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LISA TAYLOR, 1972 PHOTOGRAPHED BY FRANK HORVAT
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44 LIVING LEGEND Q’s legendary contributor Liz Smith paints a telling portrait of Ann-Margret, explaining that while the tawny-haired Swedish-American entertainer has portrayed some wild women both on-screen and onstage, she is in fact a modest, soft-spoken, and undyingly kind person in real life. 54 FALL COUTURE Leslie Locke takes a look at some of the top couture contenders in Paris and how they fared.
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58 FROM PARIS, WITH LOVE Monique Lhuillier has consistently delivered an ultra-feminine aesthetic over the years, drawing inspiration from floral prints and botanicals and incorporating laces, tulles, and chiffons. Now, as Elizabeth Kurpis reports, she takes her finely tuned fashions and—for the first time—puts them on display in Paris, where they shine. 66 ROLLING THROUGH THE BREEZE What began in the 1950s as a military invention of ingenuity and portability became the icon of breezy style for decades to come. Brooke Kelly weighs in on the eMoke craze that’s sweeping America. 70 THE DALMORE WHISKEY TRAIL: FROM EDINBURGH TO THE SCOTTISH HIGHLANDS Q contributor Elizabeth Kurpis takes a journey for an education in whiskey.
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78 RALPH LAUREN: FIFTY YEARS OF FASHIONING THE AMERICAN DREAM Daniel Cappello bends back the pages of Rizzoli’s recently updated Ralph Lauren, looking back on 50 years of truly inimitable American style. 84 TOP TRENDS From classic plaids to stylish shearling, Q’s Leslie Locke and Elizabeth Meigher guide us through all the latest trends that are sweeping the fall runways.
C O V E R
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Lisa Taylor photographed by Frank Horvat for Glamour magazine, 1972, wearing an orange, black, and green plaid pea coat over a green plaid pleated skirt, with a Worldly Goods by Paul L bag slung over her shoulder (Frank Horvat/ Condé Nast via Getty Images).
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27 NOSTALGIA A gathering of fall scenes past, from fresh preppy faces at Smith College in the 1940s to a casually chic Carolina Herrera at her autumnal best in the ’70s. 32 JEWELRY Elizabeth Taylor was a princess of the silver screen— and the queen of diamonds. Now, Ms. Taylor inspires us as we source some very fine stones to call our own. 34 JACKETS Jackie rocked a classic trench while stepping out in London, and we have some modern takes on a classic silhouette to get you through the fall days ahead.
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36 SUNGLASSES The days may be getting shorter, but not the need to shield your eyes from those rays, so browse our assortment of favorite new sunnies to accessorize with. 37 BOOTS It’s the most wonderful time of the year—boot season, that is. From over-the-knee styles in fetching colors to the chicest new booties on the market, we cover them all. 40 MEN’S ACCESSORIES Channel your inner 007 and go for a test drive in the latest, greatest, and fastest Jag on the market—along with some other swank gadgets and gizmos.
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94 Q FOCUS From the island of Manhattan to the tip of Long Island, New York proved to be quite the playground for fun these past few months. Here are the parties to prove it. 104 BEAUTY Some of the latest products for primping, to keep you, your skin, and your locks looking their best. 106 EVENING LOOKS Fall galas are calling, which means it’s time to coordinate some stunning looks for when night falls.
MAKE SURE WATCH IS CLEAN SILO & BUTTS TO 5% BLACK BACKGROUND
110 SHOPPING INDEX To help you on your fashion journey, a listing of where to buy the looks featured in our pages.
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112 HOROSCOPES Advice from the universe as the harvest moon rises, with some scenes from around the world.
Q U I N T E S S E N T I A L
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ELIZABETH MEIGHER
EDITOR-IN-CHIEF
EDITOR
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friends from Brearley. All of us were about 10-years-old-going-on-16, and we watched in awe as Kim MacAfee (i.e., AnnMargret) lived out every teenage girl’s dream on-screen. Having just been “pinned” by her handsome high school boyfriend, Kim spends “Telephone Hour” with her fellow teenagers in Sweet Water, Ohio, filling them in on her recent juicy news, as she gleefully declares how “lovely it feels to be a woman.” And if all of that doesn’t sound enthralling enough, Kim is also chosen to kiss teen heartthrob Conrad Birdie on the Ed Sullivan Show before he is sent off to the army. The teen dramedy predated the whole Grease/Grease 2 and John Hughes coming-of-age film phenomena, and hints of it can be spotted in many of its successors (think Olivia Newton-John and John Travolta dancing up a storm at Rydell High’s school dance, Ferris Bueller shimmying to The Beatles’ “Twist & Shout,” auburn-haired Molly Ringwald with all of her deliciously heart-wrenching teenage angst…). In this issue, Q contributor extraordinaire Liz Smith serves up Ann-Margret with thoughtful consideration, explaining that while the tawny-haired, Swedish-American actress has indulged an over-the-top life of wanton abandonment on-screen and onstage, in person she is in fact modest, soft-spoken, and undyingly kind. It’s almost hard to imagine Ann-Margret as “softspoken” when conjuring up images of her and Elvis Presley (the real-life Conrad Birdie) sizzling on the beach in Viva Las Vegas. In the movie, Lucky Jackson (Elvis) goes to Las Vegas to participate in the city’s first annual Grand Prix Race. However, his racecar, an Elva Mk. VI, is in need of a new engine in order to compete in the event. If only he had had a Moke for cruising around Vegas with Ann-Margret… Enter the new eMoke! Brought about by Todd Rome, mastermind behind private jet-air carrier service Blue Star Jets, the eMoke is an upgrade to the original celebrity favorite British Moke (features of the new model include extended leg room and trunk space, a modern sound system, and a top-notch lithium battery). Brooke Kelly, Q’s ace associate editor, interviews Rome about these sexy new wheels that are poised to take America by storm—from Hawaii to the Hamptons. In more news for those with a taste for adventure (and a sip or two of luxury single-malt whiskey), travel the Dalmore Whiskey Trail from Edinburgh to the Scottish Highlands with Q contributor Elizabeth Kurpis. Begin at The Balmoral hotel (Gaelic for “majestic dwelling”), home to one of Edinburgh’s largest whiskey collections, and soak in Harry Potter-esque vibes of Edinburgh Castle before beholding the massive 12-by-17-foot painting of The Fury of a Stag hanging in the Scottish National Gallery. Only then will the story and the mystique behind the silver 12-point stag adorning each of Dalmore’s single-malt whiskey bottles be revealed. Speaking of luxury and style, nothing portrays either more plainly than American fashion designer Ralph Lauren. In the 50 years since he first founded Polo, which began as a single line of 1930s-inspired neckties, Ralph Lauren has never lost his reverence for the golden age of American and British style. Throughout the years, Ralph Lauren—both the man and the brand—has delivered a stylish, quality product to consumers at every price point, from the high-end Purple Label and Ralph Lauren Collection lines Counterclockwise, from top right: Nirav Modi’s Jasmine ring; fashion to the recently reinvigorated Polo brand. Q and Quest deputy icon Jane Birkin sporting colorful fall plaids back in the day; Oscar editor Daniel Cappello picks up Rizzoli’s 50th-anniversary edition de la Renta’s sapphire pony hair Frederikke boot; the Moke makes of Ralph Lauren to look back on the eponymous fashion label a major comeback; catching plaid trends on the Calvin Klein runway; that redefined American style—and launched the concept of a Monique Lhuillier makes her first-ever Paris debut for Spring 2018; complete luxury-lifestyle brand, from accessories and clothing to Liz Smith chronicles the formidable Ann-Margret; seasonal shades home, house, travel, and more. As the designer himself once said, from Oscar de la Renta; J.McLaughlin’s Annie tote; Q contributor “I don’t design clothes, I design dreams.” u Elizabeth Kurpis reporting on The Dalmore whiskey from Scotland.
ELIZABETH MEIGHER EDITOR
Lon do n M i s h er P ub li c Re la ti o n s ; Kes s le r St udi o ; M ustaf a Kacar
I remember watching Ann-Margret bop and twist in the ’60s-era flick Bye Bye Birdie after school one day with a few
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Liz Smith > Liz calls herself the 2,000-year-old gossip columnist. These days, she is focused on her column for New York Social Diary. In her latest for Q, Liz talks about the divine Ann-Margret, explaining that while the tawny-haired Swedish-American actress has indulged in some over-the-top roles on-screen and onstage, in person she is in fact modest, soft-spoken, and undyingly kind. “Let’s face it,” as Liz puts it, “in real life, had she been even a little bit like her character in, say, Bus Riley’s Back in Town, the woman would be in a jar, in a lab someplace.” For more, turn to page 44.
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Elizabeth Kurpis > Elizabeth may be a high-profile lawyer by day, but she is also known for her involvement with New York charities. She works closely with the American Museum of Natural History, The Frick Collection, and Memorial Sloan Kettering’s Associates Committee. Elizabeth has a natural eye for fashion, and in this issue she writes about Monique Lhuillier’s first-ever runway show in Paris, where the designer débuted her Spring 2018 collection (p. 58). Our globetrotting contributor also heads to Scotland in this issue, unearthing secrets behind the history and production of The Dalmore whiskey (p. 70).
66 Daniel Cappello > Daniel is the deputy editor of Quest and Q and the author of the books The Ivy League and Dinner Diaries: Reviving the Art of the Hostess Book, each published by Assouline. As a former fashion director, he still keeps an eye out for the latest styles. In this issue, apart from selecting fall trends for men and some must-have accessories for both ladies and gentlemen, Daniel picks up a copy of Ralph Lauren, which Rizzoli just expanded and reissued in honor of the designer’s 50th anniversary in the industry. For a look at how Lauren has fashioned the American Dream for 50 years, flip to page 78.
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44 < Leslie Locke is an editorial assistant for Quest and Q. She is also bringing her savvy sense of technological know-how to both print publications. In this issue of Q, she takes readers through the fall couture shows in Paris and identifies the top trends seen on the ready-to-wear runways of the fall season. Leslie’s grip on giving good advice doesn’t end at fashion; she’s an ace at doling out some life lessons and travel dreams based on individual astrological signs. Leslie lives on the Upper East Side but is constantly exploring downtown Manhattan, where she attends NYU.
58 < Brooke Kelly is a graduate of Tufts University and is the associate editor for Quest and Q magazines. For this issue, she introduces the eMoke. This new, electric version of the British classic Moke vehicle is poised to take America by storm, and has become the musthave emblem of carefree chic. She then takes readers coast to coast and reports on the hottest parties of the summer season into fall, and ultimately reveals the best new beauty products to keep your skin young and clear—and your scent fresh. Outside the office, you can find her wandering the streets of the East Village or playing tennis.
