Newman Center Presents Magazine 2014-2015, Dec. 10, 2014 by The Publishing House

Season 2014 | 2015

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FROM THE EXECUTIVE DIRECTOR Welcome to Newman Center Presents, and thank you for your participation and support! Our 12th season features the eclectic mix of artists you’ve come to expect. Together, we discover new artists and new works while also reacquainting ourselves with old friends. NEWMAN CENTER STAFF EXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Stephen W. Seifert, Executive Director Richard Michel, Budget Manager Miriam Tobin, Administrative Assistant EVENT SERVICES Diane L. Roth, Assistant Director Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager Andrea Copland, Event Coordinator MARKETING Natalie Raborn, Marketing Director PATRON SERVICES Dee Getchel, Assistant Director PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/ Audio Engineer Zack Jovanovich, Stage Operations Coordinator/ Lighting Engineer TICKETING SERVICES Richard Moraskie, Assistant Director, Ticketing Services Max Manoles, Assistant Manager of Ticketing ADVERTISING INFORMATION

This program is produced for the Newman Center by The Publishing House, Westminster, CO Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Michele Garner, Graphic Design & Layout Wilbur E. Flachman, President

The season opens with Edgar Meyer and Chris Thile, two genredefying musicians in an explosion of creativity. With the Hot Sardines we find traditional jazz in the lusty grasp of a young generation of performers, a tap dancer among them! Capitol Steps help burst a few political bubbles, while the audience creates the soundtrack for the Swiss theatrical pantomime troupe MUMMENSCHANZ. The King’s Singers, legendary for their unaccompanied vocal harmonies, will take great advantage of June Swaner Gates Concert Hall’s natural acoustics, as will the Colorado Symphony with renowned conductor and soloist Pinchas Zukerman. Four dance companies show the breadth of movement as artistic expression, from China’s first non-governmentally supported contemporary dance company, to Bill T. Jones’ exploration of the human condition, to Aspen Santa Fe Ballet’s display of today’s most exciting choreographers, to Diavolo’s thrilling and dangerous work with stage contraptions. We also continue our presentation of artists building on the great traditions of concert hall music but eager to express their own experiences of today’s world. The French double bassist Renaud Garcia-Fons added a fifth string to his bass and developed techniques for playing it so that it fits right in to small ensembles of instruments from various world music traditions. Hear that flamenco guitar? It might just have been Renaud’s bass. The exploratory jazz jam band Medeski Martin & Wood allies with Alarm Will Sound (last here for the thought-provoking multi-media show 1969) for an evening of new music created just for us and CU Presents. Roomful of Teeth, an a cappella ensemble of eight, uses vocal performance practices from around the world to create mesmerizing, thrilling, beautiful sound palettes. The youngest winner of the Pulitzer Prize in music is one of their members. She won the Prize, and the group won a Grammy, for a work you’ll hear in their show. Donal Fox, a pianist of prodigious reach, explores the intersections of improvisation in jazz and Baroque classical music. We’re also excited to have the it gets better tour come to Denver for a week of anti-bullying residency work in schools and community centers, culminating in a performance featuring six members of the Gay Men’s Chorus of LA and a community chorus created in Denver just for this show. Welcome to your performing arts center at the University of Denver. Thank you for coming. Have a great time!

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Stephen W. Seifert Executive Director 2014-2015 Newman Center Presents

NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose, and our vision are to: • Celebrate, entertain, inspire, and feed the imagination • Give voice to the innate human need for expression through performance • Educate and prepare better citizens of our community • Begin conversations of ideas • Foster an eagerness for and habits of curiosity and learning • Make the major sources of our own and other cultures accessible to our community • Embrace our differences; celebrate diversity of forms, attitudes, traditions, and populations • Challenge assumptions and encourage creativity and new work, even at the risk of failure • Help teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future • Demand excellence and integrity without avoiding controversy • Remind our community that the performing arts have value to our society because they: • Create self-esteem which is earned by striving to achieve high standards • Integrate with other disciplines such as language, history, math, and science • Foster communication and interpersonal skills

2014-2015 Newman Center Presents

FROM THE CHANCELLOR Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center has emerged as one of the crown jewels of Denver’s arts scene. There is no other complex like it anywhere in the state. Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good. The Newman Center’s stages are also a catalyst for an explosion of student talent. Every production by students in our Lamont School of Music and Department of Theatre represents a transformation of energy, enthusiasm and dedication into art. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create, to which the rest of us can only say, encore! Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season.

Rebecca S. Chopp Chancellor, University of Denver

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THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers, and story tellers to the University community and to our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at Natalie.Raborn@du.edu or 303.871.4154.

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2014-2015 Season All performances take place in June Swaner Gates Concert Hall at 7:30 p.m. unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change. Chris Thile & Edgar Meyer Tues, Sep 23, 2014 / 7:30 p.m. Following his stunning, sold-out concert for Newman Center Presents last season, mandolinist extraordinaire Chris Thile returns to open our season, this time with legendary American bassist and composer Edgar Meyer. Thanks to his unparalleled instrumental technique and his gift for composition, Edgar’s work is appreciated by a vast and varied audience. Each of these unique musicians is the recipient of a MacArthur Foundation “Genius” award, and each has collaborated with leading musicians of many genres, from Yo-Yo Ma, Emmanuel Ax, and Joshua Bell to Béla Fleck, Mark O’Connor, and Zakir Hussain. Presenting Sponsor – Creative Instinct Hot Sardines Speakeasy Nights Fri, Oct 10, 2014 / 7:30 p.m. Take a blustery brass lineup, lay it over a rhythm section led by a stride piano virtuoso, and tie the whole thing together with a magnetic, one-of-the-boys frontwoman whose voice recalls another era, and you have the Hot Sardines. This NYC outfit (with a tap dancer) has been called “consistently electrifying” (Popmatters). The Sardine sound—wartime Paris via New Orleans, or the other way around—is steeped in the kind of music Louis Armstrong, Django Reinhardt, and Fats Waller used to make: straightup, foot-stomping jazz. Pianist-bandleader Evan “Bibs” Palazzo and Paris-born singer Miz Elizabeth (who owe their collaboration to meeting via Craigslist) describe their

2014-2015 Newman Center Presents

band as “born in the 1920s, but raised in the ’00s,” reflecting a philosophy that Hot Jazz, Dixieland, and Tin Pan Alley tunes are all pop music, not historical artifacts to be handled with kid gloves. Sponsored by Newman Center Members Capitol Steps Fri, Oct 17, 2014 / 7:30 p.m. The Capitol Steps began in 1981 as a group of U.S. Senate staffers who set out to satirize the very people who employed them. In the years that followed, having bit the hands that fed them, many of the Steps also ignored the conventional wisdom not to quit their day jobs. The ensemble now tours the U.S., delivering heaping portions of much-needed good humor to the long-suffering American public as the best antidote to politics. They have recorded over 30 albums, given many thousands of shows, and they’re funny— very funny! Founding Partner –The Denver Post MUMMENSCHANZ Sat, Nov 8, 2014 / 7:30 p.m. Sun, Nov 9, 2014 / 2:00 p.m. MUMMENSCHANZ is a legendary Swiss silent mask theater troupe that performs in a magical, surreal style. Founded in 1972, the group became popular for its play with bizarre masks and forms, light and shadow. Their weird, timeless creatures join other incredible, colorful, enchanting forms. In 1973, MUMMENSCHANZ toured the USA, Canada, and South America and later enjoyed a three-year run on Broadway.

