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FROM THE EXECUTIVE DIRECTOR Welcome to Newman Center Presents, and thank you for your participation and support! Our 12th season features the eclectic mix of artists you’ve come to expect. Together, we discover new artists and new works while also reacquainting ourselves with old friends. NEWMAN CENTER STAFF EXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Stephen W. Seifert, Executive Director Richard Michel, Budget Manager Miriam Tobin, Administrative Assistant EVENT SERVICES Diane L. Roth, Assistant Director Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager Andrea Copland, Event Coordinator MARKETING Natalie Raborn, Marketing Director PATRON SERVICES Dee Getchel, Assistant Director PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/ Audio Engineer Zack Jovanovich, Stage Operations Coordinator/ Lighting Engineer TICKETING SERVICES Richard Moraskie, Assistant Director, Ticketing Services Max Manoles, Assistant Manager of Ticketing ADVERTISING INFORMATION
This program is produced for the Newman Center by The Publishing House, Westminster, CO Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Michele Garner, Graphic Design & Layout Wilbur E. Flachman, President
The season opens with Edgar Meyer and Chris Thile, two genredefying musicians in an explosion of creativity. With the Hot Sardines we find traditional jazz in the lusty grasp of a young generation of performers, a tap dancer among them! Capitol Steps help burst a few political bubbles, while the audience creates the soundtrack for the Swiss theatrical pantomime troupe MUMMENSCHANZ. The King’s Singers, legendary for their unaccompanied vocal harmonies, will take great advantage of June Swaner Gates Concert Hall’s natural acoustics, as will the Colorado Symphony with renowned conductor and soloist Pinchas Zukerman. Four dance companies show the breadth of movement as artistic expression, from China’s first non-governmentally supported contemporary dance company, to Bill T. Jones’ exploration of the human condition, to Aspen Santa Fe Ballet’s display of today’s most exciting choreographers, to Diavolo’s thrilling and dangerous work with stage contraptions. We also continue our presentation of artists building on the great traditions of concert hall music but eager to express their own experiences of today’s world. The French double bassist Renaud Garcia-Fons added a fifth string to his bass and developed techniques for playing it so that it fits right in to small ensembles of instruments from various world music traditions. Hear that flamenco guitar? It might just have been Renaud’s bass. The exploratory jazz jam band Medeski Martin & Wood allies with Alarm Will Sound (last here for the thought-provoking multi-media show 1969) for an evening of new music created just for us and CU Presents. Roomful of Teeth, an a cappella ensemble of eight, uses vocal performance practices from around the world to create mesmerizing, thrilling, beautiful sound palettes. The youngest winner of the Pulitzer Prize in music is one of their members. She won the Prize, and the group won a Grammy, for a work you’ll hear in their show. Donal Fox, a pianist of prodigious reach, explores the intersections of improvisation in jazz and Baroque classical music. We’re also excited to have the it gets better tour come to Denver for a week of anti-bullying residency work in schools and community centers, culminating in a performance featuring six members of the Gay Men’s Chorus of LA and a community chorus created in Denver just for this show. Welcome to your performing arts center at the University of Denver. Thank you for coming. Have a great time!
For advertising information, call 303-428-9529 or email sales@pub-house.com coloradoartspubs.com
Stephen W. Seifert Executive Director 2014-2015 Newman Center Presents
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NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose, and our vision are to: • Celebrate, entertain, inspire, and feed the imagination • Give voice to the innate human need for expression through performance • Educate and prepare better citizens of our community • Begin conversations of ideas • Foster an eagerness for and habits of curiosity and learning • Make the major sources of our own and other cultures accessible to our community • Embrace our differences; celebrate diversity of forms, attitudes, traditions, and populations • Challenge assumptions and encourage creativity and new work, even at the risk of failure • Help teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future • Demand excellence and integrity without avoiding controversy • Remind our community that the performing arts have value to our society because they: • Create self-esteem which is earned by striving to achieve high standards • Integrate with other disciplines such as language, history, math, and science • Foster communication and interpersonal skills
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2014-2015 Newman Center Presents
FROM THE CHANCELLOR Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center has emerged as one of the crown jewels of Denver’s arts scene. There is no other complex like it anywhere in the state. Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good. The Newman Center’s stages are also a catalyst for an explosion of student talent. Every production by students in our Lamont School of Music and Department of Theatre represents a transformation of energy, enthusiasm and dedication into art. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create, to which the rest of us can only say, encore! Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season.
Rebecca S. Chopp Chancellor, University of Denver
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Proud supporter of the Newman Center’s 2014–15 Proud supporter of the Newman Center’s 2014–15 season of dance, theater, music and performance. season of dance, theater, music and performance.
THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers, and story tellers to the University community and to our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at Natalie.Raborn@du.edu or 303.871.4154.
FOUNDING PARTNER
PRESENTING SPONSORS
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SUPPORTING SPONSORS
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2014-2015 Newman Center Presents
First Night: Masquerade! October 11
To Jack, with Love February 15
Merry Band of Brass in Sherwood Forest November 15
Celtic Fantasy March 13, 14 & 15 All New Free Public Concert!
How the Brass Saved Christmas December 20 & 21
303-832-HORN(4676) denverbrass.org
Colorado Remembers at the Colorado Freedom Memorial May 23
303-871-7720 newmantix.com
2014-2015 Season All performances take place in June Swaner Gates Concert Hall at 7:30 p.m. unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change. Chris Thile & Edgar Meyer Tues, Sep 23, 2014 / 7:30 p.m. Following his stunning, sold-out concert for Newman Center Presents last season, mandolinist extraordinaire Chris Thile returns to open our season, this time with legendary American bassist and composer Edgar Meyer. Thanks to his unparalleled instrumental technique and his gift for composition, Edgar’s work is appreciated by a vast and varied audience. Each of these unique musicians is the recipient of a MacArthur Foundation “Genius” award, and each has collaborated with leading musicians of many genres, from Yo-Yo Ma, Emmanuel Ax, and Joshua Bell to Béla Fleck, Mark O’Connor, and Zakir Hussain. Presenting Sponsor – Creative Instinct Hot Sardines Speakeasy Nights Fri, Oct 10, 2014 / 7:30 p.m. Take a blustery brass lineup, lay it over a rhythm section led by a stride piano virtuoso, and tie the whole thing together with a magnetic, one-of-the-boys frontwoman whose voice recalls another era, and you have the Hot Sardines. This NYC outfit (with a tap dancer) has been called “consistently electrifying” (Popmatters). The Sardine sound—wartime Paris via New Orleans, or the other way around—is steeped in the kind of music Louis Armstrong, Django Reinhardt, and Fats Waller used to make: straightup, foot-stomping jazz. Pianist-bandleader Evan “Bibs” Palazzo and Paris-born singer Miz Elizabeth (who owe their collaboration to meeting via Craigslist) describe their
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2014-2015 Newman Center Presents
band as “born in the 1920s, but raised in the ’00s,” reflecting a philosophy that Hot Jazz, Dixieland, and Tin Pan Alley tunes are all pop music, not historical artifacts to be handled with kid gloves. Sponsored by Newman Center Members Capitol Steps Fri, Oct 17, 2014 / 7:30 p.m. The Capitol Steps began in 1981 as a group of U.S. Senate staffers who set out to satirize the very people who employed them. In the years that followed, having bit the hands that fed them, many of the Steps also ignored the conventional wisdom not to quit their day jobs. The ensemble now tours the U.S., delivering heaping portions of much-needed good humor to the long-suffering American public as the best antidote to politics. They have recorded over 30 albums, given many thousands of shows, and they’re funny— very funny! Founding Partner –The Denver Post MUMMENSCHANZ Sat, Nov 8, 2014 / 7:30 p.m. Sun, Nov 9, 2014 / 2:00 p.m. MUMMENSCHANZ is a legendary Swiss silent mask theater troupe that performs in a magical, surreal style. Founded in 1972, the group became popular for its play with bizarre masks and forms, light and shadow. Their weird, timeless creatures join other incredible, colorful, enchanting forms. In 1973, MUMMENSCHANZ toured the USA, Canada, and South America and later enjoyed a three-year run on Broadway.
