Coventry Cathedral Conservation Management Plan

Page 37

UNDERSTANDING THE DEVELOPMENT OF THE PLACE

2.1.8 A PLAIN JEWEL CASKET The construction history of the new cathedral was well documented as it was built and there is a large number of construction drawings and detailed images in the archives. Spence himself described the new cathedral as a “plain jewel casket with many jewels inside”11 and the ‘casket’ itself was predominantly constructed of concrete. Structurally, the building rests on a large concrete foundation into which 671 steel piles were inserted to pin the foundation to the sandstone bedrock beneath. From the foundations, huge walls of concrete, finished in blocks of sandstone, rise to the roof, which is a large concrete shell. Between the internal roof and the shell, there is a void in which tie-beams cross the nave. Further buttressing to the roof is provided by the sawtooth walls. The baptistery roof is an orthogonal structure and three concrete beams that lie directly beneath the eaves take the weight of the roof, allowing less weight to rest on the curving baptistery wall beneath. The porch roof, the most outwardly visible concrete element of the building, is supported by a large concrete frame that has its base beneath the west window – which itself is stiffened by a series of high tensile steel cables. The roof canopy is 9cm thick and it rests on a pair of stone-clad concrete walls and four circular columns that again, are concrete with stone cladding. The chapels rely on reinforced concrete construction and are of a circular plan form that features fins inset with glass. The concrete on both chapels is clad in Westmoreland slate fixed in bronze.

Reinforced concrete construction on site

Hoisting the precast columns into place with extensive scaffolding

Within the nave itself, 14 slender columns support the geodesic roof, which is constructed of concrete ribs inset with timber slats.

11

Spence, Phoenix at Coventry, P62.

37


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5.3.15 Summary of Policies

4hr
pages 152-370

5.3.14 Adoption, Advice and Approvals

9min
pages 143-148

5.3.12 Landscape and Setting

7min
pages 138-140

5.3.13 Research and Understanding

4min
pages 141-142

5.3.11 Environmental Sustainability

5min
pages 136-137

5.3.9 Visitor Facilities and Access

6min
pages 130-132

5.3.10 Interpretation

5min
pages 133-135

5.3.8 Operations, Management and Use

6min
pages 127-129

5.3.6 Repair, Maintenance and Conservation

8min
pages 121-124

5.3.7 Restoration and New Works

4min
pages 125-126

5.3.4 Ruined Cathedral

3min
pages 116-117

5.3.5 New Cathedral

6min
pages 118-120

5.3.3 Design Vision

3min
pages 114-115

Best Practice

5min
pages 110-112

Inform Future Proposals

2min
page 109

5.2.5 Relative Levels of Impact

1min
page 106

that Advocates Sustainable Change and in Collaboration with Key Stakeholders

3min
pages 107-108

Change to Understand the Benefits or Harm to Significance

4min
pages 104-105

Clear Understanding of the Need for Change

2min
page 103

5.1 How To Use This Framework

1min
page 100

Assessing Significance

4min
pages 96-98

3.6.3 City of Culture and Beyond

1min
pages 85-86

3.6.2 Visitors and Tourism

3min
page 84

3.5.2 Secular Legislation and National Planning Policy

3min
page 81

3.1.5 Wider Precinct and Surroundings

5min
pages 63-67

3.1.3 Cathedral Precinct

0
page 60

3.1.2 New Cathedral

1min
page 59

2.3.7 Old and New – The Cathedral of Addition

2min
page 53

2.3.4 Influence on Post-War Reconstruction

4min
page 51

2.3.3 International Context and Influences

3min
page 50

2.3.2 National Context and Influences

4min
pages 48-49

2.1.10 Consecration

1min
page 39

2.1.8 A Plain Jewel Casket

1min
page 37

2.1.9 The Jewel Casket Filled

1min
page 38

2.1.4 The Ruined City and the Site

6min
pages 23-24

2.1.3 St Michael’s – The Second Cathedral

2min
page 22

2.1.7 Construction – The Four Phases of the Design

10min
pages 30-36

1.1.1 Defining the Site

1min
page 9

HOW TO USE THIS DOCUMENT

3min
pages 16-18

1.1 Purpose of the Report

2min
page 8
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