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CHARLOTTE RAMPLING PHOTOGRAPHED BY ARNAUD DE ROSNAY, 1970

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48 LIVING LEGEND CHARLOTTE RAMPLING From 1960s “It Girl” to the enigmatic figure she later became, Charlotte Rampling has bared her body and soul on-screen, making audiences enamored of her every step of the way.

Debbie Bancroft examines the life, legend, and loves of this actress and fashion icon.

60 A PEEK BEHIND THE ROYAL CURTAIN Norma Davidoff ventures forth to Windsor, where she visits Frogmore House, a royal residence since 1972, and is enchanted with the regal qualities she finds there, in contrast with such a bucolic setting.

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70 FASHION’S GREATEST STAGES A new book from photographer Simon Procter looks back at the theatrical fashion shows staged by Karl Lagerfeld for Chanel, with 75 photographs illustrating the fashion designer’s genius.

Kathryn Maier joins him in reminiscing.

76 PARADISE FOUND What happens when Ian Schrager of Studio 54 collaborates with House of Yes, a Brooklyn-based nightlife and performance art collective, and John Fraser, a creative chef who’s earned accolades from Michelin at his other spots? Welcome to Paradise. Kathryn Maier reports.

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82 GILDED AGE GRANDEUR IN THE BERKSHIRES Brooke Kelly heads to the Berkshires to check out the old-fashioned opulence of Blantyre, a recently renovated Relais & Châteaux resort located in Lenox, Massachusetts—a short trip from New York City, but a world away.

88 RUNWAY REVIEW From Givenchy’s fantasties in florals and feathers to Chanel’s trademark chic, sleek shapes and Ralph & Russo’s spangled frocks and sherbert hues, the Paris Couture shows were full of glamorous and noteworthy looks.

Elizabeth Meigher shares her thoughts.

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C O V E R Actress Charlotte Rampling photographed by Arnaud de Rosnay in Vail, 1970.

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39 NOSTALGIA Royalty, both real and Hollywood, enjoy autumnal activities during decades past.

32 WINE A new book explores the wines of the Burgundy region, imparting all you need to know to assemble your dream cellar.

34 JEWELRY Usher in the cooler months with colorful baubles, big stones, and chunky chains.

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36 JACKETS AND COATS From faux fur to fearless florals, the season’s coats will have you looking forward to cold weather.

38 SUNGLASSES Statement shades with fierce frames.

39 BOOTS Whatever your preferred color or height, a good heel is de rigeur as we enter into autumn.

40 CLUTCHES AND HANDBAGS The season’s trendiest shoulder totes and bracelet bags in beguiling colors.

44 ACCESSORIES Chase away autumn’s chill with cashmere wraps and cabernet sauvignon.

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46 MEN’S APPAREL Get suited up in these timeless styles, inspired by Howard Hughes’s character in The Aviator.

92 Q FOCUS All of the coolest parties, chicest people, and best fashion, from coast to coast.

104 BEAUTY Products to make you look and feel your best.

106 EVENING LOOKS Emeralds and diamonds and gold, oh my!

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110 SHOPPING INDEX Where to buy our favorite looks.

112 HOROSCOPES Your fall fortune, according to the stars.

10.02ct square emerald cut diamond set in a diamond micro pave platinum setting, available exclusively at WEMPE.

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DAVID PATRICK COLUMBIA

ELIZABETH MEIGHER

EDITOR-IN-CHIEF

EDITOR

JAMES STOFFEL CREATIVE DIRECTOR

KATHRYN MAIER SENIOR EDITOR

BROOKE KELLY F E AT U R E S E D I TO R

TYKISCHA JACOBS GRAPHIC DESIGNER/ PRODUCTION MANAGER

ROBERT BENDER CHIEF TECHNOLOGY OFFICER

JULIE SKARRATT PHOTOGR APHER-AT-L ARGE

HILARY GEARY SOCIET Y EDITOR

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EDWARD LEE CAVE CRIS CONDON JED H. GARFIELD ELIZABETH STRIBLING-KIVLAN KATHY KORTE PAMELA LIEBMAN HOWARD LORBER ANDREW SAUNDERS WILLIAM LIE ZECKENDORF

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Q U I N T E S S E N T I A L

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EDITOR’S LETTER

Once again we greet fall with a bittersweet embrace, marking the end of sun-drenched summer days on the lake or by the shore, filled with boat rides and barbecues, and balmy, carefree evenings. The air becomes brisker, the pace becomes faster, and in the words of F. Scott Fitzgerald, “Life starts all over again when it gets crisp in the fall.”

“There’s always a time for change, and you should never be frightened of it,” asserts English actress, model, singer, and style icon Charlotte Rampling. The latest edition of Fall Q welcomes new contributor Debbie Bancroft, who not only resembles the swinging sixties stunner in her earlier years, but also shares the same rare attribute of genuine cutiosity. Bancroft delivers a thoughtful and thorough look at Rampling—an esteemed actress and effortless icon who has been draped, photographed, and adored by the likes of Yves Saint Laurent, Helmut Newton, and countless others. Known for her cool, distant beauty, dangerous roles, and willingness to candidly bare it all (literally), the 73-year-old Rampling seems to be enjoying a renaissance in her golden years.

And speaking of baring it all, don’t miss senior editor Kathryn Maier’s article on the newly minted Paradise Club, a collaboration between Studio 54’s Ian Schrager and Brooklyn’s House of Yes. Studio 54 was, of course, the nightclub where global glitterati (the richest, the most famous, the chicest…) spent the late ’70s and early ’80s dancing, drinking, indulging in debauchery, and feeling fabulous. House of Yes could be considered 54’s contemporary counterpart, albeit with a more democratic door policy.

In a former warehouse in Brooklyn, its patrons glam it up to dance to DJs while performers dressed in little more than decorated lingerie writhe and twirl on hoops or silks above the dance floor. As you make your way into Paradise Club, a host may greet you with a “welcome shot” of green apple, pomegranate, and vodka, and a cheeky “Welcome to Paradise.”

For those who have joined the throngs of Americans with royal fever, catch new Q contributor Norma Davidoff’s article “Windsor: A Peek Behind The Royal Curtain.” Davidoff visits Frogmore Estate (a name derived from the preponderance of frogs dwelling in its marsh near the River Thames), comprising 33 acres of private gardens within the royal Home Park. The estate includes Frogmore House, a royal retreat, and Frogmore Cottage, where the young Sussexes (aka Harry, Meghan, and Archie) will soon live. Just a “long walk” away is Windsor Castle, where Queen Elizabeth II spends most of her private weekends and takes up official residence for a month over Easter, known as “Easter Court.”

If you fancy something Downton Abbey-esque but closer to home, look no further than the manicured grounds of the Relais & Châteaux property Counterclockwise from top right: Charlotte Rampling, Blantyre in Lenox, Massachusetts. Features editor Brooke Kelly travels to the 1966; Vhernier’s Gold Tourbillon Ring in 18-kt. gold Gilded Age mansion in the Berkshires (one of only eleven such properties left and diamonds; Yuzefi’s Daria bag in Avocado; Windsor in the area) to enjoy its sprawling lawns, woodlands, and hiking trails, not to Castle; Givenchy’s Faux Fur Coat; a look from Valentino’s mention its recently renovated rooms and guest quarters. Just a three-hour Fall 2019 couture collection; Rebecca De Ravenel’s “I drive from Manhattan or a one-hour flight using Wings Air Helicopter service, See Stars” Gold-Plated Earrings; Manolo Blahnik’s Ifima Blantyre serves as a convenient weekend getaway for every cultured traveler.

Snakeskin Booties; Paradise Club performers; Monica And as always, the new issue of Q reports from the latest runways and Vinader’s Caroline Issa Gemstone Bracelet; a crystal delivers the freshest looks and accessories from known and emerging designers. glass from Saint-Louis’ St. Regis Midnight Supper Gift From fashion, flair, and culture, to travel, dining, and imbibing, Fall Q delivers Set; Prince Harry and Meghan Markle on their wedding everything you need to keep you looking and feeling fabulous this fall. u day; Swarovski Sunglasses in gray.

ELIZABETH MEIGHER EDITOR

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CONTRIBUTORS

The Economist, Institutional Investor, and Forbes, Debbie landed in the social world she understood slightly better, writing for New York Social Diary and contributing to Town & Country and Elle Décor. She splits her time between New York and Southampton, and visits L.A. as often as possible, as her son, Will, lives there (daughter Serena is local). She was thrilled to try to get to know Charlotte Rampling, long an inspiring enigma, and has always felt a kinship with a fellow heavy eyelidded gal, with whom she wishes she had more in common.

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Kathryn Maier > Kathryn joined the staff of Quest and Q magazines after holding editorial roles at other luxury lifestyle publications including Condé Nast Traveler and the Robb Report, and eating her way through New York City as Manhattan’s monthly restaurant critic. In this issue, she takes in the new dinner-theater spectacle that is Paradise Club, a collaboration between Ian Schrager, House of Yes, and chef John Fraser. She also reminisces about Karl Lagerfeld’s theatrical fashion shows for Chanel, and delves into how to assemble a world-class cellar of wines from Burgundy.

82 Tykischa Jacobs > Known fondly at the office as TJ, Tykischa is the graphic designer and production manager for Quest and Q magazines. She uses her creativity to bring this exciting Fall issue of Q to life designing market and front-of-book pages. This season, she particularly enjoyed composing the Evening Looks feature that showcase elegant gala trends (such as Louboutin’s “jewelry for the feet”). Outside of the office, TJ can be found exploring the fascinating Costume Institute at The Met or attending concerts at Gramercy Theater, her favorite venue.

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48 < Norma Davidoff Norma spent many years as a television producer and on-camera reporter, and was also director of program development for The Travel Channel, which gave her the opportunity to travel the world. These days she continues to sally forth and writes about her adventures from her home on the Upper East Side. In this issue, Norma recounts her recent trip to Windsor, where she visited Frogmore House, a royal residence since 1972. Frogmore Cottage—where Harry, Meghan, and Archie will soon live—is also situated on the grounds of Frogmore House.

76 < Brooke Kelly A graduate of Tufts University, Brooke is the features editor of Quest and Q magazines. In this issue, she heads to the Berkshires to check out the Gilded Age grandeur of Blantyre, a Relais & Chateaux resort. Also not to be missed are Brooke’s selection of sunglasses, boots, and coats to help you step stylishly into fall; her coverage of the hottest parties; or her roundup of the best new beauty products. Outside the office, you can find Brooke exploring the Upper East Side or on the golf course from Palm Beach to Quogue.

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P h ot o o f D eb b i e Ba n c ro f t b y M atte o Pran do n i / B FA.c o m ; ph o to of N o r m a D av i do f f by Ro se B i lling s

Debbie Bancroft > After decades at business publications such as

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Models Karen Kirsten (L) and Julie Welsh (R) test The

F AL L AC T IVIT I E S

AP Ph o to

Thunderbolt roller coaster at New York’s Coney Island in 1966. Arthur Kramer, who had been running that ride

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for 40 years, happily sits behind the two girls.

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This page: 1. A group of students at Smith College, 1948. 2. Oscar de la Renta and Vogue Editor Francoise Langlade sport feline ensembles at Truman Capote’s Black and White Ball on November 28, 1966. 3. Queen Elizabeth and Prince Philip share a laugh in 1963. 4. Prince Juan Carlos and Princess Elena ride a bike together in the Zarzuela Palace, 1969. 5. Twiggy on the Staten Island Ferry, New York, 1967. > Opposite page: 1. Steve McQueen and Faye Dunaway star in The Thomas Crown Affair, 1968. 2. The Supremes arrive at Heathrow Airport, UK, in 1968. 3. Jorie Butler Kent and Joss Kent at a polo match in 1982. 4. Ringo Starr, George Harrison, Paul McCartney, and John Lennon of The Beatles jumping on wall, as seen on the “Twist & Shout” record cover, 1963. 5. Elizabeth Taylor, her husband Mike Todd, and a furry friend at Cannes Film Festival, 1957.

