2015 Washington Winter Show Catalog

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for knowing community means everything. Working for the community. Inspiring the community. PNC supports those who are striving to do amazing things every day. That’s why we’re so proud to be a part of The Washington Winter Show and the exceptional charities that will benefit from the proceeds. pnc.com

©2013 The PNC Financial Services Group, Inc. All rights reserved. PNC Bank, National Association. Member FDIC

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january 9–11, 2015 45 o u t s ta n d i n g d e a l e r s • g u i d e d wa l k s & d e a l e r ta l k s • s p e c i a l e v e n t s

PORTS OF CALL benefiting children and families though the support of: Bishop John T. Walker School for Boys THEARC The Founders Board of St. John’s Community Services

The Katzen Arts Center at American University 44oo Massachusetts Avenue, nw Washington, dc The America’s Cup Trophy, by Garrard of London,1848. The America’s Cup, originally known as the 100 Guinea Cup, is considered to be the oldest award in competitive sporting, having first been won by the crew of the schooner “America” in 1851 in a race off the southern coast of England. Over 150 years later, the international competition continues, with the 2013 Oracle Team USA America’s Cup team as the reigning champion. The “Cup” will be a part of the 2015 Loan Exhibit “Vessels of Victory” along with other silver maritime trophies. Image courtesy Sportography.tv.

This page is sponsored by the Washington Winter Show Directors in honor of the Lemon Family

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To take you anywhere you want to go Made in New York with Exquisite European Fabrics. Professional, Casual and Evening. 5310 Western Avenue (at Wisconsin Place), Chevy Chase, MD 20851 301.951.1111 dc@ninamclemore.com New York, Aspen, Vail, San Francisco, Palm Desert, Seattle, Nantucket, Atlanta, Birmingham, MI, Cleveland, Chestertown and Easton, MD

www.ninamclemore.com

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PORTS OF CALL

ON THE COVER Eugène Boudin (French, 1824–1898) Yacht Basin at TrouvilleDeauville (detail) ca. 1895/1896 Courtesy National Gallery of Art, Washington Cover Design: Lisa Carey Design © 2015 Washington Winter Show, The Washington Antique SHow

The cover is sponsored by Mr. and Mrs. Barry W. Graham

TABLE of CONTENTS 4

Le er from Honorary Chair James H. Lemon

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Le er from Honorary Diplomatic Chair the Ambassador of Barbados, Mr. John Ernest Beale

7 11 13 14 16 17 19 21 23 24 27 34 36 38 42 50 55 132 136 137 138 142

Le er from Michael N. Harreld, PNC Bank With Appreciation Le er from the Co-Chairs, Blair Bourne and Leslie Jones Washington Winter Show Commi ees Schedule of Events Preview Night Party Commi ee Lecture/Luncheon Commi ee Saturday Lecture Commi ee Saturday Soiree Commi ee Sponsor Pages David O enbriet Tribute Bishop John T. Walker School for Boys Founders Board of St. John’s Community Services THEARC: Town Hall Education Arts Recreation Campus “Vessels of Victory “ by Leslie B. Jones “Hinckley Yachts, A personal Reminiscence” by Nick Voulgaris III Show Exhibitors Show Chairmen, Catalogue Editors, and Themes since 1956 Page Sponsor Index Advertiser Index Exhibitor Index Show Map

This page is sponsored by Hannah Cox in honor of Sara Davis

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Dear Washington Winter Show Patrons, I am very pleased to server as Honorary Chairman of this year’s Show. I have long had a great interest in the Washington Winter Show beginning when my mother, Martha Lemon, co-founded its predecessor, the Washington Antiques Show in 1955. This year’s Show, Ports of Call, promises to be another example of the excellent work that the Show’s directors and many volunteers do in assembling outstanding dealers from around the country. Most importantly, the Washington Winter Show is dedicated to supporting local area charites that serve the needs of children and families in the Washington, D.C. metropolitan area. The Show’s success has enabled it to make significant contributions over the years. I know that this year’s Show will be another outstanding success and I am sure that you will enjoy it. Sincerely

James H. Lemon, Jr.

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January 2015

Dear Friends and Guests, As Honorary Diplomatic Chairs of the 2015 Washington Winter Show, my wife, Leila, and I are delighted to welcome you to “Ports of Call,” an evening of fine art and furnishings of our maritime and nautical history. We are also pleased to join with you in enjoying the collection and exhibit of the show, the success of which will benefit the Bishop John T. Walker School for Boys, THEARC Theater, and St. John’s Community Services; charities that strive to make a difference in the lives of our young people through education and the arts. It is our hope, and that of the organizers, that you will become acquainted with the missions of these entities and their work in our community. Barbados, like Washington D.C. is also know for its maritime and nautical history, as demonstrated by the annual Mount Cay Rum Round Barbados Race — now in its 27th year. We wish you an enjoyable evening, as we celebrate both craftsmanship and sportsmanship.

Sincerely,

John E. Beale Ambassador of Barbados to the United States

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January 8, 2015 Dear Fellow Collectors: Welcome to the 2015 Washington Winter Show, which is celebrating its 60th anniversary and continues to be one of the top shows in the country to Ƥ d antiques, artifacts, Ƥ e art, and other collectibles. We all have our own reasons for collecting. For some it’s simply the beauty of the piece. For others it’s the value. And for many, like me, it’s about what the piece represents that’s more interesting than the object itself. What’s the story? During what era was it created? Who used it and for what purpose? That emotional connection with a piece of art is unique for everyone. One thing is clear: With the plethora of items available at the Washington Winter Show this weekend, you’re bound to uncover something that speaks to you. The theme of this year’s show, Ports of Call, celebrates both the history of life at sea and the leisure of aquatic sport. Organizers have put together a wonderful program and loan display featuring vessels of victory, including the America’s Cup. I urge you to participate in as many events as you can. As you enjoy yourself, please keep in mind that the proceeds from the Washington Winter Show help three of our region’s best charities – The Bishop John T. Walker School for Boys, THEARC, and the Founders Board of St. John’s Community Services. These nonproƤts are making a sig Ƥ ant d ơerence in the lives of underserved families living in our community. As the presenting sponsor of the show and a company dedicated to strengthening and enriching the lives of those in our region, we are honored to support these charities’ tremendous work. Congratulations to the Washington Winter Show on its milestone anniversary, and kudos to all who have worked tirelessly to create what again promises to be an exceptional event. Enjoy!

Michael N. Harreld Regional President Greater Washington Area

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proudly supports the 2015 Washington Winter Show

5404 Wisconsin Avenue Suite 301 Chevy Chase, Maryland 20815 (301) 657-2800 www.danac.com

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WITH APPRECIATION

A

s we celebrate the 60th anniversary of our Show, we recognize that without the hard work and dedication over the years of our volunteers and the leadership of our talented Show Chairs, we would not have reached this milestone. Blair Bourne and Leslie B. Jones, our 2015 Show Chairs, and their Committee follow in this great tradition. They have done an amazing job in bringing their theme “Ports of Call,” honoring our great naval victories and rich sailing traditions, bringing to life their theme. We congratulate and thank them and their Committee for giving so much of their time and talents in creating such an exciting Show. Their commitment to this vast undertaking enables us to support our three wonderful charities—The Founders Board of St. John’s Community Services, THEARC and The Bishop John T. Walker School for Boys—as they continue to provide exceptional services for at-risk children and families in our community. We would also like to express our deep appreciation for the support we continue to receive from all of you and for your commitment to our Show. WE EXTEND SPECIAL THANKS TO:

Mr. James H. Lemon, Jr. for agreeing to be our Honorary Show Chair and for the Ambassador from Barbados Mr. John Earnest Beale and Mrs. Beale for serving as our Honorary Diplomatic Chairs. Amy Herman for graciously agreeing to be our Luncheon speaker. Gary Jobson and members of the 2013 Oracle Team USA for participating in our Saturday panel discussion on the America’s Cup race. Leslie B. Jones for presenting a memorable Loan Exhibit celebrating “Vessels of Victory.” Oracle, Inc. and the Golden Gate Yacht Club for lending us the America’s Cup for our Loan Exhibit. Jean Taylor Federico, our brilliant Catalogue Chairman. Leslie B. Jones and Nick Voulgaris III for their fascinating articles in our Catalogue. Nina McLemore for hosting a coffee honoring the 2015 Show Committee at her Bethesda store. WE ARE INDEBTED TO THE FOLLOWING INDIVIDUALS FOR PROVIDING PRO-BONO SUPPORT:

David Ottenbreit of Navigant Consulting, Inc., who has given thousands of hours of his professional time serving as our Treasure for the past ten years. Robert Benton, Jill Frantzen and Philip Davis of WileyReinLLP. William J. Curtin and Timothy Lyden of HoganLovells US LLP. Maxine Rizik and Rizik Brothers for allowing us to use their store windows to advertise our Show with antiques from Beck’s Antiques. WE WOULD LIKE TO THANK THE MANY HARD WORKING PROFESSIONALS WHO HAVE CONTRIBUTED SO MUCH TO THE SUCCESS OF OUR SHOW:

Jim Merriefield, Jason Lurie, Lisa Aker, Ethan Hicks and the staff of the Katzen Center and American University, with whom it is always such a pleasure to work. Karen and Ralph DiSaia, our dedicated and creative Show Managers, who each year produce a beautiful antiques show with the help of Stacey Exposition Services. Nick Del Borrello and his superb security staff who assist us in every way. Lisa Carey and Matthew Hirschmann for their brilliant graphic designs which each year so beautifully illustrate our Shows’ themes. Jill Probst of Classic Web Design for her wonderful work on our Website. Judd Ashman of Elegant Envelope who each year does an amazing job managing our address list and mailings. Antiques & Fine Art Magazine, the publisher of our outstanding Show Catalogue. Susan Gage of Susan Gage Caterers whose creative menus, outstanding service and delicious food have contributed to the great success of our Preview Night Reception and Friday Luncheon. Tracy Stannard of Broad Branch Market, our wonderful Eagle Café caterer. John K. Mullins of Councilor, Buchanan & Mitchell, PC, our accountant. Dagmar Crosby, designer and producer of our 60th anniversary scarf. Jonathan G. Willen, our Executive Director, and his assistant, Georgina Palma, whose good humor, energy, enthusiasm and hard work are indispensable to the Show.

This page sponsored by the Washington Winter Show Board of Directors

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WESCHLER’S

Marcel Mouly Le Port Sold for $3,360

Proud Supporter of the Washington Winter Show “Ports of Call” Upcoming Auctions Capital Collections Estate Auction - February 20 Capital Collections Estate Auction - May 8 For more information on buying or selling at auction, contact us at 202.628.1281 909 E Street NW, Washington, D.C. 20004 TEL: 202.628.1281 / 800.331.1430 www.weschlers.com 12

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s the Co-Chairs of the 2015 Washington Winter Show we are both exceptionally pleased to present Ports of Call! The Washington Winter Show brings a significant antiques show to the Washington, DC metropolitan area, and at the same time supports charities that provide our community with essential services: Bishop John T. Walker School for Boys, The Founders Board of St. John’s Community Services, and THEARC. We are privileged to have as our Honorary Diplomatic Chairs His Excellency Mr. John Ernest Beale, Ambassador of Barbados, and Mrs. Beale, and as our Anniversary Honorary Chair Mr. James H. Lemon, Jr. The support of our sponsors, benefactors, and patrons has been generous. We are grateful for their financial and in-kind contributions which support the Washington Winter Show and our deserving charities. Their continuing commitment to the Show is essential in enriching our community and its young people. We are indebted to the institutions and individuals who have lent objects from their collections to the 2015 Loan Exhibit, Vessels of Victory. This exhibit documents more than 200 years of American naval history through impressive silver presentation trophies. These objects have been lent to us from the National Trust for Historic Preservation, Mystic Seaport Museum, Oracle Team USA, the United States Naval Academy Museum, the United States Naval Academy Sailing Center, the United States Sailing Association, the White House Historical Association, Ms. Diana H. Bittel, and Mr. Oliver C. Iselin. Throughout the past year we have enjoyed working with so many contributors to the Show. The efforts of our devoted Committee Chairs and their group of volunteers truly make the Show a success. The dedication to hard work and coordination from the staff at American University and The Katzen Arts Center is sincerely appreciated. Thank you for your exceptional efforts. Each year, our 45 antique and fine art exhibitors bring forth an outstanding array of antiques and fine art. It is because of your well-deserved reputations and commitment to exhibiting at the Washington Winter Show that we are able to draw thousands of new and loyal patrons to the Show year after year. Thank you for your continued support. Most importantly, we are both grateful to those who provide the leadership to the Washington Winter Show: the members of the Board of Directors and the Show’s Executive Director, Mr. Jonathan Willen, and the Show’s Mangers, Mr. and Mrs. Ralph DiSaia.

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PORTS OF CALL

WE ALSO WISH TO EXTEND OUR APPRECIATION AND THANKS TO: Ms. Amy Herman, for her enlightening and stimulating presentation on “The Art of Perception” at the Friday Lecture and Luncheon. Mr. Gary Jobson, world-class sailor and author, for moderating the discussion at the Saturday Lecture. To Oracle Team USA and Oracle Corporation for their assistance in acquiring the loan of the America’s Cup for exhibition at the Show. To the members of Oracle Team USA, Mr. Joseph Spooner, Mr. Kinley Fowler, Mr. Ian Burns and Mr. Scott Ferguson, for their participation in our Saturday Lecture. Mr. Nick Voulgaris III, author of Hinckley Yachts: An American Icon, for his article on the history of the Hinckley boats for our Catalogue. Mr. J. Thomas Savage, Director of Museum Affairs at Winterthur Museum, Garden and Library; Mr. Spalding Nix of Spalding Nix Fine Art; and Ms. Laura Layfer, Art and Antiques Director at Branca Inc., for lending their expertise in leading our 2015 Guided Walks. The Savoy Hotel for extending Washington hospitality to our special guests throughout the weekend. The City Tavern Club for hosting the Spring meeting and the White House Historical Association for providing the David M. Rubenstein National Center for White House History for our Fall meeting. Our Beverage Sponsor, Mount Gay Barbados Rum, for their generous contribution of Scuttlebutt, Mount Gay Black Barrel Rum and Mount Gay Eclipse Rum to the Preview Night parties, Friday Lecture and Luncheon and the Saturday Soirée. The National Gallery of Art for providing the image and reproduction rights to the painting Yacht Basin at Trouville-Deauville by Eugène Boudin (1894–98) for our brochure and catalogue cover art.

This page sponsored by Dory Clark, Denise Prince and Puffin Travers in honor of Blair Bourne and Leslie B. Jones

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WASHINGTON WINTER SHOW PORTS OF CALL

A Benefit for: Bishop John T. Walker School for Boys THEARC The Founders Board of St. John’s Community Services

2015 COMMITTEE Chairs Blair Bourne

Leslie B. Jones

Board of Directors Jane H. Ba le Mason Bavin Margaret G. Beers Hannah C. Cox Helen W. Curtin

Sara Ewing Davis Anne M. Elmore Palmer Graham Edith R. Miller Marilyn B. Montgomery

Denise M. Prince Lucy S. Rhame Susan S. Van Nice Amy Zantzinger JoAnn Leigh Zuercher

Executive Director Jonathan G. Willen

Emeritus Mary Jane Offu Leitch Gail C. Matheson

Joan D. Sterre Ann Nu er Thompson

Advisory Committee Robert D. Benton Ellen MacNeille Charles William J. Curtin III

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Jean Taylor Federico Knight Kiplinger James H. Lemon, Jr.