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Pet e r Sta c kp o le / G e tty I m ag es f o r th e LIFE P i ct ure C ol le c ti o n
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fall fashion look from the 1970s; 4. Andy Warhol, founder of the Factory and father of the artsy crowd, with one of his favorite muses, Edie Sedgwick, in 1966; 5. Lauren Hutton sports a Yankees cap at a 1985 Armani fashion show. > Opposite page: 1. Debs line up for their first dance in 1961; 2. The Duke of Marlborough at the Epsom Derby, 1975; 3. Marisa Berenson posing for Vogue in 1968; 4. A Dartmouth College party, 1937; 5. Jane Birkin sporting fall plaids, circa 1965.
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This page: 1. Diane and Potter Palmer and family in Lake Forest, Illinois, 1958; 2. Tracy Weed photographed by Richard Davis in 1971 for British Vogue; 3. A collegiate
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1969; 2. University of Southern California song girls cheering during the 1968 fall football season; 3. Alain and Nathalie Delon pose for the camera in 1967; 4. Carolina Herrera—the epitome of fall chic, circa 1970; 5. The actress Mia Farrow and the actor Laurence Harvey taking in Cardin looks for an upcoming film in 1967.
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Al am y
1. Rolling Stones guitarist Keith Richards, his wife and “it” girl of the day, Anita Pallenberg, and their son Marlon at London’s Heathrow airport in December of
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J E W E L RY
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4 Françoise Hardy might be better known for rocking a guitar as her most valued accessory, but the French singer-songwriter has chic written in her Gallic bones, down to every last strand of DNA (or necklace, as seen here). This season, we were inspired by classic and colorful pieces to up the ante in our own jewelry boxes. We’re stepping out in a lot of malachite—from Roberto Coin’s ear jackets to Chopard’s Happy Hearts sautoir—and adorning our fingers with an array of dazzling and bold rings. As for a new pair of statement earrings? We’re into this one-of-a-kind set by Dana Rebecca Designs.
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1. ROBERTO COIN Black Jade ear jackets in rose gold with malachite and diamonds; $4,600. 2. HARRY WINSTON HW Logo diamond bangle bracelet in 18-kt. rose gold; $8,600. 3. CHOPARD Happy Hearts 18-kt. rose gold, diamond, and malachite necklace; $47,010. 4. WEMPE Butterflies diamond ring; $2,475. 5. MIKIMOTO From the Four Seasons Collection, this White South Sea cultured pearl ring in yellow gold features diamonds, amethysts, green tsavorites, pink and purple sapphires, and Paraiba tourmalines; price upon request. 6. DANA REBECCA DESIGNS One-of-a-kind earrings in 14-kt. white gold and diamonds with green and pink tourmalines; $5,060.
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S T Y L E J E W E L RY
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4 5 Elizabeth Taylor was more than just a superstar of the silver screen—she was a superstar in the world of high jewelry. It’s no secret that Taylor loved her stones and ice; one of the world’s most famous diamonds even bears her name: the supposedly “cursed” Taylor-Burton Diamond, also known as the “first” million-dollar diamond due to its unprecedented value. Although few of us can claim a rock that bears our own name, that doesn’t stop us from collecting high quality cuts of our own. And all of the gems offered on this page provide, we think, a very substantial head start.
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1. DE BEERS From the recently introduced Lotus by De Beers High Jewelry collection, the Radiating Lotus Necklace features white diamonds set in white gold; price upon request. 2. VERDURA White coral, gold, and diamond Net Drop earrings; $7,950. 3. EF COLLECTION Eternity bracelet in diamonds and yellow gold; $3,350. 4. JOHN HARDY The Legends Naga ring in brushed 18-kt. yellow gold and white diamonds; $3,700. 5. NIRAV MODI The Jasmine ring, composed of specially developed Jasmine-cut diamonds, captures nature’s intuitive sense of balance and is crafted as a blossom that creates a perfect silhouette; $25,000. 6. VHERNIER Tourbillon earrings in 18-kt. rose gold and diamonds; $11,400.
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JACKETS
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Street Smart Jacqueline Kennedy elevated the status of fashion as first lady, and she continued to set trends in the years after leaving the White House. As Jackie Onassis, her street style set the standard for the way we know it today. Jackie’s striped tees, oversized sunglasses, wide-legged trousers, and—of course—perfectly tailored coats and trenches (as seen here in a look from 1970) epitomized everyday style. Hints of her relaxed, casual approach can still be seen walking down the runways today.
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1. BURBERRY Wool-cashmere tailored coat from the British house of Burberry; $1,795. 2. DOLCE & GABBANA Double-breasted wool pea coat with bejeweled buttons in black; $2,675. 3. CAROLINA HERRERA A look from Carolina Herrera’s Fall 2017 collection; visit carolinaherrera.com for this and similar styles. 4. OSCAR DE LA RENTA A look from Oscar de la Renta’s Resort 2018 collection; visit oscarderlarenta.com for more. 5. FENDI For the bold at heart comes this Fall 2017 red coat with fur-trimmed arm cuffs from Fendi; visit fendi.com/us for this and similar styles. 6. MILLY This modern trench from Milly’s Resort 2018 collection is a classic take on a staple that every woman will want for her wardrobe; visit milly.com for more. 7. HERMÈS Blue tailored top from the Hermès Resort 2018 collection; visit hermes.com for more.
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DISCOVER THE NEW AUTUMN WINTER COLLECTION
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SUNGLASSES
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Repelling The Rays Candice Bergen, like many other actresses, often took refuge from the public eye behind a pair of stylish sunglasses. Her onscreen career flourished as the Emmy and Golden Globe nominations rolled in, especially for her starring role on Murphy Brown in the late eighties and early nineties. The show—with a single mom as the main character—was controversial, but Bergen was always a pioneer. Be a trailblazer of your own, and don’t forget to pick up a sleek pair of sunglasses to stash for those autumn rays.
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7 8 1. J.MCLAUGHLIN Ace polarized sunglasses in gold and leopard; $120 at select J.McLaughlin boutiques and jmclaughlin.com. 2. OSCAR DE LA RENTA Swarovski crystal metal-acetate aviator sunglasses; available for $360 at oscardelarenta.com. 3. TORY BURCH Graphic Square sunglasses with polarized lenses; $165 at toryburch.com. 4. BURBERRY Square Frame sunglasses in black; available at burberry.com for $235. 5. PRADA Cinéma sunglasses with bold square black acetate frame and double metal bridge; $495 at prada.com. 6. DIOR Blue “DiorStellaire2” sunglasses with gold-tone metal frame; exclusively at Dior boutiques. 7. RAY-BAN Chromance sunglasses with silver mirror lenses; $210 at ray-ban.com. 8. VALENTINO Oval-shaped metal sunglasses with Swarovski crystals; $380 at valentino.com.
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Q U I N T E S S E N T I A L
S T Y L E BOOTS
High And Low
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Françoise Hardy reinvented her successful singing career in a way we hope to reinvent our fall wardrobe—with a few pairs of killer boots. With an effortless chic girl–next–door attitude and a singular way of rocking knee-highs, the French pop icon might be hard to top but is still very much worth emulating. Hardy collaborated with famous singers like Leonard Cohen, Serge Gainsbourg, and Patrick Modiano, and was adored by the likes of Bob Dylan and Mick Jagger. This season, grab some attention of your own in a pair of these over-the-knee or over-the-top boots.
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2 5 1. FENDI Burgundy velvet cuissard boots from Fendi will make any outfit top-notch; $1,350. 2. ZARA This modern approach to the chunky heel will make these patent leather boots from Zara your go-to on a Friday night;
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$159. 3. STUART WEITZMAN These classic over-the-knee boots will carry you through to spring, from Stuart Weitzman; $798. 4. OSCAR DE LA RENTA You’ll catch a lot of attention in Oscar de la Renta’s sapphire pony hair
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Frederikke boots; $1,590. 5. JIMMY CHOO Zip up into these silver python Jimmy Choo booties with fox fur pom-poms anytime you want to be the center of attention; $1,995. 6. LAURENCE DACADE Be a star in these Laurence Dacade glitter block heels with tonal piping at the heel and toe; $940.
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CLUTCHES
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Under Your Clutch Nan Kempner remains to this day a venerated style icon; she’s even had a Met exhibit in her honor. Nan could do no wrong when it came to fashion, down to every last finishing touch, including her clutch. She had a skinny frame but a personality that was larger than most. Still, Nan was more than just a tour de force of fashion—she was a friend to many, often inviting them into her home for Sunday supper. When stepping out, she was known to wear extravagant shoes, sweeping skirts for evening, and maybe well-tailored trousers for day. As Diana Vreeland once said, “There are no chic women in America. The one exception is Nan Kempner.”
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1. EDIE PARKER The Jean, a staple in Edie Parker’s arsenal, has become a modern icon for women everywhere, with every season bringing it to new light. This fall, grab and go with the Jean Lonely Heart in gold glitter; $1,295. 2. GUCCI Reach for the royal in you with Gucci’s Queen Margaret matelassé leather clutch; $2,590. 3. OSCAR DE LA RENTA Embroidered velvet Rogan box clutch; $1,590 4. JIMMY CHOO The Trinket Glitter Mesh clutch in Champagne: a classic, tube-shaped clutch with rich metal-frame closure and a feminine and timeless style. Made in Italy, the Trinket features snap closure with a double clasp, making it easy to open and use; $975.
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S T Y L E HANDBAGS
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Armed & Ready Diana, Princess of Wales, holds a special place in the hearts of people around the world, and her iconic style continues to captivate audiences to this day. Although royal comparisons have been made (Kate Middleton, Duchess of Cambridge, and the wife of Diana’s eldest son, William, is often compared to the late princess), Diana will always claim a fashion sense all her own. Even at her most relaxed or on the go, her sense of chic was unwavering.
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1. DANSE LENTE The mini Lorna bag in white, with its fetching design and color pattern that goes with just about everything; $495 at danselente.com. 2. J.MCLAUGHLIN The Annie leather tote in natural leather will carry you through all of fall’s days—this year and for years to come; $368 at jmclaughlin.com. 3. NEELY & CHLOE The No. 33 Market tote in suede, lined in cotton twill with three interior pockets, a braided leather shoulder strap, and leather tassel; $298. 4. HERMÈS A look from the Hermès Resort 2018 collection; for this and other handbag styles, visit hermes.com. 5. FENDI Fendi’s Resort 2018 collection offered some novel approaches to the handbag; visit fendi.com for this and other styles. 6. LOUIS VUITTON With hardware, chains, and studs, bags held their own going down Louis Vuitton’s fall runway; us.louisvuitton.com.
