Quintessence Catalogue 2015

Contents food and drink 2 sport 8 history and culture 10 gardening 18 design 20 natural history 22 spirituality 30 whole story series 34 world atlas series 40 what makes great series 42 why not series 46 greatest series 50 chronicles series 52 music 54 fashion 56 1001 series 58 501 series 78 101 series 79 contact details 80

Beer A Guide to the World’s Top Craft Breweries ADRIAN TIERNY-JONES

BBEEEERR!

Y A D R I A N T I E R N E Y- J O N E S A S YOU ON A JOURNE Y AROUND ST CR AFT BREWERIES IN THE

S E B R E W E R I E S TA K E N O S H O R T

Y BUY THE FINEST HOPS AND

ERS WITH BOLD, E XPRESSIVE

EER: A GUIDE TO THE WORLD’S REWERIES RE VE AL S HOW THE AV E T U R N ED T H E W O R L D O F

EER UPSIDE DOWN.

© Quintessence Editions Limited 2014 No material from this presentation may be reproduced, copied or with written permission or in accordance with the Copyright Act.

A D R I A N T I E R N Y- J O N E S A D R I A N T I E R N Y- J O N E S

RE OBSESSIVE IN THEIR QUEST

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do any unauthorized act in relation to this publication may be o criminal prosecution and civil claims for damages.

s dummy is for sales presentation purposes only.

Design and/or images are subject to change.

eturn to: The Publisher, Quintessence Editions Limited, e Old Brewery, 6 Blundell Street, London N7 9BH

18/09/2014 16:28

288 pp 242 x 199 mm / 9½ x 7¾ in All rights available ATBE

Portraits of fifty of the world’s most exciting breweries.

What and where to drink, around the globe.

Features beautiful, specially commissioned photography by Michael Freeman.

2

Craft brewing is turning the world of beer upside down. Around the world, artisans are producing bold, expressive varieties. Beer lovers are devouring them and elevating their creators to rock star status. But what are craft breweries? These small to mediumsized businesses buy the best hops and malt, carefully consider how to present themselves to the public, and are obsessive in their quest to brew beers with flavor. There is a restless search for new tastes and temptations; their creations have art and soul.

Best of all, these accomplished brewers are conjuring up the best tasting beers on the planet. Beer: A Guide to the World’s Top Craft Breweries is a journey through this artisanal world: a travelog of taste that ranges from northern France to the ‘beervana’ of Portland, Oregon; from Victorian railway arches in London to sun-drenched Greek islands. It tells the stories of fifty of the finest breweries operating today—including Britain’s Beavertown, Germany’s Schlenkerla, and Belgium’s Cantillon—with special features highlighting which artisan beers to drink in each city.

‘I had this epiphany in the bar. I can’t remember the beer, but there were these flavors, the stimulus, and that was it. In a week I had left the band and got a home-brewing kit.’ logan plant

W

B E AV E RTOW N B R E W E RY

food and drink

The epiphany that made Logan Plant become a brewer was in keeping with his former role as front man of rock band Sons of Albion. After a show in Brooklyn, he sat in Fette Sau, a bar that majors in craft beer and BBQ. There, the brilliant flavors of the beer and soulful resonance of the food made his mind up. ‘I was not happy in my working life and had a passion for beer,’ he recalls. ‘I was always writing notes on beer when we were gigging. Then I had this epiphany in the bar. I can’t remember the beer, but there were these flavors, the stimulus, and that was it. In a week I had left the band and got a home-brewing kit.’

PHENOMENAL GROWTH

tottenham hale, london W Logan Plant, Beavertown Brewery

For rock star’s son Logan Plant, there were three steps to hops heaven: from his native West Midlands in Britain, to Brooklyn, and finally to North London

RANGE OF BEERS 8 Ball Rye IPA 6.2%

beavertownbrewery.co.uk

Black Betty Black IPA, 7.4% Gamma Ray American Pale Ale, 5.4% Neck Oil Session IPA, 4.3% Smog Rocket Smoked Porter, 5.4%

Plant—the son of former Led Zeppelin singer Robert—grew up in Britain’s West Midlands and first dreamed of making beer at nineteen; a dream he attributes to the influence of the area’s heritage, including breweries such as Bathams, Holdens and Enville. He favored going back to basics on a hillside in West Wales, where he would brew beer and grow apples. But when the reality of this alfresco adventure in the middle of nowhere dawned on him, he went into music instead.

Several years after his Brooklyn epiphany, Plant has set up shop, in the form of his brewery Beavertown, in Tottenham, North London. In the warehouse stand stainless steel, conical fermenters, alongside a rotund mash tun and gleaming kettle. The clink of bottles being filled on the production line rises to a ceiling laced with pipes. Such has been the phenomenal growth of Beavertown that this is its third home.

Plant is still looking for more space, this time to store wooden barrels of his beer, which he hopes to age and innoculate with wild yeast.

Beavertown was founded in December 2011, several months after Plant began immersing himself in brewing books and blogs. He began with a replica of a beer of his teenage years, Bathams Best Bitter, but American craft varieties from the likes of Bear Republic, Stone, and Alaskan Brewing soon became his lodestone. ‘I was really passionate and excited about being a pro brewer,’ he says, ‘but it was a big step taking a recipe from twenty-five litres to 600.’

I N T E R N AT I O N A L I N S P I R AT I O N

The brewery’s original home was an eighteenth century pub in east London’s De Beauvoir Town district, for which Beavertown was an old Cockney nickname. Renamed Duke’s Brew & Que, the pub underwent

LONDON, UK

‘We like what barrel-aging can do to certain beers,’ says Evin O’Riordain, founder of The Kernel, of the southeast London brewery’s minimally packaged products. ‘We enjoy the change of rhythm, and the relinquishing of control. The barrels, the bugs, the atmosphere, and the environment all do their thing at their own pace. We can react to what they do, but they do not do our bidding. We learn patience and sensitivity. Things happen that we don’t properly understand. And sometimes the results are absolutely delicious.’

B e av e rtow n B r e w e ry

tottenham hale, london

‘I had this epiphany in the bar. I can’t remember the beer, but there were these flavours, the stimulus and that was it. In a week I had left the band and got a home brewing kit.’ logan plant

W As epiphanies go, the one that made Logan Plant throw in his lot as a rock singer and take up the art and craft of brewing was rather unspectacular. He was the singer in a band called Sons of Albion — ‘we played melodic but dirty music,’ he recalls, ‘influenced by Iggy Pop and the Stooges, MC5 and Jeff Buckley’. The band was in New York where they had been playing a showcase for a record company. After the gig he’d wandered into Fetta Sau, a bar that majored in both craft beer and BBQ. As he sat there, deep in thought, the brilliant flavours beers—some them lot—and of course endeavoured to brew ours of the beer of and the adeep soulful resonance of the food helped to make like liked, say Sierra Ale, or Brewdog histhose mindwe up.

He was going Nevada to followPale a different path. Punk IPA. But we didn’t towards breweries in terms how to run a ‘I was notlook happy in myother working life and I had aofpassion for beer,’ business, what it means 30something to make and sell beer.’enthusiasm for the beers says theortall, easy-going whose he makes is infectious, ‘I was always writing down notes on beer when we were gigging. Then I had this epiphany in the bar. I can’t remember The Kernel’s star rose swiftly. The beer was boldly flavored and its the beer, but there were these flavours, the stimulus and that was it. In understated branding—bottles wrapped in strips of brown paper— a week I had left the band and got a home brewing kit. I felt I wasn’t was unique. The paper bore the brewery’s name and address, a brief happy in the way I was expressing myself and it wasn’t feeling natural.’ note of its bottle-conditioning, and the exhortation, ‘Please drink fresh.’

‘We try not to project onto people what we think they should taste ic tempero ventias orFfeel,’ observes O’Riordain. ‘We brew beers that we enjoy drinking, Plant son of pleasure singer Robert) grew up inattempting the Black to Country and it is (the our selfish to do so, without think and first hadothers the dream of making beer We at the 19, which to hedo puts how will respond to them. feelage it isofpatronising so: down to to the influence the area’s brewing heritage including breweries give someone what of you think they will like, as opposed to giving them such as Holdens Enville.

The localism of somethingBathams, that we feel is good.and This is the reason we haveand no freshness tasting the beer encouraged him and a friend to think of going back to basics notes on our labels—you don’t need us to tell you how it tastes. And ondon’t a hillside Wales they brew andtogrow you need in us West to think howwhere the beer willwould appear andbeer appeal you.’ apples, though theO’Riordain reality of this hillside in the middle nowhere soon As for the future, claims that the brewery ‘hasofno dawned plans on them.

So hethan went into music his twenties particular . . . other making betterinstead, beer.’ Hespending is, however, gigging with his first band The BCBs (Blackthat Country Bandits) and then enthusiastic about the barrel-aging programme has been quietly Sons of Albion. slumbering away in one corner of the archway. ‘We like what barrelagingSeveral can do years to certain he says.epiphany ‘We enjoyPlant the change of rhythm, afterbeers,’ his Brooklyn is sitting in the sun and of control.

The barrels, bugs,London. the atmosphere, onthe an relinquishing industrial estate in Tottenham Hale,the North Behind him and all do theirbeer thing at theirmade. own pace. react Ice in the his environment brewery, Beavertown, is being TodayWe it’scan a Lemon toSour whatBeer. they do, but they do not dobeer our bidding. learn patience A group of Brazilian fans, whoWe have just had a tour of and Things happen properly understand.

Andand thesensitivity. brewery and drank somethat beerweindon’t the compact bar, are leaving sometimes thephoto results are him, absolutely want a last with whichdelicious.’ he happily accedes to.

Behind him, in the bright space of the warehouse, a cluster of space age stainless steel conically-bottomed fermenters stands, joined by a rotund mash tun and gleaming kettle; further within the clink7of OUR SELFISH PLEASURE

W Logan Plant, Beavertown Brewery

B e ave rtown Unit 17/18, lockwood industrial park, mill mead road tottenham hale, london

range oF Beers 8 Ball Rye IPA 6.2%

www.beavertownbrewery.co.uk

Black Betty Black IPA, 7.4% gamma ray American Pale Ale, 5.4% neck oil Session IPA, 4.3% smog rocket Smoked Porter, 5.4%

6

9

THE KERNEL

LONDON, UK

london, UK

9

“The clink of bottles being filled rises to a ceiling laced with pipes . . .”

3

“Making gin is like alchemy . . . turning alcohol into nectar.” food and drink

– DARREN ROOK

dangers. ‘The key for us is to grow without compromising product quality and production methodology,’ says Hall.

So far, so good: the distillery’s pride and joy—and core product—is just as they set out to make at the very beginning: a bold, complex, and aromatic London dry gin that marries ten, specially selected botanicals (Macedonian juniper berries, Bulgarian coriander seed, French angelica root, Spanish liquorice root, Italian orris root, Spanish ground almond, Chinese cassia bark, Madagascan cinnamon, Sevillian orange peel, and Spanish lemon peel.). The team maintains that the gin is ideal for making sophisticated Martinis as well as G&Ts. The most exciting spirit from the distillery, though, is its Very Junipery Over Proof (VJOP) gin. This combines three different styles to ensure that all tastes and nuances of juniper are in the finished spirit, complemented by zesty orange and dark chocolate.

‘Imagining that the botanicals are an orchestra, we have taken the lead instrument, juniper, and amplified its presence in the ensemble,’ says Galsworthy. ‘Then we have raised the decibels by increasing the proof alcohol to 57.7%. It makes for an assertive yet refined gin, with a remarkably well-rounded flavor. It’s a true juniper lover’s gin.”

LIVING A DREAM

The same attention to detail is applied to the distillery’s other products.

There are two further gin-based products: the full-flavored Sloe Sin, and Summer Cup, embellised by summery additives including lemon verbena, Earl Grey tea, cucumber, and vermouth. There are also two vodkas: the straight sipping Barley Vodka, and Damson Vodka, whose fruity ingredients are matured for three to four months.

Determined to stay true to their artisan roots, the team behind Sipsmith refuse to compromise on the qualities that have made the operation the success it is today. Early on, they were offered large investment opportunities by financiers with one eye on the success of the French vodka Grey Goose—which, within six years of its launch, was sold to Bacardi for over two billion dollars. But, ambitious as they may be, none of the current team show any inclination to grow the business on anywhere near that scale. It’s the journey that excites them, not the financial reward. They share a passion for the world of drinks and enjoy the current focus on the skills of individual bar men and cocktail makers. More than that, they take a genuine pride in what they are doing, and enjoy seeing the reactions that their spirits provoke in their customers—hence their conviviality at the many trade shows that they attend to generate new business.

‘We’re living a dream,’ says Galworthy. “We haven’t even considered an exit because we’re having too much fun with this. The time to get out is when you’re not enjoying it any more. I can’t see that happening any time soon.” First in, last out? Quite possibly.

6

Sipsmith stands for attention to detail, precise distilling, and investment in the best ingredients.

The distillery’s packaging is stylish and in keeping with its ethos: a recurrent swan motif is a reference to the ‘swan’s neck’ pipe where the spirit vapor turns above the still—“A representation,” they say, “of the beautful and elegant Prudence [their copper still—the first to launch in London in 200 years], who is at the heart of everything we do.” Galsworthy and Hall are astute; recognizing a growing demand for boutique gin, and preempting the cocktail boom that has driven sales of unusual and distinctively flavored spirits.

SIPSMITH

Rook designed bespoke stills with Germany’s Christian Carl, and named them Matilda and Cristina.

The distillery itself is a former milk factory that had no electricity or windows. The walls had to be stripped of three inches of cork.

But the result incorporates environmentally friendly aspects such as being part-powered by solar and using organic grains.

There are unusual mobile spirit tanks handcrafted in Germany and, on the mezzanine, a distillery lab and office space, which Rook says is ‘like a little Japanese house.’

forty years. With this in mind we began our search for a site in London where we would have space to create various spirits, but with the focus on whisky and gin. Going forwards, we plan to focus equally on both.’

Rook demurs at the term ‘master distiller.’ ‘There are a lot of people in the industry who aren’t using it correctly,’ he suggests. ‘In my mind a master distiller has gone through the spectrum of jobs, such as malting, mashing, distilling, and problem-solving, which takes ten to fifteen years. To do it for two years and say you’re a master is a joke.

‘And there’s a fine line between what a distillery is and how you define it. To me a distillery is where you create alcohol. For most people making gin, you’re licensed as a rectifier compounder, not a distiller. We’re the only licensed distillery in London to create our own alcohol. Everyone else is buying alcohol in and redistilling their product.’

HIT THE ROCKS

recommended spirit

D O D D ’ S G I N , 49.9 %

This small batch gin—created by head distiller Andrew MacLeod Smith—uses organic botanicals that include juniper, angelica, fresh lime peel, bay laurel, cardamom, red raspberry leaf, and London honey. The more delicate of these are reserved in a cold vacuum still.

4

The distillery’s gin—Dodd’s, launched in 2011—is named after Ralph Dodd of Battersea, an engineer and entrepreneur with an eye for an opportunity. In the early nineteenth century he began work on a new distillery with an outlay of £100,000 (£3.5 million today). Dodd bought the finest equipment and put together a strong team, including master distiller John Taylor, who later founded the Beefeater distillery.

But Dodd forgot to incorporate the company and, when a rival filed a lawsuit against him, his London Distillery Company hit the rocks.

‘We only discovered Dodd’s story when we went to register the name and found that there had already been one 200 years ago,’ explains Rook.

‘The parallels in our locations and stories are pure coincidence, though it’s a link we feel very moved by, which is why we decided to name our gin after him. It took nine months and 200 to 300 distillations before we found the taste we wanted. Making gin is like alchemy. You’re turning basic alcohol into a nectar. Making whiskey on the other hand is a craft. It’s a skill that’s passed down that requires great mastery.’

Dodd’s is a blend of liquids. One, made in the main gin still, combines juniper, angelica, lime, and London honey with base alcohol.

The other, produced in a cold vacuum still, uses red raspberry leaf, black and green cardamom, and bay leaf. The two liquids are mixed and left for about four weeks before being hand-bottled. Launched at London’s prestigious Fortnum & Mason, it sold out in four days. ‘An amazing start,’ says Rook. ‘And the local area really got behind us too.’

Since those early days, with the full license in place, production of malt spirit has begun, while a steady stream of talent has joined The London Distillery Company to help implement its ambitious plans.

‘We will consider expansion, but not at the expense of quality,’ declares Rook. “There are ways of increasing capacity while maintaining smallbatch production methods. This is important to me, and it should be important to others coming in to the industry.’

11

Spirits A Guide to the World’s Top Artisan Distilleries

food and drink

DOMINIC ROSKROW

TIS ET REHENI NOSSED MOS SUM AUDITI QUAM SIMUSAM SIN CUS,

L U P TAT I Q U I A Q U E V O L U P TAT U S ,

T E M Q U E V E N I S I L I C I AT I I S R A E

T IBE A V EL EC UM FAC C U S S OL OR E ESSIT QUODISSI SEQUI OCCUS A CUSCIIS ETUR EOSAM.

SPIRITS

I P I TA E P L I T U T I M U T A U T E T U T

Dominic Roskrow

SPIRITS A Guide to the World’s Top

Dominic Roskrow

© Quintessence Editions Limited 2014 hts reserved. No material from this presentation may be reproduced, copied or smitted save with written permission or in accordance with the Copyright Act.

ARTISAN DISTILLERIES

288 pp

y persons who do any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

242 x 199 mm / 9½ x 7¾ in

This dummy is for sales presentation purposes only.

Design and/or images are subject to change.

Please return to: The Publisher, Quintessence Editions Limited, The Old Brewery, 6 Blundell Street, London N7 9BH

All rights available ATSP 18/09/2014 13:01

A look at fifty of the world’s finest craft distilleries, with an emphasis on boutique whiskey, vodka, and gin.

A journey from the remote forests of Sweden to the peat bogs of Tasmania.

Features specially commissioned, evocative photography by Michael Freeman.

Specialist distilleries are popping up around the world. In suburban garages and derelict farm buildings, in garden sheds and former prisons, a new generation of artisan distillers are turning their hands to making exciting spirits and rediscovering long-forgotten drinks styles. Artisan distillers have widely different aims and aspirations; few of them know each other, and there is no formal structure to the movement. But they are united by a passion to create something original and new. Every week, reports surface of more people willing to take the risk; to invest money to make everything from absinthe to vodka.

So who are these pioneers and what drives them? What exactly is artisan distilling, and how do you go about doing it? Spirits: A Guide to the World’s Top Artisan Distilleries has all the answers— with a generous splash of inspiration for those hoping to dive in. It tells the stories of fifty of the finest distilleries operating today—from London’s Sipsmith to Sullivan’s Cove in Hobart— with special features highlighting spirits to drink in each city.

5

The World of Fine Tea An Illustrated History EDWIN SOON

288pp 290 x 238 mm / 11½ x 9½ in All rights available FTEA

Written by international drinks expert Edwin Soon.

Enticingly embellished by award-winning photographer Michael Freeman.

A treasure trove for tea connoisseurs.

6

Almost four millennia after it was first discovered in China, tea remains prized for its delicious flavor and health benefits. But its status as an everyday staple belies the specialized and fascinating world of fine tea; the history, spirituality, and connoisseurship of which are every bit the equal of fine wine. This exquisite book ventures from the mountains of China to the great estates of India and Sri Lanka, to examine how tea is cultivated, picked, withered, fermented, fired, sold, and enjoyed. How do neighboring fruit trees, and energy in the soil, influence the spectacular varieties? What roles are played by spring water and volcanic ash? How does the shape of a cup alter the taste? No leaf is left unturned. And, as befits a subject cultivated in some of the world’s most spectacular locations, award-winning photographer Michael Freeman takes readers on a visual journey through the main tea-growing areas. The World of Fine Tea also examines the customs and rituals surrounding the drink, and its pivotal role in wellness. The result is a treat for the tastebuds and a feast for the eyes.

| 24 |

food and drink

What most sets Pu’er apart from other teas is that the immediate processing, which is given in one form or another to all freshly picked leaves, does not completely halt fermentation. As with many other green teas, the leaves are first wok-fried to halt oxidation and deactivate enzymes. They are then rolled by hand to break the cell walls and release trapped moisture, shaped into strands, and spread out to dry. Uniquely, however, the leaves will continue to ferment very slowly if left alone. This process goes on forever, or at least has done in the case of the oldest known samples (the most aged cake of Pu’er that I have captured on camera is over a century old and, needless to say, priceless). Moreover, the flavor profile of Pu’er in this form improves as it ages, which is to say that connoisseurs regard it more highly. As Etherington and Forster wrote in their 1993 study Green Gold, “Puerh flavors can change dramatically over the course of the aging process,

resulting in a brew tasting strongly earthy but clean and smooth, reminiscent of the smell of rich garden soil or an autumn leaf pile, sometimes with roasted or sweet undertones.” Good Pu’er also has what Chinese tea specialists call hui gan, which is a twostage effect on the tongue, beginning slightly bitter and finishing slightly sweet.

This aging process had ample opportunity to develop over several centuries. The special circumstance was the phenomenon known as the Tea Horse Road which, from the seventh century until the middle of the twentieth century, carried Pu’er tea from the southern hills more than 2,000 kilometers right tOP The processed leaves are carefully sorted by hand before being pressed into cakes.

ABOVE Grading freshly picked leaves of Pu’er tea just delivered to factory.

right BELOW A cloth-wrapped cake of Pu’er tea being placed in hydraulic press to compact it.

Chapter Five

LEFt Traditional tea ceremony performed in full ceremonial dress at Yangzong Lake, Yunnan.

O ne sip dispels sleepiness…

Second sip ref reshes my mind…

T hird sip br ings enlightenment ... jAIORAN, ODE TO TEA DRINkING

| 36 |

T e a C u lt u r e & Con noi s se u r sh i p

7

The Squared Circle The 100 People Who Shaped Boxing History SANJEEV SHETTY

THE

us. Ut magnist, sunte culles mo que oditia eum

itam hil evella seniant inciliam earchilit quatis

nectorrum est que andictur reicim hiliquas et volorem reiciume nestia exceper uptat.

acilia intusdae plam lacestio. Ratus peruptiatati

itatquo duntiae cus audantiam quas cusam

sint. Ma dita ipsam lautatu rerorrovidus miliat. escium hici coria con natus ad quid

SQUARED CIRCLE

umetur soluptias pe exercime nist int molorio.

THE

SQUARED CIRCLE

IHendicim sumetur soluptias pe exercime nist int molorio. Luptae nullibus. Ut magnist, sunte culles mo que oditia eum eume laut eicitam hil evella seniant inciliam earchilit quatis ea des es enectorrum est que andictur reicim hiliquas et autas volorem reiciume nestia exceper uptat.

Nam, est, ut facilia intusdae plam lacestio.

Ratus peruptiatati aute provitatquo duntiae cus audantiam quas cusam voleseque es sint. Ma dita ipsam lautatu rerorrovidus miliat. Ecescium hici coria con natus ad quid IHendicim sumetur soluptias pe exercime nist int molorio. Luptae nullibus. Ut magnist, sunte culles mo que oditia eum eume laut eicitam hil evella seniant inciliam earchilit quatis ea des es enectorrum est que andictur reicim hiliquas et autas volorem reiciume nestia exceper uptat.

Nam, est, ut facilia intusdae plam lacestio.

Ratus peruptiatati aute provitatquo duntiae cus audantiam quas cusam voleseque es sint. Ma dita ipsam lautatu rerorrovidus miliat. Ecescium hici coria con natus ad quid

THE

SANJEEV SHETTY

00 PEOPLE

WHO SHAPED

BOXING HISTORY SANJEEV SHETTY

vailable....

352 pp 242 x 199 mm / 9½ x 7ž in All rights available TSOB

Portrays pioneers and pugilists, from the Marquis of Queensbury to the first woman to fight legally.

Incisive and informative text by the author of No Middle Ground.

8

No sport draws on its rich history like boxing, and one thing remains constant: that this sometimes noble art captivates in a way to which others can only aspire. And because, by and large, one person must win, often skillfully, and one must lose, often painfully, the lineage of a title is traceable to centuries past.

The Squared Circle is a tribute to the names that fill those timelines, from the Marquis of Queensbury, who sanctioned the first rules in 1865, to Oscar de la Hoya, whose storybook career began with the Olympics and continued with success on both sides of the ropes; and from the greatest sportsman of them all, Muhammad Ali, to Jane Couch, who beat prejudice to become the first British woman to fight legally. Author and BBC TV sports producer Sanjeev Shetty traces the stories of the 100 most important figures in boxing history, from the fighters, to the fictional icons such as Rocky Balboa, and the notorious names from a dark side that has always made the sport so intriguing.

Bike!

A Tribute to the World’s Greatest Cycling Designers

he universally anointed ‘Ferrari’ of bicycles and the jewel in Italy’s

crown

GITANE The manufacturer behind a vast array of cycling

GH The British national treasure that neither time nor adversity could

IMANO The Japanese make that changed component manufacturing

RELLO An Italian brand for which bike aficionados reserve hushed

ce CERVÉLO The brainchild of two self-confessed engineering geeks,

es the world’s most futuristic racing machines

GAZELLE A Dutch

on EDDY MERCKX The bikes ridden, endorsed, and now made by

ing cyclist of all time CANNONDALE The North American master

oth on and off the road

ance and craftsmanship the use of titanium

DE ROSA An Italian name synonymous LITESPEED For years the only bike brand

PEUGEOT Quintessentially French and ridden

reatest Tour de France riders of all time.

BIKE!

I o N . c r A F T S m A N S h I P. S P e e D .

A TRIBUTE TO THE WORLD’S GREATEST CYCLING DESIGNERS RICHARD MOORE & DANIEL BENSON

dio photographs of bikes, atmospheric portraits scinating insights into engineering techniques, erful book to dip into.”

ustrated… good research and some great stories.”

sport

RICHARD MOORE & DANIEL BENSON

To many, the racing bicycle is a cult object, a ve

of dreams, a marvel of engineering and aesthet

Spanning over one hundred years of the sport,

is the in-depth history of the 49 greatest design

who have shaped the world of cycling. Starting

on the dusty plains of Italy in the nineteenth ce

to the nano-tube technology of today, Bike! is t

cycling bible for anyone who cares about the lo

sweat and tears that have gone into the pursuit of perfection on two wheels.

Unmasking the soul of those like colnago, Shim and campagnolo, Bike! also tells the story of

BIKE!

landmark classics such as Fausto coppi’s 1952 Bianchi, Graeme obree’s ‘old Faithful’, chris

A TRIBUTE TO THE WORLD’S GREATEST CYCLING DESIGNERS

Boardman’s Lotus and Lance Armstrong’s Dam

hirst ‘Butterfly’ Trek. From raleigh to Peugeot

Gitane to cervélo, in graphic detail with sublim

photography, Bike! is the beautifully illustrated s of the visionaries and riders who joined forces to create two-wheeled legends.

co-edited by veteran cycling journalists richard

RICHARD MOORE & DANIEL BENSON

moore and Daniel Benson, Bike! is the most str

tribute ever produced to the beauty of the bicy

FOREWORD BY

ROBERT PENN

e

£25

352pp 242 x 199 mm / 9½ x 7¾ in Rights sold: UK, US, Canada, Australia, New Zealand VL22

The most striking tribute to the craftsmanship, precision, and speed of the racing bicycle ever created.

Fascinating portraits of cult bikes make for an essential read.

To its millions of admirers and riders, the racing bicycle is a vehicle of dreams, and a marvel of engineering and aesthetics.

Bike! is the first book to provide a comprehensive history of the world’s most famous racing-bike and component manufacturers.

From the cradle of road biking on the plains of northern Italy to the birthplace of mountain biking in Marin County, California, Bike! charts the history behind names such as Shimano and Campagnolo. The portraits are not just of the brands themselves but of the pioneers who created them and those who made them famous. Interspersed throughout are special features on groundbreaking landmark bikes, such as Fausto Coppi’s Bianchi from 1952, Graeme Obree’s Old Faithful from 1993, and Mark Cavendish’s Specialized Venge from 2011. Completed by sublime photography, historic catalogs and posters, and graphic timelines, this book is a connoisseur’s study of the manufacturers that forged the legend of the racing bicycle.

9

LITTLE RICHARD

FATS DOMINO 1956

THIS IS FATS A glorious gumbo 99 of rock ’n’ roll,

R&B and boogie-woogie piano that features “Blue Monday,” “Honey Chile,” and Domino’s signature song, “Blueberry Hill.”

