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FROM THE EXECUTIVE DIRECTOR Welcome to Newman Center Presents, and thank you for coming! This season started early, given our collaboration with the Biennial of the Americas in presenting the Colorado premiere of Brazil’s Companhia Urbana de Dança in July. The rest of the season features our signature eclectic mix of musical and dance artists from around the world. NEWMAN CENTER STAFF EXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Stephen W. Seifert, Executive Director Richard Michel, Budget Officer Cathy Kaufman, Executive Assistant EVENT SERVICES Diane L. Roth, Assistant Director Amanda Swartzbaugh, Event Manager Ramsey Walker, Event Coordinator MARKETING Natalie Raborn, Marketing Director PATRON SERVICES Dee Getchel, Assistant Director PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/ Audio Engineer Zack Jovanovich, Stage Operations Coordinator/ Lighting Engineer TICKETING SERVICES Richard Moraskie, Assistant Director Max Manoles, Assistant Manager of Ticketing ADVERTISING INFORMATION

This program is produced for the Newman Center by The Publishing House, Westminster, CO Angie Flachman Johnson, Publisher Tod Cavey, Director of Sales Stacey Krull, Production Manager Mark Fessler, Press Manager Michele Garner, Graphic Designer Wilbur E. Flachman, President For advertising information, call 303-428-9529 or email sales@pub-house.com coloradoartspubs.com

Contemporary dance finds a welcome home at the Newman Center. This season we host the legendary Twyla Tharp’s 50th Anniversary Tour with all new works. Together with the Mizel Arts & Culture Center at the JCC we present Vertigo Dance from Israel. The appearance of Kyle Abraham’s Abraham.In.Motion coincides with the annual conference of the International Association of Blacks in Dance, being hosted in Denver by Cleo Parker Robinson Dance. Finally, we have commissioned a new work from another American dance legend, Paul Taylor, and his company will present the world premiere here in February. The Newman Center has been a regular presenter of new classical music and this season includes some of the best young composers and musicians working today. The string quartet Brooklyn Rider performs its “Almanac” project of works written for them by composers as diverse as Bill Frisell, Ethan Iverson, and Vijay Iyer. So- Percussion, with us for the third time, plays Bryce Dessner’s “Music for Wood and Strings” on instruments invented for the piece, and then joins the multitalented Shara Worden, vocalist of the indie rock band My Brightest Diamond, for a series of songs written by her. Gabriel Kahane, back for the third time as well, pairs up with pianist Timo Andres for an intimate exploration of songs, old and new, in the Hamilton Family Recital Hall. Other highlights of the season include the master of the American Songbook, Michael Feinstein, also in collaboration with the Mizel Arts and Culture Center, the beloved a cappella ensemble Anonymous 4 on their farewell tour in a program memorializing 150 years since the end of the Civil War, and four award-winning young stars from the Metropolitan Opera singing arias and ensembles from opera. We’ll celebrate the holidays with swing as the Boston Brass and the Brass All-Stars Big Band combine jazz and seasonal favorites. The Colorado Symphony brings its new Associate and Assistant conductors to the Newman Center, once for an “inside the score” performance of Brahms’s 4th Symphony, and once with a program inspired by an exhibit at the University’s Vicki Myhren Gallery exploring color. We are proud to be part of the premiere US tour of globalFEST On the Road. This minifestival of three performers from Brazil, Haiti, and Jamaica creates a “Creole Carnival.” The season ends with two shows sure to burn up the stage. The thrilling young guitarists Julian Lage and Chris Eldridge will amaze you, and Billy Childs’ reimagination of the music of singer-songwriter Laura Nyro (performed by everyone from Barbara Streisand to the 5th Dimension, from Blood, Sweat and Tears to Peter, Paul and Mary), including three singers, Dianne Reeves, Becca Stevens, and Alicia Olatuja, will end the season in high style. Welcome to your performing arts center at the University of Denver. Have a great time! Stephen W. Seifert Executive Director

2015-2016 Newman Center Presents

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NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose and our vision are to: •C elebrate, entertain, inspire and feed the imagination •G ive voice to the innate human need for expression through performance •E ducate and prepare better citizens of our community • Begin conversations of ideas • F oster an eagerness for and habits of curiosity and learning •M ake the major sources of our own and other cultures accessible to our community •E mbrace our differences; celebrate diversity of forms, attitudes, traditions and populations • Challenge assumptions and encourage creativity and new work, even at the risk of failure •H elp teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future • Demand excellence and integrity without avoiding controversy • Remind our community that the performing arts have value to our society because they: •C reate self-esteem, which is earned by striving to achieve high standards • I ntegrate with other disciplines such as language, history, math and science • F oster communication and interpersonal skills

2015-2016 Newman Center Presents

FROM THE CHANCELLOR Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center is a crown jewel of Denver’s arts scene. There is no other complex like it anywhere in the state. Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good. The Newman Center’s stages also enable our students to demonstrate their remarkable talent. This building helps us to attract some of the most promising and talented young people in the nation, and every production by students in our Lamont School of Music and Department of Theatre showcases their energy, enthusiasm and dedication. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create. To which the rest of us can only say, encore. Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season!

Rebecca Chopp Chancellor, University of Denver

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THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers and storytellers to the university community and our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at Natalie. Raborn@du.edu or 303.871.4154.

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2015-2016 Newman Center Presents

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2015-2016 SEASON All performances take place in June Swaner Gates Concert Hall at 7:30 p.m., unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change. Companhia Urbana de Dança Sun, Jul 19, 2015 / 2:00 p.m. In collaboration with the Biennial of the Americas, Newman Center Presents will bring this Rio de Janeiro-based dance company to Denver for a week of activities culminating in a full-length performance at the Newman Center. The dancers will also, together with the dancers of Denver’s Wonderbound, create a new dance work to premiere at the Biennial of the Americas Festival. Companhia Urbana de Dança will also lead free public dance workshops for people of all ages and experience and a master class for dancers. Sonia Destri Lie, the company’s choreographer, will participate in a panel discussion at the Biennial Pavilion about the intersection between art and social issues. Sponsored by Newman Center Members Twyla Tharp 50th Anniversary Tour Thu, Sep 24, 2015 / 7:30 p.m. Fri, Sep 25, 2015 / 7:30 p.m. Fifty years ago, Twyla Tharp choreographed her first dance. This year, she celebrates her unique legacy in American modern dance with all new works. In the intervening years, she and her own company have toured the world performing original works set to classical, jazz, and popular music. Twyla Tharp Dance eventually merged with American Ballet Theatre, which continued to premiere new Tharp works. She has made dances for Paris Opera Ballet, The Royal Ballet, and New York City Ballet, as well as for her own