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WINE

Burgundyâ&#x20AC;&#x2122;s Top Bottles by

K at h ry n M a i e r

A new book demystifies the complex region, its wines, and their makers, to enable connoisseurs and collectors to assemble a dream cellar.

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All i m a ge s fro m T he 100 : B urgu n dy (A ss o uli n e , 2 01 9): © J i lli an Ede l ste i n ; © M i ch e l Jo ly

The wines of the Burgundy region of France are beloved by the most sophisticated oenophiles and considered the crème de la crème of appellations, both red and white. Subtle, well-balanced, terroir-revealing, and often temperamental, the wines are coveted worldwide by those with the finest palates; they’re prized by collectors.

Assembling a dream cellar of Burgundy is an expensive and intimidating proposition—but one that can be oh-so-rewarding if done properly.

Such a region, so terroir-, vintage-, and producer-dependent, requires an enormous amount of highly specialized knowledge in order to be properly appreciated, however. How on earth might someone who’s not a master sommelier accomplish such an endeavor?

Fortunately, Jeannie Cho Lee, the author of The 100: Burgundy (Assouline, 2019), the latest in the publisher’s series of “The 100” books, is a Master of Wine, and she’s produced an accessible and well-informed volume to allow readers to do exactly that. She covers the region’s best winemakers, from benchmark domaines to rising stars, and 100 of their most memorable wines, along with tasting notes. She also includes a guide to the region’s vintages and a glossary of wine terms. It’s essentially everything you need to curate a dream cellar of Burgundy or select the best bottles to enjoy with friends or family. Her tasting notes and information are presented in a clear and straightforward manner, accessible by those just discovering the region, and of a high enough level to further educate knowledgeable collectors.

For instance, “There are two wine names to know in Chablis—Dauvissat and Raveneau—and these two estates are closely intertwined,” she writes. “Those who enjoy a more powerful, intense Chablis experience often prefer Raveneau, whereas those who are looking for cerebral, minerally, beguiling Chablis with incredible crystalline purity need look no further than Dauvissat. … [Tasting Dauvissat’s Les Clos] is a thrilling experience: The aroma is like the salty air at the edge of a cliff by the ocean, with high waves crashing on the rocks; the palate is crushed stones and slate, with layers of white flowers and citrus; the finish is the lingering taste of the sea—salt, seaweed, and ocean rocks brushing past the palate.”

The 100: Burgundy is an essential guide to the region and the extraordinary wines produced there. u

This page, from top: A group gathers at Domaine Leroy; Domaine Leroy and Domain de la Romanée-Conti have a strongly intertwined history. > Opposite page: Domaine des Comtes Lafon; the cover of The 100: Burgundy (inset).

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4 Gloria Vanderbiltâ&#x20AC;&#x201D;model, designer, fashion icon, legendâ&#x20AC;&#x201D;died earlier this year. For what will she be best remembered? Her modeling career? The jeans that bore her name? Her distinct taste in interior design? She was a woman with wide-ranging interests and an equally expansive career. Here, photographer Gianni Penati captures Vanderbilt for Vogue in 1968, in pants and a felt vest by Adolfo and chains and baubles by Kenneth Lane. Let her look inspire you to throw on some chunky chains and stones like those pictured.

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6 1. CARTIER Juste Un Clou large bracelet in yellow gold; $35,900 at cartier.com. 2. TIFFANY & CO. HardWear Graduated Link Necklace in 18kt. gold; $10,500 at tiffany.com. 3. ROBERTO COIN Gold and Diamond Accent Pois Moi Luna Bangle in 18-kt. yellow gold; $9,900 at robertocoin.com.

4. REBECCA DE RAVENEL I See Stars crystal and gold-plated drop earclips; $250 at saksfifthavenue.com. 5. MONICA VINADER Caroline Issa Gemstone Bracelet in 18-kt. rose gold vermeil on sterling silver; $495 at monicavinader. com. 6. LALIQUE Cabochon Ring in pink patina, $160 at lalique.com.

Gi a n n i Pe n ati / Ge t ty Im a ge s

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Marisa Berenson, one of the original “It Girls” of the 1960s and ’70s, came to modeling as a birthright: Her grandmother was the famed fashion designer Elsa Schiaparelli.

Here, she goes glam with a bold statement necklace from Bulgari rendered in rubies, sapphires, diamonds, and emeralds. Emulate her look, photographed by Gianni Turillazzi for Vogue in September 1970, with your own colorful baubles like the ones shown here.

5 1. VAN CLEEF & ARPELS Frivole Between the Finger Ring in white gold and diamond; $21,800 at vancleefarpels.com. 2. FABIO ANGRI frog pendant; fabioangri.com for details. 3. LELE SADOUGHI Lele Sadoughi Mosaic Garden Crystal Lily Stud Earrings; $198 at saksfifthavenue.com. 4. VHERNIER Freccia Bracelet in 18-kt. white gold, diamonds, jade, and rock crystal; vhernier.com for details. 5. OSCAR DE LA RENTA Oscar de la Renta bold mixed jewel earrings with Swarovski crystals; $450 at oscardelarenta.com. 6. VERDURA Candy Rings in white topaz and pink tourmeline, $10,250 (top) and turquoise and amethyst ($12,500); verdura.com.

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JACKETS & COATS

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1. BURBERRY Angus Fitted Coat in navy blue; $1,790 at burberry.com.

2. LORO PIANA Linford coat in virgin wool; $5,150 at loropiana.com.

Alluring Outerwear Lisa Taylor photographed by Albert Watson for Vogue in 1966.

With her honey hair, high cheekbones, and classic good looks, Taylor became a favorite of boundary-pushing photographers like Helmut Newton and Chris von Wangenheim. Michael Kors cited a 1976 Arthur Elgort image of Taylor in a convertible as the photo that made him want to become a designer. He described Taylor as “the ultimate combination of sporty and sexy, which is the quintessential American look.”

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3. GIVENCHY Faux fox-fur coat; $5,745 at modaoperandi.com. 4. DOLCE & GABBANA Leopard print coat; $3,295 at farfetch.com. 5. MONCLER From the Moncler Genius line in collaboration with 4 SIMONE ROCHA, this trench coat is a wearable objet d’art; $1,990 at farfetch.com. 6. CAROLINA HERRERA Floral-Embroidered Wool-Felt Coat in brown; for similar styles visit carolinaherrera.com. 7. RALPH LAUREN Willard Shearling Coat in sharling and suede, $5,690; Brently Cotton Jodhpur Pant, $1,650; and Margo Leather-Suede Wedge Boot, $1,200. All available at ralphlauren.com.

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EVERYDAY FINE JEWELRY 9 89 M a d i s o n Ave n u e, N ew Yo rk | www.mo nicavina d e r.co m

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SUNGLASSES

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Sophia Loren, pictured here sporting oversized sunnies during the 1970s, is an Italian actress and singer. Throughout her career, Loren received an Academy Award for her performance in Two Women, and also earned a Grammy, multiple Golden Globes, and more. Above all, Loren was a style icon to many, and she frequently donned this lookâ&#x20AC;&#x201D;often topping off her fashionable ensembles by throwing on a pair of statement shades.

5 1. SWAROVSKI The Swarovski Sunglasses in gray feature a mirror smoke lens insert and subtle crystal detailing; $249 at swarovski.com. 2. CARTIER Panthère de Cartier sunglasses; $945 at cartier.com. 3. BALENCIAGA Paris cat-eye bold acetate frames with extreme golden finishing; $490 at balenciaga.com and Balenciaga boutiques. 4. LOUIS VUITTON The oversized Grande Bellezza Sunglasses in light blue, with a bold frame softened by rounded edges and a high bridge that embracSeventies-inspired frames with an edgy mix of metal and acetate; $505 at gucci.com. 6. SAINT LAURENT BY ANTHONY VACCARELLO Shiny dark Havana acetate glasses with solid gray lens; $270 at ysl.com.

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es a modern look; price available upon request at eu.louisvuitton.com. 5. GUCCI

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Made For Walking The go-go boot, originally introduced by French fashion designer André Courrèges and imitated throught the 1960s by designers such as Beth Levine, became a fashion staple during that time. For “These Boots Were Made for Walkin,’” introduced in 1966, Nancy Sinatra initially performed the song while sporting the go-go boots, furthering the trend’s popularity. This photo shows two 1960s go-go dancers wearing the coveted shoes.

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1. MANOLO BLAHNIK The Ifima Snakeskin Booties feature a pointed toe and stiletto heeled silhouette; $1,195 at saksfifthavenue.com. 2. PARIS TEXAS The Croc-Embossed Ge t ty Im a ge s

Leather Ankle Boots in Verde; $420 at saksfifthavenue.com. 3. ULLA JOHNSON The Marion Boots in Hazel; $795 at shopbop.com. 4. PRADA The Neoprene-Trimmed Leather Platform Ankle Boots in black are designed with a lace-up front, high ankle, and four-inch heel; $990 at modaoperandi.com. 5. TABITHA SIMMONS The Noa Leather Ankle Boots; $795 at modaoperandi.com. 6. CHARLES DAVID The Biennial Knee High Boot in Dark Camel Suede; $299 at nordstrom.com. 7. ISABEL MARANT The Denvee Tall Boots in black; $920 at shopbop.com. 8. JIMMY CHOO The Maxyn 85 knee boot in latte soft nappa leather; $1,575 at jimmychoo.com.

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CLUTCHES

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Cute Clutch Mary Hilem, pictured here holding a black clutch while posing for Glamour magazine in New York in 1960, was a well known model and style icon of the timeâ&#x20AC;&#x201D;an era in fashion in which big, bold jewelry and statement accessories were must-haves. The clutch remains an essential for every women's wardrobe todayâ&#x20AC;&#x201D;a stylish and convenient accessory to grab on the go as you head to your next event, whether it's a gala, luncheon, or cocktail party.

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1. MARZOOK The Marzook x Sofia Richie Lucid Classic Neon Plexiglass Orb Bag in pink; $805 at modaoperandi.com. 2. PERRIN PARIS The Le Rond Clutch in Bordeaux; $995 at shopbop.com. 3. BRAHMIN Mod Lorelei in Black La Scala; $175 at brahmin.com. 4. ALICE + OLIVIA Make a statement with this intricately embellished Shirley Beaded Clutch; $495 at aliceanolivia.com. 5. KAYU The Crete Wicker Clutch in Natural; $250 at shopbop.com. 6. RACHEL COMEY The Kipling Bag in black is made from soft, smooth leather; $435 at shopbop.com. 7. PRADA The Sidonie Shoulder Bag in red; $3,100 at bergdorfgoodman.com. 8. J.MCLAUGHLIN The Sienna Clutch in Leopard is made of haircalf and features a modern foldover shape; $138 at jmclaughlin.com. 9. PARISA WANG The Addicted Bracelet Bag in Green Croc; $295 at shopbop.com.

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WHERE ● STYLE ● LIVES

PALM BEACH

| MARTHAS VINEYARD | NEW YORK W W W. G I LW A L S H . C O M

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Happening Handbags

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Carmen Dell’Orefice, who graced the cover of Vogue when she was just 15, is seen here strutting down the aisle of an airplane while carrying a purse for an on-board fashion show in 1955. Dell’Orefice was one of the most well known models of the 1950s, and today, at 88 years of age, Dell’Orefice’s career remains active, making her one of the global fashion industry’s oldest working models. And the timeless beauty has no plans to stop walking down runways anytime soon.