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Roger Moore took over the role of James Bond from Sean Connery in 1972 and made his first appearance as 007 the following year in Live and Let Die. We think Moore did more than okay when stepping into Connery’s shoes. As any aspiring Bond knows, it doesn’t hurt to have a cool accessory of few, like a top-of-the-line sports car or slick new pair of shades, both of which go a long way. This fall, we fell for some must-have novelties that aren’t just macho—they’re mandatory.
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1. GHURKA Get ready for the day with Ghurka’s Woodward backpack in black twill with red stripe; $1,545. 2. CREED Spice and Wood, part of the house of Creed’s Les Royales Exclusives Collection, combines lemon, warm clove, aromatic apple, and cedarwood; $545. 3. NACHTMANN Punch things up with Nachtmann’s Punk Collection tumblers in black and orange; $19.90/tumbler. 4. WEMPE The brand-new Wempe Zeitmeister Sport Chronograph; $6,900. 5. SAINT LAURENT BY ANTHONY VACCARELLO Slip on Saint Laurent’s gold sunglasses for fall in metal and acetate; $585. 6. JAGUAR High-tech engineering combines with classic design in the F-Type Project 7, the fastest Jaguar ever; for more, visit jaguar.com.
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Home Securities Jacqueline Kennedy knew how to make a house a home—and how to bring it to life. Watercolors, oils on canvases, books on the shelves, and flowers in vases were but a few of the trappings with which she surrounded her family and herself. Jackie knew that every detail counted, and we couldn’t agree more. There’s a reason each of these delights for house and home caught our eye, and we’re pretty sure you’ll enjoy one—if not all—of them yourself.
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1. THOUSAND HELMETS Epoch Collection helmet in Willowbrook mint with copper hardware, vegan leather straps, and two sets of interior padding for a custom fit; $115. 2. BONTERRA Celebrate 30 years of Bonterra Organic Vineyards with the maker’s Sauvignon Blanc, offering hints of grapefruit, kiwi, and freshly cut grass; $14. 3. LINDA HORN Limited-edition set of glass perfume bottles in three shapes with stoppers; $195. 4. HERMÈS Bread and butter plate from the fashion house’s Tie-Set Collection; $85. 5. MAYRA FEDANE Robot Wars keychain in leather; $150. 6. LALIQUE Transform your bathroom with the Lalique Causeuses vanity by Pierre-Yves Rochon in crystal, nickel, and marble; $105,000. 7. RIEDEL Colorful stems enhance Riedel’s Fatto a Mano New World wine glasses, shown in white and green; $100/glass or $540/set of six.
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Cool Coats Alain Delon achieved critical acclaim for so many performances, including his title role in the 1960 Italian flick Rocco and His Brothers. Rocco, born to an immigrant family in the south, moves to Milan to join his brothers and struggles to adapt to a new life in northern Italy. This season, if the winds of change blow your way, take refuge in a new fall coat to call your own. We think any of these will do the trick.
1. RALPH LAUREN Camelhair double-breasted top coat ($2,495) and Blackwatch plaid wool sport coat ($995) from Polo Ralph Lauren. 2. SALVATORE FERRAGAMO Suede coat ($7,550) and wool button-up ($990). 3. JOHN VARVATOS The “Vintage” shearling coat, with modern attributes like exposed raw-cut trim and slit hip pockets; $3,698. 4. VALENTINO The Men’s Fall/Winter 2017 Look 16 coat ($3,395), sweater ($695), pants ($925), and hat ($575). 5. GUCCI Bister-natural white-rosebud vintage coat with patch details ($2,850), Live red acetate shirt ($750), Prairie red and Savoy yellow wool ’70s pants ($1,100), and fringed scarf ($610). 6. PRADA Prada jacket ($2,050), shirt ($640), and pants ($1,350). 7. OVADIA & SONS Jimmy car coat in black with Type-01 Hoody in camo ($225), checkerboard beanie ($98), and Jungle boot in black ($350).
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©2017 Stark Carpet Corp. ©2017 Stark Carpet Corp.
B R I N G YO U R R O O M T O L I F E INTRODUCING THE SAPPHIRE COLLECTION TO THE TRADE
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Shale B R I N GRug: YO UStorm R R #STARKTOUCH OOM TO LIFE Room Design by Bradfield & Tobin for Holiday House Soho
INTRODUCING THE SAPPHIRE COLLECTION TO THE TRADE
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This page: Ann-Margret tearing through the Las Vegas desert on a motorcycle, photographed by Douglas Kirkland, 1971. > Opposite page: A publicity shot of Swedish actress and singer Ann-Margret, circa 1960.
“I just want to thank you for always being so good to my wife. She appreciates it very much. I do, too.” Those were Roger Smith’s last words to me, after I’d sat with his wife, Ann-Margret, backstage in Philadelphia, where she was appearing in a modest but highly entertaining road-company production of The Best Little Whorehouse in Texas back in 2002 I’d interviewed Ann-Margret quite a few times by then, and more chats would follow. But this became my favorite memory of the flame-haired star, because it involved her husband. (Several years previously we’d met to discuss some film she was promoting.) I found her lovely and shy as usual—shyer, actually, and more than a bit distracted. Finally, she asked if we could end the talk. “Roger isn’t feeling well.
by
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Liz Smith
He’s in the bedroom. Do you mind?” Of course, I didn’t. Although such is her cooperative personality, I felt that if I’d said, “We didn’t get enough,” she’d have continued. In Philadelphia, however, she was on fire. Perhaps it was the energy of having just come off stage. She was totally adorable and welcoming in her dressing room. She showed me her costumes like an excited child (“Look at the beading! Look how well it’s sewn!”), raving about her onstage co-stars, and getting misty-eyed talking about Elvis. Being something of an expert on her film career—which always seemed to astonish and please her—I joked around a bit about her famously over-the-top juvenile-delinquent saga, Kitten with a Whip. Emboldened by her mood, I began
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devotion to Rydell—despite her swooning and carrying on for visiting rock-‘n’-roll star Conrad Birdie. (She was playing a small-town high schooler.) What did her sleepy, sexy eyes say? That no matter what the script indicated, her character of Kim MacAfee was one wild, hot number! Ann-Margret’s director, George Sidney, clearly obsessed with the rising goddess, had subverted the screen adaptation of the Broadway hit into a vehicle for Annie, overshadowing gorgeous veteran Janet Leigh—who thought it was her movie—and another newcomer, Dick Van Dyke. Across America, when that big Technicolor screen opened on Ann-Margret running toward the camera against a vivid blue background, singing the title song, millions of men went, “WOW!” The wow was even more pronounced when the director closed the movie with the same set-up. Only this time, Annie’s thin beige dress was both tighter and cut lower,
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throwing out some of her more wacky lines from the film, which, incredibly, she remembered. She was laughing hysterically when Roger Smith walked in. Her face, already radiant, blossomed even more. “Roger! Roger! Listen to this!” A bit embarrassed, I did the lines again and he also laughed heartily. “My God, how do you two remember that? Go on the road with this act!” Ann-Margret had stood up, and Roger leaned in and gave his wife a huge, enveloping hug. Their mutual love and respect was touchingly obvious. Roger Smith died this year, and the couple’s 50-year love affair ended—a great chunk of her life and her career. And what a career it has been! “What do my eyes tell you?” asked 22-year-old Ann-Margret to music heartthrob Bobby Rydell in 1963’s movie musical Bye Bye Birdie. Ann-Margret’s eyes were supposed to indicate her undying
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This page, clockwise from top left: Ann-Margret in the film Kitten with a Whip, 1964; the movie poster for George Sidneyâ&#x20AC;&#x2122;s 1963 Viva Las Vegas, starring Ann-Margret and Elvis Presley; Ann-Margret sings onstage in a production number from a television variety special, 1967; Ann-Margret at the Ambassador Hotel in Los Angeles, California, for the 27th Annual Golden Globe Awards; Ann-Margret and Roger Smith cutting into their cake on their wedding day in Las Vegas, Nevada, May 8, 1967; Elvis Presley as Lucky Jackson and Ann-Margret as Rusty Martin in Viva Las Vegas, 1964. > Opposite page, left to right: Ann-Margret holding four aces from a pack of cards in a scene from The Swinger, 1966; the photographer Harry Langdon captured Ann-Margret in action during a portrait session in Los Angeles, California, 1972.