Marcia V. Mayo Be y C. Monkman

B. Francis Saul II Gary E. Young

This page is sponsored by Philip and Sara Davis in honor of Blair Bourne and Leslie B. Jones

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COMMITTEE CHAIRS 1955 Club

Designer

Page Sponsor

Ellen MacNeille Charles Hannah Cox Helen Curtin

Sally Steponkus Marika Meyer

Anne Baldwin

Preview Night Party Docent Chair

Ed McAllister Leigh Stewart

Events

Colle e Bruce Sarah Cannova Andrew Law Caroline Norman

Beverage Sales

Amy Zantzinger Jonathan G. Willen

Preview Night Young Collectors’ Party

Admissions

Lauren Hillyard

Philip J Davis

Exhibitors Booth Sitters

Hannah Cox Helen Curtin Karen DiSaia Amy Zantzinger

Henri Keller

Café

Marilouise Avery Sarah McKenna Daryl Muller

Rizik’s Windows Jocelyn Linke

Pamela Buckles

Exhibitor Hospitality

Saturday Appraisals

Catalogue

Susan Dowhower

Samira Farmer

Jean Taylor Federico Chris Minter-Dowd

Exhibitor Welcome Party

Saturday Lecture

Peggy Holland

Floral

Hadley Debevoise Allen Stephen A. McLeod Janie Powers

Jane Ba le Blair Bourne

Saturday Soirée

Guided Walks

Johanna Howe Betsy Jaeger

Charities Courtney Burnham Nancy Hellmuth Lesley Lee Janet Stone James Woody

Sarah Wallerstein

Dealer Talks

Social Media Chair

Lauren Hillyard

Lecture & Luncheon

Development

Bessie Doffermyre Mary Ritchey

Jane H. Ba le Shannon Scruggs Campagna Dory Clark Amy Heiden Marilyn Montgomery Darryl Muller Eleanor McCallie Nading Janet Stone Pamela C. Watson

Adelaide Barre

Treasurer David O enbreit

Loan Exhibit Leslie B. Jones

Onsite Treasurer

Loan Exhibit Docents

Mason Bavin Holly Bolger Michaela Robinson

JoAnn Dullahan

COMMITTEE MEMBERS Janet Barnes William Butz Carolina DeSouza Ki y Dove Margaret Gardener Joanne Gillespie Susan Glynn Margaret Goldsborough Marian Green Beth Irons Chris Keller

Henri Keller Jennifer Kelley Charlo e Palmer Lekakos Alix Levy Edward Lincoln Meme Lincoln Jane Matz Anne Mizoguchi Lynn Novelli Michael Novelli Farrand O’Donoghue

Betsy Rackley Kenneth Schwartz Nancy Schwartz Shellie Steinberg Autumn English Thomason Lynne Vollmer Hans Wegner Janet Wegner Liz Whiting Ron Whiting

As of December 9, 2014

This page sponsored by Clark, Mason and Elizabeth Bavin

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WASHINGTON WINTER SHOW PORTS OF CALL SCHEDULE of EVENTS

JANUARY 8 – 11, 2015 FRIDAY – SATURDAY am – pm SUNDAY am – pm

THURSDAY, JANUARY 8, 2014 PREVIEW NIGHT 6:00 pm — 6:30 pm SPONSORS BENEFACTORS & DESIGNERS CHAMPAGNE RECEPTION Âťadvance reservation requiredÂŤ Sponsors, Benefactors and Designers are invited to a private early viewing of both the Loan Exhibit and the Show. Sip champagne as you mingle with our honored guests and have the ďŹ rst look at the fascinating antiques available for purchase. Your ticket includes admission to the Gala Patrons and Young Collectors Reception, run of the Show admission and a Show catalogue. 6:30 pm — 9:00 pm GALA PATRONS & YOUNG COLLECTORS RECEPTION Âťadvance reservation requiredÂŤ Celebrate the opening of the 60th Anniversary Washington Winter Show, The Washington Antiques Show. Guests will enjoy cocktails, hors d’oeuvres and an elegant buet dinner prepared by Susan Gage Caterers while previewing the Loan Exhibit and the Show. Your ticket includes run of the Show admission and a Show catalogue.

FRIDAY, JANUARY 9, 2014 10:30 am – 1:30 pm LECTURE & LUNCHEON “The Art of Perceptionâ€? WITH AMY HERMAN Âťadvance reservation requiredÂŤ Amy Herman is an a orney and museum professional who brings a unique perspective to the arts. Amy began her career in the museum ďŹ eld at The Frick Collection on Manha an’s Upper East Side. Not long a er working as the Frick’s Head of Education, Amy developed an art analysis program that has been adapted to train medical and law enforcement oďŹƒcials to enhance their observation, perception and communication skills by learning to analyze works of art. Amy’s “studentsâ€? include the CIA, FBI, Secret Service, Department of Justice, New York City Police Department, as well as major museums, hospitals, medical schools and universities across the country. You’ll never look at art the same way again! 2:30 pm Guided Walk: Thomas Savage, Director of Museum Aairs for Winterthur Museum, Garden and Library, will guide you through the Show pointing out museum quality objects in a variety of media and price levels. Âťfree with show admissionÂŤ 3:30 pm Dealer Talk: “Nautical Antiques of the 18th and 19th Centuriesâ€? with David White, White’s Nautical Antiques Âťfree with show admissionÂŤ

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6:30 pm Dealer Talk: “Artifacts of Conict: Nineteenth Century Militariaâ€? with Sco Ferris, R&J Ferris Antiques Âťfree with show admissionÂŤ

SATURDAY, JANUARY 10, 2014 9:00am —11:00 am APPRAISALS Âťopen to publicÂŤ The Washington Winter Show is the ideal place to learn more about your own heirlooms and treasures from experts in the antique trade. On Saturday morning, specialists in many collecting categories will provide a verbal appraisal of items brought before the Show as well as answer basic questions regarding age, origin, use and more. All proceeds beneďŹ t the Show’s charities. 12:00 pm Guided Walk: Spalding Nix, renowned ďŹ ne art appraiser and owner of Spalding Nix Fine Art, will guide you through the Show discussing his tips for determining genuine antiques. Âťfree with show admissionÂŤ 2:00 pm — 3:00 pm LECTURE “How to Win the America’s Cupâ€? Gary Jobson, historian, world-class sailor and member of the America’s Cup Hall of Fame, will moderate a panel including members of the 2013 Oracle Team USA sailing and design teams. They will share their stories and answer questions about the Oracle Team’s successful defense of the America’s Cup trophy. 3:30 pm Dealer Talk: “Nineteenth Century Sailor’s Art and American Ships in Foreign Portsâ€? with Diana Bi el, Diana H. Bi el Antiques Âťfree with show admissionÂŤ 5:00 pm Guided Walk: Laura Layfer, fashion and decorative arts consultant, will guide you through the Show while discussing jewelry and adornment in all forms of fashion. Âťfree with show admissionÂŤ 6:00 pm —8:00 pm SATURDAY SOIRÉE Âťevent is free with show admissionÂŤ Join us for the Saturday SoirĂŠe, formerly known as Jazz Night. Enjoy live calypso music and signature cocktails from our cash bar as you wander through the incredible selection of antiques and ďŹ ne art on display by our renowned dealers. Tour our fascinating Loan Exhibit, “Vessels of Victory,â€? which showcases the America’s Cup trophy, recently won by the 2013 Oracle Team USA.

This page sponsored by Lucy Rhame, Anne Elmore and Mimi Conger Brown

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WASHINGTON WINTER SHOW PORTS OF CALL PREVIEW NIGHT PARTY Honorary Diplomatic Chairs His Excellency the Ambassador from Barbados Mr. John Ernest Beale and Mrs. Beale

Honorary Chair Mr. James H. Lemon, Jr.

Preview Night Co-Chairs Colle e Bruce Sarah Cannova

Andrew Law Caroline Norman

Designers Committee Amy Zantzinger Interior Design Andrew Law Design Anne e Hannon Interior Design Annie Ellio Brady Arundel Cliff Elmore Architects, PLLC Clites Architects Hamilton Snowber Architects

Jones and Boer Architects Kelley Interior Design Marika Meyer Interiors Mauck, Zantzinger & Associates Inc. Pagenstecher Sally Steponkus Interiors Willard and Palmer Design

Preview Night Committee Carroll & Otis Johnson Catherine & Teddy Kaplan Harriet & Dick Larsen Isin & George Ludlow Kelly & John Lugar James Norman Elizabeth & Jeff Powell David Ra ner Virginia Rocen Nell & Ed Shapiro Maggie & Tom Sheedy Andy & Kim Shiff Page & Howard Smith Merrilou & Ned Symes Nancy & Simon Sidamon-Eristoff Autumn Thomason Georgina Train Puffin & Andrew Travers

Mayra & Dan Addison Judy & Leland Bishop Vici & Tommy Boguess Anthony Bruce Valerie & Townsend Burden Christopher Cannova Dory Clark Tammie & John Collins Sara & Magruder Dent Susan Dowhower Abby & Ma Echols Heather & Andrew Florance Margaret & David Gardner Katie & Steven Gewirz Piper & Jonathan Gould Mae & Ande Grennan Leigh & John Hay Leigh & Patrick Holley

Young Collectors Co-Chairs Marilouise Avery

Sarah Brennan McKenna

Daryl A. Muller

Young Collectors Committee Barron Avery Molly Broemmelsiek Halsey & Timothy Buick Samantha & Steve Burman Marguerite & William Clarkson Claire & Jake Farver Terrell Fuller Carolyn & Kenneth George Rachel Hicks & Jared Michael Lizzy & Noah Hirsch Rebecca & Joseph Katona Suzanne & Colin Kimpel

Tara Mahoney J. Joe McKenna Julius McMichael Will M. Merrick D. Channing Muller William J. Reynolds Eleanor & John Nading Catherine and Tripp Onnen Emerson & Brad Pheeney Ashley & Dean Sands Anna & Jordan Sekulow Pamela C. Watson

This page is sponsored by Jane Battle and Hilda McCollum, Show Co-Chairs 1994

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BONHAMS AUCTIONEERS IS PLEASED TO SUPPORT THE WASHINGTON WINTER SHOW

JAMES EDWARD BUTTERSWORTH ;OL (TLYPJH»Z *\W `HJO[ Vigilant Sold for $305,000

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WASHINGTON WINTER SHOW PORTS OF CALL LECTURE & LUNCHEON Friday, January 9, 2015

10:30am

“THE ART OF PERCEPTION” WITH AMY HER MAN »ADVANCE RESERVATION REQUIRED: $135 PP, $1,250 TABLE OF 10«

Amy Herman is an attorney and museum professional who brings a unique perspective to the arts. Amy began her career in the museum field at The Frick Collection on Manhattan’s Upper East Side. Not long after working as the Frick’s Head of Education, Amy developed an art analysis program that has been adapted to train medical and law enforcement officials to enhance their observation, perception and communication skills by learning to analyze works of art. Amy’s “students” include the CIA, FBI, Secret Service, Department of Justice, New York City Police Department, as well as major museums, hospitals, medical schools and universities across the country. You’ll never look at art the same way again!

Lecture & Luncheon Co-Chairs Bessie Doffermyre

Mary Ritchey

Committee Sharon Amorosi

Carolyn George

Vita Pagnani

Brooke Barquin

Katie Gormley

Kier Peterson

Courtney Billings

Piper Gould

Elizabeth Powell

Jessica Boulanger

Amy Gross

Julie Rienzo

Elizabeth Brooks

Katelin Haney

Allison Riepe

Aimee Burck

Catherine Kaplan

Kim Shiff

Kathleen Crawford

Tara Lamond

Catherine Tracy

Claire Farver

Dace Martinez

Kaci Williams

Jenny Gaynor

Candice Mulcahy

This page sponsored by Carol Anne Barth, Linda Bogaczyk, and Jane Brookins in honor of The Founder’s Board of St. John’s Community Services

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AMERICAN MARINE MODEL GALLERY SHIP MODELS Since 1975

AMERICAN MARINE MODEL GALLERY P.O.BOX 6102, GLOUCESTER, MASSACHUSETTS 01930 978-281-1166 | wall@shipmodel.com | www.shipmodel.com

Rare large model of USS CONSTITUTION, 1797 Configuration, 1/4" Scale, 78” long x 56” high x 29” wide

By appointment

The gallery offers an extensive selection of fully documented ship models CONSERVATION

& RESTORATION |

CUSTOM MODELS

| DISPLAY UNITS |APPRAISALS

AMERICAN MARINE MODEL GALLERY P. O . BOX 6102, GLOUCESTER , MASSACHUSETTS 01930 978-281-1166 | wall@shipmodel.com | www.shipmodel.com

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WASHINGTON WINTER SHOW PORTS OF CALL SATURDAY LECTURE Saturday, January 10, 2015

2:00pm

“HOW TO WIN THE AMERICA’S CUP” Gary Jobson, historian, world-class sailor and member of the America’s Cup Hall of Fame, will moderate a panel including members of the 2013 Oracle Team USA sailing and design teams. They will share their stories and answer questions about the Oracle Team’s successful defense of the America’s Cup trophy.

Lecture Co-Chairs Hadley Debevoise Allen

Stephen A. McLeod

Janie Powers

Committee Tom L. Adams

David McKnight

Bradley Allen

Cathy Nyce

Kammie Bell

Hannah Powers Garagiola

Liddy Chaney

Lynn Springer Roberts

George Eatman

Ed Senn

Adam T. Erby

Roger Vaughan

Don Kiggins

Ryan M. Velasco

Emily Kiggins

Stewart B. Waller

Byron LaMo e

David B. Wham

Mary Livingston

This page is sponsored by Lesley and Jim Lee in honor of The Founders Board of St. John’s Community Services

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CAPITOL FILE IS A PROUD SPONSOR OF THE WASHINGTON WINTER SHOW 2015 IN PRIN T. O N L IN E . IN L IFE .

ART BASEL MIAMI BEACH | ASPEN PEAK | AUSTIN WAY | BOSTON COMMON CAPITOL FILE | GOTHAM | HAMPTONS | LOS ANGELES CONFIDENTIAL | THE MALL AT SHORT HILLS MICHIGAN AVENUE | OCEAN DRIVE | PHILADELPHIA STYLE | VEGAS | WYNN

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WASHINGTON WINTER SHOW PORTS OF CALL SATURDAY SOIREÉ Saturday, January 10, 2015 6:00pm –8:00 pm

Stop by to enjoy a signature rum cocktail from our cash bar while spending the evening perusing the amazing antiques on display by our renowned dealers and listening to the lively sounds of our steel band.

Saturday Soireé Co-Chairs Johanna Howe

Betsy Jaeger

Committee Sasha Adams

Lesley Duncan

Vita Pagnani

Elizabeth Basse

Susan Ebersole

Emerson Pheeney

Katie Ba le

Carolyn George

Katie Russell

Annie Benne

Katie Gormley

Helen Sale

Elizabeth Brooks

Mary Moffe Keaney

Shelby Samperton

Samantha Burman

Anita Kulkarni

Catherine and Kurt Zimmermann

Susan Dowhower

Adrienne Johannes

Lindsay and Ethan Drath

Richard Moroscak

This page is sponsored by Courtney B. Burnham and Nancy L. Hellmuth in honor of The Founders Board of St. John’s Community Services

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WASHINGTON WINTER SHOW

PORTS OF CALL

SPONSORS Sponsorships as of 12-11-2014

PRESENTING SPONSOR PNC

PLATINUM EAGLES The Katzen Arts Center at American University The Lemon Foundation

GOLD EAGLES Mrs. Ellen MacNeille Charles Mars, Inc. Marcia V. Mayo, The Mayo Charitable Foundation

LOCAL MEDIA SPONSOR Capitol File

BROCHURE Nina McLemore The Potomack Auction Group

SILVER EAGLES

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Bonhams Fairwinds, LLC Mr. & Mrs. Barry W. Graham

The Mary & Daniel Loughran Foundation C K Williams Foundation Savoy Suites Hotel

SATURDAY SOIREÉ

APPRAISALS

Gordon & Jocelyn Linke Mount Gay Rum

WC Smith

This page is sponsored by Michelle Gee and Beth Roberts in honor of The Founders Board of St. John’s Community Services

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BRONZE EAGLES Mr. & Mrs. C. Tucker Ba le Mr. & Mrs. Clark R. Bavin, Jr. Elizabeth Bizic Mr. & Mrs. David Booth Beers Mr. & Mrs. Josh Bourne Mr. & Mrs. I. Townsend Burden III Burlington Place Ltd. Clark Construction Group, LLC Mrs. H. Bartholomew Cox

Daniel L. Korengold Mrs. William J. Curtin Mrs. Lucy Rhame Mr. & Mrs. Philip J. Davis Debbie Sams Mr. & Mrs. Stancliff C. Elmore, Jr. Dr. & Mrs. Paul S. Van Nice Flather & Perkins Wiley Rein LLP Susan Gage Caterers Jonathan G. Willen & Associates, Inc Mr. & Mrs. Michael Miller Mr. & Mrs. John H. Montgomery Mr. & Mrs. Richard C. Zantzinger III Mrs. JoAnn Zuercher & Mr. Glenn Reichardt Mr. & Mrs. David O enbreit Ourisman Automotive of Virginia/ Mr. & Mrs.

