PORTFOLIO #1 : FASHION DESIGN 2018 - 2020

2018 - 2020

PORTFOLIO

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Maame MAAME K PUTRI BANKAH Kriya (Textile and Fashion Design) I Telkom University Fashion Design Sketch Ready To Wear Accessories Couture

M

Maame Portfolio 2018 - 2020 Fashion Design Sketch Ready To Wear Accessories Couture

Proď€ le .

M A A M E K. P U T R I B. Kriya (Textile and Fashion Design) Telkom Univeristy

CONTACT LINES email : putribankah@gmail.com mobile : (+62)82177311158 ig : ptrbnkh

M

Maame

Portfolio2018 - 2020

CV . PROFILE : Maame K Putri Bankah (Makey) Name Birth : Palembang, September 03 1999 Nationality : Indonesian Language : Indonesia (mother-language) English (intermediate)

EDUCATION 2014 - 2017 SMA Plus Negeri 17 Palembang 2017 - 2021 Kriya (Fashion and Textile Design) Telkom University

ABILITIES

Concepting / Illustration / Design / Pattern Drafting /

Surface Design & Pattern Design

/ Drawing

KNOWLEDGE / INTEREST Fashion Design / Natural Dye & Fiber / TrendForcasting / Administration

OTHERS

EXPERIENCES HIMA SERAT 2018-2019 (Organization in Study Program) Public Relation 2018 - 2019 Vice-President of SERAT 2019 - 2020 SWASTAMITA Team (Exhibition and Fashion Show) Head of Graphic Design in Thesis Book 2019 (for Study Program) Senior Residents 2018-2019 (Work Unit in University) Head of Administration 2018 - 2019 Vice-President of Senior Residents 2019 - 2020 Telkom Univeristy Student Protocol Member of Secretary 2017 - 2018 Head of Secretary 2018 - 2019

ASIAN GAMES 2018 Liason ofď€ cer for Iraq, Qatar, & Hongkong KEKEAN GALLERY INTERNSHIP Creative Director 2020 COMPETITION 2nd Runner UP - Kompetisi Desain Karya Bordir Tasikmalaya (KDKB) TOP 20 - Moddest Fashion Project (MOFP) Partisipant - Moddest Young Designer Competition (MYDC) Partisipant - Wardah Indonesia Young Designer Competition (WIYDC) Pastisipant - Indonesia Young Fashion Designer Competition (IYFDC) Partisipant - Lomba Perancang Mode (LPM)

table of contents A p pa r e l

01 08 16

Studi Image Basic Fashion KDKB 2020 : ROSA

acc e s s o r i e s

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DECONIZE

co u t u r e

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LEGENDHA : The Legend Of Pulau Kemaro

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S T U D I I M AG E

RESEARCH AND DEVELOPMENT Exploring cultures from Africa, where this culture come from my father's side. Using the saffana colors with sunset sky, and textures produced by nature to creates a unique motif Mengeksplor kebudayaan yang berasal dari Afrika, dimana kebudayaan ini merupakan kebudayaan yang saya punya dari sisi ayah.

Menggunakan warna-warna safana dengan cahaya senja sore, dan tekstur-tekstur yang dihasilkan oleh alam, sehingga menghasilkan sebuat motif yang unik

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MoodBoard .

Ethnic Warm Natural Texture Mysterious Adventure

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Design .

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Technical Draw .

40

20 cm

cm

n Arm Ope

Shoulder

60 cm 120 cm 3 cm

Hip

Patch Detail

15 cm

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60 cm

Fabrics .

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For the patch work, I used fabric with natural ď€ bres, that is Linen Fabric, so the color will soak in to the fabric and gave a very strong and nice color result.

The pattern was produced by fruit and vegetables texture. The fruit and vegetables that used are : Lemon, Paprika, and Potatos.