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1. OSCAR DE LA RENTA The Embossed Velvet Mini TRO Bag in embossed cranberry velvet; $1,890 at oscardelarenta.com. 2. YUZEFI The Daria Bag in Avocado is an outfit-making carryall that can be carried by the oversized resin-chain strap or worn as a crossbody; $427 at shopbop.com. 3. AERIN The Suede Mini Weekender bag in Laden; available for $1,150 at aerin.com.

4. SEE BY CHLOÉ The Hana shoulder bag in grained and suede cowhide with a thin adjustable strap; $425 at chloe.com. 5. HERMÈS The Toolbox 26 Bag in Géranium; $8,800 at hermes.com. 6. ALTUZARRA The ‘Play’ Bag Large in Adobe is distinguished by its soft, exaggerated hobo shape, and features a row of metal buckles that cinch the sides and bottom; available for $2,195 at altuzarra.com. 7. MARINA RAPHAEL The leather Riviera bag; $1,295 at marinaraphael.com. 8. JIMMY CHOO The Bordeaux calf leather Madeline Top Handle Bag with metal buckles; $1,650 at us.jimmychoo.com.

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FO A CC B EDSES PA O RRT IEM S ENT

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Fall Finds Born in Flat River, Missouri, Evelyn Tripp was a top fashion model during the 1950s and 1960s. She was originally discovered by an assistant to Louise Dahl-Wolfe, who photographed for Harper’s Bazaar from 1936 to 1958. In addition to Dahl-Wolfe, Tripp became a beloved subject of many prominent photographers like William Klein, and was featured on the covers of a number of top fashion magazines, including Vogue and Harper’s Bazaar. In this image, Tripp is seen posing for Vogue while wearing a pink sweater over a confetti-print cotton blouse in 1953.

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1. PARAVEL The lightweight Main Line Duffel is a holdall duffel bag constructed in cotton canvas with leather trim and handles, and is perfect for long trips or weekend collection featuring a stunning combination of classic and contemporary Saint-Louis designs; sets available for $2,320 at barneys.com. 3. BETTER ’N PEANUT BUTTER If you’re trying to maintain a healthy lifestyle, Better ‘n Peanut Butter, only 100 calories per serving, is a great lower-fat replacement for regular peanut butter without losing the sweet taste you love; visit betternpeanutbutter.com for details. 4. LORO PIANA The Stola Opera Cashmere Wrap in Camel; available for $1,150 at saksfifthavenue.com. 5. JOHN ROBSHAW The Sandesa Euro pillow; available for $80 at johnrobshaw.com. 6. AERIN The AERIN Classic Shagreen Bar Set in Cream; available for $3,900 at aerin.com. 7. WEEZIE TOWELS The India Amory Printed Long Robe; available for $185 at weezietowels.com.

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getaways; $285 at tourparavel.com. 2. SAINT-LOUIS This crystal glass is part of the new St. Regis Midnight Supper Gift Set by Saint-Louis, a unique glassware

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ACCESSORIES

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Born and raised in Marion, Indiana, James Dean was a actor known for the cultural influence of his roles in films such as the 1955 drama Rebel Without a Cause, in which he starred as a troubled middle-class teenager from Los Angeles. In addition to acting, Dean was known for his impeccable style. Here he is seen accessorized with a watch and chic sunnies while holding his Bolex camera on the set of Giant in Marfa, Texas in 1955.

1. ASSOULINE The Impossible Collection of Cigars envisions the ultimate humidor brimming with the most remarkable cigars of the 20th and 21st centuries from the

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most prestigious makers; $995 at assouline.com. 2. CHANEL The Bleu de Chanel parfum spray is a powerful and refined scent for men and reveals the essence of determination; $190 at chanel.com. 3. STUBBS & WOOTTON The Merritt Boat Shoes are meticulously handcrafted in Maine with domestic calf and a fine Italian rubber sole; $550 at stubbsandwootton.com. 4. CAKEBREAD CELLARS The 2016 Napa Valley Cabernet Sauvignon reveals aromas of ripe boysenberry, dark cherry

Co u r te sy o f Si d Ave r y

and cassis, coupled with scents of sweet oak and herbal spice, and boasts a long, lovely finish featuring savory fruit, spice, and mineral tones; available for

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$90 at astorwines.com. 5. HERMĂ&#x2C6;S The Saint Honore Tie is made of 100-percent hand-sewn silk; $195 at hermes.com. 6. ROLEX The Rolex GMT-Master II; $9,250 at rolex.com. 7. CARTIER The Santos de Cartier Sunglasses in brushed Champagne golden-finish metal with gray polarized lenses; $1,595 at cartier.com.

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M E N ’ S A P PA R E L

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High Flyer Leonardo DiCaprio dresses to impress while playing film producer and aviation magnate Howard Hughes in The Aviator (2004), sporting a classic combination of pieces. Take a cue from his traditional attire and check out these looks from our favorite designers, all softly referencing decades past while remaining timelessly in style.

1. BRIONI Brioni’s Spring 2020 collection focuses on featherweight fabrics; more information at brioni.com. 2. BELSTAFF The Spring 2020 collection features rugged outerwear in khaki and corduroy, inspired by fishing and camping; more information at belstaff.com. 3. TOD’S Driving, movement, exploration, and speed influenced the Spring 2020 collection, filled with tailored denim and butter-soft suede; more information at tods.com. 4. OFFICINE GÉNÉRALE The Spring 2020 collection features comfortable cuts and tonal ties; more information at officinegenerale.com. 5. BRUNELLO CUCINELLI The youthful Spring 2020 looks offer trademark tailoring and everyday favorites; more information at brunellocucinelli.com. 6. SALVATORE FERRAGAMO The Spring 2020 collection incorporates utility and comfort into sleek styles; more information at ferragamo.com.

7. RALPH LAUREN The Spring 2020 Purple Label collection comprises nuetral-colored classics for day and brightly hued evening suits; more information at ralphlauren.com.

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Charleston South Carolina

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Renaud Verleg and Charlotte Rampling in a scene from The Damned (Italian title: La Caduta Degli Dei, meaning “The Fall of the Gods”), 1969; writer Debbie Bancroft (inset). > Opposite page: Charlotte Rampling modeling in the 1970s.

“I remember

my father saying to me once, ‘I finally know how to describe you, Charlotte. You’re prickly.’ And he was right—prickly is a very good description. If I had to be an animal, I’d be a porcupine.” Trying to get one’s arms around this complicated and off-putting, yet simultaneously alluring, talent has challenged writers for decades. Charlotte Rampling has exposed body and soul, literally, in countless nude appearances in film, art, and magazines (notably by Juergen teller in front of the Mona Lisa), and ripped open her heart in her brave recounting of her devastating losses of her sister, and two lovers, and yet remains, by all accounts, and her own, unknowable. Tellingly, her autobiography was entitled Qui Je Suis? or, “Who Am I?” She told The Guardian, “I can be seen as not being very communicative, or rather mysterious, or distant, or rather cold—all those things. Yeah, I know I can give off that im-

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pression. So I am that, too.” Which makes all of us want to know more about this legendary beauty, fashion icon, and groundbreaking actress, and is proof that, at 73, the best is yet to come.

Charlotte was born in 1946, in Sturman, England, to Ann Gurteen Rampling, a manufacturing heiress, and Godfrey Lionel Rampling, an Olympic gold medalist in track, British Army Colonel, and NATO Commander. She grew up with her sister, Sarah, in Gibraltar, Spain and France, and attended Jean d’Arc pour Jeunes Filles en Versailles, then St. Hilda’s in Bushey, England. She and Sarah had a multilingual singing group and, at 14, briefly toured Europe.

Shortly after, she was spotted on the street and cast in a

© 1 96 9 War ne r Bro s; M att e o Pran d on i / B FA. co m . O pp o si te

Living Legend Charlotte Rampling

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Cadbury commercial, followed soon after with a small part in Richard Lester’s The Knack, playing one of the leading man’s fantasies—a water-skier. Interestingly, she was joined by Jane Birkin and Jacqueline Bisset in their first film roles. Charlotte officially joined the “Swinging ’60s.” She told the Telegraph: “Our parents hadn’t lived those kinds of lives at all. I was from a middle-class family, but suddenly, class didn’t matter anymore and we could explore fields that we’d never been able to before. It was a very interesting period for people living in London. At the time, I was very much a part of it.”

“For a few years” she told The Guardian, “there was this wonderful innocence. We had money, we had jobs, people were making a fortune.” She continued swinging and modeling, and had her first speaking role as a furious, pregnant, amoral violinist in Georgy Girl, sharing a flat with Lynn Redgrave. The swinging stopped abruptly with the death of her beloved sister. Sarah made her first trip to America at 21, met an older, wealthy Argentinian cattle rancher, and, in fear of losing him, married him within one week and moved to his ranch.

Three years later, in 1966, she delivered a son prematurely, and shot and killed herself.

To protect her mother, her father told her it was a brain hemorrhage. Her mother suffered a stroke, even at the diluted news, and the truth was never revealed until after her death in 2001.

“My sister’s death really pulled me up,” Charlotte told The Telegraph. “How can you go on

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Clockwise from top left: Charles Dance and Charlotte Rampling looking stern in a scene from Swimming Pool, 2003; Rampling in 1972; Richard Harris and Charlotte Rampling in Orca, 1977; Rampling modeling a tweed jacket and trilby, 1976; Rampling taking a bath in Gregory Girl, 1966; Rampling in a scene from The Night Porter, 1974; Charlotte Ramping as a little girl with her older sister, Sarah. > Opposite page, from top: Rampling feeds Sam Waterston as Robie Porter looks on in a scene from the movie Three, 1967; Rampling at her first wedding to Brian Southcombe in Kensington in 1972; Rampling wearing a miniskirt, fringed jacket, and ballet flats during the height of her modeling career in the 1960s.

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with clothes, and it was as if it was happening by magic, really.”

—Charlotte Rampling

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jobs, people were making a fortune

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innocence. We had money, we had

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Charlotte Rampling photographed by Helmut Newton, 1973. > Opposite page, clockwise from left: Charlotte Rampling, 1970; Helmut Newton photographing Charlotte Rampling in Cannes, 1975; Rampling donning a Bill Gibb ensemble in British Vogue, 1960s; Rampling bending

Helmut Newton

over backward for Helmut Newton, 1976.

Counterclockwise from top right: Charlotte Rampling photographed by Ben Weller for Harper’s Bazaar, 2014; Rampling starring as Elizabeth Thallman in The Damned, an Italian-German historical drama written and directed

by Luchino Visconti in 1969; Sidney Lumet directing Charlotte Rampling and Paul Newman in The Verdict, 1982; Charlotte Rampling photogrphed by Paolo Di Paolo on the set of Sequestro di persona (“Sardinia Kidnapped”) in Sardinia, 1968; movie poster for Red Sparrow, in which Rampling stars as Matron, the headmistress of Sparrow School.

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being frivolous after a death in your family. That’s why, from that moment on, I went deep down. Searching for the whys and wherefores of a life, rather than wanting to be in films or entertainment, or just having fun, or for just looking for a party and being a dolly bird.” She sagely told The Guardian, “We were all searching… trying to use alcohol or drugs, I said, ‘That’s going to completely send me out of my head, where as I have to remain in my body and head.’” Charlotte sought spiritual solace, sold her London home, and traveled to the Middle East, Afghanistan, studied Oriental religion, and entered a Tibetan monastery.

