Newman Center Presents Magazine 2017-2018, April 6, 2018

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SEASON

2017 2018


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2017-2018 Newman Center Presents

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Welcome to the 201718 season of Newman Center Presents. We are proud to present an eclectic mix of performances that represents the highest level of artistic excellence. We are dedicated to exploring a broad range of culturally diverse programs and stimulating dialogue on social issues through the performing arts. This season, we launch two new series: the Family Series and the Student Matinee Series. These shows are a great way to introduce young people to the power and magic of live performance. The Newman Center continues to grow and thrive because of your support. We invite you to share your enthusiasm with your friends and family by organizing groups to attend performances or bringing a young person to a performance. I look forward to sharing more unforgettable evenings together. Thank you for being a part of the Newman Center’s 15th season.

Kendra Whitlock Ingram Executive Director


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MISSION & VISION OUR MISSION The mission of The Robert and Judi Newman Center for the Performing Arts is to inspire and enrich the University of Denver campus and the Colorado community by: •P resenting a rich program of diverse artists and thinkers in public performance.

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•P roviding education and community engagement programs to learners of all ages. •S tewarding a state-of-the art venue for the campus and community. OUR VISION A multidisciplinary arts venue that provides innovative, diverse and thought-provoking performance and education opportunities, and enables the community to remain engaged, inspired, and connected through the performing arts.


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FROM THE CHANCELLOR Welcome to the Robert and Judi Newman Center for the Performing Arts—a crown jewel of Denver’s arts scene and an embodiment of the University of Denver’s commitment to our community.

ABOUT THE ROBERT & JUDI NEWMAN CENTER FOR THE PERFORMING ARTS

Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. This year, we are launching a Family Series and a Student Matinee Series. Both series are results of the realization of DU IMPACT 2025, our strategic vision, which calls on the University to expand its deep roots in the Denver community, with a commitment to diversity and inclusion through our programming, learning and community engagement. The Newman Center’s stages enable our students to demonstrate their remarkable gifts, attracting some of the most promising and talented young people in the nation. This building helps every student production in our Lamont School of Music and the Department of Theatre showcase their extraordinary energy, enthusiasm and dedication. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and innovate. May their creativity and talent inspire us all to reflect on what it means to be human—to create and appreciate artistic expression and use it to understand ourselves and our world. Enjoy tonight’s performance. I hope you will return again to another of our many offerings. Rebecca Chopp Chancellor, University of Denver

Opened in 2002, The Robert & Judi Newman Center for the Performing Arts at the University of Denver is acclaimed as one of the nation’s finest performing arts centers. Unique in the region for its size, acoustic quality, and caliber of artists, the Newman Center is dedicated to showcasing cultural diversity, stretching the imagination, and stimulating dialogue. The Newman Center hosts nearly 500 performances each season with up to 120,000 people in attendance. As a creative and effective leader in arts presenting the NCPA has served as an artistic gathering place and an economic engine elevating Denver’s reputation as the Cultural Capital of the West. In 2016, Kendra Whitlock Ingram joined the Newman Center in the Executive Director position. Heeding the call of DU IMPACT 2025 as well as a parallel directive in the Denver Arts & Venues Imagine 2020 plan to ‘make art unavoidable,’ Ingram is focused on blurring the lines between campus and community by presenting diverse and excellent performances, developing key community partnerships, and creating programming for families in order to introduce new generations to the performing arts.

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2017-2018 Newman Center Presents


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If you could organize a fantasy performance at the Newman Center with any artists living or dead, what would it be?

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A CONVERSATION WITH BOB AND JUDI NEWMAN What are you most excited about this season? We are very proud of the fact that every year NCP features world-class performers that might not otherwise appear in Denver. Gates Hall is a wonderfully constructed, mid-size venue with outstanding acoustics – a classic and marvelous place to see and hear great performances.

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This year, the quality of programming continues and the breadth of programming expands. We look forward to long-time favorites like the King’s Singers, Sarah Chang and Gregory Porter as well as new surprises like Cashore Marionettes. We are particularly excited for the new Family and Student Matinee Series that will bring incredible performances to young audiences.