2015-2016 Newman Center Presents

dance musical Movin’ Out and such other Broadway shows as Singin’ in the Rain and The Times They are a-Changin’! She has collaborated on films such as Hair, Amadeus, and White Nights, as well as PBS and BBC television programs. She has received two Emmy Awards, a Tony Award, 19 honorary doctorates, the National Medal of the Arts, a MacArthur Fellowship, among many other distinctions. Sponsored by Founding Partner The Denver Post This project also received support from the National Dance Project/New England Foundation for the Arts, with lead funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts (NEA). Colorado Symphony Inside the Score: Brahms’s 4th Symphony Tue, Oct 6, 2015 / 7:30 p.m. The evening begins with a performance of Mozart’s Horn Concerto No. 3, featuring Colorado Symphony Principal Horn player Michael Thornton as soloist. Then we will go “inside” Brahms’s 4th Symphony. This work astonished Brahms’s friends when they first heard it in a piano version. Some urged him not to release it to the public. But its premiere a few months later was positively received. It went on to become one of the pillars of the symphonic repertoire, even being seen as a summing up of western musical traditions to that point, and an introduction to the world of Ives, Stravinsky and Schoenberg. The Colorado Symphony’s

new Associate Conductor Christopher Dragon will lead an in-depth exploration of this last symphonic work of Brahms’s career, including musical illustrations, followed by a full performance. Sponsored by Newman Center Members Vertigo Dance Co-Presented with the Mizel Arts and Culture Center at the JCC Sat, Oct 17, 2015 / 7:30 p.m. Vertigo Dance was founded in Israel in 1992 by Noa Wertheim and Adi Sha’al and is dedicated to bringing people together and touching them through the language of the body in motion. Wertheim, her three sisters, and their families founded the Vertigo Eco-Art Village, the home to Vertigo Dance and a School for Earth Building for the use of renewable, local materials and ancient building techniques, workshops and classes in art and practical ecology, a community recycling center offering workshops, an artists’ residence for local and foreign artists, and outreach performances for diverse communities including those with disabilities and special needs. Their goal is to create a family model based on ecological and social principles that can be passed from community to community, even country to country. The major work on this Colorado premiere by Vertigo Dance is called Reshimo, a Kabbalistic idea suggesting the impression light makes— the afterimage—once one is in darkness. It is set to a hauntingly beautiful musical score by Israeli composer Ran Bagno. Supported in part by a generous grant from MDC Holdings/Richmond American Homes Foundation.

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2015-2016 SEASON Michael Feinstein The Great American Songbook Co-Presented with the Mizel Arts and Culture Center at the JCC Thu, Oct 22, 2015 / 7:30 p.m. Michael Feinstein’s suave vocalism, irresistible charm, and remarkable insights into popular song make his concerts wonderful celebrations of the genre. He has been dubbed “The Ambassador of the Great American Songbook,” has released multiplatinum-selling albums, and has been nominated twice for an Emmy and five times for a Grammy Award. His 200-plus shows a year have included performances at Carnegie Hall, Sydney Opera House, and the Hollywood Bowl, as well as the White House and Buckingham Palace. More than simply a performer, Feinstein has received national recognition for his commitment to celebrating America’s popular song and preserving its legacy for the next generation. In 2007, he founded The Great American Songbook Foundation, dedicated to celebrating the art form and preserving it through educational programs, master classes, and the annual High School Vocal Academy and Competition, which awards scholarships and prizes to students across the country. Feinstein serves on the Library of Congress’ National Recording Preservation Board, an organization dedicated to ensuring the survival, conservation, and increased public availability of America’s sound recording heritage. Sponsored by Newman Center Members

Anonymous 4 Final Season Tour 1865 – Songs of Hope and Home from the American Civil War with Bruce Molsky, fiddle, banjo, guitar, and vocals Sat, Nov 14, 2015 / 7:30 p.m. Anonymous 4’s third and last album of their American Trilogy recordings for harmonia mundi—and their final brand new touring program—commemorates the 150th anniversary of the end of the American Civil War. 1865 focuses on the personal experiences of men, women, and children from the north and the south toward the end of the Civil War and in its immediate aftermath. The songs may originally have been written for the stage or the parlor, or they may have emanated from the hills and back roads of America. Many of the songs in 1865 were published between 1861 and 1865; others first appeared in print earlier but were sung constantly during the War years, perhaps in an effort to bring to mind the familiar and the good. Yet other songs and instrumental tunes are not datable; by the year 1865, they had already been passed down from generation to generation without the aid of the printed page. Joining Anonymous 4 for this project is Bruce Molsky, renowned old-time fiddler, master banjo and guitar player, and vocalist. Anonymous 4 and Bruce have put their own stamp on the songs in 1865, including fivepart harmonies on the Stephen Foster gem “Hard Times, Come Again No More,” “Home, Sweet Home,” and “Listen to the Mocking Bird” accompanied by the minstrel banjo; the high lonesome sound on folk songs such as “Bright Sunny South”; Bruce’s fiddle and banjo playing on instrumental tunes “Rebel Raid”; “Polly Put the Kettle On”; and the fourpart a cappella singing of Anonymous 4 on the hymn “Abide with Me.” Sponsored by Newman Center Members

2015-2016 Newman Center Presents

Boston Brass & the Brass All-Stars Big Band Christmas Bells are Swingin’! Wed, Dec 2, 2015 / 7:30 p.m. Boston Brass has expanded their trademark entertainment by teaming up with all-star brass players from Denver to produce an unmatched sound that will brighten your holiday season. The brass ensemble (trumpets, French horns, trombones and tubas) with jazz rhythm section features fiery big band arrangements of classics such as the Stan Kenton Christmas Carols, “Greensleeves,” and “Motown Jingle Bells” in a setting that will delight audiences of all ages. The concert also includes holiday favorites performed by the Boston Brass such as “Three Dances” from the Nutcracker, “Christmas Song,” and “White Christmas.” This ensemble of virtuoso musicians will light up the stage and warm every heart. Sponsored by Founding Partner Cherry Creek Shopping Center Brooklyn Rider Almanac Thu, Jan 14, 2016 / 7:30 p.m. The adventurous, genredefying string quartet Brooklyn Rider makes its Denver premiere in a performance of new works that are all part of its inventive and entertaining Almanac project. Taking a cue from the Blue Rider artist collective (Der Blaue Reiter) of the pre-WWI era, the quartet invited an exciting group of composers—including Wilco’s Glenn Kotche, singer-songwriter Aoife O’Donovan, Deerhoof’s Greg Saunier, and a host of jazz luminaries including guitarist Bill Frisell, pianist Vijay Iyer, and Ethan Iverson of The Bad Plus—to create new music. Each composer chose a personal creative muse as inspiration, ranging from Igor Stravinsky

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to Keith Haring, Chick Corea to John Steinbeck, David Byrne to James Brown, choreographer Mark Morris to Aboriginal Australian painter Albert Namatjira. Allan Kozinn, music critic with The New York Times for many years, has said that “there is an incredible world taking shape, with young composers writing music that people want to hear, and hear about, and a style/era change as significant as the shift from Baroque to Classical or Classical to Romantic.” Brooklyn Rider is an integral part of that movement. Sponsored by Newman Center Members Kyle Abraham / Abraham.In.Motion When the Wolves Came In In collaboration with Cleo Parker Robinson Dance and the International Association of Blacks in Dance Conference Wed, Jan 20, 2016 / 7:30 p.m. This Colorado premiere by Abraham.In.Motion features works inspired by Max Roach’s iconic 1960 protest album We Insist! (Max Roach’s Freedom Now Suite), itself created in anticipation of the 100th anniversary of the Emancipation Proclamation as well as to shed a light on the growing African independence movements of the 1950s. The potent themes inherent in these historical milestones are evident in Abraham’s choreography, evocative scenery by visual artist Glenn Ligon, visceral power of Roach’s masterwork, and original compositions of Grammy Award-winning jazz musician Robert Glasper. Born into hip-hop culture in the late 1970s and grounded in his artistic upbringing in classical cello, piano, and the visual arts, Kyle Abraham’s movement delves into identity and personal history. His work entwines a sensual and provocative movement vocabulary with a strong emphasis on sound, human behavior, and all things visual. Abraham founded his own

