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FROM THE EXECUTIVE DIRECTOR
NEWMAN CENTER STAFF EXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Kendra Whitlock Ingram, Executive Director Richard Michel, Budget Officer Cathy Kaufman, Executive Assistant EVENT SERVICES Diane L. Roth, Assistant Director Amanda Swartzbaugh, Event Manager Ramsey Walker, Event Coordinator MARKETING Natalie Raborn, Marketing Director PATRON SERVICES Rachel Hargroder, Assistant Director PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/ Audio Engineer Zach Jovanovich, Stage Operations Coordinator/ Lighting Engineer TICKETING SERVICES Richard Moraskie, Assistant Director Max Manoles, Assistant Manager ADVERTISING INFORMATION
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Welcome to Newman Center Presents and thank you for coming! I am delighted to begin my tenure as executive director of the Newman Center for the Performing Arts at the University of Denver. It is a privilege to join the Newman Center team, bringing world-class performing arts programs to the University of Denver and the Denver community. I follow in the footsteps of Stephen Seifert, who has served as executive director of the Newman Center since its opening in 2003 and has recently retired. Stephen has done a tremendous job curating season after season of high quality, thought-provoking and inspiring programs. I am grateful to Stephen for building the extraordinary tradition of Newman Center Presents and wish him the best in his retirement. The 2016-17 season launches with the ever-inventive MOMIX, featuring their work Opus Cactus, which celebrates the American Southwest. Contemporary dance makes appearances later in the season as well, starting with the Denver premiere of Bridgman | Packer Dance. Art Bridgman and Myrna Packer may be the only two dancers on the stage, but their creative use of projected images populates the stage in magical ways. Newman Center favorite Aspen Santa Fe Ballet returns in February, this time with a new work created by Spanish choreographer Alejandro Cerrudo. Dance programming is rounded out in April with the regional premiere of New Zealand’s powerful Black Grace. The Newman Center has been dedicated to presenting artists new to Denver and to supporting the creation of new works. This season has some stellar examples of both. The brilliant young jazz vocalist Cécile McLorin Salvant makes her Denver debut in November. The world music group from Ukraine, DakhaBrakha, makes its Denver debut in March. In April, a vocalist and bass player from Italy, calling their small ensemble Musica Nuda, join Norwegian jazz saxophonist and vocalist Hakon Kornstad, in a regional premiere in a show we’re calling “Nude Music.” As to new music, in October the Los Angeles Guitar Quartet will give the world premiere of a new work by the legendary Pat Metheny, co-commissioned by the Newman Center. Vocal ensemble Roomful of Teeth returns in January with a program that includes a new work by ensemble member and Pulitzer Prize winner Caroline Shaw. This work was cocommissioned by Denver’s own The Playground Ensemble, who will join Roomful of Teeth for the performance of this work. In March, yMusic returns, performing new works by Chris Thile and Caroline Shaw, both co-commissioned by the Newman Center and Carnegie Hall. It is, of course, a general election year, so we welcome back Capitol Steps for their bipartisan humor. Throughout the rest of the season, we have a broad variety of performers, from The Chamber Music Society of Lincoln Center performing all six of Bach’s Brandenburg Concerti, to bassists Edgar Meyer and Christian McBride mixing it up with jazz, classical, bluegrass, and more, to the world famous Taiko ensemble from Japan, Kodo, co-presented by the Sakura Foundation. The season finale performance features the Branford Marsalis Quartet and special guest vocalist Kurt Elling. My tenure officially begins on November 1 and I’m very much looking forward to getting to know the Denver community. Thank you for your support of Newman Center Presents and enjoy the season!
Kendra Whitlock Ingram Executive Director
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2016-2017 Newman Center Presents
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NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose and our vision are to: •C elebrate, entertain, inspire and feed the imagination • Give voice to the innate human need for expression through performance •E ducate and prepare better citizens of our community • Begin conversations of ideas • F oster an eagerness for and habits of curiosity and learning •M ake the major sources of our own and other cultures accessible to our community • Embrace our differences; celebrate diversity of forms, attitudes, traditions and populations •C hallenge assumptions and encourage creativity and new work, even at the risk of failure • Help teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future •D emand excellence and integrity without avoiding controversy emind our community that the performing •R arts have value to our society because they: •C reate self-esteem, which is earned by striving to achieve high standards • Integrate with other disciplines such as language, history, math and science • F oster communication and interpersonal skills
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2016-2017 Newman Center Presents
FROM THE CHANCELLOR Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center is a crown jewel of Denver’s arts scene. There is no other complex like it anywhere in the state. Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good. The Newman Center’s stages also enable our students to demonstrate their remarkable talent. This building helps us to attract some of the most promising and talented young people in the nation, and every production by students in our Lamont School of Music and Department of Theatre showcases their energy, enthusiasm and dedication. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create. To which the rest of us can only say, encore. Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season!
Rebecca Chopp Chancellor, University of Denver
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THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers and storytellers to the university community and to our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at Natalie.Raborn@du.edu or 303.871.4154.
FOUNDING PARTNER
PRESENTING SPONSORS
SUPPORTING SPONSORS
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2016-2017 Newman Center Presents
2016-2017 SEASON All performances take place in June Swaner Gates Concert Hall at 7:30 p.m., unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change. MOMIX Opus Cactus Thu and Fri, Sep 29 and 30, 2016 / 7:30 p.m. MOMIX, the whimsical hybrid of contemporary dance, circus and multimedia visual spectacle, returns to the Newman Center with Opus Cactus. Artistic Director Moses Pendleton brings the American Southwest to life through his signature illusionistic style to create scenes and images that explode with a sense of magic, danger, sensuality, humor, and grace. Newman Center Presenting Sponsor-Creative Instinct Inc. Capitol Steps Thu, Oct 6, 2016 / 7:30 p.m. If it’s a general election year, it must be Capitol Steps. Pennsylvania Avenue meets Broadway in a satirical revue set to the music of classic pop hits and show tunes. The Capitol Steps poke fun at all sides and are the one thing sure to earn bipartisan support. Watch them take the governing class to task with wit and glee. Born out of a desperate attempt to put on Christmas entertainment for a staffer’s party in 1981, the complete lack of three wise men led them to put on a series of satirical skits. Since those early days, many of the “Steps” have given up their day jobs and turned satirical comedy into their livelihoods. Put together, the performers have worked in 18 Congressional offices
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2016-2017 Newman Center Presents
Cécile McLorin Salvant and the Aaron Diehl Trio Wed, Nov 30, 2016 / 7:30 p.m. Cécile McLorin Salvant Sponsored by Newman Center Founding was born and raised Partner The Denver Post in Miami of a French mother and a Haitian Los Angeles Guitar Quartet father. She started Thu, Oct 20, 2016 / 7:30 p.m. Including world premiere of a new work by classical piano and choral studies as a child Pat Metheny and began working with The Grammy Awardimprovisation, instrumental and solo vocal winning LAGQ is repertoire when she moved to France in comprised of four 2007. In 2009, after a series of concerts uniquely accomplished in Paris, she recorded her first album and musicians who bring a year later won the Thelonious Monk great energy to the competition in Washington, D.C. She won concert stage with programs ranging from bluegrass to Bach. four categories in the 2014 Down Beat They return to the Newman Center with a Critics Poll and also received two Grammy program that includes the world premiere nominations that same year for her second of a work written for LAGQ by the legendary album WomanChild. Pat Metheny, co-commissioned by the Newman Center, along with transcriptions of Winner of the 2016 Grammy Award for concert masterworks and interpretations of Best Jazz Vocal Album (For One To Love), contemporary and world music. 26-year-old vocal wonder Cécile has risen with lightning speed to international Sponsored by Newman Center Members acclaim. She is an innovative singer with extraordinary soul, intuition, and deep Bridgman | Packer Dance character, performing unique interpretations Sat, Nov 19, 2016 / 7:30 p.m. of jazz and blues standards, as well as Art Bridgman and composing her own music and lyrics. Myrna Packer, Guggenheim Fellows Sponsored by Newman Center Members in Choreography, are acclaimed for their The Chamber Music Society innovative integration of Lincoln Center of live dance, live Brandenburg Concertos, J.S. Bach video capture of the performance, and Mon, Dec 12, 2016 / 7:30 p.m. previously recorded film footage. Their Since 1969, the pioneering techniques have been acclaimed Chamber Music Society for expanding the partnering of dancers, of Lincoln Center has multiplying, transforming and manipulating been the nation’s their own life-size video images and premier repertory cinematic imagery into a magically populated company for chamber stage where image and reality collide. music. Its evolving, multiand represent 62 years of collective House and Senate staff experience!
