Quoc H. Tran M.Arch 1 Candidate
10 weeks
weeks
6
4
weeks
5
3
4
2
weeks
th
year
rd
year
nd
year
“CONSUMPTION OF SITE”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+ USAGE
t1XX-46
% 11 C
USAGE 12
f1XX-09
% 31 C
INTE
15 C
COMP
+
DAILY COMPREHENSION LEVEL
10 weeks
3
rd
year
An investigation of a biological species used to help inspire ideas, partis, and study models, translating into building component form. Each “strip” or profile is formed through rule base algorithm from the initial biological species of an eel. The eel morphs into different eel types due to its cynical life to adapt to the water. With an opportunistic corner open lot, the “strips” consumes the lot and attaches to the adjacent building, creating a museum with artist living.
. ST
h1XX-45
%
8
TH
USAGE
15
+
DAILY INTELLIGENCE LEVEL
PROJECT TYPE: SENSIBLE INFILL SEMESTER: SPRING 2011 CRITIC: KUHN PARK LOCATION: DENVER, CO DESCRIPTION:
ST .
+
DAILY CREATIVITY LEVEL
E
CREA
AK
7
BL
PROJECT POTENTIAL LEVEL
01 phase: parti / apparatus
02 phase: addition
04 phase: shift
05 phase: scale
03 phase: shift + site conditions
1. exhibition 2. entry 3. idea tunnel 4. gift shop 5. artist workspace 6. artist living space PGmDFT .& 8. cafe
b
c
d
2
a a
1
1
3 4
c
b
northwest elevation
section aa
southeast elevation
section bb
d
HSPVOE nPPS
c
b
d
a
1
a
1 1
d
8
UIJSE nPPS
c b
southwest elevation
section cc
section dd
public circulation
private circulation
combined circulation
idea tunnel
artist living space
artist workspace
cafe
gift shop
exhibition
NFDIBOJDBM PGmDF
entrance
left: Southeast street level entry view right: Northwest street level view looking towards Blake St.
“MULTI-FORMALITY”
TECHNICAL USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
4
weeks
4
th
year
PROJECT TYPE: FURNITURE SEMESTER: SUMMER 2011 CRITIC: MICHAEL MARTIN LOCATION: LUBBOCK, TX DESCRIPTION:
“Multi-formality” functions through many degrees of forms of which fits the need of the person’s activities. The chair itself can be folded up and brought to any occasion. The most interesting subject is the connection of which keeps the chair intact for every position it care to hold. The bearing inside the connection are made with ½” dowel rods that punctures through the given holes therefore locks the joints in one place. With a twist of the knob it makes it possible to lock the chair’s position in place.
001-00.a1
001-00.b1
001-00.c1
002-00.a1
002-00.b1
002-00.c1
001-00.a2
001-00.b2
001-00.c2
002-00.a2
002-00.b2
002-00.c2
001-00.a3
001-00.b3
001-00.c3
002-00.a3
002-00.b3
002-00.c3
acorn nut
nBU XBTIFS
MPDLJOH NFDIBOJTN
CFBSJOH SPET
TQSJOH
UISFBEFE SPE
nut
MPDL XBTIFS
nBU XBTIFS
MPDL NFDIBOJTN
“ROOM SENSITIVITY”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
4
weeks
2
nd
year
PROJECT TYPE: LIGHT BOX SEMESTER: FALL 2009 CRITIC: MARIA PERBELLINI LOCATION: N/A DESCRIPTION:
With development of the comprehension of the given, “enclosures,” through explorations of potential blurring spatial boundaries, lead to new redefined space. Substantially, a solid, a room, a sequence of adjacent surfaces, or an oriented object will be affected and dissolved by the movement of light/shadow across the interior space. We considered the light in terms of slots, pools, bands, ect. Therefore, manipulations of the surfaces of the volume will intercept/trap/redirect the light against the other involved surfaces.
“PATTERNED SURFACES”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
4
weeks
2
nd
year
PROJECT TYPE: PATTERNS SEMESTER: FALL 2009 CRITIC: MARIA PERBELLINI LOCATION: N/A DESCRIPTION:
Through an analytical process, we investigated the potential of patterns and their rules based on organizations, relationships of elements, and techniques for variation. Therefore, the nature of exploration will uncover underlying transformations within the geometric pattern to form complex organizations of diagrammatic repetitions.