They appeared as special guest stars in the first season of The Muppet Show in 1976. They also appeared on the award-winning TV show Northern Exposure in the 1990s. In 2012, they toured the world with a 40th anniversary show. If you like MOMIX and Pilobolus, you will enjoy MUMMENSCHANZ! This is a great experience for the whole family! Presenting Sponsor – VAL-U-ADS® – Nov 8 Sponsored by Newman Center Members – Nov 9 Pinchas Zukerman, soloist and conductor with the Colorado Symphony Sun, Nov 16, 2014 / 2:00 p.m. Violist and violinist Pinchas Zukerman has been a phenomenon in the world of music for over four decades and is highly regarded as both a conductor and an instrumentalist. Newman Center Presents is proud to present the best orchestra in our region, the Colorado Symphony, in the region’s best acoustical venue. Come experience classical music as it is meant to be heard. Sponsored by Newman Center Members Beijing Dance/LDTX Tues, Nov 18, 2014 / 7:30 p.m. Established in 2005, Beijing Dance/LDTX is China’s first independent, professional, contemporary dance company, beholden in no way to the government. LDTX translates literally as Thunder Rumbles Under Heaven. Artistic Director Willy Tsao, China’s foremost figure in modern dance, and Deputy Artistic Director Li Hanzhong hold true to the
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2014-2015 Season company’s origins, bringing to the stage a diverse repertoire, giving young Chinese artists a place to express themselves freely, and highlighting the works of Chinese choreographers. This technically exquisite and thoughtprovoking company tours throughout Asia, Australia, Europe, and North America. It also hosts the annual Beijing Dance Festival, bringing the rest of the world’s most innovative work to the nation’s capital. With performances, educational programs, commercial engagements, classes, and outreach activities, Beijing Dance/LDTX serves as an important voice in the evolution of contemporary Chinese dance. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. The King’s Singers Wed, Dec 10, 2014 / 7:30 p.m. The King referred to was Henry IV, founder of King’s College, Cambridge (1441), where the original King’s Singers was founded in 1968. This legendary ensemble has over 150 recordings and 200 commissioned works to its credit, ranging from Renaissance scores to transcriptions of tunes by The Beatles. With another 120 international performances on its schedule each year, The King’s Singers is one of the most famous vocal groups in the world. Come celebrate the holidays with this peerless ensemble. Sponsored by Newman Center Members
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2014-2015 Newman Center Presents
Renaud Garcia-Fons Quartet La Línea del Sur Sat, Jan 10, 2015 / 7:30 p.m. From the moment Renaud Garcia-Fons first held a double bass at age sixteen in Paris, the future of the instrument was destined for change. In a flash of insight, he saw possibilities to use the bass to explore all the music that interested him—classical, jazz, Persian, Indian, Mediterranean, South American, and other forms from the world over. He added a fifth string to the high register and innovated bowing and pizzicato techniques. The result is an utterly new sound—an amalgam of double bass, cello, violin, guitar, lute, oud, and more—that exceeds any conventional idea of playing the double bass. La Línea del Sur features a quartet made up of Renaud on double bass, Flamenco guitarist Kiko Ruiz, accordionist David Venitucci, and percussionist Pascal Rollando. Sponsored by Newman Center Members Bill T. Jones/Arnie Zane Dance Company Play and Play – An Evening of Movement and Music Sat, Jan 24, 2015 / 7:30 p.m. Sun, Jan 25, 2015 / 2:00 p.m. Play and Play showcases Bill T. Jones’ brilliantly i n v e n t i v e choreography set to some of the most enduring music of the ages, including works by Mendelssohn and Mozart. The distinguished director and choreographer has shaped the evolution of contemporary dance over the past three
decades, garnering MacArthur Foundation “Genius,” Obie, and Tony awards, as well as Kennedy Center Honors and a 2014 National Medal of Arts. The evening’s program includes D-Man in the Waters (1989), a joyful tour de force and genuine classic of modern dance. All of the music will be performed live by students of the Lamont School of Music. [Program includes nudity.] This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Medeski Martin & Wood + Alarm Will Sound Thu, Feb 5, 2015 / 7:30 p.m. Alarm Will Sound returns to Newman Center Presents after its provocative multimedia show, 1969, a few years ago. AWS is one of the most creative alternative classical musical ensembles working today. Just beyond the cutting edge, this 20-member group consists of young, unstuffy musicians presenting virtuosic new compositions. Medeski Martin & Wood has been an experimental jazz and jam-band trio since 1992. This improvisation-driven group, led by keyboardist John Medeski, offers a unique, groove-oriented mix drawing from jazz, African music, funk, and hiphop. Both AWS and MMW have performed throughout the world, from Carnegie Hall to the Biennale in Frankfurt, from Lincoln Center to the Montreux Jazz Festival. This performance marks the premiere of all new works created jointly by the two ensembles for performance at the Newman Center and at the University of Colorado. Sponsored by Newman Center Members
Aspen Santa Fe Ballet Sat, Feb 21, 2015 / 7:30 p.m. Sun, Feb 22, 2015 / 2:00 p.m. Aspen Santa Fe Ballet’s bold vision—top global choreographers, distinctive groundbreaking works, and virtuoso dancers—has fostered a jewel of a dance company in the American West. For 17 years, ASFB has served as a prestigious arts incubator and a showcase for choreographic invention, to both popular and critical acclaim. ASFB’s repertoire resonates with eclecticism and energy. The company exudes a European classical aesthetic charged with American athletic vigor. Since 1996, ASFB has commissioned over 27 new works. Among their many choreographer-collaborators are Jorma Elo, Nicolo Fonte, Trey McIntyre, Moses Pendleton, Dwight Rhoden, and Cayetano Soto. Sponsored by Newman Center Members Roomful of Teeth with the Colorado Symphony Fri, Mar 6, 2015 / 7:30 p.m. Founded in 2009, Roomful of Teeth is a vocal project dedicated to mining the expressive potential of the human voice. Through study with masters from non-classical traditions the world over, the eight-voice ensemble continually expands its singing techniques and, through an ongoing commissioning project, invites today’s brightest composers to create a repertoire without borders. Their debut album was released in 2012. The New York Times called it “sensually stunning.” It was included on many Best of 2012 lists, topping the classical charts on iTunes and Amazon, even breaking into the top 10 on the Billboard charts. NPR called the album “fiercely beautiful and bravely, utterly exposed.” The album
won a Grammy for Best Chamber Music/ Small Ensemble Performance. In April 2013, ensemble member Caroline Shaw received the Pulitzer Prize in Music for “Partita,” one of the works on the debut album. An iTunes exclusive EP of “Partita” was subsequently released and ranked number one on iTunes Classical charts. ROT will be joined by a string ensemble from the Colorado Symphony. This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Donal Fox Inventions Trio: Scarlatti Jazz Suite Project Thu, Apr 2, 2015 / 7:30 p.m. Declared “one of the most successful classical/jazz unions in recent memory” by All About Jazz, Donal Fox and the Scarlatti Jazz Suite Project will bring an electric energy to June Swaner Gates Concert Hall. Fox plays with an improviser’s spirit of adventure, whether playing stride piano on Baroque repertoire or blending the harmonic language of the New Viennese School with bebop. Be prepared to be wowed as he de- and reconstructs Bach, Piazzola and Schumann, adding propulsive grooves and using composed themes as springboards for glorious improvisational flights. Fox has earned a reputation for fluency across the genres which has led to collaborations with jazz artists such as David Murray, John Stubblefield, and Oliver Lake, as well as the Richmond Symphony, American Composers Orchestra, and the St. Louis Symphony. With his wide-ranging tastes and virtuosity, you can also expect music from Monk, Coltrane, and Ornette Coleman to round out the evening. Supported by The Porter Adventist Hospital Endowment for the Performing Arts
it gets better Speak Theater Arts / Gay Men’s Chorus of LA / It Gets Better Project Fri, Apr 24, 2015 / 7:30 p.m. it gets better provides a performing arts response to the difficult issue of bullying, one of the most challenging issues among today’s young adults and adolescents. Written and directed by Speak Theater Arts’ Liesel Reinhart, whose company lives by the mantra “don’t be boring!,” it gets better is infused with the dynamic musical energy of the Gay Men’s Chorus of Los Angeles and the internationally recognized It Gets Better Project. In the course of a single week, six members of the Gay Men’s Chorus of LA will work closely with students and schools in a series of workshops, rehearsals, and community dialogue. The week will culminate in a performance of the show in the Newman Center and is intended to heighten awareness of bullying and its damaging effects on any community. The show features a local chorus and local guests and will include video and text projections from the archives of the It Gets Better Project. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. Diavolo Sat, May 9, 2015 / 7:30 p.m. Sun, May 10, 2015 / 2:00 p.m. Diavolo, returning to Newman Center Presents after two spectacular performances several years ago, uses abstract and recognized structures on stage to explore the relationship between our built environment and the fragile human 2014-2015 Newman Center Presents
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BOX OFFICE INFORMATION
2014-2015 Season body. Diavolo calls itself “architecture in motion” and fuses many different movement vocabularies—from everyday pedestrian movement to ballet, contemporary dance, acrobatics, gymnastics, martial arts, and hip-hop. According to Artistic Director Jacques Heim, “What we do on stage is like a live abstract painting. There is no narrative, but strong themes pervade the work such as human struggle, fear, danger, survival, chaos, order, deconstruction, reconstruction, destiny, destination, faith, and love.” Diavolo’s performances will include Fluid Infinities, a stunning work set to the music of Philip Glass, commissioned by the LA Philharmonic and premiered in The Hollywood Bowl. Sponsored by Newman Center Members
DID YOU KNOW?! There are about 500 events in the Newman Center every year, which means that the Newman Center has hosted almost 5,500 events in 11 years! Of those 500 events per year, about 350 are through the Lamont School of Music, about 100 are community rentals, about 25 are Newman Center Presents, and about 25 are by the Department of Theatre. Nearly 150,000 people attend events at the Newman Center every season!!!
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2014-2015 Newman Center Presents
M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208 Hours: Mon–Fri, 10 a.m.–4 p.m.Sat, 12 p.m.–4 p.m. (Sep–May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com Tickets can be purchased in person at the Newman Center Box Office, by phone at 303.871.7720 during the hours listed above, or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online. Discounts are available for students, seniors, and DU faculty and staff. For more information, or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight or more to most NCP events. For information, contact Molly Epstein at molly@mepstein.net or 303.619.6196.
To view a listing of our previous 11 seasons, please visit www.newmancenterpresents.com and select Archive.
COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or co-commissioned the following works: Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra
Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers Co-commissioner, “Imaginary City,” by So Percussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground Ensemble during the Newman Center Presents’ Mile High Voltage Festival Co-commissioner, “the wood & the vine,” by David Lang, co-commissioned by University of California, Riverside and Santa Fe Concert Association
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2014-2015 Newman Center Presents
Co-Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and co-commissioned by Denver Friends of Chamber Music, Historic Denver, Inc., and the Molly Brown House Museum Young Voices of Colorado Co-commissioner, “From Darkness to Light,” music by Ofer Ben-Amots, choreography by Garrett Ammon, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony Orchestra, Robert E. Loup Jewish Community Center, Mizel Arts and Culture Center, and performed as part of A Journey of the Human Spirit Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgić
BEHIND THE CURTAIN The Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing, and thought-provoking dancers, actors, and musicians. We invite you to join us for free Behind the Curtain discussions where artists, members of the ensembles, or experts in the field discuss anything from that evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Talks are free, take place in June Swaner Gates Concert Hall, are open to the public, and start one hour before curtain. Tickets are not required for these pre-performance talks and no RSVP is necessary. Please check the Newman Center event calendar for updates to Behind the Curtain and upcoming speaker announcements. (Speakers are subject to change.)
