk scene of the late 1960s. Now, after five decades as a singer, songwriter, and performer, Collins continues to move and inspire audiences around the world. Born in Seattle, Washington in 1939, Collins was the oldest of five children born to a blind radio disc jockey and singer. The family moved to Denver in 1949 where Collins began studying classical piano. A prodigy, she gave her first public performance here at the age of 13, performing Mozart’s “Concerto for Two Pianos”. Her Colorado roots run deep, but it was the burgeoning American folk scene in the early 1960s that pulled at her heart and ultimately paved the way for her enduring impact as a recording
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artist. Today, Collins is recognized among the Who’s Who of the folk movement, including Bob Dylan, Pete Seeger, Joni Mitchell, Randy Newman, Joan Baez and Leonard Cohen among others. Judy Collins’ pure, soaring voice and her reputation as a dazzling interpreter of other’s lyrics have brought her great acclaim. One of her biggest hits came from the Broadway stage with Stephen Sondheim’s “Send in the Clowns”. Recorded by Collins in 1975, it hit the Billboard charts immediately (and did the same in its re-release several years later). Her version of “Amazing Grace” in 1970 remains a standard. Her broad catalogue of influences extends beyond her own work: the Crosby, Stills, Nash and Young hit “Suite: Judy Blue Eyes” was written for Collins. Today, Judy Collins continues to be a figurehead in American music. She tours internationally, and produces albums for herself and others. She is also a passionate social activist, and focuses on important issues such as mental health and suicide prevention. www.judycollins.com
The Few. The Proud. The LTAC Ushers.
Mary McMillan, Betsy Schutte, Bonnie Staack, Brenda Vitaska, Lynda Meier
What happens when you put 150 willing people in green scarves and ties? They become the welcome wagon, safety team, and overall face of LTAC. And they do it all as volunteers! Last season, the LTAC usher corps donated over 7,500 hours of their time to ensure a safe and happy experience for our patrons, and boy, are we glad they did! Standing at the ready for everything from scanning tickets, seating patrons, and welcoming you as they point out the restrooms, the ushers make show nights flow seamlessly. Mary McMillan, who worked over sixty performances last season, says she loves to usher because the ushers and staff are all there for each other. “You can call on anyone for anything; it’s a great team!” says Mary, and she’s not alone. The primary reason most of our ushers joined (and stay) is because they enjoy meeting new people and making friends. Helping with children’s performances and getting children from buses to seats in follow-the-leader manner might just be one of the more humorous jobs our ushers
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undertake, but it’s also one of the group’s favorites! Mary says, “It’s so cool to see little people so excited! I love to hear their questions and see them really thinking after the performance ends when they come up with questions for the performers.” In the 2013-14 Season, Brenda Vitaska was named Usher of the Year for her outstanding work as a volunteer, giving nearly 300 hours of service! As a tribute to her, you can find a seat plaque in Brenda’s name in the Main Stage Theater. Brenda helps out with everything from school day performances to hanging artwork to Main Stage shows where you’ll often find her running around the balcony. As to why she volunteers, Brenda quotes Winston Churchill by saying “You make a living by what you get, but you make a life by what you give. I get a helper’s high… it’s fun and it makes me happy!” If you see a member of our team in green, please take a moment to tell them thank you. This group of dedicated volunteers help keep LTAC the welcoming and enjoyable place we all love to be.
Night Cap?
“Hand Crafted Beers, Rooted in Colorado”
LONE TREE
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Tunes on the Terrace, 2014
Donor Profiles CHARLES SCHWAB The Lone Tree Arts Center is proud to welcome Charles Schwab as a sponsor and a neighbor. The Charles Schwab Corporation is a leading provider of financial services. Schwab’s new Colorado campus at RidgeGate will consolidate and replace Schwab’s service center facilities. The new campus is designed to create a sustainable, visually appealing and strong identity within the community. Schwab strives to make positive social impact through support of employee volunteerism and philanthropy as well as through educational programs, initiatives and advocacy designed to improve financial literacy and capability for people at different stages of life. Educational programs include the Schwab Money Wise® website and workshops, designed to help families learn and teach money basics. The Money Matters: Make it Count program, in collaboration with Boys & Girls Clubs of America, teaches teens about personal finance. And a program in collaboration with AARP Foundation, Finances 50+, helps people 50 and older who are struggling to make ends meet. Schwab employees donate their time and talents throughout the year to charitable organizations and an annual event during the third week in May – “Schwab Volunteer Week” – brings a special focus to this effort. Throughout the week, employees from coast to coast receive paid time off to team up on community service projects.
