Postscript:
The deeper meaning of dreams
Page 18
F r i d a y , S e p t e m b e r 1 9 , 2 0 1 4 — I ss u e 6
the journal Queen’s University — Since 1873
Kingstonians protested violence against women at the Take Back the Night march yesterday evening. See page 4 for full story.
PHOTO BY ARWIN CHAN
AMS
ART EXHIBIT
Sales dropped by more than 50 per cent after rebrand
Rebecca Cowan’s newest collection of sublime prints
Underground sales sink Nature meets fantasy TAPS deficit last year:
55%
$125,554
Decrease in drink sales at The Underground last year.
B y C hloe S obel News Editor According to preliminary figures, the Underground’s sales have sunk since 2013, when it was rebranded from Alfie’s Nightclub. In 2013-14, the Underground sold $161,771.11 worth of drinks, a decrease of $134,151.51 from 2012-13 and $203,184 from 2011-12. Last year, the AMS projected the Underground to sell over $380,000. In a July 2013 AMS press release, former AMS Vice-President of Operations Nicola Plummer said the AMS Board of Directors had considered shutting down the club if poor revenue figures continued. At the end of her term in 2014, she told
the Journal that it would be up to students to decide if they wanted a nightclub, since nothing had changed with student response to the brand. “If they don’t, we’ll just shut it down,” Plummer said. Justin Reekie, current vice-president of operations, said he has no plans to do so. Reekie, ArtSci ’13, came up with the idea for the Underground rebranding as last year’s AMS Hospitality and Services Director. He said he’s spent this past summer looking at ways to sharpen the nightclub’s brand. Last year, total operating expenses for TAPS, which operates both the Underground and QP, were $765,314.85. QP sold $1,173,838.14 of food and drinks. Allocated expenses, which include See Reekie on page 6
The Halls page 3
B y K ashmala O mar Arts Editor
would be,” she said. “I didn’t really have a desire to paint, I didn’t know what I wanted to do. Then, the first week of classes I took a With a particular focus on nature, fairy tales print-makingcourseandIjustfellinlovewithit.” and the secrecy of the human mind, artist Each piece, printed on wooden canvas, Rebecca Cowan’s series Nymphs — New presents viewers with individual faces Works in Mixed Media is the epitome of against pastel backgrounds surrounded thought-provoking art. by whimsically-drawn trees and flowers. Although at first Cowan was glance the artwork slightly hesitant to – located at Studio begin the project. 22 in downtown She had been “I didn’t really have a desire Kingston – looks playing around to paint, I didn’t know what painted, the series with the idea for I wanted to do. Then, the was actually a long time, but first week of classes I took a generated through was unsure of how print-making course and I print-making to incorporate just fell in love with it.” — a technique each theme into that involves the initial idea. — Rebecca Cowan the transfer of “I did a series images through of [tree] art work processes of two years ago, engraving, printed in black and stenciling, cutting and more. white, and I had wanted to go further with Cowan attended the Toronto School them,” Cowan said. “Many things came of Art at the age of 29, where she was into play to get to the Nymphs. One of first introduced to this artistic approach. the ideas I’d been thinking of for a long “I was very hesitant to pursue art as time was the idea of secret lives, the fact See A spiritual on page 11 a career because I knew how precarious it
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