THE LAMONT SCHOOL OF MUSIC & DEPARTMENT OF THEATRE The University of Denver’s Lamont School of Music presents more than 300 concerts
a year, many of them free. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets are available in person only at the Newman Center Box Office. Tickets may be reserved online for a small service charge at www.newmantix.com. Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students with valid ID are complimentary. Fall and Spring Lamont Operas and Musicals, South Pacific and The Merry Wives of Windsor, are reserved seating ranging from $11 to $30. Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation. For information, visit www.du.edu/lamont or call the Concert Line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube. DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2014-15 season, the Department of Theatre will present: • A staged reading of Cleansed (Sep 2014, Byron Theatre) • Fall Quarter’s main stage productions of The Nina Variations by Steven Dietz (Oct 2014, White Box Theatre at J-MAC) and Seagull by Anton Chekhov (Oct and Nov 2014, Byron Theatre) • A staged reading of Rapture, Blister, Burn (Jan 2015, Byron Theatre)
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DEPARTMENT OF THEATRE (continued)
• Winter Quarter’s main stage productions of An Evening of One Acts: Beth, Lobster Boy, and The Dumb Waiter by various authors (Feb 2015, Black Box Theatre at J-MAC) and Stage Door by Edna Ferber and George S. Kaufman (Feb & Mar 2015, Byron Theatre) WASH PARK GRILLE
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• A staged reading of God of Carnage (Apr 2015, Byron Theatre) • Spring Capstone Cycle—Cycles 1 and 2: Senior Capstone Productions (Apr & May 2015, Byron Theatre • Independent Student Productions throughout the year Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events. Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Mon–Fri, 10 a.m.–4 p.m., and Sat, 12 p.m.– 4 p.m. (Sep–May), by phone at 303.871.7720, or online at www.newmantix.com. (Phone and online orders are subject to service fees.)
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2014-2015 Newman Center Presents
DU ENRICHMENT PROGRAM (continued)
are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty, gather with likeminded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center related classes. Fall 2014 registration is available now for classes held September through early December, and Winter/Spring 2015 offerings, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.
DID YOU KNOW?! The University serves the cultural community in many ways. One of those ways is by making rehearsal and performance venues in the Newman Center available for rent by community groups at rates which are subsidized by the University. About 100 performances in the Newman Center each year are produced by beloved local non-profit organizations. While universities may not themselves be recipients of funds from the Scientific and Cultural Facilities District (SCFD), most of the Newman Center’s rental clients do receive annual support from the SCFD.
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2014-2015 Newman Center Presents
These avid philanthropists and winners of the 2014 Colorado Business Committee for the Arts’ John Madden Jr. Leadership Award smile when they remember becoming involved in the campaign to create an outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later, the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, then director of the Lamont School, and William Temple Davis, then chairman of DU’s Department of Theatre. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Among those, Bob is a member of the University’s Board of Trustees. He also is a member of the Executive Advisory Board of the Daniels College of Business at DU. Judi sits on the Visiting Committee for the Frost School of Music, the Academic Affairs Committee, and the Board of Trustees of the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”
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THE DAUGHTER OF THE REGIMENT RIGOLETTO SALOME
I
I
I
Donizetti
Verdi
R. Strauss
LA FINTA GIARDINIERA COLD MOUNTAIN
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Mozart
World Premiere
Composer Jennifer Higdon Librettist Gene Scheer
Robert Godwin photo
JULY 3 – AUGUST 29
2015
Only at THE SANTA FE OPERA.
SantaFeOpera.org
I
800-280-4654
DIAVOLO Saturday, May 9, 2015 Sunday, May 10, 2015
There will be one 25-minute intermission this evening.
No portion of this performance may be photographed, recorded, filmed, or videotaped.
This performance is sponsored by Newman Center Members.
Educational residency work and master classes with Diavolo are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. This programming is supported in part by The Grynberg Family Endowment for Dance Programming, Roger and Meredith Hutson, and The Porter Adventist Hospital Endowment for the Performing Arts. Diavolo
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DIAVOLO
Architecture in Motion™ Artistic Director Jacques Heim
Executive Director Jennifer Cheng
Director of Production / Stage Manager Renee Larsen Engmyr Technical Director Jonathan Meyer Lighting Director Luc Hediger Transportation/ Technical Assistant Matt Christensen Production Assistant Ezra Masse-Mahar
The Company
Chief Operating Officer Matt Wells
Ana Carolina Brotons Cal T Chester Leandro Glory Damasco Jr. Ezra Masse-Mahar Chelsea Pierce Jessie Ryan Connor Senning Amy Tuley Rico Velazquez Chisa Yamaguchi
Institute Co-Directors Jones Welsh Chisa Yamaguchi Rehearsal Director Shauna Martinez Choreographer Leandro Glory Damasco Jr.
Set Engineering & Construction Mike McCluskey & Tina Trefethen McCluskey LTD
Costume Coordinator Amy Tuley
Director of Operations Ilona Piotrowska Video Archivist Leandro Damasco Jr.
Booking National:
International:
Season 2015-2016 David Lieberman Artists’ Representatives Office: (714) 979-4700 Email: info@dlartists.com
Europe and Middle East IMG Artists, Niels Gamm Office: +49 511 20 300 876 Email: ngamm@imgartists.com
Opus 3 Artists Office: (323) 954-1776 Email: info@opus3artists.com
Rest of the World Jennifer Cheng, Diavolo Executive Director Office: (626) 437-3229 Email: Jennifer@diavolo.org
For the safety of the artists and for the comfort of the audience, cameras and other recording devices are not permitted in the theater during the performance.
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PROGRAM All Choreography by The Company, under the director of Jacques Heim
Production Assistant: Elizabeth Van Vleck Assistant Choreographer: Briana Bowie
Fluid Infinities (2013) Fluid Infinities is the final installment in L’Espace du Temps (Space of Time), a trilogy that was commissioned from the Los Angeles Philharmonic Association and co-commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center. This installment is set on an abstract dome structure sitting on a reflection of itself. The performers explore metaphors of infinite space, continuous movement, and our voyage into the unknown future. The dome’s organic patterns evoke the craters of the moon, a honeycomb of bees, a shifting brain, or an undiscovered starship. As the trilogy concludes, Fluid Infinities investigates the persistence of life through struggle and the promise of life to change beyond the space of time.
Fluid Infinities was commissioned by the Los Angeles Philharmonic Association; co-commissioned by Movimentos 2014, University of Notre Dame’s DeBartolo Performing Arts Center and Syracuse University.
“Fluid Infinities” Music: Symphony No. 3 by Philip Glass © 1995 Dunvagen Music Publishers Inc. Used by Permission. Original Collaborators: Dusty Alvarado, Leandro Damasco Jr., Alicia Garrity, Brandon Grimm, Shauna Martinez, Ezra Masse-Mahar, Chelsea Pierce, Amy Tuley, Chisa Yamaguchi, Garrett Wolf Concept and Directed by: Jacques Heim Choreographed by: The Company Musical Director & Dramaturg: Bruno Louchouarn Associate Choreographer: Monica Campbell Production Design: Adam Davis Artistic Consultant: Michael Curry Project Manager: Renée Larsen Engmyr Dome: Original Design Concept: Tina Trefethen Structural Design / Construction: TFX trans fx, Mike McCluskey, Tina Trefethen Lighting / Electrics Design & Fabrication: Mike McCluskey Paint and Finish: McCluskey LTD Tube: Design / Construction: Tina Trefethen, Mike McCluskey Deck and Support Equipment: Structural Design / Construction Tina Trefethen, Mike McCluskey Lighting Design: John E.D. Bass Associate Lighting Designer: Nicholas Davidson Costume Concept and Design: Brandon Grimm Costume Construction and Fabrication: Kelly Maglia Soft Sculpture Fabrication: Hilary Sepp
Diavolo would like to extend special thanks to Jordan Piemer, Thor Steingraber, Jay Quantrill, Victoria Looseleaf, Melinda Ritchie, and Chad Michael Hall. Support for Fluid Infinities was provided in part by the Cheng Family Foundation, the Ralph M. Parsons Foundation, the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, the City of Los Angeles Department of Cultural Affairs, and the National Endowment for the Arts. Fluid Infinities premiered in 2013 at the Hollywood Bowl in Los Angeles, CA
* INTERMISSION * Transit Space (2012) Transit Space explores themes of feeling lost, finding a sense of purpose, and coming together. Influenced by the documentary Dogtown and Z-Boys, Transit Space uses skateboard ramps as set pieces to represent an urban environment with evershifting physical and emotional spaces. Original Collaborators: Brandon Grimm, Jennifer Huffman, Shauna Martinez, Ashley Nilson, Omar Olivas, Crystal Runk, Anibal Sandoval, Ben Sayles, Chisa Yamaguchi Original Concept and Direction: Jacques Heim Writer: Steve Connell Composer / Sound Designer: Paul James Prendergast Set Design Ramps: Sibyl Wickersheimer Set Design Bridges: Tina Trefethen Set Concept, Engineering, and Construction: Mike McCluskey, McCluskey LTD and Tina Trefethen Lighting Design: John E.D. Bass Physical Interactive Designers: David Beaudry and Valeria Beaudry Voice Artists: Sekou Andrews, Alix Angelis, Vincent Cardinale, Jennifer Christopher, Steve Connell, Mayda del Valle, Lauren Dragan, Justin Huen, Adam Jennings, Tracy Lockwood, Shauna Martinez, Thea Monyee, Omar Olivas, Johannes Williams, Chisa Yamaguchi Skateboarding Consultants: Jesse Martinez and Nathan Pratt of Dogtown and Z-Boys Skateboarding Advisors: Angel Aparicio, Seth Milner, Garrett Surjue Rehearsal Stage Manager: Elizabeth Van Vleck
Diavolo
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PROGRAM (continued) A very special thank you to Corey Madden, Amy Dupain Vashaw, Elisha Clark, Peter Aeschbacher, Marcus Shaffer, Khanjan Mehta, and Mark Baker. Transit Space was commissioned by the Center for the Performing Arts at Penn State University and co-commissioned by Glorya Kaufman Presents Dance at the Music Center, Los Angeles.
