Q Spring 2017

Q U I N T E S S E N T I A L

S T Y L E SPRING ISSUE 2017 > $5.00

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SPRING CLASSICS

LAUREN HUTTON PHOTOGRAPHED BY GIANNI PENATI, 1968

The SAILOR PANT, 2016 Photographed by Steven Meisel #RLICONICSTYLE

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F E A T U R E S

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44 LIVING LEGEND Our intrepid chronicler Liz Smith takes a look as only she can at the brilliant Mary Tyler Moore in this issue and gives a thorough examination of Moore’s spellbinding career. Moore, an American original, skyrocketed to fame thanks to her brilliant turns on television shows.

Here, Smith goes behind the famous smile to tap into the heart of Moore.

56 FASHION REVIEW From New York City to Paris, London to Milan, Brooke Kelly and Leslie Locke review some of the most talked-about shows for Spring 2017, including Carolina Herrera, Chanel, and Dolce & Gabbana.

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62 WALKING THE MILE WITH JULIA WETHERELL LECLAIR Whether walking along Orchard Road in Singapore or through Miracle Mile in Manhasset, it is easy to become immersed in the thrill of a luxury shopping experience. Contributor Elizabeth Kurpis tells how Orchard Mile, a new online shopping destination, hopes to change the way we buy fashion.

68 PALM BEACH STYLE As Palm Beach evolved into the premier winter retreat for American aristocracy, the island developed a style all of its own. Elizabeth Meigher offers a Key lime slice of Q’s best of it through the years.

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76 ON NEVER HAVING MET MRS. ONASSIS David Patrick Columbia recalls the three times he encountered—but never met—Jacqueline Bouvier Kennedy Onassis.

78 PROJECT SEPTEMBER Launched in April of 2016, Project September is the first visual shopping platform that provides a deeper, more immediate connection between fashion and design influencers, their audiences, and the brands they love.

82 FALL IN LINE A roundup of six prominent trends from the Fall 2017 runways, including gold, batwing sleeves, pink, yellow, mock necks, and pussy bows.

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C O V E R Model and actress Lauren Hutton photographed by Gianni Penati in New York, 1968 © Condé Nast Archive/Corbis

Carolyn’s swimsuit by Agent Provocateur.

FEEL THETHE HEAT FEEL HEAT FEEL THE HEAT

© 2017 Estée Lauder Inc.

Carolyn’s swimsuit by Agent Provocateur. © 2017 Estée Lauder Inc.

© 2017 Estée Lauder Inc.

Carolyn’s swimsuit by Agent Provocateur.

S:7.25 in

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D E P A R T M E N T S

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27 NOSTALGIA Memories of gorgeous blooms, putting on our tennis whites, and other favorite springtime moments from throughout history.

30 JEWELRY A look at the latest and greatest baubles on offer as spring rolls around, from bigtime showstoppers by Harry Winston to the slightly more subdued and understated.

32 SWIMWEAR It’s time to think about the beach, and these swimsuits and bikinis have us doing cartwheels in the sand.

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34 SUNGLASSES There’s nothing better than a cool new pair of shades, and our selection—from Bottega Veneta to Gucci, Ralph Lauren to Alice + Olivia—is elevating the chic factor.

36 HANDBAGS A-tisket, a-tasket, but not your ordinary basket—it’s time to stay on trend with some of the latest raffia and rattan handbags, which are all the rage.

42 MEN’S APPAREL This spring, we’re taking a cue from the man who wore everything well, from a ’70s suit to nothing but a swimsuit—the all-American (fashion) hero, John Kennedy.

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94 Q FOCUS A look at spring parties—from the Cinema Society’s fêtes in New York to Oliver Peoples’ cocktail party at the Chateau Marmont—as PYTs everywhere prepare for summer.

104 BEAUTY Keep your skin glowingly fresh and your scent fresh with our roundup of the latest beauty products.

106 EVENING LOOKS Get your glam on for evenings out with these show-stopping jewels, gowns, shoes, and accessories.

110 SHOPPING INDEX Our compulsory guide on where and how to buy anything and everything featured in these pages—and more.

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112 HOROSCOPES Gemini might be rising high, but the question is whether Mercury is in retrograde...

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S T Y L E

DAVID PATRICK COLUMBIA

ELIZABETH MEIGHER

EDITOR-IN-CHIEF

EDITOR

JAMES STOFFEL CREATIVE DIRECTOR

LILY HOAGLAND EXECUTIVE EDITOR

ELIZABETH QUINN BROWN FEATURE S EDITOR

ALEX TRAVERS A SSOCIATE FA SHION EDITOR

LESLIE LOCKE EDITORIAL A SSI STANT

JULIE SKARRATT PHOTOGR APHER-AT-L ARGE

DANIEL CAPPELLO FA SHION DIRECTOR

VALERIA FOX ART DIRECTOR

BROOKE KELLY A S S O C I AT E E D I TO R

ROBERT BENDER CHIEF TECHNOLOGY OFFICER

HILARY GEARY SOCIET Y EDITOR

JOANNA BAKER CO-FOUNDING EDITOR

Quest Media, LLC S. CHRISTOPHER MEIGHER III CHAIRMAN AND C.E.O.

KATHLEEN SHERIDAN A SSI STANT TO THE C.E.O.

LUWAY LU NOCITO ACCOUNTING MANAGER BOARD OF ADVISORS

EDWARD LEE CAVE JED H. GARFIELD DOTTIE HERMAN ELIZABETH STRIBLING-KIVLAN KATHY KORTE HOWARD LORBER PAMELA LIEBMAN ANDREW SAUNDERS ELIZABETH STRIBLING KENT SWIG WILLIAM LIE ZECKENDORF LISA ROSENBERG 917.576.8951 MIAMI AND GREENWICH

BINA GUPTA 852.2868.1555 HONG KONG

CONTRIBUTING WRITERS

ELIZABETH KURPIS JAMES MCGUIRE LIZ SMITH TAKI THEODORACOPULOS MICHAEL THOMAS CONTRIBUTING PHOTOGRAPHERS

HARRY BENSON BILLY FARRELL CUTTY MCGILL PATRICK MCMULLAN ANNIE WATT LINDA LANE SOPER 612.308.4159 PALM BEACH

EMILIO ZERBONI 011.39.031.267.797 MILAN

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Q U I N T E S S E N T I A L

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EDITOR’S LETTER

At Q magazine, we appreciate all things timeless and classic—Jane’s innocent wicker basket, Ali’s all-American schoolgirl prep, Jackie’s tailored suits and oversized sunglasses, Brigitte’s perfectly tousled hair and eternally sun-kissed glow… Photos back then told stories of simpler, less self-centered, effortless days when ladies dressed for travel and men wore black tie to “casual” dinners. There were no step-and-repeat boards clamoring in the background, and people lived fluidly in the moment, without awkwardly trying to capture it for others to ogle. While we applaud these people and practices from the past, our goal at Q is not to dwell backward—but to savor what we learn and carry it with us as we move forward to the future. We may fill our pages with top brands and high-end designers, but the ease and satisfaction of Amazon Prime is not lost on anyone in this office. We propose that these ideals meld together, hand and hand. After all, Coco and Jackie were periodically seen mixing real and costume.

The goal of any fashion-focused shopper is to achieve the chicest overall “look.” Combining a savvy “steal” with a lavish “splurge” only heightens the wearer’s confidence, adding value to the ultimate goal: personal style.

Achieving that killer “look” is also the endgame of a cutting-edge company mentioned in our latest Spring edition. Q contributor Elizabeth Kurpis interviews Julia LeClair, co-founder of Orchard Mile—named for Singapore’s famed retail shopping and entertainment district, Orchard Road. The company strives to offer shoppers the experience of entering a virtual luxury store, where they are granted full access to their favorite designers at a single shopping destination. Alexis Maybank, whose achievements include co-founding Gilt Groupe, contributes a piece about her latest venture, Project September—a pioneering “see it now, buy it now” visual app that allows users to both share and shop from one quick stop on their smartphones. Shoppable photos are uploaded by bold-faced users, including Marie Claire creative director and Project Runway judge Nina Garcia, model and advocate Christy Turlington Burns, and fashion designer Nicole Richie.

Along with Q’s enthusiasm for all things fresh and edgy, this issue takes a look back at two leading ladies from our past. Q’s very own and widely read editor, David Patrick Columbia, recalls the three times he encountered the eternally famous Jacqueline Bouvier Kennedy Onassis. Coincidentally, Jackie’s father, “Black Jack Bouvier,” was driven by David’s dad in the late 1920s, and DPC’s tale is terrific! And, we are again proud to include Q contributor Liz Smith, fondly remembering her late friend Mary Tyler Moore, whose leading roles broke the stereotypical Counterclockwise from top right: Verdura’s Calla Lily Brooch; Mary Tyler images of women, serving as inspiration for countMoore in 1973; J.McLaughlin’s Ava wicker satchel; Kini’s YAZ bikini in white; less professional females. As Liz rightfully writes, Andrea Portago and Kitty Hawks in front of La Grenouille in New York City, “this planet just ain’t the same without Mary Tyler 1972; Nirav Modi’s Canary Yellow Jasmine Earstuds; Pari Ehsan of the site Moore turning the world on with her smile.” paridust.com and Sophia Macks of beyond-the-mag.com in a shoppable post May you skip into this season with a renewed seen on Project September’s mobile app; a look from Oscar de la Renta’s and vigorous step…and, remember: “No matter Fall 2017 collection; J.McLaughlin’s Luna sunglasses; a look from Moschino’s how long the winter, spring is sure to follow.” u Fall 2017 collection; Stubbs & Wootton’s Flamingo slippers.

ELIZABETH MEIGHER EDITOR

— editor, Babs Simpson former fashion Vogue former fashion editor, Vogue

©Verdura. All rights reserved. Please visit verdura.com for more information about our flagship and retail partner locations.

“Without— question he was a revolutionary, Babs Simpson “Without question he was a everything. revolutionary, the one who changed “Without question was a revolutionary, former fashion editor,heVogue the one who changed everything.

Fulco made it changed all modern.” the made one who everything.

Fulco it all modern.”

— Babs Simpson Fulco made it all modern.”

— Simpson former Babs fashion editor, Vogue

T O DAY T OTDOADYA Y TheTTheodora CuffCuff OTheodora D A Y Cuff TheThe Theodora 75thThe Anniversary limited edition, Theodora Cuff Anniversary limited 75th75th Anniversary limited edition,edition, signed and numbered limited edition, 75th signed andAnniversary numbered signed and numbered signed and numbered

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All rights reserved. Please visit verdura.com for more information about our flagship and retail partner locations.

©Verdura. All rights reserved. Please visit verdura.com for more information about our flagship and retail partner locations. ©Verdura. All rights reserved. Please visit verdura.com for more information about our flagship and retail partner locations.

“Without question he was a revolutionary, the one who changed everything.

Fulco made it all modern.”

Q U I N T E S S E N T I A L

S T Y L E

CONTRIBUTORS

Liz Smith > Liz calls herself the 2,000-year-old gossip columnist.

These days, she is focused on her column for New York Social Diary.

In her latest for Q, Liz talks about “American Sweetheart” Mary Tyler Moore. Adorable and dynamic, Mary’s most famous roles include Laura Petrie, Dick Van Dyke’s wife on “The Dick Van Dyke Show,” and Mary Richards on “The Mary Tyler Moore Show.” Mary Richards—and by extension, Mary Tyler Moore—would stand as a symbol of society’s “new, independent” working woman, one who became increasingly forceful—if still comically wary—as the series progressed.

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David Patrick Columbia > Widely read and internationally esteemed writer David Patrick Columbia is an integral part of Quest and Q. His “Social Diary” column first appeared in Quest in 1993, and in 2000 he launched the website newyorksocialdiary.com. A beloved and sharply dressed guest at any coveted social ticket, David works tirelessly to keep his readers expertly informed of what’s happening in the lives of NYC's upper echelons. In this issue, David recalls the 3 times he encountered (but surprisingly never met) eternally famous Jacqueline Onassis.

78 > Lily Hoagland Lily Hoagland is the executive editor of Quest and Q, and has written for Vanity Fair. For this issue, she takes the readers from coast to coast for the most amazing parties of the season. Then she reveals the best products to keep your skin clear and your scent fresh—because this season is all about renewal. She recently filmed a short piece for the Horticultural Society for Kamie Lightburn, where at one point she lip-synced "Oh Yeah" by Yello.

Otherwise, you can find her downtown, in Gramercy Park or the East Village, translating various French texts.