Untuk patch work, saya menggunakan kain dengan serat alami yaitu Linen Fabric, sehingga warnanya akan meresap ke dalam kain dan memberikan hasil warna yang sangat kuat dan baik Motif kain dihasilkan oleh tekstur buah dan sayur. Buah dan sayuran yang digunakan adalah: Lemon, Paprika, dan Kentang.

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Product .

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B A S I C FA S H I O N

RESEARCH AND DEVELOPMENT Madura is an island that located in east of East Java Province. The island which means "the honey on the mainland" has an area of 5168 km2 with a population of nearly 4 million people. One of the most interesting culture in Madura apart from karapan sapi is the “Petik Laut” Madura. Petik Laut is a form of joy and an expression of gratitude God for the abundant harvest of marine products.

Minimalist means to simplify something, but still produce a beautiful shape. Likewise with minimalism in 1990. One characteristic is that they use simple cutting, but still shape the body.

Pulau Madura merupakan pulau yang terletak disebelah timur Provinsi Jawa Timur. Pulau dengan arti nama “madu di tanah daratan” ini memiliki luas sebesar 5168 km2 dengan jumlah penduduk hampir 4 juta orang.

Salah satu adat yang paling menarik di madura selain karapan sapi adalah, Petik Laut Madura. Petik Laut merupakan bentuk kegembiraan, sukacita, dan ungkapan syukur para nelayan terhadap Tuhan atas panen hasil laut yang melimpah Minimalist artinya menyerdehanakan sesuatu, namun tetap menghasilkan bentuk yang indah. Begitu pula dengan minimalis pada tahun 1990. Salah satu cirinya adalah mereka menggunakan cutting sederhana, namun tetap membentuk tubuh.

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Sumber : travelingyuk.com kbbi.web.id

MoodBoard .

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Young Breezy Festive Cool Fresh

Pesa’an Pesa’an Baluja Baluja

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Design .

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Technical Draw .

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Waist

ket

Waist to Ankle

Poc

Hip

Zipper Detail

Hook and Bar (Kaitan Kecil)

Invisble Zipper (Resliting Jepang)

15 cm

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Technical Draw .

Open

Open Hip

Invisble Zipper (Resliting Jepang)

15 cm

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A rm

Zipper

Shoulder

Fabrics .

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The pattern symbolize a joy, which comes from the philosophy of “Petik Laut” Madura. I used Drill Fabric as the media where this pattern will be printed digitally.

Motif ini melambangkan kegembiraan dan sukacita yang bersumber dari loso “Petik Laut” Madura. Saya menggunakan Kain Drill sebagai media dimana motif ini akan dicetak secara print digital.

There are two techniques that were used for this collection, Embroidery and slashing.

The Embroidery will followed the shape of the boat in the pattern that has been printed. While the slashing techniques were used in two different fabric, in organza and toyobo.

Ada dua teknik yang digunakan untuk koleksi ini, yaitu bordir dan slashing. Bordir tersebut akan mengikuti bentuk perahu sesuai motif yang telah dicetak. Sedangkan teknik slashing dilakukan pada dua kain yang berbeda, yaitu organza dan toyobo.

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Product .

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KDKB 2020 : R O SA

RESEARCH AND DEVELOPMENT The art of embroidered has been found since ancient times and ď€ rst appearing in 330 AD in Byzantium. The development of embroidery today can be done with a variety of techniques, such as : sewing machines, hand embroidery, and computer techniques. One of the best embroidery-producing areas in Indonesia is Tasikmalaya. Tasikmalaya is one of the industrial centers for embroidery decoration industry. Tasikmalaya embroidery has a fairly good quality in terms of neatness and density. One of the characteristics of Tasikmalaya embroidery itself is the distinctive shape of the rose ower and the krancang embroidery technique.