Transit Space premiered in 2012 at the Center for the Performing Arts at Penn State University.
DIAVOLO / ARCHITECTURE IN MOTION The work of Diavolo can be best defined as Architecture in Motion. Diavolo investigates the architecture of space, how we inhabit space. The work explores the relation and interaction between the human body and the Architecture environment: how we are affected, not only socially, but emotionally and physically. –Founding Artistic Director Jacques Heim
The Los Angeles Philharmonic commissioned Diavolo to create L’Espace du Temps, a trilogy of new dance works, each of which premiered live with the orchestra at the Hollywood Bowl: Foreign Bodies (2007), Fearful Symmetries (2010), and Fluid Infinities (2013). The entire trilogy received its premiere as a single concert program at the 2014 Movimentos Festival in Wolfsburg, Germany.
Diavolo is a fusion of many different movement vocabularies such as everyday movement, ballet, contemporary, acrobatics, gymnastics, martial arts, and hip-hop. Architectural set pieces provide the back drop for dramatic movement that creates metaphors for the challenges of relationships, the absurdity of life, and the struggle to maintain our humanity in an increasingly technological world. Founded in 1992, Diavolo has an extensive performance history throughout the US, Europe, Asia, and Latin America; in over twenty seasons of touring, Diavolo has performed for hundreds of thousands of concertgoers worldwide as well as millions more on television. During the past twenty years, Diavolo has created dozens of dance works, forming one of the dance field’s most compelling repertoires, from signature works like Trajectoire (1999-2001) to new works like Cubicle (2014-2015).
Inspired by the movement of skateboarding, Transit Space (2012) was the first dance work ever created in residency at Glorya Kaufman presents Dance at the Music Center, Los Angeles. Transit Space received its world premiere at Penn State University in the culminating event of Diavolo’s participation in the national Creative Campus initiative. Education and outreach are crucial to our mission. Diavolo brings dance to tens of thousands of community members annually through young people’s concerts, in-school assemblies, intensive trainings, master classes, and residencies nationwide. In Los Angeles, the Diavolo Institute provides dance education and active arts participation for low-income youth and their families at local schools, community centers and parks, and at Diavolo’s downtown Los Angeles studio. www.diavolo.org
COMPANY BIOGRAPHIES JACQUES HEIM ARTISTIC DIRECTOR Jacques Heim has been a transformative choreographer for over 20 years. He founded Diavolo in 1992 and has directed the company’s distinct style of Architecture in Motion ever since. Mr. Heim was born and raised in Paris, France. His earliest experiences with performance came from street performing. He attended Middlebury College (BFA in Theater, Dance, and Film), the University of Surrey in England (Certificate for Analysis and Criticism of Dance), and the California Institute for the Arts (MA, Choreography).
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In addition to his work with Diavolo, Jacques has worked extensively for other companies in dance, theater, TV, and special events worldwide. For Cirque du Soleil, he choreographed KÀ at the MGM Grand, Las Vegas. Jacques worked as consulting choreographer on Ice Age Live!, a “mammoth” arena show which had its world premiere at London’s Wembley Stadium. He was invited to be a Creative Director for the Opening Ceremony of The 16th Asian Games, in Guangzhou, China. In 2005, Jacques was the Artistic Director for the Taurus Stunt Awards and returned in 2007 to stage a movement/stunt piece, The Car. With Center Theater Group, Jacques created choreography for The Stones, directed by Corey Madden. On television, his work has appeared on BBC America’s Dancing with the Stars and Bravo’s Step Up and Dance.
COMPANY BIOGRAPHIES (continued) Jacques taught movement and dance for many years at Cal State LA and UCLA. In addition to three United States Artists Fellowship nominations and four Alpert Award nominations, Jacques has received the Martha Hill Choreography Award of the American Dance Festival, the Special Prize of the Jury at the 6th Saitama International Dance Festival, a Brody Arts Fund fellowship, and a James Irvine Foundation Fellowship. JENNIFER CHENG EXECUTIVE DIRECTOR Jennifer Cheng was professionally trained in ballet. She received her advanced certification from the Royal Academy of Dance and was also a recipient of a Ford Foundation scholarship to the School of American Ballet. She received her BA at Pomona College, MBA at UC Irvine, and JD at UC Davis. She was a corporate attorney with the Automobile Club of Southern California for over 20 years. Upon retirement, she pursued her passion for dance by establishing the Dance Conservatory of Pasadena, a dance school. She serves on the board of directors at the Irvine Barclay Theatre, Huntington Library and Gardens, Pacific Symphony, and Blue 13 Dance Theatre. SHAUNA MARTINEZ REHEARSAL DIRECTOR Shauna’s hometown is Derby, Kansas, where she trained in dance and gymnastics. Shauna has been an All American collegiate cheerleader and an award-winning instructor for the National Cheerleader’s Association. Education: Wichita State University–Dance, BFA, with instruction from Nick Johnson. Training also includes the American College Dance Festival where her choreography was chosen to conclude the Gala performances. Shauna is accomplished in ballet, modern, jazz, mime, and hip-hop. Dance credits include dre.dance, Joe Torry, Sinbad and setting works on University of Georgia, Brenau University, CalState LA, and Wichita State University. She has been with Diavolo for five seasons. ANA CAROLINA BROTONS PERFORMER Ana Carolina Brotons was born in Miami, FL and started dancing at the age of three. Training: all-star cheerleading with TopGun AllStars, ballet, modern, jazz, tap, hip-hop, and salsa with New Image Dance Company. Education: the University of the Arts–Modern Dance Performance, BFA Ana has performed in music videos such as Taylor Bright and Jill Scott as well as two national tours with the show SuperWHY Live. Through Diavolo, Ana continues to expand her horizons as a dancer, performer, and artist. LEANDRO GLORY DAMASCO JR. PERFORMER / CHOREOGRAPHER Leandro is in his third season with Diavolo. He started his professional career with Nicholas Leichter at the Joyce Theater in New York. Other dance credits include work with Axis Dance, Project Bandaloop, and Pauvfe Dance. Training includes: apprenticeship with Joe Goode
Performance Group; the American College Dance Festival (chosen by Jean Freebury to perform Merce Cunningham’s Inlets 2). Education: Sacramento State–Dance, BA, with instructors Lorelei Bayne, Melissa Wynn, Lisa Ross, Nolan T’sani, and Deborah Froh Miller. Teaching credits include: CSU Sacramento (adjunct faculty), Marin Academy, ACDFA conferences, Scottsdale Community College, Cal State Los Angeles. In addition to his work with Diavolo, Leandro currently performs as a soloist and has launched his own company, Project Engine, named for the nickname given to him by Diavolo’s Jacques Heim. CAL T. CHESTER PERFORMER Cal is originally from Albuquerque, New Mexico and spent his life growing up in Arkansas. Education: University of Arkansas at Little Rock–Dance, BFA. He has toured internationally as a dancer and aerial performer with Royal Caribbean Cruise Lines. Cal performed in and set original choreography that was shown at American College Dance Festival and Regional Dance America. After being captivated by the work of Diavolo for many years, he is overjoyed to live his dream to be part of the touring company. EZRA MASSE-MAHAR PERFORMER Ezra’s training included acrobatics and ballet at Merritt Dance Center. He was a competitive diver for many years. Education: University of Buffalo–Dance, including tap, jazz, ballet, and modern dance. With Diavolo, Ezra has discovered his love of the interaction of movement and architectural structures. CHELSEA PIERCE PERFORMER Chelsea is a native Texan. Education: University of Texas, Austin– Dance Performance, BFA. She has been seen on the hit reality series, A Chance to Dance, and has recently performed Ohad Naharin’s Minus 16 as well as William Forsythe’s In the Middle and Somewhat Elevated. Chelsea has also worked with choreographers, Alex Ketley, and Charlotte Boye-Christensen. Additional dance credits include the Tanzsommer summer dance tour. Chelsea has an incredible love for teaching and inspiring young artists. JESSIE RYAN PERFORMER Jessie started dancing and tumbling at a young age in her hometown of Denville, New Jersey. Education: Adelphi University–Dance, BFA; University of California, Irvine–Dance, MFA. Her past company work includes touring with LM Project, founding member and rehearsal director of Multiplex Dance. Teaching experience includes the Diavolo Institute and Broadway Dance Center in NYC. Her original work has been seen at HATCHed Performance Series and Laguna Dance Festival. Jessie also creates dance films, including documentary shorts with Hubbard Street Dance Chicago, Alonzo King LINES Ballet, and the Diavolo Institute. Diavolo
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COMPANY BIOGRAPHIES (continued) CONNOR SENNING PERFORMER Connor hails from Midlothian, Virginia. Education: University of the Arts–Modern Dance, BFA, with instruction from Donna Faye Burchfield. University Awards: Presidential Talent Scholarship, recognized for Excellence in Modern Performance. University of North Carolina School of the Arts–Modern Dance, Diploma. Dance credits include Brian Sanders’ JUNK (national tours, Philadelphia Fringe Arts Festival), Oliver! (Cameron MacKintosh’s international tour), a Cunningham Residency with Rashaun Mitchell, studies in Forsythe Technologies at the Konservatorium Wien in Vienna, and Centre National de la Danse in Paris. He would like to thank his loving family for always standing right behind him in every part of his journey. AMY TULEY PERFORMER Amy is originally from Cleburne, TX. Education: University of North Texas–Dance, BFA. Her background is tumbling, competitive cheerleading, jazz, and modern dance. She was a member of the North Texas Dancers for three years and held a Captain’s position. She has attended numerous dance intensives and has shown original work at the American College Dance Festival. She most recently co-choreographed for Nick Cave’s collaborative performance art project, Heard. RICO VELAZQUEZ PERFORMER Rico was born and raised in Chicago, IL. Although he was actively involved in competitive sports such as football, wrestling, and track and field, he developed a taste for performance art while showing off his talents on the dance floor at weddings and birthday parties. Education: Southern Illinois University at Edwardsville–Theater and Dance, BS, with instruction from Kristin Best Kinscherff. At SIUE, Rico performed works by Jon Lehrer, Michael Mizerany, Paula David, Omar and Jennifer Olivas, Dianna Andrews, Dustin Crumbaugh, and Calvin Jarrell. Featured in concert at American College Dance Festival Association’s regional conference. Training includes modern, ballet, jazz, salsa, and gymnastics. CHISA YAMAGUCHI PERFORMER / INSITUTE CO-DIRECTOR Chisa was born and raised in the San Francisco Bay Area. Education: UCLA–World Arts and Cultures & Asian American Studies, BA, with training from Maria Gillespie, Shel Wagner, Tamra-Henna, Nyoman Cerita, and Germaine Acony. When not working with Diavolo, Chisa teaches recreational gymnastics and dances professionally as an Egyptian Belly dancer. She also travels the world as an international volunteer in countries such as New Zealand, Fiji, Costa Rica, Guatemala, Egypt, and Portugal. Chisa has performed in Diavolo’s education programs since 2007 and joined the touring company in 2009.