They appeared as special guest stars in the first season of The Muppet Show in 1976. They also appeared on the award-winning TV show Northern Exposure in the 1990s. In 2012, they toured the world with a 40th anniversary show. If you like MOMIX and Pilobolus, you will enjoy MUMMENSCHANZ! This is a great experience for the whole family! Presenting Sponsor – VAL-U-ADS® – Nov 8 Sponsored by Newman Center Members – Nov 9 Pinchas Zukerman, soloist and conductor with the Colorado Symphony Sun, Nov 16, 2014 / 2:00 p.m. Violist and violinist Pinchas Zukerman has been a phenomenon in the world of music for over four decades and is highly regarded as both a conductor and an instrumentalist. Newman Center Presents is proud to present the best orchestra in our region, the Colorado Symphony, in the region’s best acoustical venue. Come experience classical music as it is meant to be heard. Sponsored by Newman Center Members Beijing Dance/LDTX Tues, Nov 18, 2014 / 7:30 p.m. Established in 2005, Beijing Dance/LDTX is China’s first independent, professional, contemporary dance company, beholden in no way to the government. LDTX translates literally as Thunder Rumbles Under Heaven. Artistic Director Willy Tsao, China’s foremost figure in modern dance, and Deputy Artistic Director Li Hanzhong hold true to the

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2014-2015 Season company’s origins, bringing to the stage a diverse repertoire, giving young Chinese artists a place to express themselves freely, and highlighting the works of Chinese choreographers. This technically exquisite and thoughtprovoking company tours throughout Asia, Australia, Europe, and North America. It also hosts the annual Beijing Dance Festival, bringing the rest of the world’s most innovative work to the nation’s capital. With performances, educational programs, commercial engagements, classes, and outreach activities, Beijing Dance/LDTX serves as an important voice in the evolution of contemporary Chinese dance. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. The King’s Singers Wed, Dec 10, 2014 / 7:30 p.m. The King referred to was Henry IV, founder of King’s College, Cambridge (1441), where the original King’s Singers was founded in 1968. This legendary ensemble has over 150 recordings and 200 commissioned works to its credit, ranging from Renaissance scores to transcriptions of tunes by The Beatles. With another 120 international performances on its schedule each year, The King’s Singers is one of the most famous vocal groups in the world. Come celebrate the holidays with this peerless ensemble. Sponsored by Newman Center Members

2014-2015 Newman Center Presents

Renaud Garcia-Fons Quartet La Línea del Sur Sat, Jan 10, 2015 / 7:30 p.m. From the moment Renaud Garcia-Fons first held a double bass at age sixteen in Paris, the future of the instrument was destined for change. In a flash of insight, he saw possibilities to use the bass to explore all the music that interested him—classical, jazz, Persian, Indian, Mediterranean, South American, and other forms from the world over. He added a fifth string to the high register and innovated bowing and pizzicato techniques. The result is an utterly new sound—an amalgam of double bass, cello, violin, guitar, lute, oud, and more—that exceeds any conventional idea of playing the double bass. La Línea del Sur features a quartet made up of Renaud on double bass, Flamenco guitarist Kiko Ruiz, accordionist David Venitucci, and percussionist Pascal Rollando. Sponsored by Newman Center Members Bill T. Jones/Arnie Zane Dance Company Play and Play – An Evening of Movement and Music Sat, Jan 24, 2015 / 7:30 p.m. Sun, Jan 25, 2015 / 2:00 p.m. Play and Play showcases Bill T. Jones’ brilliantly i n v e n t i v e choreography set to some of the most enduring music of the ages, including works by Mendelssohn and Mozart. The distinguished director and choreographer has shaped the evolution of contemporary dance over the past three

decades, garnering MacArthur Foundation “Genius,” Obie, and Tony awards, as well as Kennedy Center Honors and a 2014 National Medal of Arts. The evening’s program includes D-Man in the Waters (1989), a joyful tour de force and genuine classic of modern dance. All of the music will be performed live by students of the Lamont School of Music. [Program includes nudity.] This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Medeski Martin & Wood + Alarm Will Sound Thu, Feb 5, 2015 / 7:30 p.m. Alarm Will Sound returns to Newman Center Presents after its provocative multimedia show, 1969, a few years ago. AWS is one of the most creative alternative classical musical ensembles working today. Just beyond the cutting edge, this 20-member group consists of young, unstuffy musicians presenting virtuosic new compositions. Medeski Martin & Wood has been an experimental jazz and jam-band trio since 1992. This improvisation-driven group, led by keyboardist John Medeski, offers a unique, groove-oriented mix drawing from jazz, African music, funk, and hiphop. Both AWS and MMW have performed throughout the world, from Carnegie Hall to the Biennale in Frankfurt, from Lincoln Center to the Montreux Jazz Festival. This performance marks the premiere of all new works created jointly by the two ensembles for performance at the Newman Center and at the University of Colorado. Sponsored by Newman Center Members

Aspen Santa Fe Ballet Sat, Feb 21, 2015 / 7:30 p.m. Sun, Feb 22, 2015 / 2:00 p.m. Aspen Santa Fe Ballet’s bold vision—top global choreographers, distinctive groundbreaking works, and virtuoso dancers—has fostered a jewel of a dance company in the American West. For 17 years, ASFB has served as a prestigious arts incubator and a showcase for choreographic invention, to both popular and critical acclaim. ASFB’s repertoire resonates with eclecticism and energy. The company exudes a European classical aesthetic charged with American athletic vigor. Since 1996, ASFB has commissioned over 27 new works. Among their many choreographer-collaborators are Jorma Elo, Nicolo Fonte, Trey McIntyre, Moses Pendleton, Dwight Rhoden, and Cayetano Soto. Sponsored by Newman Center Members Roomful of Teeth with the Colorado Symphony Fri, Mar 6, 2015 / 7:30 p.m. Founded in 2009, Roomful of Teeth is a vocal project dedicated to mining the expressive potential of the human voice. Through study with masters from non-classical traditions the world over, the eight-voice ensemble continually expands its singing techniques and, through an ongoing commissioning project, invites today’s brightest composers to create a repertoire without borders. Their debut album was released in 2012. The New York Times called it “sensually stunning.” It was included on many Best of 2012 lists, topping the classical charts on iTunes and Amazon, even breaking into the top 10 on the Billboard charts. NPR called the album “fiercely beautiful and bravely, utterly exposed.” The album

won a Grammy for Best Chamber Music/ Small Ensemble Performance. In April 2013, ensemble member Caroline Shaw received the Pulitzer Prize in Music for “Partita,” one of the works on the debut album. An iTunes exclusive EP of “Partita” was subsequently released and ranked number one on iTunes Classical charts. ROT will be joined by a string ensemble from the Colorado Symphony. This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Donal Fox Inventions Trio: Scarlatti Jazz Suite Project Thu, Apr 2, 2015 / 7:30 p.m. Declared “one of the most successful classical/jazz unions in recent memory” by All About Jazz, Donal Fox and the Scarlatti Jazz Suite Project will bring an electric energy to June Swaner Gates Concert Hall. Fox plays with an improviser’s spirit of adventure, whether playing stride piano on Baroque repertoire or blending the harmonic language of the New Viennese School with bebop. Be prepared to be wowed as he de- and reconstructs Bach, Piazzola and Schumann, adding propulsive grooves and using composed themes as springboards for glorious improvisational flights. Fox has earned a reputation for fluency across the genres which has led to collaborations with jazz artists such as David Murray, John Stubblefield, and Oliver Lake, as well as the Richmond Symphony, American Composers Orchestra, and the St. Louis Symphony. With his wide-ranging tastes and virtuosity, you can also expect music from Monk, Coltrane, and Ornette Coleman to round out the evening. Supported by The Porter Adventist Hospital Endowment for the Performing Arts

it gets better Speak Theater Arts / Gay Men’s Chorus of LA / It Gets Better Project Fri, Apr 24, 2015 / 7:30 p.m. it gets better provides a performing arts response to the difficult issue of bullying, one of the most challenging issues among today’s young adults and adolescents. Written and directed by Speak Theater Arts’ Liesel Reinhart, whose company lives by the mantra “don’t be boring!,” it gets better is infused with the dynamic musical energy of the Gay Men’s Chorus of Los Angeles and the internationally recognized It Gets Better Project. In the course of a single week, six members of the Gay Men’s Chorus of LA will work closely with students and schools in a series of workshops, rehearsals, and community dialogue. The week will culminate in a performance of the show in the Newman Center and is intended to heighten awareness of bullying and its damaging effects on any community. The show features a local chorus and local guests and will include video and text projections from the archives of the It Gets Better Project. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. Diavolo Sat, May 9, 2015 / 7:30 p.m. Sun, May 10, 2015 / 2:00 p.m. Diavolo, returning to Newman Center Presents after two spectacular performances several years ago, uses abstract and recognized structures on stage to explore the relationship between our built environment and the fragile human 2014-2015 Newman Center Presents