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company in 2006, and, in the comparatively short time since, has been selected as one of Dance Magazine’s 25 To Watch for 2009; won a 2010 Bessie Award for Outstanding Performance in Dance and a Princess Grace Award for Choreography; and was called the “best and brightest creative talent to emerge in New York City in the age of Obama” by OUT Magazine in 2011. In 2012, he received the Jacob’s Pillow Dance Award, a USA Ford Fellowship, and was named the New York Live Arts Resident Commissioned Artist for 2012– 2014. In 2013, he was awarded a MacArthur Fellowship (the “genius grant”). Presenting Sponsor – Creative Instinct, Inc. This project also received support from WESTAF, the Western States Arts Federation; and the National Endowment for the Arts. So- Percussion with Shara Worden, vocals Sat, Feb 6, 2016 / 7:30 p.m. For over a decade, SoPercussion has redefined the modern percussion ensemble as a flexible, omnivorous entity, pushing its voice to the forefront of American musical culture. So- Percussion’s career now encompasses 16 albums, tours throughout the United States and around the world, a dizzying array of collaborative projects, several ambitious educational programs, and a steady output of its own music. So- Percussion is heavily involved in mentoring young musicians and is the newly appointed Edward T. Cone Ensemblein-Residence at Princeton University. Not many people can front a rock band, sing Górecki’s Third Symphony, lead a marching band processional down the streets of the Sundance Film Festival, and perform in a baroque opera of their own composing all in a month’s time.

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2015-2016 SEASON But Shara Worden can. Born in El Dorado, Arkansas and then raised all around the country, Worden came from a musical family of traveling evangelists. She went on to study operatic voice and then classical composition after a move to New York City. Worden is the lead singer for My Brightest Diamond and has worked with Laurie Anderson, Pulitzer Prize-winning composer David Lang, David Byrne, Music, Bon Iver, and The Blind Boys of Alabama. For their third time with Newman Center Presents, So- Percussion will perform “Music for Wood and Strings” by The National’s Bryce Dessner. Soand Worden will perform Shara’s own “Timeline.” Sponsored by Newman Center Members

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Paul Taylor Dance Company featuring the world premiere of a new work Co-Commissioned by Newman Center Presents Sat, Feb 20, 2016 / 7:30 p.m. Sun, Feb 21, 2016 / 2:00 p.m. Dancemaker Paul Taylor, one of the seminal artists of the 20th and 21st centuries, continues to shape the homegrown American art of modern dance that he has helped define since he became a professional dancer and pioneering choreographer in 1954. Newman Center Presents has co-commissioned a new work by Taylor that will have its world premiere at these performances. This project received support from WESTAF, the Western States Arts Federation; the National Endowment for the Arts; and The Antonia and Vladimer Kulaev Cultural Heritage Fund, Inc.

2015/2016 Season Cantata Insights Series: Wachet auf, BWV 140

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Christmas Oratorio, BWV 248

• Saturday, December 19, 7:00 pm at Bethany Lutheran Church • Sunday, December 20, 6:00 pm at Griffin Concert Hall

St. John Passion, BWV 245

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• Friday, March 18, 7:30 pm at Saint John’s Cathedral • Saturday, March 19, 7:30 pm at Bethany Lutheran Church • Sunday, March 20, 4:00 pm at Redeemer Lutheran Church

Cantata Insights Series: Weinen, Klagen, Sorgen, Zagen, BWV 12

• Sunday, April 17, 5:00 pm at Bethany Lutheran Church

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2015-2016 SEASON Colorado Symphony Learning to Hear Color Thu, Feb 25, 2016 / 7:30 p.m. Many composers and musicians experience sounds as colors– among the most famous are Liszt, Rimsky-Korsakov, Sibelius, Bernstein, Ellington, Messiaen, and Ligeti. American composer Michael Torke even composed a suite called Color Music including such sections as “Bright Blue Music” and “Ecstatic Orange.”

also the launching pad for the opera stars of the future. Some of today’s leading artists got their first big break by winning the company’s National Council Auditions, as members of the Lindemann Program, and by catching the attention of MET talent scouts. Stephanie Blythe, Renée Fleming, Ben Heppner, Deborah Voigt, Thomas Hampson, and Eric Owens are just a few of the major artists to have come through the MET ranks. Another generation of young singers is ready to be discovered.

In conjunction with an exhibition at the University of Denver’s Vicki Myhren Gallery called Learning to See Color, this concert explores the musical aspects of color. The Colorado Symphony’s new Assistant Conductor, Andres Lopera, will lead you through a program demonstrating that art created to be experienced through one sense, such as music, can actually lead to perceptions and feelings experienced through other senses—colors can be heard.

globalFEST On the Road Creole Carnival Tue, Mar 29, 2016 / 7:30 p.m. Experience three exciting artists in this mini-festival format. Over the past decade, globalFEST has become one of the most dynamic global music platforms in North America. What started as an annual showcase in New York City has grown into an international brand, building audiences for world music with stages at SXSW, Bonnaroo, and beyond. Founded in 2003, globalFEST spotlights artists who represent diverse global styles, bringing down boundaries between countries and creating cultural opportunities for collaboration. More than 120 emerging and established artists have performed at globalFEST, including such celebrated voices as Mariza, Lila Downs, and Angelique Kidjo. Following the January 2016 festival in New York, globalFEST’s first tour will begin, bringing this phenomenon across North America.

Sponsored by Newman Center Members Metropolitan Opera Rising Stars Concert Series Sat, Mar 5, 2016 / 7:30 p.m. Rising Stars of the Metropolitan Opera offers fans across North America a rare opportunity to experience remarkable young artists on the cusp of extraordinary careers. Each concert features singers carefully selected from the MET’s Lindemann Young Artist Development program—winners of the MET’s National Council Auditions—accompanied by piano in popular arias, duets, and ensembles by opera’s greatest composers. For more than 125 years, the Metropolitan Opera has been the artistic home of the greatest singers in the world. But the MET is

2015-2016 Newman Center Presents

Sponsored by Newman Center Members

The inaugural tour, Creole Carnival, features Emeline Michel, the reigning queen of Haitian song; Casuarina, Rio’s innovative samba masters; and Brushy One-String, Jamaica’s charismatic one-string guitarist and vocalist. Sponsored by Newman Center Members

Gabriel Kahane and Timo Andres Sat, Apr 2, 2016 / 7:30 p.m. Sun, Apr 3, 2016 / 2:00 p.m. Hamilton Recital Hall For this performance two friends draw on four centuries of music to create a call and response experience. Solo piano transcriptions of Bach chorale preludes are mixed with songs for piano and voice by composers such as Franz Schubert, Robert Schumann, Thomas Adès, and Jerome Kern. Benjamin Britten’s folk song settings and Charles Ives’ songs are mingled with new pieces written by Gabe and Timo for each other, resulting in a live mix-tape concert. Kahane is a tireless collaborator. His recent credits include a track on this year’s Beck Song Reader, performances and recordings with Newman Center favorite Chris Thile, and several projects with Sufjan Stevens. Andres’ debut album Shy and Mighty was released in 2010 to immediate critical acclaim. Alex Ross wrote in The New Yorker that it “achieves an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene ... more mighty than shy, [Andres] sounds like himself.” This project received support from The Antonia and Vladimer Kulaev Cultural Heritage Fund, Inc. Julian Lage and Chris Eldridge Avalon Thu, Apr 21, 2016 / 7:30 p.m. Avalon, from Julian Lage and Chris “Critter” Eldridge, is a love letter to the sound of the acoustic guitar. Their set list is a mix of originals and covers that illustrate the breadth

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Join us for another year of fantastic art exhibitions! Annabeth Rosen the whole is equal...