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44 < Elizabeth Kurpis may be a high-profile lawyer by day, but she is equally known for her involvement in the New York charity, art, and fashion scenes. She has spent the last seven years donating her time to the American Museum of Natural History, The Frick Collection, and Memorial Sloan Kettering’s Associates Committee.

When she has a moment to spare, she enjoys traveling with her husband and her daughter, Chicky. Elizabeth’s passion for travel and adventure recently brought her from Paris to Cognac with Rémy Martin, and then to Normandy, Venice, and the great lakes of Italy.

76 < Alexis Maybank is the co-founder and CEO of Project September. Alexis has dedicated her career to building innovative and compelling online experiences that connect consumers to their passions and hobbies. In April 2016, she launched Project September, the first immersive, visual shopping platform that allows a deeper, more immediate connection between fashion and design influencers, their audiences and the brands they love. Prior to launching Project September, Alexis founded Gilt Groupe in 2007 as CEO, which revolutionized the landscape of luxury e-commerce.

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Sli m Aa ron s /G e tty I m ag e s

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S P R IN G AC T IVI T I E S Film producer Valerie Cates photographed by

>

Slim Aarons in Marbella, Spain, 1976

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This page: 1. Grace Kelly in To Catch a Thief, 1955; 2. Ernest Hemingway and Lauren Bacall at a café in Pamplona, Spain, 1959; 3. Audrey Hepburn photographed by Hans Gerber on a boat on a lake in Bürgenstock, Switzerland, 1954; 4. Lacoste tennis fashion from the 1970s; 5. Brigitte Bardot and friends out on the town. > Opposite page: 1. Edie Sedgwick and Gerard Malanga dance while the Velvet Underground performs at The Delmonico Hotel in New York, 1966; 2. Serena Mary Churchill Russell and Lord Charles George Spencer Churchill dance “The Twist” at Blenheim Palace, 1962; 3. Veruschka laying in the grass in Bahia, Brazil, photographed by Franco Rubartelli, 1968; 4. President John F. Kennedy riding in a golf car with Jacqueline Kennedy, Maria Shriver, Sydney Lawford, Tim Shriver, and John F. Kennedy, Jr. (being helped in by a secret service agent) after a cruise on the on the “Honey Fitz” in Hyannis Port, Massachusetts, 1963; 5. Andrea Portago and Kitty Hawks in front of La Grenouille in New York City, 1972.

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Er n e s t H e m i n gw a y Ph o to gra p h Co ll ec ti o n / J o h n F. Ke n n e dy Pre si d e n ti a l L i brar y a n d Mus e um , Boston; cour tesy of Lacoste

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Ad am R i tc h i e / Re d fe r ns / Ge tty ; Ala my ; Fra n c o Rub ar te ll i /C o n dé N a st v i a G e tty I m ag es ; C ec i l Stoug hton; Berr y Berenson/Cond é Nast via Getty Imag es

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Claudia Cardinale is the Tunisian film actress of Italian ethnicity best remembered as a sex symbol from some of the most acclaimed European films of the 1960s and ’70s. Though she appeared in several English-language films, she has mostly worked in Italian and French cinema, where she’s always felt more at home—and less like a Hollywood cliché. This spring, avoid becoming a cliché and take a cue from the onetime “Most Beautiful Italian Girl in Tunisia” by picking some standout pieces of jewelry to brighten up your face—and your entire look. You never know which director might be watching.

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1. HARRY WINSTON Incredibles by Harry Winston Yellow Diamond Cluster Necklace; price upon request. 2. NIRAV MODI Canary Yellow Jasmine Earstuds; $32,000. 3. CHOPARD Dazzle in a piece from Chopard’s Red Carpet Collection; for similar styles, visit chopard.com/us. 4. SIDNEY GARBER Gold Feathers That Move earrings with spine of diamonds; $8,900 at Barneys New York. 5. LALAOUNIS Theodora ring in gold, pink sapphires, and diamonds; $5,250 (MEMO.com for more). 6. CARTIER Panthère de Cartier bracelet in yellow gold, emeralds, onyx, and diamonds; $220,000. 7. VERDURA Calla Lily Brooch in platinum, yellow gold, and yellow and white diamonds; $38,500.

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4 3 5 Amanda Lear has played many roles in life: singer, lyricist, painter, actress, model, and, perhaps most impressively, friend and muse of the Surrealist painter Salvador Dalí. The French-born beauty grew up in the South of France and in Switzerland, and studied art in Paris and at Saint Martin’s School of Art in London.

She is pictured here in London in 1973, captured by the photographer Peter Schlesinger. Lear has inspired us to stack on some bangles and cuffs ourselves this season—and to add a distinguished splash of color to our jewelry boxes with some of the pieces here.

6 1. MISH White and gold South Sea and cultured gray Tahitian pearl necklace with 18-kt. yellow gold toggle closure resembling a hydrangea blossom; $98,600. 2. JOHN HARDY Dot Cuff, 35-mm., in brushed silver and 18-kt. gold; $3,900. 3. ROBERTO COIN Station necklace from the Princess Flower collection in 18-kt. gold and diamonds; $5,700. 4. BETTERIDGE Estate Mauboussin gold, rock crystal, and diamond Globe ring; $4,800 at betteridge.com. 5. GUCCI The Flora Necklace in 18-kt. pink gold and diamonds; guccijewelry.com for more. 6. VHERNIER Contemporary art and architecture inspired the elongated drop structure of the Fuseau earrings in 18-kt. rose gold, lapis, and rock crystal; $8,750.

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2 1. KIINI YAZ bikini top ($165) and bottom ($120) in white; available at kiini.com. 2. TORY BURCH Costa Bandeau top ($115) and Costa Hipster bottom ($115) in orchard pink; available at toryburch.com. 3. MARA HOFFMAN LACE UP MAILLOT one-piece in black; available for $245 at marahoffman.com. 4. MARYSIA SWIM ANTIBES MAILLOT one-piece in pink; available at marysiaswim.com.

5. TOMAS MAIER ASTER BIKINI SET; available for $265 at tomasmaier.com. 6. PUCCI Printed triangle

Perfectly Suited

bikini set in Fiore Maya print; available for $380 at miliopucci.com. 7. SHOSHANNA Marine eyelet stripe halter top ($143) and bottom ($95) in blue/white; available at shoshanna.com. 8. J.CREW “Tipped wrap-around” string bikini top ($54) and “tipped lowrider hipster” bottom ($40) in blue/red; available at jcrew.com.

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Inge Morath was no ordinary photographer—in fact, some say she defined style through her lens with her extraordinary eye for fashion. Throughout her career, her photographs uniquely presented her classy subjects—including the likes of Audrey Hepburn and Marilyn Monroe—and beautifully captured their charm. In this photo, taken by Slim Aarons in 1961, we see a tranquil Morath sunbathing by a swimming pool adjacent to the sea in Acapulco.

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P h ot o co u r te sy o f Sli m Aa ro n s

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SHOES

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Springtime Soles Charlotte Rampling began her career in the early 1960s as both a model and actress, and rose to enormous popularity due to her cool, distinct beauty and enigmatic looks. Rampling, now 71, remains one of the most recognizable actresses in the world, and received an Academy Award nomination in 2016 for her performance in 45 Years. Here, Rampling sits on a park bench in 1967 sporting subdued nudist flats. Shoes—a staple in every woman’s closet—often represent one’s personal taste, and this modest selection perfectly exemplifies her timeless, classic style and the effortless grace for which she has long been admired.

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1. PRADA The Prada satin sandal in nude with 115-mm. heels and leather soles with metal lettering logo make an easy transition from day to night; $620 at prada.com and select Prada boutiques. 2. STUBBS AND WOOTTON There’ll be no wading around in the fetching Flamingo Slipper; $450. 3. STUART WEITZMAN THE NUDISTFLAT SANDAL in beige glass with 10-mm. heels and ankle and toe straps; $365 at stuartweitzman.com and select Stuart Weitzman boutiques.

4. J.CREW The Playa Sandal in bright poppy soft leather with thick, comfy straps is a wear-with-everything style perfect for all occasions; $69.50 at jcrew.com.

5. JIMMY CHOO The Nickel Flat is a simple and versatile chain-embellished sandal in silver mirror leather; $575 at jimmychoo.com and select Jimmy Choo boutiques.

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SUNGLASSES

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Staying In The Shade Tilly Tizzani graced the pages of fashion magazines like Vogue and Harper’s Bazaar as a top-rated model. She was, among others, a spokeswoman for Revlon in the 1960s. In this 1966 photo by the incomparable Hiro, Tizzani is captured sporting an acetate visor—a fashion girl’s answer to the sun’s harmful rays. This season, we found some fashionable solutions for stepping out in style while still protecting those eyes: the latest offering in hot shades.

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1. BOTTEGA VENETA Taking a modern approach to the classic cat-eye design, these signature sunglasses with solid gray lenses are crafted from black and transparent acetate, with a silver-finish metal bridge and engraved rims; $540.

2. ALICE + OLIVIA The anti-glare, anti-scratch black and white Beverly Round Swarovski sunglasses in acetate with metal arms and nose bridge from Alice + Olivia; $350. 3. POLO RALPH LAUREN A classic frame for all faces gets an update

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in fetching green, from Polo Ralph Lauren; visit ralphlauren.com for similar styles.

4. J.MCLAUGHLIN The oversized, polarized Luna sunglasses in tortoise were inspired by Jackie O; $130. 5. GUCCI Square-frame acetate sunglasses with black background print and temples with studs and interlacing “G” detail; $595.

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HANDBAGS

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Basket Bags British actress and singer Jane Birkin was responsible for the creation of one of the most famously coveted statement bags in history- the Hermès Birkin bag. However, Jane was making statements of her own with a very different carryall before the namesake bag was created: her very own...basket. Woven from wicker and casually slung across her arm, Birkin was photographed prolifically throughout the 1970s—whether it be for afternoons at the beach or black tie dinners at Cannes Film Festival, toting her effortlessly chic basket bag.

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3 1. RACHEL COMEY Wicker Bean Bag, $472, needsupply.com. 2. FRANCES VALENTINE Honeypot Basket in natural, $195 francesvalentine.com. 3. MUNN Hamptons Straw Tote, $205, modaoperandi.com. 4. HERMÈS Vintage Straw Picnic Basket Bag, $12,255, on vinvoy.com 5. J.CREW Dragon Diffusion small triple jump tote bag, $280, jcrew.com. 6. HUNTING SEASON Trunk Lizard and Iraca bag exclusive to Moda Operandi, $800, modaoperandi.com. 7. J. MCLAUGHLIN Ava Bamboo Handle Wicker Satchel $198, jmclaughlin.com. 8. MARK CROSS x HVN, $2,095, Markcross.com. 9. KHOKHO JABU mini basket bag, $435, matchesfashion.com.

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CHARLOTTE KELLOGG for the Palm Beach Lifestyle

Jewelry by Helga Wagner

256 Worth Avenue • Amore Courtyard • Palm Beach (561) 820-2407 332 South County Road • Palm Beach (561) 820-2402 184 Bellevue Avenue • Newport (401) 846-3011 www.charlottekellogg.com

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CLUTCHES

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3 1. STUART WEITZMAN The eye-catching Belle in printed python with luxe suede lining and SW signature bar hardware; $745. 2. DEVI KROELL The

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iconic Beluga in mustard/gold with Italian silk duchesse lining showcases a wooden frame and exotic skin; $2,900. 3. KOTUR Made in Italy, the Atelier Swarovski by Fiona Kotur Espey bag’s chic compact size, rounded corners, and handful of Swarovski crystals bring needed glamour to everyday style; $2,490. 4. RALPH LAUREN Perfect for summer days and nights, this hand-woven raffia clutch is finished with textural leather tassels; $178.

5. GHURKA Made in Spain, the Gena is neat, trim, compact, and all-around perfect—not to mention crafted of the finest tanned saddle leather; $695.

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It’s A Clutch Life Lee Radziwill may be the sister of America’s “queen,” Jacqueline Kennedy Onassis, but Radziwill was the Bouvier sister who held a bona fide royal title: princess. Her second marriage, in 1959, was to former Polish prince Stanislaw Albrecht Radziwill. Lee has lived a uniquely rarified life—even to this day, at age 84—and has always been the epitome of chic, down to every last accessory, including a good clutch, as seen here. This spring, take a lead from Lee and keep one of these stylish clutches within reach.

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Whe n t he answer me ans t he world.

Whe n t he answer me ans t he world.

