Qun Zhang selected works

Qun Zhang Selected works + Experiences

01

CONTENT CV

03

University of Queensland 001 Surf life Saving Club

06

Baber Studio 002 Norman St. 003 The Charming Squire 004 GCCC

12

Bark Design Architects 005 Mission Arts 006 Lake St. Bus Hub

24

Bark Lab 007 Growth

29

Related Experiences 008 Qu.Ack Studio 009 Kenwork 010 Heat and Sink

31

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach .... I did not wish to live what was not life, living is so dear, nor did I wish to practice resignation ... I wanted to live ‌ to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and if it proved to be mean, why then to get the whole and genuine meanness of it,...

-Thoreau on Walden Pond

And Now

I’m BACK! 02

Qun Zhang 74 Tinakori Rd, Thorndon, Wellington 56 Beach Rd, Mellons Bay, Auckland

022 1090 189 Qun1992@hotmail.com

EDUCATION Bachelors of Architectural Design (B.Arch), University of Queensland Brisbane, Queensland, Australia 2012 Bachelor of Architectural Studies (BAS), University of Waterloo (Exchange) Cambridge, Ontario, Canada 2011 Cambridge International Examinations (CIE), Macleans College Bucklands Beach, Auckland New Zealand 2009

AWARDS, SCHOLARSHIPS, EXHIBITIONS Recipient of UQ Summer Research Scholarship, University of Queensland Presentation of research for residents of Oshika Pennisular W. Kajima Lab of Atelier BowWow Recipient of Jane Grealy Prize, University of Queensland Three times recipient of Deans Commendations for High Achievement, University of Queensland State winner of SONA Super Studio 24 hour design competition, Open Entry Drawing Workshop, Peter Rich Architects, Queensland university of Technology End of Year Graduating Exhibition, University of Queensland Summer Exhibition, University of Queensland Two times recipient of Highest Possible Mark Attained in CIE, Art, Macleans College Macleans College Visual Artist of the Year 2009, Macleans College Duke of Edinburgh Award

RELEVANT SKILLS Digital Documentation

Confident in Revit, Sketchup, Photoshop, Illustrator, InDesign.

Previous experience in ArchiCad. Currently learning Rhino.

Manual Documentation

Confident with pens, pencils, watercolor, etc, Jack of all trades.

Physical Models

Confident with traditional and mechanised shop tools, lazer cutting, metal fabrication.

Previous experience with CNC router, Interest in 3D printing.

Site Competency

White Card, building site inducted, common sense, and previous experience on site.

03

EXPERIENCE ongoing-

Qu.Ack Studio. Founder

08/13 - 07/14

Baber Studio. Student Architect

06/13 - 08/13

Bark Design Architects. Architectural Intern

04/13 - 06/13

Bark Lab. Volunteer

11/12 - 03/13

UQ Summer Research. Research Scholar

05/10 - 05/10

Conrad & Gargett Architects. Research Assistant

05/12 - 07/12

Kenwork - Glass Stainless Steel Ltd. Apprentice

05/12 - 07/12

Heat and Sink - Underground Heating. Apprentice

2009

Danza Furniture. Employee

Self directed research, documentation, learning, and experimentation.

Sketch Design, Design Development, Tender Package, Construction Documentation Sketch Design Package, Visualisation, Model Making Fabrication, Installation, Documentation, Social Networking, Running Workshop Focused Research and Presentation for Alternative Oyster Farming Methods and Infrastructures Response to Post Tsunami Relief for the Oshika Peninsular Cataloging, Archiving Original Drawing Sets

Workshop Hand, Metal Work, Fabrication, On-site Installation On site work installing Underground Heating Show Room Set Up, Web Design.

REFERENCE Kim + Monique Baber (Directors) T: +61 7 3192 9640 E: mail@baberstudio.com.au Tim O’Rourke (Lecturer) T: +61 7 3365 3848 E: t.orourke@uq.edu.au Doug Neale (Senior Lecturer) T: +61 7 3365 3855 E: d.neale@uq.edu.au

04

05

Education Australia 2010 Feb - 2012 Nov

Encampment Studet Accomodation Folly in the Woods Surf Life Saving Club

(Michael Dickson) (Peter Skinner) (Doug Neal) (Tim O’Rouke)

During my first semester, we were asked to design a camp shelter for four out of cardboard to which we had to then camp in, fortunately ours stood the test of three nights of rain. It was then that I became interested to seek out the base of all things, in architecture and other. The basic building blocks of needs; walls, roof, designing for climate etc. but also space, volume, light, things that are hard to quantify, yet tangible enough to fathom and to shape. With this I will introduce my graduating project. An investigation into the need of a surf club and providing a space for the individual and the collective.

UNIVERSITY of

QUEENSLAND 06

Top. First floor Plan Above Ground Floor Plan

07

001

Surf Life Saving Club

Top. Site plan Above. Site Section

- Graduating Project

The Surf Life Saving Club at Broadbeach is currently based in an building that has grew in stages from its original bungalow. Over the year it has become a conglomeration of sheds. The proposal is to accommodate the growing roles of the surf club, as an training camp for youngsters who would eventually leave to join a more competitive surf clubs in the future.

With the view to establish an stable club membership by accommodating more ‘nippers’ . who would often drive down from Brisbane for the weekend. The proposal incorporates a hostel like setup to encourage and bring back some of the age old tradition of providing accommodation to club members.

It was decided the club is to be free of pokies and parasitic operations that plagues surf clubs and RSL today. Because of the need to regulate

activities around children and to in keeping to it’s suburban nature of this particular strip of the Gold Coast, rather than an cafe or restaurant, a small take away and function space were inserted as less intrusive alternatives of maintaining revenue.

The need for a clear organisation and strong circulation was clear from the initial research.

This demanded for a division of club and storage space, public and private, servant and served space. The division achieved then forms a courtyard which in turn becomes activated by the activities that seep out of each of the spaces.

This rational is carried within the building where a physical void pierce the void, flipping from atrium to courtyard and vice versa, but all the while providing the phenomenological and physical (seating, kitchen and primary circulation) means to stimulate social incidents.

08

09

Left. Section through the club spaces storage and function space.

Below. Cross Section showing life of the surfclub over an typical weekend. The building of inside outside while establishing layers of privacy for the physical and phenomenological barrier to the unrelenting forces of the sea. The sections shows the main entrance foyer through admin office, breakout area and the internal atrium courtyard

10

11

Projects Australia 2013 Aug - 2014 Jun

Norman Street Renton Street Camp Hill house Wacumbah Street The Charming Squire GCCC

(residential) (residential) (residential) (residential) (commercial) (competition)

Recently established after the departure of Donavan Hill Architects. Kim and Monique Baber began an intimate practice bringing together specialised knowledge from both their fields of public art and architecture.

I was first involved with Baber Studio working on producing entries for the Gold Coast Cultural Center after returning from Japan. Eventually I was brought on to contract document a large commercial fit-out in Brisbane’s South Bank Cultural Precinct.

My scope at Baber ranged from documenting existing dwellings, to producing construction documentation sets for commercial and residential projects. I became efficient working in Revit, and gained valuable experience, infusing construction details with design intent. Baber studio pushed me to be a better communicator and always work with an clear design intent.

I was pushed to rethink material, stigmas and opportunities.

Working closely with the builder as a young firm, we became actively involved with joinery making, fitting out the new office as well as on-site work during builds, providing welcoming challenges of on the spot problem solving.

BABER STUDIO 12

General Notes:

002

All work to be in constructed in accordance with ABCB National Con Code (NCC), BCA and relevant Australian Standards

Norman St.

Smoke alarms to be located in accordance with BCA + Building regu

Termite Protection - to be in accordance with AS 3660.1, BCA + Bui regulations - Protection used: Combination of exposed Concrete Sla raised structure on steel posts and Termimesh or impregnated mem penetrations and junctions.

An extension and refurbishment of an existing Queensland postwar workers cottage. The brief requested the extension of additional bedrooms and new living dining area and out door space, the client being a property developer with a team of builders and contractors ISSUED FOR USE DURING CONSTRUCTION specialising in commercial fit-outs, thus much of the renovation was and works in the interior was direct. We choose take advantage of an on-site metal fabricator to build the extension on an independent but integrated structure to the brief of an future stage with the lifting of the building. Much of the material and detailing were selected with the skills familiar to the builders already on-site

BABER STUDIO KIM BABER - Registered Architect Unit 9/ 173 Boundary St, West End ABN 73 465 955 132 T: 07 3192 9640

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. Š BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

The design intent was to create an new center of the house. The lantern was introduced as the mediating element between the interior and exterior to further blur the distinction of inside and out.

With a focus to city views, the lantern space is delicate, a jewel box lined in white translucent amplelite sheets, fine timber and white powder coated stanchions. Contrast to the materiality of the rest of extension in raw CFC, ply, perforated metal and concrete, though it is not say the interior is not refined. Finally a heavy recycled brick plinth rises up to provide the connection with the ground

13

All drawings to be read in conjunction with: Architectural Schedule of Selections Architectural Specification Consultants' drawings and specifications ABIC Simple Works Contract

Refer Structural Engineers drawings for details of all structural mem including any adaptation of existing members.

Do not scale off drawings. Use figured dimensions for construction.

Consult architect if uncertain about information contained within doc Copyright retained by architect.