October 8 - November 15, 2015

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Hearing & Tinnitus Care • More than 100 Physicians & Healthcare workers refer their patients to us. • 85% of our patients come from physician and patient referrals. • BBB Gold Star Award and A+ rated.

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Annabeth Rosen, Prolly, 2012. Photo courtesy of the artist.

Learning to See Color

January 14 - March 6, 2016

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Carmon Colangelo, Seven Days in O Land O, 2011. Gift of Ralph Nagel.

Visit du.edu/vmgallery for more information about exhibitions, openings, and other gallery events.

2015-2016 SEASON of the American songbook, incorporating bluegrass, country, gospel, old-time music, and jazz. Julian Lage is an American guitarist, composer, and arranger. Hailed as a child prodigy, Lage was the subject of the Academy Award nominated documentary Jules at 8. His music is rooted in both traditional and acoustic forms, and he has had the opportunity to collaborate with renowned artists such as Jim Hall, Mark O’Connor, Béla Fleck, Gary Burton, David Grisman, and Joshua Bell. His debut recording, Sounding Point, was nominated for a 2010 Grammy Award for Best Contemporary Jazz Album of the Year. As a member of Punch Brothers, guitarist Chris Eldridge has been at the vanguard of acoustic music for much of the past decade. Eldridge developed a deep love for acoustic music thanks in part to his father, a banjo player and founding member of the seminal bluegrass group The Seldom Scene. Eldridge later gained in-depth exposure to a variety of different musical styles while studying at Oberlin Conservatory. In 2005, he founded the bluegrass band The Infamous Stringdusters. Sponsored by Newman Center Members

DID YOU KNOW?!

Newman Center volunteers have given over 78,000 hours of service since the NCPA opened in 2003.

Our volunteer ushers come from as far away as Evergreen, Castle Rock, and Loveland for the pleasure of handing you a program and helping you locate your seat.

Billy Childs Map to the Treasure: Reimagining Laura Nyro featuring Dianne Reeves, Becca Stevens, and Alicia Olatuja Thu, May 5, 2016 / 7:30 p.m.

BOX OFFICE INFORMATION M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208 Hours: Mon–Fri, 10 a.m.–4 p.m. Sat, 12 p.m.–4 p.m. (Sep–May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com Tickets can be purchased in person at the Newman Center Box Office or by phone at 303.871.7720 during the hours listed above or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online.

Laura Nyro, who died in 1997 at the age of 49, was one of the most important singer-songwriters of the late 1960s and early 70s. Her work is known more through covers of her songs—such as “Stoney End,” “Black Patch,” “Blowing Away,” “Wedding Bell Blues,” “Stoned Soul Picnic,” “Save the Country,” “And When I Die”—performed by others (Barbara Streisand; Blood, Sweat and Tears; The 5th Dimension; Peter, Paul & Mary; Three Dog Night) than through her own performances. Her compositions blend soul, gospel, jazz, show tunes, and pop. Billy Childs’ arrangements with vocals by Becca Stevens, Alicia Olatuja, and Denver’s own Dianne Reeves are a loving and powerful tribute to this influential artist. Childs is a pianist, composer, and arranger, a three-time Grammy winner, and an artist who can fluidly move among jazz and other musical worlds. Denver’s own Dianne Reeves is a five-time Grammy Award winner for Best Jazz Vocal Performance, the only artist to win that award for three consecutive albums. Supported by The Porter Adventist Hospital Endowment for the Performing Arts and by Newman Center Presenting Sponsor VAL-U-ADS®

Discounts are available for students, seniors, and DU faculty and staff. For more information, or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight (8) or more to most events. For information, contact Molly Epstein at molly@mepstein.net or 303.619.6196.

To v iew a listing of our previous twelv e seasons, p leas e vis it www.newmancenterpresents.com and select Archive.

COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or cocommissioned the following works: Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra 2015-2016 Newman Center Presents

Anonymous 4

Final Season Tour Saturday, November 14, 2015 with Bruce Molsky,

fiddle, banjo, guitar, vocals

1865: Songs of Hope and Home from the American Civil War

There will be no intermission this evening.

No portion of this performance may be photographed, recorded, filmed, or videotaped.

Sponsor Newman Center Members

This performance received support from The Porter Adventist Hospital Endowment for the Performing Arts.

Anonymous 4

TONIGHT’S PROGRAM 1865: Songs of Hope and Home from the American Civil War Anonymous 4 Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek With special guest, Bruce Molsky (fiddle, banjo, guitar, vocals) All songs on tonight’s program have been arranged by members of Anonymous 4 and Bruce Molsky. Songs you may hear tonight: Popular songs Home, Sweet Home Words: John Howard Payne ; Music: Sir Henry Bishop (1823) Hard Times Come Again No More Words and Music: Stephen Foster (1854) Darling Nelly Gray Words and Music: B.R. Hanby (1856) The Faded Coat of Blue, or, The Nameless Grave Words and Music: J.H. McNaughton (1865) Listen to the Mocking Bird Words and Music: Alice Hawthorne (aka Septimus Winner) (1856) The Southern Soldier Boy Words: Captain C.W. Alexander (1863) Air: The Boy with the Auburn Hair (ca 1859) Sweet Evelina “Words by M ; Melody by T” (possibly T. Brigham Bishop) (1863) Weeping, Sad and Lonely, or, When this Cruel War is Over Words: Charles Carroll Sawyer ; Music: Henry Tucker (1863) The Picture on the Wall Words and music: Henry Clay Work (1864) Tenting on the Old Camp Ground Words and Music: Walter Kittredge (1864)

Anonymous 4

TONIGHT’S PROGRAM (continued) Hymns and Gospel songs Abide with Me Words: Henry F. Lyte ; Music: William H. Monk (1861) The Land of Beulah Words: Jefferson Hascall ; Music: William B. Bradbury (1862) Shall We Gather at the River? Words and Music: Robert Lowry (1865) Traditional songs Bright Sunny South · Brother Green · The Maiden in the Garden · The True Lover’s Farewell Traditional fiddle and banjo tunes Camp Chase · Polly Put the Kettle On · Rebel Raid

1865 Joined by special guest Bruce Molsky, Anonymous 4 commemorates the 150th anniversary of the end of the American Civil War and the abolition of slavery with 1865. 1865 focuses on the personal experience of men, women, and children from the North and from the South, toward the end of the Civil War and in its immediate aftermath -- as told in songs originally written for the stage and for the parlor, and in songs and instrumental tunes from the hills and back roads of America. Many of the songs in 1865 were published between 1861 and 1865; others first appeared in print earlier, but were sung constantly during the terrible war years, perhaps in an effort to bring to mind the familiar and the good. Yet other songs and instrumental tunes are not datable; by the year 1865, they had already been passed down from generation to generation without the aid of the printed page. Whatever their origins or history or musical style, these songs are the stylized, versified “stories” preferred by so many who lived through “This Cruel War.” They describe the cause and the call to fight; the agony of separation of lovers or of mothers and sons; the hopes, fears, and sacrifices of those who remained at home during the long wait for news of loved ones; the experiences of the soldiers themselves -- especially their desperate longing for home and family; homecoming for those who survived; grief for those who did not; and the hope for reconciliation amidst a troubled peace.