She returned as the Charlotte Rampling we know better— introspective, mysterious, unknowable by design it would seem —a form of shield, only lifted as desired.

Her career was revived in Visconti’s The Damned, her first foray into a Nazi-driven story, co-starring for the first time with Dirk Bogarde. The Damned was followed by her most controversial role, as the concentration camp survivor who develops a sado-maschocistic relationship with her S.S. guard, again played by Dirk Bogarde. He told The Telegraph, “Once you experience her, you never forget,” and dubbed her trademark, “The look.” While memorable, it was considered a perversely sensual role. Nona Sayres of The New York Times, said, “If you don’t like pain, you won’t find The Night Porter erotic.” Charlotte told The Guardian, “I was seeking protection in dangerous roles. I think the danger is within me. It’s always provocation, or daring or wanting to ignite things or wanting to make things live— not just to repeat, scenes.” Esteemed author Mary Gaitskill took a gentler stance on her role in The New York Times: “It was the joining of the beautiful and the cruelty—the communication between ungiving power and the soft, dumb, knowledge of the body.”

Rampling married to her first husband, New Zealander Brian Southcombe, a publicist, in 1972, and had a son, Barnaby (now a TV director), with him. By 1975, the marriage was unraveling with suggestions of a ménage a trois with model Ran-

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Counterclockwise from top right: Charlotte Rampling and Tennessee Williams in Cannes, France for the Cannes Film Festival in 1976; Charlotte Rampling and Umberto Orsini in a scene from The Damned, 1969; Charlotte Rampling on the cover of a film poster for Liliana Cavaniâ&#x20AC;&#x2122;s 1974 Italian erotic psychological drama film, The Night Porter, starring Dirk Bogarde and Charlotte Rampling; Rampling in 1974; Rampling in The Look, 2011; Rampling modeling a velvet Yves Saint Laurent suit in 1974 with her son, Barnaby, whom she had with actor Bryan Southcombe in the early 1970s.

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Anthony Palliser and Charlotte Rampling in a scene from Angelina Maccarone’s 2011 documentary Charlotte Rampling: The Look; a 2015 New Yorker illustration of Charlotte Rampling by Tom Bachtell (inset). > Opposite page, clockwise from top left: Rampling in a scene from Swimming Pool, 2003; Rampling in a scene from CaravantoVaccares, 1974; the actress wearing Armani Privé at the Oscars in 2016; Rampling with her five-year-old son, Barnaby, on the beach in Cannes, France, 1976; Kirsten Dunst and Charlotte Rampling star in a scene from Lars Von Trier’s Melancholia, 2011; Jean Michel Jarre and Charlotte Rampling looking stylish in 1975; at 69 years old, Rampling became the face of NARS’

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tion board, you could buy a year’s worth of Galoises. For not only has Rampling made Le Smoking her iconic ensemble, she is also seen airily waving her cigarette in many of her earlier photographs. Inhaling or not (and we hope you quit, CR!), she is a model of elegant, erotic androgyny—the reason God created women in pants.” In another Vogue interview, she was asked if fashion played a role in her childhood, to which she replied, “Yes, very much through my mother. She was a beautiful woman. She loved clothes and my sister did, too. I’ve got a good body and I’m photogenic, but I’m not into wearing clothes in the same way they were.” Does she see herself as an icon, then? they asked. “Yes, but I suppose that’s because I know what I look good in and I know the kind of person I want to be through the clothes, which is not really fashion-fashion, but I know the look. It’s like with words. I know what suits me. Hearing the word ‘icon’ is always very pleasing because that means I have got it!”

In the ’80s she starred in Max Mon Amour, as a diplomat’s wife, in love with a chimp (an idea that has surprising reso-

Sto c k Ph o to ; D a vi d F i sh e r / Re x/ S h utt er sto ck ; B i ll O r c h ard/ Sh u tte r s to ck / R E X ; Ch r i s ti an

dall Laurence. She told columnist Earl Wilson, “There are so many misunderstandings in life. I once caused a scandal by saying I was living with two men. I didn’t mean it in a sexual sense, I was just too dirty to clean my act up.” The marriage ended in 1976, and was followed immediately (simultaneously, it has been suggested) by a relationship and marriage, in 1978, to French composer, Jean-Michel Jarre, whom she met at a party in St. Tropez. They had a son, David, together, and Charlotte raised Jarre’s daughter, Emilie, in the two decades that they were together.

Fashion followed Charlotte, a seemingly effortless icon.

She has been draped, photographed, and adored by Yves St. Laurent, Helmut Newton, and scores of others, and has graced red carpets in everything from Loft to Hermès and all in between. Charlotte once stated, “Fashion is not trivial... fashion is about us—how we look and present ourselves...

You can dress up to be quite glorious creatures—it’s all a very important part of life,” Lynn Yaeger wrote in Vogue: “If you had a Euro for every vintage snap of her gracing an inspira-

Ki n o Lo r b er /Le s f i lm s d’i c i ; To m B ac h te ll/ C on dé N as t. O p po s i te p ag e: R GR C o lle ct i on /Alam y

Audacious Lipstick Collection in 2014.

nance among my friends), Woody Allen’s Stardust Memories (he called her “the perfect woman”), and The Verdict (as the alcoholic woman Paul Newman should not have fallen in love with), and Spy Games (“I did that movie so I could kiss Robert Redford”).

The ’90s saw Charlotte slip into a depression and out of the camera’s sight. She told The Guardian, “It’s the reverse of you, the depression. You start from zero, because you’re just dead to the world…your desire for anything, everything, goes. You’ve got to build yourself up again.”

And build herself up again she needed to do. After learning, from a tabloid, that her husband, Jean-Michel, was having multiple affairs, she suffered a full-on nervous breakdown.

The silver lining is that that seems to have been the last straw, and up from the ashes she soon rose.

The director Francois Ozon is credited with her triumphant return to cinema, first in Under the Sand, then, in 2003, in The Swimming Pool, where she got her mojo back, was praised for her acting, and lost her skivvies, like the good old days. She even played a character, Sarah Morton, in tribute to her sister, acknowledging her passing in a way she hadn’t before and signaling her re-emergence. The Telegraph’s John Hissock wrote, “At 57, Charlotte Rampling has not lost the ability to shock.”

She told him, “I don’t mind nudity. I’ve never really been shy of that. It’s a form of expression and it depends on how I want to go with that expression. In the swimming pool scenes, I said to Francois, ‘Hey, I think it would be really ugly to show me bouncing around, because Ludivine [her co-star] is going to be doing a lot of that and she has a lovely, sexy, young body.

And even though I have a reasonable body, I don’t think it’s going to be that interesting for spectators. I said, you can do everything, but I will not move.”

The dark tides had turned for Charlotte…almost. Her career came back at a steady beat. She met Jean Noël Tassez,

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a French telecommunications executive and journalist, and was engaged to him from 1998 until his death in 2015. Her health and career remained strong, though, and age was not an issue: She told The Hollywood Reporter: “You become more and more charged with your life and a life that you’re observing. When I was younger, I was actually looking forward to growing older, to have more insight, more understanding. I’m much more tolerant with others and myself. I’m not angry so much.” She appeared in Broadchurch with Olivia Coleman, to whom she would soon lose the Oscar, gracefully. She told The Guardian, “Boy, does she deserve it, she’s the real deal.” She had a regular role in Showtime’s Dexter and holed up in the Chateau Marmont, as it was the closest thing to Europe in Hollywood, not her favorite city. She was happier to film Red Sparrow with Jennifer Lawrence, in Budapest, then joined her, Viola, Cate, Lupita, Brie, Helen, and an impressive collection of the most important actresses of the day on the cover of Vanity Fair’s 2016 Hollywood edition.

Her most-awarded performance was in Andrew Haigh’s 45 Years, an emotional tour de force that showed how very old romances change lives…45 years later. She was nominated for an Oscar, and for a Cesar, The Volpe Cup (for Hannah), The French Legion of Honor and The Lifetime Achievement Award from The European Film Awards.

It seems that Lifetime Award may have been premature.

She is now filming a “secret” Danish TV series—“a different, really chilling story. You know I need the thrill of difference,” she told The Guardian, Benedetta, an erotic bio-pic set in a convent (yes, you continue to startle us, Charlotte), and the adaptation of Dune with Timothée Chalamet, in which she will play the Reverend Mother Mohiam, whom The Hollywood Reporter says is “the Emperor’s truthsayer, a person who can suss out lies and manipulate people’s emotional states.” Would we expect anything less? u

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©Fran ço i s G oi zé ; Ke vi n Wi n te r / Ge tt y Im a ge s . O p p os i te p ag e : Ke y st on e/ Ge tt y I m a ge s;

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Clockwise from top left: Charlotte Rampling tries out a new career as a fashion photographer in 1969; Rampling in 1967; Rampling posing before a mirror for Philip Townshend in 1967. > Opposite page, left to right: Charlotte Rampling photographed holding her book, Who Am I?; John Krasinski and President of the Academy of Motion Picture Arts and Sciences Cheryl Boone Isaacs announce Charlotte Rampling as a nominee for Best Actress in a Leading Role in the film 45 Years during the 88th Oscars Nominations Announcement in 2016.

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A Peek Behind The Royal Curtain...And More OVER CHAMPAGNE and carrot cake, I celebrated Meghan and Harry’s marriage…long distance, watching the telly. Now, with champagne in hand, I am where 600 people celebrated them in person: on the leafy grounds of Frogmore House, amidst centuries-old trees. Giant evergreens frame the way down the path to the resting places of Queen Victoria and Prince Edward, and other notables connected to the crown. “Celebrating” along with me are Londoners who traveled the 40 minutes to Windsor for an exclusive early evening tour of this 17th-century house, beloved by Queen Victoria and Queen Mary. Fifteen signed up a year in advance for these coveted spaces.

The young royals and little Archie live in newly renovated Frogmore Cottage on the same grounds nearby. The actual place where the royal knot was tied is St. George’s Chapel right

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This page: Frogmore House and Gardens. > Opposite page: An official engagement photo of Prince Harry and Meghan Markle taken at Frogmore Estate in Windsor, 2017; Meghan, Duchess of Sussex, and her son, Archie Harrison Mountbatten-Windsor, with (l-r) Prince Philip, Prince Harry, Duke of Sussex, Queen Elizabeth II, and Meghan’s mother, Doria Ragland (inset).

near Windsor Castle. Anyone is welcome to attend services there any day of the week. This Gothic structure is full of ancient crypts, stone arches, kaleidoscopic stained glass and white marble. It is tranquil and hushed. The best room is where Harry and Meghan wed, the Quire. Its gold and marble altar is quietly imposing. Here, docents can tell you anything you want to know about the room and the Knights of the Garter.

Th e Roy a l C o lle ct i o n Tr us t & H e r M aj e s ty Q ue en Eli z ab e th I I 2 017/ B BC / PA .

