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FROM THE EXECUTIVE DIRECTOR
NEWMAN CENTER STAFF Stephen W. Seifert Executive Director Diane L. Roth Assistant Director, Event Services Deirdre A. L. Shaw Event & Community Outreach Manager Sarah A. Johnson Event Coordinator Garret Glass Assistant Director, Production Services Zack Jovanovich Shakeel Wahab Production Services Coordinators Richard Moraskie Assistant Director, Ticketing Services Max Manoles Assistant Manager of Ticketing Dee Getchel Assistant Director, Patron Services Natalie Raborn Marketing Director
ADVERTISING INFORMATION This program is produced for the Newman Center by The Publishing House, a division of Colorado Word Works, Inc.
Welcome to Newman Center Presents! Our 11th season includes the celebration of the 150th anniversary of the founding of the University of Denver. The University strives to be a great private institution serving the public good. We at the Newman Center believe that our programs rise to the challenge of the University’s mission. The Newman Center hosts nearly 500 performances each year, serving both campus and community. Those performances include, in addition to the Newman Center Presents performance you are here to experience, hundreds of performances by students and faculty of the Lamont School of Music and Department of Theatre, as well as scores of performances by Denver’s best performing arts organizations. The world-renowned artists who perform in the Newman Center Presents series often give educational programs for both University students and K-12 students in the greater community as part of their visit. Over half of those artists have never before performed in Denver. The University’s dedication to serving the public good is what makes that possible, that and your generous support. Thank you for making Newman Center Presents part of your life and for helping the University fulfill its mission. Welcome to your performing arts center at the University of Denver. Thank you for coming. Have a great time!
Stephen W. Seifert Executive Director
Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Michele Garner, Graphic Design & Layout Wilbur E. Flachman, President For advertising information, call 303-428-9529
The Publishing House 7380 Lowell Blvd. Westminster, CO 80030 www.coloradoartspubs.com
2013-2014 Newman Center Presents
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NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose and our vision are to: •C elebrate, entertain, inspire and feed the imagination •G ive voice to the innate human need for expression through performance •E ducate and prepare better citizens of our community • Begin conversations of ideas • F oster an eagerness for and habits of curiosity and learning •M ake the major sources of our own and other cultures accessible to our community •E mbrace our differences; celebrate diversity of forms, attitudes, traditions and populations
FROM THE CHANCELLOR This academic year will mark the 150th anniversary of the founding of the University of Denver. Through all of those years (very nearly as long as the city itself has existed) the University has been a major focal point for Denver’s cultural life. This is simply a part of who we are as an institution and of our mission to serve the public good. We seek to develop the extraordinary talent resident in our students and faculty members, but also to be a magnet that attracts the greatest musicians, dancers, actors and artists of all kinds from all over the world to our city, and to present their work to its citizens. All of this is done in an effort to enrich our lives and our culture. The Newman Center for the Performing Arts at DU is surely one of the finest such venues in America. Through the many performances presented here each year we seek to entertain, stimulate, and inspire members of the DU community and the public at large. The Newman Center Presents series lies at the heart of that effort. Each year it presents a vibrant and eclectic variety of performances, introducing new aspects of music, theater and dance that our community may not otherwise have the opportunity to experience. I hope that you will help the University Community celebrate its 150th birthday this season! Most particularly, I hope that you are entertained, stimulated, or inspired (or perhaps all three) by this evening’s performance. Thank you so much for visiting the Newman Center and DU.
•C hallenge assumptions and encourage creativity and new work, even at the risk of failure •H elp teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future •D emand excellence and integrity without avoiding controversy •R emind our community that the performing arts have value to our society because they: •C reate self-esteem which is earned by striving to achieve high standards • I ntegrate with other disciplines such as language, history, math and science • F oster communication and interpersonal skills
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2013-2014 Newman Center Presents
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THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers and story tellers to the University community and our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn at Natalie.Raborn@du.edu or 303.871.4154.
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2013-2014 Newman Center Presents
The Denver Brass 2013-2014 Season First Night! A Space Odyssey A Brass Affair with the Romantic Masters The Brass of Christmas Past Ancient Threads: A Celtic Tapestry If It’s Not Baroque, Don’t Fix It! Road Trippin’ with the Brass
303-832-HORN(4676) denverbrass.org
October 12 November 15 &16 December 21 & 22 March 14-16 April 5 & 6 May 9
303-871-7720 newmantix.com
2013-2014 Season All performances take place in June Swaner Gates Concert Hall at 7:30pm, unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check the website at www.newmancenterpresents.com for additional details. As always, artists and programs are subject to change. MARK MORRIS DANCE GROUP SATURDAY / SEPTEMBER 21 / 2013 SUNDAY / SEPTEMBER 22 / 2013 – 2:00PM Mark Morris is a legendary American choreographer and director whose contemporary dance work is acclaimed for its craftsmanship, ingenuity, humor, and live musical accompaniments, which have been a feature of every international tour of the company since 1996. Morris is popular among dance aficionados, the music world, and mainstream audiences. Sponsored by Newman Center Members – Sep 21 & 22
THE COLORADO SYMPHONY – “On Location” Featuring NATASHA PAREMSKI, piano soloist WEDNESDAY / OCTOBER 16 / 2013 Born in Moscow, 24-year-old Natasha Paremski began her piano studies at the age of 4. Her growing list of awards includes the Prix Montblanc 2007, the 2006 Gilmore Young Artist Award, top prize in the 2002 Bronislaw Kaper Awards sponsored by the Los Angeles Philharmonic, and top prize in the Young Artists in Carnegie Hall 2000 International Piano Festival. In September 2010, Natasha was named the Classical Recording Foundation’s Young Artist of the Year. Program will include Schumann’s Piano Concerto in A Minor, Op. 54. Sponsored by Newman Center Members
CHRIS THILE, SOLO MANDOLIN SATURDAY / OCTOBER 5 / 2013 Chris Thile, of Punch Brothers, is a mandolin virtuoso, composer, and vocalist. With his broad outlook that encompasses progressive bluegrass, classical, rock, and jazz, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic for performers and audiences alike. On this program, he performs transcribed solo violin works by J.S. Bach, as well as his own compositions and contemporary music.
CAMERON CARPENTER, ORGAN Playing a Rodgers digital organ in Gates Concert Hall SATURDAY / NOVEMBER 9 / 2013 A force of nature, this dazzling, maverick 32-yearold artist has been called, “the most controversial organist alive.” (Dallas Morning News) Cameron’s flamboyant appearance, dazzling technique, and profound musical intelligence will transform all preconceptions you may have about organ concerts. Sponsored by Newman Center Members
Sponsored by Newman Center Members
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2013-2014 Newman Center Presents
MOMIX - “BOTANICA” Moses Pendleton, Artistic Director FRIDAY / NOVEMBER 22 / 2013 SATURDAY / NOVEMBER 23 / 2013 The renowned dancerillusionists of MOMIX make their debut at the Newman Center with the spectacular “Botanica,” revealing nature’s everchanging imagery, set to a score ranging from birdsong to Vivaldi, Peter Gabriel to Delerium. This brilliant production, which has been touring the world to packed houses and ecstatic reviews, is enhanced by otherworldly costumes, mesmerizing projections, worldrenowned puppetry and larger than life props created by Michael Curry, designer for Disney’s Broadway musical The Lion King. “Botanica” is dance at its most organic and inventive, a world of boundless imagination for audiences of all ages. Presenting Sponsor – Creative Instinct – Nov 22 Sponsored by Newman Center Members – Nov 23 “MUSIC OF THE SUN” ETHEL, String Quartet, and ROBERT MIRABAL, Native American flutist with Members of the OPERA COLORADO CHORUS THURSDAY / DECEMBER 12 / 2013 For thousands of years humankind has turned toward the sun for inspiration, be it spiritual, philosophical, or poetic. Ancient sun myths from around the world continue to fascinate scholars and laypeople alike. In many Native American cultures each day begins with “running to the sun” - a fusion of spiritual and physical discipline -- a daily search for the sacred.