BENEFACTORS Mr. & Mrs. Tom Adams Mr. & Mrs. Dan Addison Mr. & Mrs. Geoffrey B. Baker Mr. & Mrs. Robert F. Baldwin, Jr. Mr. & Mrs. Leland Bishop Foree Biddle Vici Elliot Boguess Mr. & Mrs. Anthony Bruce Mr. & Mrs. Christopher Cannova Mr. & Mrs. John Collins Mrs. Charles T. Clark Mr. & Mrs. Christopher S. Cobb Hadley & Bill Cooper Susan Dowhower Abby & Ma Echols Heather Florance Nancy M. Folger Katie & Steven Gewirz Mr. & Mrs. Jonathan Gould

Mr. & Mrs. Ande Grennan Mr. & Mrs. John Hay Mr. & Mrs. Patrick Holley Mr. & Mrs. Otis Hayward Johnson, Jr. Leslie B. Jones Mr. & Mrs. Teddy Kaplan Austin Kiplinger Mr. & Mrs. Richard Gary Larsen James H. Lemon, Jr. Mr. & Mrs. George E. Ludlow Mr. & Mrs. John Lugar Robert L. Montague III Mr. & Mrs. Robert Latane Montague IV Mrs. R. Kendall No ingham Jane and Donald A. O’Kieffe Jean Perin Mr. & Mrs. Jeffrey S. Powell Kelley Proxmire Carrie & Jihn Queenan

Andrew Law & David Ra ner Cynthia Redick & Robin Brent Lynne & Larry Robinson Mrs. Donald Rocen W. Edward Senn Nell and Ed Shapiro Nancy & Simon Sidamon-Eristoff Mr. & Mrs. Thomas Sheedy Mr. & Mrs. Andy Shiff T. Garrick Steele Mr. & Mrs. Peter A. Sturtevant, Jr. Mr. & Mrs. Edward Symes III Ms. Autumn Thomason Georgina Train Mr. & Mrs. Andrew Travers Rosa M. Walker Gary Edward Young

1955 CLUB Mr. & Mrs. C. Tucker Ba le Mr. & Mrs. Clark R. Bavin, Jr. Mr. & Mrs. David Booth Beers Mrs. Adrian Dunn Bellinger Mr. & Mrs. Josh Bourne Kay Kennedy Brown Mr. & Mrs. Wiley T. Buchanan III Buffy Cafritz Mrs. Ellen MacNeille Charles Mrs. H. Bartholomew Cox

Mrs. William J. Curtin Mr. & Mrs. Philip J. Davis Mr. & Mrs. Stancliff C. Elmore, Jr. Jean Taylor Federico Mr. & Mrs. David H. Gardner Mr. & Mrs. Barry W. Graham Mrs. Dynes L. Leitch Mr. & Mrs. Malcolm Matheson III Mr. & Mrs. Michael Miller Mr. & Mrs. John H. Montgomery

Mr. & Mrs. James Theron Norman Mr. & Mrs. Stuart S. Prince Mrs. Lucy Rhame Mr. & Mrs. Lee M. Sessions, Jr. Mr. & Mrs. Clinton Robert Shaw, Jr. Mr. & Mrs. Howard Worth Smith III Dr. & Mrs. Paul S. Van Nice Mr. & Mrs. Richard C. Zantzinger III Mrs. JoAnn Zuercher & Mr. Glenn Reichardt

PATRONS Adrian Dunn Bellinger Mr. and Mrs. J. Belman Thomas U. Dudley Steven and Katie Gewirz John Peters Irelan Kay Kendall and Jack Davies

Stephanie A. Kenyon Peter and Lauralyn Lee Dr. and Mrs. Keith M. Lindgren Jane and Tim Matz Sue and Alaster MacDonald Camilla McCaslin

Christine and Daniel V. Minter-Dowd Edwin H. Pewe , Jr. Lynn Spinger and Eugene B. Roberts, Jr. Mrs. Donald T. Rocen Elizabeth Wrege

This page is sponsored by Anne S. Hansen and Nancy Sidamon-Eristoff in honor of The Founders Board of St. John’s Community Services

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Set sail with our new release

Away from the White House W H I T E H OU S E H I S T ORY. O RG

the WHITE HOUSE historical association IMAGE: PRESIDENT JOHN F. KENNEDY ABOARD THE MANITOU, NARRAGANSETT BAY, RHODE ISLAND, 1962, DETAIL [JOHN F. KENNEDY PRESIDENTIAL LIBRARY AND MUSEUM]

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The Directors of the

Express their deepest appreciation to

DAVID OTTENBREIT

For his 10 years of pro bono service as our Treasurer and to his wife, Alison and daughter, Ruby for their support.

This page is sponsored by the Washington Winter Show Board of Directors in honor of David Ottenbreit

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Christ Church, Georgetown

A parish church which offers worship and welcome for all who know and seek Christ. A church that provides nurture and education to grow in love and service and endeavors to share the joy and healing of God’s love. Schedule of Services Sundays Holy Eucharist Holy Eucharist (in Chapel Garden during the summer months) Holy Eucharist (1st, 3rd and 5th Sundays) or Morning Prayer (2nd and 4th Sundays) Holy Eucharist at the Georgetown (2512 Q Street, NW) Choral Evensong (1st and 3rd Sundays, October through May) Holy Eucharist (in the Chapel of St. Jude)

11:15 am 1:30 pm 5:00 pm 5:00 pm

Youth Education and Adult For.um (September through May) Reective Bible Study (June through August)

10:00 am 10:00 am

Weekdays Chapel of St. Jude Holy Eucharist (followed by Breakfast) Wednesday A Service of Healing and Holy Eucharist, Friday Morning Prayer, Monday through Friday Noonday Prayer, Monday through Friday Evening Prayer, Monday through Friday

7:40 am 12:10 pm 7:30 am 12:00 pm 5:30 pm

8:00 am 9:00 am

Services are added as announced for various feast days and holidays, and during Advent, Lent and Holy Week. The Right Reverend Peter James Lee, Interim Rector The Reverend Kristen L. Hawley, Assistant to the Rector The Reverend Elizabeth F. Keeler, Assistant to the Rector Mr. Michael E. Lindstrom, Organist ande Choirmaster

Christ Church, Georgetown 31st and O Streets, NW Washington, DC 20007 202.333.6677

www.christchurchgeorgetown.org

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This year, we’re taking it to another level We are opening the doors to a bright future, with more of the country’s finest exhibitors, in a new home among some of the city’s most prestigious cultural destinations. April 11-13, surround yourself with the stellar art and antiques exhibitors that you expect – plus some exciting newcomers.

Save the Date

APRIL 11-13, 2015 PREVIEW PARTY * APRIL 10, 2015

IN THE NEW HALL E – at the Pennsylvania Convention Center –

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Ju l i a D i a z -A sp e r is proud to support the Washington Winter Show, to beneďŹ t the Bishop John T. Walker School for Boys RECENTLY SOLD LISTINGS

GEORGETOWN

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Jane and Tucker Battle Congratulate Bishop John T. Walker School for Boys A School of the Episcopal Diocese of Washington

on completing 6 years of helping young boys reach their fullest potential 32

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FairWinds is Proud to Support

THE 2015 WASHINGTON WINTER SHOW

Josh Jo oshua a S. Bo our urne ne e, Ma Mana na agi g ng n Par artn tner er 1000 0 Potomac ac St. t NW W,, Sui u te te 350 | Was a hi h ng ngto to on, n DC 20 2 00 0 7 | T: T 202 2.2 223 2 .9 .925 25 52

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Bishop John T. Walker School for Boys A School of the Episcopal Diocese of Washington

By every measure, from reading and

math proficiency to school suspensions and high school graduation, African American boys lag behind their peers from other ethnic groups. Boys in large urban school districts tend to fare the worst. This well-documented “achievement gap� is grounded in the devastating impact of poverty and low expectations. The Bishop Walker School seeks to eliminate the achievement gap for our students by providing a stimulating and nurturing environment rich with positive role models and access to a wide array of learning opportunities. We provide the academic, emotional, spiritual and social supports our students need, while holding them accountable to the high standards we know they are capable of meeting. BWS opened in 2008 with a juniorkindergarten class and has grown annually through the addition of a new grade level. Now serving boys in junior-kindergarten through fifth grade, our vision is to continue to add one class per year through grade eight. As a tuition-free independent school, we rely on financial contributions and donated services. To make a gift, visit: www.bishopwalkerschool.org Your gifts are tax-deductible to the extent allowed by law.

photos courtesy of Valerie Woody

www.bishopwalkerschool.org 202-678-1515 34

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This page is sponsored by Friends of the Bishop Walker School

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Bishop John T. Walker School for Boys A School of the Episcopal Diocese of Washington

“Education is the Door to Opportunity”

photos courtesy of Valerie Woody

A tuition-free Episcopal School for Boys in Southeast Washington, DC • Intellectual Curiosity • Spiritual Foundation •¬Moral Development

www.bishopwalkerschool.org

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THE FOUNDERS BOARD OF ST. JOHN’S COMMUNITY SERVICES (SJCS) serves as a historic connection to the past and an essential link to the future in the role of supporting children and adults with disabilities in Washington, DC. In 1868, the Ladies Guild of St. John's Episcopal Church, founded the agency to assist people in the aftermath of the Civil War. Today, THE FOUNDERS BOARD carries on the tradition by embodying the SJCS mission—advancing community support and opportunities for people living with disabilities—in the city of its founding. For over 145 years, members have remained dedicated to the children and adults in SJCS-DC programs through various fundraising activities. THE FOUNDERS BOARD is comprised of more than 90 active and sustaining members who are committed to assuring that children and adults with disabilities in the District of Columbia have the support they need to excel and become fully included members within their communities.

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The funds raised through THE FOUNDERS BOARD support the services provided by St. John’s Community Services to people in Washington, DC. Some of the ways the funds are used to support St. John’s programs include: • Providing integrated educational and clinical services to students with autism and other developmental disabilities, • Purchasing materials and updated equipment for Creative Play Centers and Sensory Stations, • Expanding available computers and software in the classrooms, and • Providing renovations for apartments that assist residents with disabilities to live in comfortable, attractive surroundings of their choice.

2201 WISCONSIN AVENUE NW SUITE C-150 WASHINGTON, DC 20007 800-869-3393 | WWW.SJCS.ORG

This page is sponsored by Merrielou and Ned Symes in honor of The Founders Board of St. John's Community Services

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I have the right to an EDUCATION that helps to build my DREAMS for the future.

THE FOUNDERS BOARD OFFERS A

SINCERE THANKS TO THE

2015 Washington Winter Show FOR HELPING TO MAKE THE DREAMS OF CHILDREN WITH DISABILITIES COME TRUE.

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1-800-869-3393 | www.sjcs.org advancing community support and opportunities for people living with disabilities

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THEARC Town Hall Education Arts Recreation Campus Officially opened in 2005, the Town Hall Education Arts Recreation Campus (THEARC) is a $27 million, 110,000 square-foot world-class education, arts and recreation campus located east of the Anacostia River in Washington, DC’s Ward 8. THEARC was built by Building Bridges Across the River (BBAR), a nonprofit organization (founded by William C. Smith + Co.) formed to develop, construct and manage THEARC. Funding for building THEARC ($27 million) came entirely from charitable contributions by the Federal and District government, corporations, foundations and individuals. THEARC is a key part of a revitalization of the area known as East of the (Anacostia) River in Washington, DC. THEARC is a home away from home for many underserved children and adults of East of the River, enabling them to participate in dance classes, music instruction, fine arts, academics, continuing education, mentoring, tutoring, recreation, medical and dental care, and other services at a substantially reduced cost or no cost at all. In addition to a 365-seat community theater-the only theater of any kind east of the Anacostia River, THEARC includes a regulation size gymnasium, libraries, a computer lab, an art gallery, state-of-theart music and dance studios, and other first-rate facilities. Since its opening in October 2005, THEARC has already served thousands of residents of the surrounding southeast DC community. THEARC Theater is steadily booked for events such as community forums, film screenings, dance performances, commencement ceremonies, professional theater productions, concerts, master classes and fashion shows. THEARC brings together an array of comprehensive programs and services from eleven partner agencies, all of whom embrace the goal of improving the lives of children and adults living east of the Anacostia River in Washington, DC.

RESIDENT PARTNERS Building Bridges Across the River (BBAR) ArtReach @ THEARC Boys & Girls Club of Greater Washington: FBR Branch Children’s Health Project of DC: Children’s Health Center Covenant House of Washington Levine Music LIFT-DC Parklands Community Center The Washington Ballet Trinity Washington University The Washington School for Girls

Stay Connected! Follow us on Twitter @THEARC_DC 1901 Mississippi Ave, SE Washington, DC 20020 ł 202-889-5901 ł www.thearcdc.org

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This page is sponsored by Lisa and Chris Smith in honor of THEARC

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We are proud to provide pro bono legal representation to the

2015 Washington Winter Show “Ports of Call” 2,500 lawyers. 45+ offices. 25 countries. www.hoganlovells.com Hogan Lovells is an international legal practice that includes Hogan Lovells US LLP and Hogan Lovells International LLP. © Hogan Lovells 2014. All rights reserved.

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VESSELS of VICTORY by Leslie B. Jones I really don’t know why it is that all of us are so committed to the sea, except I think it is because in addition to the fact that the sea changes and the light changes, and ships change, it is because we all came from the sea. And it is an interesting biological fact that all of us have, in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And we go back to the sea, whether it is to sail or to watch it — we are going back from whence we came.1 It is with these inspiring words, presented by President John F. status as a desirable material for crafting objects of great importance. Kennedy (1961–63) at the 1962 America’s Cup Gala dinner in Central to this are awards created to celebrate victorious maritimeNewport, Rhode Island, that we gain a better understanding related events. Objects of silver have been presented to those who as to why we, as human beings, find ourselves innately linked successfully defend our nation in naval battles. Through these silver to the ocean. Our fascination with the sea and its exploration presentation pieces our American history, our national identity, and has been depicted in paintings, charted on maps and most our growing dominance in the world is evident. Following the American Revolution (1775–83), Presidents beautifully interpreted in silver presentation and ceremonial George Washington (1789–97) and John Adams (1797–1801) objects. This essay discusses these important silver objects and both understood that the fate of our nation’s power and absolute references their place within our national history. independence depended upon the effective defense of our As time and technology have progressed silver has retained its

Figure 1: Truxtun Urn, by John Robbins, London, c. 1800 (White House Historical Association). The Truxtun Urn cost an estimated £630 in 1800, which would be near $20,000 in 2014.

