American Painting
American Painting
22 east 82nd street new york 10028 (212) 249 0619 info @ gspanierman.com gspanierman.com
American Painting
22 east 82nd street new york 10028 (212) 249 0619 info @ gspanierman.com gspanierman.com
I am privileged to present our first catalog of the gallery’s inventory. Opening the doors in May of 2009, I have remained focused on 19th and early 20th century American paintings of great quality and historical importance, by artists such as Thomas Hart Benton, Albert Bierstadt, A. T. Bricher, John Leslie Breck, Theodore Butler, Thomas Wilmer Dewing, Marsden Hartley, Martin Johnson Heade, Robert Henri, Eastman Johnson, John Frederick Kensett, John Marin, F. Luis Mora, Thomas Moran, Georgia O’Keeffe, Everett Shinn, John Twachtman, J. Alden Weir and many others. Featured in this catalogue are the highlights of the American Impressionist artists active during this time period. I hope you enjoy the catalogue as much as I have enjoyed putting it together. Gavin Spanierman John Leslie Breck (1860–1899) Ipswich, ca. 1894, oil on canvas, 14¾ ⳯ 27 in. Signed lower left: John Leslie Breck
I am privileged to present our first catalog of the gallery’s inventory. Opening the doors in May of 2009, I have remained focused on 19th and early 20th century American paintings of great quality and historical importance, by artists such as Thomas Hart Benton, Albert Bierstadt, A. T. Bricher, John Leslie Breck, Theodore Butler, Thomas Wilmer Dewing, Marsden Hartley, Martin Johnson Heade, Robert Henri, Eastman Johnson, John Frederick Kensett, John Marin, F. Luis Mora, Thomas Moran, Georgia O’Keeffe, Everett Shinn, John Twachtman, J. Alden Weir and many others. Featured in this catalogue are the highlights of the American Impressionist artists active during this time period. I hope you enjoy the catalogue as much as I have enjoyed putting it together. Gavin Spanierman John Leslie Breck (1860–1899) Ipswich, ca. 1894, oil on canvas, 14¾ ⳯ 27 in. Signed lower left: John Leslie Breck
John Henry Twachtman (1853–1902) Red House, Pelham’s Lane, Branchville, Connecticut, ca. 1889–91, pastel on paper, 9½ ⳯ 8¼ in.
Childe Hassam (1859–1935) On the Balcony, 1888, pastel on paper laid down on canvas, 29⅝ ⳯ 17¾ in. Signed and dated lower right center: Childe Hassam 1888
John Henry Twachtman (1853–1902) Red House, Pelham’s Lane, Branchville, Connecticut, ca. 1889–91, pastel on paper, 9½ ⳯ 8¼ in.
Childe Hassam (1859–1935) On the Balcony, 1888, pastel on paper laid down on canvas, 29⅝ ⳯ 17¾ in. Signed and dated lower right center: Childe Hassam 1888
John Henry Twachtman (1853–1902)
J. Alden Weir (1852–1919)
Harbor Scene, Dordrecht, Holland, ca. 1880, oil on panel, 15¾ ⳯ 10¼ in.
The Setting Sun, ca. 1890, oil on canvas, 19½ ⳯ 27 in. Signed lower left: J. Alden Weir
John Henry Twachtman (1853–1902)
J. Alden Weir (1852–1919)
Harbor Scene, Dordrecht, Holland, ca. 1880, oil on panel, 15¾ ⳯ 10¼ in.
The Setting Sun, ca. 1890, oil on canvas, 19½ ⳯ 27 in. Signed lower left: J. Alden Weir
John Henry Twachtman (1853–1902)
Willard L. Metcalf (1858–1925)
The Pond, Weir Farm, ca. 1889, oil on canvas, 30 ⳯ 25 in. Signed lower left: JH Twachtman
The Golden Screen, 1906, oil on canvas, 36 ⳯ 39 in. Signed and dated lower right: W.L. Metcalf, 1906 Inscribed on panel: Painted at Old Lyme, Connecticut / October 1906 / WL Metcalf Awarded the Temple gold medal / Pennsylvania Academy 1907 gold medal / Buenos Aires International Expo 1910
John Henry Twachtman (1853–1902)
Willard L. Metcalf (1858–1925)
The Pond, Weir Farm, ca. 1889, oil on canvas, 30 ⳯ 25 in. Signed lower left: JH Twachtman
The Golden Screen, 1906, oil on canvas, 36 ⳯ 39 in. Signed and dated lower right: W.L. Metcalf, 1906 Inscribed on panel: Painted at Old Lyme, Connecticut / October 1906 / WL Metcalf Awarded the Temple gold medal / Pennsylvania Academy 1907 gold medal / Buenos Aires International Expo 1910
Joseph Raphael (1869–1950) Wheat Field, Uccle Belgium, ca. 1913, oil on canvas, 25 ⳯ 31 in. Signed lower left: Joe Raphael
Louis Ritman (1889–1963) Girl in a Garden, ca. 1916, oil on canvas, 36 ⳯ 36 in. Signed lower left: L RITMAN
Joseph Raphael (1869–1950) Wheat Field, Uccle Belgium, ca. 1913, oil on canvas, 25 ⳯ 31 in. Signed lower left: Joe Raphael
Louis Ritman (1889–1963) Girl in a Garden, ca. 1916, oil on canvas, 36 ⳯ 36 in. Signed lower left: L RITMAN
F. Luis Mora (1874–1940) Picnic on the Hill, Litchfield Hills, Connecicut, 1913, oil on canvas, 25 ⳯ 30⅜ in. Signed and dated lower right: F. Luis Mora 1913
Theodore Earl Butler (1861–1936) Sweet Peas, Butler’s Garden, Giverny, oil on canvas, 32 ⳯ 32 in. Signed lower right: T Butler
F. Luis Mora (1874–1940) Picnic on the Hill, Litchfield Hills, Connecicut, 1913, oil on canvas, 25 ⳯ 30⅜ in. Signed and dated lower right: F. Luis Mora 1913
Theodore Earl Butler (1861–1936) Sweet Peas, Butler’s Garden, Giverny, oil on canvas, 32 ⳯ 32 in. Signed lower right: T Butler
Theodore Earl Butler (1861–1936) Winter in Giverny, 1906, oil on canvas, 25 ⳯ 30 in. Signed and dated lower right: T Butler 06
Louis Ritman (1889–1963) By the River, ca. 1920, oil on canvas, 50 ⳯ 40 in. Signed lower right: L. Ritman
Theodore Earl Butler (1861–1936) Winter in Giverny, 1906, oil on canvas, 25 ⳯ 30 in. Signed and dated lower right: T Butler 06
Louis Ritman (1889–1963) By the River, ca. 1920, oil on canvas, 50 ⳯ 40 in. Signed lower right: L. Ritman
Maurice Prendergast (1858–1924) Summer Pavilion, ca. 1900, watercolor on paper, 11 ⳯ 19¼ in.
© 2010 Gavin Spanierman, Ltd. Photography: Joshua Nefsky
Design and color separations: Light Blue Studio
Lithography: Meridian Printing
Maurice Prendergast (1858–1924) Summer Pavilion, ca. 1900, watercolor on paper, 11 ⳯ 19¼ in.
© 2010 Gavin Spanierman, Ltd. Photography: Joshua Nefsky
Design and color separations: Light Blue Studio
Lithography: Meridian Printing
American Painting