BOX OFFICE INFORMATION

2014-2015 Season body. Diavolo calls itself “architecture in motion” and fuses many different movement vocabularies—from everyday pedestrian movement to ballet, contemporary dance, acrobatics, gymnastics, martial arts, and hip-hop. According to Artistic Director Jacques Heim, “What we do on stage is like a live abstract painting. There is no narrative, but strong themes pervade the work such as human struggle, fear, danger, survival, chaos, order, deconstruction, reconstruction, destiny, destination, faith, and love.” Diavolo’s performances will include Fluid Infinities, a stunning work set to the music of Philip Glass, commissioned by the LA Philharmonic and premiered in The Hollywood Bowl. Sponsored by Newman Center Members

DID YOU KNOW?! There are about 500 events in the Newman Center every year, which means that the Newman Center has hosted almost 5,500 events in 11 years! Of those 500 events per year, about 350 are through the Lamont School of Music, about 100 are community rentals, about 25 are Newman Center Presents, and about 25 are by the Department of Theatre. Nearly 150,000 people attend events at the Newman Center every season!!!

2014-2015 Newman Center Presents

M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208 Hours: Mon–Fri, 10 a.m.–4 p.m.Sat, 12 p.m.–4 p.m. (Sep–May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com Tickets can be purchased in person at the Newman Center Box Office, by phone at 303.871.7720 during the hours listed above, or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online. Discounts are available for students, seniors, and DU faculty and staff. For more information, or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight or more to most NCP events. For information, contact Molly Epstein at molly@mepstein.net or 303.619.6196.

To view a listing of our previous 11 seasons, please visit www.newmancenterpresents.com and select Archive.

COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or co-commissioned the following works: Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra

Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers Co-commissioner, “Imaginary City,” by So Percussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground Ensemble during the Newman Center Presents’ Mile High Voltage Festival Co-commissioner, “the wood & the vine,” by David Lang, co-commissioned by University of California, Riverside and Santa Fe Concert Association

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2014-2015 Newman Center Presents

Co-Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and co-commissioned by Denver Friends of Chamber Music, Historic Denver, Inc., and the Molly Brown House Museum Young Voices of Colorado Co-commissioner, “From Darkness to Light,” music by Ofer Ben-Amots, choreography by Garrett Ammon, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony Orchestra, Robert E. Loup Jewish Community Center, Mizel Arts and Culture Center, and performed as part of A Journey of the Human Spirit Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgić

BEHIND THE CURTAIN The Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing, and thought-provoking dancers, actors, and musicians. We invite you to join us for free Behind the Curtain discussions where artists, members of the ensembles, or experts in the field discuss anything from that evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Talks are free, take place in June Swaner Gates Concert Hall, are open to the public, and start one hour before curtain. Tickets are not required for these pre-performance talks and no RSVP is necessary. Please check the Newman Center event calendar for updates to Behind the Curtain and upcoming speaker announcements. (Speakers are subject to change.)

THE LAMONT SCHOOL OF MUSIC & DEPARTMENT OF THEATRE The University of Denver’s Lamont School of Music presents more than 300 concerts

a year, many of them free. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets are available in person only at the Newman Center Box Office. Tickets may be reserved online for a small service charge at www.newmantix.com. Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students with valid ID are complimentary. Fall and Spring Lamont Operas and Musicals, South Pacific and The Merry Wives of Windsor, are reserved seating ranging from $11 to $30. Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation. For information, visit www.du.edu/lamont or call the Concert Line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube. DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2014-15 season, the Department of Theatre will present: • A staged reading of Cleansed (Sep 2014, Byron Theatre) • Fall Quarter’s main stage productions of The Nina Variations by Steven Dietz (Oct 2014, White Box Theatre at J-MAC) and Seagull by Anton Chekhov (Oct and Nov 2014, Byron Theatre) • A staged reading of Rapture, Blister, Burn (Jan 2015, Byron Theatre)

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• Winter Quarter’s main stage productions of An Evening of One Acts: Beth, Lobster Boy, and The Dumb Waiter by various authors (Feb 2015, Black Box Theatre at J-MAC) and Stage Door by Edna Ferber and George S. Kaufman (Feb & Mar 2015, Byron Theatre) WASH PARK GRILLE

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• A staged reading of God of Carnage (Apr 2015, Byron Theatre) • Spring Capstone Cycle—Cycles 1 and 2: Senior Capstone Productions (Apr & May 2015, Byron Theatre • Independent Student Productions throughout the year Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events. Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Mon–Fri, 10 a.m.–4 p.m., and Sat, 12 p.m.– 4 p.m. (Sep–May), by phone at 303.871.7720, or online at www.newmantix.com. (Phone and online orders are subject to service fees.)

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2014-2015 Newman Center Presents

DU ENRICHMENT PROGRAM (continued)

are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty, gather with likeminded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center related classes. Fall 2014 registration is available now for classes held September through early December, and Winter/Spring 2015 offerings, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.

DID YOU KNOW?! The University serves the cultural community in many ways. One of those ways is by making rehearsal and performance venues in the Newman Center available for rent by community groups at rates which are subsidized by the University. About 100 performances in the Newman Center each year are produced by beloved local non-profit organizations. While universities may not themselves be recipients of funds from the Scientific and Cultural Facilities District (SCFD), most of the Newman Center’s rental clients do receive annual support from the SCFD.

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2014-2015 Newman Center Presents

These avid philanthropists and winners of the 2014 Colorado Business Committee for the Arts’ John Madden Jr. Leadership Award smile when they remember becoming involved in the campaign to create an outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later, the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, then director of the Lamont School, and William Temple Davis, then chairman of DU’s Department of Theatre. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Among those, Bob is a member of the University’s Board of Trustees. He also is a member of the Executive Advisory Board of the Daniels College of Business at DU. Judi sits on the Visiting Committee for the Frost School of Music, the Academic Affairs Committee, and the Board of Trustees of the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”

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THE DAUGHTER OF THE REGIMENT RIGOLETTO SALOME

Donizetti

Verdi

R. Strauss

LA FINTA GIARDINIERA COLD MOUNTAIN

Mozart

World Premiere

Composer Jennifer Higdon Librettist Gene Scheer

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JULY 3 – AUGUST 29

2015

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The King’s Singers Wednesday, December 10, 2014

There will be a 20-minute intermission this evening.

No portion of this performance may be photographed, recorded, filmed, or videotaped.

Sponsor Newman Center Members

Educational residency work and master classes with The King’s Singers are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. This programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts.

The King’s Singers

TONIGHT’S PROGRAM Christmas with The King’s Singers Orlandus Lassus Magnificat “Praeter Rerum Serium” William Byrd Vigilate William Byrd Beata viscera Maria virginis Orlandus Lassus Resonet in laudibus Herbert Howells Herbert Howells Herbert Howells Trad. arr. Lawson Trad. arr. Waldemar Barwinski Michael Head, arr. Bill Ives Francis Poulenc

Here is the little door A spotless rose Sing Lullaby Maria durch ein Dornwald ging Szczo to za prediwo The Little Road to Bethlehem Un soir de neige

INTERVAL Trad. Trad. Trad. Trad.

arr. arr. arr. arr.