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Figure 2: Commodore Oliver Hazard Perry Trophy, c. 1818 by Thomas Fletcher and Sidney Gardiner, Philadelphia. (United States Naval Academy Museum, Annapolis, Maryland).

This page is sponsored by Jean Taylor Federico

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Figure 3: Commodore Stephen Decatur, Jr., by James Alexander Simpson (a er Gilbert Stuart) c. 1840 (White House Historical Association). Simpson depicts Decatur in his United States Navy uniform. He wears his Society of Cincinnati Eagle insignia. Decatur was made an honorary member of the New York State Society of the Cincinnati in 1813 in recognition of his heroic naval service. Several other heroes of the War of 1812 were also elected as honorary members: William Bainbridge, Isaac Hull and Thomas Macdonough. The category of honorary member was created in the Society’s original institution to recognize “men in the respective States eminent for their abilities and patriotism, whose views may be directed to the same laudable objects with those of the Cincinnati.” The New York Society’s honorary members of the early 19th century period received membership certificates (diplomas) that bore the signatures of George Washington and Henry Knox because the New York Society had a supply of signed blank certificates le over from the original generation of members.

coastal regions and protection of our growing trade throughout the world. The competition for supreme maritime power pitted the United States, France, England, and Spain against each other. For America this international contest resulted in combative hostility known as the Quasi-War with France (1798–1801). Dr. James Brown Scott, renowned authority on international law and diplomacy, remarked that the Quasi-War was an action to protect rights: [A] display of force by the United States… [which resulted] that the government had made

up its mind to conduct itself as an independent state and to insist upon and maintain its rights, even at the expense of a resort to force against the country with which it had been allied [France]… the United States demonstrated to the world that they were independent not merely in theory but in very fact.2 After the Revolution the United States abolished the American Navy, but it was not long before foreign powers began to harass and seize American merchant ships. Even before

This page is sponsored by Mrs. H. Bartholomew Cox and Mrs. Michael Miller

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Figure 4: Decatur Wine Cooler and Goblet, by Thomas Whartenby and Peter Bumm, Philadelphia, c. 1818 (White House Historical Association).

the French Revolution (1798–1801) Great Britain and France became embroiled in a war for the control of Europe and both saw American merchant ships as fair game in the struggle. The Jay Treaty of 1795 initiated a shaky truce with Great Britain, but France continued to seize American ships — over 300 by the time John Adams was inaugurated President in March 1797. To defend against these attacks the United States established the Navy Department the next year and began building six new frigates in American navy yards including one here in Washington. These frigates averaged about 40 guns, smaller than ships-of-the-line, but able to outrun the larger and more powerful ships. The designs for these ships followed the French naval design model which mphasized speed and maneuverability. The British Navy favored a heavier more solid construction which could deliver more fire power. Men who grew up in towns along the coast, where shipbuilding flourished, often served on board vessels involved with coastal or transcontinental trade on merchant ships. They gained valuable

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experience and joined our Navy which unlike the British Navy offered higher salaries and better conditions. The combination of treacherous waters and tyrannical enemies required dedication, bravery, and true patriotism; and many of the men who were captains of these vessels were presented with objects made of silver in recognition of these outstanding victories. Although France and the United States were allies during the American Revolution, the French Revolution (1787–99) severed the amicable international relationship. Numerous periods of anarchy within France and its colonies resulted in the United States and Great Britain partnering against France to protect their political and maritime interests. French ships were harassing, and capturing American and British merchant vessels. In September 1797 Constellation, the second frigate authorized by Congress, was launched in Baltimore. In her first cruise off the coast of the United States to protect American commerce she earned the nickname “Yankee Race Horse” for her speed. In December 1798 under the command of Captain Thomas

This page is sponsored by Mr. and Mrs. David Booth Beers

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Figure 5: New York Yacht Club Trophy, by Black, Starr and Frost, New York, 1895 (Courtesy Mystic Seaport).

Truxton she sailed for the West Indies to protect our ships there. On February 9, 1799 she fought her first vicious sea battle when she encountered the French frigate Insurgente off Nevis. Despite slightly outnumbering Constellation in men and guns, Insurgente was defeated by the skillful tactical maneuvers directed by Captain Truxton and his crew.3 Insurgente was captured, its remaining crew imprisoned, and brought back to the United States. Captain Truxton was praised and thanked in various forms. The grandest token was a sterling silver trophy presented to him by a select group of insurance underwriters from Lloyd’s Coffee House in London, known today as Lloyd’s of London, “as a mark of the high sense they entertain of his gallant conduct… and protection to Commerce....” (Figure 1).4 Captain Truxton’s silver urn reflects the late 18th and early 19th-century Neo-Classical style, antiquarian in form and decoration. Produced by London silversmith John Robbins, the Truxton urn rests on a trumpet-shaped base, with an ovoid shaped body. It is flanked with two scrolling key-handles.

Chased foliage decoration surrounds the top of the urn, and each side has an oval medallion: the obverse contains images of Constellation and Insurgente engaged in battle. The reverse has the inscription: “Presented by the Underwriters and Merchants at Lloyd’s Coffee House in London to Captain Thomas Truxton of the American Frigate Constellation as a mark of their Sense of his Service and Admiration of his Gallant Conduct on taking the Insurgente French Frigate of 44 Guns — the West Indies in Feby 1799.” The urn’s lid, decorated with laurel leaves, mirrors the elements of the base, and is surmounted with the figure of Columbia holding a shield engraved with the United States seal. The form and decoration of silver objects produced in England and Western Europe influenced American silversmiths — the professionals who crafted these remarkable works. In the United States and abroad, proficient silversmiths were well-known and sought-after artisans, who had an intimate understanding of a complicated material. Silver objects produced in Europe were generally finished on a much grander

This page is sponsored by Marjorie Miller and Jordan Richards in honor of The Founders Board of St. John’s Community Services

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scale, with more intricate repoussé and chased ornament. American silversmiths copied these designs from books, examples found in fine art, and encounters with physical examples Generally American wares were more restrained and smaller in size than their European counterparts. When the War of 1812 (1812–15) was declared by President James Madison (1809–17) on June 18, 1812, intense battles followed soon thereafter, triggering an increase in the production of silver presentation pieces. Committees of citizens in cities such as Baltimore and Philadelphia, and states such as Virginia and Rhode Island financed and commissioned silver presentation pieces for the many heroes the war produced.5 On August 2, 1812, Constitution under the command of Captain Isaac Hull ran the British blockade of Boston harbor and sailed for Nova Scotia where she sank two British merchant ships. Off the Gulf of the St. Lawrence on August 19th she sighted the 49-gun frigate Guerrière which immediately opened fire, but the British cannon balls bounced harmlessly off her oaken hull. The American sailors cheered and christened their ship “Old Ironsides.” As the ships drew abreast Captain Hull gave the order to fire, and over the next half hour repeated broadsides shattered Guerrière’s foremast and mainmast and shredded most of her rigging. Dead in the water, Guerrière surrendered. The British prisoners were transferred to Constitution, and the hulk was burned. It was the first major naval victory of the young United States over the world’s foremost naval power.6 Less than one month later it was, “[r]esolved, that a piece of Plate [silver] of the most elegant workmanship, ornamented with appropriate emblems, devices and inscriptions, be presented in the name of the Citizens of Philadelphia, to Captain Isaac Hull…as a testimony of the respect and admiration the Citizens entertain of [his] gallant conduct.”7 The makers of this piece were Thomas Fletcher and Sidney Gardiner of Philadelphia. Fletcher and Gardiner produced many of the finest silver presentation pieces during and after the war for Captain Hull, Captain Oliver Hazard Perry (Figure 2), Commodore William Bainbridge, Captain Jacob Jones, Lieutenant Charles Morris, and Lieutenant James Biddle.8 Other popular silversmiths were Samuel Kirk and Andrew Ellicott Warner of Baltimore, Jesse Churchill and Daniel Treadwell of Boston, and Charles A. Burnett of Georgetown. All received orders, from near and far, to produce objects recognizing military heroes. The production of American silver objects and trophies had advanced in sophistication and beauty, rivaling their European counterparts. The increase in functional presentation awards being produced truly set the United States apart. Vessels such as soup tureens, wine coolers, and serving dishes, were made

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in elaborate services and presented to deserving recipients. The American Beacon and Commercial Diary of Norfolk, Virginia, editorialized, “this is the true way to reward public men, either as meritorious Soldiers, Statesmen, or Citizens — A dinner passes away, and is no more thought of; but a splended (sic) present like [a dinner service], is a monument ever present to the receiver, and descends to his posterity, exciting future generations to heroic deeds in the service of their country.”9 Stephen Decatur, Jr., (Figure 3) was another celebrated naval hero from several wars, including the first and second Barbary Wars (1801–05 and 1815–17) and the War of 1812. Patrolling 500 miles south of the Azores on October 25, 1812, with Captain Decatur in command, lookouts on the aging frigate United States spotted the relatively new HMS Macedonia on the horizon. The morning battle began with an exchange of broadsides with little damage to either ship, but the second broadside from United States brought down Macedonia’s mizzen top mast and other rigging compromising her ability to maneuver. Decatur’s cannon then proceeded to rake the doomed ship until the hulk surrendered around noon. American sailors repaired the British ship and sailed the prize triumphantly into New York Harbor on December 4th. Ironically, when both ships were in Norfolk, Virginia, several years before the war Macedonia’s captain had wagered Decatur a beaver hat that if the two ships should ever meet the British ship would be the victor.10 Instead, it was Commodore Decatur who was honored at several grand ceremonies and regaled with many pieces of silver, one of which was presented by the City of Philadelphia in 1818. Members of the Philadelphia commission wrote to Commodore Decatur: Dear Sir,—A number of your townsmen, most of whom have known you from your youth, and the hearts of all whom have followed you in your career of peril, honor, and usefulness, with alternate anxiety and exultation, have appointed the undersigned a committee to present you with a service plate, in testimony of their high sense of your brilliant service to our country, and of the glory which your deeds have reflected on your name.11 Silversmiths Thomas Whartenby and Peter Bumm of Philadelphia earned the Decatur commission and produced a pair of silver wine coolers, two large salvers, and a set of twelve goblets (Figure 4).12 On the obverse side of the urn-shaped wine cooler is engraved, “By Citizens Of Philadelphia To Their Townsman Commodore Decatur Esteemed For His Virtue Honored For His Valour[.]” The wine cooler’s body has intricate repoussé work with two barrel handles on either side. It rests on a square base with four winged ram-head legs. The interior has

This page is sponsored by Kirk Brady, Dede Caughman and Sissy Zimmerman in honor of the St. John’s Community Services students

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Figure 6: Seawanhaka Trophy, Tiffany & Co., New York. c. 1890 (Courtesy Mr. Oliver C. Iselin, Middleburg, Virginia).

a removable fitted liner, allowing for cold water to surround and chill a bottle of wine without getting it wet. Following the War of 1812, major shifts occurred in American military focus, economy and culture. Expansion west and the acquisition of territories, such as after the Mexican-American War (1846–48), resulted in an increase of conflicts occurring on land and less at sea. Additionally, the domestic struggle to unite our divided nation during the Civil War (1861–65) saw more ground action. The American Navy certainly was a major force during this period, and significant blockades, battles and engagements were a factor in defense of the Union. Awards, however, created for the heroes of these military conflicts had changed, trending more towards the presentation of money and military objects such as swords and guns. There are, however, many silver presentation or ceremonial swords. In times of peace, Americans continued to partake in international competitions on the high seas. The precedent for competition was more cordial, and victory was a race rather than

a battle. Although competing countries sought national pride and bragging rights with a win, the awarding of ornate trophies was just as coveted. Trophies made of silver were no longer classical in design, and the new fashion of “revivals” dominated. The interpretation of designs from the Gothic, Renaissance and Rococo (Figure 5), and later Colonial Revivals (Figure 6) were among the most popular found on silver in the United States. The oldest international sailing race and trophy, an example of Renaissance Revival design, is the America’s Cup. In 1851, a crew of American men, all former or current members of the United States Navy sailed for England in their schooner America to compete in the Royal Yacht Squadron’s annual fifty-three nautical mile race around the Isle of Wight. The winner would receive both acclaim and a trophy, measuring two-feet three inches tall, called the 100 Guinea Cup (Figure 7).13 On August 22, 1851, America successfully finished the race in first place, taking home both the 100 Guinea Cup and the begrudging respect of their

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English competitors. Queen Victoria (1819–1901) was present, observing the ships as they sailed past her observation deck. As she watched, the Queen asked the signal-master, “are the yachts in sight?” to which the signal-master replied, “yes, may it please Your Majesty.” The Queen then asked, “‘which is first?” The signalmaster alerted her, ‘The America.’” Assumingly, the Queen wanted to know her countrymen’s place, she then inquired, “which is second?” She was answered with, “ah, Your Majesty, there is no second.”14 The America crew took the Cup home to New York and re-named it the America’s Cup trophy. Upon his return, America’s Captain John Cox Stephens presented the trophy to the New York Yacht Club with a restriction that the trophy be, “a perpetual challenge cup for friendly competition between nations.”15 One hundred and fifty years later, this friendly competition continues, and has only seen three nations successfully challenge and win one of the most difficult, coveted, and oldest trophies in international sport. The beauty of the America’s Cup trophy has few rivals. Its design belongs more to the realm of imagination as its form and ornament were not a direct copy of an historical object but rather an interpretation of 16th-century Italian design principles. The America’s Cup was designed and produced in 1848 by London jeweler Robert Garrard, principal of what was and is still recognized as the world’s oldest jeweler in operation, established in 1735.16 As described on the official website: The America’s Cup, silver, in the form of a ewer, round spread foot, the stem decorated with a bead band and geometric strapwork, the lower body chased with pellet and further architectural strapwork enclosing burnished panels, the upper body lobe fluted, each lobe engraved with an inscription and separated by masks and strapwork, the baluster neck stippled and chased with foliate scrolls and anthemion motifs above a band of pellets centre with flower heads on a background of horizontal lines, similarly chased rim to the spout, bead decorated flying scroll and baluster handle.17 The America’s Cup race grew in popularity, drawing industry tycoons, fashionable socialites, celebrities, and Presidents of the United States as spectators. Sailing remained largely a sport for the wealthy. Today, the total value of a fleet entering a race can be as much as $50 million.18 The owners of ships or team syndicates have to build their vessels, sustain a crew, procure supplies, schedule regular maintenance, and store their boats. These individuals also retain memberships at the exclusive yacht clubs on the east and west coasts. Yacht clubs began to develop their own races between nearby and far-off locations, accompanied by fine silver trophies awarded to the winners. A jeweler in 1893 observed: To the admirer of art, the cups that the demand for yachting trophies have called into existence of late years are marvels of beauty and originality. The New York Yacht Club has after each of several international races, presented to the owners of the victorious yachts an honorary testimonial in the shape of a fine silver trophy…19 These objects of “beauty and originality” became the envy of individuals outside of the sailing and yachting communities.20 Companies such as Samuel Kirk and Son; Reed and Barton; Bailey, Banks and Biddle; Tiffany and Company; and the Gorham Company were now creating larger, more sculptural silver objects. With an expansion in the silver industry, many yacht racing organizations began to commission trophies for regattas on an annual basis. Ogden Goelet, a member of the New York Yacht Club, underwrote the creation of a new silver trophy, the Goelet

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Cup, every year, from 1882 until 1897, to award the winner of the Club’s annual race off Newport, Rhode Island.21 After Mr. Goelet’s death in 1897, Colonel John Jacob Astor continued the tradition, procuring an Astor Cup for the same race.22 Colonel Astor also underwrote numerous silver trophies for the winners of the America’s Cup trial races during the 1890s (Figure 8).23 In the 20th century, the once small and insular sailing community and their prized trophies grew to become a professional sports community with established traditions. Individual and team racing also led to the creation of the InterCollegiate Sailing Association, now with over 230 member colleges.24 Competitions between academic institutions result in awards of trophies for the winning teams and specific members of their crew. Many of these trophies have been made to commemorate and honor individuals who significantly enhanced and supported the sport of sailing. The John F. Kennedy Memorial Trophy was presented to the United States Naval Academy as a testament to the late President’s “love for sailing… perpetuated in the annual competition for the trophy.”25 The

silver, montieth-shaped trophy is awarded to the winner of the National Collegiate Large Yacht Championship. Other trophies are school specific, and awarded to a particular member of a sailing crew. The Stephen W. Gerber trophy is presented to the “skipper of the Naval Academy vessel with the best corrected time in either the Annapolis to Newport race, in odd years, or the Newport to Bermuda race, in even years.”26 Whether a member of the United States Navy, an entrepreneur, or college-age sailor, the pursuit of victory at sea continues. And just as in the past naval tradition, the importance of speed and maneuverability were often the key to success. As a sport, sailing races and regattas maintain a fiercely competitive spirit, and the awards still hold a highly symbolic esteem. As President Kennedy remarked, the sea changes, ships change, and so to do the trophies awarded to those who compete in this rigorous and athletic pursuit, but what does not change is the perpetual love we have for the sea. These silver vessels of victory tie their form, material, meaning, and recipient ever closer to our national history, to the sport of sailing and to the ocean.

