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CONTACT US
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10075 Commons Street, Lone Tree, CO 80124 Box Office: 720.509.1000 www.LoneTreeArtsCenter.org
PRODUCING PARTNERS Scott Leonhart and Maggie Eichenlaub Betty A. and Don E. Winslow
SEASON SPONSORS
EDUCATION SPONSORS
The Tappan Foundation
SENSORY FRIENDLY SPONSORS
SENIOR SPONSORS
Douglas County Developmental Disabilities Mill Levy Grant
S ENIOR L IVING at R IDGE G ATE
PATRON SPONSOR Linda Bjelland
PRESENTING PARTNERS Janet and Joel Kaufman
THEATRICAL SERIES SPONSOR
Lone Tree City Council Mayor Jackie Millet Mayor Pro Tem Susan Squyer Councilmember Cathie Brunnick Councilmember Jay Carpenter Councilmember Wynne Shaw The Lone Tree Arts Center is owned and operated by the City of Lone Tree.
Lone Tree City Management City Manager Seth Hoffman Deputy City Manager Steve Hebert
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LONE TREE STAFF LISTINGS
Lisa Rigsby Peterson, Executive Director, helped open the Lone Tree Arts Center in 2011 as its first Executive Director. Over her thirty-one year career in performing arts management, she has been a part of many of Colorado’s leading cultural organizations—including The Denver Center for the Performing Arts, Curious Theatre Company, and PHAMALY; served on multiple arts and cultural boards and committees, and also worked abroad. A Colorado resident since 1975, Lisa is a graduate of the University of Colorado and the Yale School of Drama.
Paul Ackerman, Production Manager, is a native of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology. Paul joined the team at LTAC prior to its opening in 2011 after serving as the Senior General Manager of Production for Blue Man Group.
Courtney Ozaki Moch, Operations and Business Director, returned to her home state of Colorado after residing in New York City, where she received her MFA degree in Performing Arts Management from Brooklyn College. As a producer and arts manager in NYC, she worked with cultural and interdisciplinary institutions, including the inaugural PROTOTYPE festival, Brooklyn Academy of Music, Brooklyn Center for the Performing Arts, and The Joyce Theater. Her prior experience includes work with the Aspen Music Festival, as well as the Boulder Chamber Orchestra.
Leigh Chandler, Marketing Director, joined the Lone Tree Arts Center staff in the fall of 2015, when she moved to Colorado. Prior to her move, she served as the Director of Marketing and Communications for the Flynn Center for the Performing Arts in Burlington, Vermont for eight years. Leigh grew up outside of New York City and is a graduate of Cornell University.
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Elaine Caras, Events Manager Allissa Dailey, Events Manager Kathy Denzer, Administrative Assistant Adrien Hoff, Marketing Specialist Chris Husted, Rental Events Technician Jen Kiser, Assistant Technical Director Katie Konishi, Marketing Specialist Don Post, Lead Stage Technician Robin Scurto, Annual Giving Manager Michelle Sosa-Mallory, Corporate and Foundation Manager Ashley Vander Weg, Box Office Manager Technical Staff: James Bryant, Mallory Hart, Meagan Holdeman, Elizabeth Porter, Brett Ranieri, Randy St. Pierre, Rick Thompson
Front of House Staff: Jean Chavez, Ken Fisher, Bonnie Kobzoff, Jim Murphy, Christina Roberts, Thaddeus Valdez
Bar Staff: Richard Davis, Elena De Prado, Andy Frier, Michelle Hendershott, Charine Lung, Anthony Martinez, Nicole Mills, Tianna Saez, Roberta Seifert
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LTAC POLICIES & PROCEDURES
At Your Service The House Manager is responsible for the overall front-of-house operation. Ushers (dressed in white and black with green scarves/ ties) can direct patrons who have questions or concerns to the House Manager.
Late arrivals will be seated at a suitable break in the performance, and at the discretion of the house manager and/or artist. Late seating may not be possible in some cases. In consideration of all theater-goers, please arrive in plenty of time for the scheduled curtain.
Cameras and recording devices are not allowed in the theater. The taking of photos during a performance may violate our contract with the performers and producers. In addition it can distract performers and negatively affect their safety and the show. Pre- and post-show photography also is not permitted. Cell phones and any other electronic devices may not be used in the theater. The use of a laser pointer at any time by any patron subjects that patron to expulsion from the theater without a ticket refund.
Children
Smoking
Children are welcome in our theater, but bringing infants to a performance is highly discouraged, as they can become a distraction to performers and other audience members. Each individual must be ticketed to enter the theater and no babes-in-arms will be permitted. The Arts Center may deny entry to any person accompanied by another who may become a disruption to the performers or audience, and may likewise remove disruptive patrons from the audience. Occasionally, individual productions may have recommended age limits. It is always up to the parent/guardian to make the determination if an event is age appropriate for his/her child. Refunds are at the discretion of the Lone Tree Arts Center Box Office.
The Lone Tree Arts Center is a smoke-free facility. Smoking e-cigarettes is not permitted inside the building.
Late Arrivals
Refreshments Food is not allowed in the theater. Drinks purchased at our concessions stand are permitted in the theater. At most performances, you may pre-order a drink to avoid intermission lines.
Restrooms Restrooms are located in the center of the lobby near the front entrance, as well as on the north side of the lobby near the north entrance, across from the Event Hall. Wheelchair accessible restrooms are located near the north entrance.
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Cameras, Tape Recorders, Pagers, and Cell Phones
LONE TREE ARTS CENTER
Parking The Lone Tree Arts Center has a large, free on-site parking lot as well as a convenient drop-off point at the front entry. The parking lot can be found on the south side of the building. Patrons are also permitted to park across Sky Ridge Avenue in the Target parking lot.
Hearing Assistance The Lone Tree Arts Center has installed an inductive hearing loop. The loop system broadcasts directly into hearing aids that are equipped with a T-coil switch (tele-coil or telephone switch). For hearing aids with a T-coil switch, simply turn that switch and sound is broadcast directly to the hearing aid. For hearing aids without a T-coil switch, wireless headset receivers are also available free of charge at the Box Office.
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THEATRICAL PERFORMANCE
In April, LTAC is taking on a challenge like nothing we’ve quite tackled before—we’re producing a fully-staged, big name musical. EVITA, with music by Andrew Lloyd Webber and lyrics by Tim Rice, is the story of Eva Perón, one of Argentina’s most controversial First Ladies. It’s our biggest endeavor to date and we’ve put together an all-star team to make it happen. EVITA opened in London’s West End in 1978 and the show follows Eva Perón throughout her life, from her humble beginnings to her rise to power and through the upper echelons of society. Just recently, there were revivals of the show in both London and New York. There was also a film version of the musical, starring Madonna, Jonathan Pryce, and Antonio Banderas in 1996. The film version is how our director, Gina Rattan, came to know the musical. But her interest in the story of EVITA wasn’t just a passing fancy— it ignited a passion for the story of Argentina’s former First Lady. So much so, that Gina traveled to Buenos Aires to immerse herself in Eva’s world. Gina heard about our production of the show from her friend Ben Klein, an associate director on Broadway and the keynote speaker of our 2015 Sensory Friendly Summit, who put her in touch with our executive director, Lisa Rigsby Peterson. The rest, as they say, is history! Gina has directed the second national tour of Rodgers and Hammerstein’s Cinderella, and been the associate director of the same show on Broadway, as well as being the associate director of Matilda the Musical on Broadway and NBC’s Peter Pan Live! Most recently, she directed Pace University’s production of another Andrew Lloyd Webber musical, Jesus Christ Superstar. Something that she enjoys about Webber’s musicals is that they’re complete stories—there isn’t a lot of exposition and you get to see everything play out on stage. The challenge that this presents for the creative team, of course, is how to make sure that they’re telling the fullest, clearest, most exciting version of the story as possible.