1957

ELVIS PRESLEY 1960

HERE’S LITTLE ELVIS IS BACK! RICHARD On this storming

97

Richard Penniman, in his pianopounding pomp, tears through “Tutti Frutti,” “Ready Teddy,” “Long Tall Sally,” and “Rip it Up.”

41 comeback after his

U.S. Army service, Elvis is in majestic voice: sultry on “Fever,” teasing on “Such A Night,” and raw on “Reconsider Baby.”

JAMES BROWN 1963

BOB DYLAN 1965

63

7 Ten album rocks hard

LIVE AT THE APOLLO This self-financed recording, made at Harlem’s Apollo theater, is a fast, tight, hit-packed set that’s rapturously received by the audience.

BRINGING IT ALL BACK HOME

Dylan’s first U.S. Top

(“Subterranean Homesick Blues”) amid acoustic tour-de-forces, notably “Mr Tambourine Man.”

100 ROCK AND

POP ALBUMS THE BEACH BOYS

THE JIMI HENDRIX EXPERIENCE 1967

OTIS REDDING 1965

OTIS BLUE

1966

PET SOUNDS 34 5

history and culture

Brian Wilson abandoned the well-trodden girls-’n’-surf fare to craft this complex, carefully orchestrated set. His label and many fans were puzzled, but it proved highly influential, not least on Sgt. Pepper. “God Only Knows” is the sublime stand-out, but “Caroline, No” and “Don’t Talk (Put Your Head on My Shoulder)” brim with sweet melancholy.

This U.S. chart-topper embraced pop, soul, and R&B with matchless power.

The Stones’ “Satisfaction” slots in seamlessly alongside the self-penned classics “Respect” and “I’ve Been Loving You Too Long.”

LOVE 1967

FOREVER CHANGES A quixotic take on the Summer of Love 27 from the gifted but troubled Arthur Lee achieves power through subtlety, from “Alone Again Or,” to the moody “The Red Telephone” and triumphant “You Set the Scene.”

THE BEATLES 1966

THE MOTHERS OF INVENTION 1966

3 sways from string quartets

100 rock, Frank Zappa’s double album

REVOLVER This kaleidoscopic collection

(“Eleanor Rigby”), to raga (“Love You To” and the scintillating solo on “Taxman”), psychedelia (“Tomorrow Never Knows”), and pop’s greatest kids’ song [“Yellow Submarine”].

FREAK OUT!

An inventive satire of the U.S. and

debut—a genre first—is anti-authoritarian (“Who Are The Brain Police”), but makes time for an affectionate doo-wop parody (“Go Cry On Somebody Else’s Shoulder”) and a threemovement suite (“Help, I’m a Rock”).

ARE YOU EXPERIENCED

14 of psychedelic brilliance, including “Foxy Lady,”

This devastating debut album offers concise slices

“Manic Depression,” the sci-fi soundscape “Third Stone from the Sun,” and the mesmerizing title track. “Red House” reveals Hendrix’s mastery of the blues, while drummer Mitch Mitchell excels throughout (see “Fire”).

THE BEATLES 1967

SGT. PEPPER’S LONELY HEARTS CLUB BAND 1 studio innovation, birthing the band and producer Peerless songcraft was twinned with unbridled

George Martin’s finest hour. A psychedelic box of jewels, Pepper takes in Lewis Carroll’s Through The LookingGlass (“Lucy In The Sky With Diamonds”), Indian music (“Within You Without You”), domestic crises (“She’s Leaving Home”), Victorian circuses (“Being For The Benefit Of Mr Kite”), and a genre-defying finale (“A Day In The Life”). “We lost a lot of people with Sgt. Pepper,” observed Paul McCartney, “but I think we gained more.”

 Artist Peter Blake’s cover for The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band (1967).

GIN

NEGRONI 29

In 1919, Italian count Camillo Negroni entered a Florence bar and ordered an Americano— Campari, vermouth, and soda—with added gin. The barman replaced the customary lemon with orange peel and a classic was born. That’s the story anyway, although efforts to verify the existence of the count have proved curiously inconclusive.

GIN

BIJOU

48 1882 bartenders

First noted in an

manual, Bijou (French for jewel) is a boldly flavored combination of gin, sweet vermouth, and Green Chartreuse, with a dab of orange bitters.

MARTINI GIN

1

The king of cocktails is a marriage of gin and vermouth, with an olive. It was a favorite of James Bond, who demanded it be shaken not stirred (although writer Somerset Maugham, who inspired Bond creator Ian Fleming, was a stirrer not a shaker).

Various tales are told of its birth in the nineteenth century, but others suggest New York in 1911 or 1912. Whatever the truth, the Martini came to epitomize glamor and sophistication in the U.S.

GIN

GIN

TOM COLLINS

39

This lively confection—gin, fresh lemon juice, sugar syrup, and soda—was first detailed in Jerry Thomas’s The Bartender’s Guide (1876). Its name supposedly dates from a prank practiced in U.S. taverns a couple of years earlier.

GIN

GIN

MONKEY GLAND

GIN FIZZ

the glass for this classic 1920s cocktail, named after Russian surgeon Serge Voronoff’s technique of grafting tissue from monkeys’ testicles onto those of men.

alcohol is shaken with lemon juice, sugar syrup, and ice cubes (purists insist on two of the latter in the glass). This is one of several variants of the fizz family, its origins believed to lie in late nineteenth century America.

40 and absinthe are blended in

Gin, orange juice, grenadine,

GIMLET

36 arises from soda water, added after the The gin is self-explanatory. The fizz

44 effective favorite This simple but

of Raymond Chandler’s private eye Philip Marlowe (and Chandler fan Ernest Hemingway) slings gin and lime juice together.

Shake with ice and serve.

G&T GIN

GIN

56

55

BRONX

Despite its New York-referencing name, this mix of gin, vermouth and orange— essentially a Martini with orange—has been traced back to pre-Prohibition Philadelphia.

4 FOOD & DRINK

10

VESPER

Another classic James Bond cocktail, this appears in the 1953 novel Casino Royale, when 007 orders Gordon’s gin, vodka, and the aperitif Kina Lillet, shaken not stirred.

TUXEDO GIN

80 Manual (1882) introduced this Harry Johnson’s Bartender’s

blend of Old Tom gin, dry vermouth, absinthe, maraschino liqueur, and a dash of orange bitters.

WHITE LADY 62

Crush your ice, add gin, triple sec, fresh lemon juice and, for creaminess, well whipped egg white, and you’ll be drinking a cocktail whose disputed origins date to between the world wars.

69 sums up this

Sweet and fruity

potation of dry gin, apricot brandy, and fresh orange juice, developed by bartending legend Harry Craddock during his tenure at London’s Savoy.

GIN

AVIATION

14 a splash of crème de violette liqueur,

Classically violet-blue in color owing to

this elegant drink appeared in 1911, with gin, lemon juice, and maraschino liqueur. Dissent erupted when the hard-to-find crème de violette was dropped from the Savoy Cocktail Book recipe—purists insist upon it.

GIN

MAYFAIR COCKTAIL

91

CASINO

RAMOS FIZZ

70 Orleans in 1888. A complex mixture of gin, lemon Bartender Henry C Ramos developed this in New

61

Lemon juice adds citrus zest and zip to this adaptation of the Aviation, in which the smoothness of the crème de violette is replaced by the slightly more bittersweet maraschino liqueur and a couple of dashes of orange bitters. For completists, the gin should be Old Tom and the garnishes a lemon twist and a maraschino cherry. This drink surfaced in the 1920s and can be found in The Savoy Cocktail Book, so it would be safe to regard it as another creation of author Harry Craddock.

and lime juice, sugar, cream, orange flower water, soda, and egg white, it was a favorite of Tennessee Williams.

GIN

CLOVER CLUB

71 Philadelphia club of the same name. The gin is

This pre-Prohibition cocktail was developed in a

joined by lemon juice, raspberry syrup, and egg white, though sometimes the syrup is replaced by grenadine.

GIBSON GIN

78 pickled onion instead of an olive. The This is a perfect Martini with a sweet

drink appears without the onion as Gibson in a 1908 cocktail book but, by the 1920s, the salty balls were an essential part of the kit.

RUM

BACARDI

6 variant of the daiquiri, which also utilises Bacardi white rum must be used in this

PARADISE

This is the drink that quenched

GIN

90

GIN

5 the thirst of the British Empire

and has continued to do the same at countless golf club bars ever since. Its popularity emerged during the early nineteenth century when the antimalarial properties of quinine made it a regular tonic for Brits in India, mixed with gin, soda water, and sugar to make it more palatable. Depending which country the drink is made in, the garnish will be lemon or lime.

PEGU CLUB

3

GIN

GIN

GIN

This blend of gin, lime juice, Cointreau, and bitters was the house drink of the Pegu gentlemen’s club in 1920s Burma.

GIN

100 ROCK AND POP ALBUMS

Another cocktail from the 1920s with gin, apricot brandy, and fresh orange being joined in the glass by a dash of clove syrup, or cloves muddled in the shaker.

grenadine syrup and fresh lemon or lime juice. Originating in Cuba, it grew in popularity in the U.S. after Prohibition. In 1936, the New York Supreme Court declared, at the behest of Bacardi itself, that the company’s rum had to be used for anything called a Bacardi cocktail.

RUM

CUBA LIBRE 2

This is one of the world’s most popular cocktails: a highball of white rum, cola, and fresh lime juice (although in many territories it is known simply as a rum and coke, whether the lime is present or not). Its origins are unclear though most accounts suggest it emerged in the aftermath of the Spanish-American War of 1898 when Cuba was liberated from Spain’s control. Coca-Cola didn’t reach the island until 1900 but the name—which translates as “Free Cuba”—comes from a toast to Cuban independence given by the unnamed U.S. officer credited with conjuring up the drink.

100 COCKTAILS

5

100 x 100 The Best of Everything

history and culture

A PANEL OF EXPERTS

1,000 pp 227 x 215 mm / 9 x 8½ in All rights available 1X12

A new type of encyclopedia fro the 21st century.

Compiled by an extensive team of expert academics and authors.

The perfect gift for all the family.

1,000 pages 10,000 entries 380,000 words 2,000 illustrations

The ultimate list book, 100 x 100 takes ten broad topics—visual arts; music; literature; food and drink; sport and leisure; science and nature; society and philosophy; history; travel; design and technology—and provides a breathtaking range of concise yet informative profiles of each one. A true treasure trove, it includes 10,000 entries: every subject area is divided into ten subsections, each featuring 100 entries. Lovers of the visual arts will encounter fascinating insights into 100 artists, paintings, sculptures, movies, and more. Gourmets will welcome descriptions and reviews of 100 dishes, restaurants, and chefs; while sports fans can enjoy 100 great sporting moments. With evocative illustrations and an eye-catching design throughout, readers will find helpful summaries of complex philosophical and religious ideas, groundbreaking economic and psychological theories, pioneering explorers, and game-changing military innovations. This weighty compendium is the perfect springboard to stimulate interest in our history and culture.

11

“Many will enter a world for which they have been looking”

history and culture

– JOHN SMITH

| 4 |

Early vernacular buildings are notoriously difficult to date, constructed of the materials to hand and resistant, though not immune, to the vagaries of fashion. However, the timber framing at Purton Green contains two distinctive features that were used from about 1150 but almost universally superseded soon after 1300. The first is that the two cross frames that support its roof are constructed as scissor or passing braces, so-called for their diagonal criss-cross form. Under such simple construction forms, the width of a hall house was limited by available timber lengths for its span. The second feature is that additional width was added to the hall by the addition of side aisles. The presence of both these features allows the house to be dated to the second half of the thirteenth century. Key developments in construction after 1300 rendered scissor braces and side aisles largely obsolete, and they survive but rarely. Where they do, their remnants are found, as at Purton Green, embedded inside later accretions and adaptations that enabled the survival of these early and soon rickety structures built directly onto bare earth.

The concept of the open hall lay at the heart of domestic housing design from the very earliest times. In the thirteenth

century, this house at Purton Green was perhaps 5 feet (1.5 m) wider than today, and the shaggy thatched roof swept down to 5–6 feet (1.5–1.8 m) above ground level. At the center of the house, both physically and socially, was the hall, a large space open to the rafters. When its side aisles were intact, the Purton Green hall was some 30 ft (10 m) square; an imposing and dignified space.

Like all halls, Purton Green was arranged according to strict hierarchical conventions. Smoke from a central hearth set in the floor toward one end of the hall filtered its way up through light slanting from small mullioned windows with sliding wooden shutters and no glass, to escape through a slatted opening or gablet. At the “low end” of the hall was a cross passage with service and storage rooms beyond; the “pantry” for dry goods, the “buttery” for wet, and further rooms above, probably accessed by a ladder. At Purton Green, the cross passage has an arcade with six Gothic arches running along it, its posts supporting the side aisles for extra width. At the high end of the hall, to which the fire is closer, the master of the household and his family would sit at a long cross table on benches looking

The restored medieval hall, showing the scissor braces and side aisles supporting the roof.

Original timber beams frame the staircase up to the chamber.

Chapter One

Margaret Mirrielees’ initials on the keystone above the entrance to the house.

1898

The modified and derelict farmhouse before restoration work began in 1965.

| 5 |

Gertrude Jekyll at Deanery Garden, Berkshire; another example of her collaboration with Edwin Lutyens.

GODDA R DS SUR R E Y

“Among the social changes in the London that I have known during my lifetime, none is more striking than the passing out of the picture of personal almsgiving,” wrote the social pioneer Beatrice Webb between the First and Second World Wars.

The industrialization of Britain during the nineteenth century and the international empire that it helped create had brought about an explosion in wealth, making millionaires overnight.

Population growth and urbanization brought their own problems, including destitution and discontent, and from these extremes of wealth and poverty was born the great age of philanthropy. Among the richest of the rich in the late Victorian age were the shipping magnates and the department store moguls, and it was the combination of fortunes from these two industries that brought into being Lutyens’ Arts and Crafts gem Goddards in a philanthropic endeavor.

In September 1898, Frederick Mirrielees and his wife Margaret were introduced to the young and irrepressible architect Edwin Lutyens by his friend and patroness, the fifty-five-year-old Gertrude Jekyll. The Mirrieleeses had recently settled in the comfortable wooded landscape of Surrey after a

12

England’s agricultural economy grew during the twelfth and thirteenth centuries. During July and August most of the local population helped with the hay making.

1 2 50 –1 50 0 : La nd scape a nd Lord sh ip

A RTS A N D CR A FTS A L MSHOUSE

| 6 |

down the hall. The family’s private chambers led off behind the high end.

Under the same hierarchy, each visible roof truss in the building had its upper and lower face, the upper face more highly finished and set toward the master. The decorative value of the scissor trusses was used to the full for soaring patterns of chevrons and saltires. The octagonal arcade posts have carved capitals, in a sophisticated decorative scheme designed to impress, and to be viewed at their best from the high table.

Such halls held the kernel of medieval life. Each was a communal space for the wider household (servants and workers as well as family) to live, eat, work, and sleep. It was the arena for social, ceremonial, judicial, and business life. Purton Green is an example of some status, probably built by one Walter de Priditon (or Purton), steward to the Earl Marshall, who was a senior member of the king’s household. This basic format for existence, however, was played out in all but the very humblest medieval dwellings, right up to the palace of the king himself.

Every researcher of vernacular buildings dreams of discovering the heavy, soot-encrusted roof timbers of an open hall hidden in the attic of a much-altered farmhouse. Leaping forward some 800 years to 1965, the year the Landmark Trust was founded, this was exactly what happened to George and Sylvia Colman in this Suffolk field. They published their findings, and then wrote to John Smith to ask if his new charity might consider taking this building on.

John Smith used the resources of the Manifold Trust to buy and then restore the house to present as best as feasible its original medieval form. Even for someone with his vision, this was a courageous move. Conservation in 1965 was not the passionate activity it has become today; the painstaking and expensive retrieval of such a building must have seemed at best eccentric, demanding the skills of an archaeologist as much as a an architect. The eventual Landmark reveals more of the thirteenth century than had survived visibly through its later accretions but still allows the later development of the house to speak. Its cluster of associated buildings have long since disappeared, but here we can still catch the medieval tang of wood smoke in open fields.

In John Smith’s own words for the 1971 edition of The Landmark Trust Handbook: “The people of the Middle Ages have vanished in every way; we do not think or act in the least as they did, which is in some respects a pity. The atmosphere of their world is elusive indeed, but compelling and binding for those who find it. It is present in full measure here and we hope that through the hall at Purton Green, blackened by smoke and time, many will enter a world for which they have been looking.”

Chapter Five

restless early marriage. Frederick’s father was the founder of Russia’s largest department store, Mirrielees and Muir, where Countess Tolstoy bought her hats and after which Anton Chekov named his dogs. The store was at the forefront of contemporary technological and customer-service innovations: it was the first building in Moscow with elevators, and the first to offer a money-back policy to customers. Margaret was the daughter of the shipping magnate Donald Currie, whose Castle Line ran the main supply route from London to South Africa, and who was chairman of the London board of De Beers Mines.

Despite their immense wealth, the couple, each the child of a hard-headed industrialist, lived comparatively modestly, and built a house for themselves near Abinger Common for which Jekyll was creating a rock garden. The idea Frederick discussed with Lutyens was for a small-scale charitable establishment, a building on a plot of land near their house that might serve as a place of rest and recuperation for those in need. It was unclear at this stage whether a commission would actually materialize, but Lutyens could see the pair were valuable potential clients, writing to his wife “Mrs M. is a daughter of Sir. D. Currie and will eventually come into a £1,000,000 of money so they say, so it’s, say I, worth business while to ‘cultivate.’”

Mirrielees’s scheme “to build a little house or rather two cottages with a common room behind to lend poor people, sick children, etc.” was rather vague at first but quickly became more

A contemporary shot of the renovated Goddards, with its towering brick chimney stacks and lush planted borders.

18 4 0 –2 01 5 : Desig n ing t he Moder n World

| 7 |

Landmark A History of Britain in 50 Buildings

history and culture

ANNA KEAY & CAROLINE STANFORD

288 pp 279 x 229 mm / 9 x 8½ in Rights sold: UK EBOB

Fifty of Britain’s greatest and most historic buildings, examined in detail.

Spectacular photography throughout.

Published to celebrate fifty years of The Landmark Trust.

This sumptuous volume celebrates the Landmark Trust’s protection of British heritage since its founding fifty years ago.

From a medieval hall house to the winner of the 2013 Stirling Prize for Architecture, buildings rescued from threatened oblivion are presented to vividly illustrate British history from 1250 to the present day. Presented in the order in which they were built, each featured building exemplifies and illuminates Britain’s past. Landmark weaves political events and people from all levels of society into an engaging narrative that combines information and images about both Landmark’s buildings and British history. The buildings include the unusual, the fantastic, the spectacular, and the enchanting; including a fifteenth-century inn in Suffolk, an Elizabethan hospital in Yorkshire, a lighthouse in the Bristol Channel, and an Italianate railway station. For everyone interested in history or architecture, this book will bring fresh insights; for all those interested in buildings conservation, the book will provide an insight into the Landmark Trust.

13

Making Sense of Buddhist Art & Architecture PATRICIA KARETSKY

history and culture

Making sense of Buddhist art & architecture

ef and standing re but

Making sense of Buddhist art & architecture

rical

s,

uddhist ly and

Patricia

Karetzky 224pp

150 x 150 mm / 6 x 6 in Rights sold: UK

Patricia Karetzky

IORN

100 Buddhist artworks illustrated and analyzed in detail.

Provides a range of critical tools for appreciating further works.

Examples include paintings, buildings, and diverse artifacts.

14

Buddhist art and architecture, from tiny portable shrines and delicate illustrated manuscripts to huge monuments—such as the “Great Stupa” at Sanchi, the oldest Buddhist sanctuary in existence—never fail to be interesting or awe-inspiring.

But without knowing what the artist or architect was trying to achieve, lay visitors sadly miss much of the significance of what they see. Making Sense of Buddhist Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret each painting, building, or artifact in terms of the iconography and symbolism of the Buddhist religion.

With reference to 100 sharply illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to devotees. Informed by Making Sense of Buddhist Art & Architecture, enthusiasts will begin to recognize recurrent motifs and be able to interpret the symbolism of what is in front of them, leading to a deeper appreciation of the art and the religion that inspired it.

ried historical

, sculptures, holy

efacts.

lism of Christian

Making sense of Christian art & architecture

HEATHER THORNTON MCRAE

ned clearly and

ied historical

cts, manuscripts erse artefacts.

Heather Thornton McRae

Heather Thornton McRae

224pp 150 x 150 mm / 6 x 6 in Rights sold: UK RHCH

A fresh, informative approach designed to transform our grasp of Christian heritage.

Making sense of Islamic art & architecture

ic belief and ur understanding hitecture but also

Making Sense of Christian Art & Architecture

ism of Islamic ned clearly and

Making sense of Islamic art & architecture

Like all sacred art, Christian art and architecture contains many references to scripture that are lost to lay readers today. Making Sense of Christian Art & Architecture reveals what to look for— from the cruciform layout of the typical Christian cathedral, with its east-facing semicircular apse, to the visual symbols in stainedglass windows that, for the kneeling and unlettered believer, would unerringly identify individual saints and martyrs. The book is divided into six sections—Places of Worship; Places of Contemplation; Mosaics, Sculpture, Paintings, and Icons; Tombs, Memorials, Death and Resurrection; Holy Words; and Holy Objects. The reader will learn to identify which visual elements express aspects of the Christian faith, and will be able to discern the motifs that recur in diverse Christian art forms. Making Sense of Christian Art & Architecture deepens understanding not only of Christian art and architecture but also of Christianity itself.

history and culture

rchitecture but

Making sense of Christian art & architecture

stian belief and ur understanding

Making Sense of Islamic Art & Architecture ADAM BARKMAN

Adam Barkman

Adam Barkman

224pp 150 x 150 mm / 6 x 6 in Rights sold: UK RHIS

Islamic sacred art, drawn from throughout the Islamic world, analyzed in detail.

To perceive Islam as hostile to the arts is a serious mistake— the major architectural achievements in Dubai, the new library in Alexandria, and the Faisal Mosque in Pakistan are ample testimony that Islamic art is alive and well. Making Sense of Islamic Art & Architecture is an attempt to explain Islamic art— and thereby a great deal of Islam itself—both to those who may see it as very foreign, and also to the more experienced. The book is divided into five sections: the Architecture of Mosques, Mausoleums, and Places of Learning; Calligraphy and Paintings; Glass, Metal, Stone, and Wood Works; Ceramics and Textiles; and the Architecture of Palaces, Castles, and Bazaars. Some of the art selected—art depicting Noah, Socrates, or Alexander the Great, for example—has been selected as a way to bridge a nonIslamic understanding with an Islamic one, while others will take the reader to a whole new level of wonder and appreciation.

15

ANCIENT HERITAGE

history and culture

Making sense of Peruvian art & architecture

Making Sense of Peruvian Making sense of Art & Architecture Peruvian art & architecture

224pp 150 x 150 mm / 6 x 6 in All rights available MSAP

Iconography and symbolism clearly and succinctly explained.

Scholarly research by an expert in the field.

&

ANCIENT HERITAGE

mprehend

d belief in

aintings,

nt Egypt.

arly

s, you will be

ements that

aith. Making

tecture

Making sense of Egyptian art & architecture

m of

tian belief,

n to deepen

Egyptian

For more than two thousand years, before the disastrous arrival of the Spanish conquistadors in 1532, Peru saw an extraordinary succession of civilizations. In Making Sense of Peruvian Art & Architecture, historian Peter Furtado takes as his subject 100 of the most important works of Peruvian art and architecture, and interprets each painting, building, or artifact in terms of the iconography and symbolism of ancient Peruvian cultures. The book is divided into five sections: Architecture; Gods, Death, and the Afterlife; Daily Life; Animals and the Natural World; and Domestic and Government. Each section is represented by twenty spectacular masterworks, chosen to represent the range and diversity of the ancient Peruvian world. By becoming familiar with diverse historical works, readers will learn the story of ancient Peru, and through recognition of recurrent motifs and symbolism they will gain a deeper appreciation of Peruvian art.

Making Sense of Egyptian Making sense of Art & Architecture Egyptian art & architecture

the ancient

224pp 150 x 150 mm / 6 x 6 in All rights available MSA2

Hidden meanings of Egyptian art and architecture revealed.

Color photographs of artworks and details.

16

PETER FURTADO

PETER FURTADO

Egypt flourished with exceptional cultural continuity for two and a half thousand years. It saw some of the grandest, most spectacular buildings ever created, including the Great Pyramid.

Refined craftsmanship also emerged in a wide range of fields, and countless exquisite examples of sculptures, paintings, jewelry, goldwork, ceramics, and glassware have survived. In Making Sense of Egyptian Art & Architecture, Peter Furtado takes as his subject 100 of the most important works of Egyptian art and architecture, arranging them in five sections: Pyramids and Temples; Tombs, Mummies, and Kingship; Portraits; Daily Life; and Gods, Goddesses, and Animals. Each section is represented by twenty masterworks, chosen to represent the range and diversity of the Egyptian world. By tracing the paths between ancient Egyptian cults, beliefs, and rituals, and artistic intention, this book offers key insights into a vanished world.

Making Sense of Roman Art & Architecture PETER FURTADO

and symbolism of empire, Greek precedents, and state-sponsored worship of many gods embedded in the paintings, buildings, and artifacts of ancient Rome. By examining details of 100 clearly illustrated and diverse artworks, you will be able to identify the key visual elements that express Roman culture and faith. Making Sense of Roman Art & Architecture traces the paths between

ANCIENT HERITAGE

Making sense of Roman art & architecture

enables you to comprehend the iconography

Roman belief, self-image, and artistic intention to deepen your understanding not only of Roman art and architecture but also

Making sense of Roman art & architecture

history and culture

Making Sense of Roman Art & Architecture

of the ancient Romans themselves.

224pp 150 x 150 mm / 6 x 6 in All rights available

ANCIENT HERITAGE

MSAR

Researched from ancient source material with modern interpretations.

An up-to-date scholarly work made accessible to all those fascinated by the grandeur and beauty of Roman remains.

The Roman Republic and Empire lasted for more than a thousand years, and at their height included more than a quarter of all people on the planet. Their architectural legacy dominates the Western world aesthetically, while the physical remains— roads, amphitheaters, walls, temples, and marketplaces—are landmarks across much of Europe and the Mediterranean.

In Making Sense of Roman Art & Architecture, Peter Furtado guides readers through a stunning collection of Roman works of art, buildings, and artifacts. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the details that tell the story of Roman civilization.

The book is divided into five sections: Architecture of Rome and its Environs; Italy and the Empire; Portraiture; Daily Life; and Myth and Belief. Each double-page entry illustrates a new work or its context and presents a detailed exposition of the masterpiece’s significance in art history, with key historical facts about the work, including where it may be seen today.

17

Color My Garden Planting Ideas For Every Site And Season ANNIE GUILFOYLE

PLANTING IDEAS FOR EVERY SITE AND SEASON

gardening

COLOR MY GARDEN

352 pp 245 x 188 mm / 9½ x 7½ in All rights available

ANNIE GUILFO YLE

CMGR

A highly inspired guide to choosing and using colors in the garden.

120 color recipes are presented and analyzed with infographics and planting plans to achieve the effect.

Inspirational color ideas for a wide range of soils, garden sites, and every season.

18

The use of color is perhaps the most challenging and potentially satisfying aspect of garden design. Flowers and foliage can glow if cleverly juxtaposed, or fail to shine if plants cancel out each other’s attractions. Without imposing any aesthetic assumptions on the reader, Color My Garden explores why we are drawn to some colors and repelled by others. Author Annie Guilfoyle explains conventional aids to determining beautiful color contrasts and suggests new ways of developing personal color skills; in particular, she offers fresh advice on using color in relation to the garden’s context. Color My Garden is divided into ten sections, each focused on a single key color; within each section, twelve different color recipes centered on that color are suggested for borders or areas of bedding intended for different soils, sites, and seasons. A detailed planting plan is included for each color recipe. Also included in the sections are inspirational photographs of color schemes created by internationally known garden designers, with suggested variants and alternatives.

Gardening Without a Garden Ideas and Innovations in Urban Gardening

Gardening without a Garden Ann-Marie Powell

gardening

ANN-MARIE POWELL

Ideas and Innovations in Urban Gardening 288 pp 242 x 199 mm / 9½ x 8 in All rights available GWAG

Solutions to growing gardens in unconventional spaces are showcased throughout the book.