Bob: I very much like musical theater so my first choice would be a reprise of My Fair Lady, with Rex Harrison, Stanley Holloway and Audrey Hepburn. Since that will never happen, I would settle for a Lamont production, perhaps showcasing both professionals and DU students in various roles. A second choice: we were fortunate to once have Marvin Hamlisch visit our home in Denver and play for a small gathering. He even composed a short song, with lyrics, for us. What a talent – it was magical! Judi: My fantasy concert would be Frank Sinatra with the Rat Pack including Liza Minelli, Frank with Ella Fitzgerald, Sammy Davis Jr. dancing, Barbra Streisand (no politics), Tony Bennett, Adele, the Irish Tenors, Yo-Yo Ma, Victor Borge and Louis Armstrong. Wow, what a show that would be! Please watch the sound volume – no ear plugs needed!

If you had to choose one performance at the Newman Center from the past 14 years, what would be your favorite? A truly tough question to answer – so many outstanding performances! But perennially, we tend to favor vocal groups like Cantus, King’s Singers and the Whiffenpoofs as well as instrumental groups like Colorado Symphony ensembles, Bluegrass Masters, and Boston Brass. A truly memorable performance was by Manhattan Transfer at the 5th Anniversary concert.

To view a listing of our previous 14 seasons, please visit our website at www.newmancenterpresents.com and click on past seasons.


Learn •

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Solo Piano with Stacey Rose Blind Boys of Alabama September 15

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Moscow Festival Ballet Cinderella Pradhanica March 3

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Adonis Puentes and the Voice of Cuba Orchestra

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Between River and Rim: Hiking Across the Grand Canyon: Pete McBride and Kevin Fedarko November 17

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2017 2018 The Pedrito Martinez Group WED, SEP 13 | 7:30 pm

Black Violin THU, SEP 28 | 7:30 pm FRI, SEP 29 | 7:30 pm

Martha Graham Dance Company SAT, OCT 7 | 7:30 pm

A New World: Intimate Music From Final Fantasy FRI, OCT 20 | 7:30 pm

Gregory Porter SAT, NOV 4 | 7:30 pm

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2017-2018 Newman Center Presents

SEASON Erth’s DINOSAUR ZOO LIVE SAT, NOV 11 | 2:00 & 7:30 pm

The King’s Singers SUN, NOV 19 | 2:00 pm

Spanish Harlem Orchestra Salsa Navidad THU, DEC 7 | 7:30 pm

Windham Hill Winter Solstice TUE, DEC 12 | 7:30 pm

The Tierney Sutton Band The Sting Variations THU, JAN 11 | 7:30 pm


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Spectrum Dance Theater: A Rap on Race FRI, JAN 26 | 7:30 pm

Cashore Marionettes: Simple Gifts FRI, MAR 23 | 7:30 pm SAT, MAR 24 | 2:00 pm and 7:30 pm Elizabeth Eriksen Byron Theatre

wild Up Future Folk THU, FEB 1 | 7:30 pm

Antonio Sanchez - BiRDMAN Live Film and Live Score THU, FEB 22 | 7:30 pm

L.A. Dance Project SAT, MAR 10 | 7:30 pm

Sarah Chang Eight Seasons: The Music of Vivaldi and Piazzolla

TUE, MAR 13 | 7:30 pm

Nrityagram Dance Ensemble FRI, APR 6 | 7:30 pm

ODC Dance The Velveteen Rabbit FRI, APR 27 | 7:30 pm

Terence Blanchard and the E-Collective THU, MAY 3 | 7:30 pm

Presenting Denver Dance Festival JUNE 23 and 24

2017-2018 Newman Center Presents

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Black Violin SEP 28 & 29, 2017 Erth’s DINOSAUR ZOO LIVE NOV 11, 2017 Cashore Marionettes: Simple Gifts MAR 23 & MAR 24, 2018 ODC Dance - The Velveteen Rabbit APR 27, 2018

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Nrityagram Dance Ensemble Friday, April 6, 2018 at 7:30 pm June Swaner Gates Concert Hall

Śriyah Śriyah from Sanskrit; meaning from Śrī. A selection of works made since Śrī. A creative journey that started with Śrī In Search of the Goddess. From Śrī to Samhāra Śriyah The Performance:

Parvati Panchakam A prayer to invoke the benevolence of Goddess Parvati and seek her blessings. Oh Mother Supreme power of the Universe, you are music and dance and beauty and might. Shiva’s beloved, you are grace and compassion. You are the radiance of a thousand suns. Grant us the vision to behold you within. Dancers: Surupa Sen, Bijayini Satpathy, Pavithra Reddy

Panchtaal Pallavi A submission to the inherently lyrical form of Odissi, this dance explores the various dimensions of its abstract vocabulary. It begins with slow, sensuous movements and builds up gradually to a climax of intricate patterns. As abstract movement is explored through the various rhythms, the musical fabric of the song adapts to the evolving patterns. Set to rhythmic cycles of 3, 4, 5, 7, and 9. Dancers:Bijayini Satpathy, Pavithra Reddy, Continued on next page.

Newman Center Presents 2017‒18 Sponsors

This program is funded in part by

Bonfils-Stanton Foundation Grynberg Family Endowment for Dance Programming L. Roger and Meredith Hutson The Robert & Judi Newman Center for the Performing Arts Endowed Fund for Experiential and Cultural Learning

Flash photography is not permitted.


Continued from previous page.

Aali (lost in love)

Akshiti Roychowdhury, Prithvi Nayak, Urmila Mallick

Meera (Mirabai), was a 16th-century mystic poet and devotee of Krishna. An aristocrat from Rajasthan, she scorned her royal existence to mingle freely with wandering minstrels and saints that shared her love for her beloved Krishna. She was persecuted and derided for her obsession, by her family and society but she remained faithful to her beliefs and fearless in her devotion. She wrote and sang songs of ecstasy and longing, all dedicated to Krishna.

Original Choreography by Guru Kelucharan Mahapatra. Restaged by Surupa Sen.

Muroli Paani (abhinaya) Abhinaya refers to the gestural language of Indian dance and theatre in which a poem is interpreted through facial expressions (bhava) and gestures (mudra). Muroli paani is an Oriya poem set to music.

Dancers: Akshiti Roychowdhury, Urmila Mallick, Prithvi Nayak

“His glance is the loving dagger that sears my heart. Helpless, without caution I enter the fire like a firefly, gaze longingly at the moon like a chakora bird, yearn for my Lord like a fish without water. Like Radha, I am crazed for the love of her Krishna. There is none for me more beautiful than He. My delightful Lord of the forest, my blue-bodied Shyam. Meera beseeches you, let me be yours.

INTERMISSION

Dancer: Surupa Sen

Look at him..... the one with the flute in his hands. A sculpture of incomparable beauty, his glittering blue body rivals the very gems of heaven. His glance is the passionate arrow of the god of love. And the arch of his brow, the bow from which the arrows fly. He is Krishna. Infinite lover. In the sensuous sound of his flute, my senses are lost.

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Nrityagram Dance Ensemble


Sridevi A dance in praise of the Mother Goddess - As we brave new journeys, we ask the divine presence of the Mother Goddess to light our path. “Oh mother, the supreme power of the universe, grant us the vision to behold you within. From you comes all life and into you, we must all return. At your feet, we offer our dance.” Dancers: Surupa Sen, Bijayini Satpathy, Pavithra Reddy, Akshiti Roychowdhury, Prithvi Nayak, Urmila Mallick

PRODUCTION STAFF Artistic Director / Choreographer Surupa Sen

She began her Odissi training with the architect of Odissi, Guru Kelucharan Mahapatra. She also studied Odissi with Guru Protima Gauri, and Abhinaya (expressional dance) with Guru Kalanidhi Narayanan.

Dancers Surupa Sen, Bijayini Satpathy, Pavithra Reddy, Akshiti Roychowdhury, Prithvi Nayak, Urmila Mallick Musicians Jateen Sahu vocal and harmonium Rohan Dahale voice and mardala (percussion) Sanjib Kunda violin Parshuram Das bamboo flute

Surupa shares an artistic partnership with Bijayini Satpathy for over two decades and together they have researched and developed the vocabulary of Odissi dance and have developed a style that distinguishes the dancers of the Nrityagram School. As a child she studied Bharatanatyam to which she attributes her pre-occupation with form and line. Attracted to choreography from her first exposure to western makers of dance, she has worked with dancers and choreographers from across the world. She has a keen talent for music and rhythm composition and has worked closely with composer Pt. Raghunath Panigrahi.