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2013-2014 Season “Music of the Sun” (continued) ETHEL, the pioneering string quartet, and GRAMMY® winning Native American flutist Robert Mirabal, present a program inspired by the sun mythology of Native America. Using the instruments of the string quartet, Native American flutes and drums, as well as the spirited voices of chorus members, ETHEL and Mirabal unite to create a cross-cultural contemporary music event. Sponsored by Newman Center Members This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. CHICK COREA AND BÉLA FLECK, “DUETS” THURSDAY / JANUARY 16 / 2014 Whenever Chick Corea and Béla Fleck take to the stage, genres always fly fast and furious. Performing together, these two master musicians weave duets out of staggering virtuosity, creating mind-blowing and magical performances. Béla Fleck, considered the premiere banjo player in the world, lives to improvise and loves to work with unexpected musical fusions. Fleck has won 8 Grammys and is the only musician to be nominated for Grammys in jazz, bluegrass, pop, country, gospel, composition and world music categories. Chick Corea’s restless creativity knows no bounds. Corea’s whole career is the stuff of jazz lore, and amalgamation of influential, limit-stretching, genrebending musical experiences that have garnered him 12 Grammy awards and legions of fans worldwide. Founding Partner – The Denver Post
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2013-2014 Newman Center Presents
TREY MCINTYRE PROJECT FRIDAY / JANUARY 31 / 2014 Choreographer Trey McIntyre creates innovative, fun, and technically daring contemporary ballet that speaks uniquely of the American experience. His style is athletic, clever and soulful. Over 18 years as a freelance choreographer, Trey created more than 90 works for companies including Houston Ballet, Stuttgart Ballet, American Ballet Theatre, New York City Ballet, Moscow Ballet Theatre, Hubbard Street Dance Chicago, Aspen/Santa Fe Ballet, and Miami City Ballet. In 2008, Trey chose to base his new company in Boise, Idaho, where it has become the City’s Economic Development Cultural Ambassador. Trey believes in the power of art and dance to transform, heal and enlighten. Sponsored by Newman Center Members This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. “THE MINERS’ HYMNS,” A Film by BILL MORRISON Music by JÓHANN JÓHANNSSON Produced by FORMA Featuring AMERICAN CONTEMPORARY MUSIC ENSEMBLE (ACME) and THE DENVER BRASS Conducted by RYAN McADAMS TUESDAY / FEBRUARY 11 / 2014 “The Miners’ Hymns” is a wordless film by American multi-media artist Bill Morrison with a musical score by Icelandic composer Jóhann Jóhannsson. The music will be performed live by Jóhannsson on electronics, a string quartet formed of
members of the American Contemporary Music Ensemble (ACME), and an 18-member brass ensemble formed by The Denver Brass. “The Miners’ Hymns” was commissioned by BRASS: Durham International Festival 2010 and Supported by Durham County Council, Arts Council England, British Film Institute, One North East, Northern Film + Media and the UK Film Council’s Digital Film Archive Fund supported by the National Lottery. Sponsored by Newman Center Members Supported by The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. THE WHIFFENPOOFS OF YALE FRIDAY / FEBRUARY 14 / 2014 SATURDAY / FEBRUARY 15 / 2014 / 2:00PM Join us for the 4th consecutive season The Whiffenpoofs have peformed as part of Newman Center Presents! Every year, 14 senior Yale men are selected to be in the Whiffenpoofs, the world’s oldest and best-known collegiate a cappella group. Founded in 1909, the “Whiffs” began as a senior quartet that met for weekly concerts at Mory’s Temple Bar, the famous Yale tavern. Today, the group has become one of Yale’s most celebrated and hallowed traditions. The Whiffenpoofs repertoire features a diverse selection of songs, ranging from traditional Yale songs to original compositions to hits from every decade. Presenting Sponsor – Val-U-AdsTM – Feb 14 Sponsored by Newman Center Members – Feb 15
THE COLORADO SYMPHONY – “On Location” HILARY KOLE Pays Tribute to the Music of JUDY GARLAND SUNDAY / FEBRUARY 23 / 2014 Hilary Kole, known for her warm, subtle and intense voice, sings such Garland classics as “Meet Me in St. Louis,” “A Star is Born,” “Broadway Melody,” and “Over the Rainbow.” Join us on the afternoon of Academy Awards Sunday for this special tribute to Music of one of the greatest starts ever to grace the Silver Screen. Sponsored by Newman Center Members GABRIEL KAHANE AND yMUSIC THURSDAY / MARCH 6 / 2014
Writing and performing music that moves effortlessly from modernism to vernacular song, pianist, composer, and singer Gabriel Kahane returns to Newman Center Presents after appearing in 2011 with his father, noted pianist and conductor Jeffrey Kahane. Of that concert The Denver Post said: “Wondering what Denver’s classical scene needs more of? Unconventional, imaginative and crowdpleasing programs like this one.” Gabe has established himself as a leading voice among a generation of young indie composers redefining music for the 21st century through his diverse vernacular songs and musical theater compositions. The exciting ensemble of six players who call themselves yMusic features guitarist/ violinist Rob Moose (Bon Iver, Antony and the Johnsons) and trumpet player CJ Camerieri (Sufjan Stevens, American Composers Orchestra). yMusic and Gabe will each perform sets of their own in the first half of
the show. Then after intermission Gabe will join yMusic for an energetic and great time. Sponsored by Newman Center Members LES BALLETS TROCKADERO DE MONTE CARLO THURSDAY / MARCH 20 / 2014 Founded in 1974 by a group of ballet enthusiasts for the purpose of presenting a playful, entertaining view of traditional, classical ballet in parody form (and en travesty), The Trocks, as they have come to be known, first performed in the late-late shows in Off-Off Broadway lofts. They quickly garnered a major critical essay in The New Yorker, and combined with reviews in The New York Times and The Village Voice, established the Company as an artistic and popular success. Very soon their inspired blend of a loving knowledge of dance, a comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces, earned them a permanent slot in the dance world. The Newman Center presented them to a sold-out house in 2008, and now they’re back! Ballet is rarely funny, but The Trocks are — very. Sponsored by Newman Center Members PACO PEÑA AND ELIOT FISK, GUITAR MASTERS SATURDAY / APRIL 26 / 2014 Eliot Fisk and Paco Peña, two of the world’s virtuoso guitarists, unite to find common ground, as Fisk, a classical virtuoso, and Peña, a peerless flamenco guitarist, demonstrate their technical mastery, innovative improvisation and emotional bravura in solos and duets. Fisk, a star pupil of the legendary Andrés Segovia, is a leading force in the world of classical guitar, commissioning
numerous works from contemporary composers while continuing to explore the great composers of the past, from Bach to Albéniz. Peña, quite simply, is one of the best flamenco guitarists in the world. He has also found time to direct the Paco Peña Flamenco Dance Company, write a flamenco drama, mass and requiem, and continue to compose original works for guitar. Supported by The Porter Adventist Hospital Endowment for the Performing Arts “A TRIBUTE TO ELLA FITZGERALD” SMITHSONIAN JAZZ MASTERWORKS CONCERT with VOCALIST KIM NAZARIAN SATURDAY / MAY 10 / 2014 SUNDAY / MAY 11 / 2014 / 2:00PM Dubbed “The First Lady of Song,” Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century. She won 13 Grammy awards and sold over 40 million albums. This special “Tribute to Ella Fitzgerald” program will present many of Ella’s original big band arrangements made available through the assistance of the Ella Fitzgerald Charitable Foundation. Many of these arrangements, by the likes of Count Basie, Billy Strayhorn, and Benny Carter, have not been heard in concert in over 40 years. The Smithsonian Jazz Masterworks Orchestra (SJMO) comes together with regional musicians and features New York Voices co-founder Kim Nazarian, paying tribute to Ella. Presenting Sponsor – Richter Scale Productions – May 10 Sponsored by Newman Center Members – May 11
2013-2014 Newman Center Presents
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BOX OFFICE INFORMATION
2013-2014 Season THE COLORADO SYMPHONY – “On Location” Andrew Litton, conductor and piano Yumi Hwang-Williams, violin Silver Ainomäe, cello Janice Chandler-Eteme, soprano Howard Haskin, tenor Gordon Hawkins, baritone WEDNESDAY / MAY 14 / 2014 The first half of the evening’s performance features three opera stars performing arias from Verdi’s Il trovatore. The second half of the concert features Beethoven’s magnificent Triple Concerto, with Maestro Andrew Litton playing the piano solo part, joined by Concertmaster Yumi Hwang-Williams playing violin, and Principal Cellist Silver Ainomäe playing cello. Sponsored by Newman Center Members
THANK YOU! All the Ushers who assist our audiences are volunteers dedicated to the mission of the Newman Center for the Performing Arts. Please join us in thanking them for their time, energy, and commitment.
M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208 Hours: Monday-Friday, 10am to 4pm Saturday, 12pm to 4pm (Sep-May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com Tickets can be purchased in person at the Newman Center Box Office or by phone at 303.871.7720 during the hours listed above or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online. Discounts are available for students, seniors, and DU faculty and staff. For more information or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight (8) or more to most events. For information contact Molly Epstein at molly@mepstein.net or 303.619.6196
To view a listing of our previous ten seasons, please visit our website www.newmancenterpresents.com and select Archive.
COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or cocommissioned the following works: Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra
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2013-2014 Newman Center Presents
Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers Co-commissioner, “Imaginary City,” by SoPercussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground (Denver’s premiere new music ensemble) during the Newman Center Presents’ Mile High Voltage Festival Co-commissioner, “the wood & the vine,” by David Lang, co-commissioned by University of California, Riverside and Santa Fe Concert Association
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COMMISSIONED WORKS (continued) Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and Young Voices of Colorado during Newman Center Presents’ Voltage 2012
In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders and other students with valid ID are complimentary.
Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgi´c
Fall and Spring Lamont Operas and Musicals, OKLAHOMA! and Don Giovanni, are reserved seating ranging from $11 to $30.
BEHIND THE CURTAIN
Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation.
The Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing and thoughtprovoking dancers, actors and musicians. At most concerts, we invite you to join us for free Behind the Curtain discussions where you will hear from artists, directors, critics and experts who will share their knowledge, anecdotes and appreciation of and for the performers presented on stage. Lectures are generally held in June Swaner Gates Concert Hall and are open to the public. Behind the Curtain starts one hour before curtain or immediately following the performance in limited instances. Tickets are not required for the preperformance talks and no RSVP is necessary. Please check the Newman Center event calendar for updates to Behind the Curtain. (Speakers are subject to change.)
THE LAMONT SCHOOL OF MUSIC & DEPARTMENT OF THEATRE
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2013-2014 Newman Center Presents
The University of Denver’s Lamont School of Music presents more than 300 concerts a year, many of them free. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets. FREE, but Tickets are Required: Complimentary tickets are available in person only at the Newman Center Box Office. Tickets may be reserved online for a small service charge at newmantix.com. New this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts.
For information visit www.du.edu/lamont or call the Concert Line at 303.871.6412. Follow us on Facebook, Twitter and YouTube. DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2013-14 season, The Department of Theatre will present: • Fall Quarter’s mainstage productions of CIRCLE MIRROR TRANSFORMATION by Annie Baker (October 2013, Black Box Theatre at J-MAC) and ARABIAN NIGHTS by Mary Zimmerman (Nov 2013, Byron Theatre) • A staged reading of 4,000 MILES (Jan 2014, Byron Theatre) • Winter Quarter’s mainstage productions of A NEW WORK by Allison Watrous (February 2014, Black Box Theatre at J-MAC) and DOG ACT by Liz Duffy Adams (Feb & March 2014, Byron Theatre) • A staged reading of David Mamet’s GLENGARRY GLEN ROSS (Apr 2014, Byron Theatre) • SPRING FESTIVAL: CYCLES 1, 2 and 3 Senior Capstone Productions (Apr & May 2014, Byron Theatre) • Independent Student Productions throughout the year
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LAMONT & THEATRE (continued) Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events. Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Monday-Friday, 10am-4pm and Saturday, 12pm4pm (Sep-May), by phone at 303.871.7720, or online at www.newmantix.com. (Phone and online orders are subject to service fees.)
DU’s ENRICHMENT PROGRAM OFFERS ADULT COURSES FOR THE CULTURALLY CURIOUS 2013-14 marks the 10th year for the Enrichment Program! In the fall of 2003 University College, the college of professional and continuing studies at the University of Denver, opened its doors with the belief that the University of Denver had much to offer those who love to learn simply for the joy of it. Short courses offered by hand-picked scholars, classes that often include a special experience or event, discerning participants engaged in serious discussions, no grades, exams or admission requirements — these are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with University College’s Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty and gather with other intellectually curious adults to embark on a unique and meaningful journey and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center related classes. Fall 2013 registration is available now for classes held September through early-December, and Winter/Spring 2014 enrichment courses, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.
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2013-2014 Newman Center Presents
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2013-2014 Newman Center Presents
specials Crab Tuesdays Snow Crab $10.95/lb King Crab $18.95/lb $1 Taco Wednesdays $19 Lobster Saturdays 1lb Whole Maine Lobsters Great for Date Night! Bloody Mary Bar & Bottomless Mimosas at Saturday & Sunday Brunch – 10am to 2pm
With the Newman Center just having celebrated its tenth season, these avid philanthropists smile when they remember becoming involved in the campaign to create an outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, director of the Lamont School, and William Temple Davis, chairman of DU’s Department of Theatre, both with the University at the time of construction. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Their involvement in DU has deepened with Bob joining the University’s Board of Trustees. He also is a member of the Executive Advisory Board of the Daniels College of Business at DU. Judi sits on the Trustee Service Committee and the Executive Committee of the Board of Trustees at the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”
Les Ballets Trockadero de Monte Carlo March 20, 2014 FEATURING Varvara Bratchikova Nadia Doumiafeyva Lariska Dumbchenko Helen Highwaters Nina Immobilashvili Natalie Kleptopovska Sonia Leftova Ida Nevasayneva Maria Paranova Eugenia Repelskii Moussia Shebarkarova Alla Snizova Olga Supphozova Maya Thickenthighya Gerd Tord Yakatarina Verbosovich Giuseppina Zambellini and Jacques d’Aneils Roland Deaulin Pepe Dufka Nicholas Khachafallenjar Stanislas Kokitch Andrei Leftov Ivan Legupski Sergey Legupski Vladimir Legupski Vyacheslav Legupski Mikhail Mypansarov Boris Nowitsky Velour Pilleaux Yuri Smirnov Innokenti Smoktumuchsky Kravlji Snepek Pavel Tord
Eugene McDougle Tory Dobrin Isabel Martinez Rivera
General Director Artistic Director Associate Director
There will be two 15-minute intermissions this evening. No portion of this performance may be photographed, recorded, filmed, or videotaped.
Sponsor Newman Center Members This presentation received support from The Grynberg Family Endowment for Dance Programming and The Porter Adventist Hospital Endowment for the Performing Arts.
These performances were also supported by a generous gift from L. Roger and Meredith Black Hutson. Education sessions were supported by The Newman Center Endowed Fund for Experiential and Cultural Learning.
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TONIGHT’S PROGRAM LE LAC DES CYGNES (SWAN LAKE, ACT II)
PATTERNS IN SPACE
Music by Pyotr Ilyich Tchaikovsky Choreography after Lev Ivanovich Ivanov Costumes by Mike Gonzales Decor by Jason Courson Lighting by Kip Marsh
Choreography after Merce Cunningham Taped Music by Andrew Franck Live Music after John Cage Costumes by Ken Busbin Lighting by Tricia Toliver
Swept up into the magical realm of swans (and birds), this elegiac phantasmagoria of variations and ensembles in line and music is the signature work of Les Ballets Trockadero. The story of Odette, the beautiful princess turned into a swan by the evil sorcerer, and how she is nearly saved by the love of Prince Siegfried, was not so unusual a theme when Tchaikovsky first wrote his ballet in 1877—the metamorphosis of mortals to birds and visa versa occurs frequently in Russian folklore. The original Swan Lake at the Bolshoi Theatre in Moscow was treated unsuccessfully; a year after Tchaikovsky’s death in 1893, the St. Petersburg Maryinsky Ballet produced the version we know today. Perhaps the world’s best known ballet, its appeal seems to stem from the mysterious and pathetic qualities of the heroine juxtaposed with the canonized glamour of 19th century Russian ballet.
“In short, this generation has conceived an intensity of movement so great that it has not to be seen against something else to be known, and therefore, this generation does not connect itself with anything, that is what makes this generation what it is and that is why it is American, and this is very important in connection with portraits of anything.” -Gertrude Stein
Benno: Innokenti Smoktumuchsky (friend and confidant to)
GO FOR BAROCCO
Prince Siegfried: Vyacheslav Legupski (who falls in love with) Odette: Lariska Dumbchenko (Queen of the) Swans: Varvara Bratchikova, Nadia Doumiafeyva, Helen Highwaters, Nina Immobilashvili, Natalie Kleptopovska, Sonia Leftova, Maria Paranova, Maya Thickenthighya (all of whom got this way because of) Von Rothbart: Yuri Smirnov (an evil wizard who goes about turning girls into swans) —intermission—
A post-modern dance movement essay. Dancers Jacques d’Aniels, Varvara Bratchikova, Helen Highwaters Musicians Lariska Dumchenko and Yuri Smirnov
Music by J.S. Bach Choreography by Peter Anastos Costumes by Mike Gonzales Lighting by Kip Marsh Stylistic heir to Balanchine’s Middle-Blue-Verging-On-Black-andWhite Period, this ballet has become a primer in identifying stark coolness and choreosymphonic delineation in the new(neo) neonew classic dance. It has been called a wristwatch for Balanchine clock-time. First Movement (Moderato) Maya Thickenthighya and Giusepina Zambellini with Nadia Doumiafeyva, Natalie Kleptopovska, Helen Highwaters, Eugenia Repelskii Second Movement (Adagio) Maya Thickenthighya and Giusepina Zambellini Third Movement (Allegro) ALL —intermission—
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TONIGHT’S PROGRAM PAQUITA Music by Ludwig Minkus Choreography after Marius Petipa Staged by Elena Kunikova Costumes and Decor by Mike Gonzales Lighting by Kip Marsh Paquita is a superb example of the French style as it was exported to Saint Petersburg in the late 19th century. Paquita was originally a ballet-pantomime in 2 acts, choreographed by Joseph Mazillier and to music by Ernest Deldevez. The story had a Spanish theme, with Carlotta Grisi (creator of Giselle) as a young woman kidnapped by gypsies, who saves a young and handsome officer from certain death. Premiering at the Paris Opera in 1846, the ballet was produced a year later in Russia by Marius Petipa. Petipa commissioned Ludwig Minkus, the composer of his two most recent successes (Don Quixote and La Bayadere) to write additional music in order to add a brilliant “divertissement” to Mazillier’s Paquita. Petipa choreographed for this a Pas de Trois and a Grand Pas de Deux in his characteristic style. These soon
became the bravura highlights of the evening—to the point that they are the only fragments of Paquita that have been preserved. The dancers display a range of choreographic fireworks, which exploit the virtuoso possibilities of academic classical dance, enriched by the unexpected combinations of steps. Ballerina and Cavalier Olga Supphozova with Mikhail Mypansarov Variations: Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6
Alla Snizova Giuseppina Zambellini Nadia Doumiafeyva Nina Immobilashvili Sonia Leftova Olga Supphozova
COMPANY HISTORY Founded in 1974 by a group of ballet enthusiasts for the purpose of presenting a playful, entertaining view of traditional, classical ballet in parody form and en travesti, LES BALLETS TROCKADERO DE MONTE CARLO first performed in the late-late shows in OffOff Broadway lofts. The Trocks, as they are affectionately known, quickly garnered a major critical essay by Arlene Croce in The New Yorker, and combined with reviews in The New York Times and The Village Voice, established the Company as an artistic and popular success. By mid-1975, the Trocks’ inspired blend of their loving knowledge of dance, their comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces, was being noted beyond New York. Articles and notices in publications such as Variety, Oui, The London Daily Telegraph, as well as a Richard Avedon photo essay in Vogue, made the Company nationally and internationally known. The 1975-76 season was a year of growth and full professionalization. The Company found management, qualified for the National Endowment for the Arts Touring Program, and hired a full-time teacher and Ballet Mistress to oversee daily classes and rehearsals. Also in this season, they made their first extended tours of the United States and Canada. Packing, unpacking, and repacking tutus and drops, stocking giant sized toe shoes by the case, running for planes and chartered buses all became routine parts of life.
