Q Fall 2018

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FALL CLASSICS

ALI MACGRAW PHOTOGRAPHED BY SANTE FORLANO, 1967

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46 LIVING LEGEND ALI MACGRAW Q contributor Elizabeth Quinn Brown looks back at actress and fashion icon Ali MacGraw, and delivers her story with intrigue and admiration.

58 A SLICE OF LONDON CITY Daniel Cappello travels across the pond to check out the Doyle Collection’s luxury hotel offerings in three distinct parts of London town.

62 KATIE STRIKES A POSE, IN POSEN The American actress Katie Holmes is a modern muse both on-screen and off.

For her longtime friend Zac Posen, she proves the perfect model for his latest fall collections.

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68 BRINGING OUT THE BEAUTY IN EVERYONE Renowned beauty expert and makeup artist Charlotte Tilbury sits with Brooke Kelly to discuss her background in the industry, and, of course, her namesake brand.

70 LIFE ON THE FLY: THE EVOLUTION OF BLADE Brooke Kelly covers the progression of helicopter start-up Fly Blade, which has introduced private aviation to the public.

76 LOOKING BACK AT BACK-TO-SCHOOL STYLE Elizabeth Meigher takes a look at the evolution of fashion through the lens of trend-setters on campuses across America.

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84 SARAH FLINT IS READY FOR TAKEOFF New York– based shoe designer Sarah Flint—a favorite of celebs from Cindy Crawford to Meghan, Duchess of Sussex—chats with Ann Loynd Burton to unveil an exciting new collaboration.

90 ARTFUL ATELIERS Ann Loynd Burton examines the intersection of art and fashion in three preeminent designers on the runways at Paris Couture week this past summer.

C O V E R

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Ali MacGraw modeling a zippered jersey suit by Jacques Tiffeau for Tiffeau & Busch, a felt hat by Anello for Emme, and kid gloves by Wear Right. Photographed by Sante Forlano for Glamour, 1967 (Condé Nast via Getty Images).

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27 NOSTALGIA Iconic moments of fall seasons past.

30 RED WINE Rounding up this fall’s best bottles of rouge.

32 JEWELRY From rose-gold wrist candy to earrings that dazzle, our picks for fall baubles to enhance any outfit.

34 COATS Wrap yourself up for the chilly weather ahead.

36 BOOTS We promise to have you jumping for joy over our latest offering of new boots for fall.

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37 SUNGLASSES Some trendy sunnies, from Gucci to Illesteva.

38 CLUTCHES Structural silhouettes and natural hues keep chic fashion at hand for the autumn gala season.

40 HANDBAGS Exotic skins and playful patchworks define laid-back carryalls for fall from hobos to bucket bags.

42 ACCESSORIES Accoutrements for both ladies and gents.

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44 MEN’S APPAREL What every guy needs for dressing smart this season, as inspired by the timeless James Dean.

94 Q FOCUS A roundup of the most fashionable parties of the summer season into fall—from New York Fashion Week happenings to Revolve’s Carnival in Santa Monica.

104 BEAUTY Products to make you look and feel your best.

106 EVENING LOOKS Glitzy sequins, floral appliqués, and loads of diamonds adorn these gala-ready getups.

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110 SHOPPING INDEX Where to shop our favorite looks.

112 HOROSCOPES Your fall fortune, according to the stars.

DISCOVER THE NEW AUTUMN WINTER COLLECTION The new ladies Stanwick tweed fieldcoat with a waterproof, breathable and windproof Sympatex ® drop liner. Pair this with the new high-waisted breeks for an elegant and weatherproof look in the field.

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DAVID PATRICK COLUMBIA

ELIZABETH MEIGHER

EDITOR-IN-CHIEF

EDITOR

JAMES STOFFEL CREATIVE DIRECTOR

DANIEL CAPPELLO DEPUT Y EDITOR

ANN LOYND BURTON SENIOR EDITOR

BROOKE KELLY A S S O C I AT E E D I TO R

TYKISCHA JACOBS GRAPHIC DESIGNER/ PRODUCTION MANAGER

ROBERT BENDER CHIEF TECHNOLOGY OFFICER

JULIE SKARRATT PHOTOGR APHER-AT-L ARGE

HILARY GEARY SOCIET Y EDITOR

JOANNA BAKER CO-FOUNDING EDITOR

Quest Media, LLC S. CHRISTOPHER MEIGHER III CHAIRMAN AND C.E.O.

KATHLEEN SHERIDAN A SSI STANT TO THE C.E.O.

LUWAY LU NOCITO ACCOUNTING MANAGER BOARD OF ADVISORS

EDWARD LEE CAVE JED H. GARFIELD DOTTIE HERMAN ELIZABETH STRIBLING-KIVLAN KATHY KORTE HOWARD LORBER PAMELA LIEBMAN ANDREW SAUNDERS ELIZABETH STRIBLING KENT SWIG WILLIAM LIE ZECKENDORF LISA ROSENBERG 917.576.8951 MIAMI AND GREENWICH

BINA GUPTA 852.2868.1555 HONG KONG

CONTRIBUTING WRITERS

ELIZABETH QUINN BROWN ELIZABETH KURPIS JAMES MACGUIRE TAKI THEODORACOPULOS MICHAEL THOMAS CONTRIBUTING PHOTOGRAPHERS

HARRY BENSON BILLY FARRELL CUTTY MCGILL PATRICK MCMULLAN ANNIE WATT LINDA LANE SOPER 612.308.4159 PALM BEACH

EMILIO ZERBONI 011.39.031.267.797 MILAN

© QUEST MEDIA, LLC 2018. All rights reserved. Vol. 14, No. 3 . Q–Quintessential Style is published quarterly, 4 times a year.

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EDITOR’S LETTER

“You gotta’ have style. It helps you get down the stairs. It helps you get up in the morning. It’s a way of life. Without it, you’re nobody.” So said legendary fashion authority Diana Vreeland—and she would know better than anyone else. During the middle of the last century, Vreeland served as a fashion editor at Harper’s Bazaar, followed by eight years at the helm of Vogue as editor-in-chief. The term “style” had meaning in the Vreeland era. In 1965, the Vogue editor-in-chief exclaimed, “London is the most swinging city in the world at the moment!” Ever since, countless authors have used the phrase “Swinging London” when writing about London in the early part of the 1960s. The 1960s marked the era of Mod, with its miniskirts, shift dresses, girl groups, gamine supermodels, and the original “It” girls—Jean Shrimpton, Jane Birkin, Ali MacGraw, among others—who are still inspiring this generation’s Alexa Chungs, et al.

I recently read an article in The Business of Fashion stating that fashion has currently entered a “state of pure postmodernism, where anything goes and nothing means anything anymore.” Whether or not “fashion and style have collapsed into each other,” causing fashion to “cease to exist as a cohesive conversation,” remains to be seen. I will say this with absolute certainty—if you are in search of the meaning of style, look no further than Diana Vreeland. Vreeland knew style when she saw it, and she was always spot on.

In 1960, Ali MacGraw, a recent Wellesley graduate, became Diana Vreeland’s assistant. Well, not quite. She wasn’t anything as vaunted as an “executive assistant.” In those days, MacGraw bluntly remarks, “They called [the position] ‘girl’—not to be confused with a skilled secretary.” It was most often used at the beginning of a sentence: “Girl, get me a pencil, get me a coffee…” Pencil-fetching aside, she calls the experience “the richest possible education into the fashion world.” To the 21-yearold aspiring model and actress, Diana Vreeland’s red and emboldened apartment at 550 Park Avenue (which was often animated by her coterie of society friends, including C. Z. Guest, Cecil Beaton, and Cole Porter) represented a world filled with enticing possibilities.

MacGraw left Bazaar to become a stylist for renowned fashion photographer Melvin Sokolsky (Vreeland told her, “You don’t know enough to leave!”), which propelled MacGraw into modeling, as photographers quickly took note of her natural beauty and style. Modeling soon paved the way for acting, leading to MacGraw’s starring role as Jenny Cavilleri in Love Story, one of the highest-grossing films of all time. MacGraw channeled much of her own style into Jenny’s, and, ever since, MacGraw has embodied the all-American look. With her New England polished prep and ’70s bohemian flair, MacGraw’s style is just as relevant now as it was in the decade that made her famous. Q contributor Elizabeth Quinn Brown looks back at the fashion icon, and delivers MacGraw’s story from then until today with intrigue and thoughtful admiration.

Another don’t-miss in our latest Fall Q is associate editor Brooke Kelly’s article about Blade, a transportation startup that uses an app to crowdsource flights to destinations like the Hamptons, Nantucket, Miami, and Palm Beach. Often referred to as “the Uber Counterclockwise from top right: Sam Edelman’s Dinah of helicopters” (although they also connect passengers with fixedbag with bamboo handle; a passenger boards a Blade helicopwing aircraft, from seaplanes to jets), Blade provides the ability to ter in New York; Bottega Veneta’s Deco Rose Shearling Gloves; summon a helicopter with the touch of an app. And senior editor J.McLaughlin’s Chiara Polarized Sunglasses; Ali MacGraw Ann Loynd Burton’s story on rising footwear designer Sarah Flint, photographed by Bert Stern; Kaia Gerber walks in Valentino’s Fall who designs wearable shoes with an understated chic aesthetic, will 2018 Couture runway show; Stuart Weitzman’s Charlie boot; shoe have you stepping stylishly into autumn. Just remember to keep designer Sarah Flint with longtime customer and collaborator Cindy Diana Vreeland’s personal mantra in mind when considering fashion Crawford; Ralph Lauren’s Rose Gold ID Bracelet from the Chunky this fall . . . “Style: All who have it share one thing—originality.” u Chain Collection; Jimmy Choo’s Kelly 100 shoe in painterly brocade.

ELIZABETH MEIGHER EDITOR

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CONTRIBUTORS

Elizabeth Quinn Brown > Starting her career at Quest, Lizzie worked as features editor and the Young & The Guest List columnist—a position that earned her a recurring role on The CW’s Gossip Girl. She’s now a freelance editor/writer who contributes to a number of publications, including Architectural Digest, Billboard, GQ, and USA Today. In this issue of Q, Brown chronicles the life and career of “Living Legend” Ali MacGraw—actress, model, author, and animal-rights activist. MacGraw reached international fame for her role as Jenny Cavilleri in 1970’s hit film Love Story.

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Brooke Kelly > A graduate of Tufts University, Brooke is the associate editor of Quest and Q magazines. In this issue, she reports on the evolution of helicopter start-up Blade, and sits down with beauty expert Charlotte Tilbury. Don’t miss Brooke’s selection of the latest sunglasses, boots, and coats to help you step stylishly into fall; her coverage from the front lines of the hottest parties; or her round-up of the best new beauty products. Outside the office, you can find Brooke playing tennis or exploring the scene and culture of the East Village.

84 Tykischa Jacobs > Known fondly at the office as TJ, Tykischa is the graphic designer and production manager for Quest and Q magazines. She uses her creativity to bring this exciting Fall issue of Q to life designing market and front-of-book pages. This season, she particularly enjoyed composing the Evening Looks feature that showcase elegant gala trends (such as painterly Jimmy Choo heels).

Outside of the office, TJ can be found exploring the fascinating Costume Institute at The Met or attending concerts at Gramercy Theater, her favorite venue.

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46 < Daniel Cappello is the deputy editor of Quest and Q and the author of The Ivy League and Dinner Diaries, each published by Assouline. As a former fashion director, he still keeps an eye out for the latest styles. In this issue, apart from selecting fall trends for men and some must-have accessories for both ladies and gentlemen, Daniel travels to London to report on the Doyle Collection’s plush rooms around town. He also reports back from the fashion field with a look at Zac Posen’s current fall collection, styled on Posen’s friend and muse, the American actress Katie Holmes.