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and she put the song across like a sex-machine. Her stardom, as the heir to the recently deceased Marilyn Monroe—or as America’s Bardot—seemed inevitable. Ann-Margret never became Monroe or Bardot, which in both cases (certainly Monroe) was all to the best. I recall being aware of her for the first time when she appeared on the Oscar telecast in 1962 and sang a nominated song from the movie Bachelor In Paradise. She had a good voice, but this girl also sang with her hips, her lips, and her continuously tossed mane of tawny hair. She had already developed all the little mannerisms and gestures that would become indelible to her image. That night, Hollywood sat up and took notice. In fact, they stood up, and gave her a standing ovation! On-screen she’d been Bette Davis’s sweet daughter in Pocketful of Miracles. Nobody was really expecting this powerhouse of sensuality. Then she displayed her first major screen sizzle—and impressive acting chops—in the remake of State Fair. After Birdie she had become one of Hollywood’s hottest properties. (In 1963 she was called upon to warble “Baby, Won’t You Please Come Home” to President John F. Kennedy at a private birthday party at the Waldorf Astoria. The year be-
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fore, of course, it had been Monroe’s “Happy Birthday” serenade. JFK was nothing if not consistent.) Unfortunately—but not really, as things turned out—Hollywood was going through a great transition, and nobody knew just what to do with Ann-Margret. To exploit her sex appeal was the primary goal, without much thought to corralling that appeal. She and her blatant sensuality were thrown into movie after movie, some good, some bad, some so bad they were good. (Witness the immortal Kitten with a Whip— it’s ridiculous, but she acts the hell out it!) She easily stole Viva Las Vegas right from Elvis, incurring the wrath of Presley’s manager, Colonel Tom Parker. (Viva was another George Sidney production and his camera was even more adoring and invasive.) I once asked Ann-Margret about Sidney’s obvious infatuation with her. As usual, she sweetly deflected the question, referring to him as “Mr. Sidney,” and said how grateful she was for his interest and his talent. Ann-Margret, with a penchant for too many wigs, too many pairs of eyelashes, too much overstated oomph, was getting lost under her publicity and her Pan Stick. She could be—she was—a sensitive actress, but her own and Hollywood’s tendency to rely on her most negotiable assets began to wear thin. She was a natural talent, a real triple-threat girl who could act, sing, and dance. The problem was, she was born too late. Had she been groomed by the old studio system, great roles would have been found and written for her, and her explosive sexual energy harnessed. (The writhing, pouting Ann-Margret of her roles is a totally different woman from the quiet, restrained lady one meets in person. Like her friend Tina Turner, she has two very distinct personalities.) Early in her career, Ann-Margret was thrown into movie after movie without much thought. She worked a lot. Too much: Made In Paris, The Pleasure Seekers, The Cincinnati Kid, Once a Thief—very good in that, opposite Alain Delon, but Ann-Margret exhaustion was setting in. It all seemed to culminate with George Sidney’s third and final movie with Ann-Margret, The Swinger, in 1966. It seemed to be a horny, perhaps frustrated, homage to the wild image of his star, despite the fact she played a good girl who just happened to fall into naughty adventures. There was a dance/body painting sequence that bordered on lurid. It was a long way from Bye Bye Birdie. The film critic Pauline Kael once wrote that Ann-Margret’s persona “invited gang rape.” The following year, with her career apparently plummeting and her style increasingly over the top, Ann-Margret made the best decision of her life—and career. She married actor Roger Smith, who became her manager and slowly rehabilitated her career. Vegas and TV specials seemed just right. There were some forgettable European entries (Rebus) and unsuccessful attempts to alter her image, or spoof it (R.P.M., C.C. & Company). Finally, in 1971, she snared the role of Bobbie, the voluptuous, insecure model, opposite Jack Nicholson in Carnal Knowledge. Although she’d been just as good
Alam y S to ck P h o to ; Mo n da do r i Por tf o li o v i a G e tty Im ag e s; B e ttm a n n / Ge tt y Im a ge s ; Ala m y Stock Photo; AP/R E X/Shutterstock; Metro-Gold wy n-Mayer/Time Warner
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This page, clockwise from top left: Jack Nicholson and Ann-Margret smiling while looking into each other’s eyes in the film Carnal Knowledge, 1971; Ann-Margret performs a song and dance during Bob Hope’s annual Christmas concert for 20,000 GI’s in Long Binh, South Vietnam, on December 23, 1968; a publicity shot of the glamorous Swedish actress; Ann-Margret and Dean Martin on set of the film Murderers’ Row, 1966; Ann-Margret and Bobby Rydell dance during a scene from Columbia Pictures’ Bye Bye Birdie, 1963; the movie poster for Made in Paris, a 1966 romantic comedy starring Louis Jourdan, Ann-Margret, Richard Crenna, Edie Adams, and Chad Everett. > Opposite page: A publicity portrait of AnnMargret wearing a sequined jumpsuit, circa 1970.
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appearance on Law & Order: SVU several seasons back.) She remained (and remains) dazzling to look at. In 1972, Ann-Margret fell from a 22-foot platform while performing in Nevada. Her beautiful face was crushed. Fans and the media were riveted—would she ever work again, would she ever look the same? Yes, and yes, on both counts, and better than ever. This near-tragedy and her amazing comeback 10 weeks later—in front of a screaming, dazzled audience and the world’s press—imbued her with the proper stellar mythology. Shortly after, she was given her star on Hollywood’s Walk of Fame. In the years since, there has been so much fine work: Magic . . . The Return of the Soldier . . . Tommy . . . I Ought to Be in Pictures . . . Joseph Andrews (brilliant!) . . . The Cheap Detective (insanely funny as Jezebel Dezire, “accent on Dezire”). And
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in other films (Carnal director Mike Nichols thought she was a superb actress). Hollywood was in one of its odd “let’s give so-and-so a break” moods. She received rave reviews and an Oscar nomination. She was “back,” but she—and Roger Smith—knew that her time to become another Monroe or Bardot had passed. From now on, her career would be carefully and very successfully steered among films, the stage, and TV. With the help of hubby Roger and manager Allen Carr, she slowly rebuilt her reputation. Onstage she could be as wild as she wanted to be. Even after a second Oscar nod for Tommy, she never quite became the great movie star it seemed for a hot minute she might be—the next Marilyn. Thank goodness! She accepted interesting, amusing supporting roles, and her career has maintained its staying power. (She won an Emmy for her guest-starring
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This page, clockwise from top left: Ann-Margret sings into a large mic during a recording session for the album Beauty and the Beard, released by RCA Victor in 1962; Arnold Schwarzenegger and Ann-Margret in a scene from The Villian (also released as Cactus Jack), 1979; Elvis Presley and Ann-Margret report to MGM studios in Los Angeles to begin rehearsing the songs theyâ&#x20AC;&#x2122;ll sing together in Viva Las Vegas, 1963; Roger Smith and Ann-Margret in the back of a limo in New York City, 1970; Ann-Margret in a film still from Going in Style, 2017; Ann-Margret consults with costume designer Don Feld about what sheâ&#x20AC;&#x2122;ll wear during a screen test, 1961; Ann-Margret at The Waldorf Astoria hotel in New York City, 1972. > Opposite page: Bobby Rydell and Ann-Margret dancing in a scene from Bye Bye Birdie, directed by George Sidney, 1963.
I ma ge s ; R i c h ard B la n sh ard/ G e tty I m ag es ; Wa r n e r Bro s .
Alam y S to ck P h o to ; Ty le r Go lde n; S i lve r Scre e n C o lle ct i on /H u lto n A r c h i ve / Ge tty
great TV movies: Who Will Love My Children? . . . A Streetcar Named Desire . . . and—to me, her glorious apogee—The Two Mrs. Grenvilles. Not to mention being a wonderful addition to films such as the Grumpy Old Men series and Any Given Sunday. I’ve interviewed Ann-Margret many times, and have found her, not surprisingly, to be the total opposite of the image we carry and the one she loves to play with publicly. (Let’s face it, in real life, had she been even a little bit like her character in, say, Bus Riley’s Back in Town, the woman would be in a jar, in a lab someplace.) She is modest, soft-spoken, and invariably kind. She would die—I think literally—before uttering one unflattering remark. Her normalcy is actually mesmerizing! She is such a paradox, this lovely woman. She has managed to live out a wanton life on-screen and onstage, indulging her fantasies, while remaining a genuinely nice person—compassionate and easily wounded. I can’t help but go back to the afternoon in Philadelphia, backstage, with Ann-Margret and Roger. “Thank you for being so nice to my wife,” he said. If you can’t be nice to Ann-Margret, give in your humanity card! I love her and respect her. And I know, even without her husband’s strength and guidance, she will survive and, in time, return and prevail. u
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This page, clockwise from top left: A portrait of Swedish-born actor, singer, and dancer Ann-Margret, circa 1964; Ann-Margret at a Golden Harvest press launch for the film The Return of the Soldier; Carol Lynley, Pamela Tiffin, and Ann-Margret in a publicity shot for the film The Pleasure Seekers, 1964. > Opposite page: John Wayne and Ann-Margret star in the 1973 Western Technicolor film The Train Robbers, directed by Burt Kennedy (above); Ann-Margaret at the TCM Film Festival, 2015 (below).
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This page: Images from the couture collections of Chanel (right) and Valentino (insets). > Opposite page: Christian Dior’s Fall 2017 couture collection took place at the Hôtel des Invalides, which made for a beautiful backdrop to a stunning collection.
Fall Couture by
LesLie Locke
Even the most successful brands need a moment to celebrate themselves. Twice a year, the couture collections of major fashion houses allow the fine craftsmanship of the brands to shine. Whether it’s the feathers of Chanel or Christian Dior’s silhouette-focused tailoring, the couture shows give these houses a glamorous moment to show off their best attributes, and they rarely hold back. Couture collections are the only ones presented during the months in which they are meant to be worn, and are created as singular works of art—not for mass production— which means only a special few are ever lucky enough to wear them. Here, we take a look at the top three this season.
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> Christian Dior A strong theme for Christian Dior’s Fall 2017 couture collection stemmed from travel and exploration— no surprise considering the brand’s designer, Maria Grazia Chiuri, has spent the year globetrotting. Chiuri is, in fact, channeling Mr. Dior himself with the theme of travel. The famous designer believed clothes should encompass the needs of women of all countries. The show itself took place at the Hôtel des Invalides, which made for a beautiful backdrop to a stunning collection. The collection consisted of many heavy menswear fabrics, unusual for a fall couture show. The gray wool jackets, though odd, were expertly crafted, with tailoring measuring up to nothing less than perfection. The show was evened out with several airy dresses made of chiffon or tulle. There was also a selection of stunning silk velvet dresses to remind you that we are headed into the fall season. The dresses in this collection counterbalanced the heavy menswear-inspired looks, with many of them sporting that signature Dior neckline that recalls a 1950s starlet. The show as a whole was a great success, with the beauty of the surroundings perfectly complementing the collection.
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> Valentino With Valentino’s atelier a stone’s throw from the Vatican, it was no surprise that their couture collection was particularly church-inspired. The rich jewel tones mixed with the conservative shape of the pieces made the parallels between Valentino’s runway and the hallowed halls of the Vatican clear. Many ensembles came with a hooded robe or cape reminiscent of cardinals and nuns. The brand’s head designer, Pierpaolo Piccioli, admitted his starting point for the collection was to look at portraits of bishops and martyrs. Scattered throughout the many outfits were hammered-metal bags with mosaic animal heads, which were meant to symbolize the seven deadly sins. A piece or two from this collection might have been intriguing, but the androgynous shape of many of the pieces dragged down the collection as a whole. There were a few beautiful dresses that pulled the show back into the 21st century. Their cutouts and plunging necklines were perfect for the fall social circuit. The heavy church influence on the collection was a bit over the top for us mere mortals. But the rich, silky jewel tones were definitely something we should incorporate into our fall wardrobes—not to mention Valentino’s theme of keeping fashion demure, comfortable, and always put together. > Chanel Karl Lagerfeld created Chanel’s couture show with all the precision that defines the atelier—especially in regard to the Eiffel Tower that was recreated for the show alone. A few attendees second-guessed themselves and thought maybe the iconic landmark had been moved just for Mr. Lagerfeld. The collection itself was not outshone by the spectacular surroundings. The craftsmanship was stunning, from the brocade and the feathers to the tailoring of the voluminous jackets. I would have plucked any of the pieces from the runway to take them home. The nature of the details on these ensembles was unparalleled in other shows of the week. In even bigger news, at the end of the show the mayor of Paris, Anne Hidalgo, presented Lagerfeld with La Médaille Grand Vermeil de la Ville. This honor was bestowed upon him for his incredible career and for being someone who “makes Paris more beautiful and more creative.” The show was buzzing with admiration for the designer and his most recent triumph of a collection. u
This page: A recreated life-sized Eiffel Tower was the centerpiece for the Fall 2017 couture show at Chanel, whose grand couture designs are famously always matched by a grandiose setting. > Opposite page: Valentinoâ&#x20AC;&#x2122;s monastic Fall 2017 couture show took place a stoneâ&#x20AC;&#x2122;s throw from the Vatican.