REVISION

CLIENT

LEON BOWES PROJECT

ADDRESS

55 NORMAN STREET, EAST BRISBANE

1 2 3 4

Above. Evolving render, testing the design intent of introducing a new out-door room and the threshold to the rear of the house Opposite Top. Issued drawings for lantern sections Opposite lower. Issued drawings for lantern details

DATE

20/09/13 28/10/13 15/11/13 28/11/13

B

3

FLASHING ROOF SHEETING FLASHING CLEAT

CLEAT PFC RING BEAM REF S/ENG

PFC RING BEAM REF S/ENG

INSULATION SOFFIT LINING REF FINISHES

FLASHING ROOF SHEETING

SOFFIT LINING REF FINISHES

AMPELITE SHEET CORRUGATED

AMPELITE SHEET CORRUGATED

EXISTING CEILING 20300 FL

EXISTING CEILING 20300 FL

PACKER

PACKER

FLASHING

1 118

FLASHING CLEAT

ROOF SHEETING

ROOF SHEETING PFC RING BEAM REF S/ENG

TIMBER PURLIN REFER S/ENG

UB ROOF BEAM REF S/ENG

CLEAT

CLEAT

UB ROOF BEAM REF S/ENG SOFFIT LINING REF FINISHES

C SECTION STUD REF S/ENG

UB ROOF BEAM REF S/ENG

EA STUD REF S/ENG VERTICAL HWD BATTENS

CFC SHEET REF FINISHES

CEILING LINING REF FINISHES INSULATION

AMPELITE FLAT SHEET

AMPELITE FLAT SHEET

TIMBER PURLIN REFER S/ENG

UEA STUD REF S/ENG

FIXED GLASS REF SCHEDULE PFC WIND BEAM REF S/ENG

EA RAIL REF S/ENG

TIMBER BATTEN

BOTTOM OF EA RAIL 19230 FL

GUIDE TRACKS

BOTTOM OF EA RAIL 19230 FL

UEA RAIL REF S/ENG

MS EA RAIL REF S/ENG

2 118

UEA RAIL REF S/ENG

UEA TRIM REF S/ENG

TOP OF HAND RAIL

2200

TIMBER HAND RAIL REF FINISHES BAL5 REF FINISHES

TOP OF HAND RAIL

18050

18050

EA STANCHION REF S/ENG AMPELITE FALT SHEET

CFC SHEET REF FINISHES

1000

1020 NOMINAL

C SECTION STUD REF S/ENG

VERTICAL TIMBER BATTEN SLIDING DOOR REF SCHEDULES

TIMBER DECKING REF FINISHES

LEVEL 1 17030 FL

TIMBER DECKING REF FINISHES

EA TAGS

EA TAGS

NAIL PLATE

450

TIMBER EDGE JOIST REF S/ENG

BOTTOM RAIL

LEVEL 1 17030 FL

TIMBER TRIMMER REF S/ENG TIMBER JOIST REF S/ENG

TIMBER JOIST REF S/ENG

PFC BEAM REF S/ENG

PFC BEAM REF S/ENG

NAIL PLATE UEA RAIL REF S/ENG FIXED TO BOTTOM OF PFC

TIMBER JOIST & EDGE JOIST REF S/ENG

450

TIMBER DECKING REF FINISHES

PFC BEAM REF S/ENG

BOTTOM RAIL

BOTTOM RAIL

16580

EA BRACE REF S/ENG

CHS POST REF S/ENG

CHS POST REF S/ENG

UEA RAIL REF S/ENG

EA RAIL REF S/ENG

16580

UEA BRACE REF S/ENG

1 105

SECTION BAL2

2 109

1 : 20

ISSUED FOR USE DURING CONSTRUCTION

BABER STUDIO KIM BABER - Registered Architect Unit 9/ 173 Boundary St, West End ABN 73 465 955 132 T: 07 3192 9640

SECTION BAL1

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

3 109

1 : 20 REVISION

CLIENT

LEON BOWES PROJECT

ADDRESS

55 NORMAN STREET, EAST BRISBANE

1 2 3

SECTION BAL1 w. SLIDING DOOR

DATE

1 : 20 DRAWING TITLE

15/11/13 13/12/13 19/02/14

WALL SECTIONS SCALE @ A3

1 : 20

PROJECT No

1315

SHEET No

WD 115

FLASHING (CUSTOM MADE TO SHAPE. REF ROOF PLAN) ROOF SHEET REF FINISHES

TIMBER PACKER

TIMBER NAIL PLATE COUNTER SUNK FIXING TO UEA RAIL

TIMBER PURLIN REF S/ENG

FLASHING

STANCHION COPED TO ALLOW TIMBER HANDRAIL TO SIT FLUSH TO TOP OF UEA RAIL

3 118

AMPELITE FIXING UEA RAIL COUNTER SUNK BOLT FIXED TO VERTICAL EA STACHION REF S/ENG EA STACHION COPED TO ALLOW TIMBER ABOVE TO SIT FLUSH TO UEA RAIL.

AMPELITE SHEET CORRUGATED REF FINISHES

TIMBER BALUSTRADE FIXED TO WELDED CLEAT CLEAT WELDED @ 400 CNTRS NOMINAL

PFC LANTERN FRAME REF S/ENG

SOFFIT LINING REF FINISHES

CLEAT WELD TO PFC LANTERN FRAME FIXED TO UEA STANCHION

INSULATION

EA RAIL REF S/ENG EA STANCHION REF S/ENG

3 118

TIMBER PACKER AMPELITE FIXING

DETAIL SECTION TIMBER BALUSTRADE

1:2

AMPELITE FLAT SHEET REF FINISHES

FLASHING ROOF SHEET REF FINISHES

OVERLAPPING AMPELITE SHEET FIXED TO VERTICAL TIMBER BATTEN NOTE: ALLOW FOR AMPELITE SHEET EXPANSION

TIMBER PURLIN REF S/ENG

OVER LAPPING AMPELITE SHEETS. REF FINISHES

VERTICAL TIMBER BATTEN UEA STUD REF S/ENG

LEVEL 1 17030 FL

MS UB ROOF BEAM REF S/ENG

OVERLAPPING AMPELITE SHEET FIXED TO VERTICAL TIMBER BATTEN WITH SS SCREW AND RUBER WASHER. NOTE: FIXING TO ALLOW FOR AMPELITE SHEET EXPANSION (OVERSIZED HOLE)

MS EA CLEAT BOLTED TO TIMBER EDGE JOIST BEYOND

TIMBER BATTENS

INSULATION CEILING SHEET REF FINISHES CLEAT WELD TO WEB OF UB

TIMBER JOIST & EDGE JOIST FIXED TO FLOOR JOISTS

VERTICAL EA STANCHION FIXED TO EA TAGS

TIMBER BATTEN

1 115

DETAIL SECTION EXTERNAL LANTERN

1:5

COUNTERSUNK FIXING

ISSUED FOR USE DURING CONSTRUCTION

BABER STUDIO KIM BABER - Registered Architect Unit 9/ 173 Boundary St, West End ABN 73 465 955 132 T: 07 3192 9640

50 NOM.

MS EA RAIL REF S/ENG

ALLOW 50mm NOMINAL OVERHANG

BOTTOM OF EA RAIL 19230 FL

TIMBER NAIL PLATE COUNTER SUNK FIXING TO EA RAIL EA BRACE FIXING BACK TO PFC. REF S/ENG

2 115

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

DETAIL SECTION EXTERNAL BALUSTRADE

1:5

REVISION

CLIENT

LEON BOWES PROJECT

EA RAIL COUNTER SUNK BOLT FIXED TO VERTICAL EA STANCHION REF S/ENG

ADDRESS

55 NORMAN STREET, EAST BRISBANE

1 2

DATE

13/12/13 19/02/14

DRAWING TITLE

LANTERN WALL DETAILS SCALE @ A3

As indicated

PROJECT No

1315

SHEET No

WD 118

14

003

The Charming Squire Photos.The Charming Squire

Most recently opened microbrewery, restaurant, cafe and bar in Brisbane. A joint project with Sydney architects Colins & Turner, Baber Studio became the primary architects in dealing with builders and contractors. While C+T focused on Maintaining the James Squire Brand interface, (bar, display and joinery etc.) Baber studio focused on areas such as the structure, planning, external works, stairs, bathrooms and coordination between the various engineers and consultants.

The overall scheme is driven by the narrative of James Squire as the first convict brewer. Raw material palettes of black, exposed concrete and steel were selected to contrast the rich orange timber and copper. The mezzanine, beer hall, terrace, restaurant and cafe, are an amalgamation of 4 tenancies, each tenancy on an different datum with openings cut into the divisions, each space was decidedly to be kept raw but dressed in refined materials, and distinct in character as a way of story telling.

Being a fast tracked design and construct project, the Project evolved at an exciting pace to the feed back of the client, QS, builder, contractors, services and consultants, resulting in continuous design alterations leading to the refined scheme it is.

Top. View of bar from mezzanine space Lower. View of bar, glazed keg storage and onsite brewing tanks

15

16

Stanchions Typical 1000 CRS MSH Panel Lengths 3000

MSH

150

8 708

Sim

TM Hand Rail

Vertical MS UEA Stanchion Ref S/Eng

Timber Hand Rail MS EA Rail Refer S/Eng

TM Hand Rail

MS 75 EA Rail TBC by S/Eng

Hole in EA Galvanised Wire Loop or Clip

Vertical MS Angle Stanchion 90 x 75 UEA. TBC By S/Eng

1050

MSH

Vertical MS UA Stanchion Refer S/Eng

Counter Sunk Timber Screws Through MS EA Securing TM Hand Rail

MSH

Counter Sunk Bolts Into Vertical MS Angle Stanchion Hex Head Metal Screw Securing MSH to MS EA (Minimal Overlength) MS EA Rail Ref S/Eng

MS UEA Stanchion with Fully Welded Bottom Plate Bolted to Top Flange of MS UB MS EA Rail Floor Finish Refer Finishes Plan Substrate

MSH

Finished Floor Level

FFL

Gap To Allow Debris & Rubbish to be

Sim

SFL Floor Batten Joist Refer to S/Eng Rough Sawn Packer MS EA Shelf Angle Bolted to Web of MS UB Ref S/Eng MS UB Refer S/Eng.