Letters, diaries, and memoirs attest to the importance of music during the Civil War, whether performed on the battlefield by homesick soldiers or at home by those who waited for them. Responding to the demand for music (and in doing so, creating an even greater market for it), songwriters and composers jumped into action, producing several thousand songs during the war years -- about 700 released by Southern publishers, the rest by Northern publishers. Songs appeared in elegant sheet music with beautifully illustrated covers and in cheap single sheets referred to as song sheets or broadsides; and the lyrics of favorite songs both old and new were printed in pocket-sized collections called songsters, which were carried by both soldiers and civilians.

Despite the frenzy of musical composition and publication, and the speed with which certain new songs became huge hits, the single most popular song in both the North and the South during the Civil War actually pre-dated the war’s first shot by almost four decades, originating in the 1823 opera, Clari, or the Maid of Milan. Account after account tells of the singing of this song to ward off despair, or describes Northern and Southern soldiers camped on opposite sides of a river or a battlefield, singing or playing Union and Southern tunes in alternation, and finally joining together on… Home, Sweet Home.

Anonymous 4

TONIGHT’S PROGRAM (continued) Like Home, Sweet Home, many other songs on 1865 have nothing to do with side taking. Northerners preferred the love song Aura Lea; Southerners preferred the love song Sweet Evelina. Listen to the Mockingbird became The Mockingbird Quickstep, played by military and civilian brass bands everywhere during the war years. But the lyrics of some of our songs (and many other Civil War songs as well), did promote either the Northern or the Southern cause. Even so, some of the best loved of them were sung with equal fervor in the North and the South. The Northern song Weeping, Sad and Lonely, or, When This Cruel War is Over was printed again and again by both Northern and Southern publishers with certain changes in text to indicate Union or Confederate allegiance. Despite the fact that the extreme sadness of its theme caused such bad morale that generals tried to forbid their troops from singing it, sales of Weeping, Sad and Lonely approached nearly a million copies, and songwriters on both sides of the Mason-Dixon Line churned out reply songs, parodies, and imitations.

Although a few of the songs in 1865 fell into obscurity after the end of the Civil War, many others have lived on and become part of the American treasury of song. Certain songs have been sung and played in a surprising variety of settings. We particularly love

Anonymous 4

the facts that Aura Lea is the source of the melody for the Elvis Presley hit Love Me Tender, and (despite its extremely sad lyrics) Listen to the Mockingbird became a comic song, often featuring virtuosic whistling solos – and used as part of the theme song in the opening credits of the short films of The Three Stooges! Shall We Gather at the River has not only enjoyed a long and active life here in the US, but made its way to the British Isles and has flourished there, as well.

Featured in tonight’s concert: five-part harmonies on Weeping, Sad and Lonely, the Stephen Foster gem Hard Times, Come Again No More, and Shall We Gather at the River; Bruce accompanying himself on banjo on Bright Sunny South, and his inimitable fiddle and banjo playing on instrumental tunes Rebel Raid, Camp Chase, and Polly Put the Kettle On; Darling Nelly Gray, Listen to the Mocking Bird, and Home, Sweet Home in something close to their original settings accompanied by the fretted banjo; the Southern favorite Sweet Evelina sung girl group style; Aura Lea in an arrangement for two voices and guitar; an homage to the Carter Family on The Faded Coat of Blue; the high lonesome sound on the folk song The True Lover’s Farewell; and the four-part a cappella singing of Anonymous 4 on the anti-war song Tenting on the Old Camp Ground and the hymn Abide with Me.

BIOGRAPHIES Anonymous 4’s programs have included music from the year 1000; the ecstatic music and poetry of the 12th-century abbess and mystic, Hildegard of Bingen; 13th- and 14th-century chant and polyphony from England, France, and Spain; medieval and modern carols from the British Isles; American folksongs, shape note tunes, and gospel songs; and works newly written for the group. Their recordings have received France’s prestigious Diapason d’Or, Classic CD’s Disc of the Year, Classic FM’s Early Music Recording of the Year, several Gramophone Editor’s Choice awards, Italy’s Antonio Vivaldi Award, Le Monde de la Musique’s Choc award; the group has also twice been voted one of Billboard’s top classical artists. Composers who have written for Anonymous 4 include David Lang (love fail, a full-evening-length work premiered in June 2012), Richard Einhorn (Voices of Light, an oratorio with silent film; and A Carnival of Miracles, for vocal quartet and two cellos), John Tavener (The Bridegroom, for Anonymous 4 and the Chilingirian String Quartet), Peter Maxwell Davies (A Carnival of Kings), and Steve Reich (Know What is Above You).

Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek

ABOUT ANONYMOUS 4 Four women got together for a music reading session one afternoon in the spring of 1986; they wanted to hear what medieval chant and polyphony would sound like when sung by female voices. Nearly 30 years later, Anonymous 4 has performed for sold-out audiences on major concert series and at festivals throughout North America, Europe, Asia, and the Middle East; and has made over 20 recordings for harmonia mundi usa, selling over two million copies.

Anonymous 4 has recorded and toured with the Chilingirian String Quartet, fabled harpist Andrew Lawrence King; newgrass stars Darol Anger (violin) and Mike Marshall (mandolin, guitar), and has collaborated with John Darnielle’s indie rock band, the Mountain Goats. The group’s newest project, the final installment of the American Trilogy entitled 1865, featuring songs of hope and home from the American Civil War, pairs the ensemble with renowned singer and old-time fiddler, master banjo and guitar player, Bruce Molsky. The recording of 1865 was released by harmonia mundi early in 2015 and has returned Anonymous 4 to the top of the Billboard classical charts. After a journey its members could never have imagined possible on that spring day in 1986, Anonymous 4’s adventures are coming to an end: the group will be closing up shop after the end of 2015. Ruth, Marsha, Susan, and Jacqueline extend special thanks to you for being here tonight.

!! Anonymous 4

BIOGRAPHIES RUTH CUNNINGHAM Ruth does the social media and informal tour photography for Anonymous 4. Ruth received a B. Mus. in Performance of Early Music from the New England Conservatory of Music and is certified as a cross-cultural music and healing practitioner. She specializes in singing early music and improvisational music in both liturgical and concert settings. Ruth looks forward to expanding her work in improvisatory performance as well as continuing to teach workshops and individual sessions in sound healing and improvisation. She has two solo cds: Light and Shadow: Chants, Prayers and Improvisations and Harpmodes: Journey for Voice and Harp. Ruth’s other releases include two recordings of multi-faith chants with colleague Ana Hernandez: Blessed by Light and HARC: Inside Chants. Her website is www.ruthcunningham.com. MARSHA GENENSKY Marsha handles Anonymous 4’s American music research, and has acted as music director for A4’s American projects, American Angels, Gloryland, and 1865. She also does the historical language pronunciation research for A4’s medieval music projects, acts as tour manager, and generally “makes things go” for the group. Since moving to the Bay Area in 2004, she has been teaching performance courses and workshops on medieval music and on Anglo-American sacred and secular song, and has become a SF Giants fan(atic). Marsha looks forward to creating (and performing in) more American music projects; she also plans to seek a new role in the Bay Area, helping to support and fund performing artists and ensembles. SUSAN HELLAUER Susan is a native of the beautiful Bronx, New York, where she grew up rooting for the Yankees. While earning a B.A. in music as a trumpet player from Queens College (City University of New York), an increasing fascination with medieval and Renaissance vocal music led her to convert to singing, and to pursue advanced degrees in musicology from Queens College and Columbia University. Susan handles Anonymous 4’s medieval music research, and is an adjunct Assistant Professor of Music at Queens College, CUNY, where she directs the Collegium Musicum. She has appeared as