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This page: Delicate yet modern pink pleats and a ruffled collar define Look 25 from Monique Lhuillier’s Spring-Summer 2018 Collection. > Opposite page: Monique Lhuillier and models backstage at the SS18 Collection runway show in Paris, which was held at the Hôtel d’Évreux on Place Vendôme.
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Ke s s l e r S t u d i o ; Ke v i n Ta c h m a n ( o p p o s i t e )
From Paris, With Love by
ElizabEth Kurpis
In an atelier in the middle of Los Angeles, over 68 artisans work on every detail from cutting and sewing to beading and finishings. Over 3,000 hours later, it’s finally finished—“it” being just one of the show-stopping pieces in Monique Lhuillier’s Spring 2018 collection. The gown consists of strand after strand of silver fringe beads—12,000 to be exact—that shimmy and sashay with any bit of movement. A work of art, no doubt, and, based on the weight alone, a workout for some. The mastery behind Lhuillier’s designs originates in her Los Angeles atelier, something that is becoming increasingly rare in the fashion industry. “All the pieces in the collections are American-made products, something I am proud to say, and the craftsmanship is top notch,” she notes during our phone conversation. As one of the few in high fashion to have chosen the west coast as her home FA L L 2 0 1 7 /
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base, it is important to note this was no accident. Lhuillier grew up in the Philippines until she moved to Switzerland to finish out her high-school years at boarding school. It was there, at age 16, that she realized fashion was her calling. With family in the Los Angeles area already, she decided to pursue a degree in California at the Fashion Institute for Design and Merchandising, a non-traditional locale for someone seeking to pave a path in high fashion. Once she received her degree, she gravitated towards bridal in an attempt to fill a gap in the market that she discovered by way of trying to find the perfect gown for her own wedding day. Eventually this led to designs in evening wear, and, most recently, separates, that go from day to night as well as accessories, including handbags and shoes. Lhuillier has stayed consistent in her aesthetic over the years, always drawing inspiration from floral prints and botanicals, and incorporating the more ethereal and feminine fabrics, such as laces, tulles, and chiffons. Her knack for combining femininity with an edge is what keeps her loyal customers coming back season after season for more. Lhuillier eloquently describes these women as â&#x20AC;&#x153;confident, well-traveled, and quite worldly; women who
C o u r t e s y o f M o n i q u e L h u i l l i e r ; Ke v i n Ta c h m a n ; Ke s s l e r S t u d i o ( o p p o s i t e )
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This page: Monique Lhuillier SS18 Collection Look 38â&#x20AC;&#x201D;a toile-like soft yellow print in the form of a sumptuous ball gown. > Opposite page: Preparing Look 38 backstage before the show in Paris (above); Monique Lhuillier Resort 2018 Collection Look 30 shot outdoors in Paris.
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From left to right, top row: Monique Lhuillier RE18 Look 22 photographed en plein air in Paris; detail of a handbag backstage before the Monique Lhuillier SS18 runway show at Hôtel d’Évreux in Paris; Look 25 hangs backstage in wait at the runway show; models backstage. > Middle row: Models pose backstage before the show; a detail of Monique Lhuillier SS18 Collection Look 36; Look 37, with 12,00 strands of silver fringe beads. > Bottom row: Preparations pre-show; Monique Lhuillier SS18 Collection Look 18; Monique Lhuillier RE18 Collection being photographed in the gardens of Paris.
don’t let trends dictate their style.” With them in mind, she draws her inspiration from everyday living, where even a beautiful piece of fabric or piece of art can trigger a vision. Travel, too, plays a vital role. Growing up, Lhuillier loved to travel, and although she has roots in Los Angeles, it isn’t the only city that holds a piece of her heart. She is half French, from her father’s side, which brought her to Paris every summer as a child. So when Lhuillier was looking to try something new for her Spring 2018 collection, naturally she thought of moving her show to Paris. Not only is it the fashion capital of the world, but she knew the clothes would truly be brought to life against the backdrop of a city that is so architecturally rich. She also knew that showing during Couture, when plenty of her international clientele were in town, wouldn’t hurt either. Lhuillier’s Spring 2018 collection can best be described as a love letter to Paris—an intricate, elegant, and refined nod to what the city’s fashion means to her. All 38 pieces shown
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courtesy of Monique Lhuillier
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exude romanticism and grandeur with the appearance of signature botanical prints; an abundance of ostrich feathers on skirts, dresses, and capes; dramatic, glimmering chevron embroideries; and iridescent, sparkling sequins on simple shifts. Just as impressive is Lhuillier’s ability to seamlessly incorporate consistencies between the Spring 2018 and Resort 2018 collections, the latter of which was photographed while in Paris as well. Although subtle, the similarities can be seen in her use of feathers and florals. This is a strategic play by Lhuillier: both collections will overlap in stores, and maintaining a sense of continuity when the two collections will hang side by side is of upmost importance to her. Although we here in the States will get to see many of these pieces next year on the floors of department stores or in one of Lhuillier’s flagship boutiques, it’s not so clear whether we will be lucky enough to see her show in New York. When asked whether she will continue showing in Paris or come back to New York for Fall 2018, she simply stated that she wasn’t sure just yet. Between huge successes coming out of her show in Paris and the romantic parallels between her designs and the City of Love, can you really blame her? I know I certainly cannot. u
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Ke v i n Ta c h m a n ; c o u r t e s y o f M o n i q u e L h u i l l i e r ; Ke s s l e r S t u i d o ( o p p o s i t e )
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This page: Monique Lhuillier SS18 Collection Look 26 presented during the designer’s first fashion show in Paris, held at the Hôtel d’Évreux. > Opposite page: It’s all in the floral details, down to the shoes, backstage before the runway show (above); Monique Lhuillier RE18 Collection Look 25 captured outside on Plâce Vendome.
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Rolling Through The Breeze
Lon d on M i s he r Pu b li c Re la ti on s
by
What began in the 1950s as a military invention of ingenuity and portability, became the icon of breezy style for decades to come. The classic British vehicle known as the Moke instantly became a celebrity favorite soon after its inception, particularly in vacation hotspots such as St. Barths. Recently, the Moke has been reborn in America in a whole new form. Moke America’s new electric “eMoke” is not only more affordable and better for the environment than its predecessor, but it also boasts exciting new features like extended legroom and trunk space, a modern sound system, and a top-notch lithium battery. Below I interviewed Todd Rome, the mastermind behind these sexy new wheels that are poised to take America by storm—from Hawaii to the Hamptons.
b r o o k e k e l ly
The Moke was established in the 1950s as a British military vehicle, but quickly became a symbol of exotic beach locales around the world. Due to its popularity in vacation destinations like St. Barths, Todd Rome re-established an electic version of the Moke in America with modern amenities and exciting new colors such as pink.
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This page: The eMoke has already become a hot purchase in luxurious American summer destinations like the Hamptons; Brigitte Bardot was a huge fan of her classic Moke (inset). > Opposite page, above to below: The Moke became the “it” car all over the world in places like the French Riviera in the 1960s and onward; the new eMoke version can be purchased in a camouflage color.
Q: What trends are you seeing in the automobile industry? A: We see growth in electric cars in Europe coming to America. There is a lot of interest in electric cars, and when gas prices start moving back up, there will most certainly be an increase in demand for electric models. Europe is actively moving more towards electric cars, with the trend presenting itself strongly at the Paris Motor Show last year, and with countries like the Netherlands aiming to be completely electric by 2025. We think the American market is sure to follow suit—the electric market is only in the first inning! Q: Why did you bring Moke to America? A: The classic Moke has been loved by well-heeled travelers the world over, including America. So, we wanted to bring it up to American standards and make it available here. We made our
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eMoke electric car using many American parts and we do the final assembly here in America. The car starts at $15,975 and it plugs into a standard, three-prong 110-volt. Our cars get 40 miles on a single charge—that costs less than pennies per day, plus it’s much better for the environment. Q: What do you see as the target markets for Moke? Summer destinations like the Hamptons? A: Our target market is all warm-weather climates and vacation spots—the eMoke is the perfect beach car! Q: What are some of the styles and colors available, and where are you located? A: We have nine color options and three roof color options available: black, white, red, orange, yellow, blue, green, pink, and camouflage. The roof can be black, white, or tan. Our corporate office is based out of New York City. Q: When can I buy a Moke?! A: You can purchase your own custom eMoke on MokeAmerica.com! They can also be reserved and custom-built through any of our dealers in all major cities. Locally, we are at Manhattan Motors, and Aventura Motors in the Hamptons. u
Lon d on M i s he r Pu b li c Re la ti on s
Q: Tell me about your background. A: I discovered my love of cars, airplanes, and travel very early in life. This love laid the foundation for my career as a travel entrepreneur. In 2000, I founded Blue Star Jets, where I was the president until 2016. Now, I am the chief executive officer of Moke America, the company responsible for bringing the electric version of the Moke to the United States.
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The Dalmore Whiskey Trail: From Edinburgh To The Scottish Highlands by
ElizabEth Kurpis
photographEd by
This page: Elizabeth Kurpis with a bag piper outside the Scottish National Gallery overlooking Princes Street Gardens. > Opposite page: Master distiller Richard Paterson in the tasting room at The Dalmore distillery (above); the author, Elizabeth Kurpis (inset).
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Beautiful, elegant, refined. One would think that Richard Paterson, master distiller at The Dalmore, was describing a certain lady rather than the properties of good ol’ American White Oak. In a small rural town in the heart of the Scottish Highlands, I discovered what makes this luxury single-malt whiskey so special. It all starts with the oak casks, with their small pores that allow a slow maturation, which give the resulting whiskey a consistency and softness in its flavors. When I took a trip to Scotland to visit the distillery, The Dalmore taught me a few things along the way, starting with what the company is probably best known for—visually, at least—and that is the silver 12-point stag adorning each of its bottles. My adventure began upon arrival in Edinburgh at The Balmoral hotel (Gaelic for “majestic dwelling”), home to one of the city’s largest whiskey collections. After a quick Dalmore libation at the Scotch Bar, I set out to soak in all the Harry
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Potter vibes of the Edinburgh Castle, and in its shadow, the Princes Street Gardens, a bowl-shaped masterpiece once filled as the Nor Loch. It wasn’t until I went to the Scottish National Gallery, however, that I began to learn of the history of the stag and the true essence of The Dalmore. As I walked through the galleries, I was informed that the company was founded in 1839 by Sir Alexander Matheson. It was born with a different purpose than other whiskey companies of its time—that is, to go above and beyond to create a single-malt whiskey unlike any other. Though it wasn’t until my guide and I reached a massive 12-by-17-foot painting titled The Fury of a Stag that I fully understood. Legend has it that Colin (Fitzgerald) of Kintail, chief of the clan Mackenzie, saved King Alexander III of Scotland from a charging stag; to show his gratitude, Alexander granted Fitzgerald the right to use the 12-point Royal Stag as the MackFA L L 2 0 1 7 /
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This page, counterclockwise from above: Inside the main salon of the Ardtalla house on the Novar Estate; Elizabeth Kurpis at a dinner prepared by the in-house chef at the Novar Estate; the exterior of the Ardtalla house, the Estateâ&#x20AC;&#x2122;s former 18th-century stable. > Opposite page: Elizabeth Kurpis on Circus Lane in Edinburgh.