generational and international selection of expert musicians are capable of tackling chamber music of every instrumentation, style, and historical period. In this special program they perform all six of Bach’s celebrated Brandenburg Concertos. Sponsored by Newman Center Members Roomful of Teeth Featuring “Coloring Book,” a new work by composer Ted Hearne Wed, Jan 18, 2017 / 7:30 p.m. Roomful of Teeth is a Grammy Awardwinning ensemble of eight classically trained singers who mine the expressive potential of the human voice. Studying with masters of singing traditions the world over, the group continually expands its singing techniques, incorporating, for instance, Tuvan throat singing, Appalachian yodeling, operatic trills, rhythmic exhalations and whispered speech into music written by some of the most exciting young composers of the 21st century. On this return visit to Newman Center Presents, RoT will perform “Coloring Book” by Ted Hearne and will be joined by Denver’s own The Playground Ensemble in a new work by Pulitzer Prize-winning composer and member of the ensemble Caroline Shaw, cocommissioned by The Playground. This project received support from WESTAF, the Western States Arts Federation, and the National Endowment for the Arts, as well as Newman Center Members. Edgar Meyer and Christian McBride Thu, Jan 26, 2017 / 7:30 p.m. 2016 Grammy Award winner, and newly named artistic director of the Newport Jazz Festival, jazz bassist Christian McBride has
been likened to a force of nature on stage. Genre-defying bassist Edgar Meyer has been called “the most remarkable virtuoso in the relatively unchronicled history of his instrument” (The New Yorker). These two masters have nine Grammys between them and are renowned and respected by artists and critics across the musical spectrum. For this show they join forces for an evening of music not to be missed, blending jazz, classical and bluegrass. Sponsored by Newman Center Members Kodo Co-Presented by the Sakura Foundation Tue and Wed, Feb 14 and 15, 2017 / 7:30 p.m. Kodo is the most wellknown and respected taiko group worldwide. Kodo celebrates its 35th anniversary by bringing DADAN 2017 to North America. The latest work by Kodo’s renowned Artistic Director Tamasaburo Bando offers a bold new exploration of Japanese drumming traditions. Kodo explores the limitless possibilities of the traditional Japanese drum, the taiko, while forging new directions for a vibrant, living art form. Kodo has given over 5,600 performances in 47 countries on five continents, creating mesmerizing, riveting and spiritual experiences enjoyed by millions.
Aspen Santa Fe Ballet Sat, Feb 25, 2017 / 7:30 p.m. Sun, Feb 26, 2017 / 2:00 p.m. Newman Center Presents is proud to welcome Aspen Santa Fe Ballet back to the stage for its seventh appearance. Each performance is an exciting new discovery because the company’s virtuosic dancers perform new works by a wide variety of choreographers. A European choreographic sensibility, matched by American athleticism, joy, and grace, forges ASFB’s pioneering creative aesthetic in the field of contemporary dance. This program includes a new work, “Silent Ghost,” by Spanish choreographer Alejandro Cerrudo, his second for the company. Sponsored by the Porter Adventist Hospital Endowment for the Performing Arts DakhaBrakha Thu, Mar 9, 2017 / 7:30 p.m. DakhaBrakha means “give-take” in old Slavonic. This breathtaking and mesmerizing band from Ukraine draws on folk melodies and rhythms, and combines voice, cello, accordion, and drums in a refreshingly novel vision of Eastern European roots music. They craft stunningly beautiful and exciting sonic worlds from traditional songs, reinventing their heritage with a keen ear for contemporary, international tastes. They have become a cult phenomenon around the world. Sponsored by Newman Center Members
Supported by a grant from the Sakura Foundation
2016-2017 Newman Center Presents
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2016-2017 SEASON yMusic Thu, Mar 23, 2017 / 7:30 p.m. Hamilton Recital Hall Hailed by NPR’s Fred Child as “one of the groups that has really helped to shape the future of classical music,” yMusic’s six New York City instrumentalists flourish in the overlap between the pop and classical worlds. Its members have individually toured and recorded with artists such as Paul Simon, Bjork, Bon Iver, The National, Meredith Monk, David Byrne, The New York Philharmonic and Sufjan Stevens. Their virtuosic execution and unique configuration (string trio, flute, clarinet, and trumpet) has attracted the attention of some of today’s foremost composers. Their performance for us will include new works by Chris Thile and Pultizer Prize winner Caroline Shaw, co-commissioned by the Newman Center with Carnegie Hall. The new work by Caroline Shaw was cocommissioned by the Newman Center for the Performing Arts with the support of The Antonia & Vladimer Kulaev Cultural Heritage Fund. Black Grace Wed, Apr 5, 2017 / 7:30 p.m. Black Grace hails from New Zealand. With their distinctive dynamism sparked by Samoan and New Zealand heritage, the Black Grace dancers take possession of the stage— and own the audience—from the first moment. And they never let go. Eloquent yet elemental, athletic yet spiritual, they mix their cultural heritage with the contemporary choreography of Artistic Director Neil Ieremia
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2016-2017 Newman Center Presents
to conquer the stage. Expect a highly physical performance, rich in the storytelling traditions of the South Pacific and expressed with raw power, unique beauty, and finesse. This project received a grant from the Antonia & Vladimer Kulaev Cultural Heritage Fund. Nude Music Featuring Musica Nuda from Italy and Håkon Kornstad from Norway Thu, Apr 27, 2017 / 7:30 p.m.