Goff Goff Goff Goff

Richards Richards Richards Richards

Close Harmony

La filadora El niño querido Villançico Catalan Claro abril resplandecio Seasonal Songs in Close Harmony

PROGRAM NOTES Orlandus Lassus (1532–1594) was generally acknowledged as the leading composer of his day: the “divine Orlande, prince of musicians” saw more of his output published than did any of his contemporaries; and that output was vast and varied. His works embraced the greatest variety of subject and style within the realm of vocal polyphony, a medium which dominates the surviving art music of the time. As an experienced singer and musical director, Lassus would have had a close working knowledge of the output of the Flemish composer Josquin (regarded as the most gifted and influential composer of his time). Furthermore, Lassus’ renaissance mind would have appreciated the opportunity to expand the thematic material of a motet in praise of the Virgin Mary into a setting of the words which she herself uttered when pouring out her heart at the revelation that she was to give birth to the Son of God, “Praeter Rerum Serium.” In this composition, Magnificat, Lassus has distilled the austere lines of Josquin’s original—which was based on a plainsong sequence—and created a structure that, according to tradition, alternates Gregorian Chant with polyphony. The result is at once reverent and exciting, and ultimately satisfies the soul.

The King’s Singers

Resonet in Laudibus is loosely based on the 15th century German tune, ‘Joseph lieber, Joseph mein.’ It expresses the joy of Christmas in a positive and bright style. This is one of a series of 5-voice motets for Christmastide which Lassus published at different times and which were gathered together by his sons in the great posthumous Magnum Opus Musicum of 1604, the first ever attempt at a ‘Complete Edition.’ Resonet in laudibus is surely one of the most popular, although at the same time one of the most rhythmically challenging of Lassus’ motets. William Byrd (1543–1623) was perhaps the greatest “Master” of the period and all the available evidence indicates that he was recognized as such by his contemporaries. He remained a Roman Catholic all his life, despite England’s “conversion” to the Protestant faith, and continued writing music for the Catholic liturgy throughout his career. He was probably discreet in his adherence to Rome and his faith did not prevent him from writing music for the new Anglican rite. Undoubtedly though, his genius was at its height in his music for the Catholic Church.

PROGRAM NOTES (Continued) English composer and organist Herbert Howells (1892–1983) is most famous for his output in Anglican church music. He studied alongside Iver Novello as a pupil of Herbert Brewer at Gloucester Cathedral before moving to London to study at the Royal College of Music under Charles Villiers Stanford and Hubert Parry. His passion for works from the English Renaissance music developed as he assisted R.R. Terry in editing the voluminous Latin Tudor repertoire that Terry and his choir were reviving at Westminster Cathedral. He absorbed and evoked this style in his own work, and the Three Carol Anthems—Here is the Little Door, A Spotless Rose, and Sing Lullaby—performed tonight, were composed around this time. He became known for his choral and organ output, and his many settings of the Anglican liturgy written for specific choirs and buildings. Francis Poulenc composed his cantata in four movements, Un Soir de Neige, during the years of Nazi occupation in France. The text was written by Paul Eluard whilst he was serving with the French resistance and dispatched to Poulenc in secret. On the surface, the text brings to life the harshness of a winter night in a French forest, but closer examination reveals images of war and of the great dangers which Eluard and his fellow fighters faced from the German army. The first movement describes how the incessant and inescapable cold weighs heavily on those trapped in it. The second movement warns of the dangerous yet beautiful wolf—a reference to the German soldiers in their splendid uniforms. The third movement finds the poet lost in the forest, helpless as if adrift on a frozen sea. In the final movement, the poet hides from the German soldiers by concealing himself underground. But this only increases his

feeling of isolation, and the forest becomes a prison from which he cannot escape. The Spanish area of Catalonia is a treasure trove of folk song material. Most of the songs are quite simple yet always interesting and highly evocative. In this group of Christmas songs, the first and last items are sung in Catalan, the remaining songs in Spanish. Goff Richards describes the pieces: La Filadora ‘Goodness knows what Maria was doing wandering through the streets with her spinning wheel and bobbin on Christmas Eve, but by chance she happened to meet up with John, her loved one. The main topic of conversation was, would you believe, commercial enterprise! The happy couple decide to set up shop together.’ El niño querido ‘”What shall we give the tiny little boy to make him laugh and be happy?” Certainly not modern day toys! Here the answer is oranges, cakes (very sweet), nuts, honey, and cherries!’ Villancico catalan ‘This simple yet poignant song tells of the infant birth as seen through the eyes of a group of peasants harvesting the fruit crop.’ Claro abril resplandeció ‘More than just a song celebrating the arrival of spring, this celebrates the most famous of births.’ We end this evening with a selection of seasonal Close Harmony favourites from around the world.

TEXTS AND TRANSLATIONS Magnificat “Praeter Rerum Serium” Magnificat anima mea Dominum Et exultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillæ suæ: ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est, et sanctum nomen eius. Et misericordia eius a progenie in progenies timentibus eum. Fecit potentiam in brachio suo, dispersit superbos mente cordis sui. Deposuit potentes de sede et exaltavit humiles. Esurientes implevit bonis et divites dimisit

inanes. Suscepit Israel puerum suum recordatus misericordiæ suæ, Sicut locutus est ad patres nostros, Abraham et semini eius in sæcula. Gloria Patri, et Filio, et Spiritui Sancto: Sicut erat in principio, et nunc, et semper, et in sæcula sæculorum. Amen My soul doth magnify the Lord. And my spirit hath rejoiced in God my Saviour. Because he hath regarded the humility of his handmaid: for behold from henceforth all generations shall call me blessed. Because he that is mighty hath done great

things to me: and holy is his name. And his mercy is from generation unto generations, to them that fear him. He hath shewed might in his arm: he hath scattered the proud in the conceit of their heart. He hath put down the mighty from their seat and hath exalted the humble. He hath filled the hungry with good things: and the rich he hath sent empty away. He hath received Israel his servant, being mindful of his mercy. As he spoke to our fathers: to Abraham and to his seed for ever.

The King’s Singers

TEXTS AND TRANSLATIONS (Continued) Vigilate Vigilate, nescitis enim quando dominus domus veniat, sero, an media nocte, an gallicantu, an mane. Vigilate ergo, ne cum venerit repente, inveniat vos dormientes. Quod autem dico vobis, omnibus dico: vigilate. Watch ye therefore (for you know not when the lord of the house cometh, at even, or at midnight, or at the cock crowing, or in the morning): Watch therefore, lest coming on a sudden, he find you sleeping. And what I say to you, I say to all: Watch. Beate viscera Maria virginis Beata viscera Mariae Virginis, quae portaverunt aeterni Patris Filium; [Alleluia.] et beata ubera, quæ lactaverunt Christum Dominum: qui hodie pro salute mundi de Virgine nasci dignatus est. Blessed is the womb of the Virgin Mary, that bore the son of the everlasting Father: [Alleluia] and blessed are the breasts which gave suck to Christ the Lord: Who as on this day did vouchsafe to be born of the Virgin for the salvation of the world. Resonet in laudibus Resonet in laudibus Cum iucundis plausibus Sio cum fidelibus: Apparuit, quem genuit Maria. Sunt impleta, quae predixit Gabriel. Eia! Virgo Deum genuit Quod divina voluit clementia. Hodie apparuit, in Israel: Ex Maria Virgine est natus Rex. Magnum nomen Domini Emmanuel

The King’s Singers

Quod annuntiatum est per Gabriel, Eia! Virgo Deum genuit quod divina voluit clementia. Let praise resound With joyful applause In Sion with the faithful: He has appeared whom Mary bore. What Gabriel has foretold has been fulfilled, Yay! A virgin has born God As the divine mercy wished. Today he has appeared in Israel From the Virgin Mary a King is born. Great is the name of the Lord, Emmanuel As was announced by Gabriel, Yay! A virgin has borne God As the divine mercy wished. Here is the little door Here is the little door, lift up the latch, oh lift! We need not wander more but enter with our gift Our gift of finest gold. Gold that was never bought nor sold Myrrh to be strewn about His bed Incense in clouds about His head. All for the Child that stirs not in His sleep, But holy slumber hold with ass and sheep. Bend low about His bed, for each He has a gift. See how His eyes awake, lift up your hands, O lift! For gold, He gives a keen-edged sword (Defend with it Thy little Lord!) For incense, smoke of battle red Myrrh for the honoured happy dead. Gifts for His children, terrible and sweet Touched by such tiny hands and Oh such tiny feet A Spotless Rose A spotless rose is blowing, Sprung from a tender root, Of ancient seers foreshowing, Of Jesse promised fruit;