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RENÉE LARSEN ENGMYR DIRECTOR OF PRODUCTION / STAGE MANAGER Renée has been in her current position since 2009. Prior to that, she performed in the Diavolo touring company for six seasons. Originally from the San Francisco Bay Area, Renée’s training includes jazz, ballet, tap, modern, gymnastics, and Tae Kwon Do. Education: University of California Irvine–Dance & Psychology, BA. She was a founder member of Eveoke Dance Theatre in San Diego. She spent four years performing with Eveoke and working as their Rehearsal Assistant. She currently teaches fitness and Pilates classes in Los Angeles. JONATHAN MEYER TECHNICAL DIRECTOR With parents who are artists and teachers, Jonathan has been involved with the arts his entire life. From ages 14 to 26, he was employed as a woodworker. At the Walton Arts Center in Fayetteville, Arkansas, he served as a rigger, fly rail operator, and lighting director on concert dance shows, Broadway shows, and everything in between. LUC HEDIGER LIGHTING DIRECTOR / ASSISTANT LIGHTING DESIGNER, CUBICLE Luc Hediger is originally from Switzerland and Austria and has already lived in over ten different countries. Education: Loyola Marymount University in Los Angeles, Theater, BFA. University lighting design credits include: Putting It Together, Chekhov Shorts, Twelfth Night, Rent, Spring Awakening, Someone Who’ll Watch Over Me, American Buffalo, A Midsummer Night’s Dream, and References to Salvador Dali Make Me Hot. LA Theater credits include Long Beach Playhouse and South Coast Rep. www.luchediger.com JOHN E.D. BASS LIGHTING DESIGNER, TRANSIT SPACE and FLUID INFINITIES John has been lighting theater, music, and dance for nearly two decades. Before joining Diavolo in 2007, his last project with Jacques Heim was Territory while studying at UCLA’s School of Theater, Film, and Television. Previous national tours designs include The Great Tennessee Monkey Trial for LA Theater Works and both Peter Pan and Camelot for McCoy Rigby Entertainment, where he served as associate to Tom Ruzika. Past design highlights include The Soze Project at the Apollo Theater in Harlem and Azure, an underwater fantasy show at the Silverton Las Vegas. Architectural credits include the Eastern Columbia building in Los Angeles and Spring, a Claes Oldenburg sculpture in Seoul, Korea. In addition to lighting regional theater around the United States, John also lights numerous musical acts in Los Angeles as well as working in film and television.
COMPANY BIOGRAPHIES (continued) MCCLUSKEY, LTD SET DESIGN, ENGINEERING, AND CONSTRUCTION Mike McCluskey started restoring Shelby Cobras in 1969 while attending UCLA for mechanical engineering and never stopped. Best known for its diversity of fabricating services (design, construction, welding, mechanics, finish, & paint), McCluskey Ltd. blends the art of handcrafting with modern aerospace technology. Internationally known for restoration/repair of vintage Cobras, exotic concept and racecars, plus historical aircraft & jets, McCluskey also builds props and sets for stage, movies, and TV. Mike’s team of highly skilled craftsmen are based in Torrance, CA, serving architectural, automotive, industrial, and entertainment clients including Getty, Disney, Shelby, Northrop, Honda, and Diavolo. TINA TREFETHEN SET DESIGN, ENGINEERING, AND CONSTRUCTION Tina’s mixed interests in art, extreme sports, design, and industry all combine uniquely for Diavolo. Tina has been a world hang-gliding champion, actor in TV and commercials, proskateboarder, aircraft manufacturer, and partner in her brother’s music business. She has evolved into a designer, sculptor, engineer, and fabricator of aluminum, steel, and composites for a great variety of architectural, aviation, automotive, and graphics projects. Clients include Lotus, Getty, Boeing, Disney, BMW, Honda, plus eleven major works for Diavolo. BRUNO LOUCHOUARN MUSICAL DIRECTOR / DRAMATURG FLUID INFINITIES Bruno has extensive film, theater, and dance credits as a composer, including the futuristic cantina music in Total Recall. Other projects with Jacques Heim include Surf Orpheus, a musical, books and lyrics by Corey Madden (UC San Diego, Getty Villa). Recent projects include A Weekend with Pablo Picasso with Culture Clash’s Herbert Siguenza (San Diego Repertory, Alley Theatre, LATC, Centre Repertory Company, Denver Center Theatre), Motherfu**er with a Hat, Eurydice (South Coast Rep); Agamemnon, with Tyne Daly (Getty Villa); the 12-hour film installation Day For Night, (GLOW 2010, Santa Monica and Transatlantyk International Film Festival, Poland); Little Sisters, choreographed by Rosanna Gamson (REDCAT); Rain After Ash, immersive multimedia work (Pacific Asia Museum, commissioned by AxS Festival, Pasadena); Night Falls, in collaboration with Julie Hébert and Deborah Slater (ODC, San Francisco); A Hammer, a Bell, and a Song to Sing (San Diego Repertory Theatre); Drive-Through, a piano and video commission; Pianospheres (Zipper Hall, Los Angeles); Café Vida, Cornerstone Theater (LATC); sound art for Suzanne Lacy’s Three Weeks in January (Getty’s Pacific Standard Time, Liverpool Biennial); Voices in the Dust, a chamber opera (Boston Court); and Tales of the Old West, an immersive site specific work (The Autry). www.brunolouchouarn.com
MONICA CAMPBELL ASSOCIATE CHOREOGRAPHER, FLUID INFINITIES With Diavolo, Monica danced in the touring company from 19992006, serving as Rehearsal Director from 2002-2004 and Associate Artistic Director from 2004-2006. Other dance credits include: Molissa Fenley and Dancers at the Lincoln Center Out of Doors Festival, Malashock Dance & Company and the Regina Klenjoski Dance Company. Education: University of Utah, Dance, MFA, where she received a Graduate Teaching Assistantship award as well as a Graduate Research Fellowship for her choreographic work Tabula Rasa. Campbell has shown her choreography in Salt Lake City, Minneapolis, Los Angeles, Idaho as well as Córdoba and Madrid, Spain. She created The Final Hours in 2009 as the Sugar Space Artist in Residence in Salt Lake City. An excerpt of this work was performed in the American College Dance Festival Gala Performance for the Northwest Region in 2012. She is currently an Assistant Professor in Utah Valley University’s Department of Dance where she has set new works on Synergy Dance Company (of which she is also the Artistic Director), Repertory Ballet Ensemble, and Contemporary Dance Ensemble. Her new company, Monica Campbell & Dancers, premiered her most recent work at the Rocky Mountain Choreography Festival. ADAM DAVIS PRODUCTION DESIGNER Adam is originally from Montreal, Canada and was raised in Miami, Florida. Education: University of Florida–Architecture, BA; Southern California Institute of Architecture (SCI-ARC)–Architecture, MA. His graduate work explored the limits of collapsible and kinetic structures and ultimately landed him a position with the AIA awardwinning LA firm Pugh + Scarpa working directly under principle Lawrence Scarpa. Entertainment design credits under Emmy Award winning production designer Jeremy Railton include Key Club a popular Sunset Strip nightclub and The Great World nightclub in Singapore. Art direction for a multitude of music videos, live events, and concerts for James Taylor, Enrique Iglesias, Brian Wilson, Linkin Park, Limp Bizkit, and David Bowie. Film and TV credits include: Super 8, Larry Crowne, The Girl with the Dragon Tattoo, Catching Fire (Hunger Games sequel), Terra Nova, and Magic City. Adam has also been recognized by the Art Director’s Guild, garnering two ADG awards for Outstanding Art Direction. Additionally, he received the 1999 Lester Horton Award for Outstanding Dance Set Design for Diavolo’s Capture and has been published in World Stage Design. MARK BAKER ASSISANT STAGE MANAGER, FLUID INFINITIES Mark has provided Diavolo with technical assistance for over 10 years, both nationally and internationally. Whether his role involves rigging, electrical crew, or a game of truck-packing “Tetris,” he makes sure to contribute at least one decent joke per day. He also Diavolo