70 < Ann Loynd Burton is a fashion and lifestyle journalist with a background working for publications like Cottages & Gardens and Accessories magazines. Currently the senior editor of Quest and Q, Loynd Burton reviews the Paris Couture runway shows for “Artful Ateliers” and sits down with a New York shoe designer to the stars in “Sarah Flint is Ready for Takeoff.” When she isn’t flipping through the latest glossy, you can find Ann digging through vintage shops or experimenting in her kitchen in Connecticut, where she resides with her husband and two dogs.

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Lou i se D ah l- Wo lf e , C o lle c ti o n St al ey Wi se Ga lle r y, © 1 9 89 Ce n te r f or Cre at i ve P h o to gra ph y, Arizona Board of Reg ents

N O S TA L G I A

Liz Gibbons photographed by Louise Dahl-Wolfe,

FAL L AC T IVIT I E S

who said of her subject: “The first model that ever inspired me was Liz Gibbons...this long, long

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girl whose skin was almost gold.”

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This page: 1. Princess Elizabeth, heir-apparent to the throne of England as the king’s oldest daughter, waves gracefully to the crowd that watched her leave Buckingham Palace on June 6, 1937 in London. 2. The Hepburn sisters: Katharine, left; Marion, center; and Peggy, right; are shown at the Hepburn family home on Bloomfield Avenue in West Hartford, Connecticut, circa 1940. 3. A model photographed by Norman Parkinson for Vogue, 1951. 4. Marilyn Monroe getting out of a car, 1953. 5. Leopard People by Jonathan C. Morris, 1966. > Opposite page: 1. Prince Rainier III, Prince Albert, Marquess of Baux, Princess Grace and Princess Caroline of Monaco. 2. Jean Shrimpton with a Yorkshire Terrier, photographed by Cecil Beaton, Vogue, 1964. 3. Ali MacGraw, Dyan Cannon and Natalie Wood, 1970. 4. Audrey Hepburn wearing Givenchy during a party scene from Breakfast at Tiffany’s. 5. Sophia Vaughn at the Landmark Hotel in Marylebone for the annual Malta Charities Ball, August 2011, as seen in Tatler, August, 2013.

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A P Ph o to ; C on d é N as t; Al fre d Ei s en sta e dt/ P i x In c ./ T h e LI FE P i ctu re Co ll ec ti o n / Ge tty Im age s; Jonathan C. Morris

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RED WINE

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La Vie En Rouge Ann Loynd burton

As the days grow shorter and cooler, nothing complements a cozy fall evening like a tall pour of red. With new creative blends and improved-upon vintages, this selection of richer, fuller, and more complex vinos will have you moving to the dark side.

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1. 7 MOONS DARK SIDE OF RED Seven varietals (Syrah, Merlot, Petite

moutoncadet.com. 6. SIMI ALEXANDER VALLEY CABERNET SAUVIGNON Dark

Syrah, Zinfandel, Cabernet, Malbec, and Grenache) create a bold profile

garnet in color, this Cab boasts a ruby edge with fruit aromas that beg for

for sipping under a night sky. $13, 7moonswines.com. 2. MARQUES DE

savory dishes. $22, simiwinery.com. 7. SMOKE TREE PINOT NOIR Aromas of

RISCAL RESERVA This 2012 is sourced from pre-1970s Tempranillo vines

black cherry, plum, and licorice are coupled with a supple finish—the perfect

that are grown in the Rioja Alavesa region, then cask-aged for 25 months

pair for a beet salad or simple grilled meats. $25, smoketreewines.com.

in American oak. $20, marquesderiscal.com. 3. TIGNANELLO IGT Ripe

8. BONTERRA EQUINOX RED This blend starts with Merlot and is complemented

red fruit, cassis, and blueberries are in perfect balance with hints of

with Petit Syrah for a mix of juicy red and black fruit flavors with a dash

chocolate and licorice on this ruby-red wine. $125, wine.com. 4. RAVAGE

of intriguing spices. $16, bonterra.com. 9. AO YUN Produced in the hills of the

CABERNET SAUVIGNON The perfect pair for steak tacos or lamb shoulder

Himalayas, Moët Hennessy’s groundbreaking wine from China introduces

pitas, Ravage’s smooth, fruity finish stands up to bold flavors. $13,

its second vintage. The intense altitude makes this Cabernet Sauvignon (with

ravagewines.com. 5. MOUTON CADET ROUGE With 85-percent Merlot

a touch of Cabernet Franc) a rarity that is rich in culture. $300, lvmh.com.

blended with Cabernet Sauvignon and Cabernet Franc, this expressive rouge

10. BOOM BOOM! SYRAH Explosive flavor defines this spicy Syrah created in

is true to the Bordeaux tradition, very smooth, with a lush palate. $14,

Washington state by edgy winemaker Charles Smith. $18, charlessmithwines.com.

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1. ROBERTO COIN Classic Diamond snap hoop earring in 18-kt. white gold; $4,900. 2. LALIQUE The 1927 Double Ring in black crystal with white resin and silver ($195); available exclusively at lalique.com through October, then at LALIQUE boutiques nationwide beginning in November. 3. LINDA HORN Vintage sterling-silver bangle with faceted black and clear rhinestones; $450.

4. HARRY WINSTON Forget-Me-Not pendant with sapphires and diamond set in platinum; price upon request. 5. BETTERIDGE Made for Betteridge Medium Diamond Hoop Earrings; $7,000. 6. MARINA B Zipna ring in faceted tanzanite with aquamarine, sapphire, onyx, and pavé diamonds; $36,000.

M ar th a Ste w a r t

Martha Stewart was a model before she was the queen of American home life. Stewart began her career at the age of 15, and she continued to model through her time as a student at Barnard College as a way to supplement her income. She modeled for a host of clients, from Unilever to Chanel, and her fine facial features proved perfect for showing off bold hoops. You can sparkle in a similar fashion this season in a pair of beautiful diamond hoops from Betteridge. While you’re at it, don’t forget about color; a simple yet stunning sapphire accent is just the right touch, especially when it’s Harry Winston.

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5 6 Fashion models wearing military-inspired coats designed by Jeanne Lanvin in 1968 prove that accessories can really finish off a look. Their chains—with their dramatic length—go a long way in making a statement. This fall, as you begin to accessorize your favorite looks for the season, don’t forget some bold jewelry options of your own, from a modern take on the classic ID bracelet (thanks to Ralph Lauren’s fine jewelry line) to a pair of Verdura earrings whose vibrant colors and fetching design are sure to impress. When in doubt, a good rule of thumb is: just add jewels.

1. RALPH LAUREN Rose Gold ID Bracelet from the Chunky Chain Collection, made in Italy and available with diamond-set engraving; $12,000. 2. EF COLLECTION Diamond and pink sapphire Flower Choker necklace with rose gold; $695 at efcollection.com. 3. VERDURA Amethyst, ruby, pink sapphire, and 18-kt. gold Cascade Earclips; $44,500. 4. EFFY JEWELRY Rose gold, diamond, and opal ring; $1,125 at effyjewelry.com. 5. LUSSO BY FABIO ANGRI Time to catch “Butterflies aflutter in pink”: baroque pearl and butterfly drop earrings in rose gold, freshwater baroque pearls, pink sapphires, and diamonds; $3,500. 6. KENNETH JAY LANE Gold-plated crystal and turquoise oval-shape ring with pink center; $100.

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C O AT S

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1. RALPH LAUREN Double-Breasted Wool Coat; $798 at ralphlauren.com.

2. RAG & BONE The Penelope Parka in light green is a military-style coat with a relaxed fit; $795 at rag-bone.com. 3. CANADA GOOSE One of Canada Goose’s most beloved styles, the blue PBI Chilliwack Bomber serves as a nod to post-war bush pilots in Canada’s North, and its Polar Bears International (PBI) logo disc indicates a portion of proceeds from the sale of this item will go directly to supporting the preservation of polar bear habitats; $875 at canadagoose.com. 4. MONCLER The 2 Moncler 1952 collection’s Torcol Giubbotto coat; $1,150 at the Madison Avenue boutique or moncler.com. 5. VERONICA BEARD The Malin jacket in black is the perfect combination of classic and cool; $595 at veronicabeard.com.

Winter Chill Chic Romy Schneider, born in Austria during the 1930s to a family of actors, followed the same path as her relatives. Throughout her career—on and off the screen—Schneider captured the eyes of everyone in her presence with her striking beauty and sophisticated style. In this image, Schneider, in a tweed coat, styles one of her classic looks in front of the Carlton Hotel during the 1969 Cannes Film Festival.

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Kenneth Jay Lane signature animal bracelets Always a brave and bold idea!

Get them at: www.kennethjaylane.com

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BOOTS

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Step Into Fall Paris has always been a hub for top fashion—from the highend designer boutiques that line Avenue des Champs Elysées to the stylish men and women who occupy the streets. Vintage street style as we know it today stole the show in the city’s fashion scene between the 1940s and 1980s. Women dressed to the nines on a daily basis in designer coats, hats, and statement shoes. In this photo, a Parisian model is seen styling a double-breasted Ted Lapidus coat with go-go boots that make the outfit.

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1. MANOLO BLAHNIK This season Manolo Blahnik introduced its new starshaped buckle, seen on these black suede crystal-embellished ankle boots; $1,425 at manoloblahnik.com and select Manolo Blahnik boutiques.

2. SAM EDELMAN The Hai boot in Paprika suede is a pointy-toe knee-high boot you’ll want to pair with practically everything; $200 at nordstrom.com.

3. STUART WEITZMAN The Charlie boots, crafted from suede, include an adjustable shaft, allowing for a slouchy or sleek fit; $798 at stuartweitzman. com and select Stuart Weitzman boutiques. 4. BRUNELLO CUCINELLI Ankle boots in glass-effect leather and riding leather with precious bands; $1,995 at brunellocucinelli.com and at the Greene Street boutique. 5. INEZ The Paz fitted ankle boot with an elongated block heel; $299 at inez.com.

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Autumn Shades Elsa Martinelli was an instant style icon as she made her debut in acting and modeling during the 1950s. Born in Italy to a working-class family, Martinelli started her career in Rome when she was only 15 years old and instantly flourished. Her beauty was mesmerizing; her look was timeless and filled with grace, which contrasted with her seductive and daring personality. Here she is seen hiding behind an oversized pair of shades on the set of The Tenth Victim with Marcello Mastroianni in 1965.

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1. GUCCI Rectangular-frame sunglasses in taupe acetate; $435 at gucci.com and select Gucci boutiques. 2. BURBERRY Doodle Cat-eye Frame Sunglasses in cardinal red; $230 at burberry.com. 3. RAY-BAN The Blaze sunglasses in green classic are a daring contemporary look for urban style hunters; $163 at ray-ban.com.

4. PRADA These Ultravox Eyewear sunglasses boast a contemporary design with a ’90s vibe; $440 at prada.com. 5. ILLESTEVA The Leonard II sunglasses—in light gray with gray gradient lenses—are named after the trendy and edgy Tribeca street, and fully embody the cool and laid-back New Yorker; $240 at illesteva.com.

6. J.MCLAUGHLIN Be chic in the shade with the oversized Chiara Polarized Sunglasses; $138 at jmclaughlin.com and J.McLaughlin boutiques.

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CLUTCHES

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Lee Radziwill, Jackie Oâ&#x20AC;&#x2122;s socialite younger sister and former royal, remains the epitome of chic. Seen here arriving at the Met Gala in 2000 for the opening of Jacqueline Kennedy: The White House Years, Selections from the John F. Kennedy Library and Museum, Radziwill inspires our selection of boxy clutches that juxtapose sturdy geometry with soft, natural hues.