Anonymous 4

a vocal soloist with the Harp Consort, Parthenia, and the 2006 U.S. Fes Festival of World Sacred Music. Susan leads Chant Camp workshops throughout the U.S., and is proud to be a volunteer EMT and ambulance driver with the Nyack Community Ambulance Corps. JACQUELINE HORNER-KWIATEK Jacqueline Horner-Kwiatek is Anonymous 4’s new music liaison, helping to facilitate commissions and collaborations with composers and artists such as David Lang and John Darnielle. She is a soloist outside of her work with Anonymous 4, performing music from Bach to Babbitt with many ensembles in the U.S. and Europe, including Ensemble Intercontemporain Paris, Ensemble Modern Frankfurt, Washington Bach Consort, Carmel Bach Festival, Parthenia, Locrian and American Opera Projects. She is currently part of an opera in development about Nicolai Tesla, being created by the dream team of Phil Kline, Jim Jarmusch and Robert Wilson. She is also a voice teacher with a thriving studio in New York City and gives master classes and ensemble technique workshops in New York City, DC and throughout the U.S. She is currently a Doctoral candidate at The Juilliard School. Her website is Jacquelinehorner.com. BRUCE MOLSKY Bruce Molsky is “one of America’s premier fiddling talents” (Mother Jones) and a twice-GRAMMY nominated artist. On the road over 200 days a year, Bruce tours the world solo, with Andy Irvine and Dònal Lunny’s Mozaik, as a trio with Aly Bain and Ale Möller, with The Old-Time Kozmik Trio (Darol Anger and Rushad Eggleston), and in a new trio with Tony Trischka and Michael Daves. With seven solo CDs behind him, No Depression called Bruce’s latest solo CD If It Ain’t Here When I Get Back “an album from an absolute master.” Bruce is also Berklee College of Music’s first permanent visiting professor in their American Roots Music Program, and is the go-to guy for the next generation of fiddlers. Anonymous 4 is represented by Alliance Artist Management & records exclusively for harmonia mundi usa U.S. booking and management for Bruce Molsky: Tree Frog Music 5030 Broadway Suite 812 New York, NY TEL (212) 304-3538 FAX (212) 304-3530 www.allianceartistmanagement.com

THANK YOU! The Newman Center would like to thank Jena Dickey from Young Voices of Colorado for leading the Behind the Curtain lecture before tonight’s performance.

BEHIND THE CURTAIN

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Join us before each Newman Center Presents performance for an opportunity to learn more about anything from the evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Tickets are not required for these FREE Behind the Curtain talks, and no RSVP is necessary. Talks take place one hour before curtain in June Swaner Gates Concert Hall, entering on Orchestra Level East for seating.

See complete event descriptions on pages 10-23 of the Newman Center Presents program.

Remember: COMPLIMENTARY parking is available for all Newman Center Presents shows in the Newman Center garage.

Brooklyn Rider Thu, Jan 14, 2016 / 7:30 p.m.

Boston Brass and the Brass All Stars Big Band Christmas Bells Are Swingin’! Wed, Dec 2, 2015 / 7:30 p.m. Whiffenpoofs and Baker’s Dozen from Yale Fri, Jan 8, 2016 / 7:30 p.m. Sat, Jan 9, 2016 / 1:30 p.m.

COLORADO GIVES DAY The Newman Center for the Performing Arts is taking part in Colorado Gives Day on December 8—an annual statewide movement to celebrate and increase philanthropy through online giving. You can increase the power of your gift to NCP by making it through ColoradoGives.org. Presented by Community First Foundation and FirstBank, the Newman Center can benefit by taking part in the daylong event: we participate in the Colorado Gives $1 Million Incentive Fund for every gift we receive as part of Colorado Gives Day. It’s easy to do—and you can do it any time. Simply schedule your gift for December 8 through the Colorado Gives Day safe and secure website (www.ColoradoGives.org). Thanks for your support!

Anonymous 4

FOOD FOR THOUGHT Before each Newman Center Presents performance, starting at 6 p.m., DU Catering Services offers a selection of tasty snacks for purchase in Joy Burns Plaza. So whether you come before the Behind the Curtain lecture or head into the Plaza afterward, you can get a quick bite before showtime!

GIVE THE GIFT OF THE ARTS—GIFT CERTIFICATES! Gift certificates in any amount are available at the Newman Center Box Office and are redeemable for the purchase of tickets for any performance of the Newman Center Presents 2015–16 Season. They are perfect for birthdays, anniversaries, and special gifts year round! The Box Office is open 10 a.m.–4 p.m. Mon–Fri, 12 p.m.–4 p.m. Sat (Sep–May), and one hour before performances.

NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and donor opportunities, please see pages 30–36 of the Newman Center Presents program. Memberships and Donations received July 1, 2014–June 30, 2015 are listed on pages 44-46 of the program. Newman Center Memberships since July 1, 2015 BENEFACTOR PARTNER Stephen Seifert SPONSOR William Rauschert and Carolyn A. Agosta

SUPPORTER William A. Stolfus and Andrea G. Richardson CONTRIBUTOR David Rosentrater

Newman Center Donors since July 1, 2015 Meredith Black and L. Roger Hutson Bonfils-Stanton Foundation Antonia & Vladimer Kulaev Cultural heritage Fund MDC/Richmond American Homes Foundation Bettina Kurowski

Anonymous 4

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Porter Adventist Hospital is proud to support the Newman Center for the Performing Arts and all those who pursue excellence in our community.

porterhosptial.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a member of Centura Health, Coloradoâ&#x20AC;&#x2122;s largest hospital and healthcare network. Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright ÂŠ Centura Health, 2013

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DID YOU KNOW?! American higher education institutions play a critical role in the nation’s performing arts ecology. Of the approximately 4,000 colleges and universities in the United States, about 2,300 of them have a professional

2015-2016 Newman Center Presents

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“presented series” in the performing arts. The roots of some university presenting programs, such as the University Musical Society in Ann Arbor, reach back over 125 years. Often such programs were, at the beginning, simply a labor of love for an individual faculty member. Over the second half of the 20th century, such programs grew and became more organized and professional. Today, universities are among the most important patrons of the performing arts in the country. They commission artists to create new work, offer important residencies for artists to develop their work, share their knowledge and skills with students and communities, and present performances in their cities and towns that might not otherwise occur there.

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COMMISSIONED WORKS (Continued)

Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach

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Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers Co-commissioner, “Imaginary City,” by So Percussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground (Lamont School of Music Artists-In-Residence) during the Newman Center Presents’ Mile High Voltage Festival

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(Continued) Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and Young Voices of Colorado during Newman Center Presents’ Voltage 2012 Co-commissioner, “From Darkness to Light,” music by Ofer Ben-Amots, choreography by Garrett Ammon, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony Orchestra, Robert E. Loup Jewish Community Center, Mizel Arts and Culture Center, and performed as part of A Journey of the Human Spirit Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgić Co-commissioner, Dance yet to be named, choreography by Paul Taylor, and performed in its world premiere by Paul Taylor Dance Company Co-commissioner, Musical work for voice and piano yet to be named, by Timo Andres, cocommissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Gabriel Kahane Co-commissioner, Musical work for voice and piano yet to be named, by Gabriel Kahane, co-commissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Timo Andres.