Compiled and written by TV garden presenter Ann-Marie Powell.

Practical advice on container growing and many other aspects of “no-garden gardening.”

Many people in urban areas possess no conventional garden but long to use plants and garden materials in their home. Gardening Without a Garden is an essential sourcebook to inspire and guide such would-be gardeners. Author Ann-Marie Powell shows how, with an open mind and careful planning, a windowsill, roof space, basement, allotment, houseboat, or community garden space may be transformed into a green oasis. She discusses clever solutions, such as roof pedestal systems that allow paving or decks to be freestanding without damaging a roof ’s structure, lightweight planters with wheels that are easily moved around, and specialist container systems with built-in irrigation systems that can be suspended from walls. She explains which plants are best for contrasting settings, discusses communal and “guerilla” gardening in public spaces, and gives tips on how to maintain a “no-garden garden” once it is established. Gardening Without a Garden is set to become the urban dweller’s bible for styling, growing, and maintaining the quirkiest of growing spaces.

19

Interior Design Close Up The Complete Book of Interior Styles DOMINIC BRADBURY

INTERIOR DESIGN CLOSE UP

design has ting as it is me a place of he freedom to e of influences, esign Close Up s diversity with 0 engaging and round the globe. hitects include nd creative minds h as Lee Mindel, , Pierre Frey, y, who offer that you ate

interior

DESIGN CLOSE UP DOMINIC BRADBURY

DOMINIC BRADBURY

432pp 245 x 188 mm (9¾ x 7½ inches) Rights sold: UK, US, Canada, Australia, New Zealand IDCU

Amazing examples of bedrooms, bathrooms, kitchens, and sitting rooms.

Ten thematic chapters; 100 different styles.

An international survey by bestselling interiors author Dominic Bradbury.

20

The world of interior design has never been so eclectic and varied as it is today. The home has become a place of true, personal expression, with the freedom to draw upon a diverse palette of influences, styles, and ideas. Interior Design Close Up explores and celebrates this diversity with a room-by-room tour of 100 different design styles from around the globe. Featured designers and architects include some of the most original and creative minds working internationally, such as Lee Mindel, Rose Tarlow, Marc Newson, Pierre Frey, Autoban, and Agnes Emery. The book is arranged into ten distinct chapters, from “Composition” through to“Global,” each of which is illustrated with ten evocative houses or apartments. An opening double-page spread presents the most spectacular space in the home, and design elements and individual features are picked out in more detail on the following pages. Full of inspiration, information, and ideas, Interior Design Close Up will draw in anyone looking for a rich resource book and guide to improving their own space.

Garden Design Close Up The Complete Book of Garden Styles

design

EMMA REUSS

432pp 245 x 188 mm (9¾ x 7½ inches) Rights sold: UK, US, Canada, Australia, New Zealand GDUC

The comprehensive guide to garden design.

Each garden photographed in full with close-up focal points of details.

Features 100 different garden styles from around the world.

From modernist to Mediterranean, and from jungle to Japanese, Garden Design Close Up is a font of inspiration for those looking to give their garden a makeover. In the increasingly crowded existence of twenty-first century life, gardens have become highly valued as “outdoor rooms” that complement and bring additional space and enjoyment to our homes. By focusing on 100 actual gardens of diverse types around the globe, the book provides indepth information about contemporary and historical styles. The featured selections are designed by leading lights of landscape gardening, such as Christopher Bradley-Hole and Anthony Paul, alongside internationally recognized names, such as Dutch designer Piet Oudolf. A beautiful, evocative double-page image opens every garden portrayal, accompanied by insightful text about the style, from its historical background to the planting and hard landscaping materials required to replicate it. This is followed by detailed analysis in image and text that will inform and delight gardeners and armchair gardeners alike.

21

58

Black loc ust Robinia pseudoacacia

Family Fabaceae Brief description A deciduous tree that tends to attract strong and varying opinions Natural origin South-east quarter of the USA

Size To 50 m/165 ft, but frequently smaller Potential age At least 300 years Climate Warm temperate, but adaptable to cool temperate

to problems, as the tree grew vigorously and spread, both by suckers from the roots and by seed. By the late twentieth century it became apparent that black locust could behave as an invasive alien plant, not only in central European countries such as Germany and Poland but also in the American Midwest.

Black locust has a useful characteristic that enables it to flourish better in poor soils than many other trees. Like

volunteers are sawing up logs of recently felled trees,

other members of the Fabaceae, or pea family, it is able to

clearing away brush and burning it, while another group,

form a symbiotic relationship with certain soil bacteria

in protective clothing, are busy painting a chemical onto

that ‘fix’ nitrogen from the air and turn it into the soluble

the cut surfaces of the tree stumps. In the distance, the

nitrates that green plants use – a huge advantage on sandy,

whine of a power saw indicates that a professional tree

low fertility soils. In the early twentieth century, black

surgeon is at work. Another operation to limit the invasive

locust’s ability to grow well on light soils was seen as an

spread of black locust is under way. This scene could be

advantage, and the species was widely planted for the

from the prairies of the United States, or it could be

purpose of erosion control. But the spread of black locust

Austria in central Europe.

can be fearsome, as it shades out native vegetation beneath

Many experts perceive the spread of black locust beyond its natural range in the south-east United States as

imperilled elsewhere. Furthermore, the leaf litter is light and decays quickly, leaving little flammable fuel for fire.

Black locust woodland is therefore singularly immune to

variety. Another cultivar, R.p. ‘Umbraculifera’, is a very

the mechanism that controls many other potentially

neat, mop-headed tree that is frequently planted in French

problematic invasive aliens.

contradictions in our complicated feelings about trees.

For European pioneers in North America, the black

natural history

surviving fragments of native ecosystems that are

cultivar, Robinia pseudoacacia ‘Frisia’, is a popular garden

and German cities. Few species illustrate so well the

ecology

it. This is a particular problem in areas where there are

problematic. Elsewhere, however, the tree is valued for its wood and the honey made from its nectar; a yellow-leaved

In France and central Europe, the widespread use of black locust wood as a material for making posts helps to keep the species under control. Like other dense woods, it

locust was nothing but good news. Its timber was

is also a top-quality firewood; it can be difficult to light,

immensely hard and dense, and resisted rot as a post in the

but once it is burning, its calorific qualities are reckoned to

ground longer than any other native wood. Brought back to

be almost as good as those of anthracite (a variety of coal

Europe, it grew particularly well in France and in central

with very high-carbon content). In the United States,

Europe, where summers are long and warm. In France it

where a borer insect infests trees at a young age, the wood

became renowned for the quantity of nectar its flowers

is rendered useless for posts and is fit only for firewood.

produced, and thus became a favourite tree of bee-keepers,

No doubt we will continue to enjoy acacia honey and

although the flowering season for what is known as ‘acacia

warm ourselves around the occasional fire of black locust

honey’ is unfortunately short and not always reliable. But

wood, but the rampant species is now inevitably seen more

the widespread planting in those warm-summer areas led

as an enemy than a friend.

The garden variety ‘Umbraculifera’ (right), and leaves and twigs of the black locust (far right).

31

Va lley oa k Quercus lobata

Family Fagaceae Brief description A very large deciduous tree of local importance in its native landscape and historically an important food source

Natural origin Central Valley, California Size To 45 m/150 ft Potential age To 600 years Climate Warm temperate

been part of a lush forest or savannah-type landscape throughout the California Central Valley. Early reports from explorers mention the park-like nature of the landscape, which may have been due to American Indian use of fire to control and manage deer and game-bird populations – valley oak is relatively fire-resistant. Some early explorers also noticed trees growing in rows, deliberately planted by native tribes of the Central Valley,

the first sight of valley oaks is liable to leave the

now largely extinct. The tree today tends to be found in

visitor to California doing a double take. Is it really possible

cattle-grazed grassland that at least enhances our ability to

for a tree to support such a long branch? Clearly so, yet the

appreciate its majestic form.

first sighting of a mature valley oak with its lower branches

American Indians would have planted valley oaks as a

stretching out, seemingly determined to defy the laws of

food source, and indeed acorns were their staple food. Rich

gravity, is not easily forgotten. When many others are seen,

in carbohydrates and protein and with a modest supply of

it becomes obvious that this is a characteristic of the

vitamins, acorns balanced with a little venison and some

species and not just a fluke of the first tree. An interesting

foraged greenery provided a balanced diet for the

paradox, however, is that the biological properties that

American Indians of the region. Acorns would have been

make this branching habit possible do not imply that the

collected, laid out to dry and stored until they were needed

wood is of high quality. One of the names the tree

for processing, which would involve cracking the kernels,

acquired from the first settlers was ‘mush oak’, because the

grinding the acorns into flour in special mortar-like

timber was so poor. Most of the valley oaks of California’s

hollows in flat rocks (which still survive and can be visited)

Central Valley were felled not for construction or for

and then leaching in water. This last stage is important

fencing but for firewood.

because it washes out tannins that otherwise would make

Valley oak is a tree that changes its shape as it ages. For the first few decades it is at the ‘pole’ stage, when it is

the acorns very bitter and completely inedible. The prepared flour would be made into porridge or baked into

columnar, even when there is plenty of space. Next comes

a bread-like material. Modern-day survivalists and

the ‘elm’ stage, when it forms a vase-shaped crown with

American Indian cultural revivalists have investigated

ascending branches. Between a hundred and 300 years of

ways of making acorns more palatable, and their recipes

life it reaches the ‘weeping’ stage, with whip-like branchlets

can be found online.

hanging towards the ground. Finally it can go into a regeneration phase when older branches droop and die

Valley oaks are among the largest North American deciduous trees, and several have been historic landmarks,

with new pole growth emerging, in the same way that

although some of the largest of those have now fallen.

many garden shrubs regenerate through continually

Today the species faces pressures, particularly from

producing new pole growth.

developers, because building continues to swallow up land

Valley oaks are localized in their distribution because

and divert watercourses in the Central Valley. This most

they need constant access to groundwater. Once, long

characteristic tree of its region needs an appreciative

before the arrival of European settlers, they would have

public to ensure its future.

Valley oaks in California ranch country (opposite); they are a magnificent relict of a vanished landscape of open woods and wetland (overleaf).

“One of the garden world’s most innovative voices” ROYAL HORTICULTURAL SOCIETY

22

antiquity

The Glory of the Tree An Illustrated History NOEL KINGSBURY

THE

GLORY

GLORY OF THE

TR EE An illustrated history

TREE

natural history

omprehensive reference and a stunning al experience, exploring how trees are ntial to life on Earth and celebrating ir beauty and diversity.

NOEL KINGSBURY & ANDREA JONES

288pp 290 x 238 mm / 11½ x 9½ in Rights sold: UK, US, Canada, New Zealand

Noel Kingsbury Photography by Andrea Jones

TSOT

Written by Noel Kingsbury, a world-class expert on plants.

Specially commissioned images by award-winning photographer Andrea Jones.

Includes an illustrated historical timeline.

Trees are fundamental to life on Earth, to our landscapes— both natural and urban—and to our history and culture. Many magnificent species of tree provide sustenance and shelter, as well as ornamentation for our streets and gardens; all make a huge contribution to the recycling of the atmosphere. And where would we be without wood, one of nature’s most wonderful inventions? Indeed, without the wide range of trees that can be found around the world, it would have been very difficult for human civilization to progress. The Glory of the Tree celebrates the wonder, mystery, beauty, and utility of the tree. It pays homage to 100 key species—chosen for their cultural, economic, or historical significance and their importance in the ecosystem and human environment—capturing their nuances through an engaging combination of lively text and breathtaking, specially commissioned photography. From exquisite, close-up detail shots to images of impeccable orchards in bloom, the photographs are informative and beautiful, capturing trees in their many contexts.

23

The Beauty of the Cat

C

ats are the most enigmatic and alluring of domestic animals. Beguiling beauty, fierce

independence, aloof intelligence, and self-sufficiency

characterize their long and exotic history. The Beauty of the Cat is a celebration of this most captivating

An Illustrated History

beauty

animal and a moving account of the feline’s journey

from the wild to a comfortable domestic existence. In

this beautifully illustrated book, established author and animal specialist Tamsin Pickeral traces the colorful

and tumultuous history of the cat, from its glory days

in Egypt to its transport on creaking ships to America, and explores the diverse role of the cat in each culture, culminating in the “modern” history of cats, the origins of cat shows, and the selective breeding of pure bred, pedigree animals.

TAMSIN PICKERAL

Open this richly illustrated book and you will

discover the stories behind more than fifty breeds of

cat, from the lithe-bodied Abyssinian originating from Ancient Egypt to the intelligent Russian Blue with

unique silver-blue coat, and from the graceful, longhaired Balinese to the lop-eared Scottish Fold. The evocative and informative text is accompanied by stunning photographs of every featured breed by

Cat TAMSIN PICKER AL & ASTRID HARRISSON

makes a cat a cat—its beauty, spirit, intelligence, and

OF THE

C at An illustrated history Tamsin Pickeral Photography by Astrid Harrisson

288pp 290 x 238 mm / 11½ x 9½ in

natural history

Cats are among the most enigmatic and alluring of domestic animals. The Beauty of the Cat is a celebration of this captivating creature, and a moving account of the feline’s journey from the wild to a comfortable domestic existence. In this beautifully illustrated book, established author and animal specialist Tamsin Pickeral traces the colorful and tumultuous history of the cat, from its glory days in Egypt to its transport on creaking ships to America, and explores the diverse roles of the cat in each culture, culminating in the “modern” history of cats, the origins of cat shows, and the selective breeding of pure-bred, pedigree animals.

The evocative text is accompanied by stunning photographs of more than fifty featured breeds by award-winning photographer Astrid Harrisson. These breathtaking images capture the many facets of what makes a cat a cat—its beauty, spirit, intelligence, and wit. Essential reading for everyone who loves cats.

award-winning photographer Astrid Harrisson. Her

breathtaking images capture the many facets of what

THE

beauty

Rights sold: UK, US, Canada, Australia, New Zealand TBOC

wit. The Beauty of the Cat is an essential volume for everyone who loves cats.

D

The Spirit of the Dog

ogs’ allegiance to human beings dates back to early prehistory, perhaps going as far into the remote

past as 14,000 years ago. Since then, the unique bond

between humans and dogs has endured the test of time, and has often been exemplified by historic events, such as dogs accompanying troops into battle; dogs being

An Illustrated History

present on the sidelines while momentous matters of state are decided; and dogs seated on the laps of

emperors, or curled and asleep during events marking grand spiritual occasions and religious rituals.

The Spirit of the Dog explores our canine companions’ long and varied history, describing the many roles played by dogs in human cultures around the world. This book also celebrates the special place that dogs have always

TAMSIN PICKERAL

held in the hearts of men and women. Author and animal

THE

specialist Tamsin Pickeral looks deeply into the history

and development of major dog breeds, noting their many differences—for instance, describing the slender,

powerful Greyhound, the hard-working Siberian Husky,

OF THE

the spirited Parson Russell Terrier, and the personable Labrador, among many others. Her absorbing discussions group dogs according to their key characteristics, for instance, Elegance and Speed; Power and Strength;

The Spirit of the Dog explores the long and varied history of the dog, and celebrates the very special place that this enigmatic creature holds in our hearts. Established author and animal specialist Tamsin Pickeral not only traces the journey of the dog through time—examining the development of the major dog breeds within their historic context—but also pays homage to the extraordinary role the dog has played in human society. Grouped according to key characteristics—endurance, strength, loyalty, for example—each of the selected breeds is studied in detail. As a species the dog is the most varied—in shape, size, and color—and the most popular and versatile of domestic pets. The text captures the spirit of this diversity and is accompanied by the stunning photography of animal photographer Astrid Harrisson. Her striking, beautiful, and unusual images of our major dog breeds skillfully reflect the character of “man’s best friend.”

Devoted and Loyal; Agile and Wise. She then goes on to examine each breed in comprehensive detail.

Among all species of mammals, the dog is the most

An illustrated history Tamsin Pickeral Photography by Astrid Harrisson Foreword by Victoria Stilwell

varied in shape, size, and color, and is also the most

versatile, whether working as a hunter, herder, protector, or simply providing companionship as a domestic pet.

The Spirit of the Dog celebrates this diversity, both through Tamsin Pickeral’s inspired commentary,

and in noted animal photographer Astrid Harrisson’s

stunning visual images, which capture the spirit, energy, playfulness, and sense of loyalty that characterize “man’s best friend.”

TAMSIN PICKER AL & ASTRID HARRISSON

7/12/12 7/3/12 10:35 10:03 AM

288pp 290 x 238 mm / 11½ x 9½ in Rights sold: UK, US, Canada, Australia, New Zealand TLOD

24

The Majesty of the Horse An Illustrated History

natural history

TAMSIN PICKERAL

288pp 290 x 238 mm / 11½ x 9½ in Rights sold: UK, US, Canada, New Zealand TBOH

An inspiring celebration of the horse.

Specially commissioned photographs.

The Majesty of the Horse celebrates the beauty, elegance, power, and courage of the horse. It pays homage not only to the physical splendor of the horse—its grace, strength, and extraordinary adaptability—but also to its remarkable diversity. Equestrian specialist Tamsin Pickeral traces the development of ninety of the most striking, fascinating, and significant breeds, from the tiny, exquisite Caspian to the regal, golden Akhal Teke and the magnificent Percheron. Grouped according to key characteristic—strength, elegance, agility, for instance—each of the selected breeds is examined in detail. Tamsin explores the essential nature of each breed and highlights the crucial role each one has played in human cultures. Stunning, specially commissioned photography by equestrian photographer Astrid Harrisson skillfully captures the essence of every breed at rest, work, and play. Her subtle portrait photos, exquisite close-up detail shots, and mesmerizing images of horses in motion wonderfully capture the grace and beauty of this powerful beast.

25

The Plants That Time Forgot The Story of Prehistoric Plants ROBERT BLACKHALL-MILES

xxxx xxxxxx

natural history

eate vel eate vitatis esto quamus vit el-

bore nem nus eium vel in nulpa porerio

dem excepudandis etur apis assimus, alivolupta dolectem andi optatem quiatur

culpa veria vidus eum et pa velibus eost

ugianto moluptiunt voles modiam faciis

m quis soluptibus mos acest la se optia qui omnistio

THE PLANTS THAT TIME FORGOT

and how you can grow them todayUnt

224 pp 210 x 147 mm / 8¼ x 5¾ in All rights available

and how you can grow them todayUnt hit eate

THE

PLANTS THAT

TIME FORGOT

vel eate vitatis esto quamus vit ellabore nem nus eium vel in nulpa porerio dem excepudandis etur apis assimus, alitae volupta dolectem andi optatem quiatur eculpa veria vidus eum et pa velibus eost fugianto moluptiunt voles modiam faciis eum quis soluptibus mos acest la se optia qui omnistion pa que mi, quae voluptatem faccabo rporio quae rernat dolorit est optatis sit alignisci ut adit od quibusc ipiendis sin pe nus milles int, eostiostis aut que peliam re commo omnimodit dusanda volupti aerit, ab int lacest que am quo et eost aut voluptae ant, nem dem fugia ilita cullante qui nam et parit essimendit fuga. Hicim et volorum quiatemodi

THE STORY OF PREHISTORIC PLANTS AND HOW YOU CAN GROW THEM TODAY ROBERT BLACKHALL-MILES

TPTT

Covers the cultivation, conservation, and botanical history of ancient plants.

Caters to a growing interest in conserving plants threatened with extinction.

26

Over the past 460 million years, plants have evolved into the myriad different forms we see alive today. Some are still evolving at breakneck speed; others, however, remain almost identical to long-extinct antecedents only known to us as fossils. Ginkgo biloba (the maidenhair tree), for example, has a fossil record dating back 270 million years. The Plants That Time Forgot tells the stories of 100 of these survivors, detailing the pressures they had to endure to be here today, the factors that made them unique, and the features that enabled them to survive. Many of these ancient species are not horticulturally “difficult” specimens but well-known plants that are easily cultivated, and the book shows readers how anyone can grow them in their own garden and create a prehistoric paradise. Doing so is not only fun but also ecologically important; some of the plants are endangered in the wild and will not survive into the future without human help.

Informed by The Plants That Time Forgot, readers can help these plants to continue growing on Earth for a long time to come.

Hidden Histories: Mushrooms The Secret Properties of 150 Fungi

Hidden Histories

Mushrooms, with their strange shapes, colors, and growth patterns, have always fascinated us. Their ability to appear suddenly, apparently from nowhere, seems magical. Some are delicious to eat, others are deadly poisonous; some have medicinal value or other practical uses. In the past, their mysterious nature inevitably gave rise to a huge array of folk beliefs, superstitions, and magical or spiritual associations. Hidden Histories: Mushrooms delves into the traditional associations of 150 mushrooms and other fungi and describes their culinary, medicinal, cosmetic, magical, an other properties. It uncovers the long-forgotten folklore and beliefs surrounding these mysterious products of the natural world, and shows the ways in which fungi continue to influence our customs and rituals.

MUSHROOMS THE SECRET PROPERTIES OF 150 FUNGI

natural history

Hidden Histories MUSHROOMS

Did you know that the jack-o’-lantern mushroom— Omphalotus illudens in North America, O. olearis in Europe— can generate light and glows in the dark?

Or that shamans and medicine men sought mystical revelations by eating hallucinogenic mushrooms such as the red and white-capped fly agaric (Amanita muscaria)? Or that the the ultra-rare white truffle (Tuber magnorum) is more expensive per gram than gold? With a full-color illustration of every mushroom, Hidden Histories: Mushrooms collects together in one exquisite, informative cornucopia all that has been known or suspected about 150 remarkable fungi, edible and poisonous species alike.

CLIFFORD DAVY & PETER SIBLEY

CLIFFORD DAVY & PETER SIBLEY

CLIFFORD DAVY & PETER SIBLEY

224pp

198 x 140 mm / 7¾ x 5½ in All rights available HHMR

All aspects covered: collecting; identification; use in cooking; health; home; cosmetics; magic.

Each mushroom illustrated by a full-color artwork.

Today, interest in mushrooms is at an all-time high, fueled by the increasing availability in stores of culinary varieties, fresh and dried, and a powerful new trend for collecting foods in the wild. Hidden Histories: Mushrooms draws together the intriguing stories of 150 mushrooms, both well-known and obscure, and explains why we find them so fascinating. Epicures point to particular species for their superior flavor—most prized are the truffles: the black truffle, Tuber melanosporum, and the rarer, more sought- after white truffle, T. magnatum, which are more expensive per gram than gold. Other mushrooms have been used as medicines, probably for thousands of years, especially in China and Japan, and modern drugs have been developed from fungal sources (the best known is penicillin, derived from the mold Penicillium rubens). Tracing the history, folklore, and traditional associations of each one, Hidden Histories: Mushrooms goes on to highlight the 150 mushrooms’ many uses to humankind— culinary, medicinal, domestic, cosmetic, and sometimes magical.

27

Hidden Histories: Flowers The Secret Properties of 150 Plants LIZ DOBBS

Hidden Histories FLOWERS LIZ DOBBS

natural history

Hidden Histories FLOWERS

Flowers are not only beautiful, they have myriad meanings worldwide.The red rose universally represents true love and passion, and in Persia so does the scarlet tulip. In the West, the white arum lily is used at funerals as a symbol of the restored innocence of the soul, but in the East it is the white chrysanthemum that is associated with death and grieving.

Flowers have played a central part in folklore and fairytales. With a full-color illustration of every flower, Hidden Histories: Flowers collects together in one exquisite, informative cornucopia the stories of 150 species: what they have meant, and how they are used in foods and flavorings and as the sources of perfumes and medicines.

Millions of years ago, plants evolved flowers as a means of attracting pollinating insects and thus ensuring their reproduction and survival; the colors of flowers also warned browsing animals that some plants were poisonous.

Human beings, too, have always been attuned to the messages of flowers—their shape and color, and their scents—but also, uniquely, humans came to appreciate them as strange, almost otherworldly, objects of beauty. People today continue to love flowers, but many are unaware of what they meant to our ancestors.

Hidden Histories: Flowers explains the traditional meanings of 150 flowers and describes their culinary, medicinal, cosmetic, magical, and other properties. It uncovers the long-forgotten folklore and beliefs surrounding these beautiful products of the natural world, and shows how many floral associations survive in our customs and rituals.

THE SECRET PROPERTIES OF 150 PLANTS

LIZ DOBBS

224pp 198 x 140 mm / 7¾ x 5½ in All rights available HHFL

Entertaining, browsable format, with expansive references to flower symbolism.

The use of fresh flowers in everyday cooking is a rapidly growing trend.

28

People love flowers, but many are unaware of the meanings they had to our ancestors. Hidden Histories: Flowers draws together the intriguing stories of 150 well-known yet remarkable blooms.

The red rose universally represents true love and passion, and in Persia so does the scarlet tulip. In the West, the white arum lily is used at funerals as a symbol of restored innocence of the soul at death, while in the East it is the white chrysanthemum that is associated with death and grieving. Also, a surprising number of plants produce edible flowers, including tulip, geranium, and catmint. Some flowers, such as agastache and bergamot orange, provide subtle flavorings. Perfumes and fragrances derive from flowers such as lavender, ylang-ylang, and jasmine, and others are sources of drugs and medications. Hidden Histories: Flowers explains the traditional meanings of 150 flowers and describes their culinary, medicinal, cosmetic, magical, and other properties, rediscovering long-forgotten folklore and explaining the many floral associations that survive in customs and practices today.

Hidden Histories: Herbs The Secret Properties of 150 Plants

Hidden Histories

THE SECRET PROPERTIES OF 150 PLANTS

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: US, Canada, UK, Australia, New Zealand THHO

Clear indications of the parts of each herb used.

Supplementary boxes on cultivation and preservation.

Hidden Histories: Herbs tells the stories of 150 of the most remarkable plants used for their culinary, medicinal, and other properties. Often, much-used herbs in cooking and medicine were also revered for their supernatural powers. Rosemary, for example, was burned as an incense to cleanse and purify a room, especially a sickroom. It was also hung over a door to keep thieves from the house; worn as an aid the memory and to preserve youth; bound to the right arm to cure depression, and even grown to attract helpful elves to the garden. There are intriguing accounts of unexpected uses—garlic was used to rid gardens of moles; eyebright was used to increase psychic powers—and a wealth of historic anecdotes (fennel seeds were eaten in the Middle Ages to allay hunger). Hidden Histories: Herbs uncovers long-forgotten beliefs concerning our most cherished plants and shows how many of them can still have relevance in the present day.

natural history

HERBS

KIM HURST

KIM HURST

Hidden Histories: Trees The Secret Properties of 150 Species

Hidden Histories

NOEL KINGSBURY

TREES

NOEL KINGSBURY

THE SECRET PROPERTIES OF 150 SPECIES

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: US, Canada, UK, Australia, New Zealand HHTR

The strong bond between humankind and trees explained through colorful historical anecdotes.

In the millennia before humans learned how to reshape Earth to their needs, people were acutely conscious of the sometimes huge plants growing in their midst, attributing to them all kinds of associations and mythic properties. Hidden Histories: Trees is designed to reawaken the reader to the forgotten rich heritage of the world’s trees, focusing not only on those of northern latitudes, such as the alder, ash, oak, and elm, but also on some remarkable tropical and subtropical species. Alongside giants of the U.S. Pacific Northwest this book contains exotics that provide sandalwood, mahogany, and myrrh, fruit trees such as the quince and the pomegranate, and trees that are the source of antibacterial, antifungal, anti-parasitic, and anti-inflammatory medicines. Hidden Histories: Trees explains the traditional significance of 150 trees and fully describes their culinary, medicinal, cosmetic, magical, and other properties.