Since those beginnings, the Trocks have established themselves as a major dance phenomenon throughout the world. They have participated in dance festivals in Bodrum (Turkey), Bogota, Holland, Finland, San Luis Potosi, Madrid, Montreal, New York City, Paris, Lyon, Rome, Spoleto, Turin, and Vienna. There have been television appearances as varied as a Shirley MacLaine special, the Dick Cavett Show, What’s My Line?, Real People, On-Stage America, with Kermit and Miss Piggy on their show Muppet Babies, and a BBC Omibus special on the world of ballet hosted by Jennifer Saunders. There have been solo specials on national networks in Japan and Germany, as well as a French television special with Julia Migenes. A documentary was filmed and aired internationally by the acclaimed British arts program, The South Bank Show. The Company was featured in the PBS program, The Egg, about arts in America, winning an Emmy award for the director, and appeared in a segment of Nightline in December 2008. Several performances were taped by a consortium of Dutch, French, and Japanese TV networks at the Maison de la Danse in Lyon, France, for worldwide broadcast and DVD distribution. Awards that the Trocks have won over the years include: for “Best Classical Repertoire” from the prestigious Critic’s Circle National Dance Awards (2007) (UK), the Theatrical Managers Award (2006) (UK), and the 2007 Positano Award (Italy) for excellence in dance. In December 2008, the Trocks appeared at the 80th anniversary Royal Variety Performance to aid Les Ballets Trockadero de Monte Carlo
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COMPANY HISTORY (continued) of the Entertainment Artistes’ Benevolent Fund, in London, attended by members of the British royal family. The Trocks’ numerous tours have been both popular and critical successes—their frenzied annual schedule has included 10 tours to Australia and New Zealand, 28 to Japan (where their annual summer tours have created a nation-wide cult following and a fan club), 9 to other parts of Asia, 12 to South America, 3 to South Africa, and 74 tours of Europe, including 21 tours of the United Kingdom. In the United States, the Company has become a regular part of the college and university circuit in addition to regular dance presentations in cities in 49 states. The Company has appeared in over 34 countries and over 500 cities worldwide since its founding in 1974. Increasingly, the Company is presenting longer seasons, which have included extended engagements in New York City (at the Joyce Theater), Amsterdam, Athens, Auckland, Bangkok, Barcelona, Beijing, Berlin, Brisbane, Buenos Aires, Caracas, Cologne, Dusseldorf, Edinburgh, Glasgow, Hamburg, Hong Kong, Johannesburg, Lisbon, London, Lyon, Madrid, Melbourne, Moscow (at the famed Bolshoi Theater), Paris (at the Chatelet Theater and Folies Bergere), Perth, Rome, Singapore, Sydney, Tokyo, Vienna, and Wellington. The Company continues to appear in benefits for international AIDS organizations such as DRA (Dancers Responding to AIDS) and Classical Action in New York City, the Life Ball in Vienna, Austria, Dancers for Life in Toronto, Canada, London’s Stonewall Gala and Germany’s AIDS Tanz Gala. In addition, The Trocks have given or
participated in special benefit performances for Connecticut Ballet Theater; Ballet Hawaii; Indianapolis Ballet Theater; Rochester City Ballet; Dancers in Transition (NYC); Sadler’s Wells Theater in London; and the Gay and Lesbian Community Center, Young Audiences / Arts for Learning Organization, and the Ali Forney Center, benefiting homeless gay youths in New York City. In 2009, the Trocks gave a benefit performance for Thailand’s Queen Sirikit’s Scholarship Fund in Bangkok, which helps finance schooling for children of impoverished Thai families. The benefit helped raise over $400,000. The original concept of LES BALLETS TROCKADERO DE MONTE CARLO has not changed. It is a Company of professional male dancers performing the full range of the ballet and modern dance repertoire, including classical and original works in faithful renditions of the manners and conceits of those dance styles. The comedy is achieved by incorporating and exaggerating the foibles, accidents, and underlying incongruities of serious dance. The fact that men dance all the parts—heavy bodies delicately balancing on toes as swans, sylphs, water sprites, romantic princesses, angst-ridden Victorian ladies—enhances rather than mocks the spirit of dance as an art form, delighting and amusing the most knowledgeable, as well as novices, in the audiences. For the future, there are plans for new works in the repertoire: new cities, states, and countries to perform in; and for the continuation of the Trocks’ original purpose: to bring the pleasure of dance to the widest possible audience. They will, as they have done for nearly forty years, “Keep on Trockin’.”
BIOGRAPHIES VARVARA BRATCHIKOVA People’s Artist and Cat’s Meow, was educated at the Revanchist Institute. She began her career as Pistachia in V. Stolichnaya’s production of the The Nutcracker and achieved stardom as Odette/Odile/Juliet/Giselle/Aurora in the famous Night of the 1000 Tsars. Her repertoire encompasses nearly all the works she appears in. NADIA DOUMIAFEYVA No one who has seen Heliazpopkin will soon forget the spiritual athleticism of Nadia Doumiafeyva, a child of Caucasus who changed her name for show business reasons. Her fiery attack combined with lyric somnolence produce confusion in audiences the world over, especially when applied to ballet. LARISKA DUMBCHENKO Before defecting to the West, Lariska’s supreme agility aroused the interest of the Russian space program and in 1962 she became the first ballerina to be shot into orbit. Hurtling through the stratosphere, she delivered handy make-up tips to an assembled crowd of celebrities back on 4
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earth, including the now legendary “... Whitney Houston, we have a problem ….” HELEN HIGHWATERS has defected to America three times and been promptly returned on each occasion—for “artistic reasons.” Recently discovered “en omelette” at the Easter Egg Hunt in Washington, D.C., she was hired by the Trockadero, where her inexplicable rise to stardom answers the musical question: Who put the bop in the bop-shibop shibop? NINA IMMOBILASHVILI, for more years than she cares to admit, has been the Great Terror of the international ballet world. The omniscient and ubiquitous Immobilashvili is reputed to have extensive dossiers on every major dance figure, living and/or dead. This amazing collection has assured her entree into the loftiest choreographic circles; the roles she has thus been able to create are too numerous to mention. We are honored to present this grand dame in her spectacular return to the ballet stage.
BIOGRAPHIES (continued) NATALIE KLEPTOPOVSKA, originally a dresser to a great ballerina, began her career when, one night, she locked her mistress in the armoire and danced in her place. Although hailed by her critics for her wonderful technique, she fooled no one. She was immediately sought after by companies and impresarios alike, but decided instead to spend some time on her acting. Now she is both a technical and a dramatic ballerina. The whereabouts of her former mistress is not known.
cloaked in an enigma (complete with zip-out lining). A consummate actress, she has danced the part of Little Miss Markova and the title role of Glinka’s Popoy-the Sailor Man. OLGA SUPPHOZOVA made her first public appearance in a KGB line-up under dubious circumstances. After a seven-year-to-life hiatus, she now returns to her adoring fans. When questioned about her forced sabbatical, Olga’s only comment was “I did it for Art’s sake.” Art said nothing however.