Seni hiasan bordir telah ditemukan sejak dahulu, pertama kali muncul di tahun 330M di Byzantium. Semakin berkembangnya zaman kini bordir dapat dilakukan dengan berbagai macam teknik, seperti, dengan mesin jahit, pemidangan, hingga akhirnya muncul dengan teknik komputer. Salah satu daerah penghasil bordir terbaik di Indonesia adalah di Kota Tasikmalaya. Kota tasikmalaya merupakan salah satu daerah sentra industri hiasan bordir dan merupakan produk unggulan. Bordir Tasikmalaya memiliki kualitas yang cukup baik dari segi kerapihan dan kerapatannya. Salah satu yang menjadi ciri khas bordir Tasikmalaya sendiri adalah bentuk bunga mawarnya dan teknik bordir krancang.

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Sumber : rizkiabdillah.wordpress.com

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MoodBoard .

ROSA M

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Design .

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Flat Drawing .

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Technical Draw .

Arm Hole

Open

Bust

Waist to knee

Hip

Waist to Ankle

Waist

Open

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Technical Draw .

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Bal

loo

Open

nS

lee ve

Arm Hole

Bust

Bust

Waist

Hook and Eye (Kaitan Kecil)

1/2

Open

1/2

Shoulder

Arm Ho

1.5 cm

Shoulder to Waist

le

Shank Fabric Buttons (Kancing Bungkus)

1.5 cm

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Flat Drawing .

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Technical Draw .

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Shoulder to Calf

Arm Hole

Bust

Open

Shoulder

Waist Waist to Calf

Hip

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Flat Drawing .

Arm Hole

Bust

Open

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Waist to Calf

Waist

Technical Draw .

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Open Bust

Waist

Arm Hole

Shoulder

oon

Ball ve

Slee

Hip

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Flat Drawing .

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Technical Draw .

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Open

Bust

Waist

Ball oon Slee

Shoulder to High Hip

Shoulder

ve

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Technical Draw .

Arm

Ho l e

Open

Shoulder

Bust

Waist Waist to Calf

Waist to High Knee

Hip

Waist

5 cm

Hook and Eye (Kaitan Kecil)

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Flat Drawing .

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Technical Draw .

Waist Waist to High Calf

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Arm Hole

Bust

Open

Shoulder

Technical Draw .

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Shoulder to Low Knee

ole

Open

Ar m H

Shoulder

Shank Fabric Buttons (Kancing Bungkus) 1.5 cm

1.5 cm

rm

Top A

rm

to W rist

A Top

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Fabrics .

This Collection used a variety of fabrics from Linen, Semi Wool, Drill, to Organza, which in turn will be combined with Tasikmalaya's manual embroidery technique.

Pada koleksi ini, saya menggunakan berbagai macam kain mulai dari Linen, Semi Wool, Drill, hingga Organza, yang pada akhirnya akan digabungkan dengan teknik bordir manual khas Tasikmalaya

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Product .

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D E CO N I Z E

RESEARCH AND DEVELOPMENT Modernize in Classical, this theme will reect a bold image by displaying the impression of beauty in it. This collection will produce a design that represents the modernization of the world that is happening so fast, and because of these factors, it has eroded many phenomena. However, even so, there are those who have survived until now and have survive. The description above inspired me to use Art Deco as inspiration.

Therefore, this collection is named "Deconize".

Mengangkat tema Modernize in Classical, tema ini menggambarkan gambaran tegas dengan menampilkan kesan keindahan didalamnya. Koleksi ini akan menghasilkan desain yang mempresentasikan modernisasi dunia yang terjadi begitu cepat dan karena faktor tersebut banyak fenomena yang tergerus dibuatnya. Namun, walaupun begitu, ada yang bertahan hingga saat ini dan tetap bertahan “tidak kehilangan zaman”. Gambaran diatas menginspirasi saya untuk mejadikan Art Deco sebagai inspirasi. Maka dari itu, koleksi ini di beri nama “Deconize”.

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MoodBoard .

deconIze M

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Design .

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Flat Drawing .

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Technical Draw .