structural patterns
repetition components
repetition components
repetition
rotation
repetition + shifting
rotation + shifting
repetition + shifting + scaling
rotation + shifting + scaling
repetition + shifting + scaling + trimming
rotation + shifting + scaling + trimming
2D differentiated surfaces
overlapping components
overlapping
overlapping + shifting
overlapping + shifting + scaling
overlapping + shifting + scaling + trimming
“SPLIT”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
5
weeks
3
rd
year
PROJECT TYPE: THIN LIVING SEMESTER: FALL 2010 CRITIC: JEFFREY NESBIT LOCATION: PHILADELPHIA, PA DESCRIPTION:
The task was to create studio living with ancillary, and a layer of urban fabric that connects Rittenhouse Square and its environment surrounding community. The site is an 25’ x 70’ abandoned lot that’s defined by its adjacent neighbors; towards the east is an Asian Fusion restaurant called Akoya Pearl, and to the west is a historic abandon theater. The concept is to preserve the site with very little surface area from structure. Therefore, creating habitable space for outdoor activities. The blurring panels projects art work, advertisement for future events.
phase 02 : split
phase 01 : initial volume
wall structure cable
power channel truss
LED
glass panel
section detail
phase 03 : removal
phase 04 : removal
phase 05 : projection
gallery circulation
lobby circulation
studio circulation
T.O. PARAPET 135' - 8 1/2"
ELEVENTH FLOOR 123' - 3 1/2"
cc
cc
TENTH FLOOR 110' - 8 1/2"
NINTH FLOOR 98' - 2 1/2"
EIGHTH FLOOR 85' - 9"
SEVENTH FLOOR 73' - 3"
SIXTH FLOOR 60' - 9 1/4"
bb
bb
FIFTH FLOOR 48' - 3 1/4"
FOURTH FLOOR 35' - 9 1/4"
THIRD FLOOR 23' - 3 1/4"
aa
aa
SECOND FLOOR 12' - 7 3/4"
FIRST FLOOR 0' - 0"
section dd
section ee
ee
ee
ee
dd
nPPS QMBO BB
dd
nPPS QMBO CC
dd
nPPS QMBO DD
“TYING THE KNOT”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C roosevelt island
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
hunter’s �oint south, �ueens, ny
newtown creek
+
PROJECT POTENTIAL LEVEL
brooklyn
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
6
weeks
3
rd
year
PROJECT TYPE: AN EXTREME WATER’S EDGE SEMESTER: FALL 2010 CRITIC: JEFFREY NESBIT LOCATION: QUEENS, NY DESCRIPTION:
The ferry terminal is located on the edge of New York’s East River on Borden Ave, Long Island City, New York. From the view to Manhattan to the Staten Island tourist attractions, the “tying the knot” ferry terminal is tying the land to the water of Long Island City, New York.
“Tying the Knot� happens when there are two ends of which a knot is created between the two ends. The circulation diagram illustrates this conceptional idea.
b
01
02
a
02
05
01 - waiting area 02 - restrooms UJDLFU PGmDF 04 - cafe / kitchen 05 - tourist information kiosk EPDL DPOUSPMMFST PGmDF QPMJDF TFDVSJUZ PGmDF
03
b
a
01
DN
XBJUJOH SPPN nPPS QMBO
section aa
01_phase : initial volume + circulation
02_ phase : extrusion + removal
04_phase : addition of parti
05_phase : projection
03_ phase : extrusion at point
LOPU
a
? FOE
FOE
06
07
01
a
04
04
DBGF nPPS QMBO
TFDUJPO CC
glazing
glazing frame / supports
mass
ramps
site
“GAPPING EMPHASIS”
STUDIO USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE
t1XX-46
%
7
11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE
h1XX-45
%
8
15 C
COMP
+
DAILY COMPREHENSION LEVEL
5
weeks
4
th
year
PROJECT TYPE: STUDIO HOUSE SEMESTER: FALL 2011 CRITIC: BENNETT NEIMAN LOCATION: DENVER, CO DESCRIPTION:
The adjacent buildings are mainly consumed with private apartment housing, while the Wazee 1st floor is occupied by Bennett Wagner & Grody Architects. The program is an art gallery, artist studio with living space for the artist. This project investigates the inhabitable spaces creating moments throughout the building. The studio house has an interlocking system that is formed through 3 elements, circulation, structure, and facade. The columns puncture through the house acting as structure and sculptural art.
“URBAN CIRCUITS”
COMPETITION USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE 7
t1XX-46
% 11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE 8
COMP
+
DAILY COMPREHENSION LEVEL
6
weeks
h1XX-45
% 15 C
PROJECT TYPE: ROBOT WORKSHOP SEMESTER: SPRING 2012 PARTNER: ZACH GRZYBOWSKI LOCATION: BROOKLYN, NY DESCRIPTION:
A systematic approach was taken in order to determine the injecton of the main prgrammatic spaces (sudios/classrooms/meet up rooms). The unique urban context of brooklyn allowed for an interesting juxtaposition of materiality and form. The influence of technology and robotics through circiut boards is implemented into the form of the main programmatic spaces, while the urban context manifested itself onto the skin and lower program spaces.
