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CONTACT US
Find us on...
10075 Commons Street, Lone Tree, CO 80124 Box Office: 720.509.1000 www.LoneTreeArtsCenter.org
PRODUCING PARTNERS Scott Leonhart and Maggie Eichenlaub Betty A. and Don E. Winslow
SEASON SPONSORS
EDUCATION SPONSORS
The Tappan Foundation
SENSORY FRIENDLY SPONSORS
SENIOR SPONSORS
Douglas County Developmental Disabilities Mill Levy Grant
S ENIOR L IVING at R IDGE G ATE
PATRON SPONSOR Linda Bjelland
PRESENTING PARTNERS Janet and Joel Kaufman
THEATRICAL SERIES SPONSOR
Lone Tree City Council Mayor Jackie Millet Mayor Pro Tem Susan Squyer Councilmember Cathie Brunnick Councilmember Jay Carpenter Councilmember Wynne Shaw The Lone Tree Arts Center is owned and operated by the City of Lone Tree.
Lone Tree City Management City Manager Seth Hoffman Deputy City Manager Steve Hebert
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LONE TREE ARTS CENTER
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LONE TREE STAFF LISTINGS
Lisa Rigsby Peterson, Executive Director, helped open the Lone Tree Arts Center in 2011 as its first Executive Director. Over her thirty-one year career in performing arts management, she has been a part of many of Colorado’s leading cultural organizations—including The Denver Center for the Performing Arts, Curious Theatre Company, and PHAMALY; served on multiple arts and cultural boards and committees, and also worked abroad. A Colorado resident since 1975, Lisa is a graduate of the University of Colorado and the Yale School of Drama.
Paul Ackerman, Production Manager, is a native of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology. Paul joined the team at LTAC prior to its opening in 2011 after serving as the Senior General Manager of Production for Blue Man Group.
Courtney Ozaki Moch, Operations and Business Director, returned to her home state of Colorado after residing in New York City, where she received her MFA degree in Performing Arts Management from Brooklyn College. As a producer and arts manager in NYC, she worked with cultural and interdisciplinary institutions, including the inaugural PROTOTYPE festival, Brooklyn Academy of Music, Brooklyn Center for the Performing Arts, and The Joyce Theater. Her prior experience includes work with the Aspen Music Festival, as well as the Boulder Chamber Orchestra.
Leigh Chandler, Marketing Director, joined the Lone Tree Arts Center staff in the fall of 2015, when she moved to Colorado. Prior to her move, she served as the Director of Marketing and Communications for the Flynn Center for the Performing Arts in Burlington, Vermont for eight years. Leigh grew up outside of New York City and is a graduate of Cornell University.
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Elaine Caras, Events Manager Allissa Dailey, Events Manager Kathy Denzer, Administrative Assistant Adrien Hoff, Marketing Specialist Chris Husted, Rental Events Technician Jen Kiser, Assistant Technical Director Katie Konishi, Marketing Specialist Don Post, Lead Stage Technician Robin Scurto, Annual Giving Manager Michelle Sosa-Mallory, Corporate and Foundation Manager Ashley Vander Weg, Box Office Manager Technical Staff: James Bryant, Mallory Hart, Meagan Holdeman, Elizabeth Porter, Brett Ranieri, Randy St. Pierre, Rick Thompson
Front of House Staff: Jean Chavez, Ken Fisher, Bonnie Kobzoff, Jim Murphy, Christina Roberts, Thaddeus Valdez
Bar Staff: Richard Davis, Elena De Prado, Andy Frier, Michelle Hendershott, Charine Lung, Anthony Martinez, Nicole Mills, Tianna Saez, Roberta Seifert
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LTAC POLICIES & PROCEDURES
At Your Service The House Manager is responsible for the overall front-of-house operation. Ushers (dressed in white and black with green scarves/ ties) can direct patrons who have questions or concerns to the House Manager.
Late arrivals will be seated at a suitable break in the performance, and at the discretion of the house manager and/or artist. Late seating may not be possible in some cases. In consideration of all theater-goers, please arrive in plenty of time for the scheduled curtain.
Cameras and recording devices are not allowed in the theater. The taking of photos during a performance may violate our contract with the performers and producers. In addition it can distract performers and negatively affect their safety and the show. Pre- and post-show photography also is not permitted. Cell phones and any other electronic devices may not be used in the theater. The use of a laser pointer at any time by any patron subjects that patron to expulsion from the theater without a ticket refund.
Children
Smoking
Children are welcome in our theater, but bringing infants to a performance is highly discouraged, as they can become a distraction to performers and other audience members. Each individual must be ticketed to enter the theater and no babes-in-arms will be permitted. The Arts Center may deny entry to any person accompanied by another who may become a disruption to the performers or audience, and may likewise remove disruptive patrons from the audience. Occasionally, individual productions may have recommended age limits. It is always up to the parent/guardian to make the determination if an event is age appropriate for his/her child. Refunds are at the discretion of the Lone Tree Arts Center Box Office.
The Lone Tree Arts Center is a smoke-free facility. Smoking e-cigarettes is not permitted inside the building.
Late Arrivals
Refreshments Food is not allowed in the theater. Drinks purchased at our concessions stand are permitted in the theater. At most performances, you may pre-order a drink to avoid intermission lines.
Restrooms Restrooms are located in the center of the lobby near the front entrance, as well as on the north side of the lobby near the north entrance, across from the Event Hall. Wheelchair accessible restrooms are located near the north entrance.
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Cameras, Tape Recorders, Pagers, and Cell Phones
LONE TREE ARTS CENTER
Parking The Lone Tree Arts Center has a large, free on-site parking lot as well as a convenient drop-off point at the front entry. The parking lot can be found on the south side of the building. Patrons are also permitted to park across Sky Ridge Avenue in the Target parking lot.
Hearing Assistance The Lone Tree Arts Center has installed an inductive hearing loop. The loop system broadcasts directly into hearing aids that are equipped with a T-coil switch (tele-coil or telephone switch). For hearing aids with a T-coil switch, simply turn that switch and sound is broadcast directly to the hearing aid. For hearing aids without a T-coil switch, wireless headset receivers are also available free of charge at the Box Office.