BEHIND THE CURTAIN The Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing, and thoughtprovoking dancers, actors, and musicians. We invite you to join us for free Behind the Curtain discussions where artists, members of the ensembles, or experts in the field discuss anything from that evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance.

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Amahl and the Night Visitors Beloved holiday opera by Gian Carlo Menotti the story of a magic star, a shepherd boy, and how unselfish love and good deeds can work miracles.

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(Continued)

Talks are free, take place in June Swaner Gates Concert Hall, are open to the public, and start one hour before curtain. Tickets are not required for these pre-performance talks and no RSVP is necessary. Please check the Newman Center event calendar for updates to Behind the Curtain and upcoming speaker announcements. (Speakers are subject to change.)

THE LAMONT SCHOOL OF MUSIC AND DEPARTMENT OF THEATRE The University of Denverâ&#x20AC;&#x2122;s Lamont School of Music presents more than 300 concerts a year. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets. Complimentary tickets are available in person at the Newman Center Box Office or may be reserved online or by phone for a small service charge at www.newmantix.com or 303.871.7720. Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students with valid ID are complimentary.

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Fall and Spring Lamont Operas and Musicals, Guys and Dolls and CosĂ fan tutte, are reserved seating ranging from $11 to $30. Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation. For information, visit www.du.edu/lamont or call the concert line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube.

Educating Minds, Enriching Hearts & Expanding Horizons Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • rigorous academics • arts, athletics, technology, Languages • Sports and Extra-curricular activities • Extended day care • daily hot Lunch program • need-Based tuition assistance available grades: preschool (age 3)-grade 8 Enrollment: 424 Student/Faculty: 8:1

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(Continued) DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2015-16 season, The Department of Theatre will present: • A staged reading of Columbinus by Stephen Karam and PJ Paparelli (Sep 2015, Byron Theatre) • Fall Quarter’s main stage productions of Bad Jews by Joshua Harmon (Oct 2015, White Box Theatre at J-MAC) and Two Rooms by Lee Blessing (Oct and Nov 2015, Byron Theatre) • A staged reading of Hir by Taylor Mac (Jan 2016, Byron Theatre)

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• Winter Quarter’s main stage productions of Eurydice by Sarah Ruhl (Feb 2016, Byron Studio in the Newman Center) and Little Shop of Horrors; book and lyrics by Howard Ashman, music by Alan Menken (Feb & Mar 2016, Byron Theatre) • A stage reading of In the Next Room (or The Vibrator Play) by Sarah Ruhl (Apr 2016, Byron Theatre) • Spring Capstone Cycle—Cycles 1 and 2: Senior Capstone Productions (Apr & May 2016, J-MAC Studios) • Independent student productions throughout the year • Call 303.871.2518 or visit www.du.edu/ theatre for information about all Department of Theatre events. Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Monday-Friday, 10 a.m. – 4 p.m. and Saturday, 12 p.m. – 4 p.m. (Sep-May), by phone at 303.871.7720, or online at www.newmantix. com. (Phone and online orders are subject to service fees.)

2015-2016 Newman Center Presents

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The Enrichment Program of University College, DU’s college of professional and continuing studies, connects the intellectually and culturally curious adult to DU’s outstanding faculty, facilities, and programming, and Denver’s rich cultural community through noncredit classes. Hand-picked scholars, classes that often include a special experience or event, discerning participants engaged in serious discussions, no grades, exams, or admission requirements—these are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty, gather with likeminded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center-related classes. Fall 2015 registration is available now for classes held September through earlyDecember, and Winter/Spring 2016 offerings, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.

MEET ROBERT AND JUDI NEWMAN These avid philanthropists, and winners of the 2014 Colorado Business Committee for the Arts’ John Madden Jr. Leadership Award, smile when they remember becoming involved in the campaign to create an outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later, the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, then director of the Lamont School, and William Temple Davis, then chairman of DU’s Department of Theatre. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Among those, Bob is a Trustee of the Denver Center for the Performing Arts and the Denver Art Museum. He is a former member of DU’s Board of Trustees and currently serves on the Daniels School Executive Advisory Council. Judi sits on the Visiting Committee for the Frost School of Music, the Academic Affairs Committee, and the Board of Trustees of the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”

THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE Our mission is to make the best performing arts programming available to our community. To do this, our ticket prices are held at a level that covers less than half of the true costs of our programming, operations, and maintenance. The difference is made up by your generous membership support. Your membership to the Newman Center makes it possible for us to present the best in performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a fully tax-deductible membership that makes everything we do possible.

BECOME A NEWMAN CENTER MEMBER Annual Membership starts for as little as $50, but the more you choose to give, the greater the difference you will make. (See below about the matching grant opportunity to double the value of your gift.) A portion of your Membership may be tax deductible. To become a Newman Center Member or for more information about our Membership program, please contact the Newman Center Box Office, Mon – Fri, 10 a.m. – 4 p.m.; Saturday , 12 p.m. – 4 p.m. (Sept – May), or at 303.871.7720. Newman Center Membership Levels* BENEFACTOR- $5,000 All Partner Membership benefits, plus: • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the 2015-16 season (pending artist availability • Two (2) complimentary Pick-Your-Own 3 guest subscriptions (3 shows total) to Newman Center Presents 2015-16 season shows

PARTNER - $1,000 All Sponsor Membership benefits, plus: • Two (2) additional complimentary guest passes to a Newman Center Presents performance of your choice in the 2015-16 season • I nvitation to pre-performance and intermission receptions for each Newman Center Presents performance (hosted bar and hors d’oeuvres) SPONSOR - $500 All Supporter Membership benefits, plus: • Invitation to a backstage tour • Two (2) complimentary guest passes to a Newman Center Presents performance of your choice in the 2015-16 season SUPPORTER - $200 All Contributor Membership benefits, plus: • Four (4) additional complimentary drink vouchers for any Newman Center Presents performance in the 2015-16 season • Two (2) Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department production of your choice (dates subject to availability) CONTRIBUTOR - $100 All Friend Membership benefits, plus: • Two (2) complimentary drink vouchers for any Newman Center Presents performance in the 2015-16 season FRIEND - $50 • Priority notification of subscription renewal dates • Priority notification of single ticket sale dates • Recognition in each performance program for Newman Center Presents performances • Subscription to Curtain Call *The amount paid for your Membership is tax deductible minus the fair market value of benefits received. If you decline all benefits, the entire amount of your Membership is tax deductible. Deductible amounts with benefits are: Friend - $50; Contributor $94; Supporter - $142; Sponsor - $366; Partner - $690; Benefactor - $4,474.

2014-2015 Newman Center Presents

MATCHING SUPPORT FOR THE PERFORMING ARTS DU has committed $5 million to match every new gift of $10,000 or more in the Campaign for the Performing Arts. Your gift can be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. During this campaign, the university is also matching any binding and future gifts from your estate. We urge you to take advantage of this exceptional opportunity. Your contribution makes it possible to support the work of artists as they develop and present eclectic, inspirational, and thought-provoking performances. 303.987.7845 Lakewood.org/LCCPresents

To discuss DUâ&#x20AC;&#x2122;s Campaign for the Performing Arts, please contact Kellyn Smith, Senior Director of Development, Kellyn.smith@du.edu or call 303.871.4472.