1.YLIANA YEPEZ Summer may be over, but oceanic pearl continues to charm in cooler months. The Gaia Mother of Pear Resin Minaudière features gold hardware, push-lock closure, and satin lining; $1,695 at ylianayepez.com. 2. OSCAR DE LA RENTA Artistic tapestries take a fashion turn in the Crimson Jaquard Mini Albi and an optional chain strap, the Logan clutch offers a sleek take on the natural materials trend; kayudesign.com. 4. THALE BLANC A graphic watersnake pattern is paired with a blooming handle of brass orchids and elegant pearl stones. Handmade in Italy and designed to fit just the essentials; $1,050 at thaleblanc.com.

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Bag, featuring an Elizabethan-inspired floral motif; $2,190 at the 772 Madison Avenue flagship. 3. KAYU Made from lacquered wood and featuring round clasps

alone won’t ensure they’ll prosper in the future.

How do you prepare your kids for financial independence?

If you’re unsure about how to talk to your kids about money, you’re not alone.

Whether they will inherit a little or a lot, you should talk. But how much should you share? And what should you tell them? We’ve been advising families for more than a century and can provide insight, guidance, and educational tools to help.

For a deeper understanding of how to prepare your children for your wealth, call Sharon Klein and her team at 212-415-0547. Download our research Navigating the Wealth Transfer Landscape at wilmingtontrust.com/nextgen.

WEALTH PLANNING | TRUST AND ESTATE SERVICES | INVESTMENT MANAGEMENT | PRIVATE BANKING*

* Private Banking is the marketing name for an offering of M&T Bank deposit and loan products and services.

Investments: • Are NOT FDIC Insured • Have NO Bank Guarantee • May Lose Value Wilmington Trust is a registered service mark. Wilmington Trust Corporation is a wholly owned subsidiary of M&T Bank Corporation. Wilmington Trust Company, operating in Delaware only, Wilmington Trust, N.A., M&T Bank, and certain other affiliates provide various fiduciary and non-fiduciary services, including trustee, custodial, agency, investment management, and other services. International corporate and institutional services are offered through Wilmington Trust Corporation’s international affiliates. Wilmington Trust Investment Advisors, Inc., a subsidiary of M&T Bank, is an SEC-registered investment advisor providing investment management services to Wilmington Trust and M&T affiliates and clients. Loans, credit cards, retail and business deposits, and other business and personal banking services and products are offered by M&T Bank, member FDIC. ©2018 Wilmington Trust Corporation and its affiliates. All rights reserved.

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1. FURLA The Furia Bellaria handbag features a top-handle design with optional strap. Vegetable-tanned leather colorblocking is accented with

Australian model and photographer Janice Wakely shows off fall fashions in 1959, reaching out of a vehicle on Queen Street in Melbourne while posing for Helmut Newton. Her plaid-adorned look feels as back-to-school chic today as it did 60 years ago, inspiring our selection of handbags for the season. In exquisite leathers, slouchy hobos and structured totes alike feel fresh in patchwork patterns, exotic animal skins, and autumnal hues.

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“It” bag, the Mini Priscilla Satchel takes a colorful turn in Multi Hansen, an ombré snake print; $315 at brahmin.com. 3. HAYWARD Corduroy Patchwork Mini Shopper is made in New York; $590. 4. ALEXANDRA CLANCY Robinson medium bucket bag with two-tone pyramid studs and mesh pyramid toggles, shown in cognac; $950 at alexandraclancy.com. 5. JIMMY CHOO The Rebel Tote has an edge in opal gray shaded gloss elaphe and suede; $2,395.

6. SAM EDELMAN Dinah half moon bag in black with bamboo handle; $118.

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a decorative buckle; $548 at Furla boutiques. 2. BRAHMIN Deemed this fall’s

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A Man’s Best Friends Yves Saint Laurent remains as iconic as his collections themselves.

From his signature glasses to every detail of his wardrobe—like the print of his suits to and finishing bow tie and watch—the designer was the epitome of elegance made easy. This season, pay attention to the details like Yves Saint Laurent and finish your own look with some of the accessories on this page. Don’t forget that the setting also makes the man, so upgrade your home office while you’re at it.

1. JAMES PURDEY & SONS The moss green Heavy Duty Keeper with English oak bark–tanned leather and nettle canvas; $1,400.

2. GLENFIDDICH This fall, pour a glass of Glenfiddich’s India Pale Ale Cask Finish, the first-ever single-malt Scotch whiskey finished in IPA craft-beer casks; $69.99. 3. CARTIER Take off in style in these gold-rimmed aviators with leather trim; $2,195. 4. POLO RALPH LAUREN Fingerless driving gloves in smooth leather; $65. 5. STUBBS & WOOTTON Natural linen Castañer espadrilles; $140.50. 6. SALVATORE FERRAGAMO Suede wood-inlay Gancini buckle belt; $395 at Bergdorf Goodman. 7. JEAN-MARC FRAY ANTIQUES A circa-1930 cognac leather English Chesterfield sofa; $8,500.

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Elegant Touches

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The schoolgirl look is a staple that’s about as reliable as they come—think uniforms for days. Be it throwback or contemporary, the ultimate charm of the schoolgirl look is in the way it’s accessorized—whether by knee-high socks, statement hats, or a bow around the neck to wrap it all up. No matter what look you’re going for as we head back to school this season, we think the accessories on this page are poised to help you achieve fashion’s max.

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1. HELEN KAMINSKI Tahani crochet raffia hat in nougat; $255 at Bergdorf Goodman. 2. RIZZOLI Celebrate Italian fashion with Luisa Spagnoli: 90 Years of Style (Rizzoli), edited

by Sofia Gnoli; $95 at rizzoliusa.com. 3. FINDLAY GALLERIES Update your art collection with the likes of Chuang Che’s Autumn, 2010 (oil on canvas); visit findlaygalleries.com for more. 4. BOTTEGA VENETA Deco Rose Shearling Gloves; $440 at bottegaveneta.com. 5. ROLEX The Rolex Oyster Perpetual Lady-Datejust 28 in Oystersteel; $6,300.

6. LALIQUE The house’s iconic Cabochon Ring now comes in clear crystal with pink patina; $160 at lalique.com. 7. NOLET’S FINEST GINS With notes of Turkish rose, peach, and raspberry, Nolet’s Silver is a gin for a new generation; $49 at reservebar.com. 8. RIEDEL The Bar Spey Longdrink Glass from Riedel; $29.50 per set of two at riedel.com.

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Falling For New Threads James Dean starred in the 1955 Elia Kazan film East of Eden, based on the second half of the 1952 John Steinbeck novel of the same name. In the film, Dean plays Cal Trask, a wayward son searching for his own identity. With cooler temps on the way, now’s the perfect time to blaze your own new path and identity— by sprucing up your wardrobe with the men’s designers seen here.

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1. ALTON LANE Deconstructed oatmeal cashmere blazer; from $1,595 at altonlane.com. 2. L.B.M. 1911 Patterned wool and cotton blazer; $695 at A.K. Rikk’s, 616.957.3242.

3. BLACK LAPEL Custom, made-to-measure suits by Black Lapel feature easy-to-wear colors according to each season; from $599 at blacklapel.com. 4. RALPH LAUREN Windowpane twill trousers ($995) by Ralph Lauren; available, with similar jacket options, at select Ralph Lauren stores. 5. P. JOHNSON Made-to-measure double-breasted French navy gabardine Super-150s wool suit ($1,925), cornflower blue shirt ($250), and irregular striped tie ($135). 6. TODD SNYDER For Snyder’s brown bouclé glen plaid topcoat or dark olive wide-wale cord pleated trousers, visit toddsnyder.com. 7. BILLY REID Thomas overcoat ($1,295), cashmere mockneck ($425), and moleskin pant ($195), at billyreid.com.

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LIVE PASSIONATELY. DRINK RESPONSIBLY. ©2018. BACARDI AND THE BAT DEVICE ARE TRADEMARKS OF BACARDI AND COMPANY LIMITED. RUM – 40% ALC. BY VOL.

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This page: Ali MacGraw and Ryan O’Neal in a still from Love Story, 1970. > Opposite page: Ali MacGraw in Glamour, 1967.

The stylish brunette with the brows became famous for her turn in Love Story (1970). But, Ali MacGraw’s real-life existence has been even more intense—and, on occasion, even more watchable—than that her character Jennifer Cavilleri’s.

Elizabeth Alice MacGraw was born on April 1, 1939, to Frances and Richard MacGraw—who were artists. (Frances was Hungarian and from Massachusetts; Richard was Scottish and from New Jersey.) Ali and her brother, Richard, were raised in a wilderness reserve in Pound Ridge, New York, where the MacGraws shared a small house with an old couple. Ali has remembered, in an interview with People (February 1983): “My parents made no money whatsoever,

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but they really knew how to see, as artists. So, a big adventure might be, on a hot, dreadful day with no place to go, to go out and draw our chickens with pastels. My parents gave me a sense of wonder.” But, there were other moments, too.

Ali has also remembered, in an interview with Vanity Fair (March 2010): “Daddy would beat my brother up, badly. I was witness to it, and it was terrible […] I put all my energy into trying to correct the chaos in our life. I was the Perfect Girl—capital P, capital G.” The actress was ambitious and curious, even in her teens.

Our “Perfect Girl” was educated at Rosemary Hall in Greenwich, Connecticut, and Wellesley College in Cambridge, Massachusetts—where she studied art history. She shared, in

Th i s p ag e : Eve re tt Co lle cti o n . O p po s i te p ag e:

Living Legend Ali MacGraw

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This page, left to right: Arthur Hiller (right) with Ryan O’Neal and Ali MacGraw on the set of Love Story, 1970; Ali MacGraw and Ryan O’Neal in a scene from Love Story. > Opposite page, clockwise from top left: Ali McGraw and her husband, Academy Award–winning Hollywood producer Robert Evans, at the Rome airport prior to departing for Nice, France, 1971; Ryan O’Neal and Ali MacGraw in a scene from Love Story; a movie poster for Love

an interview with Harvard University’s Arts Department (January 2016): “I thought I would do something in the art world—and I don’t mean the brainy one in the museum.

I just wanted to be around it. I had a very unspecific fantasy about what it would be like. Here’s the truth: I thought, well, maybe it could be 1913 again in Paris, and all those amazing people all starving to death, I would feed them. It was pretty much about living in my fantasy life . . . I wanted all the heavyweights coming in for a coffee: Diaghilev, Jean Cocteau, all of them. Of course, I was eliminating the fact that they were freezing to death at night, couldn’t get anything to eat, couldn’t sell their paintings.”

It was in Cambridge, Massachusetts, that the actress was introduced to her first husband, Robin Hoen (who was a

Story; American actress Ali Macgraw; Ali MacGraw and Robert Evans with their son, Josh

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handsome student at Harvard). The two were married in 1961—but were divorced in 1962. In 1960, she had relocated to New York City, where she became an assistant to Harper’s Bazaar’s Diana Vreeland. The chic brunette was soon embraced in the same scene as the era’s elite—a social swirl that included Salvador Dalí and Gloria Steinem.

In 1966, MacGraw was cast in an advertisement for Chanel’s cosmetics. And, with that, she was discovered. She debuted as an actress in Goodbye, Columbus (1969). The feature, which was based on Philip Roth’s contribution to The Paris Review, was a romance about a Radcliffe student

Pa ram o un t P i ctu re s, vi a P h o to f e st;

Evans; Ali MacGraw and Steve McQueen in a still from The Getaway, 1972.

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include Rosemary’s Baby (1968) and The Godfather (1972). Evans, who was enamored with MacGraw, said, “Yes.” (The two would both say, “Yes”—or, rather, “I do”—when they married in 1971.)

Arthur Hiller was recruited to be the director. But, who would be cast as Oliver Barrett IV—the rich Harvard student who would fall for MacGraw’s poor Radcliffe student (Jennifer Cavilleri)? The era’s leading actors—like Michael Douglas, Jon Voight, and Christopher Walken—auditioned for the role. But, it was Ryan O’Neal who won the role of the blonde Boston Brahmin.