EVITA is one of Gina’s favorite shows and she’s excited to tackle the challenges of directing a show that she knows and loves. “First of all, it’s such a great show as a piece of musical theater. The complicated protagonist is female…she’s not oversimplified, she presents a real person,” Gina says of the show. “It’s a very political show, but it doesn’t play out like a history lesson. All the characters are so passionate and involved in the politics of the show. And that’s not exaggerated—the people of Argentina are really like that!” One of the characters that Gina is most excited about is the city of Buenos Aires itself. The show is imbued with the vibrancy of the city and it becomes like a character of its own. Every bit of the creative team is responsible for creating the city—from the scenic and sound designers, to the costumes and choreography, we’ll be bringing Buenos Aires to life on stage, as well as the characters themselves. EVITA is a show that is political and personal, entertaining but thought-provoking. It’s substantive and escapist. It will be a beautiful piece of theater that’s unlike anything that we’ve ever done before and everyone involved with the production, including Gina, can’t wait to share it with you!
EVITA APRIL 13–29
w w w. L o n eT r e e A r t s C e n t e r. o r g
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PROFILE
Mark O’Connor Photo by John David Pittman
It’s rare to find a violinist, fiddler, and composer as versatile as Mark O’Connor. Whether he’s performing classical music, jazz, country, folk, or Americana, his virtuosity is thrilling to see and hear. A child prodigy who won national titles as a teenager, he was mentored by jazz violin great Stephane Grappelli, and the two remained close friends until Grappelli’s death in 1997. O’Connor has collaborated with James Taylor, Vince Gill, Ricky Skaggs, Tony Rice, Bela Fleck, Sam Bush, Alison Krauss, Yo-Yo Ma, Wynton Marsalis, and many more. He’s headlined bluegrass festivals, including Telluride, RockyGrass, and Merlefest, and he’s performed his own concertos with symphonies around the world. He’s won two Grammy Awards and his most recent release, Coming Home, is nominated for a 2017 Grammy for Best Bluegrass Album. O’Connor’s other passion is teaching, and he created the O’Connor Method: The New American School of String Playing. The O’Connor Method rivals the Suzuki Method of teaching
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violin and fiddle by focusing on American music, rather than European classical music, to help students develop a love of playing. It also focuses on the history behind the music, giving students a more well-rounded understanding of what they’re playing. O’Connor’s performance at the Arts Center with his family band is a special one. Three of the four members play fiddle, and the fourth plays mandolin. Joined by a guitarist and a mandolin player, The O’Connor Band delivers beautiful and thoughtful original songs, classic covers, and sophisticated instrumentals with a fresh, powerful, unprecedented sound that wins over fans of every style from bluegrass to indie folk to Americana.
O’Connor Band Featuring Mark O’Connor THURSDAY, MAY 11 AT 7:30PM
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Lyrics by Tim Rice
Music by Andrew Lloyd Webber April 13-29, 2017
Scenic Designer Michael R. Duran
Costume Designer Nicole Harrison
Lighting Designer Jen Kiser
Sound Designer Allen Noftall
Properties Designer Rob Costigan
Additional Casting Binder Casting/Justin Bohon
Music Direction by Max Mamon Choreography by Sarah O’Gleby
Directed by Gina Rattan
Theatrical Sponsor
Hospitality Sponsor
Denver South Park Meadows
EVITA is presented through special arrangement with R & H Theatricals and Two Knights Rights Limited. www.rnh.com
CAST (in order of appearance) Che..........................................................................................Miles Jacoby* Eva........................................................................................Lauren Shealy* Magaldi.................................................................................... Seth Dhonau Perón........................................................................................Jesse Sharp* Mistress............................................................................Katherine Jackson Young Girl...........................................................................Natalie Beaumont Ensemble................................................. Rob Costigan*, Maggie Davenport*, Andrea Forsythe*, Eric Anthony Johnson*, Thadd Krueger*, Michayla Lupien, Angela Mendez, Matthew D. Peters, Alejandro Roldan, Shannan Steele* UNDERSTUDIES For Eva: Angela Mendez, For Che: Alejandro Roldan, For Perón: Thadd Krueger*, For Magaldi: Rob Costigan*, For Mistress: Michayla Lupien CHILDREN Natalie Beaumont, Sophia Dotson, Isabella Fabiani, Grace Klusacek, Heidi Rodgers, Rebecca Ruth, Ross Smallwood, Callie Jean Tysdal, Ryley Weinstein
Dance Captains................................. Eric Anthony Johnson*, Shannan Steele* Assistant to the Director.............................................................Lily Bjorklund Stage Manager................................................................ Jonathan D. Allsup* Assistant Stage Manager............................................................Mister Erock* Wig Designer.......................................................................... Diana Ben-Kiki Special thanks to Debbie Faber & WeeBee Costumes *Members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. EVITA is produced by the Lone Tree Arts Center’s Theatrical Division.