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THEATRICAL PERFORMANCE
In April, LTAC is taking on a challenge like nothing we’ve quite tackled before—we’re producing a fully-staged, big name musical. EVITA, with music by Andrew Lloyd Webber and lyrics by Tim Rice, is the story of Eva Perón, one of Argentina’s most controversial First Ladies. It’s our biggest endeavor to date and we’ve put together an all-star team to make it happen. EVITA opened in London’s West End in 1978 and the show follows Eva Perón throughout her life, from her humble beginnings to her rise to power and through the upper echelons of society. Just recently, there were revivals of the show in both London and New York. There was also a film version of the musical, starring Madonna, Jonathan Pryce, and Antonio Banderas in 1996. The film version is how our director, Gina Rattan, came to know the musical. But her interest in the story of EVITA wasn’t just a passing fancy— it ignited a passion for the story of Argentina’s former First Lady. So much so, that Gina traveled to Buenos Aires to immerse herself in Eva’s world. Gina heard about our production of the show from her friend Ben Klein, an associate director on Broadway and the keynote speaker of our 2015 Sensory Friendly Summit, who put her in touch with our executive director, Lisa Rigsby Peterson. The rest, as they say, is history! Gina has directed the second national tour of Rodgers and Hammerstein’s Cinderella, and been the associate director of the same show on Broadway, as well as being the associate director of Matilda the Musical on Broadway and NBC’s Peter Pan Live! Most recently, she directed Pace University’s production of another Andrew Lloyd Webber musical, Jesus Christ Superstar. Something that she enjoys about Webber’s musicals is that they’re complete stories—there isn’t a lot of exposition and you get to see everything play out on stage. The challenge that this presents for the creative team, of course, is how to make sure that they’re telling the fullest, clearest, most exciting version of the story as possible.
EVITA is one of Gina’s favorite shows and she’s excited to tackle the challenges of directing a show that she knows and loves. “First of all, it’s such a great show as a piece of musical theater. The complicated protagonist is female…she’s not oversimplified, she presents a real person,” Gina says of the show. “It’s a very political show, but it doesn’t play out like a history lesson. All the characters are so passionate and involved in the politics of the show. And that’s not exaggerated—the people of Argentina are really like that!” One of the characters that Gina is most excited about is the city of Buenos Aires itself. The show is imbued with the vibrancy of the city and it becomes like a character of its own. Every bit of the creative team is responsible for creating the city—from the scenic and sound designers, to the costumes and choreography, we’ll be bringing Buenos Aires to life on stage, as well as the characters themselves. EVITA is a show that is political and personal, entertaining but thought-provoking. It’s substantive and escapist. It will be a beautiful piece of theater that’s unlike anything that we’ve ever done before and everyone involved with the production, including Gina, can’t wait to share it with you!
EVITA APRIL 13–29
w w w. L o n eT r e e A r t s C e n t e r. o r g
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PROFILE
Mark O’Connor Photo by John David Pittman
It’s rare to find a violinist, fiddler, and composer as versatile as Mark O’Connor. Whether he’s performing classical music, jazz, country, folk, or Americana, his virtuosity is thrilling to see and hear. A child prodigy who won national titles as a teenager, he was mentored by jazz violin great Stephane Grappelli, and the two remained close friends until Grappelli’s death in 1997. O’Connor has collaborated with James Taylor, Vince Gill, Ricky Skaggs, Tony Rice, Bela Fleck, Sam Bush, Alison Krauss, Yo-Yo Ma, Wynton Marsalis, and many more. He’s headlined bluegrass festivals, including Telluride, RockyGrass, and Merlefest, and he’s performed his own concertos with symphonies around the world. He’s won two Grammy Awards and his most recent release, Coming Home, is nominated for a 2017 Grammy for Best Bluegrass Album. O’Connor’s other passion is teaching, and he created the O’Connor Method: The New American School of String Playing. The O’Connor Method rivals the Suzuki Method of teaching
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violin and fiddle by focusing on American music, rather than European classical music, to help students develop a love of playing. It also focuses on the history behind the music, giving students a more well-rounded understanding of what they’re playing. O’Connor’s performance at the Arts Center with his family band is a special one. Three of the four members play fiddle, and the fourth plays mandolin. Joined by a guitarist and a mandolin player, The O’Connor Band delivers beautiful and thoughtful original songs, classic covers, and sophisticated instrumentals with a fresh, powerful, unprecedented sound that wins over fans of every style from bluegrass to indie folk to Americana.
O’Connor Band Featuring Mark O’Connor THURSDAY, MAY 11 AT 7:30PM
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Wendy Whelan / Brian Brooks / Brooklyn Rider in
Some of a Thousand Words A JOYCE THEATER PRODUCTION March 11, 2017 at 8pm
CHOREOGRAPHY & DIRECTION
Brian Brooks
PERFORMED BY Wendy Whelan Brian Brooks Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Michael Nicolas, cello
MUSIC
Colin Jacobsen, “BTT” © Colin Jacobsen / Vavavooviemusic (BMI). Used by permission.
John Luther Adams, “Maclaren Summit” and “Looking Towards Hope” from “The Wind in High Places” Tyondai Braxton, “ArpRec1” Philip Glass, String Quartet No. 3 (Mishima)
© 1984 Dunvagen Music Publishers Inc. Used by Permission.
PRODUCTION MANAGER LIGHTING DESIGN STAGE MANAGER COSTUME DESIGN CHOREOGRAPHIC ADVISOR & REHEARSAL COACH PRODUCERS COMPANY MANAGEMENT
Emily McGillicuddy Joe Levasseur Lauren Cavanaugh Karen Young Risa Steinberg Ilter Ibrahimof, Sunny Artist Management, Inc. Barbara Frum, Sharing Spaces, Inc. Joyce Theater Productions Michael Caldwell
Sponsored by:
Some of a Thousand Words is co-commissioned by The International Festival of Arts & Ideas New Haven, The Joyce Theater Foundation’s Stephen and Cathy Weinroth Fund for New Work, The Kentucky Center for the Arts, and the Modlin Center for The Arts at University of Richmond. This engagement was made possible in part by Joyce Theater Productions, a producing partnership of The Joyce Theater Foundation and Sunny Artist Management that supports select projects from inception to premiere and subsequent tours as well as generous funders Deborah and Charles Adelman, Michael Lillys, Michele and Steve Pesner, and Peace. First Movement Music Composed by Jacob Cooper Second Movement Music Composed by Tyondai Braxton Third Movement Original Music Composed by Colin Jacobsen Fourth Movement Music Composed by John Luther Adams First Fall (2012) Music Composed by Philip Glass First Fall was originally commissioned by Damian Woetzel for the 2012 Vail International Dance Festival. Additional choreography was added to First Fall as part of Some of a Thousand Words.