Love Story (1970) contributed to the 1970s zeitgeist and it was a financial smash in theaters—but, the cast wasn’t as rewarded as it could’ve (or should’ve) been. It was nominated

I m a ge s; Silve r Scre e n C o lle ctio n / Ge tty I m a ge s

(MacGraw) and a Rutgers graduate (Richard Benjamin).

MacGraw was awarded the “New Star of the Year—Actress” Golden Globe. (She was also nominated for a BAFTA.) The actress was serious about the search for her second film, because she knew that it would define her career. She was heartened when she read what would become Love Story (1970): a tragic tale about star-crossed (or, social class– crossed) love. MacGraw has emoted, in an interview with Town & Country (August 2016): “When I first read the script, I was deeply affected by it. I thought, ‘Why am I crying?’ It’s so simplistic, and my film tastes are, well, intense, let’s put it that way. So, I read it again, and was equally affected.”

MacGraw flew to Los Angeles to discuss the idea with Robert Evans, Paramount Pictures’ studio executive whose films

P ictu re s/ 20 th C e n tu r y Fox ; J e f f Go o de / To ro n to Sta r v ia Ge tty

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AP Photo; Ron Galella, Ltd ./WireImag e;

This page, clockwise from top left: Ali MacGraw and Peter Weller at Studio 54, 1979; Ali MacGraw and Robert Evans walking along Fifth Avenue in New York City, 1971; Ali MacGraw, 1971; Ali MacGraw and Steve McQueen, 1974; Ali MacGraw, Dyan Cannon and Natalie Wood, 1970. > Opposite page, clockwise from top right: Ali MacGraw, 1971; Ali MacGraw with Steve McQueen and her son, Josh, in 1975; A film still of Ali MaGraw in The Getaway; at 51, MacGraw called her stay in the Betty Ford Center “the great gift of my grown-up life”; Ali MacGraw in a publicity still for Love Story, 1970.

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This page, left to right: Ali MacGraw in a multi-patterned dress by Chelsea designer Ossie Clark, 1969; Ali MacGraw in a publicity photo for the film Love Story, 1970; Ali MacGraw photographed by Bert Stern, 1969.> Opposite page: Ali MacGraw photographed by Jérôme Ducrot for a

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CHANEL N°5 advertisement, 1966; Ali MacGraw (left) photographed

tic at the beginning. I didn’t state my case: ‘You know, even though I told you I’d rather be on a motorcycle opening a can of beer, the truth is I’d rather go to Paris.’ If you don’t say who you are up front, then you don’t get to wake up two years later and say, ‘Oh, man, am I sick of doing this!’” The two creative talents were also insecure, which would manifest in MacGraw as “shrinking” (she wanted to be his “Perfect Girl”)—and in McQueen as “cheating.”

In 1986, she entered the Betty Ford Clinic in Rancho Mirage, California, where she announced: “My name is Ali,

Be r t S te r n / Co n dé N a st v i a Ge tt y I m a ge s

by Melvin Sokolsky on a set in Paris, France.

H a r r y De mp st e r / E x pre ss / Ge tty Im ag e s; Alam y;

for seven Academy Awards but won one: “Best Music (Original Score).” To her credit, MacGraw received a “Best Performance By An Actress In A Motion Picture—Drama” Golden Globe. She also debuted on the famous “International BestDressed List,”an envious achievement all its own.

Evans and MacGraw welcomed their first child, Joshua, in 1971. But the union would soon be challenged when MacGraw filmed The Getaway (1972)—where she was introduced to Steve McQueen, the infamous icon who had starred in films like The Thomas Crown Affair (1968).

The connection between the two icons was so intense that it was flammable. So, MacGraw ended her relationship with Evans and entered into one with McQueen: the stars were married from 1973 to 1978. MacGraw reveals, in an interview with Vanity Fair (March 2010), that she “. . . was inauthen-

Jérôme Ducrot @ CHANE L; Melvin Sokolsky

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Clockwise from top: German-born American National Security Advisor and Nobel Peace Prize winner Henry Kissinger (left), Hollywood producer Robert Evans and his wife, Ali MacGraw, arriving at the premiere of The Godfather, which Evans produced, New York City, March 15, 1972; Ali MacGraw at the 28th Annual Golden RE X/ Sh u tte rs to c k; Re x USA ; Pa ra m ou n t P i c ture s; Jo h n Br y son/Time & Lif e Pictures/Getty Imag es

CO RBI S/ Co r b i s v i a Ge tty Im age s ; AF a r c h i ve / Alam y Stock Photo. O p p osite p ag e: GLO BE PHOTO S/

1969; Steve McQueen and Ali MacGraw in a still from The Getaway, 1972.

Th i s p age : Ar c h i ve P h o to s/ Ge tt y I m a ge s; Ro n Gale lla/WireImag e; Hulton-Deutsch Collection/

Globe Awards, 1971; Ali MacGraw modeling clothes designed by Ossie Clark,

Clockwise from top left: Steve McQueen and Ali MacGraw on the set of The Getaway; Ali MacGraw in New York City, 1969; Robert Evans and Ali MacGraw at the New York premiere of Paint Your Wagon, 1969; Ali MacGraw, 1971; Ali MacGraw in Goodbye Columbus, 1969; Ali MacGraw and Ryan Oâ&#x20AC;&#x2122;Neal in Love Story; Ali MacGraw seated on a deckchair in California, 1978.

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This page, from above: Director Sam Peckinpah and Ali McGraw on the set of The Getaway, 1972; a movie poster for The Getaway; In 2017, at the age of 78 years old, Ali MacGraw posed for photos in Sante Fe, New Mexico, where she has lived for 26 years. > Opposite page, from above: Ali MacGraw starring as Brenda Patimkin in the film Goodbye, Columbus, 1969; Steve McQueen and girlfriend Ali MacGraw take cover under a blanket

O p po s i te pa g e: ullstein bild /ullstein bild via Getty Imag es; Steve Schap iro/Corbis via Getty Imag es

and I am an alcoholic/male-dependent.” She admitted, in an interview with Vanity Fair (March 2010): “I got really, really clear that, in pretending to be Miss Perfect for too many decades, I’d contributed to my moodiness, my intolerance.

That’s not romantic, that’s just brat.”

Now, MacGraw is a resident of Santa Fe, New Mexico.

(She relocated in 1993, when her house in Malibu, California, was ruined in a fire.) She authored Moving Pictures: An Autobiography (1991) and has found fulfillment in endeavors like her collaboration with Ibu, an artisan brand, with whom she created a fashion collection.

Ultimately, it may not have been a Love Story—but it’s a self-love one. And that is one that means never having to say you’re sorry. ◆

Th i s p ag e : mp tv Imag es; National General Pictures/20th Centur y Fox; Pamela Hanson f or Por ter Mag azine

as it rained on the set of Papillon, on location in Jamaica, 1973.

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No matter the season, London is always one of the most popular travel destinations. More like many cities (and villages) within one, each neighborhood has a vibe and history all its own.

Today, with three luxury hotels in three distinct parts of town, the Doyle Collection is making guests feel right at home across several addresses.

by Daniel Cappello

C o u r t e s y o f t h e D oy l e C o l l e c t i o n

A Slice Of London City

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THE BLOOMSBURY 16-22 Great Russell Street / +44 207 347.1000 Developed in the 17th and 18th centuries as a fashionable residential area, Bloomsbury is also steeped in literary tradition.

Charles Dickens, Virginia Woolf, and William Butler Yeats all lived here, and the British Museum remains as the heart of the neighborhood. Boasting some of London’s finest parks and formal squares, Bloomsbury is also home to an impressive assortment of bookstores—from Skoob Books to the London Review Bookshop and everything in between, like Gay’s the Word, the United Kingdom’s first gay bookshop. Whatever your literary leaning, there’s no better place to curl up with a new book than back at The Bloomsbury hotel. Centrally located, The Bloomsbury is an architectural lover’s gem. Sir Edwin Lutyens designed the building, originally conceived as London’s first YWCA. Fully renovated, the hotel houses a library and a cozy reading room, with comfy sofas and a fire, while guest rooms boast modern luxuries. High tea at Dalloway Terrace is not to be missed, but you may never want to leave once you’ve hit Coral Room, the hotel’s buzzing bar with bright glossy walls that give new meaning to its namesake color.

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THE KENSINGTON 109-113 Queen’s Gate / +44 207 589.6300 There’s a sense, on being welcomed through the double-framed doors of The Kensington hotel, of stepping back in time to a more genteel age, when good service was second nature. The hotel’s luxurious white stucco façade—a collection of four 19th-century townhouses in this posh part of town, full of stately prewar buildings and embassies—and the Victorian grandeur of its high ceilings, heritage decor, and open fireplaces evoke something of a bygone era. The Kensington is less of a city hotel and more like your own pied-à-terre (albeit with a finely trained staff to meet your every need, from herbal teas delivered to the edge of your freestanding, footed soaking tub at night to ticket arrangements at Royal Albert Hall). Here, London society comes together, whether for afternoon tea in the airy drawing rooms, cocktails in the glamorous K Bar, or dinner in the refined Townhouse restaurant. After a tour of nearby Kensington Palace, the Natural History Museum, or the Victoria and Albert Museum, it’ll feel just like coming home upon your return to The Kensington.

C o u r t e s y o f t h e D oy l e C o l l e c t i o n

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THE MARYLEBONE 47 Welbeck Street / +44 207 486.6600 The vibrant, jewel-box feel of Marylebone, one of London’s trendiest neighborhoods, is mirrored in the stylish hotel that shares its name. A stone’s throw from the department stores and boutiques of Oxford Street and Mayfair and the independent restaurants and markets of Marylebone High Street, The Marylebone hotel reflects the energy of this charming yet buzzing village within the city. From the polished appeal of the hotel’s restaurant, 108 Brasserie (don’t skip the house-made artisanal gin), to a yoga class in the decked courtyard, or a spin and a dip at the Third Space gym, pool, and spa—the hotel is like a self-contained village of its own. With everything on offer, it’s hard to imagine how The Marylebone managed to make its guest rooms—contemporary and ultra-comfortable—as luxuriously spacious as they are, especially for this part of town.

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Katie Strikes A Pose, In Posen

by Daniel Cappello photogr aphs by Daniel King

Katie Holmes

is the modern American muse par excellence. In her on-screen roles, she’s gone

from the country’s quintessential first daughter to its ultimate first lady—Jacqueline Kennedy—with an impressively wide range of stops in between. She’s the type of woman everyone feels at home with, even from afar. For fashion designer Zac Posen, Holmes is a real-life friend and inspiration, which explains why he enlisted photographer Daniel King to shoot a portfolio of her wearing his Fall-Winter 2018 collection, as you’ll see in these pages. “Katie is one of my dearest friends and a longtime collaborator,” Posen tells us. “It was such an incredible moment to be able to capture her at the House of Z in my Atelier.”

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This page: Katie Holmes in Zac Posenâ&#x20AC;&#x2122;s black silk faille cropped bolero jacket and gown. > Opposite page: Holmes in Posenâ&#x20AC;&#x2122;s grenadine strapless silk faille gown. Shoot credits: creative director, Christopher Niquet; makeup artist, Violette; hair stylist, Jimmy Paul.

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This page: Katie Holmes in Zac Posen’s fern taffeta off-the-shoulder ball gown. > Opposite page: Holmes in Posen’s magenta silk faille bolero with dramatic ruched back with mermaid magenta silk faille gown; the designer Zac Posen with Katie Holmes, wearing his grenadine strapless silk faille gown (inset left); Holmes in Posen’s burgundy bias-cut draped crêpe dress (inset right).

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This page: Katie Holmes in Zac Posen’s tangerine silk faille embroidered strapless tea-length dress; in Posen’s burgundy crêpe U-back day dress (inset). > Opposite page: Holmes in Posen’s burgundy crêpe day dress.

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Bringing Out The Beauty In Everyone by

Brooke Kelly: When did you realize your passion for makeup?