SONIA LEFTOVA, “The Prune Danish of Russian Ballet,” abandoned an enormously successful career as a film actress to become a Trockadero ballerina. Her faithful fans, however, need not despair as most of her great films have been made into ballets: the searing Back to Back, the tear-filled Thighs and Blisters, and the immortal seven-part Screams from a Carriage. Because of her theatrical flair, Sonia has chosen to explore the more dramatic aspects of ballet, causing one critic to rename her Giselle, “What’s my Line?”
MAYA THICKENTHIGHYA’s radioactive properties prevented her from appearing with the Trockadero until her recent release from a special sanitarium on the Black Sea. A brilliant virtuoso in the Moscow style, Madame Thickenthighya’s torque was applied to the running of Generator 14 near the Gorsky Dam during the period of her political disgrace. She is, this season, reinstated to her unique position in the ballet world.
IDA NEVASAYNEVA, socialist Real ballerina of the working peoples everywhere, comes flushed from her triumphs at the Varna Festival, where she was awarded a specially created plastic medal for Bad Taste. Comrade Ida became known as a heroine of the Revolution when, after effortlessly boureeing through a mine field, she lobbed a loaded toeshoe into a capitalist bank.
GERD TORD Lyrical, lissome, long-legged Gerd, “The Chernobyl Cherub,” has produced frissons in audiences on every continent but two with her ineffable delicacy and refinement. This limber gamine has captivated hearts since her auspicious debut as Talyusha, the Left Nostril, in the ballet drawn from The Nose by N. Gogol. She is renowned for her portrayal of sensitive tortured neurotic ladies and other kvetches.
MARIA PARANOVA’s remarkable life story, only now coming to light after 19 dark years in near hopeless conviction that she was Mamie Eisenhower, will never fully be told. The discovery of her true identity (at a Republican fundraiser in Chicago) brought her to the attention of the Trockadero where she is slowly recovering her technical powers.
YAKATARINA VERBOSOVICH Despite possessing a walk-in wardrobe so large that it has its own post code, Yakatarina remains a true ballerina of the people. Indeed, she is so loved in her native Russia that in 1993 the grateful citizens of Minsk awarded her the key to the city. That might well have remained the “golden moment” of this great ballerina’s career had they not subsequently changed the locks.
EUGENIA REPELSKII The secrets of Mme Repelskii’s beginnings lie shrouded behind the Kremlin wall. In fact, no fewer than six lie in the wall (in jars of assorted sizes). Dancing lightly over pogroms and other sordid reorganizational measures, Eugenia has emerged as a ballerina nonpareil whose pungency is indisputable. Among her colleagues in the West, she is known as the Odessa Chihuahua.
GIUSEPPINA ZAMBELLINI created many original roles in St. Petersburg where she was the last of a long line of Italian etoiles to appear at the Maryinsky Theater. It was her dazzling triumph in the role of “Electricity” in the extravagant Excelsior in her native Milan which brought her fame. However, no less electrifying was the lineup of perfectly trained elephants, performing like the present day Rockettes. Unfortunately, Mlle Zambellini’s jealous scenes over the publicity given to these elephants and their ensuing popularity with the public, caused numerous problems. She subsequently refused to appear again in this role.
MOUSSIA SHEBARKAROVA A celebrated child prodigy back in the Brezhnev era, Moussia Shebarkarova astounded her parents at the age of two by taking a correspondence course in ballet. Sadly, due to the unreliable Russian postal system, she has only just graduated. ALLA SNIZOVA enjoyed great success as a baby ballerina at the mere age of 9. Being a child prodigy, she developed serious allergy problems and could only perform short pieces. Known as the “little orphan,” Miss Snizova joined the Trockadero on tour, appearing
JACQUES d’ANIELS was originally trained as an astronaut before entering the world of ballet. Strong but flexible, good natured but dedicated, sensible but not give to unbelievable flights of fantastic behavior, Mr. d’Aniels is an expert on recovering from ballet injuries (including the dread “Pavlova’s clavicle”). Les Ballets Trockadero de Monte Carlo
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BIOGRAPHIES (continued) ROLAND DEAULIN Having invented the concept of the “bad hair year” or “annus hairibilis,” French born Roland now devotes his spare time to selling his new line of Michael Flatley Wigs on the QVC shopping channel. PEPE DUFKA The ballet world was rocked to its foundations last month when Pepe Dufka sued 182 of New York’s most ardent ballet lovers for loss of earnings. Mr. Dufka claims that nineteen years of constant exposure to rotten fruit and vegetables has led to painful and prolonged bouts of leafmould, cabbage root fly, and bottom end rot. Sadly, this historic court case comes too late for a former colleague, whose legs were recently crushed by a genetically modified avocado and he will never dance again. NICHOLAS KHACHAFALLENJAR The demi-semi-hemi-character dancer from innermost Outer Tashkent was awarded the Order of Stalin for his partnering techniques. Although no ballerina has ever lived to describe the thrill of his touch, he continues to astound the public (and elude the reliablepolice) with his brute strength. He is fondly known in the Trockadero as “Nicky the Crusher.” STANISLAS KOKITCH, “the Forgotten Man” of ballet, is hardly ever mentioned in reviews by critics or in discussions by devoted balletomanes despite having created several important roles in now forgotten ballets. He is the author of The Tragedy of My Life, an autobiography not at all reliable. ANDREI LEFTOV “The Prune Danish of Russian Ballet”, abandoned an enormously successful career as a film actor to become a Trockadero premier danseur. His faithful fans, however, need not despair as most of his great films have been made into ballets: the searing Back to Back, the tear-filled Thighs and Blisters, and the immortal seven-part Screams from a Carriage. Because of his theatrical flair, Andrei has chosen to explore the more dramatic aspects of ballet, causing one critic to rename his Siegfried, “What’s my Line?” THE LEGUPSKI BROTHERS Ivan, Sergey, Vladirmir, and Vyacheslau are not really brothers; nor are their names really Ivan, Sergey, Vladirmir or Vyacheslav; nor are they real Russians; nor can they tell the difference between a pirouette and a jete; ...but ...well ...they do move about rather nicely ...and ...they fit into the costumes. MIKHAIL MYPANSAROV soared into prominence as the first defector whose leave-taking was accomplished at the virtual insistence of the defectees (although in subsequent days Mypansarov was accused of abandoning his joyous comrades for “a mountain of beer and an ocean of dollars”). His meteoric rise to stardom caused him to be 6
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named Official Bicentennial Porteur by a committee of New York balletomanes who singled out his winning smile and losing feet. BORIS NOWITSKY has been with the greatest ballerinas of our time and he has even danced with some of them. One of the first defective Russian male stars, he left the motherland for purely capitalistic reasons. Amazingly, between his appearances on television and Broadway, in movies, commercials, magazines and special events, and women’s nylons, he occasionally still has time to dance. VELOUR PILLEAUX, whose political adaptability saw him through two world wars and numerous police actions, comes to America in conjunction with the release of his tenth cookbook, Ma Brie. When asked by an American reporter to describe his most exciting experience in ballet, M. Pilleaux referred to pages 48-55: the night he danced the Rose Adagio (en travesti) in Buenos Aires with four political figures, the names of whom he assured us we would recognize. YURI SMIRNOV At the age of sixteen, Yuri ran away from home and joined the Kirov Opera because he thought Borodin was a prescription barbiturate. Luckily for the Trockadero he soon discovered that he didn’t know his arias from his elbow and decided to become a ballet star instead. INNOKENTI SMOKTUMUCHSKY is known only to the most cultured and refined balletomanes in the dark alleyways of St. Petersburg. Originally a promising dancer-choreographer, his only ballet, Le Dernier Mohicain, was stolen by the director of the company. In severe depression and shock, he burned his ballet slippers and fled to the sewers, only to surface these forty years later. KRAVLJI SNEPEK comes to the Trockadero from his split level birthplace in Siberia, where he excelled in toe, tap, acrobatic and Hawaiian. This good natured Slav is famous for his breathtaking technique—a blend of froth and frou-frou centered on a spine of steel, painfully acquired at the hands and feet of his teacher, Glib Generalization, who has already trained many able dancers. As an artist in the classical, heroic, tragical mold, young Kravlji wrenched the heart of all who saw him dance Harlene, the Goat Roper in The Best Little Dacha in Sverdlovsk. PAVEL TORD The recipient of this year’s Jean de Brienne Award, he is particularly identified for his Rabelaisian ballet technique. A revolutionary in the art of partnering, he was the first to introduce crazy glue to stop supported pirouettes.