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COMPANY BIOGRAPHIES (continued) serves as the full time Technical Director for Grand Performances in downtown Los Angeles as well as the Technical Director for General Mischief Dance Theatre in New York. NICHOLAS DAVIDSON ASSOCIATE LIGHTING DESIGNER, FLUID INFINITIES Nicholas is a lighting designer working in theatre, opera, dance, and architecture. Currently here in Los Angeles, he is a themed entertainment lighting designer and consultant for Thinkwell Group. Nicholas also works with LA-based theatres and dance companies including Underground Street Dance Company and Odyssey Theatre Ensemble. Recent design highlights include Let There Be Light for Temple Israel of Hollywood and Bukowski.Sondheim for California Repertory Company. Previous assistant design highlights include two seasons at the Central City Opera Festival and A Midsummer Night ›s Dream at Teatro dell’Opera di Roma in Rome, Italy. DAVID BEAUDRY PHYSICAL INTERACTIVE DESIGN, TRANSIT SPACE For much of his adult life, David has found himself straddling the worlds of live performance, design, and technology. He holds a Doctorate in Clarinet Performance from UCLA, and, as a professional clarinetist, has performed with most of the top groups in Los Angeles, won some awards, and played a bit in the studios. As a sound designer, he has worked in over 40 theatrical productions and is a regular at the Rubicon Theatre in Ventura, California and Falcon Theatre in Los Angeles. His multimedia installation work has led to major shows in the US, Germany, and Italy, including the Venice Biennale, as well as Artist Residencies in Canada and Argentina. He has been a member of the faculty at both the Art Center College of Design (Industrial Design) and UCLA (Theatre), where he has developed and taught many courses bridging design, performance, storytelling, and technology. In 2006, David founded Beaudry Interactive, an innovative design company that quickly became known for its work in physical interaction design, middleware technology (the bridge between technology, design and performance), and both a passion and ability for creating experiences where everything is happening in the moment. VALERIA BEAUDRY PHYSICAL INTERACTIVE DESIGN, TRANSIT SPACE Valeria blends art and science in her career and her personal life, and that mix feeds and informs her passion for all things that are elegantly designed, be it fine art, music, architectural structures, interactive systems, or theatrical events. Originally educated as a chemist, Valeria has enjoyed an eclectic career since coming to the US from Russia in 1993. She is sought after as a business consultant, having worked with variety of companies including Ernst & Young, Mattel, W.M.G., and Disney. Soon after the company’s founding, she became a partner at Beaudry Interactive, quickly applying her
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Diavolo
expert project management and problem-solving skills to technical design and creative principles. In addition to her duties as a partner, she is actively involved with Drisko Studios Architects, known for its expertise in historical preservation in Los Angeles and beyond. STEVE CONNELL WRITER, TRANSIT SPACE As an actor—Film: Another Day in Paradise, The Beat (Sundance), Blues, and ShangHai Kiss. TV: DirtySexyMoney and The List (both on ABC). Stage: Danny and The Deep Blue Sea, Robots vs. Fake Robots, Macbeth, and Much Ado About Nothing. As playwright/ performer—His newest solo work, Against Oblivion, was featured in South Coast Repertory’s Studio Series. With his longtime collaborator Sekou Andrews: no easy choice was featured at the U.S. Comedy Arts Festival in Aspen, CO. He and Sekou also reimagined the text for three beloved symphonies, including Peter and the Wolf, and performed them with Rachel Worby and the Angeli Orchestra. Steve has been featured on ABC World News, Good Morning America, HBO Def Poetry and has created work for Global Green, TEDMED, Xprize Foundation, NIKE, Sony/Universal, Pioneer Electronics, American Cancer Society, Farmers Insurance, Banana Republic, and Amnesty International. Private highlights include performing at Oprah Winfrey’s celebration of Maya Angelou as well as special events for Hillary Clinton and President Obama. He has released Better Bound, a book of poetry, and Intimate Nature of Knife Fights, a spoken word album. www.StevenConnell.com PAUL JAMES PRENDERGAST COMPOSER / SOUND DESIGNER, TRANSIT SPACE Paul is a multi-disciplinary theater artist, composer, sound designer, and music producer who has performed and recorded internationally. His versatility expands across musical genres of jazz, world, avantgarde, electronica, American roots, and rock. He works extensively for professional theater and dance companies. Theater credits number well over 100 including productions at the Mark Taper Forum, Guthrie Theater, South Coast Rep, Seattle Rep, Hartford Stage, Geffen Playhouse, Alley Theater, Great Lakes Theater Festival, Long Warf Theater, The Kennedy Center, Moscow Art Theater, Cal Shakes, Idaho Shakes, Edinburgh Festival, Actors Gang, Florida Stage, and Atlantic Theater Co. He is a former ensemble member of Cornerstone Theater and has worked in residence at the Oregon Shakespeare Festival for the past six seasons. Dance companies include Diavolo, MOMIX, Parsons Dance, Judith Jamison, Ballet Florida, Demetrius Klein, Teatro Du El, and Xing Peds. As a singer / songwriter, Paul’s work has been heard in films, on recordings, and performed at music venues worldwide. Awards include Ovation, Drama-Logue, Garland, Carbonell, Gregory, and a Grammy Nomination. He lives in Joshua Tree, California.
COMPANY BIOGRAPHIES (continued) ELIZABETH VAN VLECK REHEARSAL STAGE MANAGER, TRANSIT SPACE / PRODUCTION ASSISTANT, FLUID INFINITIES Elizabeth danced professionally in New York for over fifteen years. She was a dancer, teacher, and rehearsal director for Shapiro & Smith Dance. Elizabeth was a teaching artist for the New York City Ballet Education Department and the National Dance Institute. After receiving her MFA in Arts Administration, Elizabeth was the Operations and Production Manager/Associate Producer of Special Projects for the Sharon Disney Lund School of Dance at CalArts. Elizabeth continues to work in service of dance companies including Diavolo Dance Theater, BODYTRAFFIC, Ate9 Dance Company, Saenz and the Noise, and Pasadena Dance Theatre. She is the Managing Director of the not-for-profit arts service organization, Making Art Happen, whose mission is to empower members of the greater Los Angeles dance community to realize and express their artistic potential. Making Art Happen provides vital infrastructural support in order to advance artistic goals and to achieve long-term success and sustainability. SIBYL WICKERSHEIMER SET DESIGNER, TRANSIT SPACE Sibyl’s design credits span a wide range of projects that bring her work to a variety of venues internationally. Her current projects include: What About Dick?, written and directed by Eric Idle; Crescent City, a new opera with The Industry LA; and Big Haul, a mixed media, fourpart installation art series in collaboration with Janne Larsen. Sibyl is also an Assistant Professor in the USC School of Theatre. Regional theatre credits include: productions at Lookingglass Theatre, Berkeley Repertory, South Coast Repertory, The Geffen Playhouse, The Kirk Douglas Theatre, and the Oregon Shakespeare Festival. Sibyl has also designed 13 productions at The Actors’ Gang, including 1984 and The Trial of the Catonsville Nine, which have toured to festivals worldwide.
MATT WELLS CHIEF OPERATING OFFICER In 2012, Matt was honored with a Ralph M. Parsons Foundation Fellowship for nonprofit leadership. Prior to his work at Diavolo, Matt founded the Los Angeles theater company needtheater, where he served as Artistic Director for five years, producing many world premieres. Matt is a board member for the Hollywood Fringe Festival and has been a consultant for the LA Stage Alliance. As an actor, Matt worked with AR Gurney, Sigourney Weaver, Elizabeth Swados, and Josh Fox. Education: Northwestern University–Theater, BS; Claremont Graduate University–Arts Management, MA. ILONA PIOTROWSKA DIRECTOR OF OPERATIONS Ilona has a varied background that includes website design, performing arts administration, and production. For American Public Media Group, her online work included Southern California Public Radio (89.3 KPCC) and radio shows such as American RadioWorks, On Being, Marketplace, and A Prairie Home Companion. She does not wear clothes with horizontal stripes. JONES WELSH INSTITUTE CO-DIRECTOR Jones is a performer, administrator, and arts activist. Entering his second year as Institute Director, Jones manages the expansion of Diavolo’s education and outreach programs in Los Angeles and beyond. Jones performed with the Diavolo touring company for five seasons before taking on his previous role as Associate Artistic Director, he collaborated with Jacques Heim and the dancers in addition to working with students and faculty of University residency programs. Outside of Diavolo, Jones founded Not Man Apart—Physical Theatre Ensemble, which produces the L.A. Improv Dance Festival, Somatic Movement Arts Festival, and Shakespeare Santa Monica. As a dancer and choreographer, Jones has worked with many other companies including Nugent Dance, Heidi Duckler Dance Theatre, Invertigo Dance Theatre, Intention Dance Theatre, and Rosanna Gamson / World Wide. Education: University of Washington–Theater and Dance, BA; Non-Profit Management, Certificate Program.
Diavolo Board of Directors Mary Ellen Stuart, Chair, Jennifer Cheng, Jacques Heim, Bill Hranchak, Mark Kleiman, Renata Pompelli To learn more about Diavolo, visit our lobby display and go to diavolo.org for photos, videos, merchandise, and interactive information. For regular updates, join our (e)mailing list, like Diavolo on Facebook, and follow @Diavolo_LA on Twitter and Instagram.