MS UEA WIth Bolted Connections to Web of MS UB Ref S/Eng MS UB Ref S/Eng

Exposed Bolt Heads

Cleaned Out with Leaf Blower/ Compressor

8 708

EA Floor Trim Vertical MS UEA Stanchion Ref S/Eng

Msh Press Folded

MS EA Floor Trim Floor Finish Ref Finishes Plan

MS UEA Stanchion Bolted Though Bottom Plate To UB Ref S/Eng

Substrate Packer

Floor Batten

Expressed Bolt MSH Ceiling Termination Fold

1 324

DETAIL SECTION BAL 02

2

1 : 10

ELEVATION BAL 02

1 : 10

MS UB Ref S/Eng

Vertical MS UEA Stanchion with End Plate Bolted to Flange of MS UB

Hard Wood Joist Ref S/Eng Floor Beyond TM Rough Sawn Packer MS UB

Web of MS UB

MSH

3 708 Bolt Placement through Bottom Plate of MS UA onto Flange of MS UB

MS EA Shelf Angle Ref S/Eng

MSH

Notes: All Internal Mild Steel Sections, Bolts & Brackets to be Raw Steel Mill Finish when Constructed, then Coated with BOMT.

Expressed Bolt

MS UB Web Vertical MS UEA Stanchion Refer S/Eng

Refer to Metalwork Schedule for Descriptions.

Edge of MS UB

3 708

DETAIL PLAN BAL 02

4 1:2

DETAIL PLAN BAL 02

8 708

1 : 10

Note: Allow in Pricing for Balustrade Prototype to be Built, Tested and Approved for Crowd Loading Capacity to Structure Engineers Requirements.

DETAIL SECTION BAL 02

1:2

PRELIMINARY - FOR INFORMATION ONLY - NOT FOR CONSTRUCTION BABER STUDIO KIM BABER - Registered Architect 1/33 Vulture Street, West End ABN 73 465 955 132 T: 07 3192 9640

17

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. Š BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

REVISION

CLIENT

Godfrey Mantle PROJECT

ADDRESS

Grey St Microbrewery, 2/133 Grey St, Southbank 4101

1 2

DATE

18/10/13 22/12/13

DRAWING TITLE

MESH BALUSTRADE - BAL 02 SCALE @ A3

SCALE @ A1

As indicated

PROJECT No

1313

SHEET No

WD 708

Opposite Top. View of external balcony over looking street.

Opposite lower. Issued drawings for external balcony construction Right. View of mezzanine function space, and Stair case in foreground Lower. Issued drawings for stair case during construction

1 481

20

207

Lysaught 102 Lipped Channels Bridging

HANDRAIL BEHIND 450

1 708

Sim

MSH STAIR BALUSTRADING & SCREEN

MTLBLK FLOORING, SLIP RATING TO CERTIFIERS REQUIREMENTS

465

MSH STAIR BALUSTRADING & SCREEN

MEZZANINE 8460 SFL

MEZZANINE 8460 SFL

181

19

18 181

PFC FLOOR FRAMING TO BE CONFIRMED BY STRUCTURAL ENGINEER

BOMT PFC BEARER REF S/ENG FOR DETAILS

17

181

STAIR BEHIND

16 RECESSED LIGHTING

181

EXISTING STRUCT. CONC BEAM

181

15

181

MSH STAIR BALUSTRADING & SCREEN

1991

14

13

HWD TM HANDRAIL 181

HWD TM HANDRAIL

12 TBC WITH CERTIFIER

11

181

181

TBC WITH CERTIFIER

181

3450

10

9

181

MTLBLK STAIR TREADS & LANDING, SLIP RATING TO CERTIFIER'S REQUIREMENT

8

8

181

MTLBLK STAIR TREADS & LANDING, SLIP RATING TO CERTIFIERS REQUIREMENTS

7

181

362

7

6

6

275 EQ

BOMT PFC STRINGER REF S/ENG FOR DETAILS

5

EQ

HWD TM HANDRAIL

MSH STAIR BALUSTRADING & SCREEN EQ

450

4

470

1

1097 EQ

BOMT STAIR STRUCT. COLUMN REFER STRUCT. ENG. FOR DETAILS EXISTING STRUCTURAL CONCRETE FLOOR

EXISTING STRUCTURAL CONCRETE FLOOR

1570

GROUND 5030 RL

2 480

SECTION STAIR 1b SECTION

EXISTING STRUCTURAL CONCRETE WALL

EQ

2

BOMT PFC STRINGER REF S/ENG FOR DETAILS

EQ

3

GROUND 5030 RL

1 480

1 : 20

SECTION STAIR 1 SECTION ELEVATION 1 : 20

PRELIMINARY - FOR INFORMATION ONLY - NOT FOR CONSTRUCTION BABER STUDIO KIM BABER - Registered Architect 1/33 Vulture Street, West End ABN 73 465 955 132 T: 07 3192 9640

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

CLIENT

Godfrey Mantle PROJECT

ADDRESS

Grey St Microbrewery, 2/133 Grey St, Southbank 4101

REVISION

DATE

1 2 3

27/09/13 31/10/13 22/12/13

DRAWING TITLE

STAIR 1 CONT. SCALE @ A3

1 : 20

SCALE @ A1

1:10

PROJECT No

1313

SHEET No

WD 481

18

1 107

1 108

A STAIR

13350

UP

FHR

EXISTING RETAINING WALL

BCEC BOH DOOR PERMANENTLY BUILT OVER

B

S/A RISER (RISER TO BE RETAINED)

NEW DOOR NEW DOOR

FHR

STAIR 4

UP

NEW DOOR

STAFF RM UP

RELOCATE FHR FROM EXISTING LOCATION

CORRIDOR

CHANGE RM

PLANT

RAISED BREWERY TANKS

2160

MALE

TAP1 SINK2

FEMALE

DB

HYD

NEW OPENING CUT IN WALL

LIFT

FHR

7538

DB

FHR

HD

BAR MECH DUCT LOCATIONS TBC BY CONTRACTOR

STAIR 1

TRUSS

FUNCTION ROOM 2

FUNCTION ROOM 1

TBC BY CLIENT

COPPER CURTAIN REFER COLLINS AND TURNER

UP BALUSTRADE

UP

STAIR

VOID

1 305

VOID UP

VOID

1 306

C NEW BALCONY*

NEW DOOR

1 142

NEW DOOR

ACCESS HATCH

HOOD REF M/ENG

ACCESS CEILING

D

1 302

2 302

18

1 303

19

20

2 303

21

22

2 304

1 304

3 304

23

24

25

26 * SUBJECT TO SOUTHBANK AND BCC APPROVAL

FLOOR PLAN

1 201

MEZZANINE

1 : 200

ISSUED FOR USE DURING CONSTRUCTION

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

BABER STUDIO KIM BABER - Registered Architect 9/173 Boundary Street, West End ABN 73 465 955 132 T: 07 3192 9640

REVISION

CLIENT

ADDRESS

PROJECT

DATE

08/11/13 05/12/13 12/12/13 22/13/13

10 11 12 13

Godfrey Mantle Grey St Microbrewery, 2/133 Grey St, Southbank 4101

14

DRAWING TITLE

07/02/14

MEZZANINE FLOOR PLAN SCALE @ A3

1 : 200

PROJECT No

1313

1:100

SHEET No

WD 102

1 105

NOTE: DIMENSIONS ARE INDICATIVE ONLY AND ARE SUBJECT TO CONSULTANT INPUT

A TBC BY CLIENT

* SUBJECT TO SOUTHBANK AND BCC APPROVAL

ROLLER SHUTTER

LOADING BAY SFL. 4.100 LIFTING PLATFORM

NEW DOOR

CORRIDOR

DOOR PERMANENTLY BUILT OVER

UP

RAMP 1:20

UP

GEN STORE

UP

CUP'D

HYD

RUSSELL STREET

TAP1 SINK2

GLASS WASH

KEG ROOM

LIFT

DB

B

DN

FRZ

RAM P 1:1 4

GLASS STORE

DOOR PERMANENTLY BUILT OVER

SPOO N DR AIN

UP

CIG. MCHN

BAR

RAMP

REMA

IN

1 106

1:14 FHR

OFFICE

BASS

STAIR 1

PWD

EXISTING LANDSCAPING WALLS TO REMAIN EXTG . RA MP TO

GLAZED WALL

ATM

SUBSTATION

EXISTING QR BUILDING

EXISTING LANDSCAPING WALLS TO REMAIN

MEZZANINE LEVEL OVERHEAD

ramp up 1:20 min.

UP

ATM

ATM

RAMP UP

WC

UP

BAR

BREW BAR

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SCULPTURE LOCATION TO REMAIN

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FOOTPATH SOUTHBANK CORPORATION TO TEMPORARILY REMOVE SCULPTURE DURING THE CONSTRUCTION PERIOD TO ALLOW LOADING AND STORAGE OF MATERIALS. SOUTHBANK CORPORATION TO REINSTATE UPON COMPLETION OF WORKS.

BUILDING OVER BUILDING OVER

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FLOOR PLAN GROUND

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ISSUED FOR USE DURING CONSTRUCTION

BABER STUDIO KIM BABER - Registered Architect 9/173 Boundary Street, West End ABN 73 465 955 132 T: 07 3192 9640

19

NEW OPERABLE GLAZING TO UNDERSIDE OF WIND BEAM

UP

MEZZANINE LEVEL ABOVE

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

REVISION

CLIENT

Godfrey Mantle PROJECT

ADDRESS

Grey St Microbrewery, 2/133 Grey St, Southbank 4101

11 12 13 14

DATE

5/12/13 12/12/13 22/12/13 14/01/13

15

07/02/14

DRAWING TITLE

GROUND FLOOR PLAN SCALE @ A3

1 : 200

1:100

PROJECT No

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CEILING 10860 RL

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RECESS LED LIGHTING STRIP ADHERED TO CHANNEL

RECESS LED LIGHTING STRIP ADHERED TO CHANNEL

FULL TILE WIDTH

VBM1

VBM1 SD1 SD1 VB1 TBC BY CONTRACTOR

BOLTS FIX INTO SIDES OF VB1

VB3 BOLTS FIX INTO SIDES OF VB1 POWDER COATED PFC FIXED SPANNING BETWEEN WALLS - NO MID SUPPORTS - REFER PLANS FOR LENGTH - FIXED AT EACH END TO CLEATS IN WALL - REFER SKETCH DETAILS

POWDER COATED PFC FIXED SPANNING BETWEEN WALLS - NO MID SUPPORTS - REFER PLANS FOR LENGTH - FIXED AT EACH END TO CLEATS IN WALL - REFER SKETCH DETAILS

TBC BY CONTRACTOR

CLEAT FIXED TO VERTICAL LOAD BEARING MEMBER. REFER TYPICAL DETAIL FOR FIXING OPTIONS IN SPECIFIC CONDITIONS

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PRELIMINARY - FOR INFORMATION ONLY - NOT FOR CONSTRUCTION BABER STUDIO KIM BABER - Registered Architect 1/33 Vulture Street, West End ABN 73 465 955 132 T: 07 3192 9640

CHECK ALL DIMENSIONS ON SITE BEFORE FABRICATION OR SETOUT. Do not scale off drawings. Use figured dimensions for construction. Consult architect if uncertain about information contained within drawings and or specification. © BABER STUDIO. These designs, drawings and specifications are copyright and must not be used, kept or copied by any means without written permission.