Charlotte Tilbury: I discovered makeup and became fascinated by its power when I was 13—it changed my life. I went away to boarding school and I started wearing mascara. Overnight, everyone reacted to me in a very different way; I was instantly more empowered, magnetic, and mesmerizing—I felt enriched with confidence.

BK: Who is your biggest inspiration?

CT: Inspiration comes to me in many different ways. I have a mix of creatives, visionaries, and rule-breakers that I look to for inspiration. From Helena Rubenstein, Coco Chanel, and Walt Disney to Steve Jobs, Winston Churchill, and Estée Lauder—the list goes on. I also always get inspired by need: “necessity is the mother of all invention” [Plato]. I am always thinking about how to find a solution to problems, from concealing imperfections to re-emitting light to more flattering angles of the face, or sculpting celebrity limbs without going to the gym.

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BK: What are the best Charlotte Tilbury products out there right now?

CT: Darling, my brand-new Magic Away Liquid Concealer is unlike anything you have seen before!

It’s my secret weapon for all skin concerns. I liken it to a magic wand of makeup because it makes your skin wishes come true! It’s as if you’ve completely hidden the appearance of pores, rolled over any contours, smoothed fine lines, etc. There’s also my award-winning Charlotte’s Magic Cream, which instantly floods the face with moisture. From the start of my career, I was known for amazing skin before amazing makeup. I always say you can’t have a beautiful painting without a beautiful canvas. I never apply makeup without it; it gives me the perfect glowing base.

BK: What does makeup mean to you?

CT: My philosophy is: “Give a woman the right makeup and she can conquer the world!” I really believe makeup can change your life—it has this incredible power to transform and boost every woman’s confidence. I call it the psychology of makeup—if you look good, you feel good, and you exude confidence that the world reacts to in a more positive way. Makeup is every woman’s secret weapon, and my beauty brand gives all women—from 18 to 80—award-winning, easy-to-use, easy-to-choose, easy-to-gift makeup and skincare options that are confidence-boosting. All of my products are years in the making, with the sole aim of making women look and feel like the most beautiful versions of themselves.

Because I have grown up in this world, a lot of my products were about bottling celebrity DNA and giving it to women everywhere. I always jest that before a product lands on the shelves of my Beauty Wonderlands it has been tried and tested on 20 celebrity guinea pigs, and they likely have given feedback on my latest innovation before it reaches you. u

Ch a r lo tte Ti lbu r y Be a u ty

Charlotte Tilbury has wooed the worlds of fashion and beauty over the past two decades with her undeniable talent as a makeup artist and high-profile following that includes Emma Roberts, Amal Clooney, Kim Kardashian, and Nicole Kidman. In addition to her celebrity clientele, her namesake beauty brand, nearing its fifth anniversary, has proven itself as one of the most coveted collections around the globe. Above all, she serves as an ambassador for Women for Women International, which, combined with her previously named accomplishments, recently earned her recognition by Queen Elizabeth as a Member of the Most Excellent Order of the British Empire. Read on to learn more about the brand from the expert herself.

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This page: Charlotte Tilbury, MBE, makeup artist, founder and creative director of Charlotte Tilbury Beauty. > Opposite page, above to below: Charlotte Tilburyâ&#x20AC;&#x2122;s clients have included Emma Roberts, Nicole Kidman, and Amal Clooney.

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Life On The Fly: The Evolution Of Blade b r o o k e k e l ly

Fly Blad e

by

This spread: Blade offers the option to land directly on your waterfront property in the Hamptons via seaplane; the company recently introduced Montauk Sky, a relaunch of the aviation brand founded in 1942 by Raymond and Schuyler Tilney (above right), two brothers in the U.S. Air Force.

’Tis the season for sharing. Today you can share rides via Uber or Lyft, rent out your home on Airbnb, borrow clothes through Rent the Runway, or use flexible office space with WeWork. And now, for those with a lax wallet, Fly Blade has opened private aviation to the public. Founded in 2014 by Steve Martocci and Blade CEO Rob Wiesenthal, the company debuted as an “Uber for helicopters.” Through a phone app and the click of a button, anyone in need of a chopper could launch a charter flight to a given destination.

Blade would then sell the remaining seats in its app and add credits back to your account for future travel.

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This spread: Photos of Blade’s East 34th Street Lounge in Manhattan.

Each of the Blade lounges (located in Miami, across New York City, and in the works in Los Angeles and Nantucket) boast iconic design, art,

This concept of crowdsourcing private flights has significantly lowered the cost of flying a helicopter. Through this model, you can now hop on a chopper for as little as $195 as compared to the $3,000 it would have cost five years ago. Due to the popularity and vast funding of the company (which raised $38 million this year alone, bringing the total to about $60 million), Blade has now expanded its offerings to include flights via seaplanes, jets, and more, depending on destination and preference. In addition to crowdsourcing flights and its private charter services, Blade also allows for bookings on a seat-by-seat basis to popular destinations, with one of the most coveted being the Hamp-

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tons—understandable for those who have experienced the unbearable traffic and long trips on the Long Island Expressway.

One-way seats on Blade choppers departing from various locations in Manhattan to the Hamptons (from Quogue to East Hampton) can be booked instantly for $695 to $795.

But it’s not only the app’s convenience that has made its flights so desirable; the company has transformed a simple commute into an unforgettable experience that begins immediately upon setting foot into one of its lounges, which are unlike any typical heliport. After arriving at the lounge, the flight check-in process takes a maximum of five minutes to complete.

You are then welcomed into a chic sitting area decorated by ’60s-inspired forms of art and a fully stocked open bar with snacks and spirits, with the most requested drink being rosé.

The servers dress in uniforms by Bandier and assure your drink is provided in the iconic blade sippy cup for your flight. While you only need to arrive 15 minutes prior to departure, many opt to show up hours before—to hang out, do work, relax, or

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and amenities, including a fully stocked open bar.

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This spread: Blade offers a fleet of fast, quiet, and comfortable helicopters, seaplanes, and jets for flights across the world, or simply across town.

Flights can be booked by the seat to popular destinations, or you can

watch the departures and arrivals through the large windows.

Earlier this summer, Blade introduced Montauk Sky, an aviation service between Teterboro and Montauk that honors the no-frills sensibility of the Hamptons surf town. Montauk Sky was originally founded in 1942 by Raymond and Schuyler Tilney, two brothers in the U.S. Air Force, to fly fresh lobster to Manhattan. Soon after, people began hitching rides from Montauk to Manhattan for $5. After a 70-year hiatus, Wiesenthal has relaunched the fabled line, and for just $345 one-way seats, guests are treated to beer, chips, lobster rolls, and laid-back music onboard a Cessna Grand Caravanâ&#x20AC;&#x201D;a nod to the simpler time in which the brand originated.

Outside of the Hamptons services, Blade arranges flights between Manhattan and Nantucket, Miami, and Palm Beach.

The company also recently expanded to the West Coast, where it services the Los Angeles area, as well as flights to and from Burning Man, and will continue to conquer new territories in the coming years. u

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choose to charter a flight with the option to crowdsource.

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Ralp h C ran e / Th e LIFE I m age s C ol le c ti o n/ Ge tt y I m a ge s; FP G/ A rc h i ve P h ot os / Ge t ty Im a ge s

Th i s p ag e : Ba r n a rd Ar c h i ve s A nd Sp e ci a l C ol le c ti o ns . Op p o si t e pa ge : N i co la us C zar ne ck i f o r The Boston Herald ;

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Looking Back At Back-To-School Style ElizabEth MEighEr

This page, clockwise from top left: Harvard fans cheer as the Harvard Crimson take on the Yale Bulldogs at Harvard Stadium in Cambridge, Mass., November 19, 2016; Williams College students read and take notes during a biology lecture, Williamstown, Mass., 1949; students at Yale University listening to a radio set, circa 1915. > Opposite page: Students in front of Barnard Hall, 1950s.

O p p osite p ag e: Peter Stackp ole/The LIFE Picture Collection/Getty Ima ges; th e tra d. b lo gsp o t. co m ; Se ve n Siste rs Sty le / R izzo li

This p ag e: Potter/E xp ress/Getty Imag es; ANGE LI-R INDO FF/BE ST IMAGE.

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Despite their signature angst and knack for bending rules, high school and college students alike have always played it cool when it comes to fashion: setting standards and steering outdated trends toward the door. In honor of their tastemaking ways, in the Fall issue of Q we take a stroll through classrooms and dorm rooms, and across campuses of seasons past, looking back at the sometimes comical—though always adventurous—styles sported by young adults throughout the decades.

Off the back of World War I, fashion became more accessible to Americans, including teens across the country. It was an era of sartorial risk-taking defined by jazz music and Prohibition.

The most daring style was coined the “flapper” look and was marked by silk drop-waist dresses, fringe, headbands, and felt hats. Boys’ fashion was notably dressy. Teens wore smaller versions of their father’s suits. Lapels were rounded, and trousers were pleated and loose-fitting.

The 1930s was marked by retailers’ awareness that teens were willing to spend money on fashion. In the spring of 1934, Sears promoted their first-ever “High School Shop.” However, families didn’t have much disposable income, as it was the height of the Great Depression, which lead to the invention of “feed sack” dresses—actual dresses made out of the sacks that held chicken feed. In the mid-1920s, companies purposely started packaging chicken feed in dress-quality fabric, and by the ’30s, many feed sacks came with desirable floral prints.

Despite the fact that numerous Americans made their dresses out of reused fabric, it was also the golden era of theater, and teens were inspired by Hollywood starlets

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This page, top to bottom: A group of Eton schoolboys riding motorbikes in an empty field, 1966; Princess Grace of Monaco walking her daughter, Stephanie, to school in Paris, 1976. > Opposite page, clockwise from top left: Students at Smith College, 1948; Dartmouth College students dressed in their letterman jackets, 1962; Bryn Mawr students wearing traditional white skirts and official college blazers for hoop rolling on May Day in the 1950s.

among the likes of Greta Garbo, Jean Harlow, and Marlene Dietrich. Popular trends included dresses that hit above the ankle, knit day suits, and maxi skirts paired with matching sweaters. For men, the 1930s were considerably masculine, in contrast with ultra-feminine women’s style. Because money was tight, retailers offered outfit packages that included a suit, a hat, socks, two dress shirts, a tie, and a pair of shoes for just $25.

In 1940, teen boys who graduated high school were often drafted for war. Their adult reality reflected in their fashion; they wore suits. In their teens, boys graduated from knickers to slacks (usually high-waisted and pleated). Their suit jackets were usually double-breasted with wide collars, in blue pinstripes or tan plaid. For women during this era, A-line pleated skirts in solid colors or plaid were popular, but only if they hit below the knee. These could be worn with a tailored jacket or a sweater and button-up blouse with a Peter Pan collar. Tight sweaters (usually in brushed wool or angora) gained massive popularity among Hollywood starlets, dubbed “sweater girls.” To complete the look, girls donned bobby socks and a pair of saddle shoes or loafers.

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I ma ge s ; Pr i n c et on Un i ver si ty Word Press Ser vice. O p p osite p ag e: Terr y O ’Neill/Hulton Archive/Getty Imag es

Th i s p ag e : B e ttm a n / Ge tty Imag es; thetrad .blog sp ot.com; Lamber t/Getty Imag es; Thurston Hop kins/Picture Post/Getty

The reign of the teenager—and teen fashion—didn’t truly begin until the 1950s, when rock and roll flooded radio waves. As Elvis Presley shook his hips across North America, high schoolers expressed their newfound influence and status via their clothing. For girls, poodle skirts were all the rage. According to some sources, the poodle skirt was invented by actress-turned-designer Juli Lynne Charlot, who sewed a felt Christmas tree onto a skirt because she didn’t have anything festive to wear to a Christmas party. Even if some teens weren’t buying into the poodle skirt trend, flared circle skirts paired with pastel-colored sweaters and collared blouses were a common uniform. Boys either gravitated toward a preppy casual look with long-sleeved button-ups and slacks, or a rebellious greaser look with white T-shirts, black leather jackets, and jeans (as immortalized in ’70s hit musical Grease).