Branford Marsalis Quartet with special guest Kurt Elling Sat, May 13, 2017 / 7:30 p.m. Branford Marsalis, one of the most highly regarded jazz saxophonists of his era, brings his quartet together with world-renowned vocalist Kurt Elling. The Quartet rarely invites other musicians into the folds of its nearly telepathically cohesive unit, but Elling’s deep jazz vocabulary, technical versatility, and outstanding intonation make this a perfect fit. Newman Center Presenting Sponsor-Val-U-Ads®
The boldest of artists sometimes express themselves by stripping away all but the essential. Italy’s Musica Nuda is a brave project, independent and free, a modern version of voice with bass accompaniment in use since the Renaissance. Norwegian tenor saxophonist and operatic tenor Håkon Kornstad uses his imagination and a simple electronic device to unite the lyricism of jazz saxophone and operatic aria to realize in concert the symphonies that he hears in his dreams. They trace music back to its core to find the meaning of each piece whether classical, jazz, pop or soul. This Western regional premiere will be an evening of excitement and wonder at what is possible when the music is “nude.” Supported by Newman Center Members
Newman Center Presents and ArtReach, Inc. NCP has had a long-term relationship with ArtReach, Inc. ArtReach serves Colorado Front Range arts, cultural and human service organizations by providing access to arts, and cultural experiences for people of all ages who would not otherwise have the opportunity thereby enhancing the lives of thousands. The Newman Center recognizes the uniqueness of ArtReach and its value locally, and as a model for the larger arts community as well. The ArtReach Community Tickets (CT) program, now in its 42nd year, serves nearly 40,000 individuals and families per year. During the 2015-16 season, Newman Center Presents donated in excess of 200 tickets valued at nearly $8,000 to the CT program which went to non-profits, schools and government agencies already providing human services for disabled persons, seniors, residents of low-income housing and youth mentoring agencies to name just a few of the program’s recipients. Within the past 12 months seven performances were donated to this important charity providing opportunities to experience symphonic music and dance as well as performances that highlighted the talents of renowned percussionists, guitarists and pianists. ArtReach values the support received from Newman Center Presents and the example it champions for other community donors in the pursuit of its mission of changing lives through the arts! www.artreachdenver.org
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BOX OFFICE INFORMATION
Serving the DU Community Over 75 Years.
M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208
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Hours: Mon–Fri, 10 a.m.–4 p.m. Sat, 12 p.m.–4 p.m. (Sep–May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com
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Tickets can be purchased in person at the Newman Center Box Office or by phone at 303.871.7720 during the hours listed above or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online. Discounts are available for students, seniors, and DU faculty and staff. For more information, or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight (8) or more to most events. For information, contact the box office at 303.871.7720 or newmanboxoffice@du.edu
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2016-2017 Newman Center Presents
To v i ew a listing of our prev ious 13 seasons, please v isit www.newmancenterpresents.com and select Archive.
COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or cocommissioned the following works:
Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach (2007) Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company (2008) Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by Carnegie Hall, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics (2009) Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers (2009) Co-commissioner, “Imaginary City,” by SoPercussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network, performed by SoPercussion during the Newman Center’s Mile High Voltage Festival (2010)
Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds (2005)
Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground during the Newman Center’s Mile High Voltage Festival (2010)
Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra (2007)
Co-commissioner, “the wood and the vine,” by David Lang, co-commissioned by University of California, Riverside and
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COMMISSIONED WORKS (Continued)
Santa Fe Concert Association, performed by Anonymous 4 (2011)
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2016-2017 Newman Center Presents
Co-commissioner, “Lifeboat No. 6,” by Payton MacDonald, co-commissioned by Friends of Chamber Music, Denver, and Historic Denver, Inc., performed by JACK Quartet, the composer and Young Voices of Colorado (2012) Co-commissioner, “From Darkness to Light,” choreography by Garrett Ammon, music by Ofer Ben-Amots, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony, and Mizel Arts & Culture Center at the JCC, performed as part of the coproduction of “A Journey of the Human Spirit,” including Viktor Ullmann’s opera Der Kaiser von Atlantis (2013) Commissioner, solo acoustical guitar version of Derek Bermel’s original work titled “Ritornello,” performed by Mak Grgi´c (2013) Co-commissioner, with the support of The Grynberg Family Endowment for Dance Programming and The Antonia & Vladimer Kulaev Cultural Heritage Fund, “Dilly Dilly,” by Paul Taylor, co-commissioned by Marjorie S. Isaac with additional support provided by the New York State Council on the Arts, a State Agency, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, performed in its world premiere in the Newman Center by Paul Taylor Dance Company (2016) Co-commissoner, musical work for voice and piano to be named by Timo Andres, cocommissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Gabriel Kahane (2016) Co-commissoner, musical work for voice and piano to be named by Gabriel Kahane, cocommissioned by Carnegie Hall, The Schubert Club, and Van Cliburn Foundation, performed by the composer and Timo Andres (2016)
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COMMISSIONED WORKS (Continued)
Co-commissioner, musical work to be named by Pat Metheny, co-commissioned by 92nd Street Y, performed by Los Angeles Guitar Quartet (2016)
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Co-commissioner, with the support of The Antonia & Vladimer Kulaev Cultural Heritage Fund, musical work to be named by Caroline Shaw, co-commissioned by Carnegie Hall, performed by yMusic (2017)
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Co-commissioner, musical work to be named by Chris Thile, co-commissioned by Carnegie Hall, performed by yMusic (2017)
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THE LAMONT SCHOOL OF MUSIC AND DEPARTMENT OF THEATRE The University of Denver’s Lamont School of Music presents more than 300 concerts a year, many of them free. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets. FREE, but tickets are required: Complimentary tickets are available in person only at the Newman Center Box Office. Tickets may be reserved online for a small service charge at www.newmantix.com. Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students and teachers with valid ID are complimentary. Spring Lamont Opera is reserved seating ranging from $11 to $30. Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation. For information, visit www.du.edu/lamont or call the concert line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube.