MUSICAL NUMBERS ACT ONE “Requiem”............................................................................... The Company “Oh, What a Circus”...........................................................Che and Company “On This Night of a Thousand Stars”.................................................. Magaldi “Eva, Beware of the City”................................. Magaldi, Eva, Che, and Family “Buenos Aires”......................................................... Eva, Che, and Company “Goodnight and Thank You”........................................... Che, Eva, and Lovers “The Art of the Possible”...........................................Perón, Eva, and Officers “Charity Concert”......................................Magaldi, Che, Perón, and Company “I’d be Surprisingly Good for You”............................................. Eva and Perón “Another Suitcase in Another Hall”.....................................................Mistress “Perón’s Latest Flame”.......................................................Che and Company “A New Argentina”..........................................Perón, Eva, Che, and Compnay
Intermission ACT TWO “On the Balcony of the Casa Rosada”...............................Perón and Company “Don’t Cry for Me Argentina”................................................................... Eva “High Flying, Adored”................................................................. Che and Eva “Rainbow High”....................................................................... Eva and Valets “Rainbow Tour”...............................................Perón, Che, Eva, and Company “The Chorus Girl Hasn’t Learned”....................................... Eva and Company “And the Money Kept Rolling In”..........................................Che and Company “Santa Evita”................................................................... Child and Company “Waltz for Eva and Che”.............................................................. Eva and Che “You Must Love Me”................................................................................ Eva “She Is a Diamond”........................................................... Perón and Officers “Dice Are Rolling”.................................................................... Perón and Eva “Eva’s Final Broadcast”............................................................................ Eva “Montage”............................................................................... The Company “Lament”................................................................................................ Eva ORCHESTRA Conductor/Keyboards................................................................. Max Mamon Trumpet.................................................................................. Jake Boldman Trombone............................................................................... Michael Hilton Guitar................................................................................... Chris Contreras Bass.....................................................................................Rick Thompson Drums.......................................................................................Scott Davies Percussion...................................................................................Julie Strom Keyboards................................................ Janine De Lorenzo, Jerome Gilmer
FROM DIRECTOR GINA RATTAN Researching and assembling this production has been a joy. The deeper and more entrenched in the research I became, the more I was aware of certain key moments in Eva’s early life that influenced her decision-making as an adult. Eva Perón was known for her tenacity, ambition, perseverance, generosity toward women and children, and her unlikely rise to power from very poor origins. Born in 1919 in the rural outskirts of Buenos Aires, her mother was a poor seamstress who became the mistress to a married man. They had five children together before he left to return to his first family. For Eva’s entire childhood she was beset with gossip and rumors from everyone in her town. She was not legitimate, not to be taken seriously. Her family was a threat to the very values of those who lived in her village. Eva’s world was a harsh one, since her family was very poor, ostracized, and marginalized. Her country was one of an entrenched, stratified class system. Upward mobility or advancement was not an option, particularly not for young women. In Eva’s world, a woman’s purpose was to find a husband and start a family. She and her sisters were deep fanatics of movies, which they saved and scraped to see when they came to town once a month. Many films were American, but a few were Argentine, set in the big city. As they do for many of us, movies provided an escape and a romanticized version of a better life, just beyond Eva’s reach in Buenos Aires. In 1934, at the age of fifteen, she became one of many Argentines to be ferried by the newly minted railway system to Buenos Aires. (Contrary to how it is portrayed in the musical, Eva travelled alone, not in the company of Augustin Magaldi, although he did perform in her hometown.) She became a stage actress quite quickly and started where many young performers do, in the ensemble. As was standard practice for young actresses in the ensemble at this time, she was not paid, nor were her costumes provided by the theater company. Instead, young actresses were expected to find an older gentleman; a punto fijo (steady man) or calballero blanco (sugar daddy) to pay their wage and provide costumes for the show. Eva was once propositioned by the director of a show she was starring in (the Argentine premiere of Lillian Helman’s The Children’s Hour); she turned him down and quit the show. Her success as a stage actress lead to success as a radio star (her brother also moved to Buenos Aires and owned a soap company which owned a radio station). She was the best paid radio actress of her time. The Argentine radio network was the second largest in the world, next to the United States. Her success there led to her becoming a movie star. She was incredibly successful between ages 15 to 25. She also struggled immensely to make enough money to live. For those ten years, she never lived anywhere that had hot water. In 1944, at the age 25, she met Juan Perón, a man whose ambitions and drive matched her own. Since 1944 and Peron’s rise to power, she has been characterized as the driving force behind his politics, policy, and corruption.
Evita has always been a fascinating musical to me, not only for its lush score, complicated characters, and thrilling dramatization of an historical narrative, but also as it’s one of the first modern musicals (written in 1976) to feature a narrator. Tim Rice and Andrew Lloyd Webber present us Eva’s story through the lens which women in power are viewed - the perspective of a man. What you’re about to see is an examination of Eva’s story as told and as perceived through the eyes of Che, an erstwhile admirer turned ardent opponent. One who is obsessed and consumed with her public image, accomplishments, failures, and motives. As Eva herself said, “You must want! You have the right to ask! You must desire.”
NATALIE BEAUMONT (Young Girl) I’m so grateful and excited for this opportunity! At age 7, I got my start as Tinkerbell in Peter Pan Jr, and I’ve been hooked since. Some of my favorite roles have been as Mrs. Brill in Mary Poppins and as Annie in Annie. I currently attend Parker Performing Arts School where I study musical theater.
ROB COSTIGAN (Eva’s Lover, General, Cabinet Member, Priest, Italian Admiral, Ensemble, u/s Magaldi) Was last seen on The Lone Tree stage as Professor Cope in The Explorers Club. He has performed regionally in, She Loves Me, Ragtime, Hairspray, Joseph and the Amazing Technicolor Dreamcoat, Big River, Victor/Victoria, Broadway Bound, and The 1940’s Radio Hour. Other local credits include, Sister Act the Musical, Big Fish, Xanadu, and The Wedding Singer, Singin’ in the Rain, Evita, Hello, Dolly!, and Gypsy. He has received a Denver Drama Critic’s Circle Award for Best Supporting Actor in a Musical and most recently a Henry Award nomination in the same category. MAGGIE DAVENPORT (Women’s Quartet, Ensemble) is thrilled to be back at the Lone Tree Arts Center after debuting in South Pacific in Concert. She was most recently seen as Fiona in Shrek the Musical (Colorado Springs Fine Arts Center). Other credits: Sister Act and Death Takes a Holiday (Arvada Center), A Christmas Carol (Denver Center), The Music Man (Town Hall Arts Center), Phantom (BDT Stage), Grey Gardens (Vintage Theatre), and How to Succeed (Performance Now). Opera credits: Così fan tutte and L’Elisir d’Amore (Prelude to Performance, NYC), Le nozze di Figaro and La cambiale di matrimonio (CU Opera). SETH DHONAU (Magaldi, General, Cabinet Member, Ensemble) After several years in New York City, Seth moved to Denver last fall and was seen most recently in Cherry Creek Theatre’s Red Hot & Cole. A graduate of Northwestern University’s opera and theater programs, he has been seen in such roles as George (Sunday in the Park with George), the Celebrant (Bernstein’s Mass), and Clifford Bradshaw (Cabaret). ANDREA FORSYTHE (Women’s Quartet, Nurse, Ensemble) is thrilled to be performing at the Lone Tree Arts Center! Her credits include: Tarzan at the Arvada Center (Colorado), Ragtime at the Pioneer Theatre Company (Utah), Jekyll and Hyde at the Westchester Broadway Theatre (New York), Disney Dreams and Hercules on the Disney Cruise Line, and A Christmas Carol at Hale Center Theatre (Utah). Andrea graduated from Brigham Young University and is a vocal instructor in Centennial, CO. KATHERINE JACKSON (Mistress, Women’s Quartet, Ensemble) is thrilled to be onstage with this incredibly talented cast and crew! She has her Masters of Music in Vocal Performance from the University of Mississippi. Favorite shows include: Bye Bye Birdie (Kim), The Fantasticks (Luisa), Little Women (Amy), The Last Night of Ballyhoo (Lala), The Merry Wives of Windsor (Anne), A Midsummer Night’s Dream (Puck), and The Importance of Being Earnest (Cecily).
MILES JACOBY (Che) is thrilled to be making his debut at the Lone Tree Arts Center! Miles was last seen in Denver with the First National Tour of The Book of Mormon as the standby for Elder Price. The year prior, he was also fortunate enough to make his Broadway debut in the role. Before then, he additionally toured the country as Bob Gaudio in the First National Tour of Jersey Boys. Other favorite roles in and out of New York include Hyllus in These Seven Sicknesses at The Flea Theater, Jeff in Title of Show, Roger in Rent, Floyd Collins in Floyd Collins, and Bernard in Arcadia. ERIC ANTHONY JOHNSON (Dance Captain, Eva’s Family, Eva’s Lover, General, Cabinet Member, Ensemble) Absolutely tickled to be here! National Tours: R+H’s Cinderella (Dance Captain), West Side Story, Evita, Elf, Miss Saigon. Regional: A.R.T., Kennedy Center, Music Circus, Tokyo Orb, KC Starlight, and Northern Stage.