29

Wellbeing 100 Treatments & Techniques JANE ALEXANDER

*CHAKRA B ALA NC IN G *A

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FROM THE ANCIENT ART OF AYURVEDA TO ZERO BALANCING

AP

healthy in

happy in

calm in

BODY MIND SPIRIT

T HE M OST E F F E C T I V E T HE RA P I E S F ROM A L L OV E R T H E WO R L D

OXING* DET NG * GO QI A*

ER

All rights available

100 TECHNIQUES & TREATMENTS

L TH

256pp 210 x 147 mm / 8¼ x 5¾ in

WELLBEING

SACRA

spirituality

THE ULTIMATE USER’S GUIDE MARMA THERAPY*AYURVEDIC MASSAGE*CHINESE HERBALISM ACUPUNCTURE*SHIATSU/ACUPRESSURE TUINA*TIBB/UNANI S DFULNE S*WATSU * IN MONGOLIAN HEALING MEDICINE*TIBETAN * PMEDICINE *CHAKRA RA A *M NA *THAI YOGA BALANCING*YOGA ED *TAI CHI*HAWAIIAN MASSAGE YA RV MASSAGE*INDIAN FACE MASSAGE INDIAN HEAD U M MASSAGE * Y MUDRAS*MANTRAS*TIBETAN RITUALS*TREE MEDICINE*ZERO BALANCING*NUTRITIONAL THERAPY*NATUROPATHY*JUICING HYDROTHERAPY*FASTING*MEDICAL HERBALISM FELDENKRAIS PILATES*ALEXANDER TECHNIQUE*OSTEOPATHY*STONE MASSAGE CRANIAL OSTEOPATHY/CRANIO-CHIROPRACTIC* REFLEXOLOGY ROLFING/HELLERWORK*BOWEN TECHNIQUE*AROMATHERAPY MLD (MANUAL LYMPHATIC MASSAGE)*TRAGER®*HOT*LAVA SHELL MASSAGE*RAW FOOD*CRYOTHERAPY*SKIN BRUSHING*SUPERFOODS STEAM/SAUNA*COLONIC HYDROTHERAPY*SWEDISH MASSAGE DEEP TISSUE/SPORTS MASSAGE*HIIT WORKOUTS* CALISTHENICS TABATA*OIL PULLING*FLOATATION*MEDITATION*AUTOGENIC TRAINING*NEURO-LINGUISTIC-PROGRAMMING (NLP)*COGNITIVE BEHAVIOURAL THERAPY (CBT)*BIODYNAMIC THERAPY*RUBENFELD SYNERGY METHOD*EDUCATIONAL KINESIOLOGY (BRAIN GYM) HYPNOTHERAPY*FLOW-WRITING*TIMELINE THERAPY*REIKI VISUALISATION*DREAM THERAPY*ART THERAPY*RETREATING TREASURENDMAPPING N THERAPY *SOLUTION FOCUSED BRIEF AL DI AS LAUGHTER THERAPY *SMUDGING*DANCE THERAPY UN *REBIRTHING AF BO SWEAT LODGING**MEDICINE WALKING*COLOUR F IR RE THERAPY*JYUTSU ATIONS AND TRA * HOMEOPATHY*HEALINGM *FLOWER *TAN GEM REMEDIES*JIN SHIN SOUND THERAPY*CLOWNING/LAUGHTER THERAPY*LIGHT THERAPY MAGNETIC THERAPY*KINESIOLOGYANTHROSOPHICAL MEDICINE

JANE ALEXANDER

TSWT

The author has tried out virtually all the treatments and therapies in this book.

Includes well-known therapy experiences and little-known gems.

Wellness tourism has a market value of £263 billion, according to the 2013 Global Wellness Tourism Economy report.

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Everyone wants to feel good—healthy in body, happy in mind, soothed in spirit—and more than ever the idea of wellbeing is taking hold. There is an exponential growth in interest in therapies and techniques that make us feel and look the best we can. From fasting to the Feldenkrais method, juicing to Tabata high-intensity interval training, detoxing to retreating, there have never been so many ways to improve oneself. Wellbeing sets out to demystify the often arcane and frequently confusing field of natural therapies, fitness regimes, and spiritual systems. Author Jane Alexander explores 100 of the most important therapies and techniques, some of them thousands of years old, others very new. She explains the two great systems that underpin so much of modern wellbeing—Ayurveda and traditional Chinese medicine—and clarifies how each treatment and technique relates to them. She evaluates the claims and potential benefits of each therapy in relation to the body, the mind and emotions, vital energy, and the human intangible essence—the soul.

The Secrets of the Universe in 100 Symbols SARAH BARTLETT

All rights available NTMG

The Secrets of the Mind in 100 Dreams

THE SECRETS OF THE MIND IN

100 DREAMS M I C H A E L L E N N OX

352pp 242 x 199 mm / 9½ x 7¾ in All rights available SOTM

spirituality

352pp 242 x 199 mm / 9½ x 7¾ in

Galileo was accused of heresy for his theory that the Earth orbited the sun, and English astrologer William Lily was condemned by publishing an almanac of zodiac predictions.

Philosophers, astrologers, prophets, and poets have always whispered secrets of cosmic truth to pharaohs, statesmen, kings, and queens. This fascinating compendium of 100 diverse magical treasures will introduce readers to the history of magical thought and decode the signs and symbols that hint at cosmic power.

MICHAEL LENNOX

Dreaming is essential to our health and well-being: without it, we become psychotic and lose our ability to cope with even the simplest situations. The Secrets of the Mind in 100 Dreams explores 100 common dreams, where appropriate considering them from several different perspectives—Freudian, Jungian, religious, symbolic, and psychoanalytic. Armed with such interpretations, readers may discover for themselves the wealth of meaning, profound insights, and instinctive humor of their own dreams.

The Secrets of Healing in 100 Crystals RONALD BONEWITZ

352pp 242 x 199 mm / 9½ x 7¾ in All rights available TSOH

Most people have heard about the role of crystals in eliminating illness in people, but crystals are also used to heal in much broader ways, addressing not only physical but also mental, emotional, and spiritual problems in our relationships with the world. The Secrets of Healing in 100 Crystals explains the use of 100 precious and semiprecious stones in crystal healing practice. Readers of this book will learn which crystals are appropriate for them, and how best to use their healing powers in their own lives.

31

Paranormal Activity World Locator Guide

spirituality

STEVEN JAY SCHNEIDER

256pp 228 x 203 mm / 9 x 8 in All rights available PARA

Edited by Stephen Jay Schneider, Executive Producer of the Insidious and Paranormal Activity movie series.

Spine-chilling, first-hand accounts of paranormal phenomena.

Provides practical information so that readers can arrange visits for themselves.

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Humans fear, but also hunger to experience, paranormal phenomena—events that cannot be explained by normal experience or science. The Blair Witch Project movie was terrifying because it captured our horror of the unexplained, but, at the end of the day, it was only fiction. Paranormal Activity is a world locator guide of the places where people continue to come face to face with ghosts and poltergeists, where troubled spirits stubbornly resist attempts to exorcize them. Examples are LaLaurie Mansion in New Orleans, which is haunted by victims of a sadistic torturer in an attic room, and the Casa delle Anima in Italy, a former inn where the deranged owners murdered and buried unsuspecting guests. In each horrifying case, Paranormal Activity relates what originally occurred, then presents the disturbing first-hand accounts of those who visited the sites, with reproductions of their supporting evidence. With this book, anyone might experience the paranormal, and regional listings make visits to multiple haunted sites a practical possibility.

Guide to the World’s Supernatural Places SARAH BARTLETT

U.S. $

W

an Castle, Romania: Vampire Haunts

Bennan Head, Scotland: Witchcraft & the Dark Arts

e to Explore the st Places on Earth!

d houses e lairs s’ dens

• • •

spirituality

dd coincidences, strange phenomena—the supernatural e for centuries, and the stories only become more e the unexplained in this riveting guide, which unveils g destinations, including:

Sacred sites UFO hot spots Mythical locales

trations and creepy backstories, National Geographic Guide aces will show you where to find—and how to explore— es on earth . . . if you dare!

U.S. $26.00 / $30.00 CAN ISBN 978-1-4262-1380-9 ISBN 978-1-4262-1380-9 PRINTED IN CHINA

256pp

52600

9 781426 213809

itches and demo vampires, aliens and from spooky to chilling to d signs of the supernatural h and fascinated—people Dare to discover some of t puzzling enigmas in this re which reveals a dazzling a castles, forbidden hideaway eerie landmarks.

Packed with rich illustra Geographic’s first ever guid supernatural places showc 250 spooky destinations ar Uncover the origins of the v not only in Romania but and the Philippines. Encoun ghosts said to haunt deser abandoned mental asylum and other spine-tingling the possibility of extraterr everywhere from Sedona Flatwoods, West Virginia. the mystical origins of suc places as Ayers Rock, in Chichén Itzá, in Mexico. V and chock-full of inside when to visit, this spooky bo you that there might be mor meets the eye.

228 x 203 mm / 9 x 8 in Rights sold: US, Canada

Chichén Itzá, Mexico: Myths & Legends

TWGT

Includes accounts of ghostly experiences and UFO sightings.

Beautifully illustrated with atmospheric images of mysterious places.

The most authoritative world guide to supernatural locations.

For thousands of years the Earth has been haunted by ghosts, menaced by vampires, disturbed by malevolent spirits, and graced by mystical powers. From the eerie Myrtles Plantation in Louisiana to the spiritual energy of the Škocjan caves in Slovenia, the supernatural forms part of the ancient myths of every culture.

Guide to the World’s Supernatural Places is a comprehensive survey of the Earth’s supernatural heritage, revealing where and when to seek out otherworldly and spine-chilling experiences. Engaging text provides insight into the mystery surrounding each place, highlighting why it is so fascinating, and what it is like to visit today. Each entry has been researched precisely, from the restless ghost of Marie Antoinette at Versailles and the sinister legend of the Flying Dutchman, to the lost Greek city of Mycenae and the ancient Mayan ruins of Chichen Itza. Guide to the World’s Supernatural Places is a thrilling introduction to a wealth of fascinating, accessible places that courageous and curious readers will be drawn to investigate and explore.

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Space The Whole Story

whole story series

DAVID HUGHES & CAROLE STOTT

576pp 245 x 172 mm / 9½ x 6¾ in All rights available STWS

Maps the story of the universe from its beginning to the present day.

A complete scientific review of what exists above Earth’s atmosphere.

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The night sky has always been a canvas for human wonder.

This hugely ambitious book captures the entire universe within its pages, illustrating different neighborhoods in space, leaping from what can be seen from the Earth’s surface to the dark side of the moon, out through satellite imagery of the planets in the solar system to what might be found at farthest reaches at the edges of the universe. Moons, planets, asteroids, star clusters, galaxies, and the whole universe are covered—and much more.

Written by a team of professional astronomers and space scientists, Space: The Whole Story presents up-to-the minute discoveries and theories about what the universe contains, how it works, its past, and its future. With detailed essays about scientists and scientific practices through the ages, illustrated with extraordinary photographs, plus a survey of the incredible tools and techniques currently in use, this enlightening and accessible book reveals the continually evolving story of humankind’s understanding of the universe.

THE SUN: OUR NEAREST STAR

W

1 2

3

1 Winter solstice, 2005: the Sun rises in the south-east, culminating due south at maximum altitude at noon, and then sets in the south-west.

2 Astronomical clock (19th century) A visual representation of the daily motions of the Sun, Moon, and stars.

3 In Egypt, the Sphinx faces the rising Sun at the equinox; it is gazing due east.

e are all astronomers at heart because we all can recognize a few important astronomical bodies. Top of the list is the Sun, our star. Since prehistoric times its influence on humanity has been profound and many civilizations have even regarded it as a deity. Astrologers think that the zodiacal constellation that the Sun happens to be in at the time of a person’s birth has significance for their wellbeing, characteristics, and future prospects. The Sun not only keeps us warm, lights the day time, and gives us a lovely tan, but its rising and setting positions and its noontime elevation mark the passage of the seasons, punctuating the year with memorable dates like the winter solstice (above), summer solstice, and spring and autumn equinox. Coupled with our satellite Moon, the Sun governs the tides and their spring and neap maximum and minimum points.

Another factor is its constancy. In an ancient world where human relationships could be fickle, the weather unpredictable, and the source of food uncertain, the Sun had many aspects that stayed the same. It was always disc shaped; it was always the same size; it always moved across the sky at the same speed; it always returned every day, rising on the eastern horizon and setting on the west. It was always the same colour and the same brightness.

It did not fade, or die, or become random. Its very constancy gave us hope that we might be able to understand it. The Sun encouraged ancient people to think scientifically, and the first science was astronomy.

The first impression of an earthbound observer is that the Sun is orbiting our planet, going round once a day. But there is another explanation for what

we see. Maybe the Sun is stationary and its east–west movement is caused by our planet Earth actually spinning in a west–east sense. Whatever explanation we come up with, the constancy of the Sun’s behaviour makes it a perfect clock.

Its steady speed across the sky enables its shadow to act as the hour hand of a celestial clock (right, above). Ancient people governed their day by the rising of the Sun, and its setting. Noon time was important, when the Sun was at its highest and always in the same direction, due south.

Then we have the seasons. Again we have constancy. Each of our years is divided into four seasons, seasons that never change in length and always follow in order. And these divisions are marked by the position of the rising and setting Sun on the horizon. Spring and autumn always start when the Sun rises due east and sets due west, and is in the sky for twelve hours and below the horizon for twelve hours. These compass points become important.

In Egypt, for example, the Sphinx (right, below) is orientated pointing due east; the square pyramid bases have sides that are accurately parallel to the east–west and north–south lines; and most Christian churches and graves are orientated due east–west. The ancients carefully plotted the way in which the position of the rising and setting Sun moved along the horizon. When these positions were at their furthest south, the Sun was in the sky for the shortest time in the year. This solstice was taken to be the first day of winter, a time for a celebration. This could be called Yule, or Saturnalia, or Dies Solis Invicta Natalis, or Christmas. And six months later the Sun, regular as clockwork, now rose and set at its furthest north. And again we celebrate this time as midsummer’s day.

And to ensure that we could predict exactly when these celebrations should take place, our ancestors orientated their monuments, such as Stonehenge and Chitchen-Itza, to indicate where these specific horizon positions were.

The constancy of the Sun was often remarked on. It is a source of heat and light. It gives out energy, and the inquiring human ponders on the source of the energy. The problem was rather insignificant when most people thought – referring to the Bible and Genesis – that the Sun, stars, Earth, and universe were only about 6,000 years old. James Ussher, Archbishop of Armagh (1581–1656), calculated that the six days of creation started on Sunday, October 23, 4004 bce, but he soon became suspicious of this date. The time it took to make the Earth’s oceans salty, the eons required to cut out the great river valleys, the period that must have passed to lay down the sequences of geologic rock strata, many containing the fossilized remains of strange creatures, were all much much greater than a mere 6,000 years. The problem was underlined by the work of Charles Darwin (1809–82). The evolution of living organisms by natural selection would have taken hundreds of millions of years, and the Sun would have to have shone constantly all that time.

To tackle the problem satisfactorily, we had to resort to physics. The pioneer in this endeavour was Sir Isaac Newton (1643–1727), in around 1713.

key events 280 bce

1613

1543

Aristarchus erroneously measures the distance from Earth to the Sun as being 20 times the distance of Earth to the Moon.

Copernicus suggests that the Sun is at the centre of the Solar System, and that Earth orbits the Sun.

Galileo uses sunspot observations to deduce that the Sun rotates every month.

1713

Isaac Newton, in the second edition of his work, Principia, obtains a reasonable value for the Sun’s mass.

1843

Edward Sabine shows that the magnetic field on Earth is affected by sunspot numbers.

1860

Gustav Kirchhoff and Robert Bunsen show that the Sun contains similar elements to Earth.

1863

Richard Carrington discovers that the solar spin rate varies with solar latitude.

1868

Pierre Jansen and Norman Lockyer associate a yellow spectral line in a prominence spectra with a new element, “helium”.

1920

Arthur Eddington suggests that the nuclear fusion proton cycle produces solar energy.

1925

Cecilia Payne proposes that the Sun mainly consists of hydrogen and not Earth-like material as previously thought.

1960

1970

Robert Leighton, Robert Noyes, and George Simon discover solar five-minute oscillations.

272 The Solar SySTem

The Homestake Experiment, run by Raymond Davies, detects solar neutrinos.

The Sun: our neareST STar 273

M

ars (above) is a typical terrestrial rocky planet, like Earth, but is about 50 per cent further from the Sun than Earth and has only 11 per cent of Earth’s mass (left). Like all the terrestrial planets, the whole of Mars was caused to melt by the heat generated by its formation, coupled with heat generated by the radioactive decay of some of its rocky components.

The planet then differentiated: the iron fell to the centre and the metallic core became surrounded by an extensive, viscous, rocky mantle, the top region of which solidified into a surface crust. The fact that Mars has only 11 per cent of the mass of Earth meant that its surface-area-to-mass ratio was larger, and so it could cool more effectively. Earth’s core is still molten and producing a magnetic field, and the mantle is still viscous and convecting, causing continental drift and current volcanism. By contrast, Mars’s core has mainly solidified, as has the mantle; the Martian magnetic field has switched off, there is no continental drift, and volcanism has almost ceased.

The low mass of Mars has another very significant consequence. Even though a considerable amount of gas and water was initially released from

its heated rocks, the gravitational field was not strong enough to retain this planetary atmosphere. Over time, Mars has lost the vast majority of its water. While it might have been an abode for life in the distant past, it is now extremely inhospitable.

The light reflected from the surface of Mars is blood reddish in colour and people have often associated it with warfare. Its surface markings change with the seasons. Astronomers 150 years ago thought they could see channels connecting the icy polar caps with equatorial regions (right, below), and the idea that civilized folk lived there, and had built canals, caught on. Early space exploration unfortunately confirmed that the surface was dry – a lifeless, dusty desert. Recent images indicate that brief episodes of rain and water flow. After the Moon, therefore, Mars is the next target for human exploration.

Two factors have moulded the surface of Mars: volcanism and asteroidal impacts. Giant volcanoes and extensive lava plains are evidence of persistent but sporadic volcanic activity throughout much of Mars’s past. The most recent activity was a mere 2 million years ago.

The largest volcanic region is the Tharsis Bulge, a huge elevated plain that straddles the equator to the west of Valles Marineris, a 2,500-mile (4,000-km) long rift valley. The Tharsis Bulge is the site of the largest volcanoes on Mars: Olympus Mons, Ascraeus Mons, Pavonis Mons, Arsia Mons, and Alba Mons.

These are all shield volcanoes, a name that indicates their general profile.

They have gently sloping flanks and are produced by multiple relatively nonexplosive eruptions of low-viscosity lava, which disperses over a large area.

The volcanoes have all grown through successive eruptions over hundreds of millions of years. Olympus Mons, for example, is nearly 100 times greater in volume than Earth’s Hawaiian Mauna Loa. The lack of lubricating water, and the fact that the Martian crust is now stationary and in one piece, means that the volcanoes remain relatively fixed on the surface and just grow larger and larger as time progresses.

Asteroidal impact cratering (p.212, bottom) is more common on Mars than it is on Earth simply because Mars is closer to the asteroid belt (p.213, top). The thinness of the Martian atmosphere also means that smaller bodies can impact the surface and produce more craters of small size. The cratering breaks up the basaltic lava flows into rocks and soils. Experiments carried out by landing spacecraft have shown that the soil is slightly alkaline. It contains elements such as magnesium, sodium, potassium, and chlorine, which in gardens on Earth would be regarded as plant nutrients.

The atmosphere on Mars is very thin. The pressure on the Martian plains is only about 0.6 per cent of the atmospheric pressure on Earth. It is not at all like Earth’s atmosphere, being around 95.3 per cent carbon dioxide, with small amounts of nitrogen (2.6 per cent) and argon (1.4 per cent). The sky appears pink because very fine, smoke-like particles of iron oxide are suspended in it.

1

2

3

1 Mars, the red planet, showing the north polar cap, the huge equatorial rift valley Valles Marineris, and, on the left, four great volcanoes of the Tharsis Bulge.

2 Computer artwork comparing the size of Mars with Earth. Mars has about half the diameter of Earth and is less dense, having about 15 per cent of Earth’s volume and 11 per cent of its mass.

3 Map of canals surrounding the North Polar Cap on Mars, published in 1906 by the astronomer Percival Lowell (1855–1916) in Mars and its Canals.

whole story series

MARS: THE RED PLANET

key events 500 bce

1659

1609

Mars’s blood-red colour leads to it being associated with the Roman god of war.

Johannes Kepler calculates the size and shape of Mars’s orbit.

Telescopic observations

by Christian Huygens reveal surface markings and polar caps. The Mars day is found to be 24 hours and 40 minutes long.

1781

Sir William Herschel notes that the equatorial plane is tilted to the orbital plane by 25.2o. He concludes that Mars has seasons, just like Earth.

1877

U.S. astronomer Asaph Hall finds two small moons. He calls them Phobos (fear) and Deimos (panic).

1879

Italian astronomer Giovanni Schiaparelli observes canali (channels or grooves) on the surface. This word was translated into English as ‘canals’.

1905

U.S. astronomer Percival Lowell is convinced that Mars is inhabited by intelligent beings using canals to irrigate the planes with polar melt water.

1924

Thermocouples on a telescope at Mount Wilson, California, reveal a temperature of 45ºF (7ºC) at the equator and -90ºF (-68ºC) at the pole.

1965

The U.S. Mariner 4 spacecraft makes a close flyby, returning 21 pictures of the southern hemisphere surface. No canals are visible.

1971

Mariner 9, the first USA orbiter discovers huge dormant volcanoes. Many images showed evidence of fluid erosion.

1975

210 THE SoLAR SySTEM

Olympus Mons

O

Olympus Mons (Mount Olympus)

navigator 1 3

214 the solar system

A small wheeled vehicle, Sojourner roves on Mars.

Rovers Spirit and Opportunity followed in 2003, and Curiosity in 2012.

MARS: THE RED PLANET 211

large shield volcano on the planet mars

2

1996

Spacecraft Viking 1 and 2 (September 9) land on surface and search for evidence of life, both past and present.

4

lympus Mons is the highest point on Mars and towers, like a huge single-pole circus tent, above the surrounding region. It is almost three times the height of Mount Everest in the Himalayas and is the largest volcano in the solar system. The base of the volcano is as wide as France and sits over a mantle hot spot. As the Mars crust is not moving, the volcano grows and grows. The last of the many thousand eruptions that Olympus Mons has produced occurred only about 2 million years ago. It is dormant at the moment but could easily erupt again. Its huge summit plateau is covered by a thick layer of volcanic ash and dust, bounded by cliffs some 3.7 miles (6 km) high. When Olympus Mons is active, lava cascades over these cliffs like rocky waterfalls spilling on to the surrounding plains of the vast Tharsis plateau. The flanks of the mountain are composed of radial lava flows. There is also a series of long depressed channels. Here, the surface of a stream of lava rushing down the slope has cooled and hardened.

Mars can support a mountain as high as Olympus Mons because it has a low gravitational field and therefore the mountain weighs less. Having a cold, thick, strong crust also helps. Interestingly Olympus Mons had to be close to the Martian equator. If such a heavyweight bulge had formed elsewhere on this fast-spinning planet, the spin axis would drift to bring the planet back into rotational equilibrium. Olympus Mons could easily have changed the position of the spin axis by tens of degrees. DH

Nfocal points

1 summit caldera

2 lava flow at the base

The summit caldera is about 37 miles (60 km) across and consists of at least six individual craters—some circular, others semicircular—aged between 140 million and 420 million years. They were formed by successive collapses, when lava drained out of the 20-mile (32-km) deep underlying magma chambers.

The lava was of low viscosity and high fluidity. Parallel elevated ridges (levees) were produced at the edges of the flows, where the outer margins solidified. Lava continued to flow beneath the hardened crust until the source was exhausted. The surface of the empty tunnel then collapsed leaving long valley-like depressions.

3 impact craters

4 plains around the mountain

There are two large impact craters easily visible on the volcano flank: Karzok (9.6 miles, 15.6 km diameter) and Pangboche (6.4 miles, 10.4 km diameter). They are suspected to be the source of the Martian meteorites known as shergottites. Crater counts enable the age of the surface to be estimated.

The Tharsis plateau is the largest volcanic region on Mars; it is about 2,485 miles (4,000 km) wide and rises 6 miles (10 km) above Mars’s mean surface level. Olympus Mons is the largest and youngest volcano in the region and rises 11 miles (18 km) above the surrounding high plains.

valles marineris Volcanoes are a ubiquitous feature of terrestrial planetary surfaces. However, volcanism not only produces mountain growth but it also spreads lava, rock, and dust over large parts of the planetary surface. The ever-increasing weight of a volcano can overcome the strength of the underlying crust and cause the base to spread. Around the perimeter this can produce steep cliffs, which are prone to extensive landslides. Volcanic activity also makes the crust crack and quake. This faulting can lead to the production of rift valleys and the Valles Marineris canyon system (right) is a perfect example of this on Mars. The heat of the lava can also cause the melting of sub-surface ices and brief intervals of water flow and erosion.

mars: the red planet 215

35

Medicine The Whole Story STEVE PARKER

Story is a thorough global history of medical practices, from

whole story series

THE WHOLE STORY

medies to the latest “spare part” tissue, organ, and gene

pocrates of Greece and Galen of Rome, and from innovators

vey, Edward Jenner, Louis Pasteur, and Robert Koch to their

esent day, the book presents in-depth accounts of the men

ve driven medical advances, and the thinkers and doers who

Recent decades have seen innovations arrive at an ever increasing pace—the artificial hip, heart pacemakers and transplants, kidney dialysis, genetically modified medications, the conquering of smallpox, in vitro fertilization, more advanced kinds of imaging, new vaccines, retinal eye implants, face transplants, bionic limbs, bioengineered tissues, anti-cancer treatments, and more.

Medicine: The Whole Story examines each extraordinary development and goes on to predict the medical marvels that will make our lives more comfortable, healthier, and longer in the future.

standing of the human body in sickness and in health.

verage of all forms of medicine and allied health fields, from

esia to urology and zoonosis

ctitioners and patients; equipment and apparatus, from

Medicine is many things: a mysterious art, an exacting science, a natural offshoot of religion, a leading force in cutting-edge technology, and a highly skilled profession that aims to ease suffering, treat illness, and effect cures. There is also an element of blind faith, and thus inevitably it can be a source of ready cash for charlatans.

Medicine: The Whole Story covers all of these aspects, and more. This comprehensive, accessible, up-to-the-minute account traces the development of the healing arts and medical sciences from the earliest practitioners, with their herbal potions, mineral poultices, and mystic incantations, to the latest advances in high-resolution scanners, microsurgery, personalized drugs, stem cells, and gene therapies.Along the way are tragic accounts of terrible suffering, miracle cures that never were, raised hopes that ended in tragedy, blind alleyways and dead-ends, and cruel quackery verging on torture. But these negatives were far outweighed by the positives. Medicine evolved through myriad breakthroughs and leaps in progress. Some were distilled through detailed observation, planned experimentation and exhaustive teamwork; others appeared as the result of flashes of individual insight and inspired guesswork.

THE WHOLE STORY

MEDICINE

MEDICINE

Medicine: The Whole Story

With more than 1,000 illustrations

Steve Parker

s through medieval apothecary jars to proton beam machines;

gs and works of art, photographs, manuscripts, and diagrams.

576pp

Front cover: X-ray of skull © Wonderisland/Shutterstock; Back cover: (clockwise from top left) Poster advertising vaccination © Wellcome

Images; X-ray of a hip replacement © Science Photo Library; Pages of a

medieval herbal © Wellcome Images; Neurosurgeon coagulating blood

245 x 172 mm / 9¾ x 6¾ in All rights available

vessels during a brain tumor operation © George Skadding/Getty Images.

General Editor

Steve Parker

MTWS

A survey encompassing traditional and modern medical systems and practices worldwide.

Comprehensive coverage of all forms of medicine, from allergies and anesthesia to zoonosis.

Illustrated with historic portraits and works of art, original diagrams, and photographs of medical equipment and apparatus.

36

The healing arts began with herbal potions, mineral poultices, and mystic incantations; today they depend on high-resolution scanners, microsurgery, personalized drugs, stem cells, and gene therapies. Medicine: The Whole Story follows the extraordinary developmental trajectory of medical science, from Imhotep of ancient Egypt, Hippocrates of Greece, and Galen of Rome; the disappearance of their systems in the Dark Ages; their rediscovery in the Renaissance, and the subsequent march to rational medicine, spearheaded by such luminaries as Andreas Vesalius, William Harvey, Edward Jenner, Louis Pasteur, and Robert Koch. Along the way, the book explains landmark developments in areas such as vaccination, antisepsis, anesthesia, surgery, psychoactive medications, psychotherapies, and medical imaging, right up to today’s retinal eye implants, face transplants, bionic limbs, bioengineered tissues, and anti-cancer treatments.

Medicine: The Whole Story places healing at the heart of science and points the way to potential medical marvels of the future.

Evolution The Whole Story

whole story series

STEVE PARKER

576pp 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand ETWS

A comprehensive account of the evolution of all major animal and plant groups.