Its fairest bud unfolds to light Amid the cold, cold winter, And in the dark midnight. The rose which I am singing, Whereof Isaiah said, Is from its sweet root springing In Mary purest maid; For through our God’s great love and might, The Blessed Babe she bare us In a cold, cold winter’s night. Sing Lullaby Sing lullaby, While snow doth gently fall Sing lullaby to Jesus Born in an oxenstall. Sing lullaby. Sing lullaby to Jesus Born now in Bethlehem, The naked blackthorn’s growing To weave his diadem. Sing lullaby to Jesus. Sing lullaby to Jesus, While thickly snow doth fall, Sing lullaby to Jesus The saviour of all. Sing lullaby. Maria durch ein Dornwald ging Maria durch ein’ Dornwald ging. Kyrie eleison! Maria durch ein’ Dornwald ging, Der hatte in sieb’n Jahr’n kein Laub getrag’n. Jesus und Maria. Was trug Maria unter ihrem Herzen? Kyrie eleison! Ein kleines Kindlein ohne Schmerzen, Das trug Maria unter ihrem Herzen. Jesus und Maria. Da haben die Dornen Rosen getragen. Kyrie eleison! Als das Kindlein durch den Wald getragen. Da haben die Dornen Rosen getragen. Jesus und Maria.

TEXTS AND TRANSLATIONS (Continued) Wer soll dem Kind sein Täufer sein? Kyrie eleison! Das soll der Sankt Johannes sein, Der soll dem Kind dein Täufer sein. Jesus und Maria.

Who alone has redeemed the world? Kyrie eleison! That indeed is the Christchild, Who has alone the world redeemed. Jesus and Mary.

Wie soll dem Kind sein Name sein? Kyrie eleison! Der Name der soll Christus sein Das war von Anfang der Name sein. Jesus und Maria.

Szczo to za prediwo Szcsz to za prediwo, w switi nowyna Szczo Maryja Diwa Syna rodila A jak wona porodyla, Todi wona powidala: Susie! Synu mij.

Wer hat erlöst die Welt allein? Kyrie eleison! Das hat getan das Christkindlein, Das hat erlöst die Welt allein. Jesus und Maria. Mary walks amid the thorns, Kyrie eleison! Mary walks amid the thorns Which seven years no leaf have borne. Jesus and Mary. What ‘neath her heart doth Mary bear? Kyrie eleison! A little child doth Mary bear, Beneath her heart he nestles there. Jesus and Mary. Lo! Roses on the thorns appear, Kyrie eleison! And as the two are passing near, Roses on the thorns appear. Jesus and Mary. Who should baptise the child? Kyrie eleison! That should indeed Saint John be, Who should baptise the child. Jesus and Mary. What should the child be named? Kyrie eleison! His name should be Christ, As his name has been from the beginning. Jesus and Mary.

Josif staruszok w z´olobi stoit’ Susowi Chrystowi peleny stroit’ A Maryja pelenaje, Do serden´ka pryhortaje Preczysta Diwa. What a surprise, such news in the world, That Mary the virgin gave birth to a son. And when she gave birth, She was filled with joy: Jesus! My own dear son. Joseph, the old man, stays close by her side, Making a bed for Jesus, the Christchild. Mary is swaddling him, And holding him close, Holy Virgin, Mother mild. The Little Road to Bethlehem As I walked down the road at set of sun, The lambs were coming homewards, one by one, I heard a sheep-bell softly calling them Along the little road to Bethlehem. Beside an open door, as I drew nigh, I heard sweet Mary sing a lullaby, She sang about the lambs at close of day, And rocked her tiny King among the hay. Across the air the silver sheep-bell rang, ‘The lambs are coming home’, sweet Mary sang, ‘Your star of Gold is shining in the sky, So sleep, my little King, go lullaby.’

Un soir de neige 1. De grandes cuillers de neige De grandes cuillers de neige Ramassent nos pieds glacés Et d’une dure parole Nous heurtons l’hiver têtu Chaque arbre a sa place en l’air Chaque roc son poids sur terre Chaque ruisseau son eau vive Nous nous n’avons pas de feu Our frozen feet pick up Great clods of snow And with deep sighs We face the coming winter Each tree has its place in the air Each rock its place on the earth Each brook its rushing water But as for us, we have no fire 2. La bonne neige le ciel noir La bonne neige le ciel noir Les branches mortes la détresse De la forêt pleine de pièges Honte à la bête pourchassée La fuite en flêche dans le cœur. Les traces d’une proie atroce Hardi au loup et c’est toujours Le plus beau loup et c’est toujours Le dernier vivant que menace La masse absolue de la mort The pristine snow, the black sky The dead branches, the agony Of the forest full of snares Shame on the hunted animal Whose flight is like an arrow in the heart The tracks of a cruel pursuit Strength to the wolf, always The most magnificent wolf and always The last survivor to suffer The irresistible force of death 3. Bois meurtri Bois meurtri, bois perdu d’un voyage en hiver Navire où la neige prend pied Bois d’asile bois mort, où sans espoir je rêve De la mer aux miroirs crevés

The King’s Singers

TEXTS AND TRANSLATIONS (Continued) Un grand moment d’eau froide a saisi les noyés La foule de mon corps en souffre Je m’affaiblis je me disperse J’avoue ma vie j’avoue ma mort j’avoue autrui Woods ruined, woods robbed by the ravages of winter Vessel where the snows amass Sheltering woods, dead woods, where without hope I dream Of a sea made of shattered mirrors A surge of cold water seized the drowning victims My whole body suffering I grow feeble, I am undone I face my life, my death, and everything

pren filosa i fus, dóna un tomb per la vila. Chorus N’encontra el galant. -On aneu, Maria? -A val teixidor, que en tinc peça urdida. Chorus -Quantes canes tens, formosa Maria? -Les canes que en tinc, setze menys quinze.

La Filadora Un pobre pagès tenia una filla; tenia quinze anys i encara no fila.

Chorus El Niño Querido Tantaran tan Que le daremos al nino chiquito Con que se pueda reir yale grar? Un lindo ramo dermosas naranjas Con verdes hojas y flor deathahar. Tantarantan que los higos son verdes Tantarantan que ya maduraran. Que le daremos Vrrm Vamos atherleoonas tortas muy dulces De blanc harina de nueces y miel Tantarantan etc Que le daremos Que sea bueno Vamos a darleunas geendas Unas geendas o para jugar

Chorus: Tralarà, la, la, ra, prim fila, prim fila, tralarà, la, la, ra, prim fila i se’n va.

Villançico Catalan Eixanit es nit de vetlla, N’ha parit una doncella, La mira i fa sol, Un infant con una estrella.

La nit de Nadal, que és nit d’alegria,

Loilá Kyrie eleison, Loilá Christe eleison.