BIOS WENDY WHELAN: Wendy Whelan was born and raised in Louisville, Kentucky. She began taking ballet lessons at the age of three. At age nine, she began intensive training at the Louisville Ballet Academy. In 1981, she auditioned for the School of American Ballet and was accepted to the summer program. A year later, she moved to New York City to continue her studies there as a full-time student. In 1984, she was named an apprentice with New York City Ballet, and in 1986, she joined the corps de ballet. Wendy went on to spend 30 years at New York City Ballet, 23 of those years as principal dancer. She has danced virtually every major Balanchine role, and worked closely with Jerome Robbins on many of his ballets. She originated leading roles in works by such notable choreographers as William Forsythe, Twyla Tharp, Alexei Ratmansky, Christopher Wheeldon, Jorma Elo, and Wayne McGregor. In 2007, Wendy was nominated for both an Olivier Award and a Critics Circle Award for her performances in London of Christopher Wheeldon’s work. Wendy has been a guest artist with The Royal Ballet and the Kirov Ballet and has performed on nearly every major stage across the globe. She received the Dance Magazine Award in 2007, and in 2009 was given a Doctorate of Arts, honoris causa, from Bellarmine University. In 2011, she received both The Jerome Robbins Award and a Bessie Award for her Sustained Achievement in Performance. On October 18, 2014, Wendy took the stage for her final performance with New York City Ballet. Immediately following her retirement as a dancer from City Ballet, she joined the faculty of New York City’s Ballet Academy East and was appointed Artistic Associate at New York City Center. In 2013, Wendy premiered her inaugural independent project, Restless Creature, co-produced by The Joyce Theater, at Jacob’s Pillow Dance Festival. The project went on to tour London and the U.S through May of 2015. Following Restless Creature, she premiered two more independent projects, Whelan/Watson Other Stories, at London’s Royal Opera House and Hagoromo at BAM’s Next Wave Festival. She is excited to tour her latest project Some of a Thousand Words, which she developed with choreographer Brian Brooks alongside string quartet Brooklyn Rider.
BRIAN BROOKS: Choreographer Brian Brooks has recently been appointed as the inaugural Choreographer in Residence at Chicago’s Harris Theater for Music and Dance. This innovative three-year fellowship supports several commissions for Brooks each season with the first year featuring Hubbard Street Dance Chicago and Miami City Ballet, as well as his own New York-based group. Brooks is the recipient of a 2013 Guggenheim Fellowship. Other recent awards include a New York City Center Fellowship and the Joyce Theater’s Artist Residency. His work has toured nationally and internationally since 2002, with recent presentations by the Joyce Theater, Jacob’s Pillow, the American Dance Festival, and BAM as part of their 2013 Next Wave Festival. The American Dance Institute, where Brooks is a member of the Artist Advisory Board, has presented his company three times and supported him with two Incubator Production Residencies. Brooks has been commissioned by Damian Woetzel at the Vail International Dance Festival to create three new works featuring dancers from New York City Ballet and Pacific Northwest Ballet, including First Fall, in which Brooks dances with former New York City Ballet Principal Dancer Wendy Whelan. Theatre for a New Audience has invited Brooks to choreograph two Off-Broadway Shakespeare productions — A Midsummer Night’s Dream (2013), directed by Julie Taymor, and Pericles (2016), directed by Trevor Nunn. Brooks has created new dances at schools, including The Juilliard School, The Boston Conservatory, The School at Jacob’s Pillow, and Harvard University. He dedicated 12 years as a Teaching Artist of Dance at the Lincoln Center Institute for the Arts in Education and has been on the part-time faculties of both Rutgers University and Princeton University. BROOKLYN RIDER: Hailed as “the future of chamber music” (Strings), Brooklyn Rider offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classical, world, and rock critics alike. Last season, Brooklyn Rider toured with composer/singer/multi-instrumentalist Gabriel Kahane with music from their 2016 acclaimed collaborative album The Fiction Issue, as well as works from the groundbreaking multi-disciplinary project Brooklyn Rider Almanac. This season Brooklyn Rider releases So Many Things with mezzo soprano Anne Sofie von Otter, an album of contemporary music featuring pieces by Colin Jacobsen, Caroline Shaw, John Adams, Nico Muhly, Björk, Sting, and Elvis Costello, among others. Together they embark on a worldwide tour, including stops at Carnegie Hall and the Opernhaus Zurich. Continuing to blur the lines of artistic mediums, the group teams up with choreographer Brian Brooks and former New York City Ballet prima ballerina Wendy Whelan for Some of a Thousand Words. Using music from composers John Luther Adams, Tyondai Braxton, Philip Glass, Evan Ziporyn and Colin Jacobsen, the intimate series of duets and solos featuring Brooks and Whelan foregrounds the live onstage music of Brooklyn Rider as a dynamic and central creative component. Other recent recording projects include 2014’s Brooklyn Rider Almanac, 2013’s A Walking Fire and The Impostor with Béla Fleck, plus 2011’s much-praised Brooklyn Rider Plays Philip Glass on the composer’s Orange Mountain Music label. Violinist Johnny Gandelsman launched In A Circle Records in 2008 with the release of Brooklyn Rider’s eclectic debut recording, Passport, followed by Dominant Curve in 2010, and Seven Steps in 2012. A long-standing relationship between Brooklyn Rider and Iranian kamancheh player Kayhan Kalhor resulted in the critically acclaimed 2008 recording, Silent City. EMILY McGILLICUDDY (Production Manager) is a New York based Production Manager and Stage Manager. She has managed shows in New York City and across the country with Brian Brooks, Keigwin + Company, Karen Sherman, Reggie Wilson/ Fist & Heel, Jennifer Muller/The Works, Nai Ni Chen, Liz Gerring, Satoshi Haga, and VIA Dance. She has toured the world with Les Ballets Trockadero de Monte Carlo and also enjoys working in fashion, events, and music festivals.