2 3 9 g reen w ich ave nue | gr e e nwich | 203.869.0124 2 3 9 g reen w ich ave nue | gr e e nwich | 203.869.0124

b e t ter i d ge . com b e t ter i d ge . com

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ACCESSORIES

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Man The Homefront

1. POLO RALPH LAUREN Travel light with this smooth leather card case in gray by Polo; $68. 2. ROLEX The Oyster Perpetual Sky-Dweller in Everose gold and chocolate dial proves simplicity is the ultimate sophistication; price upon

Steve McQueen was the embodiment of confidence, and could

request. 3. MAISON GERARD This André Arbus sofa, signed by Arbus himself,

pull off any role on the big screen with self-assured style. Here, the so-called King of Cool is seen in 1963 at his home in Palm Springs, practicing his aim. If your target is to nail down some new touches for the home this spring, sit down and take aim: we’ve gathered some handsome accessories for every guy’s home, from a handsome sofa signed by André Arbus to a tequila that’s fit a king—or a McQueen.

comes in a set of two and was originally commissioned in 1955; price upon request. 4. BACCARAT Abysse Harcourt tumblers in clear crystal by Thomas Bastide; $330 each. 5. DELEÓN Take tequila up a notch with DeLeón, including the pride of the portfolio, Leona; $979. 6. PUIFORCAT Bureau d’Architecte picture frame plated in silver and gold; $4,600. 7. ASSOULINE The new Juan Pablo Molyneux: At Home (Assouline) is the perfect addition to your home; $95.

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Ar i an C a mi l le r i ( Ma i so n G e ra rd)

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ACCESSORIES

Ladylike Touches Horst P. Horst photographed this model—in Cartier jewelry and a pink sheath, with scarf in hand—for an April 1959 issue of Vogue. A lady knows it’s all in the details, especially when those details are a fine silk scarf or wraparound serpent bracelet. Remember that the softest touch can make or break your look, whether it’s in fashion or interior design—which is why we sought out the latest finds sure to please just about any woman or her abode.

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4 6 3 1. GIEN Produced in the French Loire Valley, Gien Faience stands the test of time in all forms, including this mug from the Indigo dinnerware line; $50. 2. URBAN EARS Plattan ADV wireless headphones in purple with swipe interface; $99. 3. PATEK PHILIPPE The Ref. 4948G Ladies Annual Calendar in white gold, black mother-of-pearl dial, and diamond surround; $70,310. 4. LALIQUE The 2018 Séduction limited-edition crystal perfume bottle, inspired by the serpent—a symbol of wisdom, fertility, and seduction; $1,800. 5. FERNANDO MASTRANGELO Using materials like powdered glass and sand to craft beautiful furniture pieces—from bookshelves to desks—Fernando Mastrangelo’s pieces are architectural treasures; available at Maison Gerard, 212.674.7611. 6. LINDA HORN Pair of 18th-century Louis XV French Bergère chairs; $15,000.

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M E N ’ S A P PA R E L

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A Man For All Fashion John F. Kennedy, Jr. was a walking model at every age. From a young boy dressed by his fashionable mom to a twenty-something sex symbol in nothing but a swimsuit, Kennedy carried his looks with charisma (he even made the wide suit of the ’70s look good).

This season, go bold or go classic—or just go for that swimsuit.

1. HERMÈS Long-sleeve knit polo ($1,575) and terry jersey shorts ($620); available at hermes.com. 2. TOMAS MAIER From the new Beach Capsule collection, the scoopneck t-shirt in color “Blazer” ($135) paired with ombré swim short in color “Celeste” ($290); tomasmaier.com. 3. GUCCI Cotton t-shirt with Future print ($460) and vintage wool pant ($950); available at select Gucci stores or gucci.com. 4. LOUIS VUITTON From open arms to open ankles, keep up with a modern look at Louis Vuitton: One East 57th St., New York City. 5. MICHAEL BASTIAN The prince of American prep, Michael Bastian keeps the classics interesting; at Bergdorf Goodman. 6. TIMO WEILAND For staples made to live in, it’s time for Timo; timoweiland.com. 7. RING JACKET Navy linen suit in 100% Irish linen from Spence Bryson, for a relaxed tailored look; $1,650.

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This page: Mary Tyler Moore (in yellow), as Mary Richards, walks down a crowded city street for the CBS hit show “The Mary Tyler Moore Show,” in Minneapolis, Minnnesota, 1974. > Opposite page: Mary Tyler Moore on set of “The Mary Tyler Moore Show,” circa 1970.

“I had sadness for breakfast,” said Andy Milonakis.

Seconds after hearing the news that Mary Tyler Moore had died, on the early afternoon of January 25, I received a computer “alert” from The New Yorker magazine. It said, “A Very Bad Day for the Planet.” I actually thought it was about Mary. It was not, but those words surely apply to the loss of one of the most beloved women in the world.

Aside from her gifts as an actress, she was divine to know, a genuinely good, nice person—and yes, it was a bad day on the planet with her gone. I was heartbroken, despite the fact that she had suffered poor health for many years.

I felt with her passing, after all her suffering, that somebody up there had caught that famous blue knit beret; it and she will forever fly free now, healthy, smiling, always in our hearts.

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Liz Smith

O p po s i te : C B S- T V/ Re x/ Sh u tte r s h o ck .

by

The passing of Mary Tyler Moore is still reverberating, all these months later. I don’t know anyone who didn’t take her death personally, as if a dear friend had gone. She was born in Brooklyn, made her fame in Hollywood, and died in Connecticut. She was a uniquely American star. She seemed as open as that famous broad toothsome smile, and in many ways she was the typical girl-next-door. But there was an element of reserve in Mary, a touchingly private well of distance.

This gave some of her best work a fascinating subtext; she was not one-dimensional, in her life or art.

The oldest of three children, Mary married young, at age 18 to Richard Meeker. She was a mother to Richard Jr., her only child, less than a year later. She was a divorcee at 24.

Th i s p ag e : C B S P ho t o Ar c h i ve / Ge tty Im age s ;

The Legend Of Mary Tyler Moore

Her first passion was dance, and to that end she found work as “Happy Hotpoint,” a dancing elf in a series of T.V. commercials. She was vivacious and adorable, and—after the birth of her son—she took up bit parts and small acting roles: everything from the voice (and legs) of the sexy receptionist to “Richard Diamond: Private Detective” to a slew of hapless victims, femme fatales and various other types in every popular TV show of the era—“77 Sunset Strip,” “Bourbon Street Beat,” “Surfside Six,” “Wanted: Dead or Alive,” “Thriller,” “Hawaiian Eye,” “Riverboat,” “Stage Coach West,” “Thriller,” “Bachelor Father.”

She even appeared in the first episode of Tab Hunter’s ill-fated one-season sitcom. If her name was not known, her face (and body) were already very familiar to TV viewers by the time she was offered the role of Laura Petrie, in “The Dick Van Dyke Show,” in 1961. Van Dyke, who would become a big movie star (briefly) during the five year run of the series, did not really want Mary, despite her good looks and appeal. He—11 years her senior—felt that she was too

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young to be convincing as his wife, and too untested in any significant work. He was, as he was happy to later admit, very wrong. She was hired. A hit was spawned, a star was born.

As Laura Petrie, on “The Dick Van Dyke Show,” Mary was, ideally and genuinely, an American sweetheart. She was still somewhat confined to 1960s standards, but Laura was younger and sexier and a little bit bolder than the T.V. wives who preceded her. She wore tight Capri pants, which believe it or not, caused something of scandal. She was adorable and feisty and audiences and critics loved her. She won an Emmy, and declared, clutching her statuette, “I know this will never happen again!”

During the run of the series, Mary often guest starred on the variety programs that proliferated, always eager to show off her dancing/singing skills. When the show ended—Van Dyke would not commit for more than five seasons, so Mary, naturally, turned to the big screen. Although Thoroughly Modern Millie starring Julie Andrews, was a hit, it was not critically loved, and Mary’s role as Miss Dorothy Brown,

e ve re ttc o lle c ti o n .c o m ; re x fe atu res .c o m ; CB S Ph o to Ar ch i ve / G et ty.

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This page, clockwise from top left: Julie Bowen channels Mary Richards from “The Mary Tyler Moore Show”; Mary Tyler Moore shocked everyone by being the first woman to wear pants on television. It was Mary who merged the distance between pants and feminity on “The Dick Van Dyke Show”; Mary Tyler Moore, Donald Sutherland, Robert Redford, and Timothy Hutton on set of Ordinary People; Mary Tyler Moore as Mary Richards on set of her comedy in Los Angeles, California, 1973; Mary Tyler Moore with husband Grant Tinker in London, October 2, 1967. > Opposite page: Mary Tyler Moore and Robert Wagner in Don’t Just Stand There, 1967.

This page, top to bottom: Dick Van Dyke, left, wiggles his ears as Mary Tyler Moore, right, laughs during their reunion on “The Tonight Show” hosted by Johnny Carson, March 22, 1979; Behind the scenes of “The Dick Van Dyke Show” with Mary Tyler Moore, Dick Van Dyke, and Barbara Bain, 1962. > Opposite page, clockwise from top left: Mary Tyler Moore and Julie Andres in Thoroughly Modern Millie, 1967; Mary Tyler Moore and Betty White on set of “The Mary Tyler Moore Show”; A scene from “The Mary Tyler Moore Show” including Valerie Harper (as Rhoda Morgenstern), Cloris Leachman (as Phyllis Lindstrom), and Mary Tyler Moore in Mary Richard’s apartment, 1977; Elvis Presley and Mary Tyler Moore in Change of Habit, 1967; Mary Tyler Moore as Laura Petrie, 1965; Mary Tyler Moore and others on “The Dick Van Dyke Show,” 1962; Dick Van Dyke and Mary Tyler Moore on “The Dick Van Dyke Show,” 1962; “The Mary Tyler Moore Show” co-stars

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CB S Te l e vi s i o n ; C B S/ Ge t ty ; T VA/ P i ct ure G ro up / A P.

O p po s i te p a ge : Re x fe a tu re s .c o m ; C B S- T V /Re x ;

didn’t showcase her properly. (To be honest, the overlong, striving-for-camp film didn’t showcase Andrews properly either—it would be Julie’s last screen success for a long time.)

Mary followed with Don’t Just Stand There, What’s So Bad About Feeling Good and her screen nadir, the ominously titled Change of Habit. This paired her with an utterly bored Elvis Presley—she was a nun! It would be Presley’s last movie, and things weren’t looking too good for Mary, either.

None of these films had been successful. Nor had Mary’s reputation been enhanced by her venture onto Broadway in the infamous 1966 Edward Albee/Bob Merrill musical adaptation of Breakfast at Tiffany’s. It was re-titled Holly Golightly and never officially opened. It was 1969, the times they had a

changed, and Mary Tyler Moore was looking like yesterday’s girl-next-door, obsolete while still in bloom.

In 1970, Mary, and her husband, CBS executive Grant Tinker—they had married in 1962—took matters into their own hands. The pair formed MTM Enterprises, and the company’s first output was “The Mary Tyler Moore Show.” Moore had traveled some distance from happy Laura Petrie. Mary Richards was 30, jittery, and initially insecure in her Minneapolis job as a newsroom associate producer. She was unmarried, having ended a relationship, and would not, throughout the seven-year run of the series, be particularly on the lookout for a man to complete her—although beaus would come go. “The Mary Tyler Show” would be lavished with praise and awards. Mary Richards—and by extension, Mary Tyler Moore—would stand as a symbol of society’s “new, independent” working woman, one who became increasingly force-

Th i s p ag e : N i c k Ut/ A P; C B S A r ch i ve /G e tty Im ag e s.

Ed Asner, Betty White, Mary Tyler Moore, and Ted Knight won awards at The Emmys, 1976.

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This page, top to bottom: Mary Tyler Moore and Robert Wagner, 1967; Scene from â&#x20AC;&#x153;The Dick Van Dyke Show,â&#x20AC;? 1964. > Opposite page, top to bottom: Mary Tyler Moore, James Fox, and Julie Andrews in Thoroughly Modern Millie, 1967; Julie Andrews, Carol Channing, and Mary Tyler Moore in Thoroughly Modern Millie, 1967.

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M o n da do ri Po r tf o lio v ia Ge tty I m a ge s.

Ge tty I m a ge s. O p p o site p a ge : Re x f e a tu re s. co m ;

S T Y L E Th is p a ge : re x f e a tu re s. co m ; C B S P h o to Arch ive /

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ful—if still comically wary—as the series progressed.