Off-stage announcement Surupa Sen

Surupa has choreographed six full-length ensemble shows for Nrityagram, which are Śrī: In Search of the Goddess (2000), Ansh (2004), Sacred Space (2006), Pratimā: Reflection (2008), Samhāra (2012) and Śriyah (2016); and two full-length duet shows Samyoga (2012) and Songs of Love and Longing (2013).

Research and Costumes Bijayini Satpathy Master Tailor Ghulam Rasool Tailor Executive Producer / Technical Director / Lighting Designer Lynne Fernandez

US Representative Sandy Garcia Pentacle / DanceWorks Inc. sandyg@pentacle.org www.pentacle.org

For centuries, a temple has looked out at a turbulent sea, its walls dancing a prayer to the rising sun. Magnificent ruins like these, in Odisha in Eastern India, confirm that Odissi was performed as far back as 200 BCE. Originally a sacred ritual dedicated to the gods, Odissi is one of the oldest dance traditions in the world. Its sinuous forms, languorous limbs, and rapt expressions frozen in stone tell of a past rich in dance, music, myth, and legend. Odissi speaks of love and union between human and divine, transporting viewers to enchanted worlds of magic and spirituality. Its sensuousness and lyricism reflect both the motifs of Odisha temple sculpture as well as the poetry from the deep wellsprings of Oriya music.

SURUPA SEN (Artistic Director, choreographer, soloist) was the first student to graduate from Nrityagram.

Rhythm Composers Dhaneswar Swain, Surupa Sen

lynne@nrityagram.org www.nrityagram.org

Odissi

THE DANCERS

Music Composer Pandit Raghunath Panigrahi, Pandit Bhubaneswar Mishra (Panchtaal Pallavi)

Nrityagram Dance Village

THE DANCE

Surupa is Artistic Director and choreographer at Nrityagram. BIJAYINI SATPATHY (Director of Dance education, soloist) made Nrityagram her home in 1993. Her initial Odissi training was in Odisha from the age of seven, until she moved to Nrityagram. Bijayini, in partnership with Surupa Sen has created an aesthetic style of Odissi dance that is the hallmark of Nrityagram. Bijayini’s research on the moving body in all its possibilities has resulted in a scientific body training programme for Nrityagram,

Nrityagram Dance Ensemble

iii


tutelage of Surupa Sen and Bijayini Satpathy and has worked with dancers and movement specialists from across the globe. Pavithra joined the Nrityagram Dance Ensemble 1993 and has performed solo and with the Ensemble at some of the most prestigious venues across India and the world. In addition to being a full-time performer, Pavithra also teaches dance at Nrityagram. AKSHITI ROYCHOWDHURY (dancer) joined the Nrityagram Gurukula for residential basic training in 2011 after which she was offered the opportunity to continue advanced training and apprentice with the Nrityagram Dance Ensemble. A recipient of a special scholarship for five years Akshiti has trained under the direct mentorship of Surupa Sen and Bijayini Satpathy. In addition to training, she is an assistant Teacher in the outreach programme for children. She is working towards her solo debut and is also a performer with Nrityagram Too - the junior dance ensemble. PRITHVI NAYAK (dancer) started her Odissi training with Surupa Sen’s weekly classes in Bangalore in 2012 and was soon accepted as a day scholar to train more intensively at Nrityagram. She was included in Nrityagram Too, the junior dance ensemble, in 2014 and now apprentices as a performer while she continues her graduate studies. URMILA MALLICK (dancer) was 8 when she watched a Nrityagram performance and knew she wanted be a dancer.

sourced from Yoga, Natyashastra, Kalaripayattu, Western fitness methods and Odissi body-conditioning exercises. This makes practice of dance injury- proof and increases the performance life-span of a dancer. She has also developed an expanded, systematic and accessible training programme for Odissi dancers, which is equally valuable for beginners, advanced learners, performers and Teachers. As Director Dance Education, Bijayini works on extending the vocabulary of the traditional Odissi form and formulating Nrityagram’s dance pedagogy. She is also responsible for all outreach activities. PAVITHRA REDDY (dancer) was the first student to graduate from Nrityagram’s rural outreach programme. She came to Nrityagram in 1990 from a village nearby and was selected to receive special training. She learned Odissi under the iv

She started training at Nrityagram when she was 13, at first during every available opportunity while completing school. After completion of High School she has taken a gap year to live full-time at the dance village where she continues to train under the tutelage of Surupa Sen and Bijayini Satpathy. She received the Cornelia and Michael Bessie Foundation Scholarship to support her training at Nrityagram. She is working towards her solo debut and is also a performer with Nrityagram Too - the junior dance ensemble.