REVISION

CLIENT

Godfrey Mantle PROJECT

ADDRESS

Grey St Microbrewery, 2/133 Grey St, Southbank 4101

1 2 3

DATE

06/12/13 11/12/13 22/12/13

DRAWING TITLE

CONCRETE VANITY DETAIL SCALE @ A3

1 : 20

SCALE @ A1

1:10

PROJECT No

1313

SHEET No

WD 457

Opposite Top. Ground floor plan Opposite Lower. Mezzanine level plan Above. Concrete Vanity Section Detail Right. View of male Vanity. Custom basin via Pop-Concrete and exposed brass pipe.

Lower. View of female vanity with one way mirror into brew space and atrium.

20

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Gold Coast Cultural Center - Ideas Competition

A closed ideas competition by the Gold Coast City Council to revitalised a peninsular of reclaimed land that is currently the site of an under-utilised park and town hall building.

I was Brought on to the team to model and provide render/ visuals.

Working closely with Sydney landscape architect, Julian Raxworthy the proposal introduces bridge connections towards the tourist hub of the gold coast, and like the Sydney Opera House, we introduced an peninsular bound Art Gallery, a delicate jewel box, and responding to the kitsch competition brief, an artificial heart shaped pool on the river. A series of veils were placed to introduce cooled micro-climate alternatives to the barren beach strip on the coast.

21

Relevant Experience Lincoln Center New York, New York

Lincoln Center for the Performing Arts is located on a DFUH VLWH LQ 0DQKDWWDQ ,W LV RQH RI WKH EHVW NQRZQ and largest performing art centers in the world and DFFRPPRGDWHV PRUH WKDQ ÂżYH PLOOLRQ YLVLWRUV SHU \HDU Lincoln Center is home to 12 independent companies offering a wide variety of performing arts.

Top. Final competition render. Rendered with Rhino and Photoshop collage.

Opposite Top. Main Competition Image, Pen and Photoshop with tablet.

Below. Competition pages, collated by Kim &Monique Baber, Suzanne Stuart & I

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Avery Fisher Hall Refurbishment Project

Diana Princess of Wales Memorial, Hyde Park, London î ’ î ? î ‰ î ” î€ î ” î … î ƒ î ˆ î Ž î ? î Œ î ? î ‡ î ™ î€ î … î “ î ” î î ” î … Masterplan Project

Architects: Cooper Robertson/Beyer Blinder Belle Arup is providing mechanical, electrical and plumbing engineering services for the massive renovation of its campus and for each of the major theater buildings. This is improving comfort conditions and providing additional electrical supply to bring the halls up to the current state of the art. We are also carrying out a strategic analysis of the provision of energy and other services to each of the buildings.

Alice Tully Hall, New York ŠIwan Baan

CAPABILITY STATEMENT - BABER, RAXWORTHY + ARUP Baber, Raxworthy and Arup offer a unique, local cross-disciplinary team which combines emerging with established practitioners. Their presence is local and international.

Established on the east coast of Queensland, Baber Studio are part of a new wave of architects. They offer a fresh design approach, encompassing functional possibilities with a refined sensitivity. Raxworthy imparts conceptual landscape strategies, instilled with the rigour and understanding specific to the Australian context. Arup offer one of the largest and most respected names in built environment services. Arup has been instrumental in many of the world’s most highly regarded projects. As a team composition, they offer excellent local knowledge with renowned international expertise representation.

As part of the study conducted at the time of the Avery Fisher Hall competition, Arups created an auralization PRGHO WR GHPRQVWUDWH KRZ VSHFLÂżF PRGLÂżFDWLRQV WR WKH URRP LPSURYH WKH DFRXVWLFV (DFK PRGLÂżFDWLRQ LV listened to in turn and the resulting “refurbishmentâ€? compared to Amsterdam Concertgebouw. One of the PRGLÂżFDWLRQV PRYLQJ WKH VWDJH IRUZDUG LQ WKH VSDFH KDV been successfully implemented each year for the “Mostly Mozartâ€? festival since 2003.

Denmark Pavilion, Shanghai World Expo 2010, China

Public Spaces Redesign Project

STREET

convened the Myles H. Thaler symposium on Australian landscape architecture at the University of Virginia, where he was a Visiting Professor in 2012.

‘Santos Place’, Brisbane # Client Baulderstone Key collaborators Baulderstone Cox Rayner Architects Key facts Opened in October 2009

Š Populous

the Brisbane Convention and ([KLELWLRQ &HQWUH WKH *RRGZLOO

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‘London Olympic Park’, London*

‘Denmark Pavilion’, Shanghai World Expo 2010, China*

Chemical treatment is avoided by using a system that discharges some of the fountain water into the Serpentine, thereby improving the quality of water in the lake.

Key collaborators Gustafson Porter

Key facts ‘Carrara Stadium’, Gold Coast ^ A borehole was* drilled into the chalk aquifer 130m below the site to act as the source of the fountain water Our engineers wanted the challenge of building something YHU\ OLJKWZHLJKW DQG HIÂżFLHQW DQG RXU DUFKLWHFWV ZHUH LQWHUHVWHG )RU WKH Ă€RZV ZH GHVLJQHG DQG in building something that wasn’t a run-of-the-millundertook concrete 2-D graphical models bridge – it’s not just unique in appearance, it’s unique in DQG FRPSXWDWLRQDO Ă€XLG G\QDPLFV design and engineering. and designed the quarter scale and full scale physical modelling at 3DXO 6WDWKLV 3URMHFW 0DQDJHU %DXOGHUVWRQH Imperial College

‘Swanston St North Water Feature’, Melbourne ~ construction.

ŠKingkay Architectural Photography

Client Royal Parks

î ‰î Žî€ î ´î ¨î Ľî€ î ¤î Ľî łî Šî §î Žî€ î łî ´î Ąî §î Ľî€Źî€ î ´î ¨î Šî łî€ î Šî Žî ´î Ľî ˛î Ľî łî ´î€ î Šî Žî€ î łî °î Ąî ´î Šî Ąî Źî€ î ąî ľî Ąî Źî Šî ´î šî€ î §î Ľî Žî Ľî ˛î Ąî ´î Ľî ¤î€ î Ąî€ î łî Ľî ˛î Šî Ľî łî€ î Żî Śî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€ î ´î šî °î Ľî łî€ î ´î ¨î Ąî ´î€ î Źî Żî Żî Ťî Ľî ¤î€ î Ąî ´î€ î ¨î Żî ˇî€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€ Bridge î Łî Żî ľî Źî ¤î€ provides î ˘î Ľî€ î Śî ľî Źî Źî šî€ î ľî ´î Šî Źî Šî łî Ľî ¤î€Źî€ and î ˘î ľî ´cycle crossing over the Kurilpa a pedestrian This $63m bridge is the culmination Selected Brisbane River in Queensland.

Theî °î Ąî ´î ¨î łî€Ź competition-winning designawards is î Žî Żî Žî Ľî ´î ¨î Ľî Źî Ľî łî łî€ î łî ´î Šî Źî Źî€ î ­î Ąî Šî Žî ´î Ąî Šî Žî€ î ´î ¨î Ľî€ î ľî Žî Šî ąî ľî Ľî€ î ąî ľî Ąî Źî Šî ´î Šî Ľî łî€ î Żî Śî€ î ´î ¨î Ľî€ î °î Źî Ąî Łî Ľî€Žî€ î ”î ¨î Šî łî€ î °î ˛î Šî ­î Ąî ˛î Šî Źî šî€ î ­î Ľî Ąî Žî ´î€ î ľî ´î Šî Źî Šî łî Šî Žî §î€ WR GDWH RI D \HDU GHVLJQ î łî ´î Ąî Žî ¤î Ąî ˛î ¤î€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€ î Łî Żî ­î °î Żî Žî Ľî Žî ´î łî€Źî€ î łî ľî Łî ¨î€ î Ąî łî€ î °î Ąî ˛î Ťî Šî Žî §î€Źî€ partnership between Cox Rayner D ZRUOG ÂżUVW ZLWK D XQLTXH WHQVHJULW\ VXSHUVWUXFWXUH Stone Federation Great Britain î ˘î ľî Šî Źî ¤î Šî Žî §î€ î Ľî Žî ´î ˛î Šî Ľî łî€ î Ąî Žî ¤î€ î ´î ¨î Ľî€ î Źî Šî Ťî Ľî€ î Ąî łî€ î ­î Ľî Ąî Žî łî€ î Żî Śî€ î Ąî ˛î ´î Šî Łî ľî Źî Ąî ´î Šî Žî §î€ î ´î ¨î Ľî łî Ľî€ î ąî ľî Ąî Źî Šî ´î Šî Ľî łî€Źî€ î ľî łî Šî Žî §î€ î ­î Żî śî Ľî ­î Ľî Žî ´î€ î Ąî Žî ¤î€ î Šî Žî Śî ˛î Ąî łî ´î ˛î ľî Łî ´î ľî ˛î Ľî€ î Ąî łî€ î ´î ¨î Ľî€ î ­î Ľî Ąî Žî łî€ î Żî Śî€ î ˛î Ľî Ąî ¤î Šî Žî §î€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€Ž DQG $UXS RQ SURMHFWV LQFOXGLQJ P ORQJ ZLWK D P ORQJ main span

Centre Pompidou Metz, France

‘Venus Rising’, Brisbane^

The water feature comprises a series of water poles, abstracted from a forest of natural forms. The water display is interactive with the movements of the city, as trees are interactive with the wind. Whilst there will be a continuous play of water, with tram or pedestrian movement, the fountain display (through movement sensors and random selection) will increase its density of performance with the city’s day and night time rythms. This water display will include fog/mist, flood, wet poles, falling into a fine stainless steel grate, allowing permeable movement throughout. Light displays will accentuate water displays and the vertical form of the fountain. The paving mixes characteristic blustone detailing with a tracery of naturalistic pattern, and overlain by a piazetta that bisects the site, addressing the signal station and juxtaposing the linearity enforced by the tramlines and Swanston Street axis.