The 1960s marked a shift of power in the fashion industry.

Rather than fashion designers dictating every trend, suddenly younger people had a huge amount of influence over what was or wasn’t in style. Designers started attuning looks to younger generations, giving them a fashion scene all their own. Suddenly London, rather than Paris, had become the center of the fashion world. In 1965, Diana Vreeland, editor-in-chief of Vogue, exclaimed, “London is the most swinging city in the world at the moment.” Writer Piri Halasz coined the phrase “Swinging London” in her April 15, 1966, article in Time magazine; other authors followed suit in using the same term while writing about London in the early part of the 1960s.

The ’60s was the decade of Mod, especially for teens. Though First Lady Jackie Kennedy was a wildly influential figure in fashion who brought shift dresses and pillbox hats to the American home, that style wasn’t as popular with your average high school student.

While mothers and young professional reached for Kennedy’s signature style, teens were influenced by music, not politicians. On the heels of the British invasion with bands like the Beatles surging in popularity, London’s influence flooded the United States. The 1960s marked the era of the girl group, the gamine supermodel and the original “It” girls (Jean Shrimpton, Françoise Hardy, Jane Birkin…), all of whom still influence this generation’s Alexa Chungs, et al. The ’60s continue to provide designers of today with endless inspiration, from the enduring Hermès Birkin bag (which some consider a better investment than gold), to Dior’s feminist take on Edie Sedgwick’s Factory Girl style (which popped up in the SS18 collections).

Mary Quaint, a fashion designer often viewed as the woman behind the massive Mod movement, is credited with creating the miniskirt—the defining ’60s fashion choice for teen girls.

Supermodel Twiggy, who wore oversized mini-dresses in order

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This page: Brooke Shields, 1982 (right before she enrolled at Princeton University). > Opposite page, clockwise from top left: George H. W. Bush, captain of Yaleâ&#x20AC;&#x2122;s varsity baseball team, welcomes baseball legend Babe Ruth at a pre-game ceremony at Yale, 1948; Fawn Lebowitz (supposedly the inspiration behind the character in Chris Millerâ&#x20AC;&#x2122;s Animal House), Dartmouth, 1962; a student sporting tartan plaid, a turtleneck, and long hair while holding her books on the campus quad, 1970; Oxford University, 1952; Princeton University, 1970.

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Te r r y O ’ N e i l l / H u l t o n A r c h i v e / G e t t y I m a g e s ; E l i B u r a k i a n D a r t m o u t h ’ 0 0 ; K i e l J a m e s Pa t r i c k . c o m

T h i s p a g e : Va s s a r C o l l e g e L i b r a r i e s ; t h e t ra d . b l o g s p o t . c o m . O P p o s i t e p a g e : R i z z o l i ;

to offset her gaunt frame, championed this style and the psychedelic, brightly colored patterns that marked the decade. Mod style was also popular among teenage boys—key items included polos, tailored suit jackets, narrow trousers, and Chelsea boots.

However, as skirts got shorter, hippie culture took some high-schoolers in the opposite direction, with boys and girls alike rocking long bell-bottom pants, and even longer hair. In the 1970s, teens were still growing their hair out as the sounds of the Bee Gees, David Bowie, and Donna Summer began to radiate through high-school hallways. With disco in full force and Charlie’s Angels keeping audiences glued to their couches, fashion picked up right where hippie culture left it. Hemlines were all over the place in the ’70s. Autumn months called for tartan plaid, turtlenecks, and long hair. Ali MacGraw’s fashionable turn in Love Story secured a place in our hearts for ribbed turtlenecks, plaid skirts, camel coats, and collegiate chic forever.

The 1980s saw the rise of pop princesses like Cyndi Lauper and Madonna, both of whom sported styles that teens were eager to steal. With MTV pounding its way into teenage-inhabited living rooms across the country, musicians became the most influential—and accessible—fashion icons. Neon colors were

splashed across every article of clothing, and acid-washed denim was deemed acceptable on both jackets and pants. Shoulder pads also had a mega moment, with preppy high-school aged girls donning oversized blazers with exaggerated shoulders (think 1980s cult film Heathers).

By the 1990s, high-schoolers were ready to embrace their teenage angst head-on, diving deep into grunge. Taking their lead from bands like Nirvana and Pearl Jam, teens turned to oversized plaid flannels, high-waisted stonewashed jeans, and combat boots, as they tuned in to watch Claire Danes drool over “Jordan Catalano” in My So Called Life. Fashion in the ’90s also saw the flipside of grunge: the preppy redux. Mixing the short skirts and bright colors of mod with the tailored looks of the ’50s, girls rocked tartan kilts, knee socks, and babydoll dresses in true Cher Horowitz style. Prep guys found their sartorial match in the boarding school boys featured in films like School Ties and Scent of a Woman.

Now that we are in the 21st century, it’s interesting to look back and see how teen and young-adult fashion has changed over the years—yet has also remained the same. Mod mini skirts are everywhere today, plaid has made a big comeback, ’70s-style sequins are definitely en vogue, assertive shoulders and pops of neon were everywhere throughout the Fall 2018 runways, and “prep” will always manage to figure its way onto high school and college campuses. Of course, the angst and penchant for bending rules remains, as expressed in high-school and college fashion choices throughout the globe (a favorite is still the beloved personalized text tee, with everything from “College,” to “I’m With Me,” to modern emoji faces scrawled across the chest). The script may change, but the message remains the same: confidence, determination, and original spirit. u

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This page: A dance at Vassar College, as seen in Rebecca C. Tuiteâ&#x20AC;&#x2122;s Seven Sisters (Rizzoli); University of North Carolina at Chapel Hill, 1969 (inset). > Opposite page, clockwise from above: Vassar College, 1940s, as seen in Rebecca C. Tiuteâ&#x20AC;&#x2122;s Seven Sisters (Rizzoli); Baker Memorial Library at Dartmouth College; preppy students make their way across campus.

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Sarah Flint’s Jet Set Sandal (this page) is part of a new collaboration for fall between the designer (opposite page) and advisor/investor Cindy Crawford.

Sarah Flint Is Ready For Takeoff by

Ann Loynd burton

While you might not recognize footwear designer Sarah flint walking down Madison Avenue (yet), you would certainly know some of her biggest fans. Flint’s eponymous label boasts a cult following of household names like Lady Gaga, Kristen Stewart, Heidi Klum, Amal Clooney, and, most notably, Meghan, Duchess of Sussex. What attracts both Hollywood and literal royalty to Sarah Flint is perhaps the styles’ everyday wearability and understated-chic aesthetic.

And, it doesn’t hurt that the brand is aligned with some powerhouse celebrity backing as well. In 2017, Flint paired up with supermodel Cindy Crawford, who came on board as an investor and advisor and helped the line transition to a

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J a m e s C re e l; C o u r te sy o f Sa ra h Flin t

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direct-to-consumer model. By leaving such doors as Barneys New York, Bloomingdale’s, and Shopbop.com, Flint was able to slash prices by nearly 50 percent ($350 is the average). Cutting out the middle man, the designer offers the best quality—all of her pieces are handmade in centuries-old Italian factories—for an improved value, something she believes consumers even at the highest end are becoming more attuned to.

“I wanted to introduce this level of quality and craftsmanship to the next generation,” she explains. “A lot of my top customers—you’ll see them wearing Cucinelli pants, a Chanel bag, and our Emily pump. There’s a lot more transparency now.”

So how did this New Yorker break into some of the city’s most elite retailers, walk away from them, and become a favorite of fashion’s biggest influencers, all before the age of 30? We sat down with her to find out.

This page, from above: Sarah Flint x Cindy Crawford: The Jet Set Flat in Taupe; Emma block-heel pump in Leopard; Natalie flat in Saddle Vacchetta. > Opposite page, from above: Sarah flint chooses from a wall of ribbons for her latest designs; Ellie bootie in Chesnut; Perfect Pump 100 in Black.

J am e s Cre e l; C ou r te sy o f Sa rah F li n t

Ann Loynd Burton: You broke into the shoes industry, a notoriously tough business, at age 24. How did you do it?

Sarah Flint: This was what I wanted to do since I could even think about what I wanted to do. I was hyperfocused, ever since I wanted to wear my patent leather tap shoes to school.

I was always drawing and sketching as a kid, then I went to FIT in New York for design. I felt there was space for shoes that were not only beautiful but also wearable. Then, I moved to Italy to study manufacturing. I learned about the engineering that goes into shoe design and had a mentor who worked with one of the premier factories outside of Milan.

He got me into that factory to start sampling. Getting the manufacturing right is the hard part, and that was a lucky break I had there. It was a lot of hard work… It looks like immediate success now, but there were ups and downs.

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ALB: Did you face skepticism as a young designer?

SF: Definitely, but more so in Italy than I did here. In New York, the fashion industry is used to young designers, but it was a challenge in the factories in Italy.

ALB: What made you pivot to selling direct?

SF: I really wanted to offer the best price-to-quality ratio on the market. Selling direct-to-consumer allows you to sell basically at wholesale to the customers. We’re still made in the top factory, but we’re able to offer a better price. That’s allowed me to take some of the margin and put it back into the product— like with added arch support and a new proprietary outsole.

ALB: Tell me about your partnership with Cindy Crawford—I hear you have a new collaboration for fall.

SF: Cindy has been a longtime customer. She came on around the time of the pivot as an investor and advisor.

We’re working on a really cool collaboration that will launch this fall called Sarah Flint x Cindy Crawford: The Jet Set. Cindy is always on the go, so she wanted to have three shoes you could wear from day to night. We did a combat boot with a chunky heel, a day-to-evening heel, and a skimmer flat.

ALB: You seem to align yourself with strong female figures.

How do you feel your brand empowers women?

SF: The amazing thing about fashion, and shoes in particular, is that when you put on an amazing pair of shoes, it literally affects the way you stand and how you feel about yourself. We’re so focused on fit and wearability because the least empowering thing you can do is put on a pair of uncomfortable shoes and walk into a meeting. When you feel beautiful and comfortable, you feel that much more empowered. My shoes feel feminine in their detailing, and I think there’s a cool tension between the ideas of femininity and power. You can be feminine and powerful.

ALB: What do you think makes your shoes such a favorite among celebrities?

SF: I do a lot with everyday essentials, and I think what’s cool about our celebrity following is that you see people wearing the shoes in their day-to-day lives—Heidi Klum on the soccer field or Amal Clooney walking into the U.N.—not just on the red carpet. Making a product that people want to live their lives in is so important to me. And it’s cool to see them repeat styles, especially living in such a world of never wearing the same thing twice. That’s a fun part for me. u

This page, clockwise from above: Sarah Flint x Cindy Crawford: The Jet Set Boot; Flint poses with Crawford; the popular Andrea Slide in Gold. > Opposite page: Flint at work sorting through sketches and color swatches.

Jake Rosenberg ; Cour tesy of Sarah Flint; J a m e s C re e l (o p p o site )

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Artful Ateliers Ann Loynd burton

As the speed of fashion accelerates each season, one tradition that remains is Paris Couture Week. Collections presented aren’t about trends per se, but instead focus on craftsmanship, design, and new approaches met with age-old techniques. This season’s offerings include intricate embroidery, fine lace, and delicate crochet along with high-volume ruching and chunky shaved furs, both real and faux. We’re going behind the scenes of three standouts—Christian Dior, Valentino, and Fendi—to examine the mood and aesthetic they shared. Different as the designers may be, these three houses all agree on one concept: that couture lives at the intersection of fashion and art.

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Co u r te sy o f Va le n ti n o

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This page: Looks from Dior’s Fall ’18 Couture show. > Opposite page: Models get dramatic eyeliner and high-volume hair

Lu dw i g B o n ne t

backstage at Valentino.