JOE LEVASSEUR (Lighting Design) has collaborated with many dance and performance artists, including Big Dance Theater, Jennifer Monson, John Jasperse, Sarah Michelson, Neil Greenberg, David Dorfman, Jodi Melnick, RoseAnne Spradlin, Maria Hassabi, Ishmael Houston-Jones, and Amanda Loulaki. His lighting design work as been seen throughout the United States, Europe,and South America, and he has received two Bessie awards. In 2009, his Drop Clock installation was featured in the lobby of Dance Theater Workshop (New York Live Arts). In 2010 he showed a collection of original paintings at Performance Space 122, and in 2013 was commissioned to paint an original mural for AUNTS. Ongoing projects include lighting work for Brian Brooks/Wendy Whelan, Big Dance Theater, and Palissimo. www.joelevasseur.com LAUREN CAVANAUGH (Stage Manager) is a New York City based Stage Manager. Her experience includes: National/International Tours: Elf: The Musical 2015-2016/2016-2017; Mamma Mia! 2014-2015; Ailey II 2013-2014. Off-Broadway: Mike Birbiglia’s Thank God For Jokes; 3 Mics with Neal Brennan; Queen of the Night, NYC. NYC: New York Fashion Week 2016; World Humanitarian Day at the UN; Anahid Sofian Dance Company’s 35th Anniversary Gala; Brooklyn Youth Chorus’ Spring Sings and Soundscapes. Regional: Heartless; A Discourse… Invisible World; Swing!; The Sound of Music. B.F.A., Stage Management: Western Michigan University. RISA STEINBERG (Choreographic Advisor and Rehearsal Coach) has been an active member of the dance community for more than 35 years as a performer, teacher, re-constructor of the works of José Limón, and mentor to young and emerging choreographers. She is a former principal dancer with the José Limón Dance Company, Bill Cratty Dance Theater, Annabel Gamson, Anna Sokolow’s Player’s Project, and Colin Connor. Ms. Steinburg has also been a guest artist with choreographers, including Wally Cardona, Sean Curran, and DanzaHoy of Caracas, Venezuela. Her solo concert, A Celebration of Dance, featured repertory from Isadora Duncan to contemporary choreographers. She is on the dance faculty at the Juilliard School and held the position of Associate Director of Juilliard Dance from 2008 - 2016. She sits on the Artists Advisory Board for the José Limón Dance Foundation, is on the selection committee of The Bessies, and is a cast member of Sleep No More. KAREN YOUNG (Costume Design) has designed costumes for numerous dance and video art works in New York City and internationally. In addition to designing Wendy Whelan’s Restless Creature and several works for the Brian Brooks Moving Company, her design work for dance is included in the repertoires of the Martha Graham Dance Company, Kyle Abraham, Alvin Ailey American Dance Theater, American Ballet Theater, Morphoses, Pam Tanowitz, Elisa Monte, and Larry Keigwin, among many others. Costume design for video art includes David Michalek’s Slow Dancing, Matthew Barney’s Cremaster 5 and Cremaster 1, and Eve Sussman’s 89 Seconds at Alcazar and The Rape of the Sabine Women. Other recent projects include: Third Rail Projects’ highly acclaimed immersive shows Then She Fell and The Grand Paradise, Doug Elkin’s The Weight of Smoke for the Paul Taylor Dance Company, and Alejandro Cerrudo’s Sleeping Beauty for Ballett Basel. www.karenyoungcostume.com JOYCE THEATER PRODUCTIONS (JTP) is a producing partnership of The Joyce Theater Foundation, Inc. and Sunny Artist Management, Inc. (SAM). It was formed to create and tour works by some of today’s most exciting dancers and choreographers. Through the partnership, JTP supports new productions created outside of a traditional dance company model, such as Daniil Simkin’s INTENSIO and Wendy Whelan and Brian Brooks’ Some of a Thousand Words; as well as the work of existing troupes through its Associate Company program, which currently includes Malpaso Dance Company from Cuba and L.A. Dance Project. www.Joyce.org Worldwide Representation: Sunny Artist Management Inc. Ilter Ibrahimof, Director – ilter@sunnyartistmanagement.com
Aquila Theatre Presents
The Trojan War: Our Warrior Chorus March 26, 2017 at 7pm Ensemble Cast Alexandra E. Acosta Adrienne Brammer Richard Busser Anthony Michael Irizarry Tyler La Marr James Stanton Ryan Wuestewald Creative Team Adaptors.....................Desiree Sanchez and Peter Meineck Director.................................................... Desire Sanchez Projections Designer.................................... David Tennent
Technical Team Technical Director........................................Robert Rogers Company Stage Manager..........................Shae Candelaria
Aquila Theatre’s production includes the involvement of the Warrior Chorus, a national initiative that trains veterans to present innovative public programs based on ancient literature, presented in partnership with the National Endowment for the Humanities. There will be one fifteen-minute intermission. The taking of photographs or the use of any kind of recording device is strictly prohibited.