Leslie B. Jones is the Curator of the loan exhibit “Vessels of Victory” which is the subject of this essay. She is the Curator and Director of Historical Resources & Programming for the White House Historical Association. Mrs. Jones has recently accepted a new position as Curator of Decorative Arts at the Cheekwood Estate in Nashville, TN. 1. President John F. Kennedy, Remarks on Australian Ambassador’s dinner for America’s Cup race, Newport, Rhode Island, 14 September 1962 (JFKPOF-04-005 series number 03, http://www.jfklibrary.org/Asset-Viewer/Archives/JFKPOF-040-005.aspx#) 2. Dr. James Brown Scott, Naval Documents related to the Quasi-War between the United States and France; Naval Operations 1798–1801 (The Office of Naval Records and Library, US Department of the Navy: Washington, DC, approved March 15, 1934; 1938) p. 2. 3. Navy Department, Office of the Chief of Naval Operations, Naval History Division. Dictionary of American Naval Fighting Ships, Vol. II, (United States Government Printing Office: Washington, DC, 1963) p. 170-171. 4. Letter from Thomas Whitney to Rufus King, October 25, 1800 (Original letter owned by Lloyd’s of London, England) 5. Donald L. Fennimore and Ann K. Wagner, “Thomas Fletcher and Sidney Gardiner’s Military and Civil Silver and Gold.” The Magazine Antiques (October 2007) p. 46.

13. Note: In order to facilitate over 150 years of winning team names, engraved on the trophy base, the America’s Cup has been added to twice. Originally measuring 27 inches, the first addition was made to the base by Tiffany & Co. at the request of the New York Yacht Club to accommodate the engraving of the 1958 race winners. A second base was added in 2003, making the trophy approximately 43 inches tall. 14. Christopher Clarey, “Sailing: In the beginning, when there was ‘no second’ in the America’s Cup.” New York Times, June 22, 2007. 15. “America’s Cup Deed of Gift,” New York Yacht Club, July 8, 1857. 16. Garrard Heritage (www.chcgarrard.com) 17. “The Oldest Sporting Trophy” The America’s Cup Website, July 9, 2012. (http:// www.americascup.com/en/34th-americas-cup/972_-en-The-Oldest-SportingTrophy-fr-Le-Trophee-Sportif-le-Plus-Ancien-es-El-Trofeo-Deportivo-Mas-Antiguoit-Il-Piu-Antico-Trofeo-della-Storia-dello-Sport-.html) 18. Matthew Sheahan, “The Agent Mariner.” Financial Times, June 21, 2014, p. 13.

6. Department of the Navy, Dictionary of American Naval Fighting Ships, Vol. II, (Washington, DC: Government Printing Office, 1981) p. 174.

19. “Three Famous Silver Yachting Testimonials,” The Jewelers’ Circular and Horological Review (Wednesday, October 18, 1893, Vol. XXVII, No. 12) p. 1.

7. New York Commercial Advertiser, September 8, 1812.

20. John W. Miles, “Yacht Trophies” The Decorator and Furnisher” (November 1885 vol. 7 no. 2) p. 44.

8. Letter from Thomas Fletcher to James Fosdick Fletcher, January 19, 1814 (Thomas Fletcher papers, Winterthur Library: Winterthur, DE) 9. American Beacon and Commercial Diary (Norfolk, Virginia, June 16, 1817). 10. Department of the Navy, Naval Historical Center, Dictionary of American Naval Fighting Ships, Vol. VII, (United States Government Printing Office: Washington, DC, 1981) p. 415. 11. Letter from Robert Wharton, Daniel Smith, Robert Smith, Jonathan Smith and Samuel Relf to Stephen Decatur, February 11, 1818. (National Trust for Historic Preservation, Decatur House Collection.) 12. Berry B. Tracy, Classical America 1815–1845 (Newark Museum: Newark, NJ, 1963) p. 95.

21 Winfield Martin Thompson and Thomas V. Lawson, The Lawson History of the America’s Cup: A Record of Fifty Years (Sheridan House, Inc.: Hunt Valley, MD, January 1, 1986) p. 377. 22. Ibid. 23. Ibid, p. 160. 24. College Sailing, “About” (www.collegesailing.org) 25. ICYRA Trophies, United States Naval Academy (http://www.usna.edu/Sailing/ trophies.php) 26. Ibid, Midshipmen Trophies.

previous page﹐ top﹕ Figure 7: The America’s Cup, glass negative, c. 1900. (Courtesy Library of Congress Prints and Photographs Division, Washington, D.C.). The Garrard company is justifiably proud of their work to produce the America’s Cup trophy. In 2012, Garrard CEO Eric Deardorff commented, “this is the biggest, most impactful piece that we have done for a sporting event in the history of Garrard.” (America’s Cup Uncovered, Episode 13, January 9, 2012.) previous page﹐ bottom﹕ Figure 8: The Astor Cup won by DEFENDER, unknown maker, possibly English, c. 1895 (Courtesy Mystic Seaport).

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Courtship, a Talaria 48 cruising off of Martha’s Vineyard, MA.

HINCKLEY YACHTS A Personal Reminiscence by Nick Voulgaris III

T

here’s an aura about a Hinckley that’s not easily put into words. Whenever I see one my breathing slows, and I swear my heart skips a beat. Whatever the source of this mystique — it may be the design, the heritage, or the incomparable way they handle. Over the years the name has embedded itself into the hearts and minds of yachtsmen and aspiring sailors alike. It’s little wonder then that the name instantly commands attention and respect, be it on the docks of a yacht club in France, or at the bar of a Manhattan restaurant. It is this draw that led me to purchase and restore a vintage Hinckley Bermuda 40 Yawl, and recently write the new coffee table book titled Hinckley Yachts: An American Icon. I can still remember as a child my father pointing out every and beautiful lines of this iconic yacht builder. Hinckley that came into the harbor. “That’s a Hinckley,” he Those early childhood experiences began my love affair would say, with an immense sense of pride — as if trying to with Hinckley Yachts. I’d search them out in every harbor teach me about their legacy and place in yachting history. And I visited, always getting as close as possible to admire their what is interesting is that my father wasn’t a Hinckley owner, beauty. I can remember being around 11 or 12 years old, yet the world would always be sure to recognize the presence having just returned from a sailing lesson at the Huntington

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This page is sponsored by Mrs. William G. Curtin, Mrs. Dynes L. Leitch, and Mrs. Malcolm Matheson III

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Hinckleys in Edgartown, MA.

boats money can buy, and that’s because they’re built to the highest standards. Owning one brings an immense sense of both pride and accomplishment, so they tend to be pampered by their masters. In fact, Hinckley owners often refer to themselves as “stewards” of these fine craft, preserving them for the next individual to hold the proverbial keys. Despite that Hinckley encounter happening almost thirty years ago, the image of that blue yawl is still etched in my mind as if I’d seen it only yesterday. I remember the graceful sheer of her deck, the bow high and commanding for heavy

A Hinckley Pilot Yawl anchored in Block Island, RI.

Yacht Club on Long Island, and standing on the pier, I noticed a beautiful yawl in one of the transient slips. I rushed down the gangway to get a closer look. Her hull was a deep shade of dark blue, her decks were a creamy buff color, and the varnished teak was something out of a magazine. The boat was a Sou’wester 50 yawl, likely a mid-1970s vintage. She would already have been over ten years old at the time, but was still in impeccable condition. This is something to note about a Hinckley: they’re almost always found in tip-top shape. A Hinckley, after all, is one of the most expensive

Rachel, a 32’ Hinckley cruiser in Maine, 1937.

This page sponsored by Marilyn and John H. Montgomery, JoAnn Leigh Zuercher and Glenn Richard Reichardt

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The interior of the author’s restored Hinckley Bermuda 40. Ad Ad Ada da ag agio gio iio o, a H Hiin Hin nckl ckl ck k eyy Ber kley Ber Be e mud mu m ud da 40 Yaw awl wl in Oy Oysste er Bay, ayy, NY Y.

Gadget, a Hinckley 64 for f merly l owned by Walter Cronkite, comi o ng int n o port.

D ire Des ire,, a Hin nckl ck ey Pic P nic Bo Boat at cru cruisi i ngg off isi ff of Ma M nha ha a ha an. n

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This page is sponsored by Mr. and Mrs. Robert F. Baldwin, Jr. and Mr. and Mrs. Gregory May in honor of The Founders Board of St. John’s Community Services

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seas, then gracefully sweeping downwards as you looked aft. I remember the massive metal fittings on the deck, the chrome so bright it looked as though it had been newly polished. And I can still recall the detail in her molded cove stripe, finished with hand-applied gold leaf. Yes, Hinckley’s are arrestingly elegant, but beyond their physical beauty they convey a sense of quality and pedigree that even the untrained eye can recognize. All of which means that Hinckley’s command a level of respect not seen by any other boat manufacturer. Hinckley’s hold a special place in the A beautiful Sou’wester 50 in Watch Hill, RI. hearts of yachtsmen around the world. Founded in 1928 by Henry R. Hinckley in Southwest Harbor, Maine, the company has not just endured but thrived for almost a century by building some of the finest yachts in the world. Hinckley’s are widely admired for their sweeping lines, their impeccable woodwork, and the shining chrome of their hardware — elements that together stimulate the senses and convey a sense of wonder. But just as important is what you do not see, and this is an area Hinckley is equally famous for. This is something I discovered while restoring my own Hinckley. After forty years of active service, I discovered that my vintage Bermuda 40 really only needed cosmetic upgrades, a testament to Hinckley’s quality and craftsmanship. Since the outset the company has widely recognized for the quality workmanship that goes into their boats. Hinckley’s stringent construction standards and constant pursuit of A line up of five Hinckley motor cruisers in the 1930s. Southwest Harbor, ME. innovation means that whoever’s operating a Hinckley for their sailboats, Henry Hinckley entered the market as a vessel can rest assured their boat will meet whatever challenges manufacturer of motorboats with a 36' version he introduced it might face. That’s important both for peace of mind, and in 1933. Its product launch helped to establish the Company to insure the most enjoyable possible experience on the water. as a builder of boats that were both sublimely elegant and stateWhat’s more, at a time of shuttered factories and labor farmed of-the art. One of their best-loved boats, the Picnic Boat was out to other nations, Hinckley has prevailed by building boats introduced in 1994. Not surprisingly the boat’s iconic design of the highest standards and by respecting fundamentals like has been widely mimicked, though no manufacturer has been craftsmanship, heritage, and owner-satisfaction. And they do it able to match it in terms of either beauty or quality. Nor can all right here in the U.S.A., just as they always have. any of those competitors actually call their version a “picnic Over the years many Hinckley boats have been designed boat” since the name has been trademarked by Hinckley. in-house, while others have been conceived of by some of Today Hinckley produces a breathtaking array of both the biggest talents in the business — names like John Alden, sailboats and powerboats, ranging in size from a relatively Ted Hood, McCurdy and Rhodes, Sparkman & Stephens, modest twenty-nine feet to ones more than twice that length. and Bill Tripp, to name a few. What’s more, Hinckley has Moreover, the company is a leader in fashioning state-of-thelong been known for adapting to new materials. In the 1950s art vessels that cleave to classic design — the perfect balance of the company helped to pioneer the transition from wood to tradition and technology. So whether it’s a vintage Sou’wester fiberglass in hull production, and today they lead the way with 30 sloop or a Talaria 55 motor yacht right off the production state-of-the-art materials like Kevlar and E-glass. line, it’s never hard to identify a Hinckley. With designs that are In fact, that respect for new technology is embedded in both timeless and unique, most would agree that Hinckley’s are Hinckley’s DNA. Although the Company is best known

This page is sponsored by Betsy Huffman, Marjorie Hulgrave and Heather Nolan in honor of The Founders Board of St. John’s Community Services

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Labor Day weekend in Martha’s Vineyard aboard a Talaria 40.

And traditionalists will be pleased to learn that the sailboat, which originally put Hinckley on the map — the Bermuda 40, designed by William Tripp — will soon have a new bigger sister. Tripp’s son, the designer Bill Tripp, has been commissioned to create a brand new model, aptly named the Bermuda 50. This is Hinckley’s first new sailboat model in almost a decade, and a good indicator that the Company is in very good hands indeed. Restoring my Bermuda 40, and then having the privilege of telling the story of the Hinckley Company has truly been an honor. I was very fortunate to meet wonderful people that are devoted to building some of the best boats in the world. My love for renovation and restoration runs deep, and alas, I have since sold my Bermuda 40 and now I’m restoring a seventy-year old farm and market located on Long Island . Kerber’s Farm has been in operation since 1941 and produces a line of homemade jams, pies, and other packaged goods. I am busy growing the label into a national retail brand, but rest assured, once this is accomplished, there will be another Hinckley in my future!

consistently the prettiest boats in the harbor. But the boats produced by Hinckley are just part of the story, as none of it would be possible without the men and women who actually build them. In writing my new book, I had the privilege of spending countless hours over several years with the men and women of the Hinckley Company. Their dedication and devotion to their craft is unparalleled. The State of Maine seems to possess some of the most talented boat builders in the world. Hinckley’s location on Mount Desert Island enables the company to attract the best craftsmen, not only because of the locale’s history of fishing and lobstering, but also because of its long tradition of boatbuilding. What’s more, the Company is able to retain these employees longer than its competitors because of the passion they feel for their work and the devotion they feel for the Hinckley Company. When I first met with the employees upon visiting the plant, their devotion was evident. And the individual years of employment, which were rattled off for my benefit at a roll call, went something like this: twenty-seven years, twentythree years, eighteen years, twenty-four years, thirty-nine years, twenty-one years, twenty-seven years, thirty-two years, forty Henry Hinckley is seen here looking at the camera aboard a Hinckley Islander, 1938. years, and so on. It is this sort of employee experience and commitment that enables Hinckley to continue Nick Voulgaris III is an entrepreneur, writer and avid sailor and building boats of such outstanding quality. is passionate about yacht restoration. He has owned and restored Today, the Company is thriving and in just the past dozens of boats, including two vintage Chris Crafts and a classic eighteen months three new motorboat models have been Hinckley Bermuda 40 Yawl, which was the inspiration for his introduced and the company can’t build them fast enough to book. Nick lives in Manhattan and Oyster Bay with his English keep up with the demand. Labrador Charlie.