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O p po s i te p a ge : Ale x i Lu bo m i r s ki /R E X— Sh u tte rs to c k; C h r i s All er to n / Su ss e x Roy al /G e tty Im ag es

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Frogmore Estate has been in the family for centuries. British royalty has inhabited this house from King George III to Queen Victoria. Just a half-mile from Windsor Castle, George wanted it for his daughters to protect them. They, in turn, called it “the nunnery.” (The young Sussexes live in nearby Frogmore Cottage). At larger Frogmore House, Queen Mary’s rooms are kept just as they were, with mother of pearl inlaid furniture. Many rooms feel homey and comfortable, some even downright cozy. Notable is the big bright Bow Room, which was the family sitting room, kept as it was during Queen

This page, clockwise from top left: Prince Harry and Meghan Markle leaving St. George’s Chapel on their wedding day in 2018; Prince Charles and Camilla Parker Bowles’ wedding at St. George’s Chapel, 2005; the Long Walk to Windsor Castle. > Opposite page, clockwise from top: Frogmore Cottage (circled) situated in the north of Frogmore Estate; Prince Harry and his wife Meghan holding their newborn son, Archie Harrison Mountbatten-Windsor, flanked by (l-r) Camilla, Duchess of Cornwall, Prince Charles, Ms. Doria Ragland, Lady Jane Fellowes, Lady Sarah McCorquodale, Prince William, and Catherine, Duchess of Cambridge, in the Green Drawing Room at Windsor Castle, July 6, 2019; The ornate Mary Moser

Collection Trust/© Her Majesty Queen Elizabeth II 2017; Shutterstock

Shutterstock. Opposite page: Getty; Chris Aller ton/AFP/Getty Images; Royal

Chris Jackson/Getty Images; Tim Graham Picture Librar y/Getty Images;

room at Frogmore House; Frogmore Cottage on Frogmore Estate.

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This page: The mausoleum of the Duchess of Kent (Queen Victoriaâ&#x20AC;&#x2122;s mother, Victoria of Saxe-Coburg-Saalfeld) on the grounds of Frogmore House, Frogmore Estateâ&#x20AC;&#x201D;the upper domed chamber holds a life-size statue of the Duchess, whose sarcophagus resides in the chamber below it; the view from the top of the Round Tower at Windsor Castle, looking towards the Royal Mausoleum on Frogmore Estate (inset). > Opposite page, top to bottom: A room at Frogmore House; guardsmen stand in formation at Windsor Castle for the arrival of then-President Barack Obama and

i ts af re e lan d .w o rdp re s s. co m ; PA

First Lady Michelle Obama, 2016.

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Victoria’s reign. Paintings of family members decorate the walls in almost all rooms, and white marble sculptures of many of the royals as children adorn the colonnade leading out to the grounds. Two elegant bigger rooms are used for fundraisers by the royal family these days: The Duchess of Kent’s Drawing Room and The Britannia Room. Both are large, gracious, and chock full of royal memorabilia.

Looking out from the green and gold long-windowed doors are the mature trees and the pebbled paths to the garden where lucky visitors can sip Champagne. Beyond the wood benches, gravel path, and softly rolling mounds of grass are the Royal Mausoleums for Prince Albert and Queen Victoria, a remarkable building of the Victorian age. Others of British royalty are buried in the area, including Edward VIII and Wallis Simpson, later known as the Duchess of Windsor. Closer to the house, lily ponds, in the ornamental lake, surround a small island. It is a fairytale setting come to life. Windsor Castle is just a few minutes’ uphill walk from St. George’s Chapel. The Castle is staggeringly big, and full of history and grandeur. Windsor, with its 1,600 gigantic intimidating rooms, is the oldest FA L L 2 0 1 9 /

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This page, clockwise from top left: Princess Eugenie of York and Jack Brooksbank leave St. George’s Chapel as a newly married couple on October 12, 2018; Queen Elizabeth II departs the Easter Sunday service at St George’s Chapel on April 21, 2019; almost three decades before his own wedding at St. George’s Chapel, a seven-year-old Prince Harry attends the wedding of his cousin, Lady Helen Windsor, with his mother, Princess Diana, in 1992; Prince Harry and Meghan, The Duchess of Sussex, depart St. George’s Chapel on their wedding day in 2018; The Curfew Tower at Windsor Castle; Queen Maxima of The Netherlands, Queen Letizia of Spain, Camilla, Duchess of Cornwall, and Catherine, Duchess of Cambridge attend the Order of the Garter Service at St. George’s Chapel on June 17, 2019; Prince Edward and his bride, Sophie Rhys-Jones, depart from St. George’s Chaprel after their wedding ceremony in 1999.

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inhabited castle in the world. Filled with art by the most famous names in the world, the castle is designed to impress and reveal who has the power. Queen Elizabeth spends weekends there and uses it for state occasions.

For more tradition, you can walk from the castle to Eton, the most famous prep school in the world. Twenty prime ministers and a slew of contemporary actors have attended this boarding school. In its well-worn classrooms and on its verdant playing fields (everyone must play a sport), students adhere to special language, customs, and dress code. When it was founded, students were allowed to speak only in Latin.

Today, they have an immense choice of subjects, as did Princes William and Harry, who both attended.

To be close to the royals, you can set out on the Long Walk, in crisp cool air, to a great swath of green, all part of Queen Victoria of England (left) with Empress of Augusta of Germany in the gardens of Frogmore House, Balmoral Jingle, compete in the Ridden Mountain and Moorland event A n w ar H us se i n / Ge tt y Im a ge s; O we n H um ph r i e s - WPA Po o l/ Ge tt y Im a ge s ; c as tle sf or ts ba ttle s.co.uk; Patrick van Katwijk/Getty Imag es; PA Imag es via Getty Imag es

Š H ult o n- D e u tsc h Co l le ct i o n/ CO RBI S/ Co r b i s v i a Ge tty Im age s ; J uli a n F i n n e y / Ge tt y Im a g es . Op p osite p ag e: Victoria Jones/Getty Imag es; Kirsty Wig g leswor th/Getty Imag es;

1872; The Queen watches her horse,

held in the Frogmore Ring during the Royal Windsor Horse Show at Home Park, Windsor Castle, 2005.

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This page: Prince Andrew pushes his baby brother, Prince Edward, in a pram on the grounds of Frogmore House in 1965 as (l-r) their mother, Queen Elizabeth II, Princess Anne, Charles, Prince of Wales, and their father, the Duke of Edinburgh, look on. > Opposite page, top to bottom: Monkey Island Estate in Bray, Berkshire, England; an operator takes Island Estate’s Floating Spa, docked on the Thames River.

in cream to chocolates spiced with orange and caraway.

The River Thames was key to the creation of Winsor Castle back in the 11th century, as the Thames provided a direct route into London. All those centuries, all that culture, and all that grace make this experience like no other. Windsor and Frogmore have the distinction of being regal, but in a bucolic country setting. Perhaps that’s why the young royals chose it for their home. I would, too. u

N o r m a Da v i do f f; c o ur te sy Mo n ke y I s lan d Es tate

the helm of the Floating Spa at Monkey Island Estate; a view of Monkey PA I m ag e s v i a Ge tt y Im a ge s. O p p os i te p ag e : s lh . co m ;

the royal province. The seemingly neverending path stretches to the horizon. This is Windsor Great Park, near to which dwell the Sussexes and little Archie at Frogmore Cottage.

Windsor bustles with tourists. I got the best out of it by staying in nearby Bray, a charming village loved by the well-to-do.

My hotel was Monkey Island Estate, the former fishing lodge of Princess Diana’s distant relative, the Earl of Spencer. Recently renovated, with glorious hydrangea and manicured lawns, it has its own dock; prime rooms face the Thames. They treat you like royalty here, but no one walks out backward bowing.

A small boat arranged by the Estate carried me along the river to Waterside Inn, a Michelin three-star restaurant. It manages to be a temple of food without being stuffy, and everything is perfectly delicious. I enjoyed a drink at The Crown, owned by Heston Blumenthal, Bray’s other three-star chef, and had dinner at his Hare and Hounds, housed in a 15th-century building.

This acclaimed chef puts a special spin on everything from snails

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© Lag erf eld : The Chanel Shows by Simon Procter, R izzo li N e w Yo rk , 20 19

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Above: The cover of Lagerfeld: The Chanel Shows (Rizzoli, Sept. 2019). > Opposite: The “rocket” at Chanel’s Ready-to-Wear Fall/Winter 2017 show, after which the photographer produced an image blending Chanel’s prop rocket with actual footage from real NASA rocket launches.

K at h ry n M a i e r

The revered and prolific fashion designer Karl Lagerfeld died this past February, leaving a legacy through his work: his fashion, certainly—and also the creative and dramatic shows in which he put those fashions on display.

He made rocket ships complete with “blast-off”; he transformed Le Grand Palais into a Provençal villa, a giant Parisian brasserie, an autumn wood with real leaves blanketing the ground, an ersatz grotto with hundred-foot-high waterfalls cascading over the side of a cliff into a pool below, a tropical paradise with actual waves lapping against actual sand. Among the fashion cognoscenti, Lagerfeld and Chanel were equally renowned for their shows—and their ability to fully transport their guests to a fantasy world—as for their designs.

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â&#x20AC;&#x153;He was very, very funny. Many times whoever was standing next to him could be seen giggling uncontrollably over something he had whispered to them.â&#x20AC;?

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Lagerfeld’s shows for Chanel, and has now collected 75 of his best images in a new book, Lagerfeld: The Chanel Shows (Rizzoli, Sept. 2019). In the works for many years before Lagerfeld’s passing, the book includes never-before-seen candid photos of Lagerfeld and of models preparing backstage, as well as panoramic shots of Lagerfeld’s notoriously theatrical shows, some with multiple exposures meticulously stitched together to incredible effect.

“I had prepared a presentation of the book but Karl just waved it aside, saying, ‘I don’t need to see, I know all of the works, they are wonderful, your work is wonderful, the

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Backstage at Chanel’s Haute Couture Spring/Summer 2010 show, held at the Pavillon Cambon Capucines in Paris.

book will be wonderful,’” Procter recalls of an early meeting with Karl.

In the preface, along with the story of how he began shooting the shows, Proctor also reveals his personal impressions of Lagerfeld during their many meetings. “The two things I remember most were that he always personally greeted everyone in the room. The other, that he was very, very funny. Many times whoever was standing next to him could be seen giggling FA L L 2 0 1 9 /

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â&#x20AC;&#x153;His words were full of optimism and intimacy.

Then music soared and the show began. At the end, some were crying, others were cheering, and all were up in a standing ovation.â&#x20AC;?

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© L a g e r f e l d : T h e C h a n e l S h ow s b y S i m o n P r o c t e r,

uncontrollably over something he had whispered to them.”

Procter also provides his personal recollections of each show he photographed, from Haute Couture Spring/Summer 2004 to the Fall/Winter 2019 Ready-to-Wear show that transformed the Grand Palais into the snow-capped chalets of an Alpine ski resort—the final show designed by Lagerfeld, following his death by two weeks. “There was a minute of silence that ended suddenly with his voice filling the vast space—an excerpt from an old interview of him discussing his ideas and hopes for Chanel. His words were full of optimism and intimacy. Then music soared and the show began. At the end,

Chanel transformed Le Grand Palais in Paris into a Mediterranean villa for the Haute Couture Spring/Summer 2019 show.

some were crying, others were cheering, and all were up in a standing ovation,” Procter remembers.

To the very end, each Chanel show served to evoke a sense of wonder at this great man’s theatrical genius.

“Karl Lagerfeld worked very hard for a long time,” Proctor writes, “and rarely dwelled on the past; he made people laugh and was polite to the point of graciousness. I think we can all learn something from that.” u FA L L 2 0 1 9 /

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All imag es cour tesy of Parad ise Club

Paradise Found by

K at h ry n M a i e r

“Welcome to Paradise,”

This page: Paradise Club performers enjoying themselves postshow. > Opposite page: Aerial acrobats perform for the crowd in The Devouring: A Marriage of Heaven and Hell.

the host greeted me, without a hint of irony, moments before I was offered a “welcome shot” of green apple, pomegranate, and vodka.