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enzie clan crest. Benjamin West illustrated this scene, where Fitzgerald is depicted about to spear a fierce stag that had turned on the king during a hunting expedition. It wasnâ&#x20AC;&#x2122;t until 28 years later, however, when Matheson turned the distillery over to Andrew and Charles Mackenzie, members of the clan Mackenzie, that the iconic 12-point Royal Stag emblem was affixed to every bottle of The Dalmore. Over the next day and a half, I made my rounds at various hot spots around Edinburgh for lunches, dinners, and after-dinner drinks, tasting all the specialty Dalmore cocktails that the city had to offer. But this was nothing compared to the tasting I would soon experience days later with master distiller Richard Paterson. Finally, I set out on the long three-hour drive to the Highlands, weaving through the hills of the countryside and ending
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on the banks of the Cromarty Firth overlooking the Black Isle. Each hour brought more and more gorse, a Scottish plant that covers almost every inch of the rolling hills. In a shade of lurid yellow so bright, one may be required to wear sunglasses to look at it on such a sunny day. I finally arrived at the Novar Estate, outside the city of Inverness, where I would be staying for the next few days. The thriving Highland estate that The Dalmore leases out for special guests visiting the distillery extends over 20,000 acres and includes Loch Alness and farmland where fished salmon and roaming red and roe deer are served for dinner; forestry; pheasant, partridge, and clay pigeon shooting; and an acreslong secret garden for those looking to get lost. Planned first for the following morning was a clay pigeon shooting trip in the hills. Nothing like the kick of a 12-gauge shotgun at 10 a.m. on a crisp May morning to overcome the sleepiness from jet lag. Who needs coffee after all? From there we headed for lunch at the familyâ&#x20AC;&#x2122;s stunning boathouse on Loch Alness, which also serves as the primary water source for The Dalmore. With my mind and belly fulfilled, I was driven to the distillery grounds. It was there that I learned of the incredible
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This page, above: Mustafa Kacar shooting clay pigeons on the Novar Estate. Novar Estate was once described as a â&#x20AC;&#x153;barren and treeless placeâ&#x20AC;?; 300 years later and under the stewardship of the same family, it is a thriving Highland estate extending to 20,000 acres and including farmland, forestry, hill, shooting, fishing, and, most recently, alternative energy enterprises. > This page, below: Elizabeth Kurpis on The Royal Mile in Edinburg. > Opposite page: Scenes of the exterior of The Dalmore distillery in the Scottish Highlands.
detail that goes into producing this magnificent whiskey. Most distilleries have stills uniform in shape and size, producing one style of new make spirit. The Dalmore distillery, however, was built with eight unique and individual stills, a feat that creates a complex new make spirit and delivers The Dalmore signature notesâ&#x20AC;&#x201D;coffee, orange citrus, dark chocolate, vanilla, ginger, and warm spices. The Dalmore produces a number of luxury single-malt whiskeys, including The 12, The 15, The 18, The 25, and the King Alexander III, the latter being the only single-malt in the world to be finessed in six different casks. I was lucky enough to taste all of these under the guidance of Paterson, which
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This page: A glass of The Dalmore’s King Alexander III overlooking Loch Alness on the Novar Estate. > Opposite page, clockwise from above: The boathouse on the Novar Estate overlooking Loch Alness, the water source for The Dalmore distillery; lunch served at the boathouse on the Novar Estate by the in-house chef; a traditional Scottish steak pie at The Scran and Scallie in Edinburgh.
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was only enhanced by his boisterous personality. Even more entertaining, however, was learning about some of the special blends commissioned by well-known people. One such commission came from the world-renowned chef Daniel Boulud, who spent months with Paterson exploring and smelling the blends to ensure the perfect pairing with his culinary offerings. After an enlightening day at the distillery, I headed back to the estate, where dinner was being served with my fellow travel companions. Joined by Paterson, we were presented with freshly hunted salmon and our own glass of the just-released, exceptionally rare The Dalmore 50. Finished in Domaine Henri Giraud Champagne casks and aged 50 years, it was created to mark Paterson’s 50th year in the whiskey industry. At £50,000 per bottle, it gives new meaning to carrying around a few extra “pounds”—pounds I happily carried back with me after a whirlwind trip experiencing the best food and drinks that the Scottish whiskey trail has to offer. u
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Ralph Lauren: Fifty Years Of Fashioning The American Dream by
Daniel Cappello
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Above: The cover of the revised and expanded 50th-anniversary edition of the book Ralph Lauren (Rizzoli), by Ralph Lauren. Visit rizzoliusa.com or ralphlauren.com for more. > Opposite page: Ubah Hassan photographed in Los Angeles, California, for a Ralph Lauren fashion campaign in 2009.
“If you say something is ‘very Ralph Lauren,’ you’re immediately understood.” So remarked Audrey Hepburn at the CFDA Lifetime Achievement Award ceremony back in 1992. At the time, Ralph Lauren’s 25-year-old eponymous fashion label– cum–lifestyle brand had already made its mark as perhaps the definitive American fashion label. In the 25 years since Hepburn made those remarks, Lauren’s empire has only expanded, and his position as the arbiter of American taste and style has only become more absolute. This fall, to mark the occasion of his 50 fascinating years at the helm of a design juggernaut that spans men’s, women’s, and children’s fashion as well as home décor, Lauren has expanded upon the intimate view, first published in 2007, of his professional passions and processes in a luxurious book titled, simply, Ralph Lauren (Rizzoli). FA L L 2 0 1 7 /
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LAUREN RALPH STORE AT HIS VARD ON BOULE AIN ST.-GERM
This page, clockwise from top left: Ralph Lauren’s flagship o p p osite) / © Ralp h Lauren by Ralp h Lauren, R izzoli New York, 2017
Ph otog rap hs (f amily p or trait); Ralp h Lauren; Car ter Berg (lower lef t and
Polo Ralp h Lauren; Car ter Berg (Quest cover); Bruce Weber; Skrebneski
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men’s store at 867 Madison Avenue in New York; Mr. Lauren featured on Quest’s October 2010 cover; Isabelle Townsend photographed in Locust Valley, New York, by Bruce Weber for a 1985 fashion campaign; David, Dylan, Ralph, Ricky, and Andrew Lauren in Bedford, New York, 1996; the women’s flagship at 888 Madison Avenue; Valentina Zelyaeva, Andreea Diaconu, and Anna Selezneva photographed in Paris by Carter Berg for a 2013 campaign. > Opposite page: Valentina Zelyaeva photographed in Los Angeles by Carter Berg for a 2009 campaign. Speaking of his vision, Ralph Lauren writes in his book: “I am inspired by the movement and the rhythm of the seasons, by the search for newness, the diversity and breadth of possibilities, of what someone could like in a variety of worlds.”
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The founding of Lauren’s company 50 years ago as a maker of ties could be likened to its prep-school period of life: casual, carefree, collegiate. Over time, the brand went on to graduate, enter the world, and capture the collective imagination of the American culture that it represents—and which it now helps to define. Ralph Lauren first conquered casual American sportswear, then stepped it up a notch or few. The label quickly mastered formalwear, even down to made-to-measure. Home décor was another natural pursuit, as were accessories like Swiss watches, haute jewelry, and made-in-England-stamped shoes. He even dared to enter the world of fine dining, opening celebrated eateries in Chicago, Paris, New York, and London. Today, if you’re lucky enough to settle in at a banquette of tufted tartan at the clubby Polo Bar in Manhattan, you might feel somewhat like a Hollywood star who’s finally arrived. Then again, Ralph Lauren has always made us feel this way: from evocative ad campaigns to rich velvet jackets and gowns, from a simple piqué shirt emblazoned with an iconic polo player to the weight of those handsome scotch glasses for the bar at home, we’ve all played a part in this stylish American mise-en-scène crafted by the master himself. Now, thanks to the 50th-anniversary edition of Ralph Lauren, whenever we want to conjure a scene from the past 50 years of this script, all we have to do is open the book. u
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This page: Andreea Diaconu, Valentina Zelyaeva, Maud Welzen, Kristina Romanova, and Katia Kokoreva photographed by Carter Berg in Ipswich, Massachusetts, for a 2012 fashion campaign. > Opposite page: Ralph Lauren photographed by Bruce Weber in Bedford, New York, 1997.
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ng s h e a r li added a p in k o ft e n g y in g r a ig e w odel T seen w s h e is it is h m 1966. The Br . H e re s in it k c tf a u b o g tr im to h e r n s li e r h a c e to u it h s h cape w
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Top Trends by
ElizabEth MEighEr
and
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C ou r te sy o f th e re sp e c ti ve de si g ne r s
lEsliE lockE
Coach
E t ro
Hermès
P ro e n z a S c h o u l e r P ra d a
Stylish Shearling It may not seem that cold yet, but this cozy trend is back in style once again. This season’s runways offered colorful options on the normally neutral staple, with fun jackets from Alexander McQueen and Hermès. Stay cozy this winter with shearling on the interior or
Balmain
Alexander McQueen
Altuzarra
exterior of your outerwear.
Jane Fo n d In th a wa is 19 sac 59 p lass hoto ic wo b y Ho man of cl r s t P. in ev ass Hors in he ery w t, sh r tai a y. e is lore the e d pla pito id fr me ock.
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M i c h a e l Ko r s
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Stella McCartney Lo u i s Vu i t t o n
Classic Plaid The fabric was once relegated J e n n y Pa c k h a m
strictly to outerwear, but designers this season have incorporated plaid into not only some fabulous jackets, but
Calvin Klein
Co u r te sy o f th e re sp e c ti ve de s i gn e r s
eveningwear as well.
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Sonia Rykiel
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Feather Fashion Whether you want a little bit or a lot, designers this season have you covered in the feather department. For the most part, feathers this fall are less bohemian and more glamourous, which accounts for their presence on some of this seasonâ&#x20AC;&#x2122;s most stunning
Monique Lhuillier
Alexander McQueen
eveningwear.