But watching Mary and the show evolve, getting better every season, I noticed that for all of Mary Richards’ cheerfulness, goodness, and generosity, she stood alightly aside in her friendships. She was private. Mary was no open book, like best pal Rhoda or landlady Phyllis, her boss Lou Grant or the buffoonish Ted Baxter. Mary held certain things close. One could go so far with Mary, but no further. It was something in her manner, rather than anything the writers devised, making Mary Richards a richer character. Although ratings had fallen by the seventh season, the quality of the show—the richness and growth of all the characters—had never been more seamless. CBS was willing to go one more season. Mary, wisely, ended this defining work at its peak.

Her real life wasn’t always easy. Illness plagued her, her marriage to Grant Tinker—who became CBS’s Chairman and CEO—eventually failed (Professionally MTM Enterprises would flourish, creating hits such as “Lou Grant,” “Remington Steel,” “The Bob Newhart Show,” “Hill Street Blues,” “St. Elsewhere,” and “The White Shadow.”). Later, horribly, Mary’s only child, Richie, would die of a self-inflicted gunshot wound. Her sister, Elizabeth, had died years earlier—a combination of painkillers and alcohol. Cancer would take her brother, John, at 47.

The inner reticence and coolness I found evident and in-

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teresting on her sitcom, is what I believe Robert Redford saw in her, why he chose her to play the emotionally unavailable mother in Ordinary People. Not that Mary Tyler Moore was “like that.” But there were elements, a darker, pained aspect to America’s happy girl. (In her autobiography, she would reveal a battle with alcohol, and regrets that perhaps she had been too career-focused, in detriment to recognizing her son’s problems.)

Mary’s third marriage, in 1983 to Dr. Robert Levine, lightened, and seemed to free her up a great deal, both personally and as an actress. I’ll take a guess and venture that she felt, in this marriage, less a product, and more a person. I thought she was superb as the wildly neurotic Mary Todd Lincoln in the TV adaption of Gore Vidal’s book on the martyred president (despite Vidal’s publicly critical objections to her). And Mary was hilarious in David O’Russell’s Flirting with Disaster.

There were some very good—and some daring—TV movies (Between Friends, Like Mother and Son) and a few unsuccessful attempts to return her to small screen series glory. There was also an extremely well-regarded 1980s stage appearance in

O p po s i te p a ge : Re x fe a tu re s .c o m ; H a r r y L an gd on /G e tty.

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Th i s p ag e : Mov i e s to re Co lle cti o n LTD ; re xf e a ture s .c om .

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This page, clockwise from top left: Mary Tyler Moore, Elvis Presley, and Lorena Kirk in Change of Habit, 1970; Mary Tyler Moore and Robert Wagner in Donâ&#x20AC;&#x2122;t Just Stand There, 1967; Mary Tyler Moore and Elvis Presley in Change of Habit, 1970; Mary Tyler Moore accepts the Life Achievement award at the 18th Annual Screen Actors Guild Awards in Los Angeles, 2012; Mary Tyler Moore poses for a portrait in 1978; Mary Tyler Moore in Blessings, 2003. > Opposite page, clockwise from top left: Mary Tyler Moore and Edward Asner on the Mary Tyler Moore Show, circa 1970; Mary Tyler Moore and Dick Van Dyke in The Dick Van Dyke Show, circa 1960; Meryl Streep, Kevin Kline, Mary Tyler Moore, and Hillary Clinton in 2003.

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Whose Life is It Anyway? which garnered her a special Tony Award. (More than compensating for Holly Golightly.)

But Mary herself had become so iconic (that overused word, undeniably right in this case!) and was so well-loved by the public and the industry, that her work seemed almost beside the point. It was good to see her, but better, simply to know that she was in this world.

Everyone knew she fought a daily, painful battle against diabetes, but in my relationship with her she put in exuberant “thank you” calls, wrote charming notes and was a doll whenever I ran into her. She could be teasingly ribald at times—as I said, the third marriage was the charm. But always, always, there was that gentle wall of privacy, something behind her eyes that asked you please, just this far, no further.

Even in her memoir, for all her frankness, she kept a distance.

I respected that, back then, and even more, now, when celebrities seem driven to vomit out the most intimate details— without ever being asked.

Mary Tyler Moore gave so much pleasure, she didn’t need to offer any more, and the public knew well enough never to ask for extras. Her talent, her essence, her courage; those qualities were more than enough.

And even though that January “alert” from The New Yorker was not telling me that Mary Tyler Moore had died, I can’t help feeling there was some divine coincidence going on there. This planet just ain’t the same without Mary Tyler Moore turning the world on with her smile. u

Th i s p ag e : A P I m a ge s. O p po s i te p a ge : G e tty I m age s; CB S P h ot o Ar c h i ve / G e tty ; Fra ze r H ar ri s o n/Getty ; Hulton Archive/ Getty.

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This page, left to right: Mary Tyler Moore, Valerie Harper, and Cloris Leachman of â&#x20AC;&#x153;The Mary Tyler Moore Show,â&#x20AC;? 1971; Portrait of Mary Tyler Moore holding a telephone up to her ear and smiling at Kennedy International Airport, circa 1964; Mary Tyler Moore arrives at the 60th Primetime Emmy Awards on September 21, 2008 in Los Angeles, California. > Opposite page, top to bottom: Mary Tyler Moore, Betty Ford, Ed Weinberger, and Hay Adams in 1975; Mary Tyler Moore holds her Emmys at the 26th Annual Primetime Emmy Awards on May 28, 1974.

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This page, clockwise from top left: A runway look from Moschino’s Fall 2017 show; behind the scenes beauty looks at Dolce & Gabbana’s Fall 2017 show; an up close look at the accessories at Jason Wu’s Fall 2017 show. > Opposite page: Looks from the Fall 2017 Carolina Herrera show; Herrera made an appearance at the end of her show.

Runway Review B y B r o o k e k e l ly

and

leslie locke

Fashion is ever-changing, with trends constantly evolving to satisfy the fickleness of the consumer; yet, style and taste are timeless. The designers featured in the Fall 2017 runway shows in New York, Paris, and Milan impeccably navigated this balancing act of maintaining the style and taste that have made them famous over the decades, while simultaneously sprinkling in fresh, new takes to keep their classy collections relevant and exciting. From Herrera’s traditional white blouses paired with more trendy biker boots, Chanel’s galactic theme, to Mochino’s use of recyclable materials, this year’s Fall runway shows perfectly exemplified why these iconic designers have been able to maintain their place at the top of the fashion hierarchy for so long. Here we invite you to take a peek at some of these sensational presentations.

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> Carolina Hererra Carolina Herrera’s move from her usual spot uptown at the Frick Museum’s baronial Garden Court to a less developed space in the Meatpacking district is illustrative of a new era in her work—an attempt to maintain her elegant style while targeting a more youthful audience.

The show began with models strutting in crisp white blouses, strikingly similar to Herrera’s very own iconic look. The silhouette is so simple, yet she managed to play with it in many different subtle ways to entice her audience—we see the modest white blouse accompanied by a more audacious pussy bow, a pilgrim collar, and a fitted wrapped waist. Who knew a conservative white blouse could excite in so many different ways?

Most of these blouses were paired with long, flowy skirts varying in material but keeping to the younger schoolgirl-esque look.

She then began to present more business casual looks and eveningwear options that had a similar elegant feel.

From the white blouse paired with biker boots and leather jackets to a flowy long skirt accompanied by a bulky knit top, Herrera was able to add interesting twists to traditional outfits throughout the entire collection—making the collection youthful. Overall, Herrera continues to impress.

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> Chanel Chanel’s Fall 2017 show was one for the ages.

Karl Lagerfeld—the creative director and lead designer of the luxury fashion house—had the Grand Palais in Paris decked with abstract outer space-themed elements for the show including a stylish, Chanel-branded rocket ship at the center. While the setting alone made the show spectacular, the outfits strutted by models circling the almighty rocket ship were the highlight.

The collection had a futuristic and ultramodern feel, yet stuck to Chanel’s oh-so-classy style.

Astronomically-printed silhouettes, glittery moon boots, voluminous ’60s-style hair, metallics galore, fingerless gloves, a rocket ship-shaped handbag, and flashy sunglasses are just a handful of the exhilarating pieces featured in the collection.

Throughout, there was an abundance of modest colors including black, white, grey, and navy, and, at multiple points, a more stimulating purple. At the conclusion of the show, Lagerfeld and Hudson Kroenig—Chanel’s juvenile model and the grandson of Lagerfield—took the stage as the rocket ship took off several feet into the air to Elton John’s “Rocket Man.” In short, the unique setting was sensational and the collection was captivating but classy—for lack of better word, this show was awesome.

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> Dolce and Gabbana Everyone on the runway received the royal treatment at Dolce and Gabbana’s show in Milan, and tiaras sat on the heads of the eclectic group that walked the runway that day. This event must have been one of the most participation-oriented to ever find itself on a runway.

Of the 140 people who participated in the show, an unprecedented percentage of them were not selected from a modeling agency. The show included royal family members, influential millennials from around the world, recognizable names from acting and music, and even toddlers!

Domenico Dolce and Stefano Gabbana wanted to embrace the beautiful eccentricities of the people in the show, while also incorporating their characteristic Italian influence into fashion. The message to embrace who you are was well received by the crowd. Each mother, daughter, brother, and boyfriend even got to choose the outfit they would strut out in, and had weeks of fittings to ensure they would feel their absolute best. The show was social, fun, and best of all: colorful!

Dolce and Gabbana has always been known to combine colors and fabrics that create the most stunning luxury—this show did not disappoint.

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Above, clockwise from top left: Look from the Dolce & Gabbana Fall 2017 show; models gather on the balcony above the stage; Jamie Foxx, Pamela Anderson and Christie Brinkley sit front row; models walk the runway with toddlers in hand; a beauty look from backstage. > Opposite page: Posh looks from Chanelâ&#x20AC;&#x2122;s Fall 2017 show; Pharrell Williams and Cara Delevingne sit front row.

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> Jason Wu The show oozed class and elegance from the opening to the close. This was the 10th anniversary of Wu’s collection, so the designer went back to the beginning and held the show at the St. Regis, which is where his first big show was held in 2010. The show reflected its surroundings by calmly presenting the glamorous collection—sans the glitz.

However, no sense of awe was lost in the process. The designer started out in evening wear, and although he has branched out since, his love of black tie was still present in the show. A solid portion of the show revolved around show-stopping cocktail dresses we will likely see all over red carpets come winter.

Unlike some of the other high fashion shows we visited, the looks that came down Jason Wu’s runway seemed like clothes we could actually incorporate into our closet. The collection’s overall feel leaned towards how a modern woman would dress in all areas of her life. There was something to wear to Sunday brunch and a corporate fundraiser—and every event in between. We cannot wait for these perfectly tailored dresses and daywear to be available in stores! > Moschino Moschino’s Fall 2017 show was one that struck both the creative and altruistic mind. The show was filled with headliner models such as Gigi Hadid and Kendall Jenner strutting their high demand goods down the catwalk.

The show opened with a stream of models donning outfits created out of recycled cardboard, with stickers on them that said “fragile” or “this side up.” The show continued with couture plastered in the brand’s name, looking as though “Moschino” had been torn from the pages of magazines and was sculpted into high fashion. The third phase of the show integrated out of the ordinary fabrics such as shower curtains and dry cleaning bags. The brand consistently makes use of cheeky accents and fabrics, so this show was not a surprise, but entertaining nonetheless. Clearly an homage to the low-cost materials used throughout the show, Scott wore a shirt that said, “couture is an attitude” on the front, and “not a price point” on the back.

You do have to possess one hell of an attitude to make a skirt suit made of packing tape and cardboard look like Jackie O. could have worn it

This page: Various looks from Moschino’s Fall 2017 show featuring models Gigi Hadid and Kendall Jenner. > Opposite page: Runway looks from Jason Wu’s show; Edward Enninful, Editor-in-Chief of British Vogue, sits front row.

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Walking The Mile With Julia Wetherell LeClair by

Whether walking

ElizabEth Kurpis

along Orchard Road in Singapore or through Miracle Mile in Manhasset, New York, one can easily become immersed in the thrill of a luxury shopping experience. In a store, brands carefully curate the client experience—from picking the right music and editing visual layouts to providing some much-needed bubbly after a long day of hitting the pavement. In the online universe, however, most of these experiences are lost. Orchard Mile, an online shopping destination founded by three former fashion execs, is trying to change that—one storefront at a time. Over lunch at Maison Kayser in New York’s Flatiron District, Orchard Mile co-founder Julia Wetherell LeClair shared her take.

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Th i s pa ge : Bre n dan B ur ke ; c o ur te sy o f O r ch a rd Mi l e. O p po s i te p a ge : C ou r te sy o f O r ch a rd Mi le .

