Final project

Living with Antiques September 2013

Learning about the principles and elements of design within your home

http://www.antiquehomesmagazine.com/Properties.php?task=View&id=15852

•

•

•

•

•

•

Lines…………............................................pg. 6 Horizontal Line………….…………….pg.7 Vertical line………………….………….pg.8 Curved flowing line.……………....pg.9 Texture……………………………………………..…….pg.10 Tactile……………………………….………pg.11 Reflective…………………………………pg.12 Unreflective……………………………..pg.13 Light……………………………………………………..pg.14 Natural…………………………………….pg.15 Track……………………………………….pg.16 Task…………………………………………pg.17 Color……………………………………………….…..pg.18 Monochromatic……..………………..pg.19 Complementary………………….....pg.20 Analogous……………………….…….pg.21 Space…………………………………………………..pg.22 Negative………………………………….pg23.

Positive……………………………………pg24.

Territorial…………………………………pg.25 Shape…………………………………………………..pg.26 Abstract………………………………...pg.27 Natural…………………………………..pg.28 Dynamic………………………………..pg.29

• Form……………………………………………………...pg.30 Natural………………………………............……..pg.31 Geometrical……………………………….pg.32 Abstract…………………………………....pg.33

Elements of Design

TABLE OF CONTENTS

1

•

•

• •

•

• •

Balance………………………………………………….pg.35 Visual symmetry………..………..pg.36 Visual asymmetry………………...pg.37 Visual radial symmetry…………pg.38 Structural symmetry……………..pg.39 Harmony………………………………………………….pg.40 Unity through line………………..pg.41 Unity through furniture………..pg.42 Unity through repetition……….pg.43 Variety through color……………pg.44 Modern in contrast to old….....pg.45 Unity through color…………..…pg.46 Emphasis…………………………………………….....pg.47 Visual focal point………………...pg.48 Structural focal point…………...pg.49 Massing………………………………………………....pg.50 Optical density………………….…pg.51 Actual density………………….....pg.52 Rhythm…………………………………………….......pg.53 Repetition…………………….….…pg.54 Contrast……………………….….…pg.55 Climatic……………………….....…pg.56 Proportion………………………………………….….pg57 In Proportion..........................pg.58 Not proportion........................pg59 Scale................................................................pg.60 Human Scale..........................pg.61 Symbolic Scale .......................pg.62.

Principles of Design

TABLE OF CONTENTS

2

Design Thesis An antique is an old, collectible and desired item. It is treasured because of its age, condition, utility, or other unique features it may have. Usually it is an object that is treasured by your family and is passed down from generation to generation. Typically, the piece will remind the owner of times past.

Antiques are usually objects which show some degree of craftsmanship or display a certain attention to design ,such as a piece of furniture or an old lamp. This magazine will help you learn how to incorporate antiques into your home design.

3

ABOUT THE EDITOR

My name is Rachel Garner and I recently transferred from Sandhills Community College to East Carolina University.

Currently, my major is biology.

I live in an apartment at Copper Beach in Greenville. I grew up in a small town called Robbins in North Carolina. In the future, I wish to continue being a biology major and then apply to dental school. Many of the photos you will see, were taking in my mothers home. I hope you enjoy this magazine as much as I enjoyed creating it.

4

ELEMENTS OF DESIGN

http://www.azlifeandstyle.com/2012/12/parisian-apartment-decorating-style.html

5

Lines • Horizontal • Vertical • Curved

flowing 6

Horizontal Lines Horizontal lines help create strength and solidity in an object. These types of lines can be seen on houses, mirrors, bookshelves, walls, and furniture.

7

Vertical lines

Vertical lines normally provide a feeling of height to an object. They can make an object or house appear taller.

Vertical lines can be seen in objects such as drapes, pillows, curtains, or columns. The strategic use of vertical lines can make a small room appear much larger.

8

Curved Flowing Lines A curve is a line that sets everything straight

Curved lines have a more graceful and softer effect in a room compared to horizontal and vertical lines. An example of curved lines is perfectly displayed on this Coca Cola box.

9

TEXTURE

• Tactile • Reflective • Unreflective 10

Tactile Texture The word tactile refers to touch. Tactile texture is the actual 3D feel of an object or surface. For example, this pillow in the right corner has a rough, beaded texture to it. The rocks underneath the house present a cool, smooth texture.