DEPARTMENT OF THEATRE (Continued)
DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2016-17 season, The Department of Theatre will present: • A staged reading of Sunday on the Rocks by Theresa Rebeck (September 2016, Byron Theatre) • Fall Quarter’s mainstage productions of Exiled by Laurence Curry (October 2016, White Box Theatre at J-MAC) and Art by Yasmina Reza (November 2016, Byron Theatre) • A staged reading of True West by Sam Shepard (January 2017, Byron Theatre) • Winter Quarter’s main stage productions of The Spitfire Grill by Samuel Beckett (February 2017, Byron Studio in the Newman Center) and Pericles by William Shakespeare and George Wilkins (February and March 2017, Byron Theatre) • A staged reading of 8 by Dustin Lance Black (April 2017, Byron Theatre) • Spring Capstone Cycle – Cycles 1, 2, and 3: Senior Capstone Productions (April and May 2017, J-MAC Studios) • Independent student productions throughout the year. • Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events.
THE
be st col l e ction
I S Y O U R S.
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Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Monday-Friday, 10 a.m. – 4 p.m. and Saturday, 12 p.m. – 4 p.m. (Sep-May), by phone at 303.871.7720, or online at www. newmantix.com. (Phone and online orders are subject to service fees.)
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2016-2017 Newman Center Presents
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2016-2017 Newman Center Presents
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Wednesday, April 5, 2017 Choreography by Neil Ieremia
There will be a 20-minute intermission this evening.
No portion of this performance may be photographed, recorded, filmed, or videotaped.
Sponsors The Porter Adventist Hospital Endowment for the Performing Arts and Newman Center Members
Educational residency work and master classes are sponsored in part by the Newman Center Endowed Fund for Cultural and Experiential Learning. This project also received support from WESTAF, the Western States Arts Federation, and the National Endowment for the Arts, the Grynberg Family Endowment for Dance Programming, The Antonia and Vladimer Kulaev Cultural Heritage Fund, and a gift from Roger and Meredith Hutson.
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TONIGHT’S PROGRAM Minoi Minoi fuses a traditional Samoan dance style known as Fa’ataupati (slap dance) and western contemporary dance. It also utilizes live singing and vocalizations based on an old Samoan nursery rhyme. Music: Minoi Minoi (traditional), arranged by Neil Ieremia Lighting Design: Mark Burlace (premiered 1999) Pati Pati Pati Pati is a ritualistic dance made from the bones of older works dating back to the beginning of Black Grace and drawing on elements of traditional Pacific dance. Music:
Original music from Surface (2003), Neil Ieremia and Juse Lighting Design: Nik Janiurek, adapted by Bonnie Burrill (premiered 2009) Pause Crying Men – Excerpt Filtered through a Pacific lens, this excerpt is the beginning of what will become a new full-length work exploring some of the challenges we face as males living in today’s world, struggling with the expectations of what it means to be a “real man.” Music: Redaction, Richard Nunns, Mark Lockett & Jeff Henderson Material Instinct, Richard Nunns, Mark Lockett & Jeff Henderson Two Minds, Richard Nunns & Mark Lockett Bully, TrinityRoots Lighting Design: Bonnie Burrill (premiered 2017) Pause Mother Mother Mother Mother was originally choreographed for a music video, on request of popular New Zealand band Fat Freddy’s Drop. “Mother Mother is a tribute to my mother who is often the unsung hero in my family. Even to this day she helps to prop me up when things get tough, knocks me back when I get ahead of myself, reminds me to never forget where I come from and to always be grateful for what I have.” – Neil Ieremia 2
Black Grace
Music: Mother Mother, Fat Freddy’s Drop Lighting Design: Mark Burlace (premiered 2013) Intermission As Night Falls -- Abridged While the creative process started with news stories from around the world, often dark and at times overwhelming, As Night Falls is essentially a dance about hope. The raw material included images of broken bodies littering the streets of war-torn countries, terrorist attacks on innocent civilians, protests against police brutality, and the aftermath of more natural disasters. It was an image of a father shielding his son, buried beneath the rubble of a collapsed building after another airstrike that simultaneously captured the best and worst of us, and it was at that moment I decided I needed to try and create some light from the darkness. I created the movement vocabulary based on this imagery and formed the overall compositional structures much like the layout of a broadsheet newspaper. I’m not sure exactly why I chose the music I did in the end, suffice to say that much to my surprise Vivaldi stuck when all the others fell away. While listening to some old gospel records I was reminded of a verse from a hymn I used to sing as a kid. As Night Falls is my very small exchange of “beauty for ashes, oil of joy for mourning, a garment of praise for a spirit of heaviness.” Music: Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: I. Allegro, Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra & Jonathan Manson Concerto No. 8 in A Minor, RV 522: I. Allegro, Berliner Philharmoniker, Daniel Stabrawa & Nigel Kennedy Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: III. Allegro, Ton Koopman, Yo-Yo Ma, Amsterdam Baroque Orchestra & Jonathan Manson Nisi Dominus, RV 608: IV. Cum Dederit, JeanChristophe Spinosi, Ensemble Matheus & Philippe Jaroussky
TONIGHT’S PROGRAM (continued)
L ittle Sea Gongs, JPC Percussion Museum & Gareth Farr
Concerto No. 8 in A Minor, RV 522: II. Larghetto e sSpiritoso, Berliner Philharmoniker, Daniel Stabrawa & Nigel Kennedy
The Four Seasons, Concerto No. 2 in G Minor, RV 315, Op. 8 No. 2 “Summer”: I. Allegro non molto, Berliner Philharmoniker & Nigel Kennedy
The Lord’s Prayer (In Samoan), Choir of Western Samoa Teachers’ Training College, Apia
The Four Seasons, Concerto No. 2 in G Minor, RV 315, Op. 8 No. 2 “Summer”: III. Presto, Berliner Philharmoniker & Nigel Kennedy
Concerto No. 8 in A Minor, RV 522: III. Allegro, Berliner Philharmoniker, Daniel Stabrawa & Nigel Kennedy
The Four Seasons, Concerto No. 4 in F Minor, RV 297, Op. 8 No. 4 “Winter”: I. Allegro non molto, Berliner Philharmoniker & Nigel Kennedy Lighting Design: Bonnie Burrill (premiered 2016) Program order is subject to change.
BIOGRAPHIES Neil Ieremia, ONZM Choreographer/Artistic Director Neil Ieremia is one of New Zealand’s most accomplished choreographers, a creative entrepreneur and inspirational leader.
His company tours the length and breadth of New Zealand developing new audiences and a new appreciation for dance. Internationally his work has been presented in Australia, Canada, Germany, Holland, Japan, Luxembourg, Mexico, New Caledonia, South Korea, Scotland, Switzerland, Taiwan, France and the United States.
Born in Wellington and of Samoan heritage, Mr Ieremia was raised in a tough working class neighborhood in a country more focused on sporting prowess and agriculture rather than creative expression. At the age of 19 and with no formal training, Mr. Ieremia resigned from his banking job, left home, enrolled in a full time dance program and broke his parents’ hearts.
Numerous ‘firsts’ for a New Zealand choreographer include sell-out performances at Jacob’s Pillow Dance Festival (USA debut 2004 and 2005), a four-week season on New York City’s 42nd Street, performances at the renowned Cervantino Festival in Mexico, the John F. Kennedy Center for the Performing Arts, and the 2010 Cultural Olympiad in Vancouver.