THANK YOU! The Newman Center would like to thank Diavolo members Renée Larsen Engmyr and Chisa Yamaguchi and moderator Stephen Seifert, Executive Director of the Newman Center, for leading this evening’s Behind the Curtain lecture. Diavolo
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DIAVOLO SUPPORTERS With gifts from January 1, 2014 to March 31, 2015
Temo Arjani & Co. / Bill Hranchak Kenneth Wells and Christina Benson
$100,000 and above W.M. Keck Foundation
$1,000-$2,499 Norman Beil and Carla Malden Diana Buckhantz Richard and Karla Chernick Curtis and Andre Cronthall Brooke and Gerard de Gunzburg Jean-Louis de Gunzburg Friar’s Charitable Foundation William Kelly Mike and Kari Kerr Lear Family Foundation T. June and Simon K.C. Li Henry and Janine Lichstein Ellen Pansky Christina Wu
$50,000 and above California Community Foundation Jacques Heim Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission Ralph M. Parsons Foundation $25,000-$49,999 Vladimir and Araxia Buckhantz Foundation Tomas Fuller Green Foundation Hearst Foundation Dwight Stuart Youth Fund $10,000-$24,999 California Arts Council Cheng Family Foundation City of Los Angeles, Department of Cultural Affairs National Endowment for the Arts S. Mark Taper Foundation $2,500-9,999 Jennifer Cheng David and Kiki Gindler Mark Kleiman MidAtlantic Arts Foundation–US Artists International Mortimer Levitt Foundation David and Jill Morse Renata Pompelli RVM Associates Mary Ellen Stuart
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$250-$999 Mark Baker Miles Benickes Robert Braun and Joan Friedman Rebecca Conway Valerie Dunlap Anna Sanders Eigler Eduardo Estrada Lois Fishman Ruth Gilliland and Arthur Rieman Daniel Gould Laura Hartman Bonnie and Mervyn Hecht Christina Heitz and Douglas Keiller Kari Keegan-Smith Lisa Lockhart Roy Luthringer Gaynell Methvin Julie Miller and Caffrey Lee Patricia Niemiec Melinda Nordeng
Karin Olson Victor Orozco Beth Schneider Foundation Cynthia Sanford Stuart Schwartz Joseph Sherwood and Linda Kohn Sherwood John Spokes and Casey Stangl Bruce Stuart Anne Taubman Dale and Dee Van Vleck $100-$249 Jered Barclay Leslie Brenner Pedro Brotons Deborah Butterfield and John Buck Deborah Butt Cynthia Chester Elizabeth Fife John Forsyte Jessica Goin Kate Hutter Nancy Jacoby Wes Keebler Therese Kelly Carol Kotroczo Spencer and Dorothy Larsen Larry Layne Moira McGinty Judith Meyers Suzy Moser Sharon Oxborough Ted Piotrowski Suzanne Roberts Barbara Robertson Alexis Self Shawn Senning Priya Sopori and Eric Emmanuel Ryan and Christine Van Sant
Elizabeth Van Vleck James Vincent Alexa Wiegel Renae Williams-Niles Deborah Young $99 and below Charlie Cook Arts in Action / Dena Dahilig Gail Devine Djanbazian Dance Foundation Lisa Fusillo Marsha Goin Valerie Gross Jerry Kvasnicka Barbara Ligeti Ruth Linnick Genny Sanchez Jeffrey Shapiro In-Kind Guillermo Bert Cheval Bistro–Smith Brothers Restaurant Corporation Curtis and Andre Cronthall Dance at the Music Center, Los Angeles Irvine Barclay Theatre Tiffany Jackson Los Angeles Philharmonic Lucques McCluskey, Ltd. Nederlander Concerts–The Greek Theater Patina Restaurant Group Tina Trefethen Thanks to our donors, including those who wish to remain anonymous
NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and donor opportunities, please see pages 30–36 of the Newman Center Presents program. Memberships and donations received July 1, 2013–June 30, 2014 are listed on pages 39–42 of the program. Newman Center Memberships since July 1, 2014 BENEFACTOR Beverlee Henry PARTNER Stephen W. Seifert Davol G. Tedder SPONSOR Gordon Appell Family Charitable Fund Diana W. and Mike Kinsey Paula J. Meadows Sean and Natalie Raborn – Power Quip SUPPORTER Carolyn A. Agosta and William Rauschert Leslie Smith Beltrami Mary Jo Craige Kathryn Heet Marian D. Lauterbach Michael E. Leighton – Sage Family Fund W. Peterson Nelson – Nelson Family Foundation Jean and Ed Onderko Newman Center Donors since July 1, 2014 Charmatz Family Community First Foundation Herschel and Barbara Cravitz Max E. Donaldson Geoffrey Gordon Barbara Jean Hamilton Andrew Hornbrook Meredith Black and L. Roger Hutson Montjoy C. and Frank A. Kugeler Antonia & Vladimir Kulaev Cultural Heritage Fund, Inc. Yolanda McAllister Douglas G. and Laura B. Moran Barbara Neal and Ed Ellis Tracy Paige Forest O. Peneton Kathy A. and Donald D. Rosenkrans Ruth Schoening
Richard K. Replin and Elissa Rae Stein Gene E. and Nancy M. Richards Kathryn Spuhler William A. Stolfus and Andrea G. Richardson Adrian Tinsley CONTRIBUTOR Robert M. and Carole Cantor Adelstein Lisa Allen Mary Brothers Charlene S. Byers Joel S. Cohen and Kathryn L. Oberdorfer Geoffrey G. Gordon James P. Hayes Roger L. and Suzanne O. Kinney William Mohrman Mike Moore Jennifer Newman Donovan and Phyllis Rieger Paula Roney David Rosentrater Ruth Elaine Schoening
Susan Deese Tracy Carol A. Wilson Jeffrey Zax FRIEND Kenneth A. and A. Louise Beard Karin Bond Matt Chalek Russel R. DeWitt Katherine A. Dines and David Hunter Miller Miriam Farrington Pamela Herring and Martin Eisenberg Robyn Jacobs Ross and Vicki Kazer Jim LeNoir Sarah Lincoln Isabelle Marques Mark Paller Sally G. Plummer Karen J. Shaw Jenene C. and James J. Stookesberry
Stephen W. Seifert and Davol G. Tedder Carolyn Strand J. Alton and Dorothy J. Templin Joan B. Wohlgenant Janalynn Sau Wong
Newman Endowment for Experiential & Cultural Learning In honor of Margot and Allan Frank In honor of Sue Anschutz Rodgers Beverlee Henry
In memory of Fran Seifert Karin Bond
In honor of Robert and Judi Newman Jennifer Newman
In honor of Beverlee Henry and the Honorable Robert Fullerton In honor of Judi and Robert Newman M Allan and Margot Gilbert Frank
In honor of Jane Quinette Stephen W. Seifert and Davol G. Tedder In honor of Cynthia Secor Adrian Tinsley
In honor of Susanne W. Hamilton, Edith Berliner, and Max Wilmersdoerffer Barbara Hamilton and Paul Primus
Diavolo 11
2015-16 SEASON ANNOUNCEMENT! Boston Brass and Brass All-Stars Big Band Christmas Bells are Swingin’! Wed / Dec 2, 2015 / 7:30 p.m. Brooklyn Rider Almanac Thu / Jan 14, 2016 / 7:30 p.m. Kyle Abraham Dance / Abraham.In.Motion When the Wolves Came In Wed / Jan 20, 2016 / 7:30 p.m. So Percussion with Shara Worden, vocals Sat / Feb 6, 2016 / 7:30 p.m.
Julian Lage & Chris Eldridge, Guitarists Avalon Thu / Apr 21, 2016 / 7:30 p.m.
Kyle Abraham Dance
Twyla Tharp Dance 50th Anniversary in Dance Thu / Sep 24, 2015 / 7:30 p.m. Fri / Sep 25, 2015 / 7:30 p.m.
Bill Childs – Map to the Treasure: Reimagining Laura Nyro featuring Diane Reeves, Becca Stevens, and Alicia Olatuja Thu / May 5, 2016 / 7:30 p.m.
Colorado Symphony Tue / Oct 6, 2015 / 7:30 p.m. Vertigo Dance Company Reshimo co-presented with Mizel Arts and Culture Center at the JCC Sat / Oct 17, 2015 / 7:30 p.m. Michael Feinstein The Great American Songbook co-presented with Mizel Arts and Culture Center at the JCC Thu / Oct 22, 2015 / 7:30 p.m. Anonymous 4 – Final Season Tour 1865 – Songs of Hope and Home from the American Civil War with Bruce Molsky, fiddle, banjo, guitar, and vocals Sat / Nov 14, 2015 / 7:30 p.m.
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globalFest
Gabe Kahane and Timothy Andres Sat / Apr 2, 2016 / 7:30 p.m. Sun / Apr 3, 2016 / 2:00 p.m.
Gabe Kahane
Paul Taylor Dance Company Sat / Feb 20, 2016 / 7:30 p.m. Sun / Feb 21, 2016 / 2:00 p.m. Colorado Symphony Thu / Feb 25, 2016 / 7:30 p.m. Metropolitan Opera Rising Stars Concert Series Sat / Mar 5, 2016 / 7:30 p.m. globalFest On the Road Creole Carnival Tue / Mar 29, 2016 / 7:30 p.m.
Brooklyn Rider
Founding Partner
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Endowment Recognition
Porter Adventist Hospital is proud to support the Newman Center for the Performing Arts and all those who pursue excellence in our community.
porterhosptial.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a member of Centura Health, Colorado’s largest hospital and healthcare network. Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright Š Centura Health, 2013
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2014-2015 Newman Center Presents
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ENJOY THE SUITE LIFE IN DENVER! The Embassy Suites Denver Southeast is a proud supporter of the University of Denver and Newman Center Presents. The Embassy Suites Denver Southeast features true, two-room guest suites, a complimentary cooked-to-order breakfast and a complimentary manager’s cocktail reception.
For fantastic group deals call us at (303) 696-6644 or visit DenverSoutheast.EmbassySuites.com today! 2014-2015 Newman Center Presents
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DID YOU KNOW?! Newman Center Executive Director Stephen Seifert serves on the Board of Directors of the Western Arts Alliance. WAA is a membership association of touring and performing arts professionals engaged in presenting the performing arts throughout the western states and Canadian provinces. Serving members since 1967, WAA’s annual conference brings together over 1,000 artists, artist managers, presenters, leaders of arts service organizations, and administrators of state arts agencies. At the conference, members work together on artist tours for upcoming seasons and engage in professional development for arts leaders.
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2014-2015 Newman Center Presents
THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE
to a Newman Center Presents performance of your choice in the 2014-15 season Invitation to pre-performance and Our mission is to make the best performing • intermission receptions for each Newman arts programming available in our community. Center Presents performance (hosted bar To do this, our ticket prices are held at a and hors d’oeuvres) level that covers less than half of the true costs of our programming, operations and maintenance. The difference is made up by SPONSOR—$500 • All Supporter Membership benefits, plus: your generous membership support. • Invitation to a backstage tour Two complimentary guest passes to a Your membership to Newman Center makes • Newman Center Presents performance of it possible for us to present the best in your choice in the 2014-15 season performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a partially or fully tax-deductible Membership that makes everything we do possible.