FEATURED ON:
HONORABLE MENTION 2012
system
t
ui
rc
ci
ur
ba
n
sk
in
meet up rooms
advanced
classrooms
intermediate
studios
beginner
3 2 1
basic horiontal layout spanning site
pinched and stretched for verticality and prominence over surrounding context
divided in two top seperated into 3 parts bottom pulled down to accomodate program needs
hole punched though middle to allow transitions between rooms
stairs attached to exterior influenced by fire escapes prominent in the urban context
1
2
3 3
9
1
3
6 9 4
8 6
9
5
6
1 2 3 4
7
labs/studios classrooms meet up rooms part storage
5 lecture room 6 administration/office 7 gallery/bar 8 store 9 restroom
ll
y
er
ll
ga
e
or
st
e
ur
ct
le
ha
+ ms ge oo ora st t re t s r pa
n.
mi
ad
s
om
s
io
ud
st
g
in
et
me
ro
ms
oo
sr
as
cl
s
on
ti
si
an
tr
“SHARING AND GENERATING IN-BETWEEN”
COMPETITION USAGE 5
c1XX-07
%
ENER
10 C
+
DAILY ENERGY LEVEL
USAGE 14
d1XX-09
%
HOUR
13 C
+
DAILY HOURS SPENT
USAGE 21
a1XX-09
%
POTE
24 C
+
PROJECT POTENTIAL LEVEL
USAGE 7
t1XX-46
% 11 C
CREA
+
DAILY CREATIVITY LEVEL
USAGE 12
f1XX-09
% 31 C
INTE
+
DAILY INTELLIGENCE LEVEL
USAGE 8
COMP
+
DAILY COMPREHENSION LEVEL
6
weeks
h1XX-45
% 15 C
PROJECT TYPE: MICRO HOUSING SEMESTER: SPRING 2013 PARTNER: KUHN PARK LOCATION: DENVER, CO DESCRIPTION:
The design of community by sharing resources and minimizing impact upon the environment. Both the design of units and filters hold a joint common ownership which simple - yet sophisticated - modules generate diversities by sensibly applied combinatorial rules. The idea reinforces the community as a collection of various individuals, and their engagement redefines a sharing identities. By the time the community evolves into a commonality, the design completes its underlying cyclical suggestion, and continues to advance to the next cycle. The design proposal is an architectural presentation for action that seeks continuous evolution.
SIMPLE TO COMPLEX : DIVERSE TO COMMON
Micro Units Concept
initial volume
projection : living spaces
addition : circulation
addition : outdoor space
micro housing living
kitchen living area bedroom lavatory garden
Micro Units Combine Living Space Option
1 push / pull wall
2
1 combined living space for unit 1 and 2
2
·
·
L3
· ·
·
·
L2
·
·
L1
HAECCEITAS STUDIO: “CANYON LAKES”
PROFESSIONAL USAGE 5
DAILY ENERGY LEVEL
10 C
+ USAGE 14
13 C
+ USAGE 21
24 C
+ USAGE 7
11 C
+ USAGE 12
31 C
+ USAGE 8
COMP
DAILY COMPREHENSION LEVEL
f1XX-09
%
INTE
DAILY INTELLIGENCE LEVEL
t1XX-46
%
CREA
DAILY CREATIVITY LEVEL
a1XX-09
%
POTE
PROJECT POTENTIAL LEVEL
d1XX-09
%
HOUR
DAILY HOURS SPENT
c1XX-07
%
ENER
h1XX-45
% 15 C
PROJECT TYPE: LANDSCAPE CLIENT: N/A LOCATION: LUBBOCK, TX DESCRIPTION:
Quoc H. Tran was a design assistant of Haecceitas Studio. He assisted with the design process on urban master plan, 3D modeling, and drawings. He also prepared and organized drawings and researched issues regarding the Canyon Lakes in Lubbock, Texas.
+
FEATURED ON:
DNA Sections
N. AKRON AVE.
to lubbock lake landmark
hike/bike trail
ecological learning center
MARSHALL ST.
native horticulture gallery
hike/bike trail
passive recreation
local organic farm
canoe launch
CE
AS
natural ecology
AR
EA
ST
CH
AV E
ZD
R.