11

Reflective Texture Reflective texture is noticed when the light hits an object, and it is reflected back.

You can see that the light coming from this lamp is being reflected onto the wall creating a more subtle light.

12

Unreflective Texture Unreflective texture can be found in chairs that have cushions, carpets, rugs, quilts, and tablecloths. They are unreflective because these objects take in sunlight from windows and lights rather than reflecting the light back.

The chair would be an example of an unreflective texture.

13

LIGHT

• Natural • Track • Task 14

Natural Light This is an example of natural light in a home. There is no need for lamps or light switches to be turned on in the day time because the light is shinning in from the window at sunrise.

15

Track Lighting Track lighting is used to create extra emphasis on certain areas of your home.

Track lighting can be used outside or inside. http://3.bp.blogspot.com/-L4coNwInObo/TpSi6PfMwLI/AAAAAAAAFSQ/YDSfHGCI8Y/s1600/assymet.jpg

This use of lighting has a dramatic effect.

16

Task Lighting Task lighting is used when you need extra light at a certain area. An example would be a student needing a lamp at his/her desk to work on. The lamp placed in this living room is used for reading and other related activities.

17

COLOR • Monochromatic • Complementary • Analogous 18

Monochromatic Monochromatic color schemes are developed from a single hue. The use of one color can create a harmonious affect. This color can vary and have different levels of intensity.

Monochromatic colors are often enhanced by the use of textures.

19

Complementary Complementary colors are normally the most popular because they show off variety. When looking at the color wheel, you can see which colors complement each other. Complementary schemes always contain a mixture of warm and cool colors. In the bottom picture, you can see that the cool blue colored lamp is combined with the warm colored red room along with the red chair and brown furniture.

http://www.elledecor.com/design-decorate/marriage-of-styles-19415

20

Analogous Color Analogous color schemes are produced from any segment of colors that are adjacent but contain no more than half of the colors on the standard color wheel.

This rug uses few colors from the color wheel and yet, the affect is dramatic.

21

SPACE • Negative • Positive • Territorial 22

Negative Space This picture is an example of negative space.

Behind the chair in this dining room there is space that is being unused.

The furniture could be rearranged differently in order to utilize the space to its full potential.

23

Positive Space Positive space is being purposeful in the way you arrange your furniture and belongings.

You can see in the picture below that this rooms is arranged so that the space is positive. There is plenty of room to walk and the space in the room is being used properly.

24

Territorial Space Territorial place is a space that is private. An example of territorial space would be your bedroom. You go to your bedroom to relax and spend time to yourself. It is your room and your room alone.

25

SHAPE • Abstract • Natural • Dynamic 26

Abstract Abstract is a type of decorative design modified so that the subject may not be recognizable

http://emkandassociates.com/galleries/rosenbaum-fine-art/

An example would be the design over this bed 27

Natural Natural shapes applies to curved lines that create flow. The curve shapes give the object a more natural look.

An example would be these old antique wooden chairs.

You can see how the curved lines make the chair flow together and connects it together nicely.

28

Dynamic With dynamic shapes, movement is often shown. It directs your eye and leads you around the object.

29

FORM • Natural • Geometrical • Abstract 30

Natural Form

This antique checkers table is an perfect example of natural form. The wood is individual pieces formed together to make a dynamic piece.

31

Geometrical Form Geometric forms are mostly squares, circles, and triangles. These shapes catch the eye instantly and have three dimensions. This wrought iron antique chair is a perfect example of geometrical shapes.

32

PRINCIPLES OF DESIGN

http://2.bp.blogspot.com/-m6RmFBmsolw/UacSyjYzd2I/AAAAAAAAhhs/J0Z7WIfYNRw/s1600/1367166886.jpg

33

BALANCE • Visual Symmetry • Visual Asymmetry

• Visual Radial

Symmetry • Structural Symmetry

34

Visual Symmetry When identical objects are arranged equally on each side of an imaginary line visual symmetry is achieved.

The placement of the identical cabinets beside of the entertainment center is an example of visual symmetry. The arrangement of the combined pieces brings balance and a sense of 35 formality to the room.

Visual Asymmetry Visual asymmetry is the point at which different items are placed and the balance is sensed by the individual.