THADD KRUEGER (Eva’s Lover, Cabinet Member, Ensemble, u/s Peron) most recently appeared in Dracula at Aurora Fox and I Am Alive at the Alex Theatre in Los Angeles. He has appeared Off-Broadway in The Rose Project (Flea Theater), Nerds (NYMF), and Off-Off-Broadway in The Book of the Dun Cow (Prospect Theater). Other New York credits: The Head of Mary (Ohio Theatre), Treaty 321 (FringeNYC), World’s Away (Producers Club), Sappho’s Kiss (Cutting Room) and Frankenstein, A Rock Opera (Ripley Grier). National Tour: A Christmas Carol. Local credits: Arvada Center, Colorado Symphony, Colorado Springs Fine Arts Center, Lake Dillon Theatre, PACE, Theatre Aspen, and Lone Tree Arts Center. Regional credits: Steppenwolf Theatre, Virginia Musical Theatre, Theatre at the Center, Wagon Wheel Theatre, Bailiwick Repertory, and productions throughout the U.S. MICHAYLA LUPIEN (Eva’s Family, Ensemble, u/s Mistress) is thrilled to be making her Colorado debut in one of her favorite musicals of all time. A New England girl at heart, she has performed extensively across the east coast, having most recently appeared as Mrs. Cratchit in A Christmas Carol at the Palace Theatre in Manchester, NH. Some other past performances include the national tour of A Christmas Carol (Belle/Mrs. Cratchit), All Shook Up (Natalie), and The Wedding Singer (Holly). ANGELA MENDEZ (Eva’s Family, Ensemble, u/s Eva) recently performed in Los Angeles in the new musical I Am Alive, in Beauty & the Beast as Belle, opposite her real-life-love Dave, as well as in the Elitch New Works Festival (Woman of the Chimney Corner). She holds a B.A. in Music Performance (Regis University), and studied musical theatre and dance at the Goodspeed Theatre with F. Wade Russo, Kelli Barclay, and Randy Skinner. Favorites: Little Women (Jo), Jane Eyre, a Musical Drama (Jane), Curtains (Georgia), Drowsy Chaperone (Janet), The Last 5 Years (Cathy), 42nd Street, Into the Woods (Cinderella), and A Chorus Line (Diana).
MATTHEW D. PETERS (Eva’s Lover, General, Cabinet Member, Ensemble) regional director/choreographer: Smokey Joe’s Cafe, SWING! - LTHAC, West Side Story - Candlelight, Home for the Holidays, Peter Pan - Starkey Theatrix, La Cage Aux Folles - Ignite, Footloose, Throughly Modern Millie, Shrek the Musical, SWING!, The Full Monty, Mary Poppins, Cinderella, Phantom, Peter Pan, Chicago, Hello Dolly - BDT Stage. Regional theatre: EVITA, La Cage Aux Folles, No Dogs Allowed- The Arvada Center, West Side Story - Central City Opera House, West Side Story - Candlelight Dinner Playhouse, Guys and Dolls - Country Dinner Playhouse. Twenty one plus shows - BDT Stage. 4 Years as Dance Captain for Royal Caribbean Cruise Line. For more information on Matthew visit www.matthewdpeters.com. ALEJANDRO ROLDAN (Eva’s Lover, General, Cabinet Member, Ensemble, u/s Che) is excited to be on the Lone Tree stage for the third time. Previously seen in Home for The Holidays and South Pacific in Concert. He is a classically trained vocalist who studied at Roosevelt University and The University of Northern Colorado. Favorite previous roles include Usnavi in In the Heights, Che in Evita, Radames in Aida, Henry in Next to Normal, and Willard in Footloose. JESSE SHARP (Perón, Press Secretary, Ensemble) is thrilled to be making his Lone Tree debut! He most recently played Bill Gilmore in the Broadway-bound Chasing Rainbows at Goodspeed Opera House. Other recent credits include - NATIONAL & INTERNATIONAL TOURS: The Addams Family (Gomez), Elf (Walter Hobbs), and Grease (Vince Fontaine) REGIONAL: Into the Woods (Baker), Lend Me a Tenor (Tito Morelli), Macbeth (Bloody Man, Macbeth US), Merchant of Venice (Morocco), Comedy of Errors (D. of Ephesus), Richard III (Clarence). MFA - UC Irvine, BA - UCLA. LAUREN SHEALY (Eva) credits include: The DCPA: Forbidden Broadway (Woman 2), The Doyle and Debbie Show (Debbie), I Love You, You’re Perfect… (Woman 2), Sweeney Todd (Swing), A Christmas Carol (Ensemble). Off Broadway: Lingoland (Lauren), How to Succeed In Business... (Rosemary). The Arvada Center: White Christmas (Betty), A Man Of No Importance (Mrs. Patrick), Curtains (Georgia), Miracle On 34th Street (Doris), 1940’s Radio Hour (Anne). Lone Tree Arts Center: South Pacific (Nellie). National Tour: South Pacific (Nellie). Other Theaters: Jekyll and Hyde (Lucy), Tick, Tick…Boom (Susan), Phantom (Christine). Training/Awards: NYU, Tisch; 2015 CTG Henry nomination for Best Actress in a Musical; Westword’s Best Actress in a Musical for 2013. SHANNAN STEELE (Dance Captain, Women’s Quartet, Eva’s Family, Nurse, Ensemble) Credits include A Christmas Carol, Sweeney Todd and Animal Crackers with The Denver Center Theatre Company; Woman #1 in I Love You, You’re Perfect, Now Change (CTG Henry nom), The Last Five Years, and My Way all at the Denver Center for the Performing Arts Galleria Theater; Sara in Murder Ballad with The Edge Theatre Company; Roxie Hart in Chicago with Breckenridge Backstage Theatre Company; over 20 productions with the Arvada Center including Kala in Tarzan (True West Award), Ginger Brooks in The 1940s Radio Hour (Denver Post Ovation Award, Colorado Theatre Guild Henry nom), Cabaret, Les Miserables, Violet, On the Town, Joseph…Dreamboat, Guys and Dolls, Pippin, Aida, Buddy - The Buddy Holly Story, Memphis, and Sweet Charity; Pam in Baby the Musical (True West nom), Irene Castle/Ethel Merman in Red, Hot and Cole for Cherry Creek Theatre; Church with Theatreworks; and Reunion ‘85 here at the beautiful Lone Tree Arts Center.