î ”î ¨î Ľî€ î Ąî Žî Ąî Źî šî łî Šî łî€ î łî ´î Ąî §î Ľî€ î Żî Śî€ î ­î Żî łî ´î€ î ­î Ąî łî ´î Ľî ˛î °î Źî Ąî Žî łî€ î ´î Ľî Žî ¤î€ î ´î Żî€ î ˘î Ľî€ î śî Ľî ˛î šî€ î ´î ˇî Żî€­î ¤î Šî ­î Ľî Žî łî Šî Żî Žî Ąî Źî€Žî€ î ”î ¨î Šî łî€ î ­î Ľî Ąî Žî łî€ î ´î ¨î Ąî ´î€ î ´î ¨î Ľî šî€ î ¤î Żî€ î Žî Żî ´î€ î §î Ľî Žî Ľî ˛î Ąî Źî Źî šî€ î ¤î Ľî Ąî Źî€ î ˇî Šî ´î ¨î€ î ´î ¨î Ľî€ î łî °î Ąî ´î Šî Ąî Źî€ î ąî ľî Ąî Źî Šî ´î Šî Ľî łî€ î Żî Śî€ î ´î ¨î Ľ A co-founder Kerb, the landscape architecture journalî Żî Śî€ from RMIT î ´î ¨î Ąî ´î€ (nowî ¤î Ľî Ąî Źî ´î€ in itsî ˇî Šî ´î ¨î€ î ˇî ¨î Ąî ´î€ î ´î ¨î Ľî€ î Ľî ¸î °î Ľî ˛î Šî Ľî Žî Łî Ľî łî€ î Żî Śî€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€ î ˇî Ľî ˛î Ľî€Źî€ î Ąî Žî ¤î€ î Źî Żî Żî Ťî Ľî ¤î€ î Ąî ´î€ î ´î ¨î Ľî Šî ˛î€ î ˛î Ľî Źî Ąî ´î Šî Żî Žî łî ¨î Šî °î€ î ´î Ż î °î Źî Ąî Łî Ľî€Žî€ î ‰î Žî€ î ´î ¨î Šî łî€ ofî °î ˛î Żî Şî Ľî Łî ´î€Źî€ î î łî °î Ľî Łî ´î€ î ¤î Ľî śî Ľî Źî Żî °î Ľî ¤î€ î Ąî€ î ­î Ľî ´î ¨î Żî ¤î€ î Ąî Žî Ąî Źî šî łî Šî łî€ 20th edition), writes in the Australian architectural and design mediaî Šî Žî€ î ´î Ľî ˛î ­î łî€ î Żî Śî€ î Šî ´î łî€ î‚“î Łî Ąî °î Ąî ˘î Šî Źî Šî ´î šî‚”î€Ž î Żî ´î ¨î Ľî ˛î€ î Śî Ąî Łî ´î Żî ˛î łî€ he î łî ľî Łî ¨î€ î Ąî łî€ regularly î Źî Ąî Žî ¤î Śî Żî ˛î ­î€Źî€ î ˛î Ąî ´î ¨î Ľî ˛î€ î ´î ¨î Ąî Žî€ î łî Šî ­î °î Źî šî€ î Ľî ¸î Ąî ­î Šî Žî Šî Žî §î€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€ about contemporary landscape projects, and internationally in Topos, Paisea, JoLA and SCAPE. Recent international engagements include being a keynote speaker at the IVEuropean Biennial of Landscape Architecture in Barcelona, LOCUS ISTE in Denmark and EASY GOING, at the Academie van Bouwkunst,Amsterdam. He

Client BIG Architects Project owner Danish Enterprise and Construction Authority

Gustafson-Porter won the competition for the design of the memorial to the Princess of Wales with a concept of an oval water feature. The memorial would use the topography of the VLWH WR DOORZ ZDWHU WR ÀRZ WKURXJK WKH VWUXFWXUH LQ WZR GLIIHUHQW directions.

Arup played a key role in the development of an appropriate water strategy and the design of the fountain hydraulics. For the fountain water strategy, we created a system that was ‘Venus Rising’, Brisbane^

www.arup.com

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Working closely with the architect, we found a ‘hidden support’ – the overlapping sides of the upper and lower boxes – that provides a robust truss support to reduce the cantilever span of the pavilion without constraining the architectural intent.

Key collaborators Populous WatPac Queensland WithinAFL the South Park of the Olympic Park – Arup Landscape Architects Gold Coast City led a landscape engineering team Council to coordinate, design and deliver

www.arup.com

www.arup.com

Working to a tight program with multiple consultants, Arup’s core team of experienced stadium designers helped deliver a fast-tracked delivery of this $144m boutique stadium

Similar to other iconic Queensland and international sporting

î °

î Ź î Ą î Ž BLING AND BEYOND BEHIND THE SPARKLE......... î Ž î ŠKeyî Žservices provided î §

facade and structural This proposal for the Gold Coast Cultural Precinct provides a dazzlingCivil, bejewelled complex, rich in ornamentation and experience, and a “Heart for the Gold Coast�engineering re-orientating the site to address in both directions, to the coast and to the road, with a heart shaped lake at its centre.

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New Arts Museum 1:4000

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Where these routes meet the Living Arts Centre, ground and CommunautÊ d’AgglomÊration de gather together and unify cultural facilities that are roof planes Metz MÊtropole generally kept intact, renovated and expanded, includingatheunique old Comprising Octagonal dome of the admin building which is kept as a relic.

was achieved through a series access and drop off successful to the Great Terrace. Ondesign the other side of the Key services provided ramp, the ground plane becomes an amphitheatre that also faces sensitivity and integrated structural modelling.

Structural, mechanical, electrical, the view and the Artscape with the heart and a huge “sand pit� at public health engineering. its base on the water’s edge, acting as both a beach and a huge

The intricacy of weaving the mechanical service limited available space inspired the team to use 3 to design the main elements and ducts At the tim much a fledgling technology.

The Bundall Road part of the site is opened up through the relocation of car parking into a multistorey car park adjacent to the Great Terrace, and in its place labyrinthine water parterre provides an ornamental foreground for the cultural precinct, through which cars enter the site. Beyond it, the large ‘veil’ forms a cornice that unifies the building facades. The parterre is a canal, acting as potential flood remediation, but also a miniaturization of the www.arup.com adjacent suburban canals.

It and fills and empties with the tides and becomes a living ever changing Artscape.

ground floor

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zone brings pedestrians and traffic through this gap and allows

flexible surface that can be reshaped for art or performance as required.

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level 2 10.

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overall roof plan 1:4000

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Living Arts Centre level 2 1:4000

section a

section b Aerial Site View

north elevation

BUILDINGS AND ARTSCAPE

BABER, RAXWORTHY + ARUP

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form, the combination o the grid shell str design using tim

The expanded Arts Centre has a new building that adjoins and size, irregular geometry and Key collaborators extends the loading facilities, with new theatres and performance redefined the innovation for enclosing ‘veil’. The veil and Shigeru Ban Architects, Jean spaces de added, all behind a large together make a strong visual profile: a unified roof form Gastines Architects, Philip roof that wraps the core facilities creating a linking membrane. The lightweight structure is an expansive perforated roof capable of Gumuchdjian Architects

A bridge brings pedestrians and bikes directly from the entertainment precincts to the site, stepping across islet “jewels� of fig tree shaded resting places that provide shelter for the route. The bridge arrives at “the pendant�, the last of the jewels, the iconic new art gallery on the edge of the heart. The art gallery comprises a great hall at its centre with a core on each corner to allow flexible subdivision and is enclosed by a ‘veil’, accommodating circulation and non-sensitive displays, while level 3 is day lit and houses children’s art and community spaces. The ‘veil’ then becomes a ‘necklace’ canopy that links to the main cultural precinct and Living Arts Centre, a continuation and metamorphosis of the edge detail of the main building, snaking through existing trees, small beach coves and connecting to the Chevron Island Green Bridge on the North edge of the site.

4.

Overall plan level 1 1:2000

roof to utilise the overall size of the stadium and to capitalise on the stadium’s roof as an energy source. We also undertook highly VHQVLWLYH ÀRRG DQDO\VLV DQG PRGHOOLQJ

spanning over the amphitheatre, with varying sized holes in the

Entry / Foyer Collection Galleries Theatrette Loading Storage (mezanine) Production / Admin Great Hall Community / Childrens’ Gallery Display studio / Salon / Cafe

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roof providing openings for festooning subtropical plants in the Key facts overhead roof garden to cascade through.

The innovative roof structure comprises a free-fo 5,020m² of gallery space beneath a gridshell, constructed from doubly curved and tw striking curved timber roof glue-laminated timber members.

Public areas, a creative studio for projections and performances, Arup’s in-house form-finding software was used a 144 seat auditorium, a bookshopboutique, resource centre and roof geometry, with the form derived from its re a restaurant the buildings beneath.

A translucent polycarbonate facade The Great Terrace occupies a ‘saddle’ between the arts centre the expanded Riverside reached from the Bundall Thebuilding, interaction between steel, concrete, timber a veiling the main public spaceand called Road side by ramping topography that creates a transition or the “Forum� membrane threshold to the big view of the towers at Cavilstructures Avenue. A shared is extremely unusual and c

New Arts Museum

13.