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This page is sponsored by Dr. and Mrs. Paul S. Van Nice

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A BIRD IN HAND ANTIQUES STONEWARE • DECOYS • PAINTED FURNITURE • GRENFELL MATS • FOLK ART Florham Park, NJ 973.410.0077 antiques@abirdinhand.com www.abirdinhand.com BOOTH 1–7

Audubon Bear Grenfell Silk Stocking Mat 40" tall by 27" wide Circa: 1930s

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MARK & MARJORIE ALLEN FURNITURE & ACCESSORIES OF THE 17TH, 18TH & EARLY 19TH CENTURIES 32 Artisan Court, Gilford, NH 03249 603.644.8989 www.antiquedelft.com BOOTH 2–10

American period and high style country furniture and appropriate period accessories. Specializing in Delftware, paintings, needlework and early metalwork especially brass.

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PRISCILLA BOYD ANGELOS 509 S. Bethlehem Pike, Fort Washington, PA 19034 215.646.5126 info@boydsantiques.com www.boydsantiques.com BOOTH 1–5

American Horse Weathervane

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ARTEMIS GALLERY JESSE GOLDBERG 22 Wallace Road, North Salem, NY 10560 914.669.5971 artemis@optonline.net www.artemisantiques.com BOOTH 3-3

Please visit our website to check our inventory of Federal Period ceramics and to read our article “Ceramics in the Federal American Home.”

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BECK’S ANTIQUES 708 Caroline Street, Fredericksburg, VA 22401 540.371.1766 bill@becksantiques.com www.becksantiques.com BOOTH 2–7

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DIANA H. BITTEL 510 Fishers Road, Bryn Mawr, PA 19010 Tel/Fax: 610.525.1160 Cell: 610.715.1595 dhbantique@aol.com www.dianabittelantiques.com BOOTH 1–16

Rare watercolor of the “North America” by Duncan McFarlane, 1818–1865. 32” x 42¼”

Watercolor by William H. Frackmann 1869 of the steamship “Maggie.” One of five known similar paintings by Frackman incorporating the ship’s deck plans. 29½” x 37”

Guiseppi Fedi of “The Acorn of Boston” dated 1819. 27½” x 31½”

Filberti watercolor of the “Brig Good Hope of Boston”. Two views off Palermo. Circa 1850. 25” x 30½”

D.A. Teupken of Amsterdam watercolor under reverse gold leafed original frame of “Activo van Amsterdam.” 1846. 26¼” x 33¼”

Montardier, Havre, “Ship Woodbury.” Circa 1830. 25½” x 33”

Honore Pellegrin signed watercolor of the ship “Le Chic.” 1844. 26” x 29½”

Gouache and watercolor of the paddlewheeler “Novelty”, a Great Lakes boat. Circa 1870. 22” x 32¼”

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BRENNAN & MOUILLESEAUX ANTIQUES 239 Marsh Road, Northfield, CT 06778 860.283.2232 860.480.4804 (mobile) timanddave@optonline.net www.antiqueseclectic.com BOOTH 3–2

A life-size 1960s sheet metal lioness or very large cat made by a folk artist in the Berkshires.

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DAVID BROOKER FINE ART Southport, CT and Surrey, UK 203.232.2807 info@davidbrooker.com www.davidbrooker.com BOOTH 1–11

Antonio Paoletti (Italian, 1834–1912) Circa 1880 Oil on canvas, 28 x 36 inches

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CARLSON AND STEVENSON P.O. Box 1113, Manchester Center, VT 05255 Phyllis Carlson 802.236.2342 Carlsonphyllis1@aol.com Timothy Stevenson 802.236.4945 Carlstev@aol.com Member: Antiques Council BOOTH 1–9

New York City by Bernadine Custer 1900-1991. Watercolor painted circa 1937. Matted and framed.

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DUBEY’S ART & ANTIQUES 807 North Howard Street, Baltimore, MD 21201 410.383.2881 pdubey@dubeysantiques.com www.dubeysantiques.wordpress.com BOOTH 2–12

Chinese gouache of the Pearl River and French Fort Folly with the Hongs of Canton in the background, 9" x 5", c. 1840.

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FLETCHER / COPENHAVER FINE ART P. O. Box 1038, Fredericksburg, VA 22402 540.371.7540 info@fc-fineart.com www.fc-fineart.com BOOTH 2–8

Alix Aymé (1894-1989) The Red Pagoda Oil on canvas Signed, lower left: “Aymé” Canvas size: 19½ x 25½ inches

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J & R FERRIS ANTIQUES, LLC Boonville, NY 315.542.1643 rkentiana@yahoo.com www.jandrferrisantiques.com BOOTH 3–6

Napoleon pilot house figure off of a Louisianna boat. Mid-later 19th century.

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E & J FRANKEL, LTD. 1350 Ocean Parkway, Brooklyn, New York, 11230 212.879.5733 BOOTH 1–14

Bronze seated figure of a multi-armed Avalokitesvara. Sino-Tibetan. Ming dynasty, circa 15th century. Height: 6½ inches (16.45cm)

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J. GALLAGHER ANTIQUES P.O. Box 69, North Norwich, NY 13814 607.334.4020 Fax: 607.336.7655 www.antiqueandirons.com BOOTH 3–9

A large selection of Antique fireplace items for your needs.

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GATES ANTIQUES LTD. SPECIALIZING IN AMERICAN AND ENGLISH ANTIQUE FURNITURE AND ACCESSORIES FROM THE 18TH AND 19TH CENTURIES 12700 Buckingham Road, Midlothian, VA 23113 804.794.8472 jgates@gatesantiques.com www.gatesantiques.com BOOTH 3–13

Located 2 hours south of Washington D.C., Gates Antiques has been serving Virginia since 1961

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THE HANEBERGS ANTIQUES East Lyme, CT 06333 860.437.1583 chaneberg@aol.com www.hanebergsantiques.com BOOTH 2–5

Hayley Lever (1876–1958) Fishing Boats at Nantucket, ca. 1914 Oil on board, 6½ x 9 inches A little gem!

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WM HUTCHISON P.O. Box 811, Mendenhall, PA 19357 610.453.6350 hutchbook@aol.com BOOTH 3–1

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CHRISTOPHER H. JONES EARLY AMERICAN ANTIQUES, FOLK & FINE ART 105 North Washington Street, Suite 202, Alexandria, VA 22314 703.622.9978 chris@christopherhjones.com www.christopherhjones.com BOOTH 2–10

A Fine Pair of Delft Tobacco Jars Circa 1750–1770 Three Bells Pottery, William van der Does

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JOHANNA ANTIQUES ANTIQUE AND ESTATE JEWELRY P.O. Box 418, Kingsville, MD 21087 410.937.3444 lordsaleapin@aol.com BOOTH 2–2

A signed platinum topped yellow gold diamond and pearl antique brooch.

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ARTHUR GUY KAPLAN P.O. Box 1942, Baltimore, MD 21203 410.752.2090 / 410.664.8350 cell: 410.746.9710 rkaplan8350@comcast.net BOOTH 1–4

18k gold brooch of ship set with diamonds, sapphires and rubies Signed: Patek Philippe

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KELLEHER FINE ART EUROPEAN AND AMERICAN OIL PAINTINGS FROM THE 18TH–EARLY 20TH CENTURIES Turlock, CA 209.890.5578 info@kelleherfineart.com www.kelleherfineart.com BOOTH 3–15

Oswald Poreau (Belgian School, 1877–1955) Le Pont Marie, Paris Oil on canvas, 31½ x 39½ inches Signed and dated 1930

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JAMES L. KOCHAN FINE ART & ANTIQUES SPECIALIZING IN AMERICAN AND BRITISH ART, MANUSCRIPTS, IMPRINTS, MARITIME AND MARTIAL ARTIFACTS, 1700–1850 P.O. Box 3970, Frederick, MD 21705 240.575.9233 Cell: 304.279.7714 By appointment only jameskochan@comcast.net www.jameskochan.com BOOTH 3–11

JOHN P. BENSON (1865–1947) Maine Hills: The 'Eliza Mary' of Salem Off the Coast of Maine, c. 1929 oil on canvas, 24 x 40 inches signed lower left: 'John P Benson'

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JAMES M. LABAUGH ANTIQUES James M. Labaugh John A. Tirone P. O. Box 60, Pound Ridge, NY 10576-0060 914.764.9151 cell: 914.420.2692 jmlabaughantiq@optonline.net BOOTH 1–10

Set of five Imperial porcelain dessert plates: four Nicolas I, 1845–55; one Alexander II, 1855–65. Subject to prior sale. Member: American Ceramics Circle, Antiques Council, Connecticut Ceramics Study Circle

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LEATHERWOOD ANTIQUES WE SPECIALIZE IN HIGH-QUALITY UNUSUAL OBJECTS LIKE COLD-PAINTED VIENNA BRONZES, CHILDREN’S POTTERY (INCLUDING CHRISTENING MUGS & PLATES), SAILOR’S WOOLWORK PICTURES & WORKS OF ART, BLACK FOREST CARVINGS AND GARDEN & FOLK PAINTED OBJECTS. P.O. Box 1676, Sandwich, MA 2563 508.420.1433  info@leatherwoodantiques.com www.leatherwoodantiques.com BOOTH 1–6

Pair of oversized patinated bronze dolphin andirons. American, Early to Mid-1900s. Size: 24" H x 11" W x 19" D

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ROBERT LLOYD FINE ART AND ANTIQUES Gallery 63, 1050 Second Avenue, New York, NY 10022 212.750.8752 rlloydinc@aol.com www.robertlloydinc.com BOOTH 1–13

John Gilroy (1898–1985) after Hans Holbein. Oil on canvas for the "Art of Guinness" exhibition at the Guinness Park Royal Boardroom May 1952.

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JAMES Wm. LOWERY FINE ANTIQUES SPECIALIZING IN AMERICANA PRIOR TO 1840 Baldwinsville, New York 315.638.1329 LoweryAntiques@twcny.rr.com www.LoweryAntiques.com BOOTH 3-12

THE LEOPARDS at TWILIGHT Folk Art Hooked Rug Masterpiece Circa 1860s–1880s Archival Preserved W. 7' 4¾", H. 4' 2"

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NEWSOM & BERDAN ANTIQUES P.O. Box 243, Thomasville, PA 17364 717.792.6744 newsomberdan@aol.com www.newsomberdan.com BOOTH 1–15

THE SPOFFARD FAMILY HOOKED HEART RUG Sheared Wool on Fine Woven Hemp, Brilliant Color. Berlin, Massachusetts, circa 1860 27" x 33"

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THE NORWOODS’ SPIRIT OF AMERICA DOUG AND BEV NORWOOD Timonium, MD 410.252.2012 cell: 410.960.1311 spiritofamerica@comcast.net BOOTH 3–4

Well rendered oil on panel portrait of a demure young female, Prior Hamblin School. Housed in exceptional original painted frame. Second quarter, 19th century.

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ORIENTAL RUGS LTD. Ralph & Karen DiSaia 23 Lyme Street, Old Lyme, CT 06371 860.434.1167 cell: 860.908.0076 orientalrugs@snet.net www.orientalrugsltd.com BOOTH 1–17

Kurdish Runner circa 1900 3' 8" x 11' 4" Excellent color and condition.

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JANICE PAULL INTERNATIONAL SPECIALIST DEALER IN ENGLISH IRONSTONE CHINA Aportado 130, EC Alvor, Portimao, Portugal 8501 906 + 351(Portugal) 282799701 cell: + 351(Portugal) 915432863 tel at USA shows: 201.960.0363 janicepaull@yahoo.com www.janicepaull.com BOOTH 2–9

Large Mason Ironstone China Alcove Vase richly decorated, c. 1820.

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THE PHILADELPHIA PRINT SHOP, LTD. 8441 Germantown Avenue, Philadelphia, PA 19118 215.242.4750 philaprint@philaprintshop.com www.philaprintshop.com BOOTH 2–4

"Prairie Fires of the Great West." Currier & Ives, 1871. Small folio. 8⅜ x 12½. Strong color. Very good condition. C:4859. New Best 50: #6.

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SUMPTER PRIDDY III, INC. SPECIALIZING IN AMERICAN ART AND ANTIQUES, EMPHASIZING THE EARLY SOUTH 323 South Washington Street, Alexandria, VA 22314 703.299.0800 fax: 703.299.9688 registrar@sumpterpriddy.com www.sumpterpriddy.com BOOTH 1–8 Portrait Bust of General Robert E. Lee, Gorham Foundry, Providence, Rhode Island, 1910. Bronze. Height 23", width 17", depth 11".

Junction Hollow, Winter, Eleanor Simms Black, Pittsburgh, Pennsylvania, 1922. Oil on canvas. Height 18", width 22".

Turret corner Tea Table, attr. central Virginia, probably the Rappahannock River basin, 1760–1780. Walnut primary, yellow pine secondary. Height 26", width 34", depth 26".

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CHARLES EDWIN PUCKETT MEDIEVAL ILLUMINATED MANUSCRIPTS, ANTIQUE MAPS & PRINTS, AND CLASSICAL ANTIQUITIES 3867 West Market Street, #253, Akron, OH 44333 330.668.0032 / 330.730.3053 / 330.730.3202 charles@cepuckett.com / teresa@cepuckett.com / courtney@cepuckett.com www.cepuckett.com BOOTH 1–2

''The Pentecost" from a Book of Hours, c. 1490–1500. Tours, France. Tempera and gold on vellum.

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RUSSACK & LOTO BOOKS, LLC. Judith Livingston Loto Old Barnstead Road, Northwood, NH 03261 603.942.5037 judy@booksaboutantiques.com www.booksaboutantiques.com BOOTH 3–8

This hardcover book with matching case features 48 documented examples of sailors’ valentines. Detailed actual-sized photographs allow the reader to browse many of the known designs. The exotic shells used to create the valentines are identified and a brief essay sets these amazing works of maritime folk art in context. 95 pages, all full color photographs. As new.

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SAJE AMERICANA FEDERAL PERIOD FURNITURE AND ACCESSORIES P.O. Box 186, Short Hills, NJ 07078 973.379.1423 antiques@sajeamericana.com BOOTH 1–12

FOUR DRAWER CHEST This is a beautifully proportioned Federal bow front four drawer chest. The graduated drawers have finely figured veneer panels on the fronts and bell flower drops under the keyholes plus line inlays decorating the outline of the drawers. Attributed to Abiel White (1766–1844), Weymouth, Massachusetts, circa 1800. Woods: Figured Mahogany and White Pine Dimensions: 35⅝" H x 21½" D x 41¾" W Condition: Original brasses. Repair to left rear top corner.

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SALLEA ANTIQUES 66 Elm Street, New Canaan, CT 06840 203.972.1050 fax: 203.972.1567 info@salleaantiques.com www.salleaantiques.com BOOTH 1–3

Boxes are our business, all sizes, shapes and styles

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W.M. SCHWIND, JR. ANTIQUES AND FINE ART ESTABLISHED IN 1967 FEATURING AMERICAN FURNITURE, GLASS, CERAMICS, HOOKED RUGS, ANTIQUE AND ESTATE JEWELRY 51 East Main Street, Yarmouth, ME 04096 207.846.9458 cell: 207.415.8747 fax: 207.846.4001 schwind@gwi.net www.schwind-antiques.com Shop Hours: Monday–Saturday, 10–5 BOOTH 3–14

Monumental Amberina Glass Vase, made by Libbey Glass Co. Toledo, Ohio, c. 1917. Height: 14.5 inches. Photo by David Bohl.

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SEARS & TITHER SPECIALISTS IN EARLY AMERICAN GLASS AND SILVER by appointment only P.O. Box 340, Somers, CT 06071 860.749.8042 BOOTH 3–7

Asparagus servers from our inventory of sterling flatware.