GINA RATTAN (Director) is currently directing the second national tour of Rodgers + Hammerstein’s Cinderella. Upcoming: Struck (Theater Raleigh), Fully Committed (Theater Workshop of Nantucket). As director: Jesus Christ Superstar at Pace University; O Beautiful (The University of Illinois); The Tin (Sam French Play Fest), Sweet Tooth (Fringe NYC), Twelfth Night (Old Globe, San Diego), Virtually Me (National Tour). Selected credits as associate director: Matilda The Musical (Broadway). Peter Pan and The Sound of Music (Live on NBC), Soul Doctor (Broadway), Rodgers + Hammerstein’s Cinderella (Broadway), Billy Elliot (Broadway), Little House on the Prairie (Guthrie & First Nat’l Tour); Show Boat (Royal Albert Hall, London); First Wives’ Club, King Lear, How the Grinch Stole Christmas (Old Globe). www. ginarattan.com MAX MAMON (Music Director) is a New York-based music director, composer, and pianist. His recent music direction credits include The Disappearing Man (Musical Theater Factory), Death for Five Voices (Prospect Theater Company), See What I Wanna See (Pace Performing Arts), Christopher Staskel and Lisa Burns’ The Firebird (People of Interest), and Kiss Me, Kate (Hartford Stage, The Old Globe). As a composer, Max’s works include stage musicals as well as music for film and dance. His EP of songs from the musical With You Always, featuring lyrics by Jahn Sood and vocals by Margo Seibert and Ben Moss is available on iTunes and Spotify. His one-act musical Vital Signs (co-written with Jahn Sood) has been produced Off-Broadway at the Theater of St. Clements and in Hamburg, Germany. Max is a graduate of Princeton University, the Graduate Musical Theater Writing Program at NYU’s Tisch School of the Arts, and the Royal College of Music in London. SARAH O’GLEBY (Choreographer) Choreography: Carmen (Lyric Opera, Chicago). Jesus Christ Superstar (PACE, NY). NBC Upfronts, Hermes (LA & Miami), Die Fledermaus (Met Opera), Kennedy Center Honors (CBS), Spectacular with John Legend for Target. Associate Choreography: Peter Pan and Sound of Music (NBC), Kennedy Center Honors (2012-2015), Tony Awards Opening (2011 - 2013), Academy Awards (many times),Ted 2, A Million Ways to Die in the West, How To Succeed. DIANA BEN-KIKI (Wig Designer) is the Wig Master at the Denver Center Theatre Company. DCTC credits include Sweeney Todd, All The Way, Sense and Sensibility, White Christmas, A Christmas Carol, and The Unsinkable Molly Brown, to name a few. Other local credits include Tartuffe and Jesus Christ Superstar at the Arvada Center, to also name only a few. She has also designed for Theatre Aspen, Lone Tree Arts Center, and the Galleria Theatre. ROB COSTIGAN (Properties Designer) is proud to be a part of the design team for Evita. He is the owner and creative force behind PROPabilities. His work can also be seen in The Robber Bridegroom at Town Hall Arts Center. Credits include; The Explorers Club, The 39 Steps, The Marvelous Wonderettes, The Music Man, Peter Pan, 9 - 5 the Musical, The Wizard of Oz, Little Shop of Horrors, Always, Patsy Cline, Bat Boy, The Unsinkable Molly Brown, Altar Boyz and Cabaret. Rob can also be seen onstage in EVITA at Lone Tree Arts Center. MICHAEL R. DURAN (Scenic Designer) is a native of Denver and has worked as Actor, Stage Manager, Scenic Designer, Playwright, Director, and Teacher in theater and film for over forty years here and across the country. As Scenic Designer, Michael has won awards for his designs of Rosencrantz and Guildenstern are Dead from the Kennedy Center and the Meterie Award for his design of Lend Me a Tenor. Won the 2014 True West Award for his design of Venus in Fur for Curious Theatre Company and the Henry Award for Best Scenic Design of 2015 for his design of The Explorers Club for the Lone Tree Arts Center. Michael is also known locally for his directing of Doubt: A Parable, Agnes of God, Parallel Lives, and Mozart’s The Magic Flute. Michael directed Dancing at Lughnasa for the Hunger Artists Ensemble winner of the Denver Drama Critics Circle
award for Best Production. Michael is the recipient of the Denver Post’s 2004 Theatre Person of the Year award. He is a graduate of Loretto Heights College BA 1977 and Tulane University MFA 2009. NICOLE HARRISON (Costume Designer) is so thrilled to be a part of this powerful production of EVITA. She is returning to Lone Tree, where she designed Big River, and South Pacific in Concert. She is a freelance designer in Denver, and her work can be seen at several theaters, including the Aurora Fox, Lake Dillon, Backstage Theater in Breckenridge, and Phamaly stages. Nicole teaches Stage Makeup and Costume classes, as well as designs, at Metro State University and Denver School of the Arts. She has received many accolades for her work, including a Drama Critics Circle Award, a Denver Post Ovation, and a Henry Award. She has a growing costume rental warehouse, Nikki’s Costume Closet. JEN KISER (Lighting Designer) is the Assistant Technical Director at LTAC. Previous designs have been seen at Goodspeed Musicals (Meet John Doe, Caraboo, Princess of Javasu), Hartford’s TheaterWorks (Fully Committed), Wadsworth Atheneum (Sister Mozart with Haley Mills), Lone Tree Arts Center (Muscle Shoals: I’ll Take You There, It’s a Wonderful Life: A Live Radio Play, Cyrano, Reunion ’85, The Explorers Club, 39 Steps, Guys and Dolls in Concert, Big River, South Pacific in Concert, Bunnicula, Home for the Holidays, Sylvia, Hank Williams: Lost Highway, John Denver Holiday Concert, Alexander and the Terrible… Day), Arvada Center (How I Became a Pirate), and the Mizel Arts and Culture Center (The Value of Names). She has worked for the Guggenheim Museum, and assisted designers at venues including Papermill Playhouse, Carnegie Hall, Lincoln Center Festival, and on Broadway’s By Jeeves. ALLEN NOFTALL (Sound Designer) has been working in the concert audio field since 1989 when he was an audio tech for The Who at Folsom Stadium in Boulder, CO. He studied audio engineering at CU-Denver under Bill Porter (Elvis Presley). After graduation, he freelanced as an audio engineer in the Denver/Colorado area and built a recording studio (Space Recording). By the early 2000s, his studio became Space Recording – Live Sound, a full service concert/event production company doing a wide variety of shows, from singer/songwriter artists in park concerts with Swallow Hill Music to artists at Denver’s Pepsi Center and Red Rocks Amphitheater. Allen also toured with artists, including local favorite country/alt band Slim Cessna’s Auto Club. Allen now either production manages or audio engineers over 200 concerts a year. Allen began audio engineering / sound design at Lone Tree Arts Center in 2012. From Big River to Reunion ‘85 to Randy Newman, he has engineered many of the Lone Tree Arts Center’s great music shows. JONATHAN D. ALLSUP (Production Stage Manager) recently stage-managed Reunion’85 (Lone Tree Arts Center), Cyrano (Boulder Ensemble Theatre), The Glass Menagerie (Cherry Creek), Harvey and The Archbishop’s Ceiling (Arvada Center). He also assistant stage-managed The Little Mermaid (Paramount Theatre, Aurora, IL), A Christmas Carol (Denver Center), Much Ado About Nothing, Othello, Comedy of Errors, & Troilus and Cressida (Colorado Shakespeare Festival) She Loves Me and Memphis (Arvada Center). Jonathan teaches for Colorado Theatre Guild, Metro State University, theatre conferences around the nation. MISTER EROCK (Assistant Stage Manager) is thrilled to be returning to the Lone Tree Arts Center. A proud member of Actors’ Equity Association, previous stage management credits include The Quick-Change Room, September Shoes, The Education of Walter Kauffman, the Tonynominated It Ain’t Nothin’ But the Blues, as well as Behind the Broken Words starring Anthony Zerbe and Roscoe Lee Browne. His acting career began as The Guard in The Winter’s Tale (dir. Tony Church) and went on to include the Ghost of Christmas Future in A Christmas Carol (dir. Laird Williamson) and Monka in A Dybbuk (dir. Melia Bensussen). Erock lives in Conifer with his wife and son where they run a hospice for senior and special needs dogs. You can see their work at www.littleolddogsanctuary.com.