SUPPORTER—$200 • All Contributor Membership benefits, plus: • Four additional complimentary drink vouchers for any Newman Center Presents performance in the 2014-15 season • Two Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department BECOME A NEWMAN CENTER MEMBER production of your choice (dates subject to Annual Membership starts for as little as availability) $50, but the more you choose to give, the greater the difference you will make. (See CONTRIBUTOR—$100 below about the matching grant opportunity • All Friend Membership benefits, plus: to double the value of your gift). A portion • Two complimentary drink vouchers for any of your membership may be tax deductible. Newman Center Presents performance in To become a Newman Center Member, or the 2014-15 season for more information about our membership program, please contact the Newman Center FRIEND—$50 Box Office, Mon–Fri, 10 a.m.–4 p.m.; Sat, 12 • Priority notification of subscription renewal p.m.–4 p.m. (Sep–May), or at 303.871.7720. dates • Priority notification of single ticket sale Newman Center Membership Levels* dates • Recognition in each performance program BENEFACTOR—$5,000 for Newman Center Presents performances • All Partner Membership benefits, plus: • Subscription to Curtain Call • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the *The amount paid for your membership is 2014-15 season (pending artist availability) tax deductible minus the fair market value of • Two complimentary Pick Your Own 3 benefits received. If you decline all benefits, guest subscriptions (three shows total) the entire amount of your Membership is to Newman Center Presents 2014-15 tax deductible. Deductible amounts with season shows benefits are: Friend—$50, Contributor—$94, Suppor ter—$142, Sponsor—$366, PARTNER—$1,000 Par tner—$690, Benefactor—$4,474. • All Sponsor Membership benefits, plus: • Two additional complimentary guest passes
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SUPPORT FOR THE PERFORMING ARTS
Just making a little toffee for a few of our friends... Enstrom's World Famous Almond Toffee is a hand-crafted confection that, once tasted, is never forgotten. From its humble beginnings in a Grand Junction, Colorado candymaker’s kitchen, Enstrom’s Toffee has become the go-to gift for candy connoisseurs.
In any project, the benefits of leverage can be amazing. The University of Denver is committed to leadership in leveraging our partnership with you. In recent years, DU has committed $5 million to match every new gift of $10,000 or more to support performing arts on campus. A limited amount of funds remain in this matching pool and are available to match your contributions and pledges. Your gift can be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. We urge you to take advantage of this unprecedented opportunity today. Please consider giving generously to the performing arts at the University of Denver. Seize the chance to leverage your gift for the enrichment and education of current and future generations of students and for the living cultural fabric of our community. To discuss giving opportunities to the Newman Center for the Performing Arts, please contact Isabel Werner, Director of Development— Arts, Humanities and Social Sciences, Isabel. Werner@du.edu or call 303.871.4472.
WHAT GIFT DOLLARS CAN REALLY DO Thank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts).
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2014-2015 Newman Center Presents
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WHAT GIFT DOLLARS CAN REALLY DO (continued)
During the 2014-2015 season, these funds will help make the following programming a reality: • Educational residency work and master classes with Pinchas Zukerman; Beijing Dance/LDTX; The King’s Singers; Renaud Garcia-Fons; Bill T. Jones/Arnie Zane Dance Co.; Medeski, Martin & Wood and Alarm Will Sound; Aspen Santa Fe Ballet; Roomful of Teeth; Donal Fox; it gets better; and Diavolo are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. • Beijing Dance/LDTX, Bill T. Jones/Arnie Zane Dance Co., Aspen Santa Fe Ballet, and Diavolo are supported in part by The Grynberg Family Endowment for Dance Programming and Roger and Meredith Hutson. • Chris Thile and Edgar Meyer; Renaud GarciaFons Quartet; Medeski, Martin & Wood and Alarm Will Sound; and Roomful of Teeth are supported in part by The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. • All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. • Bill T. Jones/Arnie Zane Dance Co. and Roomful of Teeth are supported in part by The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. If you are interested in supporting Newman Center Presents, please contact Isabel Werner, Director of Development - Arts, Humanities and Social Sciences, Isabel.Werner@du.edu or call 303.871.7467. If you work with a local organization or Denver-area K-12 school and would like to learn more about how Newman Center Presents artists provide educational outreach activities for your school or group, please contact Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager, at Sarah.A.Johnson@du.edu or call 303.871.2862. Please include the following information: your name and position, name of
34
2014-2015 Newman Center Presents
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WHAT GIFT DOLLARS CAN REALLY DO (continued)
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THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS The construction of the Newman Center and all its public and backstage spaces was only made possible by generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-ofthe-art systems.
DID YOU KNOW?! The Center Stage Club offers online versions of Newman Center Presents Magazine for patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.
CenterStageClub.com
The Center Stage Club is produced by Colorado’s Performing Arts Publications
36
2014-2015 Newman Center Presents
The Newman Center Volunteers have given over 78,000 hours of service since the NCPA opened in 2003. Our volunteer program is over 200 strong, and they come from as far away as Evergreen, Castle Rock, and Loveland for the pleasure of giving you a program and helping you locate your seat.
Tim Murphy / FotoImagery.com
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Come Sing With Us! Calling all boys and girls in grades 2-8!
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Concerts in the beautiful Newman Center December 7, May 3 and June 28
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Educating Minds, Enriching Hearts & Expanding Horizons Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • rigorous academics • arts, athletics, technology, Languages • Sports and Extra-curricular activities • Extended day care • daily hot Lunch program • need-Based tuition assistance available grades: preschool (age 3)-grade 8 Enrollment: 424 Student/Faculty: 8:1
Call today to schedule a tour of our campus, including our new dining hall and performing arts spaces.
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38
2014-2015 Newman Center Presents
ENDOWMENT GIFTS (continued)
To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment. Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you. If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Isabel Werner, Director of Development, at 303.871.7467 (Isabel.Werner@du.edu). DONOR ACKNOWLEDGEMENTS The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2013–14 (July 2013– June 2014) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period: Newman Center Donors Anonymous (several) Leslie Beltrami Carl Berman and Joyce L. Gioia Karin Bond Bonfils-Stanton Foundation Matt Chalek Vernelle C. Columbus Community First Foundation Robert Downes Kevin Fitzpatrick
Friends of Chamber Music Kay E. Grice Edie Hori L. Roger and Meredith Black Hutson Susan Martin Yolanda McAllister Joan B. and Richard L. McGee Mile High United Way Douglas G. and Laura B. Moran Jennifer Newman Tina and Tom Obermeier Edward Onderko Paula Roney Marriott and John Smart Kathryn Spuhler Serda D. and Roy S. Tibbs Adrian Tinsley Myranda E. Whitesides Carol Wilson In honor of Karen Lee-Siebels Kay E. Grice In honor of Judi and Robert Newman Margot Gilbert and Allan Frank Newman Endowed Fund for Experiential and Cultural Learning In honor of Margot Gilbert Frank In honor of Margot and Allan Frank and In honor of Sue Anschutz Rodgers Beverlee Henry and Robert Fullerton In memory of Frances E. Seifert Robert C. and Judith S. Newman Christine B. Poe Obermeier Stephen W. Seifert and Davol G. Tedder In memory of Arthur J. Seifert Stephen W. Seifert and Davol G. Tedder In honor of Dee Getchel James and Frances Cosby 2013-2014 MEMBERS BENEFACTORS Robert and Judi Newman PARTNERS Margot and Allan Frank Mike and Diana W. Kinsey Dennis A. Oliver Stephen W. Seifert Davol G. Tedder
ORIGINAL ART - PRINTING - CUSTOM FRAMING FEATURED ARTISTS AND PHOTOGRAPHERS TANIS BULA - BILL MASURE - SHERYL BABIARZ RON BIRREL - E.McCARTHY ALLEN VICTORIA WINN - PAUL CHENOWETH
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SPONSORS Gene and Dee Garms Milstein Gregg Kvistad and Amy Oaks Jane Quinette PowerQuip Partners – Sean and Natalie Raborn SUPPORTERS Libby L. Bortz and Michael R. Altenberg Edward W. Estlow Teresa Giammanco Walter F. Imhoff Mary Jo Craige Johnson M. D. Lauterbach Joan Markle Francis X. O’Connor Nelson Family Foundation – W. Peterson Nelson Jordon and Essie Perlmutter Rodney L. Smith and Constance A. Brakke Smith Richard Replin and Elissa Stein William Stolfus and Ann Richardson Thomas and Theresa Wheeler Robert A. Zupkus and Donna Howard-Zupkas CONTRIBUTORS Robert M. and Carole Cantor Adelstein Lisa Allen Thomas N. Butler Charlene S. Byers Catherine P. Cole Joel S. Cohen and Kathryn L. Oberdorfer William and Barbara Dolan Michael J. and Laura Fowles Pamela F. Grange Roger L. Kinney David R. and Florence Lynn Linke William Mohrman Harold S. and Sarah M. Nelson Gene E. and Nancy M. Richards Donovan C. and Phyllis A. Rieger Kathy A. and Donald D. Rosenkrans Ruth Schoening Janet L. Schroeder Michel N. and Carla Schuh Thomas Blake Spellman Roger L. Tate
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2013-2014 MEMBERS
(continued)
Reda Walsh Carol A. Wilson Ruth Wolff
STRENGTH STRETCH CONTROL BALANCE
(Gifts and memberships received on and after July 1, 2014 are acknowledged in the show insert in the middle of the program.)
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FRIENDS Varda and Bernhard J. Abrahamsson Barbara R. and John R. Adams Albert G. Appell Mary Claire Brothers Judith K. Cisney Betty J. Croall and James A. Carney Andrea Elizabeth Faley Frances N. Gray Charles Hanson Andrew Hornbrook Katy Jarusco Ann Marie Kaplan Roger L. and Suzanne O. Kinney Gloria Kubel Sarah Lincoln Robert Roy Montgomery Michael C. and Ann A. Moore Sally G. Plummer Frances E. Seifert Jenene C. and James J. Stookesberry Shirley M. Tanaka Mary Ann Tarpey Mirelly Tierney William B. M. and Susan D. Tracy Roberta Kaye and Leonard N. Waldbaum Carol M. Warner
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46 2014-2015 Newman Center Presents
PATRON INFORMATION • The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • Parking is available in the Newman Center parking garage (complimentary for all Newman Center Presents events). Patrons are advised not to park in the neighborhood, as most side streets have one-hour parking only. • Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.
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