BABER, RAXWORTHY + ARUP

Š Hufton + Crow

Main Theatre Drama Theatre Cinema Performance / Function Venue Black Box Theatre Terrace Bar / Tickets Backstage / Dressing / Green rm Loading / Workshop / Scenery Rehearsal / Production

1.

7.

Client Queensland Department of Public Works (Project Services)

1 of 6

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Arup is one of three “Tier 1â€? designers CHARGEDçWITHçPREPARINGçTHEç'AMESç master plan, obtaining planning permission, and designing the COMPLEXçNEWç'AMESçANDçLEGACYç infrastructure for the London 2012 Olympic Park. The firm has been commissioned to carry out a wide range of services including planning, transportation, highways, bridges, drainage, landscape architecture, utilities, lighting, security, telecoms and systems integration.

the South Parklands and Public Key facts Realm. The Landscape engineering venues, the stadium has a lightweight tension membrane roof.

RMIT Techology Estate, Victoria expertise enabled the transformation î •î Źî ´î Šî ­î Ąî ´î Ľî Źî šî€Źî€ î ´î ¨î Šî łî€ î ´î šî °î Ľî€ î Żî Śî€ î ¤î Ľî łî Šî §î Žî€ î łî Żî Źî ľî ´î Šî Żî Žî€ î Ąî ¤î ¤î łî€ î śî Ąî Źî ľî Ľî€ î ´î Żî€ î ´î ¨î Ľî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€Źî€ î ˘î šî€ î ľî ´î Šî Źî Šî łî Šî Žî §î€ î ´î ¨î Ľî€ î Ľî ¸î Šî łî ´î Šî Žî §î€ î ąî ľî Ąî Źî Šî ´î Šî Ľî łî€ î ´î ¨î Ąî ´î€ î Łî Żî ­î Ľî€ î ˇî Šî ´î ¨î€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€ î ˛î Ąî ´î ¨î Ľî ˛î€ î ´î ¨î Ąî Žî€ î ­î Ąî Žî ľî Śî Ąî Łî ´î ľî ˛î Šî Žî § Completed in 2011 (within 18 $UXS XWLOLVHG LQ KRXVH IRUP ÂżQGLQJ VRIWZDUH DQG DSSOLHG of one square mile of derelict land into the setting for the and î Ąî€ î łî Ľî Žî łî Ľî€ î Żî Śî€ î Šî ¤î Ľî Žî ´î Šî ´î šî€Źî€ î ˘î ľî ´î€ î Žî Żî Žî Ľî ´î ¨î Ľî Źî Ľî łî łî€ î Ąî Źî Źî Żî ˇî Šî Žî §î€ î Śî ľî Źî Źî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€ î Żî Śî€ î ´î ¨î Ľî€ î łî Šî ´î Ľî€Ž months ofgames commencement on site) experience gained design was a complexfrom process the design of other iconic fabric a community facility for the future.

PAST PROJECTS Thedesigned parklands and public realm involving discussion and agreement Working with a multi disciplinary Lightweight fabric roof This interface with all other aspectscanopies. of the with many workexperience, streams, stakeholderscombined with our ability to interact design and engineering team, both î ľî ˛î Žî Ľî€ î€ î î€Žî ƒî€Ž Olympic including Venues, and authorities to ensure project internal and external to Arup, the using internal expertise andproject wind î ?î Ąî ˛î Źî Šî Żî Žî€ î ˆ and collaborate with winda engineers and the architect, rapidly î Żî ľî łî Ľî€ î€ î€łî€łî€ î î Žî€ î€°î€śî€°î€ î€ˇî€ľ Stadium island, bridges, highways, success. The works also required firm’s landscape architects and tunnel testing utilities, services and the requirements full appreciation and integration of engineers developed detailed design î ”î Ľî Źî€ î€¨î€°î€łî€Šî€ î€šî€ś î §î Žî Ľî łî€ î “î ´î ˛î Ľî Ľî ´î€Źî€ î Šî Żî Źî Šî ­î Żî Ž î€ąî€ î€ˇî€łî€ł improved the reliability of initial design concepts for the fabric î€ľî€´î€ î€śî€˛î€ˇî€ˇî€ î † of the London Organising Committee the overarching ODA Priority theme and specifications. Arup also saw the î Ąî ¸î€ î€¨î€°î€łî€Šî€ î€šî€ś î ´î€Źî€ î€łî€°î€°î€˛ quick-dryOFçTHEç/LYMPICç'AMESç ,/#/' ç playing requirements. These include: Design designWorld-class, through planning, consultation î€ľî€´î€ î€śî€˛î€šî€ś shapes and early steel structure estimates.

Because of this, the coordination and accessibility, Employment and Skills, and prepared construction and tender surface of the Parklands and Public Realm Equality and Inclusion, Health, Safety documentation for the client. î€°î€ î€ąî€¸î€° and security, Legacy and Sustainability. î Žî€ î€°î€ľî€¸î€ î€ľî€ł Solar panelling will generate about Using 3D software, we carefully analysed the membrane roof  î î€Žî ƒî€Ž î€Źî€ î€˛î€°î€ą î °î ˛î Żî Ş î ľî ˛î ˛î šî€ î ˆî Šî Źî Źî ł î€ î€­î€ î “î šî ¤î Žî Ľî šî€ 275,000 kWh of electricity a year (it Living Arts Centre structure, ultimately designing a robust structure to avoid î î “î ?î …î ƒî ”î Ľî Žî ´î ˇî Żî ˛î ´î ¨î€ î î śî Ľî Žî ľî Ľî€Źî€ î “î€ î€¨î€°î€˛î€Šî€ î€šî€˛î€ąî€˛î€ î€ľî€´î€ˇî€ˇ î Ľî Łî ´î€ î€ î †î Ąî ¸ î °î ˛î Żî Ś î€ˇî€˛î€ î — the largest installed Solar Power catastrophic failure as a result of any individual element failing. î€˛î€ąî€˛î€ î€śî€´î€°î€° î Żî ľî łî Ľî€ î€ î€śî€¸î€ î€­ î ­ î Ą î ł î Š î Ź î Ľ î€ ARUP | isINTEGRATED î ľ DESIGN & PLANNING î€ î ”î Ľî Źî€ î€¨î€°î€˛î€Šî€ î€š î ‚î Ąî Źî Źî Ąî ˛î Ąî ´î€ î ˆ î Ľî ´î€Žî Ą 1. Entry / Foyer  î ´ î Ľ î ˛ Client Plant in the Southern Hemisphere) Laminated glass Photovoltaic cells were incorporated into the î Ľî Łî ´î€Žî Ž

BABER, RAXWORTHY + ARUP î î “î ?î …î ƒî ”

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Buildings.co.uk

The pavilion is designed as a continuous geometric ‘knot’, creating a looping ramp which serves as the backbone of the exhibition. At the centre of the knot is a pond with a statue of Hans Christian Andersen’s ‘Little Mermaid’. The architectural design requires a column-free exhibition space and the top level of the ‘knot’ is cantilevered dramatically from its main support, which created big challenges for Arup’s structural engineers.

ART+ARCH infinite exhibition

CAPABILITY STATEMENT

7.

Key facts Site area of 3,000m2 Tourists can enjoy the Pavilion on bike Recyclable steel was used for the superstructure and steel tube piles for the foundation, as they can be easily extracted and reused after the Expo A model for sustainable building, the perforated façade harnesses natural lightFrance* ‘Centreventilation Pompidouand Metz’,

Š Populous

previous architecture firms as denoted below.

Key denotes the following; * Arup projects involving some or all of these services.

Infrastructure, engineering, acoustic and theatre consultation, landscape architecture. # Kim Baber as previous project architect at Donovan Hill. ^ Monique Baber as previous procurement manager for Queensland State Government. ~Julian Raxworthy previous projects as landscape architect.

Kurilpa Child Care Centre

The end result is a building that appears to oat with minimum obstruction to the visitor’s movement at ground level and exhibition oor.

Key services provided Structural engineering (up to preliminary design stage)

HFRQRPLFDO VDIH WR WKH SXEOLF ORQJ ODVWLQJ DQG SURYLGHG EHQH¿WV Award 2006 South Park Parklands & Public Realm Arup was entirely responsible for the engineering design of the London, UK for the Serpentine Lake and the park as a whole. We advised on Chicago Athenaeum Museum EULGJH ,W LV RQH RI WKH ¿UVW ODUJH VFDOH VRODU SRZHUHG SHGHVWULDQ of Architecture & Designs, WKH IRXQWDLQ K\GUDXOLFV VR ÀRZV FRXOG EH DFKLHYHG WR FUHDWH WKH Client: Olympic Delivery Authority EULGJHV LQ WKH ZRUOG ZLWK SKRWRYROWDLF SDQHOV SRZHULQJ LWV proj e c t Arup scope: Urban Design, Master Planning, Landscape Architecture, Infrastructure, prof International Architecture Awards sophisticated lighting u r b ascheme. ile : EXAMPLES OF PREVIOUS WORKS include LED built and n Engineering, Highways, Hydrology, Planning, Project Management, Security, architect’s desired effects.

Best New Global Design 2007 Bridge ispractice, a shining exampleSustainability, of world class innovative design Transport, unbuilt projects. As Baber StudioKurilpa is an emerging d e s i g nInfrastructure and Community Engagement a new icon for Brisbane that provides a key connection from the the above examples may include–FLW\ WR %ULVEDQHœV KLJKO\ DZDUGHG DUWV FXOWXUDO DQG OHLVXUH SUHFLQFW projects completed at

Ballarat House ASPECT %ULGJH WKH &DLUQV &RQYHQWLRQ - Sydney 68 -72 Wentwort A.C.N 058 530 180 &HQWUH DQG WKH 0DULQD %D\ %ULGJH Tel (02) 9212h Avenue, Surry Hills, 6400 Fax (02) 9212 2010 5477 Key services provided 733 751 Structural engineering 3002 N 060 A.C. Jolimont, 6296 t, rne bou s Stree (03) 9654 Civil- Mel engineering Agne Fax u ECT House 339654 6277 t.a ne ASP*HRWHFKQLFV on ct.