community center
passive recreation
fishing piers DN
A
events
03
farmer’s market
natural ecology
hike/bike trail
event bridge
kiosk
to canyon lake 3
kiosk
basketball courts DN
A
volleyball courts
active recreation complex
kiosk
02
soccer field
kiosk
kiosk
N
DN
0 ft
120’
A
01
N. UNIVERSITY
tennis courts
RTKL ASSOCIATES: “2800 WESLAYAN”
PROFESSIONAL USAGE 5
DAILY ENERGY LEVEL
10 C
+ USAGE 14
13 C
+ USAGE 21
24 C
+ USAGE 7
11 C
+ USAGE 12
31 C
+ USAGE 8
COMP
DAILY COMPREHENSION LEVEL
f1XX-09
%
INTE
DAILY INTELLIGENCE LEVEL
t1XX-46
%
CREA
DAILY CREATIVITY LEVEL
a1XX-09
%
POTE
PROJECT POTENTIAL LEVEL
d1XX-09
%
HOUR
DAILY HOURS SPENT
c1XX-07
%
ENER
+
h1XX-45
% 15 C
PROJECT TYPE: RESIDENTIAL CLIENT: PMRG LOCATION: HOUSTON, TX DESCRIPTION:
Quoc H. Tran was part of a design team brought in during construction document phase of PMRG Houston residential tower. He was responsible for the interior package and making modifications through the Revit model and drawings.
B
C
GA
GB
GC
GD
GE
GE.7
GF
G8
G7
1A A9.30
G6.2
G6.2
MANAGEMENT OFFICE
G6
103
LEASING OPEN OFFICE
MANAGEMENT OFFICE
102
104
LEASING RR
8
105 7
VESTIBULE 100
WORKROOM 106
PACKAGE ROOM
RESIDENTIAL LOBBY
107
G5
101
1A A9.71
8A
4A
A9.71
A9.71
VESTIBULE 108
WATER WALL 6 UP
STORAGE
GUEST RR
4D
110
A9.71
EXIT STAIR 1
120
121
CONFERENCE
MAIN ELECT ROOM
HOSE PUMP
111
172
5A
118
A9.71
A9.71
6A
A9.71
TRASH
MAILROOM
A9.71
116
ELEVATOR LOBBY
5D
173
115
NICHE
5
EMERGENCY GENERATOR
171
EMERGENCY POWER
3A
6D
TRASH
173
FIRE PUMP
STORAGE
A9.71
G4
EMERGENCY GENERATOR
122
RESTROOM
117
114
FIRE CONTROL
G3
112 G2.5 REFERENCE LANDSCAPE DRAWINGS FOR EXTERIOR FINISHES
SVC CORRIDOR
RETAIL
124 8D
6A
A9.71
A9.71
4
170
G2.3
CONSOLE W/ ART
NICHE
TRASH 113
STORAGE 123
1A A9.30
STORAGE 125
STAIR/ELEV. VESTIBULE 174
3
RETAIL SPACE
RETAIL
150
160 G1 UP
2
EXIT STAIR 2
1
126
1
LEVEL 1 FINISH FLOOR PLAN 1/8" = 1'-0"
A
B
UP
GA
C
D
GB
GC
GD
GD.5
GD.8
GE
GE.7
GF
4D A9.71
6A
8D
A9.71
A9.71
WV-1 1/2" REVEAL
1/2" REVEAL
BRUSHED STAINLESS WV-2
DF2
WV-2
13' - 5 1/4"
ART
OPEN TO ELEVATOR LOBBY
ST-3 GL-2 BRUSHED STAINLESS DOORS
WV-1
WV-1
TRASH DROPS ST-3 ON COUNTER TOP
ST-2 ON COUNTER TOP
WV-1
WV-1 6" BASEBOARD PT-2
5A MAILROOM ELEVATION - WEST
3F
1/4" = 1'-0"
ELEV. LOBBY ELEVATION - SOUTH 1/4" = 1'-0"
5D A9.71
WV-1 1/2" REVEAL
1/2" REVEAL
WV-2
PT-1
MDT @ 7'-0", 9'-0" & 11'-0" AFF OPEN TO MAILROOM
CLEAR GLASS HERCULITE DOOR
TV LOCATION
GL-4 ON SLIDERS AND SIDE FIXED PANELS
WV-1
FIRST IMPRESSION ACRYLIC PULLS
ST-2 ON COUNTER TOP
6" BASEBOARD PT-2
1D ELEV. LOBBY ELEVATION - EAST
3D LOBBY ELEVATION - WEST 1/4" = 1'-0"
1/4" = 1'-0"
5A
6D
A9.71
A9.71
4A
8A
1A
A9.71
A9.71
A9.71
PT-1
PDT-1 (3) MNT @ 7'-0", 9'-0" & 11'-0" AFF
WV-1 GYP BD
1/2" REVEAL WV-2
WV-2
ST-3
WC-5
EQ.