In his final year of training he was invited to join the prestigious Douglas Wright Dance Company, with whom he worked until 1996. As a freelance professional dancer, Mr. Ieremia also worked with many other leading New Zealand choreographers as well as creating a number of commissioned works. Motivated to provide a different perspective and a fresh voice in the dance scene, Mr. Ieremia founded his own company, Black Grace, in 1995, with 10 male dancers of Pacific, Maori and New Zealand heritage. Since then he has changed the face of contemporary dance in New Zealand and turned Black Grace into one of the most recognizable and iconic cultural brands.
Among his many other achievements, Mr. Ieremia received a 2005 Arts Foundation of New Zealand Laureate Award and the 2009 Paul D. Fleck Fellowship in the Arts from The Banff Centre, Canada. In 2009 Black Grace was presented with a resolution passed by the Guam Legislator in recognition of their work with local communities, and 2010 saw the Mayor of Honolulu officially proclaim the 6th of February 2010 as “Black Grace Day.” Black Grace received a Herald Angel Award at the 2014 Edinburgh Festival Fringe. In 2015, Mr. Ieremia received a City of Porirua Anniversary Award and the Senior Pacific Artist Award from Creative New Zealand. Most recently, Mr. Ieremia was appointed an Officer of the New Zealand Order of Merit for services to dance.
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BIOGRAPHIES (continued) Siaosi Mulipola, Creative Assistant Siaosi is a founding member of Black Grace, performing with the Company until 1998. In recent years, Siaosi has devised performances in Samoa and New Zealand reflecting Pasifika communities and addressing topics such as social disparities and health issues. His passion for developing Pacific performing arts gave him the opportunity to mentor and strengthen choreographic assignments at the Pacific Institute of Performing Arts where he worked from 2011 - 2013. In 2015, Siaosi was invited and commissioned by Black Grace to choreograph a short work Tautua – To Serve for the special 20 For 20 New Zealand tour, in celebration of the Company’s 20th Anniversary. DANCERS Sean MacDonald (Nga-ti Kahungunu, Nga-ti Raukawa) Sean performed with Black Grace in the Company’s inaugural season in 1995, and has worked with the Company on and off ever since. Sean started dancing at the age of 18, training at the Auckland Performing Arts School and the New Zealand School of Dance. He has worked with New Zealand’s leading choreographers and dance companies, performing extensively nationally and internationally. Highlights of Sean’s longstanding career with Black Grace include performances in Relentless, Surface and Gathering Clouds, and various international tours to North America, Europe, Asia and Australia. Zoë Visvanathan (Nga-ti Kahungunu) Zoë completed a National Diploma in Dance Performance from the New Zealand School of Dance. Since graduating in 2005, she has worked with several New Zealand choreographers including Ann Dewey, Douglas Wright and Raewyn Hill. Zoë first performed with Black Grace for the debut of Gathering Clouds in 2009 and has since become a full-time member of the Company, performing nationally and internationally in Europe, Asia and North America. Zoë has also assisted rehearsals for domestic and international tours, as well as leading numerous Black Grace master classes.
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Sarah Baron Sarah, of NZ European descent, is a 2007 graduate of the New Zealand School of Dance. Sarah was awarded a scholarship to attend the 2007 Cultural Traditions Program at Jacob’s Pillow Dance Festival in Massachusetts, USA, directed by Neil Ieremia. Sarah joined Black Grace in 2011 for the national tour of Verses and since then has performed in the debut seasons of Vaka, Xmas Verses and As Night Falls, and enjoyed touring extensively to Germany, Luxembourg, North America, Edinburgh, South Korea, France and the Netherlands. Callum Sefo Callum is of Samoan and Scottish heritage and was raised in Porirua, New Zealand. Callum completed a degree in Performing Arts at Whitireia Polytechnic and in 2013 was invited to join Black Grace for performances throughout North America and New Zealand, performing in Vaka, Amata, Xmas Verses, Siva and most recently in As Night Falls. Callum has also enjoyed performing with Black Grace in South Korea, Scotland, France, the Netherlands, and Taiwan. Brydie Colquhoun (Nga- Puhi/Te Rarawa) Brydie is from Ahipara, New Zealand, and is a 2012 graduate of the New Zealand School of Dance. Brydie has performed with Black Grace since 2012 nationally and internationally in Vaka, Human Language, Amata, Mother Mother, Xmas Verses and Pati Pati. She has also worked on the World of Wearable Arts Awards Show and danced with Footnote New Zealand from 2015 - 2016. Otis Herring Originally from Georgia, Otis earned a BFA from Howard University in Washington, D.C. before working for several companies in New York City, including Ronald K. Brown/Evidence, A Dance Company and Camille A. Brown & Dancers. In 2013 Otis moved to New Zealand to join Black Grace, and has since performed there in Vaka, Xmas Verses, Siva and Another Letter from Earth, As Night Falls, and on international tours to Europe, South Korea and the US.
BIOGRAPHIES (continued) Demi-Jo Manalo Demi-Jo, of Malaysian and Filipino descent, is originally from Sydney, Australia, and graduated from the New Zealand School of Dance in 2015 with a Diploma in Dance Performance. During her training she worked with numerous New Zealand and international choreographers. Demi-Jo made her professional debut touring with Black Grace to France and the Netherlands, including the Holland Dance Festival in 2016, performing in Human Language, Mother Mother and Gathering Clouds, before returning to Auckland for the season of Another Letter from Earth as well as performing with the Company in Taiwan.
Paige Shand (Te A ti Haunui-a-Pa-pa-rangi) Paige Shand was born and raised in Wellington and is a 2014 graduate of the New Zealand School of Dance. Since graduating, Paige has worked with Aotearoa Aerial Theatre Company, Tawata Productions, and also has modeled and danced for the World Of Wearable Art Awards Show in New Zealand and China. Paige has worked with Footnote New Zealand and Atamira Dance Company. The 2016 production of As Night Falls marked Paige’s first season with Black Grace.
Shane Tofaeono A New Zealand-born Samoan, Shane was raised in Te Puke and discovered his passion for dance in high school before moving to Auckland to work toward a Bachelor in Performing and Screen Arts majoring in Contemporary Dance at Unitec, where he graduated in 2015. Shane joined Black Grace in 2016, making his professional debut on an international tour to France and the Netherlands, and performed in Neil Ieremia’s Another Letter from Earth as part of the Auckland Arts Festival, as well as the premiere season of As Night Falls.
Rodney Tyrell Of Samoan descent, Rodney grew up in West Auckland and first discovered dance in high school, participating in cultural performances and hip hop dance competitions. Rodney studied dance at Unitec, graduating with a Bachelor in Performing and Screen Arts majoring in Contemporary Dance in 2015. This tour marks Rodney’s debut with Black Grace.