NRITYAGRAM Nrityagram Dance Village Nrityagram (which means dance village) is located outside Bangalore, India. It was founded in 1990 by Odissi dancer Protima Gauri, who converted ten acres of farmland into a setting for the study, practice and teaching of dance. At Nrityagram, dance is a way of life. Reminiscent of ancient ashrams where gurus imparted not only technique but also a philosophy of being, this is a creative space where dancers, musicians and choreographers live together, sharing their skills and developing their

Nrityagram Dance Ensemble


art. To enrich their practice, dancers are also taught yoga and martial arts along with Sanskrit and classical literature. As knowledge passes from guru to disciple, the continuity of the classical arts is ensured. A unique blend of traditional knowledge with contemporary understanding and application makes Nrityagram the only institution of its kind in the world. The outside world too, is an integral part of Nrityagram. Choreographers, movement specialists, sculptors, painters, writers, musicians and theatre practitioners from all over the world frequently visit the village to perform and conduct workshops and seminars in their areas of practice.

The Nrityagram Dance Ensemble The Dance Ensemble, Nrityagram’s repertory company, is regarded as one of the foremost dance companies of India, performing all over the world including an annual tour to the United States. Although steeped in and dedicated to ancient practice, the Ensemble is also committed to carrying Indian dance into the twenty-first century. Enabled by grants from the National Dance Project of the New England Foundation for the Arts, and more recently from The Joyce Theater, New York, Nrityagram’s dancers not only explore creative expansions of tradition but are also able to commission fresh compositions from leading musicians. Since 2000, Nrityagram has presented six full-length Ensemble shows, choreographed by Surupa Sen. Śrī: In Search of the Goddess (2000), consisted of both a nontraditional suite (Night, Fire, Dialogue with Death) and a re-working of traditional dance (Śrīmatī, Śrīmayī, and Śrīdevī). Ansh (2004) was a reworking of a typical Odissi recital, which toured extensively in India and the United States including a run at the Joyce Theater, New York in 2005. Sacred Space (2006), a show based on Temple Architecture and its relationship to dance, which toured the United States for six months including a weeks run at the Jacobs Pillow Dance Festival and the Spoleto Festival. Pratimā: Reflection (2008) commissioned by the Joyce Theater’s Stephen and Cathy Weinroth Fund for New Work as part of their 25th anniversary celebrations and premiered in February of 2008 at the Joyce Theater, New York. Vibhakta, from Pratimā: Reflection, was listed in “The 10 best dance performances of 2008” by The New Yorker. Samhāra (2012), which was Nrityagram’s first international collaboration. Together with Sri Lanka’s Chitrasena Dance Company, it explored the meeting point between the sensuousness of Nrityagram’s Odissi and the masculine dynamism of the Chitrasena’s Kandyan dance. Saṃhāra was premiered in Bangalore in February Nrityagram Dance Ensemble

v


2012, toured the United States, Sri Lanka and the far-East and was performed in India to great critical acclaim. Śriyah, a selection of new and old works, which has been presented at the Edinburgh International Festival, Lincoln Center for the Performing Arts, Sydney Opera House, Cairo Opera House, etc. Nrityagram has also presented two full-length duet shows choreographed by Surupa Sen - Samyoga (2012), which had its North America premiere for World Music Institute, New York and Songs of Love and Longing (2013), which had its North America premiere at the Baryshnikov Arts Center, New York.

THE COMPANY JATEEN SAHU (lead vocal, harmonium) learned Odissi singing under the tutelage of Guru Ramahari Das at The Music College, Odisha. He lives in Mumbai and has worked with Nrityagram since 2008. He is also a concert singer. ROHAN DAHALE (mardala - percussion) began his training with Guru Kelucharan Mahapatra and has continued to learn from Guru Banamali Maharana for the past twelve years. He lives in Mumbai and accompanies Odissi dancers from the region. At present, he is percussionist at the dance village and travels and performs with the Ensemble.