RIDGEGATE
RidgeGate is a mixed-use sustainable community that will eventually span over 3,500 acres in Lone Tree, Colorado. What makes RidgeGate unique is the dynamic blend of urban and open - where the city meets the prairie. Over a third of RidgeGate’s acreage is dedicated to open space, parks, trails and preserved land. The community offers a healthy blend of residential neighborhoods and retail villages, office districts, corporate campuses and cultural amenities, including the world-class Lone Tree Arts Center. RidgeGate regularly sponsors community events ranging from concerts and festivals, to nature hikes and yoga in the park. The vibrancy of RidgeGate is growing, with the new building of state-of the-art homes and luxury apartment living. The commercial districts are expanding with new retailers and employment headquarters. In fact, more than 2,500 residents and over 3,000 workers are part of the daily rhythm of life in RidgeGate. The community is connected to the greater metro area via Lincoln Station with additional light rail access planned. RidgeGate’s West Village will be complete in the next few years and development on the east side of I-25 will begin in the near future. RidgeGate is growing methodically, with a commitment to what is smart, sustainable, and represents the best in mixed-use community design. Visit www.ridgegate.com for more information, or stay connected with the community on Facebook, Twitter, and Instagram.
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Dinosaur Zoo, 2014
Donor Profiles SCIENTIFIC & CULTURAL FACILITIES DISTRICT The Scientific and Cultural Facilities District (SCFD) is a polar bear at the zoo, a Van Gogh at the museum, a pirouette at the ballet, and Henry V at the theater. Over 300 cultural institutions in the Denver metro area receive support and funding via the SCFD. This creates a rich, robust landscape of cultural opportunities for our children and our neighbors. From a child on a field trip seeing a woolly mammoth to a grandfather showing his family what his aircraft looked like in WWII to a family celebrating the holidays together with live entertainment, the SCFD helps make the memories we cherish possible. One penny on every $10 purchase within the seven-county region (Adams, Arapahoe, Boulder, Broomfield, Denver, Douglas and Jefferson counties) is distributed via the SCFD. Since its inception in 1989, the SCFD has served a mission that enlightens and entertains the public. Annually distributing approximately $40 million, the Denver metro has been elevated to a world-class cultural center through the funding the SCFD provides to cultural organizations of all sizes and disciplines. For information on free days and organizations, visit www.scfd.org.
LONE TREE ARTS CENTER GUILD Even before the Arts Center opened, the LTAC Guild was there and ready to help. Donating time and resources, this group of motivated women and men work behind the scenes to fundraise and bring awareness to LTAC year-round. One of the most important ways they support LTAC is by underwriting children’s access to theater. Each year, the Guild pays the ticket fees and bus fees for hundreds of children to attend live theater at LTAC. It’s exciting to see their faces light up when an actor comes on the stage - and the Guild makes that happen! The Guild also uses its fundraising reach for other projects around LTAC; they have provided booster seats for children in the Main Stage Theater and this year they paid for the installation of a permanent bar in the Terrace Theater. This dynamic group works hard year-round with fundraisers including a fashion show and autumn boutique. They also host fun meetings with behind-the-scenes info about LTAC and other exciting activities. The Guild started a community tradition in 2012, providing the giant holiday tree that trims our Terrace Theater each December. Each season’s Holiday Kick-Off is underwritten by the Guild, and features free cocoa, cookies, and lots of merriment are shared as carols ring out. Sound like too much fun to miss? Join this dynamic group today by visiting www.lonetreeartscenterguild.org.
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Come Sing With Us! www.youngvoices.org
Friendly Auditions fall, spring and summer Membership information: office@youngvoices.org 303.797.SING D. U. Newman Center Concerts December 7 - May 3 - June 28
92148
303.221.9383 8170 University Blvd #240 Centennial, CO 80122 www.newfaceandfigures.com
2014 PARTNERS & SUPPORTERS This list includes donors to the Lone Tree Arts Center from August 1, 2013 to August 1, 2014. If we have inadvertently omitted your name, please contact us at 720-509-1010 so that we can correct our listings. Thank you for your support.