DF4
WV-1
EQ. 1/2" REVEAL
OPEN TO LOBBY
OPEN TO MAILROOM
WV-1
WALL MOUNTED COFFEE MAKER
FROSTED GLASS GL-4
WATER WALL ST-1
ST-2 ON COUNTER TOP
WV-1
GYP BD
6" BASEBOARD PT-2
1C CONF. ROOM LOBBY ELEVATION - EAST
3C LOBBY ELEVATION - SOUTH
1/4" = 1'-0"
1/4" = 1'-0"
FROSTED GLASS
PT-1
FROSTED GLASS
1/2" REVEAL
1/2" REVEAL
PT-1
PT-1
GLASS TRANSOME
DF4
RECEPTION DESK REF: A9.70 FIRST IMPRESSION ACRYLIC PULLS RECEPTION DESK REF: A9.70 6" BASEBOARD PT-2
1A LOBBY ELEVATION - EAST 1/4" = 1'-0"
3A LOBBY ELEVATION - NORTH 1/4" = 1'-0"
8
7
6
3
2
1A
2A
3A
5A
7A
A5.01
A5.01
A5.01
A5.01
A5.01
5
4
C
1
B
PENTHOUSE ROOF 565' - 6 1/2"
PENTHOUSE ROOF 565' - 6 1/2"
MT6
ELEVATOR MACHINE 555' - 6 1/2"
GL1-1
ELEVATOR MACHINE 555' - 6 1/2"
MT6
LEVEL 40 543' - 8 1/2"
LEVEL 40 543' - 8 1/2"
GL4-4
LEVEL 39 531' - 2 1/2"
LEVEL 39 531' - 2 1/2"
GL1-1
LEVEL 38 518' - 8 1/2"
LEVEL 38 518' - 8 1/2"
GL4-4
LEVEL 37 506' - 2 1/2"
LEVEL 37 506' - 2 1/2"
LEVEL 36 494' - 2 1/2"
LEVEL 36 494' - 2 1/2"
STA-C1
LEVEL 35 482' - 2 1/2"
LEVEL 35 482' - 2 1/2"
GL1-1
LEVEL 34 470' - 2 1/2"
LEVEL 34 470' - 2 1/2"
LEVEL 33 458' - 2 1/2"
LEVEL 33 458' - 2 1/2"
LEVEL 32 446' - 2 1/2"
LEVEL 32 446' - 2 1/2"
LEVEL 31 434' - 2 1/2"
LEVEL 31 434' - 2 1/2" LEVEL 30 422' - 2 1/2"
LEVEL 30 422' - 2 1/2" LEVEL 29 410' - 2 1/2"
LEVEL 29 410' - 2 1/2"
MT7
LEVEL 28 398' - 2 1/2"
LEVEL 28 398' - 2 1/2"
MT7
4A A5.30
4A A5.31
LEVEL 27 387' - 6"
LEVEL 27 387' - 6"
LEVEL 26 376' - 9 1/2"
LEVEL 26 376' - 9 1/2"
LEVEL 25 366' - 1"
LEVEL 25 366' - 1"
LEVEL 24 355' - 4 1/2"
LEVEL 24 355' - 4 1/2"
LEVEL 23 344' - 8"
LEVEL 23 344' - 8"
LEVEL 22 333' - 11 1/2"
LEVEL 22 333' - 11 1/2"
LEVEL 21 323' - 3"
LEVEL 21 323' - 3"
LEVEL 20 312' - 6 1/2"
LEVEL 20 312' - 6 1/2"
LEVEL 19 301' - 10"
LEVEL 19 301' - 10"
STA-C1
LEVEL 18 291' - 1 1/2" LEVEL 17 280' - 5"
LEVEL 18 291' - 1 1/2" LEVEL 17 280' - 5"
GL4-4
LEVEL 16 269' - 8 1/2"
LEVEL 16 269' - 8 1/2" LEVEL 15 259' - 0"
LEVEL 15 259' - 0"
RL1
LEVEL 14 248' - 3 1/2"
GL3-1 GL1-1 STA-C1 RL1 4A A5.24
LEVEL 13 237' - 7"
LEVEL 13 237' - 7"
LEVEL 12 226' - 10 1/2"
LEVEL 12 226' - 10 1/2"
LEVEL 11 216' - 2"
LEVEL 11 216' - 2"
LEVEL 10 205' - 5 1/2"
LEVEL 10 205' - 5 1/2"
LEVEL 9 194' - 9"
RL2
LEVEL 8 184' - 0 1/2"
MT1
LEVEL 14 248' - 3 1/2"
MTL1
LEVEL 9 194' - 9"
GL5-1 RL2
LEVEL 8 184' - 0 1/2"
STB-X
LEVEL 7 171' - 6 1/2"
LEVEL 7 171' - 6 1/2"
MT2
LEVEL 6 160' - 10"
LEVEL 6 160' - 10"
LEVEL 5 150' - 1 1/2"
LEVEL 5 150' - 1 1/2" LEVEL 4 139' - 5"
LEVEL 4 139' - 5" LEVEL 3 128' - 8 1/2"
STB-X
LEVEL 3 128' - 8 1/2" LEVEL 2 118' - 0"
LEVEL 2 118' - 0"
STB-X
GL2-3 G8
6A
GL6
G7
EXTERIOR ELEVATION WEST 1" = 20'-0"
GL2-3
GL1-1
GL7-5
GL2-3
1A A5.29
