Coventry Cathedral Conservation Management Plan

Page 59

UNDERSTANDING THE PLACE TODAY

3.1.2 NEW CATHEDRAL Spence’s new Modernist cathedral was consecrated and opened in 1962. It is predominantly constructed using Hollington sandstone, Conniston slate, concrete and glass. It comprises the main body of the Cathedral, with nave, baptistery and chapels, and two projecting chapels: the Chapel of Unity and the Chapel of Industry and Christ the Servant. The lower level area includes the chapter house and undercroft. At its east end, the new cathedral houses the tapestry of Christ in Glory by Graham Sutherland and John Bridgeman’s sculpture ‘Mater Dolorosa’. The baptistery window was designed by John Piper. The windows of the nave were designed by Lawrence Lee, Keith New and Geoffrey Clarke. They face away from the congregation; opposite pairs representing a pattern of growth from birth to old age, culminating in heavenly glory nearest the altar – one side representing the Human, the other side, the Divine. The great west window is known as the ‘Screen of Saints and Angels’ and was engraved by John Hutton. The Cathedral’s foundation stone, the ten stone panels attached into the walls of the Cathedral called the Tablets of the Word and the baptismal font, were all designed and carved by Ralph Beyer.

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5.3.15 Summary of Policies

4hr
pages 152-370

5.3.14 Adoption, Advice and Approvals

9min
pages 143-148

5.3.12 Landscape and Setting

7min
pages 138-140

5.3.13 Research and Understanding

4min
pages 141-142

5.3.11 Environmental Sustainability

5min
pages 136-137

5.3.9 Visitor Facilities and Access

6min
pages 130-132

5.3.10 Interpretation

5min
pages 133-135

5.3.8 Operations, Management and Use

6min
pages 127-129

5.3.6 Repair, Maintenance and Conservation

8min
pages 121-124

5.3.7 Restoration and New Works

4min
pages 125-126

5.3.4 Ruined Cathedral

3min
pages 116-117

5.3.5 New Cathedral

6min
pages 118-120

5.3.3 Design Vision

3min
pages 114-115

Best Practice

5min
pages 110-112

Inform Future Proposals

2min
page 109

5.2.5 Relative Levels of Impact

1min
page 106

that Advocates Sustainable Change and in Collaboration with Key Stakeholders

3min
pages 107-108

Change to Understand the Benefits or Harm to Significance

4min
pages 104-105

Clear Understanding of the Need for Change

2min
page 103

5.1 How To Use This Framework

1min
page 100

Assessing Significance

4min
pages 96-98

3.6.3 City of Culture and Beyond

1min
pages 85-86

3.6.2 Visitors and Tourism

3min
page 84

3.5.2 Secular Legislation and National Planning Policy

3min
page 81

3.1.5 Wider Precinct and Surroundings

5min
pages 63-67

3.1.3 Cathedral Precinct

0
page 60

3.1.2 New Cathedral

1min
page 59

2.3.7 Old and New – The Cathedral of Addition

2min
page 53

2.3.4 Influence on Post-War Reconstruction

4min
page 51

2.3.3 International Context and Influences

3min
page 50

2.3.2 National Context and Influences

4min
pages 48-49

2.1.10 Consecration

1min
page 39

2.1.8 A Plain Jewel Casket

1min
page 37

2.1.9 The Jewel Casket Filled

1min
page 38

2.1.4 The Ruined City and the Site

6min
pages 23-24

2.1.3 St Michael’s – The Second Cathedral

2min
page 22

2.1.7 Construction – The Four Phases of the Design

10min
pages 30-36

1.1.1 Defining the Site

1min
page 9

HOW TO USE THIS DOCUMENT

3min
pages 16-18

1.1 Purpose of the Report

2min
page 8
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