Aquila Theatre 100 Washington Square East Silver Center, Room 503 New York, NY 10003 aquila@aquilatheatre.com & www.aquilatheatre.com
Sponsored by:
AQUILA CAST BIOS ALEXANDRA E. ACOSTA is a Colombian-born actress raised in Miami, FL. She moved to New York City to attend the two-year professional workshop program at Circle in the Square Theatre School. She hit the ground running after graduation, and has been in numerous Off-Broadway productions, including Collected Shorts by Theresa Rebeck (Bartender) and The Video Games (Swing). Last fall, she was cast in a national tour of Don Quixote, in which she played several roles and was the fight captain. alexandraeacosta.com. ADRIENNE BRAMMER NYC: Blueprint Specials (WAC Ensemble) Waterwell; All the World’s a Pickle (Jen); We Cry Havoc (Kalli Kovas); Twelfth Night (Ensemble), Public Works. TV: Shadow of Doubt (Discovery ID). BFA, Marymount Manhattan College. www.adriennebrammer.wix.com/adriennebrammer. RICHARD BUSSER Some favorite recent theater credits include; Alonso in The Tempest at Classical Theater of Harlem, Constable in Henry V at The Gallery Players, and Ariel in The Pillowman at APAC. Recent film credits include Hoodie in the soon to be released Scenes from the Underground, Wayne Carter in Dinner with the Alchemist, Randy in Penny Dreadful, and Eddie in High Maintenance. TV credits include Power, The Blacklist, Person of Interest, Elementary, Blue Bloods, Law and Order SVU, and Criminal Intent. ANTHONY MICHAEL IRIZARRY is a New York City-based actor who is ecstatic to be making his debut with Aquila Theatre. Recent credits include: The Ross Howard Play Festival (New Light Theatre), Urban Waves Festival (Open Hydrant), No One Loves Us Here (New Light Theatre), Glengarry Glen Ross (The Eagle Theatre), Cat On a Hot Tin Roof (Oldcastle Theatre), and The Motherf**ker with the Hat (Roxy Regional Theatre). He also has a world-changing Kermit the Frog impression. TYLER LA MARR served as a Sergeant in the Marine Corps from 2004-2010 and served two tours in Iraq (2006-2008) with 2nd Radio Battalion based out of Camp Lejeune, NC. He began pursuing his acting career in 2009, while still in the Marines, by taking classes and acting in multiple independent films in the Maryland/DC area. After finishing his service in the Corps, he headed to New York City for formal training and earned his BA in Theater Performance from Marymount Manhattan College. After graduation, he was cast as the lead role in the national tour of Basetrack Live, which went on to be named one of the NY Times “10 Best Theater Shows of 2014.” He recently returned from London where he earned his Masters in Acting from Drama Centre. He is also the co-founder of the Society of Artistic Veterans based in New York City. Visit www.tylerlamarr.com for more. JAMES P. STANTON is a 2014 graduate of the Hunter College Department of Theatre’s Master of Arts. He was a recipient of the CUNY Vera Roberts Fellowship for his play A Fortnight at Tripler. His short plays The Sun Also Sets and Not On My Watch…! were produced at Manhattan Rep last year. Most recently, he performed in Aquila Theatre’s Philoctetes, The Public’s production of Twelfth Night in Central Park’s Delecorte, Shields of Blue at the Midtown International Theatre Festival, and Frog & Peach’s production of MacBeth at the Sheen Center. A native New Yorker, Colonel Stanton is a Gulf War combat veteran who served in the Air Force as a fighter and bomber pilot, commander, accident investigator, and strategic international analyst. He is now an actor, playwright, attorney, alternative dispute resolution mediator, and an administrative law hearing officer for the City of New York. RYAN WUESTEWALD is thrilled to join this cast and company. Credits include: Third Rail Projects’ Sweet and Lucky (Commissioned by the Denver Center for the Performing Arts), Jackie & Me (Denver Center for the Performing Arts), Metamorphoses (Aurora Fox), How the World Began (BETC Regional Premiere), Failure: A Love Story, Jon (Catamounts), It’s Only a Play (Hawaii Theatre), The Propagation of Light in a Vacuum (10 Days Festival: Tasmania, Australia), Watershed (LIDA Project), and The Shape of Things, Art (AWS Theatre Co.). He will be working again with Third Rail Projects on a new full-length work set to open this summer. Training: MFA Acting, University of Hawaii, and Oregon Shakespeare Festival Intensive. Representation Baylin Artists Management 721 Hyde Park, Doylestown, PA 18902 267-880-3750 www.baylinartists.com
AQUILA CREATIVE TEAM BIOS DESIREE SANCHEZ, Director/Adaptor, directed and adapted Aquila’s 2015/2016 productions of Romeo and Juliet, The Adventures of Sherlock Holmes, and Philoctetes. Past productions she has directed and adapted include The Tempest and Wuthering Heights, for the 2014/2015 season, Twelfth Night and Fahrenheit 451 for the 2013/2014 season, A Female Philoctetes at BAM Fisher’s Hillman Studio, The Taming of the Shrew and Cyrano de Bergerac for the 2012/2013 season, Herakles at BAM in March 2013 and the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens in July, 2012, Macbeth and The Importance of Being Earnest for the 2011/2012 season, and Six Characters in Search of an Author for the 2010/2011 season; created movement for Aquila’s A Very Naughty Greek Play (Aristophanes’ Wasps), Catch-22, Julius Caesar, The Iliad: Book One, and The Comedy of Errors; performed in The Iliad: Book One at the Festival of the Aegean in Syros, Greece; and was the lead teaching artist for Aquila’s Shakespeare Leaders program in Harlem. Desiree had a twentyyear dancing career including working as a principal dancer for the Metropolitan Opera Ballet where she worked under the direction of numerous directors and choreographers including Francesca Zambello, Mark Lamos, Doug Varone, John Dexter, Franco Zeffirelli, Julie Taymor, and Andrei Konchalovsky. Other companies and choreographers she has worked with include the Boston Ballet, Neo Labos Dancetheatre, Donald Byrd/The Group, Sean Curran, Gelsey Kirkland, Bill T. Jones, Heidi Latsky, Eun Me Ahn in Korea, and Robert La Fosse. She performed for the Papermill Playhouse as a featured dancer in the musicals Carousel and The King and I. She has also taught at Long Island University as a visiting associate professor of dance, and has a Certificate of Movement Therapy from The New School. PETER MEINECK, Lighting Designer, founded Aquila Theatre in 1991 and worked extensively in theater in London, New York, and throughout Europe. He has produced and/or directed more than 50 professional productions of classic drama and has lit many of Aquila’s shows. Favorites include: Iliad (1999), Cyrano (2001), Catch-22 (2009), Macbeth (2011), and Fahrenheit 451 (2013). He is currently Professor of Classics in the Modern World at New York University where he specializes in ancient performance and the application of cognitive science to the study of the ancient world. Peter has published widely on ancient drama and culture, including several volumes of translations of ancient plays with Hackett Publishing. He is also Honorary Professor of Humanities at the University of Nottingham. He is a graduate of University College London (BA hons. Ancient World Studies) and the University of Nottingham (PhD Classics). Peter also serves as a Firefighter Captain and EMT in Westchester, NY. ROBERT ROGERS, Technical Director, has been involved in Technical Theater for over ten years and served as Technical Director for Aquila’s 2016 Spring and 2014-15 Tour seasons. His most recent endeavors include Production Manager/Technical Director for Penobscot Theatre and Technical Director for Gretna Theatre. He has also been everything from Assistant Tent Boss for the Zerbini Circus to a Chief Pilot of Maintenance at a $2.5 million dollar helium balloon in Tennessee. Additionally, Bob spent time in Qinhuangdao, China, where he was the Technical Director for an international cooperation project for the theme park show Snow White’s Birthday Adventure! SHAE CANDELARIA Production Stage Manager. Previous: A Christmas Story the Musical, How The Grinch Stole Christmas, National Tours: My Fair Lady, Singapore Tour. Off-Broadway: That Golden Girls Show!, The Goldstein Variations. Regional: Smokey Joe’s Cafe, Crazy for You, All Shook Up. BFA Abilene Christian University. AQUILA THEATRE Aquila Theatre’s mission is to make classical works accessible to the greatest number and is now celebrating its 25th Anniversary. A play becomes ‘classical’ because we recognize that after a time it transcends the original culture it was created for. It retains the power to provoke the central question of what it means to be human. As a company dedicated to the classics, we feel a responsibility to acknowledge and explore newfound classical works. Aquila was founded in London in 1991 by Peter Meineck. In 1997 Aquila became a U.S. nonprofit organization and is currently based in New York. Aquila’s programs include: WARRIOR CHORUS: A national initiative that trains veterans to present innovative public programs based on ancient literature, presented in partnership with the National Endowment for the Humanities.