4. La nuit le froid la solitude La nuit le froid la solitude On m’enferma soigneusement Mais les branches cherchaient leur voie dans la prison Autour de moi l’herbe trouva le ciel On verrouilla le ciel ma prison s’écroula Le froid vivant le froid brûlant m’eut bien en main The night the cold the loneliness They shut me in tightly But the branches sought a way into my prison Around me the grass found the sky The sky was locked up, My prison crumbled The living, burning cold had me in its clutches

The King’s Singers

Anirem al camp, pomes a cullir, Pometes cullirem, Que de Deu serem: Pometes al ram, Que de Deu sigam. Als pastors l’angel des vetlla,~ I els hidiu la meravella, La mira i fa sol, Abs a dolca cantarella. Loilá Kyrie eleison, Loilá Christe eleison. Anirem al camp, pomes a cullir, Pometes cullirem, Que de Deu serem: Pometes al ram, Que de Deu sigam. Claro avril resplandeció Claro avril resplandeció por mi largo ex traño Y sus nieblas retiró el diciembre huraño. Cuandro en un jardin de amor Na ce una divina flor, Deuna a, a, a, Deuna zu, zu, zu Deuna zu, deuna azucena, De virtudes llena. Si se supiera escuchar lo que cantaria, A Jesús para a cunar la Virgen María. Con ternura maternas Y voz clara de cristal !Oh! que can,can,can, !Oh! que ción, ción, ción, !Oh! que can, !Oh! que ción, !Oh! que canción bella, De madre doncella. Celebremos com amor est te hermoso dia, O freciendo le al Señor con gran ale gria, Con fervente y pura unción, Alma, vida y Corazon, Y su glo, glo, glo, Y su ria, ria, ria, Y su glo, y su ria, Y su Gloria a labemos Y en si honor cantemos.

ABOUT THE COMPANY The King’s Singers David Hurley, Countertenor Timothy Wayne-Wright, Countertenor Julian Gregory, Tenor Christopher Bruerton, Baritone Christopher Gabbitas, Baritone Jonathan Howard, Bass

Highlights of the group’s 2014/15 season include: two performances in the Amsterdam Concertgebouw; a Christmas performance in Washington National Cathedral; a visit to the Grand Philharmonic Hall of St. Petersburg; an invitation to perform at the American Choral Directors Association annual conference in Salt Lake City, where they will give the world premiere of a new work by Jake Heggie; and their second residential Summer School in the UK.

Acclaimed for their life-affirming virtuosity and irresistible charm, The King’s Singers are in global demand. Their work—synonymous with the best in vocal ensemble performance—appeals to a vast international audience. They perform over 120 concerts each year, touring regularly to Europe, the United States, Asia, and Australasia. The King’s Singers are admired for their musical excellence and recognized as consummate entertainers—a class act with a delightfully British sense of humour. Their generous spirit and magical ability to move audiences have remained constant since the group’s foundation in 1968.

Visit www.kingssingers.com for the latest news, blog entries, video blogs, Tweets, and YouTube updates.

They have premiered more than 200 new works, including landmark compositions by Luciano Berio, György Ligeti, James MacMillan, Krzysztof Penderecki, Toru Takemitsu, John Tavener, and Eric Whitacre, and have commissioned thrilling arrangements of everything from jazz standards to pop chart hits. The King’s Singers are double Grammy® award-winning artists, honoured in 2009 for their Signum Classics release, Simple Gifts, and again in 2012 for their contribution to Eric Whitacre’s Light & Gold album on Decca. In June 2013, they were chosen as one of only two vocal ensembles to enter the Gramophone Hall of Fame, honoured for their unique discography of over 150 albums.

DID YOU KNOW?!

The King’s Singers appear by arrangement with IMG Artists Carnegie Hall Tower, 152 West 57th Street, 5th floor, New York, NY 10019 www.imgartists.com The King’s Singers’ recordings are available on the Signum Records, EM Records, TELARC, RCA Victor & Red Seal/BMG Classics, and EMI/Angel record labels. Recording Distributor for The King’s Singers’ American concerts: DJ Records, P.O. Box 445, Trout Lake, WA 98650 www.dj-records.com In addition to sheet music and music books available from DJ Records, a comprehensive catalogue of The King’s Singers’ choral arrangements is available from Hal Leonard Corporation, 777 West Bluemound Road, Milwaukee, WI 53213. The King’s Singers are dressed by Marc Wallace— http://www.marcwallace.com/

The sculpture on the West Patio, against the exterior wall of the Byron Theatre, was created by local Denver stone carvers Madeleine Weiner and Kathy Caricof. It portrays several figures from the Italian Commedia dell’Arte, the quasi-improvisational theater of the Italian Renaissance and later. The character Arlecchino gestures to the throne-like seat, inviting you to come take your seat in the theater. Behind him is Colombina, the demure but often fickle love interest in the improvised stories. On the right is Pantalone, a greedy character. Note that he’s got a bag of coins in his hand, but there’s a hole in it. The hat with coins on the ground reflects that these were often street performers, playing for whatever the public would offer. Also note the bunnies under the feet of the characters on the left—they’re even wearing their own theatrical masks! For photos, please go to www.newmancenterpresents.com/didyouknow. The King’s Singers

THANK YOU The Newman Center would like to thank Chris Bruerton and Chris Gabbitas, members of The King’s Singers, with moderator Stephen Seifert, Executive Director of the Newman Center, for leading the Behind the Curtain lecture before tonight’s performance.

UP NEXT

BEHIND THE CURTAIN

See complete event descriptions on pages 8–12 of the Newman Center Presents program.

Join us before each Newman Center Presents performance for an opportunity to learn more about anything from the evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Tickets are not required for these FREE Behind the Curtain talks, and no RSVP is necessary. Talks take place one hour before curtain in June Swaner Gates Concert Hall, entering on Orchestra Level East for seating.

The Whiffenpoofs of Yale Tue, Jan 6, 2015 / 7:30 p.m. Renaud Garcia-Fons Quartet La Línea del Sur Sat, Jan 10, 2015 / 7:30 p.m. Bill T. Jones/Arnie Zane Dance Company Play and Play – An Evening of Movement and Music Sat, Jan 24, 2015 / 7:30 p.m. Sun, Jan 25, 2015 / 2:00 p.m.

The next Behind the Curtain speaker will be: The Whiffenpoofs of Yale Tue, Jan 6, 2015 / 7:30 p.m. Members of the Whiffenpoofs

Remember: COMPLIMENTARY parking is available for all Newman Center Presents shows in the Newman Center garage.

NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and donor opportunities, please see pages 30–36 of the Newman Center Presents program. Memberships and Donations received July 1, 2013–June 30, 2014 are listed on pages 39–42 of the program. Newman Center Memberships since July 1, 2014 BENEFACTOR PARTNER SPONSOR

SUPPORTER Carolyn A. Agosta Barbara Jean Hamilton Marian D. Lauterbach William A. Stolfus and Andrea G. Richardson CONTRIBUTOR Ruth Elaine Schoening

Newman Center Donors since July 1, 2014 Antonia & Vladimir Kulaev Cultural Heritage Fund, Inc. In honor of Susanne W. Hamilton, Edith Berliner, and Max Wilmersdoerffer Barbara Hamilton and Paul Primus In honor of Jane Quinette Stephen W. Seifert and Davol G. Tedder

The King’s Singers

FRIEND Kenneth A. and A. Louise Beard Miriam Farrington Ross and Vicki Kazer Jim LeNoir Stephen W. Seifert and Davol G. Tedder

JUST ANNOUNCED! The Whiffenpoofs of Yale are returning to the Newman Center for the 5th straight year. January 6, 2015 Tickets are now on sale: www.newmancenterpresents.com or visit the Box Office at intermission. ONE PERFORMANCE ONLY!