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BIOGRAPHIES (continued) Black Grace would like to acknowledge their sponsors: Founding Artistic Director/CEO Neil Ieremia, ONZM Choreographer Neil Ieremia, ONZM Company Manager/Tour Manager James Wasmer
Sustaining Partner Creative New Zealand Funding Partner Foundation North Funders Auckland Council Albert-Eden Local Board
Creative Assistant/Stage Manager Siaosi Mulipola Tour Administrator Abby Ieremia Rehearsal Assistant/Company Teacher Zoë Visvanathan Dancers Sean MacDonald Zoë Visvanathan Sarah Baron Callum Sefo Brydie Colquhoun Otis Herring Demi-Jo Manalo Shane Tofaeono Paige Shand Rodney Tyrell Zildjian Robinson (Apprentice Dancer) Technical Manager Jax Messenger The Black Grace Trust Haydn Wong (Chair) Sam Sefuiva Bernice Mene Neil Ieremia, ONZM Cultural Advisors Mr Siufaitotoa Simanu and Mrs Kionasina Ieremia
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Exclusive USA Tour Representation Rena Shagan Associates, Inc. 16A West 88th St, NY, NY 10024 www.shaganarts.com Tour Management – Felicitas Willems
UP NEXT See complete event descriptions on pages 10-12 of the Newman Center Presents program. “Nude Music” Featuring Musica Nuda from Italy and Håkon Kornstad from Norway Thu, Apr 27, 2017 / 7:30 p.m.
Remember: COMPLIMENTARY parking is available for all Newman Center Presents shows in the Newman Center garage.
Branford Marsalis Quartet with special guest Kurt Elling (SOLD OUT) Sat, May 13, 2017 / 7:30 p.m.
THE NEW POST PERFORMANCE TALK BACK Immediately following the performance you can remain in Gates Concert hall to meet members of Black Grace, discuss the show, and ask questions. Newman Center Executive Director Kendra Ingram will serve as moderator.
FOOD FOR THOUGHT Before each Newman Center Presents performance, starting at 6pm, DU Catering Services offers a selection of tasty snacks for purchase in Joy Burns Plaza. So whether you come before the Behind the Curtain lecture or head into the Plaza afterwards, you can get a quick bite before show time!
GIVE THE GIFT OF THE ARTS—GIFT CERTIFICATES! Gift Certificates in any amount are available at the Newman Center Box Office and are redeemable for the purchase of tickets for any performance of the Newman Center Presents 2015–16 Season. They are perfect for birthdays, anniversaries, and special gifts year round! The Box Office is open 10 a.m.–4 p.m. Mon–Fri, 12 p.m.–4 p.m. Sat (Sep–May), and one hour before performances.
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NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and donor opportunities, please see pages 30-32 of the Newman Center Presents program. Memberships and Donations received July 1, 2015–June 30, 2016 are listed on pages 36-37 of the program. Newman Center Memberships since July 1, 2016 BENEFACTOR Nancy and Samuel Gary Robert and Judi Newman The Sakura Foundation PARTNER Carolyn Agosta and William Rauschert Douglas and Mary Scrivner
SPONSOR Leslie Beltrami Libby Bortz and Michael Altenberg Mary Jo Craige Nelson Family Foundation David and Helen Rasmussen David Rosentrater Mary and Doug Scrivner
SUPPORTER Gerald Chapman Rodney Smith and Constance Brakken Smith CONTRIBUTOR Rus DeWitt Ruth Elaine Schoening Susan Harriet Martin Stephen B. Perry
FRIEND Albert G. and Teri K. Appell Kenneth and A. Louise Beard Robert M. Blaich Joan C. Brown Mary Lou Fenili Roberta Hyman Louis Moran Robert Snyder Mary Ann Wilner
Newman Center Donors since July 1, 2016 Anonymous (3) Armin Afsahi and Joe Eklund Jesse Davidson and Ellen Blatt Karin Bond Bonfils-Stanton Foundation Mary Brothers Barbara Caley Dr. Rebecca Chopp and Frederick Thibodeau Community First Foundation Bonnie Buffaloe Cooper and James Cooper Jesse Davidson and Ellen Blatt Robert P. and Beverlee Henry Fullerton Scott Hailpern Terri and Peter Hoopes Kendra Whitlock Ingram and Ben Ingram JoDaTaRy Fund Theresa and Bob Keatinge Mary Kennedy
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Adrian Tinsley Heather Winston Susan Zvacek In honor of Margot and Allan Frank In honor of Sue Anschutz Rodgers Robert P. and Beverlee Henry Fullerton In honor of Cynthia Secor Adrian Tinsley In honor of Tom Reid T. R. Reid In honor of Kendra and Benjamin Ingram Susan Froelich and Richard Ingram In honor of Robert and Judi Newman Donald and Kathy Rosenkrans In memory of Gladys Monahan Anne Hunting
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Endowment Recognition
The #2 rated Hospital in Colorado is a proud supporter of the Newman Center for Performing Arts.
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porterhospital.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a part of Centura Health, the region’s leading health care network. Centura Health does not discriminate against any person on the basis of race, color, national origin, disability, age, sex, religion, creed, ancestry, sexual orientation, and marital status in admission, treatment, or participation in its programs, services and activities, or in employment. For further information about this policy contact Centura Health’s Office of the General Counsel at (303) 804-8166. Copyright © Centura Health, 2016
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2016-2017 Newman Center Presents
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2016-2017 Newman Center Presents
wonderbound 16-17 season
A Gothic Folktale
with Jesse Manley and His Band & Professor Phelyx
Colorado’s First
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Come out and see if your team has what it takes to beat the Clue Room! • Parties • Corporate Team-Building • Community Organizations • Private Events can be scheduled upon request Check out our website for details on our new games and great new locations!
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DU ENRICHMENT PROGRAM ADULT COURSES FOR THE INTELLECTUALLY AND CULTURALLY CURIOUS
Come Sing With Us! Programs for children 3-18! Friendly Auditions fall, spring and summer
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Concerts at the Newman Center December 4, May 7 and July 1
Educating Minds, Enriching Hearts & Expanding Horizons Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • rigorous academics • arts, athletics, technology, Languages • Sports and Extra-curricular activities • Extended day care • daily hot Lunch program • need-Based tuition assistance available grades: preschool (age 3)-grade 8 Enrollment: 430 Student/Faculty: 8:1
Call today to schedule a tour of our campus, including our new dining hall and performing arts spaces.
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2016-2017 Newman Center Presents
The Enrichment Program of University College, DU’s college of professional and continuing studies, connects the intellectually and culturally curious adult to DU’s outstanding faculty, facilities and programming, and Denver’s rich cultural community through noncredit classes. Hand-picked scholars, courses that often include a special experience or event, discerning participants engaged in serious discussions, no grades, exams or admission requirements—these are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you creatively designed courses weaving thought-provoking study with world-class artists and performances. Meet with expert faculty, gather with like-minded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center-related classes. Fall 2016 registration is available now for classes held September through early-December, and Winter/Spring 2017 offerings, held mid-January through midMay, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.