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G. SERGEANT ANTIQUES SPECIALIZING IN 17TH–19TH CENTURY ENGLISH, AMERICAN, CONTINENTAL AND ASIAN FURNISHINGS, FROM FINE ESTATES 88 Main Street North, Woodbury, CT 06798 203.266.4177 ASK ABOUT OUR NEW STORE IN CHARLESTON, SC! gary@gsergeant.com www.gsergeant.com BOOTH 2–13

A Queen Anne oyster veneered chest of drawers, circa 1710. Ex. coll. Cynthia Phipps, Westbury, CT.

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SPENCER MARKS, LTD. FINE ANTIQUE AND 20TH CENTURY SILVER P.O. Box 330, Southampton, MA 01073 413.527.7344 info@spencermarks.com www.spencermarks.com BOOTH 2–11

American silver yachting trophies from the New York Yacht Club. Right: Gorham special order, Providence, 1900 Left: Samuel Kirk & Sons, Baltimore, 1853.

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SOLOMON SUCHARD ANTIQUES & FINE ART AMERICA'S LEADING IMPORTER OF ANTIQUE FRENCH FAIENCE SPECIALISTS IN FRENCH FINE ART P.O. Box 22616 Shaker Heights, OH 44122 216.752.0246 bakemper@gmail.com BOOTH 3–5

Jour de Marche en Bretagne by listed French artist Horace Cristol signed gouache on paper circa 1925

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PHILIP SUVAL, INC. 1501 Caroline Street, Fredericksburg, VA 22401 540.373.9851 / 540.840.8383 jphilipsuval@gmail.com BOOTH 1–1

An extremely fine and rare China Trade porcelain plate, decorated with Scottish Highlanders. Circa 1750.

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EARLE D. VANDEKAR OF KNIGHTSBRIDGE White Plains, NY Mailing address: P.O. Box 55, Maryknoll, NY 10545 212.308.2022 info@vandekar.com www.vandekar.com BOOTH 2–6

A Chinese Export Porcelain Lotus Leaf Saucer Dish, circa 1760–65. The dish of saucer dish form is brightly and well painted with moulded layered famille rose lotus leaves with a central roundel containing a gilt flowering lotus plant bordered with rare green enamel leaves and two layers of lotus leaves above. Towards the rim are three large shaped oval panels each also containing gilt lotus flowers. Around the rim are twenty-one small gilt lotus flowers between the pointed edges of the dish. Dimensions: 7¾ inches.

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MARIA & PETER WARREN ANTIQUES 228 Danbury Road, Wilton, CT 06897 Open by chance or by appointment 203.762.047 Cell: 203.984.6174 ajwarren1@yahoo.com BOOTH 2–3

This outstanding English stoneware salt glaze teapot has a green enamel decorated knop and crabstock spout and handle. The body, base and lid are all decorated with black ermine tails. The cartouches on each side are enamel decorated in vivid tones of fuchsia, yellow and blue and are outlined in matching tones of green. They picture King Frederick of Prussia on one side and the Imperial eagle crest on the other. Staffordshire, c. 1760. Just one example of our fine collection of 18th- and 19th-century English ceramics.

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WHITE’S NAUTICAL ANTIQUES 108 Walnut Hill Road, North Yarmouth, ME 04097 207.232.6282 dave@whitesnauticalantiques.com www.whitesnauticalantiques.com BOOTH 3–10

Rare topsail sloop pond model from the early 1920s. Great condition. Original sails (some early patches). Original paint. Some halyards and sheets have been replaced. Model has been rigged to disassemble even though shrouds are made with dead eyes. Never seen that before.

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Photo © Catherine Tighe

CLIFF ELMORE ARCHITECTS, PLLC 1228½ 31st Street, NW Washington, DC 20007 202.237.8955 celmorearchitects.com

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willard and palmer design

Photo by Gordon Beall

Charlotte Palmer Lekakos

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(301) 215-4140

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Kelley Proxmire Kelley Interior Design 4519 Wetherill Road Bethesda, MD 20816 301.320.2109 www.kelleyinteriordesign.com

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WASHINGTON WINTER SHOW Chairmen, Catalogue Editors, and Themes Since 1956 1956 – 1969 Mrs. Richard P. Dunn (formerly Mrs. William Sturtevant) Mrs. James H. Lemon Co-Chairmen 1970 and 1971 Mrs. Norman John Asher Mrs. William J. Flather III Co-Chairmen 1972 Mrs. Randolph Adams Frank Mrs. Ernest N. May, Jr. Co-Chairmen 19th Century Architecture and the Decorative Arts in Washington 1973 Mrs. William J. Flather III Chairman Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff ) Catalogue Editor French Influence in American Decorative Arts 1974 Mrs. William J. Flather III Chairman Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff ) Catalogue Editor Chinese and Japanese Influences on American Decorative Arts 1975 Mrs. William J. Flather III Chairman Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff ) Mrs. Thomas C. Musgrave Vice-Chairmen Mrs. Charles B. Ewing, Jr. Catalogue Editor Alexandria 1976 Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff ) Chairman Mrs. S. Parker Oliphant Vice-Chairman Mrs. Donald W. Jeffries Catalogue Editor The Bicentennial: Silver by Paul Revere 1977 Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff )

Chairman Mrs. J. Edward Day Mrs. Donald W. Jeffries Catalogue Co-Editors John Shaw and Cabinetmaking in Annapolis 1978 Mrs. C. Jackson Ritchie, Jr. (formerly Mrs. Roberts DeGraff ) Chairman Mrs. J. Edward Day Mrs. Donald W. Jeffries Catalogue Co-Editors The Northern Neck of Virginia 1979 Mrs. Malcolm Matheson III Mrs. Dynes L. Leitch (formerly Mrs. Charles E. Mochwart) Co-Chairmen Mrs. James G. Mersereau Catalogue Editor Lafaye e Square 1980 Mrs. Malcolm Matheson III Mrs. Dynes L. Leitch (formerly Mrs. Charles E. Mochwart) Co-Chairmen Mrs. James G. Mersereau Catalogue Editor Silver Anniversary of the Washington Antiques Show 1981 Mrs. Gene P. Bond Mrs. James M. Johnston III Co-Chairmen Mrs. Robert Hunter Wilbur Catalogue Editor Folk Art: The Spirit of America 1982 Mrs. William Joseph Curtin Mrs. James G. Mersereau Co-Chairmen Mrs. Robert Hunter Wilbur Catalogue Editor The American China Trade 1983 Mrs. Calvin H. Cobb, Jr. Mrs. Jonathan H. Lasley Co-Chairmen Mrs. Albert W. Blackburn Mrs. Keith M. Lindgren

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WASHINGTON WINTER SHOW Chairmen, Catalogue Editors, and Themes Since 1956 Catalogue Co-Editors The Federal Period 1984 Mrs. Marion von Hagen Denby Mrs. Keith M. Lindgren Co-Chairmen Mrs. Charles Bowler King Mrs. Francis E. Pearson III Catalogue Co-Editors European Porcelain in American Collections 1985 Mrs. Philip Dean Bostwick Mrs. Charles Bowler King Co-Chairmen Mrs. C. Stevens Avery II Mrs. Peter Barton Hu Catalogue Co-Editors Historic Preservation 1986 Mrs. Raymond Stephen Mrs. Edward Pushkar Mrs. Thomas Patrick Roddy Co-Chairmen Mrs. James J. Tansey Catalogue Editor Collections of the Decorative Arts in America 1987 Mrs. Carl Darrell Lawson Mrs. Beale Hibbs Ong Co-Chairmen Mrs. John W. Pe it Catalogue Editor Regionalism in America Decorative Arts at the Founding of the Nation 1988 Mrs. Harold D. Brown Mrs. R. Floyd Jennings, Jr. Co-Chairmen Mrs. Rowland H.S. Bedell Mrs. Malcolm M. B. Sterre Catalogue Co-Editors Flowers in Decorative Arts 1989 Mrs. Arthur S. Garre II Mrs. Samuel S.D. Marsh Co-Chairmen

Mrs. Paul S. Van Nice Catalogue Editor Antiques of American Childhood 1990 Mrs. Alaster MacDonald Mrs. John T. Wall Co-Chairmen Mrs. Robert L. Moore II Catalogue Editor Quiet Moments and the Sporting Life: Antiques of American Leisure 1991 Mrs. James J. Tansey Mrs. Paul S. Van Nice Co-Chairmen Mrs. William K. Ince Catalogue Editor America’s Romance with the Sea: Antiques of America’s Maritime Past 1992 Mrs. Rowland H.S. Bedell Mrs. Malcolm M. B. Sterre Co-Chairmen Mrs. Alaster MacDonald Mrs. John T. Wall Catalogue Co-Editors Spain the New World: The Quincentenary 1492–1992 1993 Mrs. M. Anthony Gould Mrs. Barry W. Graham Co-Chairmen Mrs. William K. Ince Catalogue Editor The Spirit of Travel 1994 Mrs. C. Tucker Ba le Mrs. Hilda Hutchins McCollum Co-Chairmen Mrs. Oswald L. Johnston, Jr. Catalogue Editor The Silk Road January 1995 Mrs. Philip J. Davis Mrs. John A. B. Fenwick Co-Chairmen Mrs. Roger D. Olson

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WASHINGTON WINTER SHOW Chairmen, Catalogue Editors, and Themes Since 1956 Catalogue Editor America’s Merchant Princes: The Great Collectors November - December 1995 Mrs. Steven A. Goldberg Mrs. Barry W. Graham Co-Chairmen Mrs. Douglas N. Bea y Mrs. Hilda Hutchins McCollum Catalogue Co-Editors The Art of Dining: A Feast for the Collectors December 1996 M Mrs. Douglas N. Bea y Mrs. Steven H. Fleming Co-Chairmen Mrs. Cynthia T. Redick Catalogue Editor Diminutive Treasures: The Enchanting World of Miniatures January 1998 Mrs. Margo M. Kling Mrs. Cynthia T. Redick Co-Chairmen Mrs. Anna Anderson Buck Catalogue Editor A Celebration of Needlework: Pa erns in Our Lives January 1999 Mrs. Robert L. Moore II Chairman Mrs. Cynthia T. Redick Catalogue Editor Dressing ‘Em Up: 18th-Century Costume and Custom January 2000 Mrs. Margo M. King Chairman Mrs. John T. Wall Catalogue Editor Behind Closed Doors: Victorian Secrets January 2001 Mrs. Oswald L. Johnston, Jr. Mrs. Daniel W. O’Donoghue III Co-Chairmen Daisy Ridgway Catalogue Editor Celebrating Ceramics January 2002 Mrs. Robert H. Wilbur Chairman

r. Mrs. Oswald L. Johnston, Jr. Co-Chairman Ann Nu er Thompson Catalogue Editor Creatures Great and Small January 2003 Louise Cropley Eaton Chairman Jane H. Ba le Margaret Graham Beers Kimberly H. Summerville Co-Chairmen Ann Nu er Thompson Catalogue Editor Inside and Outside the Box January 2004 Harriet Sweeney Fraunfelter Chairman Anne G. Baldwin Louise Cropley Eaton Charlo e Rich Merrielou H. Symes Co-Chairmen Louise Cropley Eaton Catalogue Editor Women of Metal January 2005 Ann Nu er Thompson Chairman Laura Tucker Camp Jane-Sco Cantus Barbara Holloway Goodwyn Melissa McGee Keshishian Kimberly Hall Summerville C0-Chairmen Melissa McGee Keshishian Catalogue Editor A Walk Through Time January 2006 Sara Ewing Davis Chairman Laura Tucker Camp Jane-Sco Cantus Kathleen M. Kendrick Marie Martin Ms. Camilla McCaslin Susan Ambrose Plaine Kathleen Emmet Samiy

134

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WASHINGTON WINTER SHOW Chairmen, Catalogue Editors, and Themes Since 1956 Marilyn Amelia Zoidis Co-Chairmen Mrs. Cynthia T. Redick Catalogue Editor “Sweet Land of Liberty”: Images of America in the Arts of the New Republic January 2007 Mary Calvert Conger Brown Chairman Laura Tucker Camp Vice-Chairman Eleanor Radford Denegre Anne Saer Driscoll Kathleen Clark Kies George Gwynn Hill James Hunter Johnson Lucy Rhame von Raab Kimberly Hall Summerville Co-Chairmen Jean Taylor Federico Catalogue Editor Treasures of the Chesapeake January 2008 Lucy Rhame von Raab Lynne Pace Robinson Co-Chairmen Anne Saer Driscoll Jennifer O’Connor Rooney Vice-Chairmen Gretchen M. Bulova Jane-Sco Cantus Eleanor Radford Denegre Anne Mitchell Elmore Marilyn B. Montgomery Marcia Neuhaus Speck Laura L. Tucker Inspirations from the Garden January 2009 Anne Saer Driscoll Chairman Mimi Conger Brown Sara Ewing Davis Eleanor Radford Denegre Anne Mitchell Elmore Jennifer L. Levin Marilyn B. Montgomery Lyn Wi JoAnn Leigh Zuercher Co-Chairmen

Lucy Rhame von Raab Catalogue Editor Art & Antiques in Red January 2010 Hannah Cox Skippy Miller Co-Chairmen Lucy Rhame von Raab Catalogue Editor Flights of Fancy January 2011 Debbie Winsor Kate Chartener Co-Chairmen Danny Ince Catalogue Editor Georgetown: Over 200 Years of Style January 2012 Amy Zantzinger Chair Sara Davis Amy Zantzinger Catalogue Co-Editors Celebrating the White House January 2013 Mason Bavin Anne Mitchell Elmore Co-Chairmen JoAnn Dullahan Catalogue Editor The Thrill of the Chase: Antiques of the Sporting Life January 2014 Dory Clark Denise Prince Puffin Travers Co-Chairmen JoAnn Dullahan Catalogue Editor Southern Celebration: Traditions Handed Down January 2015 Blair Bourne Leslie Jones Co-Chairmen Jean Taylor Federico Catalogue Editor Ports of Call

135

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WASHINGTON WINTER SHOW Page Sponsor Index Mr. and Mrs. Barry W. Graham

Front Cover

Washington Winter Show Directors in honor of the Lemon Family

1

Hannah Cox in honor of Sara Davis

3

Washington Winter Show Board of Directors

11

Dory Clark, Denise Prince and Puffin Travers in honor of Blair Bourne and Leslie B. Jones

13

Philip and Sara Davis in honor of Blair Bourne and Leslie B. Jones

14

Clark, Mason and Elizabeth Bavin

15

Lucy Rhame, Anne Elmore and Mimi Conger Brown

16

Jane Ba le and Hilda McCollum, Show Co-Chairs 1994

17

Carol Anne Barth, Linda Bogaczyk, and Jane Brookins in honor of The Founder’s Board of St. John’s Community Service

19

Lesley and Jim Lee in honor of The Founders Board of St. John’s Community Service

21

Courtney B. Burnham and Nancy L. Hellmuth in honor of The Founders Board of St. John’s Community Service

23

Michelle Gee and Beth Roberts in honor of The Founders Board of St. John’s Community Service

24

Anne S. Hansen and Nancy Sidamon-Eristoff in honor of The Founders Board of St. John’s Community Service

25

Washington Winter Show Board of Directors in honor of David O enbreit

27

Friends of the Bishop Walker School

34

Merrielou and Ned Symes in honor of The Founders Board of St. John’s Community Service

36

Lisa and Chris Smith in honor of THEARC

38

Jean Taylor Federico

42

Mrs. H. Bartholomew Cox and Mrs. Michael Miller

43

Mr. and Mrs. David Booth Beers

44

Marjorie Miller and Jordan Richards in honor of The Founders Board of St. John’s Community Service

45

Kirk Brady, Dede Caughman and Sissy Zimmerman in honor of the St. John’s Community Service students

46

Mrs. William Curtin, Mrs. Dynes L. Leitch, and Mrs. Malcolm Matheson III

50

Marilyn and John Montgomery, JoAnn Leigh Zuercher and Glenn Richard Reichardt

51

Mr. and Mrs. Robert F. Baldwin, Jr. and Mr. and Mrs. Gregory May in honor of The Founders Board of St. John’s Community Service

52

Betsy Huffman, Marjorie Hulgrave and Heather Nolan

53

Dr. and Mrs. Paul S. Van Nice

54

136

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WASHINGTON WINTER SHOW Advertiser Index Jane and Tucker Ba le

32

American Marine Model Gallery

20

Amy Zantzinger Interior Design

109

Jonathan G. Willen and Associates

Andrew Law Design

105

Jones and Boer Architects

111

Andrew Simpson Foundation

129

Kelley Interior Design

115

Kwon’s Boutique

123

Anne Jerome Cobb Anne e Hannon Interior Design

10, 30 113

Marika Meyer Interiors

129

102–103

Annie Ellio

106

Mason Montague Bavin, Realtor

125

Atlas Floors

123

Matheson Financial Advisors, Inc.