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This page: A headshot of Orchard Mileâ&#x20AC;&#x2122;s Julia LeClair. > Opposite page, above and below: Orchard Mileâ&#x20AC;&#x2122;s colorful digital platform, as seen on an Apple desktop; writer Elizabeth Kurpis, photographed by Brendan Burke.

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This page: Jennie Baik, Orchard Mile’s chief executive officer. > Opposite page, clockwise from top left: Orchard Mile’s pop-up box in partnership with byReveal at Brookfield Place in Manhattan; Orchard Mile’s new “My Mile” feature; Allie Tielz and a guest attend a VIP dinner for Desert X hosted by Rosetta Getty and Orchard Mile in Palm Springs, California, at SO·PA restaurant in April 2017.

“storefront” on the Mile, where we try to recreate that sense of place or destination. Similar to Rodeo Drive or Madison Avenue, Orchard Mile customers can completely immerse themselves in a brand’s collection.

Q: What is your background in fashion?

A: I went to Georgetown University and grew up in a tech family. As a result, I loved tech, but I also loved fashion and the business. I studied marketing and advertising and before Orchard Mile worked at Condé Nast and Elle. After meeting my co-founders, Jennie Baik and Georgie Benardete, we realized that we each assumed brands were struggling with their online presence. Shoppers were sick of the endless search— going from website to website trying to find the right looks and, in the process, wasting time and money.

Q: What is Orchard Mile?

A: Orchard Mile is a luxury marketplace. We partner directly with top brands so clients enjoy all the benefits of visiting a multi-brand environment, while brands enjoy an increase in traffic and sales of their products. On typical multi-brand sites, brand marketing is not amplified, and as a result, the entire label is lost. On a brand’s site, however, the customer can view the brand’s runway shows, lookbooks, and videos, allowing its “story” to come to life. On Orchard Mile, every brand has its own

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Q: What makes Orchard Mile different than any other multibrand site?

A: Some multi-brand sites are aggregators of all things on the web and at all price points. They partner with every retailer and brand so you might see the same dress as shown on Neiman Marcus, Saks Fifth Avenue, Barneys, Net-à-Porter, and the brand’s own website. The dress is likely shot in five different ways and often available for five different prices. That is problematic for the brand because multi-label retailers tend to offer items at steep discounts, which prevents the brand from earning any profits. Orchard Mile partners directly with brands and only one retailer, Saks Fifth Avenue, which acts as an “anchor” department store, similar to what you would see at a mall. But our partnership with Saks is limited to brands that are not currently on Orchard Mile, and we are able to choose which brands from Saks we want on the site. So around the holidays, for instance, we offer a lot of beauty brands because they are great for gifting.

Q: What brands do you partner with?

A: We curate the brands that we invite onto the Mile. We try to partner with brands geared toward the modern-day shopper who is buying luxury and contemporary items and has no problem mixing high and low. Brands on the site include Roland Mouret, Oscar de la Renta, Jason Wu, Perrin Paris, and many other luxury and contemporary brands. We have a lot of the big players as well as small, up-and-coming brands, allowing the opportunity for us to offer shoppers access to heritage labels while discovering new and quickly growing lines.

Th i s p ag e : f i r st ge n e ra ti on f a sh i o n .c om . O p p os i te p ag e : B FA; c ou r te sy o f O r ch a rd Mi le .

Q: Do the brands on Orchard Mile have their own websites?

A: That is the only requirement: each brand must have its own e-commerce site, which we partner with. Orchard Mile is essentially a mirror image of the brand’s e-commerce site—whatever is on it is also on our site, and the moment a piece goes on sale on their site, it goes on sale on ours. Additionally, when shopping on Orchard Mile, a customer is always able to view and select pieces from the brand’s entire collection, rather than limited items chosen by a buyer from a third-party retailer. What’s more, looks featured on Orchard Mile are shown exactly the way the brand shot and styled them.

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and they curate a collection of products that they would wear when visiting that destination. We interview them about their chosen locale, so it is a bit of a travel guide with recommendations about where to go, where to stay, where to shop, and what to see when you are there. We are also launching a feature called My Mile, which allows clients to create their own “Mile.” Instead of adding brands or having a wish list, he or she can follow a brand and any category within a brand’s collection. So it is like your own real-time personalized shopping destination.

Q: Does Orchard Mile incorporate any editorial content on the site?

A: Yes! While we pride ourselves on being an un-curated and unedited place to shop, we understand that people love inspiration and stories. Our Orchard Mile’s “Stories” tab, “Walk the Mile,” features stories from style icons, tastemakers, and designers featured on our site. Each chooses a destination that influences and/or is somehow reflective of their style,

Q: Are there any styling suggestions on the site?

A: We pride ourselves on being a concierge and high-touch experience, which is usually lost online. We will suggest how to complete a particular look, and have a whole in-house team that works with those seeking more help. We try to offer clients a high-touch experience with gestures such as sending handwritten notes after a client makes a purchase, and putting together pop-ups at which people can experience the brands tangibly.

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BFA

Q: Why would a shopper go to Orchard Mile instead of another multi-brand retailer for their one-stop shopping experience?

A: Most retailers only buy about 5−10% of a brand’s collection, while Orchard Mile offers every piece in a brand’s produced line. So, if you love fashion and are looking for those unique, less-widely-produced specialty pieces, you may have to go to a number of websites to get them—or you can go directly to Orchard Mile. Other retailers elect not to buy a brand’s full collection because they do not want to assume the risk of all of them not selling.

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Above, clockwise from top left: Orchard Mile’s new “My Mile” feature; a candid shot of Rosetta Getty and Doug Aitken at SO·PA restaurant during Coachella Valley Music Festival, 2017; Mary Charteris and Chelsea Leyland, also at SO·PA for the Desert X dinner in Palm Springs. > Opposite page: A shot of Chelsea Leyland and Alice Eve at the Desert X dinner.

BFA ; co ur te s y o f O r ch a rd Mi l e

Q: What does your day-to-day look like?

A: I focus primarily on brand development. I meet with the brands—those we hope to bring on board, as well as signed brands with which we strive to cultivate our relationships.

For instance, we were just in LA and hosted an event with Rosetta Getty, one of the brands we work with at Orchard Mile. We also organized a dinner in Palm Springs with David Aiken and our top clients to celebrate fashion and the arts, and to kick-off Coachella.

Q: What is one of your favorite fashion moments?

A: I got married last April on a tiny island in the Caribbean— Canouan Island—and I worked with Naeem Khan on my dresses for the weekend. We threw a white party for our rehearsal dinner, so we designed a dress that was causal and flowy for the beachy occasion. And, of course, we designed my wedding dress for the ceremony. I have also enjoyed collaborating with some of the brands. We recently worked with Roland Mouret to create two exclusive pieces offered only on Orchard Mile. u

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BY ELIZABETH MEIGHER In the early 1880s Henry Flagler, a wealthy Northern industrialist, founded the Town of Palm Beach with the extension of Flagler’s East Coast Railway. Enchanted by Palm Beach’s warm weather and tropical environment, Flagler envisioned Palm Beach as a playground for wealthy Northerners during the cold winter months. As Palm Beach evolved into the premier winter retreat for American aristocracy, the island developed a style all of its own. Here’s a Key lime slice of Quest’s best through the years.

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Slim Aarons/Getty Images

Palm Beach Style

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This page, clockwise from top left: Mrs. F.C. Winston “C.Z.” Guest and her son, Alexander, at Villa Artemis in Palm Beach, Florida, 1955; Lilly McKim Pulitzer and her daughters, Minnie and Liza, photographed by Howell Conant in Palm Beach, 1963; Mrs. T. Dennie Boardman and her children, Sam and Sarah, at the home of Boardman’s parents in Palm Beach, 1985; British aviator Claude Graham White and former Vaudeville actress Ethel White outside their cottage in Palm Beach, 1922; Lisa Taylor and Jerry Hall photographed by Helmut Newton at the Royal Biscayne Hotel in Key Biscayne, Florida, 1975. Opposite page: Jim Kimberly, his

U n d e r w o o d A r c h i ve s / G e t t y I m a g e s ; C o n d é N a s t

S l i m A a r o n s / G e t t y I m a g e s ; S l i m A a r o n s / H u l t o n A r c h i ve / G e t t y I m a g e s ;

wife (far left), and friends beside Lake Worth in Palm Beach, 1968.

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This page, clockwise from top: Prince Charles (third from right), with Princess Diana at a polo match in Palm Beach (Wellington) during the royal visit to America, 1986; Julia and David Koch at The Coconuts, the annual black-tie party held at The Flagler Museum on New Year’s Eve in Palm Beach; George Hamilton walking in Palm Beach with his mother, Ann Stevens, and step-brother, William Potter, 1960.

Opposite page, clockwise from top left: John D. Rockefeller playing golf on his private course at the Casements, Ormond Beach, Florida, 1932; Gilded Age women playing tennis dressed in long, white dresses with billowy sleeves and wide-brim hats at the now-gone Royal Poinciana resort hotel in Palm Beach; Jackie Kennedy watches her daughter, Caroline, play in the living room of their Palm Beach home as newly inaugurated President Kennedy emerges from a dip in the ocean, 1961;

D o u g J e n n i n g s / A P / R E X / S h u t t e r s t o c k ; C a p e h a r t P h o t o g ra p h y ; B e r t M o rg a n / Al a m Y

Estée Lauder at home in 1985, as seen in ESTEE A Success Story by Estée Lauder.

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U n d e r w o o d A r c h i ve s / U I G / R E X / S h u t t e r s t o c k

U n d e r w o o d A r c h i ve s / R E X / S h u t t e r s t o c k ; H i s t o r i c a l S o c i e t y o f Pa l m B e a c h C o u n t y ;

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Palm Beach Style

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S l i m A a r o n s / H u l t o n A r c h i ve / G e t t y I m a g e s ; H i s t o r i c a l S o c i e t y o f Pa l m B e a c h C o u n t y

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Palm Beach Style

This page, clockwise from top left: Dina Merrill and actor Cliff Robertson smile after their wedding at the estate of her mother, cereal heiress Marjorie Merriweather Post, in Washington, 1966; Lavinia Baker, great- granddaughter of George Fisher Baker, taking a turn on the dance floor at her coming out party in New York, 1977; friends (and first cousins once removed) Nick Fouquet and Fern Tailer walking on Worth Avenue in Palm Beach, photographed by Susanna Howe, 2013; Grace Pulitzer Amory and T. Dennie Boardman in the Wheelchair Marathon at The Everglades Club, 1937. Opposite page, clockwise from top: Palm Beach style mavens and influencers—including Rodney Dillard, Lesly Smith, Bob Leidy, and Emilia and Pepe Fanjul—wearing looks by Lilly Pulitzer on the croquet lawn of Mr. and Mrs. Ogden Phipps’ North End Moroccan villa,

W h e n G l a m o u r w a s B o r n b y D i a n a O s w a l d ; H e a r s t ; U n d e r w o o d A r c h i ve s / U I G / R E X / S h u t t e r s t o c k

Henr y Burroughs/AP/REX/Shutterstock; Photo cour tesy of Debutantes:

1970; the Duke of Windsor and a friend walking on Worth Avenue in Palm Beach; Mrs. George Whitney, Jr. photographed by Horst P. Horst, 1946.

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AP/REX/Shutterstock; Capehar t Photography

Palm Beach Style

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This page, clockwise from top: Society women board a fishing cruiser at the Key Largo Anglers Club, Florida, 1924; Wendy Vanderbilt photographed by Slim Aarons at home in Palm Beach, 1964; Porfirio Rubirosa (right) and his fourth wife, Woolworth heiress Barbara Hutton, arrive at West Palm Beach airport for a delayed honeymoon on January 13, 1954 (at left is their friend S. Leland Rosenberg). The couple married in 1953 and the marriage lasted 53 days. Opposite page, clockwise from top: President-elect John F. Kennedy attending Christmas Day mass at St. Edwards Catholic Church in Palm Beach, 1960; Countess Haugwitz- Reventlow, the former Barbara Hutton, and former British amateur

U n d e r w o o d A r c h i ve s / U I G / R E X / S h u t t e r s t o c k ; S l i m A a r o n s / G e t t y I m a g e s ; A P

golfer Robert Sweeney watch a tennis match at The Everglades Club, 1940; Wilbur and Hilary Geary Ross photographed by Harry Benson at The Coconuts.

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On Never Having Met Mrs. Onassis by

D av i D P at r i c k c o lu m b i a

Originally published in the July 1994 issue of Quest

My father

idolized her father. I grew up hearing his name. He was always referred to either as Bouvier or Black Jack Bouvier.