In-depth coverage of scientists who contributed to understanding evolution.

Stimulating visual presentation of species, skeletons, and lifelike reconstructions.

Evolution theory is fundamental to understanding nature and its many transformations, from our own human heritage to the way climate change will impact on tomorrow’s world.

Evolutionary theorists, fossil-hunters, paleontologists, molecular biologists, geneticists, and climatologists—as well as the occasional lucky amateur who found an odd-shaped rock—have all contributed to unraveling this complex subject. Evolution: The Whole Story explains life’s history via a thorough survey of how each of the major groups of living things evolved, through fossils, examples of living species, comparative anatomy, and evolutionary legacies.

This compelling and impressively illustrated book traces the history of human thought concerning evolution and our understanding of the intricacies of the natural world, beginning with the Ancient Greeks and continuing via the thinking of Medieval and Renaissance scholars to Darwin’s Revolution and onward to the latest hypotheses.

37

Architecture The Whole Story DENNA JONES

whole story series

576pp 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand TIAR

Architecture plays a pivotal role in defining our attitude to the world in which we live.

From classical masterpieces to contemporary award winners, Architecture: The Whole Story looks at how architectural design creates the working environment, changes a building from a house to a home, and empowers public, private, and religious structures to become stimulating additions to the landscape. The key periods and movements of architecture are examined, with detailed analyses of the most important practitioners and the works that best exemplify their approach. This engrossing book provides a detailed examination of the way architects have revised and recycled elements from disparate movements through centuries of innovation.

Fashion The Whole Story MARNIE FOGG

THE WHOLE STORY

General Editor

Marnie Fogg Foreword by

Valerie Steele

576pp 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand TIFA

38

Fashion: The Whole Story traces the evolution of fashion via its key periods, significant styles, iconoclastic designers, and cultural influences, culminating in the contemporary world of a complex global business. It highlights the pieces that epitomize defining styles or epochs in fashion history, explaining everything from the choice of materials or individual design features to the relevance of designs created during times of war or excess. Marvel at the court dress of the Mughal Empire; discover the political implications of the mini skirt; and understand the science behind the latest “smart” materials. For all those with a love of fashion, Fashion: The Whole Story is an indispensable resource.

General Editor

Juliet Hacking Foreword by

David Campany

THE WHOLE STORY

tious and vibrant publication leads you through the world’s most iconic

hs – those innovative images that have become key reference points in

ption of ourselves and the world around us. Organized chronologically,

races the evolution of creative photography period by period, while

Photography

Photography: The Whole Story Juliet Hacking

People have always tried to capture moments as images to be shared with others. Over many centuries it was the

task of artists to select subjects and set them down using charcoal, paint and other media, but in 1839 a new and more immediate medium appeared: photography.

The Whole Story

Originally messy and time-consuming, the photograph rapidly evolved to become a means of capturing the world literally in the blink of an eye. But in a world where billions

of snapshots are taken every year, why are some individual photographers and their works considered so important?

Photography: The Whole Story celebrates the most beautiful, meaningful and inspiring photographs that have arisen from this very modern medium – whose name, meaning ‘writing with light’, hints at its potential to capture the significant moments in our lives. The book begins with a

JULIET HACKING

succinct overview of photography, placing it in the context of the social and cultural developments that have taken place globally since its arrival. Organized chronologically,

the book then traces the evolution of photographic style, period by period, and illustrated, in-depth essays cover

PHOTOGRAPHY THE WHOLE STORY

every photographic genre, from early portraits and tableaux to today’s digitally manipulated photographs. The works of key photographers – such as Henri Cartier-Bresson, Richard Avedon, Robert Mapplethorpe, Annie Leibovitz and Andreas Gursky – are assessed to reveal what motivated them, who

Photography: The Whole Story is a striking, encyclopedic guide to the history of photography that takes an in-depth look at the key periods, genres, and works.

The medium is placed in its social, political, and art historical context—from the first public demonstrations

by Louis Daguerre to the pioneering photojournalism of Roger Fenton and the high art of Jeff Wall.

An invaluable volume for photography enthusiasts.

influenced whom and what each was striving to achieve.

Supporting each essay are close analyses of key works that exemplify the characteristics of each period or movement.

melines provide historical and cultural context.

Illustrated focal points single out aspects such as use of

colour and visual metaphor, quirks of composition and technical innovations, enabling you to grasp each work’s

hotographic masterpieces in the context of cultural and social

ments, with timelines pinpointing key works, influences and events.

full meaning. You will appreciate the tiny but telling details

hts the photographers who best exemplify each photographic genre,

of social portraits; the stark, graphic qualities of urban landscapes; the erotic, or the chilling, undertones of nude

depth analysis of their works.

studies; and the humour, anger or pathos of conceptual

by an international team of art critics, journalists and scholars.

works. If you love photography and would like to know more, Photography: The Whole Story is for you.

With more than 1,000 illustrations

Juliet Hacking ppp'maZf^lZg]an]lhg'\hf *2'2.

Front cover: Gloria Swanson (1924) Edward Steichen.

Back cover: Couple in Raccoon Coats (1932) James Van Der Zee (above left); Charles James Gowns in French & Company’s 18th-century French Panelled Room (1948) Cecil Beaton (above right); Sitting on the Wall – Shenzhen 1 (2002) Weng Fen (below left); Barakei (Ordeal by Roses) #32 (1961) Eikoh Hosoe (below right).

5/19/14 3:36 PM

New Zealand • TIPH

General Editor

Foreword by

Stephen Farthing

Richard Cork

Art

‘Perfectly designed as a one-stop reference guide ... indispensable’ – Artists & Illustrators There is no society that has lacked art. Depiction and decoration, like storytelling and music, are as natural to human beings as nest-building is to most birds. The forms that art has taken have varied radically in different times and places, under the influence of differing social and cultural circumstances. What was the original purpose of these works of art and how can we understand them today?

Why did art flourish in some periods of history and not in others? Why are some individual pieces of art so significant?

The Whole Story

mbitious and vibrant publication leads you through the world’s iconic

Art: The Whole Story begins with an incisive historical overview that places art in the context of the social and cultural developments that have taken place around the world since pre-state societies. Organized chronologically, the book then traces the evolution of artistic development period by period and movement by movement. Illustrated, in-depth text covers every genre of art, from painting and sculpture to conceptual art and performance art. A thorough assessment of the ideas and works of key artists reveals how one artist influenced another and what they were trying to achieve with their work. Detailed cultural and individual artist timelines clarify historical context.

s – those that we encounter every time we open a newspaper, visit a

, or look at the front cover of a novel. Organized chronologically, the book

the evolution of artistic development period by period, with the illustrated

vering every genre of art, from painting and sculpture to conceptual art

STEPHEN FARTHING

rformance. Cultural timelines help the reader with historical context.

most accessible history of world art ever assembled

ures more than 1,100 colour illustrations of iconic pieces

rs every genre of art, from painting and sculpture to conceptual art

gned in an easily navigable and user-friendly fashion

Individual masterpieces that epitomize the defining characteristics of each period or movement are highlighted and analysed in detail, enabling you to interpret their full meaning as never before. Marvel at the intricacies of Mughal miniatures; learn the significance of Japanese prints in the nineteenth century; understand the science

Since the earliest prehistoric sculptures and cave paintings, humankind has recorded its creative impulses. Art: The Whole Story explains artistic movements and artists, and analyzes key works in detail. This book is prolifically illustrated with reproductions of masterpieces from around the world and introduces readers to every genre, from painting to conceptual and performance art.

behind the colour theories that informed Seurat’s remarkable La Grande Jatte; and discover why Picasso’s Les Demoiselles D’Avignon was considered so shocking in its day.

www.thamesandhudson.com £19.95

Since the earliest prehistoric sculptures and cave paintings, humankind has felt compelled to record its creative impulses. Today, the urge to draw, paint, print and sculpt is more apparent than ever, and continues to inform who we are and how we live. If you love art and would like to understand it better, look no further than the pages of Art: The Whole Story.

Stephen Farthing

whole story series

576pp • 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia,

With more than 1,100 colour illustrations

On the front cover: Son of Man (1964), René Magritte

On the back cover (from top): Under the Wave, off Kanagawa (c.1829–33), Katsushika Hokusai; Arearea (1892), Paul Gauguin; Execution (1995), Yue Minjun; Five Masters of the Florentine Renaissance, attrib. Paolo Uccello

576pp • 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand • TMAR

General Editor

Philip Kemp Foreword by

Sir Christopher Frayling

Cinema

Cinema: The Whole Story

Cinema changed the world. As soon as technology allowed, the art of making films followed on seamlessly from the art forms of earlier centuries. The desire to record one’s surrounding world, emotions, experiences, creations and the stories of everyday life has become as natural as breathing. Cinema has varied radically in different times and places and under the influence of differing social and cultural circumstances. What was the impetus behind the world’s earliest films? What role do cinema buildings play in architectural and sociological terms? Why do certain movies become classics? What makes an individual actor, director or writer a cinematic icon?

The Whole Story

Cinema: The Whole Story takes a close look at the key time periods, genres and works in international cinema, placing the burgeoning world of cinema in the context of unfolding social and cultural developments. Organized chronologically, the book traces the evolution of film, from the earliest days of cinematic projection to the multi-screen cinemas and super-technology of today.

Illustrated, in-depth text covers every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and ground-breaking special effects of the 21st century.

Detailed timelines accompany the text and clarify cinematic history.

PHILIP KEMP

ispensable book for all those who love watching and reading about films,

ho want to understand more about the world of cinema.

es key works in the context of cinematic genre, and social

cultural developments.

CINEMA

orical timelines highlight key influences and events.

s the reader inside the world of film-making – the glamour,

riumphs, the misery, the disappointments, and the realities

ardom – from all over the world.

ten by an international team of film experts, led by Philip Kemp,

ered film historian, lecturer and author.

THE WHOLE STORY

Key works that epitomize the defining characteristics of each genre or time period are analysed in detail. Everything from camera and lighting to acting styles, animation and the film’s social and cultural impact is explained, enabling you to interpret the full meaning of world-famous movies as never before. Discover what makes a person a star, what makes a film a success – and why even the most promising of ideas can prove an expensive disaster.

Written by movie reviewers and film historians, Cinema: The Whole Story is an accessible and inspirational guide to the landmark developments in cinema.

This comprehensive book traces cinematic history from the earliest days of cinematic projection to the supertechnology of today, covering all genres from silent movies to special effects. Essential reading for those who love cinema and want to discover more about it.

Since the first photograph was taken, humans have felt compelled to record their creative impulses. Today, the ability to film our lives and bring our imaginations to life continues to inform who we are and how we live. If you love cinema and would like to know more about it, look no further than the pages of Cinema: The Whole Story.

With over 1,100 illustrations

www.thamesandhudson.com £19.95

On the front cover: The Godfather Part II (1974), Paramount/The Kobal Collection On the back cover (clockwise from top left): Manhattan (1979), United Artists/ The Kobal Collection/Brian Hamill; North by Northwest (1959), MGM/The Kobal Collection; La Dolce Vita (1960), Riami-Pathé/The Kobal Collection/Pierluigi; All About My Mother (1999), El Deso/Renn/France 2/The Kobal Collection

576pp • 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand • TICI

39

The World Atlas of Tattoo

world atlas series

ANNA FRIEDMAN

400pp 235 x 220 mm / 9Ÿ x 8½ in Rights sold: UK, US, Canada, Australia, New Zealand TATW

Provides a geographical overview of tattoos within historical context.

Written by an expert team of scholars and historians.

A must-have source of inspiration, featuring an immense variety of styles.

40

Tattooing has experienced unprecedented global popularity in the past decade. The number of tattoo artists worldwide has exploded as stigmas have waned, nearly lost traditions have resurfaced, and extinct practices have been reincarnated.

Stellar examples of the art can be found across the globe and on every continent except Antarctica. The styles and genres span an incredible aesthetic range from stark geometric blackwork to vibrantly colored painterly masterpieces. Revitalizations of many forms of hand tattooing now exist alongside electric machines. The increasing demand for face, neck, and hand tattoos manifests a mining of personal cultural history and the faith tattoo collectors put in the artists who adorn their bodies.

The World Atlas of Tattoo highlights the incredible diversity of global tattoo artists working today. Arranged geographically, each section also contains a short historical overview, so readers can trace the evolution of styles in different cultures and see how traditional practitioners have influenced contemporary artists.

The World Atlas of Street Photography

400pp 235 x 220 mm / 9¼ x 8½ in Rights sold: UK, US, Canada, Australia, New Zealand • WASP

The first book to place street photography in a global context.

Includes 750 stunning color illustrations.

THE WORLD ATLAS OF STREET ART AND GRAFFITI SCHACTER

More people than ever before live in the city, and the energetic, ever-changing pace of the metropolis has long lured photographers to capture, often candidly, the chaos, character, and incident of modern urban life. Its theater of the everyday and the ordinary continues to inspire extraordinary art. The World Atlas of Street Photography focuses on the diverse abundance of photography that has been created on street corners around the globe, from classic documentary street photography to staged performances. Follow Daido Moriyama as he roams the winding back alleys of Tokyo; witness Alexey Titarenko as he uses long exposures to recast St. Petersburg as a haunting city of shadows; and wander around the favelas of São Paulo with Julio Bittencourt as he pictures the high-rise slums. The World Atlas of Street Photography takes you on a kaleidoscopic adventure around the world in search of the best urban photographic art.

The World Atlas of Street Art

THE WORLD ATLAS OF STREET ART AND GRAFFITI

world atlas series

JACKIE HIGGINS

Since its genesis on the East Coast of the United States

in the late 1960s, street art has travelled to nearly every corner of the globe, morphing into highly ornate and vibrant new styles. Exhibiting their work in what is

effectively the world’s largest, most open gallery, urban artists unveil their imaginations to a public unable to avoid them, challenging conventional ideas about the place of art in everyday life.

RAFAEL SCHACTER From Steve Powers (Espo) in New York to Kid Zoom

in Australia, taking in Banksy’s London, Paris as transfigured

by Honet and OX, and the gargantuan murals of the

Brazilian twins ‘Os Gêmeos’, The World Atlas of Street Art and Graffiti is the first truly geographical history of the form. Featuring specially commissioned works and interventions from major graffiti and street art

Art surrounds us and can be seen on any city street or public space all over the world. From Steve Powers in Philadelphia to Banksy in Bristol, and from Blek le Rat and JR in Paris to Os Gêmeos in Brazil and DMOTE in Australia, The World Atlas of Street Art and Graffiti is the first in-depth geographical survey of international urban art of its kind. From São Paulo to New York, and Sydney to Tokyo, these artists’ works draw on the energy of their surroundings in the world’s most accessible museum—the street. The lives and works of urban artists are inextricably bound to the streets, and this well-researched survey features specially commissioned city maps created by major artists from each region to give readers an insider view of their urban landscapes.

Lively and informative, this exciting book traces the development of the art form around the world and demonstrates its challenge to contemporary ideas about the mapping of urban space.

practitioners, it offers the reader an insider’s view of

the urban landscape as it is experienced by the artists themselves and traces the myriad ways in which this

diverse artistic and social phenomenon has developed.

At its best, urban art is not simply an aesthetic based

on slogans, political posturing or personal promotion:

it is a global movement deeply committed to spontaneous

creativity and the infinite variety of the city. This beautifully illustrated book, produced with the help of many of

the artists it features, dispels the idea of such art as a

thoughtless defacement of pristine surfaces, and instead celebrates it as a contemporary and highly creative

inscription upon the skin of the built environment.

RAFAEL SCHACTER FOREWORD BY JOHN FEKNER

ISBN 978 1 78131 073 1

400pp 235 x 220 mm / 9¼ x 8½ in Rights sold: UK, US, Canada, Australia, New Zealand • WAOS

The definitive reference guide to urban street art and graffiti.

Explores a complex art form from a unique perspective.

£20.00

41

What Makes Great Literature

what makes great series

HENRY RUSSELL

224pp 127 x 177 mm / 5 x 7 in All rights available WMGL

Features 80 landmark works with analysis of how they succeded.

A must-have for those who love the written word.

Includes reproductions of first-edition covers, original manuscripts, and author portraits.

42

F. Scott Fitzgerald once said that the beauty of literature is its power to make us feel as though we belong. Books have the ability to transport readers into another world, offering a respite from daily life while at the same time making them realize that the themes of human life are universal. They can make them laugh or cry, they can provide comfort, they can educate, they can challenge, and they can inspire. But what makes some works more successful than others? Why do certain stories endure while others are forgotten almost as soon as the last page is turned? What Makes Great Literature highlights eighty outstanding works by authors from around the world, taking readers on a thematic journey through the history of the written word. From scandalous accounts of sex, poignant confessions of personal weakness, and rites of passage tales to heroic stories of derring-do, spine-chilling dramas, and soaring flights of fantasy, each of the featured works displays a shared ability to capture the imagination and offer fresh insights to the reader.

WHAT MAKES GREAT CINEMA

What Makes Great Cinema IAN HAYDN SMITH

224pp 127 x 177 mm / 5 x 7 in All rights available WMGC

Features 80 landmark works with analysis of innovative elements.

Includes more than 100 film stills and a directory of filmmaker biographies.

WHAT MAKES GREAT STREET ART

Caleb MarnieNeelon Fogg

Iranian filmmaker Abbas Kiarostami claimed that “Good cinema is what we can believe, and bad cinema is what we can’t.” But what makes the difference between “good” and “bad” cinema?

Although some movies are seen by millions and others by very few, time has proven a faithful barometer of why some movies work so well.

What Makes Great Cinema analyzes eighty outstanding films, exploring the elements that are essential to understanding how cinema really works. From cinematography to spectacle to drama, the book takes readers on a thematic journey of key developments and styles, from early experiments to the newest innovations. An indispensable guide for all cinema lovers.

What Makes Great Street Art CALEB NEELON

224pp 127 x 177 mm / 5 x 7 in All rights available WMGS

Reveals the artistic criteria the movement’s insiders apply to their peers’ work.

Features 80 graffiti and street artworks from around the world.

For many people, the greatest hurdles to understanding street art are its illegality and self-promotional nature. If an artwork is made on public or private property without permission, how can it be art? Since the late 1960s, graffiti has evolved from writing one’s name in plain print to vast color murals by lifelong artists. Many practitioners have moved from name-based graffiti to other media, turning graffiti into a global art. Yet much of street art’s internal system and aesthetics remains closed to non-practitioners. In this thought-provoking book, graffiti and street artist Caleb Neelon examines eighty works from artists both celebrated and incarcerated.

what makes great series

WHAT MAKES GREAT CINEMA

Ian Haydn Smith

43

WHAT MAKES GREAT ARCHITECTURE

Denna Jones

WHAT MAKES GREAT ARCHITECTURE

224pp 127 x 177 mm / 5 x 7 in All rights available WDR2

Showcases 80 outstanding buildings, from ancient to modern.

what makes great series

Succinctly analyzes the defining qualities of great architecture.

What Makes Great Architecture DENNA JONES

How do we know what makes a building great?

Who decides? The architect? Users? Historians?

The public? The Roman architect Vitruvius saw buildings as a fusing of function (required by the client), structure (the responsibility of the builder), and beauty (the preserve of the architect).

In his day one person often juggled all three considerations. Rarely does that happen now. The result? Architecture that “works” and architecture that doesn’t. The rise of “starchitects” and the veneration of image and object at the expense of “the program” (the function and use of a building) have altered our relationship to buildings. What Makes Great Architecture incisively spells out how the eighty featured buildings really work and why.

What Makes Great Design SUSIE HODGE

224pp 127 x 177 mm / 5 x 7 in Rights sold: UK, US, Canada, Australia, New Zealand WDRW

A lucid appraisal of 80 of the world’s greatest designs.

Includes a useful directory of featured designers.

4444

From chairs and coffee makers to pens and lamps, design is all-pervading. Yet why are we more receptive to some designs than others, and why do some products or objects enrich our lives while others do not? What Makes Great Design presents a selection of eighty exceptional designs over time and from around the world, assessing just what it is that makes each one so iconic. Successful designs are extraordinarily diverse: some may be stylish (Ray-Ban Wayfarers); some became items that are used everywhere (the mascara wand); while others become classics (Earl R. Dean’s Coca-Cola bottle). Lively, accessible text by a design expert enables readers to understand the defining qualities of each.

y. Fashion

cs of the

al and iconic,

uch as Lanvin’s as outerwear,

t dress, and Dior to the

es Garçons.

WHAT MAKES GREAT FASHION

Marnie Fogg

MARNIE FOGG

80 MASTERPIECES EXPLAINED

224pp • 127 x 177 mm / 5 x 7 in Rights sold: UK, US, Canada, Australia, New Zealand WFRW

at a deeper

RT showcases a

and sculptures from

sessing just what

their greatness to

nd insights into their

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awksley’s succinct,

unique defining to appreciate

WHAT MAKES GREAT ART

houlders above

WHAT MAKES GREAT ART

Andy Pankhurst Lucinda Hawksley

224pp • 127 x 177 mm / 5 x 7 in Rights sold: UK, US, Canada, Australia, New Zealand WARW

highlights the

peers, such as

ning just what it is

yes to the defining

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WHAT MAKES GREAT PHOTOGRAPHY

eighty outstanding

today’s digital

eglitz, Ernst Haas,

What Makes Great Fashion showcases eighty outstanding fashion confections, from the birth of the industry in the mid-nineteenth century to the present day, and defines the characteristics of the garments that render the design both influential and iconic.

Enlightening text and dynamic fashion photographs, accompanied by quotes, enable readers to identify swiftly what makes each garment so successful.

What Makes Great Art ANDY PANKHURST & LUCINDA HAWKSLEY

80 MASTERPIECES EXPLAINED

powerful than

What Makes Great Fashion

In this book, eighty of the world’s most successful paintings are analyzed, with full-color reproductions of each masterpiece. Succinct and engaging text draws the reader’s attention to the elements of each work— such as composition, color, texture, and incongruity— that make it so successful. What Makes Great Art is an invaluable book for all those who want to know about what separates good art from great art.

what makes great series

nfections, from

WHAT MAKES GREAT FASHION

lders above

ch more impact

ON showcases

What Makes

WHAT Great Photography MAKES VAL WILLIAMS GREAT What Makes Great Photography highlights eighty PHOTOGRAPHY distinguished photographs from around the world Val Williams

80 MASTERPIECES EXPLAINED

224pp • 127 x 177 mm / 5 x 7 in Rights sold: UK, US, Canada, Australia, New Zealand HPRW

and throughout time—from the first daguerreotypes to today’s digital masterpieces, and by photographers as diverse as Alfred Stieglitz, Ernst Haas, Edward Weston, and Martin Parr. The insightful text will open readers’ eyes to the defining qualities of the most significant photographs of every period and genre.

45

Why It Was Not a Waste of Time Scientific Theories and Experiments Explained ROBERT CAVE

why IT wAS NOT A wASTE OF TIME

arth Would Anyone Build That, John Zukowsky selects 100 modern from the unusual to the truly avant-garde—and examines their purpose, as well as the reaction they provoked when they were built. llustrated throughout, Why On Earth Would Anyone Build That is an engaging study of iconic and iconoclastic modern architecture.

why not series

ScIENTIFIc ThEOrIES ANd ExpErIMENTS ExplAINEd

From the work of world-renowned architects such as Lud Mies van der Rohe, Frank Gehry, and Zaha Hadid to th more maverick creations of Bruce Goff, Shin Takamatsu and Shigeru Ban, buildings are undoubtedly part of our everyday lives. Much of the time, we are appreciative of or indifferent to their existence, but some buildings prov strong reactions. “Why on earth would anyone build tha and “Not in my backyard” are phrases that are often he in the discussion of architecture past and present. But w is it about these buildings that is so controversial?

Why On Earth Would Anyone Build That explore intriguing world of modern architecture. In this fascinatin study, John Zukowsky selects 100 very different building that pushed the boundaries of what was architecturally acceptable when they were built. More often than not, t iconoclastic structures were revered by later generations Zukowsky unravels the rich and complex stories behind construction. Placing each building in its cultural contex discusses why it was created and what influence it has h on architectural design. Along the way, you’ll discover w some architects choose to prioritize function over aesthe appeal—or vice-versa—and why others appear to chall every accepted architectural value. You’ll also learn how many buildings were influenced by global events such a the Space Race and others were made possible by timel technological innovation.

An illuminating, beautifully illustrated book, Why On Earth Would Anyone Build That will enable you t understand the reasoning behind some of the most icon unusual, and controversial buildings in the world.

With 100 color illustrations

224pp 198 x 140 mm / 7¾ x 5½ in All rights available WIWN

An engaging and enlightening analysis of scientific endeavor, from brain experiments to elementary particles.

100 amazing projects, theories, and experiments explained by a Guinness World Records author.

46

Robert Cave

Scientific knowledge is the fruit of human curiosity. A lot of that knowledge flows from measured, logical reasoning, but sometimes it arises from unexpected places and produces unforeseen results. Indeed, scientists have frequently risked ridicule, as well as their own health and mental wellbeing, in their efforts to understand the world. In Why It Was Not a Waste of Time, science writer Robert Cave examines 100 extraordinary projects, theories, and experiments that were conducted in the name of science. Some, including various nuclear tests, have attracted controversy and hostility; others, such as Johann Wilhelm Ritter’s erotic self-experiments with a voltaic pile, seem just downright weird. But Robert Cave demonstrates, thoroughly and informatively, that it is only by doggedly asking awkward questions, and paying close attention to the answers, that scientists have seen beyond our limiting pre-conceptions.

Why It Does Not Have to be Helvetica Modern Typography Explained MARK SINCLAIR

WHY IT DOES NOT HAVE TO BE HELVETICA

Mark Sinclair

MODErN TYPOGrAPHY ExPLAINED

224pp

WHY IT DOES NOT HAVE TO BE HELVET MODErN TYPOGrAPHY ExPLAINED Adrian Shaughnessy

Ficim volo et quae commolo riorio. It anditi quid mil illu conseque cus dolorro odi as et inciis eatiste ctionsequo corehenimus magnimo omnimpe ruptur rerrum faccabo ressincto eliqui conest ad que volupta temodit ationes to experum quundit iorese coribus ut erro quo corerum sus nimincil el et exerit velibus sa acidemporum ulparum ex rem harcipsam quod unt etur re, ventecesto deliquam q ea dolorepellat moluptatis idenimi ncimil maio. Ut etur tempos nusa perum eariti sum estem eicipsum qui de d volupid ut optatenim hicae. Fuga. Ducid mossinc tureic ressum iliquam, cuptatus recum, offic to ipis abo.

Quiam nonsequ ibusaperchil eius, num imenden de que aut et, officia spidend endunt hit ut et omnihic to bl lam, quiaecatia dolupta speribus doluptatet aut pa quo dolores trumquam as ad qui nullectur aut assequam co eius ilis ma dit ab ilici qui undaece peligni stibus, sum e aut magniment il eum qui omnitiori as nempori bearupt de volecus ipisquam a dolora dolor minihil il inimaios ip quam, volupta spicatio qui volorit ionsed mi, corehen is quis ullacca boreri ad exceper ovitionsed etur aut aliqui libus antotas peliqui imin eaqui sit, od essi quo temped iuntiantenis quis et quam fugitaectur?

Am que sequamet molum liqui nusam hil ipsapis ex vollabo rposanda quo qui intiora que odis rehenet haru imporeris invero imi, nusam, nonsenisque voles idestota etumquis exero maiori archic to comniss equistrum dit o atestibus ut qui quo quidellent. Equi voleceatum nonse et excessi minvellatemo qui te renditatibus ea volore, es vollore debis dollorrundis dendignamust ellant, quia qu voluptia plistios aborion sequam.

198 x 140 mm / 7¾ x 5½ in All rights available

Mark Sinclair

On the jacket: Stefan Sagmeister, Deitch Steam Room, 2008

WIDH

Examines each typographical innovation in its aims, form, and content.

Beautifully illustrated with examples of avantgarde typography.