LEVEL 1 100' - 0"
LEVEL 1 100' - 0"
STC-X GF
GE.7
3A
GE.4
GE
GD
EXTERIOR ELEVATION NORTH 1" = 20'-0"
4A A5.11
STB-X
STC-X GC
GB
3A A5.10
GL1-1
MTL1 GA
GL2-3
GL7-5
WINDOW WALL SYSTEM
SHIM AS REQ'D SEALANT
COMPOSITE MTL. WALL PANEL SYSTEM
EQ
2" SLEEVE AND RING
2”
8 1/2”
1”
1" DIA. SS304 ROUND BAR ISA
CIP S.S. THREADED ROD BACKER ROD & SEALANT
EQ
2”
Z - CLIPS
3/4”
BACKER ROD & SEALANT
SEALANT
WINDOW WALL SYSTEM W/ DEFLECTION TRACK
GL-2
1' - 0" 2"
1" DIAMETER STANDOFF STAINLESS ST-2 3/8" ALUMINIUM REVEAL
2' - 1"
WV-2
2' - 0"
NOTE: INTERMEDIATE STABILIZATION ANCHOR EVERY THREE (3) FLOORS
DOUG MOCKETT 10" TRASH GROMMETT TM10B-PSS
1' - 0 3/8"
1' - 0 3/4"
ST-3
3"
2' - 8"
GYPSUM BOARD BATT INSULATION EXT. SHEATHING FLUID APPLIED MEMBRANE AIR BARRIER NON STRUCTURE METAL FRAMING FLEXIBLE FLASHING
MELAMINE ON ALL INTERIOR SURFACES
SEALANT EACH SIDE
1/2”
BACKER ROD & SEALANT ALUMINUM SLIDING DOOR FRAME
1/2”
WV-1
3"
1' - 6"
PORTLAND CEMENT PLASTER VENEER SYSTEM
3/4" WOOD VENEER DOOR FRONT, BACK & EDGE BAND, WV-1 TRASH RECEPTICLE BY OTHERS
3' - 0"
3/4"
BRUSHED STAINLESS STEEL KICK
8 3/4"
3"
3" = 1'-0"
T - MOLDING
4"
9 1/4" 3/4" 9 1/4"
3/8" ALUMINIUM REVEAL
WINDOW HEAD AND SILL W/ METAL PANEL AT ISA
1/4" HARDBOARD BACK
2' - 0" 2' - 10"
1/4" MDF BACK W/ MELAMINE LAM.
7/8"
3/4" HARDWOOD RAILS 1/2" HARDWOOD DARWER BOX DOVETAIL JOINTS, 1/4" PLYWOOD BOTTOM
3/4" PLYWOOD CABINET BOTTOM W/ MELAMINE VENEER
5F
PULL
3/4" DRAWER FRONTS W/ WOOD VENEER, WV-2
9 1/4"
3' - 3"
3' - 8"
ST-2
4"
5C RECEPTION DESK SECTION C
7C HOSPITALITY / MAIL RM SECTION
1 1/2" = 1'-0"
5D SLIDING DOOR JAMB DETAIL
1 1/2" = 1'-0"
3" = 1'-0"
REF 6A/A5.18 FOR EXTERIOR CONDITIONS
PARKING GARAGE
SPANDREL PANEL
1/2"
3/4" PLYWOOD
REGLET "Z" MOLD
6"
3/4" PLYWOOD, PTD
CURTAIN WALL SYSTEM AS SCHEDULED
GYP. BOARD
DRAPERY BY OTHERS
2' - 0"
1' - 5 1/4"
14' - 0" GYP. BOARD CEILING AS SCHEDULED
10"
10"
GYP. BOARD ON METAL STUDS FINISH AS SCHEDULED 15' - 6"
10"
DRAPERY BY OTHERS
GYP. BOARD CEILING AS SCHEDULED
EXTERIOR
LOBBY
RETAIL
CURTAIN WALL SYSTEM AS SCHEDULED
LOBBY
10' - 0"
GARAGE DRIVE
5C DRAPERY POCKET @ INTERIOR WALL
1C DRAPERY POCKET @ LOBBY CURTAIN WALL
1 1/2" = 1'-0"
1' - 9"
B
LIGHT FIXT. PER LIGHTING CONSULTANT
1' - 0"
1' - 4 3/8"
13' - 6"
GYP. BOARD CEILING AS SCHEDULED
6C CEILING @ MANAGEMENT OFFICE
1 1/2" = 1'-0"
1 1/2" = 1'-0"
MANAGEMENT OFFICE
13' - 6"
13' - 6"
5/16" BED SET THICKNESS
1/2" REVEAL @ CEILING
CERAMIC TILE OVER WATERPROOFING MEMBRANE
LIGHT FIXT. PER LIGHTING CONSULANT
CUSTOM S.S. FOUNTAIN BOX
WV-1
ST-1 WV-2
4' - 0"
CONCRETE WALL
WATER SUPPLY LINE
PORCELAIN TILE T-9
WC-5
1/2" ALUMINUM CHANNEL REVEAL
WOOD CAP
STAIRS
WV-1
STAIRS
12' - 0"
LIGHT FIXT. REF. ELEC.