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This year marks the fourteenth anniversary of the Newman Center for the Performing Arts and the Newman Center Presents Series. Since opening we have been fortunate to have a uniquely qualified individual at the helm to chart the course and begin the journey of programming. This year we will say farewell with much gratitude and sadness to Stephen Seifert, who has been the first and only Executive Director of the Center. An attorney by education and prior experience with a lifelong avocation in the arts, Steve was the perfect person to start and nurture the Center and the Presents series. We wish him well on his retirement but we will miss him greatly. As we look back, we are thrilled by the long succession of Newman Center popular events. Audiences and utilization of the facility are far beyond our expectations. The ambiance and wonderful acoustics of our performance venues continue to amaze our patrons. Much of our programming has been unique in the Rocky Mountains. Without question, the Center has been a great boon to south Denver, the University, and the many community arts organizations that call the Center home. We attend performances regularly and have been introduced to many performers and art forms. We look forward to a continuation of artistic achievements and hope, with your help and support, to further bring exciting and uplifting programming to Denver.
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2016-2017 Newman Center Presents
James Kim, Founder and Artistic Director
Cantata Insights Series
October 16 and February 19 in Denver February 17 in Ft. Collins
Handel’s Messiah
COMPLETE WATKINS-SHAW EDITION December 17 in Ft. Collins December 18 in Denver
St. Matthew Passion, BWV 244 March 17 and 19 in Denver
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THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE
extending your living space into the garden...
Our mission is to make the best performing arts programming available to our community. To do this, our ticket prices are held at a level that covers less than half of the true costs of our programming, operations, and maintenance. The difference is made up by your generous membership support. Your membership to the Newman Center makes it possible for us to present the best in performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a fully taxdeductible membership that makes everything we do possible.
BECOME A NEWMAN CENTER MEMBER
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2016-2017 Newman Center Presents
Annual Membership starts for as little as $50, but the more you choose to give, the greater the difference you will make. (See below about the matching grant opportunity to double the value of your gift). A portion of your Membership may be tax deductible. To become a Newman Center Member or for more information about our Membership program, please contact the Newman Center Box Office, Mon – Fri, 10 a.m. – 4 p.m.; Saturday , 12 p.m. – 4 p.m. (Sept – May), or at 303.871.7720. Newman Center Membership Levels* BENEFACTOR- $5,000 All Partner Membership benefits, plus: • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the 2016-17 season (pending artist availability) • Two (2) complimentary Pick-Your-Own 3 guest subscriptions (3 shows total) to Newman Center Presents 2016-17 season shows PARTNER - $1,000 All Sponsor Membership benefits, plus: • Two (2) additional complimentary guest passes to a Newman Center Presents performance of your choice in the 2016-17 season
Igor Butman and the Moscow Jazz Orchestra
Igor Butman and the Moscow Jazz Orchestra October 19 Rhythmic Circus Red and Green November 27
The Hillbenders
The HillBenders TOMMY: A Bluegrass Opry January 19 Muscle Shoals: I’ll Take You There February 2 - 12
25th
Wendy Whelan, Brian Brooks, and Brooklyn Rider
Wendy Whelan, Brian Brooks, and Brooklyn Rider Some of a Thousand Words March 11 Photo Credit: Christopher Duggan
PURCHASE YOUR TICKETS TODAY!
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2016-2017 Newman Center Presents
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BECOME A NEWMAN CENTER MEMBER (Continued)
Hosted bar and snacks in Joy Burns Plaza • prior to each Newman Center Presents performance and during intermissions.
2016/17 SEASON
Bach Meets Vivaldi
OCT 13, 16
Serenissima una Noche: Christmas in Spain and the New World
DEC 2-4
Playing with Fire
MAR 17, 18
Mozart Among Friends
MAY 19-21
T I C K E TS : B CO CO LO R A D O.O RG
SPONSOR - $500 All Supporter Membership benefits, plus: • Invitation to a backstage tour Two (2) complimentary guest passes to a • Newman Center Presents performance of your choice in the 2016-17 season SUPPORTER - $200 ll Contributor Membership benefits, plus: A Four (4) additional complimentary drink • vouchers for any Newman Center Presents performance in the 2016-17 season • Two (2) Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department production of your choice (dates subject to availability) CONTRIBUTOR - $100 All Friend Membership benefits, plus: • Two (2) complimentary drink vouchers for any Newman Center Presents performance in the 2016-17 season
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FRIEND - $50 • Priority notification of subscription renewal dates • Priority notification of single ticket sale dates • Recognition in each performance program for Newman Center Presents performances • Subscription to Curtain Call *The amount paid for your Membership is tax deductible minus the fair market value of benefits received. If you decline all benefits, the entire amount of your Membership is tax deductible. Deductible amounts with benefits are: Friend - $50; Contributor - $94; Supporter - $142; Sponsor - $366; Partner - $690; Benefactor - $4,474.
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2016-2017 Newman Center Presents
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Thank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center
Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts).
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During the 2016-17 season, these funds and other specific gifts and grants noted will help make the following programming a reality: • Educational residency work and master classes with MOMIX, LA Guitar Quartet, Bridgman | Packer Dance, Cécile McLorin Salvant, Roomful of Teeth, Edgar Meyer and Christian McBride, Kodo, Aspen Santa Fe Ballet, DakhaBrakha, yMusic, Black Grace, Musica Nuda, Håkon Kornstad, and Branford Marsalis are supported in part by The Newman Center Endowed Fund for Cultural and Experiential Learning.
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• MOMIX, Bridgman | Packer Dance, Aspen Santa Fe Ballet, and Black Grace are supported in part by The Grynberg Family Endowment for Dance Programming, and a gift from Roger and Meredith Hutson. • The Newman Center’s co-commissioning projects with composers Pat Metheny, Chris Thile and Caroline Shaw, as well as performances by LA Guitar Quartet, Roomful of Teeth, DakhaBrakha, yMusic, Musica Nuda and Håkon Kornstad, are supported in part by The Gay and Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. • All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. • Roomful of Teeth and Black Grace are supported in part by grants from The Antonia and Vladimer Kulaev Cultural Heritage Fund. If you are interested in supporting Newman Center Presents, please contact Kellyn 2016-2017 Newman Center Presents
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WHAT GIFT DOLLARS CAN REALLY DO (Continued)
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2016-2017 Newman Center Presents
Smith, Senior Director of Development – Arts, Humanities and Social Sciences, Kellyn. Smith@du.edu or call 303-871-4472. If you work with a local organization or Denverarea K-12 school and would like to learn more about how Newman Center Presents artists might provide educational activities for your school or group, please contact Amanda Swartzbaugh, Event Manager, at Amanda. Swartzbaugh@du.edu or call 303-871-2862. Please include the following: your name and position, name of organization or school, types of activities you may be interested in (e.g. jazz, dance, world music, vocal…), email address and phone number.
THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS The construction of the Newman Center and all its public and backstage spaces was only possible because of generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-of-the-art systems. To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment. Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you. If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, the Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community,
2016-2017 Newman Center Presents
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2016-2017 Newman Center Presents
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please contact Kellyn Smith, Director of Development – Arts, Humanities and Social Sciences, Kellyn.Smith@du.edu or call 303-871-4472.
DONOR ACKNOWLEDGEMENTS The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in the 2015-16 season (July 2015-June 2016) to support the Newman Center’s membership, programming, operations and endowment funds: NEWMAN CENTER DONORS Anonymous (3) Robert S. Anderson and Susan Schulten Leslie S. Beltrami Meredith Black and L. Roger Hutson Karin Bond Bonfils-Stanton Foundation Mary Brothers Joan Brown Kristi and William Burgert Jane Emily Carter David Charmatz Community First Foundation The Denver Foundation Arlene Belefonte Diaco Betina Grandey Mary B. and Rayfard Guillory Nancy Henderson Theresa and Albert Hernandez Terri Hoopes Cathy Kaufman Robert Keatinge Suzanne Kinney KJ Community Fund of The Denver Foundation Antonia & Vladimer Kulaev Cultural Heritage Fund Bettina Kurowski Alex K. Lambert Carol Jickling Lens and Larry F. Lens MDC/Richmond American Homes Foundation Virginia J. and Joseph E. MacMillan Isabelle Marques Yolanda McAllister Patti Meeks Lori A. and Brian C. Miller Brian A. and Megan Marlene Peagler Andreas and Frank Rechkemmer Thomas Reid Henrietta J. Rollert Paula Roney Terence and Kimberly Root Kathy and Donald Rosenkrans David Rosentrater Sara E. Sachs
DONOR ACKNOWLEDGEMENTS (continued)
Stuart E. Sanks Kathryn Spuhler Carolyn Strand Jeremy A. Ward Matthew P. Wasserman In memory of Fran Seifert Karin Bond In memory of Gladys Monahan Samuel L. Diaz-Munoz Anne R. Hunting Virginia J. and Joseph E. MacMillan Michael D. Meloy In honor of Margot and Allan Frank In honor of Sue Anschutz Rodgers Beverlee Henry and Bob Fullerton In honor of Stephen Seifert Eleanor “Ellie” Caulkins Barbara Neal Janalynn Sau Wong In honor of Robert and Judi Newman Jennifer Newman Kathy and Donald Rosenkrans Alison Mayer Shetter and James David Shetter In honor of Cynthia Secor Adrian Tinsley
2015-2016 MEMBERS Benefactors Robert and Judi Newman Partners Stephen Seifert Sponsors Armin Afsahi and Joe Eklund Diana and Michael Kinsey Gregg Kvistad and Amy R. Oaks Paula J. Meadows Natalie and Sean Raborn William Rauschert and Carolyn A. Agosta Supporters Sarah K. and Thomas W. Faulkner W. Peterson Nelson/Nelson Family Foundation Wayne George and Nyla Jane Nielsen David N. and Helen Rasmussen Sage Family Fund, a fund of the Omaha Community Foundation William A. Stolfus and Andrea G. Richardson Roxanne S. and Frederick A. Vierra Contributors Carole Cantor Adelstein and Robert Adelstein Lisa Allen Husain Mohamed Ahmed H AlQaseer Sybil Barnes
Ms. Helen Bernstein and Bernard Bernstein Family Trust Libby Bortz and Michael Altenberg Joan Brown Thomas Butler Matt and Carmen Chalek Gerald W. Chapman Catherine P. Cole Russell DeWitt Miriam Farrington Zelda Friednash Phyllis Goodman Harry P. and Donna M. Gordon Barbara Jean Hamilton Kathryn Heet and Jeff Kear Andrew Hornbrook Richard and Bonnie R. Kohl Julie W. and Mark M. Laitos Sally A. Lewis and Alan S. Fine David R. and Florence Lynn Linke C. Wills and Patricia J. Long Laura and David Merage Richard and Wendy Moraskie Robert and Ann Morehead Nathan W. and Kerry S. Pearlman Hensley R. and James Peterson Nancy D. Petry Peggy Phannenstiel Judith Plows Sally Plummer Richard K. Replin and Elissa Rae Stein Donovan and Phyllis Rieger David Rosentrater Ruth Elaine Schoening Douglas G. and Mary B. Scrivner Jenene C. and James J. Stookesberry Paul W. and Laura K. Talbot Roger Tate Carol A. Wilson Edith E. and Joseph S. C. Wong
Bruce Nordwall Zachary French Palmquist Sally G. Plummer Aimee Reichmann-Decker and John Decker Ann W. Richards Henrietta J. Rollert Nancy L. Simon Marriott W. and John Smart Nancy K. Van Dyke Rhoda Weinstein Jeffrey Zax (Gifts and memberships received on and after July 1, 2016 are acknowledged in the show insert in the middle of the program.) NEWMAN CENTER PRESENTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING GENEROUS MULTI-YEAR SUPPORT: • The Newman Center Fund for Experiential and Cultural Learning established by Beverlee Henry and Hon. Robert Fullerton—for Newman Center Presents educational activities • The Grynberg Family Endowment for Dance Programming for Newman Center Presents dance programming • The Porter Adventist Hospital Endowment for the Performing Arts for Newman Center Presents programming • The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music for Newman Center Presents alternative music programming • The Newman Center for the Performing Arts Endowment with lead funding from the Lewis D. & John J. Gilbert Foundation, the John J. and Margaret R. Gilbert Foundation, the Clinton Family Fund, and Margot Gilbert Frank—for support of special programs and major projects • L. Roger and Meredith Hutson Gift for the expansion and support of Newman Center Presents dance programming
Friends Luc Beaudoin Charlene S. Byers Betty J. Croall and James A. Carney Barbara L. and William Dolan Andrea Elizabeth Faley John A. Helfrich Jessica Rose Hogan and Wayne Clark Litten Anne R. Hunting Roberta Hyman Ann Marie Kaplan Felicia Gayle and William Kyle Keahey Bettina Kurowski Barbara Whiting Lee Sarah Lincoln Joan B. and Richard L. McGee Pamela Metz William Mohrman R. David Monahan
2016-2017 Newman Center Presents
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• The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • We offer COMPLIMENTARY PARKING for all Newman Center Presents shows in the Newman Center garage, subject to availability. Patrons are advised not to park in the neighborhoods, as most of the side streets have one-hour parking only. Arrive early to ensure a space in the garage. Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.
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