The collection of the antique jars filled with buttons is enhanced when the chest is added to the display.

36

Radial Symmetry In radial balance, all elements of the design radiate from a center point.

All of the designs radiate from the central star of the quilt. The design is visually pleasing and adds interest which keeps the eye moving.

37

Structural Symmetry The rock wall is an example of structural design using material to create structural interest and purpose.

By placing the rocks in purposeful patterns, a strong structure is formed that is functional in the landscape design.

38

HARMONY •

Unity through line

•

Variety through furniture

•

Unity through repetition

•

Variety through color

•

Variety through modern in contrast to old

•

Unity through color

39

Unity through line The use of the curtains and windows in the sitting room is an example of unity through line.

The vertical lines created by the drapes add height to the room and add width to the space, thus, unifying the room

40

Variety through furniture The use of an unexpected piece of furniture can greatly change the feel of a room. The wicker chest, used as a coffee table, adds personality and style that an average coffee table might lack

41

Unity through repetition The repetition use of white cabinets adds unity to the space with this setting room.

The eye moves effortlessly due to the flow of white repeated in the room

42

Variety through color Rooms can often be punched up a notch with the use of color. A fun print can add interest and a bit of hidden personality to a space 43

Modern in contrast to old The combination of antique and modern furniture can be achieved with ease.

The claw foot bathtub is a timeless piece that is complimented by the modern variety. The pairing works well to achieve a classic look that is appealing.

44

Unity through color

Color can have a visual, dramatic affect on a room. The use of red draws the eye through the room and creates a pleasing flow. The pottery, lamp, and quilt unifies the appeal with the use of color.

45

EMPHASIS • Visual

Focal Point • Structural

Focal Point 46

Visual Focal Point A visual focal point is an area that instantly draws your eye.

The bed is the visual focal point in the bedroom. The wrought iron design draws the eye immediately when the room is entered. Features of the bed create a strong visual focal point.

47

Structural Focal Point The fireplace is great example of a structural focal point. The eye immediately drawn to the rock and mantle of the fire place. The structure demands attention.

48

MASSING • Optical

Density • Actual Density

49

Optical Density The use of planters can create an illusion. The white plant stand creates the illusion of stone but, in reality, the plant stand is made of plastic.

50

Actual Density The use of rectangular pieces adjoined creates a pleasing affect in the hardwood floor. The mass of wood creates a flow that appears seamless and thin.

In reality, thick pieces of wood were adjoined to create a mass appeal.

51

RHYTHM • Repetitive • Contrast • Climatic

Repetitive The green colors in the kitchen are repetitive and create a pleasing environment. Through careful placement of green bowls, tins, and pottery, the overall feel is harmonious and calm.

53

Contrast Contrast occurs when the eye moves due to color change, texture, or shape.

The utility room is an example of contrast. The white appliances bounce off the bold wall color. The red walls are also a contrast to the rock flooring.

54

http://media-cache-

Climatic repetition draws the eye upward or downward.

ak0.pinimg.com/236x/66/4e/77/664e775bdb2acd402bc877df6689139d.jpg

Climatic

This southern home with the vertical columns of the porch draws the eye upward to the small window on the top of the house.

55

PROPORTION • In proportion with Space

• Not in proportion with Space

56

Object in proportion with space Proportion is the relationship of an object to the size of its surroundings

http://www.homestagecoach.com/images/cherryb4andafterdec13086_000.jpg

The side chairs are in proportion to the fireplace. The art above the fireplace is in the same scale. The objects are properly scaled and the room looks well designed.

57

Object not in proportion with space

A room is not properly designed if the objects are not in proper proportion. The small art over the couch is not proportional to the couch or the large living room. 58

SCALE • Human Scale • Symbolic

Scale

59

http://pauleannareid.com/wp-content/uploads/2012/04/woman-looking-inmirror.jpg

Human Scale Human scale is a scale that is used to compare and contrast the average human size and height. As you can see in this picture, the mirror is relatively close to the woman's height.

Therefore, making use of the human scale.

60

Symbolic Scale Symbolic scale is used to show off an object in different ways. For example, a change in its color or size.

A designer may decide to display a normal plate in an unusual fashion, such as wall art.

These plates are not meant for dining, yet, they symbolize utilitarian dishes.

61