5' - 0"
METAL STUDS
20 COUNT MAILBOXES W/ 2 PARCEL AUTH-FLORENCE 4CFT2-20 (OR EQUAL)
4'-7 5/8" R.O. 8' - 0"
DECORATIVE GRAVEL ON FOOT TRAFFIC RATED S.S. GRATE CUSTOM S.S. FOUNTAIN BOX WITH OVERFLOW DRAIN
ST-2
3 7/8"
F.F.
CABINET
3' - 0"
8 5/8"
0' - 0"
WV-1
SUBMERSIBLE PUMP
1A WATER WALL SECTION 1" = 1'-0"
1' - 2"
METAL STUDS
1' - 10 1/4"
F.F. 0' - 0"
3A MAILROOM SECTION 3/4" = 1'-0"
F.F. 0' - 0"
5A SECTION @ COFFEE BAR 3/4" = 1'-0"
LAGUARDA.LOW ARCHITECTS: “PASO”
PROFESSIONAL USAGE 5
DAILY ENERGY LEVEL
10 C
+ USAGE 14
13 C
+ USAGE 21
24 C
+ USAGE 7
11 C
+ USAGE 12
31 C
+ USAGE 8
COMP
DAILY COMPREHENSION LEVEL
f1XX-09
%
INTE
DAILY INTELLIGENCE LEVEL
t1XX-46
%
CREA
DAILY CREATIVITY LEVEL
a1XX-09
%
POTE
PROJECT POTENTIAL LEVEL
d1XX-09
%
HOUR
DAILY HOURS SPENT
c1XX-07
%
ENER
+
h1XX-45
% 15 C
PROJECT TYPE: MIXED-USE RETAIL CLIENT: PASO LOCATION: GUANGZHOU, CHINA DESCRIPTION:
Quoc H. Tran was involved in Master Planning, Concept Design, Schematic Design, and Design Development (core and shell) phases of a high-end 5 parcel mixed-use retail. The project consisted of two phases; the first phase is retail design of parcel 5 bridging into the second phase of street retail tied to a pre-existing retail mall.
LAGUARDA.LOW ARCHITECTS
8500
8500
8500
3
2
8500
8500
1397
8500
8500
8500
8500
6500
10700
3400
7800
1200
46200
8500 178500
8500
8500
8500
WS06 A7-06
1
A6
A6-03
A6-02
4
A6-04
8500
8500
11100
1900
700
8500
WS05 A7-05
-01
8500
7400
2700
8500
8500
WS07
WS04 A7-04
8500
8500
61 00
WS03 A7-03
12
6400
WS0 8 A7 -0 70 8 0
WS02 A7-02
࣐
8500
к л
0
࣐
10
+18.000
11
WS01 A7-01
8500
74 00 43 40 0
⭥ở ਸ⭘ࡽᇔ
≤
ᖡ亦ⴆ
к
8500
61 00
л
8500
65900 2200
+21.250
1
8500
1500
0 7000
8500
8500
1110
WS09 A7-09
A7-16 WS16
A6-01
+18.000
л
8500
8500
л
8500
8500
8500
A7-11 WS11
100
8500
7600 4400 3200 0 3240 2200 400 1800
A7-15 WS15
A7-12 WS12
8000
8500