Marli Tel (03) pe .as Lighting design/www p:/ htt

Original and recent refurbishment of Sydney Opera House

‘Queensland State Library’, Brisbane #

Š Hufton + Crow

design, architecture and site specific artworks. Her experience includes procurement of major state public artworks, management of temporary artworks for council festivals, design and overseeing artwork production.

‘Kurilpa Bridge’, Brisbane*

Š Hufton + Crow

As co-principal of Baber Studio, Monique Baber is a qualified designer who was previously responsible for Queensland State Government procurement of public artworks, as senior project manager. Her expertise focuses on interdisciplinary projects that fuse

He was a Senior Lecturer at RMIT until 2004, and at the QUT until 2011, teaching design and history & theory. He worked as Design Manager for Aspect Melbourne and was a co-founder of Aspect Studios in Sydney. He was also Principal Landscape Architect with Donovan Hill Architects.

Š David Sanderson

Arup have assigned those team members with the most extensive expertise in theatres, maritime and landscape projects. Team members may include; Arup Principal, Andrew Nicol, with notable experience as lead theatre consultant for the redesign of the Sydney Opera House refurbishment. Craig Gibbons, with over 28 years senior engineering experience as lead design for major projects across the UK, Asia, Middle East and Australia.

Kim Baber is a registered architect, and co-founder of Baber Studio. He was previously project leader at Donovan Hill architects delivering large scale projects such as the Brisbane City Council Built Form review, a comprehensive master planning project for Brisbane CBD. He was lead project architect for commercial office tower buildings in Brisbane City, and the landmark commercial and hotel precinct for Brisbane Airport Corporation’s Property Master Plan. Kim has also practised in Barcelona, Spain with the highly regarded firm EMBT, and holds a masters postgraduate degree in Research

by Design.

F E A T U R Stadium (Gold Coast Stadium Redevelopment) Metricon E Carrara, Qld, Australia ‘AM60’, Brisbane #

Š David Sanderson

Arup has three main global business areas – buildings, infrastructure and consulting.

Arup has considerable experience with the completion of hundreds of performing arts buildings around the world, specialising in opera houses, concert and recital halls. Arup is the only truly global full service acoustics and theatre consulting firm with cutting edge technical capabilities. Their experience with performance arts buildings is also combined with expertise in riverside developments and marinas – having particular relevance for the Gold Coast site.

WATER-

Selected from a 2 stage limited competition, originally entitled the “John MockridgeFountain� after the prominent Melbourne modernist architect of the same name, the Swanston Street North Waterfeature was produced

by Aspect in association with Sinatra Murphy & PL Consultants for the City of Melbourne. The scheme was generated from Mockridge’s in architectural form drawn from nature. The water feature is located at the north end of the Swanston Street axis, from the Shrine of Remembrance, in the quickly developing education precinct, that is chracterised by some of Melbournes finest contemporary architecture. The design had to deal with extremely tight constraints, including extreme environmental conditions, an existing tramline & a heritage signal station.

Š HÊlène Binet

Julian Raxworthy is a Registered Landscape Architect. Julian’s experience is extensive, as co-founder and principal landscape architect of Aspect Studio, to senior lecturer positions held both nationally and internationally. His current PhD with the University of Queensland, concerns ‘change’ in landscape architecture.

Š Arup

JULIAN RAXWORTHY

Baber Studio is a recently established architecture and design practice assimilating previous notable experience. Energetic and optimistic, their approach to design bridges experimentation with functionality. Their designs activate public and commercial spaces.

Their experience ranges from master planning, commercial, institutional and public art project management.

‘Diana Princess of Wales Memorial’, Hyde Park, London*

Avery Fisher Hall ŠArup

Š HÊlène Binet

BABER STUDIO

‹ 0LFKDHO 3LFNHULOO

ARUP Arup is a global firm of designers, engineers, planners and theatre consultants providing a range of professional services to clients around the world. Our approach can be encapsulated in one statement: we shape a better world. This sums up our teamworking, creativity, sustainable principles and global nature as well as recognising the significant role that we, along with our clients and collaborators, play in forming new environments.

NORTH

ŠKingkay Architectural Photography

Š Jason Hawkes

was appointed by Lincoln Center and by the architects

'LOOHU 6FRÂżGLR 5HQIUR );)RZOH $UFKLWHFWV WR SURYLGH î —î Šî ´î ¨î€ î ´î ¨î Šî łî€ î Šî Žî€ î ­î Šî Žî ¤î€Źî€ î ’î ?î ‰î ”î€ î Łî Żî ­î ­î Šî łî łî Šî Żî Žî Ľî ¤î€ î î łî °î Ľî Łî ´î€ î ´î Żî€ î ­î Ąî łî ´î Ľî ˛î °î Źî Ąî Žî€ î ´î ¨î Ľî€ î ’î ?î ‰î ”î€ î ”î Ľî Łî ¨î Žî Żî Źî Żî §î šî€ î …î łî ´î Ąî ´î Ľî€ î Ąî ´î€ î Šî Ąî Žî Ľî Śî Šî Ľî Źî ¤î€Źî€ î ˘î Ąî łî Ľî ¤î€ Brisbane, î Żî Žî€ î łî Żî ­î Ľî€ î §î Ľî łî ´î ľî ˛î Ąî Źî€ î ¤î Ľî śî Ľî Źî Żî °î Ľî ¤ Kurilpa Bridge, Qld,î °î ˛î Šî Žî Łî Šî °î Źî Ľî łî€ Australia î ˘î šî€ î ?î ˛î Żî Śî Ľî łî łî Żî ˛î€ î Œî Ľî Żî Žî€ î śî Ąî Žî€ î “î Łî ¨î Ąî Šî Ťî€ î Ąî Žî ¤î€ î ?î Ąî ˛î Ťî€ î śî Ąî Žî€ î ¤î Ľî Žî€ î …î Žî ¤î Ľî Žî€Žî€ î ”î ¨î Ľî€ î ˘î ˛î Šî Ľî Śî€ î ˇî Ąî łî€ î ´î Żî€ î ¤î Ľî śî Ľî Źî Żî °î€ î Ąî€ î ­î Ąî łî ´î Ľî ˛î °î Źî Ąî Žî€ î ´î ¨î Ąî ´î€ î łî °î Ľî Łî Šî Śî Šî Łî Ąî Źî Źî šî€ î Ąî ¤î ¤î ˛î Ľî łî łî Ľî ¤î€ î Ąî ˛î Ľî Ąî łî€ î ´î ¨î Ąî ´î€ î ˇî Ľî ˛î Ľî€ î Žî Żî ´î€ î ¤î ľî Źî š Tully Hall Centre’, and Julliard School, New York ŠArup/Donna J Pallotta New York* S WAliceA‘Lincoln N Sî ´î ¨î Šî łî€ î Łî Żî Žî łî Šî ¤î Ľî ˛î Ľî ¤î€ î Šî Žî€ î Łî Żî Žî śî Ľî Žî ´î Šî Żî Žî Ąî Źî€ î °î ˛î Żî Łî Ľî łî łî Ľî łî€ î Ąî Žî ¤î€ î Ľî Śî Śî Ľî Łî ´î Šî śî Ľî Źî šî€ î ¤î Ľî śî Ľî Źî Żî °î€ î Ąî€ î ­î Żî ¤î Ľî€ î Żî Śî€ î‚“î ˘î Ľî łî ´î€ î °î ˛î Ąî Łî ´î Šî Łî Ľî‚”î€ î Śî Żî ˛î€ T O î ´î šî °î Ľî€ N î Żî Śî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€Ž

ŠKingkay Architectural Photography

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redesign of the public spaces is part of Lincoln î ?î ľî ˘î Źî Šî Łî€ î Šî Žî łî ´î Šî ´î ľî ´î Šî Żî Žî łî€ î ¨î Ąî śî Ľî€ î Ąî€ î ˛î Ľî łî °î Żî Žî łî Šî ˘î Šî Źî Šî ´î šî€ î ´î Żî€ î Žî Żî ´î€ î Şî ľî łî ´î€ î ľî °î ¨î Żî Źî ¤î€Źî€ î ˘î ľî ´î€ î Łî ˛î Ľî Ąî ´î Ľî€Źî€ î ´î ¨î Ľî€ î łî ´î Ąî Žî ¤î Ąî ˛î ¤î łî€ î Śî Żî ˛î€ î ´î ¨î Ľî Šî ˛î€ î łî Żî Łî Šî Ľî ´î šî€Žî€ î ”î ¨î Ľî šî€ î łî ¨î Żî ľî Źî ¤î€ î ˘î Ľî€ î Šî ¤î Ľî Ąî Źî Šî łî ´î Šî Łî€ î€Žî€ î ”î ¨î Ľî šî€ î łî ¨î Żî ľî Źî ¤î€ î ˘î Ľî€ The î ´î Ľî łî ´î Šî Žî § &HQWHUÂśV ORQJ WHUP SODQ IRU WKH LPSURYHPHQW UHQRYDWLRQ î §î ˛î Żî ľî Žî ¤î łî€ î Śî Żî ˛î€ î Žî Ľî ˇî€ î Šî ¤î Ľî Ąî łî€Žî€ î ”î ¨î Šî łî€ î Šî łî€ î Žî Żî€ î ­î Żî ˛î Ľî€ î ´î ˛î ľî Ľî€ î ´î ¨î Ąî Žî€ î Śî Żî ˛î€ î Ľî ¤î ľî Łî Ąî ´î Šî Żî Žî Ąî Źî€ î Šî Žî łî ´î Šî ´î ľî ´î Šî Żî Žî łî€Źî€ î ˇî ¨î Żî€ î Ąî ¤î ¤î Šî ´î Šî Żî Žî Ąî Źî Źî šî€ î ¨î Ąî śî Ľî€ î Ąî€ î ­î Ąî Žî ¤î Ąî ´î Ľî€ î Śî ˛î Żî ­î€ î ´î ¨î Ľî€ î °î ľî ˘î Źî Šî Łî€ î ´î Żî€ î ´î Ľî łî ´î€ î Ąî Žî ¤î€ î ˛î Ľî łî Ľî Ąî ˛î Łî ¨î€ î ´î ¨î Šî Žî §î ł and reconstruction of its existing facilities. In this context î ´î ¨î Ąî ´î€ î ˇî Żî ľî Źî ¤î€ î ˘î Ľî€ î ´î Żî Żî€ î ˛î Šî łî Ťî šî€ î Śî Żî ˛î€ î ˘î ľî łî Šî Žî Ľî łî łî€Źî€ î Ąî Śî Śî Ľî Łî ´î Ľî ¤î€ î ˘î šî€ î ­î Ąî ˛î Ťî Ľî ´î€ î Śî Żî ˛î Łî Ľî łî€ î Ąî łî€ î Šî ´î€ î Šî łî€Žî€ î ‰î ´î€ î Šî łî€ î ˇî Šî ´î ¨î€ î ´î ¨î Šî łî€ î Ąî ´î ´î Šî ´î ľî ¤î Ľî€ î ´î ¨î Ąî ´î€ î ’î ?î ‰î ”î€ î ˘î Ľî §î Ąî Žî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€ î Żî Śî€ î Šî ´î łî€ î Žî Ľî ˇî€ î‚“î ”î Ľî Łî ¨î Žî Żî Źî Żî §î š and after an extended public competition process Arup î …î łî ´î Ąî ´î Ľî‚”î€Źî€ î Ąî€ î Žî Ľî ˇî€ î ­î Żî ¤î Ľî Źî€ î Żî Śî€ î ¤î Ľî śî Ľî Źî Żî °î ­î Ľî Žî ´î€ î ´î ¨î Ąî ´î€ î Šî Žî śî Żî Źî śî Ľî łî€ î Šî Žî ¤î ľî łî ´î ˛î šî€ î Šî Žî€ î Šî ´î łî€ î ˛î Ľî łî Ľî Ąî ˛î Łî ¨î€ î Ąî Žî ¤î€ î śî Šî Łî Ľî€­î śî Ľî ˛î łî Ąî€Ž