Full-color reproductions of 100 groundbreaking typographical designs.

why not series

WHY IT DOES NOT HAVE TO BE HELVETICA

tatus quaecusam inveligentus ilis estius venihillis eliquuntem nis aut quo oditam volores audigentur a con conse eos eaquas simpost accati blaccus acessuste nis dolendundem enim aliquam aut labor sit aut et omnime or sa dolorum resto optatio qui velluptat ut aut endus veriat ea comnien dignis et et, quo molume voluptati offici reptiis et, volupta quia dit aut ma aliquat liquiat quunturem

Developed in 1957, Helvetica has become the default typeface of modern graphics. Highly legible and intentionally neutral, its ubiquity is a reflection of our cool, rational world. Why It Does Not Have to Be Helvetica challenges the notion of one typeface for all purposes. Mark Sinclair presents 100 rival typefaces and explains how the visual characteristics of each, even within Helvetica’s own sans-serif genre, have subtle emotional effects on the reader that can resonate with, or even contradict, the text’s meaning. From early pioneering designers and the early twentieth-century avant-garde to the digital explorations of today, the author demonstrates how visual experiments, type systems, and fonts have been applied over various media and have become as influential as the pictorial image. As a timely reminder of the power of typography, Why It Does Not Have to Be Helvetica will intrigue anyone interested in graphic art and design.

47

0 modern nes their ere built.

That is an ecture.

WHY ON EARTH WOULD ANYONE BUILD THAT

Why On Earth Would Anyone Build That?

WHY ON EARTH WOULD ANYONE BUILD THAT?

John Zukowsky

From the work of world-renowned architects such as Ludwig Mies van der Rohe, Frank Gehry, and Zaha Hadid to the more maverick creations of Bruce Goff, Shin Takamatsu, and Shigeru Ban, buildings are undoubtedly part of our everyday lives. Much of the time, we are appreciative of or indifferent to their existence, but some buildings provoke strong reactions. “Why on earth would anyone build that?” and “Not in my backyard” are phrases that are often heard in the discussion of architecture past and present. But what is it about these buildings that is so controversial?

Why On Earth Would Anyone Build That explores the intriguing world of modern architecture. In this fascinating study, John Zukowsky selects 100 very different buildings that pushed the boundaries of what was architecturally acceptable when they were built. More often than not, these iconoclastic structures were revered by later generations, and Zukowsky unravels the rich and complex stories behind their construction. Placing each building in its cultural context, he discusses why it was created and what influence it has had on architectural design. Along the way, you’ll discover why some architects choose to prioritize function over aesthetic appeal—or vice-versa—and why others appear to challenge every accepted architectural value. You’ll also learn how many buildings were influenced by global events such as the Space Race and others were made possible by timely technological innovation.

An illuminating, beautifully illustrated book, Why On Earth Would Anyone Build That will enable you to understand the reasoning behind some of the most iconic, unusual, and controversial buildings in the world.

Modern Architecture Explained JOHN ZUKOWSKY

MODERN ARCHITECTURE EXPLAINED

In Why on Earth Would Anyone Build That?, John Zukowsky examines 100 striking buildings from modern architecture that have pushed the boundaries of what was acceptable when they were built. Many of these iconoclastic constructions have become revered by later generations. So, what changed? This engaging book explores the history of these buildings and their makers, presenting the socio-cultural influences that impacted on the distinctive designs. Find out why all the featured buildings look the way they do, and why they were created when and where they were. Why on Earth Would Anyone Build That? unravels the rich and complex stories that exist behind the design of some of the world’s more unconventional structures, and reveals exactly why each building is one of a kind.

With 100 color illustrations

John Zukowsky

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: UK, US, Canada, Australia, New Zealand

why not series

WIDO

Why You Can Go Out Dressed Like That Modern Fashion Explained MARNIE FOGG

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: UK, US, Canada, Australia, New Zealand WIDF

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Designers have pioneered cutting-edge garments and collections throughout the history of fashion. But all too often a lack of obvious fit or purpose has been mistaken for a lack of design skill.

In an informed defense of innovative fashion, Why You Can Go Out Dressed Like That champions the improbable, the provocative, and the seemingly ridiculous. Inspired by diverse sources, as well as futuristic textiles and techniques, the book explores the work of designers who strive to extend the boundaries of their creativity.

In this visual feast, Marnie Fogg explains how challenging set precedents is both powerful and contentious—the more radical the change, the stronger the reaction against early adopters. Yet each moment of transition hinges on new shapes by avant-garde protagonists, from the cerebral “Hiroshima chic” of Comme des Garçons to the augmented anatomies of Thierry Mugler.

why your five year old could not have done that

Why Your Five-Year-Old Could Not Have Done That

Susie Hodge

why your five year old could not have done that

In the past, estimation of an artist’s stature took great account of his or her technical ability to produce a faithful likeness of the real world on paper or canvas, or of a figure in wood or stone. A formal portrait was expected to be a true and faithful likeness, and landscapes had to be recognizable in all their particulars. However, especially after the arrival of photography, many artists ceased to make such ‘true’ likenesses in favour of more immediate images that sought to express feelings about their subjects. Often, a ‘simple’ line would replace the painstaking detailing of earlier artists.

From the beginning of this sea change in artistic ambitions, critics have mistaken an apparent lack of technique for a lack of artistic sophistication, often deriding expressive works as nothing more than the untutored efforts of children.

In this enjoyable and thought-provoking book, Susie Hodge examines 100 works of modern art that have attracted such critical hostility – from Cy Twombly’s scribbled Olympia (1957), John Hoyland’s crude but spontaneous Tree of Life (1994), to the apparently careless mess of Tracey Emin’s My Bed (1998) – and explains how, far from being negligible novelties, they are inspired and logical extensions of the artistic ideas of their time. She explains how ‘notorious’ works such as Carl Andre’s Uncarved Blocks (1975) – a rectangular arrangement of blocks of red cedar wood that is admittedly easily copied by a child – occupy unique niches in the history of ideas, both showing influences of past artists and themselves influencing subsequent artists.

A five-year-old might succeed in executing a spin painting such as those of Damien Hirst without understanding the ideas that lay behind it or its place in the history of artistic endeavour, but it does not follow that this work would be of significance to artists and historians. Susie Hodge explains, thoroughly and conclusively, why modern art is not, and never has been, child’s play.

With illustrations of works from Hans Arp to Andy Warhol, Hodge places each work in its cultural context to present an unforgettable vision of modern art. This book will give you an understanding of the ways in which modern art differs from the realistic works of earlier centuries, transforming as well as informing your gallery visits for years to come.

Modern Art Explained SUSIE HODGE

Modern art explained

hudson.com £9.99

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ndhudson.com £9.99

Ever since artists stopped trying to reproduce what they could see in favor of attempting to express their feelings about their subjects, critics have likened their art to the untutored efforts of children.

Carl Andre’s famous sculpture Equivalent VIII—an arrangement of bricks that is admittedly easily copied by a child—belies its importance in the history of ideas. A five-year-old might execute a spin painting without understanding the ideas that lay behind it or its place in the history of artistic endeavor, but he could not create a work of art. In this enjoyable and thought-provoking book, art historian Susie Hodge examines 100 works of modern art that have attracted critical hostility—from Salvador Dali’s Lobster Telephone to Tracey Emin’s bed—and explains how they are inspired and logical extensions of the artistic ideas of their time.

With 100 colour illustrations

Susie Hodge

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: UK, US, Canada, Australia, New Zealand WSSP

Jackie Higgins

WHY IT DOES NOT HAVE TO BE IN FOCUS

WHY IT DOES NOT HAVE TO BE IN FOCUS Modern PHoToGrAPHY exPlAined

On the jacket: Lucio Fontana Spatial Concept ‘Waiting’, 1960 © Tate, London 2012. © Lucio Fontana/SIAE/DACS, London 2012.

Why It Does Not Have To Be In Focus

WHY IT DOES NOT HAVE TO BE IN FOCUS Modern PHoToGrAPHY exPlAined

Jackie Higgins

Why take a self-portrait but obscure your face with a light bulb (Lee Friedlander, Provincetown, Cape Cod, Massachusetts, 1968)? Or deliberately underexpose an image (Vera Lutter, Battersea Power Station, XI: July 13, 2004)? And why photograph a ceiling (William Eggleston, Untitled (Greenwood, Mississippi), 1973)?

In Why It Does Not Have To Be In Focus, Jackie Higgins offers a lively, informed defence of modern photography.

Choosing 100 key photographs – with particular emphasis on the past twenty years – she examines what inspired each photographer in the first place, and traces how the piece was executed. In doing so, she brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred, overexposed or ‘badly’ composed.

Discover why Gillian Wearing’s Self Portrait at 17 Years Old (2003) is not the straightforward photo-booth snap that it first appears to be. Find out what lies behind Hiroshi Sugimoto’s decision to use a 19th-century large-format camera for his work – an apparently perverse choice, given his intention to throw the images it creates out of focus. And explore what prompted Richard Prince to begin photographing existing photographs – an act that saw him pilloried by some critics for lazily profiting from other people’s work.

The often controversial images discussed in this book play with our expectations of a photograph, our ingrained tendency to believe that it is telling us the unadorned truth. Jackie Higgins proves once and for all that the art of photography is much more sophisticated than it at first may seem.

Modern Photography Explained

why not series

lic hostility, st common usively that

JACKIE HIGGINS

The question of what makes a photograph a work of art has been asked ever since the medium appeared, and debated even more with modern photography. Photography long ago ceased to be exclusively a medium for accurately presenting what is in front of the photographer. Yet from blurry, out-of-focus images to photographs of photographs, an apparent lack of technique can often be mistaken for a lack of artistic sophistication. In Why It Does Not Have To Be In Focus, Jackie Higgins explains the artistry behind 100 key works of modern photography, revealing their hidden layers of emotional expression and the frequently complex processes that went into their composition. Readers will discover how photographs can blur the lines between fantasy and reality or even capture time—proving definitively that there’s much more to the art of photography than just “point and click.”

With 100 colour illustrations

Jackie Higgins

224pp 198 x 140 mm / 7¾ x 5½ in Rights sold: UK, US, Canada, Australia, New Zealand WIDN

On the jacket: Uta Barth, Ground #42, 1994. Courtesy the artist; Tanya Bonakdar Gallery, New York, 1301PE, Los Angeles.

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The Greatest Art You’ll Never See Lost Masterpieces by the World’s Foremost Artists and Architects LUCINDA HAWKSLEY

256pp 242 x 182 mm / 9½ x 7¼ in All rights available

greatest series

TGPY

What happened to the Ark of the Covenant? How did Banksy’s Australian flying rat lose its parachute? Why is the Bayeux Tapestry unfinished? All this and more is revealed in The Greatest Art You’ll Never See. Wars, earthquakes, fires, terrorism, thieves, and religious fervor have all played their part in the destruction of some of the world’s greatest works of art. Some of the missing artworks may still be in existence—their identities may have been forgotten, or they may have been hidden away in private collections—whatever their fate, their whereabouts remain a mystery. The Greatest Art You’ll Never See is a revealing glimpse into human history, social behavior, and artistic brilliance—a must-read for everyone interested in art, history, and mystery.

The Greatest Books You’ll Never Read Unpublished Masterpieces by the World’s Greatest Writers ERICA JARNES

256pp 242 x 182 mm / 9½ x 7¼ in Rights sold: UK, US, Canada TGBN

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Why was Thomas Hardy’s first novel never published? What happened to the manuscript of the long promised “magnum opus” that Truman Capote never delivered? Why did Heinrich Böll abandon his Paradise Lost? These and many other intriguing mysteries are uncovered in this comprehensive guide to literature’s lost and unfinished masterpieces. From a creative crisis to a dissatisfied editor, and from a bizarre twist of fate to an untimely death, behind each unpublished book lies a unique and compelling story. Accompanied by fascinating manuscript extracts and covering an eclectic range of international authors, both living and dead, The Greatest Books You’ll Never Read unearths an alternative literary history that is fascinating and heartbreaking in equal measure.

The Greatest Albums You’ll Never Hear Unreleased Records by the World’s Greatest Musicians BRUNO MACDONALD

Rights sold: UK, US, Canada, New Zealand TGAY

The Greatest Movies You’ll Never See Unseen Masterpieces by the World’s Greatest Directors

greatest series

256pp 242 x 182 mm / 9½ x 7¼ in

A Pink Floyd album with no musical instruments; a Who album that predicted the World Wide Web; a Rolling Stones album featuring Stevie Wonder; a sci-fi rock opera by Weezer—rock ’n’ roll history is littered with tantalizing albums that never saw the light of day. The Greatest Albums You’ll Never Hear untangles the twists of fate, fights, and sheer bad luck that doomed these magnificent, sometimes misguided masterpieces, taking in legends such as the Beatles, cult heroes like Brian Eno, modern-day million-sellers such as Green Day and Dr Dre, and mavericks like Prince, whose catalogs of unreleased material are as revered by fans as their official releases. The Greatest Albums You’ll Never Hear is a guided tour of rock ’n’ roll’s most intriguing unmade marvels.

SIMON BRAUND

256pp 242 x 182 mm / 9½ x 7¼ in Rights sold: UK, US, Canada, Australia, New Zealand PUFM

From Stanley Kubrick’s Napoleon and Pippi Longstocking reimagined by Hayao Miyazaki to the Nick Cave-scripted sequel to Gladiator, this is the definitive guide to cinematic masterpieces that were never completed. Recognizing the value of ambitious but unfinished works, The Greatest Movies You’ll Never See pays homage to each film’s extraordinary vision and promise in engaging and enlightening text. Whether exploring one director’s casual jottings or reviewing another’s concept art, this book reveals the talent behind each project, the initial concept, the movie’s potential for success, and the reasons it was never progressed. The Greatest Movies You’ll Never See presents an absorbing survey and alternative history of the silver screen.

51

Sci-Fi Chronicles A Visual History of the Galaxy’s Greatest Science Fiction

chronicles series

GUY HALEY

576pp 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand SFCH

The definitive factual and fictional sci-fi guide.

Traces the story of the greatest 250 sci-fi entities.

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From Barbarella to Blade Runner, from Solaris to Star Wars, and from 1984 to 2001, Sci-Fi Chronicles seeks out the greatest galactic creations. With an arresting blend of incisive text, infographic timelines, and stunning photographs, the book reveals how these world-conquering works emerged. Entries are embellished with movie and television stills, book and comic covers, and other archive material. Expert text gives an entertaining overview, and color-coded timelines provide an at-a-glance guide to key publication, release, and broadcast dates.

Lavish double-page features illustrate how productions evolved from black-and-white beginnings to big-budget blockbusters.

Encyclopedic in scope, Sci-Fi Chronicles is perfect for dipping into, while its memory-jogging mentions and illustrations make it impossible to put down. It will delight longstanding sci-fi aficionados and also entrance a younger generation, with its scope extending from vintage volumes to amazing anime.

A Visual History of the World’s Greatest 320 Movie Stars IAN HAYDN SMITH

Rights sold: UK, US, Canada MSCH

Creedence Clearwater Revival Buzzcocks

Hole

Foreigner The Cure

Bryan Adams The Verve Talking Heads The Traveling Wilburys

Nine Inch Nails Julian Cope

Pink Floyd Sex Pistols Chuck Berry

Emerson, Lake & Palmer Iggy Pop / The Stooges

Faith No More

Mott The Hoople

Santana Captain Beefheart and the Magic Band

Mötley Crüe Kraftwerk Aerosmith

Status Quo

Cream / Eric Clapton

Steely Dan Bauhaus

Blur The Byrds

George Harrison Kiss Limp Bizkit

AC/DC The Beach Boys

Crosby, Stills, Nash & Young Beck

Manic Street Preachers

The Who

Supertramp

Boston

Extreme Prince

Coldplay

Elvis Costello Elton John The Jam

David Roberts Alice Cooper

general editor

The Fall Simple Minds

foreword by

John Lennon The Allman Brothers Band Einstürzende Neubauten Yes

Soft Machine

Oasis Crowded House The Smashing Pumpkins Judas Priest

Black Sabbath Whitesnake The Pretenders Foo Fighters

Green Day

Radiohead

The Stranglers

INXS

The Police

Rush David Bowie

The Rolling Stones The Prodigy

Patti Smith

Offspring

Bachman-Turner Overdrive Tangerine Dream

Guns N’ Roses Alice Cooper

Meat Loaf Nirvana The Saints

Red Hot Chili Peppers Electric Light Orchestra

Bob Seger

Nick Cave & The Bad Seeds Bruce Springsteen

Metallica

Motörhead

The Cars Counting Crows Thin Lizzy

Jethro Tull Hawkwind The Small Faces / The Faces

The Bee Gees Sepultura

Korn Fairport Convention

Mariliion

Fleetwood Mac The Kinks Guitar Wolf Faust Lynyrd Skynyrd

Bad Company

Elvis Presley Neil Young

Jimi Hendrix

R.E.M.

Joy Division Iron Maiden The Beatles

Bob Dylan

Deep Purple The Grateful Dead Genesis Pearl Jam

Journey Queen Buddy Holly & the Crickets

The Doors

David Roberts

The Black Crowes Eurythmics

Eagles The Smiths

The Clash Ramones

Public Image Ltd Van Morrison

Paul McCartney

Traffic Dinosaur Jr

Van Halen Tom Petty & the Heartbreakers

Led Zeppelin

The Band Kings of Leon

Iron Butterfly

System of a Down Def Leppard

Bon Jovi Sonic Youth

A Visual History of the World’s Greatest 250 Rock Acts

U2

Little Feat

The Strokes

The Velvet Underground and Lou Reed Doobie Brothers

576pp 245 x 172 mm / 9¾ x 6¾ in Rights sold: UK, US, Canada, Australia, New Zealand BACA

Movie Star Chronicles is an original guide to 320 of the world’s greatest stars, from the era of silent film to the blockbusters of today. From Cary Grant, Clint Eastwood, and Ryan Gosling to the Hepburns Katherine and Audrey, Penélope Cruz, and Jennifer Lawrence, the book offers insightful critiques of careers, at-a-glance timelines, and lavish photographs that illustrate how stars and the system in which they exist have developed over the years. Each entry charts the career of an actor, including his or her roles on television, as well as behind the camera. Engaging features focus on popular genres and trends, from vampires and villains to superheroes and screen sirens. From Hollywood to Bollywood, Movie Star Chronicles is a truly international guide to the stars of cinema that will delight both dedicated film fans and those with a passing interest in movie stars past and present.

Rock Chronicles

Have you ever wondered how your favourite band came to be? Wished you had a better overview

of its changing sounds and styles? Or been keen

to know who played on a particular album? Open this innovative book and you’ll find a fascinating,

encyclopedic study of the ever-shifting lineups, labels,

A Visual History of the World’s Greatest 250 Rock Acts

appearances and sounds of 250 of the best-known

and most important rock acts of the past fifty years.

Arranged alphabetically for ease of reference,

each insightful review gives you the lowdown on group members—whatever their role, however short-lived

their time and however well-known. Photographs of key members, past and present, supplement the engaging

text, and founder and current members are highlighted for immediate recognition.

Striking, colour-coded infographics provide an

overview of every aspect of each band’s story, so you can see at a glance which musicians featured when, what instruments they played, which label(s) the act was with and when, the album release dates and who played on which album. Total sales figures are given for

DAVID ROBERTS

the top bands’ most commercially successful albums.

And for more than fifty of the biggest acts, a

stunning display of iconic photographs charts their

dramatic changes in appearance, relating each iconic look to albums of the same period.

Also included is an extensive performer directory.

Listing every musician featured in the book, this

Have you ever wondered how your favorite band came to be?

Wished you had a better overview of its changing sounds and styles? Or wanted to know who played on a particular album?

Rock Chronicles offers a fascinating encyclopedic study of the evershifting lineups, labels, and sounds of 250 of the most important rock acts of the past fifty years. A team of music writers provides an expert review of every group, arranged alphabetically for ease of reference, with the lowdown on every member. Timelines give an overview of each band’s history, so that readers can see important dates and info at a glance. For more than fifty of the biggest acts, a stunning display of iconic photographs records their dramatic changes in appearance, relating each iconic look to albums of the same period. Rock Chronicles is an informationpacked and compelling read for everyone who loves rock.

directory enables you to chart the rock career of

individual band members from one act to another— and back again.

Comprehensive, information-packed, and

chronicles series

576pp 245 x 172 mm / 9¾ x 6¾ in

rock chronicles

s.co.uk

Movie Star Chronicles

thoroughly compelling to explore, Rock Chronicles is the essential reference for everyone who loves rock.

53

TERRY BURROWS

FOREWORD BY

ZAKK WYLDE

Guitar Family Trees The guitar has existed in a recognizable form for over

500 years, yet it is really only during the past century

JET FIREBIRD (1955–61)

WHITE PENGUIN (1955–62)

that the instrument’s enormous impact on popular

CHET ATKINS HOLLOW BODY (1955–61)

The History of the World’s Most Iconic Guitars culture has been truly felt and recognized. Most of

the pop, rock, jazz and country sounds of the past 50 years would simply not exist without the invention

Like other guitars in the Jet series, the Firebird originally featured a pair of single-coil DeArmond pickups.

JET FIREBIRD (1961–70)

The 6120 is the most important guitar in Gretsch’s history, largely thanks to Chet Atkins’s endorsements.

The Holy Grail for Gretsch collectors; only a tiny number of White Penguins were originally built.

WHITE PENGUIN (1961–62)

CLIPPER (1956–75)

of the electric guitar.

Guitar Family Trees is a striking visual account of 500 of the most prominent guitars in the

ANNIVERSARY (1958–72)

instrument’s illustrious history, from early

19th-century acoustics right up to state-of-the-art

From 1968, Filter’Tron pickups were replaced by Gretsch Super’Trons.

Budget model featuring a single pickup and simple dot fingerboard markers.

A twin-cutaway version of Gretsch’s iconic White Penguin model.

Marking Gretsch’s seventy-fifth anniversary, this guitar was available in a sunburst or a beautiful two-tone green finish.

21st-century models. This comprehensive book charts

TERRY BURROWS the history of the most respected manufacturers and

the evolution of their guitars in more detail than ever before. Specially designed photographic guitar family trees, including five special fold-out posters, provide

CHET ATKINS TENNESSEAN (1958–80)

CORVETTE (1961–70)

CHET ATKINS COUNTRY GENTLEMAN (1957–61)

at-a-glance overviews of the development of every make and model, decade by decade. Terry Burrows

Guitar Family Trees is a striking visual account of the most prominent guitars produced by the greatest manufacturers in the instrument’s recent history, from Spanish acoustic guitars through to state-of-theart models designed for interaction with computer software. Arranged by manufacturer, this fact-filled book traces the story of the most respected guitar names. Specially designed photographic guitar family trees, including five fold-out posters, give overviews of the evolution of every make and model, along with detailed specifications for each of the 200 guitars featured. Bestselling music author Terry Burrows also reveals the guitarists who love to play each model and the tracks on which you can hear each guitar played. then takes an in-depth look at more than 200 iconic

The mahoganybodied Corvette was Gretsch’s first true solid-body electric guitar.

Single-pickup variant of the Chet Atkins Country Gentleman.

Chet Atkins felt that a sealed body would reduce feedback, so the Country Gentleman featured fake stenciled f-holes.

models to create a stunning, fact-filled catalogue.

A superb, full-colour photograph of each featured

guitar is accompanied by informative and engaging text tracing its development with key design and

CHET ATKINS COUNTRY GENTLEMAN (1962–81)

PRINCESS (1962–63)

sound features highlighted and an exhaustive

specification list. Burrows also reveals the guitarists

who love to play each model and the tracks on which you can hear each guitar played.

The original Corvette design was reminiscent of Gibson’s twincutaway Les Paul Junior. From 1963, the Corvette body was modified along the lines of the new Gibson SG Junior.

Twin-cutaway Electrotone version of the Country Gentleman.

CORVETTE “GOLD DUKE” (1966)

TERRY BURROWS

Custom guitars were a growing business in the 1960s. The rounded, upturned headstock of the two “Duke” models was very unusual for Gretsch.

256pp (plus 5 posters ) 242 x 182 mm / 9½ x 7¼ in Rights sold: UK, US, Canada, New Zealand GCOL

w

Rock Connections USA $29.99

Trace the intriguing inside story of, and connections between, the bands you love with Rock Connections—a visual treat of a reference book packed with enticing trivia, iconic images, and an engaging, interactive depiction of rock’s many and varied key lineups. Inside, you’ll find:

music

The Complete Road Map of Rock ‘N’ Roll • An expert overview of rock ’n’ roll’s most groundbreaking and influential artists; • Key albums, performances, and turning points highlighted for each act;

BRUNO MACDONALD • Fascinating insight into not only each band’s eventful history, but also into their remarkable musical legacy;

From Aretha to AC/DC, Sam Cooke to the Sex Pistols, and Motown to Muse, Rock Connections traces the tangled evolution of rock ’n’ roll over the past fifty years. It details the development of key acts and spotlights intriguing connections between them, creating a who’s who, and who-knows-who, of this multi-faceted genre. Special sections cover legendary labels (such as the colorful Casablanca), producers (from Phil Spector to Dr Dre), clubs (including CBGB and the Marquee), and festivals (from Woodstock to Lollapalooza). Evocative images and colorful timelines chart their ups and downs. “An ingeniously structured rock history,” enthused The Daily Telegraph. “This will keep any muso absorbed.”

• Special features devoted to seminal record labels, producers, clubs, and festivals, along with the stories of the bands who made them famous.

BRUNO MACDONALD

CONNECTIONS THE COMPLETE ROAD MAP OF ROCK ’N’ ROLL

FOREWORD BY

BRUNO MACDONALD

MICK ROCK

288pp 242 x 182 mm / 9½ x 7¼ in Rights sold: UK, US, Canada, Australia, New Zealand RCON

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1010

Vinyl The Art of Making Records MIKE EVANS

MAKING RECORDS

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sapist, unt quis issed ma que vo

t aliqui sam quiandandis voles ut arita t aliqui sam quiandandis

THE ART OF MAKING RECORDS

MIKE

256EVANS pp 220 x 220 mm / 8¾ x 8¾ in

THE GROOVE, THE LABELS, THE DESIGN MIKE EVANS

All rights available VATT

The vinyl boom explained from the technician’s and the collector’s standpoints.

Lavishly illustrated with reproductions of key vinyl covers and memorabilia.

The ultimate celebration of the format that changed recorded music forever.

While many of today’s music lovers are happy to download or stream their music of choice from the internet, a great number of aficionados are eschewing digital convenience for the sound quality and pleasure of physical ownership afforded by vinyl records. Vinyl: The Art of Making Records explains just why the historic recording medium is undergoing a revival, and why contemporary artists are feeding the boom by releasing new material on vinyl as well as in CD and download formats. Vinyl, from 10-inch LPs to 7-inch singles, is irresistible to collectors, and the book surveys the cover art that adds so much to the pleasure of collecting and playing classic vinyl recordings. The book examines iconic record labels, such as Folkways, Chess, and Factory, and artists, such as Ray Charles, Pink Floyd, and the Sex Pistols, whose landmark recordings transformed our perception of vinyl. In addition, key features explain the differences between rival recording technologies and showcase picture discs, gatefolds, colored vinyl, vinyl in club culture, and many other topics.

music

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VINYL

MAKING RECORDS

licab ips apist, unt quis issed ma que

THE ART OF VINYL VINYL

VINYL

hdcdhc audis a tat.

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Accae re auda hdcdhc omnim Ut atur ribero quiae n veratem quodig Ommo

55

Foreword by Jonathan

Saunders

The Fashion Design Directory

The Fashion Design Directory

An A–Z of the World’s Most Influential Designers and Labels Marnie Fogg

The Fashion Design Directory is the ultimate

guide to who’s who in the world of fashion design.

A comprehensive introduction leads you through the most important developments in fashion throughout the twentieth and twenty-first centuries, placing all the most influential names in context. You are then

treated to page after striking page of brand showcases.

MARNIE FOGG

Ordered alphabetically for ease of reference, each of

these sumptuous features presents an overview of the evolution of the designer or fashion house, together with an engaging visual timeline that uses exclusive runway images to highlight crucial moments,

In a society where what we wear, “who” we wear, and how we look says so much about who we are and what we represent, designers and fashion houses hold immense power. They no longer simply design and make beautiful clothes; they present entire lifestyles and alluring identities to buy into. Expert, informative text sets the scene for each designer—their origins, ethos, and path to success—while exclusive runway images highlight crucial moments, signature pieces, and defining looks in each designer’s career. The Fashion Design Directory is the ultimate guide to who’s who in the world of fashion design, presenting an enticing panorama of 125 key players from the early twentieth century to the present day—the people and companies who have shaped fashion as we know it.

signature pieces and defining looks throughout the designer’s history. Finally, a stunning fabric swatch directory allows you to view a range of the most arresting, important and memorable prints from forty key designers.