A7-1 4 WS1 4
A7-13 WS13
3500
8500 0
4355
WS10 A7-10
8500
к
76500 8500
8500
8500
8500
8500
8500
8500
8500
9550
119911
8500
8500
8500
8500 8500 8500 8500 6811 9800 9800
3
A6-03
2
4
A6-02
A6-04
2
3
A6-03
A6-02
4
A6-04
ൠл䖖ᓃࠪޕਓ
୶൪⅑ޕਓ
N ୶൪ѫޕਓ 㔯ൠ лB1
8500
к
8500
к 8500
8500
୶൪⅑ޕਓ
8500
䐟
8500
1397
8500
Ҁ
8500
ἐ
䍗䖖ࠪޕਓ
1
A6
㔯ൠ
8500
8500
6500
3400
10700
7800
1200
46200
8500 178500
8500
8500
8500
WS06 A7-06
-0.200
-01
11100
1900
700
7400
2700
к
8500
8500
WS05 A7-05
8500
8500
8500
WS07
WS04 A7-04
୶ъѫޕਓ
л
к к
л
オ䈳⭘ᡯ
୶䬪 ᰐ䳌⺽එ䚃 74 00 43 40 0
࣐ ˄ሩҾ㔍ሩḷ儈
к л
⭥ở ਸ⭘ࡽᇔ
±0.000 ±0.000
୶ъ ኅ⽪
ḻ࣎ޕޜਓ ୶䬪
≤
୶䬪 ୶䬪
ḻ࣎ޕޜਓ
0
л
к
୶ъ ኅ⽪
࣎ޜབྷา
B
11
10
6400
к л
୶䬪
ᰐ䳌⺽එ䚃 к
ᕪ⭥
↻ছ
±0.000
±0.000
୶䬪
±0.000
୶䬪
୶䬪
୶ъ ኅ⽪
61
8500
00
୶䬪 ୶䬪
୶䬪
୶䬪
WS01 A7-01
⌱䰤
≤ ࣐
୶ъ ኅ⽪
୶䬪
୶䬪 л
8500
WS0 8 A7 12 -08 70 0
୶䬪
䘋仾Ӆ
8500
WS02 A7-02
俆ቲᔰޣᡯ л
8500
00 61
୶ъ⅑ޕਓ
୶䬪
8500
-0.200
WS03 A7-03
ᖡ䲒⭥ở
65900 2200
୶䬪
୶䬪
୶ъ ኅ⽪
-0.200
1
୶䬪
୶䬪
л
±0.000
୶䬪
୶䬪
୶ъ ኅ⽪
к
A6-01
к л
オ䈳ᵪᡯ
୶䬪
୶ъ ኅ⽪
୶䬪
オ䈳⭘ᡯ
л
3500
୶ъ ኅ⽪ ±0.000
୶ъ ኅ⽪
ᧂ仾Ӆ л
л к
л
к
ᵪᡯ 䘋仾Ӆ
A7-1 4 WS1 4
A7-13 WS13
ᰐ䳌⺽එ䚃 ±0.000
-0.200
-0.200
к
л
A7-15 WS15
A7-12 WS12
8500 8500
100
A7-11 WS11
8500
8500
-0.200
8500
8500
8500
ൠл䖖ᓃࠪޕਓ
76500 8500
8500
8500
8500
8500
8500
11
9550
1199
8500
8500
л
8500 8500
ൠлᇔ䗩㓯
8500 8500 6811
ᧂ仾Ӆ 9800
䘋仾Ӆ
к л
л
୶䬪
2200 400 1800
л
к л
✏Ӆ
к
࣎ޜབྷา
8000
オ䈳⭘ᡯ
୶䬪
୶䬪
7600 4400 3200 0 3240
8500
8500 0
୶䬪
8500
୶䬪
л к
8500
0 7000
8500
1110
୶䬪
к
4355
к
୶䬪
л
8500
WS09 A7-09
୶䬪
WS10 A7-10
8500
1500
୶䬪
A7-16 WS16
ൠлᇔ䗩㓯
୶䬪
8500
୶䬪 ୶䬪
9800 л
8500
3
A6-03
2
A6-02
4
A6-04
ELEVATOR TO ROOF LEVEL ᇘụ䙐ኁ䶘
CINEMA POP UP ᖧ䲘рቸ
POOL AMENITY TO TOWER ⑮〈⊖δਥ䙐ຊᾲε SKYLIGHT STEEL STRUCTURE ཟネ䫘ᷬ SKYLIGHT GLAZING AND MULLION DIAGRID ཟネ⧱⪹ᯒ㛁ᶺᷬ CLERESTORY, ENTRY FROM LEVEL 3 TO ROOF LEVEL ཟネθԄ ቸ䙐ኁ䶘 ROOF LEVEL CONNECTION TO TOWERS ኁ䶘ቸδਥ䙐ຊᾲε
LEVEL 4 ቸᒩ䶘ഴ ḽ儎
/(9(/ пቸᒩ䶘ഴ ḽ儎
L(9(/ ӂቸᒩ7䶘ഴ ḽ儎
LEVEL 1 俌ቸᒩ䶘ഴ ḽ儎
LEVEL B1 ൦сжቸᒩ䶘ഴ ḽ儎
/(9(/ % ൦сӂቸᒩ䶘ഴ ḽ儎