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13.5cm

15 cm

cm 3

m 5c

6.5 cm

2.5cm

cm

9.8cm

3.7cm 6.5 cm

3

m

4.5cm

5c

9.1cm

7.7cm

3.5cm

7.8cm

5.

3.7cm

7.6cm

4.5cm

5.

4.9cm

9.8cm

0.5cm

7.8cm

7.6cm

7.7cm

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Design .

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Flat Drawing .

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Technical Draw .

11.5cm

15cm

6cm 2cm

3cm

11.5cm

3.5cm

4.6cm

1cm

3.5cm

2.5c

m

2.6cm

4.6cm

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3.5cm

0.7cm

0.5cm

2cm

3.5cm

1cm

m

2.5c 4mm

3mm

3cm

2.6cm

5cm

3.3cm

1.5cm

Design .

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Flat Drawing .

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Flat Drawing .

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13cm

16cm

4cm

4.5cm

3cm

2.5cm

2cm

7cm 5mm 5cm

4mm

3mm 2cm

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Design .

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Flat Drawing .

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Technical Draw .

FRONT+BACK 23.5 cm

19.5 cm

side 6cm

11.5cm

6cm

bottom

19.5cm

18cm

8cm

23.5 cm

8cm

11.5cm

5cm

5cm

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9cm

7cm

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Technical Draw .

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10cm 18cm

Zipper Closed End with Metal teeth (Resliting rel besi)

23 cm

90cm

7cm

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Materials .

Black Acrylic and brass were used as the main material for this collection. For the supporting material, I used various bead, wire, clay, and faux leather.

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Pada koleksi ini, saya menggunakan Akrilik dan Kuningan sebagai material utama.

Untuk bahan pendukung, saya menggunakan manik-manik, kawat, clay dan kulit

Product .

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LEGENDHA The Legend of Pulau Kemaro

RESEARCH AND DEVELOPMENT Inspired by a folk tale from South Sumatra, Pulau Kemaro was emerged from the love story of Siti Fatimah and Tan Bun An. Tan Bun An is a wealthy merchant from Tiong Hoa, China.

Meanwhile, Siti Fatimah is a native Malay woman from South Sumatra. In this collection, the design was inspired by combining the culture of China and South Sumatra.

Terinspirasi dari sebuah cerita rakyat yang berasal dari Sumatera, Pulau Kemaro muncul dari kisah cinta Siti Fatimah dan Tan Bun An. Tan Bun An adalah Saudagar kaya dari Tiong Hoa,Tiongkok (China). Sedangkan Siti Fatimah merupakan wanita Melayu asli Sumatera Selatan. Dalam desain dengan tema LEGENDHA : The Legend Of Pulau Kemaro, akan dilakukan penggabungan antara kebudayaan China dan Sumatera Selatan.

Sumber : indonesiakaya.com

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MoodBoard .

LEGENDHA : The Legend Of Pulau Kemaro

Love Unity Culture Lavish Majestic

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Design .

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Flat Drawing .

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Technical Draw .

Shoulder Arm Ho

le

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Be

ll

ve

Shoulder to Ankle

Waist

Sl

ee

Bust

Waist

Waist to Hip

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Technical Draw .

Shoulder to Floor

Open Hip

Waist Open

1.5 cm

1.5 cm

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Waist to Low Hip

Shank Fabric Buttons (Kancing Bungkus)

Materials .

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This collection used Tafeta Bridal and Organza as the main Fabric.

For the emblishment, Stencil Techniques and Embroidery with additional beads were choosen to described the culture of the collection

Kain yang digunakan untuk koleksi ini adalah kain Tafeta Bridal dan Pleats Organza.

Kemudian dekorasi gaun menggunakan tehnik Stencil dan juga Bordir dengan tambahan manik-mani

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Product .

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MAAME K PUTRI BANKAH Kriya (Textile and Fashion Design) I Telkom University Fashion Design Sketch Ready To Wear Accessories Couture