Whenever my father said it, there was romance and adventure, a stature and dash in the sound of his voice. It resonates in my mind’s ears to this day because it was like an oasis in the otherwise bleak and angry landscape that was my father’s life and household.

Back in the late 1920s when he was a young man and long before I was born, he had been Black Jack Bouvier’s driver.

From his descriptions of the man, my childhood sensibilities forever picture a handsome figure who loved the grand, fast life.

They’d race Bouvier’s Stutz Bearcat with my father at the wheel going 90 and 100 miles an hour, out to East Hampton. That’s fast today but it was a lot faster 65 years ago. To me, it was a passage out of Fitzgerald.

My father didn’t think much of the missus. He referred to her derisively, in his typically Irish way, by pronouncing her second husband’s name Ark-in-clarse. More than once he recounted that because of her there had been a fistfight, way back then, between the two men—Bouvier and Auchincloss— one night in the parking lot of the Bathing Corporation in Southampton. Bouvier won, of course. Our hero. At least in my father’s version of the story, ignoring the fact that Auchincloss got the girl. He never said “boo” about Black Jack’s peccadillos, let alone their effect on the Bouvier marriage.

I was a young man before I heard the first name of either Bouvier daughter. Jacqueline was world famous before I knew that it was her father, and not her mother, who had made a mess of the happy home she never grew up in. Coincidentally, it was at this time that I also learned that my own father had long

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before brought a new meaning to the word adultery. It was only natural that he would cover for the memory of his former boss.

I never knew Mrs. Onassis. I never met her, nor was I ever in the same room with her. I know a number of people who did know her, and a few who knew her well, or as well it would seem, as one could. I often heard many of these friends and acquaintances talk about her, particularly her foibles and personality, which is what almost all people like to talk about anyway. It was always interesting. The little girl voice, they said, was for the world.

There was another voice, no matter how quotidian, that seemed somehow remarkable in the retelling by those who had been in her company. She was a historical person to me, rather than a real person. Therefore, I had no expectations of whom she should be or how she should act. I accepted her on her terms.

I felt she was owed this considering what she’d been through. I never thought of her as saintly, as many quickly and absurdly did after John Kennedy’s death.

She was a woman who had to make sharp, tough choices in her life. Most women do, it is true, although most women don’t have to do it with the world staring at them. However, it turned out that she had a talent for publicly putting a good face on things. It was to everyone’s advantage, including the American people. It may well have been honed in that childhood of sharp dissension between her mother and father. She bore the burden, as children do, of cherishing a father who had lost control of his life and never regained it. But she was irrepressible and she had grace.

Her life had developed into a large and fascinating canvas.

Her choice of Onassis as a second husband clearly articulated

H u l t o n A r c h i ve / G e t t y I m a g e s

(Jacqueline Kennedy Onassis passed away on May 19, 1994)

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a certain aspect of her. As did her choice of Jack Kennedy.

With Kennedy she was beautiful, and enchanting, and the world’s princess. However, with Onassis she suddenly seemed frivolous, tabloidal, the ultimate shopper. After Onassis, she transformed again. She went to work. She was a serious single parent who reared her children well. The public resumed their reverence—this time for keeps.

Unlike a lot of New Yorkers who’d seen her dozens, maybe hundreds, of times—because she was so out there despite the privacy she serenely commanded—I saw her on only three different occasions.

The first was more than 20 years ago, on Madison Avenue in the 80s on a still snowless but gray early winter’s afternoon. I was walking north when I spotted up ahead on the other side of the street a brunette woman moving quickly south through the crowd. As we reached parallel spots on the sidewalk, I recognized whom I was watching.

She was wearing Burberry belted at the waist, dark stockings and low-heeled shoes. Her gait was strong, wide, and quick.

Her calves were muscular but slender and her arms swung decisively. I stopped to watch this dynamic figure who moved with such precise determination. She made a dash across the avenue to beat a changing traffic light. She darted eastward between cars with an athlete’s agility, then disappeared lickety-split down East 83rd Street towards Park. It was a powerful, astonishing presence—a pleasure to see.

The second time, about six years later, I happened to be walking by 1040 Fifth Avenue about 11:30 one morning in the springtime. A limousine was waiting next to the canopy.

Traffic jammed the avenue. Everything was stopped for the light. In the lane next to the limousine, the Fifth Avenue bus was waiting to move. The billboard on the side of it had an ad for a local newspaper serial. It was a picture of JFK and the words in the big white print against a black background: “Who Really Killed JFK?” Then, as if it were a surreal scene out of a movie, his widow suddenly emerged from her building, a doorman escorting her to the waiting car with the billboard directly in her line of sight. Whether she saw it was impossible to determine. I would hope that she didn’t. But to this passerby it was a shocking reminder of her past and the memories that she had to live with.

Several years later a friend told me about going with Jackie to interview a famous singer in the hope of signing her up to write her autobiography. The singer had not given a public concert in years and Jackie asked her why. The singer started to explain that the last concert she had given many years before was outdoors in Central Park and at the time she found herself on the open-air stage fearing a sniper’s bullet from a skyline rooftop.

Suddenly she realized whom she was telling this story to.

She stopped and apologized. She then recalled for the slain president’s widow what we all recall about ourselves—where she was at that moment on November 22, 1963, when the world heard the news.

Jackie said nothing and the subject passed. The conversation

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continued unmarred by any more awkwardness. After the meeting, the friend asked Jackie how she felt about the singer’s gaffe. Jackie confided that it was a common occurrence in her life, that strangers often would come up to her on the street to offer sympathy, always recalling where they were at that fatal moment.

“What they don’t realize,” she told her friend, “is that I also remember where I was on that day.”

Then how, the friend asked, did Jackie handle such an unconsciously insensitive assault?

“A steel door comes down before my eyes,” she replied, “and I shut it out.”

The only other time I saw her was that September. I happened to be crossing 58th Street by the Plaza Fountain; when turning to watch for oncoming cars, I noticed her coming out of the side door of Bergdorf’s, carrying shopping bags to a waiting dark emerald green Buick sedan. A driver in a light gray suit and cap was holding the car door for her. It was a private moment. He was speaking to her with a smile on his face, as if chiding her. She got into the back seat with her packages, smiling with an expression of mock guilt. There was a kindness and a sweetness in the way she looked up at him. There was none of that stony hauteur or grim self-importance that often marks the countenance of so many of her social peers when they are being served. Again, it was that natural grace.

The night of her passing someone told me a story, perhaps apocryphal, but nevertheless appropriate for the sad moment, about Nixon’s visit to China and his meeting with Mao. The two men sat next to one another in those big chairs with the big arms surrounded by their lieutenants and interpreters. The Chairman, old and infirm, stared straight ahead, still and silent.

Nixon, no champion of casual conversation himself, was hard put to engage the dying dictator. He brought up the assassination of Kennedy and the effect it had on this country. Then he inquired of Chairman Mao as to how he thought things would have turned out for the world if, instead of Kennedy, Nikita Khrushchev had been killed. The sphinx-like Chinese leader sat there unblinking for several moments. Then, without turning to his guest to answer the question, he admitted that he didn’t know what the outcome might have been. But, he added, he did know one thing for sure: Mr. Onassis wouldn’t have married Mrs. Khrushchev.

It was a life like no other in this century. Millions and millions admired and related to her. Her adulthood was marked by prominent relationships that made her famous and made her rich. But neither, ironically, could have made her happy.

However, she had pluck and seemed to have found happiness in her children, her work, and, eventually, in a less than traditional but very happy relationship with Maurice Tempelsman. The public could speculate, as they did, that she found a successful way to get beyond the horrors of her destiny. Perhaps that is why so many of us strangers felt the grief one feels only for a loved one. It was as if everybody had been robbed by fate—us, her family, her loved ones, and especially Jackie herself. u

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Project September by

A le xi s M Ay b A n k

immersive visual shopping platform that provides a deeper, more immediate connection between fashion and design influencers, their audiences, and the brands they love. Using Project September, men and women explore the world’s best fashion and beauty images while discovering new products that can be instantly purchased.

The concept for Project September percolated while I was developing Gilt Groupe and working with Gilt’s former VP of Creative, Leah Park. We noticed an increase in online traffic from social media platforms. After exploring that influx, we found users frustrated that there wasn’t an easy way to immediately buy the products they saw and liked. I can personally recall numerous times when I’ve spent 30–40 minutes searching for a place to buy various items I had hoped to purchase, wherein the idea for Project September came to light. We are continuing to organically expand our user base and introduce new

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M i ch a el O ’N e a l; p h ot o s c o ur te sy o f Pro je ct Se p te m b e r

Launched in April of 2016, Project September is the first

This spread, clockwise from top left: winsome Images photographed by Michael O’Neal, a fashion and lifestyle photographer based in San Francisco, as seen on Project September with options to tap and purchase looks seen in the photos; The Project September app, viewd on an iPhone 6S; Former Gilt Groupe colleagues: Leah Park- co-founder and Chief Design Officer of Project September, and; Alexis Maybank, co-Founder & CEO of Project September.

elements including video, hashtags, themed stories, and “moments.”

Project September advisors are made up of influential people producing exceptional work across all trades. Our tastemakers include: Nicole Richie, Creative Director of House of Harlow 1960; Nina Garcia, Fashion Director of Marie Claire; as well as popular social influencers such as Patrick Janelle, Blake Scott, and Pari Ehsan. We also work with top photographers along the likes of lifestyle photographer Michael O’Neal, and most recently fashion streetstyle photographer Tommy Ton. They have helped us reinvent the shopping experience for cutting edge fashion and beauty.

Project September is designed as a shoppable, digital magazine spread, where individuals share their work and direct followers to points of purchase. From individuals with an eye for style, to professional stylists, fashion photographers, and even magazines, many people are sharing their take on fashion and beauty, making Project SPRING 2017/

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This spread, clockwise from top left: A look from Oscar de la Renta’s Spring 2016 collection, posted on Project September by Nina Garcia; Vogue-ish social media sensations Pari Ehsan of paridust.com and Sophia Macks of beyond-

Project September is the first

the-mag.com; two images of professional social media poster Patrick Janelle as seen on Project September (Janelle won the CFDA’s innagural “Fashion Instagrammer of the Year” award); examples of “Trending Profiles” and “Trending

immersive visual shopping platform that provides a deeper, more immediate connection between fashion and design influencers, their audiences, and the brands they love.”

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Posts” viewed on the Project September mobile app.

September a stunning visual experience with a direct link to buy featured items. Shoppers are given the chance to flip through the world’s most compelling fashion and beauty images, and for the first time tap on anything in an image to shop that look immediately.

All are encouraged to join, shop, and share their work on Project September. Project September is available for free download through the Apple App Store and through its website www.projectseptember.com.

Project September helps brands connect with talented individuals and allows those individuals to share products they love with their social community. As we expand we look forward to bringing the world’s most compelling fashion and beauty imagery onto our site for direct discovery and shopping, as well as expanding into interiors, decor and numerous related categories. u

P h ot os c0 ur te sy of Project Sep tember

“Launched in April of 2016,

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Fall In Line by

ElizabEth MEighEr

and

n. d u c ti o 6 3 p ro r th e th e 1 9 fo in e a c tr ie headp C le o p a y lo r a s n t g o ld a ra ff . e th Ta a va g a h tr S x e e n n E li z a b a Ir e wears ie a n d Ta y lo r b y Re n H e re , ig n e d s e d , ro le

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C ou r te sy o f 2 0t h Ce n tu r y Fox, Th e Ko b al Co ll ec ti o n ; re sp e c ti ve d e si g ne rs

Re e m A c ra

b r o o k E k E l ly

M a x M a ra Ra l p h L a u re n

Emilio Pucci M i c h a e l Ko r s

Gold “Go gold or go home” seems to be a dominant theme in Fall fashion— particularly in eveningwear. From Marc Jacob’s sequin dress and Ralph Lauren’s liquid metallic shirt, to Reem Acra’s floor-length glistening

Marc Jacobs

Dennis Basso

Fall 2017 runways.

P at ti H an se n w ea ri n g a st u n d re ss d u ri n in g li q u n g a sh o o id g o ld t fo r V og u e’s A u g u st p h o to g ra 2 0 0 4 is su p h ed b y S e, te ve n M ei se l.

B o t t e g a Ve n e t a

gown, gold continues to shine on

C o u r te sy o f re sp e ctive de sign e rs

M i c h a e l Ko r s

Batwings All sleeves this season seem to be exaggerated, but the batwing made a particularly strong presence with designers such as Gucci and Chanel flaunting their wings on their runways. Sure, they may get in the way while reaching for that martini, but

Gucci

Chanel

heyâ&#x20AC;&#x201D;no one said fashion was easy.