NEW STUDENT MATINEES Announcing our Student Matinee Series! Educators and students — join us for five specially-designed school day performances featuring our world renowned artists. For more information visit newmancenterpresents.com/education.

GIFT CERTIFICATES Perfect for birthdays, anniversaries, and more! Gift certificates are available in any amount at the Newman Center box office, and are redeemable for any performance within one year of purchase.

SANJIB KUNDA (violin) started work with Nrityagram in 2006 after graduating in Hindustani violin playing from The Music College, Odisha. Since then he has performed with the Nrityagram Dance Ensemble while continuing to accompany other dancers in Odisha. PARSHURAM DAS (bamboo flute) studied at the Music College in Bhubaneswar, Odisha. His Guru is Pt. Mohini Mohan Pattnaik. In addition to working as a freelance music accompanist, he teaches at Utkal University of Culture, Bhubaneswar. He has been with Nrityagram from 2002. LYNNE FERNANDEZ (lighting designer, technical director, Executive Producer) has worked as an actress and light designer with many notable directors including Barry John, Joy Michael, Ranjit Kapoor, and Lillete Dubey, and was one of the first professional lighting designers in India. Her theatre work has been presented at the Edinburgh Festival Fringe, in the West End and off-Broadway. She came to Nrityagram in 1993 as Production and Technical consultant to the newly founded Ensemble. She stayed on as Technical Director and in 1997 was appointed Executive Director of the Nrityagram Village, School and Ensemble. As Executive Director, she is responsible for administration, fundraising and project development. Her recent projects include Kula, a residence where arts practitioners can live and create new work, and a Performing Arts Centre comprising a theatre, an exhibition space and rehearsal studios. She has also overseen the emergence of the Ensemble on to the international arena. vi

COMING SOON TO NEWMAN CENTER Visit newmancenterpresents.com for complete show info.

ODC Dance: The Velveteen Rabbit

April 27, 2018 at 7:30 pm

Terence Blanchard and the E-Collective

May 3, 2018 at 7:30 pm

Presenting Denver Dance Festival June 23-24, 2018

Newman Center box office hours are 10 am–4 pm, Monday– Friday; 12–4 pm Saturday (September–May); and one hour before performances.

Nrityagram Dance Ensemble


DONOR ACKNOWLEDGEMENT as of February 27, 2018 Lifetime ($1,000,000+) Morley C. Ballantine* Bonfils-Stanton Foundation Joy S. Burns Ruth S. Byron* Adolph Coors Foundation June Swaner Gates* Jane M. and Frederic C.* Hamilton The Frederic C. Hamilton Family Foundation Kresge Foundation Robert and Judi Newman Robert and Judi Newman Family Foundation Virginia E. Trevorrow* Carl M. Williams* Lifetime ($500,000+) Patrick D. and Joan A. Bowlen William K. and Rita Bass* Coors Devonshire Charitable Trust Margot Gilbert Frank and M Allan Frank Lewis D. and John J. Gilbert Foundation The Grynberg Family Ronald L* and Carol L.* Moore Scott J. and Virginia L. Reiman Reiman Foundation Daniel L. Ritchie Lifetime ($100,000+) Anonymous Raphael Levy Memorial Foundation Jordon* and Essie Perlmutter Porter Adventist Hospital Richard C. and Jeanne P. Saunders Galen and Ada Belle Spencer Foundation Judith M. and Marvin E. Wolf Lifetime ($50,000+) Fine Arts Foundation Gareth D. Flora LaRetta M. Flora Gay & Lesbian Fund for Colorado Beverlee B. Henry and Robert P. Fullerton L. Roger and Meredith Hutson Kern Family Foundation Mary L. Rossick and Jerome H. Kern The Kenneth King Foundation Antonia and Vladimer Kulaev Cultural Heritage Fund J. K. Mullen Foundation Anna and John J. Sie The Anna and John J. Sie Foundation John W. and Marilyn Johnson Stoddard Pioneer Legacy Society Donors who have included the Newman Center in their estate plans Anonymous