I’d just arrived at the Paradise Club, a collaboration between Studio 54’s Ian Schrager and Brooklyn’s House of Yes. Studio 54 is, of course, the nightclub where the rich, famous, and beautiful spent the late ’70s and early ’80s being fabulous and indulging in mild debauchery. House of Yes could be loosely considered its modern-day equivalent, albeit with a more egalitarian, less celeb-centric door policy: The Brooklyn-based nightlife collective is housed in a former warehouse in Bushwick, where patrons get glittered up to dance to DJs while performers writhe on platforms and aerial acrobats clad in little more than bespangled lingerie twirl on hoops or silks suspended over the dance floor.

Schrager entered the hotel industry after his Studio days, and the Paradise Club is housed within the Times Square property of his Edition chain of hotels. In a windowless studio on the hotel’s seventh floor, Hieronymus Bosch-inspired murals cover the walls on either side of the room; a starburst of colored lights spans the ceiling, the same hue as the red FA L L 2 0 1 9 /

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The food at Paradise Club is no highfalutin’ tweezer-plated tasting menu. It’s party food, setting the tone for a festive evening.

This page: The Devouring is a feast for the senses. > Opposite page, clockwise from top left: Beverage Director Salvatore Tafuri pours a cocktail; the bar at Paradise Club; smoking spiced ribs may appear on the night’s menu; murals inspired by Hieronymus Bosch line the walls.

radish. Air, contrary to its name, features the most substantial plates—on my most recent visit, it was a whole Cornish hen and an array of accoutrements that suggested a global tour of spice markets. Fire, served during the performance’s intermission, may earn its name with a blazing baked Alaska.

I’m still thinking about a couple of dishes from an earlier visit: one of cauliflower and strawberries somehow mimicking, even improving on, General Tso’s chicken; and another of succulent spiced pork ribs, brought to the table under a glass cloche that released a puff of barbecue smoke into the air when removed. Perhaps they’ll make a return appearance on the menu at some point.

All i m a ge s c o ur tesy of Parad ise Club

envelope on your table, holding the food and drink menus as well as the program for the performance.

A proper night at Paradise Club, you see, is actually dinner theater: by turns cabaret, burlesque, performance art, and Coney Island-style sideshow. The show, produced by House of Yes three times a week (and followed by a raging dance party that goes well into the wee hours), is called The Devouring: A Marriage of Heaven and Hell, and extremely loosely based on a poem by William Blake.

And devour, you will: The evening begins with an ample dinner, a set multicourse meal, served family style at each table. The courses correspond to the elements of earth, water, air, and fire; each course comprises several dishes, which change frequently. Earth starts you off with an array of snacks: a garden of crudités; possibly a “tree of life” strewn with bak kwa (a type of pork jerky), prosciutto, grissini, figs, black sesame-dusted radishes. “Water” brings seafood: perhaps oysters and shrimp in some form, a rainbow of roe dotted with horse-

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It’s all courtesy of chef John Fraser, who oversees all of the hotel’s food, including at 701West and the Terrace Restaurant.

Much has been made of Chef Fraser’s Michelin-starred credentials: formerly of Narcissa and the Michelin-starred Dovetail, he currently helms Michelin-starred Nix and West Village neighborhood favorite The Loyal. The food at Paradise Club, though, is no highfalutin’ tweezer-plated tasting menu; it’s unfussy, largely finger food, like hors d’oeuvres that might be passed at a social affair. It’s party food, really, setting the tone for a festive evening.

Drinks are similarly celebration-inclined, with a Champagne-heavy wine list; tropical-leaning cocktails such as a “pina colada old fashioned”; and a Manhattan trolley, allowing servers to stir up stiff drinks tableside.

Like the menu, the show has small variations nightly depending on the availability of its performers, many of whom have very niche talents: One night you may have a sword swallower and a cowboy doing lasso tricks; another night might bring a woman achieving feats with parasols I never imagined possible, and a man vanquishing demons by juggling. The

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main story line, such as it is, remains the same.

Dancers swirl, both earthbound and suspended in the air on hoops or silks. The M.C. croons the Rolling Stones’ tune “Sympathy for the Devil.” A duo performs a pas de deux to an operatic rendition of Nine Inch Nails’ “Closer.” It’s all sublimely sexy, in a PG-13 way—The Box, this is not. Nor is it a slick Broadway production: In contrast to the phenomenally talented performers, some stage sets and props looked as though they’d been repurposed from an artsy Burning Man camp. The DIY aesthetic encourages you to forget, for a moment, that you’re in fact in a glossy hotel in the most Vegas-y part of New York City.

While elbowing my way through the Times Square crowds later that night, after dancing to the post-Devouring DJ alongside the club kids who showed up dressed as though for a Suzanne Bartsch party, I found myself wishing I could’ve stayed in Paradise just a bit longer. u Paradise Club at The Times Square EDITION: For more information or to reserve: 917.558.0376 or paradiseclubnyc.com.

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Dancers swirled, both earthbound and suspended in the air on hoops or silks. The M.C. crooned “Sympathy for the Devil.” A duo performed a pas de deux to an operatic rendition of Nine Inch Nails’ “Closer.”

This page: Banquettes line the walls at Paradise Club; a dramatic moment during the performance. > Opposite page: A performer takes a spin onstage; dessert may include a flaming baked Alaska.

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b r o o k e k e l ly

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Gilded Age Grandeur In The Berkshires

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This spread: Blantyre, originally built in 1902, sits on more than 100 acres in The Berkshires in western Massachusetts; Wings Air Helicopters offers an hour-long flight directly onto Blantyreâ&#x20AC;&#x2122;s property from Westchester County Airport in White Plains, New York.

This page, from above: The Manor House at Blantyre features modern furnishings with traditional finishes, fireplaces, stained-glass windows, elegant portraits, crystal chandeliers, sumptuous fabrics, and fresh flowers; an aerial view of Blantyre’s property. > Opposite page, from above: The resort’s

Stepping onto the

manicured grounds of Relais & Châteaux’s Blantyre in Lenox, Massachusetts seemingly transports you to the Yorkshire country estate of notable television series Downton Abbey. Nestled amid the beauty of the Berkshires, the lavish manor is remindful of a calmer time, characterized by an extravagant yet refined elegance.

One of 12 Gilded Age mansions that remain in the Berkshires today, Blantyre serves as a memento of a long-past era.

Originally built in 1902 by wealthy Scottish businessman Robert Paterson, Blantyre is situated on more than 100 acres of sprawling lawns, woodlands, and hiking trails. While Gild-

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ed Age mansions are more synonymous with Newport today, the Berkshires were an equally popular destination for America’s wealthiest families of the time, like the Vanderbilts, to build their second-home escapes from New York and Boston. With estates every bit as luxe as those in Newport, the Berkshires offered a more private getaway, rich with culture, nature, and fun-filled activities that could be enjoyed well into the later seasons.

After being purchased by real estate investor Linda Law in 2016, Blantyre recently reopened after undergoing a multi-million-dollar renovation that updated the guest rooms with modern designs, amenities, and conveniences, while maintaining the resort’s traditional grandeur—all important pieces of furniture, art, and fixtures from the turn of the century were preserved. Reminiscent of a Scottish castle, with stained-glass windows, burnished wood, crystal

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wine cellar; the relaxation room at the spa; a view of the pool area (inset).

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This page, from top: One of the resort’s spacious and updated guest rooms; the grand entrance inside the Manor House. > Opposite page, from top: The bar and lounge area inside the Manor House; a view of the

chandeliers, elegant portraits, and spacious guest rooms with soaking tubs and fireplaces, the Manor House at Blantyre exudes old-fashioned elegance. I was not surprised to learn that the score to a Harry Potter film was composed by a guest during his stay here; a walk through the Manor House, with its large fireplaces and glowing candles, puts one in mind of a stroll through the corridors of Hogwarts (although they’re no longer quite as dark as the World of Witchcraft and Wizardry anymore). This main complex also houses the resort’s outstanding farm-to-table restaurant, The Conservatory, as well as a cozy bar and lounge area, a large wine cellar, and the new Dom Pérignon salon, the only one of its kind in the country.

The hotel’s recent updates added a cozy speakeasy-inspired space, La Cave, underground, as well as an outdoor space suitable for lingering during warm weather.

There’s also the Music Room—where piano melodies played by Karèn Tchougourian can be enjoyed each evening.

It’s an ideal stop for post-dinner drinks or dessert, and the perfect setting to get lost in daydreams while spending hours listening to tranquil tunes and wondering about the property’s storied past—imagining the many Gatsby-like parties that might have occurred in that very room.

Elsewhere on the property you’ll find the Carriage House with large suites, four cottages, a heated pool and spa, croquet lawns, and tennis courts. A luxury house car also awaits to transport you to nearby attractions such as the Norman Rockwell Museum, notable golf courses, or popular music venue Tanglewood, which offers spectacular concerts during the warmer months.

Just a three-hour drive from Manhattan or a roughly onehour flight using Wings Air Helicopter service from Westchester County Airport directly to the hotel’s property, Blantyre serves as a convenient weekend country getaway for the cultured traveler. A nod to the past while keeping up with the present, the stately resort will amaze you with its notable history. And although your surroundings are undeniably regal, the cheerful staff will have you feeling at home from the minute David Pupo—the resort’s longtime resident concierge—welcomes you through the front door. u For more information, visit blantyre.com. For reservations, email reservations@blantyre.com or call 844.881.0104.

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Manor House from the estate’s sprawling lawns.

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A white, high-neck, ruffled collar at Chanel’s Fall 2019 Couture show; flurries of feathers adorn a mint and black ball gown, sparkling sequins paired with subtle feathers constitute a silver evening jacket, and layers of embroidered taffeta comprise a sweeping, off-the-shoulder ensemble at Givenchy’s Fall 2019 Couture runway show (inset). > Opposite page: Romantic, feminine looks in sherbert hues and shades of pastel mark Ralph & Russo’s Fall 2019 Couture Collection.

Paris Couture ElizabEth MEighEr

Fall 2019 Haute Couture collections hit the runways in Paris this summer, and the level of swoon-worthiness failed to disappoint. From extravagant, unprecedented, and over-the-top layers of taffeta, sweeping organza, and tiers of feathers— to the cleanest, crispest, and most subtly defined lines ever to be revealed in fashion— all hand-sewn and assembled with extraordinary attention to detail, the most noteworthy Couture creations always manage to bring fantasy into the realm of reality. Here’s a look at what stood out to us in Paris this summer.

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> Ralph & Russo Founded in 2010 in Mayfair, London, by design duo Tamara Ralph and Michael Russo as a privately held company, Ralph & Russo became the first British fashion house in more than a century to be accredited the Chambre Syndicale de la Haute Couture in 2014.

Beloved by the likes of Meghan Markle (she wore Ralph & Russo for her official engagement photo) and Angelina Jolie, the brand remains the only British fashion house to hold the official “Couture” accreditation. For their Fall 2019 Haute Couture show, Tamara Ralph and Michael Russo constructed a 90-meter runway through the British Embassy’s gardens to present their Art Deco–inspired collection. Two ushers in tuxedos opened terrace doors to reveal a sparkling lineup of winter-white looks embellished with rows of pearls, crystal flowers outlined in mink, ostrich-feathers, and intricate pearl bead-work. Following the white procession came a sampling of sherbert-hued sixties-style minidresses (most notably a mod turqoise shift embellished with contrasting crystals) and flowing pastel gowns. The show wrapped with a transition into bold color marked by vivid shades of red, magenta, and stark black and white emerging down the runway, with a bride finishing the show (per usual). We expect many of the collection’s showstoppers will likely appear at upcoming fall galas and awards shows.