WARRIOR CHORUS is currently running in New York City, Los Angeles, and Austin. PRODUCTIONS IN NEW YORK CITY: Aquila is a major part of New York’s theatrical landscape, producing a regular season of plays. We are very excited to announce Aquila’s New York City season at the Brooklyn Academy of Music Fisher Hillman Studio Brooklyn, April 2017, featuring a new play, The Trojan War: Our Warrior Chorus, based on the writings of Homer, Aeschylus, Euripides, and Sophocles, and reimagined through the experiences of modern day military veterans. Aquila recently produced Romeo and Juliet, The Adventures of Sherlock Holmes, and Philoctetes at GK ArtsCenter in Brooklyn, a staged workshop production of A Female Philoctetes at BAM Fisher’s Hillman Studio as part of our YouStories program, Euripides’ Herakles at BAM, Shakespeare’s Macbeth at the GYM at Judson, Shakespeare’s A Midsummer Night’s Dream, Pirandello’s Six Characters in Search of an Author, Shakespeare’s As You Like It and Ibsen’s An Enemy of the People at the Skirball Center for the Performing Arts at New York University, and Joseph Heller’s Catch-22 and Homer’s The Iliad: Book One Off-Broadway at the Lucille Lortel Theatre. A MAJOR ANNUAL NATIONAL TOUR: Aquila is the foremost producer of touring classical theatre in the United States, visiting 50-60 American cities per year. Aquila’s most recent past touring seasons include: Romeo and Juliet and Doyle’s The Adventures of Sherlock Holmes (2015/2016); The Tempest and Brontë’s Wuthering Heights (2014/2015); Twelfth Night and Bradbury’s Fahrenheit 451 (2013/2014); Taming of the Shrew and Rostand’s Cyrano de Bergerac (2012/2013); Macbeth and Oscar Wilde’s The Importance of Being Earnest (2011/2012); A Midsummer Night’s Dream and Pirandello’s Six Characters in Search of an Author (2010/2011); and As You Like It and Ibsen’s An Enemy of the People (2009/2010). Aquila’s 2016/2017 season will be its Silver Jubilee and will include Much Ado About Nothing, Christie’s Murder on the Nile and a new play, The Trojan War: Our Warrior Chorus, based on the writings of Homer, Aeschylus, Euripides, and Sophocles, and reimagined through the experiences of modern day military veterans. INTERNATIONAL PERFORMANCES: Aquila has appeared in numerous festivals and at venues around the world including performances in London, Holland, Germany, Greece, Scotland, Canada, Bermuda, and at the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens. Most recently Aquila performed A Female Philoctetes in Athens, Greece and Shakespeare’s The Tempest at New York University’s campus, La Pietra, in Florence, Italy as part of their summer event series. EDUCATION PROGRAMS: Aquila is dedicated to theatre arts education and produces three major initiatives: Workshop America, a nationwide program that provides an opportunity for people to share in the art of Aquila; Theatre Breakthrough, which brings America’s schools to the stage; and Shakespeare Leaders, an after-school program that enables inner-city students to perform the classics at Frederick Douglas Academy in Harlem, New York City. AQUILA STAFF: Executive Artistic Director................................................................Desiree Sanchez Founder............................................................................................ Peter Meineck General Management............................................................ Perry Street Theatricals Development ........................................................................................Erika Pierce Accountants ................................................................Lutz & Carr, Martin Berkowitz Lawyers.............Jacob Medinger & Finnegan, LLP, Don Farber, Allen B. Breslow, Esq Follow Aquila Theatre on Facebook! More information at www.aquilatheatre.com, www.warriorchorus.org and www.youstories.com
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10375 Park Meadows Drive, Suite 150 | Lone Tree, CO 80124
THANK YOU
Simply no better way to say it! Your generous support of the Lone Tree Arts Center helps us share the arts with over 80,000 in our community each year: > Acclaimed Main Stage theatrical series
> SPARK Alliance! with Alzheimer’s Association
> Legendary performers and premier artists
> Free and affordable community events for kids, students, and families
> Signature sensory friendly performances > Engaging arts experiences for active seniors
Share the arts by joining our family of donors today. Visit LoneTreeArtsCenter.org/give or call 720-509-1009.
Bach Meets Vivaldi Serenissima una Noche: Christmas in Spain and the New World
OCT 13, 16 DEC 2-4
Playing with Fire
MAR 17, 18
Mozart Among Friends
MAY 19-21
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• Supports and promotes the arts • Focuses on experiences that educate, challenge & engage the community • Provides broad community support
LONE TREE
• Has contributed over $700,000 to the Lone Tree Arts Center and to The City of Lone Tree
CULTURAL ARTS FOUNDATION
The Lone Tree Cultural Arts Foundation supports and promotes the arts in Lone Tree and surrounding neighborhoods.
www.lonetreearts.org
Skippyjon Jones Snow What
SPOTLIGHT
Children’s Programming You’re never too young to be a patron of the arts! At least, that’s what we believe at LTAC. The arts help children develop language skills, decision making, creativity, cultural awareness, and many other important skills. It’s never too early to introduce a child to the arts. Our commitment to quality programming shines through in every facet of work, especially when it comes to our amazing children’s programming. We offer multiple programming options under the children’s theater umbrella. We have Seedlings, designed for children 1–4 years old, to introduce children to the arts. Passport to Culture is designed for elementary school aged children and aims to broaden horizons when it comes to culture and the arts. We offer student matinees at 10am during the week for certain performances, including our National Geographic Live student/senior matinee, putting a focus on multi-generational programming. And a program very dear to our hearts is the SF Family Tree
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program, which is our sensory friendly branch of programming, designed for families with children who have cognitive, intellectual, or developmental disabilities. In the last year alone, over 11,000 children and families attended children’s programs at LTAC. We had 66 different performances throughout those four different series, with toddlers to high school students in attendance. We had full houses of toddlers for our Seedlings programs and full houses of school-aged children in the Main Stage theater. By committing to children’s programming, we hope to create a generation of regular theater-goers who value the arts as an important part of their lives. We pride ourselves on making the arts accessible to all our patrons, no matter their stage of life. From the young to the young-at-heart, we aim to provide memorable arts experiences for any and all patrons who come through our doors.