> Christian Dior Haute Couture This summer, the Musée Rodin in Paris housed a different kind of sculpture for a day. Set among a high-ceilinged gallery of mannequins dressed in white dresses, models walked the runway donning Maria Grazia Chiuri’s Autumn-Winter Haute Couture collection, which “paid tribute to the sacred and timeless place that is the atelier.”

By focusing on the avant-garde, Grazia Chiuri likens her couture collection to that of art, as opposed to fashion that must keep up with the speed-of-light ready-to-wear market. It’s no surprise, then, that the line felt utterly timeless, showcasing an array of gowns and suiting with a focus on tailoring with a twist—like a suit jacket with batwing sleeves, or, as the designer puts it: “The real transgression lies in referring to the rules while twisting their syntax.”

As always in couture, the devil is in the details. Meticulous appliqués, embroidery, and pleating adorned gowns juxtaposed with a simple bustier. Accessories were equally thoughtful, with refined costume jewelry, veils, and hats that complemented the collection of powdery hues without upstaging them.

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> Fendi Last year, Karl Lagerfeld and Silvia Fendi’s couture show was affectionately referred to as haute fourrure for its annual introduction of fur coats, stoles, and suiting. This year, the brand dropped that moniker to fall (somewhat) in line with the likes of Gucci, Versace, and Michael Kors, who have since vowed to go fur-free. While Fendi still debuted plenty of the real stuff, the offering was a mixed bag of faux and legitimate, though you really wouldn’t be able to discern the difference. One opening coat used frayed chiffon to create a colorful piece that could easily be mistaken for mink.

As Fendi puts it, “An opulent guessing game of texture and technique, the collection dances between sublime tradition and new realities in Haute Couture Innovation.” It’s a smart move on the parts of the designer, as the United Kingdom’s Labour Party is working to place restrictions on fur imports. To diversify its offerings, Fendi’s expected collection of coats walked the runway along with an array of gowns, skirts, and jackets noted for their fine crochet, delicate lace, and intricate beading. > Valentino As if out of a dream, designer Pierpaolo Piccioli’s Fall Couture presentation, which closed out the week in Paris this past July, left founder Valentino Garavani literally in tears, if you believe the reports. It’s not a stretch, given the show’s artful execution at the Hôtel Salomon de Rothschild and the collection’s range of inspiration—drawn from 17th-century paintings to Greek mythology and even Ziggy Stardust. Loads of volume (on the ’60s beehive hairstyles as well as the gowns) in vibrant colors were intermixed with softer silhouettes and hues—like a mauve feather gown straight out of a Disney movie—were followed by flamboyant capes and cropped trousers.

Intricate patchworks, exquisite brocades, embroidery, and over-the-top ruffles prove each piece warrants a closer look.

Exaggerated proportions met with extravagant headwear (read: flower helmets) prove fashion really can be art. Though museum-quality in execution, this collection offers pieces that can be worn to a gala or even a daytime affair, to be sure. A chiffon cape, structured Bermuda shorts, or a lamé jacket, perhaps?

We’d wear it on the red carpet. u

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Over the summer, Dom Pérignon hosted an intimate party at Moby’s to celebrate Bastille Day. Chef de cave Richard Geoffroy called the shots that evening and provided guests with a magnificent meal as they sipped on bubbly. The Champagne house recently announced that Vincent Chaperon will take Geoffroy’s place as chef de cave in January—a milestone in the brand’s history. Notables in attendance included Dylan Lauren, Cynthia Rowley, Tara Westwood, Jennifer Esposito, and Olivia Chantecaille.

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1. Nick Gregory and Joelle Wiggins 2. Cynthia Rowley 3. Dylan Lauren and Paul Arrouet 4. Jesper Vesterstrom, Jennifer Esposito, and Richard Geoffroy 5. Ashley Baker and Vanessa Kay 6. Kelly Klein and Jen Regen

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Earlier this month, Revolve Clothing took over the Santa Monica Pier with a pop-up carnival for over 1,000 special guests, influencers, and VIP customers. The activation was part of the Los Angeles edition of its ongoing #RevolveAroundtheWorld campaign. In addition to games and rides, guests were entertained by performances from Justine Skye and YG, along with DJed music by Snoopadelic and Cozy Boys. Attendees also sipped on the limited-edition CĂ&#x17D;ROC Summer Colada and chilled beer from Heineken.

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1. Revolve Carnival at Santa Monica Pier 2. Reina Silva, Nitsan Raider, Emma Leger, and Sophie Suchan 3. Franciele Medeiros 4. Caci Twins and Gretzie Parth 5. Jared Clancy and Amanda Lee Paige 6. YG 7. Brianna Burlington, Amanda Sobocinski, Bahar Borou, and Michelle Dalonzo 8. Devon Drain

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In celebration of New York Fashion Week, online retailer Net-A-Porter hosted an intimate dinner party at Sant Ambroeus in SoHo. Since 2000, Net-A-Porter’s platform has featured a selection of products from more than 800 of the world’s most-coveted designer brands, including Gucci, Chloé, Balenciaga, and Saint Laurent. In addition to a seated Italian dinner with floral design by Putnam & Putnam, highlights of the evening included live music and a photo booth to entertain guests, such as Net-A-Porter president Alison Loehnis, Harley Viera Newton, and Tabitha Simmons.

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1. Ana Kras 2. Floral design by Putnam & Putnam 3. Laura Love and Jason Wu 4. Karolina Kurkova 5. Halima 6. Jennifer Fisher 7. Laura Brock, Gala Gonzalez, and Charlotte Groeneveld

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In early August, the Robin Hood Foundation hosted its Annual Hamptons Cup presented by Cartier at the Equuleus Polo Club. The event featured a polo match between Team NetJets and Team Guggenheim, a special kids’ area with pony rides and arts and crafts, and a special barbecue dinner. The celebration raised more than $500,000 for the organization, New York’s largest poverty-fighting force. The event’s co-chairs included Diana and Joe DiMenna, Mercedes Abramo, Tom Barrack, Delfina Blaquier and Nacho Figueras, Michael Carrazza, Lise and Michael Evans, among others.

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1. Polo match between Team NetJets and Team Guggenheim 2. Nacho Figueras and Delfina Blaquier 3. Denee Benton and Carl Lundstedt 4. Jessica Hart 5. Diana DiMenna and Wes Moore 6. Jessica Sailer Van Lith 7. Petra Hansen, Martina Hansen, Natalie Picot, Patricia Escoda, and Axel Hansen

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During New York Fashion Week, Harper’s Bazaar hosted its annual Icons party at The Plaza, which toasted this year’s “The First Families of Music” issue. Throughout the evening, guests sipped on Champagne provided by Moët & Chandon and were treated to a special live performance by Icons portfolio honoree Christina Aguilera. Aguilera dedicated her song “Fall in Line” to Demi Lovato, and praised Lovato for her strong persona. The star-studded crowd included Gigi Hadid, Nicki Minaj, Bella Hadid, Kendall Jenner, Paris Hilton, Theodora Richards, Alexandra Richards, and Gucci Mane.

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1. Laolu Senbanjo 2. Leomie Anderson and Alexina Graham 3. Coco Rocha and guest 4. Heidi Klum 5. Caitlyn Jenner 6. DJ Cassidy 7. DiMando and Polina Proshkina 8. Wes Gordon and Paul Arnhold 9. Kelly Rowland, Rodney Williams, and Tiffany Haddish

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1. MADONNA transformed herself into an icon over time by using her looks to defy gender norms for female empowerment.

Here, she is seen applying makeup in a vintage image taken by Mario Testino. 2. CLARINS The Double Serum is the brand’s most powerful age control concentrate ever; $89. 3. TATCHA A new water-activated exfoliant that transforms to a creamy foam; $65.

4. NARS AfterGlow Lip Balm delivers a sheer wash of color; $28. 5. LA PRAIRIE Skin Caviar Luxe Cream is a rich moisturizing cream that lifts and firms like no other; $485. 6. CHARLOTTE TILBURY The Magic Away Liquid Concealer offers full coverage; $32.

7. MARC JACOBS The limited-edition white bronzer brush is feather-soft, extra large, and delivers an instant bronzing gratification; $78. 8. GUINOT Crème Night Logic works overnight to neutralize the effects of stress; $78. 9. ESTÉE LAUDER Revitalizing Supreme+ Global Anti-Aging Cell Power Creme boasts a multi-action formula that results in younger-looking skin; $53.

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was a Swiss actress and former model, and is seen here showing off her flawless skin, circa 1965. She had a seductive look like no other, which cast her starring roles in a number of edgy films. 2. HERMÈS Galop d’Hermes Parfum; $215.

3. MOROCCANOIL The MO2000 Professional Series Tourmaline Ceramic Hair Dryer; $220. 4. GHD With every purchase of this GHD Gold® styler by Lulu Guinness, $5 will be donated to Memorial Sloan Kettering Cancer Center; $199. 5. GUCCI The limited-edition Bold High-Gloss Lacquer in Abyss; $29. 6. OUAI A weightless texture mist for effortlessly chic, undone hair, infused with rice protein; $26. 7. DIPTYQUE Do Son Eau de Parfum; $165. 8. R+CO The Television Perfect Hair Shampoo and Conditioner provide body and shine; $32. 9. CHANEL The new Paris - Venise body lotion leaves the skin subtly scented; $50.

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Gala season is upon us once again, and fall’s leading styles

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are fit for a princess. Floral appliqués, crystal embellishments, and layers of tulle are regal indeed when paired with gilded accessories. 1. CHRISTIAN DIOR Pictured in 1954, this dreamy tulle evening gown and stole would look perfectly at home in 2018.

2. THALE BLANC The Gisele Clutch, available in gold and white mother of pearl, has a sleek ovular design and hard shell. $1,200 at thaleblanc.com. 3. BADGLEY MISCHKA Cascading flower appliqués create an ombré effect on this Badgley Mischka strapless gown from the Fall ’18 runway.

4. JIMMY CHOO Painterly brocade detailing defines the Kelly 100. $895 at Jimmy Choo, 699 Madison Avenue. 5. MONICA RICH KOSANN Heavy link bracelet in 18-kt. yellow gold with cushion-cut morganite stone. $25,000 at monicarichkosann.com.

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1. CHERYL TIEGS, often called the first American supermodel, is a vision in feathers and sequins wearing a Halston gown as she poses for Vogue in 1973. 2. DORYN WALLACH The Dorothy black-and-white diamond earring set is architectural in 18-kt. yellow gold. $6,700 at dorynwallach.com. 3. CHRISTIAN SIRIANO With one cold shoulder and one puffed sleeve, this sequin-encrusted number modernizes ’80s style. From Christian Siriano’s Fall ’18 runway. 4. JUDITH LEIBER The Soho Red satin clutch features an Art Deco–inspired closure and handset crystals. $1,195 at judithleiber. com. 5. VERSACE These pointy-toe quilted nappa leather pumps feature leather lining and Medusa medallion hardware on the front with guilloche metal detailing. $975 at Versace boutiques and versace.com.

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1. DOROTHY TRISTAN poses in Paris for photographer Mark Shaw wearing Dior’s Soirée Etoilée chiffon evening dress for the September 1955 issue of Life. 2. ALEXANDRA CLANCY The Dara Minaudière box clutch is crafted from Italian calf leather with a hand-cut black agate stone closure and optional long chain strap.

Shown in Anthracite. $1,225 at alexandraclancy.com. 3. CARLISLE With beaded and sequin detailing, the full-length couture gray Gia evening gown has an extra dose of drama that dazzles for evening. $2,498, carlislecollection.com. 4. GIANVITO ROSSI Perfect for that in-between season, the Ruby pump features a belt-buckle and pointy-toe construction, made from 100-percent patent leather. The kitten heel offers luxury for evening and comfort for dancing the night away. $695 at gianvitorossi.com.