✱

With its expert and perceptive overview of ‘anyone

who’s anyone’ in the realms of fashion, The Fashion Design Directory will satisfy even the most

discerning of fashionistas. Dipping into its stylish pages will transport you into a world of beauty, creativity, sophistication, eccentricity and captivating catwalk glamour.

Marnie Fogg

With more than 800 illustrations

Marnie Fogg

352pp 210 x 173 mm / 8¼ x 6¾ in Rights sold: US, UK, Canada, Australia, New Zealand TFBD

Shoe Innovations COX

A Visual Celebration of 60 Styles Peep-toe

Wellington

Weejun

Ugg

Ankle Boot

Mary Jane

Loafer

Stacked Heel

Oxford

Plimsoll

Cuban Heel

Chelsea Boot

Sandal

Button Boot

Slingback

Pump

Moccasin

Cowboy Boot

Jackboot

Spectator

Riding Boot

Fetish Shoe

Wedge

Saddle Shoe

Platform

Tango Shoe

Thigh-high Boot

Dr. Marten

Espadrilles

Pirate Boot

Mule

Sneaker

Gladiator

Floating Heel

Flip-flop

Ankle Strap

Clog

Biker Boot

Brogue

Kitten Heel

Tabi

Cone Heel

Winklepicker

Brothel Creeper

Slap Sole

Desert Boot

Pilgrim Pump

Stiletto

Louis Heel

Springolator

Ballet Flat

Buckle

Spats

Exercise Sandal

Slipper

Kinky Boot

Valenki

Go-Go Boot

Galosh

Moon Boot

fashion

CAROLINE COX A VISUAL CELEBRATION OF 60 STYLES CAROLINE COX

256pp 220 x 165 mm / 8½ x 6½ in Rights sold: UK, US, Canada, Australia SHIN

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The “click, click, click” of a stiletto heel, the red lacquered flash of a Louboutin sole, the pink glass beading of a Roger Vivier mule: these are moments of pure shoe glamour. Shoes, like clothes, have the shape-shifting ability to reflect both their wearer’s personality and their decade’s zeitgeist. Shoe Innovations tells the complete story of shoe design and production, from the Edwardian Louis heel, through the 1940s wedge and the 1960s “Pilgrim” pump to the extreme architectural designs of Pierre Hardy for Balenciaga. Join fashion expert Caroline Cox on an enthralling journey as she reveals the intriguing origins and social significance of sixty iconic shoe designs, all stunningly illustrated with evocative period sketches and photographs.

12-06-14 9:59 AM

Luxe Fashion A Tribute to the World’s Most Enduring Labels

288pp 290 x 238 mm / 11½ x 9½ in Rights sold: UK, US, Canada, Australia, New Zealand HEFN

A luxurious, lavishly illustrated volume portraying renowned heritage labels—a unique tribute to the world’s bestloved brands as well as hidden gems.

In a climate of saturated multimedia, luxury brands with an established heritage light up the fashion world. Consumers value brands with a long-standing reputation of excellence, such as those featured in Luxe Fashion, which have proved their worth across generations. Beautifully illustrated throughout, this sophisticated, large-format publication provides in-depth portraits of more than fifty of the finest heritage fashion brands, with portraits of key items, as well as a directory of a further 160 brands. Readers will be taken on a captivating journey through Europe, North America, and Asia, via the most fabled creators, from Hermès of Paris and Trickers of London, iconic handbag brands Longchamp and Coach, legendary classics Ferragamo, Missoni, and Chanel, through to Brooks Brothers suits and US boot brand Chippewa. Luxe Fashion is an illuminating sourcebook that will delight and inform fashion devotees everywhere with its heartfelt appeciation of the world’s most desirable labels.

fashion

CAROLINE COX

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1001 Restaurants

W NE E L T I T

You Must Experience Before You Die JENNY LINFORD

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Rights sold: UK, US, Canada, Australia, New Zealand KRES

A unique bible of contemporary dining.

Features restaurants in over sixty countries.

Written by a global team of food critics and culinary writers.

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What makes a restaurant truly great? Discover the world’s finest, oldest, most modern, and most elegant places to eat in this remarkable culinary guide, which showcases the best of the contemporary global dining scene. Let your tastebuds tingle with anticipation as you read about grand old European cafés, brasseries, and restaurants—Botín in Madrid, Café Central in Vienna, Rules in London—and modern temples to gastronomy, such as Nobu in New York, Ultraviolet in Shanghai, and D.O.M. in São Paulo.

Featured restaurants have been chosen not only for the standard of their cooking, but also for their atmosphere and setting. The wide selection of restaurants covers tranquil and glamorous locations alike, and includes places for all budgets, from Michelin-starred restaurants to exotic street food stalls and must-try cult diners. Full-color photographs and informative texts bring to life the restaurants, their chefs, and their signature dishes.

Múzeum Café | Hearty but creative cuisine in a Belle-Epoque time capsule Location Budapest

Signature dish Whole roasted goose liver

|

Múzeum Café reviewers who mention “stepping back in time“ are understating the obvious. There’s an atmosphere about this old central Belle-Époque Budapest restaurant that hasn’t changed since Archduke Franz Ferdinand’s day.

In fact, this place was in business long before the demise of the Austro-Hungarian Empire. The Múzeum has been serving fine food in Pest’s historic center since 1885, and it seems that some of the decor hasn’t changed since then.

Heels click on the shiny floor beneath cavernously high ceilings. The table linen is blancmange pink and, perched loftily on a vast tiled wall, hangs a lonely old clock. Huge arched windows keep the room light and airy, and the grand piano in the corner is sometimes played to diners by renowned local concert pianists.

The Múzeum Café is not chic, but it makes an apt setting for some perfectly conceived traditional midEuropean classics. Roast pike, goose leg, duck breast, and veal must have been on the menu here for a hundred years. There is little sense of a contemporary international lightness of touch among the goulashes, potatoes, and cheeses. But look closer, and you’ll see dishes that certainly demonstrate modern creative combinations of ingredients.

Veal steak comes with the restaurant’s signature goose liver and mushrooms enlivened by a dillpaprika sauce. Also on the menu are lamb shank with clever vegetable dumplings, chicken with mashed potato and pear, and orange-flavored duck breast with almond cottage-cheese dumplings.

The place has been a haunt of politicians, writers, and artists since before the First World War. And it turns out that the timeless look is not a product of neglect or lack of resources. The Zsolnay porcelain wall tiles, hand-carved wood paneling and handpainted ceiling frescoes have officially been declared protected Hungarian historic artifacts. SH

“. . . dine in old-world style with a piano softly tinkling in the background.”

Time Out

Hearty Hungarian dishes, served in style.

Staff prepare the restaurant at the start of the day.

706 | Europe • Hungary

Signature dish Idli with chutney

“We get nearly 3,000 diners a day and for that … we use up 880 lbs (400kg) of rice for the batter.“ S. Manorahan, owner of Murugan Idli

Creamy coconut chutney to relish at Murugan Idli.

Rice Boat | Cochin fine dining with a panoramic harborside view

|

Location Kochi

Murugan Idli started out as a small shack— nowadays, it is a vast empire that includes over a dozen outlets across the country, and even an outpost in Singapore. The secret of its success is a fierce commitment to quality at rock-bottom prices. It helps that the restaurant is located in a part of India where the fragrant curry leaf—the key ingredient for Murugan Idli’s signature chutney—grows in abundance. Wonderfully aromatic, it perfumes the entire banana leaf that it is eaten from.

Chutneys with idli are popular breakfast fare, so turn up early. It is best not to expect waiters to pull up chairs or even show you to a table: at Murugan, service simply means ensuring you get your banana leaf (there are no plates) within seconds of being seated at a shared table. By the time you have sprinkled water from your glass onto the leaf and gone through the motions of “cleaning“ it, as is the custom, your food will have arrived.

First up are the four delicious chutneys: coconut, curry leaf, tomato, and tamarind will be expertly arranged on your leaf, without a drop being spilled.

Then the idlis appear: savory cakes that serve as a base for the chutneys (and occasionally for other accompaniments). These idlis are what made the restaurant famous. A rice-and-lentil-flour batter is fermented just enough for the necessary aeration to take place, then the idlis are formed and steamed in order to reach the table hot, soft, and fluffy. Eaten on their own, they may not taste of much, but their purpose is to highlight the melange of sharp flavors in the various chutneys.

You might also wish to try the “country cousin“ of the idli, the dosa, a griddle-fried crepe made out of variations of the same two flours, which tastes just as good with the chutneys as the idli. Washed down with some freshly ground coffee, this is the ideal breakfast; hence, its immense popularity with the locals. MR

Signature dish Meen pollichathu (fish coated in spices and wrapped in a banana leaf)

At the very southernmost tip of the Indian peninsula lies Kochi, formerly known as Cochin, a city that is at once a sleepy outpost, a natural harbor, and an exercise in time travel for the imagination. Here are the ghosts of Vasco da Gama and the thousands of unnamed sailors who docked their ships to collect the pepper, tea, and cardamom for which Kerala was so famous. Today, no galleons ride at anchor in the harbor; but, of course, there are modern ships, come to take away exactly the same cargoes that have departed from these shores for millennia.

The Rice Boat restaurant, created by and adjoining the Vivanta by Taj Malabar Hotel, literally consists of two historic rice boats lashed together. Aboard this stationary vessel, you can look out at what is pretty much the maritime history of the city. In front of you are Dutch trading posts, Portuguese churches, sprawling rain trees, and the shimmering waters of the bay. The magic is that here you can get wonderful, informed service, a good wine list, and the freshest seafood, and are able to dine next to the water.

Kerala is blessed with a network of backwaters, a lake, and the sea, and its seafood comes from all three sources. At the Rice Boat, there is one menu that is totally oriented toward Kerala cuisine and another that serves international favorites with a local spin, such as Malabar coastal fish broth and curried lobster bisque. The Kerala menu lists seafood by type: fish, crustaceans, molluscs, and so forth, and then goes on to list the styles of cooking, detailing dry varieties as well as curries. In a home-style meal in Kerala, the two types would go hand in hand; no one would eat three different types of curries together, or four different types of dry preparations.

The accompaniments here are as offbeat as any you are likely to find in India: steamed tapioca, red rice, and Malabar parotta, a flaky bread with as many layers as a shortcrust pastry, only whisper soft. MR

800 | Asia • India

|

“Floor-to-ceiling glass walls and a curved cane ceiling make the best of its position right on the water . . .”

1001 series

Murugan Idli | Join the locals for some delicious breakfast Location Chennai

frommers.com

Diners sit looking out over the waters of the bay.

Asia • India | 801

“Should you try to eat in every single restaurant listed here? Probably not.

But you could have a lot of fun trying.”

– JAY RAYNER

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1001 Movies You Must See Before You Die STEVEN JAY SCHNEIDER REVISED EDITION “Both a fun stroll through some all-time favourites, and a guilty reminder of just how many great movies I haven’t seen yet . . .”

—Aubrey Day, Total Film

W NE ON ITI D E

“As edited by Steven Jay Schneider, it makes for addictive browsing, and likewise features top quality stills.”

1001

YOU MUST SEE BEFORE YOU DIE

With more than one and a half million copies sol

worldwide in thirty languages, 1001 Movies You

Must See Before You Die celebrates the great an

groundbreaking, classic and cult, must-see movi of all time, offering a treasure trove of incisive,

witty and revealing insights. Spanning more tha

century of extraordinary cinema, this comprehen

volume brings together the most significant mov

from every country and all genres, from action to

—Film Review

Western, through animation, comedy, document musical, thriller, noir, short, romance and sci-fi.

Newly revised and updated for 2014, this

definitive edition features 500 original movie po

and hundreds of stunning movie stills. Quotes fr movie directors and critics, together with little-

known facts, complement the incisive reviews an

vital statistics of each movie to make this the mo fact-filled edition ever.

So, whether your passion is rom-com or art

house, The Blue Angel or Blue Velvet, 1001 Movie

You Must See Before You Die is bound to becom the only film book to which you will ever turn.

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada,

ctopusbooks.co.uk

Australia, New Zealand

GENERAL EDITOR

STEVEN JAY SCHNEIDER UPDATED BY

IAN HAYDN SMITH

FIL10

1001 series

Newly revised and updated for 2014.

1.5 million copies sold in thirty different languages.

Critically acclaimed, with high visibility on bestseller lists.

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The phenomenal success of this book has turned it into a household name. Within it, readers will find everything they need to know about the movies that they simply must see—all 1001 of them! Whether you want to look up details about a film that you thought you knew by heart, or want to broaden your cinematic knowledge, or are simply trying to decide what to watch tonight, 1001 Movies You Must See Before You Die is the book for you.

This new edition, fully updated for 2014, includes reviews of all the most recent box office smashes and masterpieces, as well as the established international classics. 1001 Movies features films from every continent and every genre, from art house to horror and from musicals to westerns. Evocative movie posters, quotes by directors and critics, plus entertaining facts complement the incisive reviews and vital statistics of each film to make this the ultimate resource for all movie lovers.

£20

1001 TV Shows You Must See Before You Die PAUL CONDON

YOU MUST WATCH BEFORE YOU DIE

GENERAL EDITOR

More than half a century after its creation,

PAUL CONDON

television is still what everyone is talking ab

With sophisticated storytelling and the very

highest production values to match anythin

world cinema, television is more thrilling, m

fantastical, and more addictive than ever be

As with all art, there is good and bad—after

there are millions of TV shows—but only 10

Shows You Must Watch Before You Die reve

classics that are definitively worth your time

the weirdest gameshows and controversial r

TV experiments to the elegant, sophisticate

of Mad Men and breathtaking nature docum

that change the way we see the world, 1001

Shows You Must Watch Before You Die featu

all genres. Discover why India’s Ramayan is s

legendary, why Roots was so groundbreakin

what on earth the ending of Lost was all abo

you are recovering from devouring True Det

one sitting, or are not sure what to add to th

queue, this is the book for you. With 1001 TV You Must Watch Before You Die you can go

the familiar to discover award-winning mast

from around the world and obscure shows t become cult hits.

Everybody has a favorite TV show, and 1

TV Shows You Must Watch Before You Die w

rediscover it for you. Life is too short to spen watching bad television.

960pp PAUL CONDON

210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand

YOU MUST WATCH BEFORE YOU DIE

TVS

Indispensable guide for the box set and streaming generation.

Written by an international team of critics, authors, academics, producers, and journalists.

Before the Internet, the birth of television was the greatest cultural and technological invention of the twentieth century. Today, more than half a century after its creation, television is experiencing a renaissance, galvanized by the arrival of online streaming services.

Featuring everything from the weirdest gameshows and controversial reality TV experiments to the elegant, sophisticated Mad Men series and breathtaking nature documentaries that change the way we see the world, 1001 TV Shows You Must Watch Before You Die is the one and only book to include them all. This must-have tome is for fans of good television everywhere and for everyone who wants to know why India’s Ramayan is so legendary, why Roots was so groundbreaking, and what on earth the ending of Lost was all about. If you are recovering from devouring True Detective in one sitting, and are not sure what to add to the Netflix queue, this is the book for you.

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1001 Walks

W NE E L TIT

You Must Experience Before You Die BARRY STONE

1001 WALKS YOU MUST EXPERIENCE BEFORE YOU DIE

The ever-increasing passion for recreational

is given fresh impetus with the creation of ea

national park and wilderness area, the constr

of every new walkway, and the clearing of an

fresh, never-before-trodden trail. The expone

growth of pathways and woodland walks, th

utilization of canal banks and disused railway

converted around the world to mixed-use wa

cycle-ways, means we now have unpreceden

access to our cities and to ever-increasing tra our rural heritage.

1001 Walks You Must Experience Before Yo

is the perfect guide to the world’s most exhila

walks. The wide-ranging, carefully chosen rou

vary from the rugged delights of the Pembro

Coastal Path to the wilderness of Jamaica, an

Harz Witch’s Trail high in the German mounta

chord deep within us all. It thrills

The hand-picked excursions take in mountai

nd perspective. 1001 Walks You

passes, forest paths, ancient Native-American

the ideal walking companion for

trails, and much more. There are gentle walks

like. Every fact-packed description

beginners—some lasting barely an hour—an

o tackle one of the world’s greatest

more demanding challenges for seasoned

g and historical information, while

enthusiasts that may take weeks to achieve.

ughout will whet your appetite for

Every page provides a wealth of informat

nternational team of travel writers

about a must-try walk, including start and en

ect guide for walking the world.

points, overall distance, difficulty rating, map

references, and an estimation of the time it s

take to complete. In short, 1001 Walks You Mu

Experience Before You Die is an essential refer

guide for all those who love to get out of the get off their bikes, and lace up their walking

960pp

BARRY STONE

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GENERAL EDITOR

BARRY STONE

Australia, New Zealand WALK

1001 series

Features walks from all over the world.

Includes links to specially commissioned digital route maps for most walks.

Ideal companion for complete beginners and experienced walkers alike.

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Walking remains our favorite code word for adventure.

Whether it’s a day spent meandering around a lake shore in Scotland, a week-long hike in Nepal, or a four-week slog along California’s historic John Muir Trail, the simple act of walking touches a chord that runs deep within us all. Recreational walking has long been on the rise and is given renewed impetus with the declaration of each new national park. 1001 Walks You Must Experience Before You Die is the ideal guide to the world’s most exhilarating walks: from the rugged delights of the Pembrokeshire Coastal Path to the lush wilds of Jamaica and the Harz Witches’ Trail high in the German mountains. The hand-picked excursions cover overland paths, urban trails, mountain passes, coastal strolls, and walks that explore the heritage of the world’s most culturally rich destinations.

This is the essential reference book for all those who love to lace up their walking shoes.

1001 Cycle Rides You Must Experience Before You Die DANIEL BENSON

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DANIEL BENSON

960 pp

210 x 160 mm / 8¼ x 6¼ in All rights available

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GENERAL EDITOR

DANIEL BENSON

1CRD

An inspiring guide to the world’s best cycling routes.

Illustrated with more than 800 color photographs.

Includes links to specially commissioned digital route maps for most bike rides.

There are few better ways to explore a place than on two wheels, and with more and more cycle paths being created in urban areas, it is now safer than ever to ride a bike in the city. 1001 Cycle Rides offers a carefully selected compilation of fantastic rides from around the world that take anything from a few hours to several weeks to complete. From lung-busting vertical climbs and thrilling freewheel descents to gentle excursions on scenic cycle paths, the selection includes tours on every kind of terrain and for all levels of ability. The world’s best-known cycle rides, such as the famous Tour de France ascent to Alpe d’Huez and the white-knuckle “Camino de la muerte” in Bolivia, are featured alongside as yet undiscovered trails.

From a gentle amble along the bike-friendly streets of Paris to an arduous climb up mountain roads in the Rockies, there is a ride to suit every cyclist within the pages of this beautifully illustrated and inspiring volume.

1001 series

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1001 CYCLE RIDES

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YOU MUST EXPERIENCE BEFORE YOU DIE

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65

1001 Plants

W NE E L TIT

You Must Grow Before You Die LIZ DOBBS

will find this guide invaluable. e for plants, it is important to efore You Die features species m windowsills to yards. There sonal interest in a suburban vegetable patches and herb the hype of marketing to find along the way, you’ll discover hen choosing varieties.

Anyone who wishes to grow plants will find

guide invaluable. So numerous are the ava

species and hybrids that it is impossible—a

undesirable—to grow everything. With lim

space and time to care for plants, it is impo

be selective. 1001 Plants To Grow Before You

features species suitable for the smallest sp

from windowsills to yards. There are also se to provide seasonal interest in a suburban well as tasty edibles for vegetable patches

gardens. It will steer you through the hype

marketing to find the most rewarding plan

along the way, you’ll discover what charact to look for when choosing varieties.

The selected plants delight the senses.

produce ripe fruits, tender vegetables, or fr

herbs. Ornamental plants provide beauty i

foliage color, or evocative scents. Some hav pleasing architectural shape or a contrast

—from sharp spines on cacti to leaves so so

can stroke them. Other entries concern cur of the plant world that make great talking

The flowers, trees, and herbs are select

expert team of garden writers and plant lo

but with the home gardener in mind. The b

the equivalent of a knowledgeable friend o

for when you browse garden centers or sea

online for seeds and plants. Some of the 10

GENERAL EDITOR

LIZ DOBBS

960pp 210 x 160 mm /LIZ 8¼DOBBS x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand

1001 PLANTS YOU MUST GROW BEFORE YOU DIE

quick to delight; others look after themselv

on year. A further few present rewarding ch “Right plant, right place” is the mantra

gardeners. This originally meant to choose that will thrive in the conditions available.

days, there are further considerations, inclu

the effects plants have on the wider world,

garden fence. 1001 Plants To Grow Before Yo

therefore features guidance and sources fo who wish to consider these aspects too.

PLTS

1001 series

Offers a hand-picked selection of the most rewarding plants to grow.

Features flowers, trees, and herbs from all over the world.

Includes an identification photo of every plant selected.

66

An invaluable resource for the home gardener, 1001 Plants You Must Grow Before You Die showcases species that are suitable for all kinds of spaces, from windowsills and balconies to backyards and more spacious plots.

Organized within thematic plant groupings, this visually stunning volume features selections that will provide color and interest in a suburban garden, as well as tasty edibles for vegetable patches and herb gardens.

1001 Plants steers readers through the hype of plant marketing to discover the most rewarding species to grow, highlighting what characteristics to look for when choosing particular varieties. The flowers, trees, and herbs featured in the book have been chosen by a team of garden experts and plant biologists with the needs of the home gardener in mind. For those who wish to grow any of the myriad species available, this guide will prove an indispensable companion as they plan their garden.

1001 Birds You Must See Before You Die MIKE UNWIN

G MIN CO O N SO

960 pp 210 x 160 mm / 8¼ x 6¼ in All rights available

Features almost one tenth of the world’s bird species.

Covers all types of habitat, from tropical rainforests to the freezing Arctic tundra.

Fact-filled texts are accompanied by beautiful color photography.

Offering a lifetime supply of birds to watch or dream of seeing in their wild habitats, 1001 Birds You Must See Before You Die is an indispensable guide to the world’s most interesting and captivating birds. Each species has a unique personality, with quirky antics, beautiful songs, dazzling plumage, and distinctive features. Despite their size, birds are capable of astonishing feats—from weaving intricate nests to epic migrations. Comprising a mix of the familiar, the obscure, the critically endangered, and the iconic, this beautifully illustrated book covers all the major bird groups and different habitat types. From majestic birds of prey to colorful parrots and tiny wagtails, the profile of each species includes descriptions of the physical characteristics, behavior, and natural habitat of each bird, accompanied by color photography and at-a-glance fact panels. For bird enthusiasts everywhere, 1001 Birds offers a treasure trove of avian delights.

1001 series

1BRD

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1001 Bikes To Dream of Riding Before You Die GUY KESTEVEN

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand BIKE

Ever since the nineteenth century, when bicycles first appeared, they have captivated the imagination, inspiring great feats of achievement, innovation, and sporting prowess. Present-day bicycles outnumber cars by two to one, with around one billion currently in use throughout the world—arguably, the bicycle has had more impact on the globe than any other wheeled form of transport. 1001 Bikes celebrates the designs and stories behind the world’s most groundbreaking bicycles. A detailed photograph is accompanied by insightful text revealing the history, development, and importance of each bike. A list of key brands are represented, from the Italian maestros Colnago, Bianchi, De Rosa, and Pinarello to the American ambassadors, Trek and Specialized. A visually stunning compendium, this book allows readers to trace the evolution of the bicycle from its earliest incarnations in wood to the streamlined racing bikes of today.

1001 Cars To Dream of Driving Before You Die

1001 series

SIMON HEPTINSTALL

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand KCAR

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Getting the kids to school in the family car is one thing, but what is it like to get behind the wheel of the most fabulous products of automotive design? 1001 Cars to Dream of Driving Before You Die is a thrilling introduction to the best and most beautiful cars ever made: Corvettes and Cadillacs from the United States; Aston Martins and Jaguars from Britain; BMWs and Mercedes from Germany; Italian Ferraris and Maseratis; and many more.

Every desirable car is here, from modern classics, such as the Porsche Boxster and the Lamborghini Murciélago, to iconic design masterpieces, such as the Lincoln Zephyr, the MercedesBenz 500K, and the Chevrolet Corvette C1, as well as the latest 200-mph sports machines. This book tells the stories behind the cars: the geniuses who designed them, the companies that built them, famous owners, and their quirks. An automotive treasure trove, 1001 Cars will have readers dreaming about cars forever.

1001 Inventions That Changed the World JACK CHALLONER

960pp 210 x 160 mm / 8Âź x 6Âź in Rights sold: UK, US, Canada, New Zealand

An enthralling guide to the most important breakthroughs in science and technology.

Newly revised and updated with the latest inventions.

Written by top scientists and anthropologists.

1001 Inventions That Changed the World presents a fascinating and comprehensive review of the scientific and technological advances that have had the greatest impact on human life through the ages. From the invention of the wheel to the development of the World Wide Web, this engaging book reveals the origins and impact of everything from paper to the personal computer. Some inventions, such as safety pins and toothbrushes, are simple domestic items that make our lives easier. Others, such as vaccines and antibiotics, can make the difference between life and death. Revised and updated for 2015 to include the most groundbreaking innovations of the past five years from around the world, including Google Glass and 3D printed human tissue, the new edition of 1001 Inventions will provide readers with the most up-to-the-minute stories of incredible discoveries, brilliant minds and sheer dogged determination.

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1001 Albums You Must Hear Before You Die ROBERT DIMERY

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • ALB8

Think you know your music? Think again. 1001 Albums is a critical list spanning more than fifty years of exceptional recordings. Packed with fascinating insights, it describes why particular albums are so significant, their key tracks, the circumstances of their creation, and why they have stood the test of time. Illustrated with more than 900 iconic images of album covers, bands, and artists, this is an indispensable companion to music’s lesser-known cult gems and acknowledged classics.

1001 Songs You Must Hear Before You Die ROBERT DIMERY

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada,

1001 series

Australia, New Zealand • SON13

The rich history of popular music is built on a foundation of classic songs. From Tin Pan Alley to the Brill Building, and Joni Mitchell to Amy Winehouse, songwriters have crafted a body of music that mirrors the times. Each entry in 1001 Songs describes what inspired the songwriter, what makes the track so enduring, and which songs it influenced in turn. Written by an international team of music experts, this acclaimed guide features nearly a century of timeless hits.

1001 Guitars To Dream of Playing Before You Die TERRY BURROWS

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • GUTR

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For more than half a century, popular culture has enjoyed an intense and unprecedented love affair with the guitar, in both its acoustic and electric forms. 1001 Guitars explores in detail the greatest guitars from around the globe, bringing together instruments of historical and cultural significance with classic production models, custom-built obscurities, interesting one-offs, and mass-market marvels. Never before have so many guitars been profiled within a single, illustrated volume.

1001 Comics You Must Read Before You Die PAUL GRAVETT

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • GNOV

With the growing appeal of graphic novels, alternative comics, and manga, comics are emphatically no longer just for children.

1001 Comics is an absorbing tribute to the long history of this ever-changing medium—from the earliest black-and-white caricatures by Gustave Doré to the latest Marvel masterpiece.

Packed with full-color reproductions of classic covers and interior pages, this book is both a visual treat and a goldmine of information for everyone with an interest in comics.

1001 Video Games You Must Play Before You Die

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • VIDG2

The global video games market is huge, generating revenue that well exceeds that of the global music market. 1001 Video Games is the ultimate guide for participants in the world’s most dynamic entertainment medium, including everything from old classics to new favorites, and from obscure gems to multimillion-selling blockbusters. Informative and authoritative text by leading critics outlines each game’s play mechanics, artistic qualities, and contributions to its respective genre.

1001 Children’s Books You Must Read Before You Die

1001 series

TONY MOTT

JULIA ECCLESHARE

960pp 210 x 160 mm / 8¼ x 6¼ in

1001 Children’s Books is a fascinating glimpse into the fantasy, adventure, historical, and real-life stories that have captured the imaginations of generations of children. From Narnia and Middle Earth to Hogwarts and Wonderland, children and parents alike will be introduced to—or reacquainted with—all the most magical examples of children’s literature.

Rights sold: UK, US, Canada, New Zealand • CBOO

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1001 Beers You Must Try Before You Die ADRIAN TIERNEY-JONES

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • BDD3

Recently updated with 100 exciting new ales, lagers, and stouts, 1001 Beers is a comprehensive guide to the best beers in the world. Featuring the finest Czech pilsners, the most delicious Bavarian wheat beers, and the cream of the American craft ale scene, the incisive entries provide information on each beer’s region of origin, style, flavor, and how it is made. No mere catalog or encyclopedia, the volume features critical tasting notes that will help match the right beer to the right occasion.