LES BALLETS TROCKADERO DE MONTE CARLO Les Ballets Trockadero de Monte Carlo Box 1325, Gracie Station, New York City, New York 10028 www.trockadero.org DANCERS Gerd Tord and Pavel Tord Olga Supphozova and Yuri Smirnov Moussia Shebarkarova and Vyacheslav Legupski Natalie Kleptopovska and Nicholas Khachafallenjar Sonia Leftova and Andrei Leftov Ida Nevasayneva and Velour Pilleaux Helen Highwaters and Vladimir Legupski Alla Snizova and Innokenti Smoktumuchsky Yakatarina Verbosovich and Roland Deaulin Giuseppina Zambellini and Ivan Legupski Nadia Doumiafeyva and Kravlji Snepek Maya Thickenthighya and Mikhail Mypansarov Lariska Dumbchenko and Pepe Dufka Eugenia Repelskii and Jacques d’Aniels Nina Immobilashvili and Stanislas Kokitch Maria Paranova and Boris Nowitsky
COMPANY STAFF General Director Artistic Director Associate Director / Production Manager Ballet Master Associate Ballet Master Lighting Supervisor Wardrobe Supervisor Associate Production Manager Special Projects Costume Designer Costume Designer (emeritus) Company Archivist (emeritus Stylistic Guru Program Notes Accounting Orthopedic Consultant Photographers
Bernd Burgmaier (on leave) Robert Carter Paolo Cervellera Loic Consalvo Boysie Dikobe Paul Ghiselin Duane Gosa Carlos Hopuy Chase Johnsey Davide Marongiu Philip Martin-Nielson Carlos Miller Raffaele Morra Lawrence Neuhauser Alberto Pretto Carlos Renedo Eugene McDougle Tory Dobrin Isabel Martinez Rivera Paul Ghiselin Raffaele Morra Emily McGillicuddy Ryan Hanson Barbara Domue Emily Rybinski-Benish Kenneth Busbin Mike Gonzales Anne Dore Davids Marius Petipa P. Anastos, et al. ASBA, Inc Dr. David S. Weiss Zoran Jelenic, Sascha Vaughan
LES BALLETS TROCKADERO DE MONTE CARLO, Inc. is a nonprofit dance company chartered by the State of New York. Eugene McDougle, president; Lucille Lewis Johnson, vice-president; Vaughan de Kirby, vice-president; Tory Dobrin, secretary/treasurer. All contributions are tax-deductible as provided by law. Program subject to change without notice.
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LES BALLETS TROCKADERO DE MONTE CARLO (continued) Special thanks to: The Harkness Foundations for Dance and Theordore S. Bartwink,The Joyce Theater Foundation, Heather Knight, Stephanie Webb, Elena Kunikova, Charla Genn, Ludmila Raianova,and Jenny Palmer, Liz Harler, Lina Yang, and Niels Gamm of IMG Artists. Music for Swan Lake, Les Sylphides, Swan Lake, Go for Barocco Pas de Quatre, Raymonda’s Wedding and Paquita is conducted by Pierre Michel Durand with the Czech Philharmonic Chamber Orchestra, Pavel Prantl, Leader. Worldwide Representation by: IMG Artists Carnegie Hall Tower 152 West 57th Street, 5th Floor New York, NY 10019 Phone: 212-994-3500 Fax: 212-994-3550 www.imgartists.com
COMPANY BIOGRAPHIES BERND BURGMAIER. (on leave) Birthplace: Riedlingen, Germany. Training: John Cranko School, Merce Cunningham Studio. Originally Joined Trockadero: January, 2000. Previous Company: Merce Cunningham Repertory Group.
PAUL GHISELIN. Birthplace: Chapel Hill, North Carolina. Training: Tidewater Ballet Academy, Joffrey Ballet School. Joined Trockadero: May, 1995. Previous Companies: Ohio Ballet, Festival Ballet of Rhode Island.
ROBERT CARTER. Birthplace: Charleston, South Carolina. Training: Robert Ivey Ballet School, Joffrey Ballet School. Joined Trockadero: November, 1995. Previous Companies: Florence Civic Ballet, Dance Theater of Harlem Ensemble, Bay Ballet Theater.
DUANE GOSA. Birthplace: Chicago, IL. Training: University of Akron, Ailey School. Joined Trockadero: September, 2013. Previous Companies: Jennifer Muller/The Works, Brooklyn Ballet, The Love Show.
PAOLO CERVELLERA. Birthplace: Putignano (Bari), Italy. Training: San Carlo Opera House Ballet School. Joined Trockadero: November, 2012. Previous company: San Carlo Opera House Ballet Company, Naples Italy. LOIC CONSALVO. Birthplace: Mulhouse, France. Training: Conservatory National Superieur (Lyon, France), Junior Ballet of Sundgau. Joined Trockadero: September, 2012. Previous company: Opera de Metz (France). BOYSIE DIKOBE. Birthplace: Brits, South Africa. Training: South African Ballet Theatre School, The National School of the Arts, The Washington School of Ballet. Joined Trockadero: February, 2011. Previous companies: South African Ballet Theatre, Cape Town City Ballet.
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CARLOS HOPUY. Birthplace: Havana, Cuba Training: Escuela Nacional de Arte, Havana. Joined Trockadero: February, 2012 Previous companies: National Ballet of Cuba, National Ballet of Costa Rica, Ballet San Antonio. Awards: International Ballet Competitions in Havana (Gold medalist 1999, 2001, 2002) Nagoya (Gold medalist 2002), and Jackson, Mississippi (finalist, 2010). CHASE JOHNSEY. Birthplace: Winter Haven, Florida. Training: Harrison Arts Center, Virginia School of the Arts. Joined Trockadero: April, 2004. Previous Company: Florida Dance Theatre. Named Dance Magazine’s 25 to Watch in 2008. DAVIDE MARONGIU. Birthplace: Cagliari, Italy. Training: English National Ballet School, American Ballet Theater School. Joined Trockadero: May, 2005.
COMPANY BIOGRAPHIES (continued) PHILIP MARTIN-NIELSON. Birthplace: Middletown, New York Training: Natasha Bar, School of American Ballet, Chautauqua Institution of Dance. Joined Trockadero: September, 2012. Previous company: North Carolina Dance Theater.
LAWRENCE NEUHAUSER. Birthplace: St. Augustine, Florida Training: Boston Ballet, Virginia School of the Arts, Edge Performing Art Center. Joined Trockadero: September, 2012. Previous Companies: DanceWorks Chicago, Brice Mousset Company.
CARLOS MILLER. Birthplace: Jacksonville, Florida. Training: Douglas Anderson School of the Arts, Nutmeg Conservatory, Joffrey Ballet School. Joined Trockadero: May, 2007 (rejoined February 2012). Previous companies: Eugene Ballet/Ballet Idaho, Florida Ballet, Dance Theatre of Harlem Ensemble, Diesel|Fusion Dance Theatre (Artistic Director).
ALBERTO PRETTO. Birthplace: Vicenza, Italy. Training: Academie de Danse Classique Princesse Grace, Monaco. Joined Trockadero: February, 2011. Previous Companies: English National Ballet, Stadttheater Koblenz.
RAFFAELE MORRA. Birthplace: Fossano, Italy. Training: Estudio de Danzas (Mirta & Marcelo Aulicio), Accademia Regionale di Danza del Teatro Nuovo di Torino. Joined Trockadero: May, 2001. Previous Company: Compagnia di Danza Teatro Nuovo di Torino.
CARLOS RENEDO. Birthplace: Barcelona, Spain. Training: Jorge Fdez-Hidalgo Estudi de Dansa Barcelona, Steps on Broadway (NYC). Joined Trockadero: February, 2012. Previous companies: Metropolitan Opera Ballet, Steps Ensemble, Rebecca Kelly Ballet.
THANK YOU! The Newman Center would like to thank Bud Coleman (former Trockadero dancer and current Department Chair of Theatre & Dance at CU Boulder) and Paul Ghiselin (Trockadero Ballet Master) for moderating and leading the Behind the Curtain lecture before the performance.
UP NEXT See complete event descriptions on pages 8–12 of the Newman Center Presents program. Paco Peña and Eliot Fisk, Guitar Masters Sat / Apr 26 / 2014 at 7:30pm “A Tribute to Ella Fitzgerald,” Smithsonian Jazz Masterworks Concert with Vocalist Kim Nazarian Sat / May 10 / 2014 at 7:30pm Sun / May 11 / 2014 at 2:00pm
The Colorado Symphony – “On Location” Beethoven’s Triple Concerto + A Trio of Opera Stars Andrew Litton, conductor and piano Yumi Hwang-Williams, violin Silver Ainomäe, cello Janice Chnadler-Eteme, soprano Howard Hasking, tenor Gordon Hawkins, baritone Wed / May 14 / 2014 at 7:30pm
BEHIND THE CURTAIN Join us before each Newman Center Presents performance for insight into the artist, the genre, or the program for the evening. Tickets are not required for these FREE Behind the Curtain talks, and no RSVP is necessary. Talks take place one hour before curtain in June Swaner Gates Concert Hall, entering on Orchestra Level East for seating. The following is a list of upcoming speakers.