LILY BJORKLUND (Assistant to the Director) is honored to be part of her first production with the LTAC. Currently a seasonal member of the Yuletide Carolers in Denver, other credits include playing June Carter-Cash in a Johnny Cash showcase, Les Miserables, Hello, Dolly!, and Cinderella. She holds a B.A. from U. of Iowa in English and Theatre and is excited to be on the other side of the curtain for EVITA! R&H Theatricals (Licensor) represents the stage performance rights to over 100 musicals by more than 200 writers. These include works by Rodgers & Hammerstein (including OKLAHOMA!, SOUTH PACIFIC and THE SOUND OF MUSIC), Rodgers & Hart (PAL JOEY, BABES IN ARMS), and Kern & Hammerstein (SHOW BOAT) as well as musicals by Irving Berlin (ANNIE GET YOUR GUN, WHITE CHRISTMAS), Andrew Lloyd Webber (CATS, THE PHANTOM OF THE OPERA), Adam Guettel (THE LIGHT IN THE PIAZZA, FLOYD COLLINS), Kurt Weill (THE THREEPENNY OPERA, LADY IN THE DARK), such perennials as BIG RIVER, ONCE UPON A MATRESS, and FOOTLOOSE, and the longest-running revues in the history of Broadway – SMOKEY JOE’S CAFÉ—and Off-Broadway – I LOVE YOU, YOU’RE PERFECT, NOW CHANGE. Recently added titles include IN THE HEIGHTS, A CATERED AFFAIR, IT’S ONLY LIFE, [title of show], LOVE MUSIK, FACE THE MUSIC, REEFER MADNESS, ALTAR BOYZ, BERNARDA ALBA, MID-LIFE! THE CRISIS MUSICAL, and BRIGHT LIGHTS, BIG CITY. R&H Theatricals is an Imagem company: www.rnh.com
The Director is a member of the Stage Directors and Choreographers Society, a national Theatrical Labor union.
This theatre operates under an agreement with the Actors’ Equity Association, the Union of Professional Actors and Stage Managers.
Scott O’Neil and the Rosetta Music Society
Shuffle May 6, 2017 at 8pm
Sponsored by:
Scott O’Neil............................................................................ music director Sydney Brooke Harper...................................................................... soprano Barret Harper....................................................................................... tenor Randy Chavez..................................................................................... guitars Steve Hearn................................................................................. percussion Ian Wikesal........................................................................................... oboe Jason Schafer................................................................................... clarinet Claude Sim...........................................................................................violin Felix Pettit.............................................................................................violin Phillip Stevens....................................................................................... viola Judith McIntyre...................................................................................... cello Nick Recuber........................................................................................ bass
Repertoire to include: Clean Bandit – No Place I’d Rather Be George Michael – Mother’s Pride Annie Lennox – A Thousand Beautiful Things Ennio Morricone – Gabriel’s Oboe (from The Mission) Michel Columbier: Emmanuel Denler – Where Wild Horses Run (from Portraits of Colorado) Björk – New World Pat Metheny – The First Circle Tomaso Albinoni – Adagio in G minor W.A. Mozart – Adagio from Serenade No.10 (aka, the Gran Partita) Johannes Brahms – Hungarian Dance No.5
Renew Your Look Actual Patients
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21 year old male – dorsal nasal deformity. Corrected by open rhinoplasty, dorsal nasal reduction and tip rotation.
Before
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COSMETIC SURGERY
Eyelid (Blepharoplasty) | Brow Lift (Browplasty) Nose (Rhinoplasty) | Face Lift (Rhytidectomy) Ear Reconstruction (Otoplasty) Tummy Tuck (Abdominoplasty) | Liposuction
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COMPLIMENTARY COSMETIC CONSULTATION
303-792-2828
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10375 Park Meadows Drive, Suite 150 | Lone Tree, CO 80124
THANK YOU
Simply no better way to say it! Your generous support of the Lone Tree Arts Center helps us share the arts with over 80,000 in our community each year: > Acclaimed Main Stage theatrical series
> SPARK Alliance! with Alzheimer’s Association
> Legendary performers and premier artists
> Free and affordable community events for kids, students, and families
> Signature sensory friendly performances > Engaging arts experiences for active seniors
Share the arts by joining our family of donors today. Visit LoneTreeArtsCenter.org/give or call 720-509-1009.
Bach Meets Vivaldi Serenissima una Noche: Christmas in Spain and the New World
OCT 13, 16 DEC 2-4
Playing with Fire
MAR 17, 18
Mozart Among Friends
MAY 19-21
B COCOLORA D O.ORG
H
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e Delive
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RIDGEGATE URBAN VILLAS From the $800s
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Now serving the Lone Tree and South Metro area in our office managed by Diane Carlton.
Colorado’s Premier Family Law Firm
• Supports and promotes the arts • Focuses on experiences that educate, challenge & engage the community • Provides broad community support
LONE TREE
• Has contributed over $700,000 to the Lone Tree Arts Center and to The City of Lone Tree
CULTURAL ARTS FOUNDATION
The Lone Tree Cultural Arts Foundation supports and promotes the arts in Lone Tree and surrounding neighborhoods.
www.lonetreearts.org
Skippyjon Jones Snow What
SPOTLIGHT
Children’s Programming You’re never too young to be a patron of the arts! At least, that’s what we believe at LTAC. The arts help children develop language skills, decision making, creativity, cultural awareness, and many other important skills. It’s never too early to introduce a child to the arts. Our commitment to quality programming shines through in every facet of work, especially when it comes to our amazing children’s programming. We offer multiple programming options under the children’s theater umbrella. We have Seedlings, designed for children 1–4 years old, to introduce children to the arts. Passport to Culture is designed for elementary school aged children and aims to broaden horizons when it comes to culture and the arts. We offer student matinees at 10am during the week for certain performances, including our National Geographic Live student/senior matinee, putting a focus on multi-generational programming. And a program very dear to our hearts is the SF Family Tree
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program, which is our sensory friendly branch of programming, designed for families with children who have cognitive, intellectual, or developmental disabilities. In the last year alone, over 11,000 children and families attended children’s programs at LTAC. We had 66 different performances throughout those four different series, with toddlers to high school students in attendance. We had full houses of toddlers for our Seedlings programs and full houses of school-aged children in the Main Stage theater. By committing to children’s programming, we hope to create a generation of regular theater-goers who value the arts as an important part of their lives. We pride ourselves on making the arts accessible to all our patrons, no matter their stage of life. From the young to the young-at-heart, we aim to provide memorable arts experiences for any and all patrons who come through our doors.