Educating Minds, Enriching Hearts & Expanding Horizons
Colorado’s First
Live Escape Game! As the door closes, you realize you are trapped in a strange room. With the red countdown clock on the wall ticking, you and your team have less than 60 minutes to get out! All of you must work together to find hidden clues and solve riddles and mysteries to escape!
Come out and see if your team has what it takes to beat the Clue Room!
• Parties • Corporate Team-Building • Community Organizations • Private Events can be scheduled upon request Check out our website for details on our new games and great new locations!
www.theclueroom.com
Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • innovative academic program • arts, athletics, technology, Languages • Extended day care • daily hot Lunch program • need-Based tuition assistance grades: preschool (age 3)-grade 8 Enrollment: 430 Student/Faculty: 8:1
to schedule a tour, call 303.756.9481. www.st-annes.org
2701 S. York Street • Denver, CO 80210
Come Sing With Us! Programs for children 3-18! Friendly Auditions fall, spring and summer Membership information:
www.youngvoices.org 303.797.7464
Concerts at D. U. Newman Center December 4, May 7 and July 1
PROFILE
Even before the Arts Center opened, the LTAC Guild was there and ready to help. Donating time and resources, this group of motivated women and men work behind the scenes to fundraise and bring awareness to LTAC year-round. One of the most important ways they support LTAC is by underwriting children’s access to theater here. Each year, the Guild pays the ticket fees and bus fees for hundreds of children to attend live theater at LTAC. It’s exciting to see their faces light up when an actor comes on the stage— and the Guild makes that happen! The Guild also uses its fundraising reach for other projects around LTAC; they have provided booster seats for children in the Main Stage Theater and paid
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for the installation of a permanent bar in the Terrace Theater. This dynamic group works hard year-round with fundraisers including an opening night Gala and spring fashion show. They also host fun meetings with behind-the-scenes info about LTAC and other exciting activities. The Guild started a community tradition in 2012, providing the holiday tree and sponsoring each season’s Holiday Kick-Off featuring free cocoa, cookies, and lots of merriment and carols.
Sound like too much fun to miss? Join this dynamic group today by visiting www.lonetreeartscenterguild.org.
Donors at 2016 Gala
2016 Table Sponsors
Amy Briej and Geoff Fry
Charles Schwab
Jay Carpenter
City of Lone Tree
Lisa and Tom Evans
Tonya Fallows and Debby Ludvik, RE/MAX Professionals
Tonya Fallows Mark and Robin Glaser
Lone Tree Cultural Arts Foundation
Seth and Sara Hoffman
Janet Morley, Nova Home Loans
Pamela Kelly
Park Meadows Retail Resort
Debbi and Mike Kovacs
Richmond American Homes
Levone Larson
Ridgegate
Becky Leibman and John Hoskins Debby Ludvik
Live Auction Sponsors
Michael Mikolajczak
Mark and Robyn Glaser
Stephen Mikolajczak
Richard and Lynn Cavaliero
Jackie Millet
Lone Tree Arts Center
Leslie and Jeff Modesitt
Joanne Posner Mayer
Janet Morley Ted Newman Margie and Jack O’Boyle Kirk Pytlinski Amelia Reback and Judy Reback Frank Romano Melanie and Tim Schmieding Wynne Shaw Bernie and Elaine Spivak
In-Kind Sponsors Ninety + Cellars Lucas Liquors Chateau Liquors Lone Tree Brewing Company
Additional Sponsors
Susan and Paul Squyer
Jack and Margie O’Boyle
Susan Stiff
Re/Max Professionals
Paul Timmons
Park Meadows Retail Resort
Doug Tisdale
w w w. L o n eT r e e A r t s C e n t e r. o r g
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DONOR PROFILE
Wendy Whelan, Brian Brooks, and Brooklyn Rider Photo by Nir Arieli
FUNDRAISING LEADERSHIP COUNCIL Kent Clark Minneapolis-based U.S. Bancorp (NYSE: USB), with $454 billion in assets as of September 30, 2016, is the parent company of U.S. Bank National Association, the fifth-largest commercial bank in the United States. The company operates 3,114 banking offices in 25 states and 4,875 ATMs and provides a comprehensive line of banking, investment, mortgage, trust and payment services products to consumers, businesses and institutions. Last year, U.S. Bank extended more than $173 million in community development loans throughout the Denver area. During that same time period, U.S. Bank provided more than $26.3 million in investments to communities in the Denver area, which provided affordable housing, encouraged self-sufficiency and fostered economic development. These investments include U.S. Bank Foundation grants, U.S. Bank corporate giving and nonprofit sponsorship as well as tax credit investments made through U.S. Bancorp Community Development Corporation (USBCDC). In addition, U.S. Bank employees contributed more than 4,100 volunteer hours helping to strengthen the community needs of the Denver area. For more visit U.S. Bancorp at www.usbank.com.
Corporate sponsors invest in the mission and programs of the Lone Tree Arts Center. Sponsor benefits include community recognition, concierge services, and more. To learn about sponsorship, please call 720-509-1008, or email michelle.mallory@cityoflonetree.com.
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David A. DeFore Jim Gunning Susan Hicks Seth Hoffman Joel and Janet Kaufman Peter Loeffler Jackie Millet Charlotte Min-Harris Pamela Schenck-Kelly Keith Simon Linda Watson Betty A. and Don E. Winslow
COMMUNITY FUNDRAISING ADVISORY BOARD Carole and Bob Adelstein Sheryl Gurrentz Mel Semrad Betsy Schutte Sharon VanRamshorst
Hot! Hot! Hot!
An Artisan Bakery
The Denver Brass with Guest Artists Fiesta Colorado Dance Company
Buy One Get One Free Breakfast Item
May 5 - 7:30pm
Lone Tree Arts Center Tickets: 720-509-1000 www.lonetreeartscenter.org
303-832-HORN(4676) | www.denverbrass.org
Mention Lone Tree Arts Center View Magazine
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PARTNERS & SUPPORTERS
This list includes donors to the Lone Tree Arts Center from November 1, 2015 to January 1, 2017. If we have inadvertently omitted your name, please contact the Development Department at 720-509-1009 so that we can correct our listings. Thank you for your support.