Sat / Apr 26 / 2014 at 6:30pm / Richard Iznaola, Chair of the Guitar and Harp Department, Lamont School of Music, University of Denver Sat / May 10 / 2014 at 6:30pm / To Be Determined Sun / May 11 / 2014 at 1:00pm/ To Be Determined Wed / May 14 / 2014 at 6:30pm / Member of Colorado Symphony Les Ballets Trockadero de Monte Carlo
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NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and Donor Opportunities, please see pages 30–36 of the program.
Memberships and Donations received between July 1, 2012 and June 30, 2013 are listed on page 37 of the program.
Newman Center Memberships since July 1, 2013 BENEFACTOR Robert and Judi Newman PARTNER Margot Gilbert and Allan Frank Stephen W. Seifert Davol G. Tedder SPONSOR Gene and Dee Garms Milstein Gregg Kvistad and Amy Oaks Jane Quinette PowerQuip Partners – Sean and Natalie Raborn SUPPORTER Libby L. Bortz and Michael R. Altenberg Edward W. Estlow Teresa Giammanco Walter F. Imhoff Mary Jo Craige Johnson
M. D. Lauterbach Joan Markle Francis X. O’Connor Nelson Family Foundation – W. Peterson Nelson Jordon and Essie Perlmutter Rodney L. Smith and Constance A. Brakken Smith Richard Replin and Elissa Stein William Stolfus and Ann Richardson Thomas and Theresa Wheeler Robert A. Zupkus and Donna Howard-Zupkas
Michael J. and Laura Fowles Pamela F. Grange Roger L. Kinney David R. and Florence Lynn Linke Harold S. and Sarah M. Nelson Kathy A. and Donald D. Rosenkrans Ruth Schoening Janet L. Schroeder Michel N. and Carla Schuh Roger L. Tate Carol A. Wilson Ruth Wolff
CONTRIBUTOR Charlene S. Byers Catherine P. Cole Joel S. Cohen and Kathryn L. Oberdorfer William and Barbara Dolan
FRIEND Varda and Bernhard J. Abrahamsson Barbara R. and John R. Adams Albert G. Appell
Mary Claire Brothers Thomas N. Butler Judith K. Cisney Betty J. Croall and James A. Carney Andrew Hornbrook Katy Jarusco Gloria Kuvel Robert Roy Montgomery Michael C. and Ann A. Moore Frances E. Seifert Jenene C. and James J. Stookesberry Shirley M. Tanaka Mirelly Tierney William B. M. and Susan D. Tracy Roberta Kaye and Leonard N. Waldbaum
Newman Center Donors since July 1, 2013 Anonymous Leslie Beltrami Karin Bond Bonfils-Stanton Foundation Matt Chalek Community First Foundation Kevin Fitzpatrick Friends of Chamber Music Kay E. Grice Edie Hori L. Roger and Meredith Black Hutson Susan Martin Yolanda McAllister
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Les Ballets Trockadero de Monte Carlo
Mile High United Way Douglas G. and Laura B. Moran Jennifer Newman Tina and Tom Obermeier Edward Onderko Paula Roney Marriott and John Smart Kathryn Spuhler Serda D. and Roy S. Tibbs Adrian Tinsley Carol Wilson
In honor of Karen Lee-Siebels Kay E. Grice In honor of Judi and Robert Newman Margot Gilbert and Allan Frank Newman Endowed Fund for Experiential and Cultural Learning In honor of Margot and Allan Frank and In honor of Sue Anschutz Rodgers Beverlee Henry and Robert Fullerton
2014-2015 SEASON ANNOUNCEMENT! Chris Thile and Edgar Meyer
Bill T. Jones/Arnie Zane Dance Company
Tuesday / Sep 23 / 2014 at 7:30pm Mandolinist extraordinaire Chris Thile returns to open our season, with legendary American bassist and composer Edgar Meyer.
“Play and Play” – An Evening of Movement and Music Saturday / Jan 24 / 2015 at 7:30pm Sunday / Jan 25 / 2015 at 2:00pm “Play and Play” showcases Bill T. Jones’ brilliantly inventive choreography set to some of the most enduring music of the ages, performed live by musicians from the Lamont School of Music.
Hot Sardines – “Speakeasy Nights” Friday / Oct 10 / 2014 at 7:30pm This young jazz band from New York recalls Dixieland, speakeasies, and cabaret with a Sardine sound.
Capitol Steps Friday / Oct 17 / 2014 at 7:30 pm The Capitol Steps began in 1981 as a group of U.S. Senate staffers who set out to satirize the very people who employed them.
Mummenschanz Saturday / Nov 8 / 2014 at 7:30 pm Sunday / Nov 9 / 2014 at 2:00 pm This legendary Swiss mask theater troupe enchants audiences of all ages with offbeat creatures and amusing situations.
The Colorado Symphony Pinchas Zukerman, soloist and conductor Sunday / Nov 16 / 2014 at 2:00pm Violist and violinist Pinchas Zukerman is highly regarded as both a conductor and instrumentalist.
Beijing Dance/LDTX Tuesday / Nov 18 / 2014 at 7:30pm Translating as Thunder Rumbles Under Heaven, LDTX is China’s first independent, professional, and contemporary dance company.
The King’s Singers Wednesday / Dec 10 / 2014 at 7:30 pm Founded in 1968, this legendary ensemble ranges from Renaissance scores to transcriptions of tunes by The Beatles.
Renaud Garcia-Fons Quartet La Línea del Sur Saturday / Jan 10 / 2015 at 7:30pm Renaud Garcia-Fons explores innovative techniques with the double bass to create new musical genres. La Línea del Sur is a bewitching mix of flamenco, Arabic, jazz, and Latin-American music.
Alarm Will Sound + Medeski Martin & Wood Thursday / Feb 5 / 2015 at 7:30 pm Alarm Will Sound is one of the most creative alternative classical musical ensembles working today. Medeski Martin & Wood is an improvisation-driven experimental jazz and jam-band trio.
Aspen Santa Fe Ballet Saturday / Feb 21 / 2015 at 7:30pm Sunday / Feb 22 / 2015 at 2:00pm ASFB’s repertoire resonates with eclecticism and energy, exuding a European aesthetic charged with American vigor.
Roomful of Teeth With The Colorado Symphony Friday / Mar 6 / 2015 at 7:30pm An eight-voice ensemble, Roomful of Teeth is a vocal project dedicated to mining the expressive potential of the human voice.
Donal Fox Inventions Trio: Scarlatti Jazz Suite Project Thursday / Apr 2 / 2015 at 7:30pm Tackling both jazz and Baroque repertoire, the program includes works by and based on Scarlatti, Bach, Monk, Coltrane, and Coleman.
It Gets Better Speak Theater Arts / Gay Men’s Chorus of LA / It Gets Better Project Friday / Apr 24 / 2015 at 7:30 pm it gets better provides a performing arts response to the difficult issue of bullying. A week of educational residency culminates in this special performance.
Diavolo Saturday / May 9 / 2015 at 7:30pm Sunday / May 10 / 2015 at 2:00pm Diavolo fuses many different movement vocabularies—from pedestrian to ballet, contemporary, acrobatics, gymnastics, martial arts, and hip-hop. Les Ballets Trockadero de Monte Carlo
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JUST ANNOUNCED
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Les Ballets Trockadero de Monte Carlo
Founding Partner
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Endowment Recognition
Porter Adventist Hospital is proud to support the Newman Center for the Performing Arts and all those who pursue excellence in our community.
porterhosptial.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a member of Centura Health, Colorado’s largest hospital and healthcare network. Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright Š Centura Health, 2013
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Your membership support of the Newman Center makes it possible for us to present the best in performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized around the world for its excellence. Please join the community of Members whose partially or fully taxdeductible Membership makes everything we do possible.
BECOME A NEWMAN CENTER MEMBER
FOLLOW THE REGION’S PERFORMING ARTS BEFORE, DURING AND AFTER THE PERFORMANCE
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Our mission is to make the best performing arts programming available to everyone in our community. To do this our ticket prices are held at a level that covers less than half of the true costs of our programming, operations and maintenance. The difference is made up by your generous membership support.
Scan this code to learn more about Colorado’s Performing Arts Publications.
Your Annual Membership can start for as little as $50, but the more you choose to give, the greater the difference you will make. (See below about the matching grant opportunity to double the value of your gift). By supporting the Newman Center, you play an important role in presenting engaging performances, bringing music education to thousands and sustaining a landmark facility. Please take a look at our Membership levels and consider adding a Membership to your Newman Center support. (A portion of your Membership may be tax deductible).To become a Newman Center Member or for more information about our Membership program, please contact the Newman Center Box Office, Monday – Friday, 10am – 4pm or Saturday (Sep-May only), 12pm – 4pm at 303.871.7720.