WHAT GIFT DOLLARS CAN REALLY DO Thank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts). During the 2015-16 season, these funds and other specific gifts and grants noted will help make the following programming a reality: â&#x20AC;˘ Educational residency work and master classes with Twyla Tharp, Vertigo Dance, Brooklyn Rider, Kyle Abraham, So- Percussion, Paul Taylor Dance, Metropolitan Opera Rising Stars, globalFEST On the Road, Gabriel Kahane

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and Timo Andres, Julian Lage and Chris Eldridge, and Billy Childs are supported in part by The Newman Center Endowed Fund for Cultural and Experiential Learning and grants from WESTAF. Twyla Tharp, Vertigo Dance, Kyle Abraham/ Abraham.In.Motion, and Paul Taylor Dance are supported in part by The Grynberg Family Endowment for Dance Programming, a gift from Roger and Meredith Hutson, a grant from MDC Holdings/Richmond American Homes Foundation, and a grant from the National Dance Project of the New England Foundation for the Arts Brooklyn Rider, So- Percussion with Shara Worden, and Gabriel Kahane with Timo Andres are supported in part by The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. Paul Taylor Dance and Gabriel Kahane with Timo Andres are supported in part by grants from The Antonia and Vladimer Kulaev Cultural Heritage Fund.

If you are interested in supporting Newman Center Presents, please contact Kellyn Smith, Senior Director of Development – Arts, Humanities and Social Sciences, Kellyn.Smith@du.edu or call 303.871.4472. If you work with a local organization or Denver-area K-12 school and would like to learn more about how Newman Center Presents artists might provide educational activities for your school or group, please contact Amanda Swartzbaugh, Event Manager, at Amanda.Swartzbaugh@du.edu or call 303.871.2862. Please include the following: your name and position, name of organization or school, types of activities you may be interested in (e.g. jazz, dance, world music, vocal…), email address, and phone number.

2015-2016 Newman Center Presents

THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS The construction of the Newman Center and all its public and backstage spaces was only possible because of generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-of-the-art systems. To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment.

Newman Center Donors

Bonfils-Stanton Foundation Charmatz Family Community First Foundation Herschel and Barbara Cravitz Max E. Donaldson Geoffrey Gordon Barbara Jean Hamilton Andrew Hornbrook Meredith Black and L. Roger Hutson MDC/Richmond American Homes Foundation Montjoy C. and Frank A. Kugeler Antonia & Vladimer Kulaev Cultural Heritage Fund, Inc. Susan Harriet Martin Yolanda McAllister Douglas G. and Laura B. Moran Barbara Neal and Ed Ellis Tracy Paige Forest O. Peneton Kathy A. and Donald D. Rosenkrans Ruth Schoening Stephen W. Seifert Carolyn Strand J. Alton and Dorothy J. Templin Joan B. Wohlgenant Janalynn Sau Wong

Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we In memory of Fran Seifert may appropriately thank you. Karin Bond If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Kellyn Smith, Senior Director of Development – Arts, Humanities and Social Sciences, Kellyn. Smith@du.edu or call 303.871.4472.

DONOR ACKNOWLEDGEMENTS The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2014–15 (July 2014– June 2015) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period:

In honor of Dee Getchel Frances H. and James W. Cosby In honor of Beverlee Henry and the Honorable Robert Fullerton In honor of Robert and Judi Newman M Allan and Margot Gilbert Frank In honor of Susanne W. Hamilton, Edith Berliner, and Max Wilmersdoerffer Barbara Hamilton and Paul Primus Newman Endowment for Experiential & Cultural Learning In honor of Margot and Allan Frank In honor of Sue Anschutz Rodgers Beverlee Henry In honor of Robert and Judi Newman Jennifer Newman In honor of Jane Quinette Stephen W. Seifert and Davol G. Tedder In honor of Cynthia Secor Adrian Tinsley

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2014-2015 MEMBERS BENEFACTORS Beverlee Henry

PARTNERS Margot Gilbert and M Allan Frank Stephen W. Seifert Davol G. Tedder SPONSORS Gordon Appell Family Charitable Fund Diana W. and Mike Kinsey David R. and Florence Lynn Linke Paula J. Meadows Sean and Natalie Raborn – PowerQuip SUPPORTERS Carolyn A. Agosta and William Rauschert Leslie Smith Beltrami Mary Jo Craige Kathryn Heet Marian D. Lauterbach Michael E. Leighton – Sage Family Fund David R. Linke W. Peterson Nelson – Nelson Family Foundation Jean and Ed Onderko Richard K. Replin and Elissa Rae Stein Gene E. and Nancy M. Richards Kathryn Spuhler William A. Stolfus and Andrea G. Richardson Adrian Tinsley CONTRIBUTORS Robert M. and Carole Cantor Adelstein Lisa Allen Mary Brothers Charlene S. Byers Joel S. Cohen and Kathryn L. Oberdorfer Geoffrey G. Gordon James P. Hayes Roger L. and Suzanne O. Kinney Susan Harriett Martin William Mohrman Mike Moore Jennifer Newman Donovan and Phyllis Rieger Paula Roney David Rosentrater Ruth Elaine Schoening Susan Deese Tracy Carol A. Wilson Jeffrey Zax

46 2015-2016 Newman Center Presents

FRIENDS Kenneth A. and A. Louise Beard Karin Bond Thomas N. Butler Hilary Carson Matt Chalek Frances H. Cosby Russel R. DeWitt Katherine A. Dines and David Hunter Miller Miriam Farrington Pamela Herring and Martin Eisenberg Robyn Jacobs Ross and Vicki Kazer Jim LeNoir Sarah Lincoln Isabelle Marques Mark Paller Sally G. Plummer Karen J. Shaw Jenene C. and James J. Stookesberry Kalli Van Maaren (Gifts and memberships received on and after July 1, 2015 are acknowledged in the show insert in the middle of the program.) NEWMAN CENTER PRESENTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING GENEROUS MULTI-YEAR SUPPORT: THE GRYNBERG FAMILY ENDOWMENT FOR DANCE PROGRAMMING THE NEWMAN CENTER FUND FOR EXPERIENTIAL AND CULTURAL LEARNING established by Beverlee Henry and Hon. Robert Fullerton THE PORTER ADVENTIST HOSPITAL ENDOWMENT FOR THE PERFORMING ARTS THE GAY & LESBIAN FUND FOR COLORADO ENDOWMENT FOR DIVERSE AND INNOVATIVE MUSIC THE NEWMAN CENTER FOR THE PERFORMING ARTS ENDOWMENT with lead funding from the Lewis D. & John J. Gilbert Foundation, the John J. and Margaret R. Gilbert Foundation, the Clinton Family Fund, and Margot Gilbert Frank – for support of special programs and major projects L. ROGER AND MEREDITH HUTSON gift for the expansion and support of Newman Center Presents dance programming

PATRON INFORMATION • The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • Parking is available in the Newman Center parking garage (complimentary for all Newman Center Presents events). Patrons are advised not to park in the neighborhood, as most side streets have one-hour parking only. • Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.

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