5. LUSSO BY FABIO ANGRI Ideal for any black-tie affair, the Fantasy Halo Ring sparkles with onyx surrounded by a circle of diamonds set in 18-kt. white gold. $1,950 at lussobyfabioangri.com.

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1. PRINCESS MARGARET, Countess of Snowdon, was the younger daughter of King George VI and Queen Elizabeth, and the only sibling of Queen Elizabeth II. Known as a rebellious royal, her opulent look illustrates that warmth and style arenâ&#x20AC;&#x2122;t mutually exclusive. 2. M.SPALETN A one-of-a-kind Australian boulder opal is surrounded by purple sapphires and diamonds in the Cosmic Landscale Opal Burst Earring. Set in 18-kt. white gold and retailing for $5,600 at mspalten. com. 3. SYDNEY EVAN Ward off any bad spirits with the Large Bezel Evil Eye Eternity Ring, featuring 14-kt. yellow gold and diamonds. $3,300 at sydneyevan.com. 4. OSCAR DE LA RENTA Voluminous tulle and a starburst-adorned cape turn up the drama, from Oscar de la Rentaâ&#x20AC;&#x2122;s Fall 2018 runway. 5. MANOLO BLAHNIK Glittered silk gives the beloved BB pump enchanting flair for evening. $695.

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SHOPPING INDEX

bloomingdales.com. > Bottega Veneta: 212.371.5511 or bottegaveneta.com. > Brunello Cucinelli: brunellocucinelli.com. > Bulgari: bulgari.com. > Burberry: 877.217.4085 or burberry.com.

C > Calvin Klein: 866.513.0513 or calvinklein.com. > Carolina Herrera: 212.249.6552 or carolinaherrera.com. > Cartier: 800-227-8437 or cartier.us. > Chanel: 800.550.0005 or chanel.com. > Chopard: 212.223.2304 or us.chopard.com. > Christian Louboutin: us.christianlouboutin.com. > Christofle: christofle.com/us. > Cremieux: 14 Jobs Ln., Southampton, New York, 631.259.3812.

D > David Yurman: 888.398.7626 or davidyurman.com. > Dennis Basso: 825 Madison Ave., 212.794.4500. > Diane von Furstenberg: dvf.com. > Dior: 212.931.2950 or dior.com. > Diptyque: 971 Madison Ave., 212.879.3330.

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> Dolce & Gabbana: 212.249.4100 or dolceandgabbana.com.

> Aerin: aerin.com.

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> Akris: 835 Madison Ave. or akris.ch.

> Edie Parker: edie-parker.com

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> Eleuteri: 646.649.5769 or eleuteri.nyc. > Elie Saab: eliesaab.com.

> Badgley Mischka: badgleymischka.com.

> Emilio Pucci: 212.901.5004 or

> Barneys New York: 888.222.7639 or barneys.com.

emiliopucci.com.

> Bergdorf Goodman: bergdorfgoodman.com. > Betteridge: betteridge.com.

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> Bloomingdale’s: 800.777.0000 or

> Fabergé: 579 5th Ave., 646.559.8848.

Wi lly R i zzo / Pa r i s Ma tc h

Christian Dior’s timeless French chic has inspired many a purchase over the years.

Unsurprisingly, the atelier’s 1958 collection remains relevant today—just look at the floral appliqués seen at the 2018 Paris Couture shows. Plus, you can never go wrong with pearls. Here to inspire your own shopping is our index of favorite go-to fashion houses.

In between shopping, be sure to keep up with Quest and Q online for the latest fashion news: visit questmag.com and follow us on Facebook and Instagram at @questmag.

> DKNY: dkny.com.

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> La Perla: laperla.com.

> Rizzoli: 1133 Broadway or rizzoliusa.com.

> Lalique: 888.488.2580 or lalique.com.

> Robert Marc: 1225 Madison Ave. or

> Lanvin: 646.439.0380 or lanvin.com.

robertmarc.com

> GANT: 646.367.5416 or us.gant.com.

> Linda Horn: 1327 Madison Ave. or lindahorn.com.

> Roberto Coin: At Neiman Marcus or Roberto Coin,

> Ghurka: 831 Madison Ave. or ghurka.com.

> Loro Piana: At Bergdorf Goodman.

800.853.5958 and us.robertocoin.com.

> Gianvito Rossi: gianvitorossi.com.

> Louis Vuitton: 866.VUITTON or vuitton.com.

> Roger Vivier: 212.861.5371 or rogervivier.com.

> Fendi: 598 Madison Ave. or fendi.com.

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> Giorgio Armani: 877.361.1176 or armani.com. > Gucci: 877.482.2430 or gucci.com.

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> Rolex: 800.36.ROLEX or rolex.com.

> Maja DuBrul: 325 E. Hopkins Ave., Aspen, Colo.,

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970.920.1133.

> Saboo Fine Jewels: At FD Gallery, 26 East 80th St.,

> H. Stern: hstern.net.

> Manolo Blahnik: 212.582.3007 or

212.772.2440.

> Harry Winston: harrywinston.com.

manoloblahnik.com.

> Saint Laurent Paris: 212.980.2970 or ysl.com.

> Hermès: 800.441.4488 or hermes.com.

> Marchesa: At Neiman Marcus and marchesa.com.

> Saks Fifth Avenue: 877.551.SAKS or

> Hueb: 717 Madison Ave. or hueb.com.

> Marni: At Bergdorf Goodman or marni.com.

saksfifthavenue.com.

> Hunter Boot: us.hunterboots.com.

> Miansai: At Bergdorf Goodman or miansai.com.

> Salvatore Ferragamo: ferragamo.com.

> Michael Bastian: At Bergdorf Goodman,

> Savoir Beds: savoirbeds.com.

Barneys New York, 212.228.3400, or

> Sevda London: sevdalondon.com.

> Ippolita: ippolita.com.

michaelbastiannyc.com.

> Shoshanna: 855.719.3601 or shoshanna.com.

> Irene Neuwirth: At Jeffrey New York,

> Michael Kors: 800.908.1157 or michaelkors.com.

> Smythson: 212.265.4573 or smythson.com.

212.206.1272.

> Mikimoto: 844.341.0579 or

> Stella McCartney: stellamccartney.com.

mikimotoamerica.com.

> Stuart Weitzman: 212.823.9560 or

> Misha Nonoo: mishanonoo.com.

www.stuartweitzman.com.

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J > J.Crew: 800.562.0258 or jcrew.com. > J.McLaughlin: 844.532.5625 or jmclaughlin.com.

> Moncler: moncler.com.

> J. Mendel: 212.832.5830 or jmendel.com.

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> Jaguar: jaguarusa.com.

> Neiman Marcus: 888.888.4757 or neimanmarcus.com.

> Jennifer Fisher: jenniferfisherjewelry.com.

T > Taylor Kenney Jewelry: taylorkenney.com. > Tibi: 888.420.3334 or tibi.com. > Tiffany & Co.: 800.843.3269 or tiffany.com.

> Jil Sander: 818 Madison Ave. or jilsander.com.

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> Jimmy Choo: 877.955.2466 or jimmychoo.com.

> Orlebar Brown: At The Royal Poinciana Plaza in Palm

> Tom Ford: 212.359.0300 or tomford.com.

> John Varvatos: johnvarvatos.com.

Beach (561.328.3204) or orlebarbrown.com.

> Tory Burch: toryburch.com.

> Judith Leiber: judithleiber.com.

> Oscar de la Renta: 888.782.6357 or

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oscardelarenta.com.

> Tod’s: 650 Madison Ave. or tods.com.

V > Valentino: 212.772.6969 or valentino.com.

> Katie Ermilio: katieermilio.com.

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> Kim Seybert: kimseybert.com.

> Patek Philippe: At Wempe New York or patek.com.

> Verdura: 745 Fifth Ave. or verdura.com.

> Kotur: koturltd.com.

> Prada: 611 Fifth Ave., 212.318.3062, or prada.com.

> Veronica Beard: 988 Madison Ave., 646.930.4746,

> Van Cleef & Arpels: vancleefarpels.com.

or veronicabeard.com.

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R

> L’Objet: 370 Bleecker St., 212.659.0316, or

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

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l-objet.com.

> Riedel: riedelusa.net.

> Wempe: 212.397.9000 or wempe.com.

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Capricorn Dec. 22 to Jan. 19 If long summer days had you feeling a little lazy, get ready for a major energy boost this fall, as Saturn and Pluto come into your sign.

This alignment is ripe for new challenges, so sign up for that new trendy workout class you’ve been thinking about. > Angela Lindvall: January 14, 1979

Cancer June 21 to July 22

Aquarius Jan. 20 to Feb. 18

Leo July 23 to Aug. 23

Water Bearers just wanna’ have fun! With Mars spending the season in your sign, you’ll be living your best life this fall. But be sure to use some of that positive energy for productive means. Join a charity gala planning committee, perhaps. > Ronald Reagan: February 6, 1911

Need a fresh start? With Uranus in Taurus, Leos will be fueled with ideas for new beginnings.

Perhaps it’s time to take a step back from that catty group of friends to forge different relationships in a new social endeavor—sign up for an art class or new gym routine.

Charlize Theron: August 7, 1975

Pisces Feb. 19 to Mar. 20 It’s time to enjoy the fruits of your labor, Fish.

The Harvest Moon enters your sign September 24, which means all your hard work— whether it’s a new workout regime or a project at the office—is about to pay off. But keep at it if you want to continue to reap the rewards. > C. Z. Guest: February 19, 1920

Virgo Aug. 24 to Sept. 22 With your solar season lasting through early fall, Virgos are off to a smooth start. The universe is in your favor, so it’s time to get organized and turn some of those lofty ambitions into concrete plans—whether it’s organizing a trip through Europe or launching a tech start-up. > Blake Lively: August 25, 1987

Aries Mar. 21 to Apr. 19 Does autumn feel like a fresh beginning for you, Ram? Your go-getter attitude will be going strong through the season, and you’ll even get an extra boost from the full moon in your sign on October 24. Now is the time to launch that new venture you’ve been dreaming of. > Clementine Churchill: April 1, 1885

Libra Sept. 23 to Oct. 22 Feeling the heat? Through October 22, your solar season offers an extra dose of charm for Libras, so now is the time to finally make that Bumble profile. Already taken? You might take your relationship to the next level this fall by reaffirming old vows or growing your family. > Brigitte Bardot: September 28, 1934

Taurus Apr. 20 to May 20 Although you may not have an affinity for change, 2018 is the year for Bulls to grab life by the horns. An ongoing retrograde in Uranus means a period of growth and change, so it’s time to learn to roll with the punches.

You’ll feel more settled come winter. > Audrey Hepburn: May 4, 1929

Scorpio Oct. 23 to Nov. 21 When the solar season enters your house on October 23, you’ll be feeling extra wise, Scorpio, and friends will flock to you for counsel. Enjoy this turn in the spotlight, but remember to take your own advice and make decisions with conviction and compassion this season. > Grace Kelly: November 12, 1929

Gemini May 21 to June 20

Sagittarius Nov. 22 to Dec. 21

Fall has been good to Gems, but be cautious of Mercury’s retrograde beginning in November. With technology and communications going haywire, be extra cautious of how your words—and actions— are interpreted by others. > John F. Kennedy: May 29, 1917

Mid-November, Mercury’s retrograde will hit Sags especially hard, and you might feel a dip in energy. Take the time in early fall to plan ahead for the upcoming holiday season, and then avoid making any big decisions (like a move or career shift) until after the new year. > Frank Sinatra: December 12, 1915

Co n d é N as t; Ge tt y

It’s time to harness that pent-up ambition and look at the big picture, Cancer. The season is full of energy and focus for your sign. Now that summer’s languid days are over, start organizing that new business or charity idea you dreamed up on the beach. > George W. Bush: July 6, 1946

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