Thomas and Brenda Douglis Sally G. Plummer Gift Pledges ($25,000+) Pledges made within the past five years Bonfils-Stanton Foundation Friends of Chamber Music The Grynberg Family L. Roger and Meredith Hutson Porter Adventist Hospital

Annual Giving Circles Director ($25,000+) Bonfils-Stanton Foundation The Grynberg Family Gold ($10,000+) L. Roger and Meredith Hutson Antonia and Vladimer Kulaev Cultural Heritage Fund Encore ($5,000+) Nancy and Samuel Gary Beverlee B. Henry and Robert P. Fullerton Robert and Judi Newman The Sakura Foundation Benefactor ($2,500+) Kendra Whitlock Ingram and Benjamin Ingram Jane N. and Wayne G. Nielsen Ovation ($1,000+) Teri and Gordon Appell Lisa A. Feldman Diana W. and Michael Kinsey Gregg Kvistad and Amy R. Oaks Paula J. Meadows Doloris G. and Gene Milstein Carolyn A. Agosta and William Rauschert David Rosentrater Douglas G. and Mary B. Scrivner Rebecca Chopp and Frederick Thibodeau Roxanne S. and Frederick A. Vierra Patron ($500+) Anonymous Leslie S. Beltrami Libby L. Bortz and Michael R. Altenberg Ellie Caulkins Marie and Matthew Gordon Margot Gilbert Frank and M Allan Frank Neal Arts Fund at the Denver Foundation Nelson Family Foundation Nancy M. and W. Peterson Nelson Stephen B. Perry David N. and Helen Rasmussen Norwood L. and Barbara J. Robb Stephen Seifert Nrityagram Dance Ensemble

Kellyn S. and Jeff M. Smith Carolyn M. Strand Etta M. and Michael D. West Friend ($250+) Anonymous Gerald W. Chapman Mary Jo Craige Phyllis Goodman Amy A. and Donald Earl Harris Harriet R. and Donald S. Kaufmann Diana Yunn Lee Jean A. and Ronald C. Meyer William Mohrman Jean E. and Edward Onderko Kerry S. and Nathan W. Pearlman Natalie and Sean Raborn Elissa RaeStein and Richard K. Replin Donald D. and Kathy A. Rosenkrans Amy and Jay Sage Polly W. Sanna and John S. Sanna, III Constance A. Brakken and Rodney L. Smith Liora Spiess Cynthia Secor and Adrian Tinsley Edith E. and Joseph S. Wong

Tribute and Memorial Gifts Betty J. Croall and James A. Carney in memory of Nancy Simpson Margot Gilbert Frank and M Allan Frank in honor of Stephen Seifert’s birthday in honor of Beverlee B. Henry and Robert P. Fullerton Susan L. Froelich and Richard E. Ingram in honor of Kendra and Benjamin Ingram Barbara Jean Hamilton in memory of Susanne W. Hamilton Beverlee B. Henry and Robert P. Fullerton in honor of Sue Anschutz-Rodgers in honor of Margot Gilbert Frank and M Allan Frank The Grynberg Family in memory of Gloria Kubel Anne R. Hunting in memory of Gladys Monahan Kathy A. and Donald D. Rosenkrans in honor of Robert and Judi Newman Etta M. and Michael D. West in honor of Judi Newman *Deceased If you would like your donor listing to appear differently in our next performance program, please contact Kellyn Smith at 303-871-4472 or kellyn.smith@du.edu.

vii



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For more information about the dance library visit facebook.com/cbgdlibrary or call 303-871-4065

PATRON INFORMATION • The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • We offer COMPLIMENTARY PARKING for all Newman Center Presents shows in the Newman Center garage, subject to availability. Patrons are advised not to park in the neighborhoods, as most of the side streets have one-hour parking only. Arrive early to ensure a space in the garage. Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues.

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2017-2018 Newman Center Presents

• Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.


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2017-2018 Newman Center Presents

We’re looking for dedicated community members with a passion for the arts to join our volunteer team. Volunteer opportunities include: Ushering for performances and events Administrative office work Venue tours and more! FOR MORE INFORMATION: Contact Rachel Hargroder, Assistant Director of Patron Services, 303-871-7929 or Rachel.Hargroder@du.edu.


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