A l b e r t a Fe r re t t i
Zuhair Murad
Cour tesy of the resp ective d esig ners P h ot 0 C re di t
Cher ha s a lw a y s had a a n d w it fl a ir fo h Bob M r th e d a c k ie a ra m a ti c t h e r s id , c o s tu m e , th is e in 1 9 s h e e r fe 74 w a s a th e r no exce p ti o n .
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Metals of the Future The metallic shades spotted on the runway this season will make sure you stand out against the winter snow
Jonathan Simkhai
head-to-toe ensemble like the ones offered from Chanel and Paco Rabanne.
C ou r te sy o f th e re sp e c ti ve de si g ne r s
to come. Go for a shiny accent or a
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A n it a P a ll e n b e rg is p ic s ti ll a s tu re d h ty le ic o e re p ro n. The v in g th fo rm e r a t s h e is h a s s ti m u s e to ll g o t w th e R o ll h a t it ta in g S to k e s to nes be an â&#x20AC;&#x153; it â&#x20AC;? g ir l.
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Winter Florals For those of you who are slow to put away the summer florals, you are in luck. Designers
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Gucci
A l b e r t a Fe r re t t i
Marchesa
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this fall sent the flower motif down the runway in an assortment of warm and dark huesâ&#x20AC;&#x201D;perfect for the cooler I s a b e l M a ra n t
months ahead. Now itâ&#x20AC;&#x2122;s just a matter of deciding which
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prints to pluck.
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C o u r te sy o f th e re sp e ctive de sign e rs
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visit
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Toby and Larry Milstein hosted their first philanthropic Millennial Pink–themed party in the Hamptons on August 19 at the new Breakers MTK, where everyone showed up in their favorite shades of Millennial Pink. The party benefitted the Human Rights Campaign (HRC) and attracted over 100 influencers across the fashion, arts, media, and finance worlds including Sophie and Charlotte Bickley, Samantha Angelo, and Andrew Warren. The very “Instagramable” event featured Jars by Dani cake-jars, endless amounts of rosé, bites by Seamore’s, and music from DJ Nicole Rosé Stillings.
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1. Sophie Bickley and Charlotte Bickley 2. The party featured food catered by Seamore’s 3. Zach Weiss and Sydney Sadick 4. DJ Nicole Rosé Stillings 5. Dyllon Young 6. Chloe Norgaard 7. Sam Kevitch and Noor Pahlavi 8. Justin Mikita, Toby Milstein, and Larry Milstein 9. Lexi Henkel
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This summer, Moët Hennessy hosted a luxurious party at the Petit Ermitage rooftop to celebrate the launch of Volcan De Mi Tierra, their first tequilla drink. Guests, who included Camilla Belle, George Kotsiopoulos, Louis Aguirre, and Guy Burnet enjoyed Latin American music by Trio Ellas along with refreshing Volcan De Mi Tierra cocktails paired with Guadalajaran-inspired hor d’oeuvres. Also featured at the exclusive event was a pool float with volcanic flames and a salt bar, where guests could make their own Volcan De Mi Tierra margaritas with a diverse selection of salts.
1. Dave Buck and Melissa Panetta 2. Petit Ermitage Rooftop 3. Trent Fraser and Eric Rutherford 4. Taylor Merrill, Leslie Noye, Sylan Druz, Camelia Somers, and Patrick Bush 5. Moët Hennessy’s Volcan De Mi Tierra drinks 6. Kaleigh Gilbert 7. Camilla Belle 8. Trio Ellas 9. Elizabeth Scotti and Carly Sloane
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New York Brooks Brothers and the Cinema Society hosted the
premiere of House of Z, a documentary that portrays the ups and downs of designer Zac Posen’s career, at the Crosby Street Hotel on September 7. The star-studded event attracted some of the film’s players, including designer Zac Posen, director Sandy Chronopoulos, producers Rachel Cohen and Jana Edelbaum, and Condé Nast Entertainment president Dawn Ostroff. Additional guests included Anna Wintour, Katie Holmes, Kate Upton, June Ambrose, and Sailor Brinkley. The hot new film is now available on demand.
1. Michele Hicks 2. Anna Wintour 3. Warren Elgort and friend 4. Heidi Klum and Anne V 5. Zac Posen and Katie Holmes 6. Cindy Bruna and Kate Upton 7. Sailor Brinkley
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Water Mill
On July 24, an illustrious crowd gathered for Revolve’s “Hot in Havana” party— their final Hamptons party of the summer. The exclusive event was hosted by Moët & Chandon Champagne and rapper Travis Scott, who had the crowd dancing away during his performance towards the end of the party. Olivia Culpo, Chanel Iman, Elsa Hosk, and Josephine Skriver cooled down in the chilled Moët Ice teepee over goblets brimming with Moët Ice Imperial and Ice Rosé, while guests like Claudia Sulewski and Lauren Elizabeth sat poolside breaking the Moët ice dome to release circular raspberry ice spheres.
1. Travis Scott performs 2. Leslie O’Kelley and Britt Maren 3. Chanel Iman, Josephine Skiriver, and Elsa Hosk 4. Guests cheers with Moët & Chandon Champagne 5. Theresa Hayes and Cleopatra King 6. Janni Delér
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Montauk To celebrate the Fourth of July and to toast the pop-
up of her Studio 189 clothing line, Rosario Dawson hosted a private dinner at the Surf Lodge. Dawson was joined by notables such as Peter Brant, Jr., Quincy Davis, and members of Bob Moses, including Tom Howie and Jimmy Vallance. Throughout the dinner, guests sipped on Grey Goose Le Grand Fizz cocktails, paired with the best of Montauk’s natural bounty, including raw oysters, roasted clams, king crab, and teasmoked mussels. Later on, the crowd was able to enjoy a performance by Oak & Ash at the Surf Lodge’s weekly concert series.
1. Kristian Laliberte and Danielle Snyder with friends 2. Rosario Dawson and Jimmy Vallance 3. Rosario Dawson’s private dinner 4. Jack Brinkley-Cook and Jonny Lennon with Christie Brinkley holding a Grey Goose Le Grand Fizz drink at a Surf Lodge concert series event 5. Emma Stern Nielsen, Dorothea Barth, and Sara Blomqvist 6. Nina Agdal 7. Andrew Warren with Reya Benitez and friend
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1. SOPHIA LOREN was always a beauty, and continues to impress, even now at age 82. 2. LA MER Like a seaweed wrap in a jar, the Body Crème saturates skin in a wave of long-lasting hydration; $275. 3. GUINOT This energizing, scented body water combines the effects of moisturizing body cream and fragrant water to provide hydration and a fresh scent; $50. 4. ANNICK GOUTAL The stunning Nuit et Confidences perfume is available for $190. 5. ST. TROPEZ This best-selling express bronzing mousse will definitely keep you tan this fall; $44. 6. ESSIE Essie’s new ’90s-inspired “Knee-High Life” is a deep wine red with purple undertones; $9. 7. PRADA The Prada Les Infusions Amande perfume; $160. 8. TOM FORD The Oud Wood Intense fragrance introduces oud at its most luxurious intensity; $310. 9. HERMÈS Twilly d’Hermès targets the sophisticated millennial and comes equipped with a ribbon that resembles a classic Hermès scarf; $130.
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is a beauty icon for the ages. Here she is seen applying makeup on the set of Sunday in New York, 1963. 2. YVES SAINT LAURENT No night is complete without YSL’s Night 54 collection; this lips and eyes palette is available for $95. 3. CLARINS This new double serum provides an unbeatable age-control concentrate; $122. 4. SAPELO Optimize your skin with this rejuvinating cream; $240. 5. ZIIP Don’t miss out on this electrical device that offers six different facial treatments; $495. 6. NARS These hot new Powermatte lip glosses are available for $26. 7. ESTÉE LAUDER The Re-Nutriv regenerating youth creme instantly reveals a more lifted, radiant look; $305. 8. MOROCCAN OIL The Moroccan Oil Mending Fusion will nourish and condition to strengthen damaged hair; $32. 9. DIOR Applied as a pre-serum, La Micro-Huile de Rose provides micro-nutrients essential to the youthful beauty of all skin types; $260. 10. GHD Experience a salon-quality, ultrafast blowout with GHD’s Pink Blush hairdryer; $199. 1. JANE FONDA
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1 And so it all begins again in Fall, when invitations pour in and parties abound. Friedrich Nietsche once stated, “Madness is rare in individuals—but in groups, parties, nations, and ages it is the rule.” 1. ELIZABETH TAYLOR wearing a Balenciaga golden sari paired with oversized diamond earrings at the Gala of Lido in Paris, 1964. When caught in a difficult situation, Taylor would say, “Pour yourself a drink, put on some lipstick, and pull yourself together.” 2. VERDURA Hyacinth bracelet in sapphire, diamond, platinum, and gold. $224,500 at verdura.com. 3. ELIE SAAB A look from Elie Saab’s Fall 2017 Couture collection; eliesaab.com. 4. MIU MIU Miu Miu multicolor Confetti Box Clutch. $1,600.
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wearing Balenciaga as seen in Vogue, photographer unknown, 1951. 2. NIRAV MODI Jasmine Earrings, inspired by beautiful, sweet-scented jasmine flowers. Pear-shaped Jasmine-cut® diamonds form the elegant petals that gracefully float around diamond briolette stamens, dispersing delicate, effusive sparks of light and color. $36,500 at us.niravmodi.com. 3. CAROLINA HERRERA A look from Carolina Herrera’s Resort 2018 collection; carolinaherrera.com. 4. ROGER VIVIER Boîte De Nuit star-striped evening clutch. $2,950 at neimanmarcus.com. 5. VALENTINO Valentino Bow Trim sandal in color “Loto.” $795. 1. BELLE OF THE BALL
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and Countess Gloria von Furstenberg (later Gloria Guinness), photographed by Cecil Beaton for Vogue, 1946. 2. EF COLLECTION The Rainbow Trio drop earrings feature 1.5 carats of white diamonds, blue sapphires, rubies, and emeralds set in 14kt. rose gold. $1,975 at efcollection.com. 3. DENNIS BASSO A look from Dennis Basso’s Resort 2018 Collection; dennisbasso.com. 5. GUCCI Embroidered metallic leather mid-heel sandal in metallic gold leather. $895 at gucci.com. 1. CARMEN DELL’OREFICE
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was an American stage, screen, and film actress who rose to prominence in dozens of leading roles in the 1930s. Here she is captured wearing an extravagent stole and diamond jewelry. 2. OSCAR DE LA RENTA A look from Oscar de la Renta’s Resort 2018 collection; oscardelarenta.com. 3. HARRY WINSTON Cluster diamond bracelet from the Incredibles collection by Harry Winston. The Incredibles collection represents the pinnacle of the house’s craftsmanship and design, and the lucky lady who is able to wear this sparkling bracelet in platinum will claim rights to the 142 marquise- and pear-shaped diamonds on her wrist, for a total weight of 79.08 carats. Price upon request. 4. GUISEPPE ZANOTTI Embellished Spiderweb sandal. $1,595. 5. BADGLEY MISCHKA Amelia Clutch in Black; $189, nordstrom.com. 1. SYLVIA SIDNEY
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SHOPPING INDEX
> Betteridge: betteridge.com. > Bloomingdale’s: 800.777.0000 or bloomingdales.com. > Bodileys: bodileys.com. > Bottega Veneta: 212.371.5511 or bottegaveneta.com. > Brunello Cucinelli: brunellocucinelli.com/en. > Bulgari: bulgari.com. > Burberry: 877.217.4085 or burberry.com.
