CONCEPT AND VISION
The design concept got inspired from ships manufacturing as were Dakeer island in the past which be fixed by structures at manufacturing phase, we redefined that creating by assuming the structures as closed spaces and the ship is the space between them which have constant activity as the ships are.
Inspiration
The inspiration was from the ship’s hull because Dakeer Island history as a shipyard Structure
The construction method required the presence of a permanent structure to help build it
Massing
Convert these structures into fixed spaces that contain the project areas People
The intermediate space between these masses is constantly dynamic and evolving, akin to a ship
The project itself was made of two main buildings. Each building applicate our concept by containing an open court which create access to the waterfront, the two buildings theirselves applicate the concept with the plaza.
Selected Works | Dewan Competition
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GROUND FLOOR PLAN
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MAIN BRIDGE
The main entrance of the project was the main bridge and with it started to have “Shanashel” as rest areas throughout the bridge
RIVER TAXI AND OUTDOOR SPACES
The river taxi has its own marine next to the outdoor setting areas which made a lot of impact on the waterfront of the project
PLAZA
A ship was and abandoned structure have been reused as landmark
BOAT DRY-STACKING
Since the sailin club needed a stacking method was a great
HIGHLIGHTED ZONES
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structure in the island and it landmark for people to gather around
a place to hold the boats the fit due to its sustainability
LODGE AND SWIMMING POOL
The lodge and it’s unique entrance from the river for the boats which works as a parking for the lodge visitors
FISHING BOATS AND TRUCKS BRIDGE
A fishing boats marine and a trucks bridge was a must to fulfill the needs of the fish market
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We used cultural architectural elements such as “Shanashel” to get the best use of the sun, wind and view and used them in the court to simulate the old Basra neighborhoods
They were used in the court Basra neighborhoods, lighting experience throughout veitation in the other side
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WATERFRONT
court to simulate the old also to create unique throughout the stairs with side
Also, in vertical circulation such as glass elevators and creating a lighting experience while partially hiding them to encourage walking through the whole project
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WATERFRONT
SOULFULL
ARCHITECTURAL
SOULFULL TRAIL
ARCHITECTURAL DESIGN V
PROJECT DESCRIPTION
THE PROJECT AS A GROUP WORK WAS BASED ON REDEVOLOPING LAFARGE CEMENT FACTORY LANDS IN JORDAN, AL-FUHAIS. THEN ARCHITECTURALLY DESIGNING EACH ZONE AS AN INDIVISUAL WORK.
HISTORY TIMELINE
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THE SITE HAS A LOT OF POTENTIAL FROM ITS LOCATION AMONG THE CITY AND ITS UNIQUE TOPOGRAPHY DESPITE ITS CHALLENGES ABOUT THE POLLUTION WHICH CAN BE SOLVED
Soulful Trail | Selected Works
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MICRO SWOT ANALYSIS:
DEVELOPED MASTER PLAN
THE VISION WAS ABOUT GIVING THE GREENERY ITS GLORY BACK AND GIVING THE TOURISTS AN EXPERIENCIAL PATH WHILE MAINTAINING SOUL OF THE FACTORY
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SOULFULL TRAIL
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TRAIL PROJECT
CONCEPT AND VISION
The vision was about giving the tourists an experiencial tour ending and and reviving the traditional market idea while having enough spaces and greenery to maintaining the overall concept of giving the place its glory back.
OUTDOOR MARKET
It is the start of the path and the first to see by the tourist which is the markets from the right and left with a fabric protect them from the sun with indeed exits to the outdoor green areas
MARKET AND COMERCIAL
It is the second phase of the path and the moment when we introduce indoor commercial shops and resturants, and the louvers controling sun light and making unique shadows to admire
INDOOR MARKET
As the final phase of the destiny, we have a double volume skylight with indoor bridges between trees with seatings underneath, deleviring unique experience for the commercial usage in shops
Selected Works | Soulful Trail
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GROUND FLOOR PLAN
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A-A
B-B
SECTION
SECTION
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ARCHITECTURAL SECULAR
SECULAR STONE
ARCHITECTURAL DESIGN IV
PROJECT DESCRIPTION
The project involved designing a business center while preserving the chosen architect’s unique style and background, requiring the designer to incorporate the architect’s distinct design principles, aesthetic values, and professional experiences.
Chosen Architect
PETER ZUMTHOR
He is a renowned Swiss architect known for his minimalist and contemplative approach to design. He is known for his attention to detail, use of natural materials, and commitment to sustainability. Zumthor’s work often emphasizes the tactile qualities of materials, creating buildings that are not only visually striking but also invite physical interaction.
CONCEPT
It was based on an original sketch of architect peter zumthor showing 3 main walls controlling natural lighting inside the buidling
The key difference between Zumthor’s sketch and mine is the secondary usage of the walls though zumthor was considering using the walls as the main structural elements i used the walls as the main circulation and experencial paths by using the local material which is the Jordanian stone and make it dominance throughout the building
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Peter Zumthor’s Original Sketch
Early Design Sketch
Detail Sketch
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GROUND FLOOR PLAN
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The outline design of the project as showed in the exploded diagram have been approuched using two methods of the first one was for the building itself making for each main wall independent mass containing it zones, the second approuch was creating outline by the edges of the building to create a basic shape which was a rectangle containing the landscape design and making it simple and human accessable.
Selected Works | Secular Stone
43 Secular Stone | Selected Works