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ga earin es, leev lch w e g W n s l i e w u t a aq 73. of R ed, b in 19 fring raph telli r otog with a h s b p s u e A co R d dr Fr a n lore d by al-co r e t h e p nu ogra phot

Monique Lhuillier

Badgley Mischka

Q U I N T E S S E N T I A L

Cushnie et Ochs

Hermès Elie Saab

Jane Birk in— ès B the n irkin ame bag— sake in Pa of th dust ris, e ico Fr a n y pin nic ce, w k mi earin ni dr ess, gav 1 9 74 inta ge .

Gi a n ca r lo B OT T I / Ga m ma - Rap h o v i a G e tty Im ag e s

Adam Lippes

Herm

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M a r i s s a We b b

P ra d a

Marc Jacobs

C a ro l i n a H e r re ra

J. Mendel

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Dusty Pink Popular in eveningwear, casual attire, and especially in wear-to-work ensembles, dusty pink is a seemingly ubiquitous part of fashion. Becoming as common and convenient as anything black or white (but certainly more enlivening), Va l e n t i n o

nuetral and fall necessity.

Alexander Mcqueen

Dennis Basso

Moschino

Le l a Ro s e

Nina Ricci

dusty pink is definitely a new

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Itâ&#x20AC;&#x2122;s all about the puff.

Designers such as Marc Jacobs, Rebecca Taylor, and Botega Veneta have certainly made the voluminous statement sleeve a dominant runway trend.

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C ou r te sy o f re sp e cti ve de si gn e r s ; A F a r ch i ve / Ala m y Sto c k Ph o to

Bluemarine

B o t e g a Ve n e t a

Puffed Sleeves

Lanvin

Naeem Khan

Isabel Marant

Lo e w e

S is s y S pacek a s H o ll y in B a d la O c to b e r 13, 19 nds, ph 7 3 . H e re c ri s p w o to g ra phed o h it e b lo , Space n u s e w it k is d re h th e tr s s e d in e n d in g a v o lu m in o u s s le eves.

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Re b e c c a Ta y l o r

Marc Jacobs

Q U I N T E S S E N T I A L

Balmain

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Stella McCartney

B o t t e g a Ve n e t a

Moschino

G i ve n c h y

Q U I N T E S S E N T I A L

Mock Neck A happy medium between the crew neck and the turtleneck, the mock neck—a ’90s fashion staple—is back on the runway.

As someone who is not an enthusiast of the stifling turtleneck, the breathability of the mock neck

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P h uotr te Co 0 Csyreodif tre sp e ct i ve d e si g ne r s

C a r o l i n a H e r re ra

M a x M a ra

Celine

Alexander McQueen

Lo e w e

a compelling wardrobe option.

D e re k L a m

and its ability to dress up make it

Va l e n t i n o Chanel

Ber t

Tw i g gy in New Ster Yo r k n. In in 19 this 67, p phot o , Tw hoto grap iggy red m hed spor ock by ts an neck exag colla gera r. te

d,

Chloé Ve ro n i c a B e a r d

Lo e w e

Pussy Bow Runways have all eyes on the pussy bow and, like many fashion fads, the flamboyant bow is far from new. The pussy bow peaked during the ’80‘s “dress for success” era, used to soften conservative looks.

With the feminist movement

C ou r te sy o f re sp e cti ve de si gn e r s

Dolce and Gabbana

Cy n t h i a Row l e y

Gucci

comeback is no surprise.

Lanvin

Elie Saab

in full force, the pussy bow’s

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To r y B u r c h

Blumarine

Q U I N T E S S E N T I A L

Gra ce K

by P elly eter at t he 1 Mor in. I 954 met t wa Can Prin nes s at ce R Film this aini v Fe s e ry f er o t i va e stiv f Mo l, ta al w ken nac here o at a ph she oto firs call t .

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C O A S T T O C O A S T P U E RT O R I C O

a R itz- C a rlto n Re se r ve

BFA; C o u r te sy o f D o ra do Be a ch ,

Dorado

This spring, while spending a relaxing weekend in the Caribbean with some prominent guests, fashion designer Ariana Rockefeller unveiled a new tote and clutch inspired by the heritage of Dorado Beach, a Ritz-Carlton Reserve. Made exclusively for the resort, the bags evoke the vision of her late great-uncle Laurance Rockefeller, who developed the eco-friendly property in 1958. “I believe it is something my uncle Laurance’s wife, Mary, and my grandmother, Peggy, would have taken on holiday to Dorado Beach,” Rockefeller said of the collection.

“The pieces honor Laurance’s love of nature and low-key elegance.”

1. Ariana Rockefeller 2. Poolside relaxation at Dorado Beach, a Ritz-Carlton Reserve 3. Rob and Marisol Thomas 4. Coco Rocha 5. Tom James, Emily Smith, Jake Davies, Sophie Sumner, and Kane Manera 6. Rockefeller’s capsule collection includes a tote and a clutch 7. Keytt and Alex Lundqvist 8. Malin Akerman 9. Caribbean shores at Dorado Beach, a Ritz-Carlton Reserve

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Pa trick M cM u lla n

New York

Omar Hernandez opened a little nightclub in the West Village four years ago and it instantly became a favorite among the cityâ&#x20AC;&#x2122;s most beautiful people. Those with big careers in media, fashion, and even paintball (Alex Lundqvist) continue to be regulars. So, naturally, the anniversary party was packed with chic guests. Spotted: Christian Siriano, Cameron Silver, Jackie Astier, Valesca Guerrand Hermes, Alison Jackson, Alexandre Assouline, Paul Haggis, and Rohan Marley.

This discreetly glamorous private club is full of high-profile names, and they all came out to say happy birthday!

4

1. Christian Siriano and Jasmine Poulton 2. Alexandre Assouline, Michaela Vybohova, and Omar Hernandez 3. Jasmine Lobe and Susan Kirschbaum 4. Cameron Silver 5. Natasha Prince and Masha Rudenko 6. Keytt Lundqvist and Alex Lundqvist

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COAST TO COAST CALIFORNIA

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Los Angeles

Ge tty I m a ge s f o r O live r Pe o p le s

Ste f a n ie Ke e n a n a n d J o n a th a n Le ib so n /

COAST TO COAST CALIFORNIA

The California-based luxury eyewear brand Oliver Peoples, known for its vintage-inspired aesthetic with a tinge of L.A.-film-and-scene chic, celebrated its 30th anniversary—and partnership with renowned photographer Peter Lindbergh—with a cocktail party at the Chateau Marmont. Guests mingled around the pool and took in the latest campaign installations by Lindbergh. Party-goers like Levi Dylan and Monika “Jac” Jagaciak (campaign stars themselves), Rebecca Gayheart, and Ethan Peck stayed late into the evening and danced the night away to DJ sets by Balthazar Getty and Charlie Eisner.

1. Chateau Marmont was the scene for Oliver Peoples’ 30th-anniversary celebration in Los Angeles 2. Jessica Alba 3. Jack Kilmer 4. Dylan Brosnan and Levi Dylan 5. Aly Michalka and Georgie Flores 6. Ambre Dahan and Jessica de Ruiter 7. Monika Jagaciak and Giampiero Tagliaferri 8. Carter Jenkins 9. Peter Lindbergh’s campaign installation for Oliver Peoples, poolside at Chateau Marmont

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A Cinema Society party for Guardians of The Galaxy Vol. 2 was naturally out of this world. The Skylark was alight with bright stars and a constellation of good times. As attendees like Diane Kruger, Paul Haggis, and Ellen von Unwerth sipped playfully named cocktails like Peter Quill’s Potion and Drax’s Fuel, the mood at the Skylark was cheerful, with guests chatting about their favorite moments, and buzzing about the many post-credits scenes. Some of the Marvel’s favorite motley crew of superheroes and their nemeses were seen laughing it up, most notably the luminous Zoe Saldana and Michael Rooker.

1. The party at The Skylark 2. Nikki M. James and Andrew Rannells 3. Eleanor Lambert 4. Michael Rooker and Zoe Saldana 5. Ralph Maccio and Julia Maccio 6. David Krumholtz and Gregg Bello 7. Keytt Lundqvist and Alex Lundqvist 8. Meki Saldana amd Ashley Haas

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New York Often referred to as “the Oscars of the East Coast”

or “Fashion’s Prom,” the Met Gala is full of the biggest designers and the stars who love them. Once again the event did not disappoint, with an exhibit of “Rei Kawakubo/Comme des Garçons: Art of the In-Between,”and hosted by Anna Wintour, Tom Brady, Gisele Bündchen, Katy Perry, and Pharrell Williams. A whiff of scandal surrounded this year, however, when celebrities posted pictures of themselves smoking in the bathroom—strictly verboten by the health department—but lending credence to the “Prom” nickname.

1. Adriana Lima 2. Jeremy Scott and Madonna 3. Lily-Rose Depp 4. Rose Byrne 5. Gisele Bundchen and Tom Brady 6. Andrew Saffir and Daniel Benedict 7. Katie Holmes and Zac Posen 8. Alex Rodriguez and Jennifer Lopez 9. Kate Bosworth 10. Alexa Chung and Allison Williams 11. Derek Blasberg and Dasha Zukova

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1. BETTE DAVIS As we saw in the delicious T.V. series Feud, Bette Davis could slay with a look, and we thought these killer scents would do her justice. This season, be bold like Bette. 2. CLEAN Reserve Sel Santal was inspired by “an unwavering dedication to beauty, boldness, and inner strength,”which Miss Davis definitely had in spades. $95. 3. CAROLINA HERRERA The new Good Girl Eau de Parfum has a sexy bottle with an aroma to match... #Itsgoodtobebad. $115. 4. SISLEY Izia is a fragrance built around a rose with a unique scent—so it belongs on the skin of a unique woman. $100. 5. MIN NEW YORK Perfect for those who like their casual and clean scents with a hint of spice, Moon Dust is out of this world. $240. 6. HERMÈS Saddle up with the Galop d’Hermès, a fragrance that pairs a lush, bright rose with a dusky woody-leathery accord to reveal an adventurous personality that goes about its business with grace. $210.

7. BYREDO Every Byredo fragrance tells a story, and La Tulipe revels in the anticipation of spring. $150.

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BEAUTY SKIN

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In the 1969 film La Piscine, Romy Schneider sashays around in glamorous swimsuits of only black or white, leaving her natural glow to add a splash of color. Here are a few ways to have that same radiancer 2. LA MER Everyone’s favorite moisturizer is sponsoring an art trail in N.Y.C., “The La Mer Wave Walk,”culminating with an auction at Sotheby’s on June 28th, with proceeds benefiting the La Mer Blue Heart Oceans Fund. $170. 3. CAUDALIE This Purifying Mask helps tricky combination skin. $39. 4. FRESH A hydrating facial skincare treatment, the Black Tea Instant Perfecting Mask improves texture for softer, firmer, healthier-looking skin. $92.

5. ELIZABETH ARDEN Advanced Ceramide Capsules contain triple the anti-aging powder. $78. 6. LAURA MERCIER Candleglow Soft Luminous Foundation gives skin a longlasting radiant glow. $48.

7. KHIEL’S Finally, at the end of the day, rejuvinate with this Midnight Recovery Concentrate, so that you can wake up to a smoother, firmer complexion. $46.

1. ROMY SCHNEIDER

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EVENING LOOKS

1 When evening falls, high fashion calls—along with the need for some classic inspiration from memorable moments in fashion history. Here, we shop the latest trends to recreate some looks that will carry you through any evening on the town. 1. GLAMOUR The photographer Sante Forlano captured a model in a white chiffon and lace party dress by Jonny Herbert and pink satin stole by Emily Wetherby for the October 1957 issue of Glamour magazine, and we can’t think of a more feminine approach to this spring’s black-tie occasions. 2. KOTUR Inspired by the iconic diamond Jean Schlumberger Fish Brooch, the Goldfish Levin by Kotur in cloissoné red features panels created by hand using the ancient cloisonné technique of fine bronze wire and enameling. $850. 3. OSCAR DE LA RENTA This silver lamé and red poppies jacquard gown by Oscar de la Renta is sure to stun. $12,290. 4. JIMMY CHOO The pointy-toe Romy 100 in ballet pink suede is leather-lined and has a leather sole. What’s more, the 100-mm. heel is sure to give you a leg up. $2,450.

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modeled a pink cloqué gown by Mark Mooring for photographer Cecil Beaton in a July 1946 issue of Vogue, sitting alongside a fellow model in black. 2. CARTIER Slip it on for size—and the entire night: the Maillon Infini de Cartier ring in 18-kt. yellow gold and 133 brilliant-cut diamonds with chains comprising delicate links. $9,550.