$20,000+
$5,000-$9,999
SCFD: Scientific and Cultural Facilities District
Balfour Beatty Infrastructure
Bellco Credit Union
Berkeley Homes and Harvard Communities
Scott Leonhart and Maggie Eichenlaub
CliftonLarsonAllen LLP D.A. Davidson Fixed Income
$10,000-$19,999
Andrews Winslow Foundation
Century Communities, Inc.
Hampton Inn and Suites Denver/
Charles Schwab
South-RidgeGate
Colorado Creative Industries
Martin Fein Interests, Ltd.
Janet and Joel Kaufman
Merrick & Company
Lone Tree Arts Center Guild
Ralph and Trish Nagel
MorningStar Senior Living at RidgeGate
RidgeGate
National Endowment for the Arts
Staybridge Suites Denver South Park
Park Meadows Business Improvement District
Meadows
Sky Ridge Medical Center and Rocky Mountain
Thrive Home Builders
Hospital for Children
U.S. Bank Betty A. and Don E. Winslow Xcel Energy Foundation
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Capital Markets
Douglas County Developmental Disabilities Mill Levy Grant
$2,500-$4,999
Carole and Marvin Johnson
Linda Bjelland
Rainold Family Foundation
Bowlero
Lisa Rigsby Peterson
Centura ER & Urgent Care
Regency RidgeGate
David A. DeFore
Robin and Chris Scurto
Michael R. Harris and Charlotte Min-Harris
Sheila and Paul Shepherd
Launch Advertising
Susan and Bill Smith
McGeady Becher P.C.
James and Barbara Wightman
Hurley and Claire Mitchell
Peter and Virginia Loeffler M.J. “Mel” and Virginia Semrad
$250-$499
The Tappan Foundation
Harold and Ada Anderson
Western States Arts Federation (WESTAF)
Jim and Tabby Briggs
Robinson Waters & O’Dorisio, P.C.
Gregory and Yolanda Bruce
$1,000-$2,499
Linda and Fernando Castaneda
Carole and Bob Adelstein
Katy Dole
Jay and Melissa Carpenter
Don and Audrey Fisher
Dave and Betty Jo Cottrell
Seth and Sara Hoffman and Family
Douglas County Libraries
Dennis and Margaret Holman
FirstBank
In Memory of David James Kolstad
Jim and Amy Gunning
Bruce and Mary Lou Laubach
Sheryl and Andy Gurrentz
Joyce and William Lew
HEI Civil
Alicia McCommons and Craig Johnson
Dan Hudick Fred Kaserman and Diane Webster Lone Tree Cultural Arts Foundation Carl Mattson and Susan Alworth Betsy Schutte Paul and Susan Squyer Charles and Brenda Vitaska Wells Fargo Foundation
$500-$999 Anonymous
Marilyn and George Dockery
Michelle and Carson Mallory Norman C. and Florence R. Miller Jackie Millet and David Johnson Leslie and Jeff Modesitt Michael and Sharon Modiz Robert Murphy and Kathleen Kelly Becky and Brett Narlinger Alicia and David Rigsby Amy and Jay Sage Keith and Victoria Simon Heather Van Dusen Ken Waugh
Dr. Delfina Ashley-Baisden Matt and Greta Calkins Wes and Terry Colburn Donald E. Dillard and Janeen Kendall Judy K. Hall Don and Susan Hicks
Thank you to our supporters! To donate, call 720-509-1009 or visit www.lonetreeartscenter.org/give
w w w. L o n eT r e e A r t s C e n t e r. o r g
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$100-$249
Bob and Jean Lind
Paul Ackerman
Mary M. Mathews
Anonymous (3)
Tina and Jesse McLaughlin
Crista M. Bailey
Mary McMillan
Vincent and Penza Calarco
Martin and Barbara O’Brien
Shirley and Roland Calhoun
Nancy Patton
Leigh Chandler
Ron and Linda Patton
In Honor of Betty and Don Winslow’s
Richard and Jill Rogers
Col. Frank Romano
50th Anniversary
David and Bobbie Marfitano
Philip Eves
Stuart and Janice Sanderson
In Honor of Arthur Fairclough
Jane and Glenn Schnepel
David and Nancy Fairclough
Marta G. Shaw
Karen and C. Dale Flowers
Wynne Shaw
Gene and Janet Francisco
Richard J. and Gayle M. Spelts
Tara Friedman and Jeff Milheiser
Kevin and Jennifer Stromberg
Gary and Barbara Godden
Debra and Roland Stubblefield
Janet Hanna
Whitney and Ann Thomas
Vic and Lydia Jacobs
Philip V. Tromburg
Dr. Weston Johnson
Roger and Ellen Vacco
Michelle Kelloff
In Memory of Lee Van Ramshorst
Hans and Evelyn Kriek
Leon and Alla Veremeychik
Kim Laudenslager
Clarence and Eva Williams
Helene and David Lawful
Howard and Theresa Wissemann
Becky Leibman and John Hoskins
Michael Zumwalt
LONE TREE ARTS CENTER
2 016 – 2 01 7 S E AS ON
Join Us this Spring! For full descriptions of each performance, visit www.lonetreeartscenter.org.
The Subdudes
Scott O’Neil and the Rosetta Music Society Shuffle
Friday, March 3
Saturday, May 6
Art Garfunkel: In Close-Up
O’Connor Band featuring Mark O’Connor
Takács Quartet Friday, February 24
Tuesday, March 7
Wendy Whelan, Brian Brooks, and Brooklyn Rider Some of a Thousand Words Saturday, March 11
Aquila Theatre— The Trojan War: Our Warrior Chorus Sunday, March 26
EVITA April 13–29
Takács Quartet Photo: Keith Saunders
Thursday, May 11
National Geographic Live Kevin Hand— The Search for Life Beyond Earth
The Subdudes
Tuesday, May 16 and Wednesday, May 17 Art Garfunkel
PURCHASE YOUR TICKETS TODAY! LoneTreeArtsCenter.org 720.509.1000 10075 Commons Street Lone Tree, CO 80124
Wendy Whelan, Brian Brooks, and Brooklyn Rider Photo by Christopher Duggan
2017 series to be announced soon!
O’Connor Band Photo: John David Pittman
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