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Models wearing tweed dresses, traditional skirt suits, and long-line gowns walk through an elaborately constructed, double-tiered library beneath the dome of the Grand Palais at Chanel’s Fall 2019 Couture show. > Opposite page: Givenchy’s Fall 2019 Couture lineup brings fantasy to life in the form of

> Chanel When Virginie Viard was appointed creative director at Chanel following the death of Karl Lagerfeld in February, she became part of triad of women leading three of the most influential fashion labels in the industry (Maria Grazia Chiuri at Dior and Clare Waight Keller at Givenchy make up the other two). Viard joined Chanel in 1997, and for more than 20 years, she acted as Lagerfeld’s vital adjuvant.

However, her first couture collection for the house seemed to veer away from her forerunner’s vision, with minimalist looks that were notably more conservative and pared back. The silhouettes of her designs were leaner and cleaner, with sparse accessories (no strands of pearls or shiny logo chains that had become par for the brand). Staged beneath the soaring dome of the Grand Palais, in an elaborately constructed, circular library, Viard’s models walked among the literary works wearing patent flats, spectacles, and hair tied back into prim ponytails. Looks included long-line tweed dresses, traditional skirt suits, and wide-legged trousers in the same Thirties style worn by the house’s founder, Gabrielle Chanel. Before the show, Viard divulged “I dreamed about a woman with nonchalant elegance and a fluid and free silhouette, everything I like about the Chanel allure.”

> Givenchy Although relatively new to couture with only three previous couture collections under her belt, artistic director Clare Waight Keller’s Fall 2019 Couture assemblage revealed that she’s quickly evolving into a master of the art. That could be chalked up the extensive ready-to-wear experience she enjoyed prior to her two years at Givenchy—however, couture is different. Becoming immersed in its craft—appreciating its artistry and comprehending its possibilities—changes the way one perceives fashion. Without abandoning her past penchant for smart and elegant tailoring, Waight Keller brought fantasy and glamour to life in the form of dreamy feathered gowns fashioned in shades of mint green and winter white, sweeping taffeta dresses in bubble gum pink and black, exquisitely constructed mermaid silhouettes, and billowing tunic capes. Backstage before the show, which took place at the Musée des Arts Décoratifs, part of the Louvre complex, the designer explained her process: “I wanted to kind of step it up a notch for myself,” she said. “I wanted to push it into something that has a little more theater.”

And step it up she did, cleverly uniting two components that make couture so compelling: the element of fantasy and indulgence in even the most sensational of whims. u

Ale ss an dro Lu ci o n i / Go r u n w ay.c o m

feathers, capes, and volume.

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For the debut of his Fall 2019 Collection, Ralph Lauren invited guests for a sleek, 1930s-esque presentation in Wall Street, where he transformed a ballroom into an Art Deco-inspired nightclub—open for one night only. Throughout the evening at Ralph’s Club, guests enjoyed a sneak peak of the new women’s collection, which features tailored tuxedos and dapper evening attire, as well as cocktails, light bites, and a memorable act by Janelle Monáe, who performed a number of jazz classics after the runway show. The black-and-white evening served as a nod to glamorous New York nightlife.

1. Ralph and Ricky Lauren 2. Jenny Cipoletti, Chriselle Lim, Caroline Daur, and Aimee Song 3. Henry Golding and Liv Lo 4. Gigi Hadid 5. Cate Blanchett 6. Coco Lee 7.

Kathryn Newton, Sistine Stallone, Talita von Furstenberg, and Diana Silvers 8. Dylan Lauren, Paul Arrouet, Jerry Lauren, guests, Lauren Bush Lauren, David Lauren, and Ricky Lauren 9. Kevin Love and Kate Bock

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Early August, more than 500 guests attended Aspen Art Museumâ&#x20AC;&#x2122;s annual ArtCrush celebration, a multi-day affair that raised more than $2 million for the organization. The final event, a seated dinner dance, featured a silent auction and honored contemporary artist Lisa Yuskavage with the Aspen Award for Art. The gala was preceded by WineCrush, an intimate cocktail party, as well as a rooftop talk with the museumâ&#x20AC;&#x2122;s director Heidi Zuckerman, and PreviewCrush, which invited guests for a sneak peak of the artwork that would be auctioned off the following evening.

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1. Aspen Art Museum 2. Heidi Zuckerman, Lisa Yuskavage, and Amy Phelan 3. Karin Luter and Nicola Marcus 4. Kyle Richards, Nancy Rogers, and Lindsay Taylor 5. Deborah McCloud, Alex Israel, and Beth DeWoody 6. Bloom Twins 7. Amnon Rodan 8. Jen Ray, Jamie Tisch, Crystal Lourd, and Chandra Johnson

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During New York Fashion Week, Harper’s Bazaar hosted its annual black-tie ICONS party at The Plaza, which toasted to the members of this year’s list, an annual portfolio of influential figures curated by the magazine’s global fashion director Carine Roitfeld.

The 2019 ICONS include Céline Dion, Kate Moss, Alek Wek, Christy Turlington, and Alicia Keys, who delivered a heart-felt performance at the event. The evening also featured cocktails, passed hors d’oeuvres, and Champagne from Moët & Chandon for partygoers like Alessandra Ambrosio and Emily Ratajkowski.

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1. Jasmine Sanders 2. Dapper Dan, Victor Cruz, and Karrueche 3. Stacey Bendet and Georgina Chapman 4. Emily Ratajkowski 6. Romee Strijd and Laurens van Leeuwen 7. Maurits Stibbe and Negin Mirsalehi 8. Karolína Kurková and Archie Drury

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Over the summer, Net-A-Porter hosted an intimate luncheon serving farm-to-table fare at the Grey Gardens residence in East Hampton. The occasion celebrated the online retailer’s newest additions from Tiffany & Co.’s popular and youthful Tiffany T collection, filled with playful designs in 18-kt. yellow, white, and rose gold. Attendees included Net-APorter’s president Alison Loehnis, Tiffany’s chief artistic officer Reed Krakoff, Nina Agdal, Dree Hemingway, Tabitha Simmons, Delfina Blaquier, Jessica Seinfeld, Rachel Zoe, among others.

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On September 3rd, the Cinema Society hosted a screening of The Goldfinch, based on Donna Tartt’s best-selling Pulitzer Prize-winning novel. The plot trails a 13-year-old boy, Theodore Decker, who survives a bombing at the Metropolitan Museum of Art that kills his mother—a tragedy that changes the course of his life forever. The premiere and afterparty—attended by Zachary Quinto, Andy Cohen, Joy Behar, Cuba Gooding, Jr., Erich Bergen, Candace Bushnell, and more—took place at Bergdorf Goodman, which has a window display dedicated to the new film.

1. Mary Snow 2. Lauren Remington Platt and Andrew Bevan 3. Linda Fargo, Ashleigh Cummings, and Darcy Penick 4. Vlada Roslyakova 5. Alex Lundqvist, Keytt Lundqvist, Sophie Sumner, and Daniel Benedict 6. Mike Doyle and Carly Connors

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On a picture-perfect summer evening, Armarium hosted a dinner at the Surf Lodge in collaboration with Missoni.

The event celebrated the best of summer fashion and the escalating partnership between the luxury rental platform and the Italian fashion house. “We are thrilled to celebrate Armarium’s continued partnership with Missoni, extending the life cycle of these iconic pieces and reinforcing Armarium’s position as a leader in the shared economy sector, said Trisha Gregory, who co-founded Armarium.

Guests included Ottavio Missoni Jr., Jennifer Missoni, Charlotte Groeneveld, Arielle Charnas, and more.

1. Kate Usher 2. Sasha Benz, Jessica Hart, and Oliver Benz 3. Nausheen Shah 4. Casey Freemont, Jessie Randall, and Violet Gaynor 5. Jayma Cardoso, Trisha Gregory, and Sasha Benz 6. Sydney Sadick and Elise Taylor 7. Jennifer Missoni and Tommaso Cardile

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one of Hollywood’s most successful actresses during the 1940s and 1950s, applying makeup behind the scenes. 2. GUINOT The new Crème Lift Summum fights the effects of aging; $130 at Guinot spas. 3. GIORGIO ARMANI BEAUTY The Eyes to Kill Classic Mascara creates a visually intense look; $32 at giorgioarmanibeauty-usa.com. 4. LA PRAIRIE The Skin Caviar Eye Lift serum offers a gentle yet effective answer to eye lifting and firming concerns; $480 at laprairie.com.

5. CHARLOTTE TILBURY The Hot Lips 2 collection features sumptuous lipsticks of various colors; $37 at charlottetilbury.com.

6. CLARINS The Double Serum is powered by plant extracts that address all signs of aging; $89 at clarinsusa.com. 7. CHANTECAILLE The Luminescent Eye Shades offer six shimmering hues that support Africa’s vanishing species; $52 at chantecaille.com.

8. LA MER The Neck and Décolleté Concentrate delivers plumping hydration for the neckline; $295 at cremedelamer.com.

1. DOROTHY DANDRIDGE,

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1. A MODEL posing for a Vogue shoot in December 1965, photographed by Irving Penn. 2. HERMÈS The new Twilly d’Hermes Eau Poivree Eau de Parfum; $102 at hermes.com. 3. AERIN The Large Gold Hair Brush features gold-tipped ivory bristles that work well for all hair types; $85 at aerin.com. 4. GHD The Platinum+ White Styler predicts your hair needs and adapts the power to ensure the optimum styling temperature; $249 at ghdhair.com.

5. KÉRASTASE The Blond Absolu Ultra-Violet Purple Hair Mask best conditions lightened, bleached, or highlighted cool blonde hair; $59 at kerastase-usa.com. 6. CARTIER The Les Heures Voyageuses Oud & Menthe Parfum; $380 at cartier.com. 7. LOUIS VUITTON The Cologne Perfumes were inspired by a Californian artist, and offer creative radiance; $250 at louisvuitton.com. 8. R+CO The lightweight, multi-tasking Centerpiece spray is packed with rich oils to detangle, fight frizz, and hydrate hair; $32 at randco.com.

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Metropolitan Museum of Art in New York City in November, 1974. Bianca Jagger, whose style expertly marries masculinity and femininity, is widely considered a key style influencer of the 1970s.

2. CASADEI Blade pump in Traffic Red, $700 at casadei.com.

3. NANCY GONZALEZ Crocodile Slim Frame Clutch Bag in Soft Gold, $2,145 at bergdorfgoodman.com. 4. RALPH LAUREN Hyacinth Ashlynn Draped Silk Gown is cut for a slim fit, gathered at the hip, and partially lined, with a concealed zip fastening at the back. $5,900 at ralphlauren.com.

5. VHERNIER Gold Tourbillon Ring in 18-kt. gold and diamonds, $13,400 at vhernier.com.

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1 1. BERT STERN A model dressed in Van Cleef & Arpels emerald and diamond jewelry, photographed by Bert Stern for Vogue, November 1966. 2. ZUHAIR MURAD An embellished emerald gown from Zuhair Murad’s Fall 2019 couture collection. For more information visit zuhairmurad.com. 3. VAN CLEEF & ARPELS The Lovers’ Path bracelet, set in white and yellow gold with Colombian emeralds, each around 13 carats, and brilliant diamonds; visit vancleefarpels.com for more information. 4. ANA KHOURI Originally trained as a painter and sculptor, Ana Khouri’s jewels are an extension of her art, one of her tenets being an insistence on bringing fine jewelry into the 21st century.

Pictured are her diamond and emerald Daphne earrings. Visit anakhouri.com or phillips.com for more information.