Founding Partner

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iva Fest B s t r Ar enve f eek D r C l erry Festiva useum o h C t pera k Arts enver M hills Ar O y lac Cit yD nt oot tral enver B Societ ague F ural Ce n e C e D e lt r Film iends L ood Cu l West Fair seum e s ’ v Improving e n a l r u w M De op es ion bF Lake umenriching ill Pe ver Art mpany e and Nat o Stori s D H s l d a o le if n d m it Co alley Cap Fair De heatre ut for L n Snow e Disab Colora V l i o a d the lives of h s e V O s t e p ra e ic rT Colo o Stat r Cente y Dining azz As ter for l Olymp xperienc Arts Fe u a J d e n a k r those in our lifeE en Ce ee ns ouv bra lora enve peci ild y Cr tival D r et N llet Co tions D ublic Li n Garde Sports ure Scommunity. W l r l e e a h h T B C P es se l o a rado Opera C Arts F nver Mu il Fair rado B r Attrac Denver h Huds ationa for the o l h o t l C N h a ck te ic ce ty of ut olo De Foot a o C ver Cen lo Class e for Yo Society hts Ra s Taste ntral Ci nver Bla ociety y e a u M g rt Fair Ce m De r Film S ds Leag Cultur Den ver Po A l Hik lerosis de of Li s a g n v n i e n rd mi eople’s De useu Denve b Frien kewood l Weste est iple Sc ara r F e P M o c s f t n y a o t Scie Fine Ar nal Mult Colorad the Per itol Hill P nver Ar Compan ife Dum mass L Nationa ories o L e n o t p r ir D Theatre Out for en Snow isabled rado S o Cap olde m Nati o Opera ter fo ado Ca a F D e r p o r de eu As or the Col Colorad ate Cen au Colo o Stat r Cente ining azz n s D Mus and Ro c denverpostcommunity.com a i f p J u d r e m ry e St w New llet Nouv t Colora ns Denv blic Libra ardens ts Cente cial Olymt Nouvea olorado enve Sho D C a io u pe lle or nG lle air B ado Ba Attract enver P Hudso onal Sp Cure S Fair Ba o Ballet actions er Pu F h i t D r er al he lor th env ad th at 9He ayo Co er Cent Classic for You ciety N ce for t 9Heal o Color nter Att ssic D th Hud n v e la a y u e lo o de M ens Den nver Po ival Hik rosis S ghts R undatio de Ma enver C r Polo C e for Yo ociet i o e S o e k D e t d L l i c Follow us: Facebook.com/dpcommunity Twitter:@dpcommunity v Gar ence D rts Fes iple Sc ade of Valley F ival Cin rdens ce Den tival H lerosis e of L i r t l a s c l i d t n & Sc n Fine A onal Mu rado Pa nce Va rts Fes tanic G & Scie Arts Fe ltiple S o Para ce V e e i u e o d n i o e l r A t d Gol um Na era Co e Exper Creek enver B f Natu lden Fin ional M Colora Experie erry t a p f e o y i D h a er Go ife Mus odeo O he Wildl a Cherr stival ra C ck A seum enter seum N deo Op e Wildl e u p e r R M T O C h F Ope Arts and lorado l Mu and Ro rado T l City nver Bla er nver ills Art e y e z t i i D k a C v o o h of C entral ver Blac ociety e Foot enter M k Show e of Col entr um De y25Den fo C S e c r C 2014-2015 Newman Center Presents u n i C n t s o g a a Out Mu mp Fair um De ver Film ds Lea ultural ern St ge Tas ple’s F g o t n C r i n A n e t a n i e C o Mus any De mb Frie ewood nal Wes s on St l Hill Pe Denver Theatr rary D u k p e

Endowment Recognition

Porter Adventist Hospital is proud to support the Newman Center for the Performing Arts and all those who pursue excellence in our community.

porterhosptial.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a member of Centura Health, Coloradoâ&#x20AC;&#x2122;s largest hospital and healthcare network. Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright ÂŠ Centura Health, 2013

2014-2015 Newman Center Presents

We could not do what we do without your support and your feedback! Your voice matters, and we do listen!

YOUR OPINION

MATTERS

(and you could win a pair of tickets to an upcoming performance!)

Please consider completing the survey in the middle of your program, or visit www.newmancenterpresents.com/survey to share your feedback. You may remain anonymous, but if you wish to be entered into our drawing, please include your email address. If you have any additional feedback or comments which are not addressed on the survey, please email natalie.raborn@du.edu.

Thank you!

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DID YOU KNOW?! Newman Center Executive Director Stephen Seifert serves on the Board of Directors of the Western Arts Alliance. WAA is a membership association of touring and performing arts professionals engaged in presenting the performing arts throughout the western states and Canadian provinces. Serving members since 1967, WAA’s annual conference brings together over 1,000 artists, artist managers, presenters, leaders of arts service organizations, and administrators of state arts agencies. At the conference, members work together on artist tours for upcoming seasons and engage in professional development for arts leaders.

2014-2015 Newman Center Presents

THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE

to a Newman Center Presents performance of your choice in the 2014-15 season Invitation to pre-performance and Our mission is to make the best performing • intermission receptions for each Newman arts programming available in our community. Center Presents performance (hosted bar To do this, our ticket prices are held at a and hors d’oeuvres) level that covers less than half of the true costs of our programming, operations and maintenance. The difference is made up by SPONSOR—$500 • All Supporter Membership benefits, plus: your generous membership support. • Invitation to a backstage tour Two complimentary guest passes to a Your membership to Newman Center makes • Newman Center Presents performance of it possible for us to present the best in your choice in the 2014-15 season performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a partially or fully tax-deductible Membership that makes everything we do possible.

SUPPORTER—$200 • All Contributor Membership benefits, plus: • Four additional complimentary drink vouchers for any Newman Center Presents performance in the 2014-15 season • Two Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department BECOME A NEWMAN CENTER MEMBER production of your choice (dates subject to Annual Membership starts for as little as availability) $50, but the more you choose to give, the greater the difference you will make. (See CONTRIBUTOR—$100 below about the matching grant opportunity • All Friend Membership benefits, plus: to double the value of your gift). A portion • Two complimentary drink vouchers for any of your membership may be tax deductible. Newman Center Presents performance in To become a Newman Center Member, or the 2014-15 season for more information about our membership program, please contact the Newman Center FRIEND—$50 Box Office, Mon–Fri, 10 a.m.–4 p.m.; Sat, 12 • Priority notification of subscription renewal p.m.–4 p.m. (Sep–May), or at 303.871.7720. dates • Priority notification of single ticket sale Newman Center Membership Levels* dates • Recognition in each performance program BENEFACTOR—$5,000 for Newman Center Presents performances • All Partner Membership benefits, plus: • Subscription to Curtain Call • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the *The amount paid for your membership is 2014-15 season (pending artist availability) tax deductible minus the fair market value of • Two complimentary Pick Your Own 3 benefits received. If you decline all benefits, guest subscriptions (three shows total) the entire amount of your Membership is to Newman Center Presents 2014-15 tax deductible. Deductible amounts with season shows benefits are: Friend—$50, Contributor—$94, Suppor ter—$142, Sponsor—$366, PARTNER—$1,000 Par tner—$690, Benefactor—$4,474. • All Sponsor Membership benefits, plus: • Two additional complimentary guest passes

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In any project, the benefits of leverage can be amazing. The University of Denver is committed to leadership in leveraging our partnership with you. In recent years, DU has committed $5 million to match every new gift of $10,000 or more to support performing arts on campus. A limited amount of funds remain in this matching pool and are available to match your contributions and pledges. Your gift can be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. We urge you to take advantage of this unprecedented opportunity today. Please consider giving generously to the performing arts at the University of Denver. Seize the chance to leverage your gift for the enrichment and education of current and future generations of students and for the living cultural fabric of our community. To discuss giving opportunities to the Newman Center for the Performing Arts, please contact Isabel Werner, Director of Development— Arts, Humanities and Social Sciences, Isabel. Werner@du.edu or call 303.871.4472.

WHAT GIFT DOLLARS CAN REALLY DO Thank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts).