NARRATIVE

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Projects Australia 2013 Jun - Aug 2013

Bottle Brush Feasibility (Civic) Cairns City Center Revitalisation (Civic) Mission Beach Arts (institutional) Kioloa House (residential) Ninderry Rise House (residential) Bark is a boutique office on the Sunshine coast established

by Steve Guthrie and Lindy Atkin, a 5 person team. I came on to the team for a feasibility study for the Noosa regional Council for medium density housing, I helped document the proposed site and produced a package of studies and proposal schemes. I was responsible for a small arts pavilion, and presenting the design.

Bark Design operated in an niche market of luxury coastal Bach, there was a high intake of interest in new builds, and I focused on producing sketch design package for numerous residential projects, producing hand drawn plans sections and perspectives, model making as well as digital visualization utilising ArchiCad 14 as well as the Adobe Creative suite

BARK

DESIGN ARCHITECTS 24

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N Future Veranda

Future Extension

New Pottery Pavilion

Future Extension

Glazing Room

Roof Structure to be priced separately Translucent Polycarb Roof

Existing Veranda

Gallery / Reception

Existing Roof Line

Indoor Dry Area

Indoor Wet Area

Covered Outdoor Space

Existing Walkway

Existing Girl Guide Hut

Sculpture Garden

Existing MARCS Park Shelter

Site Plan 1:200 July 2013

Mission Beach Pottery Pavilion

For Mission Beach Community Artists Incorporated

SD.01 REV. A

These drawings are Sketch Design drawings only. The information is subject to Design Development, Structural and Service Engineering input, BCA Compliance and Planning Assessment. These designs, drawings, specifications and the copyright thereof are the property of Bark Design Pty Ltd and must not be used, retained or copied without the written authority of Bark Design Pty Ltd.

B

Future Veranda

N

7000 4000

1500

1500

Panel Lift/ Garage Door

Existing Electric Kiln

A

Work Table

3000

A

1. Eastern wall shifted out.

High Slit Windows inserted into East and West Walls.

New Electric Kiln

6000

Extended Veranda

3000

Storage For Glazing Materials

Future Auditorium

Existing Veranda

Gates

3. Six wheel bench with individual ceiling pendant plugs.

4. Flouro lighting and Shelving above pottery wheels.

5. Extended glazing bench.

Gates Glazing Bench

2. 1000mm high hand railing. Automatic tilt door, cyclone rated.

Sink Shelves

6. Single swing gates and storage area. Permeable caged glazing area.

7. Translucent Polycarb Roofing material to allow light through Western wall.

Hopper Window

B

Mission Beach Pottery Pavilion

For Mission Beach Community Artists Incorporated These drawings are Sketch Design drawings only. The information is subject to Design Development, Structural and Service Engineering input, BCA Compliance and Planning Assessment. These designs, drawings, specifications and the copyright thereof are the property of Bark Design Pty Ltd and must not be used, retained or copied without the written authority of Bark Design Pty Ltd.

Above. Visualisation of proposed Pavilion

005

Floor Plan 1:50 July 2013

SD.02 REV. A

Mission Arts Pottery Pavilion

A small extension for the arts center of the small community of Mission Beach. The brief was direct and required to be cyclone resistant. The dimensions were arrived at standard sheet material sizes.

Planned to be on link on existing workshops, the pavilion takes advantage of its aspect with large hopper windows and proprietary garage door systems to create awning shading when opened, borrowing external light and providing passive ventilation in the tropical climate.

26

Above. Visualisation of Northbound platform Below. Visualisation of Southbound platform

27

006

Lake St. Bus Hub

Cairns ‘City Alive’ Revitalisation

Bark was approached by Aecom to part take the Cairns Regional Councils ‘City Alive’ revitalisation program. Having to work within design constraints of standard Translink bus shelter systems, a series of screen were envisioned for the roof.

Utilising CNC technology as explored recently by Bark Lab. Two imagery were selected for the scheme. The coral and Palm, are translation of cairns’ renown as gateway to the Great Barrier reef, and Rain-forest of northern Queensland.

A series of colors and patterns were abstracted, and translated into Sketchup, where visualisations created for council use.

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Projects Australia 2013Apr - Jun 2013

Fabrication+ installation Hosting Workshop Maintaining Social Media

Involved with art installation project titled ‘Growth’ at Floating Land art festival 2013. Involvement in the creation before and during the life of the project over the festivals 10 days. The project was initiated by Bark Design Architects as an exercise to explore tools for rapid prototyping and bio-mimicry.

4 ‘sails’ produced utilising provide an abstracted axis towards significant sites and aboriginal grounds. Pairs of sails land on the beach and rises out of the lake as a foil to each other forming a abstraction of house and its negative. Its presence creates an heightened awareness of the landscape.

The experience allowed me to be familiar with the lazer cutter and CNC routing machines. More crucially bracing techniques for extreme wind conditions.

29

BARK LAB

1

2

3

4

6

10

5

7

007

8

Growth

- Floating Land

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1 Team of volunteers from UQ chisel out the parts. 2 CNC routing one of 40 sheets of ply.

3 Screen assembly and Growth launch party.

4 installing anchor for base of water sail. 5 Installation of water sail. 6 Base of land sail sitting on a Foundation of rocks to resist the lapping waters. 7 Land sail installed. 8 Water sail installed 9 Opening morning to perfect serenity. 10 Axis generated from land sail to water sail with the connection to noosa national park in the distance. 11 Local school children attend workshop. 12 Floating land.

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Projects Pleasure in Enlightenment

Kenwork - Glass Stainless Steel Ltd Heat and Sink Qu.Ack Studio UQ - Summer Research Scholar

(apprentice) (apprentice) (self guided) (scholarship)

I believe the best way to be familiar with something is through doing, I am intrigued by how the world works and seeks for understanding of things, through past apprenticeship, research.

More recently through a self guided Qu.Ack Studio, I am able to i have undertaken adventures in dealing with client whilst exploring rapid prototyping interests. My most recent investigation is into a leaking ceiling and stud wall, through the removal of plasterboards water ingress points where located, and has since offered advice into structural repair.

I hope to use Qu.Ack Studio as a platform of future self guided projects.

RELATED

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EXPERIENCE

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Qu.Ack Studio - PNG Display Model

Contract work for a developer in building a highly detailed model for a mixed-use development in Papa New Guinea. Over various meetings with the client, negotiating needs and expectations, I delivered a 1:75 scaled model.

The process involved considerations for the longevity of materials, transport and strains placed on the material by the tropical climate.

Foam core was selected as ‘structural’ material.

Its strength-to-weight ratio opened up the option to have a removable roof, to showcase various residential options and commercial office spaces.

Finishes and furnishings were crafted and applied to reflect final texture, finishes and joinery.

The building modeled in Revit CAD. Lazer cutting was utilised for fine members, but where material choice restricted and to avoid burn marks, much of the model was cut manually. Working closely with the client, the model became a way to explore alternative design options. A plywood plinth was crafted and acrylic display case made for shipping.

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Kenwork

- Glass Stainless Steel Ltd

Working as an apprentice in a metal workshop manufacturing galvanized balustrades for a new build at Manurewa High School.

I focused on angle cutting and prepping plate steel for assembly, and working on the post galvanized balustrades, providing finishing touches, and on-site installation. steel presented itself as a plastic, malleable material, sculptural opportunities from simple wields, and inherent structural strength from visually deceiving members.

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Above. Renovation. Room Prepped with ground wires, ready for grouting

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Heat and Sink

Underground Heating

Contracted to experienced electrician in installing underground heating for new and existing homes. This experience allowed me to actively participate onsite in different stages of build. Providing me with insight and experience in laying out wiring, applying selflevelling grout and understanding of conventional construction techniques in New Zealand

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All Folks!

That’s and Thanks for your time.

and tho’ We are not now that strength which in old days Moved earth and heaven, that which we are, we are; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield -Lord Alfred Tennyson

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