$20,000+ Bellco Credit Union Scientific and Cultural Facilities District
10,000-$19,999
$
Andrews Winslow Foundation Colorado Creative Industries Lone Tree Cultural Arts Foundation Lone Tree Arts Center Guild Park Meadows Business Improvement District Sky Ridge Medical Center and Rocky Mountain Hospital for Children
$5,000-$9,999 Linda Bjelland Janet and Joel Kaufman Scott Leonhart and Maggie Eichenlaub Peter and Virginia Loeffler Ralph and Trish Nagel Charles Schwab Developmental Pathways FirstBank KEZW 1430 RidgeGate Starkey Theatrix Vi at Highlands Ranch
Tunes on the Terrace, 2014
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2014 PARTNERS & SUPPORTERS 2,500-$4,999
$
$100-$249
Professor Michael R. Harris and Charlotte Min-Harris
Carole and Bob Adelstein
The Tappan Foundation
Johnny Cash Linda Castaneda
1,000-$2,499
$
George and Marilyn Dockery
Pokey and Colin Jensen
Theora FavrĂŠ
Betsy Schutte
Don and Audrey Fisher
Virginia and Melvin Semrad
Dennis and Margaret Holman
Employees of City of Lone Tree Firehouse Subs
$500-$999
Dr. Weston Johnson Betty W. Kelley Michelle Konishi Nancy Kuhn
Anonymous
Tom and Doris Larson
Sheryl and Andy Gurrentz
Kim Laudenslager
Al Sharp and Susan Lloyd Paul and Susan Squyer Roland and Debbie Stubblefield James and Barbara Wightman
David and Bobbie Marfitano Mary M. Mathews Alice McCommans and Craig Johnson Leslie Modesitt
$250-$499
William M. Moon, AIA Dr. and Mrs. M. O’Brien
Anonymous
Melvin Stolzenburg
Shirley and Roland Calhoun
Tim and Kathy Sullivan
Jim Harvey Bruce and Mary Lou Laubach Janice and Stuart Sanderson
Gary and Irene Visco Ambida Family Dentistry, PC
Sheila and Paul Shepherd Charles and Brenda Vitaska
Home for the Holidays w w w.LoneTreeA rtsCenter.org
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KEEP THEATER
in Kids’ Lives! We are looking for 100 people to each give $50 to help reach our fundraising goal for children’s performances in 2014. We are committed to keeping children’s theater affordable here at the Arts Center, with programs as low as $3 for families to enjoy. Live theatrical, educational, and entertaining programming is key to enriching young lives and unlocking imagination. We rely on patrons like you to help us underwrite these valuable programs and keep costs low – will you help? Your generous contribution to the Lone Tree Arts Center is tax-deductible. Call us or drop your gift off at the box office to keep live theater available to children in the south metro area! 720-509-1010 Alexander and the Terrible, Horrible, No Good, Very Bad Day, 2013
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bravissimo!
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LONE TREE
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.com
The Center Stage Club offers online versions of the View Magazine for patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.
CenterStageClub.com The Center Stage Club is produced by Colorado’s Performing Arts Publications
The Perfect Taste
Night Cap?
Theater Trivia What part of the theater constitutes the fourth wall?
Where in the theater will you find a barn door?
a) The wall farthest upstage b) The wall between the house & the lobby c) The imaginary line between onstage and offstage d) The imaginary line between the stage and the audience
a) The door through which scenery is loaded in b) On stage lights c) It is a nickname for the doors through which the audience enters d) Any door found on scenery
Answer d) In practical terms, the fourth wall is the wall that is missing from a three-walled or box set, often built to look like a realistic room. Obviously, this wall cannot exist if the audience is able to see the play—and yet, the performers act as if the wall is real. This term, popularized in the 19th century, came to represent the imaginary boundary between performers and audience in all styles of theater. Likewise, the illusion is shared by audience members, who suspend their disbelief for the duration of the play, and accept the “reality” of the world they witness. When performers “break” the fourth wall, they shatter the imaginary boundary, and directly speak to or acknowledge the presence of the audience. Suspension of disbelief among audience members is often so strong, that breaking the fourth wall can be quite dramatic—or comedic.
Answer: b) A barn door is a stage lighting
From where do we derive the term “slapstick?” a) Ancient Greek theater b) Vaudeville c) Italian theater d) Opera
Answer
c) Today, we use the term “slapstick” to describe physical, absurd and often violent comedy. An actual “slap stick” is a device made of two wooden slats that produces a loud sound. It was first used in commedia dell’arte, which is a style of theater performed in Italy in the 16th century. The phrase roughly translates to “comedy of craft,” and performances usually consisted of easily recognizable social archetypes.
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accessory used on a “wash” lighting fixture. The barn door is actually a set of four flaps (or “doors”) that can be attached to the front of the light. The flaps can be set in various positions in front of the beam of light, cutting the light off of anywhere it isn’t wanted.
What do the words “Austrian,” “Venetian,” “traveler” and “oleo” have in common? a) They are common character types from classic stage productions b) They are types of hardware frequently used in set construction c) They are pieces commonly found on costumes d) They are types of stage curtains
Answer: d) These are some of the many different types of curtains you may see in a theater. The name refers to the way in which the curtain is rigged, and how it moves. Austrian and Venetian curtains are elaborately rigged and pleated, and are raised vertically from many rigging points. A traveler splits in the center and opens and closes from the sides of the stage, rather than from above. An oleo is usually a painted drop with a tube attached to the bottom. It is rigged so that as the tube is raised, the drop rolls onto it, from the bottom up. Here at the Arts Center, we have two rigged full stage curtains, the main drape at the proscenium line, and one that can be hung from any lineset above our stage. Both can “travel” (move side to side) or “guillotine” (be raised and lowered).
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