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WHAT GIFT DOLLARS CAN REALLY DO (continued)

During the 2014-2015 season, these funds will help make the following programming a reality: • Educational residency work and master classes with Pinchas Zukerman; Beijing Dance/LDTX; The King’s Singers; Renaud Garcia-Fons; Bill T. Jones/Arnie Zane Dance Co.; Medeski, Martin & Wood and Alarm Will Sound; Aspen Santa Fe Ballet; Roomful of Teeth; Donal Fox; it gets better; and Diavolo are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. • Beijing Dance/LDTX, Bill T. Jones/Arnie Zane Dance Co., Aspen Santa Fe Ballet, and Diavolo are supported in part by The Grynberg Family Endowment for Dance Programming and Roger and Meredith Hutson. • Chris Thile and Edgar Meyer; Renaud GarciaFons Quartet; Medeski, Martin & Wood and Alarm Will Sound; and Roomful of Teeth are supported in part by The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. • All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. • Bill T. Jones/Arnie Zane Dance Co. and Roomful of Teeth are supported in part by The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. If you are interested in supporting Newman Center Presents, please contact Isabel Werner, Director of Development - Arts, Humanities and Social Sciences, Isabel.Werner@du.edu or call 303.871.7467. If you work with a local organization or Denver-area K-12 school and would like to learn more about how Newman Center Presents artists provide educational outreach activities for your school or group, please contact Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager, at Sarah.A.Johnson@du.edu or call 303.871.2862. Please include the following information: your name and position, name of

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THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS The construction of the Newman Center and all its public and backstage spaces was only made possible by generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-ofthe-art systems.

DID YOU KNOW?! The Center Stage Club offers online versions of Newman Center Presents Magazine for patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.

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2014-2015 Newman Center Presents

The Newman Center Volunteers have given over 78,000 hours of service since the NCPA opened in 2003. Our volunteer program is over 200 strong, and they come from as far away as Evergreen, Castle Rock, and Loveland for the pleasure of giving you a program and helping you locate your seat.

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Educating Minds, Enriching Hearts & Expanding Horizons Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • rigorous academics • arts, athletics, technology, Languages • Sports and Extra-curricular activities • Extended day care • daily hot Lunch program • need-Based tuition assistance available grades: preschool (age 3)-grade 8 Enrollment: 424 Student/Faculty: 8:1

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2014-2015 Newman Center Presents

ENDOWMENT GIFTS (continued)

To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment. Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you. If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Isabel Werner, Director of Development, at 303.871.7467 (Isabel.Werner@du.edu). DONOR ACKNOWLEDGEMENTS The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2013–14 (July 2013– June 2014) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period: Newman Center Donors Anonymous (several) Leslie Beltrami Carl Berman and Joyce L. Gioia Karin Bond Bonfils-Stanton Foundation Matt Chalek Vernelle C. Columbus Community First Foundation Robert Downes Kevin Fitzpatrick

Friends of Chamber Music Kay E. Grice Edie Hori L. Roger and Meredith Black Hutson Susan Martin Yolanda McAllister Joan B. and Richard L. McGee Mile High United Way Douglas G. and Laura B. Moran Jennifer Newman Tina and Tom Obermeier Edward Onderko Paula Roney Marriott and John Smart Kathryn Spuhler Serda D. and Roy S. Tibbs Adrian Tinsley Myranda E. Whitesides Carol Wilson In honor of Karen Lee-Siebels Kay E. Grice In honor of Judi and Robert Newman Margot Gilbert and Allan Frank Newman Endowed Fund for Experiential and Cultural Learning In honor of Margot Gilbert Frank In honor of Margot and Allan Frank and In honor of Sue Anschutz Rodgers Beverlee Henry and Robert Fullerton In memory of Frances E. Seifert Robert C. and Judith S. Newman Christine B. Poe Obermeier Stephen W. Seifert and Davol G. Tedder In memory of Arthur J. Seifert Stephen W. Seifert and Davol G. Tedder In honor of Dee Getchel James and Frances Cosby 2013-2014 MEMBERS BENEFACTORS Robert and Judi Newman PARTNERS Margot and Allan Frank Mike and Diana W. Kinsey Dennis A. Oliver Stephen W. Seifert Davol G. Tedder

ORIGINAL ART - PRINTING - CUSTOM FRAMING FEATURED ARTISTS AND PHOTOGRAPHERS TANIS BULA - BILL MASURE - SHERYL BABIARZ RON BIRREL - E.McCARTHY ALLEN VICTORIA WINN - PAUL CHENOWETH

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2014-2015 Newman Center Presents

DONOR ACKNOWLEDGEMENTS

“The Right Way to Clean” pretreated, cleaned, and sanitized

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2014-2015 Newman Center Presents

THE ZEROREZ® REVOLUTION Cleaning with Empowered Water™

(continued)

SPONSORS Gene and Dee Garms Milstein Gregg Kvistad and Amy Oaks Jane Quinette PowerQuip Partners – Sean and Natalie Raborn SUPPORTERS Libby L. Bortz and Michael R. Altenberg Edward W. Estlow Teresa Giammanco Walter F. Imhoff Mary Jo Craige Johnson M. D. Lauterbach Joan Markle Francis X. O’Connor Nelson Family Foundation – W. Peterson Nelson Jordon and Essie Perlmutter Rodney L. Smith and Constance A. Brakke Smith Richard Replin and Elissa Stein William Stolfus and Ann Richardson Thomas and Theresa Wheeler Robert A. Zupkus and Donna Howard-Zupkas CONTRIBUTORS Robert M. and Carole Cantor Adelstein Lisa Allen Thomas N. Butler Charlene S. Byers Catherine P. Cole Joel S. Cohen and Kathryn L. Oberdorfer William and Barbara Dolan Michael J. and Laura Fowles Pamela F. Grange Roger L. Kinney David R. and Florence Lynn Linke William Mohrman Harold S. and Sarah M. Nelson Gene E. and Nancy M. Richards Donovan C. and Phyllis A. Rieger Kathy A. and Donald D. Rosenkrans Ruth Schoening Janet L. Schroeder Michel N. and Carla Schuh Thomas Blake Spellman Roger L. Tate

GIVE THEM SOMETHING

to remember you by.

EVERY LIFE IS UNIQUE

and deserves to be remembered in a special way. With whispering pines, picturesque grounds and breathtaking views of the majestic Rocky Mountains and Denver skyline, Olinger Mount Lindo Cemetery offers a resting place unlike any other. The cemetery’s historic lighted cross—the largest in the country—graces the scenic mountaintop and has become a beloved local landmark. As members of the Dignity Memorial® network, we are dedicated to helping you and your loved ones create a meaningful memorial that truly celebrates the life it represents. You can even tell your own unique story by making your final plans now, before the time of need.

Call today to create a lasting tribute that will be celebrated for generations to come.

OLINGER FUNERAL HOMES AND CEMETERIES OLINGER MOUNT LINDO

OLINGER CHAPEL HILL

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2013-2014 MEMBERS

(continued)

Reda Walsh Carol A. Wilson Ruth Wolff

STRENGTH STRETCH CONTROL BALANCE

(Gifts and memberships received on and after July 1, 2014 are acknowledged in the show insert in the middle of the program.)

• Certified Pilates Instruction & Education • Private Sessions, Equipment & Mat Classes • Yoga & Barre Classes • Fully Equipped Studio with Amenities • BASI Pilates® Teacher Training Program • Massage Therapy • Men & Women of All Ages & Fitness Levels Welcome • Retail, On-Line Scheduling & More

www.pilatesdenverstudio.com Located at Village Center Station est. 2001

FRIENDS Varda and Bernhard J. Abrahamsson Barbara R. and John R. Adams Albert G. Appell Mary Claire Brothers Judith K. Cisney Betty J. Croall and James A. Carney Andrea Elizabeth Faley Frances N. Gray Charles Hanson Andrew Hornbrook Katy Jarusco Ann Marie Kaplan Roger L. and Suzanne O. Kinney Gloria Kubel Sarah Lincoln Robert Roy Montgomery Michael C. and Ann A. Moore Sally G. Plummer Frances E. Seifert Jenene C. and James J. Stookesberry Shirley M. Tanaka Mary Ann Tarpey Mirelly Tierney William B. M. and Susan D. Tracy Roberta Kaye and Leonard N. Waldbaum Carol M. Warner

2014-2015 Newman Center Presents

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1211 South Parker Road, #103, Denver, CO 80231 303-597-4050

46 2014-2015 Newman Center Presents

PATRON INFORMATION • The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • Parking is available in the Newman Center parking garage (complimentary for all Newman Center Presents events). Patrons are advised not to park in the neighborhood, as most side streets have one-hour parking only. • Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.

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