C > Calvin Klein: 866.513.0513 or calvinklein.com. > Carolina Herrera: 212.249.6552 or carolinaherrera.com. > Cartier: 212.446.3400 or cartier.us. > Chanel: 800.550.0005 or chanel.com. > Chopard: 800.CHOPARD or us.chopard.com. > Christian Dior: 212.249.5822 or dior.com. > Christian Louboutin: us.christianlouboutin.com. > Christofle: christofle.com/us.
D > Dana Rebecca Designs: 800.931.9085 or danarebeccadesigns.com. > David Yurman: 877.908.1177 or davidyurman.com.
Sophia Loren knew how to dress up and also how to kick back—sometimes both at the same time. Perhaps only Loren’s legs could outdo an oversize necklace dripping in gemstones in diamonds, as seen here, but we have a way to make some waves of your own: by shopping some of our featured looks, with our guide to favorite designers. In between shopping, be sure to keep up with Quest and Q online for the latest fashion news: visit questmag.com and follow us on Twitter and Instagram at @questmag.
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> Dennis Basso: 825 Madison Ave., 212.794.4500. > Diane von Furstenberg: dvf.com. > Diesel Black Gold: dieselblackgold.com. > diptyque: 971 Madison Ave., 212.879.3330.
> Aerin: aerin.com.
> DKNY: dkny.com.
> Akris: 835 Madison Ave. or akris.ch.
> Dolce & Gabbana: 212.249.4100 or
> Assouline: assouline.com.
dolceandgabbana.com.
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> Barneys New York: 888.222.7639 or barneys.com.
> Edie Parker: edie-parker.com.
> Barton Perreira: 42 E. 66th St. or bartonperreira.com.
> EF Collection by Emily Faith: efcollection.com.
> Belstaff: 814 Madison Ave. or belstaff.com.
> Eleuteri: 646.649.5769 or eleuteri.nyc.
> Bergdorf Goodman: bergdorfgoodman.com.
> Elie Saab: eliesaab.com.
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> Emilio Pucci: emiliopucci.com.
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> Eric Buterbaugh: ebflorals.com.
> La Perla: laperla.com.
> Ralph Lauren: 888.475.7674 or ralphlauren.com.
> Lalique: 888.488.2580 or lalique.com.
> Riedel: riedelusa.net.
> Lanvin: 646.439.0380 or lanvin.com.
> Rizzoli: 1133 Broadway or rizzoliusa.com.
> Linda Horn: 1327 Madison Ave., 212.772.1122.
> Robert Marc: 1225 Madison Ave. or
> Loro Piana: At Bergdorf Goodman.
robertmarc.com.
> Louis Vuitton: 866.VUITTON or vuitton.com.
> Roberto Coin: At Neiman Marcus or Roberto Coin,
F > Fabergé: 694 Madison Ave., 646.559.8848.
G > GANT: 646.367.5416 or us.gant.com.
800.853.5958 and us.robertocoin.com.
> Ghurka: 831 Madison Ave. or ghurka.com.
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> Gianvito Rossi: gianvitorossi.com.
> Manolo Blahnik: 212.582.3007 or
> Giorgio Armani: 877.361.1176 or armani.com.
manoloblahnik.com.
> Graziela Gems: 800.961.1170 or grazielagems.com.
> Marchesa: At Neiman Marcus, Saks Fifth Avenue,
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> Gucci: 877.482.2430 or gucci.com.
and marchesa.com.
> Saint Laurent Paris: 212.832.7100 or ysl.com.
> Marni: At Bergdorf Goodman or marni.com.
> Saks Fifth Avenue: 877.551.SAKS or
> Miansai: At Bergdorf Goodman or miansai.com.
saksfifthavenue.com.
> H. Stern: hstern.net.
> Michael Bastian: At Bergdorf Goodman, Barneys New
> Salvatore Ferragamo: ferragamo.com.
> Harry Winston: harrywinston.com.
York, 212.228.3400, or michaelbastiannyc.com.
> Sevda London: sevdalondon.com.
> Hermès: 800.441.4488 or hermes.com.
> Michael Kors: 800.908.1157 or
> Smythson: 212.265.4573 or smythson.com.
> Hueb: 717 Madison Ave. or hueb.com.
michaelkors.com.
> Stella McCartney: stellamccartney.com.
> Hunter Boot: us.hunterboots.com.
> Mikimoto: 800.223.4008 or
> Stuart Weitzman: 212.823.9560 or
mikimotoamerica.com.
www.stuartweitzman.com.
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I > Ippolita: ippolita.com. > Irene Neuwirth: At Jeffrey New York, 212.206.1272.
> Misha Nonoo: mishanonoo.com. > Moncler: moncler.com.
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> Roger Vivier: 212.861.5371 or rogervivier.com. > Rolex: 800.36.ROLEX or rolex.com.
T > Ted Muehling: At Bergdorf Goodman. > Thousand Helmets: explorethousand.com.
> Nachtmann: At riedelusa.net.
> Tiffany & Co.: 561.659.6090 or tiffany.com.
> Neiman Marcus: 800.533.1312 or
> Tod’s: 650 Madison Ave. or tods.com.
> Jaguar: jaguarusa.com.
neimanmarcus.com.
> Tom Ford: 212.359.0300 or tomford.com.
> J.Crew: 800.562.0258 or jcrew.com.
> Nirav Modi: 727 Madison Ave. or
> Tory Burch: toryburch.com.
> J.McLaughlin: 844.532.5625 or
us.niravmodi.com.
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jmclaughlin.com.
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> J.Mendel: 212.832.5830 or jmendel.com.
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> Jennifer Meyer: At ylang23.com.
> Oscar de la Renta: 888.782.6357 or
> Van Cleef & Arpels: vancleefarpels.com.
> Jimmy Choo: 877.955.2466 or jimmychoo.com.
oscardelarenta.com.
> Verdura: 745 Fifth Ave. or verdura.com.
> John Varvatos: johnvarvatos.com.
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P > Patek Philippe: patek.com.
> Valentino: 212.772.6969 or valentino.com.
> Veronica Beard: 988 Madison Ave., 646.930.4746, or veronicabeard.com.
> Katie Ermilio: katieermilio.com.
> Prada: 724 Fifth Ave., 212.664.0010, or prada.com.
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> Kim Seybert: kimseybert.com.
> Preen by Thornton Bregazzi: +44 (0)20.8964.9995 or
> WANT Les Essentiels: wantlesessentiels.com.
> Kotur: koturltd.com.
preenbythorntonbregazzi.com.
> Wempe: 212.397.9000 or wempe.com.
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Capricorn Dec. 22 to Jan. 19 When the weather gets cold, people tend to flock together. Don’t be surprised, Capricorn, if you find out you are on someone’s love radar this fall. Try your best notto withdraw, and at least give the relationship prospect a chance— no matter how unlikely the pairing seems! > Santorini, Greece
Cancer June 21 to July 22
Aquarius Jan. 20 to Feb. 18
Leo July 23 to Aug. 23
Though you usually shy out of the spotlight, Aquarius, your recent accomplishments deserve recognition. Make sure to take the praise from your peers with grace. After all of that hard work, give yourself a vacation to at exotic destination tailored to your personality. > Marrakech, Morocco
Normally Leos use dramatic gestures to get what they want, but keep in mind this season may not be the best time to do so. Use this time to do big things for yourself. You will find that once you stop focusing on controlling the world around you, everything will fall into place. > Reykjavik, Iceland
Pisces Feb. 19 to Mar. 20 Make sure not to fall into old habits this season, Pisces. You assume people know what you mean, but in reality not everyone can anticipate your every whim. Open up about what you want, and learn to enjoy the feedback you receive. > Bali, Indonesia
Virgo Aug. 24 to Sept. 22 This is the season for you to focus on friendships, not relationships. A circle of close friends is what keeps you afloat during hard times, so be sure to value them. Finally, make a concrete plan with your friends to go on a culturally concentrated vacation somewhere completely new. > Antwerp, Belgium
Aries Mar. 21 to Apr. 19 Everyone is returning from summer homes and vacations and inevitably fall becomes full of parties, which means over-committing becomes a reality. No need to turn down intriguing opportunities—but don’t be pressured into leading every event. > Melbourne, Australia
Libra Sept. 23 to Oct. 22 Libras are known for wanting everyone to be their friend, but this season does not have room for that, especially in the workplace. You may have to forgo a personal relationship in order to be properly recognized at your job. This is a small price to pay to get ahead in the long run. > Dubrovnik, Croatia
Taurus Apr. 20 to May 20 Taurus, you are known for indulging in your guilty pleasures even when it sidetracks your goals. Try to make your daydreams into reality, so you don’t end up with regrets. Just because something doesn’t fit with your life trajectory does not mean you shouldn’t be doing it. > St. Barths
Scorpio Oct. 23 to Nov. 21 Your family is going to take up a lot of your emotional effort in the upcoming weeks. This is an important time to be there for them as this experience will help you grow. Allow yourself some space to focus on what’s important before the holiday season starts. > Kyoto, Japan
Gemini May 21 to June 20
Sagittarius Nov. 22 to Dec. 21
Sometimes love can get too complicated. Gemini, you have so much going on during the day that overthinking last weekend’s romance does not fit into your schedule. Instead, treat yourself to something you truly want—a piece of art, perhaps, or a weekend getaway. > Toronto, Canada
Right now it seems like the world is your oyster. Everything has aligned—friends, family, love. Just because everything seems like it is going splendidly on the outside is no excuse to let what you need fall by the wayside. Keeping up appearances is not everything. > Milford Sound, New Zealand
This season love is on your mind, but you are not in need of fireworks or blue Tiffany boxes. The thing you crave is emotional security—luckily for you, the stars have aligned in the upcoming weeks to give you exactly that. Be sure not to cling too tightly or you might drive them away. > Boracay, Philippines
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