CHAPTER VI BURKE AND HARE IN TANNER’S CLOSE THE MOCK FUNERAL THE FIRST VISIT TO SURGEONS’ SQUARE THEY RESOLVE ON MURDER Two years have come and gone, and once more it is an autumn day a day of blue sky and bright sunshine a day when throughout the whole extent of broad and bonny Scotland the reapers are in the ¢elds cutting down the yellow grain, enlivening their toil by laughter and song. In all the vales and in all the uplands of the mellow landscape are many bands to be seen, with their bright hook-blades £ashing in the sun as they bury them among the shocks of corn, while on the still and sultry air the sound of their happy voices are wafted among the woods and over the slopes of purple heather, and down the smiling course of the crystal stream, where the latest wild £owers of the year are blooming in richest loveliness, and where woodland warblers are swelling the thanksgiving song which universal nature is raising to the bene¢cent creator who has crowned the year with his goodness.1 But this same autumn day can show another and darker scene than this. In the dingy, dirty closes of old Edinburgh there is to be seen little of the blue sky and less of the bright sunshine, and there the faintest echo of the reaper’s song is not heard, and the happy harvest joy is unknown. In a little dingy room of a house in one of the narrowest and dirtiest closes in the West Port, a group of four living persons are assembled. Two of these were Burke and Helen M‘Dougal. Burke sat in a corner near the window on a cobbler’s stool, mending a shoe, and Helen, and another
1. The book drops ‘‘and where woodland warblers are swelling the thanksgiving song which universal nature is raising to the bene¢cent creator who has crowned the year with his goodness’’, perhaps for its gushing natural and religious sentiment. 59