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1. VERUSCHKA photographed by Irving Penn for Vogue, September 1966. 2. DE BEERS The Knysna Chameleon necklace is inspired by the polychromatic ability of the Knysna Chameleon, changing colour to reflect its mood. The double row of tonal rough diamonds around the white baguette diamond necklace can be removed, as can the tassel with a five-carat pear-cut diamond drop. For more information, visit debeers.com. 3. OSCAR DE LA RENTA A sparkling strapless dress from Oscar de la Rentaâ&#x20AC;&#x2122;s Spring 2020 collection. Visit oscardelarenta.com for more information.

4. CHRISTIAN LOUBOUTIN Jewelry for the feet: the Degrastrass pumps are made from transparent PVC and studded with iridescent strass, with synthetic and leather back counter mounted on a 100mm stiletto heel. Visit christianlouboutin.com for more information.

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A floor-length shimmering gown from Chanel’s Fall 2019 couture collection; visit chanel.com for more information. 3. HARRY WINSTON The Winston Cluster by Harry Winston extra-large diamond earrings feature pear-shaped and marquise diamonds set in platinum at varying angles, resulting in a cluster of remarkable brilliance. Visit harrywinston.com for more information. 4. VERDURA Inspired by Verdura’s collaboration with Coco Chanel, the South Sea pearl “Y” Necklace is made of 18-kt. gold and 12 South Sea cultured pearls, with a South Sea cultured pearl and faceted sapphire finial drop. $31,500 at verdura.com. 5. TOM FORD’S Embossed Crocodile T Twist Oversized Clutch, $2,590 at tomford.com.

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SHOPPING INDEX

> Betteridge: betteridge.com. > Bloomingdale’s: 800.777.0000 or bloomingdales.com. > Bottega Veneta: 212.371.5511 or bottegaveneta.com. > Brunello Cucinelli: brunellocucinelli.com. > Bulgari: bulgari.com. > Burberry: 877.217.4085 or burberry.com.

C > Calvin Klein: 866.513.0513 or calvinklein.com. > Carolina Herrera: 212.249.6552 or carolinaherrera.com. > Cartier: 800-227-8437 or cartier.us. > Chanel: 800.550.0005 or chanel.com. > Chopard: 212.223.2304 or us.chopard.com. > Christian Louboutin: us.christianlouboutin.com. > Christofle: christofle.com/us. > Corneliani: corneliani.com.

D > David Yurman: 888.398.7626 or davidyurman.com. > Dennis Basso: 825 Madison Ave., 212.794.4500. > Diane von Furstenberg: dvf.com. > Dior: 212.931.2950 or dior.com.

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SHOP ’TIL YOU DROP! A > Aerin: aerin.com.

> DKNY: dkny.com. > Dolce & Gabbana: 212.249.4100 or dolceandgabbana.com.

> Akris: 835 Madison Ave. or akris.ch.

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> A La Vieille Russie: alvr.com.

> EF Collection: efcollection.com.

> Alexandra Mor: alexandramor.com.

> Elie Saab: eliesaab.com.

B > Badgley Mischka: badgleymischka.com.

> Emilio Pucci: 212.901.5004 or emiliopucci.com.

> Barneys New York: 888.222.7639 or barneys.com.

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> Bergdorf Goodman: bergdorfgoodman.com.

> Fabergé: 579 5th Ave., 646.559.8848.

P i e r re Sch e r m a n n /W W D

Hubert de Givenchy The legendary designer achieved wide success soon after launching his own couture boutique in the early 1950s, aided in part by his high-profile and lasting friendship with Audrey Hepburn, who famously wore exclusive Givenchy designs in many of her most beloved movie roles.

Between shopping trips, be sure to keep up with Quest and Q online for the latest fashion news: Visit questmag.com and follow us on Facebook and Instagram at @questmag.

> Diptyque: 971 Madison Ave., 212.879.3330.

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> Lightbox: lightboxjewelry.com.

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> Linda Horn: 1327 Madison Ave. or lindahorn.com.

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

> Loro Piana: At Bergdorf Goodman.

> Riedel: riedelusa.net.

> GANT: 646.367.5416 or us.gant.com.

> Louis Vuitton: 866.VUITTON or vuitton.com.

> Rizzoli: 1133 Broadway or rizzoliusa.com.

> Gauhar Jewelry: gauharjewelry.com.

> Lusso by Fabio Angri: lussobyfabioangri.com.

> Robert Marc: 1225 Madison Ave. or

> Fendi: 598 Madison Ave. or fendi.com.

G > Ghurka: 831 Madison Ave. or ghurka.com.

robertmarc.com

> Gianvito Rossi: gianvitorossi.com.

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> Giorgio Armani: 877.361.1176 or armani.com.

> M. Dumas & Sons: 843.723.8603.

800.853.5958 and us.robertocoin.com.

> Gucci: 877.482.2430 or gucci.com.

> Maja DuBrul: 325 E. Hopkins Ave., Aspen, Colo.,

> Roger Vivier: 212.861.5371 or

970.920.1133.

ogervivier.com.

> Manolo Blahnik: 212.582.3007 or

> Rolex: 800.36.ROLEX or rolex.com.

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> Roberto Coin: At Neiman Marcus or Roberto Coin,

> H. Stern: hstern.net.

manoloblahnik.com.

> Harry Winston: harrywinston.com.

> Marchesa: At Neiman Marcus and

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> Hermès: 800.441.4488 or hermes.com.

marchesa.com.

> Saint Laurent Paris: 212.980.2970 or ysl.com.

> Hueb: 717 Madison Ave. or hueb.com.

> Marni: At Bergdorf Goodman or marni.com.

> Saks Fifth Avenue: 877.551.SAKS or

> Hunter Boot: us.hunterboots.com.

> Miansai: At Bergdorf Goodman or miansai.com.

saksfifthavenue.com.

> Michael Bastian: At Bergdorf Goodman,

> Salvatore Ferragamo: ferragamo.com.

Barneys New York, 212.228.3400, or

> Smythson: 212.265.4573 or

> Ippolita: ippolita.com.

michaelbastiannyc.com.

smythson.com.

> Irene Neuwirth: At Jeffrey New York,

> Michael Kors: 800.908.1157 or michaelkors.com.

> Stella McCartney: stellamccartney.com.

212.206.1272.

> Mikimoto: 844.341.0579 or

> Stuart Weitzman: 212.823.9560 or

mikimotoamerica.com.

www.stuartweitzman.com.

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J > J.McLaughlin: 844.532.5625 or jmclaughlin.com. > J. Mendel: 212.832.5830 or jmendel.com.

> Misha Nonoo: mishanonoo.com. > Moncler: moncler.com.

T > Tibi: 888.420.3334 or tibi.com.

> Jaguar: jaguarusa.com.

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> Jil Sander: 818 Madison Ave. or jilsander.com.

> Neiman Marcus: 888.888.4757 or neimanmarcus.com.

> Tod’s: 650 Madison Ave. or tods.com.

> Jimmy Choo: 877.955.2466 or jimmychoo.com.

> Nouvel Heritage: nouvelheritage.com.

> Tom Ford: 212.359.0300 or tomford.com.

> John Varvatos: johnvarvatos.com. > Judith Leiber: judithleiber.com.

K > Kotur: koturltd.com.

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> Tiffany & Co.: 800.843.3269 or tiffany.com.

> Tory Burch: toryburch.com.

> Orlebar Brown: At The Royal Poinciana Plaza in Palm

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Beach (561.328.3204) or orlebarbrown.com.

> Valentino: 212.772.6969 or valentino.com.

> Oscar de la Renta: 888.782.6357 or

> Van Cleef & Arpels: vancleefarpels.com.

oscardelarenta.com.

> Verdura: 745 Fifth Ave. or verdura.com. > Veronica Beard: 988 Madison Ave., 646.930.4746,

> L’Objet: 370 Bleecker St., 212.659.0316, or

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l-objet.com.

> P. Johnson: pjt.com.

> La Perla: laperla.com.

> Patek Philippe: At Wempe New York or patek.com.

> Lalique: 888.488.2580 or lalique.com.

> Prada: 611 Fifth Ave., 212.318.3062, or prada.com.

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> Lanvin: 646.439.0380 or lanvin.com.

> PT Pantaloni: At Sid Mashburn, Dallas, 214.443.6101.

> Wempe: 212.397.9000 or wempe.com.

or veronicabeard.com. > Vhernier: vhernier.com.

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Capricorn Dec. 22 to Jan. 19 Beware the web. The interesting content you find online will be stolen and posted to social media, without even a hint of appreciation.

Also, don’t fully read personal emails that have no effect on your professional life. They will only distract you from the work at hand. > Elvis Presley: January 8, 1935

Cancer June 21 to July 22

Aquarius Jan. 20 to Feb. 18

Leo July 23 to Aug. 23

A shaman may stop you outside of a restaurant like Bar Boulud and say that your aura hit her like an electric shock. Take her comment as a compliment, because what’s wrong with being an old soul in a young body? The stars say: Absolutely nothing. > Clark Gable: February 1, 1901

“All the world’s a stage, And all the men and women merely players,” wrote William Shakespeare. But what did he mean? You’ve been served some “players,” but that’s not to say there aren’t honest—and great—people in the mix. You don’t always deserve what you get. > Jackie Kennedy: July 28, 1929

Pisces Feb. 19 to Mar. 20 There are things that you want and, by gosh, you’re going to get them—whether it’s a summer (OK, fall) bod or a promotion at work. There’s nothing that a combination of ambition, consideration, and talent can’t accomplish... So, go you! > Elizabeth Taylor: February 27, 1932

Virgo Aug. 24 to Sept. 22 With Jupiter visiting Virgo for the next 12 months, now’s the time for you to shine: Look your best, and not just on social media; work hard, and play later. This is your year, Virgo.

You’ve waited 12 years for life to be this good, since the last planet cycle in your favor. > Lauren Bacall: September 16, 1924

Aries Mar. 21 to Apr. 19 The season is filled with cocktail parties and family gatherings, which can be tricky to navigate without a plus-one. Looking for a boyfriend or girlfriend to warm your winter? Consider every day an opportunity to impress someone new. Happy hunting! > Doris Day: April 3, 1924

Libra Sept. 23 to Oct. 22 September will make you anxious. October will make you older, so Happy Birthday. In November, Christmas lights go up and, also, Thanksgiving. December, eggnog lattés (not pumpkin spice lattés). Everything comes out in the balance—we promise. > Matt Damon: October 8, 1970

Taurus Apr. 20 to May 20 Be careful this season as temptation will abound as the sun sets earlier and earlier each day. Quiet and sneaky strategy is your strong suit, but make sure your friends see you as a loving house cat and not a witch’s minion this Halloween. That would be spooky. > Audrey Hepburn: May 4, 1929

Scorpio Oct. 23 to Nov. 21 “Lips that taste of tears, they say, Are the best for kissing,” wrote Dorothy Parker. And you, dear Scorpio, are aware of the power of emotion when it comes to seducing or, well, scaring.

Control your actions this season, in spite of the behavior of those around you. > Vivien Leigh: November 5, 1913

Gemini May 21 to June 20

Sagittarius Nov. 22 to Dec. 21

Sometimes twinning isn’t the same as winning, Gemini. After a recent success, you’ve been feeling invincible. But you’re not a god, so come back down to earth from Mount Olympus. Your coworkers and friends are finding your hubris very, very tedious. > Judy Garland: June 10, 1922

Long walks in the orchard are the new long walks on the beach. Plan an afternoon of apple picking with a friend or two to be reminded of the simple things in life. Sometimes, they’re the sweetest—especially when they’re baked into a pie. Mmm... > Jane Fonda: December 21, 1937

As the warm weather begins to dwindle, use it as an excuse to stay inside and refocus your creative energy. Make a push to develop your projects before the New Year arrives to mock you with false resolutions. You will separate public frivolities from private inner development. > Meryl Streep: June 22, 1949

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