121

AVA Limited Group

127

Mauck, Zantzinger & Associates Inc.

108

Milieu International

124 120

Bishop John T. Walker School for Boys

34–35

Bonhams Auctioneers

18

Nantucket Historical Association

Brady Arundel

116

Nina McLemore

Broad Branch Market

124

North Sails

120

Burlington Place Ltd

122

Ourisman Automotive of Virginia

127

2

Capitol File

22

Pagenstecher

110

Christ Church, Georgetown

28

Palm Security Services

128

Cliff Elmore Architects, PLLC Clites Architects DANAC

104

Philadelphia Antiques Show

112

PNC

8

Rizik’s

David and Peggy Beers

121

Sally Steponkus Interiors

Delaware Antiques Show

125

St. John’s Founders Board

Doyle New York

Back Cover

29 Inside Front Cover 117 100–101 36–37

The Magazine Antiques

31 9

Dumbarton House

126

The Potomack Company

Euro Motorcars Bethesda

128

The Virginia Sportsman

FairWinds Partners

33

THEARC

Fine Art Connisseur

117

TTR Sotheby’s International Realty

Flather & Perkins

122

Video Solutions

126

GDE Calligraphy

40

2016 Washinton Winter Show

118

George Washington’s Mount Vernon

6

30 38–39 32

Weschler’s

12

Gunston Hall

40

White House Historical Association

26

Hamilton Snowber Architects

114

Wiley Rein LLP

119

Willard and Palmer Design

107

Hogan Lovells

41

InCollect.com

130–131

137

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WASHINGTON WINTER SHOW Exhibitor Index BOOTH 1–7

PAGE 55

BOOTH 3–2

PAGE 61

A BIRD IN HAND ANTIQUES

BRENNAN & MOUILLESEAUX ANTIQUES

P.O. Box 236 Florham Park, NJ 07932 973.410.0077 antiques@abirdinhand.com www.abirdinhand.com

239 Marsh Road Northfield, CT 06778 860.283.2232 timanddave@optonline.net www.brennanandmouilleseaux.com

BOOTH 2–1

PAGE 56

BOOTH 1–11

PAGE 62

MARK AND MARJORIE ALLEN

DAVID BROOKER FINE ART

32 Artisans Court Gilford, NH 03256 603.644.8989 mandmallen@antiquedel .com www.antiquedel .com

362 Pequot Avenue Southport, CT 06890 203.232.2807 info@davidbrooker.com www.davidbrooker.com

BOOTH 1–5

PAGE 57

BOOTH 1–9

PAGE 63

PRISCILLA BOYD ANGELOS

CARLSON AND STEVENSON

509 Bethlehem Pike Fort Washington, PA 19034 215.646.5126 info@boydsantiques.com www.boydsantiques.com

P.O. Box 1113 Manchester Center, VT 05255 802.236.4945 carlstev@aol.com carlsonandstevenson@aol.com

BOOTH 3–3

PAGE 58

BOOTH 2–12

PAGE 64

ARTEMIS GALLERY

DUBEY’S ART AND ANTIQUES

22 Wallace Road North Salem, NY 10560 914.669.5971 artemis@optonline.net www.artemisantiques.com

807 North Howard Street Baltimore, MD 21201 410.383.2881 pdubey@dubeysantiques.com www.dubeysantiques.com

BOOTH 2–7

PAGE 59

BOOTH 2–8

PAGE 65

BECK’S ANTIQUES

FLETCHER/COPENHAVER FINE ART

708 Caroline Street Fredericksburg, VA 22401 540.371.1766 bill@becksantiques.com www.becksantiques.com

P.O. Box 1038 Fredricksburg, VA 22402 540.371.7540 info@fc.fineart.com www.fc.fineart.com

BOOTH 1–16

PAGE 60

BOOTH 3–6

PAGE 66

DIANA H BITTEL

J & R FERRIS ANTIQUES LLC

510 Fishers Road Bryn Mawr, PA 19010 610.525.1160 dhbantique@aol.com www.dianahbi elantiques.com

3000 Moose River Road Boonville, NY 13309 315.542.1643 rkentiana@yahoo.com www.jandrferrisantiques.com

138

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WASHINGTON WINTER SHOW Exhibitor Index BOOTH 1–14

PAGE 67

BOOTH 2–2

PAGE 73

E & J FRANKEL LTD

JOHANNA ANTIQUES

1350 Ocean Parkway Brooklyn, NY 11230 718.336.2707 risa@swersey.com www.ejfrankel.com

P.O. Box 481 Kingsville, MD 21087 410.937.3444 lordsaleapin@aol.com BOOTH 1–4

BOOTH 3–9

PAGE 68

J GALLAGHER ANTIQUES P.O. Box 69 North Norwich, NY 08858 607.334.4020 www.antiqueandirons.com

P.O. Box 1942 Baltimore, MD 21203 410.752.2090 rkaplan8350@comcast.net BOOTH 3–15

BOOTH 3–13

PAGE 69

GATES ANTIQUES LTD 12700 Buckingham Road Midlothian, VA 804.794.8472 jgates@gatesantiques.com www.gatesantiques.com

PAGE 74

ARTHUR GUY KAPLAN

PAGE 75

KELLEHER FINE ART 1207 Marshall Street Turlock, CA 95380 209.890.5578 info@kelleherfineart.com www.kelleherfineart.com BOOTH 3–11

PAGE 76

THE HANEBERGS ANTIQUES

JAMES L KOCHAN FINE ART & ANTIQUES

5 Boston Post Road East Lyme, CT 06333 860.437.1583 chaneberg@aol.com www.hanebergsantiques.com

P.O. Box 3970 Fredrick, MD 21705 240.575.9233 jameskochan@comcast.net www.jameskochan.com

BOOTH 2–5

BOOTH 3–1

PAGE 70

PAGE 71

BOOTH 1–10

PAGE 77

WM HUTCHISON

JAMES M LABAUGH ANTIQUES

P.O. Box 811 Mendenhall, PA 19357 610.453.6350 hutchbook@aol.com

P.O. Box 60 Pound Ridge, NY 10576 914.764.9151 jmlabaughantiq@optonline.net

BOOTH 2–10

PAGE 72

Christopher H. Jones 210 North Lee Street Alexandria, VA 22314 703.622.9978 chris@christopherhjones.com www.christopherhjones.com

BOOTH 1–6

PAGE 78

LEATHERWOOD ANTIQUES P.O. Box 1676 Sandwich, MA 02563 508.681.0667 info@leatherwoodantiques.com www.leatherwoodantiques.com

139

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WASHINGTON WINTER SHOW Exhibitor Index BOOTH 1–13

PAGE 79

BOOTH 2–4

PAGE 85

ROBERT LLOYD

THE PHILADELPHIA PRINT SHOP LTD

Gallery 63, 1050 Second Avenue New York, NY 10022 212.750.8752 rlloydinc@aol.com robertlloydinc.com

8441 Germantown Avenue Philadelphia, PA 19118 215.242.4750 philaprint@philaprintshop.com www.philaprintshop.com

BOOTH 3–12

PAGE 80

BOOTH 1–8

PAGE 86

JAMES WM LOWERY FINE ANTIQUES

SUMPTER PRIDDY III INC

8279 Ashington Drive Baldwinsville, NY 13027 315.638.1329 loweryantiques@twcny.rr.com www.loweryantiques.com

323 South Washington Street Alexandria, VA 22314 703.299.0800 sumpterpriddy@sumpterpriddy.com www.sumpterpriddy.com

BOOTH 1–15

PAGE 81

BOOTH 1–2

PAGE 87

NEWSOM & BERDAN ANTIQUES

CHARLES EDWIN PUCKETT

P.O. Box 243 Thomasville, PA 17364 717.792.6744 newsomberdan@aol.com www.newsomberdan.com

3867 West Market Street #253 Akron, OH 44333 330.668.0032 charles@cepucke .com www.cepucke .com

BOOTH 3–4

PAGE 82

THE NORWOODS’ SPIRIT OF AMERICA 602 Boxmere Court Timonium, MD 21903 410.252.2012 spiritofamerica@comcast.net www.americanspirit.com

BOOTH 3–8

RUSSACK & LOTO BOOKS LLC Old Barnstead Road Northwood, NH 03261 603.942.5037 judy@booksaboutantiques.com www.booksaboutantiques.com BOOTH 1–12

BOOTH 1–17

PAGE 83

ORIENTAL RUGS LTD P.O. Box 814, 23 Lyme Street Old Lyme, CT 06371 860.434.1167 info@orientalrugsltd.com www.orientalrugsltd.com PAGE 84

JANICE PAULL Aportado 130 EC Alvor. 8501-906 Alvor, Portomaio, Portugal 351-282799701 janice@janicepaull.com www.janicepaull.com

PAGE 89

SAJE AMERICANA P.O. Box 183 Short Hills, NJ 07078 973.379.1423 antiques@sajeamericana.com www.sajeamericana.com BOOTH 1–3

BOOTH 2–9

PAGE 88

PAGE 90

SALLEA ANTIQUES 66 Elm Street New Caanan, CT 06840 203.972.1050 info@salleaantiques.com www.salleaantqiues.com

140

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WASHINGTON WINTER SHOW Exhibitor Index BOOTH 3–14

PAGE 91

BOOTH 1–1

W M SCHWIND JR ANTIQUES AND FINE ART

PHILIP SUVAL INC 1501 Caroline Street Fredericksburg, VA 22401 540.373.9851 jphilipsuval@gmail.com

51 East Main Street Yarmouth, ME 04096 207.846.9458 schwind@gwi.net www.schwind-antiques.com BOOTH 3–7

BOOTH 2–6

PAGE 92

P.O. Box 55 Maryknoll, NY 10545 917.576.1354 info@vandekar.com www.vandekar.com

P.O. Box 340 Somers, CT 06071 860.749.8042 PAGE 93

G SERGEANT ANTIQUES 88 Main Street North Woodbury, CT 06798 203.266.4177 info@gsergeant.com www.gsergeant.com BOOTH 2–11

PAGE 97

EARLE D VANDEKAR OF KNIGHTSBRIDGE

SEARS & TITHER

BOOTH 2–13

PAGE 96

BOOTH 2–3

PAGE 98

MARIA & PETER WARREN ANTIQUES 228 Danbury Road Wilton, CT 06897 203.762.0475 ajwarren1@yahoo.com

PAGE 94

BOOTH 3–10

PAGE 99

SPENCER MARKS LTD

WHITE’S NAUTICAL ANTIQUES

P.O. Box 330 Southampton, MA 01073 413.527.7344 info@spencermarks.com www.spencermarks.com

108 Walnut Hill Road North Yarmouth, ME 04079 207.232.6282 dave@whitesnauticalantiques.com www.whitesnauticalantiques.com

BOOTH 3–5

PAGE 95

SOLOMON SUCHARD ANTIQUES & FINE ART P.O. Box 22616 Shaker Heights, OH 44122 216.752.0246 bkemper@gmail.com

Design, Prepress and Printing by

www.afapublishing.com Antiques & Fine Art Magazine

141

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WASHINGTON WINTER SHOW

PORTS OF CALL FIRST FLOOR

1-8

1-16

1-7 1-9 1-6

1-11 1-10 1-17

1-12

1-13

1-15

1-14

1-4

1-1

1-3 1-2

1-5

Floorplan by Stacy Exposition Service

1-1

Philip Suval, Inc.

1-9

1-2

Charles Edwin Puckett

1-10 James M. Labaugh Antiques

1-3

Sallea Antiques

1-11 David Brooker Fine Art

1-4

Arthur Guy Kaplan

1-12 SAJE Americana

1-5

Priscilla Boyd Angelos

1-13 Robert Lloyd

1-6

Leatherwood Antiques

1-14 E. & J. Frankel, Ltd.

1-7

A Bird in Hand Antiques

1-15 Newsom & Berdan Antiques

1-8

Sumpter Priddy III, Inc.

1-16 Diana H. Bittel

Carlson and Stevenson

1-17 Oriental Rugs, Ltd. 142

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SECOND FLOOR

2-1

2-11

2-9

2-12 2-10 2-13 2-8 2-2

2-4

2-7

2-5

2-6

ENTRANCE

2-3

2-1

Mark & Marjorie Allen

2-8

Fletcher/Copenhaver Fine Art

2-2

Johanna Antiques

2-9

Janice Paull

2-3

Maria & Peter Warren Antiques

2-10 Christopher H. Jones

2-4

The Philadelphia Print Shop, Ltd.

2-11 Spencer Marks, Ltd.

2-5

The Hanebergs Antiques

2-12 Dubey’s Art & Antiques

2-6

Earle D. Vandekar of Knightsbridge

2-13 G. Sergeant Antiques

2-7

Beck’s Antiques

143

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THIRD FLOOR

3-3 3-1

3-2 3-4 3-5

3-9

3-8

3-10

3-15

3-14

3-7

3-6

3-11 3-12

3-13

3-1

WM Hutchison

3-8

Russack & Loto Books, LLC

3-2

Brennan & Mouilleseaux Antiques

3-9

J. Gallagher Antiques

3-3

Artemis Gallery

3-10 White’s Nautical Antiques

3-4

The Norwoods’ Spirit of America

3-11 James L. Kochan Fine Art & Antiques

3-5

Solomon Suchard Antiques & Fine Art

3-12 James Wm. Lowery Fine Antiques

3-6

J & R Ferris Antiques, LLC

3-13 Gates Antiques Ltd.

3-7

Sears & Tither

3-14 W.M. Schwind, Jr. Antiques & Fine Art 3-15 Kelleher Fine Art

144

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On the 60th Anniversary of the

The Board of Directors would like to salute

THE LEMON FAMILY

Mrs. James H. Lemon (Martha)

Mr. James H. Lemon, Jr.

Mrs. James H. Lemon (Martha) (1906–1996) Co-founder of the Show and Show Co-Chair from 1956–1969

Mr. James H. Lemon, Jr Founding Member of our Advisory Board

Lavinia Lemon Pitzer (1966–2012) and Ashley Lemon Shaw Show Committee Members

We are grateful for their wise counsel and steadfast support

C3_WWS15.indd C3

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Auctioneers & Appraisers of America’s Finest Estates & Collections

PRECIOUS JEWELS OF THE SEA Important Pair of Natural Pearls With Provenance of Empress Eugenie of France From the Collection of Mrs. Lewis A. Shea, Chevy Chase, MD SOLD FOR $3.3 MILLION A World Auction Record

JEWELRY

W AT C H E S

MODERN DESIGN

DOYLE NEW YORK

C4_WWS14.indd C4

BOOKS

FINE ART •

FURNITURE

AUTOGRAPHS

AUCTIONEERS & APPRAISERS

D E C O R AT I O N S

PHOTOGRAPHS

3 2 5 6 P R O S P E C T S T. N W

ASIAN WORKS OF ART

PRINTS

WASHINGTON, DC 20007

COINS

202-342-6100

S TA M P S

DOYLE.COM

12/15/14 3:06 PM


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