Educating Minds, Enriching Hearts & Expanding Horizons
Colorado’s First
Live Escape Game! As the door closes, you realize you are trapped in a strange room. With the red countdown clock on the wall ticking, you and your team have less than 60 minutes to get out! All of you must work together to find hidden clues and solve riddles and mysteries to escape!
Come out and see if your team has what it takes to beat the Clue Room!
• Parties • Corporate Team-Building • Community Organizations • Private Events can be scheduled upon request Check out our website for details on our new games and great new locations!
www.theclueroom.com
Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • innovative academic program • arts, athletics, technology, Languages • Extended day care • daily hot Lunch program • need-Based tuition assistance grades: preschool (age 3)-grade 8 Enrollment: 430 Student/Faculty: 8:1
to schedule a tour, call 303.756.9481. www.st-annes.org
2701 S. York Street • Denver, CO 80210
Come Sing With Us! Programs for children 3-18! Friendly Auditions fall, spring and summer Membership information:
www.youngvoices.org 303.797.7464
Concerts at D. U. Newman Center December 4, May 7 and July 1
PROFILE
Even before the Arts Center opened, the LTAC Guild was there and ready to help. Donating time and resources, this group of motivated women and men work behind the scenes to fundraise and bring awareness to LTAC year-round. One of the most important ways they support LTAC is by underwriting children’s access to theater here. Each year, the Guild pays the ticket fees and bus fees for hundreds of children to attend live theater at LTAC. It’s exciting to see their faces light up when an actor comes on the stage— and the Guild makes that happen! The Guild also uses its fundraising reach for other projects around LTAC; they have provided booster seats for children in the Main Stage Theater and paid
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for the installation of a permanent bar in the Terrace Theater. This dynamic group works hard year-round with fundraisers including an opening night Gala and spring fashion show. They also host fun meetings with behind-the-scenes info about LTAC and other exciting activities. The Guild started a community tradition in 2012, providing the holiday tree and sponsoring each season’s Holiday Kick-Off featuring free cocoa, cookies, and lots of merriment and carols.
Sound like too much fun to miss? Join this dynamic group today by visiting www.lonetreeartscenterguild.org.
Donors at 2016 Gala
2016 Table Sponsors
Amy Briej and Geoff Fry
Charles Schwab
Jay Carpenter
City of Lone Tree
Lisa and Tom Evans
Tonya Fallows and Debby Ludvik, RE/MAX Professionals
Tonya Fallows Mark and Robin Glaser
Lone Tree Cultural Arts Foundation
Seth and Sara Hoffman
Janet Morley, Nova Home Loans
Pamela Kelly
Park Meadows Retail Resort
Debbi and Mike Kovacs
Richmond American Homes
Levone Larson
Ridgegate
Becky Leibman and John Hoskins Debby Ludvik
Live Auction Sponsors
Michael Mikolajczak
Mark and Robyn Glaser
Stephen Mikolajczak
Richard and Lynn Cavaliero
Jackie Millet
Lone Tree Arts Center
Leslie and Jeff Modesitt
Joanne Posner Mayer
Janet Morley Ted Newman Margie and Jack O’Boyle Kirk Pytlinski Amelia Reback and Judy Reback Frank Romano Melanie and Tim Schmieding Wynne Shaw Bernie and Elaine Spivak
In-Kind Sponsors Ninety + Cellars Lucas Liquors Chateau Liquors Lone Tree Brewing Company
Additional Sponsors
Susan and Paul Squyer
Jack and Margie O’Boyle
Susan Stiff
Re/Max Professionals
Paul Timmons
Park Meadows Retail Resort
Doug Tisdale
w w w. L o n eT r e e A r t s C e n t e r. o r g
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Daily Happy Hour! 3:30pm to 6:30pm Buy One, Get One Free
Quarterly Wine Dinner Series – Call for Information -
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303.799.3661
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DONOR PROFILE
Wendy Whelan, Brian Brooks, and Brooklyn Rider Photo by Nir Arieli
FUNDRAISING LEADERSHIP COUNCIL Kent Clark Minneapolis-based U.S. Bancorp (NYSE: USB), with $454 billion in assets as of September 30, 2016, is the parent company of U.S. Bank National Association, the fifth-largest commercial bank in the United States. The company operates 3,114 banking offices in 25 states and 4,875 ATMs and provides a comprehensive line of banking, investment, mortgage, trust and payment services products to consumers, businesses and institutions. Last year, U.S. Bank extended more than $173 million in community development loans throughout the Denver area. During that same time period, U.S. Bank provided more than $26.3 million in investments to communities in the Denver area, which provided affordable housing, encouraged self-sufficiency and fostered economic development. These investments include U.S. Bank Foundation grants, U.S. Bank corporate giving and nonprofit sponsorship as well as tax credit investments made through U.S. Bancorp Community Development Corporation (USBCDC). In addition, U.S. Bank employees contributed more than 4,100 volunteer hours helping to strengthen the community needs of the Denver area. For more visit U.S. Bancorp at www.usbank.com.
Corporate sponsors invest in the mission and programs of the Lone Tree Arts Center. Sponsor benefits include community recognition, concierge services, and more. To learn about sponsorship, please call 720-509-1008, or email michelle.mallory@cityoflonetree.com.
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David A. DeFore Jim Gunning Susan Hicks Seth Hoffman Joel and Janet Kaufman Peter Loeffler Jackie Millet Charlotte Min-Harris Pamela Schenck-Kelly Keith Simon Linda Watson Betty A. and Don E. Winslow
COMMUNITY FUNDRAISING ADVISORY BOARD Carole and Bob Adelstein Sheryl Gurrentz Mel Semrad Betsy Schutte Sharon VanRamshorst
Hot! Hot! Hot!
An Artisan Bakery
The Denver Brass with Guest Artists Fiesta Colorado Dance Company
Buy One Get One Free Breakfast Item
May 5 - 7:30pm
Lone Tree Arts Center Tickets: 720-509-1000 www.lonetreeartscenter.org
303-832-HORN(4676) | www.denverbrass.org
Mention Lone Tree Arts Center View Magazine
Hours: Tues.- Fri. 7am-6pm Sat. 8:30am-5pm Closed: Sun/Mon 7255 S. Havana St., #110 Centennial, CO 80112
303-694-9999 • theglutenescape.com
PARTNERS & SUPPORTERS
This list includes donors to the Lone Tree Arts Center from January 1, 2016 to March 20, 2017. If we have inadvertently omitted your name, please contact the Development Department at 720-509-1009 so that we can correct our listings. Thank you for your support.
$20,000+ SCFD: Scientific and Cultural Facilities District Bellco Credit Union Scott Leonhart and Maggie Eichenlaub Park Meadows Business Improvement District
Xcel Energy Foundation Betty A. and Don E. Winslow
$5,000-$9,999 Balfour Beatty Infrastructure Berkeley Homes and Harvard Communities
$10,000-$19,999
CliftonLarsonAllen LLP
Andrews Winslow Foundation
Developmental Pathways
Century Communities, Inc.
Douglas County Developmental Disabilities
Charles Schwab Colorado Creative Industries In Memory of Heidi Kaufman
Mill Levy Grant Hampton Inn and Suites Denver/South-RidgeGate
Janet and Joel Kaufman
Martin Fein Interests, Ltd.