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BECOME A NEWMAN CENTER MEMBER (continued) Newman Center Membership Levels* BENEFACTOR- $5,000 All Partner Membership benefits, plus: • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the 2013-14 season (pending artist availability) • Two (2) complimentary Pick Your Own 3 guest subscriptions (3 shows total) to Newman Center Presents 2013-14 season shows PARTNER - $1,000 All Sponsor Membership benefits, plus: • Two (2) additional complimentary guest passes to a Newman Center Presents performance of your choice in the 2013-14 season • Invitation to pre-performance and intermission receptions for each Newman Center Presents performance (hosted bar and hors d’oeuvres)
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SUPPORTER - $200 All Contributor Membership benefits, plus: • Four (4) additional complimentary drink vouchers for any Newman Center Presents performance in the 2013-14 season • Two (2) Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department production of your choice (dates subject to availability)
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CONTRIBUTOR - $100 All Friend Membership benefits, plus: • Two (2) complimentary drink vouchers for any Newman Center Presents performance in the 2013-14 season
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2013-2014 Newman Center Presents
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*The amount paid for your Membership is tax deductible minus the fair market value of benefits received. If you decline all benefits, the entire amount of your Membership is tax deductible. Deductible amounts with benefits are: Friend $50; Contributor - $94; Supporter - $142; Sponsor - $366; Partner - $690; Benefactor - $4,474.
ASCEND – CAMPAIGN FOR THE PERFORMING ARTS In any project, the benefits of leverage can be amazing. The University of Denver is committed to leadership in leveraging our partnership with you. DU has committed $5 million to match every new gift of $10,000 or more in the Campaign for the Performing Arts. Your gift can even be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. Even more remarkable, DU will also match any binding planned gifts from your estate! We urge you to take advantage of this unprecedented opportunity today. Please consider giving generously to the performing arts at the University of Denver. Seize the opportunity to leverage your gift for the enrichment and education of current and future generations of students, and for the living cultural fabric of our community. To discuss DU’s Campaign for the Performing Arts, contact Isabel Werner, Director of Development - Arts, Humanities and Social Sciences, Isabel. Werner@du.edu or call 303.871.4472.
WHAT GIFT DOLLARS CAN REALLY DO
Please consider the Newman Center on Colorado Gives Day.
December 10, 2013 You can also donate throughout the year. Go to
ColoradoGives.org
and search
Newman Center
Thanks to the generosity of numerous longtime supporters of the Newman Center for the Performing Arts: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts). The purpose of these endowed funds is to produce annual income to support various aspects of the Newman Center Presents series. 2013-2014 Newman Center Presents
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WHAT GIFT DOLLARS CAN REALLY DO (continued)
UPCO
AT TH E
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NEWM
CONC
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AN CE
NTER
Sequenzas, Synchronisms, and Soundpainting Sept. 27 2013 @ 7:30 pm
Pierrot Lunaire
People We Know
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Let your lifestyle bloom at Heather Gardens
During the 2013-2014 season, these funds will help make the following programming a reality: • Master Classes with Mark Morris Dance Group, MOMIX, Trey McIntyre Project, and Les Ballets Trockadero de Monte Carlo at Denver School of the Arts; Education Sessions with ETHEL and Robert Mirabal at El Sistema Colorado; and Master Classes with Béla Fleck, Gabriel Kahane, yMusic, Eliot Fisk, Paco Peña, and the Smithsonian Jazz Orchestra at the Lamont School of Music are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. • Mark Morris Dance Group, MOMIX “Botanica”, Trey McIntyre Project, and Les Ballets Trockadero de Monte Carlo are supported in part by The Grynberg Family Endowment for Dance Programming. • Chris Thile, solo mandolin; Cameron Carpenter, organ; “Music of the Sun”; Chick Corea and Béla Fleck; “The Miners’ Hymns”; Gabriel Kahane and yMusic; and Paco Peña and Eliot Fisk are supported in part by The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. • All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. If you are interested in contributing to any of these endeavors, please contact Isabel Werner, Director of Development - Arts, Humanities and Social Sciences, Isabel.Werner@du.edu or call 303.871.4472.
For active adults age 55 and over 9-hole golf course • New 50,000-square-foot Clubhouse Over 100 clubs and activities • Near I-225 and Parker Rd. For more information call 720-505-2952 or visit www.HeatherGardensLifestyle.com
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2013-2014 Newman Center Presents
2888 S. Heather Gardens Way Aurora, CO 80014
If you work with a local organization or Denverarea K-12 school and would like to learn more about how Newman Center Presents artists provide educational outreach activities for your school or group, please contact Deirdre Shaw, Event and Community Outreach Manager, at Deirdre.Shaw@du.edu or call 303.871.6543. Please include the following information: your name and position, name of organization or school, types of outreach you may be interested in (dance, theatre, world music, jazz, vocal), and email address and phone number.
2013-2014
Season
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Fax: 303.778.8830 2013-2014 Newman Center Presents
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THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS
LIFTS YOU OUT OF EVERYDAY.
The construction of the Newman Center and all its public and backstage spaces was only made possible by generous donors whose gifts have been recognized through the naming of these spaces. Moreover, the annual income from the Newman Center Building Endowment helps ensure constant care and upkeep of our world-class venues and state-of-the-art systems that make possible the highest quality of Newman Center Presents productions.
ach r by Allen Birnb Sharon Wehne
E R O T S IN IS N O S A E S A PHENOMEGINSEALLLE THE NUTCRACKER ECTOR’S CHOICE
LET DIR CINDERELLA BAL T.ORG COLORADOBALLE
Come Sing With Us! Calling all boys and girls in grades 2-8!
Join Young Voices of Colorado Concerts in the beautiful Newman Center December 8, May 4 and June 29
To maintain this excellence the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment. Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you. If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Isabel Werner, Director of Development, at 303.871.4472 (Isabel.Werner@du.edu) or Aaron Ciszek, Director of Development, at 303.871.2315 (Aaron.Ciszek@du.edu).
DONOR ACKNOWLEDGEMENTS
303.797.SING www.youngvoices.org 36
2013-2014 Newman Center Presents
The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2012-2013 (July 2012 to June 2013) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the newly created Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period:
2012-2013 DONORS Anonymous Anonymous Martha A. and David L. Ashmore Leslie Beltrami Helen Bernstein Roberta Blanc Karin C. Bond Thomas Butler Community First Foundation Marian M. and John W. Ernst Celeste Grynberg Robert B. Hahn and Sharon H. Mushkin Caifei He Sarah Johnson William Raymond Kyiazis Michael E. Leighton Sarah Lincoln Brian A. Lloyd Yolanda McAllister Isabelle Marques Susan H. Martin Nelson Family Foundation Pamela Ann Newman Robert and Judi Newman Jean Onderko Gene E. and Nancy M. Richards Kathy Rosenkrans Sage Family Fund at the Omaha Community Foundation Wilma Shepherd Elizabeth H. and Myron J. Snell Kathleen M. Spring Adrian Tinsley Marcus Turner Western Union Foundation Waldo L. and Emily J. Willecke Janalynn Wong In Honor of Robert and Judi Newman Allan and Margot Frank Etta Marie and Michael Daniel West In Memory of Bob Mesko Carla M. Joy Newman Endowed Fund for Experiential and Cultural Learning Allan and Margot Frank I n memory of Bob Mesko and In honor of Beverlee Henry and the Honorable Robert Fullerton Beverlee Henry and Hon. Robert Fullerton Tracy J. Reinhard
2012-2013 MEMBERS BENEFACTOR Robert and Judi Newman
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PARTNER Allan and Margot Frank Diana and Mike Kinsey Dennis A. Oliver Stephen W. Seifert In memory of Robert Mesko Davol Tedder
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SPONSOR Dr. Gregg Kvistad and Dr. Amy Oaks Barbara Neal Sean and Natalie Raborn Speaking of Dance SUPPORTER Lara Blanca Jean Frances Norris Christine and Thomas Obermeier Don and Brenda Rafferty Ann Richardson and Bill Stolfus CONTRIBUTOR Aaron L. Ciszek and Sarah Egan Benjes Catherine P. Cole Phyllis Goodman Sue and Roger Kinney Marian Lauterbach Joan Markle Richard Replin and Elissa Stein Donovan C. and Phyllis A. Rieger Paula N. and David A. Roney Frances E. Seifert FRIEND A. Louise and Kenneth Beard Gordon Dickinson Ellen and Sheldon Friedman Sharyl Kriete Sally Plummer Brian Jordan Radecki William Rauschert Lorenz Rychner Thomas and Linda Sarmo Ruth Schoening John Smart and Marriott Smith Joyce Spivack Jenene C. and James J. Stookesberry Gemma May Varney Jane A. West Ruth Wolff Rozanne C. Wuerstl
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• T he Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • Parking is available in the Newman Center parking garage (Complimentary for Newman Center Presents events). Patrons are advised not to park in the neighborhood as most side streets have one-hour parking only. • Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refund or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.
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