1001 Whiskies You Must Try Before You Die DOMINIC ROSKROW

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada,

1001 series

Australia, New Zealand • WHSK

First manufactured in Celtic monasteries as a healing tonic, whisky has become one of the best-loved beverages for the discerning drinker. 1001 Whiskies reminds readers that there is plenty of quality whisky beyond Scotland too: from Ireland and America to Europe, Japan, and India, each bottle has been selected for its striking flavor and craftsmanship. An invaluable resource for afficionados everywhere, even the most seasoned whisky drinker will find something new within these pages.

1001 Foods You Must Try Before You Die FRANCES CASE

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • KFOO

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With in-depth tasting notes and luscious photography, 1001 Foods is a tantalizing guide to the most interesting tastes the world has to offer. It presents 1001 delectable morsels that will make the taste buds tingle. Readers can dip in at leisure, and use it for inspiration for shopping, cooking, and dining out.

From single press extra-virgin olive oils and artisanal cheeses to more exotic fare such as zebra jerky, this compilation is a cornucopia of culinary delicacies from around the globe.

1001 Wines You Must Try Before You Die NEIL BECKETT UPDATED EDITION

he dozens of vintages of Bordeaux? Which t value for money? When is the best time to rgundy? Which are the best producers and orld? The answers to these and many other 1 Wines: a fascinating and sumptuously lectable and interesting wines from every rld.

W NE ON ITI D E

Among the thousands of great wines on the

market, which should you try at least once in yo

lifetime? With more than 400,000 copies sold in

fifteen different languages, 1001 Wines You Mu

Try Before You Die is the reference guide you ca

rely on to ensure that you make the right decisio

every time. This evocative and informative guid

identifies the wines and vintages most likely to p the palate, explains what makes them so special

suggests when best to drink them. Some of the 1

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wines selected are old and rare, most are readily

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recommend a huge variety of wines in 1001 factand entertaining reviews packed with history, anecdote, facts and opinion. They share their experience and expertise through illuminating

and seductive tasting notes, and give guidelines

on cost. Photographs of the wine labels and bott

as well as stunning photographs of the vineyard wineries and winemakers supplement the text.

Essential for every wine lover, 1001 Wines You M

Try Before You Die is a fascinating and sumptuo

guide that enhances the intellectual as well as th sensual pleasure to be taken in the world’s most exciting and expressive wines.

NEIL BECKETT PREFACE BY

HUGH JOHNSON

TM

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• YOU

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GENERAL EDITOR

IN AL

NEIL BECKETT

Rights sold: UK, US, Canada, Australia, New Zealand KWIN

Completely revised and updated.

More than 400,000 copies sold in fifteen different languages.

Fact-filled and entertaining reviews of the best wines from around the world.

Illustrated with full-color photographs throughout.

This seductive compilation of 1001 must-try wines, newly updated and revised, offers the most enjoyable drinking experience for novice and connoisseur alike.

Included in the list are classics from France and Italy, as well as groundbreaking new labels from all the major wine-producing regions of the world. Covering red, white, sparkling, and fortified wines, the informed selections offer a complete history of the most famous vintages as well as introducing the daring new blends and varietals that are exciting the cognoscenti. Special attention is paid to the world’s classic wine regions, such as Chianti, Barolo, Bordeaux, Burgundy, and Napa, but the book also examines emerging regions that are just beginning to find their place on the oenological map. Each entry comes with an authoritative description of its origin, history, and character, as well as entertaining anecdotes about the winemakers, the vineyard and the region.

1001 series

960pp 210 x 160 mm / 8¼ x 6¼ in

£2

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1001 Ideas That Changed the Way We Think ROBERT ARP

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • IDES

Our collective view of the world has emerged through the questions and hypotheses raised by brilliant minds over the millennia. Drawing on a wide spectrum of topics—including politics, philosophy, cosmology, the arts, and religion—1001 Ideas traces the development of human knowledge through the centuries, from the ancient wisdom of Confucius to today’s cutting-edge thinkers. This fascinating book will offer endless stimulation and entertainment for everyone with a curious mind.

1001 Days That Shaped the World PETER FURTADO

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada,

1001 series

New Zealand • DSW3

The death of Caesar, the discovery of South America, the beginning of the Arab Spring; these are but a few of the extraordinary moments, decisive encounters, memorable incidents, and natural disasters presented in this guide to the most important events in history since the Big Bang. Written by an international team of historians, journalists, and scientists, 1001 Days features a detailed account of every event, together with evocative images to complement the lively and informative text.

1001 Battles That Changed the Course of History R.G. GRANT

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1001 Battles is the essential guide to the most intense, dramatic, important, and extraordinary conflicts that have occurred over the last five millennia, shaping the way we live and how we understand history. Illustrated throughout with ancient carvings, dramatic paintings, and evocative photographs, this absorbing book is packed with striking images and illuminating text.

Incisive and insightful descriptions of the nature and course of every battle bring even the most ancient combats to life.

1001 Escapes To Experience Before You Die HELEN ARNOLD

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • ESCA

A sun-drenched private Caribbean island with your very own butler; a luxury hideaway in the Scottish Highlands; the original ice hotel in Sweden; a hidden treehouse deep within the Amazon rainforest—1001 Escapes highlights where in the world you can truly hide away and recharge your batteries, pointing the way to the ultimate relaxation destinations. Written by an international team of travel writers, critics and globetrotters, this is the definitive guide to the best retreats around the world.

1001 Historic Sites You Must See Before You Die

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • HSI

Covering a vast and varied range of historic sites, from ancient wonders and places of worship to great works of engineering and major battlefields, 1001 Historic Sites is a comprehensive study of human civilization and achievement. World-famous locations sit alonside forgotten corners of the globe that still bear the imprint of historical events. Featuring more than 800 color photographs, this lively and informative guide—created in collaboration with UNESCO—is both beautiful to look at and fascinating to read.

1001 Natural Wonders You Must See Before You Die

1001 series

RICHARD CAVENDISH

MICHAEL BRIGHT

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • KNAT2

Taking readers on an incredible journey to Mother Nature’s most beautiful, heart-stirring creations, 1001 Natural Wonders explains the creation and development of each breathtaking site.

Spanning every continent and ocean, the locations range from Australia’s fragile coral reefs to the frozen, majestic Scandinavian archipelagos. Created in collaboration with UNESCO, this comprehensive guide lays bare the beauty of our planet’s unique heritage, offering compelling insight into its priceless resources.

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1001 Paintings You Must See Before You Die STEPHEN FARTHING

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • 1P22

Written by an international team of artists, curators, critics, and art collectors, 1001 Paintings provides an inspiring tour of the world’s greatest paintings. The lively critiques of each work include details of its background and current location along with biographical details for each artist. All 1001 paintings are accompanied by color reproductions. From Ancient Egyptian wallpaintings to contemporary Western canvases, this book is truly comprehensive in scope and beautiful to leaf through.

1001 Buildings You Must See Before You Die MARK IRVING

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada,

1001 series

Australia, New Zealand • BLD2

From the pyramids to the Parthenon, great buildings command awe in their vision and craftsmanship. 1001 Buildings is a visual testament to the world’s greatest achievements in architecture.

Comprehensive yet concise, each article includes essential information about the featured structure: who designed it, who commissioned it, key dates, and more.This compendium of familiar landmarks and undiscovered gems will inform and delight everyone with an interest in architecture.

1001 Books You Must Read Before You Die PETER BOXALL

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, Australia, New Zealand • BIE5

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Today, the range of fiction available to read is breathtaking; choosing the right novel can appear daunting. 1001 Books makes that task much easier, offering concise critical insight to the best books written over the past millenium. This recently updated edition covers the gamut of world literature, from the first Latin novel to survive in its entirety to the latest Pulitzer Prize winner.

1001 Books is perfect for those who want to broaden their literary horizons or select their next good read.

1001 Gardens You Must See Before You Die RAE SPENCER-JONES

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • GAR2

A guide to inspiring landscapes by the world’s most outstanding gardeners, architects, and garden designers, 1001 Gardens is a stunning selection of the most magnificent gardens in the world. This recently revised edition includes new images of established gardens and brand new reviews of recently celebrated gardens, such as the High Line in New York. Lavishly illustrated throughout with stunning photography, this sumptuous volume provides inspiration for all those who enjoy gardens.

1001 Golf Holes You Must Play Before You Die

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • KGOL2

What makes a golf hole special, or indeed memorable? For some it is the thrill of a tricky shot over a deep ravine, or the beautiful scenery of an ocean-side tee-off. For others it is the recollection of famous golfers who have played out their victories and frustrations at a certain championship course. Recently updated with fifty new locations, 1001 Golf Holes provides golf enthusiasts with a truly comprehensive, magnificently illustrated guide to the world’s ultimate golf holes.

1001 Classical Recordings You Must Hear Before You Die

1001 series

JEFF BARR

MATTHEW RYE

960pp 210 x 160 mm / 8¼ x 6¼ in Rights sold: UK, US, Canada, New Zealand • ALB

This comprehensive book answers the need for straightforward information about all the greats of classical music, from the earliest hymns to the work of the innovative and sometimes challenging composers of the twentieth and twenty-first centuries. Written by an international panel of distinguished music journalists, each entry highlights an outstanding recording, ranging from little-known solo pieces and chamber music to the greatest concertos, symphonies, operas, and requiems.

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CHINUA ACHEBE KINGSLEY AMIS M ARGAR E T AT WOO D DO NAL D BART H EL M E WILLIAM BLAKE M I K H A I L B U L G A KO V ALBERT CAMUS TRUMAN CAPOTE GIACOMO CASANOVA G EO F F R E Y C H AU C E R NOËL COWARD R O A L D D A H L DANTE ALIGHIERI PHILIP K. DICK CHARLES DICKENS

5O1

640pp MOVIE DIRECTORS 210 x 160 mm FYODOR DOSTOEVSKY J O H N D RY D E N MARGUERITE DUR AS UM B ERTO ECO T .

S .

E L I O T B R E T E A S T O N ELLIS ERASMUS F. SCOT T FITZGER ALD D A R I O F O M A X F R I S C H ELIZABETH GASKELL A N D R É G I D E RO BERT G R AVE S GRAHAM GREENE DA S H I E L L H A M M E T T THOMAS HARDY SEAMUS HEANEY

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Canada, Australia, New Zealand FAZ

640pp 210 x 160 mm (8¼ x 6¼ in) Rights sold: US, Canada, Australia, New Zealand

5O1 MOVIE DIRECTORS THE LIVES AND WORKS OF LEGENDARY FILMMAKERS

GENERAL EDITOR

STEPHEN JAY SCHNEIDER

FOREWORD BY

AUBREY DAY

5O1 MOVIE STARS THE LIVES AND WORKS OF CINEMA LEGENDS GENERAL EDITOR

STEPHEN JAY SCHNEIDER

FOREWORD BY

AUBREY DAY

MVS

640pp 210 x 160 mm (8¼ x 6¼ in) Rights sold: UK, US,

501 series

Canada, Australia, New Zealand

5O1 GREAT

ARTISTS THE LIVES AND WORKS OF ART WORLD LEGENDS GENERAL EDITOR

STEPHEN FARTHING

FOREWORD BY

GEOFF DYER

FAR

640pp 210 x 160 mm (8¼ x 6¼ in) Rights sold: UK, US, Canada, Australia, New Zealand FWR

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5O1 GREAT WRITERS

THE LIVES AND WORKS OF LITERARY LEGENDS

GENERAL EDITOR

JULIAN PATRICK

FOREWORD BY

JOHN SUTHERLAND

501 Movie Directors STEPHEN JAY SCHNEIDER

In a tribute to the creative forces behind the great movies of our time, 501 Movie Directors is a comprehensive gallery of the giants of world cinema. From the quirky Coen brothers to French New Wave director Jean-Luc Godard, all the established greats and emerging talents are included in this fascinating guide.

501 Movie Stars STEPHEN JAY SCHNEIDER

For more than a century, movie stars, both male and female, have captured the imagination of millions of film fans across the world.

501 Movie Stars pays homage with a dazzling and comprehensive gallery of the biggest stars in the history of cinema, from screen siren Marilyn Monroe to silent film legend Charlie Chaplin.

501 Great Artists STEPHEN FARTHING

From Renaissance muralists and Impressionist painters to Cubist mixed-media gurus and postmodern video artists, 501 Great Artists is an enthralling guide to the inspiring individuals behind some of the world’s most famous masterpieces. Superb reproductions of many of the artists’ key works are featured.

501 Great Writers JULIAN PATRICK

501 Great Writers reviews the greatest influences and most significant works of authors who have shaped the course of literature. Every entry is illustrated with a portrait of the individual, together with an original cover or a rendering of a scene from a key book, and includes a supplementary list of recommended books to

Donnie eparted Caesar Marked d Clyde • White • Shaft Road to nection

1O1

ACTION

MOVIES YOU MUST SEE BEFORE YOU DIE

STEPHEN JAY SCHNEIDER

STEPHEN JAY SCHNEIDER

Steven Jay Schneider is a film critic, scholar and producer with M.A. degrees in Philosophy and Cinema Studies from Harvard University and New York University respectively. He is the general editor of 1001 Movies You Must See Before You Die, 101 Horror Movies You Must See Before You Die and 101 Sci-Fi Movies You Must See Before You Die. He is also the producer of one of the most profitable movie ever made, Paranormal Activity.

1O1

ACTION

MOVIES YOU MUST SEE BEFORE YOU DIE

STEVEN JAY SCHNEIDER | GENERAL EDITOR

1O1

GANGSTER

MOVIES YOU MUST SEE BEFORE YOU DIE

1O1

SCI-FI BEFORE YOU DIE

1O1

YOU MUST SEE

BEFORE YOU DIE

1O1 CULT MOVIES YOU MUST SEE BEFORE YOU DIE STEVEN JAY SCHNEIDER | GENERAL EDITOR

A treasure trove of the most obscure, eccentric, controversial, yet iconic movies ever made. Each of the movies in this book is a hidden gem that all film buffs should know about—and see!

If you’ve ever spent a day in the company of Withnail or Barbarella, gone surreal with Un Chien Andalou, found yourself able to recite every line from The Blues Brothers, or rocked out with Spinal Tap and Hedwig then 101 Cult Movies You Must See Before You Die is the book for you. From the violent delights of Faster, Pussycat! Kill, Kill! to the fantastical fairy tale The Princess Bride, cult films have broken every rule and challenged every moviegoer’s perception.

Stars who are cult in one movie may be definitely not in another; people ignored in their own time can become cult heroes after their death. Movies gain cult status for a wide array of reasons—for the iconic acting of stars such as John Belushi, for their witty scripts, their strange visuals, or because of a series of bizarre or macabre incidences. Plan 9 from Outer Space reached cult popularity despite being described as the worst film ever made.

With insight from critics, film historians, and academics, 101 Cult Movies You Must See Before You Die offers a breadth of knowledge, insight, and passion about the movies you simply can’t help watching.

This book is an homage to a century filled with kamikaze girls, toxic avengers, killer tomatoes, amazon women, and improbably large, time-traveling rabbits. It’s time for an irreverent ride into cult culture.

416pp • 150 x 116 mm / 6 x 4½ in • CULM

Rights sold: US, Canada, Australia, New Zealand

Rights sold: US, Canada, UK, Australia, New Zealand

101 Gangster Movies

101 Horror Movies

STEPHEN JAY SCHNEIDER

STEPHEN JAY SCHNEIDER

Steven Jay Schneider is a film critic, scholar and producer with M.A. degrees in Philosophy and Cinema Studies from Harvard University and New York University respectively. He is the general editor of 1001 Movies You Must See Before You Die, 101 Horror Movies You Must See Before You Die and 101 Sci-Fi Movies You Must See Before You Die. He is also the producer of one of the most profitable movies ever made, Paranormal Activity.

1O1

GANGSTER

MOVIES STEVEN JAY SCHNEIDER | GENERAL EDITOR

MOVIES YOU MUST SEE

Roller-coaster plots, death-defying onscreen escapades, larger-thanlife heroes: 101 Action CULT MOVIES Movies presents the pick of the genre, from James Bond blockbusters to the films of Bruce Lee.

From the string of stylish, iconic James Bond adventures to the fast-paced, dark works of Tsui Hark, John Woo, and Christopher Nolan, 101 Action Movies You Must See Before You Die looks at the action film in all its forms. It explores what draws an audience to the thrills of these tense rollercoaster rides on the big screen—is it an appetite for violence or simply a desire to see the good guys get justice?

Action movies made actors like Bruce Willis into household names for their deathdefying onscreen escapades. From Sean Connery to Sylvester Stallone, these largerthan-life heroes have us Andalou on the edge Unkept Chien • The Rocky Horror Picture Show • El Topo • Easy Rider of our cinema seats.Donnie Arnie told us•he would Darko Faster, Pussycat! Kill, Kill! • Chelsea Girls • Sisters • Beyond the be back, Bruce Lee made ultra Valley martial of the arts Dolls • Performance • Sunset Boulevard • Reefer Madness cool, and Angelina Jolie brought a video Tommy • The Toxic Avenger • Attack of the Killer Tomatoes • The Adventures of • Banzai for Across the 8th Dimension • Basket Case • The Room game vividly to life.Buckaroo And our appetite Space • Memento • Twilight of the Ice Nymphs • The Hitcher derring-do remainsOffice unabated as Clerks we watch Kamikaze Girls • Heathers • Manhunter • The Blues Brothers • Harold and Maude the Dark Knight battle with evil villains.

Thecritics, Wiz • Barbarella • Pink Flamingos • Bring Me the Head of Alfredo Garcia With insight from film historians, The Servant • Rebel Without a Cause • Night of the Hunter • This Is Spinal Tap and academics, 101 Action Movies You Must See Before You Die brings knowledge, insight, and passion to a world where tough men sip martinis, wear tights and capes, and sometimes even turn green. But they can still get the girl, save the world, and crush cyborgs, psychopaths, jokers, and aliens along the way. So hold on tight to your seats for the mission ahead.

W NE NS TIO I D E

416pp • 150 x 116 mm / 6 x 4½ in • ACTI

YOU MUST SEE BEFORE YOU DIE

RES

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101 Cult Movies

Shoot-outs, gangs, murders, and charismatic crooks played by the likes of Al Pacino and Robert HORROR De Niro—here are 101MOVIES of the greatest movies to examine modern society’s dark underbelly.

From the Prohibition-era classics of Mervyn LeRoy and William A. Wellman to the mean streets and Mafiosi of Francis Ford Coppola and Martin Scorsese, 101 Gangster Movies You Must See Before You Die explores the rise of the gangster movie to the popular phenomenon it is today. Whether holding up the local liquor store or wheeling and dealing in the spiderweb of organized crime, the truth is never far from the fictional world on the big screen.

The gangster genre kicked off with actors like James Cagney and Edward G. Robinson. Their tough-guy stances set the Ballad a Soldier • Apocalypse Now • Enigma • The Great Escape • Downfall tone for the development ofof the devious, Charge of by theAlLight Brigade • A Bridge Too Far • Black Hawk Down crazy and charismatic The crooks played Private Ryan • Platoon • The Longest Day • Stalag 17 • M*A*S*H • Grave of Pacino and Robert DeSaving Niro. One-line quips, Fireflies • Gallipoli • No Man’s Land • Ran • The Killing Fields • Patton sharp suits, a sense ofthe camaraderie and Dr. Strangelove • The Dam Busters • Empire of the Sun • La Grande Illusion Devils grisly killings define the genre that has on the Doorstep • Land and Freedom • Hill 24 Doesn’t Answer given us some of cinema’s most memorable Glory • Good Morning, Vietnam • Das Boot • Europa, Europa • Hell in the moments of society’s underbelly in action.

Pacific • Hotel Rwanda • Cross of Iron • Full Metal Jacket • Rome, Open City With insight fromLawrence critics, film of historians Arabia • Salvador • The Bridge on the River Kwai • Stalingrad and academics, 101 Gangster Movies You Must See Before You Die brings passion and knowledge to a wealth of dirty rats, dons, molls, triads, hoods, shoot-outs, hold-ups, heists, gangs, murders, drug deals and car chases. And in the closing reels you will wonder whose side you are really on—the cops’ or the robbers’?

LO-RES

1O1

YOU MUST SEE

BEFORE YOU DIE

1O1

HORROR

MOVIES YOU MUST SEE BEFORE YOU DIE

STEVEN JAY SCHNEIDER | GENERAL EDITOR

This fright fest of a book analyzes 101 of the most renowned, most loved, and most feared horror flicks ever made—from the classics of Georges Méliès to the bloodbaths of David Cronenberg.

Whether you know every line from The Great Escape or could watch The Bridge on the River Kwai again and again, 101 War Movies You Must See Before You Die is the book for you. Take a war, any war, from the beginning of time to the present day, throw in some amazing heroes, antiheroes and a whole lot of action and you have a classic war film. From Billy Wilder’s Stalag 17 to The Deer Hunter this is the perfect guide.

War films transcend more than one genre. From the first “antiwar” film, All Quiet on the Western Front, through Bogart and Hepburn in The African Queen to Clint Eastwood’s powerful Letters from Iwo Jima, war films have spanned several worlds of film-making. Discover movies filled with jingoistic propaganda made during wartime, as well as those that look back and ask the huge, burning questions that governments still refuse to answer.

With insight from critics, film historians and academics, 101 War Movies You Must See Before You Die offers a breadth of knowledge and passion for a celluloid century of tanks and trenches, guns and grenades, heart-rending deaths and heroic leadership. So if you love war movies, now is the time to don your flak jacket and begin the march to victory.

416pp • 150 x 116 mm / 6 x 4½ in • KGAN

416pp • 150 x 116 mm / 6 x 4½ in • HMVS

Rights sold: US, Canada, UK, Australia, New Zealand

Rights sold: US, Canada, Australia, New Zealand

101 Sci-Fi Movies

101 War Movies

STEPHEN JAY SCHNEIDER

STEPHEN JAY SCHNEIDER

Steven Jay Schneider is a film critic, scholar and producer with M.A. degrees in Philosophy and Cinema Studies from Harvard University and New York University respectively. He is the general editor of 1001 Movies You Must See Before You Die, 101 Horror Movies You Must See Before You Die and 101 Sci-Fi Movies You Must See Before You Die. He is also the producer of one of the most profitable movies ever made, Paranormal Activity.

1O1 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE

STEVEN JAY SCHNEIDER | GENERAL EDITOR

From the classic low-budget Flash Gordon tales to the slick CGI world of WAR The Matrix, this is the MOVIES ultimate guide to sci-fi’s Hollywood mega-hits and arthouse triumphs.

Whether you know every line from The Great Escape or could watch The Bridge on the River Kwai again and again, 101 War Movies You Must See Before You Die is the book for you. Take a war, any war, from the beginning of time to the present day, throw in some amazing heroes, antiheroes and a whole lot of action and you have a classic war film. From Billy Wilder’s Stalag 17 to The Deer Hunter this is the perfect guide.

War films transcend more than one genre. From the first “antiwar” film, All Quiet on the Western Front, through Bogart and Hepburn in The African Queen to Clint Eastwood’s powerfulBallad Lettersoffrom Iwo Jima, a Soldier • Apocalypse Now • Enigma • The Great Escape • Downfall war films have spanned The several Chargeworlds of the Light Brigade • A Bridge Too Far • Black Hawk Down of film-making. Discover movies Saving Privatefilled Ryan • Platoon • The Longest Day • Stalag 17 • M*A*S*H • Grave of with jingoistic propaganda made• during the Fireflies Gallipoli • No Man’s Land • Ran • The Killing Fields • Patton Dr. Strangelove • The Dam Busters • Empire of the Sun • La Grande Illusion Devils wartime, as well as those that look back on the Doorstep and ask the huge, burning questions that• Land and Freedom • Hill 24 Doesn’t Answer Gloryto•answer.

Good Morning, Vietnam • Das Boot • Europa, Europa • Hell in the governments still refuse Pacific • Hotel Rwanda • Cross of Iron • Full Metal Jacket • Rome, Open City With insight from critics, film historians Lawrence of Arabia • Salvador • The Bridge on the River Kwai • Stalingrad and academics, 101 War Movies You Must See Before You Die offers a breadth of knowledge and passion for a celluloid century of tanks and trenches, guns and grenades, heart-rending deaths and heroic leadership. So if you love war movies, now is the time to don your flak jacket and begin the march to victory.

1O1

YOU MUST SEE

BEFORE YOU DIE

1O1 WAR MOVIES YOU MUST SEE BEFORE YOU DIE

STEVEN JAY SCHNEIDER | GENERAL EDITOR

World War II propaganda movies, “antiwar” films, poignant meditations on past conflicts: 101 War Movies explains the significance of the best films of the genre.

Whether you know every line from The Great Escape or could watch The Bridge on the River Kwai again and again, 101 War Movies You Must See Before You Die is the book for you. Take a war, any war, from the beginning of time to the present day, throw in some amazing heroes, antiheroes and a whole lot of action and you have a classic war film. From Billy Wilder’s Stalag 17 to The Deer Hunter this is the perfect guide.

War films transcend more than one genre. From the first “antiwar” film, All Quiet on the Western Front, through Bogart and Hepburn in The African Queen to Clint Eastwood’s powerful Letters from Iwo Jima, war films have spanned several worlds of film-making. Discover movies filled with jingoistic propaganda made during wartime, as well as those that look back and ask the huge, burning questions that governments still refuse to answer.

With insight from critics, film historians and academics, 101 War Movies You Must See Before You Die offers a breadth of knowledge and passion for a celluloid century of tanks and trenches, guns and grenades, heart-rending deaths and heroic leadership. So if you love war movies, now is the time to don your flak jacket and begin the march to victory.

416pp • 150 x 116 mm / 6 x 4½ in • MBSF

416pp • 150 x 116 mm / 6 x 4½ in • MBWF

Rights sold: US, Canada, Australia, New Zealand

Rights sold: US, Canada, Australia, New Zealand

101 series

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101 Action Movies

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Contact Details Quintessence Editions The Old Brewery 6 Blundell Street London, N7 9BH United Kingdom

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Phone: +44 (0)20 7700 2001 Fax: +44 (0)20 7253 4370

Operations Director QFR Carolina Connor Phone: +44 (0)20 7700 8097 E-mail: carolina.connor@quarto.com Territories: Southern Europe, Latin America, Israel & Middle East.

Publisher Mark Fletcher mark.fletcher@quarto.com Editorial Director Jane Laing jane.laing@quarto.com Sales Assistance Juliet Lough juliet.lough@quarto.com ZoĂŤ Smith zoe.smith@quarto.com

FOREIGN SALES DEPARTMENT QUARTO PUBLISHING, plc The Old Brewery 6 Blundell Street London, N7 9BH

Rights Manager Marion Bardou Phone: +44 (0)20 7700 8025 E-mail: marion.bardou@quarto.com Territories: Eastern Europe, Baltic Estates & Russia Sales Manager Meixia Wang Email: meixia.wang@quarto.com Territories: Hong Kong, Taiwan, China

Reception: +44 (0)20 7700 6700 Fax: +44 (0)20 7700 4191

Rights Manager Okkyun Choi Phone: +44 (0)20 7700 8037 E-mail: okkyun.choi@quarto.com Territories: Korea

Rights Director Anna KovĂ cs Phone: +44 (0)20 7700 8051 E-mail: anna.kovacs@quarto.com Territories: Benelux and Hungary

Rights Assistant for Benelux, Hungary, Southern Europe and Latin America.

Pien Wensing Phone: +44 (0)20 7700 8071 E-mail: pien.wensing@quarto.com

Senior Rights Manager Anne de Saint Vincent Phone: +44 (0)20 7700 8028 E-mail: anne.desaintvincent@quarto.com Territories: France, Canada.

Rights Manager Siri Palosaari Phone: +44 (0)20 7700 8005 E-mail: siri.palosaari@quarto.com Territories: Denmark, Norway, Sweden, Finland & Iceland

Senior Rights Manager Babett Markgraf Phone: +44 (0)20 7700 8029 E-mail: babett.markgraf@quarto.com Territories: Germany, Austria, Switzerland

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Rights Manager Erica Bowman E-mail: erica.bowman@quarto.com Territories: Japan

Group Rights Director Karine Marko Phone: +44 (0)20 7700 8046 E-mail: karine.marko@quarto.com