Lone Tree Arts Center Guild
Merrick & Company
MorningStar Senior Living at RidgeGate
Ralph and Trish Nagel
National Endowment for the Arts
RidgeGate
Sky Ridge Medical Center and
Staybridge Suites Denver
Rocky Mountain Hospital for Children U.S. Bank
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D.A. Davidson Fixed Income Capital Markets
LONE TREE ARTS CENTER
South Park Meadows Thrive Home Builders
$2,500-$4,999
Don and Susan Hicks
Linda Bjelland
Hurley and Claire Mitchell
Bowlero
Rainold Family Foundation
Centura ER & Urgent Care
Lisa Rigsby Peterson
David A. DeFore
Regency RidgeGate
Nancy Gary
Robin and Chris Scurto
Michael R. Harris and Charlotte Min-Harris
Sheila and Paul Shepherd
Launch Advertising
Susan and Bill Smith
Peter and Virginia Loeffler
James and Barbara Wightman
Carole and Marvin Johnson
McGeady Becher P.C. Robinson Waters & O’Dorisio, P.C. M.J. “Mel” and Virginia Semrad The Tappan Foundation Western States Arts Federation (WESTAF)
$250-$499 A-B&C Enterprises, Inc. Harold and Ada Anderson Dennis and Melissa Blair Gregory and Yolanda Bruce Shelley and Greg Bryant
$1,000-$2,499
Linda and Fernando Castaneda
Carole and Bob Adelstein
Katy Dole
Jay and Melissa Carpenter Dave and Betty Jo Cottrell
Marilyn and George Dockery Don and Audrey Fisher Dennis and Margaret Holman Dr. Weston Johnson
Douglas County Libraries
In Memory of David James Kolstad
FirstBank
Bruce and Mary Lou Laubach
Jim and Amy Gunning
Joyce and William Lew
Sheryl and Andy Gurrentz
Alicia McCommons and Craig Johnson
HEI Civil Dan Hudick
Michelle and Carson Mallory Norman C. and Florence R. Miller Jackie Millet and David Johnson
Fred Kaserman and Diane Webster
Leslie and Jeff Modesitt
Lone Tree Cultural Arts Foundation
Michael and Sharon Modiz
Carl Mattson and Susan Alworth
Robert Murphy and Kathleen Kelly
Betsy Schutte
Becky and Brett Narlinger
Paul and Susan Squyer Charles and Brenda Vitaska Wells Fargo Foundation
$500-$999 Anonymous Dr. Delfina Ashley-Baisden Jim and Tabby Briggs Matt and Greta Calkins Wes and Terry Colburn Donald E. Dillard and Janeen Kendall
Alicia and David Rigsby Amy and Jay Sage Keith and Victoria Simon Richard J. and Gayle M. Spelts Heather Van Dusen Ken Waugh
Thank you to our supporters! To donate, call 720-509-1009 or visit www.lonetreeartscenter.org/give
Judy K. Hall w w w. L o n eT r e e A r t s C e n t e r. o r g
35
36
$100-$249
Bob Bob and and Jean Jean Lind Lind David David and and Bobbie Bobbie Marfitano Marfitano
Paul Paul Ackerman Ackerman Anonymous (4) Anonymous (3)
Mary Mary M. M. Mathews Mathews Tina Tina and and Jesse Jesse McLaughlin McLaughlin
Crista Crista M. M. Bailey Bailey Vincent Vincent and and Penza Penza Calarco Calarco
Mary Mary McMillan McMillan Martin Martin and and Barbara Barbara O’Brien O’Brien
Shirley Shirley and and Roland Roland Calhoun Calhoun Leigh Leigh Chandler Chandler
Nancy Nancy Patton Patton Ron Ron and and Linda Linda Patton Patton
In In Honor Honor of of Betty Betty and and Don Don Winslow’s Winslow’s 50th Anniversary 50th Anniversary
Richard Richard and and Jill Jill Rogers Rogers Col. Col. Frank Frank Romano Romano
Philip Eves of Barbara Daniels In Memory In Honor of Arthur Fairclough Philip Eves
Stuart Stuart and and Janice Janice Sanderson Sanderson Jane and Glenn Jane and Glenn Schnepel Schnepel
David andofNancy In Honor ArthurFairclough Fairclough Karen C. DaleFairclough Flowers David and Nancy
Marta Marta G. G. Shaw Shaw Wynne Wynne Shaw Shaw
Gene Francisco Karenand andJanet C. Dale Flowers Tara Friedman and Jeff Milheiser Gene and Janet Francisco
Richard J. and Gayle M. Spelts Kevin and Jennifer Stromberg Kevin Stromberg Debraand andJennifer Roland Stubblefield
Gary and Barbara Tara Friedman andGodden Jeff Milheiser Janet Hanna Gary and Barbara Godden
Debra Roland Stubblefield Josephand Tatarka Whitney Whitney and and Ann Ann Thomas Thomas
Vic and Lydia Jacobs Janet Hanna Dr. Johnson Vic Weston and Lydia Jacobs
Philip Philip V. V. Tromburg Tromburg Roger Roger and and Ellen Ellen Vacco Vacco
Michelle Michelle Kelloff Kelloff Hans Hans and and Evelyn Evelyn Kriek Kriek
In In Memory Memory of of Lee Lee Van Van Ramshorst Ramshorst Leon and Alla Veremeychik Leon and Alla Veremeychik
Kim Kim Laudenslager Laudenslager Helene Helene and and David David Lawful Lawful
Clarence Clarence and and Eva Eva Williams Williams Howard Howard and and Theresa Theresa Wissemann Wissemann
Becky Becky Leibman Leibman and and John John Hoskins Hoskins
Michael Michael Zumwalt Zumwalt
L LO ON NE E T TR RE EE E A AR RT TS S C CE EN NT TE ER R
2 016 – 2 01 7 S E AS ON
Join Us this Spring! For full descriptions of each performance, visit www.lonetreeartscenter.org.
The Subdudes
Scott O’Neil and the Rosetta Music Society Shuffle
Friday, March 3
Saturday, May 6
Art Garfunkel: In Close-Up
O’Connor Band featuring Mark O’Connor
Takács Quartet Friday, February 24
Tuesday, March 7
Wendy Whelan, Brian Brooks, and Brooklyn Rider Some of a Thousand Words Saturday, March 11
Aquila Theatre— The Trojan War: Our Warrior Chorus Sunday, March 26
EVITA April 13–29
Takács Quartet Photo: Keith Saunders
Thursday, May 11
National Geographic Live Kevin Hand— The Search for Life Beyond Earth
The Subdudes
Tuesday, May 16 and Wednesday, May 17 Art Garfunkel
PURCHASE YOUR TICKETS TODAY! LoneTreeArtsCenter.org 720.509.1000 10075 Commons Street Lone Tree, CO 80124
Wendy Whelan, Brian Brooks, and Brooklyn Rider Photo by Christopher Duggan
2017 series to be announced soon!
O’Connor Band Photo: John David Pittman
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Cardel Homes has a weak plié – but a superb port de bras. That’s ballet for “we can’t dance, but we’re good with our hands.” Every home we build is crafted by our highly skilled tradespeople. Skilled at building, that is. When it comes to dancing, we’re terrible. That’s why we’re proud to build homes within the South Metro area’s talented performing arts community.