3. RALPH LAUREN COLLECTION Taking a sexy spin on eveningwear, this matte jersey Connelly Cutout Gown can be accented at the waist with an accompanying brass disk or styled on its own to emphasize its graphic lines. $3,490. 4. MARCHESA Ball gown in floral printed silk organza with long sleeves and engineered antique gold lace and embroidery placement. $6,995.

5. DEVI KROELL Striped wooden clutch in yellow with crystal stones, carved by hand in Florence from perfectly aged wood. $2,480.

1. CARMEN DELL’OREFICE

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EVENING LOOKS

1. RUFFLED ELEGANCE It never goes out of style, as Vogue proved in 1951. And the softness of a carefully crafted ruffled dress will make any woman feel like a lady. Go for a classic white and billowy look, or one with a more modern and mainstreamed silhouette—perhaps in a bold blue, even. 2. HARRY WINSTON Let your inner sparkle shine with the Harry Winston Diamond Forget-Me-Not Pendant set in platinum, from the latest floral-inspired collection from Harry Winston.

The Forget-Me-Not collection celebrates the graceful form of its namesake bloom, adding warmth and radiance to any occasion.

Price upon request. 3. MANOLO BLAHNIK We find the Firaduo (in gray satin) by Manolo Blahnik absolutely fetching. $1,255.

4. CAROLINA HERRERA Color and form combine brilliantly in Carolina Herrera’s Tulle All Over Embroidered Ruffled Gown. $8,990.

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EVENING LOOKS

1 once fashioned this fishtail-hemline dress with a cascade of silver sequins, and we agree that a long cascading look is often the best charm. 2. VERDURA When the evening calls for statement earrings, reach for Verdura’s Plume Earclips in aquamarine and diamonds. Price upon request. 3. VALENTINO You’ll walk in beauty like the night—or like the embodiment of an Italian Renaissance dream—in Valentino’s Spring-Summer 2017 Look 57 dress. Price upon request. 4. ROGER VIVIER Carry it with confidence: the Roger Vivier Clutch Box Strass in silk satin with iconic buckle, clasp fastening, silk satin lining, internal pocket, and geometric detailing crafted from multicolor crystals. $2,650.

5. PRADA Take it up a notch in Prada’s 110-mm. patent leather pale pink pointytoe pump with Saffiano leather sole. $650.

1. MARC JACOBS

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SHOPPING INDEX

> Belstaff: 814 Madison Ave. or belstaff.com. > Bergdorf Goodman: bergdorfgoodman.com. > Betteridge: betteridge.com. > Bloomingdale’s: 800.777.0000 or bloomingdales.com. > Bodileys: bodileys.com. > Bottega Veneta: 212.371.5511 or bottegaveneta.com. > Brunello Cucinelli: brunellocucinelli.com/en. > Bulgari: bulgari.com. > Burberry: 877.217.4085 or burberry.com.

C > Calvin Klein: 866.513.0513 or calvinklein.com. > Carolina Herrera: 212.249.6552 or carolinaherrera.com. > Cartier: 212.446.3400 or cartier.us. > Chanel: 800.550.0005 or chanel.com. > Chopard: 800.CHOPARD or us.chopard.com. > Christian Dior: 212.249.5822 or dior.com. > Christian Louboutin: us.christianlouboutin.com. > Christofle: christofle.com/us.

D > Dana Rebecca Designs: 800.931.9085 or

We might not all be lucky enough to be Catherine Deneuve—or have Yves Saint Laurent himself help dress us—but we can get a little help from other designers as we make our own way...

To help guide you to fashion decisions from the looks in our pages, we’ve compiled a list of some of our go-to favorites here.

In between shopping, be sure to keep up with Quest and Q online for the latest fashion news: visit questmag.com and follow us on Twitter and Instagram at @questmag.

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SHOP ’TIL YOU DROP! A

danarebeccadesigns.com. > David Yurman: 877.908.1177 or davidyurman.com. > Dennis Basso: 825 Madison Ave., 212.794.4500. > Diane von Furstenberg: dvf.com.

> Aerin: aerin.com.

> Diesel Black Gold: dieselblackgold.com.

> Akris: 835 Madison Ave. or akris.ch.

> diptyque: 971 Madison Ave., 212.879.3330.

> Allied Metal Works: At Barton Perreira, 42 E. 66th

> DKNY: dkny.com.

St., or alliedmetalworks.com.

> Dolce & Gabbana: 212.249.4100 or

> Assouline: assouline.com.

dolceandgabbana.com.

B

E

> Barneys New York: 888.222.7639 or barneys.com.

> Edie Parker: edie-parker.com.

> Barton Perreira: 42 E. 66th St. or bartonperreira.com.

> Eleuteri: 646.649.5769 or eleuteri.nyc.

Q U I N T E S S E N T I A L

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SHOPPING INDEX

> Elie Saab: eliesaab.com.

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> Emilio Pucci: emiliopucci.com.

> La Perla: laperla.com.

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

> Eric Buterbaugh: ebflorals.com.

> Lalique: 888.488.2580 or lalique.com.

> Rizzoli: 1133 Broadway or rizzoliusa.com.

> Lanvin: 646.439.0380 or lanvin.com.

> Robert Marc: 1225 Madison Ave. or

> Linda Horn: 1327 Madison Ave., 212.772.1122.

robertmarc.com.

> Loro Piana: At Bergdorf Goodman.

> Roberto Coin: At Neiman Marcus or Roberto Coin,

> Louis Vuitton: 866.VUITTON or vuitton.com.

800.853.5958 and us.robertocoin.com.

F > Fabergé: 694 Madison Ave., 646.559.8848.

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> Roger Vivier: 212.861.5371 or rogervivier.com.

> GANT: 646.367.5416 or us.gant.com.

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> Gianvito Rossi: gianvitorossi.com.

> Manolo Blahnik: 212.582.3007 or

> Giorgio Armani: 877.361.1176 or armani.com.

manoloblahnik.com.

S

> Graziela Gems: 800.961.1170 or grazielagems.com.

> Marchesa: At Neiman Marcus, Saks Fifth Avenue,

> Sachin & Babi: 1200 Madison Ave., 212.966.5200, or

> Gucci: 877.482.2430 or gucci.com.

and marchesa.com.

sachinandbabi.com.

> Marni: At Bergdorf Goodman or marni.com.

> Saint Laurent Paris: 212.832.7100 or ysl.com.

> Miansai: At Bergdorf Goodman or miansai.com.

> Saks Fifth Avenue: 877.551.SAKS or

> H. Stern: hstern.net.

> Michael Bastian: At Bergdorf Goodman, Barneys New

saksfifthavenue.com.

> Harry Winston: harrywinston.com.

York, 212.228.3400, or michaelbastiannyc.com.

> Salvatore Ferragamo: ferragamo.com.

> Hermès: 800.441.4488 or hermes.com.

> Michael Kors: 800.908.1157 or michaelkors.com.

> Sevda London: sevdalondon.com.

> Hueb: 717 Madison Ave. or hueb.com.

> Mikimoto: 800.223.4008 or

> Smythson: 212.265.4573 or smythson.com.

> Hunter Boot: us.hunterboots.com.

mikimotoamerica.com.

> Stella McCartney: stellamccartney.com.

> Misha Nonoo: mishanonoo.com.

> Stuart Weitzman: 212.823.9560 or

> Moncler: moncler.com.

www.stuartweitzman.com.

> Irene Neuwirth: At Jeffrey New York,

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212.206.1272.

> Nancy Gonzalez: At Neiman Marcus or

> Ted Muehling: At Bergdorf Goodman.

> Ivanka Trump: ivankatrumpcollection.com.

nancygonzalez.com.

> Tiffany & Co.: 561.659.6090 or tiffany.com.

> Neiman Marcus: 800.533.1312 or

> Tod’s: 650 Madison Ave. or tods.com.

neimanmarcus.com.

> Tom Ford: 212.359.0300 or tomford.com.

> J.Crew: 800.562.0258 or jcrew.com.

> Nirav Modi: 727 Madison Ave. or

> Tory Burch: toryburch.com.

> J.McLaughlin: 844.532.5625 or

us.niravmodi.com.

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I > Ippolita: ippolita.com.

J jmclaughlin.com.

> Rolex: 800.36.ROLEX or rolex.com.

V

> J.Mendel: 212.832.5830 or jmendel.com.

O

> Jennifer Meyer: At ylang23.com.

> Oscar de la Renta: 888.782.6357 or

> Van Cleef & Arpels: vancleefarpels.com.

> Jimmy Choo: 877.955.2466 or jimmychoo.com.

oscardelarenta.com.

> Verdura: 745 Fifth Ave. or verdura.com.

> John Varvatos: johnvarvatos.com.

K

P > Patek Philippe: patek.com.

> Valentino: 212.772.6969 or valentino.com.

> Veronica Beard: 988 Madison Ave., 646.930.4746, or veronicabeard.com.

> Katie Ermilio: katieermilio.com.

> Prada: 724 Fifth Ave., 212.664.0010, or prada.com.

W

> Kim Seybert: kimseybert.com.

> Preen by Thornton Bregazzi: +44 (0)20.8964.9995 or

> WANT Les Essentiels: wantlesessentiels.com.

> Kotur: koturltd.com.

preenbythorntonbregazzi.com.

> Wempe: 212.397.9000 or wempe.com.

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SPRING HOROSCOPES

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Capricorn Dec. 22 to Jan. 19 Usually Capricorns are the serious type, but this is the season to say yes to anything and everything, instead of being so cautious. You will find youself in a pool of new, sun-soaked experiences to reminisce upon when the weather turns to gray. > Sangria

Cancer June 21 to July 22

Aquarius Jan. 20 to Feb. 18

Leo July 23 to Aug. 23

Caught between being the life of the party, and curling up in a blanket is your constant state of being, Aquarius. Though balance is key, being stuck in the middle is not. Let go of the stressful situation you have caught yourself in right now, and sip your mojito solo! > Mojito

There is rarely a moment where you aren’t loaded with confidence. Channel that into a big project this season. Earn that big promotion you have been eying! But don’t let your pride get in the way of someone offering advice—everybody needs help getting that SPF 45 on their back. > Manhattan

Pisces Feb. 19 to Mar. 20 The nature of Pieces is to be sensitive and open. The moons have aligned for you to take hold of the budding relationship in your life, and let it blossom to its very fullest. Don’t be afraid to get hurt, in doing that you often miss out on the best adventures! > Martini

Virgo Aug. 24 to Sept. 22 If there is ever a need for a volunteer, you are always the first to step forward. Be careful this season not to commit yourself to too many events—you want to be able to enjoy your cocktail without always having to rush off to a different event! > Margarita

Aries Mar. 21 to Apr. 19 You are known for being quite fiery when it comes to things you are passionate about.

Though that list may be long, you need to prioritize. You will have to choose between family and fun in the near future; not to worry, you will make the right decision! > Spicy Paloma

Libra Sept. 23 to Oct. 22 People count on you to balance the chaos in their lives and lend a steady hand. Libras are known for their level head, but don’t let everyone else’s problems ruin your own life. Take some time for yourself this season—maybe even buy those perfect summer sandals! > Negroni

Taurus Apr. 20 to May 20 Everyone looks to you for advice because of your ever-expanding heart, Taurus. This summer you will have to deal with some feelings of your own that will transform your future outlook. Get ready for some deep, lounge-chair thinking. > Mint Julep

Scorpio Oct. 23 to Nov. 21 The stars have aligned, Scorpio, and this will be the summer you meet someone new! Don’t rule out the charming stranger who strikes up a conversation while you are lounging in the summer sun—make sure to only let those oversiezed sunnies protect your eyes—not your heart. > Dark & Stormy

Gemini May 21 to June 20

Sagittarius Nov. 22 to Dec. 21

Gemini, you do have a tendency to get hung up on things, but this summer is your time to shed the past and let yourself shine bright!

Start the summer off right with a huge birthday celebration and finally treat yourself to the gift you have been eyeing for months! > Champagne Cocktail

Sagittarius, you are always steadfast when it comes to your opinions, and now is not the time to back down. A situation is looming in your professional life that requires you to step up to the plate. Take advantage of this opportunity to show your boss you are worthy of a promotion! > Aperol Spritz

/ SPRING 2017

The placement of the Moon indicates you should take this time to refocus your energy.

Throw yourself into a new barre class and get that summer body you have always dreamed of!

There is no reason to put yourself second this summer—so stop inventing reasons. > Old Fashioned

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